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1795 96 Stock Photos and Images
Chalfont Lodge, Buckinghamshire, 1795-96 Thomas Girtin, Landscape, Watercolour, England, Animal, Cow, Countryside, Architecture, House Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chalfont-lodge-buckinghamshire-1795-96-thomas-girtin-landscape-watercolour-england-animal-cow-countryside-architecture-house-image387018288.htmlRM2DDJ5NM–Chalfont Lodge, Buckinghamshire, 1795-96 Thomas Girtin, Landscape, Watercolour, England, Animal, Cow, Countryside, Architecture, House
Art inspired by Carpet, 1795–96, Attributed to Turkey, Ladik, Konya, Wool (warp, weft and pile); symmetrically knotted pile, H. 78 in. (198.1 cm), Textiles-Rugs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-carpet-179596-attributed-to-turkey-ladik-konya-wool-warp-weft-and-pile-symmetrically-knotted-pile-h-78-in-1981-cm-textiles-rugs-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462820003.htmlRF2HTY7HR–Art inspired by Carpet, 1795–96, Attributed to Turkey, Ladik, Konya, Wool (warp, weft and pile); symmetrically knotted pile, H. 78 in. (198.1 cm), Textiles-Rugs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Princess Luise von Mecklenburg-Strelitz and her sister Friederike. Pen-and-ink drawing by Johann Gottfried Schadow, 1795/96. Deutsch: Prinzessin Luise von Mecklenburg-Strelitz und ihre Schwester Friederike. Federzeichnung von Johann Gottfried Schadow, 1795/96. 1795/96. Johann Gottfried Schadow (1764–1850) Description German sculptor, painter and graphic artist Date of birth/death 20 May 1764 27 January 1850 Location of birth/death Berlin Berlin Work location Berlin Authority control : Q51989 VIAF: 27170885 ISNI: 0000 0001 2125 3232 ULAN: 500020339 LCCN: n83006938 WGA: SC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-princess-luise-von-mecklenburg-strelitz-and-her-sister-friederike-pen-and-ink-drawing-by-johann-gottfried-schadow-179596-deutsch-prinzessin-luise-von-mecklenburg-strelitz-und-ihre-schwester-friederike-federzeichnung-von-johann-gottfried-schadow-179596-179596-johann-gottfried-schadow-17641850-description-german-sculptor-painter-and-graphic-artist-date-of-birthdeath-20-may-1764-27-january-1850-location-of-birthdeath-berlin-berlin-work-location-berlin-authority-control-q51989-viaf27170885-isni0000-0001-2125-3232-ulan500020339-lccnn83006938-wgasc-image185553050.htmlRMMNTJPJ–. English: Princess Luise von Mecklenburg-Strelitz and her sister Friederike. Pen-and-ink drawing by Johann Gottfried Schadow, 1795/96. Deutsch: Prinzessin Luise von Mecklenburg-Strelitz und ihre Schwester Friederike. Federzeichnung von Johann Gottfried Schadow, 1795/96. 1795/96. Johann Gottfried Schadow (1764–1850) Description German sculptor, painter and graphic artist Date of birth/death 20 May 1764 27 January 1850 Location of birth/death Berlin Berlin Work location Berlin Authority control : Q51989 VIAF: 27170885 ISNI: 0000 0001 2125 3232 ULAN: 500020339 LCCN: n83006938 WGA: SC
A previously unknown log of one of the earliest transports of Irish convicts to the new penal colony at Port Jackson, New South Wales, Australia in 1795-96 on the convict transport ship, the Marquois Cornwallis is unveiled at Christies in London. The log is for auction at the Christie's 'Exploration and Travel' sale on September 23, 2004 and is estimated to reach between 100,00 - 150,000. The voyage aboard the Maquis Cornwallis was one of the most eventful of any early convict transports because of a mutiny of the convicts and their guards which took place in September 1795, a month out of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-previously-unknown-log-of-one-of-the-earliest-transports-of-irish-107660829.htmlRMG74ADH–A previously unknown log of one of the earliest transports of Irish convicts to the new penal colony at Port Jackson, New South Wales, Australia in 1795-96 on the convict transport ship, the Marquois Cornwallis is unveiled at Christies in London. The log is for auction at the Christie's 'Exploration and Travel' sale on September 23, 2004 and is estimated to reach between 100,00 - 150,000. The voyage aboard the Maquis Cornwallis was one of the most eventful of any early convict transports because of a mutiny of the convicts and their guards which took place in September 1795, a month out of
Prayer Rug with Inscription in Niche. Dimensions: H. 62 in. (157.48 cm) W. 48 in. (121.92 cm). Date: dated A.H. 1210/A.D. 1795-96. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prayer-rug-with-inscription-in-niche-dimensions-h-62-in-15748-cm-w-48-in-12192-cm-date-dated-ah-1210ad-1795-96-museum-metropolitan-museum-of-art-new-york-usa-image213250206.htmlRMPAXAPP–Prayer Rug with Inscription in Niche. Dimensions: H. 62 in. (157.48 cm) W. 48 in. (121.92 cm). Date: dated A.H. 1210/A.D. 1795-96. Museum: Metropolitan Museum of Art, New York, USA.
668 France 1795-96-A 5 Centimes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/668-france-1795-96-a-5-centimes-image212749021.htmlRMPA3FF9–668 France 1795-96-A 5 Centimes
Dorffmaister III. Károly átadja Szentgotthárd adománylevelét Robert Leeb apátnak 1795-96. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dorffmaister-iii-kroly-tadja-szentgotthrd-adomnylevelt-robert-leeb-aptnak-1795-96-image264601797.htmlRMWADJ85–Dorffmaister III. Károly átadja Szentgotthárd adománylevelét Robert Leeb apátnak 1795-96.
France 1795 96 A 5 Centimes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-france-1795-96-a-5-centimes-162801788.htmlRMKCT79G–France 1795 96 A 5 Centimes
Women watching fireworks at Sumida River, Japan, c. 1795/96. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/women-watching-fireworks-at-sumida-river-japan-c-179596-image457035000.htmlRM2HFFMPG–Women watching fireworks at Sumida River, Japan, c. 1795/96.
A fine enamelled gold box in a leather case, London, 1795/96 22-carat rose gold, enamelled, and hand painted. The entire surface of the twelve-section, oval box is enamelled. The top and bottom bear translucent red medallions on a guilloché background, displaying a hand-painted bouquet or a basket of flowers, set in turquoise flowery friezes with roses or flowers in yellow, red, and blue enamel. The rim of the lid is decorated en suite with flowers, and the lower edge bears twelve hand-painted cartouches on turquoise or rose-coloured enamel, displaying iridesce, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-fine-enamelled-gold-box-in-a-leather-case-london-179596-22-carat-31630025.htmlRMBRCTBN–A fine enamelled gold box in a leather case, London, 1795/96 22-carat rose gold, enamelled, and hand painted. The entire surface of the twelve-section, oval box is enamelled. The top and bottom bear translucent red medallions on a guilloché background, displaying a hand-painted bouquet or a basket of flowers, set in turquoise flowery friezes with roses or flowers in yellow, red, and blue enamel. The rim of the lid is decorated en suite with flowers, and the lower edge bears twelve hand-painted cartouches on turquoise or rose-coloured enamel, displaying iridesce,
Vintage illustrations of Goethe's works: Wilhelm Meister's Apprenticeship (Wilhelm Meisters Lehrjahre), II. Part, 1850 Wilhelm Meister's Apprenticeship (German: Wilhelm Meisters Lehrjahre) is the second novel by Johann Wolfgang von Goethe, published in 1795–96. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-illustrations-of-goethes-works-wilhelm-meisters-apprenticeship-wilhelm-meisters-lehrjahre-ii-part-1850-wilhelm-meisters-apprenticeship-german-wilhelm-meisters-lehrjahre-is-the-second-novel-by-johann-wolfgang-von-goethe-published-in-179596-image612030200.htmlRM2XFMANC–Vintage illustrations of Goethe's works: Wilhelm Meister's Apprenticeship (Wilhelm Meisters Lehrjahre), II. Part, 1850 Wilhelm Meister's Apprenticeship (German: Wilhelm Meisters Lehrjahre) is the second novel by Johann Wolfgang von Goethe, published in 1795–96.
Peasants Resting and Dancing 1795-96 by Jean-Baptiste Pillement Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peasants-resting-and-dancing-1795-96-by-jean-baptiste-pillement-image574007350.htmlRM2T9T86E–Peasants Resting and Dancing 1795-96 by Jean-Baptiste Pillement
Vienna, Austria. Military History Museum Vienna. Siege cannons France 1795/96 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vienna-austria-military-history-museum-vienna-siege-cannons-france-179596-image566468802.htmlRM2RWGTMJ–Vienna, Austria. Military History Museum Vienna. Siege cannons France 1795/96
Machern b Leipzig Schloßpark RITTERBURG 58703 Erbaut 1795-96 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/machern-b-leipzig-schlopark-ritterburg-58703-erbaut-1795-96-image469350038.htmlRM2J7GMNA–Machern b Leipzig Schloßpark RITTERBURG 58703 Erbaut 1795-96
Derwent Water, with Skiddaw in the distance. Joseph Wright of Derby. 1795-96. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/derwent-water-with-skiddaw-in-the-distance-joseph-wright-of-derby-1795-96-image465483319.htmlRM2J18GM7–Derwent Water, with Skiddaw in the distance. Joseph Wright of Derby. 1795-96.
Prayer Rug 1795–96. Prayer Rug 447519 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prayer-rug-179596-prayer-rug-447519-image458057093.htmlRM2HH68DW–Prayer Rug 1795–96. Prayer Rug 447519
Utamaro (1795–96) Kōmei bijin rokkasen - Tatsumi Rokō. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utamaro-179596-kmei-bijin-rokkasen-tatsumi-rok-image573231139.htmlRM2T8GX4K–Utamaro (1795–96) Kōmei bijin rokkasen - Tatsumi Rokō.
