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178 5 cm Stock Photos and Images
Pedal Harp, ca. 1895–1900, Paris, France, French, Wood, brass, metal, wire, Overall height: 178.5 cm (70 1/4 in), Chordophone Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-pedal-harp-ca-18951900-paris-france-french-wood-brass-metal-wire-overall-162306038.htmlRMKC1K06–Pedal Harp, ca. 1895–1900, Paris, France, French, Wood, brass, metal, wire, Overall height: 178.5 cm (70 1/4 in), Chordophone
Still Life with Fruit and Flower Garlands. Dating: 1645 - 1650. Measurements: h 97 cm × w 172.1 cm; h 103.2 cm × w 178.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jacob van Campen. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/still-life-with-fruit-and-flower-garlands-dating-1645-1650-measurements-h-97-cm-w-1721-cm-h-1032-cm-w-1785-cm-museum-rijksmuseum-amsterdam-author-jacob-van-campen-image232867186.htmlRMRET0D6–Still Life with Fruit and Flower Garlands. Dating: 1645 - 1650. Measurements: h 97 cm × w 172.1 cm; h 103.2 cm × w 178.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jacob van Campen.
Cardinal Armand Jean du Plessis (1585-1642) known as Cardinal de Richelieu. French clergyman and statesman. He was chief minister of King Louis XIII. Portrait of Cadinal de Richelieu by Philippe de Champaigne (1602-1674), the leader French portrait painter of the reign of Louis XIII. Oil on canvas painted between 1633 and 1640 (259,5 x 178,5 cm). National Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cardinal-armand-jean-du-plessis-1585-1642-known-as-cardinal-de-richelieu-french-clergyman-and-statesman-he-was-chief-minister-of-king-louis-xiii-portrait-of-cadinal-de-richelieu-by-philippe-de-champaigne-1602-1674-the-leader-french-portrait-painter-of-the-reign-of-louis-xiii-oil-on-canvas-painted-between-1633-and-1640-2595-x-1785-cm-national-gallery-london-england-united-kingdom-image368448451.htmlRM2CBC7N7–Cardinal Armand Jean du Plessis (1585-1642) known as Cardinal de Richelieu. French clergyman and statesman. He was chief minister of King Louis XIII. Portrait of Cadinal de Richelieu by Philippe de Champaigne (1602-1674), the leader French portrait painter of the reign of Louis XIII. Oil on canvas painted between 1633 and 1640 (259,5 x 178,5 cm). National Gallery. London, England, United Kingdom.
Coin Depicting the Hero Perseus, 178/168 BC, Greek, Greece, Bronze, Diam. 1.8 cm, 5.18 g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coin-depicting-the-hero-perseus-178168-bc-greek-greece-bronze-diam-18-cm-518-g-image328625153.htmlRM2A2J4MH–Coin Depicting the Hero Perseus, 178/168 BC, Greek, Greece, Bronze, Diam. 1.8 cm, 5.18 g
Art inspired by Pedal Harp, ca. 1895–1900, Paris, France, French, Wood, brass, metal, wire, Overall height: 178.5 cm (70 1/4 in), Chordophone-Harp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pedal-harp-ca-18951900-paris-france-french-wood-brass-metal-wire-overall-height-1785-cm-70-14-in-chordophone-harp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462848805.htmlRF2HW0GAD–Art inspired by Pedal Harp, ca. 1895–1900, Paris, France, French, Wood, brass, metal, wire, Overall height: 178.5 cm (70 1/4 in), Chordophone-Harp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
L’addio di Rinaldo ad Armida - 1614 - Oil on canvas 109,2 x 178,5 cm - Lanfranco Giovanni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laddio-di-rinaldo-ad-armida-1614-oil-on-canvas-1092-x-1785-cm-lanfranco-giovanni-image454774405.htmlRF2HBTNB1–L’addio di Rinaldo ad Armida - 1614 - Oil on canvas 109,2 x 178,5 cm - Lanfranco Giovanni
Art inspired by Armor of Mail and Plate, late 18th–first half of the 19th century, Sindh, Indian, Sindh (now Pakistan), Steel, iron, copper alloy, textile, H. 70 1/4 in. (178.5 cm), Armor for Man, This distinctive armor, constructed of mail and steel plates decorated with embossed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-armor-of-mail-and-plate-late-18thfirst-half-of-the-19th-century-sindh-indian-sindh-now-pakistan-steel-iron-copper-alloy-textile-h-70-14-in-1785-cm-armor-for-man-this-distinctive-armor-constructed-of-mail-and-steel-plates-decorated-with-embossed-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463048592.htmlRF2HW9K5M–Art inspired by Armor of Mail and Plate, late 18th–first half of the 19th century, Sindh, Indian, Sindh (now Pakistan), Steel, iron, copper alloy, textile, H. 70 1/4 in. (178.5 cm), Armor for Man, This distinctive armor, constructed of mail and steel plates decorated with embossed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bardiche (Pole Axe), 1500s. Germany or Russia, 16th century. Steel, leather, brass; wood haft; overall: 178.5 cm (70 1/4 in.); blade: 14.2 cm (5 9/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bardiche-pole-axe-1500s-germany-or-russia-16th-century-steel-leather-brass-wood-haft-overall-1785-cm-70-14-in-blade-142-cm-5-916-in-image448089769.htmlRM2H10721–Bardiche (Pole Axe), 1500s. Germany or Russia, 16th century. Steel, leather, brass; wood haft; overall: 178.5 cm (70 1/4 in.); blade: 14.2 cm (5 9/16 in.).
Art inspired by Armor of Sir James Scudamore (1558–1619), ca. 1595–96, Greenwich, British, Greenwich, Steel, gold, leather, H. 70 1/4 in. (178.5 cm); Wt. 50 lb. 7 oz. (22.88 kg), Armor for Man, Sir James Scudamore (1558–1619) was a prominent Elizabethan soldier and courtier. Also an, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-armor-of-sir-james-scudamore-15581619-ca-159596-greenwich-british-greenwich-steel-gold-leather-h-70-14-in-1785-cm-wt-50-lb-7-oz-2288-kg-armor-for-man-sir-james-scudamore-15581619-was-a-prominent-elizabethan-soldier-and-courtier-also-an-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463048391.htmlRF2HW9JXF–Art inspired by Armor of Sir James Scudamore (1558–1619), ca. 1595–96, Greenwich, British, Greenwich, Steel, gold, leather, H. 70 1/4 in. (178.5 cm); Wt. 50 lb. 7 oz. (22.88 kg), Armor for Man, Sir James Scudamore (1558–1619) was a prominent Elizabethan soldier and courtier. Also an, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Feb. 20, 1967 - 1,5 million swiss franks theft of paintings at Zurich: From the office of a movie agency director at Zurich 4 paintings were stolen by a burglar - or burglars - at the total value of 1,5 million swiss franks. According to police no clues were left, but it seems that the number of suspects would be rather small. Theft of paintings is very rare in Switzerland, and this one, were a Rubens is involved is rather spectacular. There were stolen: ''Beheading of Cyrus'' by Rubens, 118 x 178 cm, insurance value : 1 million sw.fr. ''Head of Apostle'', by Jordaens, 54 x 44, 400'000 sw fr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/feb-20-1967-15-million-swiss-franks-theft-of-paintings-at-zurich-from-image69426876.htmlRME0XJK8–Feb. 20, 1967 - 1,5 million swiss franks theft of paintings at Zurich: From the office of a movie agency director at Zurich 4 paintings were stolen by a burglar - or burglars - at the total value of 1,5 million swiss franks. According to police no clues were left, but it seems that the number of suspects would be rather small. Theft of paintings is very rare in Switzerland, and this one, were a Rubens is involved is rather spectacular. There were stolen: ''Beheading of Cyrus'' by Rubens, 118 x 178 cm, insurance value : 1 million sw.fr. ''Head of Apostle'', by Jordaens, 54 x 44, 400'000 sw fr
Art inspired by Panel, early 17th century, Italian, Silk; metal; linen, 19 7/8 x 70 1/8 in. (50.5 x 178.1 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-panel-early-17th-century-italian-silk-metal-linen-19-78-x-70-18-in-505-x-1781-cm-textiles-woven-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462824801.htmlRF2HTYDN5–Art inspired by Panel, early 17th century, Italian, Silk; metal; linen, 19 7/8 x 70 1/8 in. (50.5 x 178.1 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Feb. 02, 1967 - 1,5 million Swiss franks theft of paintings at Zurich : From the office of a movie agency director at Zurich 4 paintings were stolen by a burglar - or burglars - at the total value of 1,5 million Swiss franks. According to police no clues were left, but it seems that the number of suspects would be rather small. Theft of paintings is very rare in Switzerland, and this one, were a Rubens is involved is rather spectacular. There were stolen : ''Beheading of Cyrus'' by Rubens, 118 x 178 cm, insurance value, 1 million sw.fr. ''Head of Apostle'', by Jordaens, 54 x 44, 400'000 sw fr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/feb-02-1967-15-million-swiss-franks-theft-of-paintings-at-zurich-from-image69426716.htmlRME0XJDG–Feb. 02, 1967 - 1,5 million Swiss franks theft of paintings at Zurich : From the office of a movie agency director at Zurich 4 paintings were stolen by a burglar - or burglars - at the total value of 1,5 million Swiss franks. According to police no clues were left, but it seems that the number of suspects would be rather small. Theft of paintings is very rare in Switzerland, and this one, were a Rubens is involved is rather spectacular. There were stolen : ''Beheading of Cyrus'' by Rubens, 118 x 178 cm, insurance value, 1 million sw.fr. ''Head of Apostle'', by Jordaens, 54 x 44, 400'000 sw fr
Art inspired by Daybed, 1740–90, Made in Rhode Island, United States, American, Maple, 39 5/8 x 24 x 70 1/4 in. (100.6 x 61 x 178.4 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-daybed-174090-made-in-rhode-island-united-states-american-maple-39-58-x-24-x-70-14-in-1006-x-61-x-1784-cm-furniture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462880775.htmlRF2HW2147–Art inspired by Daybed, 1740–90, Made in Rhode Island, United States, American, Maple, 39 5/8 x 24 x 70 1/4 in. (100.6 x 61 x 178.4 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Charles Cator, International Head of the Furniture Department at Christie's, looks into the Badminton Cabinet, which was made at the Grand Ducal workshops in Florence, 1736, and stands 386 cm high and 232.5 cm wide. It is regarded as more of an architectural monument than a piece of furniture because it combines sculpture, intricate paintwork as well as architecture- a triumph of expert craftsmanship. The Cabinet will be auctioned at Christie's and is expected to reach over its previous record sale amount of 8,580,000 ($15,178,020). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charles-cator-international-head-of-the-furniture-department-at-christies-107804049.htmlRMG7AW4H–Charles Cator, International Head of the Furniture Department at Christie's, looks into the Badminton Cabinet, which was made at the Grand Ducal workshops in Florence, 1736, and stands 386 cm high and 232.5 cm wide. It is regarded as more of an architectural monument than a piece of furniture because it combines sculpture, intricate paintwork as well as architecture- a triumph of expert craftsmanship. The Cabinet will be auctioned at Christie's and is expected to reach over its previous record sale amount of 8,580,000 ($15,178,020).
