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1776 83 Stock Photos and Images
Military ensemble, American, 1776–83, American, wool, linen, silk, metal, paper, feather, wood Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/military-ensemble-american-177683-american-wool-linen-silk-metal-paper-feather-wood-image344661831.htmlRM2B0MKK3–Military ensemble, American, 1776–83, American, wool, linen, silk, metal, paper, feather, wood
Art inspired by Medal, 1776–83, Made in France, Gilt brass, Diam. 3 in. (7.6 cm), Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-medal-177683-made-in-france-gilt-brass-diam-3-in-76-cm-metal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462880325.htmlRF2HW20G5–Art inspired by Medal, 1776–83, Made in France, Gilt brass, Diam. 3 in. (7.6 cm), Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Plaque, 1776–83, Silvered iron, Diam. 6 1/4 in. (15.9 cm), Metal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-plaque-177683-silvered-iron-diam-6-14-in-159-cm-metal-162562242.htmlRMKCD9PA–Plaque, 1776–83, Silvered iron, Diam. 6 1/4 in. (15.9 cm), Metal
Art inspired by Plaque, 1776–83, Silvered iron, Diam. 6 1/4 in. (15.9 cm), Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-177683-silvered-iron-diam-6-14-in-159-cm-metal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462886361.htmlRF2HW287N–Art inspired by Plaque, 1776–83, Silvered iron, Diam. 6 1/4 in. (15.9 cm), Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Medal, 1776–83, Made in France, Gilt brass, Diam. 3 in. (7.6 cm), Metal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-medal-177683-made-in-france-gilt-brass-diam-3-in-76-cm-metal-162353859.htmlRMKC3T03–Medal, 1776–83, Made in France, Gilt brass, Diam. 3 in. (7.6 cm), Metal
Art inspired by George Washington, 1776–83, Made in England, Glass paste, H. 3/4 in. (1.9 cm), Glass, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-george-washington-177683-made-in-england-glass-paste-h-34-in-19-cm-glass-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462884281.htmlRF2HW25HD–Art inspired by George Washington, 1776–83, Made in England, Glass paste, H. 3/4 in. (1.9 cm), Glass, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The parkland at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-parkland-at-basildon-park-built-1776-83-by-john-carr-for-francis-94449395.htmlRMFDJF4K–The parkland at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
Art inspired by George Washington, 1776–83, Porcelain, 4 1/4 x 3 1/8 in. (10.8 x 7.9 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-george-washington-177683-porcelain-4-14-x-3-18-in-108-x-79-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462884314.htmlRF2HW25JJ–Art inspired by George Washington, 1776–83, Porcelain, 4 1/4 x 3 1/8 in. (10.8 x 7.9 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Medal. Dimensions: Diam. 3 in. (7.6 cm). Date: 1776-83. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medal-dimensions-diam-3-in-76-cm-date-1776-83-museum-metropolitan-museum-of-art-new-york-usa-image213110062.htmlRMPAM01J–Medal. Dimensions: Diam. 3 in. (7.6 cm). Date: 1776-83. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Scarf Pin, 1776–83, Probably made in United States, American, Onyx, gold, Without pin: H. 1/2 in. (1.3 cm), Natural Substances, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-scarf-pin-177683-probably-made-in-united-states-american-onyx-gold-without-pin-h-12-in-13-cm-natural-substances-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462891349.htmlRF2HW2EHW–Art inspired by Scarf Pin, 1776–83, Probably made in United States, American, Onyx, gold, Without pin: H. 1/2 in. (1.3 cm), Natural Substances, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pahonia. Пагоня (1776-83). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pahonia-1776-83-image406622861.htmlRM2EHF7H1–Pahonia. Пагоня (1776-83).
Art inspired by Medal, 1776–83, Probably made in France, Bronze, Diam. 4 1/4 in. (10.8 cm), Metal, Possibly after Jean Martin Renaud (French, Sarreguemines 1746–1821 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-medal-177683-probably-made-in-france-bronze-diam-4-14-in-108-cm-metal-possibly-after-jean-martin-renaud-french-sarreguemines-17461821-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462886369.htmlRF2HW2881–Art inspired by Medal, 1776–83, Probably made in France, Bronze, Diam. 4 1/4 in. (10.8 cm), Metal, Possibly after Jean Martin Renaud (French, Sarreguemines 1746–1821 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Houses in Naples 1776-83 by Thomas Jones Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/houses-in-naples-1776-83-by-thomas-jones-image573864749.htmlRM2T9HP9H–Houses in Naples 1776-83 by Thomas Jones
Medal 1776–83. Medal 2077 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medal-177683-medal-2077-image458232672.htmlRM2HHE8CG–Medal 1776–83. Medal 2077
Military ensemble, American, 1776-83. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/military-ensemble-american-1776-83-image406422149.htmlRM2EH63GN–Military ensemble, American, 1776-83.
. В. Тропинин. Портрет Елизаветы Ивановны Нарышкиной (1791-1858), фрейлина. Музей Тропинина . 1816. Vasily Tropinin (1776–1857) Alternative names English: Vasily Andreyevich Tropinin Русский: Тропинин, Василий Андреевич Description Russian painter Date of birth/death 30 March 1776 16 May 1857 Location of birth/death Korpovo village, Novgorod Guberniya Moscow Work location Moscow, Saint Petersburg Authority control : Q434561 VIAF: 59886509 ISNI: 0000 0000 8139 7206 ULAN: 500025606 LCCN: n83035723 WGA: TROPININ, Vasily Andreyevich WorldCat 1226 Vasily Tropinin 83 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1791-1858-1816-vasily-tropinin-17761857-alternative-names-english-vasily-andreyevich-tropinin-description-russian-painter-date-of-birthdeath-30-march-1776-16-may-1857-location-of-birthdeath-korpovo-village-novgorod-guberniya-moscow-work-location-moscow-saint-petersburg-authority-control-q434561-viaf59886509-isni0000-0000-8139-7206-ulan500025606-lccnn83035723-wgatropinin-vasily-andreyevich-worldcat-1226-vasily-tropinin-83-image185703046.htmlRMMP3E3J–. В. Тропинин. Портрет Елизаветы Ивановны Нарышкиной (1791-1858), фрейлина. Музей Тропинина . 1816. Vasily Tropinin (1776–1857) Alternative names English: Vasily Andreyevich Tropinin Русский: Тропинин, Василий Андреевич Description Russian painter Date of birth/death 30 March 1776 16 May 1857 Location of birth/death Korpovo village, Novgorod Guberniya Moscow Work location Moscow, Saint Petersburg Authority control : Q434561 VIAF: 59886509 ISNI: 0000 0000 8139 7206 ULAN: 500025606 LCCN: n83035723 WGA: TROPININ, Vasily Andreyevich WorldCat 1226 Vasily Tropinin 83
On June 17, 1775, early in the Revolutionary War (1775-83), the British defeated the Americans at the Battle of Bunker Hill in Massachusetts. Despite their loss, the inexperienced colonial forces inflicted significant casualties against the enemy, and the battle provided them with an important confidence boost during the Siege of Boston (April 1775-March 1776). Although commonly referred to as the Battle of Bunker Hill, most of the fighting occurred on nearby Breed’s Hill. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/on-june-17-1775-early-in-the-revolutionary-war-1775-83-the-british-defeated-the-americans-at-the-battle-of-bunker-hill-in-massachusetts-despite-their-loss-the-inexperienced-colonial-forces-inflicted-significant-casualties-against-the-enemy-and-the-battle-provided-them-with-an-important-confidence-boost-during-the-siege-of-boston-april-1775-march-1776-although-commonly-referred-to-as-the-battle-of-bunker-hill-most-of-the-fighting-occurred-on-nearby-breeds-hill-image438641373.htmlRF2GDHRF9–On June 17, 1775, early in the Revolutionary War (1775-83), the British defeated the Americans at the Battle of Bunker Hill in Massachusetts. Despite their loss, the inexperienced colonial forces inflicted significant casualties against the enemy, and the battle provided them with an important confidence boost during the Siege of Boston (April 1775-March 1776). Although commonly referred to as the Battle of Bunker Hill, most of the fighting occurred on nearby Breed’s Hill.
. Тропинин Василий Андреевич Портрет Василия Марковича Яковлева 1830-е Холст, масло 83,3 x 65,9 Яковлев Василий Маркович - сибирский купец. Знакомый художника, у которого В.А.Тропинин крестил детей. В 1844 им написан портрет сына В.М.Яковлева - Алексея ГТГ . 1830s. Vasily Tropinin (1776–1857) Alternative names English: Vasily Andreyevich Tropinin Русский: Тропинин, Василий Андреевич Description Russian painter Date of birth/death 30 March 1776 16 May 1857 Location of birth/death Korpovo village, Novgorod Guberniya Moscow Work location Moscow, Saint Petersburg Authority control : Q Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1830-833-x-659-1844-1830s-vasily-tropinin-17761857-alternative-names-english-vasily-andreyevich-tropinin-description-russian-painter-date-of-birthdeath-30-march-1776-16-may-1857-location-of-birthdeath-korpovo-village-novgorod-guberniya-moscow-work-location-moscow-saint-petersburg-authority-control-q-image185607574.htmlRMMNY49X–. Тропинин Василий Андреевич Портрет Василия Марковича Яковлева 1830-е Холст, масло 83,3 x 65,9 Яковлев Василий Маркович - сибирский купец. Знакомый художника, у которого В.А.Тропинин крестил детей. В 1844 им написан портрет сына В.М.Яковлева - Алексея ГТГ . 1830s. Vasily Tropinin (1776–1857) Alternative names English: Vasily Andreyevich Tropinin Русский: Тропинин, Василий Андреевич Description Russian painter Date of birth/death 30 March 1776 16 May 1857 Location of birth/death Korpovo village, Novgorod Guberniya Moscow Work location Moscow, Saint Petersburg Authority control : Q
Plan of Battle of Bunker Hill. On June 17, 1775, early in the Revolutionary War (1775-83), the British defeated the Americans at the Battle of Bunker Hill in Massachusetts. Despite their loss, the inexperienced colonial forces inflicted significant casualties against the enemy, and the battle provided them with an important confidence boost during the Siege of Boston (April 1775-March 1776). Although commonly referred to as the Battle of Bunker Hill, most of the fighting occurred on nearby Breed’s Hill. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plan-of-battle-of-bunker-hill-on-june-17-1775-early-in-the-revolutionary-war-1775-83-the-british-defeated-the-americans-at-the-battle-of-bunker-hill-in-massachusetts-despite-their-loss-the-inexperienced-colonial-forces-inflicted-significant-casualties-against-the-enemy-and-the-battle-provided-them-with-an-important-confidence-boost-during-the-siege-of-boston-april-1775-march-1776-although-commonly-referred-to-as-the-battle-of-bunker-hill-most-of-the-fighting-occurred-on-nearby-breeds-hill-image383196047.htmlRF2D7C2D3–Plan of Battle of Bunker Hill. On June 17, 1775, early in the Revolutionary War (1775-83), the British defeated the Americans at the Battle of Bunker Hill in Massachusetts. Despite their loss, the inexperienced colonial forces inflicted significant casualties against the enemy, and the battle provided them with an important confidence boost during the Siege of Boston (April 1775-March 1776). Although commonly referred to as the Battle of Bunker Hill, most of the fighting occurred on nearby Breed’s Hill.
