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1736 1761 Stock Photos and Images
Coat of arms of William IV, prince of Orange-Nassau, Johannes van der Spyck, 1736 - 1761, The coat of arms of William IV, prince of Orange-Nassau, with underneath the motto: Je Matiendrai., print maker: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, etching, engraving, letterpress printing, h 93 mm × w 105 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-william-iv-prince-of-orange-nassau-johannes-van-der-spyck-1736-1761-the-coat-of-arms-of-william-iv-prince-of-orange-nassau-with-underneath-the-motto-je-matiendrai-print-maker-johannes-van-der-spyck-mentioned-on-object-leiden-1736-1761-paper-etching-engraving-letterpress-printing-h-93-mm-w-105-mm-image473373486.htmlRM2JE40KX–Coat of arms of William IV, prince of Orange-Nassau, Johannes van der Spyck, 1736 - 1761, The coat of arms of William IV, prince of Orange-Nassau, with underneath the motto: Je Matiendrai., print maker: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, etching, engraving, letterpress printing, h 93 mm × w 105 mm
Inspired by Seated Figure of Amitāyus, Buddha of Infinite Life, Chinese, Qing dynasty, 1644–1911, Qianlong period, 1736–1795, 1761, Bronze with gilding, Made in China, Asia, Metalwork, sculpture, 8 5/8 × 4 3/4 × 3 5/8 in. (21.9 × 12.1 × 9.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-seated-figure-of-amityus-buddha-of-infinite-life-chinese-qing-dynasty-16441911-qianlong-period-17361795-1761-bronze-with-gilding-made-in-china-asia-metalwork-sculpture-8-58-4-34-3-58-in-219-121-92-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459284386.htmlRF2HK65WP–Inspired by Seated Figure of Amitāyus, Buddha of Infinite Life, Chinese, Qing dynasty, 1644–1911, Qianlong period, 1736–1795, 1761, Bronze with gilding, Made in China, Asia, Metalwork, sculpture, 8 5/8 × 4 3/4 × 3 5/8 in. (21.9 × 12.1 × 9.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Bison and an oryx, Johannes van der Spyck, 1736 - 1761 A bison at the top and an oryx or antelope at the bottom. In addition to the animals. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bison-and-an-oryx-johannes-van-der-spyck-1736-1761-a-bison-at-the-top-and-an-oryx-or-antelope-at-the-bottom-in-addition-to-the-animals-image570299331.htmlRF2T3RAH7–Bison and an oryx, Johannes van der Spyck, 1736 - 1761 A bison at the top and an oryx or antelope at the bottom. In addition to the animals.
The Lecture by William Hogarth, 1736. The reader is Henry Fisher (1691 - 1761), Registrar of Oxford University (1737-1761). The Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-lecture-by-william-hogarth-1736-the-reader-is-henry-fisher-1691-83344993.htmlRMERGKAW–The Lecture by William Hogarth, 1736. The reader is Henry Fisher (1691 - 1761), Registrar of Oxford University (1737-1761). The
Coat of arms of Willem Cornelisz. van Duyvenbode, 1578, Johannes van der Spyck, 1736 - 1761 Coat of arms of the Leiden organist Willem Cornelisz. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-willem-cornelisz-van-duyvenbode-1578-johannes-van-der-spyck-1736-1761-coat-of-arms-of-the-leiden-organist-willem-cornelisz-image570297129.htmlRF2T3R7PH–Coat of arms of Willem Cornelisz. van Duyvenbode, 1578, Johannes van der Spyck, 1736 - 1761 Coat of arms of the Leiden organist Willem Cornelisz.
Shark and shark teeth, Johannes van der Spyck, 1736 - 1761 print At the top a shark and jaws with shark teeth at the bottom. Next to the shark a reference to p. 281. At the top right: Plate 5. Leiden paper engraving / etching cartilaginous fishes: shark Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shark-and-shark-teeth-johannes-van-der-spyck-1736-1761-print-at-the-top-a-shark-and-jaws-with-shark-teeth-at-the-bottom-next-to-the-shark-a-reference-to-p-281-at-the-top-right-plate-5-leiden-paper-engraving-etching-cartilaginous-fishes-shark-image593154892.htmlRM2WD0F38–Shark and shark teeth, Johannes van der Spyck, 1736 - 1761 print At the top a shark and jaws with shark teeth at the bottom. Next to the shark a reference to p. 281. At the top right: Plate 5. Leiden paper engraving / etching cartilaginous fishes: shark
Shark and shark teeth, Johannes van der Spyck, 1736 - 1761 At the top a shark and at the bottom jaws with shark teeth. Next to the shark a reference. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shark-and-shark-teeth-johannes-van-der-spyck-1736-1761-at-the-top-a-shark-and-at-the-bottom-jaws-with-shark-teeth-next-to-the-shark-a-reference-image570300956.htmlRF2T3RCK8–Shark and shark teeth, Johannes van der Spyck, 1736 - 1761 At the top a shark and at the bottom jaws with shark teeth. Next to the shark a reference.
Baron Clas (Claude) Alstromer (1736-1794), was a naturalist of considerable eminence and son of Jonas Alstromer (1685-1761). The Complete Naturalist - A Life of Linnaeus by Wilfred Blunt, page 188 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baron-clas-claude-alstromer-1736-1794-was-a-naturalist-of-considerable-eminence-and-son-of-jonas-alstromer-1685-1761-the-complete-naturalist-a-life-of-linnaeus-by-wilfred-blunt-page-188-image268791903.htmlRMWH8EPR–Baron Clas (Claude) Alstromer (1736-1794), was a naturalist of considerable eminence and son of Jonas Alstromer (1685-1761). The Complete Naturalist - A Life of Linnaeus by Wilfred Blunt, page 188
. English: Johann Conrad Rücker (1691–1778) German Jurist Deutsch: Johann Conrad Rücker (1691–1778) deutscher Rechtswissernschaftler . 1736. Hieronymus van der Mij (1687-1761) 680 J C Ruecker Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-johann-conrad-rcker-16911778-german-jurist-deutsch-johann-conrad-rcker-16911778-deutscher-rechtswissernschaftler-1736-hieronymus-van-der-mij-1687-1761-680-j-c-ruecker-image185792484.htmlRMMP7G5T–. English: Johann Conrad Rücker (1691–1778) German Jurist Deutsch: Johann Conrad Rücker (1691–1778) deutscher Rechtswissernschaftler . 1736. Hieronymus van der Mij (1687-1761) 680 J C Ruecker
Portrait of Count Pyotr Semyonovich Saltykov (1697–1772), 1761. Artist: Gerasimov, Dmitry Fyodorovich (1736-1784/5) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-count-pyotr-semyonovich-saltykov-16971772-1761-artist-135253898.htmlRMHT19MA–Portrait of Count Pyotr Semyonovich Saltykov (1697–1772), 1761. Artist: Gerasimov, Dmitry Fyodorovich (1736-1784/5)
Imaginary Landscape, also known as Landscape with a Fountain and a Broken Statue of Neptune, About 1736, Jacques de LAJOUE, Paris, 1686 - 1761, Musée du Louvre, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/imaginary-landscape-also-known-as-landscape-with-a-fountain-and-a-broken-statue-of-neptune-about-1736-jacques-de-lajoue-paris-1686-1761-muse-du-louvre-paris-france-image623472093.htmlRM2Y69H0D–Imaginary Landscape, also known as Landscape with a Fountain and a Broken Statue of Neptune, About 1736, Jacques de LAJOUE, Paris, 1686 - 1761, Musée du Louvre, Paris, France.
Amitayus, the Bodhisattva of Limitless Life 1761; Qing Dynasty (1644-1911), Qianlong Period (1736-1795) by unknown artist (China) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amitayus-the-bodhisattva-of-limitless-life-1761-qing-dynasty-1644-1911-qianlong-period-1736-1795-by-unknown-artist-china-image545386527.htmlRM2PK8E27–Amitayus, the Bodhisattva of Limitless Life 1761; Qing Dynasty (1644-1911), Qianlong Period (1736-1795) by unknown artist (China)
Imaginary Landscape, also known as Landscape with a Fountain and a Broken Statue of Neptune, About 1736, Jacques de LAJOUE, Paris, 1686 - 1761, Musée Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/imaginary-landscape-also-known-as-landscape-with-a-fountain-and-a-broken-statue-of-neptune-about-1736-jacques-de-lajoue-paris-1686-1761-muse-image621632334.htmlRM2Y39PAP–Imaginary Landscape, also known as Landscape with a Fountain and a Broken Statue of Neptune, About 1736, Jacques de LAJOUE, Paris, 1686 - 1761, Musée
Bilderberg-Hotel Kasteel Vaalsbroek NL-Vaals, 22.03.2024: Krähennester in der Baumallee zur historischen Anlage von Kasteel Vaalsbroek. Das klassizistische Schloss wurde zwischen 1736 und 1739 von Baron Leonard Lamberts van Cortenbach auf den Grundmauern eines ehemaligen Herrenhauses errichtet. 1761 kaufte der Aachener Textilfabrikant Johann Arnold von Clermont die Anlage mit den umgebenden Ländereien und richtete dort einen Landsitz für seine Familie ein. In den 1970er Jahren wurde die Anlage zum Konferenzzentrum umgebaut und heute nach weiteren Um- und Anbauten als Hotelanlage und Tagungszen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bilderberg-hotel-kasteel-vaalsbroek-nl-vaals-22032024-krhennester-in-der-baumallee-zur-historischen-anlage-von-kasteel-vaalsbroek-das-klassizistische-schloss-wurde-zwischen-1736-und-1739-von-baron-leonard-lamberts-van-cortenbach-auf-den-grundmauern-eines-ehemaligen-herrenhauses-errichtet-1761-kaufte-der-aachener-textilfabrikant-johann-arnold-von-clermont-die-anlage-mit-den-umgebenden-lndereien-und-richtete-dort-einen-landsitz-fr-seine-familie-ein-in-den-1970er-jahren-wurde-die-anlage-zum-konferenzzentrum-umgebaut-und-heute-nach-weiteren-um-und-anbauten-als-hotelanlage-und-tagungszen-image600898769.htmlRM2WWH8E9–Bilderberg-Hotel Kasteel Vaalsbroek NL-Vaals, 22.03.2024: Krähennester in der Baumallee zur historischen Anlage von Kasteel Vaalsbroek. Das klassizistische Schloss wurde zwischen 1736 und 1739 von Baron Leonard Lamberts van Cortenbach auf den Grundmauern eines ehemaligen Herrenhauses errichtet. 1761 kaufte der Aachener Textilfabrikant Johann Arnold von Clermont die Anlage mit den umgebenden Ländereien und richtete dort einen Landsitz für seine Familie ein. In den 1970er Jahren wurde die Anlage zum Konferenzzentrum umgebaut und heute nach weiteren Um- und Anbauten als Hotelanlage und Tagungszen
The illustrated LaconianHistory and industries of Laconia, N.HDescriptive of the city and its manufacturing and business interests . er for some time. The French and Indian wars de-layed the settlement of the two towns,and although it appears that severalparties came here about 1750. theycame as prospectors and hunters, and itwas not until 1761 that any permanentsettlements were effected. In 1736 aparty of men cleared a path to TheWeirs and constructed a blockhouse,fourteen feet square, as a shelter anddefence from Indians. About this timea new obstacle to settlement arose by by order of the g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-illustrated-laconianhistory-and-industries-of-laconia-nhdescriptive-of-the-city-and-its-manufacturing-and-business-interests-er-for-some-time-the-french-and-indian-wars-de-layed-the-settlement-of-the-two-townsand-although-it-appears-that-severalparties-came-here-about-1750-theycame-as-prospectors-and-hunters-and-itwas-not-until-1761-that-any-permanentsettlements-were-effected-in-1736-aparty-of-men-cleared-a-path-to-theweirs-and-constructed-a-blockhousefourteen-feet-square-as-a-shelter-anddefence-from-indians-about-this-timea-new-obstacle-to-settlement-arose-by-by-order-of-the-g-image339410571.htmlRM2AM5DJ3–The illustrated LaconianHistory and industries of Laconia, N.HDescriptive of the city and its manufacturing and business interests . er for some time. The French and Indian wars de-layed the settlement of the two towns,and although it appears that severalparties came here about 1750. theycame as prospectors and hunters, and itwas not until 1761 that any permanentsettlements were effected. In 1736 aparty of men cleared a path to TheWeirs and constructed a blockhouse,fourteen feet square, as a shelter anddefence from Indians. About this timea new obstacle to settlement arose by by order of the g
. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. KoBERT Campbell, the great-grandfather of the subject of this sketch, was a native of Scotland, and was born April 23, 1709, and was married April 13, 1727, and settled in Canaan, Conn., Oct. 20, 1761. He had eleven children, viz. : Eebecca, born Oct. 2, 1728; Lydia, born Aug. 21, 1730; Daniel, born March 12, 1733; Mary, born Aug. 19, 1734; Elizabeth, born Oct. 1, 1736; Joan, born June 19, 1739; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-steuben-county-new-york-with-illustrations-and-biographical-sketches-of-some-of-its-prominent-men-and-pioneers-steuben-friedrich-wilhelm-ludolf-gerhard-augustin-baron-von-1730-1794-kobert-campbell-the-great-grandfather-of-the-subject-of-this-sketch-was-a-native-of-scotland-and-was-born-april-23-1709-and-was-married-april-13-1727-and-settled-in-canaan-conn-oct-20-1761-he-had-eleven-children-viz-eebecca-born-oct-2-1728-lydia-born-aug-21-1730-daniel-born-march-12-1733-mary-born-aug-19-1734-elizabeth-born-oct-1-1736-joan-born-june-19-1739-image216287603.htmlRMPFTN17–. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. KoBERT Campbell, the great-grandfather of the subject of this sketch, was a native of Scotland, and was born April 23, 1709, and was married April 13, 1727, and settled in Canaan, Conn., Oct. 20, 1761. He had eleven children, viz. : Eebecca, born Oct. 2, 1728; Lydia, born Aug. 21, 1730; Daniel, born March 12, 1733; Mary, born Aug. 19, 1734; Elizabeth, born Oct. 1, 1736; Joan, born June 19, 1739;
Medalist: Jean Duvivier, Royal Education of the Dauphin, French, Medalist: Jean Duvivier (French, 1687–1761), 1736, French, Bronze, struck, Diameter: 41 mm, Medals and Plaquettes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medalist-jean-duvivier-royal-education-of-the-dauphin-french-medalist-jean-duvivier-french-16871761-1736-french-bronze-struck-diameter-41-mm-medals-and-plaquettes-image344669528.htmlRM2B0N1E0–Medalist: Jean Duvivier, Royal Education of the Dauphin, French, Medalist: Jean Duvivier (French, 1687–1761), 1736, French, Bronze, struck, Diameter: 41 mm, Medals and Plaquettes
Art inspired by Seated Figure of Amitāyus, Buddha of Infinite Life, Chinese, Qing dynasty, 1644-1911, Qianlong period, 1736-1795, 1761, Bronze with gilding, Made in China, Asia, Metalwork, sculpture, 8 5/8 × 4 3/4 × 3 5/8 in. (21.9 × 12.1 × 9.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-seated-figure-of-amityus-buddha-of-infinite-life-chinese-qing-dynasty-1644-1911-qianlong-period-1736-1795-1761-bronze-with-gilding-made-in-china-asia-metalwork-sculpture-8-58-4-34-3-58-in-219-121-92-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459597367.htmlRF2HKMD3K–Art inspired by Seated Figure of Amitāyus, Buddha of Infinite Life, Chinese, Qing dynasty, 1644-1911, Qianlong period, 1736-1795, 1761, Bronze with gilding, Made in China, Asia, Metalwork, sculpture, 8 5/8 × 4 3/4 × 3 5/8 in. (21.9 × 12.1 × 9.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Benjamin Franklin, Print made by Edward Savage, 1761–1817, American, after David Martin, 1736/7–1798, British, 1793, Mezzotint on thick, rough, cream wove paper, Sheet: 21 5/8 × 16 9/16 inches (54.9 × 42.1 cm), Plate: 21 × 16 inches (53.3 × 40.6 cm), and Image: 18 1/16 × 14 inches (45.9 × 35.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/benjamin-franklin-print-made-by-edward-savage-17611817-american-after-david-martin-173671798-british-1793-mezzotint-on-thick-rough-cream-wove-paper-sheet-21-58-16-916-inches-549-421-cm-plate-21-16-inches-533-406-cm-and-image-18-116-14-inches-459-356-cm-image389646611.htmlRM2DHWX6B–Benjamin Franklin, Print made by Edward Savage, 1761–1817, American, after David Martin, 1736/7–1798, British, 1793, Mezzotint on thick, rough, cream wove paper, Sheet: 21 5/8 × 16 9/16 inches (54.9 × 42.1 cm), Plate: 21 × 16 inches (53.3 × 40.6 cm), and Image: 18 1/16 × 14 inches (45.9 × 35.6 cm
Art inspired by Snuffbox, Probably by Claude Lisonnet (French, master 1736, died 1761), 1750–51, French, Paris, Gold, enamel, 1 3/8 × 3 1/8 × 2 5/16 in. (3.5 × 7.9 × 5.9 cm), Metalwork-Gold and Platinum, Probably by Claude Lisonnet (French, master 1736, died 1761), In eighteenth-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-snuffbox-probably-by-claude-lisonnet-french-master-1736-died-1761-175051-french-paris-gold-enamel-1-38-3-18-2-516-in-35-79-59-cm-metalwork-gold-and-platinum-probably-by-claude-lisonnet-french-master-1736-died-1761-in-eighteenth-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462775921.htmlRF2HTW7BD–Art inspired by Snuffbox, Probably by Claude Lisonnet (French, master 1736, died 1761), 1750–51, French, Paris, Gold, enamel, 1 3/8 × 3 1/8 × 2 5/16 in. (3.5 × 7.9 × 5.9 cm), Metalwork-Gold and Platinum, Probably by Claude Lisonnet (French, master 1736, died 1761), In eighteenth-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
At top a bison and at bottom an oryx or antelope. Next to the animals a reference to pages 541 and 542. Upper right: Plate 2. Bison and an oryx, print maker: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, etching, engraving, h 306 mm × w 182 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-top-a-bison-and-at-bottom-an-oryx-or-antelope-next-to-the-animals-a-reference-to-pages-541-and-542-upper-right-plate-2-bison-and-an-oryx-print-maker-johannes-van-der-spyck-mentioned-on-object-leiden-1736-1761-paper-etching-engraving-h-306-mm-w-182-mm-image472230180.htmlRM2JC7XBG–At top a bison and at bottom an oryx or antelope. Next to the animals a reference to pages 541 and 542. Upper right: Plate 2. Bison and an oryx, print maker: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, etching, engraving, h 306 mm × w 182 mm
The Lecture by William Hogarth, 1736. The reader is Henry Fisher (1691 - 1761), Registrar of Oxford University (1737-1761). The Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-lecture-by-william-hogarth-1736-the-reader-is-henry-fisher-1691-83344974.htmlRMERGKA6–The Lecture by William Hogarth, 1736. The reader is Henry Fisher (1691 - 1761), Registrar of Oxford University (1737-1761). The
Wild horse, an ox and a goat, Johannes van der Spyck, 1736 - 1761 From top to bottom a wild horse, an ox and a goat. In addition to the animals. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wild-horse-an-ox-and-a-goat-johannes-van-der-spyck-1736-1761-from-top-to-bottom-a-wild-horse-an-ox-and-a-goat-in-addition-to-the-animals-image570307338.htmlRF2T3RMR6–Wild horse, an ox and a goat, Johannes van der Spyck, 1736 - 1761 From top to bottom a wild horse, an ox and a goat. In addition to the animals.
Coat of arms of Willem IV, Prince of Oranje -Nassau, Johannes van der Spyck, 1736 - 1761 print The coat of arms of William IV, Prince of Oranje-Nassau, with at the bottom of the weapon preach: your Matiendrai. Leiden paper etching / engraving / letterpress printing armorial bearing, heraldry Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-willem-iv-prince-of-oranje-nassau-johannes-van-der-spyck-1736-1761-print-the-coat-of-arms-of-william-iv-prince-of-oranje-nassau-with-at-the-bottom-of-the-weapon-preach-your-matiendrai-leiden-paper-etching-engraving-letterpress-printing-armorial-bearing-heraldry-image593036596.htmlRM2WCR46C–Coat of arms of Willem IV, Prince of Oranje -Nassau, Johannes van der Spyck, 1736 - 1761 print The coat of arms of William IV, Prince of Oranje-Nassau, with at the bottom of the weapon preach: your Matiendrai. Leiden paper etching / engraving / letterpress printing armorial bearing, heraldry
Art inspired by New Book of Twelve Pieces of Fantasy useful for various purposes, ca. 1736, Etching, Overall: 19 11/16 x 12 3/4 x 13/16 in. (50 x 32.4 x 2 cm), Books, Jacques de La Joue the Younger (French, Paris 1686–1761 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-new-book-of-twelve-pieces-of-fantasy-useful-for-various-purposes-ca-1736-etching-overall-19-1116-x-12-34-x-1316-in-50-x-324-x-2-cm-books-jacques-de-la-joue-the-younger-french-paris-16861761-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462960285.htmlRF2HW5JFW–Art inspired by New Book of Twelve Pieces of Fantasy useful for various purposes, ca. 1736, Etching, Overall: 19 11/16 x 12 3/4 x 13/16 in. (50 x 32.4 x 2 cm), Books, Jacques de La Joue the Younger (French, Paris 1686–1761 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Taco Hajo van den Honert (1666-1740) German Reformed theologian Deutsch: Taco Hajo van den Honert (1666-1740) deutscher reformierter Theologe . 1736. Hieronymus van der Mij (1687-1761) 1157 T H v d Honert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-taco-hajo-van-den-honert-1666-1740-german-reformed-theologian-deutsch-taco-hajo-van-den-honert-1666-1740-deutscher-reformierter-theologe-1736-hieronymus-van-der-mij-1687-1761-1157-t-h-v-d-honert-image185596394.htmlRMMNXJ2J–. English: Taco Hajo van den Honert (1666-1740) German Reformed theologian Deutsch: Taco Hajo van den Honert (1666-1740) deutscher reformierter Theologe . 1736. Hieronymus van der Mij (1687-1761) 1157 T H v d Honert
Art inspired by Vignette of the first volume, page 165: Usage des Russes après le Mariage et avant la Noce, from Voyage en Sibérie fait par ordre du Roi en 1761 ..., Paris, 1768 by Chappe d'Auteroche, 1767, Etching; first state of three (Bocher), Sheet: 10 13/16 × 8 7/8 in. (27.4 × 22., Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-vignette-of-the-first-volume-page-165-usage-des-russes-aprs-le-mariage-et-avant-la-noce-from-voyage-en-sibrie-fait-par-ordre-du-roi-en-1761-paris-1768-by-chappe-dauteroche-1767-etching-first-state-of-three-bocher-sheet-10-1316-8-78-in-274-22-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463020457.htmlRF2HW8B8W–Art inspired by Vignette of the first volume, page 165: Usage des Russes après le Mariage et avant la Noce, from Voyage en Sibérie fait par ordre du Roi en 1761 ..., Paris, 1768 by Chappe d'Auteroche, 1767, Etching; first state of three (Bocher), Sheet: 10 13/16 × 8 7/8 in. (27.4 × 22., Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. English: Buda, 1761 Magyar: Buda, 1761 Deutsch: Ofen, 1761 . 1761. János Fülöp Binder (1736–1811) Description Hungarian engraver Date of birth/death 1736 1811 Location of birth/death Pozsony Buda Work period (at least) 1762- Work location Buda Authority control : Q803798 204 Binder Janos Budai nyomat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-buda-1761-magyar-buda-1761-deutsch-ofen-1761-1761-jnos-flp-binder-17361811-description-hungarian-engraver-date-of-birthdeath-1736-1811-location-of-birthdeath-pozsony-buda-work-period-at-least-1762-work-location-buda-authority-control-q803798-204-binder-janos-budai-nyomat-image210156716.htmlRMP5WD10–N/A. English: Buda, 1761 Magyar: Buda, 1761 Deutsch: Ofen, 1761 . 1761. János Fülöp Binder (1736–1811) Description Hungarian engraver Date of birth/death 1736 1811 Location of birth/death Pozsony Buda Work period (at least) 1762- Work location Buda Authority control : Q803798 204 Binder Janos Budai nyomat
Amitayus, the Bodhisattva of Limitless Life. Date/Period: 1761; Qing Dynasty (1644-1911), Qianlong Period (1736-1795). Textiles. Appliquéd silk with cloth mounting Appliquéd silk with cloth mounting. Height: 635.51 mm (25.02 in); Width: 444.75 mm (17.50 in). Author: unknown, Chinese. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amitayus-the-bodhisattva-of-limitless-life-dateperiod-1761-qing-dynasty-1644-1911-qianlong-period-1736-1795-textiles-appliqud-silk-with-cloth-mounting-appliqud-silk-with-cloth-mounting-height-63551-mm-2502-in-width-44475-mm-1750-in-author-unknown-chinese-image219749367.htmlRMPNECFK–Amitayus, the Bodhisattva of Limitless Life. Date/Period: 1761; Qing Dynasty (1644-1911), Qianlong Period (1736-1795). Textiles. Appliquéd silk with cloth mounting Appliquéd silk with cloth mounting. Height: 635.51 mm (25.02 in); Width: 444.75 mm (17.50 in). Author: unknown, Chinese.
