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1714 88 Stock Photos and Images
Carl Philip Emanuel Bach (1714-88) second son of Johann Sebastian Bach; Kapellmeister at Hamburg from 1767. Introduced sonata form. Was left-handed. Engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-carl-philip-emanuel-bach-1714-88-second-son-of-johann-sebastian-bach-57303089.htmlRMD96AJW–Carl Philip Emanuel Bach (1714-88) second son of Johann Sebastian Bach; Kapellmeister at Hamburg from 1767. Introduced sonata form. Was left-handed. Engraving.
Carl Philipp Emanuel Bach (1714-88) second son of Johann Sebastian Bach; Kapellmeister at Hamburg from 1767. Introduced sonata form. Was left-handed. Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carl-philipp-emanuel-bach-1714-88-second-son-of-johann-sebastian-bach-kapellmeister-at-hamburg-from-1767-introduced-sonata-form-was-left-handed-engraving-image257299842.htmlRMTXH0G2–Carl Philipp Emanuel Bach (1714-88) second son of Johann Sebastian Bach; Kapellmeister at Hamburg from 1767. Introduced sonata form. Was left-handed. Engraving
Joseph Vernet, Serene Weather, Joseph Vernet (French, Avignon 1714–1789 Paris), Maria Fr. Ozanne (French, active 18th c.), ca. 1756–88, Engraving, Sheet (Trimmed): 13 7/16 × 16 15/16 in. (34.2 × 43 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-vernet-serene-weather-joseph-vernet-french-avignon-17141789-paris-maria-fr-ozanne-french-active-18th-c-ca-175688-engraving-sheet-trimmed-13-716-16-1516-in-342-43-cm-prints-image344652081.htmlRM2B0M76W–Joseph Vernet, Serene Weather, Joseph Vernet (French, Avignon 1714–1789 Paris), Maria Fr. Ozanne (French, active 18th c.), ca. 1756–88, Engraving, Sheet (Trimmed): 13 7/16 × 16 15/16 in. (34.2 × 43 cm), Prints
The Departure of the Prodigal Son Engels, Gabriel 1592 - 1654, Ellerbrock, E.G. 1599 - 1698 Painting Hans Vredeman de Vries und die Renaissance im Norden, Ubekendt, cat. 190 p. 352. Fejlagtigt angivet som KMS454., 2003-513, 2002. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, kat.nr. 1714, 88-222, 1988 The Departure of the Prodigal Son Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-departure-of-the-prodigal-son-engels-gabriel-1592-1654-ellerbrock-eg-1599-1698-painting-hans-vredeman-de-vries-und-die-renaissance-im-norden-ubekendt-cat-190-p-352-fejlagtigt-angivet-som-kms454-2003-513-2002-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-katnr-1714-88-222-1988-the-departure-of-the-prodigal-son-image613393071.htmlRM2XHXD3B–The Departure of the Prodigal Son Engels, Gabriel 1592 - 1654, Ellerbrock, E.G. 1599 - 1698 Painting Hans Vredeman de Vries und die Renaissance im Norden, Ubekendt, cat. 190 p. 352. Fejlagtigt angivet som KMS454., 2003-513, 2002. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, kat.nr. 1714, 88-222, 1988 The Departure of the Prodigal Son
Set of four three-light sconces (bras de lumière). Culture: French, Paris. Dimensions: Each: H. 32 x W. 15 x D. 10 1 /4 in. (81.3 x 38.1 x 26.0 cm). Date: ca. 1787-88. Music was one of Marie-Antoinette's lifelong diversions. She was taught to perform and sing when young in Vienna, where the opera composer Christoph Willibald Gluck (1714-1787) was her tutor. She amused herself with music several hours a day at the French court and was a devotee of the opera. The queen's enjoyment of music is reflected in the design of these wall lights, which were ordered probably in 1787 or the following yea Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-four-three-light-sconces-bras-de-lumire-culture-french-paris-dimensions-each-h-32-x-w-15-x-d-10-1-4-in-813-x-381-x-260-cm-date-ca-1787-88-music-was-one-of-marie-antoinettes-lifelong-diversions-she-was-taught-to-perform-and-sing-when-young-in-vienna-where-the-opera-composer-christoph-willibald-gluck-1714-1787-was-her-tutor-she-amused-herself-with-music-several-hours-a-day-at-the-french-court-and-was-a-devotee-of-the-opera-the-queens-enjoyment-of-music-is-reflected-in-the-design-of-these-wall-lights-which-were-ordered-probably-in-1787-or-the-following-yea-image213263383.htmlRMPAXYHB–Set of four three-light sconces (bras de lumière). Culture: French, Paris. Dimensions: Each: H. 32 x W. 15 x D. 10 1 /4 in. (81.3 x 38.1 x 26.0 cm). Date: ca. 1787-88. Music was one of Marie-Antoinette's lifelong diversions. She was taught to perform and sing when young in Vienna, where the opera composer Christoph Willibald Gluck (1714-1787) was her tutor. She amused herself with music several hours a day at the French court and was a devotee of the opera. The queen's enjoyment of music is reflected in the design of these wall lights, which were ordered probably in 1787 or the following yea
