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1683 1715 Stock Photos and Images
Three Smokers at a Window. Nicolas van Haften; Dutch, 1663-1715. Date: 1683-1715. Dimensions: 334 × 247 mm. Mezzotint on ivory paper. Origin: Netherlands. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-smokers-at-a-window-nicolas-van-haften-dutch-1663-1715-date-1683-1715-dimensions-334-247-mm-mezzotint-on-ivory-paper-origin-netherlands-museum-the-chicago-art-institute-image239967527.htmlRMRXBD0R–Three Smokers at a Window. Nicolas van Haften; Dutch, 1663-1715. Date: 1683-1715. Dimensions: 334 × 247 mm. Mezzotint on ivory paper. Origin: Netherlands. Museum: The Chicago Art Institute.
Self-portrait of Nicolaas Walraven van Haeften, print, print maker: Nicolaes van Haeften, (mentioned on object), Antwerp, 1683 - 1715, paper, engraving, height, 140 mm × width, 95 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-of-nicolaas-walraven-van-haeften-print-print-maker-nicolaes-van-haeften-mentioned-on-object-antwerp-1683-1715-paper-engraving-height-140-mm-width-95-mm-image623507909.htmlRM2Y6B6KH–Self-portrait of Nicolaas Walraven van Haeften, print, print maker: Nicolaes van Haeften, (mentioned on object), Antwerp, 1683 - 1715, paper, engraving, height, 140 mm × width, 95 mm
A Frost Fair on the Thames, looking downstream towards London Bridge, during the Great Frost of 1683-4, when the river was completely frozen for two months. It was the worst recorded frost in England and similar conditions affected much of Europe as well. The period between the 15th and early 19th century was known as the Little Ice Age. The Little Ice Age was a period of cooling that occurred during a period generally thought to run from the 16th to the 19th centuries, though some place the start date in the early 14th century. During the period 1645-1715, in the middle of the Little Ice Age Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-frost-fair-on-the-thames-looking-downstream-towards-london-bridge-during-the-great-frost-of-1683-4-when-the-river-was-completely-frozen-for-two-months-it-was-the-worst-recorded-frost-in-england-and-similar-conditions-affected-much-of-europe-as-well-the-period-between-the-15th-and-early-19th-century-was-known-as-the-little-ice-age-the-little-ice-age-was-a-period-of-cooling-that-occurred-during-a-period-generally-thought-to-run-from-the-16th-to-the-19th-centuries-though-some-place-the-start-date-in-the-early-14th-century-during-the-period-1645-1715-in-the-middle-of-the-little-ice-age-image352827070.htmlRM2BE0JEP–A Frost Fair on the Thames, looking downstream towards London Bridge, during the Great Frost of 1683-4, when the river was completely frozen for two months. It was the worst recorded frost in England and similar conditions affected much of Europe as well. The period between the 15th and early 19th century was known as the Little Ice Age. The Little Ice Age was a period of cooling that occurred during a period generally thought to run from the 16th to the 19th centuries, though some place the start date in the early 14th century. During the period 1645-1715, in the middle of the Little Ice Age
Nicolas van Haften. Three Smokers at a Window. 1683–1715. Netherlands. Mezzotint on ivory paper In this whimsical print of three men enjoying a drink and a smoke, Nicolas van Haeften illustrated the lifestyle of the Dutch peasant, a frequent subject in his work. Rocks and sticks gather on the ledge above the window, and rain pours down over the wooden boards that patch the building’s aging exterior, but the men ignore their surroundings, one even making a toast with his drink. The life of a Dutch peasant was not easy jobs paid little and required manual labor, and housing was overly crowded an Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nicolas-van-haften-three-smokers-at-a-window-16831715-netherlands-mezzotint-on-ivory-paper-in-this-whimsical-print-of-three-men-enjoying-a-drink-and-a-smoke-nicolas-van-haeften-illustrated-the-lifestyle-of-the-dutch-peasant-a-frequent-subject-in-his-work-rocks-and-sticks-gather-on-the-ledge-above-the-window-and-rain-pours-down-over-the-wooden-boards-that-patch-the-buildings-aging-exterior-but-the-men-ignore-their-surroundings-one-even-making-a-toast-with-his-drink-the-life-of-a-dutch-peasant-was-not-easy-jobs-paid-little-and-required-manual-labor-and-housing-was-overly-crowded-an-image337968932.htmlRM2AHRPR0–Nicolas van Haften. Three Smokers at a Window. 1683–1715. Netherlands. Mezzotint on ivory paper In this whimsical print of three men enjoying a drink and a smoke, Nicolas van Haeften illustrated the lifestyle of the Dutch peasant, a frequent subject in his work. Rocks and sticks gather on the ledge above the window, and rain pours down over the wooden boards that patch the building’s aging exterior, but the men ignore their surroundings, one even making a toast with his drink. The life of a Dutch peasant was not easy jobs paid little and required manual labor, and housing was overly crowded an
Self-portrait of Nicolaas Walraven van Haeften, Nicolaes van Haeften, 1683 - 1715 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-of-nicolaas-walraven-van-haeften-nicolaes-van-haeften-1683-1715-image570294043.htmlRF2T3R3TB–Self-portrait of Nicolaas Walraven van Haeften, Nicolaes van Haeften, 1683 - 1715
Self -portrait of Nicolaas Walraven van Haeften, Nicolaes van Haeften, 1683 - 1715 print Antwerp paper engraving portrait, self-portrait of artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-of-nicolaas-walraven-van-haeften-nicolaes-van-haeften-1683-1715-print-antwerp-paper-engraving-portrait-self-portrait-of-artist-image593041160.htmlRM2WCRA1C–Self -portrait of Nicolaas Walraven van Haeften, Nicolaes van Haeften, 1683 - 1715 print Antwerp paper engraving portrait, self-portrait of artist
Self-portrait of Nicolaas Walraven van Haisjes, Nicolaes van Ha behalf, 1683-1715 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-of-nicolaas-walraven-van-haisjes-nicolaes-van-ha-behalf-1683-1715-image418879251.htmlRF2F9DGN7–Self-portrait of Nicolaas Walraven van Haisjes, Nicolaes van Ha behalf, 1683-1715
L'almanach royal de 1682 grave par Pierre Landry representant un Bal a la Francaise ou Rejouissances de l'heureux retour de leurs Majestes (Louis XIV) apres l'expedition en Alsace ou il conquit Strasbourg. Louis XIV danse avec la reine Marie Therese, a gauche le Dauphin (Louis de France (1661-1711) dit le 'Grand Dauphin') et la Dauphine (Marie Anne Christine de Baviere, 1660-1690), a droite un autre couple forme par Philippe Duc d'Orleans (1640-1701) dit Monsieur, Frere du roi, et sa seconde epouse, la Princesse Palatine Charlotte Elisabeth de Baviere (1652-1722), duchesse d'Orleans. Dans le c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lalmanach-royal-de-1682-grave-par-pierre-landry-representant-un-bal-a-la-francaise-ou-rejouissances-de-lheureux-retour-de-leurs-majestes-louis-xiv-apres-lexpedition-en-alsace-ou-il-conquit-strasbourg-louis-xiv-danse-avec-la-reine-marie-therese-a-gauche-le-dauphin-louis-de-france-1661-1711-dit-le-grand-dauphin-et-la-dauphine-marie-anne-christine-de-baviere-1660-1690-a-droite-un-autre-couple-forme-par-philippe-duc-dorleans-1640-1701-dit-monsieur-frere-du-roi-et-sa-seconde-epouse-la-princesse-palatine-charlotte-elisabeth-de-baviere-1652-1722-duchesse-dorleans-dans-le-c-image503830534.htmlRM2M7KCYJ–L'almanach royal de 1682 grave par Pierre Landry representant un Bal a la Francaise ou Rejouissances de l'heureux retour de leurs Majestes (Louis XIV) apres l'expedition en Alsace ou il conquit Strasbourg. Louis XIV danse avec la reine Marie Therese, a gauche le Dauphin (Louis de France (1661-1711) dit le 'Grand Dauphin') et la Dauphine (Marie Anne Christine de Baviere, 1660-1690), a droite un autre couple forme par Philippe Duc d'Orleans (1640-1701) dit Monsieur, Frere du roi, et sa seconde epouse, la Princesse Palatine Charlotte Elisabeth de Baviere (1652-1722), duchesse d'Orleans. Dans le c