Chalfont Lodge, Buckinghamshire, 1795-96. Thomas Girtin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chalfont-lodge-buckinghamshire-1795-96-thomas-girtin-image551017249.htmlRM2R0D03D–Chalfont Lodge, Buckinghamshire, 1795-96. Thomas Girtin
Harper's encyclopædia of United States history from 458 A.Dto 1906, based upon the plan of Benson John Lossing .. . canal navigation in 1795-96. Fulton, Robert, inventor; born in He went to Paris in 1797, and remained there seven years with Joel Barlow,studying languages and sciences, andinvented a torpedo. This he offeredto the French and English govern-ments, but both rejected the inven-tion, and in December, 1806, he ar-rived in Xew York. He went toWashington, where the models anddrawings of his torpedo made a fa-vorable impression. In 1807 he per-fected his steamboat for navigating(he Huds Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harpers-encyclopdia-of-united-states-history-from-458-adto-1906-based-upon-the-plan-of-benson-john-lossing-canal-navigation-in-1795-96-fulton-robert-inventor-born-in-he-went-to-paris-in-1797-and-remained-there-seven-years-with-joel-barlowstudying-languages-and-sciences-andinvented-a-torpedo-this-he-offeredto-the-french-and-english-govern-ments-but-both-rejected-the-inven-tion-and-in-december-1806-he-ar-rived-in-xew-york-he-went-towashington-where-the-models-anddrawings-of-his-torpedo-made-a-fa-vorable-impression-in-1807-he-per-fected-his-steamboat-for-navigatinghe-huds-image340198075.htmlRM2ANDA37–Harper's encyclopædia of United States history from 458 A.Dto 1906, based upon the plan of Benson John Lossing .. . canal navigation in 1795-96. Fulton, Robert, inventor; born in He went to Paris in 1797, and remained there seven years with Joel Barlow,studying languages and sciences, andinvented a torpedo. This he offeredto the French and English govern-ments, but both rejected the inven-tion, and in December, 1806, he ar-rived in Xew York. He went toWashington, where the models anddrawings of his torpedo made a fa-vorable impression. In 1807 he per-fected his steamboat for navigating(he Huds
Elizabeth Morley, British, active 1794–1799, Caddy Spoon, 1795/96, Silver, Overall: 2 9/16 in. (6.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elizabeth-morley-british-active-17941799-caddy-spoon-179596-silver-overall-2-916-in-65-cm-image344581694.htmlRM2B0H1D2–Elizabeth Morley, British, active 1794–1799, Caddy Spoon, 1795/96, Silver, Overall: 2 9/16 in. (6.5 cm
Art inspired by Prayer Rug with Inscription in Niche, dated A.H. 1210/A.D. 1795–96, Attributed to Turkey, Manisa, Wool (warp, weft and pile); symmetrically knotted pile, H. 62 in. (157.48 cm), Textiles-Rugs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-prayer-rug-with-inscription-in-niche-dated-ah-1210ad-179596-attributed-to-turkey-manisa-wool-warp-weft-and-pile-symmetrically-knotted-pile-h-62-in-15748-cm-textiles-rugs-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027318.htmlRF2HW8M1X–Art inspired by Prayer Rug with Inscription in Niche, dated A.H. 1210/A.D. 1795–96, Attributed to Turkey, Manisa, Wool (warp, weft and pile); symmetrically knotted pile, H. 62 in. (157.48 cm), Textiles-Rugs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Edmund Gouldsmith, Caddy Spoon, 1795/96, silver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edmund-gouldsmith-caddy-spoon-179596-silver-image537532490.htmlRM2P6EM4X–Edmund Gouldsmith, Caddy Spoon, 1795/96, silver.
Art inspired by Manius Curius Dentatus Refusing the Presents of the Samnite Ambassadors, 1795–96, Pen and black ink, gray wash., 8 9/16 x 11 1/4 in. (21.8 x 28.6 cm), Drawings, Jean Guillaume Moitte (French, Paris 1746–1810 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-manius-curius-dentatus-refusing-the-presents-of-the-samnite-ambassadors-179596-pen-and-black-ink-gray-wash-8-916-x-11-14-in-218-x-286-cm-drawings-jean-guillaume-moitte-french-paris-17461810-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950515.htmlRF2HW562Y–Art inspired by Manius Curius Dentatus Refusing the Presents of the Samnite Ambassadors, 1795–96, Pen and black ink, gray wash., 8 9/16 x 11 1/4 in. (21.8 x 28.6 cm), Drawings, Jean Guillaume Moitte (French, Paris 1746–1810 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Brandy Warmer. Culture: American. Dimensions: Overall: 5 3/8 x 3 in. (13.7 x 7.6 cm); 16 oz. 5 dwt. (505.2 g) Base: Diam. 2 7/8 in. (2 7/8 in.). Maker: Gerardus Boyce (1795/96-1880). Date: 1840-57. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brandy-warmer-culture-american-dimensions-overall-5-38-x-3-in-137-x-76-cm-16-oz-5-dwt-5052-g-base-diam-2-78-in-2-78-in-maker-gerardus-boyce-179596-1880-date-1840-57-museum-metropolitan-museum-of-art-new-york-usa-image213317341.htmlRMPB1CCD–Brandy Warmer. Culture: American. Dimensions: Overall: 5 3/8 x 3 in. (13.7 x 7.6 cm); 16 oz. 5 dwt. (505.2 g) Base: Diam. 2 7/8 in. (2 7/8 in.). Maker: Gerardus Boyce (1795/96-1880). Date: 1840-57. Museum: Metropolitan Museum of Art, New York, USA.
132 France 1795-96-A 5 Centimes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/132-france-1795-96-a-5-centimes-image214970428.htmlRMPDMMY8–132 France 1795-96-A 5 Centimes
Art inspired by Brandy Warmer, 1840–57, Made in New York, New York, United States, American, Silver, Overall: 5 3/8 x 3 in. (13.7 x 7.6 cm); 16 oz. 5 dwt. (505.2 g), Silver, Gerardus Boyce (1795/96–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-brandy-warmer-184057-made-in-new-york-new-york-united-states-american-silver-overall-5-38-x-3-in-137-x-76-cm-16-oz-5-dwt-5052-g-silver-gerardus-boyce-1795961880-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462896453.htmlRF2HW2N45–Art inspired by Brandy Warmer, 1840–57, Made in New York, New York, United States, American, Silver, Overall: 5 3/8 x 3 in. (13.7 x 7.6 cm); 16 oz. 5 dwt. (505.2 g), Silver, Gerardus Boyce (1795/96–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Utamaro (1795–96) Kōmei bijin rokkasen - Naniwaya O-Kita Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utamaro-179596-kmei-bijin-rokkasen-naniwaya-o-kita-image184875993.htmlRMMMNR61–Utamaro (1795–96) Kōmei bijin rokkasen - Naniwaya O-Kita
France 1795 96 A 5 Centimes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-france-1795-96-a-5-centimes-164134265.htmlRMKF0XX1–France 1795 96 A 5 Centimes
Ha... of the Southern Station (Nan'eki ha-jirushi), Japan, c. 1795/96. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ha-of-the-southern-station-naneki-ha-jirushi-japan-c-179596-image457035152.htmlRM2HFFN00–Ha... of the Southern Station (Nan'eki ha-jirushi), Japan, c. 1795/96.
Utamaro (1795–96) Kōmei bijin rokkasen - Tatsumi Rokō Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-utamaro-179596-kmei-bijin-rokkasen-tatsumi-rok-171683281.htmlRMKY8RNN–Utamaro (1795–96) Kōmei bijin rokkasen - Tatsumi Rokō
A fine enamelled gold box in a leather case, London, 1795/96 22-carat rose gold, enamelled, and hand painted. The entire surface of the twelve-section, oval box is enamelled. The top and bottom bear translucent red medallions on a guilloché background, displaying a hand-painted bouquet or a basket of flowers, set in turquoise flowery friezes with roses or flowers in yellow, red, and blue enamel. The rim of the lid is decorated en suite with flowers, and the lower edge bears twelve hand-painted cartouches on turquoise or rose-coloured enamel, displaying iridesce, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-fine-enamelled-gold-box-in-a-leather-case-london-179596-22-carat-31630595.htmlRMBRCW43–A fine enamelled gold box in a leather case, London, 1795/96 22-carat rose gold, enamelled, and hand painted. The entire surface of the twelve-section, oval box is enamelled. The top and bottom bear translucent red medallions on a guilloché background, displaying a hand-painted bouquet or a basket of flowers, set in turquoise flowery friezes with roses or flowers in yellow, red, and blue enamel. The rim of the lid is decorated en suite with flowers, and the lower edge bears twelve hand-painted cartouches on turquoise or rose-coloured enamel, displaying iridesce,
Vintage illustrations of Goethe's works: Wilhelm Meister's Journeyman Years (Wilhelm Meisters Wanderjahre, oder Die Entsagenden), 1850 Wilhelm Meister's Journeyman Years, or the Renunciants, is the fourth novel by German writer Johann Wolfgang von Goethe, and the sequel to Wilhelm Meister's Apprenticeship (Wilhelm Meisters Lehrjahre) (1795–96). Though initially conceived during the 1790s, the first edition did not appear until 1821, and the second edition—differing substantially from the first - in 1829. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-illustrations-of-goethes-works-wilhelm-meisters-journeyman-years-wilhelm-meisters-wanderjahre-oder-die-entsagenden-1850-wilhelm-meisters-journeyman-years-or-the-renunciants-is-the-fourth-novel-by-german-writer-johann-wolfgang-von-goethe-and-the-sequel-to-wilhelm-meisters-apprenticeship-wilhelm-meisters-lehrjahre-179596-though-initially-conceived-during-the-1790s-the-first-edition-did-not-appear-until-1821-and-the-second-editiondiffering-substantially-from-the-first-in-1829-image612030196.htmlRM2XFMAN8–Vintage illustrations of Goethe's works: Wilhelm Meister's Journeyman Years (Wilhelm Meisters Wanderjahre, oder Die Entsagenden), 1850 Wilhelm Meister's Journeyman Years, or the Renunciants, is the fourth novel by German writer Johann Wolfgang von Goethe, and the sequel to Wilhelm Meister's Apprenticeship (Wilhelm Meisters Lehrjahre) (1795–96). Though initially conceived during the 1790s, the first edition did not appear until 1821, and the second edition—differing substantially from the first - in 1829.
