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1729 1784 Stock Photos and Images
A Formal Garden; Johannes Janson, Dutch, 1729 - 1784; 1766; Oil on canvas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-formal-garden-johannes-janson-dutch-1729-1784-1766-oil-on-canvas-77452782.htmlRMEE07PP–A Formal Garden; Johannes Janson, Dutch, 1729 - 1784; 1766; Oil on canvas
Art inspired by Pheasant, William Littler (British, 1729–1784), ca. 1750, British, Longton Hall, Staffordshire, Soft-paste porcelain, Height: 6 3/4 in. (17.1 cm), Ceramics-Porcelain, William Littler (British, 1729–1784, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pheasant-william-littler-british-17291784-ca-1750-british-longton-hall-staffordshire-soft-paste-porcelain-height-6-34-in-171-cm-ceramics-porcelain-william-littler-british-17291784-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462776919.htmlRF2HTW8K3–Art inspired by Pheasant, William Littler (British, 1729–1784), ca. 1750, British, Longton Hall, Staffordshire, Soft-paste porcelain, Height: 6 3/4 in. (17.1 cm), Ceramics-Porcelain, William Littler (British, 1729–1784, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Formal Garden; Johannes Janson, Dutch, 1729 - 1784, 1766; Oil on canvas; 52.1 × 72.4 cm, 20 1,2 × 28 1,2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-formal-garden-johannes-janson-dutch-1729-1784-1766-oil-on-canvas-521-724-cm-20-12-28-12-in-image220635018.htmlRMPPXP62–A Formal Garden; Johannes Janson, Dutch, 1729 - 1784, 1766; Oil on canvas; 52.1 × 72.4 cm, 20 1,2 × 28 1,2 in
Portrait of unknown woman in a Russian dress, 1784 by Ivan Petrovich Argunov (1729 - 1802) was a Russian painter, one of ancestors of a chamber portrait in Russian art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-unknown-woman-in-a-russian-dress-1784-by-ivan-petrovich-argunov-1729-1802-was-a-russian-painter-one-of-ancestors-of-a-chamber-portrait-in-russian-art-image482077971.htmlRM2K08FAB–Portrait of unknown woman in a Russian dress, 1784 by Ivan Petrovich Argunov (1729 - 1802) was a Russian painter, one of ancestors of a chamber portrait in Russian art
Johannes Janson (1729 - 1784), Landscape with standing cow at a pond, print date: 1744 - 1784, etching, sheet size: 10.7 x 14.9 cm, top left signed 'J Janson f'; bottom left numbered 'N 3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johannes-janson-1729-1784-landscape-with-standing-cow-at-a-pond-print-date-1744-1784-etching-sheet-size-107-x-149-cm-top-left-signed-j-janson-f-bottom-left-numbered-n-3-image573214593.htmlRM2T8G51N–Johannes Janson (1729 - 1784), Landscape with standing cow at a pond, print date: 1744 - 1784, etching, sheet size: 10.7 x 14.9 cm, top left signed 'J Janson f'; bottom left numbered 'N 3
Portrait of Johannes David Hahn (1729-1784) between 1780 and 1790 by Nicolaas Reyers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-johannes-david-hahn-1729-1784-between-1780-and-1790-by-nicolaas-reyers-image563889128.htmlRM2RNBA9C–Portrait of Johannes David Hahn (1729-1784) between 1780 and 1790 by Nicolaas Reyers
Pheasant, William Littler (British, 1729–1784), ca. 1750, British, Longton Hall, Staffordshire, Soft-paste porcelain, Height: 6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-pheasant-william-littler-british-17291784-ca-1750-british-longton-162579806.htmlRMKCE45J–Pheasant, William Littler (British, 1729–1784), ca. 1750, British, Longton Hall, Staffordshire, Soft-paste porcelain, Height: 6
A Formal Garden. Johannes Janson (Dutch, 1729 - 1784) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-formal-garden-johannes-janson-dutch-1729-1784-image416605604.htmlRM2F5P0KG–A Formal Garden. Johannes Janson (Dutch, 1729 - 1784)
Portrait of Lady Boyd, James MacArdell, Irish, 1729 - 1765, Allan Ramsay, Scottish, 1713 - 1784, Etching on paper in black ink, Lady Boyd is depicted as Diana. She is walking from left to right accompanied by her dog at right. The portrait is knee-length in three quarter view to right. She holds a spear in her right hand., England, 1749, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-lady-boyd-james-macardell-irish-1729-1765-allan-ramsay-scottish-1713-1784-etching-on-paper-in-black-ink-lady-boyd-is-depicted-as-diana-she-is-walking-from-left-to-right-accompanied-by-her-dog-at-right-the-portrait-is-knee-length-in-three-quarter-view-to-right-she-holds-a-spear-in-her-right-hand-england-1749-print-image391512142.htmlRM2DMXWME–Portrait of Lady Boyd, James MacArdell, Irish, 1729 - 1765, Allan Ramsay, Scottish, 1713 - 1784, Etching on paper in black ink, Lady Boyd is depicted as Diana. She is walking from left to right accompanied by her dog at right. The portrait is knee-length in three quarter view to right. She holds a spear in her right hand., England, 1749, Print
Pygmalion and Galatea 1784 by Laurent Pecheux 1729-1821 France French ( The story of Pygmalion and Galatea is an enchanting myth about a Cypriot sculptor who fell in love with his own sculpture. He prays to goddess Aphrodite (aka Venus) to bring the sculpture to life for it to be his wife) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pygmalion-and-galatea-1784-by-laurent-pecheux-1729-1821-france-french-the-story-of-pygmalion-and-galatea-is-an-enchanting-myth-about-a-cypriot-sculptor-who-fell-in-love-with-his-own-sculpture-he-prays-to-goddess-aphrodite-aka-venus-to-bring-the-sculpture-to-life-for-it-to-be-his-wife-image332018112.htmlRM2A84MDM–Pygmalion and Galatea 1784 by Laurent Pecheux 1729-1821 France French ( The story of Pygmalion and Galatea is an enchanting myth about a Cypriot sculptor who fell in love with his own sculpture. He prays to goddess Aphrodite (aka Venus) to bring the sculpture to life for it to be his wife)
Marshal Keith's Mistress, Print made by James McArdell, ca. 1729–1765, Irish, after Allan Ramsay, 1713–1784, British, 1753, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 13 × 9 1/8 inches (33 × 23.2 cm) and Image: 12 7/8 × 8 7/8 inches (32.7 × 22.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marshal-keiths-mistress-print-made-by-james-mcardell-ca-17291765-irish-after-allan-ramsay-17131784-british-1753-mezzotint-on-medium-slightly-textured-cream-laid-paper-sheet-13-9-18-inches-33-232-cm-and-image-12-78-8-78-inches-327-225-cm-image389646869.htmlRM2DHWXFH–Marshal Keith's Mistress, Print made by James McArdell, ca. 1729–1765, Irish, after Allan Ramsay, 1713–1784, British, 1753, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 13 × 9 1/8 inches (33 × 23.2 cm) and Image: 12 7/8 × 8 7/8 inches (32.7 × 22.5 cm
A Formal Garden; Johannes Janson (Dutch, 1729 - 1784); 1766; Oil on canvas; 52.1 × 72.4 cm (20 1/2 × 28 1/2 in.); 78.PA.202 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-formal-garden-johannes-janson-dutch-1729-1784-1766-oil-on-canvas-521-724-cm-20-12-28-12-in-78pa202-image597346163.htmlRM2WKRD3F–A Formal Garden; Johannes Janson (Dutch, 1729 - 1784); 1766; Oil on canvas; 52.1 × 72.4 cm (20 1/2 × 28 1/2 in.); 78.PA.202
Garden of Vieux Jones near Maastricht, Charles Gore, 1729–1807, British, between 1784 and 1794, Watercolor over graphite on medium, moderately textured, blued white laid paper, Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm), architectural subject, building, garden, Grand Tour, landscape, mansion, parterre, paths, trees, Europe, Limburg, Maastricht, Netherlands Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/garden-of-vieux-jones-near-maastricht-charles-gore-17291807-british-between-1784-and-1794-watercolor-over-graphite-on-medium-moderately-textured-blued-white-laid-paper-sheet-12-58-x-18-34-inches-321-x-476-cm-architectural-subject-building-garden-grand-tour-landscape-mansion-parterre-paths-trees-europe-limburg-maastricht-netherlands-image389594928.htmlRM2DHRG8G–Garden of Vieux Jones near Maastricht, Charles Gore, 1729–1807, British, between 1784 and 1794, Watercolor over graphite on medium, moderately textured, blued white laid paper, Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm), architectural subject, building, garden, Grand Tour, landscape, mansion, parterre, paths, trees, Europe, Limburg, Maastricht, Netherlands
Portrait of an Unknown Woman in Russian Costume, 1784. Oil on canvas by Ivan Petrovich Argunov (1729-1802) Russian painter, one of the founders of the Russian school of portrait painting. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-an-unknown-woman-in-russian-costume-1784-oil-on-canvas-by-ivan-petrovich-argunov-1729-1802-russian-painter-one-of-the-founders-of-the-russian-school-of-portrait-painting-image482203048.htmlRM2K0E6WC–Portrait of an Unknown Woman in Russian Costume, 1784. Oil on canvas by Ivan Petrovich Argunov (1729-1802) Russian painter, one of the founders of the Russian school of portrait painting.
