1745 1812 hi-res stock photography and images

New York from Hobuck Ferry House New Jersey, still image, Prints, 1800, Jukes, Francis (1745-1812), Robertson, Alexander (1772-1841 Stock Photo

RM2CTB75T–New York from Hobuck Ferry House New Jersey, still image, Prints, 1800, Jukes, Francis (1745-1812), Robertson, Alexander (1772-1841

Portrait of David Sintzheim (1745-1812) , 1800s. Creator: Damame-Demartrais, Michel François (1763-1827). Stock Photo

RMTCXGK2–Portrait of David Sintzheim (1745-1812) , 1800s. Creator: Damame-Demartrais, Michel François (1763-1827).

Portrait of Johann Jakob Griesbach (1745-1812). 18th century (Contemporary painting). Griesbach1 Stock Photo

RMMMY9XG–Portrait of Johann Jakob Griesbach (1745-1812). 18th century (Contemporary painting). Griesbach1

David Sintzheim (1745-1812). Stock Photo

RMW610P7–David Sintzheim (1745-1812).

. Portrait of Charles Cameron (1745-1812) at old age, 1800s . 1800s. Unknown painter 105 Charles Cameron 1800s Stock Photo

RMMYPE3F–. Portrait of Charles Cameron (1745-1812) at old age, 1800s . 1800s. Unknown painter 105 Charles Cameron 1800s

MAZARREDO , JOSE DE. MARINO ESPAÑOL . 1745 - 1812. GRABADO RETRATO. BIBLIOTECA NACIONAL . MADRID. Stock Photo

RM2HMNARF–MAZARREDO , JOSE DE. MARINO ESPAÑOL . 1745 - 1812. GRABADO RETRATO. BIBLIOTECA NACIONAL . MADRID.

The Archduke Charles (1771-1847), peacemaker of Bohemia, 1801 Anton Guillemard (1745-1812), Franz Stuckhart (1781-1857). L'archiduc Charles (1771-1847), pacificateur de la Bohême, 1801. Bronze. Paris, Musée Carnavalet. Stock Photo

RM2B99HFA–The Archduke Charles (1771-1847), peacemaker of Bohemia, 1801 Anton Guillemard (1745-1812), Franz Stuckhart (1781-1857). L'archiduc Charles (1771-1847), pacificateur de la Bohême, 1801. Bronze. Paris, Musée Carnavalet.

Called The Hon. Harriet Molesworth, The Hon. Mrs John Staples (1745-1812) but most probably Harriett Conolly, Mrs John Staples (d.1771) 1754 by Francis Cotes Stock Photo

RM2RF39EY–Called The Hon. Harriet Molesworth, The Hon. Mrs John Staples (1745-1812) but most probably Harriett Conolly, Mrs John Staples (d.1771) 1754 by Francis Cotes

Portrait of Johann Jakob Griesbach (1745-1812) German biblical textual critic. Stock Photo

RM2PMA4C6–Portrait of Johann Jakob Griesbach (1745-1812) German biblical textual critic.

View of the Farnese Gallery, Rome. Francesco Panini (Italian, 1745 - 1812) Stock Photo

RM2F5MXWN–View of the Farnese Gallery, Rome. Francesco Panini (Italian, 1745 - 1812)

mgr. de chevigné de boischollet. 1745-1812 Stock Photo

RFWWDP07–mgr. de chevigné de boischollet. 1745-1812

Franz Karl Brockmann (1745-1812), actor, stage poet. Johann Hieronymus Delete Kohl (1753-1807), publishing house Stock Photo

RM2JADGKB–Franz Karl Brockmann (1745-1812), actor, stage poet. Johann Hieronymus Delete Kohl (1753-1807), publishing house

View of Erbistock Church, published 1794, Francis Jukes (English, 1745-1812), after Thomas Walmsley (Irish, 1763-1806), England, Color aquatint on paper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B8WJBW–View of Erbistock Church, published 1794, Francis Jukes (English, 1745-1812), after Thomas Walmsley (Irish, 1763-1806), England, Color aquatint on paper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Don Jose de Mazarredo Salazar de Munatones y Gortazar Order of Santiago (Bilbao 1745 - Madrid, 1812) was a Spanish naval commander, cartographer, ambassador, astronomer and professor of naval tactics. He is considered to be one of the best Spanish naval commanders of all time Stock Photo

RM2K08CW7–Don Jose de Mazarredo Salazar de Munatones y Gortazar Order of Santiago (Bilbao 1745 - Madrid, 1812) was a Spanish naval commander, cartographer, ambassador, astronomer and professor of naval tactics. He is considered to be one of the best Spanish naval commanders of all time

Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . ateliers et autres fonctionnaires.— 1. Esajas, 1745-1812, administra-teur déglise, conseiller, juge au tribu-nal des Cinq et à la cour dappel,préfet sous la République helvétique,bailli de Baden 1788 ; médecin etphilanthrope. — 2. JOACHIM, * 1771.f après 1806, inspecteur général des milices helvéti-ques et de lélite du canton de la Linth 1799. —3. Stock Photo

RM2AMXT9X–Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . ateliers et autres fonctionnaires.— 1. Esajas, 1745-1812, administra-teur déglise, conseiller, juge au tribu-nal des Cinq et à la cour dappel,préfet sous la République helvétique,bailli de Baden 1788 ; médecin etphilanthrope. — 2. JOACHIM, * 1771.f après 1806, inspecteur général des milices helvéti-ques et de lélite du canton de la Linth 1799. —3.

Dr. Jonathan Potts (1745-1781) Date: 1770/76 Artist: Henry Benbridge American, 1743–1812 Stock Photo

RF2R2DNHF–Dr. Jonathan Potts (1745-1781) Date: 1770/76 Artist: Henry Benbridge American, 1743–1812

RMD8ADFR–JOHANN GRIESBACH

Close-up of Field Marshal Kutuzov's (1745-1813) Russian Command Post during the Battle of Borodino (1812) in Borodino, Russia Stock Photo

RMB78MHR–Close-up of Field Marshal Kutuzov's (1745-1813) Russian Command Post during the Battle of Borodino (1812) in Borodino, Russia

RM2A2J6E5–View of Erbistock Church, published 1794, Francis Jukes (English, 1745-1812), after Thomas Walmsley (Irish, 1763-1806), England, Color aquatint on paper

Portrait of Field Marshal Prince Mikhail Kutuzov (1745-1813), 1813. Stock Photo

RMR8D453–Portrait of Field Marshal Prince Mikhail Kutuzov (1745-1813), 1813.

