17th century inscription Stock Photos and Images
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17th century inscription Stock Photos and Images
17th. Century inscription in Nave. Church of Saint Martin, Bowness-on-Windermere, Lake District National Park, Cumbria, England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-17th-century-inscription-in-nave-church-of-saint-martin-bowness-on-35779060.htmlRMC25TFG–17th. Century inscription in Nave. Church of Saint Martin, Bowness-on-Windermere, Lake District National Park, Cumbria, England.
British 17th Century, (artist), Inscription, 17th century, bronze, overall (diameter): 5.42 cm (2 1/8 in.), gross weight: 76.46 gr (0.169 lb.), axis: 12:00 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-17th-century-artist-inscription-17th-century-bronze-overall-diameter-542-cm-2-18-in-gross-weight-7646-gr-0169-lb-axis-1200-image386242206.htmlRM2DCARTE–British 17th Century, (artist), Inscription, 17th century, bronze, overall (diameter): 5.42 cm (2 1/8 in.), gross weight: 76.46 gr (0.169 lb.), axis: 12:00
Saint Stephen Icon in Saint Athanasius Church in Bogomila 17th Century Inscription Detail Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saint-stephen-icon-in-saint-athanasius-church-in-bogomila-17th-century-147670011.htmlRMJG6XGY–Saint Stephen Icon in Saint Athanasius Church in Bogomila 17th Century Inscription Detail
17th century writing on St. Michael`s Church, Budbrooke, Warwickshire, England, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/17th-century-writing-on-st-michael`s-church-budbrooke-warwickshire-england-uk-image436311660.htmlRM2G9RKY8–17th century writing on St. Michael`s Church, Budbrooke, Warwickshire, England, UK
Jilavele, Ialomita County, Romania, 2002. St. John the Baptist Church, a historical monument from the 17th century. Inscription by the entrance describing the history of the church. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jilavele-ialomita-county-romania-2002-st-john-the-baptist-church-a-historical-monument-from-the-17th-century-inscription-by-the-entrance-describing-the-history-of-the-church-image566261764.htmlRM2RW7CJC–Jilavele, Ialomita County, Romania, 2002. St. John the Baptist Church, a historical monument from the 17th century. Inscription by the entrance describing the history of the church.
A Franco-German campaign sword, 3rd quarter of the 17th century, Known as an 'épée wallone' or 'forte-épée de cavalerie'. Straight, double-edged blade, with hollow grinding on both sides of the lower third, each bearing the inscription 'ME FECIT SOLINGEN', above which a wolf mark, below a pseudo 'Amsterdam' mark struck on the obverse and a crown/'P' on the reverse. Iron knuckle-bow hilt with asymmetric guard rings, including varyingly replaced, openworked guard plates. Wire-wrapped hilt with Turk's heads (the winding has worked slightly loose). L, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-franco-german-campaign-sword-3rd-quarter-of-the-17th-century-known-as-an-pe-wallone-or-forte-pe-de-cavalerie-straight-double-edged-blade-with-hollow-grinding-on-both-sides-of-the-lower-third-each-bearing-the-inscription-me-fecit-solingen-above-which-a-wolf-mark-below-a-pseudo-amsterdam-mark-struck-on-the-obverse-and-a-crownp-on-the-reverse-iron-knuckle-bow-hilt-with-asymmetric-guard-rings-including-varyingly-replaced-openworked-guard-plates-wire-wrapped-hilt-with-turks-heads-the-winding-has-worked-slightly-loose-l-additional-rights-clearance-info-not-available-image247639421.htmlRMTATXH1–A Franco-German campaign sword, 3rd quarter of the 17th century, Known as an 'épée wallone' or 'forte-épée de cavalerie'. Straight, double-edged blade, with hollow grinding on both sides of the lower third, each bearing the inscription 'ME FECIT SOLINGEN', above which a wolf mark, below a pseudo 'Amsterdam' mark struck on the obverse and a crown/'P' on the reverse. Iron knuckle-bow hilt with asymmetric guard rings, including varyingly replaced, openworked guard plates. Wire-wrapped hilt with Turk's heads (the winding has worked slightly loose). L, Additional-Rights-Clearance-Info-Not-Available
![Probably Roman 17th Century, Inscription (reverse), 1612 Inscription [reverse]; 1612date Stock Photo](https://c8.alamy.com/comp/2AEM4TP/probably-roman-17th-century-inscription-reverse-1612-inscription-reverse-1612date-2AEM4TP.jpg "Probably Roman 17th Century, Inscription (reverse), 1612 Inscription [reverse]; 1612date Stock Photo")
Probably Roman 17th Century, Inscription (reverse), 1612 Inscription [reverse]; 1612date Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/probably-roman-17th-century-inscription-reverse-1612-inscription-reverse-1612date-image336045046.htmlRM2AEM4TP–Probably Roman 17th Century, Inscription (reverse), 1612 Inscription [reverse]; 1612date
'The Assumption of Our Lady'. Oil on wood. Spain, 16th/17th century. Inscription above the nun: 'Dona Francisca de Acuna abadesa' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-assumption-of-our-lady-oil-on-wood-spain-16th17th-century-inscription-above-the-nun-dona-francisca-de-acuna-abadesa-image567903783.htmlRF2RYX71Y–'The Assumption of Our Lady'. Oil on wood. Spain, 16th/17th century. Inscription above the nun: 'Dona Francisca de Acuna abadesa'
Inscription of Brother Fernando do Espiritu Santo. From Sao Francisco da Cidade Convent (Lisbon). 17th century. Carmo Archaeological Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inscription-of-brother-fernando-do-espiritu-santo-from-sao-francisco-da-cidade-convent-lisbon-17th-century-carmo-archaeological-museum-lisbon-portugal-image552004462.htmlRM2R21Y92–Inscription of Brother Fernando do Espiritu Santo. From Sao Francisco da Cidade Convent (Lisbon). 17th century. Carmo Archaeological Museum. Lisbon, Portugal.
