16th century fashion paintings hi-res stock photography and images

Shoe fashion from the Middle Ages, 1 - gentry shoe, 2 - children's shoe, 3 - shoe of a courtier, 4 - women's shoes from the court of Louis XV, 5 - riding boots from the 16th century, 6 - women's shoe from the time of the Medici, 7 - boots, 8 - boots, 9 - women's shoe under Louis XIV, 10 - women's shoe from the court of Louis XV, 11 - shoe of a prince from the time of Louis XII, historical illustration, 1877 Stock Photo

RFEH1BK0–Shoe fashion from the Middle Ages, 1 - gentry shoe, 2 - children's shoe, 3 - shoe of a courtier, 4 - women's shoes from the court of Louis XV, 5 - riding boots from the 16th century, 6 - women's shoe from the time of the Medici, 7 - boots, 8 - boots, 9 - women's shoe under Louis XIV, 10 - women's shoe from the court of Louis XV, 11 - shoe of a prince from the time of Louis XII, historical illustration, 1877

Noblewoman from Naples and bourgeois woman of Rome, late 16th century. From miniature paintings in the Stammbuch (Friendship Book) of Andreas Heidenreich von Pidenegg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo

RM2A82PRC–Noblewoman from Naples and bourgeois woman of Rome, late 16th century. From miniature paintings in the Stammbuch (Friendship Book) of Andreas Heidenreich von Pidenegg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

George Gower, Portrait of a lady, 16th Century painting circa 1590 Stock Photo

RM2J4243D–George Gower, Portrait of a lady, 16th Century painting circa 1590

Iran/Persia: A hunting scene. Safavid miniature painting, 16th-17th century. A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West. Stock Photo

RM2B01T6F–Iran/Persia: A hunting scene. Safavid miniature painting, 16th-17th century. A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West.

Old Man 16th Century Italian School Italy Stock Photo

RMEA4HFE–Old Man 16th Century Italian School Italy

A 16th century London merchant from Germany (George Gisze / Georg Giese) painted by H Holbein 1532 Stock Photo

RMJP35RJ–A 16th century London merchant from Germany (George Gisze / Georg Giese) painted by H Holbein 1532

Mercenaries wearing Hosenlatzmode fashion, woodcut by H. Burgkmair 16th century Stock Photo

RFDJHCB2–Mercenaries wearing Hosenlatzmode fashion, woodcut by H. Burgkmair 16th century

A late 16th or early 17th century Spanish portrait of Dona Elvira Fundado for sale in Santa Fe, New Mexico. Stock Photo

RF2GE52F2–A late 16th or early 17th century Spanish portrait of Dona Elvira Fundado for sale in Santa Fe, New Mexico.

Fashion in the Middle Ages: Flinderhaube women's cap with thin gold and silver leaf, 16th century, historical illustration Stock Photo

RMRD6MH7–Fashion in the Middle Ages: Flinderhaube women's cap with thin gold and silver leaf, 16th century, historical illustration

Allegory of Smell ,ANONYMOUS, Allegory, of, Smell, 4th quarter 16th century , France, French, Stock Photo

RM2KXB2R9–Allegory of Smell ,ANONYMOUS, Allegory, of, Smell, 4th quarter 16th century , France, French,

RMRAHDAJ–Mercenaries wearing Hosenlatzmode fashion, woodcut by H. Burgkmair 16th century

Portrait of a Young Man by Monogrammist 16th Century German Germany Stock Photo

RM2M6PGCF–Portrait of a Young Man by Monogrammist 16th Century German Germany

Fashionable women by Jost Ammon, 16th century. German ladies in fancy hats, tall lace or ruff collars, gowns with bodices, puff sleeves, rich petticoats. After paintings by Swiss-German artist Jost Ammon 1539-1591. d'apres Jost Ammon, XVIe siecle. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo

RM2T694KM–Fashionable women by Jost Ammon, 16th century. German ladies in fancy hats, tall lace or ruff collars, gowns with bodices, puff sleeves, rich petticoats. After paintings by Swiss-German artist Jost Ammon 1539-1591. d'apres Jost Ammon, XVIe siecle. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Portrait of a Man 1526 by Moretto da Brescia 1498-1554 16th Century, Italy Italian Stock Photo

RMMKR99J–Portrait of a Man 1526 by Moretto da Brescia 1498-1554 16th Century, Italy Italian

