George 'Beau' Brummell. 1778-1840. English dandy and wit. Brummell was greatly admired for his fastidious appearance and confident manner. He was an intimate of the prince regent (later George IV), and as such influenced men of society to wear dark, simply cut clothes and elaborate neckwear. He is also credited with having set the fashion for trousers rather than breeches. Having quarreled with the prince, and deeply in debt from gambling, Brummell fled to France, where, ironically, he lived for 14 years in poverty and squalor. He died insane in a hospital at Caen. . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-beau-brummell-1778-1840-english-dandy-and-wit-brummell-was-greatly-admired-for-his-fastidious-appearance-and-confident-manner-he-was-an-intimate-of-the-prince-regent-later-george-iv-and-as-such-influenced-men-of-society-to-wear-dark-simply-cut-clothes-and-elaborate-neckwear-he-is-also-credited-with-having-set-the-fashion-for-trousers-rather-than-breeches-having-quarreled-with-the-prince-and-deeply-in-debt-from-gambling-brummell-fled-to-france-where-ironically-he-lived-for-14-years-in-poverty-and-squalor-he-died-insane-in-a-hospital-at-caen-image268843112.html
RMWHAT3M–George 'Beau' Brummell. 1778-1840. English dandy and wit. Brummell was greatly admired for his fastidious appearance and confident manner. He was an intimate of the prince regent (later George IV), and as such influenced men of society to wear dark, simply cut clothes and elaborate neckwear. He is also credited with having set the fashion for trousers rather than breeches. Having quarreled with the prince, and deeply in debt from gambling, Brummell fled to France, where, ironically, he lived for 14 years in poverty and squalor. He died insane in a hospital at Caen. .
Ezo kikō., Tani, Bunkei, 1778-1840., Japanese Rare Book Collection (Library of Congress), Japan, not before 1799, Hokkaido (Japan), Description and travel, 6 v.: ill. (chiefly col.); 27 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ezo-kik-tani-bunkei-1778-1840-japanese-rare-book-collection-library-of-congress-japan-not-before-1799-hokkaido-japan-description-and-travel-6-v-ill-chiefly-col-27-cm-image623479131.html
RM2Y69WYR–Ezo kikō., Tani, Bunkei, 1778-1840., Japanese Rare Book Collection (Library of Congress), Japan, not before 1799, Hokkaido (Japan), Description and travel, 6 v.: ill. (chiefly col.); 27 cm.
. English: Photograph of Loch-an-Eilean, Rothiemurchus, Inverness-shire, 1835. Oil on canvas, by Reverend John Thomson. 1835. Reverend John Thomson (1778-1840) 605 Thomson, Loch-an-Eilean Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-photograph-of-loch-an-eilean-rothiemurchus-inverness-shire-1835-oil-on-canvas-by-reverend-john-thomson-1835-reverend-john-thomson-1778-1840-605-thomson-loch-an-eilean-image187510502.html
RMMW1RFJ–. English: Photograph of Loch-an-Eilean, Rothiemurchus, Inverness-shire, 1835. Oil on canvas, by Reverend John Thomson. 1835. Reverend John Thomson (1778-1840) 605 Thomson, Loch-an-Eilean
GEORGE BRYAN (BEAU) BRUMMELL English dandy and friend of the Prince of Wales Date: 1778 - 1840 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-george-bryan-beau-brummell-english-dandy-and-friend-of-the-prince-105284230.html
RMG38332–GEORGE BRYAN (BEAU) BRUMMELL English dandy and friend of the Prince of Wales Date: 1778 - 1840
Germaine de Stael (1766-1817), 1843. French writer, novelist and political propagandist born in Paris, was the only child of Jacques Necker, French statesman and financier. Married unhappily in 1786 to the Swedish ambassador to France, she had many affairs, including a liaison with the author and political philosopher Benjamin Constant. From 1792 she spent a number of periods of exile at Coppet, her estate by Lake Geneva. From 'Diary and Letters of Madame D'Arblay, 1778-1840' by Fanny Burney, Madame D'Arblay. (London, 1843). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-germaine-de-stael-1766-1817-1843-french-writer-novelist-and-political-57307893.html
RMD96GPD–Germaine de Stael (1766-1817), 1843. French writer, novelist and political propagandist born in Paris, was the only child of Jacques Necker, French statesman and financier. Married unhappily in 1786 to the Swedish ambassador to France, she had many affairs, including a liaison with the author and political philosopher Benjamin Constant. From 1792 she spent a number of periods of exile at Coppet, her estate by Lake Geneva. From 'Diary and Letters of Madame D'Arblay, 1778-1840' by Fanny Burney, Madame D'Arblay. (London, 1843).
INTERIOR DE LA CATEDRAL LUTERANA - 1830/1852. Author: CARL LUDVIG ENGEL (1778-1840). Location: NICHOLAS CATHEDRAL. Helsinki. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-de-la-catedral-luterana-18301852-author-carl-ludvig-engel-1778-1840-location-nicholas-cathedral-helsinki-image487687977.html
RM2K9C2YN–INTERIOR DE LA CATEDRAL LUTERANA - 1830/1852. Author: CARL LUDVIG ENGEL (1778-1840). Location: NICHOLAS CATHEDRAL. Helsinki.
Beau Brummell. Portrait of the Regency dandy, George Bryan 'Beau' Brummell (1778-1840), 19th century engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beau-brummell-portrait-of-the-regency-dandy-george-bryan-beau-brummell-1778-1840-19th-century-engraving-image415696242.html
RM2F48GPA–Beau Brummell. Portrait of the Regency dandy, George Bryan 'Beau' Brummell (1778-1840), 19th century engraving
BEAU BRUMMELL (1778-1840) Regency social icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beau-brummell-1778-1840-regency-social-icon-image477021322.html
RM2JM25FP–BEAU BRUMMELL (1778-1840) Regency social icon
George Bryan 'Beau' Brummell, 1778-1840, an iconic figure in Regency England, the arbiter of men's fashion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-george-bryan-beau-brummell-1778-1840-an-iconic-figure-in-regency-england-93882714.html
RMFCMMA2–George Bryan 'Beau' Brummell, 1778-1840, an iconic figure in Regency England, the arbiter of men's fashion
The british BEAU BRUMMELL , born George Bryan Brummell ( 1778 - 1840 ). Was the arbiter of men's fashion in Regency England and a friend of the Prince Regent, the future King George IV of England . He established the mode of men wearing understated, but fitted, beautifully cut clothes including dark suits and full length trousers, adorned with an elaborately-knotted cravat . Brummell is credited with introducing and establishing as fashion the modern man's suit, worn with a tie . He claimed to take five hours to dress, and recommended that boots be polished with champagne . His style of dr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-british-beau-brummell-born-george-bryan-brummell-1778-1840-was-the-arbiter-of-mens-fashion-in-regency-england-and-a-friend-of-the-prince-regent-the-future-king-george-iv-of-england-he-established-the-mode-of-men-wearing-understated-but-fitted-beautifully-cut-clothes-including-dark-suits-and-full-length-trousers-adorned-with-an-elaborately-knotted-cravat-brummell-is-credited-with-introducing-and-establishing-as-fashion-the-modern-mans-suit-worn-with-a-tie-he-claimed-to-take-five-hours-to-dress-and-recommended-that-boots-be-polished-with-champagne-his-style-of-dr-image540707462.html
RM2PBK9TP–The british BEAU BRUMMELL , born George Bryan Brummell ( 1778 - 1840 ). Was the arbiter of men's fashion in Regency England and a friend of the Prince Regent, the future King George IV of England . He established the mode of men wearing understated, but fitted, beautifully cut clothes including dark suits and full length trousers, adorned with an elaborately-knotted cravat . Brummell is credited with introducing and establishing as fashion the modern man's suit, worn with a tie . He claimed to take five hours to dress, and recommended that boots be polished with champagne . His style of dr
Finland. Helsinki. Finnish Evangelical Lutheran cathedral. Designed by Carl Ludvig Engel (1778-1840) in the neoclassical style. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-finland-helsinki-finnish-evangelical-lutheran-cathedral-designed-by-55631435.html
RMD6E6CY–Finland. Helsinki. Finnish Evangelical Lutheran cathedral. Designed by Carl Ludvig Engel (1778-1840) in the neoclassical style.
