Clockmaker: John Ashbrooke, Longcase clock, British, London, Clockmaker: John Ashbrooke (British, apprenticed 1686–93), ca. 1695–1700, British, London, Walnut, Height: 85 in. (215.9 cm), Horology Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clockmaker-john-ashbrooke-longcase-clock-british-london-clockmaker-john-ashbrooke-british-apprenticed-168693-ca-16951700-british-london-walnut-height-85-in-2159-cm-horology-image344676741.html
RM2B0NAKH–Clockmaker: John Ashbrooke, Longcase clock, British, London, Clockmaker: John Ashbrooke (British, apprenticed 1686–93), ca. 1695–1700, British, London, Walnut, Height: 85 in. (215.9 cm), Horology
Malcolm III 'Canmore', King of Scotland (1057-93) between 1684 and 1686 by Jacob de Wet II Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/malcolm-iii-canmore-king-of-scotland-1057-93-between-1684-and-1686-by-jacob-de-wet-ii-image562031753.html
RM2RJAN6H–Malcolm III 'Canmore', King of Scotland (1057-93) between 1684 and 1686 by Jacob de Wet II
CARL THEODOR REIFFENSTEIN, wood carving of a room door in Fronhausen Castle, August 4, 1874, sheet, 117 x 93 mm, pencil on paper, wood carving of a room door in Fronhausen Castle, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 32, page 21, Part number / total, 3 / 4, FRONHAUSEN, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, STUDY AFTER A CRAFT, ORNAMENT STUDY, TRAVEL STUDY, Dated and inscribed below, in pencil, Fronhausen. Wood carving on a room door in the castle / August 4, 1874; Inscribed at the top center: 1686, numbered on the page Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carl-theodor-reiffenstein-wood-carving-of-a-room-door-in-fronhausen-castle-august-4-1874-sheet-117-x-93-mm-pencil-on-paper-wood-carving-of-a-room-door-in-fronhausen-castle-carl-theodor-reiffenstein-page-adhesive-tapes-volume-32-page-21-part-number-total-3-4-fronhausen-19th-century-drawing-pencil-on-paper-graphite-clay-mixture-paper-pencil-drawing-german-study-after-a-craft-ornament-study-travel-study-dated-and-inscribed-below-in-pencil-fronhausen-wood-carving-on-a-room-door-in-the-castle-august-4-1874-inscribed-at-the-top-center-1686-numbered-on-the-page-image573240924.html
RM2T8HAJ4–CARL THEODOR REIFFENSTEIN, wood carving of a room door in Fronhausen Castle, August 4, 1874, sheet, 117 x 93 mm, pencil on paper, wood carving of a room door in Fronhausen Castle, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 32, page 21, Part number / total, 3 / 4, FRONHAUSEN, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, STUDY AFTER A CRAFT, ORNAMENT STUDY, TRAVEL STUDY, Dated and inscribed below, in pencil, Fronhausen. Wood carving on a room door in the castle / August 4, 1874; Inscribed at the top center: 1686, numbered on the page
Psyche displaying her treasures to her sisters. Boucher, François (French, 1703-1770) (cartoon creator) [painter] Oudry, Jean-Baptiste (French, 1686-1755) (workshop) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] 1741-1742 Tapestry Dimensions: H 9'8' x W 9'3' Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Beauvais Ownership History: The intact set of the Philadelphia Museum of Art is thought to be the set made for the city of Marseille. 4th Marquess of Hertford, 19th century; inherited successively by: Sir Richard & Lady Wallace, Sir John Mur Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/psyche-displaying-her-treasures-to-her-sisters-boucher-franois-french-1703-1770-cartoon-creator-painter-oudry-jean-baptiste-french-1686-1755-workshop-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-1741-1742-tapestry-dimensions-h-98-x-w-93-tapestry-materialstechniques-wool-silk-culture-french-weaving-center-beauvais-ownership-history-the-intact-set-of-the-philadelphia-museum-of-art-is-thought-to-be-the-set-made-for-the-city-of-marseille-4th-marquess-of-hertford-19th-century-inherited-successively-by-sir-richard-lady-wallace-sir-john-mur-image600265777.html