Art inspired by Tea Caddy, 1725–40, Made in New York, New York, United States, American, Silver, Overall: 4 5/16 x 2 11/16 x 2 1/4 in. (11 x 6.8 x 5.7 cm); 5 oz. 15 dwt. (178 g), Silver, Simeon Soumaine (baptized 1685–ca. 1750), Rare survivals in early American silver, this pair of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-tea-caddy-172540-made-in-new-york-new-york-united-states-american-silver-overall-4-516-x-2-1116-x-2-14-in-11-x-68-x-57-cm-5-oz-15-dwt-178-g-silver-simeon-soumaine-baptized-1685ca-1750-rare-survivals-in-early-american-silver-this-pair-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462893412.htmlRF2HW2H7G–Art inspired by Tea Caddy, 1725–40, Made in New York, New York, United States, American, Silver, Overall: 4 5/16 x 2 11/16 x 2 1/4 in. (11 x 6.8 x 5.7 cm); 5 oz. 15 dwt. (178 g), Silver, Simeon Soumaine (baptized 1685–ca. 1750), Rare survivals in early American silver, this pair of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
178 MSPW S307(f) 7.5 cm PaK 40 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/178-mspw-s307f-75-cm-pak-40-image212877384.htmlRMPA9B7M–178 MSPW S307(f) 7.5 cm PaK 40
Art inspired by Set of Saddle Steels, ca. 1570, Italian, Steel, 27.14a; H. 8 1/2 in. (21.6 cm); W. 11 1/4 in. (28.6 cm); Wt. 9 oz. (255.1 g); 27.14b; H. 10 1/4 in. (26 cm); W. 6 1/2 in. (16.5 cm); Wt. 7.7 oz. (218.3 g); 27.14c; H. 10 1/4 in. (26 cm); W. 6 1/2 in. (16.5 cm); Wt. 6.3 oz, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-set-of-saddle-steels-ca-1570-italian-steel-2714a-h-8-12-in-216-cm-w-11-14-in-286-cm-wt-9-oz-2551-g-2714b-h-10-14-in-26-cm-w-6-12-in-165-cm-wt-77-oz-2183-g-2714c-h-10-14-in-26-cm-w-6-12-in-165-cm-wt-63-oz-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462899649.htmlRF2HW2W69–Art inspired by Set of Saddle Steels, ca. 1570, Italian, Steel, 27.14a; H. 8 1/2 in. (21.6 cm); W. 11 1/4 in. (28.6 cm); Wt. 9 oz. (255.1 g); 27.14b; H. 10 1/4 in. (26 cm); W. 6 1/2 in. (16.5 cm); Wt. 7.7 oz. (218.3 g); 27.14c; H. 10 1/4 in. (26 cm); W. 6 1/2 in. (16.5 cm); Wt. 6.3 oz, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lambrizering, onderdeel van een betimmering Lambrizering, onderdeel van een betimmering, met vier panelen, van noten, palissander en grenen. Manufacturer : vervaardiger: Meubelhuis LegrandPlaats manufacture: Nederland Dating: 1900 - 1905 Material: notenhout grenenhout palissanderhout Dimensions: h 70,5 cm. × b 178,0 cm. × d 5,3 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lambrizering-onderdeel-van-een-betimmering-lambrizering-onderdeel-van-een-betimmering-met-vier-panelen-van-noten-palissander-en-grenen-manufacturer-vervaardiger-meubelhuis-legrandplaats-manufacture-nederland-dating-1900-1905-material-notenhout-grenenhout-palissanderhout-dimensions-h-705-cm-b-1780-cm-d-53-cm-image348535902.htmlRM2B7152P–Lambrizering, onderdeel van een betimmering Lambrizering, onderdeel van een betimmering, met vier panelen, van noten, palissander en grenen. Manufacturer : vervaardiger: Meubelhuis LegrandPlaats manufacture: Nederland Dating: 1900 - 1905 Material: notenhout grenenhout palissanderhout Dimensions: h 70,5 cm. × b 178,0 cm. × d 5,3 cm.
Art inspired by Shōrinji Temple, Edo period (1615–1868), 1817, Japan, Hanging scroll; ink and color on paper, Image: 70 1/8 x 35 5/8 in. (178.1 x 90.5 cm), Paintings, Okada Beisanjin (Japanese, 1744–1820), By fancifully reinterpreting this Zen temple near Osaka as a Chinese retreat, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-shrinji-temple-edo-period-16151868-1817-japan-hanging-scroll-ink-and-color-on-paper-image-70-18-x-35-58-in-1781-x-905-cm-paintings-okada-beisanjin-japanese-17441820-by-fancifully-reinterpreting-this-zen-temple-near-osaka-as-a-chinese-retreat-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462761690.htmlRF2HTTH76–Art inspired by Shōrinji Temple, Edo period (1615–1868), 1817, Japan, Hanging scroll; ink and color on paper, Image: 70 1/8 x 35 5/8 in. (178.1 x 90.5 cm), Paintings, Okada Beisanjin (Japanese, 1744–1820), By fancifully reinterpreting this Zen temple near Osaka as a Chinese retreat, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Spring; Lawrence Alma-Tadema (Dutch, 1836 - 1912); 1894; Oil on canvas; 178.4 × 80.3 cm (70 1/4 × 31 5/8 in.); 72.PA.3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-lawrence-alma-tadema-dutch-1836-1912-1894-oil-on-canvas-1784-803-cm-70-14-31-58-in-72pa3-image597274119.htmlRF2WKM56F–Spring; Lawrence Alma-Tadema (Dutch, 1836 - 1912); 1894; Oil on canvas; 178.4 × 80.3 cm (70 1/4 × 31 5/8 in.); 72.PA.3
Two Insertions. Italy. Date: 1601-1700. Dimensions: a: 6.3 x 178.5 cm (2 1/2 x 70 3/8 in.) b: 5.9 x 133.2 cm (2 3/8 x 52 1/2 in.) Width repeat: 5 cm (2 in.). Linen, bobbin straight lace. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-insertions-italy-date-1601-1700-dimensions-a-63-x-1785-cm-2-12-x-70-38-in-b-59-x-1332-cm-2-38-x-52-12-in-width-repeat-5-cm-2-in-linen-bobbin-straight-lace-origin-italy-museum-the-chicago-art-institute-image240029057.htmlRMRXE7E9–Two Insertions. Italy. Date: 1601-1700. Dimensions: a: 6.3 x 178.5 cm (2 1/2 x 70 3/8 in.) b: 5.9 x 133.2 cm (2 3/8 x 52 1/2 in.) Width repeat: 5 cm (2 in.). Linen, bobbin straight lace. Origin: Italy. Museum: The Chicago Art Institute.
Art inspired by Chest of Drawers, ca. 1747, Made in Boston, Massachusetts, United States, American, Japanned maple, white pine, 70 1/4 x 39 5/8 x 21 in. (178.4 x 100.6 x 53.3 cm), Furniture, Both this high chest and its matching dressing table are remarkably well preserved, with their, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-chest-of-drawers-ca-1747-made-in-boston-massachusetts-united-states-american-japanned-maple-white-pine-70-14-x-39-58-x-21-in-1784-x-1006-x-533-cm-furniture-both-this-high-chest-and-its-matching-dressing-table-are-remarkably-well-preserved-with-their-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462884617.htmlRF2HW261D–Art inspired by Chest of Drawers, ca. 1747, Made in Boston, Massachusetts, United States, American, Japanned maple, white pine, 70 1/4 x 39 5/8 x 21 in. (178.4 x 100.6 x 53.3 cm), Furniture, Both this high chest and its matching dressing table are remarkably well preserved, with their, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Coin Depicting Herakles, 220/178 BC, issued by Philip V, Greek, Greece, Bronze, Diam. 1.8 cm, 5.30 g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coin-depicting-herakles-220178-bc-issued-by-philip-v-greek-greece-bronze-diam-18-cm-530-g-image328625127.htmlRM2A2J4KK–Coin Depicting Herakles, 220/178 BC, issued by Philip V, Greek, Greece, Bronze, Diam. 1.8 cm, 5.30 g
Art inspired by Bow, New Kingdom, Dynasty 18, ca. 1492–1473 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Senenmut (TT 71), below, deposit of bows and arrows, 1935–36, wood, Length tip to tip 178.3 cm (70 3/16 in.); Length of outer curve 185.5 cm (73 1/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bow-new-kingdom-dynasty-18-ca-14921473-bc-from-egypt-upper-egypt-thebes-sheikh-abd-el-qurna-tomb-of-senenmut-tt-71-below-deposit-of-bows-and-arrows-193536-wood-length-tip-to-tip-1783-cm-70-316-in-length-of-outer-curve-1855-cm-73-116-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462853563.htmlRF2HW0PCB–Art inspired by Bow, New Kingdom, Dynasty 18, ca. 1492–1473 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Senenmut (TT 71), below, deposit of bows and arrows, 1935–36, wood, Length tip to tip 178.3 cm (70 3/16 in.); Length of outer curve 185.5 cm (73 1/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bardiche (Pole Axe), 1500s. Germany or Russia, 16th century. Steel, leather, brass; wood haft; overall: 178.5 cm (70 1/4 in.); blade: 14.2 cm (5 9/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bardiche-pole-axe-1500s-germany-or-russia-16th-century-steel-leather-brass-wood-haft-overall-1785-cm-70-14-in-blade-142-cm-5-916-in-image240384141.htmlRMRY2CBW–Bardiche (Pole Axe), 1500s. Germany or Russia, 16th century. Steel, leather, brass; wood haft; overall: 178.5 cm (70 1/4 in.); blade: 14.2 cm (5 9/16 in
Art inspired by Morning Glories, 朝顔図屏風, Edo period (1615–1868), early 19th century, Japan, Pair of six-panel folding screens; ink, color, and gold leaf on paper, Image (each screen): 70 3/16 x 12 ft. 5 1/2 in. (178.3 x 379.7 cm), Screens, Suzuki Kiitsu (Japanese, 1796–1858), In this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-morning-glories-edo-period-16151868-early-19th-century-japan-pair-of-six-panel-folding-screens-ink-color-and-gold-leaf-on-paper-image-each-screen-70-316-x-12-ft-5-12-in-1783-x-3797-cm-screens-suzuki-kiitsu-japanese-17961858-in-this-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462765644.htmlRF2HTTP8C–Art inspired by Morning Glories, 朝顔図屏風, Edo period (1615–1868), early 19th century, Japan, Pair of six-panel folding screens; ink, color, and gold leaf on paper, Image (each screen): 70 3/16 x 12 ft. 5 1/2 in. (178.3 x 379.7 cm), Screens, Suzuki Kiitsu (Japanese, 1796–1858), In this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Still Life with Fruit and Flower Garlands, Part of nine-part room painting for Het Hoogerhuis in Randenbroek near Amersfoort, Jacob van Campen's country house, fruits, foodstuffs, still life of foodstuffs, Hofstede Randenbroek, Jacob van Campen, 1645 - 1650, panel, particle board, oil paint (paint), h 97 cm × w 172.1 cm h 103.2 cm × w 178.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/still-life-with-fruit-and-flower-garlands-part-of-nine-part-room-painting-for-het-hoogerhuis-in-randenbroek-near-amersfoort-jacob-van-campens-country-house-fruits-foodstuffs-still-life-of-foodstuffs-hofstede-randenbroek-jacob-van-campen-1645-1650-panel-particle-board-oil-paint-paint-h-97-cm-w-1721-cm-h-1032-cm-w-1785-cm-image261411549.htmlRMW5892N–Still Life with Fruit and Flower Garlands, Part of nine-part room painting for Het Hoogerhuis in Randenbroek near Amersfoort, Jacob van Campen's country house, fruits, foodstuffs, still life of foodstuffs, Hofstede Randenbroek, Jacob van Campen, 1645 - 1650, panel, particle board, oil paint (paint), h 97 cm × w 172.1 cm h 103.2 cm × w 178.5 cm