Marshal Keith's Mistress, Print made by James McArdell, ca. 1729–1765, Irish, after Allan Ramsay, 1713–1784, British, 1753, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm) and Image: 11 1/16 × 8 7/8 inches (28.1 × 22.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marshal-keiths-mistress-print-made-by-james-mcardell-ca-17291765-irish-after-allan-ramsay-17131784-british-1753-mezzotint-on-medium-slightly-textured-cream-laid-paper-sheet-12-1316-8-78-inches-325-225-cm-and-image-11-116-8-78-inches-281-225-cm-image389646867.htmlRM2DHWXFF–Marshal Keith's Mistress, Print made by James McArdell, ca. 1729–1765, Irish, after Allan Ramsay, 1713–1784, British, 1753, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm) and Image: 11 1/16 × 8 7/8 inches (28.1 × 22.5 cm
Portrait of an African, oil on canvas circa 1760painted by Allan Ramsay (1713-1784). Believed to be a portrait of Charles Ignatius Sancho (c. 1729 - 1780) British composer, actor, and writer. He became a symbol of the humanity of Africans and immorality of the slave trade Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-an-african-oil-on-canvas-circa-1760painted-by-allan-ramsay-1713-1784-believed-to-be-a-portrait-of-charles-ignatius-sancho-c-1729-1780-british-composer-actor-and-writer-he-became-a-symbol-of-the-humanity-of-africans-and-immorality-of-the-slave-trade-image481949777.htmlRM2K02KT1–Portrait of an African, oil on canvas circa 1760painted by Allan Ramsay (1713-1784). Believed to be a portrait of Charles Ignatius Sancho (c. 1729 - 1780) British composer, actor, and writer. He became a symbol of the humanity of Africans and immorality of the slave trade
Carlo Faucci, Bacchus accompanied by a Bacchante and a faun, Carlo Faucci (Italian, 1729–ca. 1784), Intermediary draftsman Giovanni Battista Cipriani (Italian, Florence 1727–1785 Hammersmith (active London)), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), 1768, Etching and engraving, Sheet (Trimmed): 15 3/16 × 12 3/16 in. (38.5 × 30.9 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carlo-faucci-bacchus-accompanied-by-a-bacchante-and-a-faun-carlo-faucci-italian-1729ca-1784-intermediary-draftsman-giovanni-battista-cipriani-italian-florence-17271785-hammersmith-active-london-after-peter-paul-rubens-flemish-siegen-15771640-antwerp-1768-etching-and-engraving-sheet-trimmed-15-316-12-316-in-385-309-cm-prints-image344650582.htmlRM2B0M59A–Carlo Faucci, Bacchus accompanied by a Bacchante and a faun, Carlo Faucci (Italian, 1729–ca. 1784), Intermediary draftsman Giovanni Battista Cipriani (Italian, Florence 1727–1785 Hammersmith (active London)), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), 1768, Etching and engraving, Sheet (Trimmed): 15 3/16 × 12 3/16 in. (38.5 × 30.9 cm), Prints
'Le philosophe francais Denis Diderot (1713-1784) recu par l'imperatrice Catherine II (1729-1796) de Russie a Saint Petersbourg (Saint-Petersbourg), Russie, 1773-1774' (French philosopher Denis Diderot received by russian empress Catherine the Great in St Petersburg, 1773 - 1774) Gravure du 19eme siecle Collection privee Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-philosophe-francais-denis-diderot-1713-1784-recu-par-limperatrice-catherine-ii-1729-1796-de-russie-a-saint-petersbourg-saint-petersbourg-russie-1773-1774-french-philosopher-denis-diderot-received-by-russian-empress-catherine-the-great-in-st-petersburg-1773-1774-gravure-du-19eme-siecle-collection-privee-image459597646.htmlRM2HKMDDJ–'Le philosophe francais Denis Diderot (1713-1784) recu par l'imperatrice Catherine II (1729-1796) de Russie a Saint Petersbourg (Saint-Petersbourg), Russie, 1773-1774' (French philosopher Denis Diderot received by russian empress Catherine the Great in St Petersburg, 1773 - 1774) Gravure du 19eme siecle Collection privee
Lady Mary Coke, Print made by James McArdell, ca. 1729–1765, Irish, after Allan Ramsay, 1713–1784, British, 1762, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 20 1/8 × 14 1/2 inches (51.1 × 36.8 cm) and Image: 18 1/2 × 13 7/8 inches (47 × 35.2 cm), chair, columns, headpiece, piano, portrait, sheet music, theorbo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-mary-coke-print-made-by-james-mcardell-ca-17291765-irish-after-allan-ramsay-17131784-british-1762-mezzotint-on-medium-slightly-textured-cream-laid-paper-sheet-20-18-14-12-inches-511-368-cm-and-image-18-12-13-78-inches-47-352-cm-chair-columns-headpiece-piano-portrait-sheet-music-theorbo-image389646796.htmlRM2DHWXD0–Lady Mary Coke, Print made by James McArdell, ca. 1729–1765, Irish, after Allan Ramsay, 1713–1784, British, 1762, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 20 1/8 × 14 1/2 inches (51.1 × 36.8 cm) and Image: 18 1/2 × 13 7/8 inches (47 × 35.2 cm), chair, columns, headpiece, piano, portrait, sheet music, theorbo
A Formal Garden, Johannes Janson, Dutch, 1729 - 1784, 1766, Oil on canvas, Unframed: 52.1 x 72.4 cm (20 1/2 x 28 1/2 reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-formal-garden-johannes-janson-dutch-1729-1784-1766-oil-on-canvas-unframed-521-x-724-cm-20-12-x-28-12-reimagined-image230458567.htmlRFRAX873–A Formal Garden, Johannes Janson, Dutch, 1729 - 1784, 1766, Oil on canvas, Unframed: 52.1 x 72.4 cm (20 1/2 x 28 1/2 reimagined
Portrait of the future Holy Roman Emperor Leopold II as the Archduke of Austria and Grand Duke of Tuscany, set within a roundel upper left, allegorical figures representing the arts and sciences below. Artist: Carlo Faucci (Italian, 1729-ca. 1784); After Giuseppe Zocchi (Italian, Florence 1711-1767 Florence). Dimensions: sheet: 9 3/16 x 6 9/16 in. (23.4 x 16.7 cm). Date: ca. 1760-67. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-future-holy-roman-emperor-leopold-ii-as-the-archduke-of-austria-and-grand-duke-of-tuscany-set-within-a-roundel-upper-left-allegorical-figures-representing-the-arts-and-sciences-below-artist-carlo-faucci-italian-1729-ca-1784-after-giuseppe-zocchi-italian-florence-1711-1767-florence-dimensions-sheet-9-316-x-6-916-in-234-x-167-cm-date-ca-1760-67-museum-metropolitan-museum-of-art-new-york-usa-image213150477.htmlRMPANRH1–Portrait of the future Holy Roman Emperor Leopold II as the Archduke of Austria and Grand Duke of Tuscany, set within a roundel upper left, allegorical figures representing the arts and sciences below. Artist: Carlo Faucci (Italian, 1729-ca. 1784); After Giuseppe Zocchi (Italian, Florence 1711-1767 Florence). Dimensions: sheet: 9 3/16 x 6 9/16 in. (23.4 x 16.7 cm). Date: ca. 1760-67. Museum: Metropolitan Museum of Art, New York, USA.
Pietro Moricone baptizes Lambert son of the King of the Balearic Islands 1784 Pécheux Lorenzo, 1729/ 1821 Italy, Italian, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-moricone-baptizes-lambert-son-of-the-king-of-the-balearic-islands-1784-pcheux-lorenzo-1729-1821-italy-italian-image451467944.htmlRM2H6E3Y4–Pietro Moricone baptizes Lambert son of the King of the Balearic Islands 1784 Pécheux Lorenzo, 1729/ 1821 Italy, Italian,
Wilhelmus Crone, 2. August 1729 - 15. September 1784, war Priester und Abt des Klosters Marienfeld / Wilhelmus Crone, 2. August 1729 - 15. September 1784, Krieg Priester und Abt des Klosters Marienfeld, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wilhelmus-crone-2-august-1729-15-september-1784-war-priester-und-abt-des-klosters-marienfeld-wilhelmus-crone-2-august-1729-15-september-1784-krieg-priester-und-abt-des-klosters-marienfeld-historisch-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image345348821.htmlRF2B1RYXD–Wilhelmus Crone, 2. August 1729 - 15. September 1784, war Priester und Abt des Klosters Marienfeld / Wilhelmus Crone, 2. August 1729 - 15. September 1784, Krieg Priester und Abt des Klosters Marienfeld, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
. English: Nicolaas Hoogvliet (1729-1777) Dutch Reformed theologian Deutsch: Nicolaas Hoogvliet (1729-1777) niederländischer reformierter Theologe . 18th century. Nicolaas Reyers (1719-1784) 925 Nicolaas-Hoogvliet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-nicolaas-hoogvliet-1729-1777-dutch-reformed-theologian-deutsch-nicolaas-hoogvliet-1729-1777-niederlndischer-reformierter-theologe-18th-century-nicolaas-reyers-1719-1784-925-nicolaas-hoogvliet-image185879815.htmlRMMPBFGR–. English: Nicolaas Hoogvliet (1729-1777) Dutch Reformed theologian Deutsch: Nicolaas Hoogvliet (1729-1777) niederländischer reformierter Theologe . 18th century. Nicolaas Reyers (1719-1784) 925 Nicolaas-Hoogvliet
View of Putney Bridge over the River Thames, London, 1784. Wooden toll bridge built by Thomas Philips in 1729, designed by Sir Jacob Acworth, demolished in 1870. St Mary's church on the southern and All Saints church at the northern end. View of Putney, Surrey, and Fulham, Middlesex. Copperplate engraving from William Thornton’s New, Complete and Universal History of the City of London, Alexander Hogg, King's Arms, No. 16 Paternoster Row, London, 1784. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-putney-bridge-over-the-river-thames-london-1784-wooden-toll-bridge-built-by-thomas-philips-in-1729-designed-by-sir-jacob-acworth-demolished-in-1870-st-marys-church-on-the-southern-and-all-saints-church-at-the-northern-end-view-of-putney-surrey-and-fulham-middlesex-copperplate-engraving-from-william-thorntons-new-complete-and-universal-history-of-the-city-of-london-alexander-hogg-kings-arms-no-16-paternoster-row-london-1784-image470616141.htmlRM2J9JBK9–View of Putney Bridge over the River Thames, London, 1784. Wooden toll bridge built by Thomas Philips in 1729, designed by Sir Jacob Acworth, demolished in 1870. St Mary's church on the southern and All Saints church at the northern end. View of Putney, Surrey, and Fulham, Middlesex. Copperplate engraving from William Thornton’s New, Complete and Universal History of the City of London, Alexander Hogg, King's Arms, No. 16 Paternoster Row, London, 1784.