. Self-portrait of Zeger Jacob van Helmont . circa 1715. Zeger Jacob van Helmont (1683–1726) Alternative names Jacob van Helmont, Zeger Jacob van Hellemont Description Flemish painter, draughtsman and tapestry designer Date of birth/death 17 April 1683 21 August 1726 Location of birth/death Antwerp Brussels Work period from 1711 until 1726 Work location Brussels Authority control : Q3575098 VIAF: 95709450 ULAN: 500004691 BPN: 30317552 RKD: 37297 1224 Autoportrait de Zeger Jacob ven Helmont Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-of-zeger-jacob-van-helmont-circa-1715-zeger-jacob-van-helmont-16831726-alternative-names-jacob-van-helmont-zeger-jacob-van-hellemont-description-flemish-painter-draughtsman-and-tapestry-designer-date-of-birthdeath-17-april-1683-21-august-1726-location-of-birthdeath-antwerp-brussels-work-period-from-1711-until-1726-work-location-brussels-authority-control-q3575098-viaf95709450-ulan500004691-bpn30317552-rkd37297-1224-autoportrait-de-zeger-jacob-ven-helmont-image185607308.htmlRMMNY40C–. Self-portrait of Zeger Jacob van Helmont . circa 1715. Zeger Jacob van Helmont (1683–1726) Alternative names Jacob van Helmont, Zeger Jacob van Hellemont Description Flemish painter, draughtsman and tapestry designer Date of birth/death 17 April 1683 21 August 1726 Location of birth/death Antwerp Brussels Work period from 1711 until 1726 Work location Brussels Authority control : Q3575098 VIAF: 95709450 ULAN: 500004691 BPN: 30317552 RKD: 37297 1224 Autoportrait de Zeger Jacob ven Helmont
The Battle of Ascalon on August 12, 1099, 1683. Artist: Ten Hoorn, Timotheus (1644-1715) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-battle-of-ascalon-on-august-12-1099-1683-artist-ten-hoorn-timotheus-135271380.htmlRMHT240M–The Battle of Ascalon on August 12, 1099, 1683. Artist: Ten Hoorn, Timotheus (1644-1715)
François Girardon (1628-1715), French sculptor of the Louis XIV style (French Baroque), portrait painting in oil on canvas by Gabriel Revel, 1682-1683 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franois-girardon-1628-1715-french-sculptor-of-the-louis-xiv-style-french-baroque-portrait-painting-in-oil-on-canvas-by-gabriel-revel-1682-1683-image564912659.htmlRM2RR1YT3–François Girardon (1628-1715), French sculptor of the Louis XIV style (French Baroque), portrait painting in oil on canvas by Gabriel Revel, 1682-1683
Art inspired by Jean-Baptiste Colbert (1619–1683), 1655, Oil on canvas, 36 1/4 x 28 1/2 in. (92.1 x 72.4 cm), Paintings, Philippe de Champaigne (French, Brussels 1602–1674 Paris), In 1651 Colbert joined the household of Cardinal Mazarin, principal advisor to Queen Anne of Austria, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-jean-baptiste-colbert-16191683-1655-oil-on-canvas-36-14-x-28-12-in-921-x-724-cm-paintings-philippe-de-champaigne-french-brussels-16021674-paris-in-1651-colbert-joined-the-household-of-cardinal-mazarin-principal-advisor-to-queen-anne-of-austria-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463024162.htmlRF2HW8G16–Art inspired by Jean-Baptiste Colbert (1619–1683), 1655, Oil on canvas, 36 1/4 x 28 1/2 in. (92.1 x 72.4 cm), Paintings, Philippe de Champaigne (French, Brussels 1602–1674 Paris), In 1651 Colbert joined the household of Cardinal Mazarin, principal advisor to Queen Anne of Austria, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Mariage de Louis XIV (1638-1715) et Marie Therese (Marie-Therese) d'Autriche (1638-1683) le 9 juin 1660, en l'eglise Saint-Jean-Baptiste de Saint-Jean Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mariage-de-louis-xiv-1638-1715-et-marie-therese-marie-therese-dautriche-1638-1683-le-9-juin-1660-en-leglise-saint-jean-baptiste-de-saint-jean-image353298990.htmlRM2BEP4D2–Mariage de Louis XIV (1638-1715) et Marie Therese (Marie-Therese) d'Autriche (1638-1683) le 9 juin 1660, en l'eglise Saint-Jean-Baptiste de Saint-Jean
Elisabeth Christine, 8.11.1715 - 13.1.1797, Queen of Prussia, half length, painting by Antoine Pesne (1683 - 1757), Hohenzollern Castle, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-elisabeth-christine-8111715-1311797-queen-of-prussia-half-length-painting-48541445.htmlRMCPY731–Elisabeth Christine, 8.11.1715 - 13.1.1797, Queen of Prussia, half length, painting by Antoine Pesne (1683 - 1757), Hohenzollern Castle, , Artist's Copyright has not to be cleared
Guerre de Trente ans : 'Entrevue du roi de France Louis XIV (1638-1715) et de Philippe IV d'Espagne (1605-1665) dans l'ile des Faisans le 7111659' L'Espagne accepte de signer le traite des Pyrenees. On distingue la fille de Philippe IV, Marie Therese (Marie-Therese) d'Autriche (1638-1683), future reine de France, derriere le roi d'Espagne. Les negociateurs du traite le cardinal Jules Mazarin (Giulio Raimondo Mazzarino ou Mazarino) (1602-1661) et Luis de Haro (1598-1661) sont presents. Sont aussi representes : Anne d'Autriche (1601-1666), Jean Baptiste (Jean-Baptiste) Colbert (1619-1683), Antoi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guerre-de-trente-ans-entrevue-du-roi-de-france-louis-xiv-1638-1715-et-de-philippe-iv-despagne-1605-1665-dans-lile-des-faisans-le-7111659-lespagne-accepte-de-signer-le-traite-des-pyrenees-on-distingue-la-fille-de-philippe-iv-marie-therese-marie-therese-dautriche-1638-1683-future-reine-de-france-derriere-le-roi-despagne-les-negociateurs-du-traite-le-cardinal-jules-mazarin-giulio-raimondo-mazzarino-ou-mazarino-1602-1661-et-luis-de-haro-1598-1661-sont-presents-sont-aussi-representes-anne-dautriche-1601-1666-jean-baptiste-jean-baptiste-colbert-1619-1683-antoi-image559621632.htmlRM2RECY2T–Guerre de Trente ans : 'Entrevue du roi de France Louis XIV (1638-1715) et de Philippe IV d'Espagne (1605-1665) dans l'ile des Faisans le 7111659' L'Espagne accepte de signer le traite des Pyrenees. On distingue la fille de Philippe IV, Marie Therese (Marie-Therese) d'Autriche (1638-1683), future reine de France, derriere le roi d'Espagne. Les negociateurs du traite le cardinal Jules Mazarin (Giulio Raimondo Mazzarino ou Mazarino) (1602-1661) et Luis de Haro (1598-1661) sont presents. Sont aussi representes : Anne d'Autriche (1601-1666), Jean Baptiste (Jean-Baptiste) Colbert (1619-1683), Antoi
History of France (1600-1670). From left to right: musketeer, Philippe of Orleans, Queen consort Maria Theresa of Austria (1638-1683), King Louis XIV (1638-1715), court lady and two other musketeers in the background. Chromolithography. Historia Universal, by César Cantú. Volume VIII. Published in Barcelona, 1886. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-france-1600-1670-from-left-to-right-musketeer-philippe-of-orleans-queen-consort-maria-theresa-of-austria-1638-1683-king-louis-xiv-1638-1715-court-lady-and-two-other-musketeers-in-the-background-chromolithography-historia-universal-by-csar-cant-volume-viii-published-in-barcelona-1886-image468098634.htmlRM2J5FMGA–History of France (1600-1670). From left to right: musketeer, Philippe of Orleans, Queen consort Maria Theresa of Austria (1638-1683), King Louis XIV (1638-1715), court lady and two other musketeers in the background. Chromolithography. Historia Universal, by César Cantú. Volume VIII. Published in Barcelona, 1886.
Louis XIV marries Francoise d'Aubigne, Marquise de Maintenon (winter 1683/84), 1683 - Mariage secret du roi Louis XIV (1638-1715) et Francoise d'Aubig Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-xiv-marries-francoise-daubigne-marquise-de-maintenon-winter-168384-1683-mariage-secret-du-roi-louis-xiv-1638-1715-et-francoise-daubig-image353298983.htmlRM2BEP4CR–Louis XIV marries Francoise d'Aubigne, Marquise de Maintenon (winter 1683/84), 1683 - Mariage secret du roi Louis XIV (1638-1715) et Francoise d'Aubig
The Capel Family. Arthur Capel (1604-1649), 1st Baron Capel of Hadham, his wife Elizabeth Morrison (d.1661), Henry Capel (1638-1696) on the lap of his mother. Standing, from left to right: Arthur Capel (1632-1683), Charles Capel (d.1657), Elizabeth Capel (1633-1678) and Mary Capel (1630-1715). Portrait by Cornelius Johnson (1593-1661). Oil on canvas (160 x 259,1 cm), ca.1640. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-capel-family-arthur-capel-1604-1649-1st-baron-capel-of-hadham-his-wife-elizabeth-morrison-d1661-henry-capel-1638-1696-on-the-lap-of-his-mother-standing-from-left-to-right-arthur-capel-1632-1683-charles-capel-d1657-elizabeth-capel-1633-1678-and-mary-capel-1630-1715-portrait-by-cornelius-johnson-1593-1661-oil-on-canvas-160-x-2591-cm-ca1640-national-portrait-gallery-london-england-united-kingdom-image435475238.htmlRM2G8DH32–The Capel Family. Arthur Capel (1604-1649), 1st Baron Capel of Hadham, his wife Elizabeth Morrison (d.1661), Henry Capel (1638-1696) on the lap of his mother. Standing, from left to right: Arthur Capel (1632-1683), Charles Capel (d.1657), Elizabeth Capel (1633-1678) and Mary Capel (1630-1715). Portrait by Cornelius Johnson (1593-1661). Oil on canvas (160 x 259,1 cm), ca.1640. National Portrait Gallery. London, England, United Kingdom.