Art inspired by Set of four three-light sconces (bras de lumière), ca. 1787–88, French, Paris, Gilt bronze, Each: H. 32 x W. 15 x D. 10 1 /4 in. (81.3 x 38.1 x 26.0 cm), Metalwork-Gilt Bronze, Music was one of Marie-Antoinette’s lifelong diversions. She was taught to perform and sing, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-set-of-four-three-light-sconces-bras-de-lumire-ca-178788-french-paris-gilt-bronze-each-h-32-x-w-15-x-d-10-1-4-in-813-x-381-x-260-cm-metalwork-gilt-bronze-music-was-one-of-marie-antoinettes-lifelong-diversions-she-was-taught-to-perform-and-sing-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462921903.htmlRF2HW3WH3–Art inspired by Set of four three-light sconces (bras de lumière), ca. 1787–88, French, Paris, Gilt bronze, Each: H. 32 x W. 15 x D. 10 1 /4 in. (81.3 x 38.1 x 26.0 cm), Metalwork-Gilt Bronze, Music was one of Marie-Antoinette’s lifelong diversions. She was taught to perform and sing, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Joseph I of Portugal (1714-1777) Iosephus Rex Portugalliae - Johannes Esaias Nilson (1721-88) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-joseph-i-of-portugal-1714-1777-iosephus-rex-portugalliae-johannes-esaias-nilson-1721-88-image185019052.htmlRMMN09K8–. English: Joseph I of Portugal (1714-1777) Iosephus Rex Portugalliae - Johannes Esaias Nilson (1721-88)
![The Ancient Palace of Whitehall. Visual Material information: Title: The Ancient Palace of Whitehall. ; 26.5.d.2. Place of publication: [London ?] Publisher: [unknown publisher]., Date of publication: [1702-1714 c.] Item type: 1 print on 2 sheets Medium: etching Dimensions: sheet 54.5 x 88.0 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HH9H/the-ancient-palace-of-whitehall-visual-material-information-title-the-ancient-palace-of-whitehall-265d2-place-of-publication-london-publisher-unknown-publisher-date-of-publication-1702-1714-c-item-type-1-print-on-2-sheets-medium-etching-dimensions-sheet-545-x-880-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HH9H.jpg "The Ancient Palace of Whitehall. Visual Material information: Title: The Ancient Palace of Whitehall. ; 26.5.d.2. Place of publication: [London ?] Publisher: [unknown publisher]., Date of publication: [1702-1714 c.] Item type: 1 print on 2 sheets Medium: etching Dimensions: sheet 54.5 x 88.0 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
The Ancient Palace of Whitehall. Visual Material information: Title: The Ancient Palace of Whitehall. ; 26.5.d.2. Place of publication: [London ?] Publisher: [unknown publisher]., Date of publication: [1702-1714 c.] Item type: 1 print on 2 sheets Medium: etching Dimensions: sheet 54.5 x 88.0 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ancient-palace-of-whitehall-visual-material-information-title-the-ancient-palace-of-whitehall-265d2-place-of-publication-london-publisher-unknown-publisher-date-of-publication-1702-1714-c-item-type-1-print-on-2-sheets-medium-etching-dimensions-sheet-545-x-880-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401757149.htmlRM2E9HH9H–The Ancient Palace of Whitehall. Visual Material information: Title: The Ancient Palace of Whitehall. ; 26.5.d.2. Place of publication: [London ?] Publisher: [unknown publisher]., Date of publication: [1702-1714 c.] Item type: 1 print on 2 sheets Medium: etching Dimensions: sheet 54.5 x 88.0 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
Christ leads the soul personified by a landscape Soul Loves Jesus firmly Christ leads the personified soul by landschapDe Soul Loves Jesus firmly object type: picture Item number: RP-P-1896-A-19368-2948Catalogusreferentie: Van Eeghen 4467 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Jan Luyken manufacture Place: Amsterdam Date: 1714 Physical features: etching; proofing material: paper Technique: etching Dimensions: sheet: H 88 mm × W 73 mmToelichtingProefdruk illustration from: Luyken, Jan Jesus and the Soul, 3 parts. Amsterdam: Wed. Pieter