Bust of Russian Field Marshal Mikhail Kutuzov (1745-1813) at Tighina Fortress in Bender (Transnistria), Moldova Stock Photo

RM2RWPGGW–Bust of Russian Field Marshal Mikhail Kutuzov (1745-1813) at Tighina Fortress in Bender (Transnistria), Moldova

Salisbury Publ 1798 JUKES, Francis (1745-1812) after Edward DAYES (1763-1804) edited. Stock Photo

RM2HE8GD7–Salisbury Publ 1798 JUKES, Francis (1745-1812) after Edward DAYES (1763-1804) edited.

. Portrait of Charles Cameron (1745-1812) at old age, 1800s . 1800s. Unknown painter 123 Charles Cameron 1800s Stock Photo

RMMXC7J6–. Portrait of Charles Cameron (1745-1812) at old age, 1800s . 1800s. Unknown painter 123 Charles Cameron 1800s

RMP6FKDB–MAZARREDO , JOSE DE. MARINO ESPAÑOL. 1745 - 1812. GRABADO RETRATO. BIBLIOTECA NACIONAL. MADRID.

RM2B99HGF–The Archduke Charles (1771-1847), peacemaker of Bohemia, 1801 Anton Guillemard (1745-1812), Franz Stuckhart (1781-1857). L'archiduc Charles (1771-1847), pacificateur de la Bohême, 1801. Bronze. Paris, Musée Carnavalet.

Portrait of Field Marshal Prince Mikhail Kutuzov (1745-1813). Artist: Anonymous, 18th century Stock Photo

RMDE88HR–Portrait of Field Marshal Prince Mikhail Kutuzov (1745-1813). Artist: Anonymous, 18th century

RM2JADGJN–Franz Karl Brockmann (1745-1812), actor, stage poet. Johann Hieronymus Delete Kohl (1753-1807), publishing house

View of Hillbank on the River Thames near London, published 1795, Francis Jukes (English, 1745-1812), after John Laporte (English, 1761-1839), England, Color aquatint on paper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B8WKHA–View of Hillbank on the River Thames near London, published 1795, Francis Jukes (English, 1745-1812), after John Laporte (English, 1761-1839), England, Color aquatint on paper, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Villa Albani; Volpato, Giovanni (1740-1803), Pannini, Francesco (1745-1812); 1780 (1780-00-00-1780-00-00); Stock Photo

RM2WP90GH–Villa Albani; Volpato, Giovanni (1740-1803), Pannini, Francesco (1745-1812); 1780 (1780-00-00-1780-00-00);

History of Doylestown, old and new : from its settlement to the close of the nineteenth century, 1745-1900 . aken prisoner at thebattle of Long Island. Lord Sterling wrote Washington, that theEnglish General Grant was killed by some of Keichlines riflemen. We do not know where Samuel Kachline learned his trade, but,the first we hear of him, was of his coming to Doylestown in 1812,and working on the public buildings then being erected. We nowlose sight of him for a few years, but, in 1820, he set up in businesshere, and was married the following year. He bought TimothySmiths stock of tools and Stock Photo

RM2AM33AF–History of Doylestown, old and new : from its settlement to the close of the nineteenth century, 1745-1900 . aken prisoner at thebattle of Long Island. Lord Sterling wrote Washington, that theEnglish General Grant was killed by some of Keichlines riflemen. We do not know where Samuel Kachline learned his trade, but,the first we hear of him, was of his coming to Doylestown in 1812,and working on the public buildings then being erected. We nowlose sight of him for a few years, but, in 1820, he set up in businesshere, and was married the following year. He bought TimothySmiths stock of tools and

St. Peter's, the Basilica and the Piazza. Francesco Panini (Italy, Rome, 1745-1812). Italy, no date. Drawings. Etching, hand-colored with watercolor and gouache Stock Photo

RM2J04KTK–St. Peter's, the Basilica and the Piazza. Francesco Panini (Italy, Rome, 1745-1812). Italy, no date. Drawings. Etching, hand-colored with watercolor and gouache

The interior of the Sistine Chapel; Barbazza, Francesco (Fl. 1765-1790), Pannini, Francesco (1745-1812); around 1797 (1792-00-00-1802-00-00); Stock Photo

RM2WPH98X–The interior of the Sistine Chapel; Barbazza, Francesco (Fl. 1765-1790), Pannini, Francesco (1745-1812); around 1797 (1792-00-00-1802-00-00);

RM2A2J797–View of Hillbank on the River Thames near London, published 1795, Francis Jukes (English, 1745-1812), after John Laporte (English, 1761-1839), England, Color aquatint on paper

Rzym Inner prospectus of the Basilica of S.Paolo on the Via Ostiense founded by Constantino Magno Barbazza, Francesco (FL.1756 178 ), Panini, Francesco (1745 1812), Roman football (1738 1870) Stock Photo

RM2JB15KA–Rzym Inner prospectus of the Basilica of S.Paolo on the Via Ostiense founded by Constantino Magno Barbazza, Francesco (FL.1756 178 ), Panini, Francesco (1745 1812), Roman football (1738 1870)

Print, Peltro William Tomkins, British, 1760 - 1840, Leonardo da Vinci, Italian, 1452 - 1519, John Chamberlaine, English, 1745 - 1812, Stipple engraving in sanguine ink on paper, England, 1811, Print Stock Photo

RM2DMPRNE–Print, Peltro William Tomkins, British, 1760 - 1840, Leonardo da Vinci, Italian, 1452 - 1519, John Chamberlaine, English, 1745 - 1812, Stipple engraving in sanguine ink on paper, England, 1811, Print

Interior View of the Church of St. Peter’s in the Vatican, c. 1770, Francesco Panini, Italian, 1745-1812, Italy, Transparent and opaque watercolors with shell gold and pen and black ink, over etching, on ivory laid paper, 580 x 885 mm Stock Photo

RM2A2KK0N–Interior View of the Church of St. Peter’s in the Vatican, c. 1770, Francesco Panini, Italian, 1745-1812, Italy, Transparent and opaque watercolors with shell gold and pen and black ink, over etching, on ivory laid paper, 580 x 885 mm

. Portrait of Charles Cameron (1745-1812) at old age, 1800s . 1800s. Unknown painter 122 Charles Cameron 1800s Stock Photo

RMMTWWXE–. Portrait of Charles Cameron (1745-1812) at old age, 1800s . 1800s. Unknown painter 122 Charles Cameron 1800s

Artist: Francis Jukes, British, 1745–1812, After: Alexander Robertson, American, 1772–1841, New York (from Hobuck Ferry House, New Jersey), Aquatint printed in colors, sheet: 40 × 50.5 cm (15 3/4 × 19 7/8 in.), Made in United Kingdom, British, 19th century, Works on Paper - Prints Stock Photo

