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1702 1766 Stock Photos and Images
Portrait of lady in gray 18th century Jacques André Joseph AVED 1702-1766 ,France, French, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-lady-in-gray-18th-century-jacques-andr-joseph-aved-1702-177487323.htmlRMM8N6TY–Portrait of lady in gray 18th century Jacques André Joseph AVED 1702-1766 ,France, French,
Gustaf Kierman, 1702-1766, wholesaler, painting, portrait, Pastel on cardboard, Height, 64 cm (25.1 inch), Width, 54 cm (21.2 inches) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustaf-kierman-1702-1766-wholesaler-painting-portrait-pastel-on-cardboard-height-64-cm-251-inch-width-54-cm-212-inches-image261308040.htmlRMW53H20–Gustaf Kierman, 1702-1766, wholesaler, painting, portrait, Pastel on cardboard, Height, 64 cm (25.1 inch), Width, 54 cm (21.2 inches)
The Marquise de Vintimille' Jacques-Andre Aved, 1702-1766.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-marquise-de-vintimille-jacques-andre-aved-1702-1766-image268800882.htmlRMWH8X7E–The Marquise de Vintimille' Jacques-Andre Aved, 1702-1766..
Portrait of Jean-Gabriel du Theil at the Signing of the Treaty of Vienna, 1738-1740. Jacques André Joseph Aved (French, 1702-1766). Oil on canvas; framed: 153.5 x 121.5 x 13.5 cm (60 7/16 x 47 13/16 x 5 5/16 in.); unframed: 124.5 x 92.4 cm (49 x 36 3/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jean-gabriel-du-theil-at-the-signing-of-the-treaty-of-vienna-1738-1740-jacques-andr-joseph-aved-french-1702-1766-oil-on-canvas-framed-1535-x-1215-x-135-cm-60-716-x-47-1316-x-5-516-in-unframed-1245-x-924-cm-49-x-36-38-in-image240440334.htmlRMRY502P–Portrait of Jean-Gabriel du Theil at the Signing of the Treaty of Vienna, 1738-1740. Jacques André Joseph Aved (French, 1702-1766). Oil on canvas; framed: 153.5 x 121.5 x 13.5 cm (60 7/16 x 47 13/16 x 5 5/16 in.); unframed: 124.5 x 92.4 cm (49 x 36 3/8 in
Inspired by Saucer, Saint-Cloud Factory, France, 1702–1766, 1755, Glazed porcelain with underglaze blue decoration, Made in Saint-Cloud, Île-de-France, France, Europe, Ceramics, diameter: 4 3/4 in. (12.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-saucer-saint-cloud-factory-france-17021766-1755-glazed-porcelain-with-underglaze-blue-decoration-made-in-saint-cloud-le-de-france-france-europe-ceramics-diameter-4-34-in-121-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459284316.htmlRF2HK65R8–Inspired by Saucer, Saint-Cloud Factory, France, 1702–1766, 1755, Glazed porcelain with underglaze blue decoration, Made in Saint-Cloud, Île-de-France, France, Europe, Ceramics, diameter: 4 3/4 in. (12.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Artist: Nicolas Delaunay, French, 1739–1792, After: Jacques-André-Joseph Aved, French, 1702–1766, Portrait of Jean-François de Troy, Engraving, platemark: 37.5 × 25.4 cm (14 3/4 × 10in.); Sheet: 42.2 × 32.2 cm (16 5/8 × 12 11/16in.), Made in France, French, 18th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-nicolas-delaunay-french-17391792-after-jacques-andr-joseph-aved-french-17021766-portrait-of-jean-franois-detroy-engraving-platemark-375-254-cm-14-34-10in-sheet-422-322-cm-16-58-121116in-made-in-france-french-18thcentury-works-on-paper-prints-image393058546.htmlRM2DRDA56–Artist: Nicolas Delaunay, French, 1739–1792, After: Jacques-André-Joseph Aved, French, 1702–1766, Portrait of Jean-François de Troy, Engraving, platemark: 37.5 × 25.4 cm (14 3/4 × 10in.); Sheet: 42.2 × 32.2 cm (16 5/8 × 12 11/16in.), Made in France, French, 18th century, Works on Paper - Prints
The Flute Player , 1734. Creator: Pasch, Lorenz, the Elder (1702-1766). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flute-player-1734-creator-pasch-lorenz-the-elder-1702-1766-image248913142.htmlRMTCXY72–The Flute Player , 1734. Creator: Pasch, Lorenz, the Elder (1702-1766).
Saucer, Saint-Cloud Factory, France, 1702–1766, 1755, Glazed porcelain with underglaze blue decoration, Made in Saint-Cloud, Île-de-France, France, Europe, Ceramics, diameter: 4 3/4 in. (12.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saucer-saint-cloud-factory-france-17021766-1755-glazed-porcelain-with-underglaze-blue-decoration-made-in-saint-cloud-le-de-france-france-europe-ceramics-diameter-4-34-in-121-cm-image454293711.htmlRM2HB2T7B–Saucer, Saint-Cloud Factory, France, 1702–1766, 1755, Glazed porcelain with underglaze blue decoration, Made in Saint-Cloud, Île-de-France, France, Europe, Ceramics, diameter: 4 3/4 in. (12.1 cm
Portrait of the composer Jean-Philippe Rameau (1683-1764), 1728. Artist: Aved, Jacques-Andrè Joseph (1702-1766) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-composer-jean-philippe-rameau-1683-1764-1728-artist-image66588474.htmlRMDT9A7P–Portrait of the composer Jean-Philippe Rameau (1683-1764), 1728. Artist: Aved, Jacques-Andrè Joseph (1702-1766)
. English: Nicolas-Sylvestre Bergier (1718-1790) Deutsch: Nicolas-Sylvestre Bergier (1718-1790) Français : Portrait d'abbé Nicolas-Sylvestre Bergier (1718-1790) . Aved Joseph (1702-1766). (Château de Versailles) Jean Popovitch 444 Nicolas-Sylvestre Bergier (1718-1790) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-nicolas-sylvestre-bergier-1718-1790-deutsch-nicolas-sylvestre-bergier-1718-1790-franais-portrait-dabb-nicolas-sylvestre-bergier-1718-1790-aved-joseph-1702-1766-chteau-de-versailles-jean-popovitch-444-nicolas-sylvestre-bergier-1718-1790-image188393394.htmlRMMXE1KE–. English: Nicolas-Sylvestre Bergier (1718-1790) Deutsch: Nicolas-Sylvestre Bergier (1718-1790) Français : Portrait d'abbé Nicolas-Sylvestre Bergier (1718-1790) . Aved Joseph (1702-1766). (Château de Versailles) Jean Popovitch 444 Nicolas-Sylvestre Bergier (1718-1790)
J.B. Rousseau, after Aved. Artist: Jean Louis Anselin (French, Paris 1754-1823 Paris); After Jacques André Joseph Aved (French, Douai 1702-1766 Paris). Dimensions: Plate: 8 1/4 × 5 1/2 in. (20.9 × 14 cm) Sheet: 10 9/16 × 6 7/8 in. (26.8 × 17.4 cm). Date: 1795. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jb-rousseau-after-aved-artist-jean-louis-anselin-french-paris-1754-1823-paris-after-jacques-andr-joseph-aved-french-douai-1702-1766-paris-dimensions-plate-8-14-5-12-in-209-14-cm-sheet-10-916-6-78-in-268-174-cm-date-1795-museum-metropolitan-museum-of-art-new-york-usa-image213119106.htmlRMPAMBGJ–J.B. Rousseau, after Aved. Artist: Jean Louis Anselin (French, Paris 1754-1823 Paris); After Jacques André Joseph Aved (French, Douai 1702-1766 Paris). Dimensions: Plate: 8 1/4 × 5 1/2 in. (20.9 × 14 cm) Sheet: 10 9/16 × 6 7/8 in. (26.8 × 17.4 cm). Date: 1795. Museum: Metropolitan Museum of Art, New York, USA.
William IV (1711-51), Prince of Orange-Nassau. ( Dutch Netherlands ) 1751 Jacques-André-Joseph Aved 1702 – 1766 ( Le Camelot or The Hawker) was a French painter of the 18th century and one of the main French Rococo ( Standing in armor, full-length, in a coastal landscape with left military attributes including a gun and a helmet. In the background ships. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-iv-1711-51-prince-of-orange-nassau-dutch-netherlands-1751-88207440.htmlRMF3E5DM–William IV (1711-51), Prince of Orange-Nassau. ( Dutch Netherlands ) 1751 Jacques-André-Joseph Aved 1702 – 1766 ( Le Camelot or The Hawker) was a French painter of the 18th century and one of the main French Rococo ( Standing in armor, full-length, in a coastal landscape with left military attributes including a gun and a helmet. In the background ships. )
After Jean Phillipe RAMEAU by Aved in 1738 French composer and theorist 1683-1764 painted by Jacques Andre Aved 1702-1766. J P R: French composer and theorist, 25 September 1683 - 12 September 1764. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-jean-phillipe-rameau-by-aved-in-1738-french-composer-and-theorist-image155403960.htmlRMK0R79C–After Jean Phillipe RAMEAU by Aved in 1738 French composer and theorist 1683-1764 painted by Jacques Andre Aved 1702-1766. J P R: French composer and theorist, 25 September 1683 - 12 September 1764.