Statue of Beau Brummell at Burlington Arcade 1778-1840 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-beau-brummell-at-burlington-arcade-1778-1840-image333775345.html
RM2AB0NT1–Statue of Beau Brummell at Burlington Arcade 1778-1840
Statue by Irena Sedlecka of George Bryan 'Beau' Brummell (1778-1840), dandy and wit, in Jermyn St, Piccadilly, London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-by-irena-sedlecka-of-george-bryan-beau-brummell-1778-1840-dandy-and-wit-in-jermyn-st-piccadilly-london-image455707128.html
RM2HDB72G–Statue by Irena Sedlecka of George Bryan 'Beau' Brummell (1778-1840), dandy and wit, in Jermyn St, Piccadilly, London
London, England, UK. Statue of George 'Beau' Brummell (1778-1840) in Jermyn Street (Irena Sediecka; 2002) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-london-england-uk-statue-of-george-beau-brummell-1778-1840-in-jermyn-54483250.html
RMD4HWXA–London, England, UK. Statue of George 'Beau' Brummell (1778-1840) in Jermyn Street (Irena Sediecka; 2002)
RM2P5XB3H–Landscape, Reverend John Thomson (Dailly, Ayrshire, Scotland, 1778 - 1840)
Beau Brummel. The Beaux and the Dandies: Nash; Brummell, and D:O. Stanley Paul & Co.: London, 1910. George Bryan Brummel, known as Beau Brummel (1778-1840). English dandy. Portrait, 'from the painting in the National Portrait Gallery'. Image taken from The Beaux and the Dandies: Nash; Brummell, and D:Orsay, withtheir courts With frontispiece and sixteen illustrations. Originally published/produced in Stanley Paul & Co.: London, 1910. . Source: 10804.h.3, frontispiece. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beau-brummel-the-beaux-and-the-dandies-nash-brummell-and-do-stanley-paul-co-london-1910-george-bryan-brummel-known-as-beau-brummel-1778-1840-english-dandy-portrait-from-the-painting-in-the-national-portrait-gallery-image-taken-from-the-beaux-and-the-dandies-nash-brummell-and-dorsay-withtheir-courts-with-frontispiece-and-sixteen-illustrations-originally-publishedproduced-in-stanley-paul-co-london-1910-source-10804h3-frontispiece-language-english-image227197478.html
RMR5HMKJ–Beau Brummel. The Beaux and the Dandies: Nash; Brummell, and D:O. Stanley Paul & Co.: London, 1910. George Bryan Brummel, known as Beau Brummel (1778-1840). English dandy. Portrait, 'from the painting in the National Portrait Gallery'. Image taken from The Beaux and the Dandies: Nash; Brummell, and D:Orsay, withtheir courts With frontispiece and sixteen illustrations. Originally published/produced in Stanley Paul & Co.: London, 1910. . Source: 10804.h.3, frontispiece. Language: English.
London seen from Blackfriars Bridge, William Bernard Cooke, 1778–1855, British, after Luke Clennell, 1781–1840, British, 1814, Engraving, Sheet: 5 1/4 x 8 1/2in. (13.3 x 21.6cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-seen-from-blackfriars-bridge-william-bernard-cooke-17781855-british-after-luke-clennell-17811840-british-1814-engraving-sheet-5-14-x-8-12in-133-x-216cm-image389676771.html
RM2DHY8KF–London seen from Blackfriars Bridge, William Bernard Cooke, 1778–1855, British, after Luke Clennell, 1781–1840, British, 1814, Engraving, Sheet: 5 1/4 x 8 1/2in. (13.3 x 21.6cm
. English: Photograph of Loch-an-Eilean, Rothiemurchus, Inverness-shire, 1835. Oil on canvas, by Reverend John Thomson. 1835. Reverend John Thomson (1778-1840) 606 Thomson, Loch-an-Eilean Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-photograph-of-loch-an-eilean-rothiemurchus-inverness-shire-1835-oil-on-canvas-by-reverend-john-thomson-1835-reverend-john-thomson-1778-1840-606-thomson-loch-an-eilean-image188021947.html
RMMWW3WF–. English: Photograph of Loch-an-Eilean, Rothiemurchus, Inverness-shire, 1835. Oil on canvas, by Reverend John Thomson. 1835. Reverend John Thomson (1778-1840) 606 Thomson, Loch-an-Eilean
GEORGE BRYAN (BEAU) BRUMMELL English dandy and friend of the Prince of Wales Date: 1778 - 1840 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-george-bryan-beau-brummell-english-dandy-and-friend-of-the-prince-105284232.html
RMG38334–GEORGE BRYAN (BEAU) BRUMMELL English dandy and friend of the Prince of Wales Date: 1778 - 1840
Portrait of George Bryan 'Beau' Brummel (1778-1840) an iconic figure in Regency England, the arbiter of men's fashion, and a friend of the Prince Regent, the future King George IV. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-george-bryan-beau-brummel-1778-1840-an-iconic-figure-in-104178546.html
RMG1DMPA–Portrait of George Bryan 'Beau' Brummel (1778-1840) an iconic figure in Regency England, the arbiter of men's fashion, and a friend of the Prince Regent, the future King George IV. Dated 19th Century
INTERIOR DE LA CATEDRAL LUTERANA - 1830/1852. Author: CARL LUDVIG ENGEL (1778-1840). Location: NICHOLAS CATHEDRAL. Helsinki. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-de-la-catedral-luterana-18301852-author-carl-ludvig-engel-1778-1840-location-nicholas-cathedral-helsinki-image487688079.html
RM2K9C33B–INTERIOR DE LA CATEDRAL LUTERANA - 1830/1852. Author: CARL LUDVIG ENGEL (1778-1840). Location: NICHOLAS CATHEDRAL. Helsinki.
