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1730 1804 Stock Photos and Images
Spring and Autumn Farming (Spring), 1700s. Ko Sukoku (Japanese, 1730-1804). Six-panel folding screen, ink, light color, gold, and silver on paper; overall: 170.2 x 353.5 cm (67 x 139 3/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-and-autumn-farming-spring-1700s-ko-sukoku-japanese-1730-1804-six-panel-folding-screen-ink-light-color-gold-and-silver-on-paper-overall-1702-x-3535-cm-67-x-139-316-in-image240505523.htmlRMRY7Y6Y–Spring and Autumn Farming (Spring), 1700s. Ko Sukoku (Japanese, 1730-1804). Six-panel folding screen, ink, light color, gold, and silver on paper; overall: 170.2 x 353.5 cm (67 x 139 3/16 in
Stage design for the Opera Idomeneo by W. A. Mozart, 1812-1814. Artist: Quaglio, Lorenzo (1730-1804) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stage-design-for-the-opera-idomeneo-by-w-a-mozart-1812-1814-artist-135276639.htmlRMHT2AMF–Stage design for the Opera Idomeneo by W. A. Mozart, 1812-1814. Artist: Quaglio, Lorenzo (1730-1804)
Admiral Viscount Duncan (1730-1804). Of colossal stature and reputed at one time to be the handsomest officer in the British Navy, Duncan had just the bluff, irascible kindly nature that his portrait suggests. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/admiral-viscount-duncan-1730-1804-of-colossal-stature-and-reputed-image68547464.htmlRMDYEGYM–Admiral Viscount Duncan (1730-1804). Of colossal stature and reputed at one time to be the handsomest officer in the British Navy, Duncan had just the bluff, irascible kindly nature that his portrait suggests.
Portrait of José Nicolás de Azara (1730-1804) before 1779. 738 Jose Nicolas de Azara Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jos-nicols-de-azara-1730-1804-before-1779-738-jose-nicolas-de-azara-image185739850.htmlRMMP5522–Portrait of José Nicolás de Azara (1730-1804) before 1779. 738 Jose Nicolas de Azara
JOSE NICOLAS AZARA (1730-1804) - MARQUES DE NIBBIANO - EMBAJADOR DE ESPAÑA EN ROMA. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jose-nicolas-azara-1730-1804-marques-de-nibbiano-embajador-de-espaa-en-roma-location-biblioteca-nacional-coleccion-madrid-spain-image208889237.htmlRMP3RM9W–JOSE NICOLAS AZARA (1730-1804) - MARQUES DE NIBBIANO - EMBAJADOR DE ESPAÑA EN ROMA. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.
Jose Nicolas de Azara (1730-1804). Spanish politician and diplomat. Portrait. Illustration by Llanta. Lithography. Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Aragon, 1866. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jose-nicolas-de-azara-1730-1804-spanish-politician-and-diplomat-portrait-illustration-by-llanta-lithography-cronica-general-de-espaa-historia-ilustrada-y-descriptiva-de-sus-provincias-aragon-1866-image351106839.htmlRM2BB689Y–Jose Nicolas de Azara (1730-1804). Spanish politician and diplomat. Portrait. Illustration by Llanta. Lithography. Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Aragon, 1866.
Portrait of Carolina Wilhelmina of Orange (1743-1787) with her children, painting by Anton Wilhelm Tischbein (1730 - 1804), Historic, digitally restored reproduction from a 19th century original / Portrait of Carolina Wilhelmina of Orange (1743-1787) mit ihren Kindern, Gemälde von Anton Wilhelm Tischbein (1730 - 1804), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-carolina-wilhelmina-of-orange-1743-1787-with-her-children-painting-by-anton-wilhelm-tischbein-1730-1804-historic-digitally-restored-reproduction-from-a-19th-century-original-portrait-of-carolina-wilhelmina-of-orange-1743-1787-mit-ihren-kindern-gemlde-von-anton-wilhelm-tischbein-1730-1804-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-image551821214.htmlRF2R1NHGE–Portrait of Carolina Wilhelmina of Orange (1743-1787) with her children, painting by Anton Wilhelm Tischbein (1730 - 1804), Historic, digitally restored reproduction from a 19th century original / Portrait of Carolina Wilhelmina of Orange (1743-1787) mit ihren Kindern, Gemälde von Anton Wilhelm Tischbein (1730 - 1804), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert
Don Jose Nicolas de Azara (5 December 1730 – 26 January 1804) was a Spanish diplomat. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/don-jose-nicolas-de-azara-5-december-1730-26-january-1804-was-a-spanish-diplomat-image328361772.htmlRM2A264P4–Don Jose Nicolas de Azara (5 December 1730 – 26 January 1804) was a Spanish diplomat.
A drawing of Thomas Harley 1730 1804 builder of the house in the Business Room The artist is unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-drawing-of-thomas-harley-1730-1804-builder-of-the-house-in-the-business-22629114.htmlRMB8PRJJ–A drawing of Thomas Harley 1730 1804 builder of the house in the Business Room The artist is unknown
Count Ivan Petrovich Saltykov (1730 - 1805) Russian Field Marshal, the Governor-General of Moscow from 1797 to 1804, and owner of the grand estate of Marfino. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/count-ivan-petrovich-saltykov-1730-1805-russian-field-marshal-the-governor-general-of-moscow-from-1797-to-1804-and-owner-of-the-grand-estate-of-marfino-image481962786.htmlRM2K038CJ–Count Ivan Petrovich Saltykov (1730 - 1805) Russian Field Marshal, the Governor-General of Moscow from 1797 to 1804, and owner of the grand estate of Marfino.
Jose Nicolas de Azara (1730-1804). Spanish politician and diplomat. Portrait. Illustration by Llanta. Lithography. Cronica General de España, Historia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jose-nicolas-de-azara-1730-1804-spanish-politician-and-diplomat-portrait-illustration-by-llanta-lithography-cronica-general-de-espaa-historia-image447935093.htmlRM2H0N5NW–Jose Nicolas de Azara (1730-1804). Spanish politician and diplomat. Portrait. Illustration by Llanta. Lithography. Cronica General de España, Historia
Portrait of an unknown man, John Dixon, After Rembrandt van Rijn, 1730 - 1804 print paper historical persons Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-an-unknown-man-john-dixon-after-rembrandt-van-rijn-1730-1804-print-paper-historical-persons-image594834313.htmlRM2WFN16H–Portrait of an unknown man, John Dixon, After Rembrandt van Rijn, 1730 - 1804 print paper historical persons
The Souchay Family Tischbein, Anton 1720 - 1784 Painting Anton Wilhelm Tischbein 1730-1804: eine Ausstellung, Anton Merk, afb. p. 44, 3.31, 2004-436, 2004 The Souchay Family Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-souchay-family-tischbein-anton-1720-1784-painting-anton-wilhelm-tischbein-1730-1804-eine-ausstellung-anton-merk-afb-p-44-331-2004-436-2004-the-souchay-family-image613394279.htmlRM2XHXEJF–The Souchay Family Tischbein, Anton 1720 - 1784 Painting Anton Wilhelm Tischbein 1730-1804: eine Ausstellung, Anton Merk, afb. p. 44, 3.31, 2004-436, 2004 The Souchay Family
Giovanni Battista Tempesti (1729-1804), Italian painter and Cristiano Giuseppe Lidarti (1730-1795), Austrian composer, portrait painting by Nathaniel Dance, 1759-1760 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-tempesti1729-1804-italianpainter-and-cristiano-giuseppe-lidarti-1730-1795-austrian-composer-portrait-painting-by-nathaniel-dance-1759-1760-image365733085.htmlRM2C70G7W–Giovanni Battista Tempesti (1729-1804), Italian painter and Cristiano Giuseppe Lidarti (1730-1795), Austrian composer, portrait painting by Nathaniel Dance, 1759-1760
Portrait bust of Count Ivan Petrovich Saltykov (1730 – 1805); Russian Field Marshal, Governor-General of Moscow from 1797 to 1804. by Jean-Antoine Houdon, 1783, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-portrait-bust-of-count-ivan-petrovich-saltykov-1730-1805-russian-field-165991751.htmlRMKJ1G4R–Portrait bust of Count Ivan Petrovich Saltykov (1730 – 1805); Russian Field Marshal, Governor-General of Moscow from 1797 to 1804. by Jean-Antoine Houdon, 1783,
Solicitors near the court of appeal in Paris, year XII (1803-1804) Benjamin Duvivier (1730-1819). 'Avoués près le tribunal d'appel à Paris, an XII (1803-1804)'. Argent. 1803-1804. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/solicitors-near-the-court-of-appeal-in-paris-year-xii-1803-1804-benjamin-duvivier-1730-1819-avous-prs-le-tribunal-dappel-paris-an-xii-1803-1804-argent-1803-1804-paris-muse-carnavalet-image349603466.htmlRM2B8NPP2–Solicitors near the court of appeal in Paris, year XII (1803-1804) Benjamin Duvivier (1730-1819). 'Avoués près le tribunal d'appel à Paris, an XII (1803-1804)'. Argent. 1803-1804. Paris, musée Carnavalet.
Don Jose Nicolas de Azara (5 December 1730 - 26 January 1804) was a Spanish diplomat. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/don-jose-nicolas-de-azara-5-december-1730-26-january-1804-was-a-spanish-diplomat-image240279973.htmlRMRXWKFH–Don Jose Nicolas de Azara (5 December 1730 - 26 January 1804) was a Spanish diplomat.
Jacques Necker (1732-1804), CEO of the Royal Treasury (1776-1777), Director General of Finance (1777-1781, 1788-1789), former Minister of Finance (1789-1790), 1789 Benjamin Duvivier (1730-1819). Jacques Necker (1732-1804), directeur général du Trésor royal (1776-1777), directeur général des Finances (1777-1781, 1788-1789), premier ministre des Finances (1789-1790), 1789. Bronze, 1789. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-necker-1732-1804-ceo-of-the-royal-treasury-1776-1777-director-general-of-finance-1777-1781-1788-1789-former-minister-of-finance-1789-1790-1789-benjamin-duvivier-1730-1819-jacques-necker-1732-1804-directeur-gnral-du-trsor-royal-1776-1777-directeur-gnral-des-finances-1777-1781-1788-1789-premier-ministre-des-finances-1789-1790-1789-bronze-1789-paris-muse-carnavalet-image349974250.htmlRM2B9AKMA–Jacques Necker (1732-1804), CEO of the Royal Treasury (1776-1777), Director General of Finance (1777-1781, 1788-1789), former Minister of Finance (1789-1790), 1789 Benjamin Duvivier (1730-1819). Jacques Necker (1732-1804), directeur général du Trésor royal (1776-1777), directeur général des Finances (1777-1781, 1788-1789), premier ministre des Finances (1789-1790), 1789. Bronze, 1789. Paris, musée Carnavalet.
Print, Design for the Ceiling of the Salon of the Palazzo Spinola, Genoa; Print Maker: Louis-Jean Desprez (French, active Sweden, 1743–1804); After Charles de Wailly (French, 1730–1798); France; etching on paper; 42.2 × 31 cm (16 5/8 × 12 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-design-for-the-ceiling-of-the-salon-of-the-palazzo-spinola-genoa-print-maker-louis-jean-desprez-french-active-sweden-17431804-after-charles-de-wailly-french-17301798-france-etching-on-paper-422-31-cm-16-58-12-316-in-image546238823.htmlRM2PMK95B–Print, Design for the Ceiling of the Salon of the Palazzo Spinola, Genoa; Print Maker: Louis-Jean Desprez (French, active Sweden, 1743–1804); After Charles de Wailly (French, 1730–1798); France; etching on paper; 42.2 × 31 cm (16 5/8 × 12 3/16 in.)