17th century inscription 'This steeple was built 1633'. Suffolk church East Anglia England UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-17th-century-inscription-this-steeple-was-built-1633-suffolk-church-12226499.htmlRFA9271T–17th century inscription 'This steeple was built 1633'. Suffolk church East Anglia England UK
Art inspired by Busk, 17th century, French, ivory, The inscription with the flaming hearts reads, 'loves joins them' and 'the arrow unites us,' while the message of the sun shining on a flower is 'to see you or to die, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-busk-17th-century-french-ivory-the-inscription-with-the-flaming-hearts-reads-loves-joins-them-and-the-arrow-unites-us-while-the-message-of-the-sun-shining-on-a-flower-is-to-see-you-or-to-die-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462774422.htmlRF2HTW5DX–Art inspired by Busk, 17th century, French, ivory, The inscription with the flaming hearts reads, 'loves joins them' and 'the arrow unites us,' while the message of the sun shining on a flower is 'to see you or to die, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
17th century inscription next to a wooden door in the medieval town of Mirepoix in southern France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/17th-century-inscription-next-to-a-wooden-door-in-the-medieval-town-of-mirepoix-in-southern-france-image352913087.htmlRF2BE4G6R–17th century inscription next to a wooden door in the medieval town of Mirepoix in southern France
17th century gravestone with simple carved inscription Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/17th-century-gravestone-with-simple-carved-inscription-image366616231.htmlRM2C8CPMR–17th century gravestone with simple carved inscription
Inscribed stone tablet set into a house wall indicating the house was rebuilt in 1694, Olney, Buckinghamshire, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inscribed-stone-tablet-set-into-a-house-wall-indicating-the-house-was-rebuilt-in-1694-olney-buckinghamshire-uk-image466134478.htmlRF2J2A77X–Inscribed stone tablet set into a house wall indicating the house was rebuilt in 1694, Olney, Buckinghamshire, UK
Introduction of the Gregorian time account, Johann Kittel, 1700 history medal Silver medal. Front: angel inside ring with inscription 18th century on the inside, on the outside the 17th century inscription; Cut: Inscription. Reverse: inscription inside flower edge Breslau silver (metal) striking (metalworking) Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/introduction-of-the-gregorian-time-account-johann-kittel-1700-history-medal-silver-medal-front-angel-inside-ring-with-inscription-18th-century-on-the-inside-on-the-outside-the-17th-century-inscription-cut-inscription-reverse-inscription-inside-flower-edge-breslau-silver-metal-striking-metalworking-germany-image590846775.htmlRM2W97B2F–Introduction of the Gregorian time account, Johann Kittel, 1700 history medal Silver medal. Front: angel inside ring with inscription 18th century on the inside, on the outside the 17th century inscription; Cut: Inscription. Reverse: inscription inside flower edge Breslau silver (metal) striking (metalworking) Germany
![Seventeenth-century Welsh ownership inscription from Gratian, Decreti Huius Plenissimu[m] Argumentum ([Paris]: [Berthold Rembolt], [1518]), fol. at Chirk Castle, Wrexham. Stock Photo](https://c8.alamy.com/comp/FDKC4B/seventeenth-century-welsh-ownership-inscription-from-gratian-decreti-FDKC4B.jpg "Seventeenth-century Welsh ownership inscription from Gratian, Decreti Huius Plenissimu[m] Argumentum ([Paris]: [Berthold Rembolt], [1518]), fol. at Chirk Castle, Wrexham. Stock Photo")
Seventeenth-century Welsh ownership inscription from Gratian, Decreti Huius Plenissimu[m] Argumentum ([Paris]: [Berthold Rembolt], [1518]), fol. at Chirk Castle, Wrexham. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-seventeenth-century-welsh-ownership-inscription-from-gratian-decreti-94468987.htmlRMFDKC4B–Seventeenth-century Welsh ownership inscription from Gratian, Decreti Huius Plenissimu[m] Argumentum ([Paris]: [Berthold Rembolt], [1518]), fol. at Chirk Castle, Wrexham.
Monument Inscription to Myles O'Reilly, The Slasher, Finea, Westmeath, Ireland, Eire Irish 17th century warrior hero Miles Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-monument-inscription-to-myles-oreilly-the-slasher-finea-westmeath-28927557.htmlRMBK1NB1–Monument Inscription to Myles O'Reilly, The Slasher, Finea, Westmeath, Ireland, Eire Irish 17th century warrior hero Miles
Latin inscription 'omnibus idem' on a Baroque facade in Valletta, Malta Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/latin-inscription-omnibus-idem-on-a-baroque-facade-in-valletta-malta-image596216371.htmlRM2WJ001R–Latin inscription 'omnibus idem' on a Baroque facade in Valletta, Malta
17th Century Munition sword with shell guard, inscribed with 'For The Tower' on the blade. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/17th-century-munition-sword-with-shell-guard-inscribed-with-for-the-tower-on-the-blade-image588515229.htmlRM2W5D551–17th Century Munition sword with shell guard, inscribed with 'For The Tower' on the blade.
17th. Century inscription in Nave. Church of Saint Martin, Bowness-on-Windermere, Lake District National Park, Cumbria, England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-17th-century-inscription-in-nave-church-of-saint-martin-bowness-on-35779203.htmlRMC25TMK–17th. Century inscription in Nave. Church of Saint Martin, Bowness-on-Windermere, Lake District National Park, Cumbria, England.
Il Dottore, Italian theater prints, Etching, 17th century, Inscription in the plate's lower margin: A suon di Campanacci Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/il-dottore-italian-theater-prints-etching-17th-century-inscription-in-the-plates-lower-margin-a-suon-di-campanacci-image220675955.htmlRMPR0JC3–Il Dottore, Italian theater prints, Etching, 17th century, Inscription in the plate's lower margin: A suon di Campanacci
Notre Dame des Anges church in Collioure was built in southern Gothic style at the end of the 17th century. Monument historique. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/notre-dame-des-anges-church-in-collioure-was-built-in-southern-gothic-style-at-the-end-of-the-17th-century-monument-historique-image460146618.htmlRM2HMHDKP–Notre Dame des Anges church in Collioure was built in southern Gothic style at the end of the 17th century. Monument historique.
Latin inscription on Mr James Harlay's tomb, Keeper of His Majesty's Privy Seal, who died in 1617 aged 44. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/latin-inscription-on-mr-james-harlays-tomb-keeper-of-his-majestys-image68662946.htmlRMDYKT82–Latin inscription on Mr James Harlay's tomb, Keeper of His Majesty's Privy Seal, who died in 1617 aged 44.
Neamț County, Romania, 2000. Mosaic above the church entrance at Agapia Monastery depicting the Archangels Michael and Gabriel. Under it, the original 17th century inscription in Slavic language attesting to the year of construction and the donors. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/neam-county-romania-2000-mosaic-above-the-church-entrance-at-agapia-monastery-depicting-the-archangels-michael-and-gabriel-under-it-the-original-17th-century-inscription-in-slavic-language-attesting-to-the-year-of-construction-and-the-donors-image557530188.htmlRM2RB1KCC–Neamț County, Romania, 2000. Mosaic above the church entrance at Agapia Monastery depicting the Archangels Michael and Gabriel. Under it, the original 17th century inscription in Slavic language attesting to the year of construction and the donors.