Beau Brummell. Caricature of the Regency dandy, George Bryan 'Beau' Brummell (1778-1840) by Robert Dighton, watercolour, 1805 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beau-brummell-caricature-of-the-regency-dandy-george-bryan-beau-brummell-1778-1840-by-robert-dighton-watercolour-1805-image415696247.html
RM2F48GPF–Beau Brummell. Caricature of the Regency dandy, George Bryan 'Beau' Brummell (1778-1840) by Robert Dighton, watercolour, 1805
BEAU BRUMMELL (1778-1840) Regency social icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beau-brummell-1778-1840-regency-social-icon-image360755604.html
RM2BXWRCM–BEAU BRUMMELL (1778-1840) Regency social icon
Art inspired by Madame Philippe Panon Desbassayns de Richemont (Jeanne Eglé Mourgue, 1778–1855) and Her Son, Eugène (1800–1859), 1802, Oil on canvas, 46 x 35 1/4 in. (116.8 x 89.5 cm), Paintings, Marie Guillelmine Benoist (French, Paris 1768–1826 Paris), Jeanne Eglé Fulcrande Catherine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-madame-philippe-panon-desbassayns-de-richemont-jeanne-egl-mourgue-17781855-and-her-son-eugne-18001859-1802-oil-on-canvas-46-x-35-14-in-1168-x-895-cm-paintings-marie-guillelmine-benoist-french-paris-17681826-paris-jeanne-egl-fulcrande-catherine-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023855.html
RF2HW8FJ7–Art inspired by Madame Philippe Panon Desbassayns de Richemont (Jeanne Eglé Mourgue, 1778–1855) and Her Son, Eugène (1800–1859), 1802, Oil on canvas, 46 x 35 1/4 in. (116.8 x 89.5 cm), Paintings, Marie Guillelmine Benoist (French, Paris 1768–1826 Paris), Jeanne Eglé Fulcrande Catherine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Exterior of La Scala circa 1840. It opened on 3 August 1778 with Salieri's Europa Riconosciuta. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-exterior-of-la-scala-circa-1840-it-opened-on-3-august-1778-with-salieris-163031269.html
RMKD6M19–Exterior of La Scala circa 1840. It opened on 3 August 1778 with Salieri's Europa Riconosciuta.
Fanny Burney (1752-1840), wrote 'Evelina' (1778), a novel of social life among the prosperous classes of 18th century England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fanny-burney-1752-1840-wrote-evelina-1778-a-novel-of-social-life-among-50016342.html
RMCWAC9X–Fanny Burney (1752-1840), wrote 'Evelina' (1778), a novel of social life among the prosperous classes of 18th century England.
Finland. Helsinki. Finnish Evangelical Lutheran cathedral. Designed by Carl Ludvig Engel (1778-1840) in the neoclassical style. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-finland-helsinki-finnish-evangelical-lutheran-cathedral-designed-by-55631583.html
RMD6E6J7–Finland. Helsinki. Finnish Evangelical Lutheran cathedral. Designed by Carl Ludvig Engel (1778-1840) in the neoclassical style.
'Evelina' by Fanny Burney. Mr Smith runs away with Evelina, Letter XLVI.This edition published in 1920. First published in 1778. FB, English novelist, 13 June 1752- 6 Jan 1840. Illustration by Hugh Thomson 1860-1920. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-evelina-by-fanny-burney-mr-smith-runs-away-with-evelina-letter-xlvithis-147100601.html
RMJF908W–'Evelina' by Fanny Burney. Mr Smith runs away with Evelina, Letter XLVI.This edition published in 1920. First published in 1778. FB, English novelist, 13 June 1752- 6 Jan 1840. Illustration by Hugh Thomson 1860-1920.
1870 c., Vienna , AUSTRIA : The austrian count EDMUND ZICHY ( graf Ödön , 1811 - 1894 ), politician and patron of the Arts . Financier of the Austro-Hungarian expedition to the North Pole , the Land of Zichy takes its name from him . In 1832 he married the italian Princess Paolina Odescalchi ( 1810 - 1866 ), daughter of Prince Innocenzo Odescalchi ( 1778 - 1833 ) and his wife, the Hungarian noblewoman Anna Luisa Keglevich de Buzin ( 1778 - 1813 ). The couple had 3 sons: Edmund ( 1834 - 1910 ), the writer and collector Jeno ( 1837 - 1906 ) and Livia ( 1840 - 1913 ). Photo by M. Stern , Wien . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1870-c-vienna-austria-the-austrian-count-edmund-zichy-graf-dn-1811-1894-politician-and-patron-of-the-arts-financier-of-the-austro-hungarian-expedition-to-the-north-pole-the-land-of-zichy-takes-its-name-from-him-in-1832-he-married-the-italian-princess-paolina-odescalchi-1810-1866-daughter-of-prince-innocenzo-odescalchi-1778-1833-and-his-wife-the-hungarian-noblewoman-anna-luisa-keglevich-de-buzin-1778-1813-the-couple-had-3-sons-edmund-1834-1910-the-writer-and-collector-jeno-1837-1906-and-livia-1840-1913-photo-by-m-stern-wien-image594722565.html
RM2WFFXKH–1870 c., Vienna , AUSTRIA : The austrian count EDMUND ZICHY ( graf Ödön , 1811 - 1894 ), politician and patron of the Arts . Financier of the Austro-Hungarian expedition to the North Pole , the Land of Zichy takes its name from him . In 1832 he married the italian Princess Paolina Odescalchi ( 1810 - 1866 ), daughter of Prince Innocenzo Odescalchi ( 1778 - 1833 ) and his wife, the Hungarian noblewoman Anna Luisa Keglevich de Buzin ( 1778 - 1813 ). The couple had 3 sons: Edmund ( 1834 - 1910 ), the writer and collector Jeno ( 1837 - 1906 ) and Livia ( 1840 - 1913 ). Photo by M. Stern , Wien .