New York, United States. 16th Sep, 2024. Guests tour the art at a press preview for the 'Mandalas: Mapping the Buddhist Art of Tibet', an exploration of the diverse imagery of Himalayan Buddhist devotional art, at The Met Fifth Avenue on Monday, September 16, 2024 in New York City. Opening on September 19, the exhibition will include more than100 paintings, sculptures, textiles, costumes, weapons, instruments, and an array of ritual objects dating mainly from the 11th to the15th century. Photo by John Angelillo/UPI Credit: UPI/Alamy Live News Stock Photo

RM2Y47EWK–New York, United States. 16th Sep, 2024. Guests tour the art at a press preview for the 'Mandalas: Mapping the Buddhist Art of Tibet', an exploration of the diverse imagery of Himalayan Buddhist devotional art, at The Met Fifth Avenue on Monday, September 16, 2024 in New York City. Opening on September 19, the exhibition will include more than100 paintings, sculptures, textiles, costumes, weapons, instruments, and an array of ritual objects dating mainly from the 11th to the15th century. Photo by John Angelillo/UPI Credit: UPI/Alamy Live News

MASSYS, Quentin (b. 1465/66, Leuven, d. 1530, Antwerpen) St Mary Magdalene - Oil on panel, 45 x 29 cm Koninklijk Museum voor Schone Kunsten, Antwerp Quentin Massys was the first major artist of the rising Antwerp school in the 16th century. In his refined Saint Mary Magdalene, the artist conveys his ideal of feminine beauty in masterly fashion. --- Keywords: -------------- Author: MASSYS, Quentin Title: St Mary Magdalene Time-line: 1451-1500 School: Flemish Form: painting Type: religious Stock Photo

RM2Y97X84–MASSYS, Quentin (b. 1465/66, Leuven, d. 1530, Antwerpen) St Mary Magdalene - Oil on panel, 45 x 29 cm Koninklijk Museum voor Schone Kunsten, Antwerp Quentin Massys was the first major artist of the rising Antwerp school in the 16th century. In his refined Saint Mary Magdalene, the artist conveys his ideal of feminine beauty in masterly fashion. --- Keywords: -------------- Author: MASSYS, Quentin Title: St Mary Magdalene Time-line: 1451-1500 School: Flemish Form: painting Type: religious

James Drummond, The Return of Mary Queen of Scots to Edinburgh (16th June 1567), painting made in 1870 Stock Photo

RMT1ME63–James Drummond, The Return of Mary Queen of Scots to Edinburgh (16th June 1567), painting made in 1870

Oil painting on panel, King James V, King of Scotland (1512? 1542), aged 25 by Corneille de Lyon (The Hague 1500/10 ? Lyons 1575), reputedly, before cradling inscribed on the back: Le Roi, age 25, circa 1537. A head-and-shoulders portrait of a bearded young man, turned slightly to the left, gazing to the left, wearing a black doublet decorated with gold aglets, and a gold chain and pendant medallion, the Order of St Michel, he has a black hat adorned with a white feather against a green background. Corneille de Lyon - King James V of Scotland - Polesden Lacey Stock Photo

RMMMWNKH–Oil painting on panel, King James V, King of Scotland (1512? 1542), aged 25 by Corneille de Lyon (The Hague 1500/10 ? Lyons 1575), reputedly, before cradling inscribed on the back: Le Roi, age 25, circa 1537. A head-and-shoulders portrait of a bearded young man, turned slightly to the left, gazing to the left, wearing a black doublet decorated with gold aglets, and a gold chain and pendant medallion, the Order of St Michel, he has a black hat adorned with a white feather against a green background. Corneille de Lyon - King James V of Scotland - Polesden Lacey

Anne Fernely (Lady Gresham), wife of Sir Thomas Gresham, portrait painting by Anthonis Mor, 1560-1565 Stock Photo

RM2FXH3TG–Anne Fernely (Lady Gresham), wife of Sir Thomas Gresham, portrait painting by Anthonis Mor, 1560-1565

Queen Elizabeth I (1533-1603), after a 1590 portrait by Marcus Gheeraerts (1561-1636). Herbert Norris artist died 1950 - may require copyright clearance Stock Photo

RMFJR1T2–Queen Elizabeth I (1533-1603), after a 1590 portrait by Marcus Gheeraerts (1561-1636). Herbert Norris artist died 1950 - may require copyright clearance

Oil paintings of children and women, late 16th century. Two-year old child A, one-year old child B, noble woman C, and Sabine of Wurttemberg, Landgravine of Hesse D. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo

RM2A82PR3–Oil paintings of children and women, late 16th century. Two-year old child A, one-year old child B, noble woman C, and Sabine of Wurttemberg, Landgravine of Hesse D. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Albrecht Dürer, Portrait of a Young Venetian Woman, painting, 1505 Stock Photo