A Franco-German campaign sword, 3rd quarter of the 17th century, Known as an 'épée wallone' or 'forte-épée de cavalerie'. Straight, double-edged blade, with hollow grinding on both sides of the lower third, each bearing the inscription 'ME FECIT SOLINGEN', above which a wolf mark, below a pseudo 'Amsterdam' mark struck on the obverse and a crown/'P' on the reverse. Iron knuckle-bow hilt with asymmetric guard rings, including varyingly replaced, openworked guard plates. Wire-wrapped hilt with Turk's heads (the winding has worked slightly loose). L, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-franco-german-campaign-sword-3rd-quarter-of-the-17th-century-known-as-an-pe-wallone-or-forte-pe-de-cavalerie-straight-double-edged-blade-with-hollow-grinding-on-both-sides-of-the-lower-third-each-bearing-the-inscription-me-fecit-solingen-above-which-a-wolf-mark-below-a-pseudo-amsterdam-mark-struck-on-the-obverse-and-a-crownp-on-the-reverse-iron-knuckle-bow-hilt-with-asymmetric-guard-rings-including-varyingly-replaced-openworked-guard-plates-wire-wrapped-hilt-with-turks-heads-the-winding-has-worked-slightly-loose-l-additional-rights-clearance-info-not-available-image247639419.htmlRMTATXGY–A Franco-German campaign sword, 3rd quarter of the 17th century, Known as an 'épée wallone' or 'forte-épée de cavalerie'. Straight, double-edged blade, with hollow grinding on both sides of the lower third, each bearing the inscription 'ME FECIT SOLINGEN', above which a wolf mark, below a pseudo 'Amsterdam' mark struck on the obverse and a crown/'P' on the reverse. Iron knuckle-bow hilt with asymmetric guard rings, including varyingly replaced, openworked guard plates. Wire-wrapped hilt with Turk's heads (the winding has worked slightly loose). L, Additional-Rights-Clearance-Info-Not-Available
![Inscription [reverse]; 17th century British 17th Century, Inscription (reverse), 17th century Stock Photo](https://c8.alamy.com/comp/2AE7HD3/inscription-reverse-17th-century-british-17th-century-inscription-reverse-17th-century-2AE7HD3.jpg "Inscription [reverse]; 17th century British 17th Century, Inscription (reverse), 17th century Stock Photo")
Inscription [reverse]; 17th century British 17th Century, Inscription (reverse), 17th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inscription-reverse-17th-century-british-17th-century-inscription-reverse-17th-century-image335769535.htmlRM2AE7HD3–Inscription [reverse]; 17th century British 17th Century, Inscription (reverse), 17th century
Close up of front of repainted Canongate Kirk or Church with gold James VII inscription, Royal Mile, Edinburgh, Scotland, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/close-up-of-front-of-repainted-canongate-kirk-or-church-with-gold-james-vii-inscription-royal-mile-edinburgh-scotland-uk-image341937726.htmlRM2AT8H1J–Close up of front of repainted Canongate Kirk or Church with gold James VII inscription, Royal Mile, Edinburgh, Scotland, UK
Priego, province of Cuenca, Castile-La Mancha, Spain. Inquisition house. Series of 17th century buildings, corresponding to family members of the Holy Office (lay collaborators who received privileges). Blazon on the facade of the house, at Franca street. Inscription: 'Hizo esta obra Miguel de Lesna, familiar del Santo Oficio, 1623' (Miguel de Lesna did this work, family of the Holy Office). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/priego-province-of-cuenca-castile-la-mancha-spain-inquisition-house-series-of-17th-century-buildings-corresponding-to-family-members-of-the-holy-office-lay-collaborators-who-received-privileges-blazon-on-the-facade-of-the-house-at-franca-street-inscription-hizo-esta-obra-miguel-de-lesna-familiar-del-santo-oficio-1623-miguel-de-lesna-did-this-work-family-of-the-holy-office-image186053745.htmlRMMPKDCH–Priego, province of Cuenca, Castile-La Mancha, Spain. Inquisition house. Series of 17th century buildings, corresponding to family members of the Holy Office (lay collaborators who received privileges). Blazon on the facade of the house, at Franca street. Inscription: 'Hizo esta obra Miguel de Lesna, familiar del Santo Oficio, 1623' (Miguel de Lesna did this work, family of the Holy Office).
Inscription on 17th century church bell, Rostov, Golden Ring, Yaroslavl region, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-inscription-on-17th-century-church-bell-rostov-golden-ring-yaroslavl-21366024.htmlRMB6N8G8–Inscription on 17th century church bell, Rostov, Golden Ring, Yaroslavl region, Russia
Inspired by Woman Holding Vessel Containing Plant, Color on silk, Japan, 17th century, Edo Period, 8 1/4 x 6 7/16 in., 21 x 16.3 cm, Asian, inscription, painting, silk, vase, woman, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-woman-holding-vessel-containing-plant-color-on-silk-japan-17th-century-edo-period-8-14-x-6-716-in-21-x-163-cm-asian-inscription-painting-silk-vase-woman-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459255468.htmlRF2HK4W10–Inspired by Woman Holding Vessel Containing Plant, Color on silk, Japan, 17th century, Edo Period, 8 1/4 x 6 7/16 in., 21 x 16.3 cm, Asian, inscription, painting, silk, vase, woman, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Stein am Rhein, historic old town, oriel, 17th century, mural painting, Zum Steinenen Trauben, coat of arms, inscription, Canton of Schaffhausen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stein-am-rhein-historic-old-town-oriel-17th-century-mural-painting-zum-steinenen-trauben-coat-of-arms-inscription-canton-of-schaffhausen-image597788668.htmlRM2WMFHF8–Stein am Rhein, historic old town, oriel, 17th century, mural painting, Zum Steinenen Trauben, coat of arms, inscription, Canton of Schaffhausen
Abbess Jeronima de la Fuente' by Diego Velazquez, 1620. The elderly nun's gaze is keen and slightly melancholic, as if prepared for any sacrifice. She holds a large crucifix in her right hand and a book in her left hand. According to the long inscription on the lower part, the Abbess departed from Seville to the Philippine Islands in 1620 to establish a cloister there. From the collection of the Museo del Prado, Madrid, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abbess-jeronima-de-la-fuente-by-diego-velazquez-1620-the-elderly-nuns-gaze-is-keen-and-slightly-melancholic-as-if-prepared-for-any-sacrifice-she-holds-a-large-crucifix-in-her-right-hand-and-a-book-in-her-left-hand-according-to-the-long-inscription-on-the-lower-part-the-abbess-departed-from-seville-to-the-philippine-islands-in-1620-to-establish-a-cloister-there-from-the-collection-of-the-museo-del-prado-madrid-spain-image377038800.htmlRM2CWBGRC–Abbess Jeronima de la Fuente' by Diego Velazquez, 1620. The elderly nun's gaze is keen and slightly melancholic, as if prepared for any sacrifice. She holds a large crucifix in her right hand and a book in her left hand. According to the long inscription on the lower part, the Abbess departed from Seville to the Philippine Islands in 1620 to establish a cloister there. From the collection of the Museo del Prado, Madrid, Spain.
Old inscription on exterior of Collégiale Notre-Dame de Vernon, France, describing flooding of the River Seine in 1658 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-inscription-on-exterior-of-collgiale-notre-dame-de-vernon-france-describing-flooding-of-the-river-seine-in-1658-image591973002.htmlRM2WB2KGX–Old inscription on exterior of Collégiale Notre-Dame de Vernon, France, describing flooding of the River Seine in 1658
17th Century Gravestone. Wrentham, Suffolk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/17th-century-gravestone-wrentham-suffolk-image470645709.htmlRM2J9KNB9–17th Century Gravestone. Wrentham, Suffolk
Emblemand motto 'Suum quique' of Friedrich Wilhelm, The Great Elector, of Brandenburg, historic illustration 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emblemand-motto-suum-quique-of-friedrich-wilhelm-the-great-elector-of-brandenburg-historic-illustration-1880-image603404438.htmlRM2X1KCEE–Emblemand motto 'Suum quique' of Friedrich Wilhelm, The Great Elector, of Brandenburg, historic illustration 1880
Tablet with Annual of King Hattusili I. Boğazköy. Terra Cotta. 17th century BC. Сuneiform script inscription. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tablet-with-annual-of-king-hattusili-i-boazky-terra-cotta-17th-century-bc-uneiform-script-inscription-image517657973.htmlRM2N25A0N–Tablet with Annual of King Hattusili I. Boğazköy. Terra Cotta. 17th century BC. Сuneiform script inscription.