![View of the South Foreland. Author Jukes, Francis 18.25.1. Place of publication: London Publisher: Pub.d June 13 178[5] by F. Jukes, No. 3 Howland Street, Rathbone Place., Date of publication: [1785 - last numeral of date unclear] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 26.0 x 35.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H95B/view-of-the-south-foreland-author-jukes-francis-18251-place-of-publication-london-publisher-pubd-june-13-178-5-by-f-jukes-no-3-howland-street-rathbone-place-date-of-publication-1785-last-numeral-of-date-unclear-item-type-1-print-medium-etching-and-aquatint-dimensions-platemark-260-x-354-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H95B.jpg "View of the South Foreland. Author Jukes, Francis 18.25.1. Place of publication: London Publisher: Pub.d June 13 178[5] by F. Jukes, No. 3 Howland Street, Rathbone Place., Date of publication: [1785 - last numeral of date unclear] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 26.0 x 35.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
View of the South Foreland. Author Jukes, Francis 18.25.1. Place of publication: London Publisher: Pub.d June 13 178[5] by F. Jukes, No. 3 Howland Street, Rathbone Place., Date of publication: [1785 - last numeral of date unclear] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 26.0 x 35.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-south-foreland-author-jukes-francis-18251-place-of-publication-london-publisher-pubd-june-13-178-5-by-f-jukes-no-3-howland-street-rathbone-place-date-of-publication-1785-last-numeral-of-date-unclear-item-type-1-print-medium-etching-and-aquatint-dimensions-platemark-260-x-354-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401750759.htmlRM2E9H95B–View of the South Foreland. Author Jukes, Francis 18.25.1. Place of publication: London Publisher: Pub.d June 13 178[5] by F. Jukes, No. 3 Howland Street, Rathbone Place., Date of publication: [1785 - last numeral of date unclear] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 26.0 x 35.4 cm Former owner: George III, King of Great Britain, 1738-1820
clothing living, no inscription, shabbat, limestone, 15 x 5.2 cm, New Kingdom, 20th Dynasty, EgyptDescription of the Egyptian collection, XII, 93, C. Greco, Mòmies Egípcies, El Secret de la Vida Eterna (2012 ) 178, 178 cat. 185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clothing-living-no-inscription-shabbat-limestone-15-x-52-cm-new-kingdom-20th-dynasty-egyptdescription-of-the-egyptian-collection-xii-93-c-greco-mmies-egpcies-el-secret-de-la-vida-eterna-2012-178-178-cat-185-image344490874.htmlRM2B0CWHE–clothing living, no inscription, shabbat, limestone, 15 x 5.2 cm, New Kingdom, 20th Dynasty, EgyptDescription of the Egyptian collection, XII, 93, C. Greco, Mòmies Egípcies, El Secret de la Vida Eterna (2012 ) 178, 178 cat. 185
The pearl and the wave - 1862 - oil on canvas 83,5 x 178 cm - Baudry Paul Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pearl-and-the-wave-1862-oil-on-canvas-835-x-178-cm-baudry-paul-image457736716.htmlRF2HGKKRT–The pearl and the wave - 1862 - oil on canvas 83,5 x 178 cm - Baudry Paul
Harvesting, 1701/25, England, Linen, plain weave, embroidered with wool and silk in tent stitches, 178.5 × 145.5 cm (75 1/4 × 57 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harvesting-170125-england-linen-plain-weave-embroidered-with-wool-and-silk-in-tent-stitches-1785-1455-cm-75-14-57-14-in-image328638016.htmlRM2A2JN40–Harvesting, 1701/25, England, Linen, plain weave, embroidered with wool and silk in tent stitches, 178.5 × 145.5 cm (75 1/4 × 57 1/4 in
Il fienaiolo - 1888 - oil on canvas 178,5 x 150,5 cm - Nomellini Plinio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/il-fienaiolo-1888-oil-on-canvas-1785-x-1505-cm-nomellini-plinio-image454772028.htmlRF2HBTJA4–Il fienaiolo - 1888 - oil on canvas 178,5 x 150,5 cm - Nomellini Plinio
Forest on Carnikobar, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), 1858, drawing, pencil, passe-partout section: 48.6 x 35.5 cm, below bottom '178'; r.b. '366 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/forest-on-carnikobar-josef-selleny-vienna-1824-1875-inzersdorf-1858-drawing-pencil-passe-partout-section-486-x-355-cm-below-bottom-178-rb-366-image573317944.htmlRM2T8MTTT–Forest on Carnikobar, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), 1858, drawing, pencil, passe-partout section: 48.6 x 35.5 cm, below bottom '178'; r.b. '366
With Snyders Frans - Ceres y Pan - 1620c. - Oil on canvas 178,5 x 280,5 cm - Rubens Pieter Paul Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/with-snyders-frans-ceres-y-pan-1620c-oil-on-canvas-1785-x-2805-cm-rubens-pieter-paul-image457739009.htmlRF2HGKPNN–With Snyders Frans - Ceres y Pan - 1620c. - Oil on canvas 178,5 x 280,5 cm - Rubens Pieter Paul
Dagger with Sheath, South Indian, 18th–19th century, South Indian, Steel, silver, wood, H. with sheath 10 1/8 in. (25.7 cm); H. without sheath 8 5/8 in. (21.9 cm); H. of blade 5 1/4 in. (13.3 cm); W. 1 5/16 in. (3.3 cm); Wt. 6.3 oz. (178.6 g); Wt. of sheath 3.4 oz. (96.4 g), Daggers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dagger-with-sheath-south-indian-18th19th-century-south-indian-steel-silver-wood-h-with-sheath-10-18-in-257-cm-h-without-sheath-8-58-in-219-cm-h-of-blade-5-14-in-133-cm-w-1-516-in-33-cm-wt-63-oz-1786-g-wt-of-sheath-34-oz-964-g-daggers-image344663040.htmlRM2B0MN68–Dagger with Sheath, South Indian, 18th–19th century, South Indian, Steel, silver, wood, H. with sheath 10 1/8 in. (25.7 cm); H. without sheath 8 5/8 in. (21.9 cm); H. of blade 5 1/4 in. (13.3 cm); W. 1 5/16 in. (3.3 cm); Wt. 6.3 oz. (178.6 g); Wt. of sheath 3.4 oz. (96.4 g), Daggers
. Der Brief. Öl auf Holz, 58 x 45,5 cm . 1882 178 Eduard Ender Der Brief 1882 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/der-brief-l-auf-holz-58-x-455-cm-1882-178-eduard-ender-der-brief-1882-image187744101.htmlRMMWCDED–. Der Brief. Öl auf Holz, 58 x 45,5 cm . 1882 178 Eduard Ender Der Brief 1882
Gevelsteen met jaartal 1712, KOG-ALS-178-2 Lint met 1712. Het lint hoort bij een lint met ANNO (KOG-ALS-178-1). Manufacturer : Plaats manufacture: Nederland (mogelijk) Dating: 1712 Material: steen (materiaal) Dimensions: l 30,5 cm. × b 93 cm. × d 15 cm. × g 66 kg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gevelsteen-met-jaartal-1712-kog-als-178-2-lint-met-1712-het-lint-hoort-bij-een-lint-met-anno-kog-als-178-1-manufacturer-plaats-manufacture-nederland-mogelijk-dating-1712-material-steen-materiaal-dimensions-l-305-cm-b-93-cm-d-15-cm-g-66-kg-image348378489.htmlRM2B6P08W–Gevelsteen met jaartal 1712, KOG-ALS-178-2 Lint met 1712. Het lint hoort bij een lint met ANNO (KOG-ALS-178-1). Manufacturer : Plaats manufacture: Nederland (mogelijk) Dating: 1712 Material: steen (materiaal) Dimensions: l 30,5 cm. × b 93 cm. × d 15 cm. × g 66 kg
Rubens Pieter Paul - (con Snyders Frans) Ceres y Pan (1620c.) (olio su tela 178,5 x 280,5 cm) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rubens-pieter-paul-con-snyders-frans-ceres-y-pan-1620c-olio-su-tela-1785-x-2805-cm-image598191235.htmlRF2WN5Y0K–Rubens Pieter Paul - (con Snyders Frans) Ceres y Pan (1620c.) (olio su tela 178,5 x 280,5 cm)
Elisabeth, dochter van Andreas, koning van Hongarije sticht de gasthuiskerk te Marburg en wordt daar begraven Zilveren penning met afgebroken draagoog. Voorzijde: borststuk vrouw met kroon binnen omschrift. Keerzijde: kerk binnen omschrift. Manufacturer : anoniemPlaats manufacture: Praag (mogelijk) Dating: ca. 1400 - ca. 1950 Material: zilver Techniek: gieten Dimensions: d 5 cm. (draagoog afgebroken) × g 178 gr Date: 1231 - 1231 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisabeth-dochter-van-andreas-koning-van-hongarije-sticht-de-gasthuiskerk-te-marburg-en-wordt-daar-begraven-zilveren-penning-met-afgebroken-draagoog-voorzijde-borststuk-vrouw-met-kroon-binnen-omschrift-keerzijde-kerk-binnen-omschrift-manufacturer-anoniemplaats-manufacture-praag-mogelijk-dating-ca-1400-ca-1950-material-zilver-techniek-gieten-dimensions-d-5-cm-draagoog-afgebroken-g-178-gr-date-1231-1231-image348332455.htmlRM2B6KWGR–Elisabeth, dochter van Andreas, koning van Hongarije sticht de gasthuiskerk te Marburg en wordt daar begraven Zilveren penning met afgebroken draagoog. Voorzijde: borststuk vrouw met kroon binnen omschrift. Keerzijde: kerk binnen omschrift. Manufacturer : anoniemPlaats manufacture: Praag (mogelijk) Dating: ca. 1400 - ca. 1950 Material: zilver Techniek: gieten Dimensions: d 5 cm. (draagoog afgebroken) × g 178 gr Date: 1231 - 1231
Daybed. Culture: American. Dimensions: 39 5/8 x 24 x 70 1/4 in. (100.6 x 61 x 178.4 cm). Date: 1740-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daybed-culture-american-dimensions-39-58-x-24-x-70-14-in-1006-x-61-x-1784-cm-date-1740-90-museum-metropolitan-museum-of-art-new-york-usa-image212895131.htmlRMPAA5WF–Daybed. Culture: American. Dimensions: 39 5/8 x 24 x 70 1/4 in. (100.6 x 61 x 178.4 cm). Date: 1740-90. Museum: Metropolitan Museum of Art, New York, USA.
