Quick filters:
1755 c Stock Photos and Images
Jean-Louis Delignon, (artist), French, 1755 - c. 1804, Nicolas Lavreince, (artist after), Swedish, 1737 - 1807, Les offres seduisantes, 1782, etching and engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-louis-delignon-artist-french-1755-c-1804-nicolas-lavreince-artist-after-swedish-1737-1807-les-offres-seduisantes-1782-etching-and-engraving-image386225504.htmlRM2DCA2G0–Jean-Louis Delignon, (artist), French, 1755 - c. 1804, Nicolas Lavreince, (artist after), Swedish, 1737 - 1807, Les offres seduisantes, 1782, etching and engraving
Charles de Secondat, Baron de Montesquieu (1689-1755), c. 1795. Creator: Anonymous. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-de-secondat-baron-de-montesquieu-1689-1755-c-1795-creator-anonymous-image248912805.htmlRMTCXXR1–Charles de Secondat, Baron de Montesquieu (1689-1755), c. 1795. Creator: Anonymous.
Gilbert Stuart (1755-1828), James Madison, c 1821 US President Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gilbert-stuart-1755-1828-james-madison-c-1821-us-president-57351457.htmlRMD98GA9–Gilbert Stuart (1755-1828), James Madison, c 1821 US President
N/A. Español: Grabado de la soprano italiana Adriana Ferrarese del Bene (Londres, 1755-c.1804) English: Detail from a contemporay engraving of soprano Adriana Ferrarese del Bene (born c. 1755 - died c. 1804, published by the King's Theatre during her performances there c. 1785. 1785. Unknown 63 Adriana Ferrarese Kings Theatre 1785 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-espaol-grabado-de-la-soprano-italiana-adriana-ferrarese-del-bene-londres-1755-c1804-english-detail-from-a-contemporay-engraving-of-soprano-adriana-ferrarese-del-bene-born-c-1755-died-c-1804-published-by-the-kings-theatre-during-her-performances-there-c-1785-1785-unknown-63-adriana-ferrarese-kings-theatre-1785-image210024516.htmlRMP5KCBG–N/A. Español: Grabado de la soprano italiana Adriana Ferrarese del Bene (Londres, 1755-c.1804) English: Detail from a contemporay engraving of soprano Adriana Ferrarese del Bene (born c. 1755 - died c. 1804, published by the King's Theatre during her performances there c. 1785. 1785. Unknown 63 Adriana Ferrarese Kings Theatre 1785
Homeopathy - Hahnemann. Samuel Hahnemann (1755-1843) as a chemist. Bas-relief from the Hahnemann memorial by C.H.Niehaus in the Scott Circle, Washington DC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/homeopathy-hahnemann-samuel-hahnemann-1755-1843-as-a-chemist-bas-relief-from-the-hahnemann-memorial-by-chniehaus-in-the-scott-circle-washington-dc-image179626895.htmlRMMC6KX7–Homeopathy - Hahnemann. Samuel Hahnemann (1755-1843) as a chemist. Bas-relief from the Hahnemann memorial by C.H.Niehaus in the Scott Circle, Washington DC
Habits of English ladies in the years 1735 (a) 1745 (b) 1755 (c). Habillement des dames Anglois en 1735 etc (NYPL b14140320-1638239) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-habits-of-english-ladies-in-the-years-1735-a-1745-b-1755-c-habillement-148532880.htmlRMJHJ75M–Habits of English ladies in the years 1735 (a) 1745 (b) 1755 (c). Habillement des dames Anglois en 1735 etc (NYPL b14140320-1638239)
![Plan of Madura . Author Jenings, William 115.88. Place of publication: [India] Publisher: [W. Jenings] Date of publication: [1755 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 30.7 x 58.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9GA3R/plan-of-madura-author-jenings-william-11588-place-of-publication-india-publisher-w-jenings-date-of-publication-1755-c-item-type-1-map-medium-pen-and-ink-with-coloured-wash-dimensions-307-x-588-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9GA3R.jpg "Plan of Madura . Author Jenings, William 115.88. Place of publication: [India] Publisher: [W. Jenings] Date of publication: [1755 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 30.7 x 58.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Plan of Madura . Author Jenings, William 115.88. Place of publication: [India] Publisher: [W. Jenings] Date of publication: [1755 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 30.7 x 58.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plan-of-madura-author-jenings-william-11588-place-of-publication-india-publisher-w-jenings-date-of-publication-1755-c-item-type-1-map-medium-pen-and-ink-with-coloured-wash-dimensions-307-x-588-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401729547.htmlRM2E9GA3R–Plan of Madura . Author Jenings, William 115.88. Place of publication: [India] Publisher: [W. Jenings] Date of publication: [1755 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 30.7 x 58.8 cm Former owner: George III, King of Great Britain, 1738-1820
1620 c, Florence , ITALY : The italian florentine nobleman painter PIETRO de MEDICI dei Duchi di Atene ( 1567 - 1648 ) . Engraving from Giovanni Domenico Campiglia from a self-portrait by Pietro Medici , pubblished in 1755 c. . - PORTRAIT - RITRATTO - ARTE - PITTORE - engraving - incisione - illustration - illustrazione - de' - of the Duchy of Athens - RINASCIMENTO - RENAISSANCE - HISTORY - FOTO STORICHE - beard - barba - baffi - moustache - collar - colletto - nobile italiano - nobiltà italiana - italian nobility --- ARCHIVIO GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1620-c-florence-italy-the-italian-florentine-nobleman-painter-pietro-de-medici-dei-duchi-di-atene-1567-1648-engraving-from-giovanni-domenico-campiglia-from-a-self-portrait-by-pietro-medici-pubblished-in-1755-c-portrait-ritratto-arte-pittore-engraving-incisione-illustration-illustrazione-de-of-the-duchy-of-athens-rinascimento-renaissance-history-foto-storiche-beard-barba-baffi-moustache-collar-colletto-nobile-italiano-nobilt-italiana-italian-nobility-archivio-gbb-image599865300.htmlRM2WRX68M–1620 c, Florence , ITALY : The italian florentine nobleman painter PIETRO de MEDICI dei Duchi di Atene ( 1567 - 1648 ) . Engraving from Giovanni Domenico Campiglia from a self-portrait by Pietro Medici , pubblished in 1755 c. . - PORTRAIT - RITRATTO - ARTE - PITTORE - engraving - incisione - illustration - illustrazione - de' - of the Duchy of Athens - RINASCIMENTO - RENAISSANCE - HISTORY - FOTO STORICHE - beard - barba - baffi - moustache - collar - colletto - nobile italiano - nobiltà italiana - italian nobility --- ARCHIVIO GBB
Sketch of a knight on horseback. Draughtsman: Jan Brandes. Dating: c. 1755 - c. 1760. Measurements: h 245 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sketch-of-a-knight-on-horseback-draughtsman-jan-brandes-dating-c-1755-c-1760-measurements-h-245-mm-w-185-mm-museum-rijksmuseum-amsterdam-image233116719.htmlRMRF7AN3–Sketch of a knight on horseback. Draughtsman: Jan Brandes. Dating: c. 1755 - c. 1760. Measurements: h 245 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.