RM2E1J1GE–Albrecht Dürer, Portrait of a Young Venetian Woman, painting, 1505

Iran/Persia: A garden party with wine and music. Safavid, miniature painting, 16th-17th century. A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting Stock Photo

RM2B01T6H–Iran/Persia: A garden party with wine and music. Safavid, miniature painting, 16th-17th century. A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting

Mary Howard (nee Fitzalan), Duchess of Norfolk (1539/1540-1557), noblewoman, portrait painting by Hans Eworth, 1565 Stock Photo

RM2C2W5JC–Mary Howard (nee Fitzalan), Duchess of Norfolk (1539/1540-1557), noblewoman, portrait painting by Hans Eworth, 1565

Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them. The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Som Stock Photo

RM2B02A2A–Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them. The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Som

RFEH0TE7–Fashion in the Middle Ages: Flinderhaube women's cap with thin gold and silver leaf, 16th century, historical illustration

A late 16th or early 17th century Spanish portrait of Juan Lopez Fernando Fundado for sale in Santa Fe, New Mexico. Stock Photo

RF2GE52G7–A late 16th or early 17th century Spanish portrait of Juan Lopez Fernando Fundado for sale in Santa Fe, New Mexico.

RM2B02A29–Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them. The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Som

Lucas Cranach the Elder, Portrait of a Woman, portrait painting, circa 1525 Stock Photo

RMTBWC9H–Lucas Cranach the Elder, Portrait of a Woman, portrait painting, circa 1525

Posh woman with a dress with a trail and a fontagne, fashion engraving, 16th Century Stock Photo

RMRAHDBD–Posh woman with a dress with a trail and a fontagne, fashion engraving, 16th Century

Germany: 'The Merchant Georg Gisze'. Oil on wood painting by Hans Holbein the Younger (1497-1543), c. 1532. Hans Holbein the Younger was a German-Swiss painter and printmaker of the Northern Renaissance Style, seen by many as one of the greatest portraitists of the 16th century. His range of work also included Reformation propaganda, religious art and satire, and he was an influential contributor to the history of book design. He was also King's Painter to Henry VIII of England, his portraits of the royal family and the nobility an important surviving record of the English court. Stock Photo

RM2B01TTP–Germany: 'The Merchant Georg Gisze'. Oil on wood painting by Hans Holbein the Younger (1497-1543), c. 1532. Hans Holbein the Younger was a German-Swiss painter and printmaker of the Northern Renaissance Style, seen by many as one of the greatest portraitists of the 16th century. His range of work also included Reformation propaganda, religious art and satire, and he was an influential contributor to the history of book design. He was also King's Painter to Henry VIII of England, his portraits of the royal family and the nobility an important surviving record of the English court.

Fashionable noblewomen by Jost Ammon, 16th century. German royalty and courtiers in crowns and fancy hats, tall ruff collars, gowns with bodices, full sleeves, brocade petticoats. After paintings by Swiss-German artist Jost Ammon 1539-1591. d'apres Jost Ammon, XVIe siecle. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo

RM2T68CX7–Fashionable noblewomen by Jost Ammon, 16th century. German royalty and courtiers in crowns and fancy hats, tall ruff collars, gowns with bodices, full sleeves, brocade petticoats. After paintings by Swiss-German artist Jost Ammon 1539-1591. d'apres Jost Ammon, XVIe siecle. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Bernardo Spini 1536-1612 by Giovanni Battista Moroni 1520/4 - 1579 16th Century, Italy, Italian Stock Photo

RMMM6K4K–Bernardo Spini 1536-1612 by Giovanni Battista Moroni 1520/4 - 1579 16th Century, Italy, Italian

Fashion in the Middle Ages: ruff and cap, 1560, historical illustration Stock Photo

RMRD6MFW–Fashion in the Middle Ages: ruff and cap, 1560, historical illustration

Portrait of a Woman 1510 - 1515 Altobello Melone 1485-1543 16th Century, Italy, Italian. Stock Photo

RMPY4AG9–Portrait of a Woman 1510 - 1515 Altobello Melone 1485-1543 16th Century, Italy, Italian.

Iran / Persia: Camel and keeper. Watercolour painting by Shaykh Muhammad (fl. 16th century), c. 1556-1557. A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better. Stock Photo

RM2RXJGE1–Iran / Persia: Camel and keeper. Watercolour painting by Shaykh Muhammad (fl. 16th century), c. 1556-1557. A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better.