. English: Pieter Burman the Elder also: Petrus Burmannus; (1668-1741) Dutch classical scholar, historian, librarian, lawyer and political scientist Deutsch: Pieter Burmann der Ältere auch: Petrus Burmannus; (1668-1741) niederländischer klassischer Philologe, Historiker, Bibliothekar, Jurist und Politikwissenschaftler . 1736. Hieronymus van der Mij (1687-1761) 994 Pieter-Burman d E Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-pieter-burman-the-elder-also-petrus-burmannus-1668-1741-dutch-classical-scholar-historian-librarian-lawyer-and-political-scientist-deutsch-pieter-burmann-der-ltere-auch-petrus-burmannus-1668-1741-niederlndischer-klassischer-philologe-historiker-bibliothekar-jurist-und-politikwissenschaftler-1736-hieronymus-van-der-mij-1687-1761-994-pieter-burman-d-e-image185545988.htmlRMMNT9PC–. English: Pieter Burman the Elder also: Petrus Burmannus; (1668-1741) Dutch classical scholar, historian, librarian, lawyer and political scientist Deutsch: Pieter Burmann der Ältere auch: Petrus Burmannus; (1668-1741) niederländischer klassischer Philologe, Historiker, Bibliothekar, Jurist und Politikwissenschaftler . 1736. Hieronymus van der Mij (1687-1761) 994 Pieter-Burman d E
Bilderberg-Hotel Kasteel Vaalsbroek NL-Vaals, 22.03.2024: Innenhof der historischen Anlage von Kasteel Vaalsbroek. Das klassizistische Schloss wurde zwischen 1736 und 1739 von Baron Leonard Lamberts van Cortenbach auf den Grundmauern eines ehemaligen Herrenhauses errichtet. 1761 kaufte der Aachener Textilfabrikant Johann Arnold von Clermont die Anlage mit den umgebenden Ländereien und richtete dort einen Landsitz für seine Familie ein. In den 1970er Jahren wurde die Anlage zum Konferenzzentrum umgebaut und heute nach weiteren Um- und Anbauten als Hotelanlage und Tagungszentrum genutzt. Vaals V Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bilderberg-hotel-kasteel-vaalsbroek-nl-vaals-22032024-innenhof-der-historischen-anlage-von-kasteel-vaalsbroek-das-klassizistische-schloss-wurde-zwischen-1736-und-1739-von-baron-leonard-lamberts-van-cortenbach-auf-den-grundmauern-eines-ehemaligen-herrenhauses-errichtet-1761-kaufte-der-aachener-textilfabrikant-johann-arnold-von-clermont-die-anlage-mit-den-umgebenden-lndereien-und-richtete-dort-einen-landsitz-fr-seine-familie-ein-in-den-1970er-jahren-wurde-die-anlage-zum-konferenzzentrum-umgebaut-und-heute-nach-weiteren-um-und-anbauten-als-hotelanlage-und-tagungszentrum-genutzt-vaals-v-image600898773.htmlRM2WWH8ED–Bilderberg-Hotel Kasteel Vaalsbroek NL-Vaals, 22.03.2024: Innenhof der historischen Anlage von Kasteel Vaalsbroek. Das klassizistische Schloss wurde zwischen 1736 und 1739 von Baron Leonard Lamberts van Cortenbach auf den Grundmauern eines ehemaligen Herrenhauses errichtet. 1761 kaufte der Aachener Textilfabrikant Johann Arnold von Clermont die Anlage mit den umgebenden Ländereien und richtete dort einen Landsitz für seine Familie ein. In den 1970er Jahren wurde die Anlage zum Konferenzzentrum umgebaut und heute nach weiteren Um- und Anbauten als Hotelanlage und Tagungszentrum genutzt. Vaals V
Portrait of Maria van IJsseldijk, with marriage certificate, 1736-1805. Knee-length portrait of Maria van IJsseldijk, born in The Hague 11-7-1743, died 18-11-1831 in The Hague; Married Scheveningen 27-9-1761; Marriage certificate at Ludolph Mulder, notary 1755-1789 in The Hague. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-maria-van-ijsseldijk-with-marriage-certificate-1736-1805-knee-length-portrait-of-maria-van-ijsseldijk-born-in-the-hague-11-7-1743-died-18-11-1831-in-the-hague-married-scheveningen-27-9-1761-marriage-certificate-at-ludolph-mulder-notary-1755-1789-in-the-hague-image565273203.htmlRM2RRJBMK–Portrait of Maria van IJsseldijk, with marriage certificate, 1736-1805. Knee-length portrait of Maria van IJsseldijk, born in The Hague 11-7-1743, died 18-11-1831 in The Hague; Married Scheveningen 27-9-1761; Marriage certificate at Ludolph Mulder, notary 1755-1789 in The Hague.
A brief history of the nations and of their progress in civilization . coveries inmechanics and optics.James Watt (1736-1819),a Scotchman, made radi-cal improvements in thesteam engine, and Eich-ard Arkwright (1732-1792) invented the spin-ning jenny. In QueenAnnes reign. Pope (1688-1744), with his smooth versificationand bright wit, is the principal figure among the poets, whileAddison (1672-1719) and Steele (1676-1719) were the most,distinguished essayists. Richardson (1689-1761) and Field-ing (1707-1757) were among the earliest of English novel-ists, while Defoe (1661-1731) and Swift (1667-1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-brief-history-of-the-nations-and-of-their-progress-in-civilization-coveries-inmechanics-and-opticsjames-watt-1736-1819a-scotchman-made-radi-cal-improvements-in-thesteam-engine-and-eich-ard-arkwright-1732-1792-invented-the-spin-ning-jenny-in-queenannes-reign-pope-1688-1744-with-his-smooth-versificationand-bright-wit-is-the-principal-figure-among-the-poets-whileaddison-1672-1719-and-steele-1676-1719-were-the-mostdistinguished-essayists-richardson-1689-1761-and-field-ing-1707-1757-were-among-the-earliest-of-english-novel-ists-while-defoe-1661-1731-and-swift-1667-1-image339189057.htmlRM2AKRB2W–A brief history of the nations and of their progress in civilization . coveries inmechanics and optics.James Watt (1736-1819),a Scotchman, made radi-cal improvements in thesteam engine, and Eich-ard Arkwright (1732-1792) invented the spin-ning jenny. In QueenAnnes reign. Pope (1688-1744), with his smooth versificationand bright wit, is the principal figure among the poets, whileAddison (1672-1719) and Steele (1676-1719) were the most,distinguished essayists. Richardson (1689-1761) and Field-ing (1707-1757) were among the earliest of English novel-ists, while Defoe (1661-1731) and Swift (1667-1
Art inspired by Table snuffbox, ca. 1745–50, Russian, probably Velikiy Ustyug, Shell; gilded, matted, punched, and engraved silver; niello, 2 1/4 × 4 1/8 × 2 1/2 in. (5.7 × 10.5 × 6.4 cm), Metalwork-Silver In Combination, Niello scenes after a print entitled Naufrage (Shipwreck) by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-table-snuffbox-ca-174550-russian-probably-velikiy-ustyug-shell-gilded-matted-punched-and-engraved-silver-niello-2-14-4-18-2-12-in-57-105-64-cm-metalwork-silver-in-combination-niello-scenes-after-a-print-entitled-naufrage-shipwreck-by-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462922415.htmlRF2HW3X7B–Art inspired by Table snuffbox, ca. 1745–50, Russian, probably Velikiy Ustyug, Shell; gilded, matted, punched, and engraved silver; niello, 2 1/4 × 4 1/8 × 2 1/2 in. (5.7 × 10.5 × 6.4 cm), Metalwork-Silver In Combination, Niello scenes after a print entitled Naufrage (Shipwreck) by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
At top a shark and at bottom jaws with shark teeth. Next to the shark a reference to page 281. Upper right: Plate 5. Shark and shark teeth, print maker: Johannes van der Spyck, (mentioned on object), intermediary draughtsman: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, engraving, etching, h 182 mm × w 192 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-top-a-shark-and-at-bottom-jaws-with-shark-teeth-next-to-the-shark-a-reference-to-page-281-upper-right-plate-5-shark-and-shark-teeth-print-maker-johannes-van-der-spyck-mentioned-on-object-intermediary-draughtsman-johannes-van-der-spyck-mentioned-on-object-leiden-1736-1761-paper-engraving-etching-h-182-mm-w-192-mm-image472230177.htmlRM2JC7XBD–At top a shark and at bottom jaws with shark teeth. Next to the shark a reference to page 281. Upper right: Plate 5. Shark and shark teeth, print maker: Johannes van der Spyck, (mentioned on object), intermediary draughtsman: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, engraving, etching, h 182 mm × w 192 mm
The Lecture by William Hogarth, 1736. The reader is Henry Fisher (1691 - 1761), Registrar of Oxford University (1737-1761). The Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-lecture-by-william-hogarth-1736-the-reader-is-henry-fisher-1691-83344991.htmlRMERGKAR–The Lecture by William Hogarth, 1736. The reader is Henry Fisher (1691 - 1761), Registrar of Oxford University (1737-1761). The
Sperm whale and sawfish, Johannes van der Spyck, 1736 - 1761 From top to bottom a sperm whale, a sawfish, the upper jaw or sawfish of a sawfish and th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sperm-whale-and-sawfish-johannes-van-der-spyck-1736-1761-from-top-to-bottom-a-sperm-whale-a-sawfish-the-upper-jaw-or-sawfish-of-a-sawfish-and-th-image570305322.htmlRF2T3RJ76–Sperm whale and sawfish, Johannes van der Spyck, 1736 - 1761 From top to bottom a sperm whale, a sawfish, the upper jaw or sawfish of a sawfish and th
Bison and an Oryx, Johannes van der Spyck, 1736 - 1761 print At the top a bison and an Oryx or Antilope at the bottom. In addition to the animals, a reference to p. 541 and 542. At the top right: plate 2. Leiden paper etching / engraving hoofed animals: bison. hoofed animals: oryx Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bison-and-an-oryx-johannes-van-der-spyck-1736-1761-print-at-the-top-a-bison-and-an-oryx-or-antilope-at-the-bottom-in-addition-to-the-animals-a-reference-to-p-541-and-542-at-the-top-right-plate-2-leiden-paper-etching-engraving-hoofed-animals-bison-hoofed-animals-oryx-image593161790.htmlRM2WD0RWJ–Bison and an Oryx, Johannes van der Spyck, 1736 - 1761 print At the top a bison and an Oryx or Antilope at the bottom. In addition to the animals, a reference to p. 541 and 542. At the top right: plate 2. Leiden paper etching / engraving hoofed animals: bison. hoofed animals: oryx
Le lever de la mariee russe. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Augustin de Saint-Aubin after Jean-Baptiste Le Prince. DE SAINT-AUBIN, AUGUSTIN. Augustin de Saint-Aubin. After Jean-Baptiste Le Prince. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-lever-de-la-mariee-russe-medium-etching-museum-national-gallery-of-art-washington-dc-author-augustin-de-saint-aubin-after-jean-baptiste-le-prince-de-saint-aubin-augustin-augustin-de-saint-aubin-after-jean-baptiste-le-prince-image218862987.htmlRMPM21Y7–Le lever de la mariee russe. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Augustin de Saint-Aubin after Jean-Baptiste Le Prince. DE SAINT-AUBIN, AUGUSTIN. Augustin de Saint-Aubin. After Jean-Baptiste Le Prince.