The regimental records of the British Army . KovAL Arms uf Scutiand TiIE Thistlk. The SiiUNX. TITLES. 1660-1713. The Scots Regiment of (iuards.1713-1831. The 3rd Foot Guards.1831-77. Jhe Scots Fusiher Guards.1877 (from). The Scots Guards. PRINCIPAL CAMPAIGNS, BATTLES, &c. * Honours on the Colours. 1689- 95. Flanders. 1689. alcourt. 1690. Bovne. 1693. Neer Landen 1695. Namur. 1709- -13. Spain. I7I0. Saragossa. 1742- -48. Flanders. 1743- Dettingen. 1745- Fontenov. 1747- Val. 1758. Cherbourg. I7.S9- 62. Germany. 1761. Denkern. 1762. Wilhelmstahl. 1776- -83. America. 1776. Brooklyn. 1777. Brandy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-regimental-records-of-the-british-army-koval-arms-uf-scutiand-tiie-thistlk-the-siiunx-titles-1660-1713-the-scots-regiment-of-iuards1713-1831-the-3rd-foot-guards1831-77-jhe-scots-fusiher-guards1877-from-the-scots-guards-principal-campaigns-battles-c-honours-on-the-colours-1689-95-flanders-1689-alcourt-1690-bovne-1693-neer-landen-1695-namur-1709-13-spain-i7i0-saragossa-1742-48-flanders-1743-dettingen-1745-fontenov-1747-val-1758-cherbourg-i7s9-62-germany-1761-denkern-1762-wilhelmstahl-1776-83-america-1776-brooklyn-1777-brandy-image338503401.htmlRM2AJM4F5–The regimental records of the British Army . KovAL Arms uf Scutiand TiIE Thistlk. The SiiUNX. TITLES. 1660-1713. The Scots Regiment of (iuards.1713-1831. The 3rd Foot Guards.1831-77. Jhe Scots Fusiher Guards.1877 (from). The Scots Guards. PRINCIPAL CAMPAIGNS, BATTLES, &c. * Honours on the Colours. 1689- 95. Flanders. 1689. alcourt. 1690. Bovne. 1693. Neer Landen 1695. Namur. 1709- -13. Spain. I7I0. Saragossa. 1742- -48. Flanders. 1743- Dettingen. 1745- Fontenov. 1747- Val. 1758. Cherbourg. I7.S9- 62. Germany. 1761. Denkern. 1762. Wilhelmstahl. 1776- -83. America. 1776. Brooklyn. 1777. Brandy
A bush. Sketches and coloured drawings made by J. Webber, during Captain Cook's third voyage, in 1776-1780 ... 1776-1780. Source: Add. 17277, no.83. Author: WEBBER, JOHN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bush-sketches-and-coloured-drawings-made-by-j-webber-during-captain-cooks-third-voyage-in-1776-1780-1776-1780-source-add-17277-no83-author-webber-john-image227127113.htmlRMR5EEXH–A bush. Sketches and coloured drawings made by J. Webber, during Captain Cook's third voyage, in 1776-1780 ... 1776-1780. Source: Add. 17277, no.83. Author: WEBBER, JOHN.
January 18, 2020: Miami Hurricanes guard Dejan Vasiljevic (1) drives to the basket against the Florida State Seminoles during an NCAA men's basketball game at the Watsco Center in Coral Gables, Florida. Florida State won 83-79 in overtime. Mario Houben/CSM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/january-18-2020-miami-hurricanes-guard-dejan-vasiljevic-1-drives-to-the-basket-against-the-florida-state-seminoles-during-an-ncaa-mens-basketball-game-at-the-watsco-center-in-coral-gables-florida-florida-state-won-83-79-in-overtime-mario-houbencsm-image340411512.htmlRM2ANR2A0–January 18, 2020: Miami Hurricanes guard Dejan Vasiljevic (1) drives to the basket against the Florida State Seminoles during an NCAA men's basketball game at the Watsco Center in Coral Gables, Florida. Florida State won 83-79 in overtime. Mario Houben/CSM
After Alexander Roslin, Princess Natalia Alexiewna (Vilhelmina), Natalia Alexievna Vilhelmina, 1755-1776, Princess of Hessen-Darmstadt, Grandfather, painting, portrait, Natalia Alexeievna of Russia, Oil on canvas, Height, 83, cm (32.6 inches), Width, 67 cm (26.3 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-alexander-roslin-princess-natalia-alexiewna-vilhelmina-natalia-alexievna-vilhelmina-1755-1776-princess-of-hessen-darmstadt-grandfather-painting-portrait-natalia-alexeievna-of-russia-oil-on-canvas-height-83-cm-326-inches-width-67-cm-263-inches-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349931994.htmlRF2B98NR6–After Alexander Roslin, Princess Natalia Alexiewna (Vilhelmina), Natalia Alexievna Vilhelmina, 1755-1776, Princess of Hessen-Darmstadt, Grandfather, painting, portrait, Natalia Alexeievna of Russia, Oil on canvas, Height, 83, cm (32.6 inches), Width, 67 cm (26.3 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
George Washington, 1776–83, Made in England, Glass paste, H. 3/4 in. (1.9 cm), Glass Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-george-washington-177683-made-in-england-glass-paste-h-34-in-19-cm-162353884.htmlRMKC3T10–George Washington, 1776–83, Made in England, Glass paste, H. 3/4 in. (1.9 cm), Glass
Philadelphia, Pennsylvania, USA. 22nd Dec, 2016. Temple Owls forward MARK WILLIAMS (10) shoots over Yale Bulldogs forward JORDAN BRUNER (23) during the basketball game being played at the Liacouras Center in Philadelphia. Temple beat Yale 83-77. © Ken Inness/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-philadelphia-pennsylvania-usa-22nd-dec-2016-temple-owls-forward-mark-129510646.htmlRMHEKM46–Philadelphia, Pennsylvania, USA. 22nd Dec, 2016. Temple Owls forward MARK WILLIAMS (10) shoots over Yale Bulldogs forward JORDAN BRUNER (23) during the basketball game being played at the Liacouras Center in Philadelphia. Temple beat Yale 83-77. © Ken Inness/ZUMA Wire/Alamy Live News
George Washington, 1776–83, Porcelain, 4 1/4 x 3 1/8 in. (10.8 x 7.9 cm), Ceramics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-george-washington-177683-porcelain-4-14-x-3-18-in-108-x-79-cm-ceramics-162428001.htmlRMKC76G1–George Washington, 1776–83, Porcelain, 4 1/4 x 3 1/8 in. (10.8 x 7.9 cm), Ceramics
The west front of Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-west-front-of-basildon-park-built-1776-83-by-john-carr-for-francis-94449379.htmlRMFDJF43–The west front of Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
Scarf Pin, 1776–83, Probably made in United States, American, Onyx, gold, Without pin: H. 1/2 in. (1.3 cm), Natural Substances Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-scarf-pin-177683-probably-made-in-united-states-american-onyx-gold-162353887.htmlRMKC3T13–Scarf Pin, 1776–83, Probably made in United States, American, Onyx, gold, Without pin: H. 1/2 in. (1.3 cm), Natural Substances
Plaque. Dimensions: Diam. 6 1/4 in. (15.9 cm). Date: 1776-83. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-dimensions-diam-6-14-in-159-cm-date-1776-83-museum-metropolitan-museum-of-art-new-york-usa-image213394703.htmlRMPB4Y3B–Plaque. Dimensions: Diam. 6 1/4 in. (15.9 cm). Date: 1776-83. Museum: Metropolitan Museum of Art, New York, USA.
Medal, 1776–83, Probably made in France, Bronze, Diam. 4 1/4 in. (10.8 cm), Metal, Possibly after Jean Martin Renaud (French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-medal-177683-probably-made-in-france-bronze-diam-4-14-in-108-cm-metal-162562237.htmlRMKCD9P5–Medal, 1776–83, Probably made in France, Bronze, Diam. 4 1/4 in. (10.8 cm), Metal, Possibly after Jean Martin Renaud (French
Archive image from page 83 of Description de l'Égypte, ou, Recueil. Description de l'Égypte, ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'éxpédition de l'armée française Descriptiondelq1Fran Year: 1809 T'v'.v.'A' 1 . TR ETROIHXKT HERISSE. TETRO.JDON WISJPXDUS V Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-83-of-description-de-legypte-ou-recueil-description-de-legypte-ou-recueil-des-observations-et-des-recherches-qui-ont-ete-faites-en-egypte-pendant-lexpedition-de-larmee-francaise-descriptiondelq1fran-year-1809-tvva-1-tr-etroihxkt-herisse-tetrojdon-wisjpxdus-v-image258654294.htmlRMW0PM5A–Archive image from page 83 of Description de l'Égypte, ou, Recueil. Description de l'Égypte, ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'éxpédition de l'armée française Descriptiondelq1Fran Year: 1809 T'v'.v.'A' 1 . TR ETROIHXKT HERISSE. TETRO.JDON WISJPXDUS V
The Garden of the Villa Borghese, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1776, Watercolor and oil paint on moderately thick, moderately textured, cream laid paper, Sheet: 11 x 16 inches (27.9 x 40.6 cm), cityscape, garden, Grand Tour, landscape, Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-garden-of-the-villa-borghese-thomas-jones-17421803-british-active-in-italy-177683-ca-1776-watercolor-and-oil-paint-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-11-x-16-inches-279-x-406-cm-cityscape-garden-grand-tour-landscape-rome-image389623191.htmlRM2DHTT9Y–The Garden of the Villa Borghese, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1776, Watercolor and oil paint on moderately thick, moderately textured, cream laid paper, Sheet: 11 x 16 inches (27.9 x 40.6 cm), cityscape, garden, Grand Tour, landscape, Rome
George Washington 1776–83. George Washington 3942 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-washington-177683-george-washington-3942-image458626818.htmlRM2HJ4756–George Washington 1776–83. George Washington 3942
Villa Medici, Rome, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1776, Oil over graphite on moderately thick, rough, blue wove paper, Sheet: 13 x 21 1/8 inches (33 x 53.7 cm), architectural subject, architecture, buildings, cityscape, landscape, Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/villa-medici-rome-thomas-jones-17421803-british-active-in-italy-177683-ca-1776-oil-over-graphite-on-moderately-thick-rough-blue-wove-paper-sheet-13-x-21-18-inches-33-x-537-cm-architectural-subject-architecture-buildings-cityscape-landscape-rome-image389603334.htmlRM2DHRY0P–Villa Medici, Rome, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1776, Oil over graphite on moderately thick, rough, blue wove paper, Sheet: 13 x 21 1/8 inches (33 x 53.7 cm), architectural subject, architecture, buildings, cityscape, landscape, Rome
An Imaginary Coast Scene, with the Temple of Venus at Baiae, Thomas Jones, 1742–1803, British, active in Italy (1776–83), 1773, Oil on canvas, Support (PTG): 19 x 24 inches (48.3 x 61 cm), bathers, bay (body of water), boat, horse (animal), landscape, plough, sail, Baiae, Campania, Italy, Napoli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-imaginary-coast-scene-with-the-temple-of-venus-at-baiae-thomas-jones-17421803-british-active-in-italy-177683-1773-oil-on-canvas-support-ptg-19-x-24-inches-483-x-61-cm-bathers-bay-body-of-water-boat-horse-animal-landscape-plough-sail-baiae-campania-italy-napoli-image389860807.htmlRM2DJ7KC7–An Imaginary Coast Scene, with the Temple of Venus at Baiae, Thomas Jones, 1742–1803, British, active in Italy (1776–83), 1773, Oil on canvas, Support (PTG): 19 x 24 inches (48.3 x 61 cm), bathers, bay (body of water), boat, horse (animal), landscape, plough, sail, Baiae, Campania, Italy, Napoli
. English: Pieter Valckx, Medallion of St. Norbert in St. Rumbold's Cathedral, Mechelen, marble, 1776 . 1942. C.G.L.W. 83 Pieter Valckx - High relief in St. Rumoldus Church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-pieter-valckx-medallion-of-st-norbert-in-st-rumbolds-cathedral-mechelen-marble-1776-1942-cglw-83-pieter-valckx-high-relief-in-st-rumoldus-church-image206539410.htmlRMP00K3E–. English: Pieter Valckx, Medallion of St. Norbert in St. Rumbold's Cathedral, Mechelen, marble, 1776 . 1942. C.G.L.W. 83 Pieter Valckx - High relief in St. Rumoldus Church
Study of Rocks, near Pencerrig, Wales, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1796, Watercolor on medium, moderately textured, cream laid paper, Sheet: 6 1/4 x 8 inches (15.9 x 20.3 cm), landscape, rocks (landforms), slope, trees, Europe, United Kingdom, Wales Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-of-rocks-near-pencerrig-wales-thomas-jones-17421803-british-active-in-italy-177683-ca-1796-watercolor-on-medium-moderately-textured-cream-laid-paper-sheet-6-14-x-8-inches-159-x-203-cm-landscape-rocks-landforms-slope-trees-europe-united-kingdom-wales-image389603333.htmlRM2DHRY0N–Study of Rocks, near Pencerrig, Wales, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1796, Watercolor on medium, moderately textured, cream laid paper, Sheet: 6 1/4 x 8 inches (15.9 x 20.3 cm), landscape, rocks (landforms), slope, trees, Europe, United Kingdom, Wales
The Robinsons and their kin folk . Unfortunately he wastaken down with the small pox in the month of October of thesame year which culminated in his death on the 27th of themonth. He was buried in Eondon. While the decree of the King acted as a temporary stayupon the Governor of New York, it was not until the breaking ROBINSONS—EARLY EMIGRANTS TO AMERICA. 83 out of the Revolutionary war, when the lesser trouble was lostin the greater struggle for independence, that New York, for atime, ceased to claim further jurisdiction over this territory. In 1776 Vermont petitioned the Provincial Congress, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-robinsons-and-their-kin-folk-unfortunately-he-wastaken-down-with-the-small-pox-in-the-month-of-october-of-thesame-year-which-culminated-in-his-death-on-the-27th-of-themonth-he-was-buried-in-eondon-while-the-decree-of-the-king-acted-as-a-temporary-stayupon-the-governor-of-new-york-it-was-not-until-the-breaking-robinsonsearly-emigrants-to-america-83-out-of-the-revolutionary-war-when-the-lesser-trouble-was-lostin-the-greater-struggle-for-independence-that-new-york-for-atime-ceased-to-claim-further-jurisdiction-over-this-territory-in-1776-vermont-petitioned-the-provincial-congress-image338192185.htmlRM2AJ5YG9–The Robinsons and their kin folk . Unfortunately he wastaken down with the small pox in the month of October of thesame year which culminated in his death on the 27th of themonth. He was buried in Eondon. While the decree of the King acted as a temporary stayupon the Governor of New York, it was not until the breaking ROBINSONS—EARLY EMIGRANTS TO AMERICA. 83 out of the Revolutionary war, when the lesser trouble was lostin the greater struggle for independence, that New York, for atime, ceased to claim further jurisdiction over this territory. In 1776 Vermont petitioned the Provincial Congress,
A view of Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-view-of-basildon-park-built-1776-83-by-john-carr-for-francis-sykes-94449396.htmlRMFDJF4M–A view of Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
Scarf Pin. Culture: American. Dimensions: Without pin: H. 1/2 in. (1.3 cm). Date: 1776-83. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scarf-pin-culture-american-dimensions-without-pin-h-12-in-13-cm-date-1776-83-museum-metropolitan-museum-of-art-new-york-usa-image212878934.htmlRMPA9D72–Scarf Pin. Culture: American. Dimensions: Without pin: H. 1/2 in. (1.3 cm). Date: 1776-83. Museum: Metropolitan Museum of Art, New York, USA.