Paolo Veronese 1528-1588 Count Iseppo da Porto c. 1552. 16th Century, Italy, Italian, Stock Photo

RMMKR9T6–Paolo Veronese 1528-1588 Count Iseppo da Porto c. 1552. 16th Century, Italy, Italian,

RM2B01M28–Iran/Persia: Camel and keeper. Watercolour painting by Shaykh Muhammad (fl. 16th century), c. 1556-1557. A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better.

Portrait of Laura da Pola 1543-1544 by Lorenzo Lotto 1480-1556 15-16th Century, Italy, Italian. Stock Photo

RMPY933H–Portrait of Laura da Pola 1543-1544 by Lorenzo Lotto 1480-1556 15-16th Century, Italy, Italian.

Foppish Pantaloon, Columbine in Italian dress and Pierrot with lute from the Harlequinade, or Italian comic theatre. From oil paintings in Kraussnitz Castle. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. W. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo

RM2A82PP3–Foppish Pantaloon, Columbine in Italian dress and Pierrot with lute from the Harlequinade, or Italian comic theatre. From oil paintings in Kraussnitz Castle. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. W. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Anna of Austria 1528-1590 (Archduchess Anna) by Hans Mielich 1516-1573, 16th Century, German, Germany, Austria, Austrian. Stock Photo

RMMKR9M7–Anna of Austria 1528-1590 (Archduchess Anna) by Hans Mielich 1516-1573, 16th Century, German, Germany, Austria, Austrian.

RM2Y47EW4–New York, United States. 16th Sep, 2024. Guests tour the art at a press preview for the 'Mandalas: Mapping the Buddhist Art of Tibet', an exploration of the diverse imagery of Himalayan Buddhist devotional art, at The Met Fifth Avenue on Monday, September 16, 2024 in New York City. Opening on September 19, the exhibition will include more than100 paintings, sculptures, textiles, costumes, weapons, instruments, and an array of ritual objects dating mainly from the 11th to the15th century. Photo by John Angelillo/UPI Credit: UPI/Alamy Live News

Yamamoto Kansuke (山本勘助, 1501 – October 18, 1561) was a Japanese samurai of the 16th century who was one of Takeda Shingen's most trusted Twenty-Four Generals. Also known by his formal name, Haruyuki (晴幸), he was a brilliant strategist, and is particularly known for his plan which led to victory in the fourth battle of Kawanakajima against Uesugi Kenshin. However, Kansuke never lived to see his plan succeed; thinking it to have failed, he charged headlong into the enemy ranks, dying in battle. From: 'Stories of Courageous Generals of the Provinces of Echigo and Kai' (Kôetsu yûshô den, 甲越勇將傳). Stock Photo

RM2B0239G–Yamamoto Kansuke (山本勘助, 1501 – October 18, 1561) was a Japanese samurai of the 16th century who was one of Takeda Shingen's most trusted Twenty-Four Generals. Also known by his formal name, Haruyuki (晴幸), he was a brilliant strategist, and is particularly known for his plan which led to victory in the fourth battle of Kawanakajima against Uesugi Kenshin. However, Kansuke never lived to see his plan succeed; thinking it to have failed, he charged headlong into the enemy ranks, dying in battle. From: 'Stories of Courageous Generals of the Provinces of Echigo and Kai' (Kôetsu yûshô den, 甲越勇將傳).

King Philip II of Spain (1527-1598), Renaissance portrait painting by Sofonisba Anguissola, 1573 Stock Photo

RM2CBECFX–King Philip II of Spain (1527-1598), Renaissance portrait painting by Sofonisba Anguissola, 1573

RFDF3C2G–Mercenaries wearing Hosenlatzmode fashion, woodcut by H. Burgkmair 16th century

Japan: Detail of a byobu screen painting of namban (or nanban) 'Southern Barbarians' by Kano Naizen (1570-1616), c. 1593-1600. Kanō Naizen (1570-1616) was a Japanese painter of the Kanō school, particularly known for his screen paintings (byōbu) of Namban (Southern Barbarians, i.e. Europeans). The Nanban trade (Nanban bōeki, 'Southern barbarian trade') or the Nanban trade period (Nanban bōeki jidai, 'Southern barbarian trade period') in Japanese history extends from the arrival of the first Europeans - Portuguese explorers, missionaries and merchants - to Japan in 1543. Stock Photo

RM2B01T8D–Japan: Detail of a byobu screen painting of namban (or nanban) 'Southern Barbarians' by Kano Naizen (1570-1616), c. 1593-1600. Kanō Naizen (1570-1616) was a Japanese painter of the Kanō school, particularly known for his screen paintings (byōbu) of Namban (Southern Barbarians, i.e. Europeans). The Nanban trade (Nanban bōeki, 'Southern barbarian trade') or the Nanban trade period (Nanban bōeki jidai, 'Southern barbarian trade period') in Japanese history extends from the arrival of the first Europeans - Portuguese explorers, missionaries and merchants - to Japan in 1543.