. English: Copperplate engraving by Noel-Antoine Pluche (1688-1761). Plate 15. Vol 3. Page 132. Original size: 7' x 5 ' . 1736. Anonymous 1010 Pluche-A Galley on her Oars Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-copperplate-engraving-by-noel-antoine-pluche-1688-1761-plate-15-vol-3-page-132-original-size-7-x-5-1736-anonymous-1010-pluche-a-galley-on-her-oars-image185549665.htmlRMMNTEDN–. English: Copperplate engraving by Noel-Antoine Pluche (1688-1761). Plate 15. Vol 3. Page 132. Original size: 7' x 5 ' . 1736. Anonymous 1010 Pluche-A Galley on her Oars
Bilderberg-Hotel Kasteel Vaalsbroek NL-Vaals, 22.03.2024: Innenhof der historischen Anlage von Kasteel Vaalsbroek. Das klassizistische Schloss wurde zwischen 1736 und 1739 von Baron Leonard Lamberts van Cortenbach auf den Grundmauern eines ehemaligen Herrenhauses errichtet. 1761 kaufte der Aachener Textilfabrikant Johann Arnold von Clermont die Anlage mit den umgebenden Ländereien und richtete dort einen Landsitz für seine Familie ein. In den 1970er Jahren wurde die Anlage zum Konferenzzentrum umgebaut und heute nach weiteren Um- und Anbauten als Hotelanlage und Tagungszentrum genutzt. Vaals V Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bilderberg-hotel-kasteel-vaalsbroek-nl-vaals-22032024-innenhof-der-historischen-anlage-von-kasteel-vaalsbroek-das-klassizistische-schloss-wurde-zwischen-1736-und-1739-von-baron-leonard-lamberts-van-cortenbach-auf-den-grundmauern-eines-ehemaligen-herrenhauses-errichtet-1761-kaufte-der-aachener-textilfabrikant-johann-arnold-von-clermont-die-anlage-mit-den-umgebenden-lndereien-und-richtete-dort-einen-landsitz-fr-seine-familie-ein-in-den-1970er-jahren-wurde-die-anlage-zum-konferenzzentrum-umgebaut-und-heute-nach-weiteren-um-und-anbauten-als-hotelanlage-und-tagungszentrum-genutzt-vaals-v-image600898776.htmlRM2WWH8EG–Bilderberg-Hotel Kasteel Vaalsbroek NL-Vaals, 22.03.2024: Innenhof der historischen Anlage von Kasteel Vaalsbroek. Das klassizistische Schloss wurde zwischen 1736 und 1739 von Baron Leonard Lamberts van Cortenbach auf den Grundmauern eines ehemaligen Herrenhauses errichtet. 1761 kaufte der Aachener Textilfabrikant Johann Arnold von Clermont die Anlage mit den umgebenden Ländereien und richtete dort einen Landsitz für seine Familie ein. In den 1970er Jahren wurde die Anlage zum Konferenzzentrum umgebaut und heute nach weiteren Um- und Anbauten als Hotelanlage und Tagungszentrum genutzt. Vaals V
The practical book of early American arts and crafts . 1:^1^ 1, Sugar Tongs, unmarked, c. 1730; 2, Porringer by Samuel Vernon (1683-1737); 3, Porringerby William Cowell (1682-1736); 4, Porringer by John Cony (1656-1722); 5, Candrestick, BalusterStem and Moulded Base; Marked B. M. (unidentified) c. 1745; 6, Porringer by Adrian Bancker(1703-1761). Clearwater Collection, Metropolitan Museum of Art, New York CityCourtesy of the Honourable A. T. Clearwater, Kingston-on-Hudson SILVER; DOMESTIC AND ECCLESIASTICAL llO widespread ramifications may easily be traced to-dayin the genealogical centre of th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-practical-book-of-early-american-arts-and-crafts-11-1-sugar-tongs-unmarked-c-1730-2-porringer-by-samuel-vernon-1683-1737-3-porringerby-william-cowell-1682-1736-4-porringer-by-john-cony-1656-1722-5-candrestick-balusterstem-and-moulded-base-marked-b-m-unidentified-c-1745-6-porringer-by-adrian-bancker1703-1761-clearwater-collection-metropolitan-museum-of-art-new-york-citycourtesy-of-the-honourable-a-t-clearwater-kingston-on-hudson-silver-domestic-and-ecclesiastical-llo-widespread-ramifications-may-easily-be-traced-to-dayin-the-genealogical-centre-of-th-image339096303.htmlRM2AKK4P7–The practical book of early American arts and crafts . 1:^1^ 1, Sugar Tongs, unmarked, c. 1730; 2, Porringer by Samuel Vernon (1683-1737); 3, Porringerby William Cowell (1682-1736); 4, Porringer by John Cony (1656-1722); 5, Candrestick, BalusterStem and Moulded Base; Marked B. M. (unidentified) c. 1745; 6, Porringer by Adrian Bancker(1703-1761). Clearwater Collection, Metropolitan Museum of Art, New York CityCourtesy of the Honourable A. T. Clearwater, Kingston-on-Hudson SILVER; DOMESTIC AND ECCLESIASTICAL llO widespread ramifications may easily be traced to-dayin the genealogical centre of th
Coat of arms of Leiden organist Willem Cornelisz., who in 1578 acquired the right to call himself Van Duyvenbode. This as a reward for using his pigeons as carrier pigeons for communication during the siege between the city council of Leiden and the troops of the prince of Orange, Coat of arms of Willem Cornelisz. van Duyvenbode, 1578., print maker: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, etching, engraving, h 127 mm × w 80 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-leiden-organist-willem-cornelisz-who-in-1578-acquired-the-right-to-call-himself-van-duyvenbode-this-as-a-reward-for-using-his-pigeons-as-carrier-pigeons-for-communication-during-the-siege-between-the-city-council-of-leiden-and-the-troops-of-the-prince-of-orange-coat-of-arms-of-willem-cornelisz-van-duyvenbode-1578-print-maker-johannes-van-der-spyck-mentioned-on-object-leiden-1736-1761-paper-etching-engraving-h-127-mm-w-80-mm-image473390353.htmlRM2JE4P69–Coat of arms of Leiden organist Willem Cornelisz., who in 1578 acquired the right to call himself Van Duyvenbode. This as a reward for using his pigeons as carrier pigeons for communication during the siege between the city council of Leiden and the troops of the prince of Orange, Coat of arms of Willem Cornelisz. van Duyvenbode, 1578., print maker: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, etching, engraving, h 127 mm × w 80 mm
Wild horse, an ox and a stone goat, Johannes van der Spyck, 1736 - 1761 print From top to bottom a wild horse, an ox and a stone goat. In addition to the animals, a reference to p. 567, 540 and 518. At the top right: Plate 5. Leiden paper etching / engraving horse. ox. hoofed animals: ibex Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wild-horse-an-ox-and-a-stone-goat-johannes-van-der-spyck-1736-1761-print-from-top-to-bottom-a-wild-horse-an-ox-and-a-stone-goat-in-addition-to-the-animals-a-reference-to-p-567-540-and-518-at-the-top-right-plate-5-leiden-paper-etching-engraving-horse-ox-hoofed-animals-ibex-image593173003.htmlRM2WD1A63–Wild horse, an ox and a stone goat, Johannes van der Spyck, 1736 - 1761 print From top to bottom a wild horse, an ox and a stone goat. In addition to the animals, a reference to p. 567, 540 and 518. At the top right: Plate 5. Leiden paper etching / engraving horse. ox. hoofed animals: ibex
Amitayus, the Bodhisattva of Limitless Life. 1761; Qing Dynasty (1644-1911), Qianlong Period (1736-1795). Artist, maker unknown, Chinese - Amitayus, the Bodhisattva of Limitless Life - Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amitayus-the-bodhisattva-of-limitless-life-1761-qing-dynasty-1644-1911-qianlong-period-1736-1795-artist-maker-unknown-chinese-amitayus-the-bodhisattva-of-limitless-life-google-art-project-image184897875.htmlRMMMPR3F–Amitayus, the Bodhisattva of Limitless Life. 1761; Qing Dynasty (1644-1911), Qianlong Period (1736-1795). Artist, maker unknown, Chinese - Amitayus, the Bodhisattva of Limitless Life - Google Art Project
![The thoroughbred horse : his origin, how to breed and how [to] select him : with the Horse breeders' guide : embracing one hundred tabulated pedigrees of the principal sires ... . lver 17741—Abigail 1788 by Woodpecker 1773 (Herod KaSi-Firetail 177.i by EcUpse 1761 iMarske 17.50). Walton 1799 (Sir Peter 17mi-Para.sol lt-00 by Pot-8-os 1773 (Eclipse 1764)-Prnnella 1788 by Highflyer 1774 (Herod 1758)—Promise 1768 by Snap 1750 (Snip 1736)-Jnlia 1756 by Blank 1740 (God. Ar. 1724).Mo.ses 1819 ([Whalebone or] Seymour 1807)—Quadrille 1815 by Selim 1S02 (Buzzard* 1787)-Canary Bird 180a by [Whiskey or] Stock Photo](https://c8.alamy.com/comp/2AJM63T/the-thoroughbred-horse-his-origin-how-to-breed-and-how-to-select-him-with-the-horse-breeders-guide-embracing-one-hundred-tabulated-pedigrees-of-the-principal-sires-lver-17741abigail-1788-by-woodpecker-1773-herod-kasi-firetail-177i-by-ecupse-1761-imarske-1750-walton-1799-sir-peter-17mi-parasol-lt-00-by-pot-8-os-1773-eclipse-1764-prnnella-1788-by-highflyer-1774-herod-1758promise-1768-by-snap-1750-snip-1736-jnlia-1756-by-blank-1740-god-ar-1724moses-1819-whalebone-or-seymour-1807quadrille-1815-by-selim-1s02-buzzard-1787-canary-bird-180a-by-whiskey-or-2AJM63T.jpg "The thoroughbred horse : his origin, how to breed and how [to] select him : with the Horse breeders' guide : embracing one hundred tabulated pedigrees of the principal sires ... . lver 17741—Abigail 1788 by Woodpecker 1773 (Herod KaSi-Firetail 177.i by EcUpse 1761 iMarske 17.50). Walton 1799 (Sir Peter 17mi-Para.sol lt-00 by Pot-8-os 1773 (Eclipse 1764)-Prnnella 1788 by Highflyer 1774 (Herod 1758)—Promise 1768 by Snap 1750 (Snip 1736)-Jnlia 1756 by Blank 1740 (God. Ar. 1724).Mo.ses 1819 ([Whalebone or] Seymour 1807)—Quadrille 1815 by Selim 1S02 (Buzzard* 1787)-Canary Bird 180a by [Whiskey or] Stock Photo")
The thoroughbred horse : his origin, how to breed and how [to] select him : with the Horse breeders' guide : embracing one hundred tabulated pedigrees of the principal sires ... . lver 17741—Abigail 1788 by Woodpecker 1773 (Herod KaSi-Firetail 177.i by EcUpse 1761 iMarske 17.50). Walton 1799 (Sir Peter 17mi-Para.sol lt-00 by Pot-8-os 1773 (Eclipse 1764)-Prnnella 1788 by Highflyer 1774 (Herod 1758)—Promise 1768 by Snap 1750 (Snip 1736)-Jnlia 1756 by Blank 1740 (God. Ar. 1724).Mo.ses 1819 ([Whalebone or] Seymour 1807)—Quadrille 1815 by Selim 1S02 (Buzzard* 1787)-Canary Bird 180a by [Whiskey or] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-thoroughbred-horse-his-origin-how-to-breed-and-how-to-select-him-with-the-horse-breeders-guide-embracing-one-hundred-tabulated-pedigrees-of-the-principal-sires-lver-17741abigail-1788-by-woodpecker-1773-herod-kasi-firetail-177i-by-ecupse-1761-imarske-1750-walton-1799-sir-peter-17mi-parasol-lt-00-by-pot-8-os-1773-eclipse-1764-prnnella-1788-by-highflyer-1774-herod-1758promise-1768-by-snap-1750-snip-1736-jnlia-1756-by-blank-1740-god-ar-1724moses-1819-whalebone-or-seymour-1807quadrille-1815-by-selim-1s02-buzzard-1787-canary-bird-180a-by-whiskey-or-image338504652.htmlRM2AJM63T–The thoroughbred horse : his origin, how to breed and how [to] select him : with the Horse breeders' guide : embracing one hundred tabulated pedigrees of the principal sires ... . lver 17741—Abigail 1788 by Woodpecker 1773 (Herod KaSi-Firetail 177.i by EcUpse 1761 iMarske 17.50). Walton 1799 (Sir Peter 17mi-Para.sol lt-00 by Pot-8-os 1773 (Eclipse 1764)-Prnnella 1788 by Highflyer 1774 (Herod 1758)—Promise 1768 by Snap 1750 (Snip 1736)-Jnlia 1756 by Blank 1740 (God. Ar. 1724).Mo.ses 1819 ([Whalebone or] Seymour 1807)—Quadrille 1815 by Selim 1S02 (Buzzard* 1787)-Canary Bird 180a by [Whiskey or]