RM2DT62JG–Artist: Francis Jukes, British, 1745–1812, After: Alexander Robertson, American, 1772–1841, New York (from Hobuck Ferry House, New Jersey), Aquatint printed in colors, sheet: 40 × 50.5 cm (15 3/4 × 19 7/8 in.), Made in United Kingdom, British, 19th century, Works on Paper - Prints

. Johann Jakob Griesbach, Professor der Theologie in Jena (1745-1812) . circa 1800. 726 Johann Jakob Griesbach c1800 Stock Photo

RMMP8D9W–. Johann Jakob Griesbach, Professor der Theologie in Jena (1745-1812) . circa 1800. 726 Johann Jakob Griesbach c1800

Between Crogen & Llandrillo on the R. Dee, published 1793, Francis Jukes, English, 1745-1812, England, Color aquatint and etching on paper, Untitled, 1848/56, Fontayne & Porter, American, active 1848–1856, United States, Daguerreotype, 14 x 10.8 cm (plate), 15 x 12.1 x 1.5 cm (case), Untitled, 1839/60, 19th century, Unknown Place, Daguerreotype, 14 x 10.8 cm (plate), 15.3 x 12 x 1.9 cm (case), Untitled, 19th century, 19th century, Unknown Place, Albumen on porcelain, 14 x 10.8 cm (plate), 15.7 x 12.7 x 2.7 cm (case Stock Photo

RM2A2J6E4–Between Crogen & Llandrillo on the R. Dee, published 1793, Francis Jukes, English, 1745-1812, England, Color aquatint and etching on paper, Untitled, 1848/56, Fontayne & Porter, American, active 1848–1856, United States, Daguerreotype, 14 x 10.8 cm (plate), 15 x 12.1 x 1.5 cm (case), Untitled, 1839/60, 19th century, Unknown Place, Daguerreotype, 14 x 10.8 cm (plate), 15.3 x 12 x 1.9 cm (case), Untitled, 19th century, 19th century, Unknown Place, Albumen on porcelain, 14 x 10.8 cm (plate), 15.7 x 12.7 x 2.7 cm (case

Portrait of David Sintzheim (1745-1812). Museum: BIBLIOTHEQUE NATIONALE DE FRANCE. Author: MICHEL FRANCOIS DAMAME-DEMARTRAIS. Stock Photo

RMT9JWYY–Portrait of David Sintzheim (1745-1812). Museum: BIBLIOTHEQUE NATIONALE DE FRANCE. Author: MICHEL FRANCOIS DAMAME-DEMARTRAIS.

Roman landscape of ruins, Francesco Pannini (Rome 1745 - 1812 Rome), drawing, pen, watercolour, 27.0 x 41.7 cm, l.l. Duke Albert of Saxe-Teschen Stock Photo

RM2T8MB6W–Roman landscape of ruins, Francesco Pannini (Rome 1745 - 1812 Rome), drawing, pen, watercolour, 27.0 x 41.7 cm, l.l. Duke Albert of Saxe-Teschen

Portrait of Field Marshal Prince Mikhail Kutuzov (1745-1813), c. 1790. Private Collection. Stock Photo

RM2F3EW74–Portrait of Field Marshal Prince Mikhail Kutuzov (1745-1813), c. 1790. Private Collection.

RF2B906J5–Interior View of the Church of St. Peter’s in the Vatican, c. 1770, Francesco Panini, Italian, 1745-1812, Italy, Transparent and opaque watercolors with shell gold and pen and black ink, over etching, on ivory laid paper, 580 x 885 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Transactions of the Cumberland & Westmorland Antiquarian & Archaeological Society . dge over the river of that name. TheMoor slopes downwards to the north, and the northernangle is the Foot of the Moor and also The TownEnd, where is, on the west of the road, the Town Endfarm-house, the residence, in 1745, of Thomas Savage, aQuaker, and the place where the Duke of Cumberlandlodged on the night of Wednesday, December iSth, 1745.The Moor was enclosed in 1812, and only a small green atits north, or foot, left open. The Clifton Moor of 1745 was thus surrounded by enclo-sures on all sides, and appro Stock Photo

RM2AX26XF–Transactions of the Cumberland & Westmorland Antiquarian & Archaeological Society . dge over the river of that name. TheMoor slopes downwards to the north, and the northernangle is the Foot of the Moor and also The TownEnd, where is, on the west of the road, the Town Endfarm-house, the residence, in 1745, of Thomas Savage, aQuaker, and the place where the Duke of Cumberlandlodged on the night of Wednesday, December iSth, 1745.The Moor was enclosed in 1812, and only a small green atits north, or foot, left open. The Clifton Moor of 1745 was thus surrounded by enclo-sures on all sides, and appro

Rome Precute Dogli Farnesian Orti on Monte Palatino (View of the Farnese Gardens in Palatine) Antonini, Carlo (1749 1835), Panini, Francesco (1745 1812), Roman football (1738 1870) Stock Photo

RM2JB15HA–Rome Precute Dogli Farnesian Orti on Monte Palatino (View of the Farnese Gardens in Palatine) Antonini, Carlo (1749 1835), Panini, Francesco (1745 1812), Roman football (1738 1870)

Tureen with views of Hudson River and Passaic Falls, State of New Jersey. Manufacturer: Enoch Wood and Sons, British, 1820–1846After: Alexander Robertson, American, 1772–1841Engraver: Francis Jukes, British, 1745–1812 Stock Photo

RM2HWN558–Tureen with views of Hudson River and Passaic Falls, State of New Jersey. Manufacturer: Enoch Wood and Sons, British, 1820–1846After: Alexander Robertson, American, 1772–1841Engraver: Francis Jukes, British, 1745–1812

Rome View of the Amphitheater Flavio Ogidi Colosseo observed Dalio (View of the Flavius Amphitheater Called the Colosseum Seen from the Celio Hill) Volpato, Giovanni (1732 1803), Panini, Francesco (1745 1812), Roman football (1738 1870) Stock Photo

RM2JB15HC–Rome View of the Amphitheater Flavio Ogidi Colosseo observed Dalio (View of the Flavius Amphitheater Called the Colosseum Seen from the Celio Hill) Volpato, Giovanni (1732 1803), Panini, Francesco (1745 1812), Roman football (1738 1870)

. English: Portrait of Rodrigo de Sousa Coutinho (1745-1812), 1st Count of Linhares (1755-1812)) . early 19th century. 1214 1 Conde de Linhares Stock Photo

RMMNY1NK–. English: Portrait of Rodrigo de Sousa Coutinho (1745-1812), 1st Count of Linhares (1755-1812)) . early 19th century. 1214 1 Conde de Linhares

