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1749 1770s Stock Photos and Images
General George Keppel, third Earl of Albemarle, Edward Fisher, 1722–1785, British, after Sir Joshua Reynolds RA, 1723–1792, British, Published by Henry Parker, 1725–1809, British, and Edward Fisher, 1722–1785, British, and Elizabeth Bakewell, 1749–1770s, British, 1762, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 14 1/16 × 9 15/16 inches (35.7 × 25.2 cm) and Image: 12 7/16 × 9 13/16 inches (31.6 × 25 cm), armed forces, coat, cravat, gaze, general, lace, medal, portrait, posing, sash, solemn, thoughtful, tricorn Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/general-george-keppel-third-earl-of-albemarle-edward-fisher-17221785-british-after-sir-joshua-reynolds-ra-17231792-british-published-by-henry-parker-17251809-british-and-edward-fisher-17221785-british-and-elizabeth-bakewell-17491770s-british-1762-mezzotint-on-moderately-thick-slightly-textured-beige-laid-paper-sheet-14-116-9-1516-inches-357-252-cm-and-image-12-716-9-1316-inches-316-25-cm-armed-forces-coat-cravat-gaze-general-lace-medal-portrait-posing-sash-solemn-thoughtful-tricorn-image389743748.htmlRM2DJ2A3G–General George Keppel, third Earl of Albemarle, Edward Fisher, 1722–1785, British, after Sir Joshua Reynolds RA, 1723–1792, British, Published by Henry Parker, 1725–1809, British, and Edward Fisher, 1722–1785, British, and Elizabeth Bakewell, 1749–1770s, British, 1762, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 14 1/16 × 9 15/16 inches (35.7 × 25.2 cm) and Image: 12 7/16 × 9 13/16 inches (31.6 × 25 cm), armed forces, coat, cravat, gaze, general, lace, medal, portrait, posing, sash, solemn, thoughtful, tricorn
China: Empress Xiao Yi Chun (23 October 1727 - 28 February 1775), Imperial Consort of the Qianlong Emperor. Handscroll painting by Giuseppe Castiglione (1688-1766), c. 1736-1770s. Empress Xiaoyichun came from the Han Chinese Wei clan, which was later renamed to the Manchu Weigiya clan. Lady Wei was elevated to 'Concubine Ling' in 1745, before becoming 'Consort Ling' in 1749. When Empress Nara died the Qianlong Emperor did not name a successor, but Lady Wei became the highest ranking consort. She was posthumously elevated to 'Empress Xiaoyi' in 1796, and honoured by her son the Jiaqing Emperor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/china-empress-xiao-yi-chun-23-october-1727-28-february-1775-imperial-consort-of-the-qianlong-emperor-handscroll-painting-by-giuseppe-castiglione-1688-1766-c-1736-1770s-empress-xiaoyichun-came-from-the-han-chinese-wei-clan-which-was-later-renamed-to-the-manchu-weigiya-clan-lady-wei-was-elevated-to-concubine-ling-in-1745-before-becoming-consort-ling-in-1749-when-empress-nara-died-the-qianlong-emperor-did-not-name-a-successor-but-lady-wei-became-the-highest-ranking-consort-she-was-posthumously-elevated-to-empress-xiaoyi-in-1796-and-honoured-by-her-son-the-jiaqing-emperor-image344234095.htmlRM2B0162R–China: Empress Xiao Yi Chun (23 October 1727 - 28 February 1775), Imperial Consort of the Qianlong Emperor. Handscroll painting by Giuseppe Castiglione (1688-1766), c. 1736-1770s. Empress Xiaoyichun came from the Han Chinese Wei clan, which was later renamed to the Manchu Weigiya clan. Lady Wei was elevated to 'Concubine Ling' in 1745, before becoming 'Consort Ling' in 1749. When Empress Nara died the Qianlong Emperor did not name a successor, but Lady Wei became the highest ranking consort. She was posthumously elevated to 'Empress Xiaoyi' in 1796, and honoured by her son the Jiaqing Emperor
Coade stone plaque dating from the 1770s on The Cat Monument on the Shugborough Estate, Staffordshire. The monument was probably designed by Thomas Wright in about 1749 and commemorates either a cat which travelled with Admiral Anson the breed of Persian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-coade-stone-plaque-dating-from-the-1770s-on-the-cat-monument-on-the-92385677.htmlRMFA8ETD–Coade stone plaque dating from the 1770s on The Cat Monument on the Shugborough Estate, Staffordshire. The monument was probably designed by Thomas Wright in about 1749 and commemorates either a cat which travelled with Admiral Anson the breed of Persian