Spring and Autumn Farming (Autumn), 1700s. Ko Sukoku (Japanese, 1730-1804). Six-panel folding screen, ink, light color, gold, and silver on paper; overall: 170.2 x 353.5 cm (67 x 139 3/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-and-autumn-farming-autumn-1700s-ko-sukoku-japanese-1730-1804-six-panel-folding-screen-ink-light-color-gold-and-silver-on-paper-overall-1702-x-3535-cm-67-x-139-316-in-image240505525.htmlRMRY7Y71–Spring and Autumn Farming (Autumn), 1700s. Ko Sukoku (Japanese, 1730-1804). Six-panel folding screen, ink, light color, gold, and silver on paper; overall: 170.2 x 353.5 cm (67 x 139 3/16 in
Portrait of Ko Sukoku, possibly 1817. Master of portraiture Watanabe Kazan’s memorial fan painting of the artist Ko Sukoku (1730-1804) features a variant on one of the deceased’s poems by painter Tani Buncho on the reverse. The short, unorthodox or comic poem ( haikai ) reads: The grave is readied / and the sake warmed. / Oh, the cold! Kazan was a disciple of Tani Buncho, one of the most prominent painters of his day. The two first met in 1817, the year of the 13th anniversary of Ko Sukoku’s death. In Japanese Buddhist practice, the 13th death anniversary requires spec Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-ko-sukoku-possibly-1817-master-of-portraiture-watanabe-kazanx2019s-memorial-fan-painting-of-the-artist-ko-sukoku-1730-1804-features-a-variant-on-one-of-the-deceasedx2019s-poems-by-painter-tani-buncho-on-the-reverse-the-short-unorthodox-or-comic-poem-haikai-reads-the-grave-is-readied-and-the-sake-warmed-oh-the-cold!-kazan-was-a-disciple-of-tani-buncho-one-of-the-most-prominent-painters-of-his-day-the-two-first-met-in-1817-the-year-of-the-13th-anniversary-of-ko-sukokux2019s-death-in-japanese-buddhist-practice-the-13th-death-anniversary-requires-spec-image330113840.htmlRM2A51YG0–Portrait of Ko Sukoku, possibly 1817. Master of portraiture Watanabe Kazan’s memorial fan painting of the artist Ko Sukoku (1730-1804) features a variant on one of the deceased’s poems by painter Tani Buncho on the reverse. The short, unorthodox or comic poem ( haikai ) reads: The grave is readied / and the sake warmed. / Oh, the cold! Kazan was a disciple of Tani Buncho, one of the most prominent painters of his day. The two first met in 1817, the year of the 13th anniversary of Ko Sukoku’s death. In Japanese Buddhist practice, the 13th death anniversary requires spec
The elevation of the Tower of the Winds, The antiquities of Athens, Basire, James, the Elder, 1730-1802, Revett, Nicholas, 1720-1804, Stuart, James, 1713-1788, Engraving, 1762, Inscribed at lower right, J. Basire sculpt, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-elevation-of-the-tower-of-the-winds-the-antiquities-of-athens-basire-james-the-elder-1730-1802-revett-nicholas-1720-1804-stuart-james-1713-1788-engraving-1762-inscribed-at-lower-right-j-basire-sculpt-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350080153.htmlRF2B9FEPH–The elevation of the Tower of the Winds, The antiquities of Athens, Basire, James, the Elder, 1730-1802, Revett, Nicholas, 1720-1804, Stuart, James, 1713-1788, Engraving, 1762, Inscribed at lower right, J. Basire sculpt, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Title from the comedy The Sister by Charlotte Lennox, (1730–1804), Printed for J. Dodsley; and T. Davies, London 1762. . 1762. Charlotte Lennox Charlotte Lennox The Sister Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-from-the-comedy-the-sister-by-charlotte-lennox-17301804-printed-for-j-dodsley-and-t-davies-london-1762-1762-charlotte-lennox-charlotte-lennox-the-sister-image184946670.htmlRMMMW1A6–. Title from the comedy The Sister by Charlotte Lennox, (1730–1804), Printed for J. Dodsley; and T. Davies, London 1762. . 1762. Charlotte Lennox Charlotte Lennox The Sister
JOSE NICOLAS AZARA (1730-1804) - MARQUES DE NIBBIANO - EMBAJADOR DE ESPAÑA EN ROMA. Author: MENGS, ANTON RAPHAEL. Location: PRIVATE COLLECTION. MADRID. SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jose-nicolas-azara-1730-1804-marques-de-nibbiano-embajador-de-espaa-en-roma-author-mengs-anton-raphael-location-private-collection-madrid-spain-image226537088.htmlRMR4FJA8–JOSE NICOLAS AZARA (1730-1804) - MARQUES DE NIBBIANO - EMBAJADOR DE ESPAÑA EN ROMA. Author: MENGS, ANTON RAPHAEL. Location: PRIVATE COLLECTION. MADRID. SPAIN.
Jose Nicolas de Azara (1730-1804). Spanish politician and diplomat. Portrait, detail. Illustration by Llanta. Lithography. Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Aragon, 1866. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jose-nicolas-de-azara-1730-1804-spanish-politician-and-diplomat-portrait-detail-illustration-by-llanta-lithography-cronica-general-de-espaa-historia-ilustrada-y-descriptiva-de-sus-provincias-aragon-1866-image351106845.htmlRM2BB68A5–Jose Nicolas de Azara (1730-1804). Spanish politician and diplomat. Portrait, detail. Illustration by Llanta. Lithography. Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Aragon, 1866.
. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. PHOTOS. SY £VANS, GORfJiNG. .N.Y. OtO. S.HAVERUNG IVIRS.GEO.S. HAVERUNG GEORGE HAVERLING. The subject of this sketch is the son of Adam Haverling, and was born at Painted Post, March 18, 1810. His father was a native of Pennsylvania, and was reared on a farm with one John Wormley; settled in Steuben County, at Painted Post, about 1804; was there engaged in the distillery business until he removed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-steuben-county-new-york-with-illustrations-and-biographical-sketches-of-some-of-its-prominent-men-and-pioneers-steuben-friedrich-wilhelm-ludolf-gerhard-augustin-baron-von-1730-1794-photos-sy-vans-gorfjing-ny-oto-shaverung-ivirsgeos-haverung-george-haverling-the-subject-of-this-sketch-is-the-son-of-adam-haverling-and-was-born-at-painted-post-march-18-1810-his-father-was-a-native-of-pennsylvania-and-was-reared-on-a-farm-with-one-john-wormley-settled-in-steuben-county-at-painted-post-about-1804-was-there-engaged-in-the-distillery-business-until-he-removed-image216287741.htmlRMPFTN65–. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. PHOTOS. SY £VANS, GORfJiNG. .N.Y. OtO. S.HAVERUNG IVIRS.GEO.S. HAVERUNG GEORGE HAVERLING. The subject of this sketch is the son of Adam Haverling, and was born at Painted Post, March 18, 1810. His father was a native of Pennsylvania, and was reared on a farm with one John Wormley; settled in Steuben County, at Painted Post, about 1804; was there engaged in the distillery business until he removed
Archive image from page 22 of Des Herrn Abts Vidaure Kurzgefasste. Des Herrn Abts Vidaure Kurzgefasste geographische, natürliche und bürgerliche Geschichte des Königreichs Chile, . desherrnabtsvida00moli Year: 1782 19 fo unMtmutf)« / afe anbete wo. gg fangt fachte an/ unb-epe eö gcroafdg wirb, ?$g! eö ben@n tüofjner» 3efc, ftcf) an$ im Jpdufmt ju mtert er fiarfe liuöbrud) ber Sßuffanen mag tttofjf anfänglich bte ewa.ft biefar fd;mffief)en Slitim XII. Mgte 1722 bett 24 SDiarj triefe ®e6aube, S)al fünfte trieb 1730 ben 8 3uliuS bnö Stteer gegen t>ietabt£oncepcion, unb warf jie n oben. £&g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-22-of-des-herrn-abts-vidaure-kurzgefasste-des-herrn-abts-vidaure-kurzgefasste-geographische-natrliche-und-brgerliche-geschichte-des-knigreichs-chile-desherrnabtsvida00moli-year-1782-19-fo-unmtmutf-afe-anbete-wo-gg-fangt-fachte-an-unb-epe-e-gcroafdg-wirb-g!-e-ben@n-tofjner-3efc-ftcf-an-im-jpdufmt-ju-mtert-er-fiarfe-liubrud-ber-suffanen-mag-tttofjf-anfnglich-bte-ewaft-biefar-fdmffiefen-slitim-xii-mgte-1722-bett-24-sdiarj-triefe-e6aube-sal-fnfte-trieb-1730-ben-8-3ulius-bn-stteer-gegen-tgtietabtoncepcion-unb-warf-jie-n-oben-g-image258874786.htmlRMW14NC2–Archive image from page 22 of Des Herrn Abts Vidaure Kurzgefasste. Des Herrn Abts Vidaure Kurzgefasste geographische, natürliche und bürgerliche Geschichte des Königreichs Chile, . desherrnabtsvida00moli Year: 1782 19 fo unMtmutf)« / afe anbete wo. gg fangt fachte an/ unb-epe eö gcroafdg wirb, ?$g! eö ben@n tüofjner» 3efc, ftcf) an$ im Jpdufmt ju mtert er fiarfe liuöbrud) ber Sßuffanen mag tttofjf anfänglich bte ewa.ft biefar fd;mffief)en Slitim XII. Mgte 1722 bett 24 SDiarj triefe ®e6aube, S)al fünfte trieb 1730 ben 8 3uliuS bnö Stteer gegen t>ietabt£oncepcion, unb warf jie n oben. £&g
Jose Nicolas de Azara (1730-1804). Spanish politician and diplomat. Portrait. Illustration by Llanta. Lithography. Cronica General de España, Historia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jose-nicolas-de-azara-1730-1804-spanish-politician-and-diplomat-portrait-illustration-by-llanta-lithography-cronica-general-de-espaa-historia-image439551864.htmlRF2GF38TT–Jose Nicolas de Azara (1730-1804). Spanish politician and diplomat. Portrait. Illustration by Llanta. Lithography. Cronica General de España, Historia
Portret van Joshua Kirby, John Dixon, after Thomas Gainsborough, 1730 - 1804 print paper historical persons. portrait, self-portrait of painter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portret-van-joshua-kirby-john-dixon-after-thomas-gainsborough-1730-1804-print-paper-historical-persons-portrait-self-portrait-of-painter-image594779493.htmlRM2WFJF8N–Portret van Joshua Kirby, John Dixon, after Thomas Gainsborough, 1730 - 1804 print paper historical persons. portrait, self-portrait of painter
Jacques Necker (1732-1804), CEO of the Royal Treasury (1776-1777), Director General of Finance (1777-1781, 1788-1789), former Minister of Finance (1789-1790), 1789 Benjamin Duvivier (1730-1819). Jacques Necker (1732-1804), directeur général du Trésor royal (1776-1777), directeur général des Finances (1777-1781, 1788-1789), premier ministre des Finances (1789-1790). Bronze, 1789. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-necker-1732-1804-ceo-of-the-royal-treasury-1776-1777-director-general-of-finance-1777-1781-1788-1789-former-minister-of-finance-1789-1790-1789-benjamin-duvivier-1730-1819-jacques-necker-1732-1804-directeur-gnral-du-trsor-royal-1776-1777-directeur-gnral-des-finances-1777-1781-1788-1789-premier-ministre-des-finances-1789-1790-bronze-1789-paris-muse-carnavalet-image349974242.htmlRM2B9AKM2–Jacques Necker (1732-1804), CEO of the Royal Treasury (1776-1777), Director General of Finance (1777-1781, 1788-1789), former Minister of Finance (1789-1790), 1789 Benjamin Duvivier (1730-1819). Jacques Necker (1732-1804), directeur général du Trésor royal (1776-1777), directeur général des Finances (1777-1781, 1788-1789), premier ministre des Finances (1789-1790). Bronze, 1789. Paris, musée Carnavalet.
. The history of the Treman, Tremaine, Truman family in America; with the related families of Mack, Dey, Board and Ayers; being a history of Joseph Truman of New London, Conn. (1666); John Mack of Lyme, Conn. (1680); Richard Dey of New York city (1641); Cornelius Board of Boardville, N.J. (1730); John Ayer of Newbury, Mass. (1635); and their descendants. LAFAYETTE LEPINE TREMAN. >^- MRS. ELIZA MACK TREMAN -r.Tt ?^ --^OX ANDTILDE.H FOUNDATIONS. Sixth Generation. 103 1804. Lafayette Lepine Treman. (Ashbel^, Abner-*, John^,Joseph, Joseph.) 542. He was born April 3, 1821, at Mecklen-burg, N. Y. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-history-of-the-treman-tremaine-truman-family-in-america-with-the-related-families-of-mack-dey-board-and-ayers-being-a-history-of-joseph-truman-of-new-london-conn-1666-john-mack-of-lyme-conn-1680-richard-dey-of-new-york-city-1641-cornelius-board-of-boardville-nj-1730-john-ayer-of-newbury-mass-1635-and-their-descendants-lafayette-lepine-treman-gt-mrs-eliza-mack-treman-rtt-ox-andtildeh-foundations-sixth-generation-103-1804-lafayette-lepine-treman-ashbel-abner-johnjoseph-joseph-542-he-was-born-april-3-1821-at-mecklen-burg-n-y-image337139702.htmlRM2AGE13J–. The history of the Treman, Tremaine, Truman family in America; with the related families of Mack, Dey, Board and Ayers; being a history of Joseph Truman of New London, Conn. (1666); John Mack of Lyme, Conn. (1680); Richard Dey of New York city (1641); Cornelius Board of Boardville, N.J. (1730); John Ayer of Newbury, Mass. (1635); and their descendants. LAFAYETTE LEPINE TREMAN. >^- MRS. ELIZA MACK TREMAN -r.Tt ?^ --^OX ANDTILDE.H FOUNDATIONS. Sixth Generation. 103 1804. Lafayette Lepine Treman. (Ashbel^, Abner-*, John^,Joseph, Joseph.) 542. He was born April 3, 1821, at Mecklen-burg, N. Y.