Johann Brockmann (1745-1812) *on ivory *oval 4.4 cm Johann Brockmann (1745-1812) 723 Johann Brockmann (1745-1812), by Heinrich Friedrich Füger (1751-1818) Stock Photo

RMMP40RR–Johann Brockmann (1745-1812) *on ivory *oval 4.4 cm Johann Brockmann (1745-1812) 723 Johann Brockmann (1745-1812), by Heinrich Friedrich Füger (1751-1818)

Roman ruins with staffage figures, Francesco Pannini (Rome 1745 - 1812 Rome), drawing, pen and watercolour, heightened with opaque white, 26.7 x 40.8 cm, r.r. Duke Albert of Saxe-Teschen Stock Photo

RM2T8MB7A–Roman ruins with staffage figures, Francesco Pannini (Rome 1745 - 1812 Rome), drawing, pen and watercolour, heightened with opaque white, 26.7 x 40.8 cm, r.r. Duke Albert of Saxe-Teschen

. Екатерина Исайевна Шафирова, замужем за князем Михаилом Сергеевичем Волконским (1745—1812); . 18th century. Anonymous 181 Ekaterina Isayevna Shafirova (Vorontsova, d. 1795) by anonymous (1760s, Kuskovo) Stock Photo

RMMW4D6W–. Екатерина Исайевна Шафирова, замужем за князем Михаилом Сергеевичем Волконским (1745—1812); . 18th century. Anonymous 181 Ekaterina Isayevna Shafirova (Vorontsova, d. 1795) by anonymous (1760s, Kuskovo)

José de Mazarredo Salazar (1745-1812), marino y militar español, teniente general de la armada . Grabado de 1877. Stock Photo

RM2A8DKTG–José de Mazarredo Salazar (1745-1812), marino y militar español, teniente general de la armada . Grabado de 1877.

View of the Farnese Gallery, Rome, Francesco Panini (Italian, 1745 - 1812), Italy, about 1775, Pen and black ink and gray wash over black chalk, with occasional touches of white gouache, some pinholes, 42.5 x 27.6 cm (16 3,4 x 10 7,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9CMNJ–View of the Farnese Gallery, Rome, Francesco Panini (Italian, 1745 - 1812), Italy, about 1775, Pen and black ink and gray wash over black chalk, with occasional touches of white gouache, some pinholes, 42.5 x 27.6 cm (16 3,4 x 10 7,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Genealogy of the Caverly family : from the year 1116 to the year 1880, made profitable and exemplified by many a lesson of life . any descendants, at Newport and else-where. William, a son of Moses, Jr., who lived a bachelor, died on thesame old homestead in Barrington, about the year 1812. Charles, the Senior,another and the first son of Moses, Jr., died in theservice of his country, a soldier in the old French war.He had enlisted at Portsmouth, April 19, 1760.* Captain Philip Caverly, a son of Moses, Jr., was born at Portsmouth, March 23,1745. He and his brother John (my father) came fromthe Stock Photo

RM2AWH83B–Genealogy of the Caverly family : from the year 1116 to the year 1880, made profitable and exemplified by many a lesson of life . any descendants, at Newport and else-where. William, a son of Moses, Jr., who lived a bachelor, died on thesame old homestead in Barrington, about the year 1812. Charles, the Senior,another and the first son of Moses, Jr., died in theservice of his country, a soldier in the old French war.He had enlisted at Portsmouth, April 19, 1760.* Captain Philip Caverly, a son of Moses, Jr., was born at Portsmouth, March 23,1745. He and his brother John (my father) came fromthe

Rome View of Ripa Grande, and of the Apostolic Hospice called S. Michele (View of the River Port of Port of Ripa Grande and the Hospice of St. Michał) Vases, Giuseppe (1710 1782), Panini, Francesco (1745 1812), Roman football (1738 1870) Stock Photo

RM2JB15JF–Rome View of Ripa Grande, and of the Apostolic Hospice called S. Michele (View of the River Port of Port of Ripa Grande and the Hospice of St. Michał) Vases, Giuseppe (1710 1782), Panini, Francesco (1745 1812), Roman football (1738 1870)

Ancient remains of ruins with staffage figures, Francesco Pannini (Rome 1745 - 1812 Rome), drawing, pen, watercolour, 39.7 x 25.0 cm, r.r. Duke Albert of Saxe-Teschen, bottom left in pen '...Pannini Stock Photo

RM2T8MB73–Ancient remains of ruins with staffage figures, Francesco Pannini (Rome 1745 - 1812 Rome), drawing, pen, watercolour, 39.7 x 25.0 cm, r.r. Duke Albert of Saxe-Teschen, bottom left in pen '...Pannini

. Екатерина Исайевна Шафирова, замужем за князем Михаилом Сергеевичем Волконским (1745—1812); . 18th century. Anonymous 182 Ekaterina Isayevna Shafirova (Vorontsova, d. 1795) by anonymous (1760s, Kuskovo) Stock Photo

RMMX1WGB–. Екатерина Исайевна Шафирова, замужем за князем Михаилом Сергеевичем Волконским (1745—1812); . 18th century. Anonymous 182 Ekaterina Isayevna Shafirova (Vorontsova, d. 1795) by anonymous (1760s, Kuskovo)

Franz Karl Brockmann (1745-1812), actor, stage poet, Johann Hieronymus Löschenkohl (1753-1807), publishing house, dated around 1786, paper, copperplate engraving, sheet size 10×6 cm, theater, fine arts, portrait, portrait actor, actress, man, The Vienna Collection Stock Photo

RM2T8Y748–Franz Karl Brockmann (1745-1812), actor, stage poet, Johann Hieronymus Löschenkohl (1753-1807), publishing house, dated around 1786, paper, copperplate engraving, sheet size 10×6 cm, theater, fine arts, portrait, portrait actor, actress, man, The Vienna Collection

Retrato de José de Mazarredo (1745-1812). Marino español. Teniente general en la guerra contra el Reino Unido en 1797 en Cádiz. Museum: MUSEO NAVAL. Stock Photo

RMP89B45–Retrato de José de Mazarredo (1745-1812). Marino español. Teniente general en la guerra contra el Reino Unido en 1797 en Cádiz. Museum: MUSEO NAVAL.