Gevelsteen met opschrift ANNO, KOG-ALS-178-1 Lint met ANNO. De steen is in drie stukken gebroken (KOG-ALS-178-1-1 t/m KOG-ALS-178-1-3). De linkerboven punt van het lint ontbreekt. Het lint hoort bij een lint met het jaartal 1712 (KOG-ALS-178-2). Manufacturer : Plaats manufacture: Nederland (mogelijk) Dating: ca. 1712 Material: steen (materiaal) Dimensions: onderdeel 1: h 32,5 cm. × b 31 cm. × d 14 cm. onderdeel 2: h 20 cm. × b 32 cm. × d 12 cm. onderdeel 3: h 32 cm. × b 30,5 cm. × d 12 cm. geheel: l 30,5 cm. × b 93 cm. × d 15 cm. g 62 kg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gevelsteen-met-opschrift-anno-kog-als-178-1-lint-met-anno-de-steen-is-in-drie-stukken-gebroken-kog-als-178-1-1-tm-kog-als-178-1-3-de-linkerboven-punt-van-het-lint-ontbreekt-het-lint-hoort-bij-een-lint-met-het-jaartal-1712-kog-als-178-2-manufacturer-plaats-manufacture-nederland-mogelijk-dating-ca-1712-material-steen-materiaal-dimensions-onderdeel-1-h-325-cm-b-31-cm-d-14-cm-onderdeel-2-h-20-cm-b-32-cm-d-12-cm-onderdeel-3-h-32-cm-b-305-cm-d-12-cm-geheel-l-305-cm-b-93-cm-d-15-cm-g-62-kg-image348378661.htmlRM2B6P0F1–Gevelsteen met opschrift ANNO, KOG-ALS-178-1 Lint met ANNO. De steen is in drie stukken gebroken (KOG-ALS-178-1-1 t/m KOG-ALS-178-1-3). De linkerboven punt van het lint ontbreekt. Het lint hoort bij een lint met het jaartal 1712 (KOG-ALS-178-2). Manufacturer : Plaats manufacture: Nederland (mogelijk) Dating: ca. 1712 Material: steen (materiaal) Dimensions: onderdeel 1: h 32,5 cm. × b 31 cm. × d 14 cm. onderdeel 2: h 20 cm. × b 32 cm. × d 12 cm. onderdeel 3: h 32 cm. × b 30,5 cm. × d 12 cm. geheel: l 30,5 cm. × b 93 cm. × d 15 cm. g 62 kg
RUBENS, Pieter Pauwel (b. 1577, Siegen, d. 1640, Antwerpen) The Artist and His First Wife, Isabella Brant, in the Honeysuckle Bower 1609-10 Oil on canvas-covered panel, 178 x 136,5 cm Alte Pinakothek, Munich --- Keywords: -------------- Author: RUBENS, Pieter Pauwel Title: The Artist and His First Wife, Isabella Brant, in the Honeysuckle Bower Time-line: 1601-1650 School: Flemish Form: painting Type: portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rubens-pieter-pauwel-b-1577-siegen-d-1640-antwerpen-the-artist-and-his-first-wife-isabella-brant-in-the-honeysuckle-bower-1609-10-oil-on-canvas-covered-panel-178-x-1365-cm-alte-pinakothek-munich-keywords-author-rubens-pieter-pauwel-title-the-artist-and-his-first-wife-isabella-brant-in-the-honeysuckle-bower-time-line-1601-1650-school-flemish-form-painting-type-portrait-image623241431.htmlRM2Y5Y2PF–RUBENS, Pieter Pauwel (b. 1577, Siegen, d. 1640, Antwerpen) The Artist and His First Wife, Isabella Brant, in the Honeysuckle Bower 1609-10 Oil on canvas-covered panel, 178 x 136,5 cm Alte Pinakothek, Munich --- Keywords: -------------- Author: RUBENS, Pieter Pauwel Title: The Artist and His First Wife, Isabella Brant, in the Honeysuckle Bower Time-line: 1601-1650 School: Flemish Form: painting Type: portrait
Armchair (France); wood, leather; 84.5 x 63 x 51 cm (33 1/4 x 24 13/16 x 20 1/16 in. ); 1978-178-3-a,b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/armchair-france-wood-leather-845-x-63-x-51-cm-33-14-x-24-1316-x-20-116-in-1978-178-3-ab-image546136064.htmlRM2PMEJ3C–Armchair (France); wood, leather; 84.5 x 63 x 51 cm (33 1/4 x 24 13/16 x 20 1/16 in. ); 1978-178-3-a,b
'Marcantonio Raimondi after Raphael, The Holy Family, engraving, sheet (trimmed to plate mark): 41.1 × 27.5 cm (16 3/16 × 10 13/16 in.), Rosenwald Collection, 1963.11.178' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marcantonio-raimondi-after-raphael-the-holy-family-engraving-sheet-trimmed-to-plate-mark-411-275-cm-16-316-10-1316-in-rosenwald-collection-196311178-image559765983.htmlRM2REKF67–'Marcantonio Raimondi after Raphael, The Holy Family, engraving, sheet (trimmed to plate mark): 41.1 × 27.5 cm (16 3/16 × 10 13/16 in.), Rosenwald Collection, 1963.11.178'
A sketch plan of Lake Champlain and Lake George with notes. A 'French draught of Lake Champlain and Lake George; with the remarks of an English prisoner, who returned from Quebec to Fort Edward on Hudson's River, by the river St. Lawrence, river Sorrelle, and these Lakes, touched at Fort Chamblay, Fort St. Johns, Crown Point, and Ticonderogo;' drawn on a scale of 3 English miles to an inch; with a plan of Fort Frederic, on Lake Champlain, on a scale of 60 feet to an inch. ca. 1755-1759. Ms. 5 f. 10 in. x 1 f. 4 in.; 178 x 41 cm.; Scale 1: 190 080. 3 English miles to an inch. Source: Maps.K.To Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-sketch-plan-of-lake-champlain-and-lake-george-with-notes-a-french-draught-of-lake-champlain-and-lake-george-with-the-remarks-of-an-english-prisoner-who-returned-from-quebec-to-fort-edward-on-hudsons-river-by-the-river-st-lawrence-river-sorrelle-and-these-lakes-touched-at-fort-chamblay-fort-st-johns-crown-point-and-ticonderogo-drawn-on-a-scale-of-3-english-miles-to-an-inch-with-a-plan-of-fort-frederic-on-lake-champlain-on-a-scale-of-60-feet-to-an-inch-ca-1755-1759-ms-5-f-10-in-x-1-f-4-in-178-x-41-cm-scale-1-190-080-3-english-miles-to-an-inch-source-mapskto-image226956326.htmlRMR56N32–A sketch plan of Lake Champlain and Lake George with notes. A 'French draught of Lake Champlain and Lake George; with the remarks of an English prisoner, who returned from Quebec to Fort Edward on Hudson's River, by the river St. Lawrence, river Sorrelle, and these Lakes, touched at Fort Chamblay, Fort St. Johns, Crown Point, and Ticonderogo;' drawn on a scale of 3 English miles to an inch; with a plan of Fort Frederic, on Lake Champlain, on a scale of 60 feet to an inch. ca. 1755-1759. Ms. 5 f. 10 in. x 1 f. 4 in.; 178 x 41 cm.; Scale 1: 190 080. 3 English miles to an inch. Source: Maps.K.To
Coin Depicting the Hero Perseus, 178/168 BC, Greek, Greece, Bronze, Diam. 1.8 cm, 5.18 g, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coin-depicting-the-hero-perseus-178168-bc-greek-greece-bronze-diam-18-cm-518-g-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349685778.htmlRF2B8WFNP–Coin Depicting the Hero Perseus, 178/168 BC, Greek, Greece, Bronze, Diam. 1.8 cm, 5.18 g, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![A CHART Of the Beautiful Fishery of WHITTLESEA MERE in the County of HUNTINGDON Author Bodger, John 16.5. Place of publication: [Stilton , London] Publisher: Publish'd as the Act directs 1.st May 1786 and Sold by the Proprietor John Bodger Land Surveyor, at Stilton, Mr. Debrett No. 178 Piccadilly, and Mr. Boydell No. 90 Cheapside London., Date of publication: [1786] Item type: 1 map Medium: copperplate engraving Dimensions: 46.1 x 65.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H6A4/a-chart-of-the-beautiful-fishery-of-whittlesea-mere-in-the-county-of-huntingdon-author-bodger-john-165-place-of-publication-stilton-london-publisher-publishd-as-the-act-directs-1st-may-1786-and-sold-by-the-proprietor-john-bodger-land-surveyor-at-stilton-mr-debrett-no-178-piccadilly-and-mr-boydell-no-90-cheapside-london-date-of-publication-1786-item-type-1-map-medium-copperplate-engraving-dimensions-461-x-654-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H6A4.jpg "A CHART Of the Beautiful Fishery of WHITTLESEA MERE in the County of HUNTINGDON Author Bodger, John 16.5. Place of publication: [Stilton , London] Publisher: Publish'd as the Act directs 1.st May 1786 and Sold by the Proprietor John Bodger Land Surveyor, at Stilton, Mr. Debrett No. 178 Piccadilly, and Mr. Boydell No. 90 Cheapside London., Date of publication: [1786] Item type: 1 map Medium: copperplate engraving Dimensions: 46.1 x 65.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A CHART Of the Beautiful Fishery of WHITTLESEA MERE in the County of HUNTINGDON Author Bodger, John 16.5. Place of publication: [Stilton , London] Publisher: Publish'd as the Act directs 1.st May 1786 and Sold by the Proprietor John Bodger Land Surveyor, at Stilton, Mr. Debrett No. 178 Piccadilly, and Mr. Boydell No. 90 Cheapside London., Date of publication: [1786] Item type: 1 map Medium: copperplate engraving Dimensions: 46.1 x 65.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-chart-of-the-beautiful-fishery-of-whittlesea-mere-in-the-county-of-huntingdon-author-bodger-john-165-place-of-publication-stilton-london-publisher-publishd-as-the-act-directs-1st-may-1786-and-sold-by-the-proprietor-john-bodger-land-surveyor-at-stilton-mr-debrett-no-178-piccadilly-and-mr-boydell-no-90-cheapside-london-date-of-publication-1786-item-type-1-map-medium-copperplate-engraving-dimensions-461-x-654-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401748540.htmlRM2E9H6A4–A CHART Of the Beautiful Fishery of WHITTLESEA MERE in the County of HUNTINGDON Author Bodger, John 16.5. Place of publication: [Stilton , London] Publisher: Publish'd as the Act directs 1.st May 1786 and Sold by the Proprietor John Bodger Land Surveyor, at Stilton, Mr. Debrett No. 178 Piccadilly, and Mr. Boydell No. 90 Cheapside London., Date of publication: [1786] Item type: 1 map Medium: copperplate engraving Dimensions: 46.1 x 65.4 cm Former owner: George III, King of Great Britain, 1738-1820
Caddy spoon MET 17911 188202 Maker: Probably by Thos. Newbold, entered 1820, Caddy spoon, 1826?27, Silver, Length: 3 3/4 in. (9.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1897 (97.2.178) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-caddy-spoon-met-17911-188202-maker-probably-by-thos-newbold-entered-168148846.htmlRMKNFRFX–Caddy spoon MET 17911 188202 Maker: Probably by Thos. Newbold, entered 1820, Caddy spoon, 1826?27, Silver, Length: 3 3/4 in. (9.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1897 (97.2.178)
Ihne & Stegmüller (1878-1888), wooden ceiling in a house of Tiergartenstrasse, Berlin. (From: Architectural sketchbook, H. 178/1, 1883.) (1883-1883): View. Print on paper, 34.5 x 25.7 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ihne-stegmller-1878-1888-wooden-ceiling-in-a-house-of-tiergartenstrasse-berlin-from-architectural-sketchbook-h-1781-1883-1883-1883-view-print-on-paper-345-x-257-cm-including-scan-edges-image477584106.htmlRM2JMYRB6–Ihne & Stegmüller (1878-1888), wooden ceiling in a house of Tiergartenstrasse, Berlin. (From: Architectural sketchbook, H. 178/1, 1883.) (1883-1883): View. Print on paper, 34.5 x 25.7 cm (including scan edges)
Creamer MET 153464 2642 American, Creamer, 1830?40, Lacy pressed blue glass, H. 4 5/16 in. (11 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles W. Green, in memory of Dr. Charles W. Green, 1951 (51.171.178) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-creamer-met-153464-2642-american-creamer-183040-lacy-pressed-blue-167905872.htmlRMKN4NJ8–Creamer MET 153464 2642 American, Creamer, 1830?40, Lacy pressed blue glass, H. 4 5/16 in. (11 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles W. Green, in memory of Dr. Charles W. Green, 1951 (51.171.178)
Embroidered Towel, early 20th century. Turkey, early 20th century. Embroidery: silk on cotton tabby ground; average: 178.4 x 44.5 cm (70 1/4 x 17 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embroidered-towel-early-20th-century-turkey-early-20th-century-embroidery-silk-on-cotton-tabby-ground-average-1784-x-445-cm-70-14-x-17-12-in-image448078391.htmlRM2H0YMFK–Embroidered Towel, early 20th century. Turkey, early 20th century. Embroidery: silk on cotton tabby ground; average: 178.4 x 44.5 cm (70 1/4 x 17 1/2 in.).