L'almanach royal de 1682 grave par Pierre Landry representant un Bal a la Francaise ou Rejouissances de l'heureux retour de leurs Majestes (Louis XIV) apres l'expedition en Alsace ou il conquit Strasbourg. Louis XIV danse avec la reine Marie Therese, a gauche le Dauphin (Louis de France (1661-1711) dit le 'Grand Dauphin') et la Dauphine (Marie Anne Christine de Baviere, 1660-1690), a droite un autre couple forme par Philippe Duc d'Orleans (1640-1701) dit Monsieur, Frere du roi, et sa seconde epouse, la Princesse Palatine Charlotte Elisabeth de Baviere (1652-1722), duchesse d'Orleans. Dans le c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lalmanach-royal-de-1682-grave-par-pierre-landry-representant-un-bal-a-la-francaise-ou-rejouissances-de-lheureux-retour-de-leurs-majestes-louis-xiv-apres-lexpedition-en-alsace-ou-il-conquit-strasbourg-louis-xiv-danse-avec-la-reine-marie-therese-a-gauche-le-dauphin-louis-de-france-1661-1711-dit-le-grand-dauphin-et-la-dauphine-marie-anne-christine-de-baviere-1660-1690-a-droite-un-autre-couple-forme-par-philippe-duc-dorleans-1640-1701-dit-monsieur-frere-du-roi-et-sa-seconde-epouse-la-princesse-palatine-charlotte-elisabeth-de-baviere-1652-1722-duchesse-dorleans-dans-le-c-image467435654.htmlRM2J4DEXE–L'almanach royal de 1682 grave par Pierre Landry representant un Bal a la Francaise ou Rejouissances de l'heureux retour de leurs Majestes (Louis XIV) apres l'expedition en Alsace ou il conquit Strasbourg. Louis XIV danse avec la reine Marie Therese, a gauche le Dauphin (Louis de France (1661-1711) dit le 'Grand Dauphin') et la Dauphine (Marie Anne Christine de Baviere, 1660-1690), a droite un autre couple forme par Philippe Duc d'Orleans (1640-1701) dit Monsieur, Frere du roi, et sa seconde epouse, la Princesse Palatine Charlotte Elisabeth de Baviere (1652-1722), duchesse d'Orleans. Dans le c
Jean-Baptiste Colbert (1619-1683). Artist: Philippe de Champaigne (French, Brussels 1602-1674 Paris). Dimensions: 36 1/4 x 28 1/2 in. (92.1 x 72.4 cm). Date: 1655. In 1651 Colbert joined the household of Cardinal Mazarin, principal advisor to Queen Anne of Austria during the minority of Louis XIV (1638-1715), and one of the great collectors of the seventeenth century. Having recouped the cardinal's fortune, Colbert entered the king's service and, ten years after he sat for this portrait, was appointed minister of finance. He was instrumental in reforming the arts to serve the monarchy. In 164 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-baptiste-colbert-1619-1683-artist-philippe-de-champaigne-french-brussels-1602-1674-paris-dimensions-36-14-x-28-12-in-921-x-724-cm-date-1655-in-1651-colbert-joined-the-household-of-cardinal-mazarin-principal-advisor-to-queen-anne-of-austria-during-the-minority-of-louis-xiv-1638-1715-and-one-of-the-great-collectors-of-the-seventeenth-century-having-recouped-the-cardinals-fortune-colbert-entered-the-kings-service-and-ten-years-after-he-sat-for-this-portrait-was-appointed-minister-of-finance-he-was-instrumental-in-reforming-the-arts-to-serve-the-monarchy-in-164-image212871513.htmlRMPA93P1–Jean-Baptiste Colbert (1619-1683). Artist: Philippe de Champaigne (French, Brussels 1602-1674 Paris). Dimensions: 36 1/4 x 28 1/2 in. (92.1 x 72.4 cm). Date: 1655. In 1651 Colbert joined the household of Cardinal Mazarin, principal advisor to Queen Anne of Austria during the minority of Louis XIV (1638-1715), and one of the great collectors of the seventeenth century. Having recouped the cardinal's fortune, Colbert entered the king's service and, ten years after he sat for this portrait, was appointed minister of finance. He was instrumental in reforming the arts to serve the monarchy. In 164
Table Napkin Commemorating the Marriage of Louis XIV (1638–1715) and Marie-Therese (1638–1683) in 1660, c. 1660, France, Linen, satin weave self-patterned by reversing of faces: initials embroidered in cotton floss, 103.9 × 71.1 cm (40 7/8 × 28 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/table-napkin-commemorating-the-marriage-of-louis-xiv-16381715-and-marie-therese-16381683-in-1660-c-1660-france-linen-satin-weave-self-patterned-by-reversing-of-faces-initials-embroidered-in-cotton-floss-1039-711-cm-40-78-28-in-image328654261.htmlRM2A2KDT5–Table Napkin Commemorating the Marriage of Louis XIV (1638–1715) and Marie-Therese (1638–1683) in 1660, c. 1660, France, Linen, satin weave self-patterned by reversing of faces: initials embroidered in cotton floss, 103.9 × 71.1 cm (40 7/8 × 28 in
A Frost Fair on the Thames, looking downstream towards London Bridge, during the Great Frost of 1683-4, when the river was completely frozen for two months. It was the worst recorded frost in England and similar conditions affected much of Europe as well. The period between the 15th and early 19th century was known as the Little Ice Age. The Little Ice Age was a period of cooling that occurred during a period generally thought to run from the 16th to the 19th centuries, though some place the start date in the early 14th century. During the period 1645-1715, in the middle of the Little Ice Age Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-frost-fair-on-the-thames-looking-downstream-towards-london-bridge-during-the-great-frost-of-1683-4-when-the-river-was-completely-frozen-for-two-months-it-was-the-worst-recorded-frost-in-england-and-similar-conditions-affected-much-of-europe-as-well-the-period-between-the-15th-and-early-19th-century-was-known-as-the-little-ice-age-the-little-ice-age-was-a-period-of-cooling-that-occurred-during-a-period-generally-thought-to-run-from-the-16th-to-the-19th-centuries-though-some-place-the-start-date-in-the-early-14th-century-during-the-period-1645-1715-in-the-middle-of-the-little-ice-age-image352835395.htmlRM2BE1143–A Frost Fair on the Thames, looking downstream towards London Bridge, during the Great Frost of 1683-4, when the river was completely frozen for two months. It was the worst recorded frost in England and similar conditions affected much of Europe as well. The period between the 15th and early 19th century was known as the Little Ice Age. The Little Ice Age was a period of cooling that occurred during a period generally thought to run from the 16th to the 19th centuries, though some place the start date in the early 14th century. During the period 1645-1715, in the middle of the Little Ice Age
Portrait of John Churchill, 1st Duke of Marlborough, 1715. Christian Friedrich Zincke (German, 1683/85-1767). Enamel on copper in a gilt metal frame; framed: 6.4 x 5.1 cm (2 1/2 x 2 in.); sight: 5.9 x 4.8 cm (2 5/16 x 1 7/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-john-churchill-1st-duke-of-marlborough-1715-christian-friedrich-zincke-german-168385-1767-enamel-on-copper-in-a-gilt-metal-frame-framed-64-x-51-cm-2-12-x-2-in-sight-59-x-48-cm-2-516-x-1-78-in-image240430471.htmlRMRY4FEF–Portrait of John Churchill, 1st Duke of Marlborough, 1715. Christian Friedrich Zincke (German, 1683/85-1767). Enamel on copper in a gilt metal frame; framed: 6.4 x 5.1 cm (2 1/2 x 2 in.); sight: 5.9 x 4.8 cm (2 5/16 x 1 7/8 in
Giovanni Poleni (1683-1761) was an Italian nobleman, physicist, and antiquarian. He studied the classics, philosophy, theology, mathematics, and physics. At the age of 25 he was appointed professor of astronomy at Padua. In 1715 he was assigned to the cha Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giovanni-poleni-1683-1761-was-an-italian-nobleman-physicist-and-antiquarian-103999684.htmlRMG15GJC–Giovanni Poleni (1683-1761) was an Italian nobleman, physicist, and antiquarian. He studied the classics, philosophy, theology, mathematics, and physics. At the age of 25 he was appointed professor of astronomy at Padua. In 1715 he was assigned to the cha
Jean Mauger, Louis XIV (1638-1715), Institution of Cadet Corps 1683, ca. 1702, bronze, 1 5/8 in. (4.1 cm.), This medal depicts France's naval officer training, a source of pride to Louis XIV. Wishing to demonstrate his own effectiveness as a military leader, the King encouraged this depiction of the the strength and youth of the recruited corps. The young men represented the next generation of France's military leaders Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-mauger-louis-xiv-1638-1715-institution-of-cadet-corps-1683-ca-1702-bronze-1-58-in-41-cm-this-medal-depicts-frances-naval-officer-training-a-source-of-pride-to-louis-xiv-wishing-to-demonstrate-his-own-effectiveness-as-a-military-leader-the-king-encouraged-this-depiction-of-the-the-strength-and-youth-of-the-recruited-corps-the-young-men-represented-the-next-generation-of-frances-military-leaders-image344476127.htmlRM2B0C6PR–Jean Mauger, Louis XIV (1638-1715), Institution of Cadet Corps 1683, ca. 1702, bronze, 1 5/8 in. (4.1 cm.), This medal depicts France's naval officer training, a source of pride to Louis XIV. Wishing to demonstrate his own effectiveness as a military leader, the King encouraged this depiction of the the strength and youth of the recruited corps. The young men represented the next generation of France's military leaders
Self -portrait of Nicolaas Walraven van Haeften, Nicolaes van Haeften, 1683 - 1715 print Antwerp paper engraving portrait, self-portrait of artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-of-nicolaas-walraven-van-haeften-nicolaes-van-haeften-1683-1715-print-antwerp-paper-engraving-portrait-self-portrait-of-artist-image593280316.htmlRM2WD672M–Self -portrait of Nicolaas Walraven van Haeften, Nicolaes van Haeften, 1683 - 1715 print Antwerp paper engraving portrait, self-portrait of artist
Portrait du comte de Toulouse (1678-1737). (Fils reconnu de Louis XIV (1638-1715) et de Madame de Montespan (Francoise Athenais, marquise de Montespan, 1641-1707) represente dans sa tenue de Grand Amiral de France, charge qu'il a recu en 1683. Peinture attribuee a Hyacinthe Rigaud (1659-1743), huile sur toile, vers 1690. Art francais, 17e siecle. Musee National de la Marine, Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-du-comte-de-toulouse-1678-1737-fils-reconnu-de-louis-xiv-1638-1715-et-de-madame-de-montespan-francoise-athenais-marquise-de-montespan-1641-1707-represente-dans-sa-tenue-de-grand-amiral-de-france-charge-quil-a-recu-en-1683-peinture-attribuee-a-hyacinthe-rigaud-1659-1743-huile-sur-toile-vers-1690-art-francais-17e-siecle-musee-national-de-la-marine-paris-image559620509.htmlRM2RECWJN–Portrait du comte de Toulouse (1678-1737). (Fils reconnu de Louis XIV (1638-1715) et de Madame de Montespan (Francoise Athenais, marquise de Montespan, 1641-1707) represente dans sa tenue de Grand Amiral de France, charge qu'il a recu en 1683. Peinture attribuee a Hyacinthe Rigaud (1659-1743), huile sur toile, vers 1690. Art francais, 17e siecle. Musee National de la Marine, Paris.