Louis XV Mantel clock by Jerome Hartinot of Paris, case of chased ormolu, bronze elephant on ebony and ormolu stand, by Jacques Caffieri (1673-1755) c.1750 Location - Victoria & Albert Museum, London, UK ©TopFoto Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-xv-mantel-clock-by-jerome-hartinot-of-paris-case-of-chased-ormolu-bronze-elephant-on-ebony-and-ormolu-stand-by-jacques-caffieri-1673-1755-c1750-location-victoria-albert-museum-london-uk-topfoto-image624432303.htmlRM2Y7W9NK–Louis XV Mantel clock by Jerome Hartinot of Paris, case of chased ormolu, bronze elephant on ebony and ormolu stand, by Jacques Caffieri (1673-1755) c.1750 Location - Victoria & Albert Museum, London, UK ©TopFoto
Life of George Washington - The Soldier. George Washington on horse, soldiers fighting during the battle of the Monongahela (July 9, 1755). c.1854 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/life-of-george-washington-the-soldier-george-washington-on-horse-soldiers-fighting-during-the-battle-of-the-monongahela-july-9-1755-c1854-image225043919.htmlRMR23HPR–Life of George Washington - The Soldier. George Washington on horse, soldiers fighting during the battle of the Monongahela (July 9, 1755). c.1854
Habits of English ladies in the years 1735 (a) 1745 (b) 1755 (c). Habillement des dames Anglois en 1735 etc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/habits-of-english-ladies-in-the-years-1735-a-1745-b-1755-c-habillement-des-dames-anglois-en-1735-etc-image404104468.htmlRM2EDCFAC–Habits of English ladies in the years 1735 (a) 1745 (b) 1755 (c). Habillement des dames Anglois en 1735 etc
Inspired by Plate with Arms of Samuel and Sarah Vaughan, Chinese, c.1755, Glazed porcelain with enamel and gilding, Made in China, Asia, Ceramics, diameter: 9 in. (22.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-plate-with-arms-of-samuel-and-sarah-vaughan-chinese-c1755-glazed-porcelain-with-enamel-and-gilding-made-in-china-asia-ceramics-diameter-9-in-229-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459280516.htmlRF2HK60YG–Inspired by Plate with Arms of Samuel and Sarah Vaughan, Chinese, c.1755, Glazed porcelain with enamel and gilding, Made in China, Asia, Ceramics, diameter: 9 in. (22.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Circular tureen, c. 1755, Turin, silver at Ickworth, Suffolk. National Trust Inventory number 852181. Hallmark detail. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-circular-tureen-c-1755-turin-silver-at-ickworth-suffolk-national-trust-90862587.htmlRMF7R44B–Circular tureen, c. 1755, Turin, silver at Ickworth, Suffolk. National Trust Inventory number 852181. Hallmark detail.
![United States Capitol (Washington), archive vintage scale architectural drawing of [United States Capitol (Washington, D.C. USA). East front elevation architectural sculpture dome] 1791 Artwork Creator(s): Hallet, Étienne Sulpice, 1755-1825, architect. Date Created/Published: [1791] drawing ink wash and watercolor on paper ; Stock Photo](https://c8.alamy.com/comp/2GAENWJ/united-states-capitol-washington-archive-vintage-scale-architectural-drawing-of-united-states-capitol-washington-dc-usa-east-front-elevation-architectural-sculpture-dome-1791-artwork-creators-hallet-tienne-sulpice-1755-1825-architect-date-createdpublished-1791-drawing-ink-wash-and-watercolor-on-paper-2GAENWJ.jpg "United States Capitol (Washington), archive vintage scale architectural drawing of [United States Capitol (Washington, D.C. USA). East front elevation architectural sculpture dome] 1791 Artwork Creator(s): Hallet, Étienne Sulpice, 1755-1825, architect. Date Created/Published: [1791] drawing ink wash and watercolor on paper ; Stock Photo")
United States Capitol (Washington), archive vintage scale architectural drawing of [United States Capitol (Washington, D.C. USA). East front elevation architectural sculpture dome] 1791 Artwork Creator(s): Hallet, Étienne Sulpice, 1755-1825, architect. Date Created/Published: [1791] drawing ink wash and watercolor on paper ; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/united-states-capitol-washington-archive-vintage-scale-architectural-drawing-of-united-states-capitol-washington-dc-usa-east-front-elevation-architectural-sculpture-dome-1791-artwork-creators-hallet-tienne-sulpice-1755-1825-architect-date-createdpublished-1791-drawing-ink-wash-and-watercolor-on-paper-image436730270.htmlRM2GAENWJ–United States Capitol (Washington), archive vintage scale architectural drawing of [United States Capitol (Washington, D.C. USA). East front elevation architectural sculpture dome] 1791 Artwork Creator(s): Hallet, Étienne Sulpice, 1755-1825, architect. Date Created/Published: [1791] drawing ink wash and watercolor on paper ;
Madame Dugazon (1755 - 1821) c.1778 - after engraving by Francois Janinet, after Claude Hoin (1750 - 1817). Madame Dugazon, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-madame-dugazon-1755-1821-c1778-after-engraving-by-francois-janinet-83344925.htmlRMERGK8D–Madame Dugazon (1755 - 1821) c.1778 - after engraving by Francois Janinet, after Claude Hoin (1750 - 1817). Madame Dugazon,
A capriccio with a monumental staircase (c.1755 - c.1760) by Giovanni Antonio Canal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-capriccio-with-a-monumental-staircase-c1755-c1760-by-giovanni-antonio-canal-image543698231.htmlRM2PGFGHY–A capriccio with a monumental staircase (c.1755 - c.1760) by Giovanni Antonio Canal
Garuda and kakabhushundi c 1755 kanoria. Mewar Indian miniature painting, Rajasthan India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-garuda-and-kakabhushundi-c-1755-kanoria-mewar-indian-miniature-painting-16822356.htmlRFAXEN5W–Garuda and kakabhushundi c 1755 kanoria. Mewar Indian miniature painting, Rajasthan India
John Marshall (1755-1835) by Cephas Thompson, oil on canvas, c.1809-10. Portrait of the fourth Chief Justice of the United States Supreme Court. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-marshall-1755-1835-by-cephas-thompson-oil-on-canvas-c1809-10-133804261.htmlRMHNK8KH–John Marshall (1755-1835) by Cephas Thompson, oil on canvas, c.1809-10. Portrait of the fourth Chief Justice of the United States Supreme Court.
Jean-Louis Delignon, (artist), French, 1755 - c. 1804, Antoine-Jean Duclos, (artist), French, 1742 - 1795, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, La matrone d'Ephese, Fragonard plates for 'Contes et nouvelles' by La Fontaine, (series), 1793, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-louis-delignon-artist-french-1755-c-1804-antoine-jean-duclos-artist-french-1742-1795-jean-honor-fragonard-artist-after-french-1732-1806-la-matrone-dephese-fragonard-plates-for-contes-et-nouvelles-by-la-fontaine-series-1793-etching-image386346540.htmlRM2DCFGXM–Jean-Louis Delignon, (artist), French, 1755 - c. 1804, Antoine-Jean Duclos, (artist), French, 1742 - 1795, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, La matrone d'Ephese, Fragonard plates for 'Contes et nouvelles' by La Fontaine, (series), 1793, etching
Portrait of the poet Scipione Maffei (1675-1755), c. 1750. Creator: Rotari, Pietro Antonio (1707-1762). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-poet-scipione-maffei-1675-1755-c-1750-creator-rotari-pietro-antonio-1707-1762-image248912790.htmlRMTCXXPE–Portrait of the poet Scipione Maffei (1675-1755), c. 1750. Creator: Rotari, Pietro Antonio (1707-1762).