Béla III Founding the Cistercian Monastery at Szentgotthárd in 1183 1795-96 by Istvan Dorffmeister Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bla-iii-founding-the-cistercian-monastery-at-szentgotthrd-in-1183-1795-96-by-istvan-dorffmeister-image573806005.htmlRM2T9F3BH–Béla III Founding the Cistercian Monastery at Szentgotthárd in 1183 1795-96 by Istvan Dorffmeister
Vienna, Austria. Military History Museum Vienna. Siege cannons France 1795/96 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vienna-austria-military-history-museum-vienna-siege-cannons-france-179596-image566468810.htmlRM2RWGTMX–Vienna, Austria. Military History Museum Vienna. Siege cannons France 1795/96
Machern b Leipzig Schloßpark RITTERBURG 58705 Erbaut 1795-96 vorn Portikus der zugehörigen Grotte Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/machern-b-leipzig-schlopark-ritterburg-58705-erbaut-1795-96-vorn-portikus-der-zugehrigen-grotte-image469350039.htmlRM2J7GMNB–Machern b Leipzig Schloßpark RITTERBURG 58705 Erbaut 1795-96 vorn Portikus der zugehörigen Grotte
Utamaro (1795–96) Kōmei bijin rokkasen - Tatsumi Rokō. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utamaro-179596-kmei-bijin-rokkasen-tatsumi-rok-image573259467.htmlRM2T8J68B–Utamaro (1795–96) Kōmei bijin rokkasen - Tatsumi Rokō.
Keeshond, ca 1787 Cutting Work of a keeshond (patriot) from white paper , from the Patriots Time, ca. 1787. Manufacturer : cut artist: anonymous location manufacture: Northern Netherlands Date: 1787 Physical characteristics: cutout art of white paper material: paper Technique: cut dimensions: h 65 mm × b 96 mm Subject: dogPatriottentijd (1780-1795) Where: 1787 - 1787 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/keeshond-ca-1787-cutting-work-of-a-keeshond-patriot-from-white-paper-from-the-patriots-time-ca-1787-manufacturer-cut-artist-anonymous-location-manufacture-northern-netherlands-date-1787-physical-characteristics-cutout-art-of-white-paper-material-paper-technique-cut-dimensions-h-65-mm-b-96-mm-subject-dogpatriottentijd-1780-1795-where-1787-1787-image348497692.htmlRM2B6YCA4–Keeshond, ca 1787 Cutting Work of a keeshond (patriot) from white paper , from the Patriots Time, ca. 1787. Manufacturer : cut artist: anonymous location manufacture: Northern Netherlands Date: 1787 Physical characteristics: cutout art of white paper material: paper Technique: cut dimensions: h 65 mm × b 96 mm Subject: dogPatriottentijd (1780-1795) Where: 1787 - 1787
The Wisconsin blue book . (STATE ARSENAL) MILWAUKE E. PRESIDENTS PRO TEMPORE OF THE U. S. SENATE. PRESIDENTS PRO TEMPORE OF THE UNITED STATES SENATE. A list of the Senators who have been elected by the Senate to preside over that body inthe absence of the Vice-President, or while he was acting as President, or while the officeof Vice-President was vacant by reason of the death of the incumbent. Years. 1789-921792 1792- 94 1794- 95 1795- 96 1793- 9717971797 1797- 981798 1798- 991799 1799-18001800 1800- 011801 1801- 02 1802- 03 1803- 04 1804- 051805 1805- 08 1808- 091809 1809- 10 1810- 11 1811- Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-wisconsin-blue-book-state-arsenal-milwauke-e-presidents-pro-tempore-of-the-u-s-senate-presidents-pro-tempore-of-the-united-states-senate-a-list-of-the-senators-who-have-been-elected-by-the-senate-to-preside-over-that-body-inthe-absence-of-the-vice-president-or-while-he-was-acting-as-president-or-while-the-officeof-vice-president-was-vacant-by-reason-of-the-death-of-the-incumbent-years-1789-921792-1792-94-1794-95-1795-96-1793-9717971797-1797-981798-1798-991799-1799-18001800-1800-011801-1801-02-1802-03-1803-04-1804-051805-1805-08-1808-091809-1809-10-1810-11-1811-image342874690.htmlRM2AWR84J–The Wisconsin blue book . (STATE ARSENAL) MILWAUKE E. PRESIDENTS PRO TEMPORE OF THE U. S. SENATE. PRESIDENTS PRO TEMPORE OF THE UNITED STATES SENATE. A list of the Senators who have been elected by the Senate to preside over that body inthe absence of the Vice-President, or while he was acting as President, or while the officeof Vice-President was vacant by reason of the death of the incumbent. Years. 1789-921792 1792- 94 1794- 95 1795- 96 1793- 9717971797 1797- 981798 1798- 991799 1799-18001800 1800- 011801 1801- 02 1802- 03 1803- 04 1804- 051805 1805- 08 1808- 091809 1809- 10 1810- 11 1811-
Edmund Gouldsmith, British, active c. 1795, Caddy Spoon, 1795/96, Silver, Overall: 2 15/16 in. (7.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edmund-gouldsmith-british-active-c-1795-caddy-spoon-179596-silver-overall-2-1516-in-74-cm-image344581790.htmlRM2B0H1GE–Edmund Gouldsmith, British, active c. 1795, Caddy Spoon, 1795/96, Silver, Overall: 2 15/16 in. (7.4 cm
Pandauns odoratissimus. Plants of the Coast of Coromandel... under the dir. London, 1795 - 1819. Source: 10.Tab.34 volume 1, plate 96. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pandauns-odoratissimus-plants-of-the-coast-of-coromandel-under-the-dir-london-1795-1819-source-10tab34-volume-1-plate-96-image226922347.htmlRMR555NF–Pandauns odoratissimus. Plants of the Coast of Coromandel... under the dir. London, 1795 - 1819. Source: 10.Tab.34 volume 1, plate 96.
Carpet, 1795–96, Attributed to Turkey, Ladik, Konya, Wool (warp, weft and pile); symmetrically knotted pile, H. 78 in. (198.1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-carpet-179596-attributed-to-turkey-ladik-konya-wool-warp-weft-and-162450398.htmlRMKC873X–Carpet, 1795–96, Attributed to Turkey, Ladik, Konya, Wool (warp, weft and pile); symmetrically knotted pile, H. 78 in. (198.1
Henry Chawner, Tea Canister, 1795/96, silver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-chawner-tea-canister-179596-silver-image537408773.htmlRM2P692AD–Henry Chawner, Tea Canister, 1795/96, silver.