Elizabeth Baring (1702-1766). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elizabeth-baring-1702-1766-image328565779.htmlRM2A2FD03–Elizabeth Baring (1702-1766).
THOMAS ARTHUR comte de LALLY (1702 - 1766), French military commander. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-arthur-comte-de-lally-1702-1766-french-military-commander-image504888695.htmlRM2M9BJK3–THOMAS ARTHUR comte de LALLY (1702 - 1766), French military commander.
Jacobite broadside - George, 3rd Earl of Cromartie (1702- 1766). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacobite-broadside-george-3rd-earl-of-cromartie-1702-1766-image367307282.htmlRM2C9G856–Jacobite broadside - George, 3rd Earl of Cromartie (1702- 1766).
Jacobite broadside George, 3rd Earl of Cromartie (1702 1766) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacobite-broadside-george-3rd-earl-of-cromartie-1702-1766-image159792208.htmlRMK7Y4GG–Jacobite broadside George, 3rd Earl of Cromartie (1702 1766)
Diagram depicting Bento de Moura Portugal's Steam Engine. Bento de Moura Portugal (1702-1766) a Portuguese aristocrat, a Knight of the Order of Christ and scientist. Dated 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diagram-depicting-bento-de-moura-portugals-steam-engine-bento-de-moura-portugal-1702-1766-a-portuguese-aristocrat-a-knight-of-the-order-of-christ-and-scientist-dated-18th-century-image186326998.htmlRMMR3WYJ–Diagram depicting Bento de Moura Portugal's Steam Engine. Bento de Moura Portugal (1702-1766) a Portuguese aristocrat, a Knight of the Order of Christ and scientist. Dated 18th century
Portrait of Marc de Villiers; Jacques-André-Joseph Aved, French, 1702 - 1766; Paris, France, Europe; 1747; Oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-marc-de-villiers-jacques-andr-joseph-aved-french-1702-image60350885.htmlRMDE564N–Portrait of Marc de Villiers; Jacques-André-Joseph Aved, French, 1702 - 1766; Paris, France, Europe; 1747; Oil on canvas
Le marquis Thomas Arthur, baron de Tollendal, comte de Lally (1702 - 1766), general francais d'origine irlandaise cherche a mettre fin a ses jours au moment de l'annonce de sa condamnation a mort pour trahison par le parlement de Paris en mai 1766 (Lally-Tollendal trying to kill himself may 1766) Gravure tiree de 'Histoire des jesuites' d'Adolphe Boucher 19eme siecle Collection privee Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-marquis-thomas-arthur-baron-de-tollendal-comte-de-lally-1702-1766-general-francais-dorigine-irlandaise-cherche-a-mettre-fin-a-ses-jours-au-moment-de-lannonce-de-sa-condamnation-a-mort-pour-trahison-par-le-parlement-de-paris-en-mai-1766-lally-tollendal-trying-to-kill-himself-may-1766-gravure-tiree-de-histoire-des-jesuites-dadolphe-boucher-19eme-siecle-collection-privee-image461233609.htmlRM2HPB04W–Le marquis Thomas Arthur, baron de Tollendal, comte de Lally (1702 - 1766), general francais d'origine irlandaise cherche a mettre fin a ses jours au moment de l'annonce de sa condamnation a mort pour trahison par le parlement de Paris en mai 1766 (Lally-Tollendal trying to kill himself may 1766) Gravure tiree de 'Histoire des jesuites' d'Adolphe Boucher 19eme siecle Collection privee
Portrait of Marc de Villiers. Jacques-André-Joseph Aved (French, 1702 - 1766) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-marc-de-villiers-jacques-andr-joseph-aved-french-1702-1766-image416531001.htmlRM2F5JHF5–Portrait of Marc de Villiers. Jacques-André-Joseph Aved (French, 1702 - 1766)
Tentative de suicide du marquis Thomas Arthur, baron de Tollendal, comte de Lally (1702 - 1766), general francais d'origine irlandaise au moment de l' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tentative-de-suicide-du-marquis-thomas-arthur-baron-de-tollendal-comte-de-lally-1702-1766-general-francais-dorigine-irlandaise-au-moment-de-l-image353845822.htmlRM2BFK1XP–Tentative de suicide du marquis Thomas Arthur, baron de Tollendal, comte de Lally (1702 - 1766), general francais d'origine irlandaise au moment de l'
THOMAS ARTHUR comte de LALLY (1702 - 1766), French military commander. Colourised version of : 10162590 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-arthur-comte-de-lally-1702-1766-french-military-commander-colourised-version-of-10162590-image472810050.htmlRM2JD6A16–THOMAS ARTHUR comte de LALLY (1702 - 1766), French military commander. Colourised version of : 10162590
Inspired by Jug and Basin, Saint-Cloud Factory, France, 1702–1766, 1745–50, Glazed porcelain, Made in Saint-Cloud, Île-de-France, France, Europe, Ceramics, containers, jug: 4 1/2 x 4 in. (11.4 x 10.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-jug-and-basin-saint-cloud-factory-france-17021766-174550-glazed-porcelain-made-in-saint-cloud-le-de-france-france-europe-ceramics-containers-jug-4-12-x-4-in-114-x-102-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459287713.htmlRF2HK6A4H–Inspired by Jug and Basin, Saint-Cloud Factory, France, 1702–1766, 1745–50, Glazed porcelain, Made in Saint-Cloud, Île-de-France, France, Europe, Ceramics, containers, jug: 4 1/2 x 4 in. (11.4 x 10.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Portrait of Jean-François de Troy. Artist: Nicolas Delaunay, French, 1739–1792After: Jacques-André-Joseph Aved, French, 1702–1766 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jean-franois-detroy-artist-nicolas-delaunay-french-17391792after-jacques-andr-joseph-aved-french-17021766-image463133233.htmlRM2HWDF4H–Portrait of Jean-François de Troy. Artist: Nicolas Delaunay, French, 1739–1792After: Jacques-André-Joseph Aved, French, 1702–1766
China: Empress Nara (11 March 1718 - 19 August 1766), second empress consort of the Qianlong Emperor. Hanging scroll painting by Jean Denis Attiret (1702-1768), c. 1750. Empress Nara of the Nara Clan was the the second empress consort of the Qianlong Emperor. She was originally an imperial consort, but was elevated after the death of Empress Xiaoxianchun in 1748. She accompanied the emperor on various trips, hunts and ceremonies. She eventually lost her authority as chief of the imperial harem in 1765, possibly for scandalously cutting her hair, though she was never officially deposed. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-empress-nara-11-march-1718-19-august-1766-second-empress-consort-of-the-qianlong-emperor-hanging-scroll-painting-by-jean-denis-attiret-1702-1768-c-1750-empress-nara-of-the-nara-clan-was-the-the-second-empress-consort-of-the-qianlong-emperor-she-was-originally-an-imperial-consort-but-was-elevated-after-the-death-of-empress-xiaoxianchun-in-1748-she-accompanied-the-emperor-on-various-trips-hunts-and-ceremonies-she-eventually-lost-her-authority-as-chief-of-the-imperial-harem-in-1765-possibly-for-scandalously-cutting-her-hair-though-she-was-never-officially-deposed-image344234094.htmlRM2B0162P–China: Empress Nara (11 March 1718 - 19 August 1766), second empress consort of the Qianlong Emperor. Hanging scroll painting by Jean Denis Attiret (1702-1768), c. 1750. Empress Nara of the Nara Clan was the the second empress consort of the Qianlong Emperor. She was originally an imperial consort, but was elevated after the death of Empress Xiaoxianchun in 1748. She accompanied the emperor on various trips, hunts and ceremonies. She eventually lost her authority as chief of the imperial harem in 1765, possibly for scandalously cutting her hair, though she was never officially deposed.