Daybed MET 134073 2280 American, Daybed, 1740?90, Maple, 39 5/8 x 24 x 70 1/4 in. (100.6 x 61 x 178.4 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Paul Moore, 1945 (45.32) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-daybed-met-134073-2280-american-daybed-174090-maple-39-58-x-24-x-70-167906558.htmlRMKN4PEP–Daybed MET 134073 2280 American, Daybed, 1740?90, Maple, 39 5/8 x 24 x 70 1/4 in. (100.6 x 61 x 178.4 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Paul Moore, 1945 (45.32)
Abduction of the Sabine Women, c. 1640. Johann Heinrich Schönfeld (German, 1609-1684). Oil on canvas; framed: 129 x 178 x 7.5 cm (50 13/16 x 70 1/16 x 2 15/16 in.); unframed: 110 x 160 cm (43 5/16 x 63 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abduction-of-the-sabine-women-c-1640-johann-heinrich-schnfeld-german-1609-1684-oil-on-canvas-framed-129-x-178-x-75-cm-50-1316-x-70-116-x-2-1516-in-unframed-110-x-160-cm-43-516-x-63-in-image448108719.htmlRM2H1136R–Abduction of the Sabine Women, c. 1640. Johann Heinrich Schönfeld (German, 1609-1684). Oil on canvas; framed: 129 x 178 x 7.5 cm (50 13/16 x 70 1/16 x 2 15/16 in.); unframed: 110 x 160 cm (43 5/16 x 63 in.).
Spring, Lawrence Alma-Tadema (Dutch, 1836 - 1912), 1894, Oil on canvas, 178.4 × 80.3 cm (70 1/4 × 31 5/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-lawrence-alma-tadema-dutch-1836-1912-1894-oil-on-canvas-1784-803-cm-70-14-31-58-in-image261259302.htmlRMW51AWA–Spring, Lawrence Alma-Tadema (Dutch, 1836 - 1912), 1894, Oil on canvas, 178.4 × 80.3 cm (70 1/4 × 31 5/8 in
. Deutsch: Voralpenlandschaft. Öl auf Leinwand. 16,5 x 31 cm. by 1912. Ludwig Sckell (1833-1912) 178 Ludwig Sckell Voralpenlandschaft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-voralpenlandschaft-l-auf-leinwand-165-x-31-cm-by-1912-ludwig-sckell-1833-1912-178-ludwig-sckell-voralpenlandschaft-image207958645.htmlRMP299AD–. Deutsch: Voralpenlandschaft. Öl auf Leinwand. 16,5 x 31 cm. by 1912. Ludwig Sckell (1833-1912) 178 Ludwig Sckell Voralpenlandschaft
Daybed MET 134784 2280 American, Daybed, 1740?90, Maple, 39 5/8 x 24 x 70 1/4 in. (100.6 x 61 x 178.4 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Paul Moore, 1945 (45.32) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-daybed-met-134784-2280-american-daybed-174090-maple-39-58-x-24-x-70-168197220.htmlRMKNJ17G–Daybed MET 134784 2280 American, Daybed, 1740?90, Maple, 39 5/8 x 24 x 70 1/4 in. (100.6 x 61 x 178.4 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Paul Moore, 1945 (45.32)
Român: Pierre Bellet (1865-1924) - Tânr cu bsmlu, semnat dreapta sus, 42x31,5 cm. . Unknown date 178 Pierre Bellet - Tanara cu basmaluta Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/romn-pierre-bellet-1865-1924-tnr-cu-bsmlu-semnat-dreapta-sus-42x315-cm-unknown-date-178-pierre-bellet-tanara-cu-basmaluta-image210849791.htmlRMP7111K–Român: Pierre Bellet (1865-1924) - Tânr cu bsmlu, semnat dreapta sus, 42x31,5 cm. . Unknown date 178 Pierre Bellet - Tanara cu basmaluta
Daybed MET 216927 2280 American, Daybed, 1740?90, Maple, 39 5/8 x 24 x 70 1/4 in. (100.6 x 61 x 178.4 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Paul Moore, 1945 (45.32) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-daybed-met-216927-2280-american-daybed-174090-maple-39-58-x-24-x-70-168109602.htmlRMKNE1EA–Daybed MET 216927 2280 American, Daybed, 1740?90, Maple, 39 5/8 x 24 x 70 1/4 in. (100.6 x 61 x 178.4 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Paul Moore, 1945 (45.32)
Shorinji Temple. Artist: Okada Beisanjin (Japanese, 1744-1820). Culture: Japan. Dimensions: Image: 70 1/8 x 35 5/8 in. (178.1 x 90.5 cm) Overall: 91 x 43 1/4in. (231.1 x 109.9 cm). Date: 1817. By fancifully reinterpreting this Zen temple near Osaka as a Chinese retreat, Beisanjin cleverly reveals the heart and soul of the site, particularly its cultural heritage. A rice merchant in Osaka known for his love of learning, Beisanjin was an amateur painter whose quick flashes of insight were deeply admired by both his contemporaries and later literati artists. The patterned brushwork and overall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shorinji-temple-artist-okada-beisanjin-japanese-1744-1820-culture-japan-dimensions-image-70-18-x-35-58-in-1781-x-905-cm-overall-91-x-43-14in-2311-x-1099-cm-date-1817-by-fancifully-reinterpreting-this-zen-temple-near-osaka-as-a-chinese-retreat-beisanjin-cleverly-reveals-the-heart-and-soul-of-the-site-particularly-its-cultural-heritage-a-rice-merchant-in-osaka-known-for-his-love-of-learning-beisanjin-was-an-amateur-painter-whose-quick-flashes-of-insight-were-deeply-admired-by-both-his-contemporaries-and-later-literati-artists-the-patterned-brushwork-and-overall-image212878898.htmlRMPA9D5P–Shorinji Temple. Artist: Okada Beisanjin (Japanese, 1744-1820). Culture: Japan. Dimensions: Image: 70 1/8 x 35 5/8 in. (178.1 x 90.5 cm) Overall: 91 x 43 1/4in. (231.1 x 109.9 cm). Date: 1817. By fancifully reinterpreting this Zen temple near Osaka as a Chinese retreat, Beisanjin cleverly reveals the heart and soul of the site, particularly its cultural heritage. A rice merchant in Osaka known for his love of learning, Beisanjin was an amateur painter whose quick flashes of insight were deeply admired by both his contemporaries and later literati artists. The patterned brushwork and overall
. Portrait einer jungen Dame, oil on canvas, 84,5 x 70 cm. Unknown date 178 Eduard Adrian Dussek Portrait einer jungen Dame Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-einer-jungen-dame-oil-on-canvas-845-x-70-cm-unknown-date-178-eduard-adrian-dussek-portrait-einer-jungen-dame-image187834390.htmlRMMWGGK2–. Portrait einer jungen Dame, oil on canvas, 84,5 x 70 cm. Unknown date 178 Eduard Adrian Dussek Portrait einer jungen Dame
Badminton Cabinet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-badminton-cabinet-107804069.htmlRMG7AW59–Badminton Cabinet
. Lautenspieler. 75 x 60,5 cm, Inventar-Nr. GK 178 . 17th century. Meister der Kasseler Musikanten 880 Meister der Kasseler Musikanten - Lautenspieler Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lautenspieler-75-x-605-cm-inventar-nr-gk-178-17th-century-meister-der-kasseler-musikanten-880-meister-der-kasseler-musikanten-lautenspieler-image185861421.htmlRMMPAM3W–. Lautenspieler. 75 x 60,5 cm, Inventar-Nr. GK 178 . 17th century. Meister der Kasseler Musikanten 880 Meister der Kasseler Musikanten - Lautenspieler
Coal Scuttle And Cover; enameled tôle, metal; Overall: 62 x 50.5 x 35.5 cm (24 7/16 x 19 7/8 x 14 in.); 1978-178-1-a,b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coal-scuttle-and-cover-enameled-tle-metal-overall-62-x-505-x-355-cm-24-716-x-19-78-x-14-in-1978-178-1-ab-image546131063.htmlRM2PMEBMR–Coal Scuttle And Cover; enameled tôle, metal; Overall: 62 x 50.5 x 35.5 cm (24 7/16 x 19 7/8 x 14 in.); 1978-178-1-a,b
Thrush fledgling sat on the fence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thrush-fledgling-sat-on-the-fence-18288212.htmlRMB1N2PC–Thrush fledgling sat on the fence
Coin Depicting Herakles, 220/178 BC, issued by Philip V, Greek, Greece, Bronze, Diam. 1.8 cm, 5.30 g, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coin-depicting-herakles-220178-bc-issued-by-philip-v-greek-greece-bronze-diam-18-cm-530-g-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349685749.htmlRF2B8WFMN–Coin Depicting Herakles, 220/178 BC, issued by Philip V, Greek, Greece, Bronze, Diam. 1.8 cm, 5.30 g, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. De flora van Nederland. Plants. Mimulus luteus Fig. 178. stijgend, al of niet vertakt met uitgespreide takken. De bladen zijn tegenoverstaand, rond- achtig of langwerpig-eirond, iets getand, de onderste zijn gesteeld, vaak door zijblaadjes liervormig, de hoogere zitten of zijn halfstengelomvattend, de bovenste zijn vaak schut- bladachtig. De bloemen zijn groot (circa 3 cM lang) en staan alleen in de bladoksels op stelen, die langer zijn dan de bladen, in wier oksels zij staan. Die stelen zijn rechtopstaand, ten slotte gebogen, behaard. De kelk is buisvormig, vijfhoekig met 5 ongelijke lobben Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-flora-van-nederland-plants-mimulus-luteus-fig-178-stijgend-al-of-niet-vertakt-met-uitgespreide-takken-de-bladen-zijn-tegenoverstaand-rond-achtig-of-langwerpig-eirond-iets-getand-de-onderste-zijn-gesteeld-vaak-door-zijblaadjes-liervormig-de-hoogere-zitten-of-zijn-halfstengelomvattend-de-bovenste-zijn-vaak-schut-bladachtig-de-bloemen-zijn-groot-circa-3-cm-lang-en-staan-alleen-in-de-bladoksels-op-stelen-die-langer-zijn-dan-de-bladen-in-wier-oksels-zij-staan-die-stelen-zijn-rechtopstaand-ten-slotte-gebogen-behaard-de-kelk-is-buisvormig-vijfhoekig-met-5-ongelijke-lobben-image216225359.htmlRMPFNWJ7–. De flora van Nederland. Plants. Mimulus luteus Fig. 178. stijgend, al of niet vertakt met uitgespreide takken. De bladen zijn tegenoverstaand, rond- achtig of langwerpig-eirond, iets getand, de onderste zijn gesteeld, vaak door zijblaadjes liervormig, de hoogere zitten of zijn halfstengelomvattend, de bovenste zijn vaak schut- bladachtig. De bloemen zijn groot (circa 3 cM lang) en staan alleen in de bladoksels op stelen, die langer zijn dan de bladen, in wier oksels zij staan. Die stelen zijn rechtopstaand, ten slotte gebogen, behaard. De kelk is buisvormig, vijfhoekig met 5 ongelijke lobben
