1650 revolt Stock Photos and Images
Print marked top right: Third Part Fol. 92., Revolt against the Bishop of Nîmes, 1650 Revolt, Against the Bishop of Nimes int Year 1650 , print maker: Jan Luyken, (mentioned on object), Jan Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1696, paper, etching, h 294 mm × w 363 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-marked-top-right-third-part-fol-92-revolt-against-the-bishop-of-nmes-1650-revolt-against-the-bishop-of-nimes-int-year-1650-print-maker-jan-luyken-mentioned-on-object-jan-luyken-mentioned-on-object-publisher-jan-claesz-ten-hoorn-amsterdam-1696-paper-etching-h-294-mm-w-363-mm-image472027875.htmlRM2JBXMAB–Print marked top right: Third Part Fol. 92., Revolt against the Bishop of Nîmes, 1650 Revolt, Against the Bishop of Nimes int Year 1650 , print maker: Jan Luyken, (mentioned on object), Jan Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1696, paper, etching, h 294 mm × w 363 mm
Allegorie des Friedens, c. 1650. Found in the Collection of Rubenshuis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegorie-des-friedens-c-1650-found-in-the-collection-of-rubenshuis-image348986942.htmlRM2B7NMBA–Allegorie des Friedens, c. 1650. Found in the Collection of Rubenshuis.
Genealogie van Claudius Civilis Geslachtlyst van Claudius Civilis (titel op object) Pressed genealogy of Claudius Civilis. Manufacturer : publisher: anonymous place manufacture: Netherlands Date: 1650 - 1799 Physical features: leaf with text printing material: paper Technique: letterpress dimensions: h 278 mm (paper) × b 191 mmToelichtingNiet in Frederick Muller; added by RPK nummer. Subject: Batavian Revolt When: 69 - 70Wie: Claudius Civilis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/genealogie-van-claudius-civilis-geslachtlyst-van-claudius-civilis-titel-op-object-pressed-genealogy-of-claudius-civilis-manufacturer-publisher-anonymous-place-manufacture-netherlands-date-1650-1799-physical-features-leaf-with-text-printing-material-paper-technique-letterpress-dimensions-h-278-mm-paper-b-191-mmtoelichtingniet-in-frederick-muller-added-by-rpk-nummer-subject-batavian-revolt-when-69-70wie-claudius-civilis-image348374190.htmlRM2B6NPRA–Genealogie van Claudius Civilis Geslachtlyst van Claudius Civilis (titel op object) Pressed genealogy of Claudius Civilis. Manufacturer : publisher: anonymous place manufacture: Netherlands Date: 1650 - 1799 Physical features: leaf with text printing material: paper Technique: letterpress dimensions: h 278 mm (paper) × b 191 mmToelichtingNiet in Frederick Muller; added by RPK nummer. Subject: Batavian Revolt When: 69 - 70Wie: Claudius Civilis
The Battle of White Mountain on 8 November 1620, 1620-1635 . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-battle-of-white-mountain-on-8-november-1620-1620-1635-image228940466.htmlRMR8D3W6–The Battle of White Mountain on 8 November 1620, 1620-1635 .
Frederik Hendrik / Frederick Henry (1584-1647) was the ruling Prince of Orange and stadtholder of Holland, Guelders, Overijssel, Utrecht and Zeeland. The youngest son of the famed William the Silent, he was the half-brother of the previous Prince of Orange and his predecessor, Maurice, who passed away in 1625. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederik-hendrik-frederick-henry-1584-1647-was-the-ruling-prince-of-orange-and-stadtholder-of-holland-guelders-overijssel-utrecht-and-zeeland-the-youngest-son-of-the-famed-william-the-silent-he-was-the-half-brother-of-the-previous-prince-of-orange-and-his-predecessor-maurice-who-passed-away-in-1625-image344281648.htmlRM2B03AN4–Frederik Hendrik / Frederick Henry (1584-1647) was the ruling Prince of Orange and stadtholder of Holland, Guelders, Overijssel, Utrecht and Zeeland. The youngest son of the famed William the Silent, he was the half-brother of the previous Prince of Orange and his predecessor, Maurice, who passed away in 1625.
Lesser Antilles. Grenada. French occupation. 17th century. Uprising of the colonists against the tyranny of the governor, sentenced to death by hanging. Engraving, 1807. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lesser-antilles-grenada-french-occupation-17th-century-uprising-of-the-colonists-against-the-tyranny-of-the-governor-sentenced-to-death-by-hanging-engraving-1807-colored-image211073734.htmlRMP7B6KJ–Lesser Antilles. Grenada. French occupation. 17th century. Uprising of the colonists against the tyranny of the governor, sentenced to death by hanging. Engraving, 1807. Colored.