Nathaniel Smith & Co., English, first mark entered 1780, Caddy Spoon, 1795/96, Silver, Overall: 3 5/16 in. (8.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nathaniel-smith-co-english-first-mark-entered-1780-caddy-spoon-179596-silver-overall-3-516-in-84-cm-image344581867.htmlRM2B0H1K7–Nathaniel Smith & Co., English, first mark entered 1780, Caddy Spoon, 1795/96, Silver, Overall: 3 5/16 in. (8.4 cm
The Actor Matsumoto Yonesaburo in a Woman's Role. Artist: Utagawa Kunimasa (Japanese, 1773-1810). Culture: Japan. Dimensions: 14 1/2 x 9 3/4 in. (36.8 x 24.8 cm). Date: late 1790s. Both Kunimasa and his teacher, Utagawa Toyokuni, produced prints of actors in close-up views (o-kubi-e) around 1795-96. Here, in an arresting image of Matsumoto Yonesaburo in a woman's role, Kunimasa captures a feminine quality in the elegant depiction of the actor's fingers touching the delicate layers of kimono neckbands. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-actor-matsumoto-yonesaburo-in-a-womans-role-artist-utagawa-kunimasa-japanese-1773-1810-culture-japan-dimensions-14-12-x-9-34-in-368-x-248-cm-date-late-1790s-both-kunimasa-and-his-teacher-utagawa-toyokuni-produced-prints-of-actors-in-close-up-views-o-kubi-e-around-1795-96-here-in-an-arresting-image-of-matsumoto-yonesaburo-in-a-womans-role-kunimasa-captures-a-feminine-quality-in-the-elegant-depiction-of-the-actors-fingers-touching-the-delicate-layers-of-kimono-neckbands-museum-metropolitan-museum-of-art-new-york-usa-image213251106.htmlRMPAXBXX–The Actor Matsumoto Yonesaburo in a Woman's Role. Artist: Utagawa Kunimasa (Japanese, 1773-1810). Culture: Japan. Dimensions: 14 1/2 x 9 3/4 in. (36.8 x 24.8 cm). Date: late 1790s. Both Kunimasa and his teacher, Utagawa Toyokuni, produced prints of actors in close-up views (o-kubi-e) around 1795-96. Here, in an arresting image of Matsumoto Yonesaburo in a woman's role, Kunimasa captures a feminine quality in the elegant depiction of the actor's fingers touching the delicate layers of kimono neckbands. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Dish Cross, 1820–40, Made in New York, New York, United States, American, Silver, Overall: 3 7/16 x 11 7/8 in. (8.7 x 30.2 cm); 16 oz. 18 dwt. (525.4 g), Silver, Gerardus Boyce (1795/96–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-dish-cross-182040-made-in-new-york-new-york-united-states-american-silver-overall-3-716-x-11-78-in-87-x-302-cm-16-oz-18-dwt-5254-g-silver-gerardus-boyce-1795961880-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462883095.htmlRF2HW2433–Art inspired by Dish Cross, 1820–40, Made in New York, New York, United States, American, Silver, Overall: 3 7/16 x 11 7/8 in. (8.7 x 30.2 cm); 16 oz. 18 dwt. (525.4 g), Silver, Gerardus Boyce (1795/96–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Dorffmaister III. Károly átadja Szentgotthárd adománylevelét Robert Leeb apátnak 1795-96 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dorffmaister-iii-kroly-tadja-szentgotthrd-adomnylevelt-robert-leeb-aptnak-1795-96-image184971402.htmlRMMMX4WE–Dorffmaister III. Károly átadja Szentgotthárd adománylevelét Robert Leeb apátnak 1795-96
Art inspired by Side Chair, 1795–1800, Made in Philadelphia, Pennsylvania, United States, American, Maple, ash, 38 x 21 1/2 x 19 in. (96.5 x 54.6 x 48.3 cm), Furniture, This chair is thought to be from a set of twenty-four oval-back chairs that the Salem merchant Elias Hasket Derby (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-side-chair-17951800-made-in-philadelphia-pennsylvania-united-states-american-maple-ash-38-x-21-12-x-19-in-965-x-546-x-483-cm-furniture-this-chair-is-thought-to-be-from-a-set-of-twenty-four-oval-back-chairs-that-the-salem-merchant-elias-hasket-derby-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462879733.htmlRF2HW1YR1–Art inspired by Side Chair, 1795–1800, Made in Philadelphia, Pennsylvania, United States, American, Maple, ash, 38 x 21 1/2 x 19 in. (96.5 x 54.6 x 48.3 cm), Furniture, This chair is thought to be from a set of twenty-four oval-back chairs that the Salem merchant Elias Hasket Derby (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Woman Holding a Tortoise-shell Hair-comb, Japan, c. 1795/96. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-holding-a-tortoise-shell-hair-comb-japan-c-179596-image457035142.htmlRM2HFFMYJ–Woman Holding a Tortoise-shell Hair-comb, Japan, c. 1795/96.
Utamaro (1795–96) Kōmei bijin rokkasen - Ōgiya Hanaōgi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-utamaro-179596-kmei-bijin-rokkasen-giya-hanagi-171683280.htmlRMKY8RNM–Utamaro (1795–96) Kōmei bijin rokkasen - Ōgiya Hanaōgi
A fine enamelled gold box in a leather case, London, 1795/96 22-carat rose gold, enamelled, and hand painted. The entire surface of the twelve-section, oval box is enamelled. The top and bottom bear translucent red medallions on a guilloché background, displaying a hand-painted bouquet or a basket of flowers, set in turquoise flowery friezes with roses or flowers in yellow, red, and blue enamel. The rim of the lid is decorated en suite with flowers, and the lower edge bears twelve hand-painted cartouches on turquoise or rose-coloured enamel, displaying iridesce, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-fine-enamelled-gold-box-in-a-leather-case-london-179596-22-carat-31630002.htmlRMBRCTAX–A fine enamelled gold box in a leather case, London, 1795/96 22-carat rose gold, enamelled, and hand painted. The entire surface of the twelve-section, oval box is enamelled. The top and bottom bear translucent red medallions on a guilloché background, displaying a hand-painted bouquet or a basket of flowers, set in turquoise flowery friezes with roses or flowers in yellow, red, and blue enamel. The rim of the lid is decorated en suite with flowers, and the lower edge bears twelve hand-painted cartouches on turquoise or rose-coloured enamel, displaying iridesce,
Vintage illustrations of Goethe's works: Wilhelm Meister's Apprenticeship (Wilhelm Meisters Lehrjahre), I. Part, 1850 Wilhelm Meister's Apprenticeship (German: Wilhelm Meisters Lehrjahre) is the second novel by Johann Wolfgang von Goethe, published in 1795–96. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-illustrations-of-goethes-works-wilhelm-meisters-apprenticeship-wilhelm-meisters-lehrjahre-i-part-1850-wilhelm-meisters-apprenticeship-german-wilhelm-meisters-lehrjahre-is-the-second-novel-by-johann-wolfgang-von-goethe-published-in-179596-image612030209.htmlRM2XFMANN–Vintage illustrations of Goethe's works: Wilhelm Meister's Apprenticeship (Wilhelm Meisters Lehrjahre), I. Part, 1850 Wilhelm Meister's Apprenticeship (German: Wilhelm Meisters Lehrjahre) is the second novel by Johann Wolfgang von Goethe, published in 1795–96.
Béla III Founding the Cistercian Monastery at Szentgotthárd in 1183 1795-96 by Istvan Dorffmeister Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bla-iii-founding-the-cistercian-monastery-at-szentgotthrd-in-1183-1795-96-by-istvan-dorffmeister-image573806097.htmlRM2T9F3EW–Béla III Founding the Cistercian Monastery at Szentgotthárd in 1183 1795-96 by Istvan Dorffmeister
Vienna, Austria. Military History Museum Vienna. Siege cannons France 1795/96 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vienna-austria-military-history-museum-vienna-siege-cannons-france-179596-image566468806.htmlRM2RWGTMP–Vienna, Austria. Military History Museum Vienna. Siege cannons France 1795/96
Art inspired by Chest of drawers, 1795–1805, Made in Portsmouth, New Hampshire, United States, American, Mahogany, mahogany and birch veneers with yellow poplar, white pine, 38 x 40 1/2 x 21 1/2 in. (96.5 x 102.9 x 54.6 cm), Furniture, New England cabinetmakers often used birch veneer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-chest-of-drawers-17951805-made-in-portsmouth-new-hampshire-united-states-american-mahogany-mahogany-and-birch-veneers-with-yellow-poplar-white-pine-38-x-40-12-x-21-12-in-965-x-1029-x-546-cm-furniture-new-england-cabinetmakers-often-used-birch-veneer-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462880108.htmlRF2HW208C–Art inspired by Chest of drawers, 1795–1805, Made in Portsmouth, New Hampshire, United States, American, Mahogany, mahogany and birch veneers with yellow poplar, white pine, 38 x 40 1/2 x 21 1/2 in. (96.5 x 102.9 x 54.6 cm), Furniture, New England cabinetmakers often used birch veneer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Utamaro (1795–96) Kōmei bijin rokkasen - Asahiya goke. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utamaro-179596-kmei-bijin-rokkasen-asahiya-goke-image573231124.htmlRM2T8GX44–Utamaro (1795–96) Kōmei bijin rokkasen - Asahiya goke.
Oriental Banquet Scene, 1795/96, Jean Baptiste Hilaire, French, 1753-1822, France, Pen and gray and brown ink, with brush and brown wash, heightened with white gouache, on ivory wove paper, 216 × 352 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oriental-banquet-scene-179596-jean-baptiste-hilaire-french-1753-1822-france-pen-and-gray-and-brown-ink-with-brush-and-brown-wash-heightened-with-white-gouache-on-ivory-wove-paper-216-352-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349726555.htmlRF2B8YBP3–Oriental Banquet Scene, 1795/96, Jean Baptiste Hilaire, French, 1753-1822, France, Pen and gray and brown ink, with brush and brown wash, heightened with white gouache, on ivory wove paper, 216 × 352 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Jonge man en bebaarde man A mature man with hat. Bust slightly to the right. To his left a face of a boy in profile to rechts. Manufacturer : printmaker Jan Chalon to design: Jan Chalon Place manufacture: Northern Netherlands (possible) Dated: 1748 - 1795 Physical features: etching and drypoint material: paper Technique: etching / drypoint dimensions : plate edge: h × 102 mm b 96 mm Subject: morphology of human expression (+ adult male (human being)) morphology, or human expression (+ young male (human being)) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jonge-man-en-bebaarde-man-a-mature-man-with-hat-bust-slightly-to-the-right-to-his-left-a-face-of-a-boy-in-profile-to-rechts-manufacturer-printmaker-jan-chalon-to-design-jan-chalon-place-manufacture-northern-netherlands-possible-dated-1748-1795-physical-features-etching-and-drypoint-material-paper-technique-etching-drypoint-dimensions-plate-edge-h-102-mm-b-96-mm-subject-morphology-of-human-expression-adult-male-human-being-morphology-or-human-expression-young-male-human-being-image348465385.htmlRM2B6WY49–Jonge man en bebaarde man A mature man with hat. Bust slightly to the right. To his left a face of a boy in profile to rechts. Manufacturer : printmaker Jan Chalon to design: Jan Chalon Place manufacture: Northern Netherlands (possible) Dated: 1748 - 1795 Physical features: etching and drypoint material: paper Technique: etching / drypoint dimensions : plate edge: h × 102 mm b 96 mm Subject: morphology of human expression (+ adult male (human being)) morphology, or human expression (+ young male (human being))
Irish convict log book sale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-irish-convict-log-book-sale-107660827.htmlRMG74ADF–Irish convict log book sale
Stained glass windows dedicated to kirk elders Robert Mowat (1845-96), Hypolite William Cornillon (1860-97) and James Simson (1795-1876), Tron Kirk. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stained-glass-windows-dedicated-to-kirk-elders-robert-mowat-1845-96-hypolite-william-cornillon-1860-97-and-james-simson-1795-1876-tron-kirk-image213808061.htmlRMPBRPA5–Stained glass windows dedicated to kirk elders Robert Mowat (1845-96), Hypolite William Cornillon (1860-97) and James Simson (1795-1876), Tron Kirk.