Gilbert Stuart (1755-1828) George Washington c 1795 US President Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gilbert-stuart-1755-1828-george-washington-c-1795-us-president-57351436.htmlRMD98G9G–Gilbert Stuart (1755-1828) George Washington c 1795 US President
. Deutsch: Schloss Herzogsfreude, Kupferstich von 1785 . 1755. Stich von Nikolaus Mettely (c. 1739-1772) nach einer Zeichnung von Johann Martin Metz (1717-1750) 691 Jagdschloss Herzogsfreude 1755 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-schloss-herzogsfreude-kupferstich-von-1785-1755-stich-von-nikolaus-mettely-c-1739-1772-nach-einer-zeichnung-von-johann-martin-metz-1717-1750-691-jagdschloss-herzogsfreude-1755-image185794626.htmlRMMP7JXA–. Deutsch: Schloss Herzogsfreude, Kupferstich von 1785 . 1755. Stich von Nikolaus Mettely (c. 1739-1772) nach einer Zeichnung von Johann Martin Metz (1717-1750) 691 Jagdschloss Herzogsfreude 1755
Homeopathy - Hahnemann. Samuel Hahnemann (1755-1843) as a healer Bas-relief from the Hahnemann memorial by C.H.Niehaus in the Scott Circle, Washington DC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/homeopathy-hahnemann-samuel-hahnemann-1755-1843-as-a-healer-bas-relief-from-the-hahnemann-memorial-by-chniehaus-in-the-scott-circle-washington-dc-image179626893.htmlRMMC6KX5–Homeopathy - Hahnemann. Samuel Hahnemann (1755-1843) as a healer Bas-relief from the Hahnemann memorial by C.H.Niehaus in the Scott Circle, Washington DC
Habits of English gentlemen in the years 1735 (a) 1745 (b) 1755 (c). Habillement des gentilshommes Anglois en 1735 etc (NYPL b14140320-1638238) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-habits-of-english-gentlemen-in-the-years-1735-a-1745-b-1755-c-habillement-148532879.htmlRMJHJ75K–Habits of English gentlemen in the years 1735 (a) 1745 (b) 1755 (c). Habillement des gentilshommes Anglois en 1735 etc (NYPL b14140320-1638238)
![The east window. Author Toms, W. H. 45.7.w. Place of publication: [London , York] Publisher: [W. Sandby , J. Hildyard]., Date of publication: [1755 c.] Item type: 1 print Medium: etching Dimensions: platemark 38.7 x 14.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9EY17/the-east-window-author-toms-w-h-457w-place-of-publication-london-york-publisher-w-sandby-j-hildyard-date-of-publication-1755-c-item-type-1-print-medium-etching-dimensions-platemark-387-x-146-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9EY17.jpg "The east window. Author Toms, W. H. 45.7.w. Place of publication: [London , York] Publisher: [W. Sandby , J. Hildyard]., Date of publication: [1755 c.] Item type: 1 print Medium: etching Dimensions: platemark 38.7 x 14.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
The east window. Author Toms, W. H. 45.7.w. Place of publication: [London , York] Publisher: [W. Sandby , J. Hildyard]., Date of publication: [1755 c.] Item type: 1 print Medium: etching Dimensions: platemark 38.7 x 14.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-east-window-author-toms-w-h-457w-place-of-publication-london-york-publisher-w-sandby-j-hildyard-date-of-publication-1755-c-item-type-1-print-medium-etching-dimensions-platemark-387-x-146-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401698899.htmlRM2E9EY17–The east window. Author Toms, W. H. 45.7.w. Place of publication: [London , York] Publisher: [W. Sandby , J. Hildyard]., Date of publication: [1755 c.] Item type: 1 print Medium: etching Dimensions: platemark 38.7 x 14.6 cm Former owner: George III, King of Great Britain, 1738-1820
1630 c., Florence , ITALY : The italian tuscanian painter GIOVANNI da SAN GIOVANNI aka MANNOZZI ( 1592 - 1636 ) . Engraved portrait from original self-portrait , engraving 1755 c. by Giovanni Antonio Faldoni after Giovanni Domenico Campiglia . - PRIMO BAROCCO - BAROQUE - PORTRAIT - RITRATTO - ARTE - VISUAL ARTS - PITTORE - engraving - incisione - illustration - illustratore - ITALIA - pennello - pennelli - pencils - baffi - moustache - pizzetto - barba - beard - colletto - pizzo - collar - lace - AUTORITRATTO --- ARCHIVIO GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1630-c-florence-italy-the-italian-tuscanian-painter-giovanni-da-san-giovanni-aka-mannozzi-1592-1636-engraved-portrait-from-original-self-portrait-engraving-1755-c-by-giovanni-antonio-faldoni-after-giovanni-domenico-campiglia-primo-barocco-baroque-portrait-ritratto-arte-visual-arts-pittore-engraving-incisione-illustration-illustratore-italia-pennello-pennelli-pencils-baffi-moustache-pizzetto-barba-beard-colletto-pizzo-collar-lace-autoritratto-archivio-gbb-image591392046.htmlRM2WA46GE–1630 c., Florence , ITALY : The italian tuscanian painter GIOVANNI da SAN GIOVANNI aka MANNOZZI ( 1592 - 1636 ) . Engraved portrait from original self-portrait , engraving 1755 c. by Giovanni Antonio Faldoni after Giovanni Domenico Campiglia . - PRIMO BAROCCO - BAROQUE - PORTRAIT - RITRATTO - ARTE - VISUAL ARTS - PITTORE - engraving - incisione - illustration - illustratore - ITALIA - pennello - pennelli - pencils - baffi - moustache - pizzetto - barba - beard - colletto - pizzo - collar - lace - AUTORITRATTO --- ARCHIVIO GBB
Gilt silver spoon, knife lift and fork. Draughtsman: anonymous. Dating: c. 1755 - c. 1770. Place: Augsburg. Measurements: h 282 mm × w 181 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gilt-silver-spoon-knife-lift-and-fork-draughtsman-anonymous-dating-c-1755-c-1770-place-augsburg-measurements-h-282-mm-w-181-mm-museum-rijksmuseum-amsterdam-image233088625.htmlRMRF62WN–Gilt silver spoon, knife lift and fork. Draughtsman: anonymous. Dating: c. 1755 - c. 1770. Place: Augsburg. Measurements: h 282 mm × w 181 mm. Museum: Rijksmuseum, Amsterdam.
Three German faience vases, c. 1755.. Victoria & Albert Museum, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-german-faience-vases-c-1755-victoria-albert-museum-london-image268847288.htmlRMWHB1CT–Three German faience vases, c. 1755.. Victoria & Albert Museum, London.
1821 'Free' Letter to Charles Beaumont Phipps, 2nd son of Henry Phipps, first Earl of Normanby, Mulgrave Castle, Lythe near Whitby, North Yorkshire, England, who was then at Plymouth Docks. Sir Charles Beaumont (1801–1866) was a court official and was the second son of Henry Phipps the first earl of Mulgrave, aka Viscount Normanby (1755–1831), and his wife, Martha Sophia Maling (d. 1849). Charles was was born at Mulgrave Castle, on 27 December 1801. He was educated at Harrow School. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1821-free-letter-to-charles-beaumont-phipps-2nd-son-of-henry-phipps-first-earl-of-normanby-mulgrave-castle-lythe-near-whitby-north-yorkshire-england-who-was-then-at-plymouth-docks-sir-charles-beaumont-18011866-was-a-court-official-and-was-the-second-son-of-henry-phipps-the-first-earl-of-mulgrave-aka-viscount-normanby-17551831-and-his-wife-martha-sophia-maling-d-1849-charles-was-was-born-at-mulgrave-castle-on-27-december-1801-he-was-educated-at-harrow-school-image369769860.htmlRM2CDGD6C–1821 'Free' Letter to Charles Beaumont Phipps, 2nd son of Henry Phipps, first Earl of Normanby, Mulgrave Castle, Lythe near Whitby, North Yorkshire, England, who was then at Plymouth Docks. Sir Charles Beaumont (1801–1866) was a court official and was the second son of Henry Phipps the first earl of Mulgrave, aka Viscount Normanby (1755–1831), and his wife, Martha Sophia Maling (d. 1849). Charles was was born at Mulgrave Castle, on 27 December 1801. He was educated at Harrow School.
Habits of English gentlemen in the years 1735 (a) 1745 (b) 1755 (c). Habillement des gentilshommes Anglois en 1735 etc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/habits-of-english-gentlemen-in-the-years-1735-a-1745-b-1755-c-habillement-des-gentilshommes-anglois-en-1735-etc-image404104475.htmlRM2EDCFAK–Habits of English gentlemen in the years 1735 (a) 1745 (b) 1755 (c). Habillement des gentilshommes Anglois en 1735 etc
Inspired by View in Suffolk, Thomas Gainsborough, English, 1727–1788, c.1755, Oil on canvas, Suffolk, England, Europe, Paintings, 37 3/4 x 49 3/8 in. (95.9 x 125.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-view-in-suffolk-thomas-gainsborough-english-17271788-c1755-oil-on-canvas-suffolk-england-europe-paintings-37-34-x-49-38-in-959-x-1254-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459275699.htmlRF2HK5PRF–Inspired by View in Suffolk, Thomas Gainsborough, English, 1727–1788, c.1755, Oil on canvas, Suffolk, England, Europe, Paintings, 37 3/4 x 49 3/8 in. (95.9 x 125.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Pair of soup ladles, c. 1755, Turin, silver at Ickworth, Suffolk. National Trust Inventory number 852078.1-2. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pair-of-soup-ladles-c-1755-turin-silver-at-ickworth-suffolk-national-90862576.htmlRMF7R440–Pair of soup ladles, c. 1755, Turin, silver at Ickworth, Suffolk. National Trust Inventory number 852078.1-2.