Spring and Autumn Farming, 1700s. Ko Sukoku (Japanese, 1730-1804). Pair of six-panel folding screens, ink, light color, gold, and silver on paper; overall: 170.2 x 353.5 cm (67 x 139 3/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-and-autumn-farming-1700s-ko-sukoku-japanese-1730-1804-pair-of-six-panel-folding-screens-ink-light-color-gold-and-silver-on-paper-overall-1702-x-3535-cm-67-x-139-316-in-image240505532.htmlRMRY7Y78–Spring and Autumn Farming, 1700s. Ko Sukoku (Japanese, 1730-1804). Pair of six-panel folding screens, ink, light color, gold, and silver on paper; overall: 170.2 x 353.5 cm (67 x 139 3/16 in
Portrait of José Nicolás de Azara, Marquis of Nibbiano, after 1774. Additional Info: The portrait depicts the Spanish diplomat José Nicolás de Azara (1730-1804), Marquis of Nibbiano, in three-quarter profile, seated at a wooden table and returning the viewer's gaze. The sitter's right arm rests on the table, and he holds a book in his right hand, his index finger inserted to mark the place. His left hand, partially cropped by the frame in the lower right corner, appears to be resting in his lap. The sitter, a friend of Mengs, was born to a wealthy Aragonese family and play Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-josxe9-nicolxe1s-de-azara-marquis-of-nibbiano-after-1774-additional-info-the-portrait-depicts-the-spanish-diplomat-josxe9-nicolxe1s-de-azara-1730-1804-marquis-of-nibbiano-in-three-quarter-profile-seated-at-a-wooden-table-and-returning-the-viewers-gaze-the-sitters-right-arm-rests-on-the-table-and-he-holds-a-book-in-his-right-hand-his-index-finger-inserted-to-mark-the-place-his-left-hand-partially-cropped-by-the-frame-in-the-lower-right-corner-appears-to-be-resting-in-his-lap-the-sitter-a-friend-of-mengs-was-born-to-a-wealthy-aragonese-family-and-play-image626633693.htmlRM2YBDHJN–Portrait of José Nicolás de Azara, Marquis of Nibbiano, after 1774. Additional Info: The portrait depicts the Spanish diplomat José Nicolás de Azara (1730-1804), Marquis of Nibbiano, in three-quarter profile, seated at a wooden table and returning the viewer's gaze. The sitter's right arm rests on the table, and he holds a book in his right hand, his index finger inserted to mark the place. His left hand, partially cropped by the frame in the lower right corner, appears to be resting in his lap. The sitter, a friend of Mengs, was born to a wealthy Aragonese family and play
Mr. Garrick in Richard the Third, published April 28, 1772, John Dixon (English, born Ireland, c. 1730-1804), after Nathaniel Dance (English, 1735-1811), published by John Boydell (English, 1719-1804), England, Mezzotint on cream laid paper, 635 × 400 mm (image/plate), 716 × 539 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mr-garrick-in-richard-the-third-published-april-28-1772-john-dixon-english-born-ireland-c-1730-1804-after-nathaniel-dance-english-1735-1811-published-by-john-boydell-english-1719-1804-england-mezzotint-on-cream-laid-paper-635-400-mm-imageplate-716-539-mm-sheet-image328662587.htmlRM2A2KTDF–Mr. Garrick in Richard the Third, published April 28, 1772, John Dixon (English, born Ireland, c. 1730-1804), after Nathaniel Dance (English, 1735-1811), published by John Boydell (English, 1719-1804), England, Mezzotint on cream laid paper, 635 × 400 mm (image/plate), 716 × 539 mm (sheet
. First plate and title from the novel The Female Quixote, Cooks Edition, by Charlotte Lennox, (1730–1804) . 19th century, first edition 1752. Charlotte Lennox 124 Charlotte Lennox The Female Quixote Cooks Edition Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-plate-and-title-from-the-novel-the-female-quixote-cooks-edition-by-charlotte-lennox-17301804-19th-century-first-edition-1752-charlotte-lennox-124-charlotte-lennox-the-female-quixote-cooks-edition-image187692463.htmlRMMWA3J7–. First plate and title from the novel The Female Quixote, Cooks Edition, by Charlotte Lennox, (1730–1804) . 19th century, first edition 1752. Charlotte Lennox 124 Charlotte Lennox The Female Quixote Cooks Edition
The Hermitage, unknown artist, eighteenth century, Formerly attributed to Theodore de Bruyn, 1730–1804, Dutch, ca. 1772, Oil on canvas, Support (PTG): 32 1/2 x 51 3/8 inches (82.6 x 130.5 cm), actor, agriculture, architectural subject, basket, bench, boy, brick, bridge (built work), buildings, child, cityscape, country house, espalier trees, fields, garden, gardening, gate, mansion, mother, playwright, pond, river, serpentine (shape), son, trees, wall, water, woman, England, London, St. John's Church, Smith Square, St. Paul's Cathedral, United Kingdom, Westminster, Westminster Abbey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hermitage-unknown-artist-eighteenth-century-formerly-attributed-to-theodore-de-bruyn-17301804-dutch-ca-1772-oil-on-canvas-support-ptg-32-12-x-51-38-inches-826-x-1305-cm-actor-agriculture-architectural-subject-basket-bench-boy-brick-bridge-built-work-buildings-child-cityscape-country-house-espalier-trees-fields-garden-gardening-gate-mansion-mother-playwright-pond-river-serpentine-shape-son-trees-wall-water-woman-england-london-st-johns-church-smith-square-st-pauls-cathedral-united-kingdom-westminster-westminster-abbey-image389620787.htmlRM2DHTN83–The Hermitage, unknown artist, eighteenth century, Formerly attributed to Theodore de Bruyn, 1730–1804, Dutch, ca. 1772, Oil on canvas, Support (PTG): 32 1/2 x 51 3/8 inches (82.6 x 130.5 cm), actor, agriculture, architectural subject, basket, bench, boy, brick, bridge (built work), buildings, child, cityscape, country house, espalier trees, fields, garden, gardening, gate, mansion, mother, playwright, pond, river, serpentine (shape), son, trees, wall, water, woman, England, London, St. John's Church, Smith Square, St. Paul's Cathedral, United Kingdom, Westminster, Westminster Abbey
José Nicolás de Azara (1730-1804). Político, diplomático y mecenas español. Dibujo por Llanta. Litografía. Crónica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Aragón, 1866. Biblioteca Militar de Barcelona, Cataluña, España. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jos-nicols-de-azara-1730-1804-poltico-diplomtico-y-mecenas-espaol-dibujo-por-llanta-litografa-crnica-general-de-espaa-historia-ilustrada-y-descriptiva-de-sus-provincias-aragn-1866-biblioteca-militar-de-barcelona-catalua-espaa-image340497789.htmlRM2ANY0B9–José Nicolás de Azara (1730-1804). Político, diplomático y mecenas español. Dibujo por Llanta. Litografía. Crónica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Aragón, 1866. Biblioteca Militar de Barcelona, Cataluña, España.
Portrait of Joshua Kirby, print maker: John Dixon, after painting by: Thomas Gainsborough, 1730 - 1804, paper, height 353 mm × width 252 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-joshua-kirby-print-maker-john-dixon-after-painting-by-thomas-gainsborough-1730-1804-paper-height-353-mm-width-252-mm-print-image599529786.htmlRM2WRAXA2–Portrait of Joshua Kirby, print maker: John Dixon, after painting by: Thomas Gainsborough, 1730 - 1804, paper, height 353 mm × width 252 mm, print
The external mouldings of the Tower of the Winds, The antiquities of Athens, Basire, James, the Elder, 1730-1802, Revett, Nicholas, 1720-1804, Stuart, James, 1713-1788, Engraving, 1762, Inscribed at lower right, James Basire sculpt, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-external-mouldings-of-the-tower-of-the-winds-the-antiquities-of-athens-basire-james-the-elder-1730-1802-revett-nicholas-1720-1804-stuart-james-1713-1788-engraving-1762-inscribed-at-lower-right-james-basire-sculpt-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350080152.htmlRF2B9FEPG–The external mouldings of the Tower of the Winds, The antiquities of Athens, Basire, James, the Elder, 1730-1802, Revett, Nicholas, 1720-1804, Stuart, James, 1713-1788, Engraving, 1762, Inscribed at lower right, James Basire sculpt, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. (>HOT03.SY EVANS.). ^^PC/L^ ^O^-rj JOHN M. PATTERSON. John M. Patterson, son of Benjamin and Sarah Patterson, was born in Erwin, March 23, 1804. Benjamin was born in Loudon Co., Va., Sept., 1759. He was a farmer by occupation, and learned the trade of blacksmith when young. He served through the Revolutionary war as a soldier, and during a portion of this time he acted as a spy on the frontier Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-steuben-county-new-york-with-illustrations-and-biographical-sketches-of-some-of-its-prominent-men-and-pioneers-steuben-friedrich-wilhelm-ludolf-gerhard-augustin-baron-von-1730-1794-gthot03sy-evans-pcl-o-rj-john-m-patterson-john-m-patterson-son-of-benjamin-and-sarah-patterson-was-born-in-erwin-march-23-1804-benjamin-was-born-in-loudon-co-va-sept-1759-he-was-a-farmer-by-occupation-and-learned-the-trade-of-blacksmith-when-young-he-served-through-the-revolutionary-war-as-a-soldier-and-during-a-portion-of-this-time-he-acted-as-a-spy-on-the-frontier-image216321193.htmlRMPFX7TW–. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. (>HOT03.SY EVANS.). ^^PC/L^ ^O^-rj JOHN M. PATTERSON. John M. Patterson, son of Benjamin and Sarah Patterson, was born in Erwin, March 23, 1804. Benjamin was born in Loudon Co., Va., Sept., 1759. He was a farmer by occupation, and learned the trade of blacksmith when young. He served through the Revolutionary war as a soldier, and during a portion of this time he acted as a spy on the frontier
Archive image from page 22 of Des Herrn Abts Vidaure Kurzgefasste. Des Herrn Abts Vidaure Kurzgefasste geographische, natürliche und bürgerliche Geschichte des Königreichs Chile, . desherrnabtsvida00moli Year: 1782 Mgte 1722 bett 24 SDiarj triefe ®e6aube, S)al fünfte trieb 1730 ben 8 3uliuS bnö Stteer gegen t>ietabt£oncepcion, unb warf jie n oben. £>a$ fechte serwüftete 1751 ben 24 SKap nufct nur bi# gefaxte tabt gan$ unb gar, unb begrub j!e unter fcem Speere, fonbern richtete auü) alle Die übrigen gelungen unb Sieden, Die wifcfren bem 34 unb 40 rab ber fübHd)en reite liegen, guöHunbe. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-22-of-des-herrn-abts-vidaure-kurzgefasste-des-herrn-abts-vidaure-kurzgefasste-geographische-natrliche-und-brgerliche-geschichte-des-knigreichs-chile-desherrnabtsvida00moli-year-1782-mgte-1722-bett-24-sdiarj-triefe-e6aube-sal-fnfte-trieb-1730-ben-8-3ulius-bn-stteer-gegen-tgtietabtoncepcion-unb-warf-jie-n-oben-gta-fechte-serwftete-1751-ben-24-skap-nufct-nur-bi-gefaxte-tabt-gan-unb-gar-unb-begrub-j!e-unter-fcem-speere-fonbern-richtete-au-alle-die-brigen-gelungen-unb-sieden-die-wifcfren-bem-34-unb-40-rab-ber-fbhden-reite-liegen-guhunbe-image258874769.htmlRMW14NBD–Archive image from page 22 of Des Herrn Abts Vidaure Kurzgefasste. Des Herrn Abts Vidaure Kurzgefasste geographische, natürliche und bürgerliche Geschichte des Königreichs Chile, . desherrnabtsvida00moli Year: 1782 Mgte 1722 bett 24 SDiarj triefe ®e6aube, S)al fünfte trieb 1730 ben 8 3uliuS bnö Stteer gegen t>ietabt£oncepcion, unb warf jie n oben. £>a$ fechte serwüftete 1751 ben 24 SKap nufct nur bi# gefaxte tabt gan$ unb gar, unb begrub j!e unter fcem Speere, fonbern richtete auü) alle Die übrigen gelungen unb Sieden, Die wifcfren bem 34 unb 40 rab ber fübHd)en reite liegen, guöHunbe.
Spring and Autumn Farming (Spring), 1700s. Kō Sūkoku (Japanese, 1730-1804). Six-panel folding screen, ink, light color, gold, and silver on paper; overall: 170.2 x 353.5 cm (67 x 139 3/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-and-autumn-farming-spring-1700s-k-skoku-japanese-1730-1804-six-panel-folding-screen-ink-light-color-gold-and-silver-on-paper-overall-1702-x-3535-cm-67-x-139-316-in-image448108801.htmlRM2H1139N–Spring and Autumn Farming (Spring), 1700s. Kō Sūkoku (Japanese, 1730-1804). Six-panel folding screen, ink, light color, gold, and silver on paper; overall: 170.2 x 353.5 cm (67 x 139 3/16 in.).