RF2B8WJBT–Between Crogen & Llandrillo on the R. Dee, published 1793, Francis Jukes, English, 1745-1812, England, Color aquatint and etching on paper, Untitled, 1848/56, Fontayne & Porter, American, active 1848–1856, United States, Daguerreotype, 14 x 10.8 cm (plate), 15 x 12.1 x 1.5 cm (case), Untitled, 1839/60, 19th century, Unknown Place, Daguerreotype, 14 x 10.8 cm (plate), 15.3 x 12 x 1.9 cm (case), Untitled, 19th century, 19th century, Unknown Place, Albumen on porcelain, 14 x 10.8 cm (plate), 15.7 x 12.7 x 2.7 cm (case), Reimagined by Gibon, design of warm cheerful glowing of brightness and light

The regimental records of the British Army . Ihe Sphinx. 44 ZK Zbivtccntb Ibussars, Viref iu Aiternuni.. The Royal Cypher and Crow.m. TITLES. ^7i55i- Colonel Richard Mundens [or its Colonels name] Regiment of Dragoons.1751-83- The 13th Dragoons.1783-1861. The 13th Light Dragoons.1861 (from). The 13th Hussars. PRINCIPAL CAMPAIGNS, BATTLES, &c. * Honours on the Colours. 1715- 1745- 1796.*i8io- 1811.*i8ii. 1811. 1812.^^1813. Jacobite rising.Jacobite rising.Jamaica.?14. Peninsula.Campo Mayor.Albuera. Arroyo dos Molinos.Badajos.Vittoria. *i8i4. Orthes.*i8i4. Toulouse.*i8i5. Waterloo. 1815. Netherl Stock Photo

RM2AJM8MT–The regimental records of the British Army . Ihe Sphinx. 44 ZK Zbivtccntb Ibussars, Viref iu Aiternuni.. The Royal Cypher and Crow.m. TITLES. ^7i55i- Colonel Richard Mundens [or its Colonels name] Regiment of Dragoons.1751-83- The 13th Dragoons.1783-1861. The 13th Light Dragoons.1861 (from). The 13th Hussars. PRINCIPAL CAMPAIGNS, BATTLES, &c. * Honours on the Colours. 1715- 1745- 1796.*i8io- 1811.*i8ii. 1811. 1812.^^1813. Jacobite rising.Jacobite rising.Jamaica.?14. Peninsula.Campo Mayor.Albuera. Arroyo dos Molinos.Badajos.Vittoria. *i8i4. Orthes.*i8i4. Toulouse.*i8i5. Waterloo. 1815. Netherl

Art inspired by View of the Scala Reggia ordered by Alesandro VII (Vedute Della Scala Reggia ordinata da Alesandro VII), n.d., Etching, plate: 19 7/16 x 28 3/16 in. (49.4 x 71.6 cm), Prints, Giovanni Ottaviani (Italian, Rome 1735–ca. 1808), After Francesco Panini (Italian, Rome 1745–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW77AK–Art inspired by View of the Scala Reggia ordered by Alesandro VII (Vedute Della Scala Reggia ordinata da Alesandro VII), n.d., Etching, plate: 19 7/16 x 28 3/16 in. (49.4 x 71.6 cm), Prints, Giovanni Ottaviani (Italian, Rome 1735–ca. 1808), After Francesco Panini (Italian, Rome 1745–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

View of the Farnese Gallery, Rome, Francesco Panini (Italian, 1745 - 1812), Italy, about 1775, Pen and black ink and reimagined Stock Photo

RFRAEXPT–View of the Farnese Gallery, Rome, Francesco Panini (Italian, 1745 - 1812), Italy, about 1775, Pen and black ink and reimagined

Rome View of the large square and church of S. Pietro in the Vatican adorned by the colonnade, obelisk, fountains, and part of the Papal Palace (View of the Square and Basilica Polanzani, Francesco (1700 post 1783), Panini, Francesco (1745 1812), Roman football (1738 1870) Stock Photo

RM2JB15K4–Rome View of the large square and church of S. Pietro in the Vatican adorned by the colonnade, obelisk, fountains, and part of the Papal Palace (View of the Square and Basilica Polanzani, Francesco (1700 post 1783), Panini, Francesco (1745 1812), Roman football (1738 1870)

. Екатерина Исайевна Шафирова, замужем за князем Михаилом Сергеевичем Волконским (1745—1812); . 18th century. Anonymous 156 Ekaterina Isayevna Shafirova (Vorontsova, d. 1795) by anonymous (1760s, Kuskovo) Stock Photo

RMMY66KA–. Екатерина Исайевна Шафирова, замужем за князем Михаилом Сергеевичем Волконским (1745—1812); . 18th century. Anonymous 156 Ekaterina Isayevna Shafirova (Vorontsova, d. 1795) by anonymous (1760s, Kuskovo)

RM2T8Y790–Franz Karl Brockmann (1745-1812), actor, stage poet, Johann Hieronymus Löschenkohl (1753-1807), publishing house, dated around 1786, paper, copperplate engraving, sheet size 8, 5×5 cm, inscription, u..: Franz Brockman, theater, fine arts, portrait, portrait of an actor, actress, man., The Vienna Collection

. English: THE STORM INCREAS'D Русский: ШТОРМ УСИЛИЛСЯ . 1795. Francis Jukes (1745–1812) Alternative names F. Jukes; Jukes Description British engraver, etcher and publisher Date of birth/death 1745 1812 Location of birth/death Martley London Work location London (1785); London (1790 - 1802); London (1797 - 1812) Authority control : Q5481584 VIAF:?27335138 ISNI:?0000 0001 1469 6465 ULAN:?500120300 LCCN:?nr92028978 NLA:?35453616 WorldCat 400 Loss of HMS Ramillies, September 1782 The storm increasd by Francis Jukes- GMII Stock Photo

RMMMXPF8–. English: THE STORM INCREAS'D Русский: ШТОРМ УСИЛИЛСЯ . 1795. Francis Jukes (1745–1812) Alternative names F. Jukes; Jukes Description British engraver, etcher and publisher Date of birth/death 1745 1812 Location of birth/death Martley London Work location London (1785); London (1790 - 1802); London (1797 - 1812) Authority control : Q5481584 VIAF:?27335138 ISNI:?0000 0001 1469 6465 ULAN:?500120300 LCCN:?nr92028978 NLA:?35453616 WorldCat 400 Loss of HMS Ramillies, September 1782 The storm increasd by Francis Jukes- GMII

View of the Farnese Gallery, Rome; Francesco Panini, Italian, 1745 - 1812, Italy; about 1775; Pen and black ink and gray wash Stock Photo

RMPPXNCB–View of the Farnese Gallery, Rome; Francesco Panini, Italian, 1745 - 1812, Italy; about 1775; Pen and black ink and gray wash

View of Erbistock Church. Francis Jukes (English, 1745-1812); after Thomas Walmsley (Irish, 1763-1806). Date: 1794. Dimensions: . Color aquatint on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photo

RMRXHY0B–View of Erbistock Church. Francis Jukes (English, 1745-1812); after Thomas Walmsley (Irish, 1763-1806). Date: 1794. Dimensions: . Color aquatint on paper. Origin: England. Museum: The Chicago Art Institute.