Archive image from page 178 of Design and wind tunnel testing. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET). . designwindtunnel00mitc Year: 1976 + o II X V) > Ol CO IT) CJ Ol CM Ol iâ CO CJ CM O iâ coco rsNNiriiâ oon-«<<'- r. en cr> en co vo co iâ LncococnoocococncTiODLn iâ ir> /â â v. lo in CTicncvjcOLOiâ ko co '3- iâ r co n rs,â cji>Q vx> cm oi in râ l£) tâ LT> .CO coomi-n-cocococxjiâ .â o â cm co i i i i i CO CO 1 1 c I E o I L CD -a o 5- o >- o db: O 3 CO cu m en CN ITJ CO iâ oo CD CO o 00 CO r co m CO Tt r- CN CN Tâ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-178-of-design-and-wind-tunnel-testing-design-and-wind-tunnel-testing-of-a-size-sampling-in-situ-net-system-ssisnet-designwindtunnel00mitc-year-1976-o-ii-x-v-gt-ol-co-it-cj-ol-cm-ol-i-co-cj-cm-o-i-coco-rsnnirii-oon-ltlt-r-en-crgt-en-co-vo-co-i-lncococnoocococnctiodln-i-irgt-v-lo-in-cticncvjcoloi-ko-co-3-i-r-co-n-rs-cjigtq-vxgt-cm-oi-in-r-l-t-ltgt-co-coomi-n-cocococxji-o-cm-co-i-i-i-i-i-co-co-1-1-c-i-e-o-i-l-cd-a-o-5-o-gt-o-db-o-3-co-cu-m-en-cn-itj-co-i-oo-cd-co-o-00-co-r-co-m-co-tt-r-cn-cn-t-image258898525.htmlRMW15RKW–Archive image from page 178 of Design and wind tunnel testing. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET). . designwindtunnel00mitc Year: 1976 + o II X V) > Ol CO IT) CJ Ol CM Ol iâ CO CJ CM O iâ coco rsNNiriiâ oon-«<<'- r. en cr> en co vo co iâ LncococnoocococncTiODLn iâ ir> /â â v. lo in CTicncvjcOLOiâ ko co '3- iâ r co n rs,â cji>Q vx> cm oi in râ l£) tâ LT> .CO coomi-n-cocococxjiâ .â o â cm co i i i i i CO CO 1 1 c I E o I L CD -a o 5- o >- o db: O 3 CO cu m en CN ITJ CO iâ oo CD CO o 00 CO r co m CO Tt r- CN CN Tâ
The Sacrifice of Isaac, c. 1527. Andrea del Sarto (Italian, 1486-1530). Oil on wood; framed: 208 x 171 x 12.5 cm (81 7/8 x 67 5/16 x 4 15/16 in.); unframed: 178 x 138 cm (70 1/16 x 54 5/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sacrifice-of-isaac-c-1527-andrea-del-sarto-italian-1486-1530-oil-on-wood-framed-208-x-171-x-125-cm-81-78-x-67-516-x-4-1516-in-unframed-178-x-138-cm-70-116-x-54-516-in-image448094718.htmlRM2H10DAP–The Sacrifice of Isaac, c. 1527. Andrea del Sarto (Italian, 1486-1530). Oil on wood; framed: 208 x 171 x 12.5 cm (81 7/8 x 67 5/16 x 4 15/16 in.); unframed: 178 x 138 cm (70 1/16 x 54 5/16 in.).
Statue of a Man wearing a Toga, Unknown, Roman Empire, 50 - 100, Marble, 178 × 63.5 × 43.2 cm, 544.3164 kg (70 1/16 × 25 × 17 in., 1200 lb Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-a-man-wearing-a-toga-unknown-roman-empire-50-100-marble-178-635-432-cm-5443164-kg-70-116-25-17-in-1200-lb-image261261754.htmlRMW51E0X–Statue of a Man wearing a Toga, Unknown, Roman Empire, 50 - 100, Marble, 178 × 63.5 × 43.2 cm, 544.3164 kg (70 1/16 × 25 × 17 in., 1200 lb
Panel, early 17th century, Italian, Silk; metal; linen, 19 7/8 x 70 1/8 in. (50.5 x 178.1 cm), Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-panel-early-17th-century-italian-silk-metal-linen-19-78-x-70-18-in-162557964.htmlRMKCD49G–Panel, early 17th century, Italian, Silk; metal; linen, 19 7/8 x 70 1/8 in. (50.5 x 178.1 cm), Textiles-Woven
Savelli Sperandio, Medal: Pietro Albano, Savelli Sperandio (Italian, Mantua 1425?–?1504 Venice), model 1472, Bronze, Diam. 8.5 cm, wt. 178.82 g., Medals Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/savelli-sperandio-medal-pietro-albano-savelli-sperandio-italian-mantua-14251504-venice-model-1472-bronze-diam-85-cm-wt-17882-g-medals-image344669164.htmlRM2B0N110–Savelli Sperandio, Medal: Pietro Albano, Savelli Sperandio (Italian, Mantua 1425?–?1504 Venice), model 1472, Bronze, Diam. 8.5 cm, wt. 178.82 g., Medals
The Third Princess with her Cat, from the 'New Herbs I' (Wakana I) chapter The Tale of Genji (Genji monogatari}. Artist: Tsukioka Settei (Japanese, 1710-1786). Culture: Japan. Dimensions: Image: 34 13/16 × 12 7/16 in. (88.5 × 31.6 cm) Overall with mounting: 70 1/4 × 17 13/16 in. (178.5 × 45.2 cm) Overall with knobs: 70 1/4 × 19 3/4 in. (178.5 × 50.2 cm). Date: 18th century. The focal point of one of the tragic romances in the second half of The Tale of Genji is the childlike Third Princess, whom Genji takes to wife in his middle years. While pursuing her runaway cat, the young girl emerge Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-third-princess-with-her-cat-from-the-new-herbs-i-wakana-i-chapter-the-tale-of-genji-genji-monogatari-artist-tsukioka-settei-japanese-1710-1786-culture-japan-dimensions-image-34-1316-12-716-in-885-316-cm-overall-with-mounting-70-14-17-1316-in-1785-452-cm-overall-with-knobs-70-14-19-34-in-1785-502-cm-date-18th-century-the-focal-point-of-one-of-the-tragic-romances-in-the-second-half-of-the-tale-of-genji-is-the-childlike-third-princess-whom-genji-takes-to-wife-in-his-middle-years-while-pursuing-her-runaway-cat-the-young-girl-emerge-image213369223.htmlRMPB3PHB–The Third Princess with her Cat, from the 'New Herbs I' (Wakana I) chapter The Tale of Genji (Genji monogatari}. Artist: Tsukioka Settei (Japanese, 1710-1786). Culture: Japan. Dimensions: Image: 34 13/16 × 12 7/16 in. (88.5 × 31.6 cm) Overall with mounting: 70 1/4 × 17 13/16 in. (178.5 × 45.2 cm) Overall with knobs: 70 1/4 × 19 3/4 in. (178.5 × 50.2 cm). Date: 18th century. The focal point of one of the tragic romances in the second half of The Tale of Genji is the childlike Third Princess, whom Genji takes to wife in his middle years. While pursuing her runaway cat, the young girl emerge
Daybed, 1740–90, Made in Rhode Island, United States, American, Maple, 39 5/8 x 24 x 70 1/4 in. (100.6 x 61 x 178.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-daybed-174090-made-in-rhode-island-united-states-american-maple-39-162327446.htmlRMKC2J8P–Daybed, 1740–90, Made in Rhode Island, United States, American, Maple, 39 5/8 x 24 x 70 1/4 in. (100.6 x 61 x 178.4 cm
Compote MET DP258766 2219 Maker: Union Porcelain Works, 1863?ca. 1922, Compote, 1885, Porcelain, H. 7 in. (17.8 cm); Diam. 9 1/4 in. (23.5 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Franklin Chace, 1969 (69.194.178) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-compote-met-dp258766-2219-maker-union-porcelain-works-1863ca-1922-168033553.htmlRMKNAGE9–Compote MET DP258766 2219 Maker: Union Porcelain Works, 1863?ca. 1922, Compote, 1885, Porcelain, H. 7 in. (17.8 cm); Diam. 9 1/4 in. (23.5 cm). The Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Franklin Chace, 1969 (69.194.178)
Sperandio, (artist), Mantuan, c. 1425/1428 - c. 1504, Bartolommeo Pendaglia, died 1462, Merchant of Ferrara, c. 1462, bronze, overall (diameter): 8.43 cm (3 5/16 in.), gross weight: 178.97 gr (0.395 lb.), axis: 11:00 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sperandio-artist-mantuan-c-14251428-c-1504-bartolommeo-pendaglia-died-1462-merchant-of-ferrara-c-1462-bronze-overall-diameter-843-cm-3-516-in-gross-weight-17897-gr-0395-lb-axis-1100-image386329899.htmlRM2DCERMB–Sperandio, (artist), Mantuan, c. 1425/1428 - c. 1504, Bartolommeo Pendaglia, died 1462, Merchant of Ferrara, c. 1462, bronze, overall (diameter): 8.43 cm (3 5/16 in.), gross weight: 178.97 gr (0.395 lb.), axis: 11:00
. Deutsch: Edmund Bristow: Bukolische Landschaft, 1830, 63,5 x 76 cm . 1830. Edmund Bristow (1787–1876) 178 Edmund Bristow - Bukolische Landschaft, 1830 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-edmund-bristow-bukolische-landschaft-1830-635-x-76-cm-1830-edmund-bristow-17871876-178-edmund-bristow-bukolische-landschaft-1830-image188254528.htmlRMMX7MG0–. Deutsch: Edmund Bristow: Bukolische Landschaft, 1830, 63,5 x 76 cm . 1830. Edmund Bristow (1787–1876) 178 Edmund Bristow - Bukolische Landschaft, 1830
Benjamin West, Omnia Vincit Amor, or The Power of Love in the Three Elements, American, Benjamin West (American, Swarthmore, Pennsylvania 1738–1820 London), 1809, American, Oil on canvas, 70 3/8 x 80 1/2 in. (178.8 x 204.5 cm), Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/benjamin-west-omnia-vincit-amor-or-the-power-of-love-in-the-three-elements-american-benjamin-west-american-swarthmore-pennsylvania-17381820-london-1809-american-oil-on-canvas-70-38-x-80-12-in-1788-x-2045-cm-paintings-image344649074.htmlRM2B0M3BE–Benjamin West, Omnia Vincit Amor, or The Power of Love in the Three Elements, American, Benjamin West (American, Swarthmore, Pennsylvania 1738–1820 London), 1809, American, Oil on canvas, 70 3/8 x 80 1/2 in. (178.8 x 204.5 cm), Paintings