RFC2CYWH–Fashion in the Middle Ages: Flinderhaube women's cap with thin gold and silver leaf, 16th century, historical illustration

Raphael, Maddalena Strozzi Doni, portrait painting, circa 1506 Stock Photo

RMWWWMM1–Raphael, Maddalena Strozzi Doni, portrait painting, circa 1506

RFDJHD85–Posh woman with a dress with a trail and a fontagne, fashion engraving, 16th Century

Frances, Lady Brydges (circa 1553-1623), The Duchess of Chandos, portrait painting by George Gower, 1579 Stock Photo

RM2C2W5J5–Frances, Lady Brydges (circa 1553-1623), The Duchess of Chandos, portrait painting by George Gower, 1579

German male costume of the first half of the 16th century from paintings by Lucas Cranach. Man wearing a cowl over doublet and skirts A; John of Saxony, 1519, wearing a multicoloured great coat with long sleeves B; man in breastplate, greaves over the knee under the skirts, and iron gauntlet 1524 C; and man with helmet, breastplate, chainmail collar, greaves over the knee under the skirts D; man in luxurious cape with candle watching a washerwoman E; and a man having his hair washed by three women F. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Age Stock Photo

RMPP6Y30–German male costume of the first half of the 16th century from paintings by Lucas Cranach. Man wearing a cowl over doublet and skirts A; John of Saxony, 1519, wearing a multicoloured great coat with long sleeves B; man in breastplate, greaves over the knee under the skirts, and iron gauntlet 1524 C; and man with helmet, breastplate, chainmail collar, greaves over the knee under the skirts D; man in luxurious cape with candle watching a washerwoman E; and a man having his hair washed by three women F. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Age

Raphael, Young woman with a Unicorn, painting, 1505-1506 Stock Photo

RMWWWMM0–Raphael, Young woman with a Unicorn, painting, 1505-1506

RMRD6MG1–Fashion in the Middle Ages: ruff and cap, 1560, historical illustration

Raphael, Portrait of a Young Woman, (La Muta), painting, 1507-1508 Stock Photo

RMWWWMKP–Raphael, Portrait of a Young Woman, (La Muta), painting, 1507-1508

Queen Elizabeth I (1533-1603), after a 1588 engraving by William Rogers (1545-1604). Elizabeth is depicted in full regalia following her recent victory over the Spanish Armada. Herbert Norris artist died 1950 - may require copyright clearance Stock Photo

RMFJR1T1–Queen Elizabeth I (1533-1603), after a 1588 engraving by William Rogers (1545-1604). Elizabeth is depicted in full regalia following her recent victory over the Spanish Armada. Herbert Norris artist died 1950 - may require copyright clearance

Antonis Mor (and workshop), Portrait of a Man, painting in oil on canvas, 1561 Stock Photo

RM2M4TXKT–Antonis Mor (and workshop), Portrait of a Man, painting in oil on canvas, 1561

Queen Elizabeth I (1533-1603), after a 1587 painting by Marcus Gheeraerts (1561-1636). Humble here, a year after sitting for Stock Photo

RMERGKDN–Queen Elizabeth I (1533-1603), after a 1587 painting by Marcus Gheeraerts (1561-1636). Humble here, a year after sitting for

Portrait of a Woman thought to be Anna Jagiellon (1523-1596) Queen of Poland, painting by unknown artist, 1570-1580 Stock Photo

RM2CWAW8X–Portrait of a Woman thought to be Anna Jagiellon (1523-1596) Queen of Poland, painting by unknown artist, 1570-1580

Italian woven straw fan or Ventarola A, noble Venetian woman in a shell cloak B, noble Venetian C, and noble Genoan D. After paintings in a famous costume book by Jost Amman. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Johann Klipphahn. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo

RM2A82PKB–Italian woven straw fan or Ventarola A, noble Venetian woman in a shell cloak B, noble Venetian C, and noble Genoan D. After paintings in a famous costume book by Jost Amman. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Johann Klipphahn. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Portrait of Henry IV of Saxony and Catherine of Mecklenburg 1514 16th Century, Lucas Cranach the Elder 1472 - 1553 German, Germany, Stock Photo