Art inspired by Psiche Curieuse, mid-1770s, Etching and aquatint, corrected proof with notations in brown ink in margin, Plate: 11 3/16 x 7 1/2 in. (28.4 x 19 cm), Prints, Giovanni David (Italian, Cabella Ligure 1749–1790 Genoa), The mortal princess Psyche was so beautiful that she was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-psiche-curieuse-mid-1770s-etching-and-aquatint-corrected-proof-with-notations-in-brown-ink-in-margin-plate-11-316-x-7-12-in-284-x-19-cm-prints-giovanni-david-italian-cabella-ligure-17491790-genoa-the-mortal-princess-psyche-was-so-beautiful-that-she-was-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462800326.htmlRF2HTXAF2–Art inspired by Psiche Curieuse, mid-1770s, Etching and aquatint, corrected proof with notations in brown ink in margin, Plate: 11 3/16 x 7 1/2 in. (28.4 x 19 cm), Prints, Giovanni David (Italian, Cabella Ligure 1749–1790 Genoa), The mortal princess Psyche was so beautiful that she was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Psiche Curieuse, mid-1770s, Etching and aquatint, corrected proof with notations in brown ink in margin, Plate: 11 3/16 x 7 1/2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-psiche-curieuse-mid-1770s-etching-and-aquatint-corrected-proof-with-162350137.htmlRMKC3K75–Psiche Curieuse, mid-1770s, Etching and aquatint, corrected proof with notations in brown ink in margin, Plate: 11 3/16 x 7 1/2
N/A. English: Blue Lizard and Neva tree. Plate twenty-five from the first volume of James Forbes's 'Oriental Memoirs', a work based on copious notes and drawings made during his travels in India between the 1770s-80s. Forbes(1749-1819)spent most of his working life in Western India, particularly in Gujarat. His 'Memoirs', abound in ethnological and natural historical observations. Fascinated by the blue lizard on the Neva tree in bloom, he observed: 'Nothing can exceed the brilliant colouring of the lizard attempted in this plate; when the sun shone upon the blue and yellow divisions of its bo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-blue-lizard-and-neva-tree-plate-twenty-five-from-the-first-volume-of-james-forbess-oriental-memoirs-a-work-based-on-copious-notes-and-drawings-made-during-his-travels-in-india-between-the-1770s-80s-forbes1749-1819spent-most-of-his-working-life-in-western-india-particularly-in-gujarat-his-memoirs-abound-in-ethnological-and-natural-historical-observations-fascinated-by-the-blue-lizard-on-the-neva-tree-in-bloom-he-observed-nothing-can-exceed-the-brilliant-colouring-of-the-lizard-attempted-in-this-plate-when-the-sun-shone-upon-the-blue-and-yellow-divisions-of-its-bo-image210106905.htmlRMP5R5E1–N/A. English: Blue Lizard and Neva tree. Plate twenty-five from the first volume of James Forbes's 'Oriental Memoirs', a work based on copious notes and drawings made during his travels in India between the 1770s-80s. Forbes(1749-1819)spent most of his working life in Western India, particularly in Gujarat. His 'Memoirs', abound in ethnological and natural historical observations. Fascinated by the blue lizard on the Neva tree in bloom, he observed: 'Nothing can exceed the brilliant colouring of the lizard attempted in this plate; when the sun shone upon the blue and yellow divisions of its bo