RM2WTGD3D–Psyche displaying her treasures to her sisters. Boucher, François (French, 1703-1770) (cartoon creator) [painter] Oudry, Jean-Baptiste (French, 1686-1755) (workshop) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] 1741-1742 Tapestry Dimensions: H 9'8' x W 9'3' Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Beauvais Ownership History: The intact set of the Philadelphia Museum of Art is thought to be the set made for the city of Marseille. 4th Marquess of Hertford, 19th century; inherited successively by: Sir Richard & Lady Wallace, Sir John Mur
St. Martin's Church in Bamberg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-martins-church-in-bamberg-48347806.html
RMCPJC3A–St. Martin's Church in Bamberg
. Monetario americano (ilustrado) clasificado. N 1331—Anverso Leyenda Carolvs II. D G Hispaniarvm Rex. En el campo: Cruz de Cristo cantoneada por dos torres ydos leones bajo corona real. Sobre el brazo principal 8, ála izquierda L, á la derecha R y debajo 86, entre círculode puntos. — 425 — Reverso Leyenda El * Perv Lima * Ano • 1686 * En el campo: Las columnas de Hércules cortadas por doslíneas horizontales y entre ellas: L. 8. R.—Plv-Svl-Tra—R. 86.; L. arriba corona real. Plata: Peso 24 gramos.. N» 1332—Anverso Leyenda Span En el campo: Cruz como la anterior, debajo 93. Reverso Leyenda El Pe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monetario-americano-ilustrado-clasificado-n-1331anverso-leyenda-carolvs-ii-d-g-hispaniarvm-rex-en-el-campo-cruz-de-cristo-cantoneada-por-dos-torres-ydos-leones-bajo-corona-real-sobre-el-brazo-principal-8-la-izquierda-l-la-derecha-r-y-debajo-86-entre-crculode-puntos-425-reverso-leyenda-el-perv-lima-ano-1686-en-el-campo-las-columnas-de-hrcules-cortadas-por-doslneas-horizontales-y-entre-ellas-l-8-rplv-svl-trar-86-l-arriba-corona-real-plata-peso-24-gramos-n-1332anverso-leyenda-span-en-el-campo-cruz-como-la-anterior-debajo-93-reverso-leyenda-el-pe-image370758350.html
RM2CF5E1J–. Monetario americano (ilustrado) clasificado. N 1331—Anverso Leyenda Carolvs II. D G Hispaniarvm Rex. En el campo: Cruz de Cristo cantoneada por dos torres ydos leones bajo corona real. Sobre el brazo principal 8, ála izquierda L, á la derecha R y debajo 86, entre círculode puntos. — 425 — Reverso Leyenda El * Perv Lima * Ano • 1686 * En el campo: Las columnas de Hércules cortadas por doslíneas horizontales y entre ellas: L. 8. R.—Plv-Svl-Tra—R. 86.; L. arriba corona real. Plata: Peso 24 gramos.. N» 1332—Anverso Leyenda Span En el campo: Cruz como la anterior, debajo 93. Reverso Leyenda El Pe
Psyche abandoned by Cupid. Boucher, François (French, 1703-1770) (cartoon creator) [painter] Oudry, Jean-Baptiste (French, 1686-1755) (workshop) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] c. 1741-1770 Tapestry Dimensions: H 11'1' x W 9'3.5' Tapestry Materials/Techniques: wool & silk, (warp: 20-22/cm), modern cotton linings Culture: French Weaving Center: Beauvais Ownership History: Possibly part of a set of three (Bremmer cat. 11 a-c) woven for M. d'Auriac, 1741-1742. Sir Anthony de Rothschild (London0, early 20th century (Bremmer cat. 11 a-c), thereafter separated. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/psyche-abandoned-by-cupid-boucher-franois-french-1703-1770-cartoon-creator-painter-oudry-jean-baptiste-french-1686-1755-workshop-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-c-1741-1770-tapestry-dimensions-h-111-x-w-935-tapestry-materialstechniques-wool-silk-warp-20-22cm-modern-cotton-linings-culture-french-weaving-center-beauvais-ownership-history-possibly-part-of-a-set-of-three-bremmer-cat-11-a-c-woven-for-m-dauriac-1741-1742-sir-anthony-de-rothschild-london0-early-20th-century-bremmer-cat-11-a-c-thereafter-separated-image600253538.html
RM2WTFWEA–Psyche abandoned by Cupid. Boucher, François (French, 1703-1770) (cartoon creator) [painter] Oudry, Jean-Baptiste (French, 1686-1755) (workshop) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] c. 1741-1770 Tapestry Dimensions: H 11'1' x W 9'3.5' Tapestry Materials/Techniques: wool & silk, (warp: 20-22/cm), modern cotton linings Culture: French Weaving Center: Beauvais Ownership History: Possibly part of a set of three (Bremmer cat. 11 a-c) woven for M. d'Auriac, 1741-1742. Sir Anthony de Rothschild (London0, early 20th century (Bremmer cat. 11 a-c), thereafter separated.