From top to bottom a sperm whale, a sawfish, the upper jaw or saw of a sawfish and the sword of a swordfish. Next to the animals a reference to pages 277 and 280. Top right: Pl. 4. Sperm whale and sawfish, print maker: Johannes van der Spyck, (mentioned on object), intermediary draughtsman: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, engraving, etching, h 183 mm × w 193 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/from-top-to-bottom-a-sperm-whale-a-sawfish-the-upper-jaw-or-saw-of-a-sawfish-and-the-sword-of-a-swordfish-next-to-the-animals-a-reference-to-pages-277-and-280-top-right-pl-4-sperm-whale-and-sawfish-print-maker-johannes-van-der-spyck-mentioned-on-object-intermediary-draughtsman-johannes-van-der-spyck-mentioned-on-object-leiden-1736-1761-paper-engraving-etching-h-183-mm-w-193-mm-image472230188.htmlRM2JC7XBT–From top to bottom a sperm whale, a sawfish, the upper jaw or saw of a sawfish and the sword of a swordfish. Next to the animals a reference to pages 277 and 280. Top right: Pl. 4. Sperm whale and sawfish, print maker: Johannes van der Spyck, (mentioned on object), intermediary draughtsman: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, engraving, etching, h 183 mm × w 193 mm
Vignette with portrait medallion by Queen Christina van Sweden, Pieter Tanjé, 1736 - 1761 print Vignette with the portrait medallion of Queen Christina van Sweden on the left. In the middle a shield with lightning bolts. On the medallion on the right Minerva and an owl, symbols of wisdom. Amsterdam paper etching / engraving (story of) Minerva (Pallas, Athena). attributes of Minerva: owl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vignette-with-portrait-medallion-by-queen-christina-van-sweden-pieter-tanj-1736-1761-print-vignette-with-the-portrait-medallion-of-queen-christina-van-sweden-on-the-left-in-the-middle-a-shield-with-lightning-bolts-on-the-medallion-on-the-right-minerva-and-an-owl-symbols-of-wisdom-amsterdam-paper-etching-engraving-story-of-minerva-pallas-athena-attributes-of-minerva-owl-image595133219.htmlRM2WG6JDR–Vignette with portrait medallion by Queen Christina van Sweden, Pieter Tanjé, 1736 - 1761 print Vignette with the portrait medallion of Queen Christina van Sweden on the left. In the middle a shield with lightning bolts. On the medallion on the right Minerva and an owl, symbols of wisdom. Amsterdam paper etching / engraving (story of) Minerva (Pallas, Athena). attributes of Minerva: owl
. English: Franciscus Fabricius also: Fabritius (1663-1738) Dutch Reformed theologian Deutsch: Franciscus Fabricius auch: Fabritius (1663-1738) niederländischer reformierter Theologe . 1736. Hieronymus van der Mij (1687-1761) Franciscus-Fabricius Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-franciscus-fabricius-also-fabritius-1663-1738-dutch-reformed-theologian-deutsch-franciscus-fabricius-auch-fabritius-1663-1738-niederlndischer-reformierter-theologe-1736-hieronymus-van-der-mij-1687-1761-franciscus-fabricius-image184983869.htmlRMMMXMPN–. English: Franciscus Fabricius also: Fabritius (1663-1738) Dutch Reformed theologian Deutsch: Franciscus Fabricius auch: Fabritius (1663-1738) niederländischer reformierter Theologe . 1736. Hieronymus van der Mij (1687-1761) Franciscus-Fabricius
. The missions and missionaries of California. 1732 Masariegos, Franc. M. 1740 Mayorga, Julian 1707 1736 Minutili, Geronimo.... Italian 1702 1705 Mugazabal, Julian .... Spaniard 1682 1704 1761 Napoli, Ignacio, Mar.. Italian 1721 Nascimben, Pedro Mar. Venetian 1745 1750? Neumayer, Karl German 1745 1764 Osorio, Francisco 1725 Peralta, Francisco.... 1709 1711 Piccolo, Franc. Maria. Sicilian 1650 1697 1729 Retz, Jorge German 1717 1751 1768 Rotea, Jose Marianne Mexican 1732 1759 1768 Salvatierra, Juan Mar. Italian 1644 1697 1717 Sistiaga, Sebastian Mexican 1684 1718 1756 1747 Sotelo, Manuel Maria. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-missions-and-missionaries-of-california-1732-masariegos-franc-m-1740-mayorga-julian-1707-1736-minutili-geronimo-italian-1702-1705-mugazabal-julian-spaniard-1682-1704-1761-napoli-ignacio-mar-italian-1721-nascimben-pedro-mar-venetian-1745-1750-neumayer-karl-german-1745-1764-osorio-francisco-1725-peralta-francisco-1709-1711-piccolo-franc-maria-sicilian-1650-1697-1729-retz-jorge-german-1717-1751-1768-rotea-jose-marianne-mexican-1732-1759-1768-salvatierra-juan-mar-italian-1644-1697-1717-sistiaga-sebastian-mexican-1684-1718-1756-1747-sotelo-manuel-maria-image336891179.htmlRM2AG2M3R–. The missions and missionaries of California. 1732 Masariegos, Franc. M. 1740 Mayorga, Julian 1707 1736 Minutili, Geronimo.... Italian 1702 1705 Mugazabal, Julian .... Spaniard 1682 1704 1761 Napoli, Ignacio, Mar.. Italian 1721 Nascimben, Pedro Mar. Venetian 1745 1750? Neumayer, Karl German 1745 1764 Osorio, Francisco 1725 Peralta, Francisco.... 1709 1711 Piccolo, Franc. Maria. Sicilian 1650 1697 1729 Retz, Jorge German 1717 1751 1768 Rotea, Jose Marianne Mexican 1732 1759 1768 Salvatierra, Juan Mar. Italian 1644 1697 1717 Sistiaga, Sebastian Mexican 1684 1718 1756 1747 Sotelo, Manuel Maria.
Coat of arms of the Leiden organist Willem Cornelisz. who in 1578 acquired the right to call himself Van Duyvenbode. This was as a reward for using his pigeons as homing pigeons for communication during the siege between the city council of Leiden and the troops of the prince of Orange, Coat of arms of Willem Cornelisz. van Duyvenbode, 1578, print maker: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, etching, engraving, h 127 mm × w 80 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-the-leiden-organist-willem-cornelisz-who-in-1578-acquired-the-right-to-call-himself-van-duyvenbode-this-was-as-a-reward-for-using-his-pigeons-as-homing-pigeons-for-communication-during-the-siege-between-the-city-council-of-leiden-and-the-troops-of-the-prince-of-orange-coat-of-arms-of-willem-cornelisz-van-duyvenbode-1578-print-maker-johannes-van-der-spyck-mentioned-on-object-leiden-1736-1761-paper-etching-engraving-h-127-mm-w-80-mm-image472246610.htmlRM2JC8KAA–Coat of arms of the Leiden organist Willem Cornelisz. who in 1578 acquired the right to call himself Van Duyvenbode. This was as a reward for using his pigeons as homing pigeons for communication during the siege between the city council of Leiden and the troops of the prince of Orange, Coat of arms of Willem Cornelisz. van Duyvenbode, 1578, print maker: Johannes van der Spyck, (mentioned on object), Leiden, 1736 - 1761, paper, etching, engraving, h 127 mm × w 80 mm
Mourning scaffold Prince Eugen, Salomon Kleiner (Augsburg 1700 - 1761 Vienna), 1736, print, copper engraving, etching, sheet: 667 x 473 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mourning-scaffold-prince-eugen-salomon-kleiner-augsburg-1700-1761-vienna-1736-print-copper-engraving-etching-sheet-667-x-473-cm-image573349128.htmlRM2T8P8JG–Mourning scaffold Prince Eugen, Salomon Kleiner (Augsburg 1700 - 1761 Vienna), 1736, print, copper engraving, etching, sheet: 667 x 473 cm
Potfish and Zaagvis, Johannes van der Spyck, 1736 - 1761 print From top to bottom a sperm whale, a sawfish, the upper jaw or saw of a sawfish and the sword of a swordfish. In addition to the animals, a reference to p. 277 and 280. At the top right: pl. 4. Leiden paper engraving / etching bony fishes: sword-fish. swimming mammals: whale (+ variant) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/potfish-and-zaagvis-johannes-van-der-spyck-1736-1761-print-from-top-to-bottom-a-sperm-whale-a-sawfish-the-upper-jaw-or-saw-of-a-sawfish-and-the-sword-of-a-swordfish-in-addition-to-the-animals-a-reference-to-p-277-and-280-at-the-top-right-pl-4-leiden-paper-engraving-etching-bony-fishes-sword-fish-swimming-mammals-whale-variant-image593104650.htmlRM2WCX70X–Potfish and Zaagvis, Johannes van der Spyck, 1736 - 1761 print From top to bottom a sperm whale, a sawfish, the upper jaw or saw of a sawfish and the sword of a swordfish. In addition to the animals, a reference to p. 277 and 280. At the top right: pl. 4. Leiden paper engraving / etching bony fishes: sword-fish. swimming mammals: whale (+ variant)
Seated Figure of Amitāyus, Buddha of Infinite Life, Chinese, Qing dynasty, 1644–1911, Qianlong period, 1736–1795, 1761, Bronze with gilding, Made in China, Asia, Metalwork, sculpture, 8 5/8 × 4 3/4 × 3 5/8 in. (21.9 × 12.1 × 9.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-figure-of-amityus-buddha-of-infinite-life-chinese-qing-dynasty-16441911-qianlong-period-17361795-1761-bronze-with-gilding-made-in-china-asia-metalwork-sculpture-8-58-4-34-3-58-in-219-121-92-cm-image454293822.htmlRM2HB2TBA–Seated Figure of Amitāyus, Buddha of Infinite Life, Chinese, Qing dynasty, 1644–1911, Qianlong period, 1736–1795, 1761, Bronze with gilding, Made in China, Asia, Metalwork, sculpture, 8 5/8 × 4 3/4 × 3 5/8 in. (21.9 × 12.1 × 9.2 cm
A Putto Crowning a Girl, Gravelot, French, 1699 - 1773, active in England, Augustin de Saint-Aubin, French, 1736 - 1807, Etching on paper, France, 1760-1761, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-putto-crowning-a-girl-gravelot-french-1699-1773-active-in-england-augustin-de-saint-aubin-french-1736-1807-etching-on-paper-france-1760-1761-print-image391711315.htmlRM2DN7YNR–A Putto Crowning a Girl, Gravelot, French, 1699 - 1773, active in England, Augustin de Saint-Aubin, French, 1736 - 1807, Etching on paper, France, 1760-1761, Print
Portrait of Maria van IJsseldijk, born in The Hague 11-7-1743, died 18-11-1831 in The Hague, married Scheveningen 27-9-1761, marriage certificate with Ludolph Mulder, civil-law notary 1755-1789 in The Hague. Under the drawing a loose sheet of paper with text is attached, Portrait of Maria van IJsseldijk, standing knee., draughtsman: Isaac Lodewijk la Fargue van Nieuwland, 1736 - 1805, paper, brush, pen, h 332 mm × w 263 mm, h 445 mm × w 263 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-maria-van-ijsseldijk-born-in-the-hague-11-7-1743-died-18-11-1831-in-the-hague-married-scheveningen-27-9-1761-marriage-certificate-with-ludolph-mulder-civil-law-notary-1755-1789-in-the-hague-under-the-drawing-a-loose-sheet-of-paper-with-text-is-attached-portrait-of-maria-van-ijsseldijk-standing-knee-draughtsman-isaac-lodewijk-la-fargue-van-nieuwland-1736-1805-paper-brush-pen-h-332-mm-w-263-mm-h-445-mm-w-263-mm-image472061523.htmlRM2JC0783–Portrait of Maria van IJsseldijk, born in The Hague 11-7-1743, died 18-11-1831 in The Hague, married Scheveningen 27-9-1761, marriage certificate with Ludolph Mulder, civil-law notary 1755-1789 in The Hague. Under the drawing a loose sheet of paper with text is attached, Portrait of Maria van IJsseldijk, standing knee., draughtsman: Isaac Lodewijk la Fargue van Nieuwland, 1736 - 1805, paper, brush, pen, h 332 mm × w 263 mm, h 445 mm × w 263 mm