Archive image from page 83 of Description de l'Égypte, ou, Recueil. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française Descriptiondelq1Fran Year: 1809 II.s! . Zoologue . poisson; o Pl. i .- ; JRI 1 â ' ' m i.i;. mmiilili, iiiillliiiinnlHH'TOl...' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-83-of-description-de-legypte-ou-recueil-description-de-legypte-ou-recueil-des-observations-et-des-recherches-qui-ont-ete-faites-en-egypte-pendant-lexpedition-de-larmee-francaise-descriptiondelq1fran-year-1809-iis!-zoologue-poisson-o-pl-i-jri-1-m-ii-mmiilili-iiiillliiiinnlhhtol-image258654287.htmlRMW0PM53–Archive image from page 83 of Description de l'Égypte, ou, Recueil. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française Descriptiondelq1Fran Year: 1809 II.s! . Zoologue . poisson; o Pl. i .- ; JRI 1 â ' ' m i.i;. mmiilili, iiiillliiiinnlHH'TOl...'
Scarf Pin 1776–83 American. Scarf Pin 7326 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scarf-pin-177683-american-scarf-pin-7326-image458167316.htmlRM2HHB92C–Scarf Pin 1776–83 American. Scarf Pin 7326
Plaque 1776–83. Plaque. 1776–83. Silvered iron Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-177683-plaque-177683-silvered-iron-image457828008.htmlRM2HGRT88–Plaque 1776–83. Plaque. 1776–83. Silvered iron
George Washington 1776–83. George Washington. 1776–83. Porcelain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-washington-177683-george-washington-177683-porcelain-image458095267.htmlRM2HH8157–George Washington 1776–83. George Washington. 1776–83. Porcelain
Lake Albano, Thomas Jones, 1742–1803, British, active in Italy (1776–83), 1777, Oil on canvas, Support (PTG): 47 1/8 x 65 1/4 inches (119.7 x 165.7 cm), Grand Tour, horses (animals), Italian, lake, landscape, people, sky, sunset, Albano, Lago, Castel Gandolfo, Italy, Lazio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lake-albano-thomas-jones-17421803-british-active-in-italy-177683-1777-oil-on-canvas-support-ptg-47-18-x-65-14-inches-1197-x-1657-cm-grand-tour-horses-animals-italian-lake-landscape-people-sky-sunset-albano-lago-castel-gandolfo-italy-lazio-image389618405.htmlRM2DHTJ71–Lake Albano, Thomas Jones, 1742–1803, British, active in Italy (1776–83), 1777, Oil on canvas, Support (PTG): 47 1/8 x 65 1/4 inches (119.7 x 165.7 cm), Grand Tour, horses (animals), Italian, lake, landscape, people, sky, sunset, Albano, Lago, Castel Gandolfo, Italy, Lazio
Medal 1776–83 Possibly after Jean Martin Renaud French. Medal. 1776–83. Bronze. Probably made in France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medal-177683-possibly-after-jean-martin-renaud-french-medal-177683-bronze-probably-made-in-france-image457811616.htmlRM2HGR3AT–Medal 1776–83 Possibly after Jean Martin Renaud French. Medal. 1776–83. Bronze. Probably made in France
View of the Campi Flegrei from the Camaldolese Convent near Naples, Thomas Jones, 1742–1803, British, active in Italy (1776–83), 1783, Oil on canvas, Support (PTG): 50 x 71 1/2 inches (127 x 181.6 cm), convent, figures, hills, Italian, landscape, men, mountains, woods, Campania, Campi Flegrei, Italy, Naples, Napoli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-campi-flegrei-from-the-camaldolese-convent-near-naples-thomas-jones-17421803-british-active-in-italy-177683-1783-oil-on-canvas-support-ptg-50-x-71-12-inches-127-x-1816-cm-convent-figures-hills-italian-landscape-men-mountains-woods-campania-campi-flegrei-italy-naples-napoli-image389806568.htmlRM2DJ5674–View of the Campi Flegrei from the Camaldolese Convent near Naples, Thomas Jones, 1742–1803, British, active in Italy (1776–83), 1783, Oil on canvas, Support (PTG): 50 x 71 1/2 inches (127 x 181.6 cm), convent, figures, hills, Italian, landscape, men, mountains, woods, Campania, Campi Flegrei, Italy, Naples, Napoli
![Military ensemble 1776–83 American According to the donor, this ensemble was worn by Obedeak [sic] Herbert, a Continental Naval Admiral of the Revolutionary War. This form of jacket, the tail coat, persisted first, as men's everyday wear and, later, as formal attire throughout the 19th and 20th centuries. The epaulettes retain sense of delicacy and refinement as handmade objects. The silk on the underside is padded and sewn into a roll at the edge to enhance the shape of the tassels as they fall over the shoulders. The tape on the other end is meant to tie into corresponding studs on the shoul Stock Photo](https://c8.alamy.com/comp/2HHH2E5/military-ensemble-177683-american-according-to-the-donor-this-ensemble-was-worn-by-obedeak-sic-herbert-a-continental-naval-admiral-of-the-revolutionary-war-this-form-of-jacket-the-tail-coat-persisted-first-as-mens-everyday-wear-and-later-as-formal-attire-throughout-the-19th-and-20th-centuries-the-epaulettes-retain-sense-of-delicacy-and-refinement-as-handmade-objects-the-silk-on-the-underside-is-padded-and-sewn-into-a-roll-at-the-edge-to-enhance-the-shape-of-the-tassels-as-they-fall-over-the-shoulders-the-tape-on-the-other-end-is-meant-to-tie-into-corresponding-studs-on-the-shoul-2HHH2E5.jpg "Military ensemble 1776–83 American According to the donor, this ensemble was worn by Obedeak [sic] Herbert, a Continental Naval Admiral of the Revolutionary War. This form of jacket, the tail coat, persisted first, as men's everyday wear and, later, as formal attire throughout the 19th and 20th centuries. The epaulettes retain sense of delicacy and refinement as handmade objects. The silk on the underside is padded and sewn into a roll at the edge to enhance the shape of the tassels as they fall over the shoulders. The tape on the other end is meant to tie into corresponding studs on the shoul Stock Photo")
Military ensemble 1776–83 American According to the donor, this ensemble was worn by Obedeak [sic] Herbert, a Continental Naval Admiral of the Revolutionary War. This form of jacket, the tail coat, persisted first, as men's everyday wear and, later, as formal attire throughout the 19th and 20th centuries. The epaulettes retain sense of delicacy and refinement as handmade objects. The silk on the underside is padded and sewn into a roll at the edge to enhance the shape of the tassels as they fall over the shoulders. The tape on the other end is meant to tie into corresponding studs on the shoul Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/military-ensemble-177683-american-according-to-the-donor-this-ensemble-was-worn-by-obedeak-sic-herbert-a-continental-naval-admiral-of-the-revolutionary-war-this-form-of-jacket-the-tail-coat-persisted-first-as-mens-everyday-wear-and-later-as-formal-attire-throughout-the-19th-and-20th-centuries-the-epaulettes-retain-sense-of-delicacy-and-refinement-as-handmade-objects-the-silk-on-the-underside-is-padded-and-sewn-into-a-roll-at-the-edge-to-enhance-the-shape-of-the-tassels-as-they-fall-over-the-shoulders-the-tape-on-the-other-end-is-meant-to-tie-into-corresponding-studs-on-the-shoul-image458293869.htmlRM2HHH2E5–Military ensemble 1776–83 American According to the donor, this ensemble was worn by Obedeak [sic] Herbert, a Continental Naval Admiral of the Revolutionary War. This form of jacket, the tail coat, persisted first, as men's everyday wear and, later, as formal attire throughout the 19th and 20th centuries. The epaulettes retain sense of delicacy and refinement as handmade objects. The silk on the underside is padded and sewn into a roll at the edge to enhance the shape of the tassels as they fall over the shoulders. The tape on the other end is meant to tie into corresponding studs on the shoul
N/A. Nederlands: Beschrijving Joan Melchior Kemper (20-04-1776 / 20-07-1824) Hoogleraar in de recht, betrokken bij de bevrijding van 1813, staatsraad in buitengewone dienst. Afmetingen: 136 x 83 mm. Documenttype prent Vervaardiger Caspari, Hendrik Willem (1770-1829) Marcus, Jacob Ernst (1774-1826) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1814 Inventarissen http://archief.amsterdam/archief/10097/010097008733 Afbeeldingsbestand 010097008733 . 1814. Caspari, Hendrik Willem (1770-1829) 280 Caspari, Hendrik Willem (1770-1829), Afb 010097008733 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-nederlands-beschrijving-joan-melchior-kemper-20-04-1776-20-07-1824-hoogleraar-in-de-recht-betrokken-bij-de-bevrijding-van-1813-staatsraad-in-buitengewone-dienst-afmetingen-136-x-83-mm-documenttype-prent-vervaardiger-caspari-hendrik-willem-1770-1829-marcus-jacob-ernst-1774-1826-collectie-collectie-stadsarchief-amsterdam-tekeningen-en-prenten-datering-1814-inventarissen-httparchiefamsterdamarchief10097010097008733-afbeeldingsbestand-010097008733-1814-caspari-hendrik-willem-1770-1829-280-caspari-hendrik-willem-1770-1829-afb-010097008733-image210121958.htmlRMP5RTKJ–N/A. Nederlands: Beschrijving Joan Melchior Kemper (20-04-1776 / 20-07-1824) Hoogleraar in de recht, betrokken bij de bevrijding van 1813, staatsraad in buitengewone dienst. Afmetingen: 136 x 83 mm. Documenttype prent Vervaardiger Caspari, Hendrik Willem (1770-1829) Marcus, Jacob Ernst (1774-1826) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1814 Inventarissen http://archief.amsterdam/archief/10097/010097008733 Afbeeldingsbestand 010097008733 . 1814. Caspari, Hendrik Willem (1770-1829) 280 Caspari, Hendrik Willem (1770-1829), Afb 010097008733
![Strensham, the antient Seat of the Russells. Author Watts, William 43.83. Place of publication: [London] Publisher: Jan.y 1., Date of publication: 1776. Item type: 1 print Medium: etching Dimensions: sheet 15.5 x 20.4 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9EMPC/strensham-the-antient-seat-of-the-russells-author-watts-william-4383-place-of-publication-london-publisher-jany-1-date-of-publication-1776-item-type-1-print-medium-etching-dimensions-sheet-155-x-204-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9EMPC.jpg "Strensham, the antient Seat of the Russells. Author Watts, William 43.83. Place of publication: [London] Publisher: Jan.y 1., Date of publication: 1776. Item type: 1 print Medium: etching Dimensions: sheet 15.5 x 20.4 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Strensham, the antient Seat of the Russells. Author Watts, William 43.83. Place of publication: [London] Publisher: Jan.y 1., Date of publication: 1776. Item type: 1 print Medium: etching Dimensions: sheet 15.5 x 20.4 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/strensham-the-antient-seat-of-the-russells-author-watts-william-4383-place-of-publication-london-publisher-jany-1-date-of-publication-1776-item-type-1-print-medium-etching-dimensions-sheet-155-x-204-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401694004.htmlRM2E9EMPC–Strensham, the antient Seat of the Russells. Author Watts, William 43.83. Place of publication: [London] Publisher: Jan.y 1., Date of publication: 1776. Item type: 1 print Medium: etching Dimensions: sheet 15.5 x 20.4 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