Jacques Necker (1732-1804), CEO of the Royal Treasury (1776-1777), Director General of Finance (1777-1781, 1788-1789), former Minister of Finance (1789-1790), 1789 Benjamin Duvivier (1730-1819). Jacques Necker (1732-1804), directeur général du Trésor royal (1776-1777), directeur général des Finances (1777-1781, 1788-1789), premier ministre des Finances (1789-1790), 1789. Bronze. 1789. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-necker-1732-1804-ceo-of-the-royal-treasury-1776-1777-director-general-of-finance-1777-1781-1788-1789-former-minister-of-finance-1789-1790-1789-benjamin-duvivier-1730-1819-jacques-necker-1732-1804-directeur-gnral-du-trsor-royal-1776-1777-directeur-gnral-des-finances-1777-1781-1788-1789-premier-ministre-des-finances-1789-1790-1789-bronze-1789-paris-muse-carnavalet-image349974240.htmlRM2B9AKM0–Jacques Necker (1732-1804), CEO of the Royal Treasury (1776-1777), Director General of Finance (1777-1781, 1788-1789), former Minister of Finance (1789-1790), 1789 Benjamin Duvivier (1730-1819). Jacques Necker (1732-1804), directeur général du Trésor royal (1776-1777), directeur général des Finances (1777-1781, 1788-1789), premier ministre des Finances (1789-1790), 1789. Bronze. 1789. Paris, musée Carnavalet.
. The history of the Treman, Tremaine, Truman family in America; with the related families of Mack, Dey, Board and Ayers; being a history of Joseph Truman of New London, Conn. (1666); John Mack of Lyme, Conn. (1680); Richard Dey of New York city (1641); Cornelius Board of Boardville, N.J. (1730); John Ayer of Newbury, Mass. (1635); and their descendants. 542. Lafayette Lepine. Born April 3, 1821. 1804. 543. Elias. Born Dec. 9, 1S22. 1808. 544. Ann Floretta. Born Dec. 19, 1824. Married Charles G. Galezio. 1815. 545. Mary Caroline. Born Nov. 20, 1835. Married Charles Dey Johnson. 1818. 560. Jare Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-history-of-the-treman-tremaine-truman-family-in-america-with-the-related-families-of-mack-dey-board-and-ayers-being-a-history-of-joseph-truman-of-new-london-conn-1666-john-mack-of-lyme-conn-1680-richard-dey-of-new-york-city-1641-cornelius-board-of-boardville-nj-1730-john-ayer-of-newbury-mass-1635-and-their-descendants-542-lafayette-lepine-born-april-3-1821-1804-543-elias-born-dec-9-1s22-1808-544-ann-floretta-born-dec-19-1824-married-charles-g-galezio-1815-545-mary-caroline-born-nov-20-1835-married-charles-dey-johnson-1818-560-jare-image337143018.htmlRM2AGE5A2–. The history of the Treman, Tremaine, Truman family in America; with the related families of Mack, Dey, Board and Ayers; being a history of Joseph Truman of New London, Conn. (1666); John Mack of Lyme, Conn. (1680); Richard Dey of New York city (1641); Cornelius Board of Boardville, N.J. (1730); John Ayer of Newbury, Mass. (1635); and their descendants. 542. Lafayette Lepine. Born April 3, 1821. 1804. 543. Elias. Born Dec. 9, 1S22. 1808. 544. Ann Floretta. Born Dec. 19, 1824. Married Charles G. Galezio. 1815. 545. Mary Caroline. Born Nov. 20, 1835. Married Charles Dey Johnson. 1818. 560. Jare
Portrait of the composer Antonio Sacchini (1730-1786), 1781. Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-composer-antonio-sacchini-1730-1786-1781-private-collection-image336853848.htmlRM2AG10EG–Portrait of the composer Antonio Sacchini (1730-1786), 1781. Private Collection.
. First plate and title from the novel The Female Quixote, Cooks Edition, by Charlotte Lennox, (1730–1804) . 19th century, first edition 1752. Charlotte Lennox 107 Charlotte Lennox The Female Quixote Cooks Edition Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-plate-and-title-from-the-novel-the-female-quixote-cooks-edition-by-charlotte-lennox-17301804-19th-century-first-edition-1752-charlotte-lennox-107-charlotte-lennox-the-female-quixote-cooks-edition-image188961186.htmlRMMYBWWP–. First plate and title from the novel The Female Quixote, Cooks Edition, by Charlotte Lennox, (1730–1804) . 19th century, first edition 1752. Charlotte Lennox 107 Charlotte Lennox The Female Quixote Cooks Edition
José Nicolás de Azara (1730-1804). Político, diplomático y mecenas español. Dibujo por Llanta. Detalle. Litografía. Crónica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Aragón, 1866. Biblioteca Militar de Barcelona, Cataluña, España. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jos-nicols-de-azara-1730-1804-poltico-diplomtico-y-mecenas-espaol-dibujo-por-llanta-detalle-litografa-crnica-general-de-espaa-historia-ilustrada-y-descriptiva-de-sus-provincias-aragn-1866-biblioteca-militar-de-barcelona-catalua-espaa-image340497777.htmlRM2ANY0AW–José Nicolás de Azara (1730-1804). Político, diplomático y mecenas español. Dibujo por Llanta. Detalle. Litografía. Crónica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Aragón, 1866. Biblioteca Militar de Barcelona, Cataluña, España.
Portrait of Joshua Kirby, print, print maker: John Dixon, (mentioned on object), after painting by: Thomas Gainsborough, (mentioned on object), 1730 - 1804, paper, height, 353 mm × width, 252 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-joshua-kirby-print-print-maker-john-dixon-mentioned-on-object-after-painting-by-thomas-gainsborough-mentioned-on-object-1730-1804-paper-height-353-mm-width-252-mm-image606667284.htmlRM2X7028M–Portrait of Joshua Kirby, print, print maker: John Dixon, (mentioned on object), after painting by: Thomas Gainsborough, (mentioned on object), 1730 - 1804, paper, height, 353 mm × width, 252 mm
Vue des Ruines du Temple de Junon, a Metapontum, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Bertreaux, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean Louis, 1743-1804, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, plate 37, facing page 77, of the third chapter, La Grande-Grece, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cul Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vue-des-ruines-du-temple-de-junon-a-metapontum-voyage-pittoresque-ou-description-des-royaumes-de-naples-et-de-sicile-bertreaux-choffard-pierre-philippe-1730-1809-clousier-desprez-jean-louis-1743-1804-saint-non-jean-claude-richard-de-1727-1791-engraving-1781-1786-plate-37-facing-page-77-of-the-third-chapter-la-grande-grece-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-cul-image350077451.htmlRF2B9FBA3–Vue des Ruines du Temple de Junon, a Metapontum, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Bertreaux, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean Louis, 1743-1804, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, plate 37, facing page 77, of the third chapter, La Grande-Grece, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cul
Jizō and Enma Fishing in the River, late 18th century, Kō Sūkoku, Japanese, 1730 - 1804, 15 1/2 × 22 5/8 in. (39.37 × 57.47 cm) (image)51 × 27 3/8 in. (129.54 × 69.53 cm) (without roller), Ink and colors on paper, Japan, 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jiz-and-enma-fishing-in-the-river-late-18th-century-k-skoku-japanese-1730-1804-15-12-22-58-in-3937-5747-cm-image51-27-38-in-12954-6953-cm-without-roller-ink-and-colors-on-paper-japan-18th-century-image573487233.htmlRM2T90GPW–Jizō and Enma Fishing in the River, late 18th century, Kō Sūkoku, Japanese, 1730 - 1804, 15 1/2 × 22 5/8 in. (39.37 × 57.47 cm) (image)51 × 27 3/8 in. (129.54 × 69.53 cm) (without roller), Ink and colors on paper, Japan, 18th century
. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. TOWN OF THURSTON. 391 Bowers, Isaac, private, 141st Regt., Co. E; eul. Sept. 10,1862; taken sick May 2,1804. Yase, Mann Aaron, private, 141st Eegt., Co. E ; enl. Aug. 21,1862, three years. Edsell, Edwin Thou as, private, 78th Regt.; enl. March, 1863, three years; died of disease at Falls Church, Aug. 30, 1862. Edsell, Samuel John, 141st Rogt., Co. E; enl. Aug. 1862. Sanford, Drew David, private, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-steuben-county-new-york-with-illustrations-and-biographical-sketches-of-some-of-its-prominent-men-and-pioneers-steuben-friedrich-wilhelm-ludolf-gerhard-augustin-baron-von-1730-1794-town-of-thurston-391-bowers-isaac-private-141st-regt-co-e-eul-sept-101862-taken-sick-may-21804-yase-mann-aaron-private-141st-eegt-co-e-enl-aug-211862-three-years-edsell-edwin-thou-as-private-78th-regt-enl-march-1863-three-years-died-of-disease-at-falls-church-aug-30-1862-edsell-samuel-john-141st-rogt-co-e-enl-aug-1862-sanford-drew-david-private-image216320515.htmlRMPFX70K–. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. TOWN OF THURSTON. 391 Bowers, Isaac, private, 141st Regt., Co. E; eul. Sept. 10,1862; taken sick May 2,1804. Yase, Mann Aaron, private, 141st Eegt., Co. E ; enl. Aug. 21,1862, three years. Edsell, Edwin Thou as, private, 78th Regt.; enl. March, 1863, three years; died of disease at Falls Church, Aug. 30, 1862. Edsell, Samuel John, 141st Rogt., Co. E; enl. Aug. 1862. Sanford, Drew David, private,
Gottlieb Leberecht Crusius (1730 - 1804), artist Daniel Nikolaus Chodowiecki (1726 - 1801), after, Gott, wie wird es mir gehen, origins of the print medium: ca. 1760 - 1804, etching on vergé paper, sheet size: 15.2 x 9.2 cm platemark: 13.9 x 7.8 cm, numbered 'IV' at upper left; inscribed 'pag. 21' at upper right; inscribed 'Gott! wie wird es mir gehen' at lower center Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gottlieb-leberecht-crusius-1730-1804-artist-daniel-nikolaus-chodowiecki-1726-1801-after-gott-wie-wird-es-mir-gehen-origins-of-the-print-medium-ca-1760-1804-etching-on-verg-paper-sheet-size-152-x-92-cm-platemark-139-x-78-cm-numbered-iv-at-upper-left-inscribed-pag-21-at-upper-right-inscribed-gott!-wie-wird-es-mir-gehen-at-lower-center-image573219661.htmlRM2T8GBEN–Gottlieb Leberecht Crusius (1730 - 1804), artist Daniel Nikolaus Chodowiecki (1726 - 1801), after, Gott, wie wird es mir gehen, origins of the print medium: ca. 1760 - 1804, etching on vergé paper, sheet size: 15.2 x 9.2 cm platemark: 13.9 x 7.8 cm, numbered 'IV' at upper left; inscribed 'pag. 21' at upper right; inscribed 'Gott! wie wird es mir gehen' at lower center
Spring and Autumn Farming (Autumn), 1700s. Kō Sūkoku (Japanese, 1730-1804). Six-panel folding screen, ink, light color, gold, and silver on paper; overall: 170.2 x 353.5 cm (67 x 139 3/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-and-autumn-farming-autumn-1700s-k-skoku-japanese-1730-1804-six-panel-folding-screen-ink-light-color-gold-and-silver-on-paper-overall-1702-x-3535-cm-67-x-139-316-in-image448109359.htmlRM2H1141K–Spring and Autumn Farming (Autumn), 1700s. Kō Sūkoku (Japanese, 1730-1804). Six-panel folding screen, ink, light color, gold, and silver on paper; overall: 170.2 x 353.5 cm (67 x 139 3/16 in.).
Statue of a Man, James Heath, 1757–1834, British, after James Bruce, 1730–1794, British, ca. 1804, Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-a-man-james-heath-17571834-british-after-james-bruce-17301794-british-ca-1804-engraving-image389624839.htmlRM2DHTXCR–Statue of a Man, James Heath, 1757–1834, British, after James Bruce, 1730–1794, British, ca. 1804, Engraving
Jacques Necker (1732-1804), CEO of the Royal Treasury (1776-1777), Director General of Finance (1777-1781, 1788-1789), former Minister of Finance (1789-1790), 1789 Benjamin Duvivier (1730-1819). Jacques Necker (1732-1804), directeur général du Trésor royal (1776-1777), directeur général des Finances (1777-1781, 1788-1789), premier ministre des Finances (1789-1790), 1789. Bronze. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-necker-1732-1804-ceo-of-the-royal-treasury-1776-1777-director-general-of-finance-1777-1781-1788-1789-former-minister-of-finance-1789-1790-1789-benjamin-duvivier-1730-1819-jacques-necker-1732-1804-directeur-gnral-du-trsor-royal-1776-1777-directeur-gnral-des-finances-1777-1781-1788-1789-premier-ministre-des-finances-1789-1790-1789-bronze-paris-muse-carnavalet-image349974228.htmlRM2B9AKKG–Jacques Necker (1732-1804), CEO of the Royal Treasury (1776-1777), Director General of Finance (1777-1781, 1788-1789), former Minister of Finance (1789-1790), 1789 Benjamin Duvivier (1730-1819). Jacques Necker (1732-1804), directeur général du Trésor royal (1776-1777), directeur général des Finances (1777-1781, 1788-1789), premier ministre des Finances (1789-1790), 1789. Bronze. Paris, musée Carnavalet.