Close-up of inscription on 17th Century High Cross Boroughgate, Appleby-in-Westmorland, Eden District, Cumbria, England, UK, Britain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/close-up-of-inscription-on-17th-century-high-cross-boroughgate-appleby-in-westmorland-eden-district-cumbria-england-uk-britain-image382916279.htmlRM2D6Y9HB–Close-up of inscription on 17th Century High Cross Boroughgate, Appleby-in-Westmorland, Eden District, Cumbria, England, UK, Britain
17th Century Munition sword with shell guard, inscribed with 'For The Tower' on the blade. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/17th-century-munition-sword-with-shell-guard-inscribed-with-for-the-tower-on-the-blade-image588515230.htmlRM2W5D552–17th Century Munition sword with shell guard, inscribed with 'For The Tower' on the blade.
17th. Century inscription in Nave. Church of Saint Martin, Bowness-on-Windermere, Lake District National Park, Cumbria, England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-17th-century-inscription-in-nave-church-of-saint-martin-bowness-on-35778991.htmlRMC25TD3–17th. Century inscription in Nave. Church of Saint Martin, Bowness-on-Windermere, Lake District National Park, Cumbria, England.
Busk, 17th century, French, ivory, The inscription with the flaming hearts reads, 'loves joins them' and 'the arrow unites us Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-busk-17th-century-french-ivory-the-inscription-with-the-flaming-hearts-162440015.htmlRMKC7NW3–Busk, 17th century, French, ivory, The inscription with the flaming hearts reads, 'loves joins them' and 'the arrow unites us
The inscribed lintel above the old entrance to a 17th century school in Penrith, Westmorland & Furness, Cumbria, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-inscribed-lintel-above-the-old-entrance-to-a-17th-century-school-in-penrith-westmorland-furness-cumbria-uk-image608887696.htmlRM2XAH6D4–The inscribed lintel above the old entrance to a 17th century school in Penrith, Westmorland & Furness, Cumbria, UK
Inscription above the door, Old School House, dating from 1622, now a private residence; Burton Latimer, Northamptonshire, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inscription-above-the-door-old-school-house-dating-from-1622-now-a-private-residence-burton-latimer-northamptonshire-uk-image384061713.htmlRF2D8REHN–Inscription above the door, Old School House, dating from 1622, now a private residence; Burton Latimer, Northamptonshire, UK
Inscription of Brother Fernando do Espiritu Santo. From Sao Francisco da Cidade Convent (Lisbon). 17th century. Carmo Archaeological Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inscription-of-brother-fernando-do-espiritu-santo-from-sao-francisco-da-cidade-convent-lisbon-17th-century-carmo-archaeological-museum-lisbon-portugal-image552326751.htmlRM2R2GJBB–Inscription of Brother Fernando do Espiritu Santo. From Sao Francisco da Cidade Convent (Lisbon). 17th century. Carmo Archaeological Museum. Lisbon, Portugal.
A Franco-German campaign sword, 3rd quarter of the 17th century, Known as an 'épée wallone' or 'forte-épée de cavalerie'. Straight, double-edged blade, with hollow grinding on both sides of the lower third, each bearing the inscription 'ME FECIT SOLINGEN', above which a wolf mark, below a pseudo 'Amsterdam' mark struck on the obverse and a crown/'P' on the reverse. Iron knuckle-bow hilt with asymmetric guard rings, including varyingly replaced, openworked guard plates. Wire-wrapped hilt with Turk's heads (the winding has worked slightly loose). L, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-franco-german-campaign-sword-3rd-quarter-of-the-17th-century-known-as-an-pe-wallone-or-forte-pe-de-cavalerie-straight-double-edged-blade-with-hollow-grinding-on-both-sides-of-the-lower-third-each-bearing-the-inscription-me-fecit-solingen-above-which-a-wolf-mark-below-a-pseudo-amsterdam-mark-struck-on-the-obverse-and-a-crownp-on-the-reverse-iron-knuckle-bow-hilt-with-asymmetric-guard-rings-including-varyingly-replaced-openworked-guard-plates-wire-wrapped-hilt-with-turks-heads-the-winding-has-worked-slightly-loose-l-additional-rights-clearance-info-not-available-image247639420.htmlRMTATXH0–A Franco-German campaign sword, 3rd quarter of the 17th century, Known as an 'épée wallone' or 'forte-épée de cavalerie'. Straight, double-edged blade, with hollow grinding on both sides of the lower third, each bearing the inscription 'ME FECIT SOLINGEN', above which a wolf mark, below a pseudo 'Amsterdam' mark struck on the obverse and a crown/'P' on the reverse. Iron knuckle-bow hilt with asymmetric guard rings, including varyingly replaced, openworked guard plates. Wire-wrapped hilt with Turk's heads (the winding has worked slightly loose). L, Additional-Rights-Clearance-Info-Not-Available
Inscription on the almshouses founded by Lady Margaret Hungerford, Corsham, Wiltshire, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-inscription-on-the-almshouses-founded-by-lady-margaret-hungerford-79300483.htmlRMEH0CG3–Inscription on the almshouses founded by Lady Margaret Hungerford, Corsham, Wiltshire, UK
Close up of front of repainted Canongate Kirk or Church with gold James VII inscription, Royal Mile, Edinburgh, Scotland, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/close-up-of-front-of-repainted-canongate-kirk-or-church-with-gold-james-vii-inscription-royal-mile-edinburgh-scotland-uk-image341937670.htmlRM2AT8GYJ–Close up of front of repainted Canongate Kirk or Church with gold James VII inscription, Royal Mile, Edinburgh, Scotland, UK
Fragment of a gravestone, 16th-17th centuries. Carmo Church (Lisbon). Carmo Archaeological Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-of-a-gravestone-16th-17th-centuries-carmo-church-lisbon-carmo-archaeological-museum-lisbon-portugal-image551896342.htmlRM2R1W1BJ–Fragment of a gravestone, 16th-17th centuries. Carmo Church (Lisbon). Carmo Archaeological Museum. Lisbon, Portugal.