Corn Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-leads-the-soul-personified-by-a-landscape-soul-loves-jesus-firmly-christ-leads-the-personified-soul-by-landschapde-soul-loves-jesus-firmly-object-type-picture-item-number-rp-p-1896-a-19368-2948catalogusreferentie-van-eeghen-4467-inscriptions-brands-collectors-mark-verso-stamped-lugt-2228-manufacturer-printmaker-jan-luyken-manufacture-place-amsterdam-date-1714-physical-features-etching-proofing-material-paper-technique-etching-dimensions-sheet-h-88-mm-w-73-mmtoelichtingproefdruk-illustration-from-luyken-jan-jesus-and-the-soul-3-parts-amsterdam-wed-pieter-corn-image348262996.htmlRM2B6GN04–Christ leads the soul personified by a landscape Soul Loves Jesus firmly Christ leads the personified soul by landschapDe Soul Loves Jesus firmly object type: picture Item number: RP-P-1896-A-19368-2948Catalogusreferentie: Van Eeghen 4467 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Jan Luyken manufacture Place: Amsterdam Date: 1714 Physical features: etching; proofing material: paper Technique: etching Dimensions: sheet: H 88 mm × W 73 mmToelichtingProefdruk illustration from: Luyken, Jan Jesus and the Soul, 3 parts. Amsterdam: Wed. Pieter Corn
Serene Weather ca. 1756–88 Joseph Vernet. Serene Weather. Joseph Vernet (French, Avignon 1714–1789 Paris). ca. 1756–88. Engraving. Maria Fr. Ozanne (French, active 18th c.). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/serene-weather-ca-175688-joseph-vernet-serene-weather-joseph-vernet-french-avignon-17141789-paris-ca-175688-engraving-maria-fr-ozanne-french-active-18th-c-prints-image457923077.htmlRM2HH05FH–Serene Weather ca. 1756–88 Joseph Vernet. Serene Weather. Joseph Vernet (French, Avignon 1714–1789 Paris). ca. 1756–88. Engraving. Maria Fr. Ozanne (French, active 18th c.). Prints
Memorial of Henry Wolcott, one of the first settlers of Windsor, Connecticut, and of some of his descendants . ithhis mother to Old Windsor, this location of the elder brothers was prob-ably an original family-seat on the east side of the river. XII. William Wolcott (27) married, Nov. 5, 1706, Abiah Hawley,of Windsor. Children : — 84— I. Abiah, b. Jan. 14, 1708 ; married Samuel Stoughton. 85 — 2. Lticia, b. May 7, 1710 ; married Stephen Olmsted. 86— 3. William, b. July 21, 1711. See XXV. 87 — 4. Ephraim, b. March 13, 1714. See XXVI. 88 — 5. Martha, b. Jan. 20, 1718; m. Oct. 21, 1749, Josiah Ch Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/memorial-of-henry-wolcott-one-of-the-first-settlers-of-windsor-connecticut-and-of-some-of-his-descendants-ithhis-mother-to-old-windsor-this-location-of-the-elder-brothers-was-prob-ably-an-original-family-seat-on-the-east-side-of-the-river-xii-william-wolcott-27-married-nov-5-1706-abiah-hawleyof-windsor-children-84-i-abiah-b-jan-14-1708-married-samuel-stoughton-85-2-lticia-b-may-7-1710-married-stephen-olmsted-86-3-william-b-july-21-1711-see-xxv-87-4-ephraim-b-march-13-1714-see-xxvi-88-5-martha-b-jan-20-1718-m-oct-21-1749-josiah-ch-image339935376.htmlRM2AN1B14–Memorial of Henry Wolcott, one of the first settlers of Windsor, Connecticut, and of some of his descendants . ithhis mother to Old Windsor, this location of the elder brothers was prob-ably an original family-seat on the east side of the river. XII. William Wolcott (27) married, Nov. 5, 1706, Abiah Hawley,of Windsor. Children : — 84— I. Abiah, b. Jan. 14, 1708 ; married Samuel Stoughton. 85 — 2. Lticia, b. May 7, 1710 ; married Stephen Olmsted. 86— 3. William, b. July 21, 1711. See XXV. 87 — 4. Ephraim, b. March 13, 1714. See XXVI. 88 — 5. Martha, b. Jan. 20, 1718; m. Oct. 21, 1749, Josiah Ch
Wall candlestick with two winged figures, 1714 print Numbered top left: no. 88. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching chandelier, candelabrum. fabulous beings with wings - AA - female human figure Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wall-candlestick-with-two-winged-figures-1714-print-numbered-top-left-no-88-print-maker-romeafter-drawing-by-italyafter-design-by-italyvaticaanstad-paper-etching-chandelier-candelabrum-fabulous-beings-with-wings-aa-female-human-figure-image594045194.htmlRM2WED2KP–Wall candlestick with two winged figures, 1714 print Numbered top left: no. 88. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching chandelier, candelabrum. fabulous beings with wings - AA - female human figure