Denis Diderot and Catherine II / Catherine the Great - portrait of the French philosopher and writer meeting with the empress of Russia. DD: 5 October 1713 - 31 July 1784. C: 21 April 1729 - 6 November 1796, empress 28 June 1762 - 6 November 1796. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-denis-diderot-and-catherine-ii-catherine-the-great-portrait-of-the-83364843.htmlRMERHGKR–Denis Diderot and Catherine II / Catherine the Great - portrait of the French philosopher and writer meeting with the empress of Russia. DD: 5 October 1713 - 31 July 1784. C: 21 April 1729 - 6 November 1796, empress 28 June 1762 - 6 November 1796.
Engraving of a Litterary Party at Sir Joshua Reynold's. Left to Right: James Boswell (1740-1795), Samuel Johnson (1709-1784), Joshua Reynolds (1723-1793), David Garrick (1717-1779), Edmund Burke (1729-1797), Pasquale Paoli (1725-1807), Thomas Warton (1728-1790) and Oliver Goldsmith (1728-1774). Dated 1770 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-engraving-of-a-litterary-party-at-sir-joshua-reynolds-left-to-right-76395593.htmlRMEC83A1–Engraving of a Litterary Party at Sir Joshua Reynold's. Left to Right: James Boswell (1740-1795), Samuel Johnson (1709-1784), Joshua Reynolds (1723-1793), David Garrick (1717-1779), Edmund Burke (1729-1797), Pasquale Paoli (1725-1807), Thomas Warton (1728-1790) and Oliver Goldsmith (1728-1774). Dated 1770
Pierre Racot de Grandval, French comic actor who debuted at the Comedie-Francais in 1729, performed in plays by Moliere, Voltaire, and others, 1711-1784. Pierre Grandval. Theatre Francais. Role of Misanthrope. Handcoloured stipple engraving after Jacques Grasset Saint-Sauveur from Acteurs et Actrices Celebres, Famous Actors and Actresses, Chez Latour Libraire, Paris, 1808. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-racot-de-grandval-french-comic-actor-who-debuted-at-the-comedie-francais-in-1729-performed-in-plays-by-moliere-voltaire-and-others-1711-1784-pierre-grandval-theatre-francais-role-of-misanthrope-handcoloured-stipple-engraving-after-jacques-grasset-saint-sauveur-from-acteurs-et-actrices-celebres-famous-actors-and-actresses-chez-latour-libraire-paris-1808-image484093761.htmlRM2K3GAEW–Pierre Racot de Grandval, French comic actor who debuted at the Comedie-Francais in 1729, performed in plays by Moliere, Voltaire, and others, 1711-1784. Pierre Grandval. Theatre Francais. Role of Misanthrope. Handcoloured stipple engraving after Jacques Grasset Saint-Sauveur from Acteurs et Actrices Celebres, Famous Actors and Actresses, Chez Latour Libraire, Paris, 1808.
Portrait of the grandchildren of the artist: Margaretha Maria (1719-1784) and Adriana Martina (1721-1763) with their brother Adriaan (1723-?) 1729 by Theodorus Justinus Rheen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-grandchildren-of-the-artist-margaretha-maria-1719-1784-and-adriana-martina-1721-1763-with-their-brother-adriaan-1723-1729-by-theodorus-justinus-rheen-image564914027.htmlRM2RR21GY–Portrait of the grandchildren of the artist: Margaretha Maria (1719-1784) and Adriana Martina (1721-1763) with their brother Adriaan (1723-?) 1729 by Theodorus Justinus Rheen
Denis Diderot (1713-1784) et l'imperatrice Catherine II (1729-1796) de Russie a Saint Petersbourg (Saint-Petersbourg), Russie, 1773-1774' (French philosopher Denis Diderot received by russian empress Catherine the Great in St Petersburg, 1773 - 1774) - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/denis-diderot-1713-1784-et-limperatrice-catherine-ii-1729-1796-de-russie-a-saint-petersbourg-saint-petersbourg-russie-1773-1774-french-philosopher-denis-diderot-received-by-russian-empress-catherine-the-great-in-st-petersburg-1773-1774-image502979797.htmlRM2M68KT5–Denis Diderot (1713-1784) et l'imperatrice Catherine II (1729-1796) de Russie a Saint Petersbourg (Saint-Petersbourg), Russie, 1773-1774' (French philosopher Denis Diderot received by russian empress Catherine the Great in St Petersburg, 1773 - 1774) -
A descriptive catalogue of the pictures in the Fitzwilliam museum, comp largely from materials supplied by Sidney Colvin .. . n. JANSON. JACOBUS Janson. Dutch School, 1729—1784. Landscape and cattle painter; born in the East Indies, but worked at Leyden, to whichhe returned with his parents at an early age. He sometimes copied Paul Potters worksand etched a few plates after his own designs. I. 235. Cattle-piece. Evening light; in foreground 1. a willow anda hurdle; a path across the front. In centre 1. a woman in brownbodice and red skirt, with white sleeves and cap, walks to 1., carryinga pai Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-descriptive-catalogue-of-the-pictures-in-the-fitzwilliam-museum-comp-largely-from-materials-supplied-by-sidney-colvin-n-janson-jacobus-janson-dutch-school-17291784-landscape-and-cattle-painter-born-in-the-east-indies-but-worked-at-leyden-to-whichhe-returned-with-his-parents-at-an-early-age-he-sometimes-copied-paul-potters-worksand-etched-a-few-plates-after-his-own-designs-i-235-cattle-piece-evening-light-in-foreground-1-a-willow-anda-hurdle-a-path-across-the-front-in-centre-1-a-woman-in-brownbodice-and-red-skirt-with-white-sleeves-and-cap-walks-to-1-carryinga-pai-image338272435.htmlRM2AJ9HXB–A descriptive catalogue of the pictures in the Fitzwilliam museum, comp largely from materials supplied by Sidney Colvin .. . n. JANSON. JACOBUS Janson. Dutch School, 1729—1784. Landscape and cattle painter; born in the East Indies, but worked at Leyden, to whichhe returned with his parents at an early age. He sometimes copied Paul Potters worksand etched a few plates after his own designs. I. 235. Cattle-piece. Evening light; in foreground 1. a willow anda hurdle; a path across the front. In centre 1. a woman in brownbodice and red skirt, with white sleeves and cap, walks to 1., carryinga pai
Catherine II or Catherine the Great, 1729 - 1796, Empress of Russia with Denis Diderot, 1713 - 1784, a French philosopher, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-catherine-ii-or-catherine-the-great-1729-1796-empress-of-russia-with-72125772.htmlRME59H4C–Catherine II or Catherine the Great, 1729 - 1796, Empress of Russia with Denis Diderot, 1713 - 1784, a French philosopher,
Saint Andrew kneeling and adoring the cross 1750–80 Carlo Faucci. Saint Andrew kneeling and adoring the cross. Carlo Faucci (Italian, 1729–ca. 1784). 1750–80. Engraving. Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-andrew-kneeling-and-adoring-the-cross-175080-carlo-faucci-saint-andrew-kneeling-and-adoring-the-cross-carlo-faucci-italian-1729ca-1784-175080-engraving-prints-image457781865.htmlRM2HGNNC9–Saint Andrew kneeling and adoring the cross 1750–80 Carlo Faucci. Saint Andrew kneeling and adoring the cross. Carlo Faucci (Italian, 1729–ca. 1784). 1750–80. Engraving. Prints
![An agreement for sale of publication rights of Benjamin Martyn's 'Timoleon' to John Watts (22nd January 1729). Papers relating to the 'European Magazine,' with details respecting the Handel Commemoration, 1784-1787. [1 Jan 1704]-12 Apr 1822. Source: Add. 38728, f.142. Language: English. Stock Photo](https://c8.alamy.com/comp/R528RF/an-agreement-for-sale-of-publication-rights-of-benjamin-martyns-timoleon-to-john-watts-22nd-january-1729-papers-relating-to-the-european-magazine-with-details-respecting-the-handel-commemoration-1784-1787-1-jan-1704-12-apr-1822-source-add-38728-f142-language-english-R528RF.jpg "An agreement for sale of publication rights of Benjamin Martyn's 'Timoleon' to John Watts (22nd January 1729). Papers relating to the 'European Magazine,' with details respecting the Handel Commemoration, 1784-1787. [1 Jan 1704]-12 Apr 1822. Source: Add. 38728, f.142. Language: English. Stock Photo")
An agreement for sale of publication rights of Benjamin Martyn's 'Timoleon' to John Watts (22nd January 1729). Papers relating to the 'European Magazine,' with details respecting the Handel Commemoration, 1784-1787. [1 Jan 1704]-12 Apr 1822. Source: Add. 38728, f.142. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-agreement-for-sale-of-publication-rights-of-benjamin-martyns-timoleon-to-john-watts-22nd-january-1729-papers-relating-to-the-european-magazine-with-details-respecting-the-handel-commemoration-1784-1787-1-jan-1704-12-apr-1822-source-add-38728-f142-language-english-image226858899.htmlRMR528RF–An agreement for sale of publication rights of Benjamin Martyn's 'Timoleon' to John Watts (22nd January 1729). Papers relating to the 'European Magazine,' with details respecting the Handel Commemoration, 1784-1787. [1 Jan 1704]-12 Apr 1822. Source: Add. 38728, f.142. Language: English.