Inscription on 17th century church bell, Rostov, Golden Ring, Yaroslavl region, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-inscription-on-17th-century-church-bell-rostov-golden-ring-yaroslavl-21366048.htmlRMB6N8H4–Inscription on 17th century church bell, Rostov, Golden Ring, Yaroslavl region, Russia
Inspired by Brushpot with Poetic Inscription in Regular Script, Chinese, Qing dynasty, 1644–1911, Kangxi period, 1662–1722, late 17th–early 18th century, Jingdezhen ware; porcelain with underglaze cobalt blue inscription and reign mark, and copper red seal legend, under transparent glaze, Made in, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-brushpot-with-poetic-inscription-in-regular-script-chinese-qing-dynasty-16441911-kangxi-period-16621722-late-17thearly-18th-century-jingdezhen-ware-porcelain-with-underglaze-cobalt-blue-inscription-and-reign-mark-and-copper-red-seal-legend-under-transparent-glaze-made-in-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459287707.htmlRF2HK6A4B–Inspired by Brushpot with Poetic Inscription in Regular Script, Chinese, Qing dynasty, 1644–1911, Kangxi period, 1662–1722, late 17th–early 18th century, Jingdezhen ware; porcelain with underglaze cobalt blue inscription and reign mark, and copper red seal legend, under transparent glaze, Made in, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
France, Meurthe et Moselle, Atton, the village received the War Cross 1914-1918 with palm on the 17th of November 1921 and the War cross 1939/1945 with star on the 11th of November 1948, St Germain church built in the 18th century, belfry was rebuilt after its destruction during the first World war, memorial plaque of the First and Second World Wars Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/france-meurthe-et-moselle-atton-the-village-received-the-war-cross-1914-1918-with-palm-on-the-17th-of-november-1921-and-the-war-cross-19391945-with-star-on-the-11th-of-november-1948-st-germain-church-built-in-the-18th-century-belfry-was-rebuilt-after-its-destruction-during-the-first-world-war-memorial-plaque-of-the-first-and-second-world-wars-image593098937.htmlRF2WCWYMW–France, Meurthe et Moselle, Atton, the village received the War Cross 1914-1918 with palm on the 17th of November 1921 and the War cross 1939/1945 with star on the 11th of November 1948, St Germain church built in the 18th century, belfry was rebuilt after its destruction during the first World war, memorial plaque of the First and Second World Wars
Salt-glazed stoneware jug, with painted enamels and pewter mounts. The inscription reads 'Saturnus, Jupiter, Mars, Venus, SOL'. Dated 17th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-salt-glazed-stoneware-jug-with-painted-enamels-and-pewter-mounts-the-90855183.htmlRMF7PPKY–Salt-glazed stoneware jug, with painted enamels and pewter mounts. The inscription reads 'Saturnus, Jupiter, Mars, Venus, SOL'. Dated 17th Century
Roman inscription in capital letter on the wall of a house. Herramelluri. La Rioja. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-inscription-in-capital-letter-on-the-wall-of-a-house-herramelluri-la-rioja-spain-image561317353.htmlRM2RH6609–Roman inscription in capital letter on the wall of a house. Herramelluri. La Rioja. Spain.
Epitaph from the 17th century, on the Church of St Peter and St Paul, Unterleinleiter, Upper Franconia, Bavaria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/epitaph-from-the-17th-century-on-the-church-of-st-peter-and-st-paul-image61996169.htmlRMDGT4MW–Epitaph from the 17th century, on the Church of St Peter and St Paul, Unterleinleiter, Upper Franconia, Bavaria
The inscription in Persian says: 'May this dish be always full, always surrounded by friends, that they never miss anything and that they feast well. dish late 16th - early 17th century Iran, Ceramic, painted underglaze decoration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-inscription-in-persian-says-may-this-dish-be-always-full-always-surrounded-by-friends-that-they-never-miss-anything-and-that-they-feast-well-dish-late-16th-early-17th-century-iran-ceramic-painted-underglaze-decoration-image263799552.htmlRMW9530G–The inscription in Persian says: 'May this dish be always full, always surrounded by friends, that they never miss anything and that they feast well. dish late 16th - early 17th century Iran, Ceramic, painted underglaze decoration.
. English: Bartolomeu de Quental, engraving, detail: Latin inscription . 17th century. Unknown 73 Bartolomeu de Quental Inscription Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-bartolomeu-de-quental-engraving-detail-latin-inscription-17th-century-unknown-73-bartolomeu-de-quental-inscription-image188239044.htmlRMMX70R0–. English: Bartolomeu de Quental, engraving, detail: Latin inscription . 17th century. Unknown 73 Bartolomeu de Quental Inscription
Stone plaque and Middleton coat of arms Belsay old Hall, Northumberland, England, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stone-plaque-and-middleton-coat-of-arms-belsay-old-hall-northumberland-england-uk-image246552957.htmlRMT93CPN–Stone plaque and Middleton coat of arms Belsay old Hall, Northumberland, England, UK
Portrait of George Carew, Earl of Totnes (1555-1629). English, early 17th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-george-carew-earl-of-totnes-1555-1629-english-early-17th-century-image594200946.htmlRM2WEM5AA–Portrait of George Carew, Earl of Totnes (1555-1629). English, early 17th century
17th. Century inscription in Nave. Church of Saint Martin, Bowness-on-Windermere, Lake District National Park, Cumbria, England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-17th-century-inscription-in-nave-church-of-saint-martin-bowness-on-35779023.htmlRMC25TE7–17th. Century inscription in Nave. Church of Saint Martin, Bowness-on-Windermere, Lake District National Park, Cumbria, England.
Fragment of funerary pall, Medium: silk Technique: woven, Fragment with zig-zag band of Kufic inscription., Near East, possibly 17th century, woven textiles, Fragment of funerary pall Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-of-funerary-pall-medium-silk-technique-woven-fragment-with-zig-zag-band-of-kufic-inscription-near-east-possibly-17th-century-woven-textiles-fragment-of-funerary-pall-image391220618.htmlRM2DMDHTX–Fragment of funerary pall, Medium: silk Technique: woven, Fragment with zig-zag band of Kufic inscription., Near East, possibly 17th century, woven textiles, Fragment of funerary pall
Portrait of Jacob von Pallingen, died 1623, in blue sash and gold chain, with his coat of arms and an inscription. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German curator, archaeologist, art historian, illustrator and etcher. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-jacob-von-pallingen-died-1623-in-blue-sash-and-gold-chain-with-his-coat-of-arms-and-an-inscription-chromolithograph-from-hefner-altenecks-costumes-artworks-and-appliances-from-the-middle-ages-to-the-17th-century-frankfurt-1889-illustration-by-dr-jakob-heinrich-von-hefner-alteneck-and-published-by-heinrich-keller-dr-hefner-alteneck-1811-1903-was-a-german-curator-archaeologist-art-historian-illustrator-and-etcher-image331686020.htmlRM2A7HGW8–Portrait of Jacob von Pallingen, died 1623, in blue sash and gold chain, with his coat of arms and an inscription. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German curator, archaeologist, art historian, illustrator and etcher.
Inscription stone above the door of Filey Museum, dated 1696 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inscription-stone-above-the-door-of-filey-museum-dated-1696-image311599749.htmlRMS2XGJD–Inscription stone above the door of Filey Museum, dated 1696
Busk. Culture: French. Date: 17th century. The inscription with the flaming hearts reads, 'loves joins them' and 'the arrow unites us,' while the message of the sun shining on a flower is 'to see you or to die.'. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/busk-culture-french-date-17th-century-the-inscription-with-the-flaming-hearts-reads-loves-joins-them-and-the-arrow-unites-us-while-the-message-of-the-sun-shining-on-a-flower-is-to-see-you-or-to-die-museum-metropolitan-museum-of-art-new-york-usa-image212863405.htmlRMPA8NCD–Busk. Culture: French. Date: 17th century. The inscription with the flaming hearts reads, 'loves joins them' and 'the arrow unites us,' while the message of the sun shining on a flower is 'to see you or to die.'. Museum: Metropolitan Museum of Art, New York, USA.