St. Lucas Guild of Amsterdam, Guild Medal of Poulus Agaatse, painter, Brass Medal. Front: winged ox holds Lucasschild in its legs. Reverse: cartouche with inscription below skull and bones, and cartouche with year, above cartouche with letter S, Amsterdam, Poulus Agaatse, anonymous, 1714, brass (alloy), engraving, d 3.5 cm × w 15.88 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-lucas-guild-of-amsterdam-guild-medal-of-poulus-agaatse-painter-brass-medal-front-winged-ox-holds-lucasschild-in-its-legs-reverse-cartouche-with-inscription-below-skull-and-bones-and-cartouche-with-year-above-cartouche-with-letter-s-amsterdam-poulus-agaatse-anonymous-1714-brass-alloy-engraving-d-35-cm-w-1588-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349993916.htmlRF2B9BGPM–St. Lucas Guild of Amsterdam, Guild Medal of Poulus Agaatse, painter, Brass Medal. Front: winged ox holds Lucasschild in its legs. Reverse: cartouche with inscription below skull and bones, and cartouche with year, above cartouche with letter S, Amsterdam, Poulus Agaatse, anonymous, 1714, brass (alloy), engraving, d 3.5 cm × w 15.88 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Stormy Weather ca. 1750–88 After Joseph Vernet. Stormy Weather. After Joseph Vernet (French, Avignon 1714–1789 Paris). ca. 1750–88. Engraving; third state of five. Jacques Aliamet (French, Abbeville 1726–1788 Paris). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stormy-weather-ca-175088-after-joseph-vernet-stormy-weather-after-joseph-vernet-french-avignon-17141789-paris-ca-175088-engraving-third-state-of-five-jacques-aliamet-french-abbeville-17261788-paris-prints-image457922955.htmlRM2HH05B7–Stormy Weather ca. 1750–88 After Joseph Vernet. Stormy Weather. After Joseph Vernet (French, Avignon 1714–1789 Paris). ca. 1750–88. Engraving; third state of five. Jacques Aliamet (French, Abbeville 1726–1788 Paris). Prints
After Joseph Vernet, The Debris of the Shipwreck, After Joseph Vernet (French, Avignon 1714–1789 Paris), Louis Joseph Masquelier (French, Cysoing 1741–1811 Paris), ca. 1756–88, Engraving, Sheet (Trimmed): 13 7/16 × 16 13/16 in. (34.2 × 42.7 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-joseph-vernet-the-debris-of-the-shipwreck-after-joseph-vernet-french-avignon-17141789-paris-louis-joseph-masquelier-french-cysoing-17411811-paris-ca-175688-engraving-sheet-trimmed-13-716-16-1316-in-342-427-cm-prints-image344652093.htmlRM2B0M779–After Joseph Vernet, The Debris of the Shipwreck, After Joseph Vernet (French, Avignon 1714–1789 Paris), Louis Joseph Masquelier (French, Cysoing 1741–1811 Paris), ca. 1756–88, Engraving, Sheet (Trimmed): 13 7/16 × 16 13/16 in. (34.2 × 42.7 cm), Prints
Boy with Bagpipe. Culture: French, Paris. Designer: François Boucher (French, Paris 1703-1770 Paris). Dimensions: 32 × 25 in. (81.3 × 63.5 cm). Maker: Workshop of Jacques Neilson (French, 1714-1788). Manufactory: Manufacture Nationale des Gobelins (French, established 1662). Date: ca. 1750-88. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boy-with-bagpipe-culture-french-paris-designer-franois-boucher-french-paris-1703-1770-paris-dimensions-32-25-in-813-635-cm-maker-workshop-of-jacques-neilson-french-1714-1788-manufactory-manufacture-nationale-des-gobelins-french-established-1662-date-ca-1750-88-museum-metropolitan-museum-of-art-new-york-usa-image212883672.htmlRMPA9K88–Boy with Bagpipe. Culture: French, Paris. Designer: François Boucher (French, Paris 1703-1770 Paris). Dimensions: 32 × 25 in. (81.3 × 63.5 cm). Maker: Workshop of Jacques Neilson (French, 1714-1788). Manufactory: Manufacture Nationale des Gobelins (French, established 1662). Date: ca. 1750-88. Museum: Metropolitan Museum of Art, New York, USA.
. English: Joseph I of Portugal (1714-1777) . 18th century. Johann Esaias Nilson (1721–1788) Alternative names Johann Esaias Nilson Description German engraver Date of birth/death 2 November 1721 3 April 1788 Location of birth/death Augsburg Augsburg Work period Rococo Work location Augsburg Authority control : Q1395300 VIAF: 32266445 ISNI: 0000 0001 2023 4494 ULAN: 500000464 LCCN: n78086758 GND: 11858815X WorldCat 673 Iosephus Rex Portugalliae - Johannes Esaias Nilson (1721-88) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-joseph-i-of-portugal-1714-1777-18th-century-johann-esaias-nilson-17211788-alternative-names-johann-esaias-nilson-description-german-engraver-date-of-birthdeath-2-november-1721-3-april-1788-location-of-birthdeath-augsburg-augsburg-work-period-rococo-work-location-augsburg-authority-control-q1395300-viaf32266445-isni0000-0001-2023-4494-ulan500000464-lccnn78086758-gnd11858815x-worldcat-673-iosephus-rex-portugalliae-johannes-esaias-nilson-1721-88-image185790972.htmlRMMP7E7T–. English: Joseph I of Portugal (1714-1777) . 18th century. Johann Esaias Nilson (1721–1788) Alternative names Johann Esaias Nilson Description German engraver Date of birth/death 2 November 1721 3 April 1788 Location of birth/death Augsburg Augsburg Work period Rococo Work location Augsburg Authority control : Q1395300 VIAF: 32266445 ISNI: 0000 0001 2023 4494 ULAN: 500000464 LCCN: n78086758 GND: 11858815X WorldCat 673 Iosephus Rex Portugalliae - Johannes Esaias Nilson (1721-88)