Portrait of Johannes David Hahn, born Utrecht 1729, professor in nature and astronomy, medicine, botanie and chemistry at the Utrecht University of Applied Sciences (1753-1775), died 1784. Bustel left, in Toga, in Ovaal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-johannes-david-hahn-born-utrecht-1729-professor-in-nature-and-astronomy-medicine-botanie-and-chemistry-at-the-utrecht-university-of-applied-sciences-1753-1775-died-1784-bustel-left-in-toga-in-ovaal-image480217679.htmlRM2JW7PFB–Portrait of Johannes David Hahn, born Utrecht 1729, professor in nature and astronomy, medicine, botanie and chemistry at the Utrecht University of Applied Sciences (1753-1775), died 1784. Bustel left, in Toga, in Ovaal.
Saint Andrew kneeling and adoring the cross 1768 Carlo Faucci. Saint Andrew kneeling and adoring the cross. Carlo Faucci (Italian, 1729–ca. 1784). 1768. Etching and engraving. John Boydell (British, Dorrington, Shropshire 1720–1804 London). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-andrew-kneeling-and-adoring-the-cross-1768-carlo-faucci-saint-andrew-kneeling-and-adoring-the-cross-carlo-faucci-italian-1729ca-1784-1768-etching-and-engraving-john-boydell-british-dorrington-shropshire-17201804-london-prints-image457781851.htmlRM2HGNNBR–Saint Andrew kneeling and adoring the cross 1768 Carlo Faucci. Saint Andrew kneeling and adoring the cross. Carlo Faucci (Italian, 1729–ca. 1784). 1768. Etching and engraving. John Boydell (British, Dorrington, Shropshire 1720–1804 London). Prints
Griselda, Countess of Stanhope, Print made by James McArdell, ca. 1729–1765, Irish, after Allan Ramsay, 1713–1784, British, undated, Mezzotint on medium, moderately thick, cream laid paper, Sheet: 14 1/4 × 10 inches (36.2 × 25.4 cm), Plate: 13 × 9 inches (33 × 22.9 cm), and Image: 10 3/4 × 8 7/8 inches (27.3 × 22.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/griselda-countess-of-stanhope-print-made-by-james-mcardell-ca-17291765-irish-after-allan-ramsay-17131784-british-undated-mezzotint-on-medium-moderately-thick-cream-laid-paper-sheet-14-14-10-inches-362-254-cm-plate-13-9-inches-33-229-cm-and-image-10-34-8-78-inches-273-225-cm-image389646792.htmlRM2DHWXCT–Griselda, Countess of Stanhope, Print made by James McArdell, ca. 1729–1765, Irish, after Allan Ramsay, 1713–1784, British, undated, Mezzotint on medium, moderately thick, cream laid paper, Sheet: 14 1/4 × 10 inches (36.2 × 25.4 cm), Plate: 13 × 9 inches (33 × 22.9 cm), and Image: 10 3/4 × 8 7/8 inches (27.3 × 22.5 cm
A Formal Garden, Johannes Janson (Dutch, 1729 - 1784), 1766, Oil on canvas, 52.1 × 72.4 cm (20 1,2 × 28 1,2 in reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-formal-garden-johannes-janson-dutch-1729-1784-1766-oil-on-canvas-521-724-cm-20-12-28-12-in-reimagined-image230210075.htmlRFRAEY8B–A Formal Garden, Johannes Janson (Dutch, 1729 - 1784), 1766, Oil on canvas, 52.1 × 72.4 cm (20 1,2 × 28 1,2 in reimagined
Carlo Faucci, Bacchus accompanied by a Bacchante and a faun, Carlo Faucci (Italian, 1729–ca. 1784), Intermediary draftsman Giovanni Battista Cipriani (Italian, Florence 1727–1785 Hammersmith (active London)), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), 1768, Etching and engraving, Image: 13 9/16 × 12 1/16 in. (34.5 × 30.7 cm), Sheet (Trimmed): 15 5/8 × 12 3/4 in. (39.7 × 32.4 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carlo-faucci-bacchus-accompanied-by-a-bacchante-and-a-faun-carlo-faucci-italian-1729ca-1784-intermediary-draftsman-giovanni-battista-cipriani-italian-florence-17271785-hammersmith-active-london-after-peter-paul-rubens-flemish-siegen-15771640-antwerp-1768-etching-and-engraving-image-13-916-12-116-in-345-307-cm-sheet-trimmed-15-58-12-34-in-397-324-cm-prints-image344650577.htmlRM2B0M595–Carlo Faucci, Bacchus accompanied by a Bacchante and a faun, Carlo Faucci (Italian, 1729–ca. 1784), Intermediary draftsman Giovanni Battista Cipriani (Italian, Florence 1727–1785 Hammersmith (active London)), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), 1768, Etching and engraving, Image: 13 9/16 × 12 1/16 in. (34.5 × 30.7 cm), Sheet (Trimmed): 15 5/8 × 12 3/4 in. (39.7 × 32.4 cm), Prints
Pietro Moricone baptizes Lambert son of the King of the Balearic Islands 1784 Pécheux Lorenzo, 1729/ 1821 Italy, Italian, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-moricone-baptizes-lambert-son-of-the-king-of-the-balearic-islands-1784-pcheux-lorenzo-1729-1821-italy-italian-image451467936.htmlRM2H6E3XT–Pietro Moricone baptizes Lambert son of the King of the Balearic Islands 1784 Pécheux Lorenzo, 1729/ 1821 Italy, Italian,
Chamae, Pinnae, from 'Neues systematisches Conchylien-Cabinet', 1784, Friedrich Heinrich Wilhelm Martini; Artist: Johann Hieronymus Chemnitz, German, 1729-1780, 9 5/8 x 7 1/4 in. (24.45 x 18.42 cm) (image)11 15/16 x 9 5/16 in. (30.32 x 23.65 cm) (sheet), Hand-colored etching and engraving, Germany, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chamae-pinnae-from-neues-systematisches-conchylien-cabinet-1784-friedrich-heinrich-wilhelm-martini-artist-johann-hieronymus-chemnitz-german-1729-1780-9-58-x-7-14-in-2445-x-1842-cm-image11-1516-x-9-516-in-3032-x-2365-cm-sheet-hand-colored-etching-and-engraving-germany-18th-century-image573509623.htmlRM2T91HAF–Chamae, Pinnae, from 'Neues systematisches Conchylien-Cabinet', 1784, Friedrich Heinrich Wilhelm Martini; Artist: Johann Hieronymus Chemnitz, German, 1729-1780, 9 5/8 x 7 1/4 in. (24.45 x 18.42 cm) (image)11 15/16 x 9 5/16 in. (30.32 x 23.65 cm) (sheet), Hand-colored etching and engraving, Germany, 18th century
. Ελληνικά: Αναπαράσταση του 1729 των μνημείων του Ιπποδρόμου στην Κωνσταντινούπολη. Από αριστερά προς τα δεξιά, ο Τρικαρηνός Όφις, η στήλη του Κωνσταντίνου, και ο κίονας του Μαρκιανού. English: 1784 depiction of the monuments at the Hippodrome of Constantinople. From right to left, the Serpent Column, Constantine's column, and Marcian's column . 1729. Sr. G. Wheler 1112 Serpent Column, Constantine's column, Marcian's column - Sr. G. Wheler, Constantinople, 1729 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1729-english-1784-depiction-of-the-monuments-at-the-hippodrome-of-constantinople-from-right-to-left-the-serpent-column-constantines-column-and-marcians-column-1729-sr-g-wheler-1112-serpent-column-constantines-column-marcians-column-sr-g-wheler-constantinople-1729-image185588298.htmlRMMNX7NE–. Ελληνικά: Αναπαράσταση του 1729 των μνημείων του Ιπποδρόμου στην Κωνσταντινούπολη. Από αριστερά προς τα δεξιά, ο Τρικαρηνός Όφις, η στήλη του Κωνσταντίνου, και ο κίονας του Μαρκιανού. English: 1784 depiction of the monuments at the Hippodrome of Constantinople. From right to left, the Serpent Column, Constantine's column, and Marcian's column . 1729. Sr. G. Wheler 1112 Serpent Column, Constantine's column, Marcian's column - Sr. G. Wheler, Constantinople, 1729
View of Putney Bridge over the River Thames, London, 1784. Wooden toll bridge built by Thomas Philips in 1729, designed by Sir Jacob Acworth, demolished in 1870. St Mary's church on the southern and All Saints church at the northern end. View of Putney, Surrey, and Fulham, Middlesex. Copperplate engraving from William Thorntons New, Complete and Universal History of the City of London, Alexander Hogg, King's Arms, No. 16 Paternoster Row, London, 1784. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-putney-bridge-over-the-river-thames-london-1784-wooden-toll-bridge-built-by-thomas-philips-in-1729-designed-by-sir-jacob-acworth-demolished-in-1870-st-marys-church-on-the-southern-and-all-saints-church-at-the-northern-end-view-of-putney-surrey-and-fulham-middlesex-copperplate-engraving-from-william-thorntons-new-complete-and-universal-history-of-the-city-of-london-alexander-hogg-kings-arms-no-16-paternoster-row-london-1784-image571822102.htmlRM2T68MWX–View of Putney Bridge over the River Thames, London, 1784. Wooden toll bridge built by Thomas Philips in 1729, designed by Sir Jacob Acworth, demolished in 1870. St Mary's church on the southern and All Saints church at the northern end. View of Putney, Surrey, and Fulham, Middlesex. Copperplate engraving from William Thorntons New, Complete and Universal History of the City of London, Alexander Hogg, King's Arms, No. 16 Paternoster Row, London, 1784.
