1725 96 hi-res stock photography and images

Niclas Lafrensen, Fredrik Horn of Åminne, Fredrik Horn of Åminne (1725-96), Major General, Count, painting, Watercolor, gouache on ivory, Oval, Metal frame, Height, 2.9 cm (1.1 inch) Stock Photo

RMW53TA9–Niclas Lafrensen, Fredrik Horn of Åminne, Fredrik Horn of Åminne (1725-96), Major General, Count, painting, Watercolor, gouache on ivory, Oval, Metal frame, Height, 2.9 cm (1.1 inch)

36 Fredrik Horn af Åminne (1725-96), generalmajor, greve (Niclas Lafrensen d.y.) - Nationalmuseum - 24676 Stock Photo

RMPCBG25–36 Fredrik Horn af Åminne (1725-96), generalmajor, greve (Niclas Lafrensen d.y.) - Nationalmuseum - 24676

Fire Back; French; about 1703 - 1725; Cast iron; 80 x 96 cm, 131.5431 kg, 31 1,2 x 37 13,16 in., 290 lb. Stock Photo

RMPR161H–Fire Back; French; about 1703 - 1725; Cast iron; 80 x 96 cm, 131.5431 kg, 31 1,2 x 37 13,16 in., 290 lb.

Fredrik Horn af Åminne (1725-96), generalmajor, greve Unknown date by Niclas Lafrensen Stock Photo

RM2RK23YH–Fredrik Horn af Åminne (1725-96), generalmajor, greve Unknown date by Niclas Lafrensen

RF2B98XJG–Niclas Lafrensen, Fredrik Horn of Åminne, Fredrik Horn of Åminne (1725-96), Major General, Count, painting, Watercolor, gouache on ivory, Oval, Metal frame, Height, 2.9 cm (1.1 inch), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

. English: Boy in a Red Waistcoat, by Jean-Baptiste Greuze c. 1775-80 . c. 1775-80. Jean-Baptiste Greuze (1725–1805) Description French painter Date of birth/death 21 August 1725 21 March 1805 Location of birth/death Tournus Paris Work location Paris Authority control : Q347139 VIAF: 24611548 ISNI: 0000 0000 8102 8662 ULAN: 500000119 LCCN: n85252610 WGA: GREUZE, Jean-Baptiste WorldCat 96 Boy in a Red Waistcoat (Greuze) Stock Photo

RMMX1K5K–. English: Boy in a Red Waistcoat, by Jean-Baptiste Greuze c. 1775-80 . c. 1775-80. Jean-Baptiste Greuze (1725–1805) Description French painter Date of birth/death 21 August 1725 21 March 1805 Location of birth/death Tournus Paris Work location Paris Authority control : Q347139 VIAF: 24611548 ISNI: 0000 0000 8102 8662 ULAN: 500000119 LCCN: n85252610 WGA: GREUZE, Jean-Baptiste WorldCat 96 Boy in a Red Waistcoat (Greuze)

The Vision of Blessed Pietro Gambacorti. Date/Period: 1725 - 1760. Drawing. Black chalk, stump and sanguine on paper. Height: 474 mm (18.66 in); Width: 304 mm (11.96 in). Author: FEDERICO BENCOVICH. Stock Photo

RMPNE18T–The Vision of Blessed Pietro Gambacorti. Date/Period: 1725 - 1760. Drawing. Black chalk, stump and sanguine on paper. Height: 474 mm (18.66 in); Width: 304 mm (11.96 in). Author: FEDERICO BENCOVICH.

N/A. Nederlands: Beschrijving De Hoek van 't Nieuw Eylant t' Amsterdam Het nieuwe Waalseiland, gezien van het Open Haven Front naar ingang Waalseilandsgracht en de huizen Prins Hendrikkade 96-108. Prent uit: Nederlandsche Outheeden en Gezigten, Amsterdam 1725. Documenttype prent Vervaardiger Rademaker, Abraham (1675-1735) Collectie Collectie Stadsarchief Amsterdam: albums Datering 1725 Geografische naam Waalseilandsgracht Prins Hendrikkade Inventarissen http://archief.amsterdam/archief/10054 Afbeeldingsbestand B00000023830 . 1725. Rademaker, Abraham (1675-1735) 55 Abraham Rademaker, Afb B00000 Stock Photo

RMP5J0CG–N/A. Nederlands: Beschrijving De Hoek van 't Nieuw Eylant t' Amsterdam Het nieuwe Waalseiland, gezien van het Open Haven Front naar ingang Waalseilandsgracht en de huizen Prins Hendrikkade 96-108. Prent uit: Nederlandsche Outheeden en Gezigten, Amsterdam 1725. Documenttype prent Vervaardiger Rademaker, Abraham (1675-1735) Collectie Collectie Stadsarchief Amsterdam: albums Datering 1725 Geografische naam Waalseilandsgracht Prins Hendrikkade Inventarissen http://archief.amsterdam/archief/10054 Afbeeldingsbestand B00000023830 . 1725. Rademaker, Abraham (1675-1735) 55 Abraham Rademaker, Afb B00000

Het oud vermakelijk luylekker-land (titel op object) Leaf with a large representation of partying and eating people in the land of plenty. There will drink from a fountain, there's meat in the trees and there is food falling from the sky. Among the performance, a caption in four columns. Numbered right: * 96. Manufacturer : publisher: John Kannewet (II) (referred to on object) print maker: anonymous location manufacture: publisher: Amsterdam Print Author: The Netherlands Date: 1725 - 1780 Physical characteristics: wood block colored in blue, yellow and orange; text printing material: paper Tec Stock Photo

RM2B6TMCB–Het oud vermakelijk luylekker-land (titel op object) Leaf with a large representation of partying and eating people in the land of plenty. There will drink from a fountain, there's meat in the trees and there is food falling from the sky. Among the performance, a caption in four columns. Numbered right: * 96. Manufacturer : publisher: John Kannewet (II) (referred to on object) print maker: anonymous location manufacture: publisher: Amsterdam Print Author: The Netherlands Date: 1725 - 1780 Physical characteristics: wood block colored in blue, yellow and orange; text printing material: paper Tec

Landscape with two cranes; church in distance. unknown c. 1675-1725 Tapestry Dimensions: H 9'6' x W 5'5' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Countess Sala 5/11/1950; sold to H. Kalaidjian 6/12/1962. Stock Photo

RM2WTGBPG–Landscape with two cranes; church in distance. unknown c. 1675-1725 Tapestry Dimensions: H 9'6' x W 5'5' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Countess Sala 5/11/1950; sold to H. Kalaidjian 6/12/1962.