A Dance in the Country, painting by Giovanni Domenico Tiepolo, c. 1755 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-dance-in-the-country-painting-by-giovanni-domenico-tiepolo-c-1755-image246579528.htmlRMT94JKM–A Dance in the Country, painting by Giovanni Domenico Tiepolo, c. 1755
The death of General Braddock during the disastrous Braddock expedition, aka Braddock's campaign or Braddock's Defeat, a failed British military expedition which tried to capture the French Fort Duquesne in 1755 during the French and Indian War. Major General Edward Braddock, 1695 – 1755. British officer and commander-in-chief for the Thirteen Colonies during the start of the French and Indian War (1754–1763). From Cassell's Illustrated History of England, published c.1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-death-of-general-braddock-during-the-disastrous-braddock-expedition-aka-braddocks-campaign-or-braddocks-defeat-a-failed-british-military-expedition-which-tried-to-capture-the-french-fort-duquesne-in-1755-during-the-french-and-indian-war-major-general-edward-braddock-1695-1755-british-officer-and-commander-in-chief-for-the-thirteen-colonies-during-the-start-of-the-french-and-indian-war-17541763-from-cassells-illustrated-history-of-england-published-c1890-image459009956.htmlRM2HJNKTM–The death of General Braddock during the disastrous Braddock expedition, aka Braddock's campaign or Braddock's Defeat, a failed British military expedition which tried to capture the French Fort Duquesne in 1755 during the French and Indian War. Major General Edward Braddock, 1695 – 1755. British officer and commander-in-chief for the Thirteen Colonies during the start of the French and Indian War (1754–1763). From Cassell's Illustrated History of England, published c.1890.
STANDALONE PHOTO Staff at he National Gallery of Scotland cleanes its latest purchase - the only known oil painting by Giovanni Battista Lusieri (c.1755-1821) The painting shows the semi-ruined funerary monument on the Mouseion Hill in Athens. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-standalone-photo-staff-at-he-national-gallery-of-scotland-cleanes-109303513.htmlRMG9R5MW–STANDALONE PHOTO Staff at he National Gallery of Scotland cleanes its latest purchase - the only known oil painting by Giovanni Battista Lusieri (c.1755-1821) The painting shows the semi-ruined funerary monument on the Mouseion Hill in Athens.
Rama and lakshmana c 1755 kanoria. Mewar Indian miniature painting, Rajasthan India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rama-and-lakshmana-c-1755-kanoria-mewar-indian-miniature-painting-16822224.htmlRFAXEMPW–Rama and lakshmana c 1755 kanoria. Mewar Indian miniature painting, Rajasthan India
Alexander Hamilton (1755-1804), portrait by John Trumbull, oil on canvas, c.1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-hamilton-1755-1804-portrait-by-john-trumbull-oil-on-canvas-c1800-image336122099.htmlRM2AERK4K–Alexander Hamilton (1755-1804), portrait by John Trumbull, oil on canvas, c.1800
Jean-Louis Delignon, (artist), French, 1755 - c. 1804, Antoine-Jean Duclos, (artist), French, 1742 - 1795, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, La matrone d'Ephese, Fragonard plates for 'Contes et nouvelles' by La Fontaine, (series), 1793, etching and engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-louis-delignon-artist-french-1755-c-1804-antoine-jean-duclos-artist-french-1742-1795-jean-honor-fragonard-artist-after-french-1732-1806-la-matrone-dephese-fragonard-plates-for-contes-et-nouvelles-by-la-fontaine-series-1793-etching-and-engraving-image386346538.htmlRM2DCFGXJ–Jean-Louis Delignon, (artist), French, 1755 - c. 1804, Antoine-Jean Duclos, (artist), French, 1742 - 1795, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, La matrone d'Ephese, Fragonard plates for 'Contes et nouvelles' by La Fontaine, (series), 1793, etching and engraving
Sketch of a knight on horseback, c.1755-c.1760. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sketch-of-a-knight-on-horseback-c1755-c1760-image565267621.htmlRM2RRJ4H9–Sketch of a knight on horseback, c.1755-c.1760.
Royal promenade, a view from the Petropavlovsk Castle. 1794, by Fyodor Yakovlevich Alekseyev (c.1753--1755 - 1824) Russian painter. His contemporaries often called him the Russian Canaletto Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/royal-promenade-a-view-from-the-petropavlovsk-castle-1794-by-fyodor-yakovlevich-alekseyev-c1753-1755-1824-russian-painter-his-contemporaries-often-called-him-the-russian-canaletto-image481945508.htmlRM2K02EBG–Royal promenade, a view from the Petropavlovsk Castle. 1794, by Fyodor Yakovlevich Alekseyev (c.1753--1755 - 1824) Russian painter. His contemporaries often called him the Russian Canaletto
. English: The Gopas Play Blindman's Buff Manaku, Basohli School, c. 1755 . 1755. Basohli Schoo 1174 The Gopas Play Blindman's Buff Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-gopas-play-blindmans-buff-manaku-basohli-school-c-1755-1755-basohli-schoo-1174-the-gopas-play-blindmans-buff-image185709004.htmlRMMP3NMC–. English: The Gopas Play Blindman's Buff Manaku, Basohli School, c. 1755 . 1755. Basohli Schoo 1174 The Gopas Play Blindman's Buff
Homeopathy - Hahnemann. Samuel Hahnemann (1755-1843) as a chemist. Bas-relief from the Hahnemann memorial by C.H.Niehaus in the Scott Circle, Washington DC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/homeopathy-hahnemann-samuel-hahnemann-1755-1843-as-a-chemist-bas-relief-from-the-hahnemann-memorial-by-chniehaus-in-the-scott-circle-washington-dc-image179626892.htmlRMMC6KX4–Homeopathy - Hahnemann. Samuel Hahnemann (1755-1843) as a chemist. Bas-relief from the Hahnemann memorial by C.H.Niehaus in the Scott Circle, Washington DC
Harmony in marriage 1766 by Karl Gottlieb Lück, (GERMAN, C. 1730-1740–1775) FRANKENTHAL PORCELAIN FACTORY (GERMAN, 1755–1799) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-harmony-in-marriage-1766-by-karl-gottlieb-lck-german-c-1730-17401775-139059167.htmlRMJ26KAR–Harmony in marriage 1766 by Karl Gottlieb Lück, (GERMAN, C. 1730-1740–1775) FRANKENTHAL PORCELAIN FACTORY (GERMAN, 1755–1799)
![A Plan of the Armys March from Trichinopoly to Madura. Author Jenings, William 115.84. Place of publication: [India] Publisher: [W. Jenings] Date of publication: [1755 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 41.8 x 55.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9GA2N/a-plan-of-the-armys-march-from-trichinopoly-to-madura-author-jenings-william-11584-place-of-publication-india-publisher-w-jenings-date-of-publication-1755-c-item-type-1-map-medium-pen-and-ink-with-coloured-wash-dimensions-418-x-553-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9GA2N.jpg "A Plan of the Armys March from Trichinopoly to Madura. Author Jenings, William 115.84. Place of publication: [India] Publisher: [W. Jenings] Date of publication: [1755 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 41.8 x 55.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A Plan of the Armys March from Trichinopoly to Madura. Author Jenings, William 115.84. Place of publication: [India] Publisher: [W. Jenings] Date of publication: [1755 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 41.8 x 55.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-plan-of-the-armys-march-from-trichinopoly-to-madura-author-jenings-william-11584-place-of-publication-india-publisher-w-jenings-date-of-publication-1755-c-item-type-1-map-medium-pen-and-ink-with-coloured-wash-dimensions-418-x-553-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401729517.htmlRM2E9GA2N–A Plan of the Armys March from Trichinopoly to Madura. Author Jenings, William 115.84. Place of publication: [India] Publisher: [W. Jenings] Date of publication: [1755 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 41.8 x 55.3 cm Former owner: George III, King of Great Britain, 1738-1820
Coat of arms and crest of the right honorable William Fielding, 5th Earl of Denbeigh, 1697-1755. Copperplate engraving by Andrew Johnston after C. Gardiner from Notitia Anglicana, Shewing their Achievements of all the English Nobility, Andrew Johnson, the Strand, London, 1724. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-and-crest-of-the-right-honorable-william-fielding-5th-earl-of-denbeigh-1697-1755-copperplate-engraving-by-andrew-johnston-after-c-gardiner-from-notitia-anglicana-shewing-their-achievements-of-all-the-english-nobility-andrew-johnson-the-strand-london-1724-image347983081.htmlRM2B63YY5–Coat of arms and crest of the right honorable William Fielding, 5th Earl of Denbeigh, 1697-1755. Copperplate engraving by Andrew Johnston after C. Gardiner from Notitia Anglicana, Shewing their Achievements of all the English Nobility, Andrew Johnson, the Strand, London, 1724.