An Old Man's Head, Francesco Bartolozzi, Italian, active England, 1727–1815, Annibale Carracci, Italian, 1560–1609, John Chamberlaine, English, 1745 - 1812, Stipple with etching in sanguine and brown ink on white paper, Bearded man gazing upward, slightly turned to the left., England, 1796, Print Stock Photo

RM2DN6RJA–An Old Man's Head, Francesco Bartolozzi, Italian, active England, 1727–1815, Annibale Carracci, Italian, 1560–1609, John Chamberlaine, English, 1745 - 1812, Stipple with etching in sanguine and brown ink on white paper, Bearded man gazing upward, slightly turned to the left., England, 1796, Print

. A history of Hampshire and the Isle of Wight . Beaulieu Abbey : Part of North Side of the Cloisters BEAULIEU LIBERTY the third has baptisms and burials 1745 to 1783and marriages 1745 to 1754, the burials 1734 to1745 being lost ; the fourth has marriages only,1754 to 1812, and the fifth and sixth baptisms andburials 1783 to 1802 and 1802 to 1812 respectively. In 1227, twenty-two years after the foundation ofthe abbey, the church of Beaulieu was completed.45 The rectory and advowson wereADVQWSON kept in the kings hands when theBeaulieu lands were given toWriothesley in 1538. They were, however Stock Photo

RM2CDA1PD–. A history of Hampshire and the Isle of Wight . Beaulieu Abbey : Part of North Side of the Cloisters BEAULIEU LIBERTY the third has baptisms and burials 1745 to 1783and marriages 1745 to 1754, the burials 1734 to1745 being lost ; the fourth has marriages only,1754 to 1812, and the fifth and sixth baptisms andburials 1783 to 1802 and 1802 to 1812 respectively. In 1227, twenty-two years after the foundation ofthe abbey, the church of Beaulieu was completed.45 The rectory and advowson wereADVQWSON kept in the kings hands when theBeaulieu lands were given toWriothesley in 1538. They were, however

Dr. Jonathan Potts (1745-1781), 1770/76, Henry Benbridge, American, 1743–1812, Philadelphia, Oil on canvas, 61.6 × 48.9 cm (24 1/4 × 19 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9005K–Dr. Jonathan Potts (1745-1781), 1770/76, Henry Benbridge, American, 1743–1812, Philadelphia, Oil on canvas, 61.6 × 48.9 cm (24 1/4 × 19 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RM2JB15HE–Rzym View in the profile of the city of Rome of the part of Monte Mario taken in its extension from Piazza del Popolo up to the Basilica of S. Pietro in the Vatican Część środkow Volpato, Giovanni (1732 1803), Panini, Francesco (1745 1812), Roman football (1738 1870)

. English: Cover of the score for 'Guardami un poco da capo a piedi', aria from Martin y Soler's 1795 opera La capricciosa corretta, probably produced at the time of the opera's performance in Naples in 1798. The original is held in the Biblioteca del Conservatorio di musica S. Pietro a Majella in Naples . circa 1798. Composer: Vicente Martín y Soler (1754–1806); Copyist and publisher: Luigi Marescalchi (1745–1812); Cover artist: Unknown Guardami un poco da capo a piedi, aria from La Capricciosa Coretta by Martin y Soler Stock Photo

RMMMYADP–. English: Cover of the score for 'Guardami un poco da capo a piedi', aria from Martin y Soler's 1795 opera La capricciosa corretta, probably produced at the time of the opera's performance in Naples in 1798. The original is held in the Biblioteca del Conservatorio di musica S. Pietro a Majella in Naples . circa 1798. Composer: Vicente Martín y Soler (1754–1806); Copyist and publisher: Luigi Marescalchi (1745–1812); Cover artist: Unknown Guardami un poco da capo a piedi, aria from La Capricciosa Coretta by Martin y Soler

Between Crogen & Llandrillo on the R. Dee. Francis Jukes; English, 1745-1812. Date: 1793. Dimensions: . Color aquatint and etching on paper. Origin: England. Museum: The Chicago Art Institute. Author: FRANCIS JUKES. Walmsley. Stock Photo

RMRXHGAD–Between Crogen & Llandrillo on the R. Dee. Francis Jukes; English, 1745-1812. Date: 1793. Dimensions: . Color aquatint and etching on paper. Origin: England. Museum: The Chicago Art Institute. Author: FRANCIS JUKES. Walmsley.

Head of Christ, Francesco Bartolozzi, Italian, active England, 1727–1815, Guido Reni, (Italian, 1575–1642), John Chamberlaine, English, 1745 - 1812, Stipple engraving in color and black ink on white paper, Head of Christ looking upward. Inscribed lower left, right, and center., England, 1802, Print Stock Photo

RM2DN6N6W–Head of Christ, Francesco Bartolozzi, Italian, active England, 1727–1815, Guido Reni, (Italian, 1575–1642), John Chamberlaine, English, 1745 - 1812, Stipple engraving in color and black ink on white paper, Head of Christ looking upward. Inscribed lower left, right, and center., England, 1802, Print

. English: Plan and transverse section of the Teatro Nuovo, Naples, erected in 1724 and designed by Domenico Antonio Vaccaro . 1780. Artists: Cosimo Morelli (1732-1812) after Domenico Antonio Vaccaro (1678–1745). Engraver: Carlo Antonini (1740–?) 1009 Plan of the Teatro Nuovo, Naples Stock Photo

RMMP6WDJ–. English: Plan and transverse section of the Teatro Nuovo, Naples, erected in 1724 and designed by Domenico Antonio Vaccaro . 1780. Artists: Cosimo Morelli (1732-1812) after Domenico Antonio Vaccaro (1678–1745). Engraver: Carlo Antonini (1740–?) 1009 Plan of the Teatro Nuovo, Naples

A Portrait: Lord Pomfret, published February 26, 1812, Thomas Rowlandson (English, 1756-1827), published by Hannah Humphrey (English, 1745-1818) and Thomas Tegg (English, 1776-1845), England, Hand-colored etching on ivory wove paper, 255 × 207 mm (image), 273 × 222 mm (plate), 277 × 227 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B8X7M8–A Portrait: Lord Pomfret, published February 26, 1812, Thomas Rowlandson (English, 1756-1827), published by Hannah Humphrey (English, 1745-1818) and Thomas Tegg (English, 1776-1845), England, Hand-colored etching on ivory wove paper, 255 × 207 mm (image), 273 × 222 mm (plate), 277 × 227 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