Coal Scuttle And Cover; enameled tôle, metal; Overall: 62 x 49.5 x 36 cm (24 7/16 x 19 1/2 x 14 3/16 in.); 1978-178-2-a,b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coal-scuttle-and-cover-enameled-tle-metal-overall-62-x-495-x-36-cm-24-716-x-19-12-x-14-316-in-1978-178-2-ab-image546131499.htmlRM2PMEC8B–Coal Scuttle And Cover; enameled tôle, metal; Overall: 62 x 49.5 x 36 cm (24 7/16 x 19 1/2 x 14 3/16 in.); 1978-178-2-a,b
Sperandio, (artist), Mantuan, c. 1425/1428 - c. 1504, Figure Seated on a Cuirass, Holding a Globe and Spear, c. 1462, bronze, overall (diameter): 8.43 cm (3 5/16 in.), gross weight: 178.97 gr (0.395 lb.), axis: 11:00 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sperandio-artist-mantuan-c-14251428-c-1504-figure-seated-on-a-cuirass-holding-a-globe-and-spear-c-1462-bronze-overall-diameter-843-cm-3-516-in-gross-weight-17897-gr-0395-lb-axis-1100-image386344364.htmlRM2DCFE50–Sperandio, (artist), Mantuan, c. 1425/1428 - c. 1504, Figure Seated on a Cuirass, Holding a Globe and Spear, c. 1462, bronze, overall (diameter): 8.43 cm (3 5/16 in.), gross weight: 178.97 gr (0.395 lb.), axis: 11:00
Daybed MET 12077 2278 American, Daybed, 1760?90, Cherry, 43 1/2 x 24 7/8 x 74 1/2 in. (110.5 x 63.2 x 189.2 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.178) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-daybed-met-12077-2278-american-daybed-176090-cherry-43-12-x-24-78-168043962.htmlRMKNB1P2–Daybed MET 12077 2278 American, Daybed, 1760?90, Cherry, 43 1/2 x 24 7/8 x 74 1/2 in. (110.5 x 63.2 x 189.2 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.178)
Adapted from a medal by Guillaume Dupré, Henry IV, King of France (b. 1553, r. 1589–1610), French, Adapted from a medal by Guillaume Dupré (French, 1579–1640), early 17th century, French, Steel, inlaid gold, gilt, 7 x 5 1/2 in. (178 x 140 cm), Medals and Plaquettes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adapted-from-a-medal-by-guillaume-dupr-henry-iv-king-of-france-b-1553-r-15891610-french-adapted-from-a-medal-by-guillaume-dupr-french-15791640-early-17th-century-french-steel-inlaid-gold-gilt-7-x-5-12-in-178-x-140-cm-medals-and-plaquettes-image344582196.htmlRM2B0H230–Adapted from a medal by Guillaume Dupré, Henry IV, King of France (b. 1553, r. 1589–1610), French, Adapted from a medal by Guillaume Dupré (French, 1579–1640), early 17th century, French, Steel, inlaid gold, gilt, 7 x 5 1/2 in. (178 x 140 cm), Medals and Plaquettes
Funerary Cone MET 30-6-178 554890 Funerary Cone, ca. 1550?1295 B.C., Pottery, Preserved L. 4 cm (1 9/16 in.); Diam. 7.5 cm (2 15/16 in.). The Metropolitan Museum of Art, New York. Gift of Norman de Garis Davies, 1930 (30.6.178) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-funerary-cone-met-30-6-178-554890-funerary-cone-ca-15501295-bc-pottery-168091274.htmlRMKND63P–Funerary Cone MET 30-6-178 554890 Funerary Cone, ca. 1550?1295 B.C., Pottery, Preserved L. 4 cm (1 9/16 in.); Diam. 7.5 cm (2 15/16 in.). The Metropolitan Museum of Art, New York. Gift of Norman de Garis Davies, 1930 (30.6.178)
Still Life with Fruit and Flower Garlands, Part of nine-part room painting for Het Hoogerhuis in Randenbroek near Amersfoort, Jacob van Campen's country house, fruits, foodstuffs, still life of foodstuffs, Hofstede Randenbroek, Jacob van Campen, 1645 - 1650, panel, particle board, oil paint (paint), h 97 cm × w 172.1 cm h 103.2 cm × w 178.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/still-life-with-fruit-and-flower-garlands-part-of-nine-part-room-painting-for-het-hoogerhuis-in-randenbroek-near-amersfoort-jacob-van-campens-country-house-fruits-foodstuffs-still-life-of-foodstuffs-hofstede-randenbroek-jacob-van-campen-1645-1650-panel-particle-board-oil-paint-paint-h-97-cm-w-1721-cm-h-1032-cm-w-1785-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-cu-image350015854.htmlRF2B9CGP6–Still Life with Fruit and Flower Garlands, Part of nine-part room painting for Het Hoogerhuis in Randenbroek near Amersfoort, Jacob van Campen's country house, fruits, foodstuffs, still life of foodstuffs, Hofstede Randenbroek, Jacob van Campen, 1645 - 1650, panel, particle board, oil paint (paint), h 97 cm × w 172.1 cm h 103.2 cm × w 178.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cu
Bird-Shaped Brooch MET DP30143 465239 Frankish, Bird-Shaped Brooch, second half 6th century, Silver-gilt, Overall: 5/8 x 1 1/4 x 1/4 in. (1.6 x 3.2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.178) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bird-shaped-brooch-met-dp30143-465239-frankish-bird-shaped-brooch-168257185.htmlRMKNMNN5–Bird-Shaped Brooch MET DP30143 465239 Frankish, Bird-Shaped Brooch, second half 6th century, Silver-gilt, Overall: 5/8 x 1 1/4 x 1/4 in. (1.6 x 3.2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.178)
Perseus's Last Duty, 1949. Max Beckmann (German, 1884-1950). Oil on canvas; framed: 125 x 178.5 x 8.5 cm (49 3/16 x 70 1/4 x 3 3/8 in.); unframed: 89.4 x 142 cm (35 3/16 x 55 7/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perseuss-last-duty-1949-max-beckmann-german-1884-1950-oil-on-canvas-framed-125-x-1785-x-85-cm-49-316-x-70-14-x-3-38-in-unframed-894-x-142-cm-35-316-x-55-78-in-image448097242.htmlRM2H10GGX–Perseus's Last Duty, 1949. Max Beckmann (German, 1884-1950). Oil on canvas; framed: 125 x 178.5 x 8.5 cm (49 3/16 x 70 1/4 x 3 3/8 in.); unframed: 89.4 x 142 cm (35 3/16 x 55 7/8 in.).
Badminton Cabinet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-badminton-cabinet-107804047.htmlRMG7AW4F–Badminton Cabinet
. Gray's new manual of botany. A handbook of the flowering plants and ferns of the central and northeastern United States and adjacent Canada. Botany. CYPERACEAE (SEDGE FAMILY) 217 176. C.folliculata. 177. G. Michauxiana. 178. G. aubulata. G. 188. <7. rostraia. G, rosi/rata, v. ambigens. utriculata. 185. C. Tue&ei'mani. 182. G. vesicaria. Leaves 0.5-1.5 cm. broad Leaves 1.5-3.5 mm. broad pp. Teeth of the beak strongly refracted . ff. Stanjinate spikes 2 or more rr. rr, Achene distinctly broader than long, its faces strongly con- caved 171, rr. Achene longer than broad, the faces flat or Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grays-new-manual-of-botany-a-handbook-of-the-flowering-plants-and-ferns-of-the-central-and-northeastern-united-states-and-adjacent-canada-botany-cyperaceae-sedge-family-217-176-cfolliculata-177-g-michauxiana-178-g-aubulata-g-188-lt7-rostraia-g-rosirata-v-ambigens-utriculata-185-c-tueampeimani-182-g-vesicaria-leaves-05-15-cm-broad-leaves-15-35-mm-broad-pp-teeth-of-the-beak-strongly-refracted-ff-stanjinate-spikes-2-or-more-rr-rr-achene-distinctly-broader-than-long-its-faces-strongly-con-caved-171-rr-achene-longer-than-broad-the-faces-flat-or-image216355897.htmlRMPFYT49–. Gray's new manual of botany. A handbook of the flowering plants and ferns of the central and northeastern United States and adjacent Canada. Botany. CYPERACEAE (SEDGE FAMILY) 217 176. C.folliculata. 177. G. Michauxiana. 178. G. aubulata. G. 188. <7. rostraia. G, rosi/rata, v. ambigens. utriculata. 185. C. Tue&ei'mani. 182. G. vesicaria. Leaves 0.5-1.5 cm. broad Leaves 1.5-3.5 mm. broad pp. Teeth of the beak strongly refracted . ff. Stanjinate spikes 2 or more rr. rr, Achene distinctly broader than long, its faces strongly con- caved 171, rr. Achene longer than broad, the faces flat or
Cup with a Poem on Wine. Dimensions: H. 3 1/4 in. (8.3 cm) Diam. 5 in. (12.7 cm) Wt. 6.3 oz. (178.6 g). Poet: Ibn Sukkara al-Hashimi (d. A.H. 385/ A.D. 995-6). Date: second half 10th-11th century. This cup is inscribed in Arabic in kufic below the outside rim: Drink! For this day has a special boon, which if you had known about it / You would have hurried up with entertainment and hastened with rapture! // Don't hold the cup back, but drink it diluted, until you die from it, (dead) without reason. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cup-with-a-poem-on-wine-dimensions-h-3-14-in-83-cm-diam-5-in-127-cm-wt-63-oz-1786-g-poet-ibn-sukkara-al-hashimi-d-ah-385-ad-995-6-date-second-half-10th-11th-century-this-cup-is-inscribed-in-arabic-in-kufic-below-the-outside-rim-drink!-for-this-day-has-a-special-boon-which-if-you-had-known-about-it-you-would-have-hurried-up-with-entertainment-and-hastened-with-rapture!-dont-hold-the-cup-back-but-drink-it-diluted-until-you-die-from-it-dead-without-reason-museum-metropolitan-museum-of-art-new-york-usa-image213367764.htmlRMPB3MN8–Cup with a Poem on Wine. Dimensions: H. 3 1/4 in. (8.3 cm) Diam. 5 in. (12.7 cm) Wt. 6.3 oz. (178.6 g). Poet: Ibn Sukkara al-Hashimi (d. A.H. 385/ A.D. 995-6). Date: second half 10th-11th century. This cup is inscribed in Arabic in kufic below the outside rim: Drink! For this day has a special boon, which if you had known about it / You would have hurried up with entertainment and hastened with rapture! // Don't hold the cup back, but drink it diluted, until you die from it, (dead) without reason. Museum: Metropolitan Museum of Art, New York, USA.