Stephen Hooper. Artist: Henry Pelham (American, Boston, Massachusetts 1749-1806 Dublin). Dimensions: 1 7/8 x 1 1/2 in. (4.6 x 3.7 cm). Date: 1773. The stepbrother of John Singleton Copley, Pelham was born in Boston and assisted Copley in his work. He learned from him the art of making miniatures, in both oil on copper and watercolor on ivory, during the late 1760s. He seems to have taken up the craft in earnest during the 1770s, by which time Copley's work in small format had fallen off in favor of larger commissions. Pelham later moved to London and continued to paint miniatures. His America Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stephen-hooper-artist-henry-pelham-american-boston-massachusetts-1749-1806-dublin-dimensions-1-78-x-1-12-in-46-x-37-cm-date-1773-the-stepbrother-of-john-singleton-copley-pelham-was-born-in-boston-and-assisted-copley-in-his-work-he-learned-from-him-the-art-of-making-miniatures-in-both-oil-on-copper-and-watercolor-on-ivory-during-the-late-1760s-he-seems-to-have-taken-up-the-craft-in-earnest-during-the-1770s-by-which-time-copleys-work-in-small-format-had-fallen-off-in-favor-of-larger-commissions-pelham-later-moved-to-london-and-continued-to-paint-miniatures-his-america-image213322113.htmlRMPB1JEW–Stephen Hooper. Artist: Henry Pelham (American, Boston, Massachusetts 1749-1806 Dublin). Dimensions: 1 7/8 x 1 1/2 in. (4.6 x 3.7 cm). Date: 1773. The stepbrother of John Singleton Copley, Pelham was born in Boston and assisted Copley in his work. He learned from him the art of making miniatures, in both oil on copper and watercolor on ivory, during the late 1760s. He seems to have taken up the craft in earnest during the 1770s, by which time Copley's work in small format had fallen off in favor of larger commissions. Pelham later moved to London and continued to paint miniatures. His America
The surrender of Louisbourg by the French to the British Army in 1758. In 1745, the fortress was attacked by a New England militia and surrendered but it was was returned to the French in the terms of the settlement in 1749, falling again in this seige (depicted here) of 1758. The Siege of Louisbourg was a an important battle in the Seven Years' War (known in the US as the French and Indian War), ending French colonial control of Atlantic Canada. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-surrender-of-louisbourg-by-the-french-to-the-british-army-in-1758-in-1745-the-fortress-was-attacked-by-a-new-england-militia-and-surrendered-but-it-was-was-returned-to-the-french-in-the-terms-of-the-settlement-in-1749-falling-again-in-this-seige-depicted-here-of-1758-the-siege-of-louisbourg-was-a-an-important-battle-in-the-seven-years-war-known-in-the-us-as-the-french-and-indian-war-ending-french-colonial-control-of-atlantic-canada-image352826041.htmlRM2BE0H61–The surrender of Louisbourg by the French to the British Army in 1758. In 1745, the fortress was attacked by a New England militia and surrendered but it was was returned to the French in the terms of the settlement in 1749, falling again in this seige (depicted here) of 1758. The Siege of Louisbourg was a an important battle in the Seven Years' War (known in the US as the French and Indian War), ending French colonial control of Atlantic Canada.
Art inspired by Madame Élisabeth de France (1764–1794), ca. 1787, Pastel on blue paper, seven sheets joined, laid down on canvas, Oval, 31 x 25 3/4 in. (78.7 x 65.4 cm.), Pastels & Oil Sketches on Paper, Adélaïde Labille-Guiard (French, Paris 1749–1803 Paris), With limited training as, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-madame-lisabeth-de-france-17641794-ca-1787-pastel-on-blue-paper-seven-sheets-joined-laid-down-on-canvas-oval-31-x-25-34-in-787-x-654-cm-pastels-oil-sketches-on-paper-adlade-labille-guiard-french-paris-17491803-paris-with-limited-training-as-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463026824.htmlRF2HW8KC8–Art inspired by Madame Élisabeth de France (1764–1794), ca. 1787, Pastel on blue paper, seven sheets joined, laid down on canvas, Oval, 31 x 25 3/4 in. (78.7 x 65.4 cm.), Pastels & Oil Sketches on Paper, Adélaïde Labille-Guiard (French, Paris 1749–1803 Paris), With limited training as, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Anne Flore Millet, 1749-1826, g de Brehan, Marchioness, 1777. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anne-flore-millet-1749-1826-g-de-brehan-marchioness-1777-image565260799.htmlRM2RRHRWK–Anne Flore Millet, 1749-1826, g de Brehan, Marchioness, 1777.