Brentano, Clemens, 9.11.1778 - 28.7.1842, German writer, portrait, painting by Emilie Linder, circa 1840, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-brentano-clemens-9111778-2871842-german-writer-portrait-painting-by-47849100.html
RMCNRM0C–Brentano, Clemens, 9.11.1778 - 28.7.1842, German writer, portrait, painting by Emilie Linder, circa 1840, Artist's Copyright has not to be cleared
Statue of Beau Brummell by Irena Sedlecká in Jermyn St, St James, London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-beau-brummell-by-irena-sedleck-in-jermyn-st-st-james-london-image338707236.html
RM2AK1CF0–Statue of Beau Brummell by Irena Sedlecká in Jermyn St, St James, London
London, England, UK. Statue of George 'Beau' Brummell (1778-1840) in Jermyn Street (Irena Sediecka; 2002) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-london-england-uk-statue-of-george-beau-brummell-1778-1840-in-jermyn-54483236.html
RMD4HWWT–London, England, UK. Statue of George 'Beau' Brummell (1778-1840) in Jermyn Street (Irena Sediecka; 2002)
LA FAMILLE IMPERIALE - Napoléon Bonaparte et sa famille - Napoleon Ier (1769-1815) - Josephine (Marie Josephe Rose Tascher de la Pagerie dite Josephine de Beauharnais (1763-1814) - Marie Louise d'Autriche (1791-1847) - Napoleon II, duc de Reichstadt ( Napoleon François Charles Joseph Bonaparte, 1811-1832) - Laetitia Bonaparte (Letizia Maria Ramolino) (1750-1836) - Eugene Rose de Beauharnais dit le Prince Eugene (1781-1824) - Reine Hortense de Beauharnais (1783-1837) - Joseph Bonaparte (1768-1844) - Lucien Bonaparte (1775-1840) - Jerome Bonaparte (1784-1860) - Louis Bonaparte (1778-1846) - Prin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-famille-imperiale-napolon-bonaparte-et-sa-famille-napoleon-ier-1769-1815-josephine-marie-josephe-rose-tascher-de-la-pagerie-dite-josephine-de-beauharnais-1763-1814-marie-louise-dautriche-1791-1847-napoleon-ii-duc-de-reichstadt-napoleon-franois-charles-joseph-bonaparte-1811-1832-laetitia-bonaparte-letizia-maria-ramolino-1750-1836-eugene-rose-de-beauharnais-dit-le-prince-eugene-1781-1824-reine-hortense-de-beauharnais-1783-1837-joseph-bonaparte-1768-1844-lucien-bonaparte-1775-1840-jerome-bonaparte-1784-1860-louis-bonaparte-1778-1846-prin-image526673429.html
RM2NGT199–LA FAMILLE IMPERIALE - Napoléon Bonaparte et sa famille - Napoleon Ier (1769-1815) - Josephine (Marie Josephe Rose Tascher de la Pagerie dite Josephine de Beauharnais (1763-1814) - Marie Louise d'Autriche (1791-1847) - Napoleon II, duc de Reichstadt ( Napoleon François Charles Joseph Bonaparte, 1811-1832) - Laetitia Bonaparte (Letizia Maria Ramolino) (1750-1836) - Eugene Rose de Beauharnais dit le Prince Eugene (1781-1824) - Reine Hortense de Beauharnais (1783-1837) - Joseph Bonaparte (1768-1844) - Lucien Bonaparte (1775-1840) - Jerome Bonaparte (1784-1860) - Louis Bonaparte (1778-1846) - Prin
Mountainous Landscape with Lake, John Varley, 1778–1842, British, 1840, Watercolor, graphite, white ground and varnish on medium, moderately textured, beige wove paper, Sheet: 8 3/4 x 13 5/8 inches (22.2 x 34.6 cm), banks, buildings, clouds, hills, lakes, landscape, mountains, trees Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mountainous-landscape-with-lake-john-varley-17781842-british-1840-watercolor-graphite-white-ground-and-varnish-on-medium-moderately-textured-beige-wove-paper-sheet-8-34-x-13-58-inches-222-x-346-cm-banks-buildings-clouds-hills-lakes-landscape-mountains-trees-image389617851.html
RM2DHTHF7–Mountainous Landscape with Lake, John Varley, 1778–1842, British, 1840, Watercolor, graphite, white ground and varnish on medium, moderately textured, beige wove paper, Sheet: 8 3/4 x 13 5/8 inches (22.2 x 34.6 cm), banks, buildings, clouds, hills, lakes, landscape, mountains, trees
. English: Photograph of Loch-an-Eilean, Rothiemurchus, Inverness-shire, 1835. Oil on canvas, by Reverend John Thomson. 1835. Reverend John Thomson (1778-1840) 528 Thomson, Loch-an-Eilean Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-photograph-of-loch-an-eilean-rothiemurchus-inverness-shire-1835-oil-on-canvas-by-reverend-john-thomson-1835-reverend-john-thomson-1778-1840-528-thomson-loch-an-eilean-image188762495.html
RMMY2TDK–. English: Photograph of Loch-an-Eilean, Rothiemurchus, Inverness-shire, 1835. Oil on canvas, by Reverend John Thomson. 1835. Reverend John Thomson (1778-1840) 528 Thomson, Loch-an-Eilean
GEORGE BRYAN (BEAU) BRUMMELL English dandy and friend of the Prince of Wales Date: 1778 - 1840 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-george-bryan-beau-brummell-english-dandy-and-friend-of-the-prince-105284231.html
RMG38333–GEORGE BRYAN (BEAU) BRUMMELL English dandy and friend of the Prince of Wales Date: 1778 - 1840
Fanny (Frances) Burney, Madame D'Arblay (1752-1840) English novelist, 1843. Daughter of the musicologist Dr Charles Burney, in 1793 she married General d'Arblay, a French refugee. Her three major novels are 'Evelina' (1778), 'Cecilia' (1782) and 'Camilla' (1796). From 'Diary and Letters of Madame D'Arblay' by Fanny Burney. ( London, 1843). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fanny-frances-burney-madame-darblay-1752-1840-english-novelist-1843-57308330.html
RMD96HA2–Fanny (Frances) Burney, Madame D'Arblay (1752-1840) English novelist, 1843. Daughter of the musicologist Dr Charles Burney, in 1793 she married General d'Arblay, a French refugee. Her three major novels are 'Evelina' (1778), 'Cecilia' (1782) and 'Camilla' (1796). From 'Diary and Letters of Madame D'Arblay' by Fanny Burney. ( London, 1843).
ESCULTURA DEL ZAR ALEJANDRO II FRENTE AL EDIFICIO DEL SENADO - S XIX. Author: CARL LUDVIG ENGEL (1778-1840). Location: SENADO. Helsinki. ALEJANDRO II DE RUSIA ZAR. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/escultura-del-zar-alejandro-ii-frente-al-edificio-del-senado-s-xix-author-carl-ludvig-engel-1778-1840-location-senado-helsinki-alejandro-ii-de-rusia-zar-image487688094.html
RM2K9C33X–ESCULTURA DEL ZAR ALEJANDRO II FRENTE AL EDIFICIO DEL SENADO - S XIX. Author: CARL LUDVIG ENGEL (1778-1840). Location: SENADO. Helsinki. ALEJANDRO II DE RUSIA ZAR.
Beau Brummell. Portrait of the 19th century American actor, Richard Mansfield, in the role of the Regency dandy, George Bryan 'Beau' Brummell (1778-1840), watercolor by C A Muller, c. 1891 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beau-brummell-portrait-of-the-19th-century-american-actor-richard-mansfield-in-the-role-of-the-regency-dandy-george-bryan-beau-brummell-1778-1840-watercolor-by-c-a-muller-c-1891-image415696244.html
RM2F48GPC–Beau Brummell. Portrait of the 19th century American actor, Richard Mansfield, in the role of the Regency dandy, George Bryan 'Beau' Brummell (1778-1840), watercolor by C A Muller, c. 1891
JOSEPH-LOUIS GAY-LUSSAC 1778 to 1850. Engaving of the French chemist and physicist in an 1840 balloon ascent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-louis-gay-lussac-1778-to-1850-engaving-of-the-french-chemist-image9882795.html
RMA053NG–JOSEPH-LOUIS GAY-LUSSAC 1778 to 1850. Engaving of the French chemist and physicist in an 1840 balloon ascent
Hyacinthe-Louis de Quélen (1778-1839), Archbishop of Paris (1821-1839), 1840 Jacques-Jean Barré (1793-1855). Hyacinthe-Louis de Quélen (1778-1839), archevêque de Paris. Bronze, 1840. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hyacinthe-louis-de-qulen-1778-1839-archbishop-of-paris-1821-1839-1840-jacques-jean-barr-1793-1855-hyacinthe-louis-de-qulen-1778-1839-archevque-de-paris-bronze-1840-paris-muse-carnavalet-image349948184.html
RM2B99EDC–Hyacinthe-Louis de Quélen (1778-1839), Archbishop of Paris (1821-1839), 1840 Jacques-Jean Barré (1793-1855). Hyacinthe-Louis de Quélen (1778-1839), archevêque de Paris. Bronze, 1840. Paris, musée Carnavalet.