Italiano: Ritratto della regina di Prussia Elisabetta Cristina di Brunswick-Bevern (1715-1797). Deutsch: Porträt der Königin von Preußen Elisabeth Christine von Braunschweig-Bevern (1715-1797). English: Portrait of the Queen of Prussia Elisabeth Christine of Brunswick-Bevern (1715 to 1797). 18th century. Antoine Pesne (1683–1757) Description French painter Date of birth/death 29 May 1683 5 August 1757 Location of birth/death Paris Berlin Work location Berlin, Paris, Dresden Authority control : Q203758 VIAF: 47048879 ISNI: 0000 0001 2025 142X ULAN: 500003171 LCCN: n84159761 WGA: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italiano-ritratto-della-regina-di-prussia-elisabetta-cristina-di-brunswick-bevern-1715-1797-deutsch-portrt-der-knigin-von-preuen-elisabeth-christine-von-braunschweig-bevern-1715-1797-english-portrait-of-the-queen-of-prussia-elisabeth-christine-of-brunswick-bevern-1715-to-1797-18th-century-antoine-pesne-16831757-description-french-painter-date-of-birthdeath-29-may-1683-5-august-1757-location-of-birthdeath-paris-berlin-work-location-berlin-paris-dresden-authority-control-q203758-viaf47048879-isni0000-0001-2025-142x-ulan500003171-lccnn84159761-wga-image185558831.htmlRMMNTX53–Italiano: Ritratto della regina di Prussia Elisabetta Cristina di Brunswick-Bevern (1715-1797). Deutsch: Porträt der Königin von Preußen Elisabeth Christine von Braunschweig-Bevern (1715-1797). English: Portrait of the Queen of Prussia Elisabeth Christine of Brunswick-Bevern (1715 to 1797). 18th century. Antoine Pesne (1683–1757) Description French painter Date of birth/death 29 May 1683 5 August 1757 Location of birth/death Paris Berlin Work location Berlin, Paris, Dresden Authority control : Q203758 VIAF: 47048879 ISNI: 0000 0001 2025 142X ULAN: 500003171 LCCN: n84159761 WGA:
Pope Urban II preaches the First Crusade, 1683. Artist: Ten Hoorn, Timotheus (1644-1715) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pope-urban-ii-preaches-the-first-crusade-1683-artist-ten-hoorn-timotheus-135271379.htmlRMHT240K–Pope Urban II preaches the First Crusade, 1683. Artist: Ten Hoorn, Timotheus (1644-1715)
Table Napkin Commemorating the Marriage of Louis XIV (1638–1715) and Marie-Therese (1638–1683) in 1660. 1650–1670. France. Linen, satin weave self-patterned by reversing of faces initials embroidered in cotton floss Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/table-napkin-commemorating-the-marriage-of-louis-xiv-16381715-and-marie-therese-16381683-in-1660-16501670-france-linen-satin-weave-self-patterned-by-reversing-of-faces-initials-embroidered-in-cotton-floss-image337987506.htmlRM2AHTJEA–Table Napkin Commemorating the Marriage of Louis XIV (1638–1715) and Marie-Therese (1638–1683) in 1660. 1650–1670. France. Linen, satin weave self-patterned by reversing of faces initials embroidered in cotton floss
Louis XIV, 1638-1715, Louis the Great, Sun King, Ludwig XIV., King of France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-xiv-1638-1715-louis-the-great-sun-king-ludwig-xiv-king-of-france-102149932.htmlRMFX597T–Louis XIV, 1638-1715, Louis the Great, Sun King, Ludwig XIV., King of France
Antoine Pesne (1683-1757) - Frederica, Duchess of Saxe-Weissenfels (1715-1775) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antoine-pesne-1683-1757-frederica-duchess-of-saxe-weissenfels-1715-1775-image594393944.htmlRM2WF0YF4–Antoine Pesne (1683-1757) - Frederica, Duchess of Saxe-Weissenfels (1715-1775)
History of France (1600-1670). From left to right: musketeer, Philippe of Orleans, Queen consort Maria Theresa of Austria (1638-1683), King Louis XIV (1638-1715), court lady and two other musketeers in the background. Chromolithography. Historia Universal, by Cesar Cantu. Volume VIII. Published in Barcelona, 1886. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-france-1600-1670-from-left-to-right-musketeer-philippe-of-orleans-queen-consort-maria-theresa-of-austria-1638-1683-king-louis-xiv-1638-1715-court-lady-and-two-other-musketeers-in-the-background-chromolithography-historia-universal-by-cesar-cantu-volume-viii-published-in-barcelona-1886-image608948433.htmlRM2XAKYX9–History of France (1600-1670). From left to right: musketeer, Philippe of Orleans, Queen consort Maria Theresa of Austria (1638-1683), King Louis XIV (1638-1715), court lady and two other musketeers in the background. Chromolithography. Historia Universal, by Cesar Cantu. Volume VIII. Published in Barcelona, 1886.
Table Napkin Commemorating the Marriage of Louis XIV (1638–1715) and Marie-Therese (1638–1683) in 1660, c. 1660, France, Linen, satin weave self-patterned by reversing of faces: initials embroidered in cotton floss, 103.9 × 71.1 cm (40 7/8 × 28 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/table-napkin-commemorating-the-marriage-of-louis-xiv-16381715-and-marie-therese-16381683-in-1660-c-1660-france-linen-satin-weave-self-patterned-by-reversing-of-faces-initials-embroidered-in-cotton-floss-1039-711-cm-40-78-28-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349737079.htmlRF2B8YW5Y–Table Napkin Commemorating the Marriage of Louis XIV (1638–1715) and Marie-Therese (1638–1683) in 1660, c. 1660, France, Linen, satin weave self-patterned by reversing of faces: initials embroidered in cotton floss, 103.9 × 71.1 cm (40 7/8 × 28 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The frost fair on the river Thames in 1715-1716 Woodcut showing the amusements available on the ice. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-frost-fair-on-the-river-thames-in-1715-1716-woodcut-showing-the-amusements-available-on-the-ice-image336186992.htmlRF2AEXHX8–The frost fair on the river Thames in 1715-1716 Woodcut showing the amusements available on the ice.
Christie's, London, UK. 30th June, 2023. Christie's Classic Week in London returns this Summer with ten live auctions and one online sale. The series runs from 30 June - 14 July, with auction highlights on public view from 1 July. Image: (The Exceptional Sale 6 July). Studio of Hyacinthe Rigaud, Portrait of Louis XIV (1638-1715), full-length, in coronation robes. Estimate: £200,000-300,000. Below is a Royal Louis XIV Giltwood Console Table, circa 1683. Estimate: £300,000-500,000. Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christies-london-uk-30th-june-2023-christies-classic-week-in-london-returns-this-summer-with-ten-live-auctions-and-one-online-sale-the-series-runs-from-30-june-14-july-with-auction-highlights-on-public-view-from-1-july-image-the-exceptional-sale-6-july-studio-of-hyacinthe-rigaud-portrait-of-louis-xiv-1638-1715-full-length-in-coronation-robes-estimate-200000-300000-below-is-a-royal-louis-xiv-giltwood-console-table-circa-1683-estimate-300000-500000-credit-malcolm-parkalamy-live-news-image556933447.htmlRM2RA2E87–Christie's, London, UK. 30th June, 2023. Christie's Classic Week in London returns this Summer with ten live auctions and one online sale. The series runs from 30 June - 14 July, with auction highlights on public view from 1 July. Image: (The Exceptional Sale 6 July). Studio of Hyacinthe Rigaud, Portrait of Louis XIV (1638-1715), full-length, in coronation robes. Estimate: £200,000-300,000. Below is a Royal Louis XIV Giltwood Console Table, circa 1683. Estimate: £300,000-500,000. Credit: Malcolm Park/Alamy Live News
Cassell's Old and new Edinburgh: its history, its people, and its places . , or carving invulcanite. The company was created chiefly forthe manufacture of combs. In Kays work we have an interesting and quaintportrait of an aged denizen of Fountainbridge inthe Scottish Lowland costume of his day, AdamRitchie, born 1683; died 1789; drawn from thelife. This old man, who died at the age of 106years and two months, had followed the humbleoccupation of a cow-feeder; but his life was not anuneventful one ; he had been under arms in 1715, on the side of the House of Hanover, not fromchoice (as he said Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cassells-old-and-new-edinburgh-its-history-its-people-and-its-places-or-carving-invulcanite-the-company-was-created-chiefly-forthe-manufacture-of-combs-in-kays-work-we-have-an-interesting-and-quaintportrait-of-an-aged-denizen-of-fountainbridge-inthe-scottish-lowland-costume-of-his-day-adamritchie-born-1683-died-1789-drawn-from-thelife-this-old-man-who-died-at-the-age-of-106years-and-two-months-had-followed-the-humbleoccupation-of-a-cow-feeder-but-his-life-was-not-anuneventful-one-he-had-been-under-arms-in-1715-on-the-side-of-the-house-of-hanover-not-fromchoice-as-he-said-image338126203.htmlRM2AJ2YBR–Cassell's Old and new Edinburgh: its history, its people, and its places . , or carving invulcanite. The company was created chiefly forthe manufacture of combs. In Kays work we have an interesting and quaintportrait of an aged denizen of Fountainbridge inthe Scottish Lowland costume of his day, AdamRitchie, born 1683; died 1789; drawn from thelife. This old man, who died at the age of 106years and two months, had followed the humbleoccupation of a cow-feeder; but his life was not anuneventful one ; he had been under arms in 1715, on the side of the House of Hanover, not fromchoice (as he said
Duchess Elisabeth Christine of Brunswick-Wolfenbüttel-Bevern (1715-1797), Queen of Prussia. Museum: Alte Pinakothek, Munich. Author: Pesne, Antoine, School (1683-1757). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/duchess-elisabeth-christine-of-brunswick-wolfenbttel-bevern-1715-1797-queen-of-prussia-museum-alte-pinakothek-munich-author-pesne-antoine-school-1683-1757-image623472643.htmlRM2Y69HM3–Duchess Elisabeth Christine of Brunswick-Wolfenbüttel-Bevern (1715-1797), Queen of Prussia. Museum: Alte Pinakothek, Munich. Author: Pesne, Antoine, School (1683-1757).
Self portrait of Nicolaas Walraven van Haeften., print maker: Nicolaes van Haeften, (mentioned on object), publisher: Gilles de Démortain, (mentioned on object), Antwerp, 1683 - 1715, paper, engraving, h 144 mm × w 97 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-of-nicolaas-walraven-van-haeften-print-maker-nicolaes-van-haeften-mentioned-on-object-publisher-gilles-de-dmortain-mentioned-on-object-antwerp-1683-1715-paper-engraving-h-144-mm-w-97-mm-image472106959.htmlRM2JC296R–Self portrait of Nicolaas Walraven van Haeften., print maker: Nicolaes van Haeften, (mentioned on object), publisher: Gilles de Démortain, (mentioned on object), Antwerp, 1683 - 1715, paper, engraving, h 144 mm × w 97 mm
Metastasio, Pietro Stecher: Dutzer, Andressseller: Dutcher, Joseph (1683) Dating: 1715 / 1740Factive genesis: Vienna Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/metastasio-pietro-stecher-dutzer-andressseller-dutcher-joseph-1683-dating-1715-1740factive-genesis-vienna-image418565800.htmlRM2F8Y8XG–Metastasio, Pietro Stecher: Dutzer, Andressseller: Dutcher, Joseph (1683) Dating: 1715 / 1740Factive genesis: Vienna
Portrait of Philip V of Spain (1683-1746). circa 1715. Philippe V of Spain by Nicola Vaccari Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-philip-v-of-spain-1683-1746-circa-1715-philippe-v-of-spain-by-nicola-vaccari-image184872034.htmlRMMMNJ4J–Portrait of Philip V of Spain (1683-1746). circa 1715. Philippe V of Spain by Nicola Vaccari
Portrait of John Churchill, 1st Duke of Marlborough, 1715. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-john-churchill-1st-duke-of-marlborough-1715-image330113813.htmlRM2A51YF1–Portrait of John Churchill, 1st Duke of Marlborough, 1715.