Sir Joshua Reynolds, Lady Cockburn and Her Three Eldest Sons, portrait painting, 1773-1775 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-joshua-reynolds-lady-cockburn-and-her-three-eldest-sons-portrait-painting-1773-1775-image343536588.htmlRM2AXWCBT–Sir Joshua Reynolds, Lady Cockburn and Her Three Eldest Sons, portrait painting, 1773-1775
Madame Élisabeth de France (1764–1794), Adélaïde Labille-Guiard, ca. 1787 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-madame-lisabeth-de-france-17641794-adlade-labille-guiard-ca-1787-162417639.htmlRMKC6N9Y–Madame Élisabeth de France (1764–1794), Adélaïde Labille-Guiard, ca. 1787
China: The Consort Shu (7 July 1728 - 4 July 1777) was a concubine of the Qianlong Emperor. Handscroll painting by Giuseppe Castiglione (1688-1766), c. 1736-1770s. The Consort Shu hailed from the Manchu Plain Yellow Banner Yehenara clan. Lady Yehenara's father, Yongshou, served as the Right Vice Minister of War from 1727-1729. She entered the Forbidden City in 1741 and was granted the title of 'Noble Lady', before elevated to 'Concubine Shu'. In 1749 she was elevated once more to 'Consort Shu'. Her only child with the Qianlong Emperor died prematurely. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/china-the-consort-shu-7-july-1728-4-july-1777-was-a-concubine-of-the-qianlong-emperor-handscroll-painting-by-giuseppe-castiglione-1688-1766-c-1736-1770s-the-consort-shu-hailed-from-the-manchu-plain-yellow-banner-yehenara-clan-lady-yehenaras-father-yongshou-served-as-the-right-vice-minister-of-war-from-1727-1729-she-entered-the-forbidden-city-in-1741-and-was-granted-the-title-of-noble-lady-before-elevated-to-concubine-shu-in-1749-she-was-elevated-once-more-to-consort-shu-her-only-child-with-the-qianlong-emperor-died-prematurely-image344234100.htmlRM2B01630–China: The Consort Shu (7 July 1728 - 4 July 1777) was a concubine of the Qianlong Emperor. Handscroll painting by Giuseppe Castiglione (1688-1766), c. 1736-1770s. The Consort Shu hailed from the Manchu Plain Yellow Banner Yehenara clan. Lady Yehenara's father, Yongshou, served as the Right Vice Minister of War from 1727-1729. She entered the Forbidden City in 1741 and was granted the title of 'Noble Lady', before elevated to 'Concubine Shu'. In 1749 she was elevated once more to 'Consort Shu'. Her only child with the Qianlong Emperor died prematurely.
The surrender of Louisbourg by the French to the British Army in 1758. In 1745, the fortress was attacked by a New England militia and surrendered but it was was returned to the French in the terms of the settlement in 1749, falling again in this seige (depicted here) of 1758. The Siege of Louisbourg was a an important battle in the Seven Years' War (known in the US as the French and Indian War), ending French colonial control of Atlantic Canada. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-surrender-of-louisbourg-by-the-french-to-the-british-army-in-1758-in-1745-the-fortress-was-attacked-by-a-new-england-militia-and-surrendered-but-it-was-was-returned-to-the-french-in-the-terms-of-the-settlement-in-1749-falling-again-in-this-seige-depicted-here-of-1758-the-siege-of-louisbourg-was-a-an-important-battle-in-the-seven-years-war-known-in-the-us-as-the-french-and-indian-war-ending-french-colonial-control-of-atlantic-canada-image352834564.htmlRM2BE102C–The surrender of Louisbourg by the French to the British Army in 1758. In 1745, the fortress was attacked by a New England militia and surrendered but it was was returned to the French in the terms of the settlement in 1749, falling again in this seige (depicted here) of 1758. The Siege of Louisbourg was a an important battle in the Seven Years' War (known in the US as the French and Indian War), ending French colonial control of Atlantic Canada.
Search Results for 1749 1770s Stock Photos and Images (14)
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