Jug and Basin, Saint-Cloud Factory, France, 1702–1766, 1745–50, Glazed porcelain, Made in Saint-Cloud, Île-de-France, France, Europe, Ceramics, containers, jug: 4 1/2 x 4 in. (11.4 x 10.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-and-basin-saint-cloud-factory-france-17021766-174550-glazed-porcelain-made-in-saint-cloud-le-de-france-france-europe-ceramics-containers-jug-4-12-x-4-in-114-x-102-cm-image454294747.htmlRM2HB2WGB–Jug and Basin, Saint-Cloud Factory, France, 1702–1766, 1745–50, Glazed porcelain, Made in Saint-Cloud, Île-de-France, France, Europe, Ceramics, containers, jug: 4 1/2 x 4 in. (11.4 x 10.2 cm
Portrait of Mehemet Said Pacha, Bey of Rumelia, special ambassador of the ottoman Sultan Mahmoud I i Artist: Aved, Jacques-Andrè Joseph (1702-1766) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-mehemet-said-pacha-bey-of-rumelia-special-ambassador-of-74093868.htmlRME8F7DG–Portrait of Mehemet Said Pacha, Bey of Rumelia, special ambassador of the ottoman Sultan Mahmoud I i Artist: Aved, Jacques-Andrè Joseph (1702-1766)
. English: Nicolas-Sylvestre Bergier (1718-1790) Deutsch: Nicolas-Sylvestre Bergier (1718-1790) Français : Portrait d'abbé Nicolas-Sylvestre Bergier (1718-1790) . Aved Joseph (1702-1766). (Château de Versailles) Jean Popovitch 387 Nicolas-Sylvestre Bergier (1718-1790) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-nicolas-sylvestre-bergier-1718-1790-deutsch-nicolas-sylvestre-bergier-1718-1790-franais-portrait-dabb-nicolas-sylvestre-bergier-1718-1790-aved-joseph-1702-1766-chteau-de-versailles-jean-popovitch-387-nicolas-sylvestre-bergier-1718-1790-image189161127.htmlRMMYN0XF–. English: Nicolas-Sylvestre Bergier (1718-1790) Deutsch: Nicolas-Sylvestre Bergier (1718-1790) Français : Portrait d'abbé Nicolas-Sylvestre Bergier (1718-1790) . Aved Joseph (1702-1766). (Château de Versailles) Jean Popovitch 387 Nicolas-Sylvestre Bergier (1718-1790)
Portrait of Madame Antoine Crozat - 1741 - 137x100 cm - oil on canvas. Author: Jacques Aved (1702-1766). Location: MUSEO PETIT PALAIS, FRANCE. Also known as: RETRATO DE MADAME CROZAT MARQUESA DE CHATEL. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-madame-antoine-crozat-1741-137x100-cm-oil-on-canvas-author-jacques-aved-1702-1766-location-museo-petit-palais-france-also-known-as-retrato-de-madame-crozat-marquesa-de-chatel-image209311648.htmlRMP4EY40–Portrait of Madame Antoine Crozat - 1741 - 137x100 cm - oil on canvas. Author: Jacques Aved (1702-1766). Location: MUSEO PETIT PALAIS, FRANCE. Also known as: RETRATO DE MADAME CROZAT MARQUESA DE CHATEL.
Portrait of Jean-Gabriel du Theil at the Signing of the Treaty of Vienna, 1738–40. Jacques André Joseph Aved (French, 1702-1766). Oil on canvas; framed: 153.5 x 121.5 x 13.5 cm (60 7/16 x 47 13/16 x 5 5/16 in.); unframed: 124.5 x 92.4 cm (49 x 36 3/8 in.). As secretary of foreign affairs for Louis XV of France, Jean-Gabriel du Theil (1685–1755) helped negotiate the 1738 Treaty of Vienna, which ceded the Duchy of Lorraine to France. The seal du Theil holds in his hand, the silver-gilt writing set, and the thick document all allude to these negotiations, while the wisp of smoke rising from the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jean-gabriel-du-theil-at-the-signing-of-the-treaty-of-vienna-173840-jacques-andr-joseph-aved-french-1702-1766-oil-on-canvas-framed-1535-x-1215-x-135-cm-60-716-x-47-1316-x-5-516-in-unframed-1245-x-924-cm-49-x-36-38-in-as-secretary-of-foreign-affairs-for-louis-xv-of-france-jean-gabriel-du-theil-16851755-helped-negotiate-the-1738-treaty-of-vienna-which-ceded-the-duchy-of-lorraine-to-france-the-seal-du-theil-holds-in-his-hand-the-silver-gilt-writing-set-and-the-thick-document-all-allude-to-these-negotiations-while-the-wisp-of-smoke-rising-from-the-image448083111.htmlRM2H0YXG7–Portrait of Jean-Gabriel du Theil at the Signing of the Treaty of Vienna, 1738–40. Jacques André Joseph Aved (French, 1702-1766). Oil on canvas; framed: 153.5 x 121.5 x 13.5 cm (60 7/16 x 47 13/16 x 5 5/16 in.); unframed: 124.5 x 92.4 cm (49 x 36 3/8 in.). As secretary of foreign affairs for Louis XV of France, Jean-Gabriel du Theil (1685–1755) helped negotiate the 1738 Treaty of Vienna, which ceded the Duchy of Lorraine to France. The seal du Theil holds in his hand, the silver-gilt writing set, and the thick document all allude to these negotiations, while the wisp of smoke rising from the
Clement XI (1649-1721), Pope (1700-1721), 1702 Giacchino Hamerani (1766-1796). Clément XI (1649-1721), pape (1700-1721), 1702. Bronze. Paris, Musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clement-xi-1649-1721-pope-1700-1721-1702-giacchino-hamerani-1766-1796-clment-xi-1649-1721-pape-1700-1721-1702-bronze-paris-muse-carnavalet-image349949248.htmlRM2B99FRC–Clement XI (1649-1721), Pope (1700-1721), 1702 Giacchino Hamerani (1766-1796). Clément XI (1649-1721), pape (1700-1721), 1702. Bronze. Paris, Musée Carnavalet.
Portrait of Count Carl Gyllenborg (1679-1746). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-count-carl-gyllenborg-1679-1746-image186209585.htmlRMMPXG69–Portrait of Count Carl Gyllenborg (1679-1746).
The wedding of Maria Klementyna Sobieska (1702 1635) with Jakub III Stuart (1688 1766) in Boloni in 1719. Bizański, Jan Nepomucen (1804 1878), lithography: Wyszkowski P. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-wedding-of-maria-klementyna-sobieska-1702-1635-with-jakub-iii-stuart-1688-1766-in-boloni-in-1719-bizaski-jan-nepomucen-1804-1878-lithography-wyszkowski-p-image471403509.htmlRM2JAX7YH–The wedding of Maria Klementyna Sobieska (1702 1635) with Jakub III Stuart (1688 1766) in Boloni in 1719. Bizański, Jan Nepomucen (1804 1878), lithography: Wyszkowski P.
![. The Earls of Cromartie; their kindred, country, and correspondence. [With plates, including portraits and facsimiles, and genealogical tables.] . kyi. ? GEORGE THIRD EARL OF CROMARTIEBORN CIRCA 1702 - DIED 1766. Stock Photo](https://c8.alamy.com/comp/2CDCKMX/the-earls-of-cromartie-their-kindred-country-and-correspondence-with-plates-including-portraits-and-facsimiles-and-genealogical-tables-kyi-george-third-earl-of-cromartieborn-circa-1702-died-1766-2CDCKMX.jpg ". The Earls of Cromartie; their kindred, country, and correspondence. [With plates, including portraits and facsimiles, and genealogical tables.] . kyi. ? GEORGE THIRD EARL OF CROMARTIEBORN CIRCA 1702 - DIED 1766. Stock Photo")
. The Earls of Cromartie; their kindred, country, and correspondence. [With plates, including portraits and facsimiles, and genealogical tables.] . kyi. ? GEORGE THIRD EARL OF CROMARTIEBORN CIRCA 1702 - DIED 1766. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-earls-of-cromartie-their-kindred-country-and-correspondence-with-plates-including-portraits-and-facsimiles-and-genealogical-tables-kyi-george-third-earl-of-cromartieborn-circa-1702-died-1766-image369687162.htmlRM2CDCKMX–. The Earls of Cromartie; their kindred, country, and correspondence. [With plates, including portraits and facsimiles, and genealogical tables.] . kyi. ? GEORGE THIRD EARL OF CROMARTIEBORN CIRCA 1702 - DIED 1766.