Topographie der historischen und Kunst-Denkmale im Königreiche Böhmen von der Urzeit bis zum Anfange des XIX Jahrhundertes . .bb. 78. Wobora. Gothischer Taufstein, 0 90 m hoch. 96 Wolenitz — Volenice. An der Strasse nach Kröndorf auf einem Strahöwer Klostergrunde Reihen-gräber aus der ersten Christenzeit mit Gefässen und S-förmigen Schläfenringen (imLauner Museum). Bei der Gemeinde La Tensche Skelettgräbcr. Kucera, Cesky lid.1895, 84. Worasitz - Orasice.. Abb. v. Worasitz. Altarleuchtcr von Messing, 05.5, 0 40und 070 w; hoch. Die andere Hälfte roll, vom J. 1725. FILIALKIRCHE des hl.Nicolaus, Stock Photo

RM2AN0RC1–Topographie der historischen und Kunst-Denkmale im Königreiche Böhmen von der Urzeit bis zum Anfange des XIX Jahrhundertes . .bb. 78. Wobora. Gothischer Taufstein, 0 90 m hoch. 96 Wolenitz — Volenice. An der Strasse nach Kröndorf auf einem Strahöwer Klostergrunde Reihen-gräber aus der ersten Christenzeit mit Gefässen und S-förmigen Schläfenringen (imLauner Museum). Bei der Gemeinde La Tensche Skelettgräbcr. Kucera, Cesky lid.1895, 84. Worasitz - Orasice.. Abb. v. Worasitz. Altarleuchtcr von Messing, 05.5, 0 40und 070 w; hoch. Die andere Hälfte roll, vom J. 1725. FILIALKIRCHE des hl.Nicolaus,

RMPR161N–Fire Back; French; about 1703 - 1725; Cast iron; 80 x 96 cm, 131.5431 kg, 31 1,2 x 37 13,16 in., 290 lb.

Sword in black lacquered sheath, anonymous, Japan, 1500 - 1725, metal, lacquer (coating), w 96.6 cm × h 8.0 cm × d 8.0 cm Stock Photo

RMW541NC–Sword in black lacquered sheath, anonymous, Japan, 1500 - 1725, metal, lacquer (coating), w 96.6 cm × h 8.0 cm × d 8.0 cm

Fire Back, French, about 1703 - 1725, Cast iron, 80 x 96 cm, 131.5431 kg (31 1,2 x 37 13,16 in., 290 lb.), 2004.58 reimagined Stock Photo

RFRAHM63–Fire Back, French, about 1703 - 1725, Cast iron, 80 x 96 cm, 131.5431 kg (31 1,2 x 37 13,16 in., 290 lb.), 2004.58 reimagined

Young Woman Holding a Mask. Artist: After a painting by Jean-Baptiste Santerre (French, 1651-1717); After an engraving after Santerre by Nicolas Chasteau (French, Paris 1680-ca. 1750 Paris). Culture: French, Paris. Dimensions: H. 38, W. 30 1/2 inches (96.5 x 77.5 cm). Maker: Woven in the workshop directed by Jean Jacques Jans (French, ca. 1671-1731). Manufactory: Woven in the Manufacture Nationale des Gobelins (French, established 1662). Date: 1725. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAE37–Young Woman Holding a Mask. Artist: After a painting by Jean-Baptiste Santerre (French, 1651-1717); After an engraving after Santerre by Nicolas Chasteau (French, Paris 1680-ca. 1750 Paris). Culture: French, Paris. Dimensions: H. 38, W. 30 1/2 inches (96.5 x 77.5 cm). Maker: Woven in the workshop directed by Jean Jacques Jans (French, ca. 1671-1731). Manufactory: Woven in the Manufacture Nationale des Gobelins (French, established 1662). Date: 1725. Museum: Metropolitan Museum of Art, New York, USA.

N/A. Nederlands: Beschrijving Schreyershoek tot Amsterdam 1650 / De Hoek van t Nieuw Ylant tot Amsterdam Dubbelprent. Boven: de Schreierstoren met de Hoofdbrug en de ingang van de Geldersekade, naar de situatie omstreeks 1650. Onder: de ingang van de Waalseilandsgracht, gezien vanaf het IJ. Rechts het Kamperhoofd met de huizen Prins Hendrikkade 96-107 (volgend de huidige huisnummering), links de nummers 108-112. Prenten uit: Nederlandsche Outheeden en Gezigten. Documenttype prent Vervaardiger Rademaker, Abraham (1675-1735) Collectie Collectie Atlas Dreesmann Datering 1725 Geografische naam Pri Stock Photo

RMP5J039–N/A. Nederlands: Beschrijving Schreyershoek tot Amsterdam 1650 / De Hoek van t Nieuw Ylant tot Amsterdam Dubbelprent. Boven: de Schreierstoren met de Hoofdbrug en de ingang van de Geldersekade, naar de situatie omstreeks 1650. Onder: de ingang van de Waalseilandsgracht, gezien vanaf het IJ. Rechts het Kamperhoofd met de huizen Prins Hendrikkade 96-107 (volgend de huidige huisnummering), links de nummers 108-112. Prenten uit: Nederlandsche Outheeden en Gezigten. Documenttype prent Vervaardiger Rademaker, Abraham (1675-1735) Collectie Collectie Atlas Dreesmann Datering 1725 Geografische naam Pri

Het oud vermakelijk luylekker-land (titel op object) Blad met een grote voorstelling van feestende en etende mensen in het het Luilekkerland. Er komt drank uit een fontein, er hangt vlees in de bomen en er komt eten uit de lucht vallen. Onder de voorstelling een onderschrift in vier kolommen. Genummerd rechtsboven: *96. Manufacturer : uitgever: Johannes Kannewet (II) (vermeld op object)prentmaker: anoniemPlaats manufacture: uitgever: Amsterdamprentmaker: Nederland Dating: 1725 - 1780 Physical kenmerken: houtsnede en tekst in boekdruk Material: papier Techniek: houtsnede / boekdruk Dimensions: Stock Photo

RM2B6TMD2–Het oud vermakelijk luylekker-land (titel op object) Blad met een grote voorstelling van feestende en etende mensen in het het Luilekkerland. Er komt drank uit een fontein, er hangt vlees in de bomen en er komt eten uit de lucht vallen. Onder de voorstelling een onderschrift in vier kolommen. Genummerd rechtsboven: *96. Manufacturer : uitgever: Johannes Kannewet (II) (vermeld op object)prentmaker: anoniemPlaats manufacture: uitgever: Amsterdamprentmaker: Nederland Dating: 1725 - 1780 Physical kenmerken: houtsnede en tekst in boekdruk Material: papier Techniek: houtsnede / boekdruk Dimensions:

Landscape with alley of trees and buildings. unknown c. 1675-1725 Tapestry Dimensions: H 9'6' x W 8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. Richard K. Hexter, received 1/9/1947; sold to Mr. Frederick Sheldon 8/15/1960. Stock Photo

RM2WTGJ3T–Landscape with alley of trees and buildings. unknown c. 1675-1725 Tapestry Dimensions: H 9'6' x W 8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. Richard K. Hexter, received 1/9/1947; sold to Mr. Frederick Sheldon 8/15/1960.