Christ and the soul personified by a fountain Jesus and the Soul in one bloemhof with a fountain Christ and the personified soul fountain Jesus and the Soul in one bloemhof with a fountain object type: picture Item number: RP-P-1896-A-19368-2949Catalogusreferentie: Van Eeghen 4468 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Jan Luyken manufacture Place: Amsterdam Date: 1714 Physical features: etching; proofing material: paper Technique: etching Dimensions: sheet: H 88 mm × W 76 mmToelichtingProefdruk illustration from: Luyken, Jan Jesus and the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-soul-personified-by-a-fountain-jesus-and-the-soul-in-one-bloemhof-with-a-fountain-christ-and-the-personified-soul-fountain-jesus-and-the-soul-in-one-bloemhof-with-a-fountain-object-type-picture-item-number-rp-p-1896-a-19368-2949catalogusreferentie-van-eeghen-4468-inscriptions-brands-collectors-mark-verso-stamped-lugt-2228-manufacturer-printmaker-jan-luyken-manufacture-place-amsterdam-date-1714-physical-features-etching-proofing-material-paper-technique-etching-dimensions-sheet-h-88-mm-w-76-mmtoelichtingproefdruk-illustration-from-luyken-jan-jesus-and-the-image348259821.htmlRM2B6GGXN–Christ and the soul personified by a fountain Jesus and the Soul in one bloemhof with a fountain Christ and the personified soul fountain Jesus and the Soul in one bloemhof with a fountain object type: picture Item number: RP-P-1896-A-19368-2949Catalogusreferentie: Van Eeghen 4468 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Jan Luyken manufacture Place: Amsterdam Date: 1714 Physical features: etching; proofing material: paper Technique: etching Dimensions: sheet: H 88 mm × W 76 mmToelichtingProefdruk illustration from: Luyken, Jan Jesus and the
Pierre Drevet (French, 1663-1738) after Hyacinthe Rigaud (French, 1659 - 1743). Portrait of Louis-Alexandre de reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-drevet-french-1663-1738-after-hyacinthe-rigaud-french-1659-1743-portrait-of-louis-alexandre-de-reimagined-image230487891.htmlRFRAYHJB–Pierre Drevet (French, 1663-1738) after Hyacinthe Rigaud (French, 1659 - 1743). Portrait of Louis-Alexandre de reimagined
The Debris of the Shipwreck ca. 1756–88 After Joseph Vernet. The Debris of the Shipwreck. After Joseph Vernet (French, Avignon 1714–1789 Paris). ca. 1756–88. Engraving. Jacques Aliamet (French, Abbeville 1726–1788 Paris). Louis Joseph Masquelier (French, Cysoing 1741–1811 Paris). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-debris-of-the-shipwreck-ca-175688-after-joseph-vernet-the-debris-of-the-shipwreck-after-joseph-vernet-french-avignon-17141789-paris-ca-175688-engraving-jacques-aliamet-french-abbeville-17261788-paris-louis-joseph-masquelier-french-cysoing-17411811-paris-prints-image457923227.htmlRM2HH05MY–The Debris of the Shipwreck ca. 1756–88 After Joseph Vernet. The Debris of the Shipwreck. After Joseph Vernet (French, Avignon 1714–1789 Paris). ca. 1756–88. Engraving. Jacques Aliamet (French, Abbeville 1726–1788 Paris). Louis Joseph Masquelier (French, Cysoing 1741–1811 Paris). Prints
John the Baptist, print maker: anonymous, after print by: Sébastien Leclerc (I), France, 1647 - 1714, paper, etching, engraving, height 88 mm × width 64 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-the-baptist-print-maker-anonymous-after-print-by-sbastien-leclerc-i-france-1647-1714-paper-etching-engraving-height-88-mm-width-64-mm-print-image599538761.htmlRM2WRB9PH–John the Baptist, print maker: anonymous, after print by: Sébastien Leclerc (I), France, 1647 - 1714, paper, etching, engraving, height 88 mm × width 64 mm, print
Louis-Alexandre de Bourdon, comte de Toulouse. Dated: 1714. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Pierre Drevet after Hyacinthe Rigaud. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-alexandre-de-bourdon-comte-de-toulouse-dated-1714-medium-engraving-museum-national-gallery-of-art-washington-dc-author-pierre-drevet-after-hyacinthe-rigaud-image218821443.htmlRMPM04YF–Louis-Alexandre de Bourdon, comte de Toulouse. Dated: 1714. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Pierre Drevet after Hyacinthe Rigaud.