RMMKR97H–Portrait of Henry IV of Saxony and Catherine of Mecklenburg 1514 16th Century, Lucas Cranach the Elder 1472 - 1553 German, Germany,

RM2KE9531–Fashionable women by Jost Ammon, 16th century. German ladies in fancy hats, tall lace or ruff collars, gowns with bodices, puff sleeves, rich petticoats. After paintings by Swiss-German artist Jost Ammon 1539-1591. d'apres Jost Ammon, XVIe siecle. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

RM2Y47EWG–New York, United States. 16th Sep, 2024. Guests tour the art at a press preview for the 'Mandalas: Mapping the Buddhist Art of Tibet', an exploration of the diverse imagery of Himalayan Buddhist devotional art, at The Met Fifth Avenue on Monday, September 16, 2024 in New York City. Opening on September 19, the exhibition will include more than100 paintings, sculptures, textiles, costumes, weapons, instruments, and an array of ritual objects dating mainly from the 11th to the15th century. Photo by John Angelillo/UPI Credit: UPI/Alamy Live News

Charles IX (1550–1574), King of France (1560-1574) as a boy, portrait painting by Style of Francois Clouet, circa 1561 Stock Photo

RM2CKGY5K–Charles IX (1550–1574), King of France (1560-1574) as a boy, portrait painting by Style of Francois Clouet, circa 1561

Charles V (1500-58) with his dog c.1533/4. Artist Titian (Tiziano Vecellio) (c.1488-1576) . Location Prado, Madrid, Spain . Charles V (24 February 1500 - 21 September 1558) was ruler of the Burgundian territories (1506-1555), King of Spain (1516-1556), King of Naples and Sicily (1516-1554), Archduke of Austria (1519-1521), King of the Romans (or German King), (1519-1556 but did not formally abdicate until 1558) and Holy Roman Emperor (1530-1556 but did not formally abdicate until 1558). In Spain, though he is often referred to as Carlos V, he ruled officially as Carlos I, Charles I of Spain.. Stock Photo

RMWHB0XK–Charles V (1500-58) with his dog c.1533/4. Artist Titian (Tiziano Vecellio) (c.1488-1576) . Location Prado, Madrid, Spain . Charles V (24 February 1500 - 21 September 1558) was ruler of the Burgundian territories (1506-1555), King of Spain (1516-1556), King of Naples and Sicily (1516-1554), Archduke of Austria (1519-1521), King of the Romans (or German King), (1519-1556 but did not formally abdicate until 1558) and Holy Roman Emperor (1530-1556 but did not formally abdicate until 1558). In Spain, though he is often referred to as Carlos V, he ruled officially as Carlos I, Charles I of Spain..

RM2B01T83–Japan: Detail of a byobu screen painting of namban (or nanban) 'Southern Barbarians' by Kano Naizen (1570-1616), c. 1593-1600. Kanō Naizen (1570-1616) was a Japanese painter of the Kanō school, particularly known for his screen paintings (byōbu) of Namban (Southern Barbarians, i.e. Europeans). The Nanban trade (Nanban bōeki, 'Southern barbarian trade') or the Nanban trade period (Nanban bōeki jidai, 'Southern barbarian trade period') in Japanese history extends from the arrival of the first Europeans - Portuguese explorers, missionaries and merchants - to Japan in 1543.

Katherine Knollys (née Carey), Lady Knollys (circa 1523–1569) courtier, portrait painting by unknown artist, 1562 Stock Photo

RM2C2W5K7–Katherine Knollys (née Carey), Lady Knollys (circa 1523–1569) courtier, portrait painting by unknown artist, 1562

RMB8PPT7–Blickling Hall

RFDF3D29–Posh woman with a dress with a trail and a fontagne, fashion engraving, 16th Century

Titian, Tiziano Vecellio, Portrait of a Lady, painting in oil on canvas, circa 1555 Stock Photo

RM2B1FAJF–Titian, Tiziano Vecellio, Portrait of a Lady, painting in oil on canvas, circa 1555

RMRC4P6A–Noblewoman from Naples and bourgeois woman of Rome, late 16th century. From miniature paintings in the Stammbuch (Friendship Book) of Andreas Heidenreich von Pidenegg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Portrait of Elizabeth I of England, Unknown British School, c 1600 Stock Photo

RMT7FWYW–Portrait of Elizabeth I of England, Unknown British School, c 1600

Fashion in the Middle Ages: ruff and cap, 1530, historical illustration Stock Photo