. English: Albert Schultens (1686-1750) Dutch Reformed theologian and orientalist Deutsch: Albert Schultens (1686-1750) niederländischer reformierter Theologe und Orientalist . 1736. Hieronymus van der Mij (1687-1761) Albert-Schultens Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-albert-schultens-1686-1750-dutch-reformed-theologian-and-orientalist-deutsch-albert-schultens-1686-1750-niederlndischer-reformierter-theologe-und-orientalist-1736-hieronymus-van-der-mij-1687-1761-albert-schultens-image184884329.htmlRMMMP5RN–. English: Albert Schultens (1686-1750) Dutch Reformed theologian and orientalist Deutsch: Albert Schultens (1686-1750) niederländischer reformierter Theologe und Orientalist . 1736. Hieronymus van der Mij (1687-1761) Albert-Schultens
A Boy Looking at Another Lying in the Grave, Gravelot, French, 1699 - 1773, active in England, Augustin de Saint-Aubin, French, 1736 - 1807, Etching on paper, France, 1760-1761, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-boy-looking-at-another-lying-in-the-grave-gravelot-french-1699-1773-active-in-england-augustin-de-saint-aubin-french-1736-1807-etching-on-paper-france-1760-1761-print-image391711758.htmlRM2DN809J–A Boy Looking at Another Lying in the Grave, Gravelot, French, 1699 - 1773, active in England, Augustin de Saint-Aubin, French, 1736 - 1807, Etching on paper, France, 1760-1761, Print
Snuffbox, Probably by Claude Lisonnet (French, master 1736, died 1761), 1750–51, French, Paris, Gold, enamel, 1 3/8 × 3 1/8 × 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-snuffbox-probably-by-claude-lisonnet-french-master-1736-died-1761-162538133.htmlRMKCC719–Snuffbox, Probably by Claude Lisonnet (French, master 1736, died 1761), 1750–51, French, Paris, Gold, enamel, 1 3/8 × 3 1/8 × 2
Ancestry and descendants of Deacon David Batchelder of Hampton Falls, N.H., born Jan13, 1736, died Mar11, 1811 . 52 w -; X - w o - ^. DEACON DAVID BATCHELDER 13 20. Samuel Lane, b. June 17, 1797 ; m. Mary A. Lane (41);d. Sept. 16, 1858. 4. ELIZABETH BATCHELDER, daughter of David, was bornJan. 13, 1765; married Dec. 16, 1784, Theophilus Sanborn, ofHampton Falls, son of Deacon Abner and Lucy (Lowell) San-born, and died Aug. 28, 1835. He was born Feb. 8, 1761; d.Oct. 7, 1826; was a Revolutionary soldier. She had a remark-ably sweet disposition, was perfectly unselfish, always consid-erate of othe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancestry-and-descendants-of-deacon-david-batchelder-of-hampton-falls-nh-born-jan13-1736-died-mar11-1811-52-w-x-w-o-deacon-david-batchelder-13-20-samuel-lane-b-june-17-1797-m-mary-a-lane-41d-sept-16-1858-4-elizabeth-batchelder-daughter-of-david-was-bornjan-13-1765-married-dec-16-1784-theophilus-sanborn-ofhampton-falls-son-of-deacon-abner-and-lucy-lowell-san-born-and-died-aug-28-1835-he-was-born-feb-8-1761-doct-7-1826-was-a-revolutionary-soldier-she-had-a-remark-ably-sweet-disposition-was-perfectly-unselfish-always-consid-erate-of-othe-image343325656.htmlRM2AXFRAG–Ancestry and descendants of Deacon David Batchelder of Hampton Falls, N.H., born Jan13, 1736, died Mar11, 1811 . 52 w -; X - w o - ^. DEACON DAVID BATCHELDER 13 20. Samuel Lane, b. June 17, 1797 ; m. Mary A. Lane (41);d. Sept. 16, 1858. 4. ELIZABETH BATCHELDER, daughter of David, was bornJan. 13, 1765; married Dec. 16, 1784, Theophilus Sanborn, ofHampton Falls, son of Deacon Abner and Lucy (Lowell) San-born, and died Aug. 28, 1835. He was born Feb. 8, 1761; d.Oct. 7, 1826; was a Revolutionary soldier. She had a remark-ably sweet disposition, was perfectly unselfish, always consid-erate of othe
New Book of Twelve Pieces of Fantasy useful for various purposes, Jacques de La Joue the Younger, ca. 1736 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-new-book-of-twelve-pieces-of-fantasy-useful-for-various-purposes-jacques-162443014.htmlRMKC7WM6–New Book of Twelve Pieces of Fantasy useful for various purposes, Jacques de La Joue the Younger, ca. 1736
Vignette of the first volume, page 165: Usage des Russes après le Mariage et avant la Noce, from Voyage en Sibérie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-vignette-of-the-first-volume-page-165-usage-des-russes-aprs-le-mariage-162516498.htmlRMKCB7CJ–Vignette of the first volume, page 165: Usage des Russes après le Mariage et avant la Noce, from Voyage en Sibérie
Table snuffbox, Niello scenes after a print entitled Naufrage, ca. 1745–50 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-table-snuffbox-niello-scenes-after-a-print-entitled-naufrage-ca-174550-162537881.htmlRMKCC6M9–Table snuffbox, Niello scenes after a print entitled Naufrage, ca. 1745–50
Coat of arms of Willem Cornelisz. Van Duyvenbode, 1578, 1736 - 1761 print Coat of arms of the Leiden organist Willem Cornelisz. who acquired the right in 1578 to call himself Van Duyvenbode. This as a reward for the deployment of his pigeons as carrier pigeons for communication during the siege between the city council of Leiden and the troops of the Prince of Orange. Northern Netherlands paper etching armorial bearing, heraldry. pigeon (as messenger) Leiden Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-willem-cornelisz-van-duyvenbode-1578-1736-1761-print-coat-of-arms-of-the-leiden-organist-willem-cornelisz-who-acquired-the-right-in-1578-to-call-himself-van-duyvenbode-this-as-a-reward-for-the-deployment-of-his-pigeons-as-carrier-pigeons-for-communication-during-the-siege-between-the-city-council-of-leiden-and-the-troops-of-the-prince-of-orange-northern-netherlands-paper-etching-armorial-bearing-heraldry-pigeon-as-messenger-leiden-image595187026.htmlRM2WG933E–Coat of arms of Willem Cornelisz. Van Duyvenbode, 1578, 1736 - 1761 print Coat of arms of the Leiden organist Willem Cornelisz. who acquired the right in 1578 to call himself Van Duyvenbode. This as a reward for the deployment of his pigeons as carrier pigeons for communication during the siege between the city council of Leiden and the troops of the Prince of Orange. Northern Netherlands paper etching armorial bearing, heraldry. pigeon (as messenger) Leiden
. English: Hermannus Oosterdijk Schacht (*1672-1744) Dutch physician Deutsch: Hermannus Oosterdijk Schacht (*1672-1744) niederländischer Mediziner Nederlands: Hermannus Oosterdijk Schacht (*1672-1744) Nederlandse arts . 1736. Hieronymus van der Mij (1687-1761) Hermannus-Oosterdijk-Schach Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-hermannus-oosterdijk-schacht-1672-1744-dutch-physician-deutsch-hermannus-oosterdijk-schacht-1672-1744-niederlndischer-mediziner-nederlands-hermannus-oosterdijk-schacht-1672-1744-nederlandse-arts-1736-hieronymus-van-der-mij-1687-1761-hermannus-oosterdijk-schach-image185013516.htmlRMMN02HG–. English: Hermannus Oosterdijk Schacht (*1672-1744) Dutch physician Deutsch: Hermannus Oosterdijk Schacht (*1672-1744) niederländischer Mediziner Nederlands: Hermannus Oosterdijk Schacht (*1672-1744) Nederlandse arts . 1736. Hieronymus van der Mij (1687-1761) Hermannus-Oosterdijk-Schach
. English: Portrait of Jaya Prakash Malla, the last king of Kathmandu who reigned 1736-1768 AD. Jaya Pand again from 1750–1768. He also ruled Lalitpur from 1760–1761 and again 1763–1764. 20 November 2012, 03:53:42. unknown, uploaded byZulufive 270 Jaya prakash malla Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portrait-of-jaya-prakash-malla-the-last-king-of-kathmandu-who-reigned-1736-1768-ad-jaya-pand-again-from-17501768-he-also-ruled-lalitpur-from-17601761-and-again-17631764-20-november-2012-035342-unknown-uploaded-byzulufive-270-jaya-prakash-malla-image188837623.htmlRMMY688R–. English: Portrait of Jaya Prakash Malla, the last king of Kathmandu who reigned 1736-1768 AD. Jaya Pand again from 1750–1768. He also ruled Lalitpur from 1760–1761 and again 1763–1764. 20 November 2012, 03:53:42. unknown, uploaded byZulufive 270 Jaya prakash malla
The royal lineage of our noble and gentle familiesTogether with their paternal ancestry .. . Oct., 1695. Martha Blennerhassett, m.:2nd to Henry Parr. William Mullins, of Burn-=j=M.iry, dau. of George Row-ham, Kerry, d. 3 May, | an, Esq., of Rathany,Kerry,1761. m. 10 June, 1716. Sir Thomas Mullins, ofBurnham, created a baronet,1797, and Baron Ventry,1800, b. 1736, d. 1824. Elizabeth, only dau. ofTownsend Gun, of Rattoo,co. Kerry, m. 5. Oct., 1755,d. 19 Jan., 1S23. Hon. Edward de Moleyns,=pElizabeth, dau. of RobertMajor in the army, d. 31 | Hilliard, Esq., of Lisirim,July, 1841, aged 63. I co. K Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-royal-lineage-of-our-noble-and-gentle-familiestogether-with-their-paternal-ancestry-oct-1695-martha-blennerhassett-m2nd-to-henry-parr-william-mullins-of-burn-=j=miry-dau-of-george-row-ham-kerry-d-3-may-an-esq-of-rathanykerry1761-m-10-june-1716-sir-thomas-mullins-ofburnham-created-a-baronet1797-and-baron-ventry1800-b-1736-d-1824-elizabeth-only-dau-oftownsend-gun-of-rattooco-kerry-m-5-oct-1755d-19-jan-1s23-hon-edward-de-moleyns=pelizabeth-dau-of-robertmajor-in-the-army-d-31-hilliard-esq-of-lisirimjuly-1841-aged-63-i-co-k-image340036595.htmlRM2AN6043–The royal lineage of our noble and gentle familiesTogether with their paternal ancestry .. . Oct., 1695. Martha Blennerhassett, m.:2nd to Henry Parr. William Mullins, of Burn-=j=M.iry, dau. of George Row-ham, Kerry, d. 3 May, | an, Esq., of Rathany,Kerry,1761. m. 10 June, 1716. Sir Thomas Mullins, ofBurnham, created a baronet,1797, and Baron Ventry,1800, b. 1736, d. 1824. Elizabeth, only dau. ofTownsend Gun, of Rattoo,co. Kerry, m. 5. Oct., 1755,d. 19 Jan., 1S23. Hon. Edward de Moleyns,=pElizabeth, dau. of RobertMajor in the army, d. 31 | Hilliard, Esq., of Lisirim,July, 1841, aged 63. I co. K