Cruet Set. John Delmester; English, active 1755-c. 1763; London, England. Date: 1762-1763. Dimensions: Overall: 28.6 x 28.9 cm (11 1/4 x 11 3/8 in.). Silver and glass. Origin: London. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cruet-set-john-delmester-english-active-1755-c-1763-london-england-date-1762-1763-dimensions-overall-286-x-289-cm-11-14-x-11-38-in-silver-and-glass-origin-london-museum-the-chicago-art-institute-image240103072.htmlRMRXHHWM–Cruet Set. John Delmester; English, active 1755-c. 1763; London, England. Date: 1762-1763. Dimensions: Overall: 28.6 x 28.9 cm (11 1/4 x 11 3/8 in.). Silver and glass. Origin: London. Museum: The Chicago Art Institute.
Torii Kiyohiro boys Shogi playing c 1755 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-torii-kiyohiro-boys-shogi-playing-c-1755-143368557.htmlRMJ9701H–Torii Kiyohiro boys Shogi playing c 1755
John Marshall, (1755-1835), Chief Justice of the Supreme Court, c. 1808. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-marshall-1755-1835-chief-justice-of-the-supreme-court-c-1808-32373935.htmlRMBTJN7Y–John Marshall, (1755-1835), Chief Justice of the Supreme Court, c. 1808.
John Singleton Copley - Gore Children C 1755 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-singleton-copley-gore-children-c-1755-image415988487.htmlRF2F4NWFK–John Singleton Copley - Gore Children C 1755
Art inspired by Plate with Arms of Samuel and Sarah Vaughan, Chinese, c.1755, Glazed porcelain with enamel and gilding, Made in China, Asia, Ceramics, diameter: 9 in. (22.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-plate-with-arms-of-samuel-and-sarah-vaughan-chinese-c1755-glazed-porcelain-with-enamel-and-gilding-made-in-china-asia-ceramics-diameter-9-in-229-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459592773.htmlRF2HKM77H–Art inspired by Plate with Arms of Samuel and Sarah Vaughan, Chinese, c.1755, Glazed porcelain with enamel and gilding, Made in China, Asia, Ceramics, diameter: 9 in. (22.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Stand for oval tureen, c. 1755, Turin, silver at Ickworth, Suffolk. National Trust Inventory number 852080.5-6. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stand-for-oval-tureen-c-1755-turin-silver-at-ickworth-suffolk-national-90862580.htmlRMF7R444–Stand for oval tureen, c. 1755, Turin, silver at Ickworth, Suffolk. National Trust Inventory number 852080.5-6.
Amour presenting a bouquet drawing by François Boucher engraved by Madame de Pompadour after a work by Jacques Guay c. 1755. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amour-presenting-a-bouquet-drawing-by-franois-boucher-engraved-by-madame-de-pompadour-after-a-work-by-jacques-guay-c-1755-image214664690.htmlRMPD6R02–Amour presenting a bouquet drawing by François Boucher engraved by Madame de Pompadour after a work by Jacques Guay c. 1755.
Tiepolo Gimbattista, Woman with a Mandolin, c. 1755-60 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tiepolo-gimbattista-woman-with-a-mandolin-c-1755-60-134788603.htmlRMHR846K–Tiepolo Gimbattista, Woman with a Mandolin, c. 1755-60
John Marshall, (1755-1835), Chief Justice of the Supreme Court, c. 1808.. Courtesy: CSU Archives / Everett Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-marshall-1755-1835-chief-justice-of-the-supreme-court-c-1808-50022012.htmlRMCWAKGC–John Marshall, (1755-1835), Chief Justice of the Supreme Court, c. 1808.. Courtesy: CSU Archives / Everett Collection
Girl on terrace c 1755 kanoria. Mewar Indian miniature painting, Rajasthan India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-girl-on-terrace-c-1755-kanoria-mewar-indian-miniature-painting-rajasthan-16819100.htmlRFAXEBEN–Girl on terrace c 1755 kanoria. Mewar Indian miniature painting, Rajasthan India
Élisabeth Vigée Le Brun (1755-1842), Self Portrait, oil on canvas, c. 1781 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lisabeth-vige-le-brun-1755-1842-self-portrait-oil-on-canvas-c-1781-image436588351.htmlRM2GA88W3–Élisabeth Vigée Le Brun (1755-1842), Self Portrait, oil on canvas, c. 1781
Jean-Louis Delignon, (artist), French, 1755 - c. 1804, Antoine-Jean Duclos, (artist), French, 1742 - 1795, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, La matrone d'Ephese, Fragonard plates for 'Contes et nouvelles' by La Fontaine, (series), 1793, etching and engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-louis-delignon-artist-french-1755-c-1804-antoine-jean-duclos-artist-french-1742-1795-jean-honor-fragonard-artist-after-french-1732-1806-la-matrone-dephese-fragonard-plates-for-contes-et-nouvelles-by-la-fontaine-series-1793-etching-and-engraving-image386346539.htmlRM2DCFGXK–Jean-Louis Delignon, (artist), French, 1755 - c. 1804, Antoine-Jean Duclos, (artist), French, 1742 - 1795, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, La matrone d'Ephese, Fragonard plates for 'Contes et nouvelles' by La Fontaine, (series), 1793, etching and engraving
Charles de Secondat, Baron de Montesquieu (1689-1755), c. 1790. Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-de-secondat-baron-de-montesquieu-1689-1755-c-1790-private-collection-image444338046.htmlRM2GPW9KX–Charles de Secondat, Baron de Montesquieu (1689-1755), c. 1790. Private Collection.
Portrait of United States President, James Madison.Oil on canvas painted by Gilbert Stuart (1755 –1828), who made additional copies after completion of the work. Date c. 1805–07 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-united-states-president-james-madisonoil-on-canvas-painted-57360849.htmlRMD9909N–Portrait of United States President, James Madison.Oil on canvas painted by Gilbert Stuart (1755 –1828), who made additional copies after completion of the work. Date c. 1805–07
. Português: Rodrigo de Sousa Coutinho (1755-1812), conde de Linhares, militar e político português. circa 1845. João Maria Caggiani (morto c. 1850) 459 Rodrigo de Sousa Coutinho Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portugus-rodrigo-de-sousa-coutinho-1755-1812-conde-de-linhares-militar-e-poltico-portugus-circa-1845-joo-maria-caggiani-morto-c-1850-459-rodrigo-de-sousa-coutinho-image189078813.htmlRMMYH7XN–. Português: Rodrigo de Sousa Coutinho (1755-1812), conde de Linhares, militar e político português. circa 1845. João Maria Caggiani (morto c. 1850) 459 Rodrigo de Sousa Coutinho
Homeopathy - Hahnemann. Samuel Hahnemann (1755-1843) as a teacher of his methods. Bas-relief from the Hahnemann memorial by C.H.Niehaus in the Scott Circle, Washington DC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/homeopathy-hahnemann-samuel-hahnemann-1755-1843-as-a-teacher-of-his-methods-bas-relief-from-the-hahnemann-memorial-by-chniehaus-in-the-scott-circle-washington-dc-image179626896.htmlRMMC6KX8–Homeopathy - Hahnemann. Samuel Hahnemann (1755-1843) as a teacher of his methods. Bas-relief from the Hahnemann memorial by C.H.Niehaus in the Scott Circle, Washington DC
Anastasia Robinson, Countess of Peterborough (c 1692-1755), English soprano (later contralto) in Handel operas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anastasia-robinson-countess-of-peterborough-c-1692-1755-english-soprano-later-contralto-in-handel-operas-image504829319.htmlRM2M98XXF–Anastasia Robinson, Countess of Peterborough (c 1692-1755), English soprano (later contralto) in Handel operas.