An Ottoman silver-inlaid mace, 16th/17th century Heavy head with six flanges, each individual flange decorated with silver-inlaid tendrils and an inscription. Hollow-forged, slightly conical shaft with fine grooves, with an integrated wooden handle extending right up to the head. Perforation for a thong on the lower end. Length 61 cm. historic, historical, Ottoman, Orient, Oriental, Asia, Asian, 17th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-ottoman-silver-inlaid-mace-16th17th-century-heavy-head-with-six-flanges-each-individual-flange-decorated-with-silver-inlaid-tendrils-and-an-inscription-hollow-forged-slightly-conical-shaft-with-fine-grooves-with-an-integrated-wooden-handle-extending-right-up-to-the-head-perforation-for-a-thong-on-the-lower-end-length-61-cm-historic-historical-ottoman-orient-oriental-asia-asian-17th-century-additional-rights-clearance-info-not-available-image247289088.htmlRMTA8YN4–An Ottoman silver-inlaid mace, 16th/17th century Heavy head with six flanges, each individual flange decorated with silver-inlaid tendrils and an inscription. Hollow-forged, slightly conical shaft with fine grooves, with an integrated wooden handle extending right up to the head. Perforation for a thong on the lower end. Length 61 cm. historic, historical, Ottoman, Orient, Oriental, Asia, Asian, 17th century, Additional-Rights-Clearance-Info-Not-Available
17th Century Gravestone from 1686 in Fenstanton Cemetery, Cambridgeshire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/17th-century-gravestone-from-1686-in-fenstanton-cemetery-cambridgeshire-image593617031.htmlRM2WDNGG7–17th Century Gravestone from 1686 in Fenstanton Cemetery, Cambridgeshire
Close up of front of repainted Canongate Kirk or Church with gold James VII inscription, Royal Mile, Edinburgh, Scotland, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/close-up-of-front-of-repainted-canongate-kirk-or-church-with-gold-james-vii-inscription-royal-mile-edinburgh-scotland-uk-image341937630.htmlRM2AT8GX6–Close up of front of repainted Canongate Kirk or Church with gold James VII inscription, Royal Mile, Edinburgh, Scotland, UK
Spain, Andalusia, Granada. Casa de los Tiros (House of the Shots). Facade of the 16th century Renaissance building. It was constructed between 1530 and 1540 in a similar style than other palaces in the city from that period. The facade originally formed part of the defensive wall surrounding the area where the potters had their workshops. The tower is the only original part of the building. Sculptural detail on the linteled door of the 17th century, with a sword perforating the heart and the motto of the house: 'The heart rules'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spain-andalusia-granada-casa-de-los-tiros-house-of-the-shots-facade-of-the-16th-century-renaissance-building-it-was-constructed-between-1530-and-1540-in-a-similar-style-than-other-palaces-in-the-city-from-that-period-the-facade-originally-formed-part-of-the-defensive-wall-surrounding-the-area-where-the-potters-had-their-workshops-the-tower-is-the-only-original-part-of-the-building-sculptural-detail-on-the-linteled-door-of-the-17th-century-with-a-sword-perforating-the-heart-and-the-motto-of-the-house-the-heart-rules-image382351304.htmlRM2D61GYM–Spain, Andalusia, Granada. Casa de los Tiros (House of the Shots). Facade of the 16th century Renaissance building. It was constructed between 1530 and 1540 in a similar style than other palaces in the city from that period. The facade originally formed part of the defensive wall surrounding the area where the potters had their workshops. The tower is the only original part of the building. Sculptural detail on the linteled door of the 17th century, with a sword perforating the heart and the motto of the house: 'The heart rules'.
Part of a 17th century memorial in Greyfriars Kirkyard, Edinburgh. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-part-of-a-17th-century-memorial-in-greyfriars-kirkyard-edinburgh-27857489.htmlRMBH90E9–Part of a 17th century memorial in Greyfriars Kirkyard, Edinburgh.
Art inspired by Woman Holding Vessel Containing Plant, Color on silk, Japan, 17th century, Edo Period, 8 1/4 x 6 7/16 in., 21 x 16.3 cm, Asian, inscription, painting, silk, vase, woman, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-woman-holding-vessel-containing-plant-color-on-silk-japan-17th-century-edo-period-8-14-x-6-716-in-21-x-163-cm-asian-inscription-painting-silk-vase-woman-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459569272.htmlRF2HKK588–Art inspired by Woman Holding Vessel Containing Plant, Color on silk, Japan, 17th century, Edo Period, 8 1/4 x 6 7/16 in., 21 x 16.3 cm, Asian, inscription, painting, silk, vase, woman, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Historic stone plaque on the 17th century Done Recreation Room at Tarporley village in Cheshire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/historic-stone-plaque-on-the-17th-century-done-recreation-room-at-tarporley-village-in-cheshire-image367257267.htmlRM2C9E0AY–Historic stone plaque on the 17th century Done Recreation Room at Tarporley village in Cheshire
Inscription on gravestone: Love - Faith, Hoppenlaufriedhof or Hoppenlau Cemetery of 1626, Stuttgart, Baden-Württemberg, South Germany, Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inscription-on-gravestone-love-faith-hoppenlaufriedhof-or-hoppenlau-cemetery-of-1626-stuttgart-baden-wrttemberg-south-germany-europe-image369150947.htmlRM2CCG7PB–Inscription on gravestone: Love - Faith, Hoppenlaufriedhof or Hoppenlau Cemetery of 1626, Stuttgart, Baden-Württemberg, South Germany, Europe
Entablature, capital and inscription from the Temple of Jupiter Tonans (The Thunderer), pub. 1682. Creator: Antoine Babuty Desgodets (1653-1728). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entablature-capital-and-inscription-from-the-temple-of-jupiter-tonans-the-thunderer-pub-1682-creator-antoine-babuty-desgodets-1653-1728-image228930972.htmlRMR8CKP4–Entablature, capital and inscription from the Temple of Jupiter Tonans (The Thunderer), pub. 1682. Creator: Antoine Babuty Desgodets (1653-1728).
Tomb slab, 17th century, St. Magnus Cathedral, Kirkwall, Mainland, Orkney, Scotland, United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tomb-slab-17th-century-st-magnus-cathedral-kirkwall-mainland-orkney-image66756483.htmlRMDTH0G3–Tomb slab, 17th century, St. Magnus Cathedral, Kirkwall, Mainland, Orkney, Scotland, United Kingdom
Jilavele, Ialomita County, Romania, 2002. St. John the Baptist Church, a historical monument from the 17th century. Frescoes of St. Peter and St. Paul at the entrance. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jilavele-ialomita-county-romania-2002-st-john-the-baptist-church-a-historical-monument-from-the-17th-century-frescoes-of-st-peter-and-st-paul-at-the-entrance-image566261777.htmlRM2RW7CJW–Jilavele, Ialomita County, Romania, 2002. St. John the Baptist Church, a historical monument from the 17th century. Frescoes of St. Peter and St. Paul at the entrance.