Coat of arms of Willem Cornelisz. Van Duyvenbode, 1578, Johannes van der Spyck, 1736 - 1761 print Coat of arms of the Leiden organist Willem Cornelisz., Who in 1578 acquired the right to call himself Van Duyvenbode. This as a reward for the deployment of his pigeons as carrier pigeons for communication during the siege between the city council of Leiden and the troops of the Prince of Orange. Leiden paper etching / engraving armorial bearing, heraldry Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-willem-cornelisz-van-duyvenbode-1578-johannes-van-der-spyck-1736-1761-print-coat-of-arms-of-the-leiden-organist-willem-cornelisz-who-in-1578-acquired-the-right-to-call-himself-van-duyvenbode-this-as-a-reward-for-the-deployment-of-his-pigeons-as-carrier-pigeons-for-communication-during-the-siege-between-the-city-council-of-leiden-and-the-troops-of-the-prince-of-orange-leiden-paper-etching-engraving-armorial-bearing-heraldry-image593877543.htmlRM2WE5CT7–Coat of arms of Willem Cornelisz. Van Duyvenbode, 1578, Johannes van der Spyck, 1736 - 1761 print Coat of arms of the Leiden organist Willem Cornelisz., Who in 1578 acquired the right to call himself Van Duyvenbode. This as a reward for the deployment of his pigeons as carrier pigeons for communication during the siege between the city council of Leiden and the troops of the Prince of Orange. Leiden paper etching / engraving armorial bearing, heraldry
. English: Portrait of Jaya Prakash Malla, the last king of Kathmandu who reigned 1736-1768 AD. Jaya Pand again from 1750–1768. He also ruled Lalitpur from 1760–1761 and again 1763–1764. 20 November 2012, 03:53:42. unknown, uploaded byZulufive 311 Jaya prakash malla Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portrait-of-jaya-prakash-malla-the-last-king-of-kathmandu-who-reigned-1736-1768-ad-jaya-pand-again-from-17501768-he-also-ruled-lalitpur-from-17601761-and-again-17631764-20-november-2012-035342-unknown-uploaded-byzulufive-311-jaya-prakash-malla-image187570002.htmlRMMW4FCJ–. English: Portrait of Jaya Prakash Malla, the last king of Kathmandu who reigned 1736-1768 AD. Jaya Pand again from 1750–1768. He also ruled Lalitpur from 1760–1761 and again 1763–1764. 20 November 2012, 03:53:42. unknown, uploaded byZulufive 311 Jaya prakash malla
The royal lineage of our noble and gentle familiesTogether with their paternal ancestry .. . Oct., 1695. Martha Blennerhassett, m.:2nd to Henry Parr. William Mullins, of Burn-=j=M.iry, dau. of George Row-ham, Kerry, d. 3 May, | an, Esq., of Rathany,Kerry,1761. m. 10 June, 1716. Sir Thomas Mullins, ofBurnham, created a baronet,1797, and Baron Ventry,1800, b. 1736, d. 1824. Elizabeth, only dau. ofTownsend Gun, of Rattoo,co. Kerry, m. 5. Oct., 1755,d. 19 Jan., 1S23. Hon. Edward de Moleyns,=pElizabeth, dau. of RobertMajor in the army, d. 31 | Hilliard, Esq., of Lisirim,July, 1841, aged 63. I co. K Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-royal-lineage-of-our-noble-and-gentle-familiestogether-with-their-paternal-ancestry-oct-1695-martha-blennerhassett-m2nd-to-henry-parr-william-mullins-of-burn-=j=miry-dau-of-george-row-ham-kerry-d-3-may-an-esq-of-rathanykerry1761-m-10-june-1716-sir-thomas-mullins-ofburnham-created-a-baronet1797-and-baron-ventry1800-b-1736-d-1824-elizabeth-only-dau-oftownsend-gun-of-rattooco-kerry-m-5-oct-1755d-19-jan-1s23-hon-edward-de-moleyns=pelizabeth-dau-of-robertmajor-in-the-army-d-31-hilliard-esq-of-lisirimjuly-1841-aged-63-i-co-k-image340036099.htmlRM2AN5YEB–The royal lineage of our noble and gentle familiesTogether with their paternal ancestry .. . Oct., 1695. Martha Blennerhassett, m.:2nd to Henry Parr. William Mullins, of Burn-=j=M.iry, dau. of George Row-ham, Kerry, d. 3 May, | an, Esq., of Rathany,Kerry,1761. m. 10 June, 1716. Sir Thomas Mullins, ofBurnham, created a baronet,1797, and Baron Ventry,1800, b. 1736, d. 1824. Elizabeth, only dau. ofTownsend Gun, of Rattoo,co. Kerry, m. 5. Oct., 1755,d. 19 Jan., 1S23. Hon. Edward de Moleyns,=pElizabeth, dau. of RobertMajor in the army, d. 31 | Hilliard, Esq., of Lisirim,July, 1841, aged 63. I co. K
Coat of arms of Willem Cornelisz. Van Duyvenbode, 1578, Johannes van der Spyck, 1736 - 1761 print Coat of arms of the Leiden organist Willem Cornelisz., Who in 1578 acquired the right to call himself Van Duyvenbode. This as a reward for the deployment of his pigeons as carrier pigeons for communication during the siege between the city council of Leiden and the troops of the Prince of Orange. Leiden paper etching / engraving armorial bearing, heraldry Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-willem-cornelisz-van-duyvenbode-1578-johannes-van-der-spyck-1736-1761-print-coat-of-arms-of-the-leiden-organist-willem-cornelisz-who-in-1578-acquired-the-right-to-call-himself-van-duyvenbode-this-as-a-reward-for-the-deployment-of-his-pigeons-as-carrier-pigeons-for-communication-during-the-siege-between-the-city-council-of-leiden-and-the-troops-of-the-prince-of-orange-leiden-paper-etching-engraving-armorial-bearing-heraldry-image592959184.htmlRM2WCKHDM–Coat of arms of Willem Cornelisz. Van Duyvenbode, 1578, Johannes van der Spyck, 1736 - 1761 print Coat of arms of the Leiden organist Willem Cornelisz., Who in 1578 acquired the right to call himself Van Duyvenbode. This as a reward for the deployment of his pigeons as carrier pigeons for communication during the siege between the city council of Leiden and the troops of the Prince of Orange. Leiden paper etching / engraving armorial bearing, heraldry
Femmes Tchoukantschi; Saint-Aubin, Augustin de (1736-1807), Le Prince, Jean-Baptiste (1734-1781); 1768 (1768-00-00-1768-00-00);Chappe d`auteroche, Jean-Baptiste (1722-1769). Voyage en sibérie en 1761 - illustrations, czukcze, dupuy, dome (filigree - letter), collection from Sucha - collection, Russia, French (culture), illustrations, genre scenes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/femmes-tchoukantschi-saint-aubin-augustin-de-1736-1807-le-prince-jean-baptiste-1734-1781-1768-1768-00-00-1768-00-00chappe-d`auteroche-jean-baptiste-1722-1769-voyage-en-sibrie-en-1761-illustrations-czukcze-dupuy-dome-filigree-letter-collection-from-sucha-collection-russia-french-culture-illustrations-genre-scenes-image599027667.htmlRM2WPG1W7–Femmes Tchoukantschi; Saint-Aubin, Augustin de (1736-1807), Le Prince, Jean-Baptiste (1734-1781); 1768 (1768-00-00-1768-00-00);Chappe d`auteroche, Jean-Baptiste (1722-1769). Voyage en sibérie en 1761 - illustrations, czukcze, dupuy, dome (filigree - letter), collection from Sucha - collection, Russia, French (culture), illustrations, genre scenes
Konstancja née Lubomirski Rzewuska (1761-1840); Unfolded Polish painter, graff, Anton (1736-1813); after 1790 (1790-00-00-1815-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/konstancja-ne-lubomirski-rzewuska-1761-1840-unfolded-polish-painter-graff-anton-1736-1813-after-1790-1790-00-00-1815-00-00-image598951696.htmlRM2WPCH00–Konstancja née Lubomirski Rzewuska (1761-1840); Unfolded Polish painter, graff, Anton (1736-1813); after 1790 (1790-00-00-1815-00-00);
![[Livre Nouveau de Douze Morceaux de Fantaisie] Various artists/makers [1736] View more. [Livre Nouveau de Douze Morceaux de Fantaisie]. Jacques de La Joue the Younger (French, Paris 1686–1761 Paris). [1736]. Etching. Books Stock Photo](https://c8.alamy.com/comp/2T2FAHP/livre-nouveau-de-douze-morceaux-de-fantaisie-various-artistsmakers-1736-view-more-livre-nouveau-de-douze-morceaux-de-fantaisie-jacques-de-la-joue-the-younger-french-paris-16861761-paris-1736-etching-books-2T2FAHP.jpg "[Livre Nouveau de Douze Morceaux de Fantaisie] Various artists/makers [1736] View more. [Livre Nouveau de Douze Morceaux de Fantaisie]. Jacques de La Joue the Younger (French, Paris 1686–1761 Paris). [1736]. Etching. Books Stock Photo")
[Livre Nouveau de Douze Morceaux de Fantaisie] Various artists/makers [1736] View more. [Livre Nouveau de Douze Morceaux de Fantaisie]. Jacques de La Joue the Younger (French, Paris 1686–1761 Paris). [1736]. Etching. Books Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/livre-nouveau-de-douze-morceaux-de-fantaisie-various-artistsmakers-1736-view-more-livre-nouveau-de-douze-morceaux-de-fantaisie-jacques-de-la-joue-the-younger-french-paris-16861761-paris-1736-etching-books-image569509074.htmlRM2T2FAHP–[Livre Nouveau de Douze Morceaux de Fantaisie] Various artists/makers [1736] View more. [Livre Nouveau de Douze Morceaux de Fantaisie]. Jacques de La Joue the Younger (French, Paris 1686–1761 Paris). [1736]. Etching. Books
. English: Portrait of Jaya Prakash Malla, the last king of Kathmandu who reigned 1736-1768 AD. Jaya Pand again from 1750–1768. He also ruled Lalitpur from 1760–1761 and again 1763–1764. 20 November 2012, 03:53:42. unknown, uploaded byZulufive 312 Jaya prakash malla Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portrait-of-jaya-prakash-malla-the-last-king-of-kathmandu-who-reigned-1736-1768-ad-jaya-pand-again-from-17501768-he-also-ruled-lalitpur-from-17601761-and-again-17631764-20-november-2012-035342-unknown-uploaded-byzulufive-312-jaya-prakash-malla-image188118638.htmlRMMX1F6P–. English: Portrait of Jaya Prakash Malla, the last king of Kathmandu who reigned 1736-1768 AD. Jaya Pand again from 1750–1768. He also ruled Lalitpur from 1760–1761 and again 1763–1764. 20 November 2012, 03:53:42. unknown, uploaded byZulufive 312 Jaya prakash malla
In the painter's studio ('Le Peintre de Paysage' or 'Le Peintre a Son Chevalet'); Boucher, François (1703-1770); early 19th century (1736-00-00-1761-00-00);Boucher, Francois (1703-1770), Rothschild Edmond DE - collection, French painting, artists' studios Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-the-painters-studio-le-peintre-de-paysage-or-le-peintre-a-son-chevalet-boucher-franois-1703-1770-early-19th-century-1736-00-00-1761-00-00boucher-francois-1703-1770-rothschild-edmond-de-collection-french-painting-artists-studios-image598812658.htmlRM2WP67JA–In the painter's studio ('Le Peintre de Paysage' or 'Le Peintre a Son Chevalet'); Boucher, François (1703-1770); early 19th century (1736-00-00-1761-00-00);Boucher, Francois (1703-1770), Rothschild Edmond DE - collection, French painting, artists' studios
History of Worcester and its people . b. May 28,1730; Samuel, b. July 24, 1732; Hannah, b. July 28, 1736, m. (1) AbelHeywood, (2) Asa Wood; Joseph, b. Dec. 5, 1740, d. Apr. 19, 1758,at Wor. Goddard, SamueP (John^ Jos.-, Wm.), b. July 24, 1732, d. here,June 12, 1803. Came to Wor., 1754; ni. Abigail King, who d. Apr. 8,1804, (pp. 16, 35 Gen.). His will, dated Mar. 17, 1802, was proved 1803,bequeathing to wife Abigail and children—John, Joseph, Mehitable,Mary Lucy and grandchildren Polly and Nabby Taintor. Children, b.here: Abigail, b. Jan. 8, 1761, m. Joel Taintor; Hannah, b. Aug. 17,1762, m. Ca Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-worcester-and-its-people-b-may-281730-samuel-b-july-24-1732-hannah-b-july-28-1736-m-1-abelheywood-2-asa-wood-joseph-b-dec-5-1740-d-apr-19-1758at-wor-goddard-samuep-john-jos-wm-b-july-24-1732-d-herejune-12-1803-came-to-wor-1754-ni-abigail-king-who-d-apr-81804-pp-16-35-gen-his-will-dated-mar-17-1802-was-proved-1803bequeathing-to-wife-abigail-and-childrenjohn-joseph-mehitablemary-lucy-and-grandchildren-polly-and-nabby-taintor-children-bhere-abigail-b-jan-8-1761-m-joel-taintor-hannah-b-aug-171762-m-ca-image339989823.htmlRM2AN3TDK–History of Worcester and its people . b. May 28,1730; Samuel, b. July 24, 1732; Hannah, b. July 28, 1736, m. (1) AbelHeywood, (2) Asa Wood; Joseph, b. Dec. 5, 1740, d. Apr. 19, 1758,at Wor. Goddard, SamueP (John^ Jos.-, Wm.), b. July 24, 1732, d. here,June 12, 1803. Came to Wor., 1754; ni. Abigail King, who d. Apr. 8,1804, (pp. 16, 35 Gen.). His will, dated Mar. 17, 1802, was proved 1803,bequeathing to wife Abigail and children—John, Joseph, Mehitable,Mary Lucy and grandchildren Polly and Nabby Taintor. Children, b.here: Abigail, b. Jan. 8, 1761, m. Joel Taintor; Hannah, b. Aug. 17,1762, m. Ca