History of Worcester and its people . b. May 28,1730; Samuel, b. July 24, 1732; Hannah, b. July 28, 1736, m. (1) AbelHeywood, (2) Asa Wood; Joseph, b. Dec. 5, 1740, d. Apr. 19, 1758,at Wor. Goddard, SamueP (John^ Jos.-, Wm.), b. July 24, 1732, d. here,June 12, 1803. Came to Wor., 1754; ni. Abigail King, who d. Apr. 8,1804, (pp. 16, 35 Gen.). His will, dated Mar. 17, 1802, was proved 1803,bequeathing to wife Abigail and children—John, Joseph, Mehitable,Mary Lucy and grandchildren Polly and Nabby Taintor. Children, b.here: Abigail, b. Jan. 8, 1761, m. Joel Taintor; Hannah, b. Aug. 17,1762, m. Ca Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-worcester-and-its-people-b-may-281730-samuel-b-july-24-1732-hannah-b-july-28-1736-m-1-abelheywood-2-asa-wood-joseph-b-dec-5-1740-d-apr-19-1758at-wor-goddard-samuep-john-jos-wm-b-july-24-1732-d-herejune-12-1803-came-to-wor-1754-ni-abigail-king-who-d-apr-81804-pp-16-35-gen-his-will-dated-mar-17-1802-was-proved-1803bequeathing-to-wife-abigail-and-childrenjohn-joseph-mehitablemary-lucy-and-grandchildren-polly-and-nabby-taintor-children-bhere-abigail-b-jan-8-1761-m-joel-taintor-hannah-b-aug-171762-m-ca-image339989823.htmlRM2AN3TDK–History of Worcester and its people . b. May 28,1730; Samuel, b. July 24, 1732; Hannah, b. July 28, 1736, m. (1) AbelHeywood, (2) Asa Wood; Joseph, b. Dec. 5, 1740, d. Apr. 19, 1758,at Wor. Goddard, SamueP (John^ Jos.-, Wm.), b. July 24, 1732, d. here,June 12, 1803. Came to Wor., 1754; ni. Abigail King, who d. Apr. 8,1804, (pp. 16, 35 Gen.). His will, dated Mar. 17, 1802, was proved 1803,bequeathing to wife Abigail and children—John, Joseph, Mehitable,Mary Lucy and grandchildren Polly and Nabby Taintor. Children, b.here: Abigail, b. Jan. 8, 1761, m. Joel Taintor; Hannah, b. Aug. 17,1762, m. Ca
Allegory of Happiness, the united Wedding, Education, Fertility and good fortune Draft plafondschildering. Manufacturer : artist Pietro Antonio III Novelli Artist: Jacopo Guarana Dating: 1739 - 1804 and / or 1730 - 1808 Physical features: put on windows in black chalk; Pen in black, brush in water color material: paper watercolor crayon Technique: pen / brush / kwadraatnetvergroting Dimensions: H 520 mm × W 353 mm Subject: Good Omen; 'Augurio buono '(Ripa) Fruitfulness, productiveness, Fertility, Fecundity; 'FeconditÃ' (RIPA) 'Benevolenza et Unione matrimoniale', 'Concordia marital' (RIPA) Hap Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-happiness-the-united-wedding-education-fertility-and-good-fortune-draft-plafondschildering-manufacturer-artist-pietro-antonio-iii-novelli-artist-jacopo-guarana-dating-1739-1804-and-or-1730-1808-physical-features-put-on-windows-in-black-chalk-pen-in-black-brush-in-water-color-material-paper-watercolor-crayon-technique-pen-brush-kwadraatnetvergroting-dimensions-h-520-mm-w-353-mm-subject-good-omen-augurio-buono-ripa-fruitfulness-productiveness-fertility-fecundity-fecondit-ripa-benevolenza-et-unione-matrimoniale-concordia-marital-ripa-hap-image348121350.htmlRM2B6A89A–Allegory of Happiness, the united Wedding, Education, Fertility and good fortune Draft plafondschildering. Manufacturer : artist Pietro Antonio III Novelli Artist: Jacopo Guarana Dating: 1739 - 1804 and / or 1730 - 1808 Physical features: put on windows in black chalk; Pen in black, brush in water color material: paper watercolor crayon Technique: pen / brush / kwadraatnetvergroting Dimensions: H 520 mm × W 353 mm Subject: Good Omen; 'Augurio buono '(Ripa) Fruitfulness, productiveness, Fertility, Fecundity; 'FeconditÃ' (RIPA) 'Benevolenza et Unione matrimoniale', 'Concordia marital' (RIPA) Hap
A white egret, 1804. Found in the Collection of the Collezione Claudio Perino. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-white-egret-1804-found-in-the-collection-of-the-collezione-claudio-perino-image617196867.htmlRM2XT3MW7–A white egret, 1804. Found in the Collection of the Collezione Claudio Perino.
. First plate and title from the novel The Female Quixote, Cooks Edition, by Charlotte Lennox, (1730–1804) . 19th century, first edition 1752. Charlotte Lennox 125 Charlotte Lennox The Female Quixote Cooks Edition Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-plate-and-title-from-the-novel-the-female-quixote-cooks-edition-by-charlotte-lennox-17301804-19th-century-first-edition-1752-charlotte-lennox-125-charlotte-lennox-the-female-quixote-cooks-edition-image188218492.htmlRMMX62H0–. First plate and title from the novel The Female Quixote, Cooks Edition, by Charlotte Lennox, (1730–1804) . 19th century, first edition 1752. Charlotte Lennox 125 Charlotte Lennox The Female Quixote Cooks Edition
. Español: Retrato del político, diplomático y mecenas español José Nicolás de Azara (1730-1804), que fue amigo personal del pintor Anton Raphael Mengs. José Nicolás de Azara. 1774. Jose Nicolas de Azara 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/espaol-retrato-del-poltico-diplomtico-y-mecenas-espaol-jos-nicols-de-azara-1730-1804-que-fue-amigo-personal-del-pintor-anton-raphael-mengs-jos-nicols-de-azara-1774-jose-nicolas-de-azara-2-image184838355.htmlRMMMM35R–. Español: Retrato del político, diplomático y mecenas español José Nicolás de Azara (1730-1804), que fue amigo personal del pintor Anton Raphael Mengs. José Nicolás de Azara. 1774. Jose Nicolas de Azara 2
Mr. Garrick in 'Richard the Third'. John Dixon (English, born Ireland, c. 1730-1804); after Nathaniel Dance (English, 1735-1811); published by John Boydell (English, 1719-1804). Date: 1772. Dimensions: 635 × 400 mm (image/plate); 716 × 539 mm (sheet). Mezzotint on cream laid paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mr-garrick-in-richard-the-third-john-dixon-english-born-ireland-c-1730-1804-after-nathaniel-dance-english-1735-1811-published-by-john-boydell-english-1719-1804-date-1772-dimensions-635-400-mm-imageplate-716-539-mm-sheet-mezzotint-on-cream-laid-paper-origin-england-museum-the-chicago-art-institute-image240001960.htmlRMRXD0XG–Mr. Garrick in 'Richard the Third'. John Dixon (English, born Ireland, c. 1730-1804); after Nathaniel Dance (English, 1735-1811); published by John Boydell (English, 1719-1804). Date: 1772. Dimensions: 635 × 400 mm (image/plate); 716 × 539 mm (sheet). Mezzotint on cream laid paper. Origin: England. Museum: The Chicago Art Institute.
. English: Portrait of Charlotte Clementine of Lippe (1730-1804) Deutsch: Charlotte Clementine zur Lippe, Gräfin (* Detmold, 11. 11. 1730, + Schloß Brake, 18. 5. 1804). Äbtissin der Stifte Cappel und Lemgo 1793 - 1804. . 18th century. Charlotte Clementine zur Lippe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portrait-of-charlotte-clementine-of-lippe-1730-1804-deutsch-charlotte-clementine-zur-lippe-grfin-detmold-11-11-1730-schlo-brake-18-5-1804-btissin-der-stifte-cappel-und-lemgo-1793-1804-18th-century-charlotte-clementine-zur-lippe-image184768969.htmlRMMMGXKN–. English: Portrait of Charlotte Clementine of Lippe (1730-1804) Deutsch: Charlotte Clementine zur Lippe, Gräfin (* Detmold, 11. 11. 1730, + Schloß Brake, 18. 5. 1804). Äbtissin der Stifte Cappel und Lemgo 1793 - 1804. . 18th century. Charlotte Clementine zur Lippe
Vuë du Rocher de Scylla, Vuë d'Écueil de Scylla, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean Louis, 1743-1804, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, Two s, from drawings by Desprez, Plate 72, and Chastelet (also known as Chatelet), Plate 73. Both plates face page 132, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vu-du-rocher-de-scylla-vu-dcueil-de-scylla-voyage-pittoresque-ou-description-des-royaumes-de-naples-et-de-sicile-chastelet-claude-louis-1753-1794-choffard-pierre-philippe-1730-1809-clousier-desprez-jean-louis-1743-1804-saint-non-jean-claude-richard-de-1727-1791-engraving-1781-1786-two-s-from-drawings-by-desprez-plate-72-and-chastelet-also-known-as-chatelet-plate-73-both-plates-face-page-132-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embr-image350077438.htmlRF2B9FB9J–Vuë du Rocher de Scylla, Vuë d'Écueil de Scylla, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean Louis, 1743-1804, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, Two s, from drawings by Desprez, Plate 72, and Chastelet (also known as Chatelet), Plate 73. Both plates face page 132, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embr
Spring and Autumn Farming, 1700s. Kō Sūkoku (Japanese, 1730-1804). Pair of six-panel folding screens, ink, light color, gold, and silver on paper; overall: 170.2 x 353.5 cm (67 x 139 3/16 in.). These screens present the cycle of the farming year, starting with spring at right and ending with fall at left. Close examination of these screens reveals moments of games and amusement, the enjoyment of meals as well as intellectual and spiritual pursuits interspersed among the scenes of cultivating and preparing the rice harvest.The artist K? S?koku is considered the 18th-century heir in style and a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-and-autumn-farming-1700s-k-skoku-japanese-1730-1804-pair-of-six-panel-folding-screens-ink-light-color-gold-and-silver-on-paper-overall-1702-x-3535-cm-67-x-139-316-in-these-screens-present-the-cycle-of-the-farming-year-starting-with-spring-at-right-and-ending-with-fall-at-left-close-examination-of-these-screens-reveals-moments-of-games-and-amusement-the-enjoyment-of-meals-as-well-as-intellectual-and-spiritual-pursuits-interspersed-among-the-scenes-of-cultivating-and-preparing-the-rice-harvestthe-artist-k-skoku-is-considered-the-18th-century-heir-in-style-and-a-image448063462.htmlRM2H0Y1EE–Spring and Autumn Farming, 1700s. Kō Sūkoku (Japanese, 1730-1804). Pair of six-panel folding screens, ink, light color, gold, and silver on paper; overall: 170.2 x 353.5 cm (67 x 139 3/16 in.). These screens present the cycle of the farming year, starting with spring at right and ending with fall at left. Close examination of these screens reveals moments of games and amusement, the enjoyment of meals as well as intellectual and spiritual pursuits interspersed among the scenes of cultivating and preparing the rice harvest.The artist K? S?koku is considered the 18th-century heir in style and a
The Society of Arts distributing its Premium, Isaac Taylor, 1730–1807, British, after Edward Pugh, 1763–1813, British, 1804, Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-society-of-arts-distributing-its-premium-isaac-taylor-17301807-british-after-edward-pugh-17631813-british-1804-engraving-image389762152.htmlRM2DJ35GT–The Society of Arts distributing its Premium, Isaac Taylor, 1730–1807, British, after Edward Pugh, 1763–1813, British, 1804, Engraving