. English: Bartolomeu de Quental, engraving, detail: Latin inscription . 17th century. Unknown 73 Bartolomeu de Quental Inscription Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-bartolomeu-de-quental-engraving-detail-latin-inscription-17th-century-unknown-73-bartolomeu-de-quental-inscription-image187672651.htmlRMMW96AK–. English: Bartolomeu de Quental, engraving, detail: Latin inscription . 17th century. Unknown 73 Bartolomeu de Quental Inscription
Mayor John Johnson Newark Church 1659 Nottinghamshire England UK bust tomb inscription 17th century stone carving painted figure Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mayor-john-johnson-newark-church-1659-nottinghamshire-england-uk-bust-19721301.htmlRMB42AM5–Mayor John Johnson Newark Church 1659 Nottinghamshire England UK bust tomb inscription 17th century stone carving painted figure
Inscription on Shakespeare's Grave, Stratford Church. Reads: 'Good Frend for Iesus sake forbeare, / To digg the dust encloased Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-inscription-on-shakespeares-grave-stratford-church-reads-good-frend-83361839.htmlRMERHCTF–Inscription on Shakespeare's Grave, Stratford Church. Reads: 'Good Frend for Iesus sake forbeare, / To digg the dust encloased
17th. Century inscription in Nave. Church of Saint Martin, Bowness-on-Windermere, Lake District National Park, Cumbria, England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-17th-century-inscription-in-nave-church-of-saint-martin-bowness-on-35779181.htmlRMC25TKW–17th. Century inscription in Nave. Church of Saint Martin, Bowness-on-Windermere, Lake District National Park, Cumbria, England.
Inscription Plaque, Possibly from a Door, c. 1693. Iran, Safavid Period, 17th Century. Forged steel, cut to shape and pierced; overall: 27 x 35 cm (10 5/8 x 13 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inscription-plaque-possibly-from-a-door-c-1693-iran-safavid-period-17th-century-forged-steel-cut-to-shape-and-pierced-overall-27-x-35-cm-10-58-x-13-34-in-image240461970.htmlRMRY5YKE–Inscription Plaque, Possibly from a Door, c. 1693. Iran, Safavid Period, 17th Century. Forged steel, cut to shape and pierced; overall: 27 x 35 cm (10 5/8 x 13 3/4 in
Inscription of Brother Fernando do Espiritu Santo. From Sao Francisco da Cidade Convent (Lisbon). 17th century. Carmo Archaeological Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inscription-of-brother-fernando-do-espiritu-santo-from-sao-francisco-da-cidade-convent-lisbon-17th-century-carmo-archaeological-museum-lisbon-portugal-image561317490.htmlRM2RH6656–Inscription of Brother Fernando do Espiritu Santo. From Sao Francisco da Cidade Convent (Lisbon). 17th century. Carmo Archaeological Museum. Lisbon, Portugal.
Historic poorbox (poor box), probably 17th century, for collecting money inside Saint Nicholas Church in Poling, West Sussex, England, UK. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/historic-poorbox-poor-box-probably-17th-century-for-collecting-money-inside-saint-nicholas-church-in-poling-west-sussex-england-uk-image419205362.htmlRM2FA0CM2–Historic poorbox (poor box), probably 17th century, for collecting money inside Saint Nicholas Church in Poling, West Sussex, England, UK.
Design for monument with liturgical figure and allegory; relief at center below Madonna and Child; and inscription 'GODEFRIDUS EXTITIT / PARCHENSIBUS AUTOR'. Date: 17th century. Pen and ink, brush and wash on paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-monument-with-liturgical-figure-and-allegory-relief-at-center-below-madonna-and-child-and-inscription-godefridus-extitit-parchensibus-autor-date-17th-century-pen-and-ink-brush-and-wash-on-paper-museum-cooper-hewitt-smithsonian-design-museum-image554741999.htmlRM2R6EK27–Design for monument with liturgical figure and allegory; relief at center below Madonna and Child; and inscription 'GODEFRIDUS EXTITIT / PARCHENSIBUS AUTOR'. Date: 17th century. Pen and ink, brush and wash on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
An Ottoman silver-inlaid mace, 16th/17th century Heavy head with six flanges, each individual flange decorated with silver-inlaid tendrils and an inscription. Hollow-forged, slightly conical shaft with fine grooves, with an integrated wooden handle extending right up to the head. Perforation for a thong on the lower end. Length 61 cm. historic, historical, Ottoman, Orient, Oriental, Asia, Asian, 17th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-ottoman-silver-inlaid-mace-16th17th-century-heavy-head-with-six-flanges-each-individual-flange-decorated-with-silver-inlaid-tendrils-and-an-inscription-hollow-forged-slightly-conical-shaft-with-fine-grooves-with-an-integrated-wooden-handle-extending-right-up-to-the-head-perforation-for-a-thong-on-the-lower-end-length-61-cm-historic-historical-ottoman-orient-oriental-asia-asian-17th-century-additional-rights-clearance-info-not-available-image247289081.htmlRMTA8YMW–An Ottoman silver-inlaid mace, 16th/17th century Heavy head with six flanges, each individual flange decorated with silver-inlaid tendrils and an inscription. Hollow-forged, slightly conical shaft with fine grooves, with an integrated wooden handle extending right up to the head. Perforation for a thong on the lower end. Length 61 cm. historic, historical, Ottoman, Orient, Oriental, Asia, Asian, 17th century, Additional-Rights-Clearance-Info-Not-Available
France, Somme, Saint Valery sur Somme, Place Saint Martin, Saint Martin church, chapel, commemorative plaque 1914 1918 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/france-somme-saint-valery-sur-somme-place-saint-martin-saint-martin-church-chapel-commemorative-plaque-1914-1918-image471971602.htmlRF2JBT4GJ–France, Somme, Saint Valery sur Somme, Place Saint Martin, Saint Martin church, chapel, commemorative plaque 1914 1918
Carved inscription on doorway of 17th century Writer's Museum, Lady Stairs House, Edinburgh, celebrates lives of RLS, Burns, Sir Walter Scott Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carved-inscription-on-doorway-of-17th-century-writers-museum-lady-image153118841.htmlRMJW34J1–Carved inscription on doorway of 17th century Writer's Museum, Lady Stairs House, Edinburgh, celebrates lives of RLS, Burns, Sir Walter Scott
John Ramon Folch I (1375-1442). Second Count of Cardona. He was a Catalan nobleman. Sepulcher made in 1668, located in the castle of Cardona. Comarca of Bages, province of Barcelona, Catalonia, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-ramon-folch-i-1375-1442-second-count-of-cardona-he-was-a-catalan-nobleman-sepulcher-made-in-1668-located-in-the-castle-of-cardona-comarca-of-bages-province-of-barcelona-catalonia-spain-image220180036.htmlRMPP61TM–John Ramon Folch I (1375-1442). Second Count of Cardona. He was a Catalan nobleman. Sepulcher made in 1668, located in the castle of Cardona. Comarca of Bages, province of Barcelona, Catalonia, Spain.
Detail from the 17th century monument in Greyfriars Kirkyard to John Nasmyth of Posso (1556-1613). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-from-the-17th-century-monument-in-greyfriars-kirkyard-to-john-nasmyth-of-posso-1556-1613-image599231739.htmlRM2WPWA5F–Detail from the 17th century monument in Greyfriars Kirkyard to John Nasmyth of Posso (1556-1613).