. Français : Portrait de David Sintzheim, né en 1745 à Trèves en Allemagne et mort à Paris en 1812. chef du grand Sanhedrin, premier g.d rabbin du Consistoire central, en buste, de 3/4 dirigé à droite : [estampe] . between 1758 and 1823. David Sintzheim, chef du grand Sanhedrin Stock Photo

RMMMWY6Y–. Français : Portrait de David Sintzheim, né en 1745 à Trèves en Allemagne et mort à Paris en 1812. chef du grand Sanhedrin, premier g.d rabbin du Consistoire central, en buste, de 3/4 dirigé à droite : [estampe] . between 1758 and 1823. David Sintzheim, chef du grand Sanhedrin

RM2JB15JR–Rzym View in the profile of the city of Rome of the part of Monte Mario taken in its extension from Piazza del Popolo up to the Basilica of S. Pietro in the Vatican Część Prawa Volpato, Giovanni (1732 1803), Panini, Francesco (1745 1812), Roman football (1738 1870)

View of Hillbank on the River Thames near London. Francis Jukes (English, 1745-1812); after John Laporte (English, 1761-1839). Date: 1795. Dimensions: . Color aquatint on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photo

RMRXKXDC–View of Hillbank on the River Thames near London. Francis Jukes (English, 1745-1812); after John Laporte (English, 1761-1839). Date: 1795. Dimensions: . Color aquatint on paper. Origin: England. Museum: The Chicago Art Institute.

RM2DN74J2–A Young Man's Head, Francesco Bartolozzi, Italian, active England, 1727–1815, Annibale Carracci, Italian, 1560–1609, John Chamberlaine, English, 1745 - 1812, Stipple engraving in brown and sanguine ink on brown paper, A young man looks to the right in an almost complete profile., England, 1807, Print

Evening Walk, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, François Robert Ingouf (French, 1747-1812), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published by Laurent-François Prault (French 1712-1780), France, Engraving on paper, 278 × 223 mm (image), 408 × 322 mm (plate), 545 × 414 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, mo Stock Photo

RF2B8WXYF–Evening Walk, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, François Robert Ingouf (French, 1747-1812), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published by Laurent-François Prault (French 1712-1780), France, Engraving on paper, 278 × 223 mm (image), 408 × 322 mm (plate), 545 × 414 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, mo

Nederlands: Beschrijving Willem III in de vroedschap te Amsterdam Uit: J.Fokke, Vaderl. Gesch., dl.10, pl.I. Afmetingen: 82x35 mm. Documenttype prent Vervaardiger Bogerts, C. (1745-1817) Buys, Jacobus (1724-1801) Vinkeles, R. (Reinier ; 1741-1816) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1765 ca. t/m 1812 Inventarissen http://archief.amsterdam/archief/10097/010097007311 Afbeeldingsbestand 010097007311 . 1765 ca. t/m 1812 329 Reinier Vinkeles, Afb 010097007311 Stock Photo

RMP80MFG–Nederlands: Beschrijving Willem III in de vroedschap te Amsterdam Uit: J.Fokke, Vaderl. Gesch., dl.10, pl.I. Afmetingen: 82x35 mm. Documenttype prent Vervaardiger Bogerts, C. (1745-1817) Buys, Jacobus (1724-1801) Vinkeles, R. (Reinier ; 1741-1816) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1765 ca. t/m 1812 Inventarissen http://archief.amsterdam/archief/10097/010097007311 Afbeeldingsbestand 010097007311 . 1765 ca. t/m 1812 329 Reinier Vinkeles, Afb 010097007311

Rzym View of the Vatican Library built by Sixtus V. with the architecture of Domenico Fontana, and containing most of the tampers, and books that er [ano] in the other already erected by Niccolo V. and Sixtus IV. Barbazza, Francesco (FL.1756 178 ), Panini, Francesco (1745 1812), Roman football (1738 1870) Stock Photo

RM2JB15H9–Rzym View of the Vatican Library built by Sixtus V. with the architecture of Domenico Fontana, and containing most of the tampers, and books that er [ano] in the other already erected by Niccolo V. and Sixtus IV. Barbazza, Francesco (FL.1756 178 ), Panini, Francesco (1745 1812), Roman football (1738 1870)

Interior View of the Church of St. Peter's in the Vatican. Francesco Panini; Italian, 1745-1812. Date: 1765-1775. Dimensions: 580 x 885 mm. Transparent and opaque watercolors with shell gold and pen and black ink, over etching, on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photo

RMRXHM88–Interior View of the Church of St. Peter's in the Vatican. Francesco Panini; Italian, 1745-1812. Date: 1765-1775. Dimensions: 580 x 885 mm. Transparent and opaque watercolors with shell gold and pen and black ink, over etching, on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.

Self-Portrait of A. N. Carracci, Francesco Bartolozzi, Italian, active England, 1727–1815, Annibale Carracci, Italian, 1560–1609, John Chamberlaine, English, 1745 - 1812, Engraving in the crayon manner on pale pink paper, Portrait of Annibale Carracci after Carracci, facing frontally and slightly to the right., England, 1796, Print Stock Photo

RM2DMYDD5–Self-Portrait of A. N. Carracci, Francesco Bartolozzi, Italian, active England, 1727–1815, Annibale Carracci, Italian, 1560–1609, John Chamberlaine, English, 1745 - 1812, Engraving in the crayon manner on pale pink paper, Portrait of Annibale Carracci after Carracci, facing frontally and slightly to the right., England, 1796, Print

Winter Evening, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, François Robert Ingouf (French, 1747-1812), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published by Laurent-François Prault (French 1712-1780), France, Engraving on paper, 279 × 224 mm (image), 408 × 324 mm (plate), 550 × 416 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, Stock Photo

RF2B8WXYM–Winter Evening, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, François Robert Ingouf (French, 1747-1812), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published by Laurent-François Prault (French 1712-1780), France, Engraving on paper, 279 × 224 mm (image), 408 × 324 mm (plate), 550 × 416 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology,

RMP80MFH–Nederlands: Beschrijving Willem III in de vroedschap te Amsterdam Uit: J.Fokke, Vaderl. Gesch., dl.10, pl.I. Afmetingen: 82x35 mm. Documenttype prent Vervaardiger Vinkeles, R. (Reinier ; 1741-1816) Buys, Jacobus (1724-1801) Bogerts, C. (1745-1817) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1765 ca. t/m 1812 Inventarissen http://archief.amsterdam/archief/10097/010097007312 Afbeeldingsbestand 010097007312 . 1765 ca. t/m 1812 329 Reinier Vinkeles, Afb 010097007312

Rzym Internal view of the Liberian basilica called of S [an] ta Maria Maggiore made a traile of the glorious memory of Pope Benedict XIV with the direct rider Ferdinando Fuga Florentine architect Barbazza, Francesco (FL.1756 178 ), Panini, Francesco (1745 1812), Roman football (1738 1870) Stock Photo