Portrait of Carel Reyniersz, Isaac Ledeboer, After Matthijs Balen (1684-1766), 1702 - 1749 print Portrait at half to the left of Carel Reyniersz, governor-general of the Dutch East Indies, with hat. Under the portrait are the name, title and coat of arms of the portrayed person. Print on top left marked: T.T. paper engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-carel-reyniersz-isaac-ledeboer-after-matthijs-balen-1684-1766-1702-1749-print-portrait-at-half-to-the-left-of-carel-reyniersz-governor-general-of-the-dutch-east-indies-with-hat-under-the-portrait-are-the-name-title-and-coat-of-arms-of-the-portrayed-person-print-on-top-left-marked-tt-paper-engraving-image594006134.htmlRM2WEB8TP–Portrait of Carel Reyniersz, Isaac Ledeboer, After Matthijs Balen (1684-1766), 1702 - 1749 print Portrait at half to the left of Carel Reyniersz, governor-general of the Dutch East Indies, with hat. Under the portrait are the name, title and coat of arms of the portrayed person. Print on top left marked: T.T. paper engraving
'Guerre de sept ans, la bataille de Pondichery aux Indes : Thomas Arthur de Lally-Tollendal (1702-1766) sur le remparts de Pondichery pendant le siege Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guerre-de-sept-ans-la-bataille-de-pondichery-aux-indes-thomas-arthur-de-lally-tollendal-1702-1766-sur-le-remparts-de-pondichery-pendant-le-siege-image352855658.htmlRM2BE1XYP–'Guerre de sept ans, la bataille de Pondichery aux Indes : Thomas Arthur de Lally-Tollendal (1702-1766) sur le remparts de Pondichery pendant le siege
Art inspired by Saucer, Saint-Cloud Factory, France, 1702-1766, 1755, Glazed porcelain with underglaze blue decoration, Made in Saint-Cloud, Île-de-France, France, Europe, Ceramics, diameter: 4 3/4 in. (12.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saucer-saint-cloud-factory-france-1702-1766-1755-glazed-porcelain-with-underglaze-blue-decoration-made-in-saint-cloud-le-de-france-france-europe-ceramics-diameter-4-34-in-121-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459597228.htmlRF2HKMCXM–Art inspired by Saucer, Saint-Cloud Factory, France, 1702-1766, 1755, Glazed porcelain with underglaze blue decoration, Made in Saint-Cloud, Île-de-France, France, Europe, Ceramics, diameter: 4 3/4 in. (12.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Nicolas Delaunay (1739 - 1792), artist Jacques-André-Joseph-Camelot Aved (1702 - 1766), after, portrait of Jean-Baptiste François de Troy, Albrecht Dürer (1471 - 1528), artist, Mary with the Child at the Wall, print medium: 1514, copperplate engraving, sheet size: 14.7 x 10.1 cm, dated and monogrammed '1514, AD' at center right on panel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nicolas-delaunay-1739-1792-artist-jacques-andr-joseph-camelot-aved-1702-1766-after-portrait-of-jean-baptiste-franois-de-troy-albrecht-drer-1471-1528-artist-mary-with-the-child-at-the-wall-print-medium-1514-copperplate-engraving-sheet-size-147-x-101-cm-dated-and-monogrammed-1514-ad-at-center-right-on-panel-image573217948.htmlRM2T8G99G–Nicolas Delaunay (1739 - 1792), artist Jacques-André-Joseph-Camelot Aved (1702 - 1766), after, portrait of Jean-Baptiste François de Troy, Albrecht Dürer (1471 - 1528), artist, Mary with the Child at the Wall, print medium: 1514, copperplate engraving, sheet size: 14.7 x 10.1 cm, dated and monogrammed '1514, AD' at center right on panel
. English: Nicolas-Sylvestre Bergier (1718-1790) Deutsch: Nicolas-Sylvestre Bergier (1718-1790) Français : Portrait d'abbé Nicolas-Sylvestre Bergier (1718-1790) . Aved Joseph (1702-1766). (Château de Versailles) Jean Popovitch 444 Nicolas-Sylvestre Bergier (1718-1790) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-nicolas-sylvestre-bergier-1718-1790-deutsch-nicolas-sylvestre-bergier-1718-1790-franais-portrait-dabb-nicolas-sylvestre-bergier-1718-1790-aved-joseph-1702-1766-chteau-de-versailles-jean-popovitch-444-nicolas-sylvestre-bergier-1718-1790-image187431374.htmlRMMTX6HJ–. English: Nicolas-Sylvestre Bergier (1718-1790) Deutsch: Nicolas-Sylvestre Bergier (1718-1790) Français : Portrait d'abbé Nicolas-Sylvestre Bergier (1718-1790) . Aved Joseph (1702-1766). (Château de Versailles) Jean Popovitch 444 Nicolas-Sylvestre Bergier (1718-1790)
Portrait of Jean Alphonse Turrettini. Artist: Jean Michel Liotard (Swiss, Geneva 1702-1796 Geneva); After Robert Gardelle (Swiss, Geneva, 1682-1766). Dimensions: plate: 9 13/16 x 7 5/8 in. (24.9 x 19.3 cm) sheet: 21 5/8 x 14 3/16 in. (55 x 36 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jean-alphonse-turrettini-artist-jean-michel-liotard-swiss-geneva-1702-1796-geneva-after-robert-gardelle-swiss-geneva-1682-1766-dimensions-plate-9-1316-x-7-58-in-249-x-193-cm-sheet-21-58-x-14-316-in-55-x-36-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213325540.htmlRMPB1PW8–Portrait of Jean Alphonse Turrettini. Artist: Jean Michel Liotard (Swiss, Geneva 1702-1796 Geneva); After Robert Gardelle (Swiss, Geneva, 1682-1766). Dimensions: plate: 9 13/16 x 7 5/8 in. (24.9 x 19.3 cm) sheet: 21 5/8 x 14 3/16 in. (55 x 36 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Okänd konstnär: Gustaf Kierman, 1702-1766, grosshandlare. NMGrh 1039 23 Gustaf Kierman, 1702-1766, grosshandlare - Nationalmuseum - 15709 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oknd-konstnr-gustaf-kierman-1702-1766-grosshandlare-nmgrh-1039-23-gustaf-kierman-1702-1766-grosshandlare-nationalmuseum-15709-image214061425.htmlRMPC79EW–Okänd konstnär: Gustaf Kierman, 1702-1766, grosshandlare. NMGrh 1039 23 Gustaf Kierman, 1702-1766, grosshandlare - Nationalmuseum - 15709
. Portrait of French scholar Claude Capperonnier (1671-1744) . 1740. Joseph Aved (1702–1766) Alternative names Jacques André Joseph Camellot Aved, Aved le Batave, Le Batave Description French-Dutch painter and art collector Date of birth/death 12 January 1702 4 March 1766 Location of birth/death Douai (?) Paris Work location Amsterdam, Paris (1721-....), Brussels (ca. 1738–1740), The Hague (1751), Paris Authority control : Q489437 VIAF:?66581430 ISNI:?0000 0000 6629 046X ULAN:?500022915 LCCN:?nr90005707 WGA:?AVED, Jacques-André-Joseph WorldCat Claude Capperonnier Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-french-scholar-claude-capperonnier-1671-1744-1740-joseph-aved-17021766-alternative-names-jacques-andr-joseph-camellot-aved-aved-le-batave-le-batave-description-french-dutch-painter-and-art-collector-date-of-birthdeath-12-january-1702-4-march-1766-location-of-birthdeath-douai-paris-work-location-amsterdam-paris-1721-brussels-ca-17381740-the-hague-1751-paris-authority-control-q489437-viaf66581430-isni0000-0000-6629-046x-ulan500022915-lccnnr90005707-wgaaved-jacques-andr-joseph-worldcat-claude-capperonnier-image184959255.htmlRMMMWHBK–. Portrait of French scholar Claude Capperonnier (1671-1744) . 1740. Joseph Aved (1702–1766) Alternative names Jacques André Joseph Camellot Aved, Aved le Batave, Le Batave Description French-Dutch painter and art collector Date of birth/death 12 January 1702 4 March 1766 Location of birth/death Douai (?) Paris Work location Amsterdam, Paris (1721-....), Brussels (ca. 1738–1740), The Hague (1751), Paris Authority control : Q489437 VIAF:?66581430 ISNI:?0000 0000 6629 046X ULAN:?500022915 LCCN:?nr90005707 WGA:?AVED, Jacques-André-Joseph WorldCat Claude Capperonnier
Portrait of Carl Gustaf Tessin (1695-1770). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-carl-gustaf-tessin-1695-1770-image186209289.htmlRMMPXFRN–Portrait of Carl Gustaf Tessin (1695-1770).