Gerrit Hasepoot Nijmegen taking the judges who sentenced him to death said goodbye to his family. Manufacture Vervaardiger: print maker: Zwaansvliet to design: Zwaansvliet Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDeze prentn in the second state used as an illustration for: Theater des martyrs , depuis la mort the present J. Christ jusqu'à (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 67. The prints are originally made for Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gerrit-hasepoot-nijmegen-taking-the-judges-who-sentenced-him-to-death-said-goodbye-to-his-family-manufacture-vervaardiger-print-maker-zwaansvliet-to-design-zwaansvliet-place-manufacture-northern-netherlands-date-1683-1685-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-115-mm-w-143-mmtoelichtingdeze-prentn-in-the-second-state-used-as-an-illustration-for-theater-des-martyrs-depuis-la-mort-the-present-j-christ-jusqu-=-schau-stage-means-of-the-martyrer-p-van-der-aa-leiden-ca-1715-no-67-the-prints-are-originally-made-for-image348375496.htmlRM2B6NTE0–Gerrit Hasepoot Nijmegen taking the judges who sentenced him to death said goodbye to his family. Manufacture Vervaardiger: print maker: Zwaansvliet to design: Zwaansvliet Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDeze prentn in the second state used as an illustration for: Theater des martyrs , depuis la mort the present J. Christ jusqu'à (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 67. The prints are originally made for
Maria Theresa of Spain, Marie-Thérèse, Maria Theresia María Teresa, 1638-1683, Queen of France and Navarre as the first wife of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maria-theresa-of-spain-marie-thrse-maria-theresia-mara-teresa-1638-102149940.htmlRMFX5984–Maria Theresa of Spain, Marie-Thérèse, Maria Theresia María Teresa, 1638-1683, Queen of France and Navarre as the first wife of
The regimental records of the British Army . The Crest of England.. The Eagle (for capture at Waterloo). TITLES.1661-83. The Tangiers Horse. 1683-90. The Kings Own Royal Regiment of Dragoons.1690-1751. The Royal Regiment of Dragoons.1751 (from). The ist (Royal) Dragoons. PRINCIPAL CAMPAIGNS, BATTLES, &c. * Honours on the Colours. 1661-84. Tangiers.1690. Boyne.1694-97. Flanders.1695. Namur.1705-10. Spain. 1705. Valencia dAlcantara. 1706. Albuquerque. 1706. Barcelona. 1707. Almanzar. 1710. Almanara.1710. Saragossa.1715. Jacobite rising.1742-45. Flanders1743. Dettingen.1745. Fontenoy.1760-63. Ger Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-regimental-records-of-the-british-army-the-crest-of-england-the-eagle-for-capture-at-waterloo-titles1661-83-the-tangiers-horse-1683-90-the-kings-own-royal-regiment-of-dragoons1690-1751-the-royal-regiment-of-dragoons1751-from-the-ist-royal-dragoons-principal-campaigns-battles-c-honours-on-the-colours-1661-84-tangiers1690-boyne1694-97-flanders1695-namur1705-10-spain-1705-valencia-dalcantara-1706-albuquerque-1706-barcelona-1707-almanzar-1710-almanara1710-saragossa1715-jacobite-rising1742-45-flanders1743-dettingen1745-fontenoy1760-63-ger-image338510813.htmlRM2AJMDYW–The regimental records of the British Army . The Crest of England.. The Eagle (for capture at Waterloo). TITLES.1661-83. The Tangiers Horse. 1683-90. The Kings Own Royal Regiment of Dragoons.1690-1751. The Royal Regiment of Dragoons.1751 (from). The ist (Royal) Dragoons. PRINCIPAL CAMPAIGNS, BATTLES, &c. * Honours on the Colours. 1661-84. Tangiers.1690. Boyne.1694-97. Flanders.1695. Namur.1705-10. Spain. 1705. Valencia dAlcantara. 1706. Albuquerque. 1706. Barcelona. 1707. Almanzar. 1710. Almanara.1710. Saragossa.1715. Jacobite rising.1742-45. Flanders1743. Dettingen.1745. Fontenoy.1760-63. Ger
History of France (1600-1670). From left to right: musketeer, Philippe of Orleans, Queen consort Maria Theresa of Austria (1638-1683), King Louis XIV (1638-1715), court lady and two other musketeers in the background. Chromolithography. Historia Universal, by César Cantú. Volume VIII. Published in Barcelona, 1886. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-france-1600-1670-from-left-to-right-musketeer-philippe-of-orleans-queen-consort-maria-theresa-of-austria-1638-1683-king-louis-xiv-1638-1715-court-lady-and-two-other-musketeers-in-the-background-chromolithography-historia-universal-by-csar-cant-volume-viii-published-in-barcelona-1886-image468918848.htmlRM2J6W2NM–History of France (1600-1670). From left to right: musketeer, Philippe of Orleans, Queen consort Maria Theresa of Austria (1638-1683), King Louis XIV (1638-1715), court lady and two other musketeers in the background. Chromolithography. Historia Universal, by César Cantú. Volume VIII. Published in Barcelona, 1886.
Attributed to the workshop of John Vanderbank the Elder, The Toilet of the Princess (from a pair of Indo-Chinese scenes), British, London, Attributed to the workshop of John Vanderbank the Elder (Flemish, 1683–1717), Probably woven by Great Wardrobe (Great Queen Street, Saint Giles-in-the-Fields, London), 1690–1715, British, London, Wool, silk (19-20 warps per inch, 7-8 per cm.), Overall (Confirmed by Textile Conservation 9/2006): 121 3/4 x 156 in. (309.2 x 396.2 cm), Overall: 120 x 154in. (304.8 x 391.2cm), Textiles-Tapestries Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-the-workshop-of-john-vanderbank-the-elder-the-toilet-of-the-princess-from-a-pair-of-indo-chinese-scenes-british-london-attributed-to-the-workshop-of-john-vanderbank-the-elder-flemish-16831717-probably-woven-by-great-wardrobe-great-queen-street-saint-giles-in-the-fields-london-16901715-british-london-wool-silk-19-20-warps-per-inch-7-8-per-cm-overall-confirmed-by-textile-conservation-92006-121-34-x-156-in-3092-x-3962-cm-overall-120-x-154in-3048-x-3912cm-textiles-tapestries-image344616813.htmlRM2B0JJ79–Attributed to the workshop of John Vanderbank the Elder, The Toilet of the Princess (from a pair of Indo-Chinese scenes), British, London, Attributed to the workshop of John Vanderbank the Elder (Flemish, 1683–1717), Probably woven by Great Wardrobe (Great Queen Street, Saint Giles-in-the-Fields, London), 1690–1715, British, London, Wool, silk (19-20 warps per inch, 7-8 per cm.), Overall (Confirmed by Textile Conservation 9/2006): 121 3/4 x 156 in. (309.2 x 396.2 cm), Overall: 120 x 154in. (304.8 x 391.2cm), Textiles-Tapestries
Metastasio, Pietro Stecher: Dutzer, Andressseller: Dutcher, Joseph (1683) Dating: 1715 / 1740Factive genesis: Vienna Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/metastasio-pietro-stecher-dutzer-andressseller-dutcher-joseph-1683-dating-1715-1740factive-genesis-vienna-image418587813.htmlRM2F9090N–Metastasio, Pietro Stecher: Dutzer, Andressseller: Dutcher, Joseph (1683) Dating: 1715 / 1740Factive genesis: Vienna
. English: Alessandro Poglietti (16..-1683) after Jan Erasmus Quellinus (1634-1715). . 17th century. after Jan Erasmus Quellinus 34 Alessandro Poglietti after Jan Erasmus Quellinus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-alessandro-poglietti-16-1683-after-jan-erasmus-quellinus-1634-1715-17th-century-after-jan-erasmus-quellinus-34-alessandro-poglietti-after-jan-erasmus-quellinus-image184881566.htmlRMMMP292–. English: Alessandro Poglietti (16..-1683) after Jan Erasmus Quellinus (1634-1715). . 17th century. after Jan Erasmus Quellinus 34 Alessandro Poglietti after Jan Erasmus Quellinus
Duchess Elisabeth Christine of Brunswick-Wolfenbüttel-Bevern (1715-1797), Queen of Prussia, c1738. Found in the Collection of the Alte Pinakothek, Munich. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/duchess-elisabeth-christine-of-brunswick-wolfenbxfcttel-bevern-1715-1797-queen-of-prussia-c1738-found-in-the-collection-of-the-alte-pinakothek-munich-image621685627.htmlRM2Y3C6A3–Duchess Elisabeth Christine of Brunswick-Wolfenbüttel-Bevern (1715-1797), Queen of Prussia, c1738. Found in the Collection of the Alte Pinakothek, Munich.
The Baptist Jan Smit suspended on one leg on the gallows on the Market Square to Haarlem, 1572. Manufacturer : print maker: Zwaansvliet to design: Zwaansvliet Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDe prints used in this second state as an illustration for: Theater des martyrs, depuis la mort the present J. Christ jusqu'à (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 94. The prints are originally made for first time and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-baptist-jan-smit-suspended-on-one-leg-on-the-gallows-on-the-market-square-to-haarlem-1572-manufacturer-print-maker-zwaansvliet-to-design-zwaansvliet-place-manufacture-northern-netherlands-date-1683-1685-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-115-mm-w-143-mmtoelichtingde-prints-used-in-this-second-state-as-an-illustration-for-theater-des-martyrs-depuis-la-mort-the-present-j-christ-jusqu-=-schau-stage-means-of-the-martyrer-p-van-der-aa-leiden-ca-1715-no-94-the-prints-are-originally-made-for-first-time-and-image348460319.htmlRM2B6WMKB–The Baptist Jan Smit suspended on one leg on the gallows on the Market Square to Haarlem, 1572. Manufacturer : print maker: Zwaansvliet to design: Zwaansvliet Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDe prints used in this second state as an illustration for: Theater des martyrs, depuis la mort the present J. Christ jusqu'à (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 94. The prints are originally made for first time and
Louis XIV, 1638-1715, Louis the Great, Sun King, Ludwig XIV., King of France and his first wife, Maria Theresa of Spain, Marie-T Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-xiv-1638-1715-louis-the-great-sun-king-ludwig-xiv-king-of-france-102150116.htmlRMFX59EC–Louis XIV, 1638-1715, Louis the Great, Sun King, Ludwig XIV., King of France and his first wife, Maria Theresa of Spain, Marie-T
. Genealogical and family history of the state of Connecticut : a record of the achievements of her people in the making of a commonwealth and the founding of a nation. s born January 3,died July 12, 1725, at Lyme.Deborah Champion, January i,dren.: Richard, mentioned belowNovember 14, 1715; Deborah, 1683-84, andHe marriedChil- 1712. Mary, bornJanuary 15, 1718; Lucy, December 18, 1720; Mehitable,December 28, 1723. (Vn ) Richard (3) Mather, son of SamuelMather, was born in Lyme, December 22,1712, died January 11, 1790. He marriedDeborah Ely, May 18, 1742; she died October10, 1803, in her eighty- Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/genealogical-and-family-history-of-the-state-of-connecticut-a-record-of-the-achievements-of-her-people-in-the-making-of-a-commonwealth-and-the-founding-of-a-nation-s-born-january-3died-july-12-1725-at-lymedeborah-champion-january-idren-richard-mentioned-belownovember-14-1715-deborah-1683-84-andhe-marriedchil-1712-mary-bornjanuary-15-1718-lucy-december-18-1720-mehitabledecember-28-1723-vn-richard-3-mather-son-of-samuelmather-was-born-in-lyme-december-221712-died-january-11-1790-he-marrieddeborah-ely-may-18-1742-she-died-october10-1803-in-her-eighty-image336989972.htmlRM2AG7644–. Genealogical and family history of the state of Connecticut : a record of the achievements of her people in the making of a commonwealth and the founding of a nation. s born January 3,died July 12, 1725, at Lyme.Deborah Champion, January i,dren.: Richard, mentioned belowNovember 14, 1715; Deborah, 1683-84, andHe marriedChil- 1712. Mary, bornJanuary 15, 1718; Lucy, December 18, 1720; Mehitable,December 28, 1723. (Vn ) Richard (3) Mather, son of SamuelMather, was born in Lyme, December 22,1712, died January 11, 1790. He marriedDeborah Ely, May 18, 1742; she died October10, 1803, in her eighty-
Slant-Front Desk. Attributed to Heinrich Ludwig Rohde (German, 1683-1755) or Ferdinand Plitzner (German, 1678-1724); Germany, Mainz. Date: 1715-1725. Dimensions: 90 × 84 × 44.5 cm (35 7/16 × 33 1/16 × 17 1/2 in.). Marquetry with maple, amaranth, mahogany, and walnut on spruce and oak. Origin: Germany. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/slant-front-desk-attributed-to-heinrich-ludwig-rohde-german-1683-1755-or-ferdinand-plitzner-german-1678-1724-germany-mainz-date-1715-1725-dimensions-90-84-445-cm-35-716-33-116-17-12-in-marquetry-with-maple-amaranth-mahogany-and-walnut-on-spruce-and-oak-origin-germany-museum-the-chicago-art-institute-image239906097.htmlRMRX8JJW–Slant-Front Desk. Attributed to Heinrich Ludwig Rohde (German, 1683-1755) or Ferdinand Plitzner (German, 1678-1724); Germany, Mainz. Date: 1715-1725. Dimensions: 90 × 84 × 44.5 cm (35 7/16 × 33 1/16 × 17 1/2 in.). Marquetry with maple, amaranth, mahogany, and walnut on spruce and oak. Origin: Germany. Museum: The Chicago Art Institute.