RMRD6MFG–Fashion in the Middle Ages: ruff and cap, 1530, historical illustration

Hans Holbein the Younger, Portrait of a Young Woman with a White Coif, painting in oil and tempera on panel, 1541 Stock Photo

RM2J9RFYC–Hans Holbein the Younger, Portrait of a Young Woman with a White Coif, painting in oil and tempera on panel, 1541

Youngsters fight on the floor as their parents chat at the dining table: late-16th century humanist mural painted by Christian Vacksterffer on the Maison Pfister at Colmar, Alsace, Grand Est, France, built in 1537 for a wealthy member of the city’s mercantile bourgeoisie perhaps portrayed here in polite conversation. Stock Photo

RF2KG455R–Youngsters fight on the floor as their parents chat at the dining table: late-16th century humanist mural painted by Christian Vacksterffer on the Maison Pfister at Colmar, Alsace, Grand Est, France, built in 1537 for a wealthy member of the city’s mercantile bourgeoisie perhaps portrayed here in polite conversation.

Frescoes in Jaipur Rajasthan Stock Photo

RMD169NA–Frescoes in Jaipur Rajasthan

Queen Elizabeth I (1533-1603), after a 1590 portrait by Marcus Gheeraerts (1561-1636). Herbert Norris artist died 1950 - may Stock Photo

RMERGKDR–Queen Elizabeth I (1533-1603), after a 1590 portrait by Marcus Gheeraerts (1561-1636). Herbert Norris artist died 1950 - may

This bearded Moorish soldier in Renaissance costume guards the entrance to the Old Town Hall at Prachatice, South Bohemia, Czechia / Czech Republic. The building, constructed in 1570, was decorated in 1571 with chiaroscuro paintings and inscriptions urging the town’s civic leaders and judges to act wisely, justly and honourably. Two artworks at ground floor level derive from scenes in the disturbing Dance of Death woodcut cycle by German artist Hans Holbein the Younger (1497-1543). Stock Photo

RF2FKBY6C–This bearded Moorish soldier in Renaissance costume guards the entrance to the Old Town Hall at Prachatice, South Bohemia, Czechia / Czech Republic. The building, constructed in 1570, was decorated in 1571 with chiaroscuro paintings and inscriptions urging the town’s civic leaders and judges to act wisely, justly and honourably. Two artworks at ground floor level derive from scenes in the disturbing Dance of Death woodcut cycle by German artist Hans Holbein the Younger (1497-1543).

RMMKR96T–Portrait of Henry IV of Saxony and Catherine of Mecklenburg 1514 16th Century, Lucas Cranach the Elder 1472 - 1553 German, Germany,

RM2KE9532–Fashionable noblewomen by Jost Ammon, 16th century. German royalty and courtiers in crowns and fancy hats, tall ruff collars, gowns with bodices, full sleeves, brocade petticoats. After paintings by Swiss-German artist Jost Ammon 1539-1591. d'apres Jost Ammon, XVIe siecle. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

RM2Y47EX1–New York, United States. 16th Sep, 2024. Guests tour the art at a press preview for the 'Mandalas: Mapping the Buddhist Art of Tibet', an exploration of the diverse imagery of Himalayan Buddhist devotional art, at The Met Fifth Avenue on Monday, September 16, 2024 in New York City. Opening on September 19, the exhibition will include more than100 paintings, sculptures, textiles, costumes, weapons, instruments, and an array of ritual objects dating mainly from the 11th to the15th century. Photo by John Angelillo/UPI Credit: UPI/Alamy Live News

Ornaments in tapestry and paintings from the first half of the 16th century. Stock Photo

RME607RY–Ornaments in tapestry and paintings from the first half of the 16th century.

Vasco da Gama (1469-1524). Portuguese navigator who commanded an expedition in 1497 to discover the route to India around the Cape of Good Hope in modern South Africa. The Opening of the World by David Divine, page 165.. . . Stock Photo

RMWH8EXN–Vasco da Gama (1469-1524). Portuguese navigator who commanded an expedition in 1497 to discover the route to India around the Cape of Good Hope in modern South Africa. The Opening of the World by David Divine, page 165.. . .

Glass paintings showing coats of arms, 16th century. Stock Photo

RME6084J–Glass paintings showing coats of arms, 16th century.