![. The Earls of Cromartie; their kindred, country, and correspondence. [With plates, including portraits and facsimiles, and genealogical tables.] . kyi. ? GEORGE THIRD EARL OF CROMARTIEBORN CIRCA 1702 - DIED 1766.. ^=-V ?• ISABELLA GORDON COUNTESS OF CROMARTiE CCX1 Stock Photo](https://c8.alamy.com/comp/2CDCKM0/the-earls-of-cromartie-their-kindred-country-and-correspondence-with-plates-including-portraits-and-facsimiles-and-genealogical-tables-kyi-george-third-earl-of-cromartieborn-circa-1702-died-1766-=-v-isabella-gordon-countess-of-cromartie-ccx1-2CDCKM0.jpg ". The Earls of Cromartie; their kindred, country, and correspondence. [With plates, including portraits and facsimiles, and genealogical tables.] . kyi. ? GEORGE THIRD EARL OF CROMARTIEBORN CIRCA 1702 - DIED 1766.. ^=-V ?• ISABELLA GORDON COUNTESS OF CROMARTiE CCX1 Stock Photo")
. The Earls of Cromartie; their kindred, country, and correspondence. [With plates, including portraits and facsimiles, and genealogical tables.] . kyi. ? GEORGE THIRD EARL OF CROMARTIEBORN CIRCA 1702 - DIED 1766.. ^=-V ?• ISABELLA GORDON COUNTESS OF CROMARTiE CCX1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-earls-of-cromartie-their-kindred-country-and-correspondence-with-plates-including-portraits-and-facsimiles-and-genealogical-tables-kyi-george-third-earl-of-cromartieborn-circa-1702-died-1766-=-v-isabella-gordon-countess-of-cromartie-ccx1-image369687136.htmlRM2CDCKM0–. The Earls of Cromartie; their kindred, country, and correspondence. [With plates, including portraits and facsimiles, and genealogical tables.] . kyi. ? GEORGE THIRD EARL OF CROMARTIEBORN CIRCA 1702 - DIED 1766.. ^=-V ?• ISABELLA GORDON COUNTESS OF CROMARTiE CCX1
Portrait of Mattheus de Haan, Isaac Ledeboer, After Matthijs Balen (1684-1766), 1702 - 1749 print Portrait at the front of Mattheus de Haan, governor-general of the Dutch East Indies, barefooted and with command stove in hand. Under the portrait are the name, title and coat of arms of the portrayed person. Print at the top right marked: No. 20. paper engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-mattheus-de-haan-isaac-ledeboer-after-matthijs-balen-1684-1766-1702-1749-print-portrait-at-the-front-of-mattheus-de-haan-governor-general-of-the-dutch-east-indies-barefooted-and-with-command-stove-in-hand-under-the-portrait-are-the-name-title-and-coat-of-arms-of-the-portrayed-person-print-at-the-top-right-marked-no-20-paper-engraving-image594858093.htmlRM2WFP3FW–Portrait of Mattheus de Haan, Isaac Ledeboer, After Matthijs Balen (1684-1766), 1702 - 1749 print Portrait at the front of Mattheus de Haan, governor-general of the Dutch East Indies, barefooted and with command stove in hand. Under the portrait are the name, title and coat of arms of the portrayed person. Print at the top right marked: No. 20. paper engraving
Art inspired by Jug and Basin, Saint-Cloud Factory, France, 1702-1766, 1745-50, Glazed porcelain, Made in Saint-Cloud, Île-de-France, France, Europe, Ceramics, containers, jug: 4 1/2 x 4 in. (11.4 x 10.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-jug-and-basin-saint-cloud-factory-france-1702-1766-1745-50-glazed-porcelain-made-in-saint-cloud-le-de-france-france-europe-ceramics-containers-jug-4-12-x-4-in-114-x-102-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459600986.htmlRF2HKMHMX–Art inspired by Jug and Basin, Saint-Cloud Factory, France, 1702-1766, 1745-50, Glazed porcelain, Made in Saint-Cloud, Île-de-France, France, Europe, Ceramics, containers, jug: 4 1/2 x 4 in. (11.4 x 10.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Portrait of the Maréchal de Saxe, 1766, Etching; state 2 of 2, plate: 6 x 3 11/16 in. (15.3 x 9.3 cm), Prints, Antoine Demarcenay de Ghuy (French, Arnay-le-Duc 1724–1811 Paris), After Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-the-marchal-de-saxe-1766-etching-state-2-of-2-plate-6-x-3-1116-in-153-x-93-cm-prints-antoine-demarcenay-de-ghuy-french-arnay-le-duc-17241811-paris-after-jean-tienne-liotard-swiss-geneva-17021789-geneva-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462988466.htmlRF2HW6XEA–Art inspired by Portrait of the Maréchal de Saxe, 1766, Etching; state 2 of 2, plate: 6 x 3 11/16 in. (15.3 x 9.3 cm), Prints, Antoine Demarcenay de Ghuy (French, Arnay-le-Duc 1724–1811 Paris), After Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Etienne Ficquet (1719 - 1794)Jacques-André-Joseph-Camelot Aved (1702 - 1766), after Titian (1485, 1490 um - 1576), after, portrait of Francois de la Motte le Voyer, origin of the print medium: 1775, etching and engraving, sheet size: 20.5 x 13.2 cm, inscribed lower center 'F. DE LA MOTHE, LE VAYER'; inscribed lower left on spine 'Problèmes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etienne-ficquet-1719-1794jacques-andr-joseph-camelot-aved-1702-1766-after-titian-1485-1490-um-1576-after-portrait-of-francois-de-la-motte-le-voyer-origin-of-the-print-medium-1775-etching-and-engraving-sheet-size-205-x-132-cm-inscribed-lower-center-f-de-la-mothe-le-vayer-inscribed-lower-left-on-spine-problmes-image573217400.htmlRM2T8G8J0–Etienne Ficquet (1719 - 1794)Jacques-André-Joseph-Camelot Aved (1702 - 1766), after Titian (1485, 1490 um - 1576), after, portrait of Francois de la Motte le Voyer, origin of the print medium: 1775, etching and engraving, sheet size: 20.5 x 13.2 cm, inscribed lower center 'F. DE LA MOTHE, LE VAYER'; inscribed lower left on spine 'Problèmes
Gustaf Kierman, 1702-1766, wholesaler, painting, portrait, Pastel on cardboard, Height, 64 cm (25.1 inch), Width, 54 cm (21.2 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustaf-kierman-1702-1766-wholesaler-painting-portrait-pastel-on-cardboard-height-64-cm-251-inch-width-54-cm-212-inches-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349931494.htmlRF2B98N5A–Gustaf Kierman, 1702-1766, wholesaler, painting, portrait, Pastel on cardboard, Height, 64 cm (25.1 inch), Width, 54 cm (21.2 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Jean-Marc Nattier (French, 1685 - 1766 ), Joseph Bonnier de la Mosson, 1745, oil on canvas, Samuel H. Kress Collection Portrait of Joseph Bonnier de la Mosson (1702–1744) 1745. 741 Joseph Bonnier de la Mosson 1745 by Nattier Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-marc-nattier-french-1685-1766-joseph-bonnier-de-la-mosson-1745-oil-on-canvas-samuel-h-kress-collection-portrait-of-joseph-bonnier-de-la-mosson-17021744-1745-741-joseph-bonnier-de-la-mosson-1745-by-nattier-image185815194.htmlRMMP8H4X–Jean-Marc Nattier (French, 1685 - 1766 ), Joseph Bonnier de la Mosson, 1745, oil on canvas, Samuel H. Kress Collection Portrait of Joseph Bonnier de la Mosson (1702–1744) 1745. 741 Joseph Bonnier de la Mosson 1745 by Nattier
Portrait of Countess Hedvig Ulrika Taube (1714-1744). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-countess-hedvig-ulrika-taube-1714-1744-image186209607.htmlRMMPXG73–Portrait of Countess Hedvig Ulrika Taube (1714-1744).
Portrait of Count Arvid Horn (1664-1742), . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-count-arvid-horn-1664-1742-image186193772.htmlRMMPWT1G–Portrait of Count Arvid Horn (1664-1742), .