The decorative periods . sques. It prevailed from1500 to 1556. The successor of Carlos I, Phihp II, through his 150 The Decorative Periods religious intolerance, excited a revolt in the Netherlands in whichthe Northern states were lost to Spain. Philip was thoroughly-Spanish, and the period from 1556 to 1650 was occupied by a crudeGraeco-Roman, of which the escuriel is an example. From 1621to 1648 continual wars against the Netherlands and neighboringcountries brought constant reverses to Spain, and from 1650onward Spanish influence declined rapidly. Spains supremacyin trade was lost to the Du Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-decorative-periods-sques-it-prevailed-from1500-to-1556-the-successor-of-carlos-i-phihp-ii-through-his-150-the-decorative-periods-religious-intolerance-excited-a-revolt-in-the-netherlands-in-whichthe-northern-states-were-lost-to-spain-philip-was-thoroughly-spanish-and-the-period-from-1556-to-1650-was-occupied-by-a-crudegraeco-roman-of-which-the-escuriel-is-an-example-from-1621to-1648-continual-wars-against-the-netherlands-and-neighboringcountries-brought-constant-reverses-to-spain-and-from-1650onward-spanish-influence-declined-rapidly-spains-supremacyin-trade-was-lost-to-the-du-image338179610.htmlRM2AJ5BF6–The decorative periods . sques. It prevailed from1500 to 1556. The successor of Carlos I, Phihp II, through his 150 The Decorative Periods religious intolerance, excited a revolt in the Netherlands in whichthe Northern states were lost to Spain. Philip was thoroughly-Spanish, and the period from 1556 to 1650 was occupied by a crudeGraeco-Roman, of which the escuriel is an example. From 1621to 1648 continual wars against the Netherlands and neighboringcountries brought constant reverses to Spain, and from 1650onward Spanish influence declined rapidly. Spains supremacyin trade was lost to the Du
The Siege of Pilsen by Ernst von Mansfeld on 21 November 1618, c1620. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-siege-of-pilsen-by-ernst-von-mansfeld-on-21-november-1618-c1620-image228940469.htmlRMR8D3W9–The Siege of Pilsen by Ernst von Mansfeld on 21 November 1618, c1620.
Lesser Antilles. Grenada. French occupation. 17th century. Uprising of the colonists against the tyranny of the governor, sentenced to death by hanging. Engraving, 1807. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lesser-antilles-grenada-french-occupation-17th-century-uprising-of-the-colonists-against-the-tyranny-of-the-governor-sentenced-to-death-by-hanging-engraving-1807-image209566618.htmlRMP4XGA2–Lesser Antilles. Grenada. French occupation. 17th century. Uprising of the colonists against the tyranny of the governor, sentenced to death by hanging. Engraving, 1807.
. The book of decorative furniture, its form, colour and history . ading doctrines of austere Pro-testantism, was yet the land of riches and thevalued banker of the papal power. In the artsat the beginning of the seventeenth century shewas preparing to revolt from the insipid uninspiredformalism to which the school of Herrara hadbrought her architecture: a revulsion concluding at the end of thecentury in Churrigiieresque, a decorative debauch as weirdly exuberantas its name, that of an architect of Salamanca (1650-1725) whocertainly endeavoured to provide an amount of detail in excessof the no Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-book-of-decorative-furniture-its-form-colour-and-history-ading-doctrines-of-austere-pro-testantism-was-yet-the-land-of-riches-and-thevalued-banker-of-the-papal-power-in-the-artsat-the-beginning-of-the-seventeenth-century-shewas-preparing-to-revolt-from-the-insipid-uninspiredformalism-to-which-the-school-of-herrara-hadbrought-her-architecture-a-revulsion-concluding-at-the-end-of-thecentury-in-churrigiieresque-a-decorative-debauch-as-weirdly-exuberantas-its-name-that-of-an-architect-of-salamanca-1650-1725-whocertainly-endeavoured-to-provide-an-amount-of-detail-in-excessof-the-no-image370149033.htmlRM2CE5MT9–. The book of decorative furniture, its form, colour and history . ading doctrines of austere Pro-testantism, was yet the land of riches and thevalued banker of the papal power. In the artsat the beginning of the seventeenth century shewas preparing to revolt from the insipid uninspiredformalism to which the school of Herrara hadbrought her architecture: a revulsion concluding at the end of thecentury in Churrigiieresque, a decorative debauch as weirdly exuberantas its name, that of an architect of Salamanca (1650-1725) whocertainly endeavoured to provide an amount of detail in excessof the no