Attributed to the workshop of John Vanderbank the Elder, The Concert from a pair of Indo-Chinese scenes, British, London, Attributed to the workshop of John Vanderbank the Elder (Flemish, 1683–1717), Probably woven by Great Wardrobe (Great Queen Street, Saint Giles-in-the-Fields, London), 1690–1715, British, London, Wool, silk (19-20 warps per inch, 7-8 per cm.), Overall (Confirmed by Textile Conservation 9/2006): 121 x 186 1/2 in. (307.3 x 473.7 cm), Overall 120 x 180 in. (304.8 x 457.2 cm), Textiles-Tapestries Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-the-workshop-of-john-vanderbank-the-elder-the-concert-from-a-pair-of-indo-chinese-scenes-british-london-attributed-to-the-workshop-of-john-vanderbank-the-elder-flemish-16831717-probably-woven-by-great-wardrobe-great-queen-street-saint-giles-in-the-fields-london-16901715-british-london-wool-silk-19-20-warps-per-inch-7-8-per-cm-overall-confirmed-by-textile-conservation-92006-121-x-186-12-in-3073-x-4737-cm-overall-120-x-180-in-3048-x-4572-cm-textiles-tapestries-image344640481.htmlRM2B0KMCH–Attributed to the workshop of John Vanderbank the Elder, The Concert from a pair of Indo-Chinese scenes, British, London, Attributed to the workshop of John Vanderbank the Elder (Flemish, 1683–1717), Probably woven by Great Wardrobe (Great Queen Street, Saint Giles-in-the-Fields, London), 1690–1715, British, London, Wool, silk (19-20 warps per inch, 7-8 per cm.), Overall (Confirmed by Textile Conservation 9/2006): 121 x 186 1/2 in. (307.3 x 473.7 cm), Overall 120 x 180 in. (304.8 x 457.2 cm), Textiles-Tapestries
Karl VI., Roman-German Kaiser Stecher: Dutzer, Andressecher: Dunter, Joseph (1683) Dating: 1715/1740 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/karl-vi-roman-german-kaiser-stecher-dutzer-andressecher-dunter-joseph-1683-dating-17151740-image418674127.htmlRM2F9473B–Karl VI., Roman-German Kaiser Stecher: Dutzer, Andressecher: Dunter, Joseph (1683) Dating: 1715/1740
Jean-Baptiste Colbert (1619–1683), Philippe de Champaigne, 1655 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-jean-baptiste-colbert-16191683-philippe-de-champaigne-1655-162536091.htmlRMKCC4CB–Jean-Baptiste Colbert (1619–1683), Philippe de Champaigne, 1655
. English: Alessandro Poglietti (16..-1683) after Jan Erasmus Quellinus (1634-1715). 17th century. after Jan Erasmus Quellinus 34 Alessandro Poglietti after Jan Erasmus Quellinus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-alessandro-poglietti-16-1683-after-jan-erasmus-quellinus-1634-1715-17th-century-after-jan-erasmus-quellinus-34-alessandro-poglietti-after-jan-erasmus-quellinus-image187626718.htmlRMMW73P6–. English: Alessandro Poglietti (16..-1683) after Jan Erasmus Quellinus (1634-1715). 17th century. after Jan Erasmus Quellinus 34 Alessandro Poglietti after Jan Erasmus Quellinus
Tablespoon, c. 1705-1715. Samuel Vernon (American, 1683-1737). Silver; overall: 4.5 cm (1 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tablespoon-c-1705-1715-samuel-vernon-american-1683-1737-silver-overall-45-cm-1-34-in-image448086289.htmlRM2H102HN–Tablespoon, c. 1705-1715. Samuel Vernon (American, 1683-1737). Silver; overall: 4.5 cm (1 3/4 in.).
The Baptist Hans Gag, Antwerp, interrogated and later burned, 1572. The prisoner standing in front of a woman on a troon. Manufacturer : print maker: Zwaansvliet to design: Zwaansvliet Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDe prints used in this second state by way of illustration for: Theater des martyrs depuis la mort present the jusqu'à J. Christ (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 93. The prints are origin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-baptist-hans-gag-antwerp-interrogated-and-later-burned-1572-the-prisoner-standing-in-front-of-a-woman-on-a-troon-manufacturer-print-maker-zwaansvliet-to-design-zwaansvliet-place-manufacture-northern-netherlands-date-1683-1685-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-115-mm-w-143-mmtoelichtingde-prints-used-in-this-second-state-by-way-of-illustration-for-theater-des-martyrs-depuis-la-mort-present-the-jusqu-j-christ-=-schau-stage-means-of-the-martyrer-p-van-der-aa-leiden-ca-1715-no-93-the-prints-are-origin-image348426251.htmlRM2B6T56K–The Baptist Hans Gag, Antwerp, interrogated and later burned, 1572. The prisoner standing in front of a woman on a troon. Manufacturer : print maker: Zwaansvliet to design: Zwaansvliet Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDe prints used in this second state by way of illustration for: Theater des martyrs depuis la mort present the jusqu'à J. Christ (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 93. The prints are origin
Louis XIV, 1638-1715, Louis the Great, Sun King, Ludwig XIV., King of France and his first wife, Maria Theresa of Spain, Marie-T Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-xiv-1638-1715-louis-the-great-sun-king-ludwig-xiv-king-of-france-102150127.htmlRMFX59ER–Louis XIV, 1638-1715, Louis the Great, Sun King, Ludwig XIV., King of France and his first wife, Maria Theresa of Spain, Marie-T
Medal of George II. Ruler: George II, King of England, 1683–1760, ruled 1727–60 Artist: Jacques Antoine Dassier, Swiss, 1715–1759 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medal-of-george-ii-ruler-george-ii-king-of-england-16831760-ruled-172760-artist-jacques-antoine-dassier-swiss-17151759-image463222854.htmlRM2HWHHDA–Medal of George II. Ruler: George II, King of England, 1683–1760, ruled 1727–60 Artist: Jacques Antoine Dassier, Swiss, 1715–1759
![. Genealogical and family history of the state of Maine;. 3, married Mary ]Icrrill;Joshua, February 23, 1683; Benjamin, Octo-ber 27, 1686, married Elizabeth ; and two others who died young. (III) Josiah, third son of Liea t Sam-uel and Mary (Emery) Sawyer, Wc.:! born inNewbury, January 20, 1681, and died .April 4,1756. He married, January 22, 1708. Tirzah,daughter of Thomas and Tirzah (Titcomb)Bartlett, of Newbury. She died September 2,1739. Their children were: Josiah, born1709; Moses (Dr.), February 21, 1711,died August 25, 1778; Tirzah, November 7,1715, died 1782, married David Ring; Israe Stock Photo](https://c8.alamy.com/comp/2AFM8PY/genealogical-and-family-history-of-the-state-of-maine-3-married-mary-icrrilljoshua-february-23-1683-benjamin-octo-ber-27-1686-married-elizabeth-and-two-others-who-died-young-iii-josiah-third-son-of-liea-t-sam-uel-and-mary-emery-sawyer-wc!-born-innewbury-january-20-1681-and-died-april-41756-he-married-january-22-1708-tirzahdaughter-of-thomas-and-tirzah-titcombbartlett-of-newbury-she-died-september-21739-their-children-were-josiah-born1709-moses-dr-february-21-1711died-august-25-1778-tirzah-november-71715-died-1782-married-david-ring-israe-2AFM8PY.jpg ". Genealogical and family history of the state of Maine;. 3, married Mary ]Icrrill;Joshua, February 23, 1683; Benjamin, Octo-ber 27, 1686, married Elizabeth ; and two others who died young. (III) Josiah, third son of Liea t Sam-uel and Mary (Emery) Sawyer, Wc.:! born inNewbury, January 20, 1681, and died .April 4,1756. He married, January 22, 1708. Tirzah,daughter of Thomas and Tirzah (Titcomb)Bartlett, of Newbury. She died September 2,1739. Their children were: Josiah, born1709; Moses (Dr.), February 21, 1711,died August 25, 1778; Tirzah, November 7,1715, died 1782, married David Ring; Israe Stock Photo")
. Genealogical and family history of the state of Maine;. 3, married Mary ]Icrrill;Joshua, February 23, 1683; Benjamin, Octo-ber 27, 1686, married Elizabeth ; and two others who died young. (III) Josiah, third son of Liea t Sam-uel and Mary (Emery) Sawyer, Wc.:! born inNewbury, January 20, 1681, and died .April 4,1756. He married, January 22, 1708. Tirzah,daughter of Thomas and Tirzah (Titcomb)Bartlett, of Newbury. She died September 2,1739. Their children were: Josiah, born1709; Moses (Dr.), February 21, 1711,died August 25, 1778; Tirzah, November 7,1715, died 1782, married David Ring; Israe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/genealogical-and-family-history-of-the-state-of-maine-3-married-mary-icrrilljoshua-february-23-1683-benjamin-octo-ber-27-1686-married-elizabeth-and-two-others-who-died-young-iii-josiah-third-son-of-liea-t-sam-uel-and-mary-emery-sawyer-wc!-born-innewbury-january-20-1681-and-died-april-41756-he-married-january-22-1708-tirzahdaughter-of-thomas-and-tirzah-titcombbartlett-of-newbury-she-died-september-21739-their-children-were-josiah-born1709-moses-dr-february-21-1711died-august-25-1778-tirzah-november-71715-died-1782-married-david-ring-israe-image336662787.htmlRM2AFM8PY–. Genealogical and family history of the state of Maine;. 3, married Mary ]Icrrill;Joshua, February 23, 1683; Benjamin, Octo-ber 27, 1686, married Elizabeth ; and two others who died young. (III) Josiah, third son of Liea t Sam-uel and Mary (Emery) Sawyer, Wc.:! born inNewbury, January 20, 1681, and died .April 4,1756. He married, January 22, 1708. Tirzah,daughter of Thomas and Tirzah (Titcomb)Bartlett, of Newbury. She died September 2,1739. Their children were: Josiah, born1709; Moses (Dr.), February 21, 1711,died August 25, 1778; Tirzah, November 7,1715, died 1782, married David Ring; Israe
'La Familia Capel'. Arthur Capel (1608-1649), primer barón Capel de Hadham, su esposa Elizabeth Morrison (m. 1661), Henry Capel (1638-1696) en el regazo de su madre, de pie de izquierda a derecha, Arthur Capel (1632-1683), Charles Capel (m. 1657), Elizabeth Capel (1633-1678) y Mary Capel (1630-1715). Retrato realizado por Cornelius Johnson (1593-1661). Oleo sobre lienzo, h. 1640. National Portrait Gallery. Londres. Inglaterra. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-familia-capel-arthur-capel-1608-1649-primer-barn-capel-de-hadham-su-esposa-elizabeth-morrison-m-1661-henry-capel-1638-1696-en-el-regazo-de-su-madre-de-pie-de-izquierda-a-derecha-arthur-capel-1632-1683-charles-capel-m-1657-elizabeth-capel-1633-1678-y-mary-capel-1630-1715-retrato-realizado-por-cornelius-johnson-1593-1661-oleo-sobre-lienzo-h-1640-national-portrait-gallery-londres-inglaterra-image336753104.htmlRM2AFTC0G–'La Familia Capel'. Arthur Capel (1608-1649), primer barón Capel de Hadham, su esposa Elizabeth Morrison (m. 1661), Henry Capel (1638-1696) en el regazo de su madre, de pie de izquierda a derecha, Arthur Capel (1632-1683), Charles Capel (m. 1657), Elizabeth Capel (1633-1678) y Mary Capel (1630-1715). Retrato realizado por Cornelius Johnson (1593-1661). Oleo sobre lienzo, h. 1640. National Portrait Gallery. Londres. Inglaterra.