Portrait of Abraham van Riebeeck, Isaac Ledeboer, After Matthijs Balen (1684-1766), 1702 - 1749 print Portrait in half to the right of Abraham van Riebeeck, governor-general of the Dutch East Indies, barefooted and with command staf. Under the portrait are the name, title and coat of arms of the portrayed person. Print at the top right marked: No. 17 (partially cut off). paper engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-abraham-van-riebeeck-isaac-ledeboer-after-matthijs-balen-1684-1766-1702-1749-print-portrait-in-half-to-the-right-of-abraham-van-riebeeck-governor-general-of-the-dutch-east-indies-barefooted-and-with-command-staf-under-the-portrait-are-the-name-title-and-coat-of-arms-of-the-portrayed-person-print-at-the-top-right-marked-no-17-partially-cut-off-paper-engraving-image594860934.htmlRM2WFP75A–Portrait of Abraham van Riebeeck, Isaac Ledeboer, After Matthijs Balen (1684-1766), 1702 - 1749 print Portrait in half to the right of Abraham van Riebeeck, governor-general of the Dutch East Indies, barefooted and with command staf. Under the portrait are the name, title and coat of arms of the portrayed person. Print at the top right marked: No. 17 (partially cut off). paper engraving
Etienne Ficquet (1719 - 1794)Jacques-André-Joseph-Camelot Aved (1702 - 1766), after, portrait of François de la Mothe Le Vayer, origin of print: 1775, etching and engraving, sheet size: 15. 0 x 9.0 cm, bottom center inscribed 'FRANÇOIS DE LA MOTHE, LE VAYER ( Conseiller d'Etat ordinaire de sa Majesté, verso bottom left dealer's note with graphite 'md.fo,mf.fo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etienne-ficquet-1719-1794jacques-andr-joseph-camelot-aved-1702-1766-after-portrait-of-franois-de-la-mothe-le-vayer-origin-of-print-1775-etching-and-engraving-sheet-size-15-0-x-90-cm-bottom-center-inscribed-franois-de-la-mothe-le-vayer-conseiller-detat-ordinaire-de-sa-majest-verso-bottom-left-dealers-note-with-graphite-mdfomffo-image573217403.htmlRM2T8G8J3–Etienne Ficquet (1719 - 1794)Jacques-André-Joseph-Camelot Aved (1702 - 1766), after, portrait of François de la Mothe Le Vayer, origin of print: 1775, etching and engraving, sheet size: 15. 0 x 9.0 cm, bottom center inscribed 'FRANÇOIS DE LA MOTHE, LE VAYER ( Conseiller d'Etat ordinaire de sa Majesté, verso bottom left dealer's note with graphite 'md.fo,mf.fo
Portrait of Marc de Villiers, Secretaire du roi, Jacques-André-Joseph Aved (French, 1702 - 1766), Paris, France, 1747, Oil on canvas, 148.6 × 114.9 cm (58 1,2 × 45 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-marc-de-villiers-secretaire-du-roi-jacques-andr-joseph-aved-french-1702-1766-paris-france-1747-oil-on-canvas-1486-1149-cm-58-12-45-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350019268.htmlRF2B9CN44–Portrait of Marc de Villiers, Secretaire du roi, Jacques-André-Joseph Aved (French, 1702 - 1766), Paris, France, 1747, Oil on canvas, 148.6 × 114.9 cm (58 1,2 × 45 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Art inspired by Portrait of Jean Alphonse Turrettini, 18th century, Engraving, plate: 9 13/16 x 7 5/8 in. (24.9 x 19.3 cm), Prints, Jean Michel Liotard (Swiss, Geneva 1702–1796 Geneva), After Robert Gardelle (Swiss, Geneva, 1682–1766, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-jean-alphonse-turrettini-18th-century-engraving-plate-9-1316-x-7-58-in-249-x-193-cm-prints-jean-michel-liotard-swiss-geneva-17021796-geneva-after-robert-gardelle-swiss-geneva-16821766-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462988536.htmlRF2HW6XGT–Art inspired by Portrait of Jean Alphonse Turrettini, 18th century, Engraving, plate: 9 13/16 x 7 5/8 in. (24.9 x 19.3 cm), Prints, Jean Michel Liotard (Swiss, Geneva 1702–1796 Geneva), After Robert Gardelle (Swiss, Geneva, 1682–1766, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Marc de Villiers, Secretaire du roi, Jacques-André-Joseph Aved (French, 1702 - 1766), Paris, France, 1747 reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-marc-de-villiers-secretaire-du-roi-jacques-andr-joseph-aved-french-1702-1766-paris-france-1747-reimagined-image230210108.htmlRFRAEY9G–Portrait of Marc de Villiers, Secretaire du roi, Jacques-André-Joseph Aved (French, 1702 - 1766), Paris, France, 1747 reimagined
Portrait of Jean-Gabriel du Theil at the Signing of the Treaty of Vienna, 1738-1740. As secretary of foreign affairs for Louis XV of France, Jean-Gabriel du Theil (1685-1755) helped negotiate the 1738 Treaty of Vienna, which ceded the Duchy of Lorraine to France. The seal du Theil holds in his hand, the silver-gilt writing set, and the thick document all allude to these negotiations, while the wisp of smoke rising from the candle used to melt the sealing wax suggests that the treaty has only just concluded. Du Thiel’s relaxed posture conveys calm assurance, but his sharp gaze is that Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jean-gabriel-du-theil-at-the-signing-of-the-treaty-of-vienna-1738-1740-as-secretary-of-foreign-affairs-for-louis-xv-of-france-jean-gabriel-du-theil-1685-1755-helped-negotiate-the-1738-treaty-of-vienna-which-ceded-the-duchy-of-lorraine-to-france-the-seal-du-theil-holds-in-his-hand-the-silver-gilt-writing-set-and-the-thick-document-all-allude-to-these-negotiations-while-the-wisp-of-smoke-rising-from-the-candle-used-to-melt-the-sealing-wax-suggests-that-the-treaty-has-only-just-concluded-du-thielx2019s-relaxed-posture-conveys-calm-assurance-but-his-sharp-gaze-is-that-image330113812.htmlRM2A51YF0–Portrait of Jean-Gabriel du Theil at the Signing of the Treaty of Vienna, 1738-1740. As secretary of foreign affairs for Louis XV of France, Jean-Gabriel du Theil (1685-1755) helped negotiate the 1738 Treaty of Vienna, which ceded the Duchy of Lorraine to France. The seal du Theil holds in his hand, the silver-gilt writing set, and the thick document all allude to these negotiations, while the wisp of smoke rising from the candle used to melt the sealing wax suggests that the treaty has only just concluded. Du Thiel’s relaxed posture conveys calm assurance, but his sharp gaze is that
Portrait of Hendrik Brouwer, Isaac Ledeboer, After Matthijs Balen (1684-1766), 1702 - 1749 print Portrait at half to the right of Hendrik Brouwer, governor-general of the Dutch East Indies, barefoot. He stands with his right hand in his side, in the left hand the handle of a sword. Under the portrait are the name, title and coat of arms of the portrayed person. Print at the top right marked: q.q. No. 7. paper engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-hendrik-brouwer-isaac-ledeboer-after-matthijs-balen-1684-1766-1702-1749-print-portrait-at-half-to-the-right-of-hendrik-brouwer-governor-general-of-the-dutch-east-indies-barefoot-he-stands-with-his-right-hand-in-his-side-in-the-left-hand-the-handle-of-a-sword-under-the-portrait-are-the-name-title-and-coat-of-arms-of-the-portrayed-person-print-at-the-top-right-marked-qq-no-7-paper-engraving-image594859417.htmlRM2WFP575–Portrait of Hendrik Brouwer, Isaac Ledeboer, After Matthijs Balen (1684-1766), 1702 - 1749 print Portrait at half to the right of Hendrik Brouwer, governor-general of the Dutch East Indies, barefoot. He stands with his right hand in his side, in the left hand the handle of a sword. Under the portrait are the name, title and coat of arms of the portrayed person. Print at the top right marked: q.q. No. 7. paper engraving
Etienne Ficquet (1719 - 1794)Georg Friedrich Schmidt (1712 - 1775), after Jacques-André-Joseph-Camelot Aved (1702 - 1766), after, portrait of Jean Baptiste Rousseau, origin of the print: 1763, etching and engraving, sheet size: 18. 8 x 11.9 cm, inscribed lower center 'JEAN BAPTISTE, ROUSSEAU, Né en 1670'; inscribed lower left 'Aued Pinx.t, recto lower center blindstamp 'Dz'; verso lower center dealer's note with graphite '1843, CRJ LS Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etienne-ficquet-1719-1794georg-friedrich-schmidt-1712-1775-after-jacques-andr-joseph-camelot-aved-1702-1766-after-portrait-of-jean-baptiste-rousseau-origin-of-the-print-1763-etching-and-engraving-sheet-size-18-8-x-119-cm-inscribed-lower-center-jean-baptiste-rousseau-n-en-1670-inscribed-lower-left-aued-pinxt-recto-lower-center-blindstamp-dz-verso-lower-center-dealers-note-with-graphite-1843-crj-ls-image573217401.htmlRM2T8G8J1–Etienne Ficquet (1719 - 1794)Georg Friedrich Schmidt (1712 - 1775), after Jacques-André-Joseph-Camelot Aved (1702 - 1766), after, portrait of Jean Baptiste Rousseau, origin of the print: 1763, etching and engraving, sheet size: 18. 8 x 11.9 cm, inscribed lower center 'JEAN BAPTISTE, ROUSSEAU, Né en 1670'; inscribed lower left 'Aued Pinx.t, recto lower center blindstamp 'Dz'; verso lower center dealer's note with graphite '1843, CRJ LS
![Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems, c. 1765-1774. This set of etchings was commissioned by Emperor Qianlong to record in pictorial terms the courage of his generals and soldiers in quelling the rebellions in the Western Regions. Qianlong added his own poem to each of the etchings, indicating his appreciation and pride in this demonstration of military might. "Western Regions" refers to the present-day Xingjiang province, often described in Western writing as "Central Asia." Stock Photo](https://c8.alamy.com/comp/2A508T0/battle-scenes-of-the-quelling-of-rebellions-in-the-western-regions-with-imperial-poems-c-1765-1774-this-set-of-etchings-was-commissioned-by-emperor-qianlong-to-record-in-pictorial-terms-the-courage-of-his-generals-and-soldiers-in-quelling-the-rebellions-in-the-western-regions-qianlong-added-his-own-poem-to-each-of-the-etchings-indicating-his-appreciation-and-pride-in-this-demonstration-of-military-might-quotwestern-regionsquot-refers-to-the-present-day-xingjiang-province-often-described-in-western-writing-as-quotcentral-asiaquot-2A508T0.jpg "Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems, c. 1765-1774. This set of etchings was commissioned by Emperor Qianlong to record in pictorial terms the courage of his generals and soldiers in quelling the rebellions in the Western Regions. Qianlong added his own poem to each of the etchings, indicating his appreciation and pride in this demonstration of military might. "Western Regions" refers to the present-day Xingjiang province, often described in Western writing as "Central Asia." Stock Photo")
Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems, c. 1765-1774. This set of etchings was commissioned by Emperor Qianlong to record in pictorial terms the courage of his generals and soldiers in quelling the rebellions in the Western Regions. Qianlong added his own poem to each of the etchings, indicating his appreciation and pride in this demonstration of military might. "Western Regions" refers to the present-day Xingjiang province, often described in Western writing as "Central Asia." Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-scenes-of-the-quelling-of-rebellions-in-the-western-regions-with-imperial-poems-c-1765-1774-this-set-of-etchings-was-commissioned-by-emperor-qianlong-to-record-in-pictorial-terms-the-courage-of-his-generals-and-soldiers-in-quelling-the-rebellions-in-the-western-regions-qianlong-added-his-own-poem-to-each-of-the-etchings-indicating-his-appreciation-and-pride-in-this-demonstration-of-military-might-quotwestern-regionsquot-refers-to-the-present-day-xingjiang-province-often-described-in-western-writing-as-quotcentral-asiaquot-image330077216.htmlRM2A508T0–Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems, c. 1765-1774. This set of etchings was commissioned by Emperor Qianlong to record in pictorial terms the courage of his generals and soldiers in quelling the rebellions in the Western Regions. Qianlong added his own poem to each of the etchings, indicating his appreciation and pride in this demonstration of military might. "Western Regions" refers to the present-day Xingjiang province, often described in Western writing as "Central Asia."
Portrait of Cornelis Jansz Speelman, Isaac Ledeboer, After Matthijs Balen (1684-1766), 1702 - 1749 print Portrait Ten Halves to the right of Cornelis Jansz Speelman, Governor General of the Dutch East Indies, Barefoot. In his right hand a commandosta, his left hand rests on a cannon. Under the portrait are the name, title and coat of arms of the portrayed person. Print on the top left marked: X.X. paper engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cornelis-jansz-speelman-isaac-ledeboer-after-matthijs-balen-1684-1766-1702-1749-print-portrait-ten-halves-to-the-right-of-cornelis-jansz-speelman-governor-general-of-the-dutch-east-indies-barefoot-in-his-right-hand-a-commandosta-his-left-hand-rests-on-a-cannon-under-the-portrait-are-the-name-title-and-coat-of-arms-of-the-portrayed-person-print-on-the-top-left-marked-xx-paper-engraving-image593935729.htmlRM2WE8329–Portrait of Cornelis Jansz Speelman, Isaac Ledeboer, After Matthijs Balen (1684-1766), 1702 - 1749 print Portrait Ten Halves to the right of Cornelis Jansz Speelman, Governor General of the Dutch East Indies, Barefoot. In his right hand a commandosta, his left hand rests on a cannon. Under the portrait are the name, title and coat of arms of the portrayed person. Print on the top left marked: X.X. paper engraving
Carlo Domenico Mellini (1741, 1745 - ?)Jacques-André-Joseph-Camelot Aved (1702 - 1766), after, portrait of Charles Joseph Duke of Pollinchove, origin of the print medium: 1765, copperplate engraving and etching, sheet size: 50.8 x 38.4 cm plate margin: 48. 1 x 35.7 cm, Inscribed lower left 'Peint par Jean Aved Peintre, du Roy.'; signed and dated lower right 'G, Verso lower left dealer's note in graphite '22624, DZ'; verso lower left black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carlo-domenico-mellini-1741-1745-jacques-andr-joseph-camelot-aved-1702-1766-after-portrait-of-charles-joseph-duke-of-pollinchove-origin-of-the-print-medium-1765-copperplate-engraving-and-etching-sheet-size-508-x-384-cm-plate-margin-48-1-x-357-cm-inscribed-lower-left-peint-par-jean-aved-peintre-du-roy-signed-and-dated-lower-right-g-verso-lower-left-dealers-note-in-graphite-22624-dz-verso-lower-left-black-image573216391.htmlRM2T8G79Y–Carlo Domenico Mellini (1741, 1745 - ?)Jacques-André-Joseph-Camelot Aved (1702 - 1766), after, portrait of Charles Joseph Duke of Pollinchove, origin of the print medium: 1765, copperplate engraving and etching, sheet size: 50.8 x 38.4 cm plate margin: 48. 1 x 35.7 cm, Inscribed lower left 'Peint par Jean Aved Peintre, du Roy.'; signed and dated lower right 'G, Verso lower left dealer's note in graphite '22624, DZ'; verso lower left black
Portrait of Marc de Villiers, Secretaire du roi; Jacques-André-Joseph Aved, French, 1702 - 1766, Paris, France; 1747 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-marc-de-villiers-secretaire-du-roi-jacques-andr-joseph-aved-french-1702-1766-paris-france-1747-image220635081.htmlRMPPXP89–Portrait of Marc de Villiers, Secretaire du roi; Jacques-André-Joseph Aved, French, 1702 - 1766, Paris, France; 1747
Portrait of Cornelis Jansz Speelman, Isaac Ledeboer, after Matthijs Balen (1684-1766), 1702 - 1749, Portrait at half-length to right of Cornelis Jansz Speelman, Governor General of the Dutch East Indies, bareheaded. In his right hand a command staff, his left hand rests on a cannon. Below the portrait are the name, title and coat of arms of the person portrayed. Print marked top left: X.X., print maker: Isaac Ledeboer, intermediary draughtsman: Matthijs Balen (1684-1766), (mentioned on object), publisher: Joannes van Braam & Gerard onder de Linden, (mentioned on object), 1702 - 1749, paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cornelis-jansz-speelman-isaac-ledeboer-after-matthijs-balen-1684-1766-1702-1749-portrait-at-half-length-to-right-of-cornelis-jansz-speelman-governor-general-of-the-dutch-east-indies-bareheaded-in-his-right-hand-a-command-staff-his-left-hand-rests-on-a-cannon-below-the-portrait-are-the-name-title-and-coat-of-arms-of-the-person-portrayed-print-marked-top-left-xx-print-maker-isaac-ledeboer-intermediary-draughtsman-matthijs-balen-1684-1766-mentioned-on-object-publisher-joannes-van-braam-gerard-onder-de-linden-mentioned-on-object-1702-1749-paper-image473382183.htmlRM2JE4BPF–Portrait of Cornelis Jansz Speelman, Isaac Ledeboer, after Matthijs Balen (1684-1766), 1702 - 1749, Portrait at half-length to right of Cornelis Jansz Speelman, Governor General of the Dutch East Indies, bareheaded. In his right hand a command staff, his left hand rests on a cannon. Below the portrait are the name, title and coat of arms of the person portrayed. Print marked top left: X.X., print maker: Isaac Ledeboer, intermediary draughtsman: Matthijs Balen (1684-1766), (mentioned on object), publisher: Joannes van Braam & Gerard onder de Linden, (mentioned on object), 1702 - 1749, paper
Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems, c. 1765-1774. Giuseppe Castiglione (Italian, 1688-1766), Jean Damascene Sallusti (Italian, d. 1781), Jean Denis Attiret (French, 1702-1768). Etching, mounted in album form, 16 leaves plus two additional leaves of inscriptions; overall: 51 x 87 cm (20 1/16 x 34 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-scenes-of-the-quelling-of-rebellions-in-the-western-regions-with-imperial-poems-c-1765-1774-giuseppe-castiglione-italian-1688-1766-jean-damascene-sallusti-italian-d-1781-jean-denis-attiret-french-1702-1768-etching-mounted-in-album-form-16-leaves-plus-two-additional-leaves-of-inscriptions-overall-51-x-87-cm-20-116-x-34-14-in-image240476608.htmlRMRY6JA8–Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems, c. 1765-1774. Giuseppe Castiglione (Italian, 1688-1766), Jean Damascene Sallusti (Italian, d. 1781), Jean Denis Attiret (French, 1702-1768). Etching, mounted in album form, 16 leaves plus two additional leaves of inscriptions; overall: 51 x 87 cm (20 1/16 x 34 1/4 in
Hunting set of four: 2. The Chace (titles are also inscribed in French), Thomas Burford, ca. 1710–after 1774, British, after James Seymour, 1702–1752, British, 1766, Hand colored mezzotint, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-set-of-four-2-the-chace-titles-are-also-inscribed-in-french-thomas-burford-ca-1710after-1774-british-after-james-seymour-17021752-british-1766-hand-colored-mezzotint-sheet-10-x-13-78in-254-x-352cm-image389788050.htmlRM2DJ4AHP–Hunting set of four: 2. The Chace (titles are also inscribed in French), Thomas Burford, ca. 1710–after 1774, British, after James Seymour, 1702–1752, British, 1766, Hand colored mezzotint, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm
Smedsgränd towards southwest from Kungsängsgatan, Dragarbrunn, Uppsala 1901 - 1902. Smedsgränd towards southwest from Kungsängsgatan. Smedsgränd is one of the few medieval alleys in the city that has been preserved for our time. The settlement in the Näktergalen block also had a long history. It is not impossible that the building closest to the right, which was demolished in the 1930s, contained remains of Olof Rudbeck's strange museum and library building from 1676. More how much is difficult to say. The yard was hit hard at both major fires in 1702 and 1766. Closer to Fyrisån, the magazine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smedsgrnd-towards-southwest-from-kungsngsgatan-dragarbrunn-uppsala-1901-1902-smedsgrnd-towards-southwest-from-kungsngsgatan-smedsgrnd-is-one-of-the-few-medieval-alleys-in-the-city-that-has-been-preserved-for-our-time-the-settlement-in-the-nktergalen-block-also-had-a-long-history-it-is-not-impossible-that-the-building-closest-to-the-right-which-was-demolished-in-the-1930s-contained-remains-of-olof-rudbecks-strange-museum-and-library-building-from-1676-more-how-much-is-difficult-to-say-the-yard-was-hit-hard-at-both-major-fires-in-1702-and-1766-closer-to-fyrisn-the-magazine-image475129303.htmlRM2JH007K–Smedsgränd towards southwest from Kungsängsgatan, Dragarbrunn, Uppsala 1901 - 1902. Smedsgränd towards southwest from Kungsängsgatan. Smedsgränd is one of the few medieval alleys in the city that has been preserved for our time. The settlement in the Näktergalen block also had a long history. It is not impossible that the building closest to the right, which was demolished in the 1930s, contained remains of Olof Rudbeck's strange museum and library building from 1676. More how much is difficult to say. The yard was hit hard at both major fires in 1702 and 1766. Closer to Fyrisån, the magazine
Hunting set of four: 1.Going to Cover (titles are also inscribed in French), Thomas Burford, ca. 1710–after 1774, British, after James Seymour, 1702–1752, British, 1766, Hand colored mezzotint, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-set-of-four-1going-to-cover-titles-are-also-inscribed-in-french-thomas-burford-ca-1710after-1774-british-after-james-seymour-17021752-british-1766-hand-colored-mezzotint-sheet-10-x-13-78in-254-x-352cm-image389771180.htmlRM2DJ3H38–Hunting set of four: 1.Going to Cover (titles are also inscribed in French), Thomas Burford, ca. 1710–after 1774, British, after James Seymour, 1702–1752, British, 1766, Hand colored mezzotint, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm
Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems, c. 1765-1774. Giuseppe Castiglione (Italian, 1688-1766), Jean Damascene Sallusti (Italian, d. 1781), Jean Denis Attiret (French, 1702-1768). Etching, mounted in album form, 16 leaves plus two additional leaves of inscriptions; overall: 51 x 87 cm (20 1/16 x 34 1/4 in.). This set of etchings was commissioned by Emperor Qianlong to record in pictorial terms the courage of his generals and soldiers in quelling the rebellions in the Western Regions. Qianlong added his own poem to each of the etchings, indicat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-scenes-of-the-quelling-of-rebellions-in-the-western-regions-with-imperial-poems-c-1765-1774-giuseppe-castiglione-italian-1688-1766-jean-damascene-sallusti-italian-d-1781-jean-denis-attiret-french-1702-1768-etching-mounted-in-album-form-16-leaves-plus-two-additional-leaves-of-inscriptions-overall-51-x-87-cm-20-116-x-34-14-in-this-set-of-etchings-was-commissioned-by-emperor-qianlong-to-record-in-pictorial-terms-the-courage-of-his-generals-and-soldiers-in-quelling-the-rebellions-in-the-western-regions-qianlong-added-his-own-poem-to-each-of-the-etchings-indicat-image448058500.htmlRM2H0XR58–Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems, c. 1765-1774. Giuseppe Castiglione (Italian, 1688-1766), Jean Damascene Sallusti (Italian, d. 1781), Jean Denis Attiret (French, 1702-1768). Etching, mounted in album form, 16 leaves plus two additional leaves of inscriptions; overall: 51 x 87 cm (20 1/16 x 34 1/4 in.). This set of etchings was commissioned by Emperor Qianlong to record in pictorial terms the courage of his generals and soldiers in quelling the rebellions in the Western Regions. Qianlong added his own poem to each of the etchings, indicat
Hunting set of four: 4. The Death of the Fox (titles are also inscribed in French), Thomas Burford, ca. 1710–after 1774, British, after James Seymour, 1702–1752, British, 1766, Hand colored mezzotint, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-set-of-four-4-the-death-of-the-fox-titles-are-also-inscribed-in-french-thomas-burford-ca-1710after-1774-british-after-james-seymour-17021752-british-1766-hand-colored-mezzotint-sheet-10-x-13-78in-254-x-352cm-image389788065.htmlRM2DJ4AJ9–Hunting set of four: 4. The Death of the Fox (titles are also inscribed in French), Thomas Burford, ca. 1710–after 1774, British, after James Seymour, 1702–1752, British, 1766, Hand colored mezzotint, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm
Hunting set of four: 3. Making a Cast at a Fault (titles are also inscribed in French)., Thomas Burford, ca. 1710–after 1774, British, after James Seymour, 1702–1752, British, 1766, Hand colored mezzotint, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-set-of-four-3-making-a-cast-at-a-fault-titles-are-also-inscribed-in-french-thomas-burford-ca-1710after-1774-british-after-james-seymour-17021752-british-1766-hand-colored-mezzotint-sheet-10-x-13-78in-254-x-352cm-image389788056.htmlRM2DJ4AJ0–Hunting set of four: 3. Making a Cast at a Fault (titles are also inscribed in French)., Thomas Burford, ca. 1710–after 1774, British, after James Seymour, 1702–1752, British, 1766, Hand colored mezzotint, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm
Portrait of the Maréchal de Saxe, Antoine Demarcenay de Ghuy, 1766 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-portrait-of-the-marchal-de-saxe-antoine-demarcenay-de-ghuy-1766-162535289.htmlRMKCC3BN–Portrait of the Maréchal de Saxe, Antoine Demarcenay de Ghuy, 1766
François Bernard Lépicié (French, 1698-1755) after Jean-Siméon Chardin (French, 1699-1779), depicting Jacques-André-Joseph Aved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franois-bernard-lpici-french-1698-1755-after-jean-simon-chardin-french-77324824.htmlRMEDPCGT–François Bernard Lépicié (French, 1698-1755) after Jean-Siméon Chardin (French, 1699-1779), depicting Jacques-André-Joseph Aved
Portrait of Jean Alphonse Turrettini, Jean Michel Liotard, 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-portrait-of-jean-alphonse-turrettini-jean-michel-liotard-18th-century-162535310.htmlRMKCC3CE–Portrait of Jean Alphonse Turrettini, Jean Michel Liotard, 18th century