Justus Falckner, mystic and scholar, devout Pietist in Germany, hermit on the Wissahickon, missionary on the Hudson : a bi-centennial memorial of the first regular ordination of an Orthodox pastor in America, done November 24, 1703, at Gloria Dei, the Swedish Lutheran church at Wicaco, Philadelphia . OFFICIAL SEAL OF THENEW YORK CONGREGATIONUSED BY R U D M A N ANDFALCKNER. 1703 -MEMORIAL OF DOM. JUSTUS FALCKNER-1903.. TRINITY EV. LUTHERAN CHURCH, 1729-1784. (AFTER RUDE SKETCH MADE 1740. FORMERLY S. W. CORNER BROADWAY AND RECTOR STREETS.DEDICATED JUNE 29. 1729, BY REVS. DANIEL FALCKNER AND BERK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/justus-falckner-mystic-and-scholar-devout-pietist-in-germany-hermit-on-the-wissahickon-missionary-on-the-hudson-a-bi-centennial-memorial-of-the-first-regular-ordination-of-an-orthodox-pastor-in-america-done-november-24-1703-at-gloria-dei-the-swedish-lutheran-church-at-wicaco-philadelphia-official-seal-of-thenew-york-congregationused-by-r-u-d-m-a-n-andfalckner-1703-memorial-of-dom-justus-falckner-1903-trinity-ev-lutheran-church-1729-1784-after-rude-sketch-made-1740-formerly-s-w-corner-broadway-and-rector-streetsdedicated-june-29-1729-by-revs-daniel-falckner-and-berk-image340294349.htmlRM2ANHMWH–Justus Falckner, mystic and scholar, devout Pietist in Germany, hermit on the Wissahickon, missionary on the Hudson : a bi-centennial memorial of the first regular ordination of an Orthodox pastor in America, done November 24, 1703, at Gloria Dei, the Swedish Lutheran church at Wicaco, Philadelphia . OFFICIAL SEAL OF THENEW YORK CONGREGATIONUSED BY R U D M A N ANDFALCKNER. 1703 -MEMORIAL OF DOM. JUSTUS FALCKNER-1903.. TRINITY EV. LUTHERAN CHURCH, 1729-1784. (AFTER RUDE SKETCH MADE 1740. FORMERLY S. W. CORNER BROADWAY AND RECTOR STREETS.DEDICATED JUNE 29. 1729, BY REVS. DANIEL FALCKNER AND BERK
Ignatius Sancho. Composer, actor and writer. The first known black Briton to vote in a British election, and the first African to be given an obituary in the british press. . Letters of the late Ignatius Sancho ... Dublin: 1784. Ignatius Sancho (1729-1780). Portrait. Source: 1607/1717, frontispiece. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ignatius-sancho-composer-actor-and-writer-the-first-known-black-briton-to-vote-in-a-british-election-and-the-first-african-to-be-given-an-obituary-in-the-british-press-letters-of-the-late-ignatius-sancho-dublin-1784-ignatius-sancho-1729-1780-portrait-source-16071717-frontispiece-language-english-image227046481.htmlRMR5AT2W–Ignatius Sancho. Composer, actor and writer. The first known black Briton to vote in a British election, and the first African to be given an obituary in the british press. . Letters of the late Ignatius Sancho ... Dublin: 1784. Ignatius Sancho (1729-1780). Portrait. Source: 1607/1717, frontispiece. Language: English.
Bacchus accompanied by a Bacchante and a faun 1768 Carlo Faucci. Bacchus accompanied by a Bacchante and a faun. Carlo Faucci (Italian, 1729–ca. 1784). 1768. Etching and engraving. John Boydell (British, Dorrington, Shropshire 1720–1804 London). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-accompanied-by-a-bacchante-and-a-faun-1768-carlo-faucci-bacchus-accompanied-by-a-bacchante-and-a-faun-carlo-faucci-italian-1729ca-1784-1768-etching-and-engraving-john-boydell-british-dorrington-shropshire-17201804-london-prints-image457906193.htmlRM2HGYC0H–Bacchus accompanied by a Bacchante and a faun 1768 Carlo Faucci. Bacchus accompanied by a Bacchante and a faun. Carlo Faucci (Italian, 1729–ca. 1784). 1768. Etching and engraving. John Boydell (British, Dorrington, Shropshire 1720–1804 London). Prints
A Formal Garden, Johannes Janson (Dutch, 1729 - 1784), 1766, Oil on canvas, 52.1 × 72.4 cm (20 1,2 × 28 1,2 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-formal-garden-johannes-janson-dutch-1729-1784-1766-oil-on-canvas-521-724-cm-20-12-28-12-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350019250.htmlRF2B9CN3E–A Formal Garden, Johannes Janson (Dutch, 1729 - 1784), 1766, Oil on canvas, 52.1 × 72.4 cm (20 1,2 × 28 1,2 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Chamae, Pinnae, from 'Neues systematisches Conchylien-Cabinet', 1784, Friedrich Heinrich Wilhelm Martini; Artist: Johann Hieronymus Chemnitz, German, 1729-1780, 8 7/8 x 6 11/16 in. (22.54 x 16.99 cm) (image)11 3/4 x 9 3/8 in. (29.85 x 23.81 cm) (sheet), Hand-colored etching and engraving, Germany, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chamae-pinnae-from-neues-systematisches-conchylien-cabinet-1784-friedrich-heinrich-wilhelm-martini-artist-johann-hieronymus-chemnitz-german-1729-1780-8-78-x-6-1116-in-2254-x-1699-cm-image11-34-x-9-38-in-2985-x-2381-cm-sheet-hand-colored-etching-and-engraving-germany-18th-century-image573509690.htmlRM2T91HCX–Chamae, Pinnae, from 'Neues systematisches Conchylien-Cabinet', 1784, Friedrich Heinrich Wilhelm Martini; Artist: Johann Hieronymus Chemnitz, German, 1729-1780, 8 7/8 x 6 11/16 in. (22.54 x 16.99 cm) (image)11 3/4 x 9 3/8 in. (29.85 x 23.81 cm) (sheet), Hand-colored etching and engraving, Germany, 18th century
. English: Robert Gooch, M.D. (1784–1830) . Line engraving, 1831, painting 1827. Painted and Engraved by John Linnell, 1729-1796 524 Robert Gooch b1784 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-robert-gooch-md-17841830-line-engraving-1831-painting-1827-painted-and-engraved-by-john-linnell-1729-1796-524-robert-gooch-b1784-image187964432.htmlRMMWPEFC–. English: Robert Gooch, M.D. (1784–1830) . Line engraving, 1831, painting 1827. Painted and Engraved by John Linnell, 1729-1796 524 Robert Gooch b1784
Carlo Faucci, Saint Matthew, standing before a book at right with a hand on his chest, another man behind him at left, Carlo Faucci (Italian, 1729–ca. 1784), Intermediary draftsman Giuseppe Magni (Italian, active Florence, 1741–43), After Bartolomé Carducho (Spanish, Florence ca. 1560–1608 Madrid), 1750–84, Engraving, Sheet (Trimmed): 14 13/16 × 10 7/8 in. (37.6 × 27.7 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carlo-faucci-saint-matthew-standing-before-a-book-at-right-with-a-hand-on-his-chest-another-man-behind-him-at-left-carlo-faucci-italian-1729ca-1784-intermediary-draftsman-giuseppe-magni-italian-active-florence-174143-after-bartolom-carducho-spanish-florence-ca-15601608-madrid-175084-engraving-sheet-trimmed-14-1316-10-78-in-376-277-cm-prints-image344652495.htmlRM2B0M7NK–Carlo Faucci, Saint Matthew, standing before a book at right with a hand on his chest, another man behind him at left, Carlo Faucci (Italian, 1729–ca. 1784), Intermediary draftsman Giuseppe Magni (Italian, active Florence, 1741–43), After Bartolomé Carducho (Spanish, Florence ca. 1560–1608 Madrid), 1750–84, Engraving, Sheet (Trimmed): 14 13/16 × 10 7/8 in. (37.6 × 27.7 cm), Prints
Pierre Racot de Grandval, French comic actor who debuted at the Comedie-Francais in 1729, performed in plays by Moliere, Voltaire, and others, 1711-1784. Pierre Grandval. Theatre Francais. Role of Misanthrope. Handcoloured stipple engraving after Jacques Grasset Saint-Sauveur from Acteurs et Actrices Celebres, Famous Actors and Actresses, Chez Latour Libraire, Paris, 1808. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-racot-de-grandval-french-comic-actor-who-debuted-at-the-comedie-francais-in-1729-performed-in-plays-by-moliere-voltaire-and-others-1711-1784-pierre-grandval-theatre-francais-role-of-misanthrope-handcoloured-stipple-engraving-after-jacques-grasset-saint-sauveur-from-acteurs-et-actrices-celebres-famous-actors-and-actresses-chez-latour-libraire-paris-1808-image571847697.htmlRM2T69WG1–Pierre Racot de Grandval, French comic actor who debuted at the Comedie-Francais in 1729, performed in plays by Moliere, Voltaire, and others, 1711-1784. Pierre Grandval. Theatre Francais. Role of Misanthrope. Handcoloured stipple engraving after Jacques Grasset Saint-Sauveur from Acteurs et Actrices Celebres, Famous Actors and Actresses, Chez Latour Libraire, Paris, 1808.