![Plan of Madura with the Ajecent places round taken 1755. Author Jenings, William 115.87. Place of publication: [India] Publisher: [W. Jenings] Date of publication: [1755 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 42.2 x 53.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9GA40/plan-of-madura-with-the-ajecent-places-round-taken-1755-author-jenings-william-11587-place-of-publication-india-publisher-w-jenings-date-of-publication-1755-c-item-type-1-map-medium-pen-and-ink-with-coloured-wash-dimensions-422-x-535-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9GA40.jpg "Plan of Madura with the Ajecent places round taken 1755. Author Jenings, William 115.87. Place of publication: [India] Publisher: [W. Jenings] Date of publication: [1755 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 42.2 x 53.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Plan of Madura with the Ajecent places round taken 1755. Author Jenings, William 115.87. Place of publication: [India] Publisher: [W. Jenings] Date of publication: [1755 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 42.2 x 53.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plan-of-madura-with-the-ajecent-places-round-taken-1755-author-jenings-william-11587-place-of-publication-india-publisher-w-jenings-date-of-publication-1755-c-item-type-1-map-medium-pen-and-ink-with-coloured-wash-dimensions-422-x-535-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401729552.htmlRM2E9GA40–Plan of Madura with the Ajecent places round taken 1755. Author Jenings, William 115.87. Place of publication: [India] Publisher: [W. Jenings] Date of publication: [1755 c.] Item type: 1 map Medium: pen and ink with coloured wash Dimensions: 42.2 x 53.5 cm Former owner: George III, King of Great Britain, 1738-1820
Bow (c.1750-1755) figurines of a harlequin and a palcinella from Wallington. The harlequin has a patterned suit whilst the palcinella is leaning back, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bow-c1750-1755-figurines-of-a-harlequin-and-a-palcinella-from-wallington-the-harlequin-has-a-patterned-suit-whilst-the-palcinella-is-leaning-back-image340741649.htmlRM2APA3CH–Bow (c.1750-1755) figurines of a harlequin and a palcinella from Wallington. The harlequin has a patterned suit whilst the palcinella is leaning back,
Apollo Pursuing Daphne. Dated: c. 1755/1760. Dimensions: overall: 68.5 x 87 cm (26 15/16 x 34 1/4 in.) framed: 88.3 x 105.7 x 5.7 cm (34 3/4 x 41 5/8 x 2 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo. TIEPOLO, GIOVANNI BATTISTA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apollo-pursuing-daphne-dated-c-17551760-dimensions-overall-685-x-87-cm-26-1516-x-34-14-in-framed-883-x-1057-x-57-cm-34-34-x-41-58-x-2-14-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-giovanni-battista-tiepolo-tiepolo-giovanni-battista-image225770609.htmlRMR38MM1–Apollo Pursuing Daphne. Dated: c. 1755/1760. Dimensions: overall: 68.5 x 87 cm (26 15/16 x 34 1/4 in.) framed: 88.3 x 105.7 x 5.7 cm (34 3/4 x 41 5/8 x 2 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo. TIEPOLO, GIOVANNI BATTISTA.
Mechanical table, made by Jean Pierre Latz and Denis Gentry, c. 1755 Waddesdon Manor Buckinghamshire, England DSC07610 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mechanical-table-made-by-jean-pierre-latz-and-denis-gentry-c-1755-142959506.htmlRMJ8GA8J–Mechanical table, made by Jean Pierre Latz and Denis Gentry, c. 1755 Waddesdon Manor Buckinghamshire, England DSC07610
Turkey: Sultan Mustafa III (January 28, 1717 – January 21, 1774). Engraving by John Young (1755-1825), c. 1815. Mustafa III was the Sultan of the Ottoman Empire from 1757 to 1774. He was a son of Sultan Ahmed III (1703–30) and was succeeded by his brother Abdul Hamid I (1774–89). An energetic and perceptive ruler, Mustafa III sought to modernise the army and the internal state machinery to bring his empire in line with the Great Powers of Europe. Unfortunately the Ottoman state had declined so far that any general attempts at modernisation were but a drop in the ocean. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turkey-sultan-mustafa-iii-january-28-1717-january-21-1774-engraving-by-john-young-1755-1825-c-1815-mustafa-iii-was-the-sultan-of-the-ottoman-empire-from-1757-to-1774-he-was-a-son-of-sultan-ahmed-iii-170330-and-was-succeeded-by-his-brother-abdul-hamid-i-177489-an-energetic-and-perceptive-ruler-mustafa-iii-sought-to-modernise-the-army-and-the-internal-state-machinery-to-bring-his-empire-in-line-with-the-great-powers-of-europe-unfortunately-the-ottoman-state-had-declined-so-far-that-any-general-attempts-at-modernisation-were-but-a-drop-in-the-ocean-image344232887.htmlRM2B014FK–Turkey: Sultan Mustafa III (January 28, 1717 – January 21, 1774). Engraving by John Young (1755-1825), c. 1815. Mustafa III was the Sultan of the Ottoman Empire from 1757 to 1774. He was a son of Sultan Ahmed III (1703–30) and was succeeded by his brother Abdul Hamid I (1774–89). An energetic and perceptive ruler, Mustafa III sought to modernise the army and the internal state machinery to bring his empire in line with the Great Powers of Europe. Unfortunately the Ottoman state had declined so far that any general attempts at modernisation were but a drop in the ocean.
Sir Joshua Reynolds - Self Portrait 4 C 1755 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-joshua-reynolds-self-portrait-4-c-1755-image430958344.htmlRF2G13RNC–Sir Joshua Reynolds - Self Portrait 4 C 1755
Inspired by Portrait of a Gentleman, Gilbert Stuart, American, 1755–1828, c.1810, Oil on canvas, Made in United States, North and Central America, Paintings, 14 1/2 × 14 1/2 in. (36.8 × 36.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-a-gentleman-gilbert-stuart-american-17551828-c1810-oil-on-canvas-made-in-united-states-north-and-central-america-paintings-14-12-14-12-in-368-368-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459274289.htmlRF2HK5N15–Inspired by Portrait of a Gentleman, Gilbert Stuart, American, 1755–1828, c.1810, Oil on canvas, Made in United States, North and Central America, Paintings, 14 1/2 × 14 1/2 in. (36.8 × 36.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Pair of soup ladles, c. 1755, Turin, silver at Ickworth, Suffolk. National Trust Inventory number 852078.1-2. Detail of hallmarks. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pair-of-soup-ladles-c-1755-turin-silver-at-ickworth-suffolk-national-90862578.htmlRMF7R442–Pair of soup ladles, c. 1755, Turin, silver at Ickworth, Suffolk. National Trust Inventory number 852078.1-2. Detail of hallmarks.
Amour at peace in the reign of Justice drawing by François Boucher engraved by Madame de Pompadour after a work by Jacques Guay c. 1755. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amour-at-peace-in-the-reign-of-justice-drawing-by-franois-boucher-engraved-by-madame-de-pompadour-after-a-work-by-jacques-guay-c-1755-image214664685.htmlRMPD6PYW–Amour at peace in the reign of Justice drawing by François Boucher engraved by Madame de Pompadour after a work by Jacques Guay c. 1755.
Dr-Richard-Russell-by-Benjamin-Wilson-c-1755 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dr-richard-russell-by-benjamin-wilson-c-1755-132681069.htmlRMHKT41H–Dr-Richard-Russell-by-Benjamin-Wilson-c-1755
LISBON PORTUGAL Equestrian statue of Dom Jose the Portuguese king at the time of the earthquake in 1755 beside huge artificial C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lisbon-portugal-equestrian-statue-of-dom-jose-the-portuguese-king-image8826386.htmlRFAN8DN3–LISBON PORTUGAL Equestrian statue of Dom Jose the Portuguese king at the time of the earthquake in 1755 beside huge artificial C
suwal (India) Rama and lakshmana c 1755 kanoria. Indian miniature painting, Rajasthan India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-suwal-india-rama-and-lakshmana-c-1755-kanoria-indian-miniature-painting-16814925.htmlRFAXDY2P–suwal (India) Rama and lakshmana c 1755 kanoria. Indian miniature painting, Rajasthan India
The Prodigal Son by Pier Leone Ghezzi (1674-1755), oil on canvas, c.1720-30 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-prodigal-son-by-pier-leone-ghezzi-1674-1755-oil-on-canvas-c1720-30-image334686122.htmlRM2ACE7FP–The Prodigal Son by Pier Leone Ghezzi (1674-1755), oil on canvas, c.1720-30
Jean-Louis Delignon, (artist), French, 1755 - c. 1804, Antoine-Jean Duclos, (artist), French, 1742 - 1795, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, Le cocu battu et content, Fragonard plates for 'Contes et nouvelles' by La Fontaine, (series), etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-louis-delignon-artist-french-1755-c-1804-antoine-jean-duclos-artist-french-1742-1795-jean-honor-fragonard-artist-after-french-1732-1806-le-cocu-battu-et-content-fragonard-plates-for-contes-et-nouvelles-by-la-fontaine-series-etching-image386223586.htmlRM2DCA03E–Jean-Louis Delignon, (artist), French, 1755 - c. 1804, Antoine-Jean Duclos, (artist), French, 1742 - 1795, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, Le cocu battu et content, Fragonard plates for 'Contes et nouvelles' by La Fontaine, (series), etching
Portrait of Gotthold Ephraim Lessing (1729-1781), c.1755. Creator: Tischbein, Johann Heinrich, the Elder (1722-1789). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-gotthold-ephraim-lessing-1729-1781-c1755-creator-tischbein-johann-heinrich-the-elder-1722-1789-image221500681.htmlRMPTA6AH–Portrait of Gotthold Ephraim Lessing (1729-1781), c.1755. Creator: Tischbein, Johann Heinrich, the Elder (1722-1789).