Architecte Armenien 1714–15 After Jean Baptiste Vanmour. Architecte Armenien. Plate 88; from 'Recueil de cent estampes représentent differentes nations du Levant'. After Jean Baptiste Vanmour (French, Valenciennes 1671–1737 Istanbul (Constantinople)). 1714–15. Etching and engraving. Jacques le Hay. Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/architecte-armenien-171415-after-jean-baptiste-vanmour-architecte-armenien-plate-88-from-recueil-de-cent-estampes-reprsentent-differentes-nations-du-levant-after-jean-baptiste-vanmour-french-valenciennes-16711737-istanbul-constantinople-171415-etching-and-engraving-jacques-le-hay-prints-image457775326.htmlRM2HGND2P–Architecte Armenien 1714–15 After Jean Baptiste Vanmour. Architecte Armenien. Plate 88; from 'Recueil de cent estampes représentent differentes nations du Levant'. After Jean Baptiste Vanmour (French, Valenciennes 1671–1737 Istanbul (Constantinople)). 1714–15. Etching and engraving. Jacques le Hay. Prints
Set of four three-light sconces (bras de lumière) ca. 1787–88 French, Paris Music was one of Marie-Antoinette’s lifelong diversions. She was taught to perform and sing when young in Vienna, where the opera composer Christoph Willibald Gluck (1714–1787) was her tutor. She amused herself with music several hours a day at the French court and was a devotee of the opera. The queen’s enjoyment of music is reflected in the design of these wall lights, which were ordered probably in 1787 or the following year for her use at the Château de Saint-Cloud. Although no precise date or authorship have been Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-four-three-light-sconces-bras-de-lumire-ca-178788-french-paris-music-was-one-of-marie-antoinettes-lifelong-diversions-she-was-taught-to-perform-and-sing-when-young-in-vienna-where-the-opera-composer-christoph-willibald-gluck-17141787-was-her-tutor-she-amused-herself-with-music-several-hours-a-day-at-the-french-court-and-was-a-devotee-of-the-opera-the-queens-enjoyment-of-music-is-reflected-in-the-design-of-these-wall-lights-which-were-ordered-probably-in-1787-or-the-following-year-for-her-use-at-the-chteau-de-saint-cloud-although-no-precise-date-or-authorship-have-been-image458421064.htmlRM2HHPTMT–Set of four three-light sconces (bras de lumière) ca. 1787–88 French, Paris Music was one of Marie-Antoinette’s lifelong diversions. She was taught to perform and sing when young in Vienna, where the opera composer Christoph Willibald Gluck (1714–1787) was her tutor. She amused herself with music several hours a day at the French court and was a devotee of the opera. The queen’s enjoyment of music is reflected in the design of these wall lights, which were ordered probably in 1787 or the following year for her use at the Château de Saint-Cloud. Although no precise date or authorship have been
![Harbor scene with vessel and passengers landing. Vernet, Claude Joseph (French, 1714-1789) (designed after) [painter] c. 1775-1800 Tapestry Dimensions: H 8'8' x W 8'7' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Henry Symons, invoiced 9/13/1926; sold to William Randolph Hearst 9/17/1927. Beyond garlanded portico hung with floral festoons held by 2 cherubim & centered by suspended ring of roses The figure composition & the seascape are after Claude Joseph Vernet (Cavallo). Some of the figures in the boat are a di Stock Photo](https://c8.alamy.com/comp/2WTGC61/harbor-scene-with-vessel-and-passengers-landing-vernet-claude-joseph-french-1714-1789-designed-after-painter-c-1775-1800-tapestry-dimensions-h-88-x-w-87-tapestry-materialstechniques-unknown-culture-french-weaving-center-aubusson-ownership-history-french-co-purchased-from-henry-symons-invoiced-9131926-sold-to-william-randolph-hearst-9171927-beyond-garlanded-portico-hung-with-floral-festoons-held-by-2-cherubim-centered-by-suspended-ring-of-roses-the-figure-composition-the-seascape-are-after-claude-joseph-vernet-cavallo-some-of-the-figures-in-the-boat-are-a-di-2WTGC61.jpg "Harbor scene with vessel and passengers landing. Vernet, Claude Joseph (French, 1714-1789) (designed after) [painter] c. 1775-1800 Tapestry Dimensions: H 8'8' x W 8'7' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Henry Symons, invoiced 9/13/1926; sold to William Randolph Hearst 9/17/1927. Beyond garlanded portico hung with floral festoons held by 2 cherubim & centered by suspended ring of roses The figure composition & the seascape are after Claude Joseph Vernet (Cavallo). Some of the figures in the boat are a di Stock Photo")
Harbor scene with vessel and passengers landing. Vernet, Claude Joseph (French, 1714-1789) (designed after) [painter] c. 1775-1800 Tapestry Dimensions: H 8'8' x W 8'7' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Henry Symons, invoiced 9/13/1926; sold to William Randolph Hearst 9/17/1927. Beyond garlanded portico hung with floral festoons held by 2 cherubim & centered by suspended ring of roses The figure composition & the seascape are after Claude Joseph Vernet (Cavallo). Some of the figures in the boat are a di Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harbor-scene-with-vessel-and-passengers-landing-vernet-claude-joseph-french-1714-1789-designed-after-painter-c-1775-1800-tapestry-dimensions-h-88-x-w-87-tapestry-materialstechniques-unknown-culture-french-weaving-center-aubusson-ownership-history-french-co-purchased-from-henry-symons-invoiced-9131926-sold-to-william-randolph-hearst-9171927-beyond-garlanded-portico-hung-with-floral-festoons-held-by-2-cherubim-centered-by-suspended-ring-of-roses-the-figure-composition-the-seascape-are-after-claude-joseph-vernet-cavallo-some-of-the-figures-in-the-boat-are-a-di-image600265065.htmlRM2WTGC61–Harbor scene with vessel and passengers landing. Vernet, Claude Joseph (French, 1714-1789) (designed after) [painter] c. 1775-1800 Tapestry Dimensions: H 8'8' x W 8'7' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Henry Symons, invoiced 9/13/1926; sold to William Randolph Hearst 9/17/1927. Beyond garlanded portico hung with floral festoons held by 2 cherubim & centered by suspended ring of roses The figure composition & the seascape are after Claude Joseph Vernet (Cavallo). Some of the figures in the boat are a di