Bruxelles à travers les âges . amur et de Louvain. On ne peut douter quil ne sélève (1) Ce pont se nommait autrefois Pont de la forte de Laeken. On lappela Pont Saint-Jean Népomucène à cause de la statue dece saint qui y fut placée en 1725. (2) En 1572, daprès le plan de Bruxelles, la grue pour le déchargement des bateaux se trouvait à lendroit où fut plustard le Marché-aux-Poissons, qui à lorigine occupait lemplacement actuel du Marché-aux-Herbes. 96 BRUXELLES A TRAVERS LES AGES. beaucoup de vapeurs froides dune pareille gorge remplie détangs, qui côtoie la villedun côté, ainsi que des prai Stock Photo

RM2ANDE9G–Bruxelles à travers les âges . amur et de Louvain. On ne peut douter quil ne sélève (1) Ce pont se nommait autrefois Pont de la forte de Laeken. On lappela Pont Saint-Jean Népomucène à cause de la statue dece saint qui y fut placée en 1725. (2) En 1572, daprès le plan de Bruxelles, la grue pour le déchargement des bateaux se trouvait à lendroit où fut plustard le Marché-aux-Poissons, qui à lorigine occupait lemplacement actuel du Marché-aux-Herbes. 96 BRUXELLES A TRAVERS LES AGES. beaucoup de vapeurs froides dune pareille gorge remplie détangs, qui côtoie la villedun côté, ainsi que des prai

Panel, 1725/50, England, Spitalfields, England, Silk, plain weave self-patterned by two-color complementary ground wefts, 96.2 × 50.9 cm (37 7/8 × 20 1/8 in Stock Photo

RM2A2KDBT–Panel, 1725/50, England, Spitalfields, England, Silk, plain weave self-patterned by two-color complementary ground wefts, 96.2 × 50.9 cm (37 7/8 × 20 1/8 in

RFRAHM64–Fire Back, French, about 1703 - 1725, Cast iron, 80 x 96 cm, 131.5431 kg (31 1,2 x 37 13,16 in., 290 lb.), 2004.58 reimagined

Panel (formerly a Curtain from a Sedan Chair). France. Date: 1715-1725. Dimensions: a: 180.3 x 107.2 cm (71 x 42 1/8 in.) b: 96.5 x 53.7 cm (37 7/8 x 21 1/4 in.) c: 98.5 x 53.9 cm (38 3/4 x 21 1/4 in.) Warp repeat: 68- 70.4 cm (26 3/4-27 3/4 in.) Loom width: 54 cm (21 1/4 in.) Width between selvages: 52.8 cm (20 3/4 in.). Silk, gold and silver gilt strips wound around silk fiber core, warp-float faced 7:1 satin weave with supplementary brocading wefts tied by supplementary binding warps in 3:1 twill interlacing and self-patterned by areas of plain weave. Origin: France. Museum: The Chicag Stock Photo

RMRYKC04–Panel (formerly a Curtain from a Sedan Chair). France. Date: 1715-1725. Dimensions: a: 180.3 x 107.2 cm (71 x 42 1/8 in.) b: 96.5 x 53.7 cm (37 7/8 x 21 1/4 in.) c: 98.5 x 53.9 cm (38 3/4 x 21 1/4 in.) Warp repeat: 68- 70.4 cm (26 3/4-27 3/4 in.) Loom width: 54 cm (21 1/4 in.) Width between selvages: 52.8 cm (20 3/4 in.). Silk, gold and silver gilt strips wound around silk fiber core, warp-float faced 7:1 satin weave with supplementary brocading wefts tied by supplementary binding warps in 3:1 twill interlacing and self-patterned by areas of plain weave. Origin: France. Museum: The Chicag

1725 Thomas Butler Gunn Diaries- Volume 15, page 96, January 23, 1861 Stock Photo

RMPBHP74–1725 Thomas Butler Gunn Diaries- Volume 15, page 96, January 23, 1861

The Old entertaining Luylekker -Land, 1725 - 1780 print Leaf with a large performance of partying and eating people in the Luilekkerland. Drinks come from a fountain, there is meat hanging in the trees and food comes from the sky. Under the show a caption in four columns. Numbered at the top right: *96. publisher: Amsterdamprint maker: Netherlands paper letterpress printing Land of Cockaigne Stock Photo

RM2WFPF5G–The Old entertaining Luylekker -Land, 1725 - 1780 print Leaf with a large performance of partying and eating people in the Luilekkerland. Drinks come from a fountain, there is meat hanging in the trees and food comes from the sky. Under the show a caption in four columns. Numbered at the top right: *96. publisher: Amsterdamprint maker: Netherlands paper letterpress printing Land of Cockaigne

The Philosophical magazine; a journal of theoretical, experimental and applied physics . 55 2 112 252 41 2 55 3 103 243 39 8213549 5 165 305 43 5 56 6 96 226 356 47 012 243748598 11 18 23 18 33 18 45 18 55 19 7 19 16 19 28 19 38 19 48 19 58 20 7 20 18 20 27 20 35 20 45 20 54 21 3 21 1! 21 20 V. for 100Var.of Lat 37 1637 3536 5436 4436 3336 21 36 835 5635 4335 30 35 434 5034 5634 22 34 833 5353 3833 2333 852 55 52 3832 2252 631 513J 3431 1831 230 4530 2850 11 29 5529 3829 2129 4?2S /1628 2928 1227 5427 3627 1927 226 4426 2726 925 51 25 3425 1725 024 4224 2524 823 5123 3423 1723- 0 22 4422 2822 Stock Photo

RM2AKGDTX–The Philosophical magazine; a journal of theoretical, experimental and applied physics . 55 2 112 252 41 2 55 3 103 243 39 8213549 5 165 305 43 5 56 6 96 226 356 47 012 243748598 11 18 23 18 33 18 45 18 55 19 7 19 16 19 28 19 38 19 48 19 58 20 7 20 18 20 27 20 35 20 45 20 54 21 3 21 1! 21 20 V. for 100Var.of Lat 37 1637 3536 5436 4436 3336 21 36 835 5635 4335 30 35 434 5034 5634 22 34 833 5353 3833 2333 852 55 52 3832 2252 631 513J 3431 1831 230 4530 2850 11 29 5529 3829 2129 4?2S /1628 2928 1227 5427 3627 1927 226 4426 2726 925 51 25 3425 1725 024 4224 2524 823 5123 3423 1723- 0 22 4422 2822