Portrait of de schilder J.H. Verheyen (1778-1846) between 1830 and 1840 by Jan Kieft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-de-schilder-jh-verheyen-1778-1846-between-1830-and-1840-by-jan-kieft-image563861363.html
RM2RNA2WR–Portrait of de schilder J.H. Verheyen (1778-1846) between 1830 and 1840 by Jan Kieft
Fanny Burney, c1784-1785, (1943). Portrait of Frances Burney (1752-1840), English satirical novelist, diarist and playwright, and daughter of the musicologist Dr Charles Burney. She married General d'Arblay, a French refugee, in 1793. Her three major novels are "Evelina" (1778), "Cecilia" (1782) and "Camilla" (1796). After a painting by her cousin Edward Francis Burney, in the National Portrait Gallery in London. From "English Diaries and Journals", by Kate O'Brien. [Collins, London, 1943] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fanny-burney-c1784-1785-1943-portrait-of-frances-burney-1752-1840-english-satirical-novelist-diarist-and-playwright-and-daughter-of-the-musicologist-dr-charles-burney-she-married-general-darblay-a-french-refugee-in-1793-her-three-major-novels-are-quotevelinaquot-1778-quotceciliaquot-1782-and-quotcamillaquot-1796-after-a-painting-by-her-cousin-edward-francis-burney-in-the-national-portrait-gallery-in-london-from-quotenglish-diaries-and-journalsquot-by-kate-obrien-collins-london-1943-image336845122.html
RM2AG0HAX–Fanny Burney, c1784-1785, (1943). Portrait of Frances Burney (1752-1840), English satirical novelist, diarist and playwright, and daughter of the musicologist Dr Charles Burney. She married General d'Arblay, a French refugee, in 1793. Her three major novels are "Evelina" (1778), "Cecilia" (1782) and "Camilla" (1796). After a painting by her cousin Edward Francis Burney, in the National Portrait Gallery in London. From "English Diaries and Journals", by Kate O'Brien. [Collins, London, 1943]
Finland. Helsinki. Finnish Evangelical Lutheran cathedral. Designed by Carl Ludvig Engel (1778-1840) in the neoclassical style. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-finland-helsinki-finnish-evangelical-lutheran-cathedral-designed-by-55631553.html
RMD6E6H5–Finland. Helsinki. Finnish Evangelical Lutheran cathedral. Designed by Carl Ludvig Engel (1778-1840) in the neoclassical style.
'Evelina' by Fanny Burney. Mr Smith runs away with Evelina, Letter XLVI.This edition published in 1920. First published in 1778. FB, English novelist, 13 June 1752- 6 Jan 1840. Illustration by Hugh Thomson 1860-1920. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-evelina-by-fanny-burney-mr-smith-runs-away-with-evelina-letter-xlvithis-147100602.html
RMJF908X–'Evelina' by Fanny Burney. Mr Smith runs away with Evelina, Letter XLVI.This edition published in 1920. First published in 1778. FB, English novelist, 13 June 1752- 6 Jan 1840. Illustration by Hugh Thomson 1860-1920.
Frederick William III, 3.8.1770 - 7.6.1840, King of Prussia 16.11.1797 - 7.6.1840, portrait, as child with eight years, after pencil drawing by Daniel Chodowiecki, 1778 / 1779, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederick-william-iii-381770-761840-king-of-prussia-16111797-761840-image60219592.html
RMDDY6KM–Frederick William III, 3.8.1770 - 7.6.1840, King of Prussia 16.11.1797 - 7.6.1840, portrait, as child with eight years, after pencil drawing by Daniel Chodowiecki, 1778 / 1779,
Statue of Beau Brummell by Irena Sedlecká in Jermyn St, St James, London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-beau-brummell-by-irena-sedleck-in-jermyn-st-st-james-london-image338707086.html
RM2AK1C9J–Statue of Beau Brummell by Irena Sedlecká in Jermyn St, St James, London
London UK 14 May 2022 Beau Brummell, 1778 - 1840. 'To be truly elegant one should not be noticed' George 'Beau' Brummell's connections with Court, clubs and tailoring embody the spirit of St James's past and present, was the meeting point for a large group of well-dressed dandies, flaneurs, boulevardiers and quaintrelles for the Grand Flaneur Walk, whose aim was to follow in the footsteps of the great flaneurs of history by walking entirely without purpose. Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-14-may-2022-beau-brummell-1778-1840-to-be-truly-elegant-one-should-not-be-noticed-george-beau-brummells-connections-with-court-clubs-and-tailoring-embody-the-spirit-of-st-jamess-past-and-present-was-the-meeting-point-for-a-large-group-of-well-dressed-dandies-flaneurs-boulevardiers-and-quaintrelles-for-the-grand-flaneur-walk-whose-aim-was-to-follow-in-the-footsteps-of-the-great-flaneurs-of-history-by-walking-entirely-without-purpose-paul-quezada-neimanalamy-live-news-image469796656.html
RM2J892C0–London UK 14 May 2022 Beau Brummell, 1778 - 1840. 'To be truly elegant one should not be noticed' George 'Beau' Brummell's connections with Court, clubs and tailoring embody the spirit of St James's past and present, was the meeting point for a large group of well-dressed dandies, flaneurs, boulevardiers and quaintrelles for the Grand Flaneur Walk, whose aim was to follow in the footsteps of the great flaneurs of history by walking entirely without purpose. Paul Quezada-Neiman/Alamy Live News
Robert Dunkarton, Mary Horneck, Robert Dunkarton (British, 1744–1811), After Sir Joshua Reynolds (British, Plympton 1723–1792 London), Mary Horneck (British, ca. 1752–1840), February 1, 1778, Mezzotint, Sheet (trimmed within plate): 19 11/16 × 13 11/16 in. (50 × 34.7 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-dunkarton-mary-horneck-robert-dunkarton-british-17441811-after-sir-joshua-reynolds-british-plympton-17231792-london-mary-horneck-british-ca-17521840-february-1-1778-mezzotint-sheet-trimmed-within-plate-19-1116-13-1116-in-50-347-cm-prints-image344650777.html
RM2B0M5G9–Robert Dunkarton, Mary Horneck, Robert Dunkarton (British, 1744–1811), After Sir Joshua Reynolds (British, Plympton 1723–1792 London), Mary Horneck (British, ca. 1752–1840), February 1, 1778, Mezzotint, Sheet (trimmed within plate): 19 11/16 × 13 11/16 in. (50 × 34.7 cm), Prints
. Johan Carl Ludvig Engel (1778–1840), German architect CFEngel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johan-carl-ludvig-engel-17781840-german-architect-cfengel-image184945420.html
RMMMTYNG–. Johan Carl Ludvig Engel (1778–1840), German architect CFEngel
BEAU BRUMMELL In London's Bond Street Brummell, after being ignored by the Prince Regent (George IV) asks Lord Moira, 'Who's your fat friend ?' Date: 1778 - 1840 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-beau-brummell-in-londons-bond-street-brummell-after-being-ignored-105291505.html
RMG38CAW–BEAU BRUMMELL In London's Bond Street Brummell, after being ignored by the Prince Regent (George IV) asks Lord Moira, 'Who's your fat friend ?' Date: 1778 - 1840
The house in Penzance in which Inventor, Humphry Davy (1778-1829) was born. 1840 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-house-in-penzance-in-which-inventor-humphry-davy-1778-1829-was-131238723.html
RMHHEC97–The house in Penzance in which Inventor, Humphry Davy (1778-1829) was born. 1840
'Portrait of Alexander N. Ryleyev (1778-1840) (2nd)'. The Military Gallery of the Winter Palace. No later than 1825. Dimensions: 70x62,5 cm. Museum: State Hermitage, St. Petersburg. Author: George Dawe (and workshop). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-alexander-n-ryleyev-1778-1840-2nd-the-military-gallery-of-the-winter-palace-no-later-than-1825-dimensions-70x625-cm-museum-state-hermitage-st-petersburg-author-george-dawe-and-workshop-image241156474.html
RMT09HF6–'Portrait of Alexander N. Ryleyev (1778-1840) (2nd)'. The Military Gallery of the Winter Palace. No later than 1825. Dimensions: 70x62,5 cm. Museum: State Hermitage, St. Petersburg. Author: George Dawe (and workshop).