Italianate River Landscape with Bridge with Tower, n.d., Possibly after Claude Lorrain (French, 1600-1682), or possibly attributed to Gaspar van Wittel (Flemish, 1652/3-1736), or in the style of Richard Wilson (English, 1714-1782), France, Pen and brown ink and brush and brown wash, over graphite, on cream laid paper, tipped on to cream card, 88 × 148 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italianate-river-landscape-with-bridge-with-tower-nd-possibly-after-claude-lorrain-french-1600-1682-or-possibly-attributed-to-gaspar-van-wittel-flemish-16523-1736-or-in-the-style-of-richard-wilson-english-1714-1782-france-pen-and-brown-ink-and-brush-and-brown-wash-over-graphite-on-cream-laid-paper-tipped-on-to-cream-card-88-148-mm-image328623362.htmlRM2A2J2CJ–Italianate River Landscape with Bridge with Tower, n.d., Possibly after Claude Lorrain (French, 1600-1682), or possibly attributed to Gaspar van Wittel (Flemish, 1652/3-1736), or in the style of Richard Wilson (English, 1714-1782), France, Pen and brown ink and brush and brown wash, over graphite, on cream laid paper, tipped on to cream card, 88 × 148 mm
A Winter Landscape. Date/Period: Ca. 1770. Painting. Oil on canvas. Height: 302 mm (11.88 in); Width: 425 mm (16.73 in). Author: George Smith. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-winter-landscape-dateperiod-ca-1770-painting-oil-on-canvas-height-302-mm-1188-in-width-425-mm-1673-in-author-george-smith-image219713102.htmlRMPNCP8E–A Winter Landscape. Date/Period: Ca. 1770. Painting. Oil on canvas. Height: 302 mm (11.88 in); Width: 425 mm (16.73 in). Author: George Smith.
![Oriental figures landing on shore. Vernet, Claude Joseph (French, 1714-1789) (designed after) [painter] c. 1775-1800 Tapestry Dimensions: H 8'9' x W 8'8' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Henry Symons, invoiced 9/13/1926; sold to William Randolph Hearst 9/17/1927. Beyond garlanded portico hung with floral festoons held by 2 cherubim & centered by ribbon-suspended trophy of musical instruments The figure composition & the seascape are after Claude Joseph Vernet. French & Co. stock sheet in archive, 1433 Stock Photo](https://c8.alamy.com/comp/2WTGEYH/oriental-figures-landing-on-shore-vernet-claude-joseph-french-1714-1789-designed-after-painter-c-1775-1800-tapestry-dimensions-h-89-x-w-88-tapestry-materialstechniques-unknown-culture-french-weaving-center-aubusson-ownership-history-french-co-purchased-from-henry-symons-invoiced-9131926-sold-to-william-randolph-hearst-9171927-beyond-garlanded-portico-hung-with-floral-festoons-held-by-2-cherubim-centered-by-ribbon-suspended-trophy-of-musical-instruments-the-figure-composition-the-seascape-are-after-claude-joseph-vernet-french-co-stock-sheet-in-archive-1433-2WTGEYH.jpg "Oriental figures landing on shore. Vernet, Claude Joseph (French, 1714-1789) (designed after) [painter] c. 1775-1800 Tapestry Dimensions: H 8'9' x W 8'8' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Henry Symons, invoiced 9/13/1926; sold to William Randolph Hearst 9/17/1927. Beyond garlanded portico hung with floral festoons held by 2 cherubim & centered by ribbon-suspended trophy of musical instruments The figure composition & the seascape are after Claude Joseph Vernet. French & Co. stock sheet in archive, 1433 Stock Photo")
Oriental figures landing on shore. Vernet, Claude Joseph (French, 1714-1789) (designed after) [painter] c. 1775-1800 Tapestry Dimensions: H 8'9' x W 8'8' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Henry Symons, invoiced 9/13/1926; sold to William Randolph Hearst 9/17/1927. Beyond garlanded portico hung with floral festoons held by 2 cherubim & centered by ribbon-suspended trophy of musical instruments The figure composition & the seascape are after Claude Joseph Vernet. French & Co. stock sheet in archive, 1433 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oriental-figures-landing-on-shore-vernet-claude-joseph-french-1714-1789-designed-after-painter-c-1775-1800-tapestry-dimensions-h-89-x-w-88-tapestry-materialstechniques-unknown-culture-french-weaving-center-aubusson-ownership-history-french-co-purchased-from-henry-symons-invoiced-9131926-sold-to-william-randolph-hearst-9171927-beyond-garlanded-portico-hung-with-floral-festoons-held-by-2-cherubim-centered-by-ribbon-suspended-trophy-of-musical-instruments-the-figure-composition-the-seascape-are-after-claude-joseph-vernet-french-co-stock-sheet-in-archive-1433-image600267237.htmlRM2WTGEYH–Oriental figures landing on shore. Vernet, Claude Joseph (French, 1714-1789) (designed after) [painter] c. 1775-1800 Tapestry Dimensions: H 8'9' x W 8'8' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Henry Symons, invoiced 9/13/1926; sold to William Randolph Hearst 9/17/1927. Beyond garlanded portico hung with floral festoons held by 2 cherubim & centered by ribbon-suspended trophy of musical instruments The figure composition & the seascape are after Claude Joseph Vernet. French & Co. stock sheet in archive, 1433