Potrait of Marquis Auguste-Louis Rossel de Cercy (1736-1804) with his daughter 1790 Pierre Philippe Choffard. Potrait of Marquis Auguste-Louis Rossel de Cercy (1736-1804) with his daughter. Pierre Philippe Choffard (French, Paris 1730–1809 Paris). 1790. Etching and engraving. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/potrait-of-marquis-auguste-louis-rossel-de-cercy-1736-1804-with-his-daughter-1790-pierre-philippe-choffard-potrait-of-marquis-auguste-louis-rossel-de-cercy-1736-1804-with-his-daughter-pierre-philippe-choffard-french-paris-17301809-paris-1790-etching-and-engraving-prints-image457914322.htmlRM2HGYPAX–Potrait of Marquis Auguste-Louis Rossel de Cercy (1736-1804) with his daughter 1790 Pierre Philippe Choffard. Potrait of Marquis Auguste-Louis Rossel de Cercy (1736-1804) with his daughter. Pierre Philippe Choffard (French, Paris 1730–1809 Paris). 1790. Etching and engraving. Prints
Pierre Philippe Choffard, Potrait of Marquis Auguste-Louis Rossel de Cercy (1736-1804) with his daughter, Pierre Philippe Choffard (French, Paris 1730–1809 Paris), 1790, Etching and engraving, Sheet: 8 1/4 × 5 3/16 in. (21 × 13.2 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierre-philippe-choffard-potrait-of-marquis-auguste-louis-rossel-de-cercy-1736-1804-with-his-daughter-pierre-philippe-choffard-french-paris-17301809-paris-1790-etching-and-engraving-sheet-8-14-5-316-in-21-132-cm-prints-image344623780.htmlRM2B0JY44–Pierre Philippe Choffard, Potrait of Marquis Auguste-Louis Rossel de Cercy (1736-1804) with his daughter, Pierre Philippe Choffard (French, Paris 1730–1809 Paris), 1790, Etching and engraving, Sheet: 8 1/4 × 5 3/16 in. (21 × 13.2 cm), Prints
Print made by Henry R. Cook, active 1802–1849, British, active in Britain and France, Mrs. Lenox, 1813. Stipple engraving and line engraving on medium, slightly textured, cream wove paper, laid in mount. bust , curls , dress , portrait , woman , writer. Lennox, Charlotte (1730/31?–1804), novelist and writer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-henry-r-cook-active-18021849-british-active-in-britain-and-france-mrs-lenox-1813-stipple-engraving-and-line-engraving-on-medium-slightly-textured-cream-wove-paper-laid-in-mount-bust-curls-dress-portrait-woman-writer-lennox-charlotte-1730311804-novelist-and-writer-image398455847.htmlRM2E476DY–Print made by Henry R. Cook, active 1802–1849, British, active in Britain and France, Mrs. Lenox, 1813. Stipple engraving and line engraving on medium, slightly textured, cream wove paper, laid in mount. bust , curls , dress , portrait , woman , writer. Lennox, Charlotte (1730/31?–1804), novelist and writer
Miss Jacobs, Print made by John Spilsbury, 1730–1795, after Sir Joshua Reynolds RA, 1723–1792, British, Published by John Boydell, 1720–1804, British, ca. 1762, Mezzotint on medium, slightly textured, cream laid paper, Plate: 20 × 14 inches (50.8 × 35.6 cm) and Image: 17 7/8 × 13 7/8 inches (45.4 × 35.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miss-jacobs-print-made-by-john-spilsbury-17301795-after-sir-joshua-reynolds-ra-17231792-british-published-by-john-boydell-17201804-british-ca-1762-mezzotint-on-medium-slightly-textured-cream-laid-paper-plate-20-14-inches-508-356-cm-and-image-17-78-13-78-inches-454-352-cm-image389645561.htmlRM2DHWTTW–Miss Jacobs, Print made by John Spilsbury, 1730–1795, after Sir Joshua Reynolds RA, 1723–1792, British, Published by John Boydell, 1720–1804, British, ca. 1762, Mezzotint on medium, slightly textured, cream laid paper, Plate: 20 × 14 inches (50.8 × 35.6 cm) and Image: 17 7/8 × 13 7/8 inches (45.4 × 35.2 cm
Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), Mrs. Lenox, 1792. Etching and stipple engraving on medium, slightly textured, cream wove paper. author , book , costume , curls , illustration , novel , novelist , portrait , woman , writer. Shakespeare, William (1564–1616), playwright and poet Shakespeare, William (1564–1616), playwright and poet Lennox, Charlotte (1730/31?–1804), novelist and writer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-francesco-bartolozzi-ra-17281815-italian-active-in-britain-176499-mrs-lenox-1792-etching-and-stipple-engraving-on-medium-slightly-textured-cream-wove-paper-author-book-costume-curls-illustration-novel-novelist-portrait-woman-writer-shakespeare-william-15641616-playwright-and-poet-shakespeare-william-15641616-playwright-and-poet-lennox-charlotte-1730311804-novelist-and-writer-image398395252.htmlRM2E44D5T–Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), Mrs. Lenox, 1792. Etching and stipple engraving on medium, slightly textured, cream wove paper. author , book , costume , curls , illustration , novel , novelist , portrait , woman , writer. Shakespeare, William (1564–1616), playwright and poet Shakespeare, William (1564–1616), playwright and poet Lennox, Charlotte (1730/31?–1804), novelist and writer
Louis Jean Desprez, Interior of the Palazzo Spinola, Genoa, Louis Jean Desprez (French, Auxerre 1743–1804 Stockholm), After Charles de Wailly (French, Paris 1730–1798 Paris), 18th century, Etching, sheet: 14 13/16 x 19 5/8 in. (37.6 x 49.8 cm), plate: 13 5/8 x 18 1/16 in. (34.6 x 45.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-jean-desprez-interior-of-the-palazzo-spinola-genoa-louis-jean-desprez-french-auxerre-17431804-stockholm-after-charles-de-wailly-french-paris-17301798-paris-18th-century-etching-sheet-14-1316-x-19-58-in-376-x-498-cm-plate-13-58-x-18-116-in-346-x-459-cm-image344651099.htmlRM2B0M5YR–Louis Jean Desprez, Interior of the Palazzo Spinola, Genoa, Louis Jean Desprez (French, Auxerre 1743–1804 Stockholm), After Charles de Wailly (French, Paris 1730–1798 Paris), 18th century, Etching, sheet: 14 13/16 x 19 5/8 in. (37.6 x 49.8 cm), plate: 13 5/8 x 18 1/16 in. (34.6 x 45.9 cm
Nathaniel Dance RA, 1735–1811, British, Cristiano Giuseppe Lidarti and Giovanni Battista Tempesti, between 1759 and 1760. Oil on canvas. art , artist , brushes , canvas , cello , chair , coat , conversation piece , harp (chordophone) , harpist , ink , inkwell , men , music , music stand , music, sheet , musician , painter , painting (visual work) , palette , pen , portrait , quill (feather) , seated , sheet music , vest (main garment). Tempesti, Giovanni Battista (1732-1804), artist Lidarti, Cristiano Giuseppe (b. 1730), composer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nathaniel-dance-ra-17351811-british-cristiano-giuseppe-lidarti-and-giovanni-battista-tempesti-between-1759-and-1760-oil-on-canvas-art-artist-brushes-canvas-cello-chair-coat-conversation-piece-harp-chordophone-harpist-ink-inkwell-men-music-music-stand-music-sheet-musician-painter-painting-visual-work-palette-pen-portrait-quill-feather-seated-sheet-music-vest-main-garment-tempesti-giovanni-battista-1732-1804-artist-lidarti-cristiano-giuseppe-b-1730-composer-image398341519.htmlRM2E420JR–Nathaniel Dance RA, 1735–1811, British, Cristiano Giuseppe Lidarti and Giovanni Battista Tempesti, between 1759 and 1760. Oil on canvas. art , artist , brushes , canvas , cello , chair , coat , conversation piece , harp (chordophone) , harpist , ink , inkwell , men , music , music stand , music, sheet , musician , painter , painting (visual work) , palette , pen , portrait , quill (feather) , seated , sheet music , vest (main garment). Tempesti, Giovanni Battista (1732-1804), artist Lidarti, Cristiano Giuseppe (b. 1730), composer
Shakspeare, Peltro W. Tomkins, 1760–1840, British, after Richard Corbould, 1757–1831, British, after Edward Burch, 1730–1814, British, 1804, Line engraving and etching on wove paper, Image: 3 1/4 x 2in. (8.3 x 5.1cm) and Sheet: 4 x 2 1/2in. (10.2 x 6.4cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakspeare-peltro-w-tomkins-17601840-british-after-richard-corbould-17571831-british-after-edward-burch-17301814-british-1804-line-engraving-and-etching-on-wove-paper-image-3-14-x-2in-83-x-51cm-and-sheet-4-x-2-12in-102-x-64cm-image389800609.htmlRM2DJ4XJ9–Shakspeare, Peltro W. Tomkins, 1760–1840, British, after Richard Corbould, 1757–1831, British, after Edward Burch, 1730–1814, British, 1804, Line engraving and etching on wove paper, Image: 3 1/4 x 2in. (8.3 x 5.1cm) and Sheet: 4 x 2 1/2in. (10.2 x 6.4cm
Spring and Autumn Farming (Spring), 1700s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-and-autumn-farming-spring-1700s-image330121171.htmlRM2A528WR–Spring and Autumn Farming (Spring), 1700s.
Design for the Ceiling of the Salon of the Palazzo Spinola, Genoa, Louis-Jean Desprez, French, active Sweden, 1743–1804, Charles de Wailly, French, 1730–1798, Etching on paper, An oval central panel shows the Apotheosis of Amrbose Spinola, being borne to heaven on a chariot. The outer edge of the ceiling is composed of segmented panels with vine tendril arabesques and putti. Columnar and pier supports are indicated at the outer edges., France, 1776, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-the-ceiling-of-the-salon-of-the-palazzo-spinola-genoa-louis-jean-desprez-french-active-sweden-17431804-charles-de-wailly-french-17301798-etching-on-paper-an-oval-central-panel-shows-the-apotheosis-of-amrbose-spinola-being-borne-to-heaven-on-a-chariot-the-outer-edge-of-the-ceiling-is-composed-of-segmented-panels-with-vine-tendril-arabesques-and-putti-columnar-and-pier-supports-are-indicated-at-the-outer-edges-france-1776-print-image391555860.htmlRM2DN0WDT–Design for the Ceiling of the Salon of the Palazzo Spinola, Genoa, Louis-Jean Desprez, French, active Sweden, 1743–1804, Charles de Wailly, French, 1730–1798, Etching on paper, An oval central panel shows the Apotheosis of Amrbose Spinola, being borne to heaven on a chariot. The outer edge of the ceiling is composed of segmented panels with vine tendril arabesques and putti. Columnar and pier supports are indicated at the outer edges., France, 1776, Print
. Fundamentals of botany. Botany. Fig. S3.—Jan Ingen-Housz (1730-1799). He was the first to recognize the difference between photosynthesis and respiration in plants.. Fig. 54.—-Joseph Priestly (1733-1804). He discovered oxygen, and made pioneer studies of the function of chlorophyll.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Gager, C. Stuart (Charles Stuart), 1872-1943. Philadelphia, P. Blakiston's son & co. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fundamentals-of-botany-botany-fig-s3jan-ingen-housz-1730-1799-he-was-the-first-to-recognize-the-difference-between-photosynthesis-and-respiration-in-plants-fig-54-joseph-priestly-1733-1804-he-discovered-oxygen-and-made-pioneer-studies-of-the-function-of-chlorophyll-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-gager-c-stuart-charles-stuart-1872-1943-philadelphia-p-blakistons-son-amp-co-image232411585.htmlRMRE379N–. Fundamentals of botany. Botany. Fig. S3.—Jan Ingen-Housz (1730-1799). He was the first to recognize the difference between photosynthesis and respiration in plants.. Fig. 54.—-Joseph Priestly (1733-1804). He discovered oxygen, and made pioneer studies of the function of chlorophyll.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Gager, C. Stuart (Charles Stuart), 1872-1943. Philadelphia, P. Blakiston's son & co.