Valley Forge, a chronicle of American heroism . A Private of theLife Guard. Washingtons Headquarters—His Office CHAPTER VTHE COMMANDER-IN-CHIEFS LIFE GUARD See Notes upon pages 75, 76, and 83. Captain Caleb Gibbs was promoted Major and Henry Philip Livingston becameCaptain of the Life Guard in December, 1777. Captain Gibbs acted as disbursing officer for General Washingtons militaryhousehold, holding this relation to the General from June, 1776, to the end of1780, as shown by the Generals accounts. The Commander-in-Chiefs Guard was formed, originally, under an order byWashington dated at Cambr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/valley-forge-a-chronicle-of-american-heroism-a-private-of-thelife-guard-washingtons-headquartershis-office-chapter-vthe-commander-in-chiefs-life-guard-see-notes-upon-pages-75-76-and-83-captain-caleb-gibbs-was-promoted-major-and-henry-philip-livingston-becamecaptain-of-the-life-guard-in-december-1777-captain-gibbs-acted-as-disbursing-officer-for-general-washingtons-militaryhousehold-holding-this-relation-to-the-general-from-june-1776-to-the-end-of1780-as-shown-by-the-generals-accounts-the-commander-in-chiefs-guard-was-formed-originally-under-an-order-bywashington-dated-at-cambr-image339470292.htmlRM2AM85R0–Valley Forge, a chronicle of American heroism . A Private of theLife Guard. Washingtons Headquarters—His Office CHAPTER VTHE COMMANDER-IN-CHIEFS LIFE GUARD See Notes upon pages 75, 76, and 83. Captain Caleb Gibbs was promoted Major and Henry Philip Livingston becameCaptain of the Life Guard in December, 1777. Captain Gibbs acted as disbursing officer for General Washingtons militaryhousehold, holding this relation to the General from June, 1776, to the end of1780, as shown by the Generals accounts. The Commander-in-Chiefs Guard was formed, originally, under an order byWashington dated at Cambr
The west front of Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-west-front-of-basildon-park-built-1776-83-by-john-carr-for-francis-94449378.htmlRMFDJF42–The west front of Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
George Washington. Dimensions: 4 1/4 x 3 1/8 in. (10.8 x 7.9 cm). Date: 1776-83. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-washington-dimensions-4-14-x-3-18-in-108-x-79-cm-date-1776-83-museum-metropolitan-museum-of-art-new-york-usa-image213247253.htmlRMPAX719–George Washington. Dimensions: 4 1/4 x 3 1/8 in. (10.8 x 7.9 cm). Date: 1776-83. Museum: Metropolitan Museum of Art, New York, USA.
Archive image from page 632 of Description de l'Égypte, ou, Recueil. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française DescriptiondelEIIFran Year: 1809 6l8 DESCRIPTION ABRÃGÃE DE LA VILLE DU KAIRE. 62 3 64 65 66 67 6S 69 70 71 72 71 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 9° 91 92 93 94( 95 96 97 98 99 Sekket el-Khorounfech. Okâlt A'bdouh. Okâlt Yânsoun. El-Khorounfech, Matbakh Araqy. Okâlt Sebahyeh. A'tfet el-Mokhouraq. A'tfet qâdy el-Bohâr. Sekket el-Cha'râouy. Gâma el- Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-632-of-description-de-legypte-ou-recueil-description-de-legypte-ou-recueil-des-observations-et-des-recherches-qui-ont-ete-faites-en-egypte-pendant-lexpedition-de-larmee-francaise-descriptiondeleiifran-year-1809-6l8-description-abrge-de-la-ville-du-kaire-62-3-64-65-66-67-6s-69-70-71-72-71-74-75-76-77-78-79-80-81-82-83-84-85-86-87-88-89-9-91-92-93-94-95-96-97-98-99-sekket-el-khorounfech-oklt-abdouh-oklt-ynsoun-el-khorounfech-matbakh-araqy-oklt-sebahyeh-atfet-el-mokhouraq-atfet-qdy-el-bohr-sekket-el-charouy-gma-el-image258689753.htmlRMW0T9BN–Archive image from page 632 of Description de l'Égypte, ou, Recueil. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française DescriptiondelEIIFran Year: 1809 6l8 DESCRIPTION ABRÃGÃE DE LA VILLE DU KAIRE. 62 3 64 65 66 67 6S 69 70 71 72 71 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 9° 91 92 93 94( 95 96 97 98 99 Sekket el-Khorounfech. Okâlt A'bdouh. Okâlt Yânsoun. El-Khorounfech, Matbakh Araqy. Okâlt Sebahyeh. A'tfet el-Mokhouraq. A'tfet qâdy el-Bohâr. Sekket el-Cha'râouy. Gâma el-
The Death of Orpheus, Landscape by Thomas Jones, 1742–1803, British, active in Italy (1776–83), figures by John Hamilton Mortimer, 1740–1779, British, ca. 1770, Oil on canvas, Support (PTG): 37 1/2 x 51 inches (95.3 x 129.5 cm), attack, death, forest, landscape, man, religious and mythological subject, water, women Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-death-of-orpheus-landscape-by-thomas-jones-17421803-british-active-in-italy-177683-figures-by-john-hamilton-mortimer-17401779-british-ca-1770-oil-on-canvas-support-ptg-37-12-x-51-inches-953-x-1295-cm-attack-death-forest-landscape-man-religious-and-mythological-subject-water-women-image389874338.htmlRM2DJ88KE–The Death of Orpheus, Landscape by Thomas Jones, 1742–1803, British, active in Italy (1776–83), figures by John Hamilton Mortimer, 1740–1779, British, ca. 1770, Oil on canvas, Support (PTG): 37 1/2 x 51 inches (95.3 x 129.5 cm), attack, death, forest, landscape, man, religious and mythological subject, water, women
![Netley Abbey. Author Godfrey, Richard Bernard 14.83.c. Place of publication: [London] Publisher: Publish'd June 1.st 1776, by F. Blyth No. 87 Cornhill., Date of publication: [1776] Item type: 1 print Medium: etching Dimensions: sheet 18.0 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H2A9/netley-abbey-author-godfrey-richard-bernard-1483c-place-of-publication-london-publisher-publishd-june-1st-1776-by-f-blyth-no-87-cornhill-date-of-publication-1776-item-type-1-print-medium-etching-dimensions-sheet-180-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H2A9.jpg "Netley Abbey. Author Godfrey, Richard Bernard 14.83.c. Place of publication: [London] Publisher: Publish'd June 1.st 1776, by F. Blyth No. 87 Cornhill., Date of publication: [1776] Item type: 1 print Medium: etching Dimensions: sheet 18.0 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Netley Abbey. Author Godfrey, Richard Bernard 14.83.c. Place of publication: [London] Publisher: Publish'd June 1.st 1776, by F. Blyth No. 87 Cornhill., Date of publication: [1776] Item type: 1 print Medium: etching Dimensions: sheet 18.0 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/netley-abbey-author-godfrey-richard-bernard-1483c-place-of-publication-london-publisher-publishd-june-1st-1776-by-f-blyth-no-87-cornhill-date-of-publication-1776-item-type-1-print-medium-etching-dimensions-sheet-180-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401745409.htmlRM2E9H2A9–Netley Abbey. Author Godfrey, Richard Bernard 14.83.c. Place of publication: [London] Publisher: Publish'd June 1.st 1776, by F. Blyth No. 87 Cornhill., Date of publication: [1776] Item type: 1 print Medium: etching Dimensions: sheet 18.0 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820
Valley Forge, a chronicle of American heroism . GUARD See Notes upon pages 75, 76, and 83. Captain Caleb Gibbs was promoted Major and Henry Philip Livingston becameCaptain of the Life Guard in December, 1777. Captain Gibbs acted as disbursing officer for General Washingtons militaryhousehold, holding this relation to the General from June, 1776, to the end of1780, as shown by the Generals accounts. The Commander-in-Chiefs Guard was formed, originally, under an order byWashington dated at Cambridge,March 11, 1776. For this purpose /Afour men carefully selected from , , ^^,each regiment were det Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/valley-forge-a-chronicle-of-american-heroism-guard-see-notes-upon-pages-75-76-and-83-captain-caleb-gibbs-was-promoted-major-and-henry-philip-livingston-becamecaptain-of-the-life-guard-in-december-1777-captain-gibbs-acted-as-disbursing-officer-for-general-washingtons-militaryhousehold-holding-this-relation-to-the-general-from-june-1776-to-the-end-of1780-as-shown-by-the-generals-accounts-the-commander-in-chiefs-guard-was-formed-originally-under-an-order-bywashington-dated-at-cambridgemarch-11-1776-for-this-purpose-afour-men-carefully-selected-from-each-regiment-were-det-image339470026.htmlRM2AM85DE–Valley Forge, a chronicle of American heroism . GUARD See Notes upon pages 75, 76, and 83. Captain Caleb Gibbs was promoted Major and Henry Philip Livingston becameCaptain of the Life Guard in December, 1777. Captain Gibbs acted as disbursing officer for General Washingtons militaryhousehold, holding this relation to the General from June, 1776, to the end of1780, as shown by the Generals accounts. The Commander-in-Chiefs Guard was formed, originally, under an order byWashington dated at Cambridge,March 11, 1776. For this purpose /Afour men carefully selected from , , ^^,each regiment were det
Dish (one of a pair) 1744–83 Possibly Bow Porcelain Factory. Dish (one of a pair). British, possibly Bow, London. 1744–83. Soft-paste porcelain. Possibly Bow Porcelain Factory (British, 1747–1776). Ceramics-Porcelain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dish-one-of-a-pair-174483-possibly-bow-porcelain-factory-dish-one-of-a-pair-british-possibly-bow-london-174483-soft-paste-porcelain-possibly-bow-porcelain-factory-british-17471776-ceramics-porcelain-image457925146.htmlRM2HH085E–Dish (one of a pair) 1744–83 Possibly Bow Porcelain Factory. Dish (one of a pair). British, possibly Bow, London. 1744–83. Soft-paste porcelain. Possibly Bow Porcelain Factory (British, 1747–1776). Ceramics-Porcelain
The west front of Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-west-front-of-basildon-park-built-1776-83-by-john-carr-for-francis-94449374.htmlRMFDJF3X–The west front of Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