. Deutsch: Am Wildbach. Öl auf Leinwand. 67 x 91,5 cm . by 1882. Eduard Caspar Post (1827–1882) 178 Eduard Caspar Post Landschaft mit Wildbach Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-am-wildbach-l-auf-leinwand-67-x-915-cm-by-1882-eduard-caspar-post-18271882-178-eduard-caspar-post-landschaft-mit-wildbach-image187744080.htmlRMMWCDDM–. Deutsch: Am Wildbach. Öl auf Leinwand. 67 x 91,5 cm . by 1882. Eduard Caspar Post (1827–1882) 178 Eduard Caspar Post Landschaft mit Wildbach
Folding Knife; ivory, steel, gilding, brass; L x W: 18.3 x 2.5 cm (7 3/16 x 1 in.); The Robert L. Metzenberg Collection, gift of Eleanor L. Metzenberg; 1985-103-178 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/folding-knife-ivory-steel-gilding-brass-l-x-w-183-x-25-cm-7-316-x-1-in-the-robert-l-metzenberg-collection-gift-of-eleanor-l-metzenberg-1985-103-178-image546109414.htmlRM2PMDC3J–Folding Knife; ivory, steel, gilding, brass; L x W: 18.3 x 2.5 cm (7 3/16 x 1 in.); The Robert L. Metzenberg Collection, gift of Eleanor L. Metzenberg; 1985-103-178
Sword Guard (Tsuba), Japanese, 19th century, Japanese, Copper-gold alloy (shakudō), gold, copper, bronze, H. 3 1/8 in. (7.9 cm); W. 2 15/16 in. (7.5 cm); thickness 5/16 in. (0.8 cm); Wt. 6.3 oz. (178.6 g), Sword Furniture-Tsuba Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sword-guard-tsuba-japanese-19th-century-japanese-copper-gold-alloy-shakud-gold-copper-bronze-h-3-18-in-79-cm-w-2-1516-in-75-cm-thickness-516-in-08-cm-wt-63-oz-1786-g-sword-furniture-tsuba-image344661138.htmlRM2B0MJPA–Sword Guard (Tsuba), Japanese, 19th century, Japanese, Copper-gold alloy (shakudō), gold, copper, bronze, H. 3 1/8 in. (7.9 cm); W. 2 15/16 in. (7.5 cm); thickness 5/16 in. (0.8 cm); Wt. 6.3 oz. (178.6 g), Sword Furniture-Tsuba
Harvesting, 1701/25, England, Linen, plain weave, embroidered with wool and silk in tent stitches, 178.5 × 145.5 cm (75 1/4 × 57 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harvesting-170125-england-linen-plain-weave-embroidered-with-wool-and-silk-in-tent-stitches-1785-1455-cm-75-14-57-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349705655.htmlRF2B8XD3K–Harvesting, 1701/25, England, Linen, plain weave, embroidered with wool and silk in tent stitches, 178.5 × 145.5 cm (75 1/4 × 57 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Bird-Shaped Brooch MET DP30143 465239 Frankish, Bird-Shaped Brooch, second half 6th century, Silver-gilt, Overall: 5/8 x 1 1/4 x 1/4 in. (1.6 x 3.2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.178) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bird-shaped-brooch-met-dp30143-465239-frankish-bird-shaped-brooch-168407074.htmlRMKNYGXA–Bird-Shaped Brooch MET DP30143 465239 Frankish, Bird-Shaped Brooch, second half 6th century, Silver-gilt, Overall: 5/8 x 1 1/4 x 1/4 in. (1.6 x 3.2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.178)
Allegorical Figure, c. 1636. Bernardo Strozzi (Italian, 1581?-1644). Oil on canvas; framed: 178.5 x 133.5 x 12 cm (70 1/4 x 52 9/16 x 4 3/4 in.); unframed: 145.8 x 99.8 cm (57 3/8 x 39 5/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegorical-figure-c-1636-bernardo-strozzi-italian-1581-1644-oil-on-canvas-framed-1785-x-1335-x-12-cm-70-14-x-52-916-x-4-34-in-unframed-1458-x-998-cm-57-38-x-39-516-in-image448095700.htmlRM2H10EHT–Allegorical Figure, c. 1636. Bernardo Strozzi (Italian, 1581?-1644). Oil on canvas; framed: 178.5 x 133.5 x 12 cm (70 1/4 x 52 9/16 x 4 3/4 in.); unframed: 145.8 x 99.8 cm (57 3/8 x 39 5/16 in.).
. Der Tropenpflanzer; zeitschrift fr tropische landwirtschaft. Tropical plants; Tropical crops. — 178 - Zaum zu dienen. Angespannt werden die Tiere, wenn sie zwei- spännig geben, wie z. B. vor der Feldbahn, in der Art, dafs ilinen über den Nacken ein genieinsamea Holz b b gelegt wird von 5 bis 6 cm im Durchmesser und einer Jiänge, welche die Breite der neben- einanderstehenden Tiere etwas überragt. In dieses Holz wird in Handbreite vom Ende je ein lingergrofses Loch gebohrt und in Halsstärke daneben je ein zweites. Dann wird der Zugbaum den Tieren auf den Nacken gelegt, durch jedes Loch ein et Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/der-tropenpflanzer-zeitschrift-fr-tropische-landwirtschaft-tropical-plants-tropical-crops-178-zaum-zu-dienen-angespannt-werden-die-tiere-wenn-sie-zwei-spnnig-geben-wie-z-b-vor-der-feldbahn-in-der-art-dafs-ilinen-ber-den-nacken-ein-genieinsamea-holz-b-b-gelegt-wird-von-5-bis-6-cm-im-durchmesser-und-einer-jinge-welche-die-breite-der-neben-einanderstehenden-tiere-etwas-berragt-in-dieses-holz-wird-in-handbreite-vom-ende-je-ein-lingergrofses-loch-gebohrt-und-in-halsstrke-daneben-je-ein-zweites-dann-wird-der-zugbaum-den-tieren-auf-den-nacken-gelegt-durch-jedes-loch-ein-et-image216008147.htmlRMPFC0GK–. Der Tropenpflanzer; zeitschrift fr tropische landwirtschaft. Tropical plants; Tropical crops. — 178 - Zaum zu dienen. Angespannt werden die Tiere, wenn sie zwei- spännig geben, wie z. B. vor der Feldbahn, in der Art, dafs ilinen über den Nacken ein genieinsamea Holz b b gelegt wird von 5 bis 6 cm im Durchmesser und einer Jiänge, welche die Breite der neben- einanderstehenden Tiere etwas überragt. In dieses Holz wird in Handbreite vom Ende je ein lingergrofses Loch gebohrt und in Halsstärke daneben je ein zweites. Dann wird der Zugbaum den Tieren auf den Nacken gelegt, durch jedes Loch ein et
'Shipwrecked Men', 1930-1931, Oil on canvas, 178,5 x 157 cm, AS00604. Author: AURELIO ARTETA (1879-1940). Location: MUSEO REINA SOFIA-PINTURA. MADRID. SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shipwrecked-men-1930-1931-oil-on-canvas-1785-x-157-cm-as00604-author-aurelio-arteta-1879-1940-location-museo-reina-sofia-pintura-madrid-spain-image630771333.htmlRM2YJ637H–'Shipwrecked Men', 1930-1931, Oil on canvas, 178,5 x 157 cm, AS00604. Author: AURELIO ARTETA (1879-1940). Location: MUSEO REINA SOFIA-PINTURA. MADRID. SPAIN.
. Bayerische Infanteristen beim Siegesjubel. Öl auf Leinwand. 115 x 56,5 cm. by 1916. Louis Braun (1836–1916) 178 Louis Braun Bayerische Infanteristen beim Siegesjubel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bayerische-infanteristen-beim-siegesjubel-l-auf-leinwand-115-x-565-cm-by-1916-louis-braun-18361916-178-louis-braun-bayerische-infanteristen-beim-siegesjubel-image207958567.htmlRMP2997K–. Bayerische Infanteristen beim Siegesjubel. Öl auf Leinwand. 115 x 56,5 cm. by 1916. Louis Braun (1836–1916) 178 Louis Braun Bayerische Infanteristen beim Siegesjubel
Panel, L'Agreable lecon ou L'Art d'Amier; Produced by Petitpierre Freres; France; cotton; Warp x Weft: 79.5 x 178 cm (31 5/16 in. x 5 ft. 10 1/16 in.); Bequest of Elinor Merrell; 1995-50-146 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-lagreable-lecon-ou-lart-damier-produced-by-petitpierre-freres-france-cotton-warp-x-weft-795-x-178-cm-31-516-in-x-5-ft-10-116-in-bequest-of-elinor-merrell-1995-50-146-image546239871.htmlRM2PMKAER–Panel, L'Agreable lecon ou L'Art d'Amier; Produced by Petitpierre Freres; France; cotton; Warp x Weft: 79.5 x 178 cm (31 5/16 in. x 5 ft. 10 1/16 in.); Bequest of Elinor Merrell; 1995-50-146
Vincennes Manufactory, Ewer and basin (pot à la Romaine uni et jatte ovale), French, Vincennes, Vincennes Manufactory (French, ca. 1740–1756), 1754–55, French, Vincennes, Soft-paste porcelain, Height (ewer .177): 9 3/8 in. (23.8 cm), Overall (basin .178): 14 3/8 × 10 1/8 in. (36.5 × 25.7 cm), Ceramics-Porcelain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vincennes-manufactory-ewer-and-basin-pot-la-romaine-uni-et-jatte-ovale-french-vincennes-vincennes-manufactory-french-ca-17401756-175455-french-vincennes-soft-paste-porcelain-height-ewer-177-9-38-in-238-cm-overall-basin-178-14-38-10-18-in-365-257-cm-ceramics-porcelain-image344643498.htmlRM2B0KT8A–Vincennes Manufactory, Ewer and basin (pot à la Romaine uni et jatte ovale), French, Vincennes, Vincennes Manufactory (French, ca. 1740–1756), 1754–55, French, Vincennes, Soft-paste porcelain, Height (ewer .177): 9 3/8 in. (23.8 cm), Overall (basin .178): 14 3/8 × 10 1/8 in. (36.5 × 25.7 cm), Ceramics-Porcelain
Spring, Lawrence Alma-Tadema (Dutch, 1836 - 1912), 1894, Oil on canvas, 178.4 × 80.3 cm (70 1/4 × 31 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-lawrence-alma-tadema-dutch-1836-1912-1894-oil-on-canvas-1784-803-cm-70-14-31-58-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349891644.htmlRF2B96XA4–Spring, Lawrence Alma-Tadema (Dutch, 1836 - 1912), 1894, Oil on canvas, 178.4 × 80.3 cm (70 1/4 × 31 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