Garrick Reading the Ode at the Shakespeare Jubilee, Caroline Watson, 1760–1814, British, after Robert Edge Pine, 1730–1788, British, Published by John Boydell, 1720–1804, British, 1784, Stipple engraving and etching on moderately thick, slightly textured, cream wove paper, Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm) and Image: 23 3/8 x 16 7/8 inches (59.3 x 42.9 cm), actor, angel, arch, belts, books, breeches, canes, celebration, characters, cloaks, clouds, columns, costume, crowns, curtains, dagger, drapery, dress, flag, gesture, historical subject, horn (musical instrument), mask Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/garrick-reading-the-ode-at-the-shakespeare-jubilee-caroline-watson-17601814-british-after-robert-edge-pine-17301788-british-published-by-john-boydell-17201804-british-1784-stipple-engraving-and-etching-on-moderately-thick-slightly-textured-cream-wove-paper-sheet-24-716-x-17-1316-inches-62-x-453-cm-and-image-23-38-x-16-78-inches-593-x-429-cm-actor-angel-arch-belts-books-breeches-canes-celebration-characters-cloaks-clouds-columns-costume-crowns-curtains-dagger-drapery-dress-flag-gesture-historical-subject-horn-musical-instrument-mask-image389770608.htmlRM2DJ3GAT–Garrick Reading the Ode at the Shakespeare Jubilee, Caroline Watson, 1760–1814, British, after Robert Edge Pine, 1730–1788, British, Published by John Boydell, 1720–1804, British, 1784, Stipple engraving and etching on moderately thick, slightly textured, cream wove paper, Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm) and Image: 23 3/8 x 16 7/8 inches (59.3 x 42.9 cm), actor, angel, arch, belts, books, breeches, canes, celebration, characters, cloaks, clouds, columns, costume, crowns, curtains, dagger, drapery, dress, flag, gesture, historical subject, horn (musical instrument), mask
Pisces: Hogarth's Quadrille Fish. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: plate: 6 9/16 x 9 1/8 in. (16.6 x 23.1 cm). Publisher: John & Josiah Boydell (British, 1786-1804). Date: ca. 1730. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pisces-hogarths-quadrille-fish-artist-after-william-hogarth-british-london-1697-1764-london-dimensions-plate-6-916-x-9-18-in-166-x-231-cm-publisher-john-josiah-boydell-british-1786-1804-date-ca-1730-museum-metropolitan-museum-of-art-new-york-usa-image213270379.htmlRMPAY8F7–Pisces: Hogarth's Quadrille Fish. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: plate: 6 9/16 x 9 1/8 in. (16.6 x 23.1 cm). Publisher: John & Josiah Boydell (British, 1786-1804). Date: ca. 1730. Museum: Metropolitan Museum of Art, New York, USA.
. Polski: Porfiriusz Skarbek Ważyński (1730-1804), unicki biskup chełmski w l. 1790-1804 Latina: Porphirius Skarbek-Wazynski (1730-1804), episcopus chelmensis ritus graeci latino uniti ab anno 1790 ad a. 1804 . 19 September 2010, 23:57:02. Unknown 430 Porfiry Wazynski Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/polski-porfiriusz-skarbek-wayski-1730-1804-unicki-biskup-chemski-w-l-1790-1804-latina-porphirius-skarbek-wazynski-1730-1804-episcopus-chelmensis-ritus-graeci-latino-uniti-ab-anno-1790-ad-a-1804-19-september-2010-235702-unknown-430-porfiry-wazynski-image188832257.htmlRMMY61D5–. Polski: Porfiriusz Skarbek Ważyński (1730-1804), unicki biskup chełmski w l. 1790-1804 Latina: Porphirius Skarbek-Wazynski (1730-1804), episcopus chelmensis ritus graeci latino uniti ab anno 1790 ad a. 1804 . 19 September 2010, 23:57:02. Unknown 430 Porfiry Wazynski
Marco Ricci (1676 - 1730), artist, Appearance of the Bear, Marco Ricci (1676 - 1730), etcher Carlo Orsolini (1703 - 1781), editor, The Appearance of the Bear, sheet 3 of the series 'Varia Marci Ricci Experimenta', Giovanni Domenico Tiepolo (1727 - 1804), artist, St. Jerome Æmilianus distributes alms, origin of the print medium: Circa 1750, copperplate engraving and etching on paper vergé, sheet size: 21. 9 x 14.4 cm plate margin: 19.3 x 9.8 cm, bottom center inscribed 'B. HIERONYMUS ÆMILIANUS' and bottom left signed 'Do. Tiepolo fec Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marco-ricci-1676-1730-artist-appearance-of-the-bear-marco-ricci-1676-1730-etcher-carlo-orsolini-1703-1781-editor-the-appearance-of-the-bear-sheet-3-of-the-series-varia-marci-ricci-experimenta-giovanni-domenico-tiepolo-1727-1804-artist-st-jerome-milianus-distributes-alms-origin-of-the-print-medium-circa-1750-copperplate-engraving-and-etching-on-paper-verg-sheet-size-21-9-x-144-cm-plate-margin-193-x-98-cm-bottom-center-inscribed-b-hieronymus-milianus-and-bottom-left-signed-do-tiepolo-fec-image573212280.htmlRM2T8G234–Marco Ricci (1676 - 1730), artist, Appearance of the Bear, Marco Ricci (1676 - 1730), etcher Carlo Orsolini (1703 - 1781), editor, The Appearance of the Bear, sheet 3 of the series 'Varia Marci Ricci Experimenta', Giovanni Domenico Tiepolo (1727 - 1804), artist, St. Jerome Æmilianus distributes alms, origin of the print medium: Circa 1750, copperplate engraving and etching on paper vergé, sheet size: 21. 9 x 14.4 cm plate margin: 19.3 x 9.8 cm, bottom center inscribed 'B. HIERONYMUS ÆMILIANUS' and bottom left signed 'Do. Tiepolo fec
Vuë prise dans les Environs de Reggio, Vuë du Port de Reggio, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean Louis, 1743-1804, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, Two s, plate 71, from a drawing by Desprez, and Plate 70, from a drawing by Chastelet (also known as Chatelet). Both plates face page 126, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photog Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vu-prise-dans-les-environs-de-reggio-vu-du-port-de-reggio-voyage-pittoresque-ou-description-des-royaumes-de-naples-et-de-sicile-chastelet-claude-louis-1753-1794-choffard-pierre-philippe-1730-1809-clousier-desprez-jean-louis-1743-1804-saint-non-jean-claude-richard-de-1727-1791-engraving-1781-1786-two-s-plate-71-from-a-drawing-by-desprez-and-plate-70-from-a-drawing-by-chastelet-also-known-as-chatelet-both-plates-face-page-126-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photog-image350077439.htmlRF2B9FB9K–Vuë prise dans les Environs de Reggio, Vuë du Port de Reggio, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean Louis, 1743-1804, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, Two s, plate 71, from a drawing by Desprez, and Plate 70, from a drawing by Chastelet (also known as Chatelet). Both plates face page 126, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photog
William Hogarth, Print made by Thomas Cook, 1744–1818, British, after Louis François Roubiliac, 1702–1762, French, active in Britain (from 1730), Published by Longman, active 1804–1914, British, 1809, Stipple engraving, etching, and line engraving on moderately thick, slightly textured, beige wove paper, Sheet: 11 x 9 inches (27.9 x 22.9 cm) and Image: 4 3/4 x 3 9/16 inches (12 x 9 cm), artist, bust, cap (headgear), coat, costume, hat, man, paint, paintbrushes, painter, palette, plinth, portrait, sculpture, statue, still life, tassels Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-hogarth-print-made-by-thomas-cook-17441818-british-after-louis-franois-roubiliac-17021762-french-active-in-britain-from-1730-published-by-longman-active-18041914-british-1809-stipple-engraving-etching-and-line-engraving-on-moderately-thick-slightly-textured-beige-wove-paper-sheet-11-x-9-inches-279-x-229-cm-and-image-4-34-x-3-916-inches-12-x-9-cm-artist-bust-cap-headgear-coat-costume-hat-man-paint-paintbrushes-painter-palette-plinth-portrait-sculpture-statue-still-life-tassels-image389781423.htmlRM2DJ4253–William Hogarth, Print made by Thomas Cook, 1744–1818, British, after Louis François Roubiliac, 1702–1762, French, active in Britain (from 1730), Published by Longman, active 1804–1914, British, 1809, Stipple engraving, etching, and line engraving on moderately thick, slightly textured, beige wove paper, Sheet: 11 x 9 inches (27.9 x 22.9 cm) and Image: 4 3/4 x 3 9/16 inches (12 x 9 cm), artist, bust, cap (headgear), coat, costume, hat, man, paint, paintbrushes, painter, palette, plinth, portrait, sculpture, statue, still life, tassels
The external mouldings of the Tower of the Winds, The antiquities of Athens, Basire, James, the Elder, 1730-1802, Revett Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-external-mouldings-of-the-tower-of-the-winds-the-antiquities-of-athens-basire-james-the-elder-1730-1802-revett-image220675809.htmlRMPR0J6W–The external mouldings of the Tower of the Winds, The antiquities of Athens, Basire, James, the Elder, 1730-1802, Revett
Spring and Autumn Farming (Autumn), 1700s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-and-autumn-farming-autumn-1700s-image330121169.htmlRM2A528WN–Spring and Autumn Farming (Autumn), 1700s.
. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. PHOTOS. SY £VANS, GORfJiNG. .N.Y. OtO. S.HAVERUNG IVIRS.GEO.S. HAVERUNG GEORGE HAVERLING. The subject of this sketch is the son of Adam Haverling, and was born at Painted Post, March 18, 1810. His father was a native of Pennsylvania, and was reared on a farm with one John Wormley; settled in Steuben County, at Painted Post, about 1804; was there engaged in the distillery business until he removed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-steuben-county-new-york-with-illustrations-and-biographical-sketches-of-some-of-its-prominent-men-and-pioneers-steuben-friedrich-wilhelm-ludolf-gerhard-augustin-baron-von-1730-1794-photos-sy-vans-gorfjing-ny-oto-shaverung-ivirsgeos-haverung-george-haverling-the-subject-of-this-sketch-is-the-son-of-adam-haverling-and-was-born-at-painted-post-march-18-1810-his-father-was-a-native-of-pennsylvania-and-was-reared-on-a-farm-with-one-john-wormley-settled-in-steuben-county-at-painted-post-about-1804-was-there-engaged-in-the-distillery-business-until-he-removed-image231878423.htmlRMRD6Y87–. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. PHOTOS. SY £VANS, GORfJiNG. .N.Y. OtO. S.HAVERUNG IVIRS.GEO.S. HAVERUNG GEORGE HAVERLING. The subject of this sketch is the son of Adam Haverling, and was born at Painted Post, March 18, 1810. His father was a native of Pennsylvania, and was reared on a farm with one John Wormley; settled in Steuben County, at Painted Post, about 1804; was there engaged in the distillery business until he removed
The Death of St. Joseph. Artist: After Alonso Cano (Spanish, Granada 1601-1667 Granada). Artist and engraver: Alexander Bannerman (British, Cambridge (?) ca. 1730-ca. 1774). Dimensions: sheet: 11 x 14 15/16 in. (28 x 38 cm). Publisher: John Boydell (British, Shropshire 1720-1804 London). Date: 1766. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-death-of-st-joseph-artist-after-alonso-cano-spanish-granada-1601-1667-granada-artist-and-engraver-alexander-bannerman-british-cambridge-ca-1730-ca-1774-dimensions-sheet-11-x-14-1516-in-28-x-38-cm-publisher-john-boydell-british-shropshire-1720-1804-london-date-1766-museum-metropolitan-museum-of-art-new-york-usa-image213154550.htmlRMPAP0PE–The Death of St. Joseph. Artist: After Alonso Cano (Spanish, Granada 1601-1667 Granada). Artist and engraver: Alexander Bannerman (British, Cambridge (?) ca. 1730-ca. 1774). Dimensions: sheet: 11 x 14 15/16 in. (28 x 38 cm). Publisher: John Boydell (British, Shropshire 1720-1804 London). Date: 1766. Museum: Metropolitan Museum of Art, New York, USA.