Thomas Jones, 1742–1803, British, active in Italy (1776–83), The Garden of the Villa Borghese, ca. 1776. Watercolor and oil paint on moderately thick, moderately textured, cream laid paper. cityscape , garden , Grand Tour , landscape. Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-jones-17421803-british-active-in-italy-177683-the-garden-of-the-villa-borghese-ca-1776-watercolor-and-oil-paint-on-moderately-thick-moderately-textured-cream-laid-paper-cityscape-garden-grand-tour-landscape-rome-image398340682.htmlRM2E41YGX–Thomas Jones, 1742–1803, British, active in Italy (1776–83), The Garden of the Villa Borghese, ca. 1776. Watercolor and oil paint on moderately thick, moderately textured, cream laid paper. cityscape , garden , Grand Tour , landscape. Rome
![Military ensemble. Culture: American. Date: 1776-83. According to the donor, this ensemble was worn by Obedeak [sic] Herbert, a Continental Naval Admiral of the Revolutionary War. This form of jacket, the tail coat, persisted first, as men's everyday wear and, later, as formal attire throughout the 19th and 20th centuries. The epaulettes retain sense of delicacy and refinement as handmade objects. The silk on the underside is padded and sewn into a roll at the edge to enhance the shape of the tassels as they fall over the shoulders. The tape on the other end is meant to tie into corresponding Stock Photo](https://c8.alamy.com/comp/PB1T97/military-ensemble-culture-american-date-1776-83-according-to-the-donor-this-ensemble-was-worn-by-obedeak-sic-herbert-a-continental-naval-admiral-of-the-revolutionary-war-this-form-of-jacket-the-tail-coat-persisted-first-as-mens-everyday-wear-and-later-as-formal-attire-throughout-the-19th-and-20th-centuries-the-epaulettes-retain-sense-of-delicacy-and-refinement-as-handmade-objects-the-silk-on-the-underside-is-padded-and-sewn-into-a-roll-at-the-edge-to-enhance-the-shape-of-the-tassels-as-they-fall-over-the-shoulders-the-tape-on-the-other-end-is-meant-to-tie-into-corresponding-PB1T97.jpg "Military ensemble. Culture: American. Date: 1776-83. According to the donor, this ensemble was worn by Obedeak [sic] Herbert, a Continental Naval Admiral of the Revolutionary War. This form of jacket, the tail coat, persisted first, as men's everyday wear and, later, as formal attire throughout the 19th and 20th centuries. The epaulettes retain sense of delicacy and refinement as handmade objects. The silk on the underside is padded and sewn into a roll at the edge to enhance the shape of the tassels as they fall over the shoulders. The tape on the other end is meant to tie into corresponding Stock Photo")
Military ensemble. Culture: American. Date: 1776-83. According to the donor, this ensemble was worn by Obedeak [sic] Herbert, a Continental Naval Admiral of the Revolutionary War. This form of jacket, the tail coat, persisted first, as men's everyday wear and, later, as formal attire throughout the 19th and 20th centuries. The epaulettes retain sense of delicacy and refinement as handmade objects. The silk on the underside is padded and sewn into a roll at the edge to enhance the shape of the tassels as they fall over the shoulders. The tape on the other end is meant to tie into corresponding Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/military-ensemble-culture-american-date-1776-83-according-to-the-donor-this-ensemble-was-worn-by-obedeak-sic-herbert-a-continental-naval-admiral-of-the-revolutionary-war-this-form-of-jacket-the-tail-coat-persisted-first-as-mens-everyday-wear-and-later-as-formal-attire-throughout-the-19th-and-20th-centuries-the-epaulettes-retain-sense-of-delicacy-and-refinement-as-handmade-objects-the-silk-on-the-underside-is-padded-and-sewn-into-a-roll-at-the-edge-to-enhance-the-shape-of-the-tassels-as-they-fall-over-the-shoulders-the-tape-on-the-other-end-is-meant-to-tie-into-corresponding-image213326659.htmlRMPB1T97–Military ensemble. Culture: American. Date: 1776-83. According to the donor, this ensemble was worn by Obedeak [sic] Herbert, a Continental Naval Admiral of the Revolutionary War. This form of jacket, the tail coat, persisted first, as men's everyday wear and, later, as formal attire throughout the 19th and 20th centuries. The epaulettes retain sense of delicacy and refinement as handmade objects. The silk on the underside is padded and sewn into a roll at the edge to enhance the shape of the tassels as they fall over the shoulders. The tape on the other end is meant to tie into corresponding
Thomas Jones, 1742–1803, British, active in Italy (1776–83), Villa Medici, Rome, ca. 1776. Oil over graphite on moderately thick, rough, blue wove paper. architectural subject , architecture , buildings , cityscape , landscape. Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-jones-17421803-british-active-in-italy-177683-villa-medici-rome-ca-1776-oil-over-graphite-on-moderately-thick-rough-blue-wove-paper-architectural-subject-architecture-buildings-cityscape-landscape-rome-image398338575.htmlRM2E41TWK–Thomas Jones, 1742–1803, British, active in Italy (1776–83), Villa Medici, Rome, ca. 1776. Oil over graphite on moderately thick, rough, blue wove paper. architectural subject , architecture , buildings , cityscape , landscape. Rome
Archive image from page 779 of Description de l'Égypte, ou, Recueil. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française DescriptiondelEIIFran Year: 1809 DES ENVIRONS DU K.AIRE. 757 NUMEROS gravÃs sur le pian. 79 80 81 82 83 84 8î 86 87 88 89 00 91 92 93 94 95 06- 97 98 99 100 101 102 103 104 105 106 107 108 100, 110 111 112 J13 n4, 'M 116, 117 118 119 Sekket Dakak el-Hatab. El-Ouarcheh. El-Mechânteh. Gâma el-Gyfânyeh. Gâma el-Cheykh Farag. Gâma el-Barâiy. Beyt Hannâ Byny. El-Dyouâ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-779-of-description-de-legypte-ou-recueil-description-de-legypte-ou-recueil-des-observations-et-des-recherches-qui-ont-ete-faites-en-egypte-pendant-lexpedition-de-larmee-francaise-descriptiondeleiifran-year-1809-des-environs-du-kaire-757-numeros-gravs-sur-le-pian-79-80-81-82-83-84-8-86-87-88-89-00-91-92-93-94-95-06-97-98-99-100-101-102-103-104-105-106-107-108-100-110-111-112-j13-n4-m-116-117-118-119-sekket-dakak-el-hatab-el-ouarcheh-el-mechnteh-gma-el-gyfnyeh-gma-el-cheykh-farag-gma-el-bariy-beyt-hann-byny-el-dyou-image258699084.htmlRMW0TN90–Archive image from page 779 of Description de l'Égypte, ou, Recueil. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française DescriptiondelEIIFran Year: 1809 DES ENVIRONS DU K.AIRE. 757 NUMEROS gravÃs sur le pian. 79 80 81 82 83 84 8î 86 87 88 89 00 91 92 93 94 95 06- 97 98 99 100 101 102 103 104 105 106 107 108 100, 110 111 112 J13 n4, 'M 116, 117 118 119 Sekket Dakak el-Hatab. El-Ouarcheh. El-Mechânteh. Gâma el-Gyfânyeh. Gâma el-Cheykh Farag. Gâma el-Barâiy. Beyt Hannâ Byny. El-Dyouâ
Thomas Jones, 1742–1803, British, active in Italy (1776–83), The Vale of Pencerrig, 1776. Oil on paper. field , flat , grass , hill , landscape , meadow , pasture , path , road. Brecon Beacons , Cymru , Powys , United Kingdom , Wales Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-jones-17421803-british-active-in-italy-177683-the-vale-of-pencerrig-1776-oil-on-paper-field-flat-grass-hill-landscape-meadow-pasture-path-road-brecon-beacons-cymru-powys-united-kingdom-wales-image398424445.htmlRM2E45PCD–Thomas Jones, 1742–1803, British, active in Italy (1776–83), The Vale of Pencerrig, 1776. Oil on paper. field , flat , grass , hill , landscape , meadow , pasture , path , road. Brecon Beacons , Cymru , Powys , United Kingdom , Wales
Dish (one of a pair) 1744–83 Possibly Bow Porcelain Factory British. Dish (one of a pair). British, possibly Bow, London. 1744–83. Soft-paste porcelain. Possibly Bow Porcelain Factory (British, 1747–1776). Ceramics-Porcelain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dish-one-of-a-pair-174483-possibly-bow-porcelain-factory-british-dish-one-of-a-pair-british-possibly-bow-london-174483-soft-paste-porcelain-possibly-bow-porcelain-factory-british-17471776-ceramics-porcelain-image457925310.htmlRM2HH08BA–Dish (one of a pair) 1744–83 Possibly Bow Porcelain Factory British. Dish (one of a pair). British, possibly Bow, London. 1744–83. Soft-paste porcelain. Possibly Bow Porcelain Factory (British, 1747–1776). Ceramics-Porcelain
Military coat 1775–83 American This example of a uniform jacket worn by an officer during the American Revolution is completely hand-made. Owned by Col. William Taylor, it shows a significant amount of wear. Color, style and number of buttons are among the features used to identify one's military unit, or regiment, in this case Connecticut Regiment 1776.. Military coat 155774 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/military-coat-177583-american-this-example-of-a-uniform-jacket-worn-by-an-officer-during-the-american-revolution-is-completely-hand-made-owned-by-col-william-taylor-it-shows-a-significant-amount-of-wear-color-style-and-number-of-buttons-are-among-the-features-used-to-identify-ones-military-unit-or-regiment-in-this-case-connecticut-regiment-1776-military-coat-155774-image458437566.htmlRM2HHRHP6–Military coat 1775–83 American This example of a uniform jacket worn by an officer during the American Revolution is completely hand-made. Owned by Col. William Taylor, it shows a significant amount of wear. Color, style and number of buttons are among the features used to identify one's military unit, or regiment, in this case Connecticut Regiment 1776.. Military coat 155774
Illustration of Zhang Qi's Poem on the Cold Mountain Temple, mid- to late 1700s. Ike Taiga (Japanese, 1723-1776). Hanging scroll; ink and color on paper; overall: 210.8 x 53 cm (83 x 20 7/8 in.); painting only: 134.5 x 38.4 cm (52 15/16 x 15 1/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-zhang-qis-poem-on-the-cold-mountain-temple-mid-to-late-1700s-ike-taiga-japanese-1723-1776-hanging-scroll-ink-and-color-on-paper-overall-2108-x-53-cm-83-x-20-78-in-painting-only-1345-x-384-cm-52-1516-x-15-18-in-image448069341.htmlRM2H0Y90D–Illustration of Zhang Qi's Poem on the Cold Mountain Temple, mid- to late 1700s. Ike Taiga (Japanese, 1723-1776). Hanging scroll; ink and color on paper; overall: 210.8 x 53 cm (83 x 20 7/8 in.); painting only: 134.5 x 38.4 cm (52 15/16 x 15 1/8 in.).