Giuseppe Canale, Virgin and Child seated on clouds with Saint Philip Neri at left, Giuseppe Canale (Italian, Rome 1725–1802 Dresden), After Carlo Cignani (Italian, Bologna 1628–1719 Forlì), 1715–96, Etching, Sheet (Trimmed): 12 1/4 × 8 7/8 in. (31.1 × 22.6 cm), Prints Stock Photo

RM2B0M7R9–Giuseppe Canale, Virgin and Child seated on clouds with Saint Philip Neri at left, Giuseppe Canale (Italian, Rome 1725–1802 Dresden), After Carlo Cignani (Italian, Bologna 1628–1719 Forlì), 1715–96, Etching, Sheet (Trimmed): 12 1/4 × 8 7/8 in. (31.1 × 22.6 cm), Prints

Sword in black lacquered sheath, anonymous, Japan, 1500 - 1725, metal, lacquer (coating), w 96.6 cm × h 8.0 cm × d 8.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B992F9–Sword in black lacquered sheath, anonymous, Japan, 1500 - 1725, metal, lacquer (coating), w 96.6 cm × h 8.0 cm × d 8.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

N/A. Plate CCLXXXIX Warning: some taxa/names may be misidentified/misapplied or placed in a different genus. A, B (), C, D () : '(Papilio) Sabina' ( = Yoma sabina (Cramer, [1780]), iconotype), see Funet. Photo at Encyclopedia of Life. (Note: Plate number correct. Description page erroneously numbered 'CCLXXIX'. in register page number as '389') E, F: '(Papilio) Mermeria' ( = Taygetis mermeria (Cramer, [1776]), iconotype), see Funet Photo at Encyclopedia of Life. (Note: In register spelled 'MERMETIA') Also on pl. 96 B. . 1779. Pieter Cramer (1721 - 1776) and Caspar Stoll (between 1725 and Stock Photo

RMP6032C–N/A. Plate CCLXXXIX Warning: some taxa/names may be misidentified/misapplied or placed in a different genus. A, B (), C, D () : '(Papilio) Sabina' ( = Yoma sabina (Cramer, [1780]), iconotype), see Funet. Photo at Encyclopedia of Life. (Note: Plate number correct. Description page erroneously numbered 'CCLXXIX'. in register page number as '389') E, F: '(Papilio) Mermeria' ( = Taygetis mermeria (Cramer, [1776]), iconotype), see Funet Photo at Encyclopedia of Life. (Note: In register spelled 'MERMETIA') Also on pl. 96 B. . 1779. Pieter Cramer (1721 - 1776) and Caspar Stoll (between 1725 and

RM2WFNR3G–The Old entertaining Luylekker -Land, 1725 - 1780 print Leaf with a large performance of partying and eating people in the Luilekkerland. Drinks come from a fountain, there is meat hanging in the trees and food comes from the sky. Under the show a caption in four columns. Numbered at the top right: *96. publisher: Amsterdamprint maker: Netherlands paper letterpress printing Land of Cockaigne

. The American florist : a weekly journal for the trade. Floriculture; Florists. 96 The American Florist, Aug. i6. Our pasTiMBS. Announcements of coming contests or other events of interest to our bowiing, shooting and sporting readers are solicited and wili be given place in this column. Address all correspondence for this department to Wra. J. Stewart, 79 Milk St., Boston, .Mass.; Rnbt. Kitt, 1725 Chestnut St., Philadelphia, Pa.; or to the American Florist Co., 334 Dearborn St., Chicago, 111. "Sweet recreation barred, what doth ensue But moody and dull melancholy, Kinsmau to grim and co Stock Photo

RMRP8PK5–. The American florist : a weekly journal for the trade. Floriculture; Florists. 96 The American Florist, Aug. i6. Our pasTiMBS. Announcements of coming contests or other events of interest to our bowiing, shooting and sporting readers are solicited and wili be given place in this column. Address all correspondence for this department to Wra. J. Stewart, 79 Milk St., Boston, .Mass.; Rnbt. Kitt, 1725 Chestnut St., Philadelphia, Pa.; or to the American Florist Co., 334 Dearborn St., Chicago, 111. "Sweet recreation barred, what doth ensue But moody and dull melancholy, Kinsmau to grim and co

Tile Tableau from the Orphanage in Sommelsdijk, Tile panel of faience, consisting of 96 tiles, painted blue in the glaze with a flower vase on a pedestal. To the left of this is a parrot on a stick, to the right a rooster. The performance is surrounded on three sides by a border of leaf and flower motifs with cupids, Sommelsdijk, anonymous, Delft, c. 1725, h 156.5 cm × w 104.0 cm × d 4 cm Stock Photo

RMW56BDT–Tile Tableau from the Orphanage in Sommelsdijk, Tile panel of faience, consisting of 96 tiles, painted blue in the glaze with a flower vase on a pedestal. To the left of this is a parrot on a stick, to the right a rooster. The performance is surrounded on three sides by a border of leaf and flower motifs with cupids, Sommelsdijk, anonymous, Delft, c. 1725, h 156.5 cm × w 104.0 cm × d 4 cm

Fire Back, French, about 1703 - 1725, Cast iron, 80 x 96 cm, 131.5431 kg (31 1,2 x 37 13,16 in., 290 lb.), 2004.58, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9F375–Fire Back, French, about 1703 - 1725, Cast iron, 80 x 96 cm, 131.5431 kg (31 1,2 x 37 13,16 in., 290 lb.), 2004.58, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

N/A. Nederlands: Beschrijving De Hoek van 't Nieuw Ylant tot Amsterdam Rechts het Nieuwe Eiland, later bekend als het Kamperhoofd en Prins Hendrikkade 96-108. Op de voorgrond het IJ, later het Afgesloten IJ en Open Havenfront. Links de ingang Waalseilandsgracht en de huizen van de Binnenkant. Datering voorstelling: 1650 (c)-1675 (c) Techniek: ets. Documenttype prent Vervaardiger Rademaker, Abraham (1675-1735) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1725 Geografische naam Open Havenfront Waalseilandsgracht Prins Hendrikkade Binnenkant Inventarissen http://arch Stock Photo