Set of Four Wall Lights; Model by Claude-Jean Pitoin, French, active about 1777 - 1784, master 1778), casting and chasing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-four-wall-lights-model-by-claude-jean-pitoin-french-active-about-1777-1784-master-1778-casting-and-chasing-image220677596.htmlRMPR0MEM–Set of Four Wall Lights; Model by Claude-Jean Pitoin, French, active about 1777 - 1784, master 1778), casting and chasing
Set of four wall lights; Model by Claude-Jean Pitoin, French, active about 1777 - 1784, master 1778 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-set-of-four-wall-lights-model-by-claude-jean-pitoin-french-active-77446652.htmlRMEDYYYT–Set of four wall lights; Model by Claude-Jean Pitoin, French, active about 1777 - 1784, master 1778
The Scots peerage; founded on Wood's edition of Sir Robert Douglas's peerage of Scotland; containing an historical and genealogical account of the nobility of that kingdom . andvoted at the election of Representative Peers in 1784 and1787 without challenge, but at the election of 1788 his vote1 Stirling Tests. ^ Jbid., i February 1729. OOLVILL, LORD OOLVILL OF OCHILTREE 575 toeing challenged by Lord Oatlicart, it was proved that hisancestor James Colvill in Nether Kinloquhie was not thejounger brother of the second Lord, but was the son ofArthur Colvill at Milltown of Pitmillie. His vote wasth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-scots-peerage-founded-on-woods-edition-of-sir-robert-douglass-peerage-of-scotland-containing-an-historical-and-genealogical-account-of-the-nobility-of-that-kingdom-andvoted-at-the-election-of-representative-peers-in-1784-and1787-without-challenge-but-at-the-election-of-1788-his-vote1-stirling-tests-jbid-i-february-1729-oolvill-lord-oolvill-of-ochiltree-575-toeing-challenged-by-lord-oatlicart-it-was-proved-that-hisancestor-james-colvill-in-nether-kinloquhie-was-not-thejounger-brother-of-the-second-lord-but-was-the-son-ofarthur-colvill-at-milltown-of-pitmillie-his-vote-wasth-image340169400.htmlRM2ANC1F4–The Scots peerage; founded on Wood's edition of Sir Robert Douglas's peerage of Scotland; containing an historical and genealogical account of the nobility of that kingdom . andvoted at the election of Representative Peers in 1784 and1787 without challenge, but at the election of 1788 his vote1 Stirling Tests. ^ Jbid., i February 1729. OOLVILL, LORD OOLVILL OF OCHILTREE 575 toeing challenged by Lord Oatlicart, it was proved that hisancestor James Colvill in Nether Kinloquhie was not thejounger brother of the second Lord, but was the son ofArthur Colvill at Milltown of Pitmillie. His vote wasth
Portrait of the future Holy Roman Emperor Leopold II as the Archduke of Austria and Grand Duke of Tuscany, set within a roundel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-portrait-of-the-future-holy-roman-emperor-leopold-ii-as-the-archduke-162523316.htmlRMKCBG44–Portrait of the future Holy Roman Emperor Leopold II as the Archduke of Austria and Grand Duke of Tuscany, set within a roundel
Bacchus accompanied by a Bacchante and a faun 1768 Carlo Faucci. Bacchus accompanied by a Bacchante and a faun. Carlo Faucci (Italian, 1729–ca. 1784). 1768. Etching and engraving. John Boydell (British, Dorrington, Shropshire 1720–1804 London). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-accompanied-by-a-bacchante-and-a-faun-1768-carlo-faucci-bacchus-accompanied-by-a-bacchante-and-a-faun-carlo-faucci-italian-1729ca-1784-1768-etching-and-engraving-john-boydell-british-dorrington-shropshire-17201804-london-prints-image457906219.htmlRM2HGYC1F–Bacchus accompanied by a Bacchante and a faun 1768 Carlo Faucci. Bacchus accompanied by a Bacchante and a faun. Carlo Faucci (Italian, 1729–ca. 1784). 1768. Etching and engraving. John Boydell (British, Dorrington, Shropshire 1720–1804 London). Prints
Charles Gore, 1729–1807, British, Garden of Vieux Jones near Maastricht, between 1784 and 1794. Watercolor over graphite on medium, moderately textured, blued white laid paper. architectural subject , building , garden , Grand Tour , landscape , mansion , parterre , paths , trees. Europe , Limburg , Maastricht , Netherlands Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-gore-17291807-british-garden-of-vieux-jones-near-maastricht-between-1784-and-1794-watercolor-over-graphite-on-medium-moderately-textured-blued-white-laid-paper-architectural-subject-building-garden-grand-tour-landscape-mansion-parterre-paths-trees-europe-limburg-maastricht-netherlands-image398451506.htmlRM2E470XX–Charles Gore, 1729–1807, British, Garden of Vieux Jones near Maastricht, between 1784 and 1794. Watercolor over graphite on medium, moderately textured, blued white laid paper. architectural subject , building , garden , Grand Tour , landscape , mansion , parterre , paths , trees. Europe , Limburg , Maastricht , Netherlands
Set of Four Wall Lights, Model by Claude-Jean Pitoin (French, active about 1777 - 1784 (master 1778)), casting and chasing attributed to Louis-Gabriel Féloix (French, 1729 - 1812 (master 1754)), Paris, France, 1781, Gilt bronze, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-four-wall-lights-model-by-claude-jean-pitoin-french-active-about-1777-1784-master-1778-casting-and-chasing-attributed-to-louis-gabriel-floix-french-1729-1812-master-1754-paris-france-1781-gilt-bronze-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350062042.htmlRF2B9EKKP–Set of Four Wall Lights, Model by Claude-Jean Pitoin (French, active about 1777 - 1784 (master 1778)), casting and chasing attributed to Louis-Gabriel Féloix (French, 1729 - 1812 (master 1754)), Paris, France, 1781, Gilt bronze, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Saint Matthew, standing before a book at right with a hand on his chest, another man behind him at left 1750–84 Carlo Faucci. Saint Matthew, standing before a book at right with a hand on his chest, another man behind him at left. Carlo Faucci (Italian, 1729–ca. 1784). 1750–84. Engraving. Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-matthew-standing-before-a-book-at-right-with-a-hand-on-his-chest-another-man-behind-him-at-left-175084-carlo-faucci-saint-matthew-standing-before-a-book-at-right-with-a-hand-on-his-chest-another-man-behind-him-at-left-carlo-faucci-italian-1729ca-1784-175084-engraving-prints-image457927125.htmlRM2HH0AM5–Saint Matthew, standing before a book at right with a hand on his chest, another man behind him at left 1750–84 Carlo Faucci. Saint Matthew, standing before a book at right with a hand on his chest, another man behind him at left. Carlo Faucci (Italian, 1729–ca. 1784). 1750–84. Engraving. Prints
Art inspired by Portrait of the future Holy Roman Emperor Leopold II as the Archduke of Austria and Grand Duke of Tuscany, set within a roundel upper left, allegorical figures representing the arts and sciences below, ca. 1760–67, Engraving, sheet: 9 3/16 x 6 9/16 in. (23.4 x 16.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-the-future-holy-roman-emperor-leopold-ii-as-the-archduke-of-austria-and-grand-duke-of-tuscany-set-within-a-roundel-upper-left-allegorical-figures-representing-the-arts-and-sciences-below-ca-176067-engraving-sheet-9-316-x-6-916-in-234-x-167-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463001979.htmlRF2HW7FMY–Art inspired by Portrait of the future Holy Roman Emperor Leopold II as the Archduke of Austria and Grand Duke of Tuscany, set within a roundel upper left, allegorical figures representing the arts and sciences below, ca. 1760–67, Engraving, sheet: 9 3/16 x 6 9/16 in. (23.4 x 16.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Robert Gooch, M.D. (1784–1830) . Line engraving, 1831, painting 1827. Painted and Engraved by John Linnell, 1729-1796 524 Robert Gooch b1784 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-robert-gooch-md-17841830-line-engraving-1831-painting-1827-painted-and-engraved-by-john-linnell-1729-1796-524-robert-gooch-b1784-image187408263.htmlRMMTW547–. English: Robert Gooch, M.D. (1784–1830) . Line engraving, 1831, painting 1827. Painted and Engraved by John Linnell, 1729-1796 524 Robert Gooch b1784
Set of Four Wall Lights, Model by Claude-Jean Pitoin (French, active about 1777 - 1784 (master 1778)), casting and reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-four-wall-lights-model-by-claude-jean-pitoin-french-active-about-1777-1784-master-1778-casting-and-reimagined-image230225611.htmlRFRAFK37–Set of Four Wall Lights, Model by Claude-Jean Pitoin (French, active about 1777 - 1784 (master 1778)), casting and reimagined
Bacchus accompanied by a Bacchante and a faun. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Carlo Faucci (Italian, 1729-ca. 1784); Intermediary draftsman Giovanni Battista Cipriani (Italian, Florence 1727-1785 Hammersmith (active London)). Dimensions: Sheet (Trimmed): 15 3/16 × 12 3/16 in. (38.5 × 30.9 cm). Published in: London. Publisher: John Boydell (British, Shropshire 1720-1804 London). Date: 1768. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-accompanied-by-a-bacchante-and-a-faun-artist-after-peter-paul-rubens-flemish-siegen-1577-1640-antwerp-carlo-faucci-italian-1729-ca-1784-intermediary-draftsman-giovanni-battista-cipriani-italian-florence-1727-1785-hammersmith-active-london-dimensions-sheet-trimmed-15-316-12-316-in-385-309-cm-published-in-london-publisher-john-boydell-british-shropshire-1720-1804-london-date-1768-museum-metropolitan-museum-of-art-new-york-usa-image213324664.htmlRMPB1NP0–Bacchus accompanied by a Bacchante and a faun. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Carlo Faucci (Italian, 1729-ca. 1784); Intermediary draftsman Giovanni Battista Cipriani (Italian, Florence 1727-1785 Hammersmith (active London)). Dimensions: Sheet (Trimmed): 15 3/16 × 12 3/16 in. (38.5 × 30.9 cm). Published in: London. Publisher: John Boydell (British, Shropshire 1720-1804 London). Date: 1768. Museum: Metropolitan Museum of Art, New York, USA.