Portrait of Charles-Guillaume Étienne (1778-1845), c. 1840. Found in the collection of Musée Carnavalet, Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-charles-guillaume-xc9tienne-1778-1845-c-1840-found-in-the-collection-of-musxe9e-carnavalet-paris-image433144233.html
RM2G4KBTW–Portrait of Charles-Guillaume Étienne (1778-1845), c. 1840. Found in the collection of Musée Carnavalet, Paris.
Fanny Burney (1752-1840), wrote 'Evelina' (1778), a novel of social life among the prosperous classes of 18th century England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fanny-burney-1752-1840-wrote-evelina-1778-a-novel-of-social-life-among-32378022.html
RMBTJXDX–Fanny Burney (1752-1840), wrote 'Evelina' (1778), a novel of social life among the prosperous classes of 18th century England.
Hyacinthe-Louis Quelen (1778-1839), archbishop of Paris (1821-1839), 1840 Jacques-Jean Barré (1793-1855). Hyacinthe-Louis de Quelen (1778-1839), archevêque de Paris, (1821-1839), 1840. Bronze, 1840. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hyacinthe-louis-quelen-1778-1839-archbishop-of-paris-1821-1839-1840-jacques-jean-barr-1793-1855-hyacinthe-louis-de-quelen-1778-1839-archevque-de-paris-1821-1839-1840-bronze-1840-paris-muse-carnavalet-image349948180.html
RM2B99ED8–Hyacinthe-Louis Quelen (1778-1839), archbishop of Paris (1821-1839), 1840 Jacques-Jean Barré (1793-1855). Hyacinthe-Louis de Quelen (1778-1839), archevêque de Paris, (1821-1839), 1840. Bronze, 1840. Paris, musée Carnavalet.
George Bryan 'Beau' Brummell (7 June 1778 – 30 March 1840), portrait, 19th century engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-bryan-beau-brummell-7-june-1778-30-march-1840-portrait-19th-century-engraving-image570608593.html
RM2T49D29–George Bryan 'Beau' Brummell (7 June 1778 – 30 March 1840), portrait, 19th century engraving.
Johann Nepomuk Hummel (14 November 1778 - 17 October 1837), an Austrian composer and pianist, Historical, digitally restored reproduction from an original of the period Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johann-nepomuk-hummel-14-november-1778-17-october-1837-an-austrian-composer-and-pianist-historical-digitally-restored-reproduction-from-an-original-of-the-period-image621487675.html
RF2Y335TB–Johann Nepomuk Hummel (14 November 1778 - 17 October 1837), an Austrian composer and pianist, Historical, digitally restored reproduction from an original of the period
Finland. Helsinki. Finnish Evangelical Lutheran cathedral. Designed by Carl Ludvig Engel (1778-1840) in the neoclassical style. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-finland-helsinki-finnish-evangelical-lutheran-cathedral-designed-by-55631582.html
RMD6E6J6–Finland. Helsinki. Finnish Evangelical Lutheran cathedral. Designed by Carl Ludvig Engel (1778-1840) in the neoclassical style.
'Evelina' by Fanny Burney. Mr Smith runs away with Evelina, Letter XLVI.This edition published in 1920. First published in 1778. FB, English novelist, 13 June 1752- 6 Jan 1840. Illustration by Hugh Thomson 1860-1920. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-evelina-by-fanny-burney-mr-smith-runs-away-with-evelina-letter-xlvithis-83354063.html
RMERH2XR–'Evelina' by Fanny Burney. Mr Smith runs away with Evelina, Letter XLVI.This edition published in 1920. First published in 1778. FB, English novelist, 13 June 1752- 6 Jan 1840. Illustration by Hugh Thomson 1860-1920.