RMP5J09P–N/A. Nederlands: Beschrijving De Hoek van 't Nieuw Ylant tot Amsterdam Rechts het Nieuwe Eiland, later bekend als het Kamperhoofd en Prins Hendrikkade 96-108. Op de voorgrond het IJ, later het Afgesloten IJ en Open Havenfront. Links de ingang Waalseilandsgracht en de huizen van de Binnenkant. Datering voorstelling: 1650 (c)-1675 (c) Techniek: ets. Documenttype prent Vervaardiger Rademaker, Abraham (1675-1735) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1725 Geografische naam Open Havenfront Waalseilandsgracht Prins Hendrikkade Binnenkant Inventarissen http://arch

Education of the Virgin, c. 1700. Giuseppe Mazzuoli (Italian, 1644-1725). Marble; overall: 110.5 x 96.5 x 26 cm (43 1/2 x 38 x 10 1/4 in.). During the Counter-Reformation, the Roman Catholic Church increasingly upheld Saint Anne, the Virgin Mary’s mother, as an example of virtuous motherhood, particularly in emphasizing her daughter’s religious education. Its graceful composition also connects to the idealized, elegant work of Guido Reni. Stock Photo

RM2H0XX85–Education of the Virgin, c. 1700. Giuseppe Mazzuoli (Italian, 1644-1725). Marble; overall: 110.5 x 96.5 x 26 cm (43 1/2 x 38 x 10 1/4 in.). During the Counter-Reformation, the Roman Catholic Church increasingly upheld Saint Anne, the Virgin Mary’s mother, as an example of virtuous motherhood, particularly in emphasizing her daughter’s religious education. Its graceful composition also connects to the idealized, elegant work of Guido Reni.

. The American florist : a weekly journal for the trade. Floriculture; Florists. 96 {??•?' The American Florist. Aug. 15, Our pasTiMEss. S. A. F. COMMITTEE ON SPORTS. P.J. Hauswirth, 227 Michigan avenue. Chicago; C. C. Pollworth and F. Schmelinp, Milwaukee. Announcements of coming contests or other events of interests to our bowline, shooting and sporting readers are solicited ana will be given place in this column. Address all correspondence for this department to Wm. J. Stewart, 79 Milk St., Boston, Mass.; Eobt. Kift, 1725 Chestnut St., Philadelphia. Pa.; or to the American Florist Co., 324 Stock Photo

RMRP8WKX–. The American florist : a weekly journal for the trade. Floriculture; Florists. 96 {??•?' The American Florist. Aug. 15, Our pasTiMEss. S. A. F. COMMITTEE ON SPORTS. P.J. Hauswirth, 227 Michigan avenue. Chicago; C. C. Pollworth and F. Schmelinp, Milwaukee. Announcements of coming contests or other events of interests to our bowline, shooting and sporting readers are solicited ana will be given place in this column. Address all correspondence for this department to Wm. J. Stewart, 79 Milk St., Boston, Mass.; Eobt. Kift, 1725 Chestnut St., Philadelphia. Pa.; or to the American Florist Co., 324

Unknown (French), Arm Chair, 1725/1775, Wood and velvet, 38 x 29 1/2 x 28 in. (96.52 x 74.9 x 71.1 cm Stock Photo

RM2A2PY42–Unknown (French), Arm Chair, 1725/1775, Wood and velvet, 38 x 29 1/2 x 28 in. (96.52 x 74.9 x 71.1 cm

RF2B9F372–Fire Back, French, about 1703 - 1725, Cast iron, 80 x 96 cm, 131.5431 kg (31 1,2 x 37 13,16 in., 290 lb.), 2004.58, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

N/A. Nederlands: Beschrijving De Hoek van 't Nieuw Eylant t' Amsterdam Rechts het Nieuwe Eiland, later bekend als het Kamperhoofd en Prins Hendrikkade 96-108. Op de voorgrond het IJ, later het Afgesloten IJ en Open Havenfront. Links de ingang Waalseilandsgracht en de huizen van de Binnenkant. Datering voorstelling: 1650 (c)-1675 (c) Techniek: ets. Documenttype prent Vervaardiger Rademaker, Abraham (1675-1735) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1725 ca. Geografische naam Open Havenfront Waalseilandsgracht Prins Hendrikkade Binnenkant Inventarissen http:// Stock Photo

RMP5J09T–N/A. Nederlands: Beschrijving De Hoek van 't Nieuw Eylant t' Amsterdam Rechts het Nieuwe Eiland, later bekend als het Kamperhoofd en Prins Hendrikkade 96-108. Op de voorgrond het IJ, later het Afgesloten IJ en Open Havenfront. Links de ingang Waalseilandsgracht en de huizen van de Binnenkant. Datering voorstelling: 1650 (c)-1675 (c) Techniek: ets. Documenttype prent Vervaardiger Rademaker, Abraham (1675-1735) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1725 ca. Geografische naam Open Havenfront Waalseilandsgracht Prins Hendrikkade Binnenkant Inventarissen http://

Kermesse. Teniers, David II (Flemish, 1610-1690) (designed after) [painter] Teniers, David III (Flemish, 1638-1685) (designed after) [painter] c. 1725-1775 Tapestry Dimensions: H 9'6' x W 16'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. received from Bonwit Teller 1/23/1931; returned from consignment 12/4/1931. Stock Photo

RM2WTFX9N–Kermesse. Teniers, David II (Flemish, 1610-1690) (designed after) [painter] Teniers, David III (Flemish, 1638-1685) (designed after) [painter] c. 1725-1775 Tapestry Dimensions: H 9'6' x W 16'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. received from Bonwit Teller 1/23/1931; returned from consignment 12/4/1931.

Unknown (French), Arm Chair, 1725/1775, Wood and velvet, 38 x 29 1/2 x 28 1/2 in. (96.52 x 74.9 x 72.4 cm Stock Photo

RM2A2PY41–Unknown (French), Arm Chair, 1725/1775, Wood and velvet, 38 x 29 1/2 x 28 1/2 in. (96.52 x 74.9 x 72.4 cm

Panel, 1725/50, England, Spitalfields, England, Silk, plain weave self-patterned by two-color complementary ground wefts, 96.2 × 50.9 cm (37 7/8 × 20 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B8YTM7–Panel, 1725/50, England, Spitalfields, England, Silk, plain weave self-patterned by two-color complementary ground wefts, 96.2 × 50.9 cm (37 7/8 × 20 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Education of the Virgin, c. 1700. Giuseppe Mazzuoli (Italian, 1644-1725). Marble; overall: 110.5 x 96.5 x 26 cm (43 1/2 x 38 x 10 1/4 in Stock Photo

RMRY714P–Education of the Virgin, c. 1700. Giuseppe Mazzuoli (Italian, 1644-1725). Marble; overall: 110.5 x 96.5 x 26 cm (43 1/2 x 38 x 10 1/4 in