. Polski: Porfiriusz Skarbek Ważyński (1730-1804), unicki biskup chełmski w l. 1790-1804 Latina: Porphirius Skarbek-Wazynski (1730-1804), episcopus chelmensis ritus graeci latino uniti ab anno 1790 ad a. 1804 . 19 September 2010, 23:57:02. Unknown 493 Porfiry Wazynski Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/polski-porfiriusz-skarbek-wayski-1730-1804-unicki-biskup-chemski-w-l-1790-1804-latina-porphirius-skarbek-wazynski-1730-1804-episcopus-chelmensis-ritus-graeci-latino-uniti-ab-anno-1790-ad-a-1804-19-september-2010-235702-unknown-493-porfiry-wazynski-image188082140.htmlRMMWYTK8–. Polski: Porfiriusz Skarbek Ważyński (1730-1804), unicki biskup chełmski w l. 1790-1804 Latina: Porphirius Skarbek-Wazynski (1730-1804), episcopus chelmensis ritus graeci latino uniti ab anno 1790 ad a. 1804 . 19 September 2010, 23:57:02. Unknown 493 Porfiry Wazynski
Vuë du Cap Colonna, Vuë de la Ville moderne de Cotrone, Vuë du Cap Colonna, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean Louis, 1743-1804, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, Two s, from drawings by Desprez. Plates 57 and 58, facing page 104, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed an Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vu-du-cap-colonna-vu-de-la-ville-moderne-de-cotrone-vu-du-cap-colonna-voyage-pittoresque-ou-description-des-royaumes-de-naples-et-de-sicile-choffard-pierre-philippe-1730-1809-clousier-desprez-jean-louis-1743-1804-saint-non-jean-claude-richard-de-1727-1791-engraving-1781-1786-two-s-from-drawings-by-desprez-plates-57-and-58-facing-page-104-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-an-image350077443.htmlRF2B9FB9R–Vuë du Cap Colonna, Vuë de la Ville moderne de Cotrone, Vuë du Cap Colonna, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean Louis, 1743-1804, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, Two s, from drawings by Desprez. Plates 57 and 58, facing page 104, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed an
The elevation of the Tower of the Winds, The antiquities of Athens, Basire, James, the Elder, 1730-1802, Revett, Nicholas, 1720 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-elevation-of-the-tower-of-the-winds-the-antiquities-of-athens-basire-james-the-elder-1730-1802-revett-nicholas-1720-image220675810.htmlRMPR0J6X–The elevation of the Tower of the Winds, The antiquities of Athens, Basire, James, the Elder, 1730-1802, Revett, Nicholas, 1720
George Morland, Henry Robert Morland, 1730-1797, British Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-george-morland-henry-robert-morland-1730-1797-british-77446535.htmlRMEDYYRK–George Morland, Henry Robert Morland, 1730-1797, British
Vuë du Rocher de Scylla, Vuë d'Écueil de Scylla, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vu-du-rocher-de-scylla-vu-dcueil-de-scylla-voyage-pittoresque-ou-description-des-royaumes-de-naples-et-de-sicile-image220680518.htmlRMPR0T72–Vuë du Rocher de Scylla, Vuë d'Écueil de Scylla, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile
Spring and Autumn Farming, 1700s. These screens present the cycle of the farming year, starting with spring at right and ending with fall at left. Close examination of these screens reveals moments of games and amusement, the enjoyment of meals as well as intellectual and spiritual pursuits interspersed among the scenes of cultivating and preparing the rice harvest. The artist Ko Sukoku is considered the 18th-century heir in style and attitude to Hanabusa Itcho (1652- 1724). Itcho’s work incorporated elements from Kano school, ukiyo-e, and literati styles of painting. Ko trained with o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-and-autumn-farming-1700s-these-screens-present-the-cycle-of-the-farming-year-starting-with-spring-at-right-and-ending-with-fall-at-left-close-examination-of-these-screens-reveals-moments-of-games-and-amusement-the-enjoyment-of-meals-as-well-as-intellectual-and-spiritual-pursuits-interspersed-among-the-scenes-of-cultivating-and-preparing-the-rice-harvest-the-artist-ko-sukoku-is-considered-the-18th-century-heir-in-style-and-attitude-to-hanabusa-itcho-1652-1724-itchox2019s-work-incorporated-elements-from-kano-school-ukiyo-e-and-literati-styles-of-painting-ko-trained-with-o-image330121183.htmlRM2A528X7–Spring and Autumn Farming, 1700s. These screens present the cycle of the farming year, starting with spring at right and ending with fall at left. Close examination of these screens reveals moments of games and amusement, the enjoyment of meals as well as intellectual and spiritual pursuits interspersed among the scenes of cultivating and preparing the rice harvest. The artist Ko Sukoku is considered the 18th-century heir in style and attitude to Hanabusa Itcho (1652- 1724). Itcho’s work incorporated elements from Kano school, ukiyo-e, and literati styles of painting. Ko trained with o
. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. (>HOT03.SY EVANS.). ^^PC/L^ ^O^-rj JOHN M. PATTERSON. John M. Patterson, son of Benjamin and Sarah Patterson, was born in Erwin, March 23, 1804. Benjamin was born in Loudon Co., Va., Sept., 1759. He was a farmer by occupation, and learned the trade of blacksmith when young. He served through the Revolutionary war as a soldier, and during a portion of this time he acted as a spy on the frontier Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-steuben-county-new-york-with-illustrations-and-biographical-sketches-of-some-of-its-prominent-men-and-pioneers-steuben-friedrich-wilhelm-ludolf-gerhard-augustin-baron-von-1730-1794-gthot03sy-evans-pcl-o-rj-john-m-patterson-john-m-patterson-son-of-benjamin-and-sarah-patterson-was-born-in-erwin-march-23-1804-benjamin-was-born-in-loudon-co-va-sept-1759-he-was-a-farmer-by-occupation-and-learned-the-trade-of-blacksmith-when-young-he-served-through-the-revolutionary-war-as-a-soldier-and-during-a-portion-of-this-time-he-acted-as-a-spy-on-the-frontier-image231887279.htmlRMRD7AGF–. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. (>HOT03.SY EVANS.). ^^PC/L^ ^O^-rj JOHN M. PATTERSON. John M. Patterson, son of Benjamin and Sarah Patterson, was born in Erwin, March 23, 1804. Benjamin was born in Loudon Co., Va., Sept., 1759. He was a farmer by occupation, and learned the trade of blacksmith when young. He served through the Revolutionary war as a soldier, and during a portion of this time he acted as a spy on the frontier
Joseph Interpreting the Dreams of Pharoah's Butler and Baker. Dimensions: Sheet: 15 3/16 x 19 5/16 in. (38.5 x 49 cm) Leaf: 28 15/16 × 20 1/2 in. (73.5 × 52 cm). Engraver: Alexander Bannerman (British, Cambridge (?) ca. 1730-ca. 1774). Former Attribution: Formerly thought to be after Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591-1652 Naples). Publisher: John Boydell (British, Shropshire 1720-1804 London). Date: 1766. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-interpreting-the-dreams-of-pharoahs-butler-and-baker-dimensions-sheet-15-316-x-19-516-in-385-x-49-cm-leaf-28-1516-20-12-in-735-52-cm-engraver-alexander-bannerman-british-cambridge-ca-1730-ca-1774-former-attribution-formerly-thought-to-be-after-jusepe-de-ribera-called-lo-spagnoletto-spanish-jtiva-1591-1652-naples-publisher-john-boydell-british-shropshire-1720-1804-london-date-1766-museum-metropolitan-museum-of-art-new-york-usa-image213179543.htmlRMPAR4K3–Joseph Interpreting the Dreams of Pharoah's Butler and Baker. Dimensions: Sheet: 15 3/16 x 19 5/16 in. (38.5 x 49 cm) Leaf: 28 15/16 × 20 1/2 in. (73.5 × 52 cm). Engraver: Alexander Bannerman (British, Cambridge (?) ca. 1730-ca. 1774). Former Attribution: Formerly thought to be after Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591-1652 Naples). Publisher: John Boydell (British, Shropshire 1720-1804 London). Date: 1766. Museum: Metropolitan Museum of Art, New York, USA.
. Polski: Porfiriusz Skarbek Ważyński (1730-1804), unicki biskup chełmski w l. 1790-1804 Latina: Porphirius Skarbek-Wazynski (1730-1804), episcopus chelmensis ritus graeci latino uniti ab anno 1790 ad a. 1804 . 19 September 2010, 23:57:02. Unknown 493 Porfiry Wazynski Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/polski-porfiriusz-skarbek-wayski-1730-1804-unicki-biskup-chemski-w-l-1790-1804-latina-porphirius-skarbek-wazynski-1730-1804-episcopus-chelmensis-ritus-graeci-latino-uniti-ab-anno-1790-ad-a-1804-19-september-2010-235702-unknown-493-porfiry-wazynski-image187560418.htmlRMMW436A–. Polski: Porfiriusz Skarbek Ważyński (1730-1804), unicki biskup chełmski w l. 1790-1804 Latina: Porphirius Skarbek-Wazynski (1730-1804), episcopus chelmensis ritus graeci latino uniti ab anno 1790 ad a. 1804 . 19 September 2010, 23:57:02. Unknown 493 Porfiry Wazynski
Passage du Crati, principal fleuve de la Calabre citerieure, Vuë d'un Pont Rustique sur le fleuve Sybaris, Passage du Crati, principal fleuve de la Calabre citerieure, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean Louis, 1743-1804, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, Two s, plate 47, drawn by Desprez, and plate 46, drawn by Chastelet. Both plates face page 90, Reimagined by Gibon, design of warm cheerful glowing of brightness and light ray Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/passage-du-crati-principal-fleuve-de-la-calabre-citerieure-vu-dun-pont-rustique-sur-le-fleuve-sybaris-passage-du-crati-principal-fleuve-de-la-calabre-citerieure-voyage-pittoresque-ou-description-des-royaumes-de-naples-et-de-sicile-chastelet-claude-louis-1753-1794-choffard-pierre-philippe-1730-1809-clousier-desprez-jean-louis-1743-1804-saint-non-jean-claude-richard-de-1727-1791-engraving-1781-1786-two-s-plate-47-drawn-by-desprez-and-plate-46-drawn-by-chastelet-both-plates-face-page-90-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-image350077447.htmlRF2B9FB9Y–Passage du Crati, principal fleuve de la Calabre citerieure, Vuë d'un Pont Rustique sur le fleuve Sybaris, Passage du Crati, principal fleuve de la Calabre citerieure, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Chastelet, Claude-Louis, 1753-1794, Choffard, Pierre-Philippe, 1730-1809, Clousier, Desprez, Jean Louis, 1743-1804, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, Two s, plate 47, drawn by Desprez, and plate 46, drawn by Chastelet. Both plates face page 90, Reimagined by Gibon, design of warm cheerful glowing of brightness and light ray
Vuë latérale du Temple de Métaponte, dans la Grande Grêce, Vuë de la petite Ville de Bernaldo, près des Ruines de Métaponte Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vu-latrale-du-temple-de-mtaponte-dans-la-grande-grce-vu-de-la-petite-ville-de-bernaldo-prs-des-ruines-de-mtaponte-image220680533.htmlRMPR0T7H–Vuë latérale du Temple de Métaponte, dans la Grande Grêce, Vuë de la petite Ville de Bernaldo, près des Ruines de Métaponte
. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. TOWN OF THURSTON. 391 Bowers, Isaac, private, 141st Regt., Co. E; eul. Sept. 10,1862; taken sick May 2,1804. Yase, Mann Aaron, private, 141st Eegt., Co. E ; enl. Aug. 21,1862, three years. Edsell, Edwin Thou as, private, 78th Regt.; enl. March, 1863, three years; died of disease at Falls Church, Aug. 30, 1862. Edsell, Samuel John, 141st Rogt., Co. E; enl. Aug. 1862. Sanford, Drew David, private, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-steuben-county-new-york-with-illustrations-and-biographical-sketches-of-some-of-its-prominent-men-and-pioneers-steuben-friedrich-wilhelm-ludolf-gerhard-augustin-baron-von-1730-1794-town-of-thurston-391-bowers-isaac-private-141st-regt-co-e-eul-sept-101862-taken-sick-may-21804-yase-mann-aaron-private-141st-eegt-co-e-enl-aug-211862-three-years-edsell-edwin-thou-as-private-78th-regt-enl-march-1863-three-years-died-of-disease-at-falls-church-aug-30-1862-edsell-samuel-john-141st-rogt-co-e-enl-aug-1862-sanford-drew-david-private-image231860714.htmlRMRD64KP–. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. TOWN OF THURSTON. 391 Bowers, Isaac, private, 141st Regt., Co. E; eul. Sept. 10,1862; taken sick May 2,1804. Yase, Mann Aaron, private, 141st Eegt., Co. E ; enl. Aug. 21,1862, three years. Edsell, Edwin Thou as, private, 78th Regt.; enl. March, 1863, three years; died of disease at Falls Church, Aug. 30, 1862. Edsell, Samuel John, 141st Rogt., Co. E; enl. Aug. 1862. Sanford, Drew David, private,
George Morland. Date/Period: Ca. 1779. Painting. Oil on canvas. Height: 521 mm (20.51 in); Width: 406 mm (15.98 in). Author: Henry Robert Morland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-morland-dateperiod-ca-1779-painting-oil-on-canvas-height-521-mm-2051-in-width-406-mm-1598-in-author-henry-robert-morland-image219728700.htmlRMPNDE5G–George Morland. Date/Period: Ca. 1779. Painting. Oil on canvas. Height: 521 mm (20.51 in); Width: 406 mm (15.98 in). Author: Henry Robert Morland.
. Polski: Porfiriusz Skarbek Ważyński (1730-1804), unicki biskup chełmski w l. 1790-1804 Latina: Porfiriusz Skarbek Ważyński (1730-1804), episcopus chelmensis ritus graeci latino uniti ab a. 1790 usque ad a. 1804 . 26 April 2013, 17:56:51. Unknown 430 Porfiriusz Skarbek Wazynski Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/polski-porfiriusz-skarbek-wayski-1730-1804-unicki-biskup-chemski-w-l-1790-1804-latina-porfiriusz-skarbek-wayski-1730-1804-episcopus-chelmensis-ritus-graeci-latino-uniti-ab-a-1790-usque-ad-a-1804-26-april-2013-175651-unknown-430-porfiriusz-skarbek-wazynski-image189173175.htmlRMMYNG8R–. Polski: Porfiriusz Skarbek Ważyński (1730-1804), unicki biskup chełmski w l. 1790-1804 Latina: Porfiriusz Skarbek Ważyński (1730-1804), episcopus chelmensis ritus graeci latino uniti ab a. 1790 usque ad a. 1804 . 26 April 2013, 17:56:51. Unknown 430 Porfiriusz Skarbek Wazynski