Ewer, Paris, c 1755-1760. Vase, China, c. 1725-1740, hard paste porcelain, gilt bronze. A Paris craftsman transformed this Chinese vase into an ewer. It is an example of European chinoiserie, in which an oriental object acquires a new character through the addition of Western elements. The grey-glazed porcelain gives the impression of having tiny cracks all over it. This type of porcelain - called craze or 'crackle glazed' - was greatly admired in Paris in the mid-18th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ewer-paris-c-1755-1760-vase-china-c-1725-1740-hard-paste-porcelain-image68542469.htmlRMDYEAH9–Ewer, Paris, c 1755-1760. Vase, China, c. 1725-1740, hard paste porcelain, gilt bronze. A Paris craftsman transformed this Chinese vase into an ewer. It is an example of European chinoiserie, in which an oriental object acquires a new character through the addition of Western elements. The grey-glazed porcelain gives the impression of having tiny cracks all over it. This type of porcelain - called craze or 'crackle glazed' - was greatly admired in Paris in the mid-18th century.
. Português: Rodrigo de Sousa Coutinho (1755-1812), conde de Linhares, militar e político português. circa 1845. João Maria Caggiani (morto c. 1850) 525 Rodrigo de Sousa Coutinho Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portugus-rodrigo-de-sousa-coutinho-1755-1812-conde-de-linhares-militar-e-poltico-portugus-circa-1845-joo-maria-caggiani-morto-c-1850-525-rodrigo-de-sousa-coutinho-image187782652.htmlRMMWE6K8–. Português: Rodrigo de Sousa Coutinho (1755-1812), conde de Linhares, militar e político português. circa 1845. João Maria Caggiani (morto c. 1850) 525 Rodrigo de Sousa Coutinho
Charles-Louis de Secondat, baron de La Brède et de Montesquieu. French social commentator and political thinker who lived during the Enlightenment. 1689- 1755. Engraving by Langlois, c. 1866. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charles-louis-de-secondat-baron-de-la-brde-et-de-montesquieu-french-83357096.htmlRMERH6R4–Charles-Louis de Secondat, baron de La Brède et de Montesquieu. French social commentator and political thinker who lived during the Enlightenment. 1689- 1755. Engraving by Langlois, c. 1866.
1790 c., FRANCE : The french pionier Nicolas Jacques Conté ( 1755 - 1805 ) chemist , physicist , painter, balloonist, army officer, and inventor of the modern pencil lead . Experimented with the use of hydrogen for balloons . distinguished for his mechanical genius which was of great avail to the French army in Egypt . Napoleon called him “ a universal man with taste, understanding and genius capable of creating the arts of France in the middle of the Arabian Desert .”Conté invented modern pencil lead, more specifically Conté, at the request of Lazare Nicolas Marguerite Carnot . Thus was for Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1790-c-france-the-french-pionier-nicolas-jacques-cont-1755-1805-chemist-physicist-painter-balloonist-army-officer-and-inventor-of-the-modern-pencil-lead-experimented-with-the-use-of-hydrogen-for-balloons-distinguished-for-his-mechanical-genius-which-was-of-great-avail-to-the-french-army-in-egypt-napoleon-called-him-a-universal-man-with-taste-understanding-and-genius-capable-of-creating-the-arts-of-france-in-the-middle-of-the-arabian-desert-cont-invented-modern-pencil-lead-more-specifically-cont-at-the-request-of-lazare-nicolas-marguerite-carnot-thus-was-for-image539229609.htmlRM2P980T9–1790 c., FRANCE : The french pionier Nicolas Jacques Conté ( 1755 - 1805 ) chemist , physicist , painter, balloonist, army officer, and inventor of the modern pencil lead . Experimented with the use of hydrogen for balloons . distinguished for his mechanical genius which was of great avail to the French army in Egypt . Napoleon called him “ a universal man with taste, understanding and genius capable of creating the arts of France in the middle of the Arabian Desert .”Conté invented modern pencil lead, more specifically Conté, at the request of Lazare Nicolas Marguerite Carnot . Thus was for
![The old Pavement. Map information: Title: The old Pavement. 45.7.c. Place of publication: [London , York] Publisher: [W. Sandby , J. Hildyard]., Date of publication: [1755 c.] Item type: 1 map Medium: copperplate engraving Dimensions: 37.6 x 21.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9EXX6/the-old-pavement-map-information-title-the-old-pavement-457c-place-of-publication-london-york-publisher-w-sandby-j-hildyard-date-of-publication-1755-c-item-type-1-map-medium-copperplate-engraving-dimensions-376-x-210-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9EXX6.jpg "The old Pavement. Map information: Title: The old Pavement. 45.7.c. Place of publication: [London , York] Publisher: [W. Sandby , J. Hildyard]., Date of publication: [1755 c.] Item type: 1 map Medium: copperplate engraving Dimensions: 37.6 x 21.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
The old Pavement. Map information: Title: The old Pavement. 45.7.c. Place of publication: [London , York] Publisher: [W. Sandby , J. Hildyard]., Date of publication: [1755 c.] Item type: 1 map Medium: copperplate engraving Dimensions: 37.6 x 21.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-old-pavement-map-information-title-the-old-pavement-457c-place-of-publication-london-york-publisher-w-sandby-j-hildyard-date-of-publication-1755-c-item-type-1-map-medium-copperplate-engraving-dimensions-376-x-210-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401698814.htmlRM2E9EXX6–The old Pavement. Map information: Title: The old Pavement. 45.7.c. Place of publication: [London , York] Publisher: [W. Sandby , J. Hildyard]., Date of publication: [1755 c.] Item type: 1 map Medium: copperplate engraving Dimensions: 37.6 x 21.0 cm Former owner: George III, King of Great Britain, 1738-1820
Richelieu, Armand du Plessis, Duke of, 5.9.1585 - 4.12.1642, French clergyman and politician, portrait, after painting by Ph. Champaigne, copper engraving by C. Morin, 1755, private collection, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-richelieu-armand-du-plessis-duke-of-591585-4121642-french-clergyman-58346884.htmlRMDAWX18–Richelieu, Armand du Plessis, Duke of, 5.9.1585 - 4.12.1642, French clergyman and politician, portrait, after painting by Ph. Champaigne, copper engraving by C. Morin, 1755, private collection, Artist's Copyright has not to be cleared
RETRATO DE GEORGE WASHINGTON (1732/1799) PRIMER PRESIDENTE DE LOS ESTADOS UNIDOS DE AMERICA - SIGLO XVIII. Author: Gilbert Stuart (1755-1828). Location: NATIONAL GALLERY, WASHINGTON D. C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/retrato-de-george-washington-17321799-primer-presidente-de-los-estados-unidos-de-america-siglo-xviii-author-gilbert-stuart-1755-1828-location-national-gallery-washington-d-c-image209022395.htmlRMP41P5F–RETRATO DE GEORGE WASHINGTON (1732/1799) PRIMER PRESIDENTE DE LOS ESTADOS UNIDOS DE AMERICA - SIGLO XVIII. Author: Gilbert Stuart (1755-1828). Location: NATIONAL GALLERY, WASHINGTON D. C.