N/A. Plate VII Warning: some taxa/names may be misidentified/misapplied or placed in a different genus. 1: Pap[ilio] Nymph[alis] Phal[eratus] MERMERIA ( = Taygetis mermeria (Cramer, [1776]), see NHM, Global Lepidoptera Names Index and Funet). Butterfly on pl. 96 B and on pl. 289 E, F. 2: Pap[ilio] Pleb[ejus] Urbicol[a] APASTUS ( = Astraptes apastus (Cramer, [1777]), see Funet). Butterfly on pl. 111 D, E. 3: Pap[ilio] Pleb[ejus] Urbicol[a] ACASTUS ( = Mysoria barcastus (Sepp, [1851]), see Funet). Butterfly on plate 41C, D and pl. 199 E. 4: Pap[ilio] Pleb[ejus] Urbicol[a] FULGERATOR ( = A Stock Photo

RMP5XKWP–N/A. Plate VII Warning: some taxa/names may be misidentified/misapplied or placed in a different genus. 1: Pap[ilio] Nymph[alis] Phal[eratus] MERMERIA ( = Taygetis mermeria (Cramer, [1776]), see NHM, Global Lepidoptera Names Index and Funet). Butterfly on pl. 96 B and on pl. 289 E, F. 2: Pap[ilio] Pleb[ejus] Urbicol[a] APASTUS ( = Astraptes apastus (Cramer, [1777]), see Funet). Butterfly on pl. 111 D, E. 3: Pap[ilio] Pleb[ejus] Urbicol[a] ACASTUS ( = Mysoria barcastus (Sepp, [1851]), see Funet). Butterfly on plate 41C, D and pl. 199 E. 4: Pap[ilio] Pleb[ejus] Urbicol[a] FULGERATOR ( = A

British Gentlemen at Sir Horace Mann's Home in Florence, Thomas Patch, 1725–1782, British, between 1763 and 1765, Oil on canvas, Support (PTG): 37 15/16 x 48 15/16 inches (96.4 x 124.3 cm), boy, bust, candles, caricature, chandeliers, conversation piece, costume, curtain, dining chairs, dining room, dining table, dinner, dwarves, fireplace, fireworks (explosive equipment), food, genre subject, Grand Tour, home, house, interior, meal, men, paintings, plates (dishes), relief, sculpture, servant, tile, urn, wine, wine coolers, Firenze, Florence, Italy, Toscana Stock Photo

RM2DHX2K3–British Gentlemen at Sir Horace Mann's Home in Florence, Thomas Patch, 1725–1782, British, between 1763 and 1765, Oil on canvas, Support (PTG): 37 15/16 x 48 15/16 inches (96.4 x 124.3 cm), boy, bust, candles, caricature, chandeliers, conversation piece, costume, curtain, dining chairs, dining room, dining table, dinner, dwarves, fireplace, fireworks (explosive equipment), food, genre subject, Grand Tour, home, house, interior, meal, men, paintings, plates (dishes), relief, sculpture, servant, tile, urn, wine, wine coolers, Firenze, Florence, Italy, Toscana

Barrel-Vaulted Arcade Rendered in Perspective, c. 1780-96. Francesco Battaglioli (Italian, 1725-1796). Pen and brown ink and brush and blue-gray wash, over graphite (ruled in places); framing lines in brown ink; sheet: 36 x 24.7 cm (14 3/16 x 9 3/4 in.); image: 34.8 x 24 cm (13 11/16 x 9 7/16 in.). Stock Photo

RM2H11X4T–Barrel-Vaulted Arcade Rendered in Perspective, c. 1780-96. Francesco Battaglioli (Italian, 1725-1796). Pen and brown ink and brush and blue-gray wash, over graphite (ruled in places); framing lines in brown ink; sheet: 36 x 24.7 cm (14 3/16 x 9 3/4 in.); image: 34.8 x 24 cm (13 11/16 x 9 7/16 in.).

Préjugé de l'Enfance, 1779, François-Philippe Charpentier; Artist: after Jean-Baptiste Greuze, French, 1725–1805, 22 1/2 x 19 1/8 in. (57.15 x 48.58 cm) (plate)24 x 19 9/16 in. (60.96 x 49.69 cm) (sheet), Aquatint and etching printed in brown, France, 18th century Stock Photo

RM2T91BXW–Préjugé de l'Enfance, 1779, François-Philippe Charpentier; Artist: after Jean-Baptiste Greuze, French, 1725–1805, 22 1/2 x 19 1/8 in. (57.15 x 48.58 cm) (plate)24 x 19 9/16 in. (60.96 x 49.69 cm) (sheet), Aquatint and etching printed in brown, France, 18th century

RF2B9AMWX–Tile Tableau from the Orphanage in Sommelsdijk, Tile panel of faience, consisting of 96 tiles, painted blue in the glaze with a flower vase on a pedestal. To the left of this is a parrot on a stick, to the right a rooster. The performance is surrounded on three sides by a border of leaf and flower motifs with cupids, Sommelsdijk, anonymous, Delft, c. 1725, h 156.5 cm × w 104.0 cm × d 4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern te

Picking flowers in landscape. unknown c. 1700-1725 Tapestry Dimensions: H 11'2' x W 9'6' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. Men, women & children gathering flowers & making bouquets in vases; formal garden with fountain (BRD) picture-frame border with foliate scroll & acanthus leaf ornament in corners & in center of each side Right & top borders have been patched. No French & Co. stock sheet in archive, no stock number Stock Photo

RM2WTG9JC–Picking flowers in landscape. unknown c. 1700-1725 Tapestry Dimensions: H 11'2' x W 9'6' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. Men, women & children gathering flowers & making bouquets in vases; formal garden with fountain (BRD) picture-frame border with foliate scroll & acanthus leaf ornament in corners & in center of each side Right & top borders have been patched. No French & Co. stock sheet in archive, no stock number

The Return of the Young Hunter, c. 1775, Jean-Baptiste Greuze, French, 1725–1805, 20 1/2 x 26 5/16 in. (52.1 x 66.9 cm) (image)32 7/8 x 38 x 1 3/4 in. (83.5 x 96.52 x 4.45 cm) (outer frame), Pen and black ink, brush and black and gray wash, heightened with white, over graphite, on brown paper; laid down on ivory paper with framing lines in pen and brown ink, France, 18th century, Modern viewers find Jean-Baptiste Greuze’s theatrical stagings melodramatic and contrived—akin to soap operas. But in his lifetime, Greuze was widely admired for elevating family drama to high art. Stock Photo

RM2T90T91–The Return of the Young Hunter, c. 1775, Jean-Baptiste Greuze, French, 1725–1805, 20 1/2 x 26 5/16 in. (52.1 x 66.9 cm) (image)32 7/8 x 38 x 1 3/4 in. (83.5 x 96.52 x 4.45 cm) (outer frame), Pen and black ink, brush and black and gray wash, heightened with white, over graphite, on brown paper; laid down on ivory paper with framing lines in pen and brown ink, France, 18th century, Modern viewers find Jean-Baptiste Greuze’s theatrical stagings melodramatic and contrived—akin to soap operas. But in his lifetime, Greuze was widely admired for elevating family drama to high art.