![96 of 'Neêrland's rampen. Geschiedenis der Nederlandsche Republiek van 1702-1806 (1702-1795). [With plates.]' Stock Photo](https://c8.alamy.com/comp/FFPEN0/96-of-neerlands-rampen-geschiedenis-der-nederlandsche-republiek-van-FFPEN0.jpg "96 of 'Neêrland's rampen. Geschiedenis der Nederlandsche Republiek van 1702-1806 (1702-1795). [With plates.]' Stock Photo")
96 of 'Neêrland's rampen. Geschiedenis der Nederlandsche Republiek van 1702-1806 (1702-1795). [With plates.]' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-96-of-neerlands-rampen-geschiedenis-der-nederlandsche-republiek-van-95766188.htmlRFFFPEN0–96 of 'Neêrland's rampen. Geschiedenis der Nederlandsche Republiek van 1702-1806 (1702-1795). [With plates.]'
Elizabeth Morley, Caddy Spoon, 1795/96, silver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elizabeth-morley-caddy-spoon-179596-silver-image537534338.htmlRM2P6EPEX–Elizabeth Morley, Caddy Spoon, 1795/96, silver.
Oriental Banquet Scene, 1795/96, Jean Baptiste Hilaire, French, 1753-1822, France, Pen and gray and brown ink, with brush and brown wash, heightened with white gouache, on ivory wove paper, 216 × 352 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oriental-banquet-scene-179596-jean-baptiste-hilaire-french-1753-1822-france-pen-and-gray-and-brown-ink-with-brush-and-brown-wash-heightened-with-white-gouache-on-ivory-wove-paper-216-352-mm-image328648266.htmlRM2A2K662–Oriental Banquet Scene, 1795/96, Jean Baptiste Hilaire, French, 1753-1822, France, Pen and gray and brown ink, with brush and brown wash, heightened with white gouache, on ivory wove paper, 216 × 352 mm
Prayer Rug. Dimensions: H. 78 in. (198.1 cm) W. 45 in. (114.3 cm). Date: 1795-96. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prayer-rug-dimensions-h-78-in-1981-cm-w-45-in-1143-cm-date-1795-96-museum-metropolitan-museum-of-art-new-york-usa-image213148265.htmlRMPANMP1–Prayer Rug. Dimensions: H. 78 in. (198.1 cm) W. 45 in. (114.3 cm). Date: 1795-96. Museum: Metropolitan Museum of Art, New York, USA.
. Pennsylvania Railroad System ... a description of its main lines and branches, with notes of the historical events which have taken place in the territory contiguous .. . of fine farm land. Crossing the river at Newton Falls,a beautiful cataract, the route extends to Ravenna, a center for summer resorters, who throng to the numeroussmall lakes that lie in and around the town, and a manufacturing pointfor agricultural implements and furniture. This is in the heart of the Western Reserve, that great tract of landonce belonging to Connecticut which was sold in 1795-96, the proceedsbeing largely Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pennsylvania-railroad-system-a-description-of-its-main-lines-and-branches-with-notes-of-the-historical-events-which-have-taken-place-in-the-territory-contiguous-of-fine-farm-land-crossing-the-river-at-newton-fallsa-beautiful-cataract-the-route-extends-to-ravenna-a-center-for-summer-resorters-who-throng-to-the-numeroussmall-lakes-that-lie-in-and-around-the-town-and-a-manufacturing-pointfor-agricultural-implements-and-furniture-this-is-in-the-heart-of-the-western-reserve-that-great-tract-of-landonce-belonging-to-connecticut-which-was-sold-in-1795-96-the-proceedsbeing-largely-image375637136.htmlRM2CR3N00–. Pennsylvania Railroad System ... a description of its main lines and branches, with notes of the historical events which have taken place in the territory contiguous .. . of fine farm land. Crossing the river at Newton Falls,a beautiful cataract, the route extends to Ravenna, a center for summer resorters, who throng to the numeroussmall lakes that lie in and around the town, and a manufacturing pointfor agricultural implements and furniture. This is in the heart of the Western Reserve, that great tract of landonce belonging to Connecticut which was sold in 1795-96, the proceedsbeing largely
N/A. English: Title page from 'An Account of Corsica' published 1768 by James Boswell . 24 July 2013, 10:37:45. James Boswell (1740–1795) Alternative names James Boswell I; James, I Boswell Description British lawyer, diarist and author son of Alexander Boswell, Lord Auchinleck Date of birth/death 29 October 1740 / 18 October 1740 9 May 1795 Location of birth/death Scotland London Authority control : Q335060 VIAF:64002337 ISNI:0000 0001 2136 3095 ULAN:500274533 LCCN:n79018795 NLA:35020553 WorldCat 96 An Account of Corsica, title page Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-title-page-from-an-account-of-corsica-published-1768-by-james-boswell-24-july-2013-103745-james-boswell-17401795-alternative-names-james-boswell-i-james-i-boswell-description-british-lawyer-diarist-and-author-son-of-alexander-boswell-lord-auchinleck-date-of-birthdeath-29-october-1740-18-october-1740-9-may-1795-location-of-birthdeath-scotland-london-authority-control-q335060-viaf64002337-isni0000-0001-2136-3095-ulan500274533-lccnn79018795-nla35020553-worldcat-96-an-account-of-corsica-title-page-image210045132.htmlRMP5MAKT–N/A. English: Title page from 'An Account of Corsica' published 1768 by James Boswell . 24 July 2013, 10:37:45. James Boswell (1740–1795) Alternative names James Boswell I; James, I Boswell Description British lawyer, diarist and author son of Alexander Boswell, Lord Auchinleck Date of birth/death 29 October 1740 / 18 October 1740 9 May 1795 Location of birth/death Scotland London Authority control : Q335060 VIAF:64002337 ISNI:0000 0001 2136 3095 ULAN:500274533 LCCN:n79018795 NLA:35020553 WorldCat 96 An Account of Corsica, title page
Art inspired by The Actor Matsumoto Yonesaburō in a Woman's Role, Edo period (1615–1868), late 1790s, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 9 3/4 in. (36.8 x 24.8 cm), Prints, Utagawa Kunimasa (Japanese, 1773–1810), Both Kunimasa and his teacher, Utagawa, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-actor-matsumoto-yonesabur-in-a-womans-role-edo-period-16151868-late-1790s-japan-polychrome-woodblock-print-ink-and-color-on-paper-14-12-x-9-34-in-368-x-248-cm-prints-utagawa-kunimasa-japanese-17731810-both-kunimasa-and-his-teacher-utagawa-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910110.htmlRF2HW3AFX–Art inspired by The Actor Matsumoto Yonesaburō in a Woman's Role, Edo period (1615–1868), late 1790s, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 9 3/4 in. (36.8 x 24.8 cm), Prints, Utagawa Kunimasa (Japanese, 1773–1810), Both Kunimasa and his teacher, Utagawa, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Peacock Boat, c. 1795/96. Women playing drum, sho, flute, koto and gong. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-peacock-boat-c-179596-women-playing-drum-sho-flute-koto-and-gong-image457031909.htmlRM2HFFGT5–The Peacock Boat, c. 1795/96. Women playing drum, sho, flute, koto and gong.
Utamaro (1795–96) Kōmei bijin rokkasen - Asahiya goke Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-utamaro-179596-kmei-bijin-rokkasen-asahiya-goke-171683279.htmlRMKY8RNK–Utamaro (1795–96) Kōmei bijin rokkasen - Asahiya goke
A fine enamelled gold box in a leather case, London, 1795/96 22-carat rose gold, enamelled, and hand painted. The entire surface of the twelve-section, oval box is enamelled. The top and bottom bear translucent red medallions on a guilloché background, displaying a hand-painted bouquet or a basket of flowers, set in turquoise flowery friezes with roses or flowers in yellow, red, and blue enamel. The rim of the lid is decorated en suite with flowers, and the lower edge bears twelve hand-painted cartouches on turquoise or rose-coloured enamel, displaying iridesce, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-fine-enamelled-gold-box-in-a-leather-case-london-179596-22-carat-31630614.htmlRMBRCW4P–A fine enamelled gold box in a leather case, London, 1795/96 22-carat rose gold, enamelled, and hand painted. The entire surface of the twelve-section, oval box is enamelled. The top and bottom bear translucent red medallions on a guilloché background, displaying a hand-painted bouquet or a basket of flowers, set in turquoise flowery friezes with roses or flowers in yellow, red, and blue enamel. The rim of the lid is decorated en suite with flowers, and the lower edge bears twelve hand-painted cartouches on turquoise or rose-coloured enamel, displaying iridesce,
Utamaro (1795–96) Kōmei bijin rokkasen - Tomimoto Toyohina Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-utamaro-179596-kmei-bijin-rokkasen-tomimoto-toyohina-171688115.htmlRMKY91XB–Utamaro (1795–96) Kōmei bijin rokkasen - Tomimoto Toyohina
A Doe, 1846, Charles Émile Jacque (French, 1813-1894), after Antoine Louis Barye (French, 1795-1875), France, Etching on cream wove paper laid down on ivory laid paper, 84 × 119 mm (image), 96 × 127 mm (sheet), 154 × 172 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-doe-1846-charles-mile-jacque-french-1813-1894-after-antoine-louis-barye-french-1795-1875-france-etching-on-cream-wove-paper-laid-down-on-ivory-laid-paper-84-119-mm-image-96-127-mm-sheet-154-172-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349698135.htmlRF2B8X3F3–A Doe, 1846, Charles Émile Jacque (French, 1813-1894), after Antoine Louis Barye (French, 1795-1875), France, Etching on cream wove paper laid down on ivory laid paper, 84 × 119 mm (image), 96 × 127 mm (sheet), 154 × 172 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Utamaro (1795–96) Kōmei bijin rokkasen - Ōgiya Hanaōgi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utamaro-179596-kmei-bijin-rokkasen-giya-hanagi-image573259317.htmlRM2T8J631–Utamaro (1795–96) Kōmei bijin rokkasen - Ōgiya Hanaōgi.