. English: Alessandro Poglietti (16..-1683) after Jan Erasmus Quellinus (1634-1715). 17th century. after Jan Erasmus Quellinus 30 Alessandro Poglietti after Jan Erasmus Quellinus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-alessandro-poglietti-16-1683-after-jan-erasmus-quellinus-1634-1715-17th-century-after-jan-erasmus-quellinus-30-alessandro-poglietti-after-jan-erasmus-quellinus-image188903620.htmlRMMY98DT–. English: Alessandro Poglietti (16..-1683) after Jan Erasmus Quellinus (1634-1715). 17th century. after Jan Erasmus Quellinus 30 Alessandro Poglietti after Jan Erasmus Quellinus
Hans of Overdam in a forest in Gent captured by a group of armed men, 1550 Manufacturer : print maker: Zwaansvliet to design: Zwaansvliet Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDe prints used in this second state as an illustration for: Theater des martyrs, depuis la mort the present J. Christ jusqu'à (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 59. The prints are originally made for first time and used in:. T.J. of Bra Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hans-of-overdam-in-a-forest-in-gent-captured-by-a-group-of-armed-men-1550-manufacturer-print-maker-zwaansvliet-to-design-zwaansvliet-place-manufacture-northern-netherlands-date-1683-1685-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-115-mm-w-143-mmtoelichtingde-prints-used-in-this-second-state-as-an-illustration-for-theater-des-martyrs-depuis-la-mort-the-present-j-christ-jusqu-=-schau-stage-means-of-the-martyrer-p-van-der-aa-leiden-ca-1715-no-59-the-prints-are-originally-made-for-first-time-and-used-in-tj-of-bra-image348426286.htmlRM2B6T57X–Hans of Overdam in a forest in Gent captured by a group of armed men, 1550 Manufacturer : print maker: Zwaansvliet to design: Zwaansvliet Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDe prints used in this second state as an illustration for: Theater des martyrs, depuis la mort the present J. Christ jusqu'à (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 59. The prints are originally made for first time and used in:. T.J. of Bra
Medal of Louis XIV titled “Hispanis Victis ad Carthaginem Novam (French Victory over Spain) 1683”. Artist: Jean Mauger, French, 1648–1722Honorand: Louis XIV, King of France, French, 1638–1715, ruled 1643–1715 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medal-of-louis-xiv-titled-hispanis-victis-ad-carthaginem-novam-french-victory-over-spain1683-artist-jean-mauger-french-16481722honorand-louis-xiv-king-of-france-french-16381715-ruled-16431715-image463231125.htmlRM2HWJ00N–Medal of Louis XIV titled “Hispanis Victis ad Carthaginem Novam (French Victory over Spain) 1683”. Artist: Jean Mauger, French, 1648–1722Honorand: Louis XIV, King of France, French, 1638–1715, ruled 1643–1715
Portrait of John Churchill, 1st Duke of Marlborough, 1715. Christian Friedrich Zincke (German, 1683/85-1767). Enamel on copper in a gilt metal frame; framed: 6.4 x 5.1 cm (2 1/2 x 2 in.); sight: 5.9 x 4.8 cm (2 5/16 x 1 7/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-john-churchill-1st-duke-of-marlborough-1715-christian-friedrich-zincke-german-168385-1767-enamel-on-copper-in-a-gilt-metal-frame-framed-64-x-51-cm-2-12-x-2-in-sight-59-x-48-cm-2-516-x-1-78-in-image448106680.htmlRM2H110J0–Portrait of John Churchill, 1st Duke of Marlborough, 1715. Christian Friedrich Zincke (German, 1683/85-1767). Enamel on copper in a gilt metal frame; framed: 6.4 x 5.1 cm (2 1/2 x 2 in.); sight: 5.9 x 4.8 cm (2 5/16 x 1 7/8 in.).
Almanaque para el año 1715. Editado en París, año 1714. Guerra de sucesión. Asedio de la ciudad de Barcelona por el mariscal James Fitz-James Stuart, duque de Berwick (1670-1734) el 12 de julio de 1714. Recepción del rey de España Felipe V (1683-1746) a la reina consorte Isabel de Farnesio (1692-1766). Coronación de los reyes de Sicilia Víctor Amadeo II de Saboya (1666-1732) y Ana María de Orleans (1669-1728) en la Iglesia Metropolitana de Palermo por el arzobispo el 24 de diciembre de 1713. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/almanaque-para-el-ao-1715-editado-en-pars-ao-1714-guerra-de-sucesin-asedio-de-la-ciudad-de-barcelona-por-el-mariscal-james-fitz-james-stuart-duque-de-berwick-1670-1734-el-12-de-julio-de-1714-recepcin-del-rey-de-espaa-felipe-v-1683-1746-a-la-reina-consorte-isabel-de-farnesio-1692-1766-coronacin-de-los-reyes-de-sicilia-vctor-amadeo-ii-de-saboya-1666-1732-y-ana-mara-de-orleans-1669-1728-en-la-iglesia-metropolitana-de-palermo-por-el-arzobispo-el-24-de-diciembre-de-1713-image415651403.htmlRM2F46FGY–Almanaque para el año 1715. Editado en París, año 1714. Guerra de sucesión. Asedio de la ciudad de Barcelona por el mariscal James Fitz-James Stuart, duque de Berwick (1670-1734) el 12 de julio de 1714. Recepción del rey de España Felipe V (1683-1746) a la reina consorte Isabel de Farnesio (1692-1766). Coronación de los reyes de Sicilia Víctor Amadeo II de Saboya (1666-1732) y Ana María de Orleans (1669-1728) en la Iglesia Metropolitana de Palermo por el arzobispo el 24 de diciembre de 1713.