Charles, Baron de Meneval (1778 1856), Secretary and librarian to Napoleon I MET 31579 188437 Artist: Pierre Jean David d'Angers, French, Angers 1788?1856 Paris, Charles, Baron de Meneval (1778?1856), Secretary and librarian to Napoleon I, 1840, Bronze, cast - single, Diameter: 6 1/2 in. (16.5 cm). The Metropolitan Museum of Art, New York. Gift of Samuel P. Avery, 1898 (98.7.31) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-charles-baron-de-meneval-1778-1856-secretary-and-librarian-to-napoleon-168146807.html
RMKNFMY3–Charles, Baron de Meneval (1778 1856), Secretary and librarian to Napoleon I MET 31579 188437 Artist: Pierre Jean David d'Angers, French, Angers 1788?1856 Paris, Charles, Baron de Meneval (1778?1856), Secretary and librarian to Napoleon I, 1840, Bronze, cast - single, Diameter: 6 1/2 in. (16.5 cm). The Metropolitan Museum of Art, New York. Gift of Samuel P. Avery, 1898 (98.7.31)
Statue by Irena Sedlecka of George Bryan 'Beau' Brummell (1778-1840), dandy and wit, in Jermyn St, Piccadilly, London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-by-irena-sedlecka-of-george-bryan-beau-brummell-1778-1840-dandy-and-wit-in-jermyn-st-piccadilly-london-image365226710.html
RM2C65EB2–Statue by Irena Sedlecka of George Bryan 'Beau' Brummell (1778-1840), dandy and wit, in Jermyn St, Piccadilly, London
Battle of Somosierr; Micha around 1840-1844 (1840-00-00-1844-00-00);Kozietulski, Jan Leon (1778-1821), Kozietulski, Jan Leon (1778-1821)-iconography, Somosierra, Army of the Duchy of Warsaw in 1807-1815, Battle of Somosierra (1808), battles, horses, Napoleonica, romanticism (style ), battle scenes, historical scenes, cavalrymen, Napoleonic wars, purchase (provenance), soldiers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-somosierr-micha-around-1840-1844-1840-00-00-1844-00-00kozietulski-jan-leon-1778-1821-kozietulski-jan-leon-1778-1821-iconography-somosierra-army-of-the-duchy-of-warsaw-in-1807-1815-battle-of-somosierra-1808-battles-horses-napoleonica-romanticism-style-battle-scenes-historical-scenes-cavalrymen-napoleonic-wars-purchase-provenance-soldiers-image598810170.html
RM2WP64DE–Battle of Somosierr; Micha around 1840-1844 (1840-00-00-1844-00-00);Kozietulski, Jan Leon (1778-1821), Kozietulski, Jan Leon (1778-1821)-iconography, Somosierra, Army of the Duchy of Warsaw in 1807-1815, Battle of Somosierra (1808), battles, horses, Napoleonica, romanticism (style ), battle scenes, historical scenes, cavalrymen, Napoleonic wars, purchase (provenance), soldiers
London UK 14 May 2022 Beau Brummell, 1778 - 1840. 'To be truly elegant one should not be noticed' George 'Beau' Brummell's connections with Court, clubs and tailoring embody the spirit of St James's past and present, was the meeting point for a large group of well-dressed dandies, flaneurs, boulevardiers and quaintrelles for the Grand Flaneur Walk, whose aim was to follow in the footsteps of the great flaneurs of history by walking entirely without purpose. Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-14-may-2022-beau-brummell-1778-1840-to-be-truly-elegant-one-should-not-be-noticed-george-beau-brummells-connections-with-court-clubs-and-tailoring-embody-the-spirit-of-st-jamess-past-and-present-was-the-meeting-point-for-a-large-group-of-well-dressed-dandies-flaneurs-boulevardiers-and-quaintrelles-for-the-grand-flaneur-walk-whose-aim-was-to-follow-in-the-footsteps-of-the-great-flaneurs-of-history-by-walking-entirely-without-purpose-paul-quezada-neimanalamy-live-news-image469798339.html
RM2J894G3–London UK 14 May 2022 Beau Brummell, 1778 - 1840. 'To be truly elegant one should not be noticed' George 'Beau' Brummell's connections with Court, clubs and tailoring embody the spirit of St James's past and present, was the meeting point for a large group of well-dressed dandies, flaneurs, boulevardiers and quaintrelles for the Grand Flaneur Walk, whose aim was to follow in the footsteps of the great flaneurs of history by walking entirely without purpose. Paul Quezada-Neiman/Alamy Live News
Tang Yifen, Blossoming Plum, China, Tang Yifen (Chinese, 1778–1853), Dated 1840, China, Four album leaves; ink on gold-flecked paper, Image: 9 1/4 x 8 1/2 in. (23.5 x 21.6 cm), Overall with mounting: 17 1/2 x 14 1/2 in. (44.5 x 36.8 cm), Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tang-yifen-blossoming-plum-china-tang-yifen-chinese-17781853-dated-1840-china-four-album-leaves-ink-on-gold-flecked-paper-image-9-14-x-8-12-in-235-x-216-cm-overall-with-mounting-17-12-x-14-12-in-445-x-368-cm-paintings-image344615134.html
RM2B0JG3A–Tang Yifen, Blossoming Plum, China, Tang Yifen (Chinese, 1778–1853), Dated 1840, China, Four album leaves; ink on gold-flecked paper, Image: 9 1/4 x 8 1/2 in. (23.5 x 21.6 cm), Overall with mounting: 17 1/2 x 14 1/2 in. (44.5 x 36.8 cm), Paintings
. Johan Carl Ludvig Engel (1778–1840), German architect CFEngel-2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johan-carl-ludvig-engel-17781840-german-architect-cfengel-2-image184945416.html
RMMMTYNC–. Johan Carl Ludvig Engel (1778–1840), German architect CFEngel-2
Neuer Geist in alten Mauern - Spitzenmuseum Plauen Als eines der modernsten Museen mit überregionaler Bedeutung erfreut sich die Plauener Fabrik der Fäden in kürzester Zeit nach der Eröffnung Ende vergangenen Jahres großen Zuspruchs mit rund 8000 Besuchern bisher. Heute gehört die Einrichtung zu den wichtigsten Spezialmuseen in Deutschland und Europa. Auf 1.200 Quadratmeter Ausstellungsfläche wird der weltweite Siegeszug der Plauener Spitze dargestellt. Genutzt wurde dafür das Weisbachsche Haus, eine Kattundruckerei und Baumwollspinnerei die ab 1777/1778 im Fränkischen Barock entstand. Archite Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/neuer-geist-in-alten-mauern-spitzenmuseum-plauen-als-eines-der-modernsten-museen-mit-berregionaler-bedeutung-erfreut-sich-die-plauener-fabrik-der-fden-in-krzester-zeit-nach-der-erffnung-ende-vergangenen-jahres-groen-zuspruchs-mit-rund-8000-besuchern-bisher-heute-gehrt-die-einrichtung-zu-den-wichtigsten-spezialmuseen-in-deutschland-und-europa-auf-1200-quadratmeter-ausstellungsflche-wird-der-weltweite-siegeszug-der-plauener-spitze-dargestellt-genutzt-wurde-dafr-das-weisbachsche-haus-eine-kattundruckerei-und-baumwollspinnerei-die-ab-17771778-im-frnkischen-barock-entstand-archite-image594738490.html
RM2WFGK0A–Neuer Geist in alten Mauern - Spitzenmuseum Plauen Als eines der modernsten Museen mit überregionaler Bedeutung erfreut sich die Plauener Fabrik der Fäden in kürzester Zeit nach der Eröffnung Ende vergangenen Jahres großen Zuspruchs mit rund 8000 Besuchern bisher. Heute gehört die Einrichtung zu den wichtigsten Spezialmuseen in Deutschland und Europa. Auf 1.200 Quadratmeter Ausstellungsfläche wird der weltweite Siegeszug der Plauener Spitze dargestellt. Genutzt wurde dafür das Weisbachsche Haus, eine Kattundruckerei und Baumwollspinnerei die ab 1777/1778 im Fränkischen Barock entstand. Archite
Helsinki Cathedral. Finnish Evangelical Lutheran cathedral. Designed by Carl Ludvig Engel (1778-1840) in the neoclassical style. It was originally built from 1830-1852 as a tribute to the Grand Duke of Finland, Tsar Nicholas I of Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/helsinki-cathedral-finnish-evangelical-lutheran-cathedral-designed-by-carl-ludvig-engel-1778-1840-in-the-neoclassical-style-it-was-originally-built-from-1830-1852-as-a-tribute-to-the-grand-duke-of-finland-tsar-nicholas-i-of-russia-image209738504.html
RMP56BGT–Helsinki Cathedral. Finnish Evangelical Lutheran cathedral. Designed by Carl Ludvig Engel (1778-1840) in the neoclassical style. It was originally built from 1830-1852 as a tribute to the Grand Duke of Finland, Tsar Nicholas I of Russia.