Jan Beukelszoon Leiden riding horse as king of the Anabaptists of Münster, 1534. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) printmaker Cornelis Bogerts (listed property) to drawing: Jacobus Buys (indicated on object) Place manufacture: the Netherlands Date: 1780 - 1795 Physical characteristics: etching, pen in brown material: paper ink Technique: etching / pen Dimensions: paper: h 126 mm × b 96 mmToelichtingIllustratie: J. Fokke, Histories of the United Netherlands for the patriotic youth, Johannes Allart, Amsterdam 1783-1795, 25 parts, Vol. III, pl. VIII. With the lette Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-beukelszoon-leiden-riding-horse-as-king-of-the-anabaptists-of-mnster-1534-manufacturer-printmaker-reinier-vinkeles-i-listed-building-printmaker-cornelis-bogerts-listed-property-to-drawing-jacobus-buys-indicated-on-object-place-manufacture-the-netherlands-date-1780-1795-physical-characteristics-etching-pen-in-brown-material-paper-ink-technique-etching-pen-dimensions-paper-h-126-mm-b-96-mmtoelichtingillustratie-j-fokke-histories-of-the-united-netherlands-for-the-patriotic-youth-johannes-allart-amsterdam-1783-1795-25-parts-vol-iii-pl-viii-with-the-lette-image348460075.htmlRM2B6WMAK–Jan Beukelszoon Leiden riding horse as king of the Anabaptists of Münster, 1534. Manufacturer : printmaker: Reinier Vinkeles (I) (listed building) printmaker Cornelis Bogerts (listed property) to drawing: Jacobus Buys (indicated on object) Place manufacture: the Netherlands Date: 1780 - 1795 Physical characteristics: etching, pen in brown material: paper ink Technique: etching / pen Dimensions: paper: h 126 mm × b 96 mmToelichtingIllustratie: J. Fokke, Histories of the United Netherlands for the patriotic youth, Johannes Allart, Amsterdam 1783-1795, 25 parts, Vol. III, pl. VIII. With the lette
Irish log book auction Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-irish-log-book-auction-107660856.htmlRMG74AEG–Irish log book auction
Franse leger trekt Amsterdam binnen, 1795 Het Franse leger trekt door de Utrechtsepoort Amsterdam binnen, 19 januari 1795. Illustratie op p. 265 van het boek: Historie der omwentelingen. Manufacturer : prentmaker: Theodoor Koning (vermeld op object)naar tekening van: Jacobus van Meurs (vermeld op object)uitgever: Willem van Vlietuitgever: Johannes Hazeu Cornelisz.Plaats manufacture: prentmaker: Noordelijke Nederlandenuitgever: Amsterdamuitgever: Amsterdam Dating: 1795 - 1796 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: plaatrand: h 68 mm × b 80 mmblad: h 160 mm × b 96 m Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franse-leger-trekt-amsterdam-binnen-1795-het-franse-leger-trekt-door-de-utrechtsepoort-amsterdam-binnen-19-januari-1795-illustratie-op-p-265-van-het-boek-historie-der-omwentelingen-manufacturer-prentmaker-theodoor-koning-vermeld-op-objectnaar-tekening-van-jacobus-van-meurs-vermeld-op-objectuitgever-willem-van-vlietuitgever-johannes-hazeu-corneliszplaats-manufacture-prentmaker-noordelijke-nederlandenuitgever-amsterdamuitgever-amsterdam-dating-1795-1796-physical-kenmerken-ets-material-papier-techniek-etsen-dimensions-plaatrand-h-68-mm-b-80-mmblad-h-160-mm-b-96-m-image348366058.htmlRM2B6NCCX–Franse leger trekt Amsterdam binnen, 1795 Het Franse leger trekt door de Utrechtsepoort Amsterdam binnen, 19 januari 1795. Illustratie op p. 265 van het boek: Historie der omwentelingen. Manufacturer : prentmaker: Theodoor Koning (vermeld op object)naar tekening van: Jacobus van Meurs (vermeld op object)uitgever: Willem van Vlietuitgever: Johannes Hazeu Cornelisz.Plaats manufacture: prentmaker: Noordelijke Nederlandenuitgever: Amsterdamuitgever: Amsterdam Dating: 1795 - 1796 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: plaatrand: h 68 mm × b 80 mmblad: h 160 mm × b 96 m
. Description des animaux sans vertèbres découverts dans le bassin de Paris pour servir de supplément à la Description des coquilles fossiles des environs de Paris comprenant une revue générale de toutes les espèces actuellement connues. Mollusks, Fossil; Paleontology. ollusques.T.II,PL.96. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Deshayes, G. P. (Gérard Paul), 1795-1875. Paris, J. B. Baillière et fils; New York, Bai Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/description-des-animaux-sans-vertbres-dcouverts-dans-le-bassin-de-paris-pour-servir-de-supplment-la-description-des-coquilles-fossiles-des-environs-de-paris-comprenant-une-revue-gnrale-de-toutes-les-espces-actuellement-connues-mollusks-fossil-paleontology-ollusquestiipl96-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-deshayes-g-p-grard-paul-1795-1875-paris-j-b-baillire-et-fils-new-york-bai-image216027605.htmlRMPFCWBH–. Description des animaux sans vertèbres découverts dans le bassin de Paris pour servir de supplément à la Description des coquilles fossiles des environs de Paris comprenant une revue générale de toutes les espèces actuellement connues. Mollusks, Fossil; Paleontology. ollusques.T.II,PL.96. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Deshayes, G. P. (Gérard Paul), 1795-1875. Paris, J. B. Baillière et fils; New York, Bai
Henry Chawner, Toasted Cheese Dish, 1795/96, silver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-chawner-toasted-cheese-dish-179596-silver-image537412404.htmlRM2P69704–Henry Chawner, Toasted Cheese Dish, 1795/96, silver.
Prayer Rug, Prayer rug, 1795–96, Attributed to Turkey, Ladik, Konya, Wool (warp, weft and pile); symmetrically knotted pile, H. 78 in. (198.1 cm), W. 45 in. (114.3 cm), Textiles-Rugs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prayer-rug-prayer-rug-179596-attributed-to-turkey-ladik-konya-wool-warp-weft-and-pile-symmetrically-knotted-pile-h-78-in-1981-cm-w-45-in-1143-cm-textiles-rugs-image344644523.htmlRM2B0KWGY–Prayer Rug, Prayer rug, 1795–96, Attributed to Turkey, Ladik, Konya, Wool (warp, weft and pile); symmetrically knotted pile, H. 78 in. (198.1 cm), W. 45 in. (114.3 cm), Textiles-Rugs
Miniature kettle with stand. Culture: British, London. Dimensions: 5 1/4 × 3 1/4 in. (13.3 × 8.3 cm). Maker: W. H.. Date: 1795-96. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miniature-kettle-with-stand-culture-british-london-dimensions-5-14-3-14-in-133-83-cm-maker-w-h-date-1795-96-museum-metropolitan-museum-of-art-new-york-usa-image213146208.htmlRMPANJ4G–Miniature kettle with stand. Culture: British, London. Dimensions: 5 1/4 × 3 1/4 in. (13.3 × 8.3 cm). Maker: W. H.. Date: 1795-96. Museum: Metropolitan Museum of Art, New York, USA.