RM2B01T88–Japan: Detail of a byobu screen painting of namban (or nanban) 'Southern Barbarians' by Kano Naizen (1570-1616), c. 1593-1600. Kanō Naizen (1570-1616) was a Japanese painter of the Kanō school, particularly known for his screen paintings (byōbu) of Namban (Southern Barbarians, i.e. Europeans). The Nanban trade (Nanban bōeki, 'Southern barbarian trade') or the Nanban trade period (Nanban bōeki jidai, 'Southern barbarian trade period') in Japanese history extends from the arrival of the first Europeans - Portuguese explorers, missionaries and merchants - to Japan in 1543.

HENRY VIII (1491 - 1547), studio of Holbein, in the Carved Room at Petworth House, West Sussex. Stock Photo

RMB8XNGB–HENRY VIII (1491 - 1547), studio of Holbein, in the Carved Room at Petworth House, West Sussex.

RFEH0TDT–Fashion in the Middle Ages: ruff and cap, 1560, historical illustration

Luxurious fashions of the nobility of Augsburg in the early 16th century, including Mathaus Schwarz and his wife K,I. From paintings on parchment held in a print room in Berlin. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo

RMRC3G1T–Luxurious fashions of the nobility of Augsburg in the early 16th century, including Mathaus Schwarz and his wife K,I. From paintings on parchment held in a print room in Berlin. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Fashion in the Middle Ages: large ruff around 1590, historical illustration Stock Photo

RMRD6MNG–Fashion in the Middle Ages: large ruff around 1590, historical illustration

Hans Holbein the Younger, Portrait of a woman, painting in tempera and oil on oak panel, 1532-1534 Stock Photo

RM2J9RFY5–Hans Holbein the Younger, Portrait of a woman, painting in tempera and oil on oak panel, 1532-1534

Michelangelo Merisi da Caravaggio, The Lute Player, painting, oil on canvas, circa 1595 Stock Photo

RM2HPT1E9–Michelangelo Merisi da Caravaggio, The Lute Player, painting, oil on canvas, circa 1595

Queen Elizabeth I (1533-1603), after a 1588 engraving by William Rogers (1545-1604). Elizabeth is depicted in full regalia Stock Photo

RMERGKDP–Queen Elizabeth I (1533-1603), after a 1588 engraving by William Rogers (1545-1604). Elizabeth is depicted in full regalia

El Greco, Lady in a Fur Wrap, painting, 1597-1599 Stock Photo

RM2A4MWAJ–El Greco, Lady in a Fur Wrap, painting, 1597-1599

RMD169NC–Frescoes in Jaipur Rajasthan

RMMKR962–Portrait of Henry IV of Saxony and Catherine of Mecklenburg 1514 16th Century, Lucas Cranach the Elder 1472 - 1553 German, Germany,

Raphael, Woman with a veil, (La Donna Velata), portrait painting, 1516-1520 Stock Photo

RMWWWMKE–Raphael, Woman with a veil, (La Donna Velata), portrait painting, 1516-1520

RM2Y47ETX–New York, United States. 16th Sep, 2024. Guests tour the art at a press preview for the 'Mandalas: Mapping the Buddhist Art of Tibet', an exploration of the diverse imagery of Himalayan Buddhist devotional art, at The Met Fifth Avenue on Monday, September 16, 2024 in New York City. Opening on September 19, the exhibition will include more than100 paintings, sculptures, textiles, costumes, weapons, instruments, and an array of ritual objects dating mainly from the 11th to the15th century. Photo by John Angelillo/UPI Credit: UPI/Alamy Live News

Lady Philippa Coningsby (1530-1596), portrait painting by George Gower, 1578 Stock Photo

RM2J42435–Lady Philippa Coningsby (1530-1596), portrait painting by George Gower, 1578

Glass paintings showing coats of arms with lute player,16th century. Stock Photo

RME6084G–Glass paintings showing coats of arms with lute player,16th century.

RM2B01T7W–Japan: Detail of a byobu screen painting of namban (or nanban) 'Southern Barbarians' by Kano Naizen (1570-1616), c. 1593-1600. Kanō Naizen (1570-1616) was a Japanese painter of the Kanō school, particularly known for his screen paintings (byōbu) of Namban (Southern Barbarians, i.e. Europeans). The Nanban trade (Nanban bōeki, 'Southern barbarian trade') or the Nanban trade period (Nanban bōeki jidai, 'Southern barbarian trade period') in Japanese history extends from the arrival of the first Europeans - Portuguese explorers, missionaries and merchants - to Japan in 1543.

German male costume from paintings by Lucas Cranach. Stock Photo

RME60849–German male costume from paintings by Lucas Cranach.

16th century fashion paintings Stock Photos and Images

16th century fashion paintings Stock Photos and Images

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