Fireback, Unknown maker, French, about 1703 - 1725, Cast iron, Object: 80 x 96 cm (2 ft. 7 1/2 in. x 3 ft. 1 7/8 in reimagined Stock Photo

RFRATRP7–Fireback, Unknown maker, French, about 1703 - 1725, Cast iron, Object: 80 x 96 cm (2 ft. 7 1/2 in. x 3 ft. 1 7/8 in reimagined

Tile Tableau from the Orphanage in Sommelsdijk, anonymous, c. 1725 FUNUNCE TEGELBAUEAU, consisting of 96 tiles, blue in the glaze painted with a flower vase on a pedestal. To the left of this is a parrot on a stick, a rooster on the right. The show is surrounded on three sides by an edge of leaf and floral motifs with cupidos. Delft . Sommelsdijk FUNUNCE TEGELBAUEAU, consisting of 96 tiles, blue in the glaze painted with a flower vase on a pedestal. To the left of this is a parrot on a stick, a rooster on the right. The show is surrounded on three sides by an edge of leaf and floral motifs w Stock Photo

RM2TM991P–Tile Tableau from the Orphanage in Sommelsdijk, anonymous, c. 1725 FUNUNCE TEGELBAUEAU, consisting of 96 tiles, blue in the glaze painted with a flower vase on a pedestal. To the left of this is a parrot on a stick, a rooster on the right. The show is surrounded on three sides by an edge of leaf and floral motifs with cupidos. Delft . Sommelsdijk FUNUNCE TEGELBAUEAU, consisting of 96 tiles, blue in the glaze painted with a flower vase on a pedestal. To the left of this is a parrot on a stick, a rooster on the right. The show is surrounded on three sides by an edge of leaf and floral motifs w

The Miracle of the Madonna of the Fire, c. 1725, Aureliano Milani, Italian (Bologna), Italian (Bologna), 1675 - 1747, 54 1/4 x 38 in. (137.8 x 96.52 cm) (canvas)68 3/4 x 52 1/2 x 3 1/2 in. (174.63 x 133.35 x 8.89 cm) (outer frame)45 x 39 1/2 in. (114.3 x 100.33 cm) (sight), Oil on canvas, Italy, 18th century, On the night of February 4, 1428, a devastating fire broke out in a schoolhouse in Forlì, a town in northern Italy. Eyewitnesses reported that everything in the school burned except a humble woodcut representing the Madonna and Child. In the foreground, precious books, a writing board Stock Photo

RM2T90TW1–The Miracle of the Madonna of the Fire, c. 1725, Aureliano Milani, Italian (Bologna), Italian (Bologna), 1675 - 1747, 54 1/4 x 38 in. (137.8 x 96.52 cm) (canvas)68 3/4 x 52 1/2 x 3 1/2 in. (174.63 x 133.35 x 8.89 cm) (outer frame)45 x 39 1/2 in. (114.3 x 100.33 cm) (sight), Oil on canvas, Italy, 18th century, On the night of February 4, 1428, a devastating fire broke out in a schoolhouse in Forlì, a town in northern Italy. Eyewitnesses reported that everything in the school burned except a humble woodcut representing the Madonna and Child. In the foreground, precious books, a writing board

Tools panels and first pieces of cutting stones, Tool of a stonemason, various types of stone arches, gates and vaults of stone, Tab. 96, after p. 242, Sturm, Leonhard Christian, 1725, Giacomo Barozzi da Vignola: Ausführliche Anleitung zu der gantzen Civil-Bau-Kunst: worinnen nebst denen Lebens-Beschreibungen, und den fünff Ordnungen von J. Bar. de Vignola wie auch dessen und des berühmten Mich. Angelo vornehmsten Gebäuden, alles, was in der Baukunst dem Bauzeuge, der Austheilung und der Verzierung nach, so wohl bey der Bildhauer, Mahler, Steinmetze, Maurer und Zimmerleute, als Dach-Decker Stock Photo

RM2A2T333–Tools panels and first pieces of cutting stones, Tool of a stonemason, various types of stone arches, gates and vaults of stone, Tab. 96, after p. 242, Sturm, Leonhard Christian, 1725, Giacomo Barozzi da Vignola: Ausführliche Anleitung zu der gantzen Civil-Bau-Kunst: worinnen nebst denen Lebens-Beschreibungen, und den fünff Ordnungen von J. Bar. de Vignola wie auch dessen und des berühmten Mich. Angelo vornehmsten Gebäuden, alles, was in der Baukunst dem Bauzeuge, der Austheilung und der Verzierung nach, so wohl bey der Bildhauer, Mahler, Steinmetze, Maurer und Zimmerleute, als Dach-Decker

Hercules with the Broken Column, On a square plinth Hercules stands with the left leg forward in front of the profiled pedestal of the broken column, which he clamps with his left arm and whose upper part with the right arm and hand clasps his hip. His bearded head is whole, the upper body slightly turned to the right. The lion's skin, held up against the column by the left hand, hangs down to the floor between the legs., Jan Pieter van Baurscheit (de Oude), Antwerp, c. 1700 - c. 1725, sandstone, h 250 cm w 960 kg h 97 cm w 89 cm × d 89 cm × w 1152 kg w 96 cm d 96 cm × w 1095 kg w 3347 kg, Rei Stock Photo

RF2B9AG92–Hercules with the Broken Column, On a square plinth Hercules stands with the left leg forward in front of the profiled pedestal of the broken column, which he clamps with his left arm and whose upper part with the right arm and hand clasps his hip. His bearded head is whole, the upper body slightly turned to the right. The lion's skin, held up against the column by the left hand, hangs down to the floor between the legs., Jan Pieter van Baurscheit (de Oude), Antwerp, c. 1700 - c. 1725, sandstone, h 250 cm w 960 kg h 97 cm w 89 cm × d 89 cm × w 1152 kg w 96 cm d 96 cm × w 1095 kg w 3347 kg, Rei

Bird with castle. unknown c. 1700-1725 Tapestry Dimensions: H 9'6' x W 6'8' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Ernest Joresco, received 7/24/1962; sold to David E. Popper 2/16/1966. Bird at bottom of tree near river, amongst flowering plants & trees; castle with park & fountain in background; mountain in distance (BRD) foliated border mixed with variety of flowers Composite border made up of at least three different borders, one of which may have belonged to the field originally. French & Co. stock shee Stock Photo