The facade of the Broomfield-Lodge building in Clapham (Surrey Function) of the Honorable estate of Edward James Eliot; Richardson, George (1736-1817), Groves, John Thomas (1761-1811), Richardson, George (London; Publisher; FL Ca 1766-1816); 1802-1808 (edition); 1797 (matrix) (1797-00-00-1808-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-facade-of-the-broomfield-lodge-building-in-clapham-surrey-function-of-the-honorable-estate-of-edward-james-eliot-richardson-george-1736-1817-groves-john-thomas-1761-1811-richardson-george-london-publisher-fl-ca-1766-1816-1802-1808-edition-1797-matrix-1797-00-00-1808-00-00-image598859129.htmlRM2WP8AX1–The facade of the Broomfield-Lodge building in Clapham (Surrey Function) of the Honorable estate of Edward James Eliot; Richardson, George (1736-1817), Groves, John Thomas (1761-1811), Richardson, George (London; Publisher; FL Ca 1766-1816); 1802-1808 (edition); 1797 (matrix) (1797-00-00-1808-00-00);
. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum . ies of Baculites characterized by relatively strong ornament beyond a whorlheight of about 5 mm. This comprises 2-4, variably developed, crescentic, dorsolateralbullae in a distance equal to the whorl height and projected growth striae on the upperflank. In some, weak flat-topped ribs cross the venter. Types SAM-PCA1737 is designated holotype. Paratypes are SAM-PCA1733-34, 1736,1738, 1740-3, 1745, 1761, 1781, 1783, 1785, 1788, 1800, 1808 and 1833. All are fromBed V and all preserve recrystallized test; additional pa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annals-of-the-south-african-museum-=-annale-van-die-suid-afrikaanse-museum-ies-of-baculites-characterized-by-relatively-strong-ornament-beyond-a-whorlheight-of-about-5-mm-this-comprises-2-4-variably-developed-crescentic-dorsolateralbullae-in-a-distance-equal-to-the-whorl-height-and-projected-growth-striae-on-the-upperflank-in-some-weak-flat-topped-ribs-cross-the-venter-types-sam-pca1737-is-designated-holotype-paratypes-are-sam-pca1733-34-17361738-1740-3-1745-1761-1781-1783-1785-1788-1800-1808-and-1833-all-are-frombed-v-and-all-preserve-recrystallized-test-additional-pa-image370142543.htmlRM2CE5CGF–. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum . ies of Baculites characterized by relatively strong ornament beyond a whorlheight of about 5 mm. This comprises 2-4, variably developed, crescentic, dorsolateralbullae in a distance equal to the whorl height and projected growth striae on the upperflank. In some, weak flat-topped ribs cross the venter. Types SAM-PCA1737 is designated holotype. Paratypes are SAM-PCA1733-34, 1736,1738, 1740-3, 1745, 1761, 1781, 1783, 1785, 1788, 1800, 1808 and 1833. All are fromBed V and all preserve recrystallized test; additional pa
Broomfield-Lodge plans in Clapham (Surrey's County) of the Honorable estate of Edward James Eliot; Richardson, George (1736-1817), Groves, John Thomas (1761-1811), Richardson, George (London; Publisher; FL Ca 1766-1816); 1802-1808 (edition); 1797 (matrix) (1797-00-00-1808-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/broomfield-lodge-plans-in-clapham-surreys-county-of-the-honorable-estate-of-edward-james-eliot-richardson-george-1736-1817-groves-john-thomas-1761-1811-richardson-george-london-publisher-fl-ca-1766-1816-1802-1808-edition-1797-matrix-1797-00-00-1808-00-00-image598830246.htmlRM2WP722E–Broomfield-Lodge plans in Clapham (Surrey's County) of the Honorable estate of Edward James Eliot; Richardson, George (1736-1817), Groves, John Thomas (1761-1811), Richardson, George (London; Publisher; FL Ca 1766-1816); 1802-1808 (edition); 1797 (matrix) (1797-00-00-1808-00-00);
Portrait of Maria van IJsseldijk, standing knee piece, Isaac Lodewijk La Fargue van Nieuwland, 1736 - 1805 drawing Portrait of Maria van IJsseldijk, born in The Hague 11-7-1743, died 18-11-1831 in The Hague; Married Scheveningen 27-9-1761; Marriage certificate at Ludolph Mulder, notary 1755-1789 in The Hague. A separate sheet of paper with text is attached under the drawing. paper. pencil. ink. watercolor (paint) brush / pen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-maria-van-ijsseldijk-standing-knee-piece-isaac-lodewijk-la-fargue-van-nieuwland-1736-1805-drawing-portrait-of-maria-van-ijsseldijk-born-in-the-hague-11-7-1743-died-18-11-1831-in-the-hague-married-scheveningen-27-9-1761-marriage-certificate-at-ludolph-mulder-notary-1755-1789-in-the-hague-a-separate-sheet-of-paper-with-text-is-attached-under-the-drawing-paper-pencil-ink-watercolor-paint-brush-pen-image595133230.htmlRM2WG6JE6–Portrait of Maria van IJsseldijk, standing knee piece, Isaac Lodewijk La Fargue van Nieuwland, 1736 - 1805 drawing Portrait of Maria van IJsseldijk, born in The Hague 11-7-1743, died 18-11-1831 in The Hague; Married Scheveningen 27-9-1761; Marriage certificate at Ludolph Mulder, notary 1755-1789 in The Hague. A separate sheet of paper with text is attached under the drawing. paper. pencil. ink. watercolor (paint) brush / pen
Table snuffbox ca. 1745–50 Niello scenes after a print entitled Naufrage (Shipwreck) by Jacques de Lajoüe French The niello, a preeminently important Russian technique of decorating silver, follows the print Naufrage by Jacques de Lajoue (1687–1761), published in Paris in 1736 and integrated into a pattern book. A copy was in Catherine's extensive library. The exuberant wave and shell-like rocaille formations perfectly illustrate the Central European Rococo style, referring to the turban snail's origins in the exotic Indo-Pacific Ocean. Related turban-snail cases bearing Chinese inscriptions d Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/table-snuffbox-ca-174550-niello-scenes-after-a-print-entitled-naufrage-shipwreck-by-jacques-de-lajoe-french-the-niello-a-preeminently-important-russian-technique-of-decorating-silver-follows-the-print-naufrage-by-jacques-de-lajoue-16871761-published-in-paris-in-1736-and-integrated-into-a-pattern-book-a-copy-was-in-catherines-extensive-library-the-exuberant-wave-and-shell-like-rocaille-formations-perfectly-illustrate-the-central-european-rococo-style-referring-to-the-turban-snails-origins-in-the-exotic-indo-pacific-ocean-related-turban-snail-cases-bearing-chinese-inscriptions-d-image458611342.htmlRM2HJ3FCE–Table snuffbox ca. 1745–50 Niello scenes after a print entitled Naufrage (Shipwreck) by Jacques de Lajoüe French The niello, a preeminently important Russian technique of decorating silver, follows the print Naufrage by Jacques de Lajoue (1687–1761), published in Paris in 1736 and integrated into a pattern book. A copy was in Catherine's extensive library. The exuberant wave and shell-like rocaille formations perfectly illustrate the Central European Rococo style, referring to the turban snail's origins in the exotic Indo-Pacific Ocean. Related turban-snail cases bearing Chinese inscriptions d
Meeting of the monied Interest. Constitutional opposition to ye 10 pr cent - ie - John Bulls friends alarm'd by the new tax , Government officials, Politicians, Nobility, Authors, Military officers, Mathematicians, John Bull Symbolic character, Tooke, John Horne, 1736-1812, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Smith-Stanley, Edward, 1752-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Fox, Charles James, 1749-1806, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/meeting-of-the-monied-interest-constitutional-opposition-to-ye-10-pr-cent-ie-john-bulls-friends-alarmd-by-the-new-tax-government-officials-politicians-nobility-authors-military-officers-mathematicians-john-bull-symbolic-character-tooke-john-horne-1736-1812-grafton-augustus-henry-fitzroy-duke-of-1735-1811-smith-stanley-edward-1752-1834-hastings-francis-rawdon-hastings-marquess-of-1754-1826-tierney-george-1761-1830-burdett-francis-1770-1844-bedford-francis-russell-duke-of-1765-1802-norfolk-charles-howard-duke-of-1746-1815-fox-charles-james-1749-1806-image501311677.htmlRM2M3GM4D–Meeting of the monied Interest. Constitutional opposition to ye 10 pr cent - ie - John Bulls friends alarm'd by the new tax , Government officials, Politicians, Nobility, Authors, Military officers, Mathematicians, John Bull Symbolic character, Tooke, John Horne, 1736-1812, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Smith-Stanley, Edward, 1752-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Fox, Charles James, 1749-1806,
. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. KoBERT Campbell, the great-grandfather of the subject of this sketch, was a native of Scotland, and was born April 23, 1709, and was married April 13, 1727, and settled in Canaan, Conn., Oct. 20, 1761. He had eleven children, viz. : Eebecca, born Oct. 2, 1728; Lydia, born Aug. 21, 1730; Daniel, born March 12, 1733; Mary, born Aug. 19, 1734; Elizabeth, born Oct. 1, 1736; Joan, born June 19, 1739; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-steuben-county-new-york-with-illustrations-and-biographical-sketches-of-some-of-its-prominent-men-and-pioneers-steuben-friedrich-wilhelm-ludolf-gerhard-augustin-baron-von-1730-1794-kobert-campbell-the-great-grandfather-of-the-subject-of-this-sketch-was-a-native-of-scotland-and-was-born-april-23-1709-and-was-married-april-13-1727-and-settled-in-canaan-conn-oct-20-1761-he-had-eleven-children-viz-eebecca-born-oct-2-1728-lydia-born-aug-21-1730-daniel-born-march-12-1733-mary-born-aug-19-1734-elizabeth-born-oct-1-1736-joan-born-june-19-1739-image231878173.htmlRMRD6XY9–. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. KoBERT Campbell, the great-grandfather of the subject of this sketch, was a native of Scotland, and was born April 23, 1709, and was married April 13, 1727, and settled in Canaan, Conn., Oct. 20, 1761. He had eleven children, viz. : Eebecca, born Oct. 2, 1728; Lydia, born Aug. 21, 1730; Daniel, born March 12, 1733; Mary, born Aug. 19, 1734; Elizabeth, born Oct. 1, 1736; Joan, born June 19, 1739;