Louis XV, Chantilly Porcelain Factory, c. 1755, soft paste porcelain Wadsworth Atheneum Hartford, CT DSC05471 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-xv-chantilly-porcelain-factory-c-1755-soft-paste-porcelain-wadsworth-142956125.htmlRMJ8G5YW–Louis XV, Chantilly Porcelain Factory, c. 1755, soft paste porcelain Wadsworth Atheneum Hartford, CT DSC05471
The Marble Boat (Chinese: 石舫; pinyin: Shí Fǎng), also known as the Boat of Purity and Ease (Qing Yan Fǎng) is a lakeside pavilion on the grounds of the Summer Palace. It was first erected in 1755 during the reign of the Qianlong Emperor. The original pavilion was made from a base of large stone blocks which supported a wooden superstructure done in a traditional Chinese design. The Summer Palace (Yiheyuan) was originally created during the Ming Dynasty, but was designed in its current form by Qing emperor Qianlong (r. 1736 - 1795). It is however Qianlong’s mother, the Qing Dowager Empress C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-marble-boat-chinese-pinyin-sh-fng-also-known-as-the-boat-of-purity-and-ease-qing-yan-fng-is-a-lakeside-pavilion-on-the-grounds-of-the-summer-palace-it-was-first-erected-in-1755-during-the-reign-of-the-qianlong-emperor-the-original-pavilion-was-made-from-a-base-of-large-stone-blocks-which-supported-a-wooden-superstructure-done-in-a-traditional-chinese-design-the-summer-palace-yiheyuan-was-originally-created-during-the-ming-dynasty-but-was-designed-in-its-current-form-by-qing-emperor-qianlong-r-1736-1795-it-is-however-qianlongs-mother-the-qing-dowager-empress-c-image344254442.htmlRM2B0241E–The Marble Boat (Chinese: 石舫; pinyin: Shí Fǎng), also known as the Boat of Purity and Ease (Qing Yan Fǎng) is a lakeside pavilion on the grounds of the Summer Palace. It was first erected in 1755 during the reign of the Qianlong Emperor. The original pavilion was made from a base of large stone blocks which supported a wooden superstructure done in a traditional Chinese design. The Summer Palace (Yiheyuan) was originally created during the Ming Dynasty, but was designed in its current form by Qing emperor Qianlong (r. 1736 - 1795). It is however Qianlong’s mother, the Qing Dowager Empress C
Giovanni Battista Tiepolo (1696-1770) - Theological Virtues C 1755 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-tiepolo-1696-1770-theological-virtues-c-1755-image431935464.htmlRF2G2MA2G–Giovanni Battista Tiepolo (1696-1770) - Theological Virtues C 1755
Inspired by George Washington, Gilbert Stuart, American, 1755–1828, c.1820, Oil on panel, Made in Boston, Massachusetts, United States, North and Central America, Paintings, 27 x 21 3/4 in. (68.6 x 55.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-george-washington-gilbert-stuart-american-17551828-c1820-oil-on-panel-made-in-boston-massachusetts-united-states-north-and-central-america-paintings-27-x-21-34-in-686-x-552-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459281754.htmlRF2HK62FP–Inspired by George Washington, Gilbert Stuart, American, 1755–1828, c.1820, Oil on panel, Made in Boston, Massachusetts, United States, North and Central America, Paintings, 27 x 21 3/4 in. (68.6 x 55.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Circular tureen, c. 1755, Turin, silver on circular stand, c. 1755, Turin, at Ickworth, Suffolk. National Trust Inventory numbers 852181 and 852105. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-circular-tureen-c-1755-turin-silver-on-circular-stand-c-1755-turin-90862585.htmlRMF7R449–Circular tureen, c. 1755, Turin, silver on circular stand, c. 1755, Turin, at Ickworth, Suffolk. National Trust Inventory numbers 852181 and 852105.
Commode, Nuremberg, c. 1755, pine, walnut, oak, yew, brass - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/commode-nuremberg-c-1755-pine-walnut-oak-yew-brass-image260725591.htmlRMW45247–Commode, Nuremberg, c. 1755, pine, walnut, oak, yew, brass -
Christiane zu Mecklenburg by anonymous (c.1755, Royal coll.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-christiane-zu-mecklenburg-by-anonymous-c1755-royal-coll-132668873.htmlRMHKRGE1–Christiane zu Mecklenburg by anonymous (c.1755, Royal coll.)
Alexander Hamilton, c.1755/ 1757 – 1804. American statesman and one of the Founding Fathers of the United States. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-hamilton-c1755-1757-1804-american-statesman-and-one-of-the-132891119.htmlRMHM5KYB–Alexander Hamilton, c.1755/ 1757 – 1804. American statesman and one of the Founding Fathers of the United States.
Gilbert Stuart (1755-1828), James Madison, c 1821 US President Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gilbert-stuart-1755-1828-james-madison-c-1821-us-president-image483537170.htmlRM2K2K0GJ–Gilbert Stuart (1755-1828), James Madison, c 1821 US President
Alexander Hamilton (1755-1804), portrait by John Trumbull, oil on canvas, c.1804-6 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-hamilton-1755-1804-portrait-by-john-trumbull-oil-on-canvas-132944571.htmlRMHM844B–Alexander Hamilton (1755-1804), portrait by John Trumbull, oil on canvas, c.1804-6
Jean-Louis Delignon, (artist), French, 1755 - c. 1804, Antoine-Jean Duclos, (artist), French, 1742 - 1795, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, Le cocu battu et content, Fragonard plates for 'Contes et nouvelles' by La Fontaine, (series), etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-louis-delignon-artist-french-1755-c-1804-antoine-jean-duclos-artist-french-1742-1795-jean-honor-fragonard-artist-after-french-1732-1806-le-cocu-battu-et-content-fragonard-plates-for-contes-et-nouvelles-by-la-fontaine-series-etching-image386223562.htmlRM2DCA02J–Jean-Louis Delignon, (artist), French, 1755 - c. 1804, Antoine-Jean Duclos, (artist), French, 1742 - 1795, Jean Honoré Fragonard, (artist after), French, 1732 - 1806, Le cocu battu et content, Fragonard plates for 'Contes et nouvelles' by La Fontaine, (series), etching
Portrait of Queen Marie Antoinette of France (1755-1793), c. 1785. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-queen-marie-antoinette-of-france-1755-1793-c-1785-image186155740.htmlRMMPT3F8–Portrait of Queen Marie Antoinette of France (1755-1793), c. 1785.
Cartel clock by Jacques Caffieri (1678-1755) Paris, c 1741. Movement Julien le Roy (1686-1759) gilt, bronze. The renowned artist Caffieri signed the case of this cartel (or wall) clock, just like a painter signs a painting. The asymmetrical Rococo case shows the figure of Diana, goddess of the moon, looking down tenderly upon the sleeping Endymion. They are set in an imaginary framework of rocoilles, plants, architectural elements and abstract motifs. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartel-clock-by-jacques-caffieri-1678-1755-paris-c-1741-movement-julien-image68542932.htmlRMDYEB5T–Cartel clock by Jacques Caffieri (1678-1755) Paris, c 1741. Movement Julien le Roy (1686-1759) gilt, bronze. The renowned artist Caffieri signed the case of this cartel (or wall) clock, just like a painter signs a painting. The asymmetrical Rococo case shows the figure of Diana, goddess of the moon, looking down tenderly upon the sleeping Endymion. They are set in an imaginary framework of rocoilles, plants, architectural elements and abstract motifs.
. Português: Rodrigo de Sousa Coutinho (1755-1812), conde de Linhares, militar e político português. circa 1845. João Maria Caggiani (morto c. 1850) 526 Rodrigo de Sousa Coutinho Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portugus-rodrigo-de-sousa-coutinho-1755-1812-conde-de-linhares-militar-e-poltico-portugus-circa-1845-joo-maria-caggiani-morto-c-1850-526-rodrigo-de-sousa-coutinho-image188302322.htmlRMMX9WEX–. Português: Rodrigo de Sousa Coutinho (1755-1812), conde de Linhares, militar e político português. circa 1845. João Maria Caggiani (morto c. 1850) 526 Rodrigo de Sousa Coutinho
Colonization of North America (1607-1755). Massasoit (c. 1581-1661), sachem of the Wampanoags, smoking a ceremonial pipe with the Plymouth Colony Governor, John Carver (before 1584-1621). Plymouth 1621. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colonization-of-north-america-1607-1755-massasoit-c-1581-1661-sachem-139919503.htmlRMJ3HTN3–Colonization of North America (1607-1755). Massasoit (c. 1581-1661), sachem of the Wampanoags, smoking a ceremonial pipe with the Plymouth Colony Governor, John Carver (before 1584-1621). Plymouth 1621. Engraving.