RM2WTFWC1–Bird with castle. unknown c. 1700-1725 Tapestry Dimensions: H 9'6' x W 6'8' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Ernest Joresco, received 7/24/1962; sold to David E. Popper 2/16/1966. Bird at bottom of tree near river, amongst flowering plants & trees; castle with park & fountain in background; mountain in distance (BRD) foliated border mixed with variety of flowers Composite border made up of at least three different borders, one of which may have belonged to the field originally. French & Co. stock shee

RMW565WW–Hercules with the Broken Column, On a square plinth Hercules stands with the left leg forward in front of the profiled pedestal of the broken column, which he clamps with his left arm and whose upper part with the right arm and hand clasps his hip. His bearded head is whole, the upper body slightly turned to the right. The lion's skin, held up against the column by the left hand, hangs down to the floor between the legs., Jan Pieter van Baurscheit (de Oude), Antwerp, c. 1700 - c. 1725, sandstone, h 250 cm w 960 kg h 97 cm w 89 cm × d 89 cm × w 1152 kg w 96 cm d 96 cm × w 1095 kg w 3347 kg

Landscape scene. Teniers, David II (Flemish, 1610-1690) (designed after) [painter] Teniers, David III (Flemish, 1638-1685) (designed after) [painter] c. 1725-1750 Tapestry Dimensions: H 11'6' x W 9'6' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons & Co., NY, invoiced 9/5/1929. Man at bank of river/pond fills baskets, hunting dog stands nearby; winding road with men mounted on horseback accompanied by hunting dogs in background (BRD) picture-frame border with abstracted floral & palmette-shell motif; pa Stock Photo

RM2WTG45C–Landscape scene. Teniers, David II (Flemish, 1610-1690) (designed after) [painter] Teniers, David III (Flemish, 1638-1685) (designed after) [painter] c. 1725-1750 Tapestry Dimensions: H 11'6' x W 9'6' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons & Co., NY, invoiced 9/5/1929. Man at bank of river/pond fills baskets, hunting dog stands nearby; winding road with men mounted on horseback accompanied by hunting dogs in background (BRD) picture-frame border with abstracted floral & palmette-shell motif; pa

Repast. Teniers, David II (Flemish, 1610-1690) (designed after) [painter] Teniers, David III (Flemish, 1638-1685) (designed after) [painter] c. 1725-1750 Tapestry Dimensions: H 11'6' x W 9'6' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons & Co., NY, invoiced 9/5/1929. Before inn, group of 3 reclining ladies making chaplets; young man reclines in woman's lap; 2 fruit-peddlers approach; couple walking away from scene in background (BRD) picture-frame border with abstracted floral & palmette-shell motif; Stock Photo

RM2WTG4X5–Repast. Teniers, David II (Flemish, 1610-1690) (designed after) [painter] Teniers, David III (Flemish, 1638-1685) (designed after) [painter] c. 1725-1750 Tapestry Dimensions: H 11'6' x W 9'6' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons & Co., NY, invoiced 9/5/1929. Before inn, group of 3 reclining ladies making chaplets; young man reclines in woman's lap; 2 fruit-peddlers approach; couple walking away from scene in background (BRD) picture-frame border with abstracted floral & palmette-shell motif;

RM2WTGFN7–Repast. Teniers, David II (Flemish, 1610-1690) (designed after) [painter] Teniers, David III (Flemish, 1638-1685) (designed after) [painter] c. 1725-1750 Tapestry Dimensions: H 11'6' x W 9'6' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons & Co., NY, invoiced 9/5/1929. Before inn, group of 3 reclining ladies making chaplets; young man reclines in woman's lap; 2 fruit-peddlers approach; couple walking away from scene in background (BRD) picture-frame border with abstracted floral & palmette-shell motif;

Chicken-feeding. Teniers, David II (Flemish, 1610-1690) (designed after) [painter] c. 1675-1725 Tapestry Dimensions: H 9'6' x W 7' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Martin van Straaten & Co. 11/8/1916; sold to John I. Romer 12/29/1927 (?) [SS 6104]. In landscape, woman & child feed chickens with grain that they hold in their aprons; architectural structure & Roman bridge/aqueduct in background (BRD) twisting garlands of flowers & fruit interspersed with birds; (LWR BRD) vases of flowers & fruit on plin Stock Photo

RM2WTG2ET–Chicken-feeding. Teniers, David II (Flemish, 1610-1690) (designed after) [painter] c. 1675-1725 Tapestry Dimensions: H 9'6' x W 7' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Martin van Straaten & Co. 11/8/1916; sold to John I. Romer 12/29/1927 (?) [SS 6104]. In landscape, woman & child feed chickens with grain that they hold in their aprons; architectural structure & Roman bridge/aqueduct in background (BRD) twisting garlands of flowers & fruit interspersed with birds; (LWR BRD) vases of flowers & fruit on plin

RM2WTFMMX–Repast. Teniers, David II (Flemish, 1610-1690) (designed after) [painter] Teniers, David III (Flemish, 1638-1685) (designed after) [painter] c. 1725-1750 Tapestry Dimensions: H 11'6' x W 9'6' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons & Co., NY, invoiced 9/5/1929. Before inn, group of 3 reclining ladies making chaplets; young man reclines in woman's lap; 2 fruit-peddlers approach; couple walking away from scene in background (BRD) picture-frame border with abstracted floral & palmette-shell motif;

Diana and nymphs stag hunting. unknown c. 1700-1725 Tapestry Dimensions: H 9'6' x W 7'1' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Henry Symons 12/12/1921 [crossed out & replaced with 12/28/1922]. In marsh-like forest, Diana hunting with her dogs & 4 nymphs with bows-&-arrows (center, foreground); large tree (R, middle ground); landscape (L, background) Borders missing (Cavallo). Stock sheet mentions strapping, lining & new borders [not actually borders but guards] were added [no date] (Dimitrova). French & C Stock Photo

RM2WTGENK–Diana and nymphs stag hunting. unknown c. 1700-1725 Tapestry Dimensions: H 9'6' x W 7'1' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Henry Symons 12/12/1921 [crossed out & replaced with 12/28/1922]. In marsh-like forest, Diana hunting with her dogs & 4 nymphs with bows-&-arrows (center, foreground); large tree (R, middle ground); landscape (L, background) Borders missing (Cavallo). Stock sheet mentions strapping, lining & new borders [not actually borders but guards] were added [no date] (Dimitrova). French & C

1725 96 Stock Photos and Images

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