. An illustrated manual of British birds. Birds. AMPELID^. 155. THE WAXWING. Ampelis garrulus, Linnaeus. For upwards of two centuries this beautiful bird has been known to visit our islands at irregular intervals, and sometimes, as in the winters of 1686, 1830-31, 1834-35, 1849-50, 1866-67, 1872-3, and 1892-93, in considerable numbers. As might be expected in the case of an inhabitant of the Arctic regions, the visits of the Waxwing have been more frequent to the northern and eastern portions of Great Britain than the western side; and although they have reached Argyll and Skye, they have not Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-illustrated-manual-of-british-birds-birds-ampelid-155-the-waxwing-ampelis-garrulus-linnaeus-for-upwards-of-two-centuries-this-beautiful-bird-has-been-known-to-visit-our-islands-at-irregular-intervals-and-sometimes-as-in-the-winters-of-1686-1830-31-1834-35-1849-50-1866-67-1872-3-and-1892-93-in-considerable-numbers-as-might-be-expected-in-the-case-of-an-inhabitant-of-the-arctic-regions-the-visits-of-the-waxwing-have-been-more-frequent-to-the-northern-and-eastern-portions-of-great-britain-than-the-western-side-and-although-they-have-reached-argyll-and-skye-they-have-not-image232448728.html
RMRE4XM8–. An illustrated manual of British birds. Birds. AMPELID^. 155. THE WAXWING. Ampelis garrulus, Linnaeus. For upwards of two centuries this beautiful bird has been known to visit our islands at irregular intervals, and sometimes, as in the winters of 1686, 1830-31, 1834-35, 1849-50, 1866-67, 1872-3, and 1892-93, in considerable numbers. As might be expected in the case of an inhabitant of the Arctic regions, the visits of the Waxwing have been more frequent to the northern and eastern portions of Great Britain than the western side; and although they have reached Argyll and Skye, they have not
Psyche abandoned by Cupid. Boucher, François (French, 1703-1770) (cartoon creator) [painter] Oudry, Jean-Baptiste (French, 1686-1755) (workshop) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] c. 1741-1770 Tapestry Dimensions: H 11'1' x W 9'3.5' Tapestry Materials/Techniques: wool & silk, (warp: 20-22/cm), modern cotton linings Culture: French Weaving Center: Beauvais Ownership History: Possibly part of a set of three (Bremmer cat. 11 a-c) woven for M. d'Auriac, 1741-1742. Sir Anthony de Rothschild (London0, early 20th century (Bremmer cat. 11 a-c), thereafter separated. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/psyche-abandoned-by-cupid-boucher-franois-french-1703-1770-cartoon-creator-painter-oudry-jean-baptiste-french-1686-1755-workshop-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-c-1741-1770-tapestry-dimensions-h-111-x-w-935-tapestry-materialstechniques-wool-silk-warp-20-22cm-modern-cotton-linings-culture-french-weaving-center-beauvais-ownership-history-possibly-part-of-a-set-of-three-bremmer-cat-11-a-c-woven-for-m-dauriac-1741-1742-sir-anthony-de-rothschild-london0-early-20th-century-bremmer-cat-11-a-c-thereafter-separated-image600252728.html
RM2WTFTDC–Psyche abandoned by Cupid. Boucher, François (French, 1703-1770) (cartoon creator) [painter] Oudry, Jean-Baptiste (French, 1686-1755) (workshop) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] c. 1741-1770 Tapestry Dimensions: H 11'1' x W 9'3.5' Tapestry Materials/Techniques: wool & silk, (warp: 20-22/cm), modern cotton linings Culture: French Weaving Center: Beauvais Ownership History: Possibly part of a set of three (Bremmer cat. 11 a-c) woven for M. d'Auriac, 1741-1742. Sir Anthony de Rothschild (London0, early 20th century (Bremmer cat. 11 a-c), thereafter separated.
Psyche abandoned by Cupid. Boucher, François (French, 1703-1770) (cartoon creator) [painter] Oudry, Jean-Baptiste (French, 1686-1755) (workshop) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] c. 1741-1770 Tapestry Dimensions: H 11'1' x W 9'3.5' Tapestry Materials/Techniques: wool & silk, (warp: 20-22/cm), modern cotton linings Culture: French Weaving Center: Beauvais Ownership History: Possibly part of a set of three (Bremmer cat. 11 a-c) woven for M. d'Auriac, 1741-1742. Sir Anthony de Rothschild (London0, early 20th century (Bremmer cat. 11 a-c), thereafter separated. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/psyche-abandoned-by-cupid-boucher-franois-french-1703-1770-cartoon-creator-painter-oudry-jean-baptiste-french-1686-1755-workshop-painter-besnier-nicolas-french-b1686-d1754-workshop-weaver-c-1741-1770-tapestry-dimensions-h-111-x-w-935-tapestry-materialstechniques-wool-silk-warp-20-22cm-modern-cotton-linings-culture-french-weaving-center-beauvais-ownership-history-possibly-part-of-a-set-of-three-bremmer-cat-11-a-c-woven-for-m-dauriac-1741-1742-sir-anthony-de-rothschild-london0-early-20th-century-bremmer-cat-11-a-c-thereafter-separated-image600249035.html
RM2WTFKNF–Psyche abandoned by Cupid. Boucher, François (French, 1703-1770) (cartoon creator) [painter] Oudry, Jean-Baptiste (French, 1686-1755) (workshop) [painter] Besnier, Nicolas (French, b.1686-d.1754) (workshop) [weaver] c. 1741-1770 Tapestry Dimensions: H 11'1' x W 9'3.5' Tapestry Materials/Techniques: wool & silk, (warp: 20-22/cm), modern cotton linings Culture: French Weaving Center: Beauvais Ownership History: Possibly part of a set of three (Bremmer cat. 11 a-c) woven for M. d'Auriac, 1741-1742. Sir Anthony de Rothschild (London0, early 20th century (Bremmer cat. 11 a-c), thereafter separated.
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