. The annals of the families of Caspar, Henry, Baltzer and George Spengler, who settled in York County, respectively, in 1729, 1732, 1732, and 1751 : with biographical and historical sketches, and memorabilia of contemporaneous local events. nd praise, she took delight. In dispensingcharity, she was a constant benefactor of the poor, and thanked God for being per-mitted to do so. She doubtless has gone to that rest which remaineth for the peo-ple of God. John Schmidt was born in Hamburg, Germany, March 8, 1784.He graduated from a leading German University, and possessedrefined tastes and schol Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-annals-of-the-families-of-caspar-henry-baltzer-and-george-spengler-who-settled-in-york-county-respectively-in-1729-1732-1732-and-1751-with-biographical-and-historical-sketches-and-memorabilia-of-contemporaneous-local-events-nd-praise-she-took-delight-in-dispensingcharity-she-was-a-constant-benefactor-of-the-poor-and-thanked-god-for-being-per-mitted-to-do-so-she-doubtless-has-gone-to-that-rest-which-remaineth-for-the-peo-ple-of-god-john-schmidt-was-born-in-hamburg-germany-march-8-1784he-graduated-from-a-leading-german-university-and-possessedrefined-tastes-and-schol-image336847042.htmlRM2AG0KRE–. The annals of the families of Caspar, Henry, Baltzer and George Spengler, who settled in York County, respectively, in 1729, 1732, 1732, and 1751 : with biographical and historical sketches, and memorabilia of contemporaneous local events. nd praise, she took delight. In dispensingcharity, she was a constant benefactor of the poor, and thanked God for being per-mitted to do so. She doubtless has gone to that rest which remaineth for the peo-ple of God. John Schmidt was born in Hamburg, Germany, March 8, 1784.He graduated from a leading German University, and possessedrefined tastes and schol
Saint Paul the Hermit and Saint Anthony Abbot conversing in a landscape, after Pietro Antonio Novelli ca. 1784–1836 Francesco Novelli. Saint Paul the Hermit and Saint Anthony Abbot conversing in a landscape, after Pietro Antonio Novelli. After Pietro Antonio Novelli (Italian, Venice 1729–1804 Venice). ca. 1784–1836. Etching. Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-paul-the-hermit-and-saint-anthony-abbot-conversing-in-a-landscape-after-pietro-antonio-novelli-ca-17841836-francesco-novelli-saint-paul-the-hermit-and-saint-anthony-abbot-conversing-in-a-landscape-after-pietro-antonio-novelli-after-pietro-antonio-novelli-italian-venice-17291804-venice-ca-17841836-etching-prints-image457929229.htmlRM2HH0DB9–Saint Paul the Hermit and Saint Anthony Abbot conversing in a landscape, after Pietro Antonio Novelli ca. 1784–1836 Francesco Novelli. Saint Paul the Hermit and Saint Anthony Abbot conversing in a landscape, after Pietro Antonio Novelli. After Pietro Antonio Novelli (Italian, Venice 1729–1804 Venice). ca. 1784–1836. Etching. Prints
. English: Robert Gooch, M.D. (1784–1830) . Line engraving, 1831, painting 1827. Painted and Engraved by John Linnell, 1729-1796 457 Robert Gooch b1784 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-robert-gooch-md-17841830-line-engraving-1831-painting-1827-painted-and-engraved-by-john-linnell-1729-1796-457-robert-gooch-b1784-image189196019.htmlRMMYPHCK–. English: Robert Gooch, M.D. (1784–1830) . Line engraving, 1831, painting 1827. Painted and Engraved by John Linnell, 1729-1796 457 Robert Gooch b1784
Set of four wall lights, Model by Claude-Jean Pitoin, French, active about 1777 - 1784, master 1778, casting and reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-four-wall-lights-model-by-claude-jean-pitoin-french-active-about-1777-1784-master-1778-casting-and-reimagined-image230427244.htmlRFRATT8C–Set of four wall lights, Model by Claude-Jean Pitoin, French, active about 1777 - 1784, master 1778, casting and reimagined
BHC1061 . 1778. Francis Holman (1729–) Alternative names Holman Description British painter Date of birth/death 1729 29 November 1784 / 1790 Location of birth/death Ramsgate, England Wapping, London, England Work location London Authority control : Q5481308 VIAF: 95865596 ULAN: 500029808 RKD: 39226 313 An English brig with captured American vessels RMG BHC1061 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bhc1061-1778-francis-holman-1729-alternative-names-holman-description-british-painter-date-of-birthdeath-1729-29-november-1784-1790-location-of-birthdeath-ramsgate-england-wapping-london-england-work-location-london-authority-control-q5481308-viaf95865596-ulan500029808-rkd39226-313-an-english-brig-with-captured-american-vessels-rmg-bhc1061-image206775562.htmlRMP0BC9E–BHC1061 . 1778. Francis Holman (1729–) Alternative names Holman Description British painter Date of birth/death 1729 29 November 1784 / 1790 Location of birth/death Ramsgate, England Wapping, London, England Work location London Authority control : Q5481308 VIAF: 95865596 ULAN: 500029808 RKD: 39226 313 An English brig with captured American vessels RMG BHC1061
. English: A small shipyard on the en:Thames . between 1760 and 1790. Francis Holman (1729–) Alternative names Holman Description British painter Date of birth/death 1729 29 November 1784 / 1790 Location of birth/death Ramsgate, England Wapping, London, England Work location London Authority control : Q5481308 VIAF:?95865596 ULAN:?500029808 RKD:?39226 A small shipyard on the Thames - Francis Holman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-small-shipyard-on-the-enthames-between-1760-and-1790-francis-holman-1729-alternative-names-holman-description-british-painter-date-of-birthdeath-1729-29-november-1784-1790-location-of-birthdeath-ramsgate-england-wapping-london-england-work-location-london-authority-control-q5481308-viaf95865596-ulan500029808-rkd39226-a-small-shipyard-on-the-thames-francis-holman-image184775413.htmlRMMMH6WW–. English: A small shipyard on the en:Thames . between 1760 and 1790. Francis Holman (1729–) Alternative names Holman Description British painter Date of birth/death 1729 29 November 1784 / 1790 Location of birth/death Ramsgate, England Wapping, London, England Work location London Authority control : Q5481308 VIAF:?95865596 ULAN:?500029808 RKD:?39226 A small shipyard on the Thames - Francis Holman
. The industrial arts in Spain. in 1789. Vilar Perpinan, Cristobal, painted from 1739 to 1743. Vilar Ricart, Cristobal, painter from 1727 to 1735. Vilar Porcar, Cristobal, painter, 1727. Vilar Ricart, Joseph, painter from January, 1731, to 1735. Vilar Porcar, Joaquin, painter from 1727 to 1735. Vilar Saboret, Joaquin, painter in 1729. Yguet, Vicente, painted common pottery in 1783. Zaragoza, Friar, worker in porcelain, 1799. MARKS AND SIGNATURES OF THE PAINTERS WHOWORKED AT ALCORA. From 1727 to 1784 no special mark was used at Alcora. Inseveral instances specimens were signed with the painters Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-industrial-arts-in-spain-in-1789-vilar-perpinan-cristobal-painted-from-1739-to-1743-vilar-ricart-cristobal-painter-from-1727-to-1735-vilar-porcar-cristobal-painter-1727-vilar-ricart-joseph-painter-from-january-1731-to-1735-vilar-porcar-joaquin-painter-from-1727-to-1735-vilar-saboret-joaquin-painter-in-1729-yguet-vicente-painted-common-pottery-in-1783-zaragoza-friar-worker-in-porcelain-1799-marks-and-signatures-of-the-painters-whoworked-at-alcora-from-1727-to-1784-no-special-mark-was-used-at-alcora-inseveral-instances-specimens-were-signed-with-the-painters-image336935865.htmlRM2AG4N3N–. The industrial arts in Spain. in 1789. Vilar Perpinan, Cristobal, painted from 1739 to 1743. Vilar Ricart, Cristobal, painter from 1727 to 1735. Vilar Porcar, Cristobal, painter, 1727. Vilar Ricart, Joseph, painter from January, 1731, to 1735. Vilar Porcar, Joaquin, painter from 1727 to 1735. Vilar Saboret, Joaquin, painter in 1729. Yguet, Vicente, painted common pottery in 1783. Zaragoza, Friar, worker in porcelain, 1799. MARKS AND SIGNATURES OF THE PAINTERS WHOWORKED AT ALCORA. From 1727 to 1784 no special mark was used at Alcora. Inseveral instances specimens were signed with the painters