An Imaginary Italianate Landscape with Classical Figures and a Waterfall, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1773, Oil on canvas, Support (PTG): 14 3/16 x 20 7/8 inches (36 x 53 cm), buildings, Classical, costume, dogs (animals), figures, hills, Italianate, landscape, men, river, rocks (landforms), walking, waterfall, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-imaginary-italianate-landscape-with-classical-figures-and-a-waterfall-thomas-jones-17421803-british-active-in-italy-177683-ca-1773-oil-on-canvas-support-ptg-14-316-x-20-78-inches-36-x-53-cm-buildings-classical-costume-dogs-animals-figures-hills-italianate-landscape-men-river-rocks-landforms-walking-waterfall-italy-image389665177.htmlRM2DHXNWD–An Imaginary Italianate Landscape with Classical Figures and a Waterfall, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1773, Oil on canvas, Support (PTG): 14 3/16 x 20 7/8 inches (36 x 53 cm), buildings, Classical, costume, dogs (animals), figures, hills, Italianate, landscape, men, river, rocks (landforms), walking, waterfall, Italy
Military coat American 1775–83 This example of a uniform jacket worn by an officer during the American Revolution is completely hand-made. Owned by Col. William Taylor, it shows a significant amount of wear. Color, style and number of buttons are among the features used to identify one's military unit, or regiment, in this case Connecticut Regiment 1776. View more. Military coat. American. 1775–83. wool, metal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/military-coat-american-177583-this-example-of-a-uniform-jacket-worn-by-an-officer-during-the-american-revolution-is-completely-hand-made-owned-by-col-william-taylor-it-shows-a-significant-amount-of-wear-color-style-and-number-of-buttons-are-among-the-features-used-to-identify-ones-military-unit-or-regiment-in-this-case-connecticut-regiment-1776-view-more-military-coat-american-177583-wool-metal-image569500249.htmlRM2T2EYAH–Military coat American 1775–83 This example of a uniform jacket worn by an officer during the American Revolution is completely hand-made. Owned by Col. William Taylor, it shows a significant amount of wear. Color, style and number of buttons are among the features used to identify one's military unit, or regiment, in this case Connecticut Regiment 1776. View more. Military coat. American. 1775–83. wool, metal
The Claudian Aqueduct and Colosseum, Thomas Jones, 1742–1803, British, active in Italy (1776–83), 1778, Watercolor and graphite with gum on medium, moderately textured, cream wove paper, Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm), amphitheater, aqueduct, arches, architectural subject, Grand Tour, landscape, ruins, trees, Aqua Claudia, Colosseum, Italy, Lazio, Roma, Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-claudian-aqueduct-and-colosseum-thomas-jones-17421803-british-active-in-italy-177683-1778-watercolor-and-graphite-with-gum-on-medium-moderately-textured-cream-wove-paper-sheet-10-34-16-14-inches-273-413-cm-amphitheater-aqueduct-arches-architectural-subject-grand-tour-landscape-ruins-trees-aqua-claudia-colosseum-italy-lazio-roma-rome-image389603337.htmlRM2DHRY0W–The Claudian Aqueduct and Colosseum, Thomas Jones, 1742–1803, British, active in Italy (1776–83), 1778, Watercolor and graphite with gum on medium, moderately textured, cream wove paper, Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm), amphitheater, aqueduct, arches, architectural subject, Grand Tour, landscape, ruins, trees, Aqua Claudia, Colosseum, Italy, Lazio, Roma, Rome
. An historical account of the old State house of Pennsylvania now known as the Hall of independence. iel Morgan . . 83. Otho Holland Williams Massachusetts .New York . .Connecticut.New York . .Virginia .New HampshireRhode Island .New JerseyMassachusetts .France .France .Prussia .MarylandFranceMassachusetts S. Carolina .Georgia .PennsylvaniaRhode IslandVirginia . .New York .PennsylvaniaJNIarylandVirginia .Maryland 17th June, 1775.19th June, 1775.19th June, 1775.9th December, 1775.16th May, 1776.9th August, 1775.9th August, 1776.19th February, 1777.19th February, 1777.31st July, 1777.15th Sept. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-historical-account-of-the-old-state-house-of-pennsylvania-now-known-as-the-hall-of-independence-iel-morgan-83-otho-holland-williams-massachusetts-new-york-connecticutnew-york-virginia-new-hampshirerhode-island-new-jerseymassachusetts-france-france-prussia-marylandfrancemassachusetts-s-carolina-georgia-pennsylvaniarhode-islandvirginia-new-york-pennsylvaniajniarylandvirginia-maryland-17th-june-177519th-june-177519th-june-17759th-december-177516th-may-17769th-august-17759th-august-177619th-february-177719th-february-177731st-july-177715th-sept-image336681588.htmlRM2AFN4PC–. An historical account of the old State house of Pennsylvania now known as the Hall of independence. iel Morgan . . 83. Otho Holland Williams Massachusetts .New York . .Connecticut.New York . .Virginia .New HampshireRhode Island .New JerseyMassachusetts .France .France .Prussia .MarylandFranceMassachusetts S. Carolina .Georgia .PennsylvaniaRhode IslandVirginia . .New York .PennsylvaniaJNIarylandVirginia .Maryland 17th June, 1775.19th June, 1775.19th June, 1775.9th December, 1775.16th May, 1776.9th August, 1775.9th August, 1776.19th February, 1777.19th February, 1777.31st July, 1777.15th Sept.
The east, or garden, front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-east-or-garden-front-at-basildon-park-built-1776-83-by-john-carr-94449161.htmlRMFDJET9–The east, or garden, front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
'A Villager', ca. 1756, French School, Oil on canvas, 83 cm x 57 cm, P02271. Author: Charles François Hutin (1715-1776). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-villager-ca-1756-french-school-oil-on-canvas-83-cm-x-57-cm-p02271-author-charles-franois-hutin-1715-1776-location-museo-del-prado-pintura-madrid-spain-image209278656.htmlRMP4DD1M–'A Villager', ca. 1756, French School, Oil on canvas, 83 cm x 57 cm, P02271. Author: Charles François Hutin (1715-1776). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN.
Tivoli, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1777, Watercolor and graphite with gum on medium, slightly textured, cream laid paper, Sheet: 10 7/8 x 16 1/4 inches (27.6 x 41.3 cm) and Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm), buildings, geology, Grand Tour, landscape, river, trees, waterfall, Aniene, Italy, Lazio, Roma, Tivoli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tivoli-thomas-jones-17421803-british-active-in-italy-177683-ca-1777-watercolor-and-graphite-with-gum-on-medium-slightly-textured-cream-laid-paper-sheet-10-78-x-16-14-inches-276-x-413-cm-and-sheet-10-78-16-14-inches-276-413-cm-buildings-geology-grand-tour-landscape-river-trees-waterfall-aniene-italy-lazio-roma-tivoli-image389603338.htmlRM2DHRY0X–Tivoli, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1777, Watercolor and graphite with gum on medium, slightly textured, cream laid paper, Sheet: 10 7/8 x 16 1/4 inches (27.6 x 41.3 cm) and Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm), buildings, geology, Grand Tour, landscape, river, trees, waterfall, Aniene, Italy, Lazio, Roma, Tivoli
. The animal kingdom arranged in conformity with its organization. Animals. ,'?'. 83. / Sphinx Jasmznearum, Jfch> 2 ? fmerintkus I >./',', 3. lis7it<Z bu TlTuOaker & , -mlSSS.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cuvier, Georges, baron, 1769-1832; Griffith, Edward, 1790-1858; Smith, Charles Hamilton, 1776-1859; Pidgeon, Edward; Gray, John Edward, 1800-1875; Latreille, P. A. (Pierre André), 1762-183 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-animal-kingdom-arranged-in-conformity-with-its-organization-animals-83-sphinx-jasmznearum-jfchgt-2-fmerintkus-i-gt-3-lis7itltz-bu-tltuoaker-amp-mlsss-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-cuvier-georges-baron-1769-1832-griffith-edward-1790-1858-smith-charles-hamilton-1776-1859-pidgeon-edward-gray-john-edward-1800-1875-latreille-p-a-pierre-andr-1762-183-image236763420.htmlRMRN5E4C–. The animal kingdom arranged in conformity with its organization. Animals. ,'?'. 83. / Sphinx Jasmznearum, Jfch> 2 ? fmerintkus I >./',', 3. lis7it<Z bu TlTuOaker & , -mlSSS.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Cuvier, Georges, baron, 1769-1832; Griffith, Edward, 1790-1858; Smith, Charles Hamilton, 1776-1859; Pidgeon, Edward; Gray, John Edward, 1800-1875; Latreille, P. A. (Pierre André), 1762-183
The east, or garden, front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-east-or-garden-front-at-basildon-park-built-1776-83-by-john-carr-94449154.htmlRMFDJET2–The east, or garden, front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
'A Saxon Villager in her Kitchen', ca. 1756, French School, Oil on canvas, 83 cm x 55 cm, P02270. Author: Charles François Hutin (1715-1776). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-saxon-villager-in-her-kitchen-ca-1756-french-school-oil-on-canvas-83-cm-x-55-cm-p02270-author-charles-franois-hutin-1715-1776-location-museo-del-prado-pintura-madrid-spain-image209296902.htmlRMP4E89A–'A Saxon Villager in her Kitchen', ca. 1756, French School, Oil on canvas, 83 cm x 55 cm, P02270. Author: Charles François Hutin (1715-1776). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN.
The Road from Santa Maria de Monte to Naples, Thomas Jones, 1742–1803, British, active in Italy (1776–83), 1781, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm) and Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm), cliffs, Grand Tour, landscape, mountains, road, trees, Campagna, Europe, Italy, Naples Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-road-from-santa-maria-de-monte-to-naples-thomas-jones-17421803-british-active-in-italy-177683-1781-watercolor-and-graphite-on-medium-slightly-textured-cream-laid-paper-sheet-8-x-10-34-inches-203-x-273-cm-and-sheet-8-14-10-34-inches-21-273-cm-cliffs-grand-tour-landscape-mountains-road-trees-campagna-europe-italy-naples-image389603336.htmlRM2DHRY0T–The Road from Santa Maria de Monte to Naples, Thomas Jones, 1742–1803, British, active in Italy (1776–83), 1781, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm) and Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm), cliffs, Grand Tour, landscape, mountains, road, trees, Campagna, Europe, Italy, Naples
The Grotto at Posillipo, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1782, Watercolor, graphite, pen and gray ink, and gouache on moderately thick, moderately textured, cream laid paper, Sheet: 11 1/2 × 16 5/8 inches (29.2 × 42.2 cm), Image: 9 3/4 x 15 7/8 inches (24.8 x 40.3 cm), and Image: 9 1/2 x 15 9/16 inches (24.1 x 39.5 cm), architectural subject, cave, clouds, cobblestones, door, figures, gates, Grand Tour, grotto, height, landscape, rocks (landforms), shadows, stone, trees, tunnel, Europe, Grotto of Sejanus, Italy, Naples, Posíllipo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-grotto-at-posillipo-thomas-jones-17421803-british-active-in-italy-177683-ca-1782-watercolor-graphite-pen-and-gray-ink-and-gouache-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-11-12-16-58-inches-292-422-cm-image-9-34-x-15-78-inches-248-x-403-cm-and-image-9-12-x-15-916-inches-241-x-395-cm-architectural-subject-cave-clouds-cobblestones-door-figures-gates-grand-tour-grotto-height-landscape-rocks-landforms-shadows-stone-trees-tunnel-europe-grotto-of-sejanus-italy-naples-posllipo-image389764819.htmlRM2DJ3903–The Grotto at Posillipo, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1782, Watercolor, graphite, pen and gray ink, and gouache on moderately thick, moderately textured, cream laid paper, Sheet: 11 1/2 × 16 5/8 inches (29.2 × 42.2 cm), Image: 9 3/4 x 15 7/8 inches (24.8 x 40.3 cm), and Image: 9 1/2 x 15 9/16 inches (24.1 x 39.5 cm), architectural subject, cave, clouds, cobblestones, door, figures, gates, Grand Tour, grotto, height, landscape, rocks (landforms), shadows, stone, trees, tunnel, Europe, Grotto of Sejanus, Italy, Naples, Posíllipo
. Catalogue of the Lepidoptera Phalaenae in the British Museum. Moths; Lepidoptera. CtJCULLIA. 33 2090. CucuUia artemisiae. Phdana artemisia, Hiifn. Berl. Mag. iii. p. 292 (1767); Knocli, Beitr. ii. p. 47, pi. 2. f. 10; Esp. Schmett. iv. pi. 128. ff. 1-2; Staud. Cat. Lep. pal. p. 217. Noctim ahrofani, SchifF. Wien. Verz. p. 73 (1776); Fabr. Mant. Ins. ii. p. 166 (1787); Hiibn. Ear. Schmett., Noct. f. 257 ; Diip. Lep. Fr. yii. p. 416, pi. 12.5. f. 6 ; Frr. Beitr. iv. pi. 320 ; Barrett, Lep. Brit. vi. p. 83, pi. 239. f. 4. CucuUia lindei, Heyne, Soc. Ent. xiv. p. 105 (1899). Head and thorax dark Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalogue-of-the-lepidoptera-phalaenae-in-the-british-museum-moths-lepidoptera-ctjcullia-33-2090-cucuuia-artemisiae-phdana-artemisia-hiifn-berl-mag-iii-p-292-1767-knocli-beitr-ii-p-47-pi-2-f-10-esp-schmett-iv-pi-128-ff-1-2-staud-cat-lep-pal-p-217-noctim-ahrofani-schiff-wien-verz-p-73-1776-fabr-mant-ins-ii-p-166-1787-hiibn-ear-schmett-noct-f-257-diip-lep-fr-yii-p-416-pi-125-f-6-frr-beitr-iv-pi-320-barrett-lep-brit-vi-p-83-pi-239-f-4-cucuuia-lindei-heyne-soc-ent-xiv-p-105-1899-head-and-thorax-dark-image233147460.htmlRMRF8NY0–. Catalogue of the Lepidoptera Phalaenae in the British Museum. Moths; Lepidoptera. CtJCULLIA. 33 2090. CucuUia artemisiae. Phdana artemisia, Hiifn. Berl. Mag. iii. p. 292 (1767); Knocli, Beitr. ii. p. 47, pi. 2. f. 10; Esp. Schmett. iv. pi. 128. ff. 1-2; Staud. Cat. Lep. pal. p. 217. Noctim ahrofani, SchifF. Wien. Verz. p. 73 (1776); Fabr. Mant. Ins. ii. p. 166 (1787); Hiibn. Ear. Schmett., Noct. f. 257 ; Diip. Lep. Fr. yii. p. 416, pi. 12.5. f. 6 ; Frr. Beitr. iv. pi. 320 ; Barrett, Lep. Brit. vi. p. 83, pi. 239. f. 4. CucuUia lindei, Heyne, Soc. Ent. xiv. p. 105 (1899). Head and thorax dark
The east, or garden, front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-east-or-garden-front-at-basildon-park-built-1776-83-by-john-carr-94449147.htmlRMFDJERR–The east, or garden, front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
Military coat. Culture: American. Date: 1775-83. This example of a uniform jacket worn by an officer during the American Revolution is completely hand-made. Owned by Col. William Taylor, it shows a significant amount of wear. Color, style and number of buttons are among the features used to identify one's military unit, or regiment, in this case Connecticut Regiment 1776. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/military-coat-culture-american-date-1775-83-this-example-of-a-uniform-jacket-worn-by-an-officer-during-the-american-revolution-is-completely-hand-made-owned-by-col-william-taylor-it-shows-a-significant-amount-of-wear-color-style-and-number-of-buttons-are-among-the-features-used-to-identify-ones-military-unit-or-regiment-in-this-case-connecticut-regiment-1776-museum-metropolitan-museum-of-art-new-york-usa-image213114325.htmlRMPAM5DW–Military coat. Culture: American. Date: 1775-83. This example of a uniform jacket worn by an officer during the American Revolution is completely hand-made. Owned by Col. William Taylor, it shows a significant amount of wear. Color, style and number of buttons are among the features used to identify one's military unit, or regiment, in this case Connecticut Regiment 1776. Museum: Metropolitan Museum of Art, New York, USA.