St. Lucas Guild of Amsterdam, Guild Medal of Poulus Agaatse, painter, Brass Medal. Front: winged ox holds Lucasschild in its legs. Reverse: cartouche with inscription below skull and bones, and cartouche with year, above cartouche with letter S, Amsterdam, Poulus Agaatse, anonymous, 1714, brass (alloy), engraving, d 3.5 cm × w 15.88 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-lucas-guild-of-amsterdam-guild-medal-of-poulus-agaatse-painter-brass-medal-front-winged-ox-holds-lucasschild-in-its-legs-reverse-cartouche-with-inscription-below-skull-and-bones-and-cartouche-with-year-above-cartouche-with-letter-s-amsterdam-poulus-agaatse-anonymous-1714-brass-alloy-engraving-d-35-cm-w-1588-image261391152.htmlRMW57B28–St. Lucas Guild of Amsterdam, Guild Medal of Poulus Agaatse, painter, Brass Medal. Front: winged ox holds Lucasschild in its legs. Reverse: cartouche with inscription below skull and bones, and cartouche with year, above cartouche with letter S, Amsterdam, Poulus Agaatse, anonymous, 1714, brass (alloy), engraving, d 3.5 cm × w 15.88
Set of four three-light sconces (bras de lumière), ca. 1787–88 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-set-of-four-three-light-sconces-bras-de-lumire-ca-178788-162423271.htmlRMKC70F3–Set of four three-light sconces (bras de lumière), ca. 1787–88
Pierre Drevet (French, 1663-1738) after Hyacinthe Rigaud (French, 1659 - 1743). Portrait of Louis-Alexandre de Bourbon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pierre-drevet-french-1663-1738-after-hyacinthe-rigaud-french-1659-77324560.htmlRMEDPC7C–Pierre Drevet (French, 1663-1738) after Hyacinthe Rigaud (French, 1659 - 1743). Portrait of Louis-Alexandre de Bourbon
![Shore scene with men moving merchandise, and buildings in background. Vernet, Claude Joseph (French, 1714-1789) (designed after) [painter] c. 1770 Tapestry Dimensions: H 8'8' x W 15' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. received from Henri Azria, 2/24/1966; returned 9/9/1966. In shore scene with boats, trees & flowering plants, 2 men moving large barrels & chests, another steering boat (R); couple at top of stairs leading to boating dock, in front of large house in classical taste in background; town further along the c Stock Photo](https://c8.alamy.com/comp/2WTG3K5/shore-scene-with-men-moving-merchandise-and-buildings-in-background-vernet-claude-joseph-french-1714-1789-designed-after-painter-c-1770-tapestry-dimensions-h-88-x-w-15-tapestry-materialstechniques-unknown-culture-french-weaving-center-aubusson-ownership-history-french-co-received-from-henri-azria-2241966-returned-991966-in-shore-scene-with-boats-trees-flowering-plants-2-men-moving-large-barrels-chests-another-steering-boat-r-couple-at-top-of-stairs-leading-to-boating-dock-in-front-of-large-house-in-classical-taste-in-background-town-further-along-the-c-2WTG3K5.jpg "Shore scene with men moving merchandise, and buildings in background. Vernet, Claude Joseph (French, 1714-1789) (designed after) [painter] c. 1770 Tapestry Dimensions: H 8'8' x W 15' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. received from Henri Azria, 2/24/1966; returned 9/9/1966. In shore scene with boats, trees & flowering plants, 2 men moving large barrels & chests, another steering boat (R); couple at top of stairs leading to boating dock, in front of large house in classical taste in background; town further along the c Stock Photo")
Shore scene with men moving merchandise, and buildings in background. Vernet, Claude Joseph (French, 1714-1789) (designed after) [painter] c. 1770 Tapestry Dimensions: H 8'8' x W 15' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. received from Henri Azria, 2/24/1966; returned 9/9/1966. In shore scene with boats, trees & flowering plants, 2 men moving large barrels & chests, another steering boat (R); couple at top of stairs leading to boating dock, in front of large house in classical taste in background; town further along the c Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shore-scene-with-men-moving-merchandise-and-buildings-in-background-vernet-claude-joseph-french-1714-1789-designed-after-painter-c-1770-tapestry-dimensions-h-88-x-w-15-tapestry-materialstechniques-unknown-culture-french-weaving-center-aubusson-ownership-history-french-co-received-from-henri-azria-2241966-returned-991966-in-shore-scene-with-boats-trees-flowering-plants-2-men-moving-large-barrels-chests-another-steering-boat-r-couple-at-top-of-stairs-leading-to-boating-dock-in-front-of-large-house-in-classical-taste-in-background-town-further-along-the-c-image600258377.htmlRM2WTG3K5–Shore scene with men moving merchandise, and buildings in background. Vernet, Claude Joseph (French, 1714-1789) (designed after) [painter] c. 1770 Tapestry Dimensions: H 8'8' x W 15' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. received from Henri Azria, 2/24/1966; returned 9/9/1966. In shore scene with boats, trees & flowering plants, 2 men moving large barrels & chests, another steering boat (R); couple at top of stairs leading to boating dock, in front of large house in classical taste in background; town further along the c
Search Results for 1714 88 Stock Photos and Images (32)
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