![A literary party at Sir Joshua Reynolds'. From left to right: James Boswell (1740–1795), biographer. Samuel Johnson (1709–1784), author and lexicographer. Sir Joshua Reynolds (1723–1792), painter. David Garrick (1717–1779), actor. Edmund Burke (1729–1797), statesman. Pascal Paoli (1725–1807), Corsican soldier. Charles Burney (1726–1814), musician. Thomas Warton (1728–1790), historian. Oliver Goldsmith (1728–1774), writer. . 1851[1]. 744 JoshuaReynoldsParty Stock Photo](https://c8.alamy.com/comp/MP8HYN/a-literary-party-at-sir-joshua-reynolds-from-left-to-right-james-boswell-17401795-biographer-samuel-johnson-17091784-author-and-lexicographer-sir-joshua-reynolds-17231792-painter-david-garrick-17171779-actor-edmund-burke-17291797-statesman-pascal-paoli-17251807-corsican-soldier-charles-burney-17261814-musician-thomas-warton-17281790-historian-oliver-goldsmith-17281774-writer-1851-1-744-joshuareynoldsparty-MP8HYN.jpg "A literary party at Sir Joshua Reynolds'. From left to right: James Boswell (1740–1795), biographer. Samuel Johnson (1709–1784), author and lexicographer. Sir Joshua Reynolds (1723–1792), painter. David Garrick (1717–1779), actor. Edmund Burke (1729–1797), statesman. Pascal Paoli (1725–1807), Corsican soldier. Charles Burney (1726–1814), musician. Thomas Warton (1728–1790), historian. Oliver Goldsmith (1728–1774), writer. . 1851[1]. 744 JoshuaReynoldsParty Stock Photo")
A literary party at Sir Joshua Reynolds'. From left to right: James Boswell (1740–1795), biographer. Samuel Johnson (1709–1784), author and lexicographer. Sir Joshua Reynolds (1723–1792), painter. David Garrick (1717–1779), actor. Edmund Burke (1729–1797), statesman. Pascal Paoli (1725–1807), Corsican soldier. Charles Burney (1726–1814), musician. Thomas Warton (1728–1790), historian. Oliver Goldsmith (1728–1774), writer. . 1851[1]. 744 JoshuaReynoldsParty Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-literary-party-at-sir-joshua-reynolds-from-left-to-right-james-boswell-17401795-biographer-samuel-johnson-17091784-author-and-lexicographer-sir-joshua-reynolds-17231792-painter-david-garrick-17171779-actor-edmund-burke-17291797-statesman-pascal-paoli-17251807-corsican-soldier-charles-burney-17261814-musician-thomas-warton-17281790-historian-oliver-goldsmith-17281774-writer-1851-1-744-joshuareynoldsparty-image185815833.htmlRMMP8HYN–A literary party at Sir Joshua Reynolds'. From left to right: James Boswell (1740–1795), biographer. Samuel Johnson (1709–1784), author and lexicographer. Sir Joshua Reynolds (1723–1792), painter. David Garrick (1717–1779), actor. Edmund Burke (1729–1797), statesman. Pascal Paoli (1725–1807), Corsican soldier. Charles Burney (1726–1814), musician. Thomas Warton (1728–1790), historian. Oliver Goldsmith (1728–1774), writer. . 1851[1]. 744 JoshuaReynoldsParty
![. Bulletin - United States National Museum. Science. George Berkeley, Bishop of Cloyne, and his Wife and Family by John Smibert, 1729 {Courtesy of the National Gallery oj Ireland.) Figure 10.—The table covered with a Turkey carpet seen in this group portrait—a record of an Enghsh family's sojourn in Newport, Rhode Island—suggests that such usage was both appropriate and fashionable in this period. the house she and lier ambassador husband were renting at Auteuil, near Paris, wrote to her sister in Massachusetts on September 5, 1784, that there was not "a carpet belonging to the house. The Stock Photo](https://c8.alamy.com/comp/RG7E78/bulletin-united-states-national-museum-science-george-berkeley-bishop-of-cloyne-and-his-wife-and-family-by-john-smibert-1729-courtesy-of-the-national-gallery-oj-ireland-figure-10the-table-covered-with-a-turkey-carpet-seen-in-this-group-portraita-record-of-an-enghsh-familys-sojourn-in-newport-rhode-islandsuggests-that-such-usage-was-both-appropriate-and-fashionable-in-this-period-the-house-she-and-lier-ambassador-husband-were-renting-at-auteuil-near-paris-wrote-to-her-sister-in-massachusetts-on-september-5-1784-that-there-was-not-quota-carpet-belonging-to-the-house-the-RG7E78.jpg ". Bulletin - United States National Museum. Science. George Berkeley, Bishop of Cloyne, and his Wife and Family by John Smibert, 1729 {Courtesy of the National Gallery oj Ireland.) Figure 10.—The table covered with a Turkey carpet seen in this group portrait—a record of an Enghsh family's sojourn in Newport, Rhode Island—suggests that such usage was both appropriate and fashionable in this period. the house she and lier ambassador husband were renting at Auteuil, near Paris, wrote to her sister in Massachusetts on September 5, 1784, that there was not "a carpet belonging to the house. The Stock Photo")
. Bulletin - United States National Museum. Science. George Berkeley, Bishop of Cloyne, and his Wife and Family by John Smibert, 1729 {Courtesy of the National Gallery oj Ireland.) Figure 10.—The table covered with a Turkey carpet seen in this group portrait—a record of an Enghsh family's sojourn in Newport, Rhode Island—suggests that such usage was both appropriate and fashionable in this period. the house she and lier ambassador husband were renting at Auteuil, near Paris, wrote to her sister in Massachusetts on September 5, 1784, that there was not "a carpet belonging to the house. The Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-united-states-national-museum-science-george-berkeley-bishop-of-cloyne-and-his-wife-and-family-by-john-smibert-1729-courtesy-of-the-national-gallery-oj-ireland-figure-10the-table-covered-with-a-turkey-carpet-seen-in-this-group-portraita-record-of-an-enghsh-familys-sojourn-in-newport-rhode-islandsuggests-that-such-usage-was-both-appropriate-and-fashionable-in-this-period-the-house-she-and-lier-ambassador-husband-were-renting-at-auteuil-near-paris-wrote-to-her-sister-in-massachusetts-on-september-5-1784-that-there-was-not-quota-carpet-belonging-to-the-house-the-image233734124.htmlRMRG7E78–. Bulletin - United States National Museum. Science. George Berkeley, Bishop of Cloyne, and his Wife and Family by John Smibert, 1729 {Courtesy of the National Gallery oj Ireland.) Figure 10.—The table covered with a Turkey carpet seen in this group portrait—a record of an Enghsh family's sojourn in Newport, Rhode Island—suggests that such usage was both appropriate and fashionable in this period. the house she and lier ambassador husband were renting at Auteuil, near Paris, wrote to her sister in Massachusetts on September 5, 1784, that there was not "a carpet belonging to the house. The
. English: Admiral Sir Robert Harland, circa 1715-1784 The son of Captain Robert Harland (see BHC2748), he entered the navy in 1729. His early service was spent in the Mediterranean. He commanded the ‘Tilbury’ at the Second Battle of Finisterre in 1747, and in the following year while commanding the ‘Nottingham’, assisted by the ‘Portland’ he captured the ‘Magnanine’ after a two hour duel. His last service afloat was as second in command to Keppel at the Battle of Ushant, 27 July 1778. After siding with Keppel at the time of his and Palliser’s courts martial he resigned his command, and had n Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-admiral-sir-robert-harland-circa-1715-1784-the-son-of-captain-robert-harland-see-bhc2748-he-entered-the-navy-in-1729-his-early-service-was-spent-in-the-mediterranean-he-commanded-the-tilbury-at-the-second-battle-of-finisterre-in-1747-and-in-the-following-year-while-commanding-the-nottingham-assisted-by-the-portland-he-captured-the-magnanine-after-a-two-hour-duel-his-last-service-afloat-was-as-second-in-command-to-keppel-at-the-battle-of-ushant-27-july-1778-after-siding-with-keppel-at-the-time-of-his-and-pallisers-courts-martial-he-resigned-his-command-and-had-n-image206714193.htmlRMP08J1N–. English: Admiral Sir Robert Harland, circa 1715-1784 The son of Captain Robert Harland (see BHC2748), he entered the navy in 1729. His early service was spent in the Mediterranean. He commanded the ‘Tilbury’ at the Second Battle of Finisterre in 1747, and in the following year while commanding the ‘Nottingham’, assisted by the ‘Portland’ he captured the ‘Magnanine’ after a two hour duel. His last service afloat was as second in command to Keppel at the Battle of Ushant, 27 July 1778. After siding with Keppel at the time of his and Palliser’s courts martial he resigned his command, and had n
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