Dido and Aeneas, William Woollett, 1735–1785, British, And: Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Thomas Jones, 1742–1803, British, active in Italy (1776–83), And: John Hamilton Mortimer, 1740–1779, British, 1787, Engraving and etching, Plate: 17 7/8 x 22in. (45.4 x 55.9cm), armor, city, literary theme, lovers, palace, religious and mythological subject, river, trees, waterfall Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dido-and-aeneas-william-woollett-17351785-british-and-francesco-bartolozzi-ra-17281815-italian-active-in-britain-176499-after-thomas-jones-17421803-british-active-in-italy-177683-and-john-hamilton-mortimer-17401779-british-1787-engraving-and-etching-plate-17-78-x-22in-454-x-559cm-armor-city-literary-theme-lovers-palace-religious-and-mythological-subject-river-trees-waterfall-image389763297.htmlRM2DJ371N–Dido and Aeneas, William Woollett, 1735–1785, British, And: Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Thomas Jones, 1742–1803, British, active in Italy (1776–83), And: John Hamilton Mortimer, 1740–1779, British, 1787, Engraving and etching, Plate: 17 7/8 x 22in. (45.4 x 55.9cm), armor, city, literary theme, lovers, palace, religious and mythological subject, river, trees, waterfall
. Catalogue of Lepidoptera Phalaenae in the British Museum. Moths. C0CCLLIA. 33 2090. Cucullia artemisise. PhdJcena artemmm, Hufn. Berl. Mag. iii. p. 292 (1767); Knoch, Beitr. ii. p. 47, pi. 2. f. 10; Esp. ScJimett. iv. pi. 128. ff. 1-2; Staud. Cat. Lep. pal. p. 217. Koctua ahrutani, Schiff. Wien. Verz. p. 73 (1776); Fabr. Mant. Ins. ii. p. 166 (17S7); Hubn. Eur. Sclimett., Noct. f. 257 ; Dup. Lep. Fr. vii. p. 41.5, pi. 125. f. 6 ; Frr. Beitr. iv. pi. 320 ; Barrett, Lep. Brit. vi. p. 83, pi. 239. f. 4. Cucullia lindei, Heyne, Soc. Ent. xiv. p. 105 (1899). Head and thorax dark brown mixed with Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalogue-of-lepidoptera-phalaenae-in-the-british-museum-moths-c0ccllia-33-2090-cucullia-artemisise-phdjcena-artemmm-hufn-berl-mag-iii-p-292-1767-knoch-beitr-ii-p-47-pi-2-f-10-esp-scjimett-iv-pi-128-ff-1-2-staud-cat-lep-pal-p-217-koctua-ahrutani-schiff-wien-verz-p-73-1776-fabr-mant-ins-ii-p-166-17s7-hubn-eur-sclimett-noct-f-257-dup-lep-fr-vii-p-415-pi-125-f-6-frr-beitr-iv-pi-320-barrett-lep-brit-vi-p-83-pi-239-f-4-cucullia-lindei-heyne-soc-ent-xiv-p-105-1899-head-and-thorax-dark-brown-mixed-with-image232982201.htmlRMRF174W–. Catalogue of Lepidoptera Phalaenae in the British Museum. Moths. C0CCLLIA. 33 2090. Cucullia artemisise. PhdJcena artemmm, Hufn. Berl. Mag. iii. p. 292 (1767); Knoch, Beitr. ii. p. 47, pi. 2. f. 10; Esp. ScJimett. iv. pi. 128. ff. 1-2; Staud. Cat. Lep. pal. p. 217. Koctua ahrutani, Schiff. Wien. Verz. p. 73 (1776); Fabr. Mant. Ins. ii. p. 166 (17S7); Hubn. Eur. Sclimett., Noct. f. 257 ; Dup. Lep. Fr. vii. p. 41.5, pi. 125. f. 6 ; Frr. Beitr. iv. pi. 320 ; Barrett, Lep. Brit. vi. p. 83, pi. 239. f. 4. Cucullia lindei, Heyne, Soc. Ent. xiv. p. 105 (1899). Head and thorax dark brown mixed with
John Scofield, Taperstick, British, London, John Scofield (British, active 1776–96), 1782–83, British, London, Silver gilt, Overall: 1 3/4 × 3 3/4 in. (4.4 × 9.5 cm), Metalwork-Silver Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-scofield-taperstick-british-london-john-scofield-british-active-177696-178283-british-london-silver-gilt-overall-1-34-3-34-in-44-95-cm-metalwork-silver-image344638940.htmlRM2B0KJDG–John Scofield, Taperstick, British, London, John Scofield (British, active 1776–96), 1782–83, British, London, Silver gilt, Overall: 1 3/4 × 3 3/4 in. (4.4 × 9.5 cm), Metalwork-Silver
The east, or garden, front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-east-or-garden-front-at-basildon-park-built-1776-83-by-john-carr-94449151.htmlRMFDJERY–The east, or garden, front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
Love the Sentinel. Dated: c. 1773/1776. Dimensions: overall (oval): 55.9 x 46.7 cm (22 x 18 3/8 in.) framed: 83.8 x 62.2 x 10.2 cm (33 x 24 1/2 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: FRAGONARD, JEAN-HONORE. JEAN-HONORE FRAGONARD. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/love-the-sentinel-dated-c-17731776-dimensions-overall-oval-559-x-467-cm-22-x-18-38-in-framed-838-x-622-x-102-cm-33-x-24-12-x-4-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-fragonard-jean-honore-jean-honore-fragonard-image218675844.htmlRMPKNF7G–Love the Sentinel. Dated: c. 1773/1776. Dimensions: overall (oval): 55.9 x 46.7 cm (22 x 18 3/8 in.) framed: 83.8 x 62.2 x 10.2 cm (33 x 24 1/2 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: FRAGONARD, JEAN-HONORE. JEAN-HONORE FRAGONARD.