Statistisk-topographisk beskrivelse af kongeriget Danmark . og ©tolbmefter, fenere ©c^eimcraobog ©tiftamtmano i (2iætlnnbi3 ©tift, §env. Stbam SBroden^uu«, ber tillige »or Gieraf 3ung^^oBeb6 og Ovemonbégaavbå (^obfer. Srodtenhuu« erljoertjebe, efterat ifattgjort DJflfo til complet Sorbegobé, i Sloret 1763 fgl. 33f»illing for bet paa compietteJpoDebganrbe^9icttiii^eber, og foU^te i 2laret 1785 be tre famlebe ©obfer for 136,200 9tb.til (StatSrnob DiielS !t!iinbe 9?eierfen (©tifteren af bet SReierfeufte gonb). Gfter 9teierfen82)øb, 1795, folgte« Deb Sluction 9it)fø ®ob« for 96,100 $Rb. og 3ung«t) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statistisk-topographisk-beskrivelse-af-kongeriget-danmark-og-tolbmefter-fenere-ceimcraobog-tiftamtmano-i-2itlnnbi3-tift-env-stbam-sbrodenuu-ber-tillige-or-gieraf-3ungobeb6-og-ovemonbgaavb-obfer-srodtenhuu-erljoertjebe-efterat-ifattgjort-djflfo-til-complet-sorbegob-i-sloret-1763-fgl-33filling-for-bet-paa-compiettejpodebganrbe9icttiiieber-og-foute-i-2laret-1785-be-tre-famlebe-obfer-for-136200-9tbtil-statsrnob-diiels-!t!iinbe-9eierfen-tifteren-af-bet-sreierfeufte-gonb-gfter-9teierfen82b-1795-folgte-deb-sluction-9itf-ob-for-96100-rb-og-3ungt-image339274920.htmlRM2AKY8HC–Statistisk-topographisk beskrivelse af kongeriget Danmark . og ©tolbmefter, fenere ©c^eimcraobog ©tiftamtmano i (2iætlnnbi3 ©tift, §env. Stbam SBroden^uu«, ber tillige »or Gieraf 3ung^^oBeb6 og Ovemonbégaavbå (^obfer. Srodtenhuu« erljoertjebe, efterat ifattgjort DJflfo til complet Sorbegobé, i Sloret 1763 fgl. 33f»illing for bet paa compietteJpoDebganrbe^9icttiii^eber, og foU^te i 2laret 1785 be tre famlebe ©obfer for 136,200 9tb.til (StatSrnob DiielS !t!iinbe 9?eierfen (©tifteren af bet SReierfeufte gonb). Gfter 9teierfen82)øb, 1795, folgte« Deb Sluction 9it)fø ®ob« for 96,100 $Rb. og 3ung«t)
![. English: 'Delft' (1797) Scale: 1:96. Plan showing the quarterdeck and forecastle, upper deck, and lower deck, fore and aft platforms, and inboard profile for 'Delft' (1797), a captured Dutch Third Rate, as taken off at Chatham Dockyard prior to being converted to a 64-gun Third Rate, two-decker, and fitted as a troopship. Signed by Edward Sison [Master Shipwright, Chatham Dockyard, 1795-1801]. 'Delft' (1797) 3 'Delft' (1797) RMG J3195 Stock Photo](https://c8.alamy.com/comp/P01N87/english-delft-1797-scale-196-plan-showing-the-quarterdeck-and-forecastle-upper-deck-and-lower-deck-fore-and-aft-platforms-and-inboard-profile-for-delft-1797-a-captured-dutch-third-rate-as-taken-off-at-chatham-dockyard-prior-to-being-converted-to-a-64-gun-third-rate-two-decker-and-fitted-as-a-troopship-signed-by-edward-sison-master-shipwright-chatham-dockyard-1795-1801-delft-1797-3-delft-1797-rmg-j3195-P01N87.jpg ". English: 'Delft' (1797) Scale: 1:96. Plan showing the quarterdeck and forecastle, upper deck, and lower deck, fore and aft platforms, and inboard profile for 'Delft' (1797), a captured Dutch Third Rate, as taken off at Chatham Dockyard prior to being converted to a 64-gun Third Rate, two-decker, and fitted as a troopship. Signed by Edward Sison [Master Shipwright, Chatham Dockyard, 1795-1801]. 'Delft' (1797) 3 'Delft' (1797) RMG J3195 Stock Photo")
. English: 'Delft' (1797) Scale: 1:96. Plan showing the quarterdeck and forecastle, upper deck, and lower deck, fore and aft platforms, and inboard profile for 'Delft' (1797), a captured Dutch Third Rate, as taken off at Chatham Dockyard prior to being converted to a 64-gun Third Rate, two-decker, and fitted as a troopship. Signed by Edward Sison [Master Shipwright, Chatham Dockyard, 1795-1801]. 'Delft' (1797) 3 'Delft' (1797) RMG J3195 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-delft-1797-scale-196-plan-showing-the-quarterdeck-and-forecastle-upper-deck-and-lower-deck-fore-and-aft-platforms-and-inboard-profile-for-delft-1797-a-captured-dutch-third-rate-as-taken-off-at-chatham-dockyard-prior-to-being-converted-to-a-64-gun-third-rate-two-decker-and-fitted-as-a-troopship-signed-by-edward-sison-master-shipwright-chatham-dockyard-1795-1801-delft-1797-3-delft-1797-rmg-j3195-image206563063.htmlRMP01N87–. English: 'Delft' (1797) Scale: 1:96. Plan showing the quarterdeck and forecastle, upper deck, and lower deck, fore and aft platforms, and inboard profile for 'Delft' (1797), a captured Dutch Third Rate, as taken off at Chatham Dockyard prior to being converted to a 64-gun Third Rate, two-decker, and fitted as a troopship. Signed by Edward Sison [Master Shipwright, Chatham Dockyard, 1795-1801]. 'Delft' (1797) 3 'Delft' (1797) RMG J3195
On top and beneath Ryogoku Bridge (Ryogokubashi no ue, shita), Japan, c. 1795/96. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-top-and-beneath-ryogoku-bridge-ryogokubashi-no-ue-shita-japan-c-179596-image457035035.htmlRM2HFFMRR–On top and beneath Ryogoku Bridge (Ryogokubashi no ue, shita), Japan, c. 1795/96.
A fine enamelled gold box in a leather case, London, 1795/96 22-carat rose gold, enamelled, and hand painted. The entire surface of the twelve-section, oval box is enamelled. The top and bottom bear translucent red medallions on a guilloché background, displaying a hand-painted bouquet or a basket of flowers, set in turquoise flowery friezes with roses or flowers in yellow, red, and blue enamel. The rim of the lid is decorated en suite with flowers, and the lower edge bears twelve hand-painted cartouches on turquoise or rose-coloured enamel, displaying iridesce, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-fine-enamelled-gold-box-in-a-leather-case-london-179596-22-carat-31630007.htmlRMBRCTB3–A fine enamelled gold box in a leather case, London, 1795/96 22-carat rose gold, enamelled, and hand painted. The entire surface of the twelve-section, oval box is enamelled. The top and bottom bear translucent red medallions on a guilloché background, displaying a hand-painted bouquet or a basket of flowers, set in turquoise flowery friezes with roses or flowers in yellow, red, and blue enamel. The rim of the lid is decorated en suite with flowers, and the lower edge bears twelve hand-painted cartouches on turquoise or rose-coloured enamel, displaying iridesce,
Utamaro (1795–96) Kōmei bijin rokkasen - Takashimaya O-Hisa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-utamaro-179596-kmei-bijin-rokkasen-takashimaya-o-hisa-171688117.htmlRMKY91XD–Utamaro (1795–96) Kōmei bijin rokkasen - Takashimaya O-Hisa
Self Portrait, Pointing at a Portrait of the Artist's deceased Colleague Dirk Jacobsz Ploegsma (1769-91), Self-portrait of Willem Bartel van der Kooi, standing half-way, pointing to the portrait of his deceased colleague Dirk Jacobsz Ploegsma. Ploegsma is presented with palette and brushes in hand, above the portrait a grieving allegorical figure (Painting?) And the Fame., Willem Bartel van der Kooi, 1791 - 1795, canvas, oil paint (paint), h 122 cm × w 96 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-pointing-at-a-portrait-of-the-artists-deceased-colleague-dirk-jacobsz-ploegsma-1769-91-self-portrait-of-willem-bartel-van-der-kooi-standing-half-way-pointing-to-the-portrait-of-his-deceased-colleague-dirk-jacobsz-ploegsma-ploegsma-is-presented-with-palette-and-brushes-in-hand-above-the-portrait-a-grieving-allegorical-figure-painting-and-the-fame-willem-bartel-van-der-kooi-1791-1795-canvas-oil-paint-paint-h-122-cm-w-96-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-image350011566.htmlRF2B9CB92–Self Portrait, Pointing at a Portrait of the Artist's deceased Colleague Dirk Jacobsz Ploegsma (1769-91), Self-portrait of Willem Bartel van der Kooi, standing half-way, pointing to the portrait of his deceased colleague Dirk Jacobsz Ploegsma. Ploegsma is presented with palette and brushes in hand, above the portrait a grieving allegorical figure (Painting?) And the Fame., Willem Bartel van der Kooi, 1791 - 1795, canvas, oil paint (paint), h 122 cm × w 96 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist.
Utamaro (1795–96) Kōmei bijin rokkasen - Ōgiya Hanaōgi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utamaro-179596-kmei-bijin-rokkasen-giya-hanagi-image573231138.htmlRM2T8GX4J–Utamaro (1795–96) Kōmei bijin rokkasen - Ōgiya Hanaōgi.
. Description des animaux sans vertèbres découverts dans le bassin de Paris pour servir de supplément à la Description des coquilles fossiles des environs de Paris comprenant une revue générale de toutes les espèces actuellement connues. Mollusks, Fossil; Paleontology. ollusques.T.II,PL.96. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Deshayes, G. P. (Gérard Paul), 1795-1875. Paris, J. B. Baillière et fils; New York, Bai Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/description-des-animaux-sans-vertbres-dcouverts-dans-le-bassin-de-paris-pour-servir-de-supplment-la-description-des-coquilles-fossiles-des-environs-de-paris-comprenant-une-revue-gnrale-de-toutes-les-espces-actuellement-connues-mollusks-fossil-paleontology-ollusquestiipl96-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-deshayes-g-p-grard-paul-1795-1875-paris-j-b-baillire-et-fils-new-york-bai-image216027611.htmlRMPFCWBR–. Description des animaux sans vertèbres découverts dans le bassin de Paris pour servir de supplément à la Description des coquilles fossiles des environs de Paris comprenant une revue générale de toutes les espèces actuellement connues. Mollusks, Fossil; Paleontology. ollusques.T.II,PL.96. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Deshayes, G. P. (Gérard Paul), 1795-1875. Paris, J. B. Baillière et fils; New York, Bai
Nathaniel Smith & Co., Caddy Spoon, 1795/96, silver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nathaniel-smith-co-caddy-spoon-179596-silver-image537533176.htmlRM2P6EN1C–Nathaniel Smith & Co., Caddy Spoon, 1795/96, silver.