. English: Alessandro Poglietti (16..-1683) after Jan Erasmus Quellinus (1634-1715). 17th century. after Jan Erasmus Quellinus 34 Alessandro Poglietti after Jan Erasmus Quellinus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-alessandro-poglietti-16-1683-after-jan-erasmus-quellinus-1634-1715-17th-century-after-jan-erasmus-quellinus-34-alessandro-poglietti-after-jan-erasmus-quellinus-image188156986.htmlRMMX384A–. English: Alessandro Poglietti (16..-1683) after Jan Erasmus Quellinus (1634-1715). 17th century. after Jan Erasmus Quellinus 34 Alessandro Poglietti after Jan Erasmus Quellinus
Hendrik Eemkens on a public scaffold Utrecht slain by gunpowder, 1562. Manufacturer : printmaker Jan Luyken (indicated on object) to a design of: Zwaansvliet (indicated on object) Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDe prints used in this second state to illustrate: Theater des martyrs depuis la mort present the jusqu'à J. Christ (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 77. The prints are originally made for firs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hendrik-eemkens-on-a-public-scaffold-utrecht-slain-by-gunpowder-1562-manufacturer-printmaker-jan-luyken-indicated-on-object-to-a-design-of-zwaansvliet-indicated-on-object-place-manufacture-northern-netherlands-date-1683-1685-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-115-mm-w-143-mmtoelichtingde-prints-used-in-this-second-state-to-illustrate-theater-des-martyrs-depuis-la-mort-present-the-jusqu-j-christ-=-schau-stage-means-of-the-martyrer-p-van-der-aa-leiden-ca-1715-no-77-the-prints-are-originally-made-for-firs-image348431417.htmlRM2B6TBR5–Hendrik Eemkens on a public scaffold Utrecht slain by gunpowder, 1562. Manufacturer : printmaker Jan Luyken (indicated on object) to a design of: Zwaansvliet (indicated on object) Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDe prints used in this second state to illustrate: Theater des martyrs depuis la mort present the jusqu'à J. Christ (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 77. The prints are originally made for firs
. Nederlands: Anneken van den Hove levend begraven te Vilvoorde in 1597. Etsprent van Jan Luyken (Noordelijke Nederlanden, ca. 1683 - 1685) Uit: Theatre des martyrs, depuis la mort de J. Christ jusqu'à present (Leiden, ca. 1715) Hove zu Brussel levendich in die erde vergraben, Ao. 1597 360 Anneken van den Hove te Brussel levend begraven (Jan Luyken, 1597) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nederlands-anneken-van-den-hove-levend-begraven-te-vilvoorde-in-1597-etsprent-van-jan-luyken-noordelijke-nederlanden-ca-1683-1685-uit-theatre-des-martyrs-depuis-la-mort-de-j-christ-jusqu-present-leiden-ca-1715-hove-zu-brussel-levendich-in-die-erde-vergraben-ao-1597-360-anneken-van-den-hove-te-brussel-levend-begraven-jan-luyken-1597-image189227297.htmlRMMYT19N–. Nederlands: Anneken van den Hove levend begraven te Vilvoorde in 1597. Etsprent van Jan Luyken (Noordelijke Nederlanden, ca. 1683 - 1685) Uit: Theatre des martyrs, depuis la mort de J. Christ jusqu'à present (Leiden, ca. 1715) Hove zu Brussel levendich in die erde vergraben, Ao. 1597 360 Anneken van den Hove te Brussel levend begraven (Jan Luyken, 1597)
Danvers Osborn (1715-1753), by Christian Friedrich Zincke . 18th century. Christian Friedrich Zincke (1683–1767) Alternative names Christian Friedrich Zink Description German-British painter and miniaturist Date of birth/death circa 1684 24 March 1767 Location of birth/death Dresden Lambeth (now London) Work period from 1700 until 1746 Work location London Authority control : Q1028749 VIAF:?59009461 ULAN:?500011388 LCCN:?nr2001018263 GND:?1089671164 KulturNav:?73defb0d-148a-478f-ac9a-f1e6da174d1a WorldCat Danvers Osborn (1715-1753), by Christian Friedrich Zincke Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/danvers-osborn-1715-1753-by-christian-friedrich-zincke-18th-century-christian-friedrich-zincke-16831767-alternative-names-christian-friedrich-zink-description-german-british-painter-and-miniaturist-date-of-birthdeath-circa-1684-24-march-1767-location-of-birthdeath-dresden-lambeth-now-london-work-period-from-1700-until-1746-work-location-london-authority-control-q1028749-viaf59009461-ulan500011388-lccnnr2001018263-gnd1089671164-kulturnav73defb0d-148a-478f-ac9a-f1e6da174d1a-worldcat-danvers-osborn-1715-1753-by-christian-friedrich-zincke-image184837906.htmlRMMMM2HP–Danvers Osborn (1715-1753), by Christian Friedrich Zincke . 18th century. Christian Friedrich Zincke (1683–1767) Alternative names Christian Friedrich Zink Description German-British painter and miniaturist Date of birth/death circa 1684 24 March 1767 Location of birth/death Dresden Lambeth (now London) Work period from 1700 until 1746 Work location London Authority control : Q1028749 VIAF:?59009461 ULAN:?500011388 LCCN:?nr2001018263 GND:?1089671164 KulturNav:?73defb0d-148a-478f-ac9a-f1e6da174d1a WorldCat Danvers Osborn (1715-1753), by Christian Friedrich Zincke
Jan Bosch, Maastricht burned in a thatched hut on a square, 1559. Right looks the executioner toe. Manufacturer : print maker: Zwaansvliet to design: Zwaansvliet Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDeze print used in the second state as an illustration for: Theater des martyrs, depuis la mort the present J. Christ jusqu'à (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 73. The prints are originally made for first time a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-bosch-maastricht-burned-in-a-thatched-hut-on-a-square-1559-right-looks-the-executioner-toe-manufacturer-print-maker-zwaansvliet-to-design-zwaansvliet-place-manufacture-northern-netherlands-date-1683-1685-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-115-mm-w-143-mmtoelichtingdeze-print-used-in-the-second-state-as-an-illustration-for-theater-des-martyrs-depuis-la-mort-the-present-j-christ-jusqu-=-schau-stage-means-of-the-martyrer-p-van-der-aa-leiden-ca-1715-no-73-the-prints-are-originally-made-for-first-time-a-image348460062.htmlRM2B6WMA6–Jan Bosch, Maastricht burned in a thatched hut on a square, 1559. Right looks the executioner toe. Manufacturer : print maker: Zwaansvliet to design: Zwaansvliet Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDeze print used in the second state as an illustration for: Theater des martyrs, depuis la mort the present J. Christ jusqu'à (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 73. The prints are originally made for first time a
. Deutsch: Antoine Pesne nach Ferdinand Bol, Der Philosoph. Öl auf Leinwand, 102,8 x 110 cm. . circa 1715. Antoine Pesne (1683–1757) Description French painter Date of birth/death 29 May 1683 5 August 1757 Location of birth/death Paris Berlin Work location Berlin, Paris, Dresden Authority control : Q203758 VIAF: 47048879 ISNI: 0000 0001 2025 142X ULAN: 500003171 LCCN: n84159761 WGA: PESNE, Antoine WorldCat After Ferdinand Bol (1616–1680) Alternative names Ferdinand Boel, Ferdinandus Bol, Ferdinand Boll Description Dutch painter, draughtsman, printmaker and ornamental pa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-antoine-pesne-nach-ferdinand-bol-der-philosoph-l-auf-leinwand-1028-x-110-cm-circa-1715-antoine-pesne-16831757-description-french-painter-date-of-birthdeath-29-may-1683-5-august-1757-location-of-birthdeath-paris-berlin-work-location-berlin-paris-dresden-authority-control-q203758-viaf47048879-isni0000-0001-2025-142x-ulan500003171-lccnn84159761-wgapesne-antoine-worldcat-after-ferdinand-bol-16161680-alternative-names-ferdinand-boel-ferdinandus-bol-ferdinand-boll-description-dutch-painter-draughtsman-printmaker-and-ornamental-pa-image184830760.htmlRMMMKNEG–. Deutsch: Antoine Pesne nach Ferdinand Bol, Der Philosoph. Öl auf Leinwand, 102,8 x 110 cm. . circa 1715. Antoine Pesne (1683–1757) Description French painter Date of birth/death 29 May 1683 5 August 1757 Location of birth/death Paris Berlin Work location Berlin, Paris, Dresden Authority control : Q203758 VIAF: 47048879 ISNI: 0000 0001 2025 142X ULAN: 500003171 LCCN: n84159761 WGA: PESNE, Antoine WorldCat After Ferdinand Bol (1616–1680) Alternative names Ferdinand Boel, Ferdinandus Bol, Ferdinand Boll Description Dutch painter, draughtsman, printmaker and ornamental pa
Portrait of (Baron) Arthur Capel and his family Lady Capel (detail). The people in the portrait are (from left to right): Arthur Capel, 1st Earl of Essex (1631-1683) his father Arthur Capel, 1st Baron Capel (1604-1649) Henry Capel, 2nd Baron Capel (1638-1896) mother Elizabeth, Lady Capel (died 1661) Charles Capel (died 1657) Elizabeth Countess of Carnarvon (1633-1678) Mary Duchess of Beaufort (1630-1715) . 1640. Cornelis Janssens van Ceulen (1593–1661) Alternative names Cornelis Jonson van Ceulen, Cornelis Janson van Ceulen, Cornelius Johnson, Cornelis Johnson van Ceulen, Cornel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-baron-arthur-capel-and-his-family-lady-capel-detail-the-people-in-the-portrait-are-from-left-to-right-arthur-capel-1st-earl-of-essex-1631-1683-his-father-arthur-capel-1st-baron-capel-1604-1649-henry-capel-2nd-baron-capel-1638-1896-mother-elizabeth-lady-capel-died-1661-charles-capel-died-1657-elizabeth-countess-of-carnarvon-1633-1678-mary-duchess-of-beaufort-1630-1715-1640-cornelis-janssens-van-ceulen-15931661-alternative-names-cornelis-jonson-van-ceulen-cornelis-janson-van-ceulen-cornelius-johnson-cornelis-johnson-van-ceulen-cornel-image185823613.htmlRMMP8YWH–Portrait of (Baron) Arthur Capel and his family Lady Capel (detail). The people in the portrait are (from left to right): Arthur Capel, 1st Earl of Essex (1631-1683) his father Arthur Capel, 1st Baron Capel (1604-1649) Henry Capel, 2nd Baron Capel (1638-1896) mother Elizabeth, Lady Capel (died 1661) Charles Capel (died 1657) Elizabeth Countess of Carnarvon (1633-1678) Mary Duchess of Beaufort (1630-1715) . 1640. Cornelis Janssens van Ceulen (1593–1661) Alternative names Cornelis Jonson van Ceulen, Cornelis Janson van Ceulen, Cornelius Johnson, Cornelis Johnson van Ceulen, Cornel
. Nederlands: De Amsterdamse houthandelaar Johannes de Ram (overleden ca. 1693) was tussen 1678 en 1693 ook als kaartuitgever actief. Veel mogen we ons daarvan niet voorstellen. De Ram kocht op veilingen oude koperplaten op die hij vervolgens onder zijn eigen naam publiceerde. De koperplaat voor deze wereldkaart was oorspronkelijk eigendom geweest van de kaartuitgever Hugo Allard (overleden 1691). Afdrukken van deze kaart verschenen vanaf 1683 in de atlassen van Johannes van Keulen (1654-1715), de grootste Europese uitgever van zeekaarten. English: The Amsterdam wood merchant Johannes de Ram Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nederlands-de-amsterdamse-houthandelaar-johannes-de-ram-overleden-ca-1693-was-tussen-1678-en-1693-ook-als-kaartuitgever-actief-veel-mogen-we-ons-daarvan-niet-voorstellen-de-ram-kocht-op-veilingen-oude-koperplaten-op-die-hij-vervolgens-onder-zijn-eigen-naam-publiceerde-de-koperplaat-voor-deze-wereldkaart-was-oorspronkelijk-eigendom-geweest-van-de-kaartuitgever-hugo-allard-overleden-1691-afdrukken-van-deze-kaart-verschenen-vanaf-1683-in-de-atlassen-van-johannes-van-keulen-1654-1715-de-grootste-europese-uitgever-van-zeekaarten-english-the-amsterdam-wood-merchant-johannes-de-ram-image184777382.htmlRMMMH9C6–. Nederlands: De Amsterdamse houthandelaar Johannes de Ram (overleden ca. 1693) was tussen 1678 en 1693 ook als kaartuitgever actief. Veel mogen we ons daarvan niet voorstellen. De Ram kocht op veilingen oude koperplaten op die hij vervolgens onder zijn eigen naam publiceerde. De koperplaat voor deze wereldkaart was oorspronkelijk eigendom geweest van de kaartuitgever Hugo Allard (overleden 1691). Afdrukken van deze kaart verschenen vanaf 1683 in de atlassen van Johannes van Keulen (1654-1715), de grootste Europese uitgever van zeekaarten. English: The Amsterdam wood merchant Johannes de Ram