. Catalogue of the Lepidoptera Phalaenae in the British Museum. Moths; Lepidoptera. CtJCULLIA. 33 2090. CucuUia artemisiae. Phdana artemisia, Hiifn. Berl. Mag. iii. p. 292 (1767); Knocli, Beitr. ii. p. 47, pi. 2. f. 10; Esp. Schmett. iv. pi. 128. ff. 1-2; Staud. Cat. Lep. pal. p. 217. Noctim ahrofani, SchifF. Wien. Verz. p. 73 (1776); Fabr. Mant. Ins. ii. p. 166 (1787); Hiibn. Ear. Schmett., Noct. f. 257 ; Diip. Lep. Fr. yii. p. 416, pi. 12.5. f. 6 ; Frr. Beitr. iv. pi. 320 ; Barrett, Lep. Brit. vi. p. 83, pi. 239. f. 4. CucuUia lindei, Heyne, Soc. Ent. xiv. p. 105 (1899). Head and thorax dark Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalogue-of-the-lepidoptera-phalaenae-in-the-british-museum-moths-lepidoptera-ctjcullia-33-2090-cucuuia-artemisiae-phdana-artemisia-hiifn-berl-mag-iii-p-292-1767-knocli-beitr-ii-p-47-pi-2-f-10-esp-schmett-iv-pi-128-ff-1-2-staud-cat-lep-pal-p-217-noctim-ahrofani-schiff-wien-verz-p-73-1776-fabr-mant-ins-ii-p-166-1787-hiibn-ear-schmett-noct-f-257-diip-lep-fr-yii-p-416-pi-125-f-6-frr-beitr-iv-pi-320-barrett-lep-brit-vi-p-83-pi-239-f-4-cucuuia-lindei-heyne-soc-ent-xiv-p-105-1899-head-and-thorax-dark-image232960124.htmlRMRF070C–. Catalogue of the Lepidoptera Phalaenae in the British Museum. Moths; Lepidoptera. CtJCULLIA. 33 2090. CucuUia artemisiae. Phdana artemisia, Hiifn. Berl. Mag. iii. p. 292 (1767); Knocli, Beitr. ii. p. 47, pi. 2. f. 10; Esp. Schmett. iv. pi. 128. ff. 1-2; Staud. Cat. Lep. pal. p. 217. Noctim ahrofani, SchifF. Wien. Verz. p. 73 (1776); Fabr. Mant. Ins. ii. p. 166 (1787); Hiibn. Ear. Schmett., Noct. f. 257 ; Diip. Lep. Fr. yii. p. 416, pi. 12.5. f. 6 ; Frr. Beitr. iv. pi. 320 ; Barrett, Lep. Brit. vi. p. 83, pi. 239. f. 4. CucuUia lindei, Heyne, Soc. Ent. xiv. p. 105 (1899). Head and thorax dark
Possibly Bow Porcelain Factory, Dish (one of a pair), British, possibly Bow, London, Possibly Bow Porcelain Factory (British, 1747–1776), 1744–83, British, possibly Bow, London, Soft-paste porcelain, each: 11 1/2 × 7 3/4 in. (29.2 × 19.7 cm), Ceramics-Porcelain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/possibly-bow-porcelain-factory-dish-one-of-a-pair-british-possibly-bow-london-possibly-bow-porcelain-factory-british-17471776-174483-british-possibly-bow-london-soft-paste-porcelain-each-11-12-7-34-in-292-197-cm-ceramics-porcelain-image344640401.htmlRM2B0KM9N–Possibly Bow Porcelain Factory, Dish (one of a pair), British, possibly Bow, London, Possibly Bow Porcelain Factory (British, 1747–1776), 1744–83, British, possibly Bow, London, Soft-paste porcelain, each: 11 1/2 × 7 3/4 in. (29.2 × 19.7 cm), Ceramics-Porcelain
The east, or garden, front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-east-or-garden-front-at-basildon-park-built-1776-83-by-john-carr-94449164.htmlRMFDJETC–The east, or garden, front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
. Catalogue of Lepidoptera Phalaenae in the British Museum. Moths. C0CCLLIA. 33 2090. Cucullia artemisise. PhdJcena artemmm, Hufn. Berl. Mag. iii. p. 292 (1767); Knoch, Beitr. ii. p. 47, pi. 2. f. 10; Esp. ScJimett. iv. pi. 128. ff. 1-2; Staud. Cat. Lep. pal. p. 217. Koctua ahrutani, Schiff. Wien. Verz. p. 73 (1776); Fabr. Mant. Ins. ii. p. 166 (17S7); Hubn. Eur. Sclimett., Noct. f. 257 ; Dup. Lep. Fr. vii. p. 41.5, pi. 125. f. 6 ; Frr. Beitr. iv. pi. 320 ; Barrett, Lep. Brit. vi. p. 83, pi. 239. f. 4. Cucullia lindei, Heyne, Soc. Ent. xiv. p. 105 (1899). Head and thorax dark brown mixed with Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalogue-of-lepidoptera-phalaenae-in-the-british-museum-moths-c0ccllia-33-2090-cucullia-artemisise-phdjcena-artemmm-hufn-berl-mag-iii-p-292-1767-knoch-beitr-ii-p-47-pi-2-f-10-esp-scjimett-iv-pi-128-ff-1-2-staud-cat-lep-pal-p-217-koctua-ahrutani-schiff-wien-verz-p-73-1776-fabr-mant-ins-ii-p-166-17s7-hubn-eur-sclimett-noct-f-257-dup-lep-fr-vii-p-415-pi-125-f-6-frr-beitr-iv-pi-320-barrett-lep-brit-vi-p-83-pi-239-f-4-cucullia-lindei-heyne-soc-ent-xiv-p-105-1899-head-and-thorax-dark-brown-mixed-with-image233150079.htmlRMRF8W8F–. Catalogue of Lepidoptera Phalaenae in the British Museum. Moths. C0CCLLIA. 33 2090. Cucullia artemisise. PhdJcena artemmm, Hufn. Berl. Mag. iii. p. 292 (1767); Knoch, Beitr. ii. p. 47, pi. 2. f. 10; Esp. ScJimett. iv. pi. 128. ff. 1-2; Staud. Cat. Lep. pal. p. 217. Koctua ahrutani, Schiff. Wien. Verz. p. 73 (1776); Fabr. Mant. Ins. ii. p. 166 (17S7); Hubn. Eur. Sclimett., Noct. f. 257 ; Dup. Lep. Fr. vii. p. 41.5, pi. 125. f. 6 ; Frr. Beitr. iv. pi. 320 ; Barrett, Lep. Brit. vi. p. 83, pi. 239. f. 4. Cucullia lindei, Heyne, Soc. Ent. xiv. p. 105 (1899). Head and thorax dark brown mixed with
Possibly Bow Porcelain Factory, Dish (one of a pair), British, possibly Bow, London, Possibly Bow Porcelain Factory (British, 1747–1776), 1744–83, British, possibly Bow, London, Soft-paste porcelain, each: 11 1/2 × 7 3/4 in. (29.2 × 19.7 cm), Ceramics-Porcelain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/possibly-bow-porcelain-factory-dish-one-of-a-pair-british-possibly-bow-london-possibly-bow-porcelain-factory-british-17471776-174483-british-possibly-bow-london-soft-paste-porcelain-each-11-12-7-34-in-292-197-cm-ceramics-porcelain-image344640460.htmlRM2B0KMBT–Possibly Bow Porcelain Factory, Dish (one of a pair), British, possibly Bow, London, Possibly Bow Porcelain Factory (British, 1747–1776), 1744–83, British, possibly Bow, London, Soft-paste porcelain, each: 11 1/2 × 7 3/4 in. (29.2 × 19.7 cm), Ceramics-Porcelain
View across the parkland to the west front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-view-across-the-parkland-to-the-west-front-at-basildon-park-built-94449367.htmlRMFDJF3K–View across the parkland to the west front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
. Die Pflanzenwelt Afrikas, insbesondere seiner tropischen Gebiete : Grundzge der Pflanzenverbreitung im Afrika und die Charakterpflanzen Afrikas. Botany. Cycadales. — Cycadaceae. 83 Auch E. longifolius Jacq.) Lehm., bei welchem die unteren Fiedern oft mit 1—3 Zähnen versehen sind, kommt in Albany vor und zwar bei Grahams- town. — Einen niedrigen Stamm entwickelt der im Kafifernland schon 1776 ent- deckte E. caffer (Thunb.) Miq., welcher einen dicken Stamm mit i m langen. Fig. 79. A Encephalartos Hildebrandtli A. Br. et Bouche, blühende weibliche Pflanze; B Blüte derselben; C weibliche Blüte v Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/die-pflanzenwelt-afrikas-insbesondere-seiner-tropischen-gebiete-grundzge-der-pflanzenverbreitung-im-afrika-und-die-charakterpflanzen-afrikas-botany-cycadales-cycadaceae-83-auch-e-longifolius-jacq-lehm-bei-welchem-die-unteren-fiedern-oft-mit-13-zhnen-versehen-sind-kommt-in-albany-vor-und-zwar-bei-grahams-town-einen-niedrigen-stamm-entwickelt-der-im-kafifernland-schon-1776-ent-deckte-e-caffer-thunb-miq-welcher-einen-dicken-stamm-mit-i-m-langen-fig-79-a-encephalartos-hildebrandtli-a-br-et-bouche-blhende-weibliche-pflanze-b-blte-derselben-c-weibliche-blte-v-image231476776.htmlRMRCGJYM–. Die Pflanzenwelt Afrikas, insbesondere seiner tropischen Gebiete : Grundzge der Pflanzenverbreitung im Afrika und die Charakterpflanzen Afrikas. Botany. Cycadales. — Cycadaceae. 83 Auch E. longifolius Jacq.) Lehm., bei welchem die unteren Fiedern oft mit 1—3 Zähnen versehen sind, kommt in Albany vor und zwar bei Grahams- town. — Einen niedrigen Stamm entwickelt der im Kafifernland schon 1776 ent- deckte E. caffer (Thunb.) Miq., welcher einen dicken Stamm mit i m langen. Fig. 79. A Encephalartos Hildebrandtli A. Br. et Bouche, blühende weibliche Pflanze; B Blüte derselben; C weibliche Blüte v
Giovanni Battista Cecchi, The martyrdom of Saint Vitalis of Milan, who is being buried alive, Giovanni Battista Cecchi (Italian, Florence 1748/49–after 1807), Intermediary draftsman Ranieri Allegranti (Italian, active 1773–83), After Federico Barocci (Italian, Urbino ca. 1535–1612 Urbino), 1776, Engraving, Plate: 20 × 13 5/8 in. (50.8 × 34.6 cm), Sheet: 20 7/16 × 13 13/16 in. (51.9 × 35.1 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-cecchi-the-martyrdom-of-saint-vitalis-of-milan-who-is-being-buried-alive-giovanni-battista-cecchi-italian-florence-174849after-1807-intermediary-draftsman-ranieri-allegranti-italian-active-177383-after-federico-barocci-italian-urbino-ca-15351612-urbino-1776-engraving-plate-20-13-58-in-508-346-cm-sheet-20-716-13-1316-in-519-351-cm-prints-image344645471.htmlRM2B0KXPR–Giovanni Battista Cecchi, The martyrdom of Saint Vitalis of Milan, who is being buried alive, Giovanni Battista Cecchi (Italian, Florence 1748/49–after 1807), Intermediary draftsman Ranieri Allegranti (Italian, active 1773–83), After Federico Barocci (Italian, Urbino ca. 1535–1612 Urbino), 1776, Engraving, Plate: 20 × 13 5/8 in. (50.8 × 34.6 cm), Sheet: 20 7/16 × 13 13/16 in. (51.9 × 35.1 cm), Prints
The Ionic portico and loggia on the west front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-ionic-portico-and-loggia-on-the-west-front-at-basildon-park-built-94449377.htmlRMFDJF41–The Ionic portico and loggia on the west front at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
After Alexander Roslin, Princess Natalia Alexiewna (Vilhelmina), Natalia Alexievna Vilhelmina, 1755-1776, Princess of Hessen-Darmstadt, Grandfather, painting, portrait, Natalia Alexeievna of Russia, Oil on canvas, Height, 83, cm (32.6 inches), Width, 67 cm (26.3 inches) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-alexander-roslin-princess-natalia-alexiewna-vilhelmina-natalia-alexievna-vilhelmina-1755-1776-princess-of-hessen-darmstadt-grandfather-painting-portrait-natalia-alexeievna-of-russia-oil-on-canvas-height-83-cm-326-inches-width-67-cm-263-inches-image261308740.htmlRMW53HY0–After Alexander Roslin, Princess Natalia Alexiewna (Vilhelmina), Natalia Alexievna Vilhelmina, 1755-1776, Princess of Hessen-Darmstadt, Grandfather, painting, portrait, Natalia Alexeievna of Russia, Oil on canvas, Height, 83, cm (32.6 inches), Width, 67 cm (26.3 inches)
View over a fence and gate in the parkland at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-view-over-a-fence-and-gate-in-the-parkland-at-basildon-park-built-94449383.htmlRMFDJF47–View over a fence and gate in the parkland at Basildon Park, built 1776-83 by John Carr for Francis Sykes, at Lower Basildon, Reading, Berkshire.
Illustration of Zhang Qi's Poem on the Cold Mountain Temple, 18th century. Ike Taiga (Japanese, 1723-1776). Hanging scroll; ink and color on paper; overall: 210.8 x 53 cm (83 x 20 7/8 in.); painting only: 134.5 x 38.4 cm (52 15/16 x 15 1/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-zhang-qis-poem-on-the-cold-mountain-temple-18th-century-ike-taiga-japanese-1723-1776-hanging-scroll-ink-and-color-on-paper-overall-2108-x-53-cm-83-x-20-78-in-painting-only-1345-x-384-cm-52-1516-x-15-18-in-image240461646.htmlRMRY5Y7X–Illustration of Zhang Qi's Poem on the Cold Mountain Temple, 18th century. Ike Taiga (Japanese, 1723-1776). Hanging scroll; ink and color on paper; overall: 210.8 x 53 cm (83 x 20 7/8 in.); painting only: 134.5 x 38.4 cm (52 15/16 x 15 1/8 in
Jean Honoré Fragonard, (artist), French, 1732 - 1806, Love the Sentinel, c. 1773/1776, oil on canvas, overall (oval): 55.9 x 46.7 cm (22 x 18 3/8 in.), framed: 83.8 x 62.2 x 10.2 cm (33 x 24 1/2 x 4 in.), In memory of Kate Seney Simpson Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-honor-fragonard-artist-french-1732-1806-love-the-sentinel-c-17731776-oil-on-canvas-overall-oval-559-x-467-cm-22-x-18-38-in-framed-838-x-622-x-102-cm-33-x-24-12-x-4-in-in-memory-of-kate-seney-simpson-image386242679.htmlRM2DCATDB–Jean Honoré Fragonard, (artist), French, 1732 - 1806, Love the Sentinel, c. 1773/1776, oil on canvas, overall (oval): 55.9 x 46.7 cm (22 x 18 3/8 in.), framed: 83.8 x 62.2 x 10.2 cm (33 x 24 1/2 x 4 in.), In memory of Kate Seney Simpson
Search Results for 1776 83 Stock Photos and Images (112)
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