Henry Chawner, English, 1764–1851, Tea Canister, 1795/96, Silver, 7 1/2 x 7 5/8 x 4 1/16 in. (19.1 x 19.4 x 10.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-chawner-english-17641851-tea-canister-179596-silver-7-12-x-7-58-x-4-116-in-191-x-194-x-103-cm-image344572894.htmlRM2B0GJ6P–Henry Chawner, English, 1764–1851, Tea Canister, 1795/96, Silver, 7 1/2 x 7 5/8 x 4 1/16 in. (19.1 x 19.4 x 10.3 cm
MONSIEUR SERIZIAT - 1795 - O/L - 129 x 96 cm. Author: Jacques Louis David (1748-1825). Location: LOUVRE MUSEUM-PAINTINGS, FRANCE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monsieur-seriziat-1795-ol-129-x-96-cm-author-jacques-louis-david-1748-1825-location-louvre-museum-paintings-france-image208375906.htmlRMP309GJ–MONSIEUR SERIZIAT - 1795 - O/L - 129 x 96 cm. Author: Jacques Louis David (1748-1825). Location: LOUVRE MUSEUM-PAINTINGS, FRANCE.
Gleanings from old Shaker journals, compiled by Clara Endicott Sears . ate of Death Ezra Newton 101 1896 Olive Hatch 100 1908 Philip J. Mayer 99 1898 292 APPENDIX Age Date of Death Abigail Worcester 98 1811 Hosea Edson 96 1829 Relief Edson 96 1866 Susanna M. Gooden 95 1795 Maria M. Wood 95 1914 Hannah Bridges 94 1875 Samuel Blood 94 1844 Henry Gooden.. 94 1830 Sarah Kendall 93 1852 Desire Chandler 92 1865 Sarah Dodge 92 1841 Molly Lyon 92 1843 Sarah Cooper 92 1807 Deborah Prentice 91 1811 Ruth Stearns 91 1822 Mary Chandler 91 1855 Elizabeth Sears 91 1890 Deborah Dunham 90 1854 Abiather Babbitt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gleanings-from-old-shaker-journals-compiled-by-clara-endicott-sears-ate-of-death-ezra-newton-101-1896-olive-hatch-100-1908-philip-j-mayer-99-1898-292-appendix-age-date-of-death-abigail-worcester-98-1811-hosea-edson-96-1829-relief-edson-96-1866-susanna-m-gooden-95-1795-maria-m-wood-95-1914-hannah-bridges-94-1875-samuel-blood-94-1844-henry-gooden-94-1830-sarah-kendall-93-1852-desire-chandler-92-1865-sarah-dodge-92-1841-molly-lyon-92-1843-sarah-cooper-92-1807-deborah-prentice-91-1811-ruth-stearns-91-1822-mary-chandler-91-1855-elizabeth-sears-91-1890-deborah-dunham-90-1854-abiather-babbitt-image338119953.htmlRM2AJ2KCH–Gleanings from old Shaker journals, compiled by Clara Endicott Sears . ate of Death Ezra Newton 101 1896 Olive Hatch 100 1908 Philip J. Mayer 99 1898 292 APPENDIX Age Date of Death Abigail Worcester 98 1811 Hosea Edson 96 1829 Relief Edson 96 1866 Susanna M. Gooden 95 1795 Maria M. Wood 95 1914 Hannah Bridges 94 1875 Samuel Blood 94 1844 Henry Gooden.. 94 1830 Sarah Kendall 93 1852 Desire Chandler 92 1865 Sarah Dodge 92 1841 Molly Lyon 92 1843 Sarah Cooper 92 1807 Deborah Prentice 91 1811 Ruth Stearns 91 1822 Mary Chandler 91 1855 Elizabeth Sears 91 1890 Deborah Dunham 90 1854 Abiather Babbitt
. Colonel James Swan. 1795. By Gilbert Stuart, American, 1755–1828. 73.66 x 60.96 cm (29 x 24 in.). Oil on canvas. Museum of Fine Arts, Boston . 1795. Gilbert Stuart (1755–1828) Alternative names Gilbert Charles Stuart ; Birth name: Gilbert Charles Stewart Description American painter Date of birth/death 3 December 1755 9 July 1828 Location of birth/death North Kingston (Newport, Rhode Island) Boston Work location Boston, New York City, London, Dublin Authority control : Q41402 VIAF:?61689381 ISNI:?0000 0000 6634 9660 ULAN:?500010392 LCCN:?n50083265 NLA:?35149085 WorldCat 1795 J Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/colonel-james-swan-1795-by-gilbert-stuart-american-17551828-7366-x-6096-cm-29-x-24-in-oil-on-canvas-museum-of-fine-arts-boston-1795-gilbert-stuart-17551828-alternative-names-gilbert-charles-stuart-birth-name-gilbert-charles-stewart-description-american-painter-date-of-birthdeath-3-december-1755-9-july-1828-location-of-birthdeath-north-kingston-newport-rhode-island-boston-work-location-boston-new-york-city-london-dublin-authority-control-q41402-viaf61689381-isni0000-0000-6634-9660-ulan500010392-lccnn50083265-nla35149085-worldcat-1795-j-image184898890.htmlRMMMPTBP–. Colonel James Swan. 1795. By Gilbert Stuart, American, 1755–1828. 73.66 x 60.96 cm (29 x 24 in.). Oil on canvas. Museum of Fine Arts, Boston . 1795. Gilbert Stuart (1755–1828) Alternative names Gilbert Charles Stuart ; Birth name: Gilbert Charles Stewart Description American painter Date of birth/death 3 December 1755 9 July 1828 Location of birth/death North Kingston (Newport, Rhode Island) Boston Work location Boston, New York City, London, Dublin Authority control : Q41402 VIAF:?61689381 ISNI:?0000 0000 6634 9660 ULAN:?500010392 LCCN:?n50083265 NLA:?35149085 WorldCat 1795 J
On top and beneath Ryogoku Bridge (Ryogokubashi no ue, shita), Japan, c. 1795/96. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-top-and-beneath-ryogoku-bridge-ryogokubashi-no-ue-shita-japan-c-179596-image457035009.htmlRM2HFFMPW–On top and beneath Ryogoku Bridge (Ryogokubashi no ue, shita), Japan, c. 1795/96.
A fine enamelled gold box in a leather case, London, 1795/96 22-carat rose gold, enamelled, and hand painted. The entire surface of the twelve-section, oval box is enamelled. The top and bottom bear translucent red medallions on a guilloché background, displaying a hand-painted bouquet or a basket of flowers, set in turquoise flowery friezes with roses or flowers in yellow, red, and blue enamel. The rim of the lid is decorated en suite with flowers, and the lower edge bears twelve hand-painted cartouches on turquoise or rose-coloured enamel, displaying iridesce, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-fine-enamelled-gold-box-in-a-leather-case-london-179596-22-carat-31630590.htmlRMBRCW3X–A fine enamelled gold box in a leather case, London, 1795/96 22-carat rose gold, enamelled, and hand painted. The entire surface of the twelve-section, oval box is enamelled. The top and bottom bear translucent red medallions on a guilloché background, displaying a hand-painted bouquet or a basket of flowers, set in turquoise flowery friezes with roses or flowers in yellow, red, and blue enamel. The rim of the lid is decorated en suite with flowers, and the lower edge bears twelve hand-painted cartouches on turquoise or rose-coloured enamel, displaying iridesce,
Utamaro (1795–96) Kōmei bijin rokkasen - Naniwaya O-Kita Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-utamaro-179596-kmei-bijin-rokkasen-naniwaya-o-kita-171806758.htmlRMKYED7J–Utamaro (1795–96) Kōmei bijin rokkasen - Naniwaya O-Kita
Utamaro (1795–96) Kōmei bijin rokkasen - Asahiya goke. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utamaro-179596-kmei-bijin-rokkasen-asahiya-goke-image573259326.htmlRM2T8J63A–Utamaro (1795–96) Kōmei bijin rokkasen - Asahiya goke.
Utamaro (1795–96) Kōmei bijin rokkasen - Tomimoto Toyohina. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utamaro-179596-kmei-bijin-rokkasen-tomimoto-toyohina-image573259314.htmlRM2T8J62X–Utamaro (1795–96) Kōmei bijin rokkasen - Tomimoto Toyohina.
Gustavus Byrne, Mustard Pot (blue glass liner), 1795/96, silver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustavus-byrne-mustard-pot-blue-glass-liner-179596-silver-image537407588.htmlRM2P690T4–Gustavus Byrne, Mustard Pot (blue glass liner), 1795/96, silver.
Henry Chawner, English, 1764–1851, Toasted Cheese Dish, 1795/96, Silver, 4 5/8 x 9 5/8 x 12 5/16 in. (11.7 x 24.4 x 31.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-chawner-english-17641851-toasted-cheese-dish-179596-silver-4-58-x-9-58-x-12-516-in-117-x-244-x-313-cm-image344581242.htmlRM2B0H0TX–Henry Chawner, English, 1764–1851, Toasted Cheese Dish, 1795/96, Silver, 4 5/8 x 9 5/8 x 12 5/16 in. (11.7 x 24.4 x 31.3 cm
Self Portrait, Pointing at a Portrait of the Artist's deceased Colleague Dirk Jacobsz Ploegsma (1769-91). Dating: 1791 - 1795. Measurements: h 122 cm × w 96 cm. Museum: Rijksmuseum, Amsterdam. Author: Willem Bartel van der Kooi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-pointing-at-a-portrait-of-the-artists-deceased-colleague-dirk-jacobsz-ploegsma-1769-91-dating-1791-1795-measurements-h-122-cm-w-96-cm-museum-rijksmuseum-amsterdam-author-willem-bartel-van-der-kooi-image232832701.htmlRMREPCDH–Self Portrait, Pointing at a Portrait of the Artist's deceased Colleague Dirk Jacobsz Ploegsma (1769-91). Dating: 1791 - 1795. Measurements: h 122 cm × w 96 cm. Museum: Rijksmuseum, Amsterdam. Author: Willem Bartel van der Kooi.