RM2JB15JA–Rzym Internal view of the Liberian basilica called of S [an] ta Maria Maggiore made a traile of the glorious memory of Pope Benedict XIV with the direct rider Ferdinando Fuga Florentine architect Barbazza, Francesco (FL.1756 178 ), Panini, Francesco (1745 1812), Roman football (1738 1870)

A coastal scene with a classical ruin at right 1811 George Hawkins, the elder. A coastal scene with a classical ruin at right. George Hawkins, the elder (British, active 1795–1820). 1811. Etching and aquatint in dark blue. John Chamberlaine (British, ca. 1745–1812 London). Prints Stock Photo

RM2HH0A6E–A coastal scene with a classical ruin at right 1811 George Hawkins, the elder. A coastal scene with a classical ruin at right. George Hawkins, the elder (British, active 1795–1820). 1811. Etching and aquatint in dark blue. John Chamberlaine (British, ca. 1745–1812 London). Prints

Rzym View of Campo Vaccino containing the Roman Forum, the rally, the volcanal, and part of the Temple of Peace, and of the Via Sacra (Widok Placu Campo Vaccino Z Forum Romanum, Comizio, świątynią Pokoju I via Sacra) Volpato, Giovanni (1732 1803), Panini, Francesco (1745 1812), Roman football (1738 1870) Stock Photo

RM2JB15JW–Rzym View of Campo Vaccino containing the Roman Forum, the rally, the volcanal, and part of the Temple of Peace, and of the Via Sacra (Widok Placu Campo Vaccino Z Forum Romanum, Comizio, świątynią Pokoju I via Sacra) Volpato, Giovanni (1732 1803), Panini, Francesco (1745 1812), Roman football (1738 1870)

A coastal scene with a classical ruin at right Various artists/makers 1811 View more. A coastal scene with a classical ruin at right. George Hawkins, the elder (British, active 1795–1820). 1811. Etching and aquatint in dark blue. John Chamberlaine (British, ca. 1745–1812 London). Prints Stock Photo

RM2T2F3KA–A coastal scene with a classical ruin at right Various artists/makers 1811 View more. A coastal scene with a classical ruin at right. George Hawkins, the elder (British, active 1795–1820). 1811. Etching and aquatint in dark blue. John Chamberlaine (British, ca. 1745–1812 London). Prints

Rzym Press view from the right side of the colonnade of the large square of S.Pietro in the Vatican with the obelisk in the middle of the two fountains (Kolumnada Na Placu św. Piotra Z Obeliskiem I Fontannami) Panini, Francesco (1745 1812), Cigni, Domenico (Fl. Mid 18th Century), Roman football (1738 1870) Stock Photo

RM2JB15HD–Rzym Press view from the right side of the colonnade of the large square of S.Pietro in the Vatican with the obelisk in the middle of the two fountains (Kolumnada Na Placu św. Piotra Z Obeliskiem I Fontannami) Panini, Francesco (1745 1812), Cigni, Domenico (Fl. Mid 18th Century), Roman football (1738 1870)

Portrait of the Lieutenant General of the Navy José Mazardo y Salazar (1745-1812). Paint. .. Portrait of José Mazardo and Salazar (1745-1812), Lieutenant General of the Royal Spanish Navy. Registration - Transcription: 'Julio G Condoy / Copy of Bellier, Naval Museum / 1-69'. Registration - Location: Upper right angle. REGISTRATION - Transcription: 'Joseph de Mazardo'. Registration - Location: Lower Stock Photo

RM2JG4KXP–Portrait of the Lieutenant General of the Navy José Mazardo y Salazar (1745-1812). Paint. .. Portrait of José Mazardo and Salazar (1745-1812), Lieutenant General of the Royal Spanish Navy. Registration - Transcription: 'Julio G Condoy / Copy of Bellier, Naval Museum / 1-69'. Registration - Location: Upper right angle. REGISTRATION - Transcription: 'Joseph de Mazardo'. Registration - Location: Lower

Monk's Head, Francesco Bartolozzi, Italian, active England, 1727–1815, Annibale Carracci, Italian, 1560–1609, John Chamberlaine, English, 1745 - 1812, Stipple engraving in sanguine ink on white paper, The young man shows the collar of a monk's habit, and his head is tonsured. He looks down to the right., England, 1796, Print Stock Photo

RM2DMYJ4W–Monk's Head, Francesco Bartolozzi, Italian, active England, 1727–1815, Annibale Carracci, Italian, 1560–1609, John Chamberlaine, English, 1745 - 1812, Stipple engraving in sanguine ink on white paper, The young man shows the collar of a monk's habit, and his head is tonsured. He looks down to the right., England, 1796, Print

Dr. Jonathan Potts (1745-1781). Henry Benbridge; American, 1743-1812. Date: 1770-1776. Dimensions: 61.6 × 48.9 cm (24 1/4 × 19 1/4 in.). Oil on canvas. Origin: Philadelphia. Museum: The Chicago Art Institute. Stock Photo

RMRXHY3E–Dr. Jonathan Potts (1745-1781). Henry Benbridge; American, 1743-1812. Date: 1770-1776. Dimensions: 61.6 × 48.9 cm (24 1/4 × 19 1/4 in.). Oil on canvas. Origin: Philadelphia. Museum: The Chicago Art Institute.

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Elluin, François Rolland (1745 Ca 1810), Blanchon, Jean Andre Stock Photo

RM2JAYYN2–Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Elluin, François Rolland (1745 Ca 1810), Blanchon, Jean Andre

The Event at the Ball, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Antoine-Jean Duclos (French, 1742-1795) and Francois Robert Ingouf (French, 1747-1812), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published by Laurent-François Prault (French 1712-1780), France, Engraving on paper, 276 × 220 mm (image), 408 × 322 mm (plate), 540 × 412 mm (sheet, folded), Sleeve Band, 19th century, Czech Republic, Moravia, Czech Republic, Linen, plain weave, embroidered with silk, Reimagined by Gibon, design of warm cheerful gl Stock Photo

RF2B8WXYG–The Event at the Ball, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Antoine-Jean Duclos (French, 1742-1795) and Francois Robert Ingouf (French, 1747-1812), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published by Laurent-François Prault (French 1712-1780), France, Engraving on paper, 276 × 220 mm (image), 408 × 322 mm (plate), 540 × 412 mm (sheet, folded), Sleeve Band, 19th century, Czech Republic, Moravia, Czech Republic, Linen, plain weave, embroidered with silk, Reimagined by Gibon, design of warm cheerful gl

1745 1812 Stock Photos and Images

1745 1812 Stock Photos and Images

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