City Hall Helsinki Finland Scandinavia Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/city-hall-helsinki-finland-scandinavia-europe-image7135380.html
RMAA1XH5–City Hall Helsinki Finland Scandinavia Europe
Bonaparte Family Line Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonaparte-family-line-image406987302.html
RF2EJ3TCP–Bonaparte Family Line
'Evelina' by Fanny Burney. A young man troubles Evelina at a dance, Letter XIII. This edition published in 1920. First published in 1778. FB, English novelist, 13 June 1752- 6 Jan 1840. Illustration by Hugh Thomson 1860-1920. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-evelina-by-fanny-burney-a-young-man-troubles-evelina-at-a-dance-letter-83354056.html
RMERH2XG–'Evelina' by Fanny Burney. A young man troubles Evelina at a dance, Letter XIII. This edition published in 1920. First published in 1778. FB, English novelist, 13 June 1752- 6 Jan 1840. Illustration by Hugh Thomson 1860-1920.
Statue by Irena Sedlecka of George Bryan 'Beau' Brummell (1778-1840), dandy and wit, in Jermyn St, Piccadilly, London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-by-irena-sedlecka-of-george-bryan-beau-brummell-1778-1840-dandy-and-wit-in-jermyn-st-piccadilly-london-image365226715.html
RM2C65EB7–Statue by Irena Sedlecka of George Bryan 'Beau' Brummell (1778-1840), dandy and wit, in Jermyn St, Piccadilly, London
Micha Gedeon Radziwi (1778-1850); before 1850 (1830-00-00-1840-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/micha-gedeon-radziwi-1778-1850-before-1850-1830-00-00-1840-00-00-image598882050.html
RM2WP9C4J–Micha Gedeon Radziwi (1778-1850); before 1850 (1830-00-00-1840-00-00);
London UK 14 May 2022 Beau Brummell, 1778 - 1840. 'To be truly elegant one should not be noticed' George 'Beau' Brummell's connections with Court, clubs and tailoring embody the spirit of St James's past and present, was the meeting point for a large group of well-dressed dandies, flaneurs, boulevardiers and quaintrelles for the Grand Flaneur Walk, whose aim was to follow in the footsteps of the great flaneurs of history by walking entirely without purpose. Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-14-may-2022-beau-brummell-1778-1840-to-be-truly-elegant-one-should-not-be-noticed-george-beau-brummells-connections-with-court-clubs-and-tailoring-embody-the-spirit-of-st-jamess-past-and-present-was-the-meeting-point-for-a-large-group-of-well-dressed-dandies-flaneurs-boulevardiers-and-quaintrelles-for-the-grand-flaneur-walk-whose-aim-was-to-follow-in-the-footsteps-of-the-great-flaneurs-of-history-by-walking-entirely-without-purpose-paul-quezada-neimanalamy-live-news-image469796658.html
RM2J892C2–London UK 14 May 2022 Beau Brummell, 1778 - 1840. 'To be truly elegant one should not be noticed' George 'Beau' Brummell's connections with Court, clubs and tailoring embody the spirit of St James's past and present, was the meeting point for a large group of well-dressed dandies, flaneurs, boulevardiers and quaintrelles for the Grand Flaneur Walk, whose aim was to follow in the footsteps of the great flaneurs of history by walking entirely without purpose. Paul Quezada-Neiman/Alamy Live News
A View of Theobald's Park, Hertfordshire, John James Chalon, 1778–1854, French, active in Britain, ca. 1840, Oil on canvas, Support (PTG): 24 1/2 x 31 3/4 inches (62.2 x 80.6 cm), animals, boots, breeches, buckets, cattle, children, dog (animal), dwelling, family, farmland, fields (agricultural land), grazing, hill, house, laborers, landscape, livestock, men, palace, pasture, shirt, stream, tool, top hat, vest, view, water, women, workers, Cheshunt, England, Hertfordshire, United Kingdom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-theobalds-park-hertfordshire-john-james-chalon-17781854-french-active-in-britain-ca-1840-oil-on-canvas-support-ptg-24-12-x-31-34-inches-622-x-806-cm-animals-boots-breeches-buckets-cattle-children-dog-animal-dwelling-family-farmland-fields-agricultural-land-grazing-hill-house-laborers-landscape-livestock-men-palace-pasture-shirt-stream-tool-top-hat-vest-view-water-women-workers-cheshunt-england-hertfordshire-united-kingdom-image389617853.html
RM2DHTHF9–A View of Theobald's Park, Hertfordshire, John James Chalon, 1778–1854, French, active in Britain, ca. 1840, Oil on canvas, Support (PTG): 24 1/2 x 31 3/4 inches (62.2 x 80.6 cm), animals, boots, breeches, buckets, cattle, children, dog (animal), dwelling, family, farmland, fields (agricultural land), grazing, hill, house, laborers, landscape, livestock, men, palace, pasture, shirt, stream, tool, top hat, vest, view, water, women, workers, Cheshunt, England, Hertfordshire, United Kingdom
N/A. Johan Carl Ludvig Engel (1778–1840), German architect N/A 288 CFEngel-2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-johan-carl-ludvig-engel-17781840-german-architect-na-288-cfengel-2-image210137451.html
RMP5TGCY–N/A. Johan Carl Ludvig Engel (1778–1840), German architect N/A 288 CFEngel-2
Helsinki Cathedral. Finnish Evangelical Lutheran cathedral. Designed by Carl Ludvig Engel (1778-1840) in the neoclassical style. It was originally built from 1830-1852 as a tribute to the Grand Duke of Finland, Tsar Nicholas I of Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/helsinki-cathedral-finnish-evangelical-lutheran-cathedral-designed-by-carl-ludvig-engel-1778-1840-in-the-neoclassical-style-it-was-originally-built-from-1830-1852-as-a-tribute-to-the-grand-duke-of-finland-tsar-nicholas-i-of-russia-image209738501.html
RMP56BGN–Helsinki Cathedral. Finnish Evangelical Lutheran cathedral. Designed by Carl Ludvig Engel (1778-1840) in the neoclassical style. It was originally built from 1830-1852 as a tribute to the Grand Duke of Finland, Tsar Nicholas I of Russia.
City Hall and Cathedral Helsinki Finland Scandinavia Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/city-hall-and-cathedral-helsinki-finland-scandinavia-europe-image7135276.html
RMAA1WPD–City Hall and Cathedral Helsinki Finland Scandinavia Europe
'Evelina' by Fanny Burney. A young man troubles Evelina at a dance, Letter XIII. This edition published in 1920. First published in 1778. FB, English novelist, 13 June 1752- 6 Jan 1840. Illustration by Hugh Thomson 1860-1920. Colourised version. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-evelina-by-fanny-burney-a-young-man-troubles-evelina-at-a-dance-letter-83355652.html
RMERH4YG–'Evelina' by Fanny Burney. A young man troubles Evelina at a dance, Letter XIII. This edition published in 1920. First published in 1778. FB, English novelist, 13 June 1752- 6 Jan 1840. Illustration by Hugh Thomson 1860-1920. Colourised version.