Art inspired by Trencher (one of a set), late 16th–early 17th century, British, Oak and sycamore woods, painted, silvered and yellow varnished; inscription: ink (animal or vegetable), Diameter: 5 in. (12.7 cm), Natural Substances, Banquets usually ended with candied fruits or other, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-trencher-one-of-a-set-late-16thearly-17th-century-british-oak-and-sycamore-woods-painted-silvered-and-yellow-varnished-inscription-ink-animal-or-vegetable-diameter-5-in-127-cm-natural-substances-banquets-usually-ended-with-candied-fruits-or-other-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462922637.htmlRF2HW3XF9–Art inspired by Trencher (one of a set), late 16th–early 17th century, British, Oak and sycamore woods, painted, silvered and yellow varnished; inscription: ink (animal or vegetable), Diameter: 5 in. (12.7 cm), Natural Substances, Banquets usually ended with candied fruits or other, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
PALMANOVA, Italy - September 4, 2022: Reenactors parading after the battle during the Seventeenth Century annual historical reenactment Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/palmanova-italy-september-4-2022-reenactors-parading-after-the-battle-during-the-seventeenth-century-annual-historical-reenactment-image487883559.htmlRF2K9N0CR–PALMANOVA, Italy - September 4, 2022: Reenactors parading after the battle during the Seventeenth Century annual historical reenactment
Banquet at Kiel Castle on the occasion of the foundation of Kiel University in 1665, historic engraving of 1899, Kiel, Schleswig-Holstein, Germany, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/banquet-at-kiel-castle-on-the-occasion-of-the-foundation-of-kiel-university-in-1665-historic-engraving-of-1899-kiel-schleswig-holstein-germany-image440855220.htmlRM2GH6K98–Banquet at Kiel Castle on the occasion of the foundation of Kiel University in 1665, historic engraving of 1899, Kiel, Schleswig-Holstein, Germany,
![Spring Landscape, 2nd half 17th Century. One of the acclaimed "Four Monks" (the other three being Zhu Da, Daoji, and Hongren), Kuncan was known for the rough and rustic style of his landscape paintings. This painting was once part of a large album, painted at the request of his friend Cheng Zhengkui (active 1630-74), with whom he shared a common interest in painting and poetry. The inscription contains a poem, which reads: Wandering through mountains and oblivious of time, We met in casual shoes (and attires). The wind and dew drops harbor a chilling emptiness. Only with patience an Stock Photo](https://c8.alamy.com/comp/2A528Y7/spring-landscape-2nd-half-17th-century-one-of-the-acclaimed-quotfour-monksquot-the-other-three-being-zhu-da-daoji-and-hongren-kuncan-was-known-for-the-rough-and-rustic-style-of-his-landscape-paintings-this-painting-was-once-part-of-a-large-album-painted-at-the-request-of-his-friend-cheng-zhengkui-active-1630-74-with-whom-he-shared-a-common-interest-in-painting-and-poetry-the-inscription-contains-a-poem-which-reads-wandering-through-mountains-and-oblivious-of-time-we-met-in-casual-shoes-and-attires-the-wind-and-dew-drops-harbor-a-chilling-emptiness-only-with-patience-an-2A528Y7.jpg "Spring Landscape, 2nd half 17th Century. One of the acclaimed "Four Monks" (the other three being Zhu Da, Daoji, and Hongren), Kuncan was known for the rough and rustic style of his landscape paintings. This painting was once part of a large album, painted at the request of his friend Cheng Zhengkui (active 1630-74), with whom he shared a common interest in painting and poetry. The inscription contains a poem, which reads: Wandering through mountains and oblivious of time, We met in casual shoes (and attires). The wind and dew drops harbor a chilling emptiness. Only with patience an Stock Photo")
Spring Landscape, 2nd half 17th Century. One of the acclaimed "Four Monks" (the other three being Zhu Da, Daoji, and Hongren), Kuncan was known for the rough and rustic style of his landscape paintings. This painting was once part of a large album, painted at the request of his friend Cheng Zhengkui (active 1630-74), with whom he shared a common interest in painting and poetry. The inscription contains a poem, which reads: Wandering through mountains and oblivious of time, We met in casual shoes (and attires). The wind and dew drops harbor a chilling emptiness. Only with patience an Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spring-landscape-2nd-half-17th-century-one-of-the-acclaimed-quotfour-monksquot-the-other-three-being-zhu-da-daoji-and-hongren-kuncan-was-known-for-the-rough-and-rustic-style-of-his-landscape-paintings-this-painting-was-once-part-of-a-large-album-painted-at-the-request-of-his-friend-cheng-zhengkui-active-1630-74-with-whom-he-shared-a-common-interest-in-painting-and-poetry-the-inscription-contains-a-poem-which-reads-wandering-through-mountains-and-oblivious-of-time-we-met-in-casual-shoes-and-attires-the-wind-and-dew-drops-harbor-a-chilling-emptiness-only-with-patience-an-image330121211.htmlRM2A528Y7–Spring Landscape, 2nd half 17th Century. One of the acclaimed "Four Monks" (the other three being Zhu Da, Daoji, and Hongren), Kuncan was known for the rough and rustic style of his landscape paintings. This painting was once part of a large album, painted at the request of his friend Cheng Zhengkui (active 1630-74), with whom he shared a common interest in painting and poetry. The inscription contains a poem, which reads: Wandering through mountains and oblivious of time, We met in casual shoes (and attires). The wind and dew drops harbor a chilling emptiness. Only with patience an
Camino Real Santa Quiteria bridge over the Mijares river. 17th century lightning destroys the terminus cross, inscription on the breakwater. Vila real Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/camino-real-santa-quiteria-bridge-over-the-mijares-river-17th-century-lightning-destroys-the-terminus-cross-inscription-on-the-breakwater-vila-real-image600529263.htmlRF2WW0D5K–Camino Real Santa Quiteria bridge over the Mijares river. 17th century lightning destroys the terminus cross, inscription on the breakwater. Vila real
Sibiu, Romania. Facade of the 17th century 'Muller House'. Informational plaque marking the one day stop here of the Hungarian poet Petöfi Sandor. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sibiu-romania-facade-of-the-17th-century-muller-house-informational-plaque-marking-the-one-day-stop-here-of-the-hungarian-poet-petfi-sandor-image355072702.htmlRM2BHJXRX–Sibiu, Romania. Facade of the 17th century 'Muller House'. Informational plaque marking the one day stop here of the Hungarian poet Petöfi Sandor.
. English: Bartolomeu de Quental, engraving, detail: Latin inscription . 17th century. Unknown 64 Bartolomeu de Quental Inscription Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-bartolomeu-de-quental-engraving-detail-latin-inscription-17th-century-unknown-64-bartolomeu-de-quental-inscription-image188942527.htmlRMMYB23B–. English: Bartolomeu de Quental, engraving, detail: Latin inscription . 17th century. Unknown 64 Bartolomeu de Quental Inscription
17th century fancy lettering on a grave with the words 'Sacred- To The Memory' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/17th-century-fancy-lettering-on-a-grave-with-the-words-sacred-to-the-image66890836.htmlRFDTR3XC–17th century fancy lettering on a grave with the words 'Sacred- To The Memory'
Inscription on grave of Shakespeare's wife Anne Hathaway, in Stratford Church. Reads: 'Heere lyeth interred the body of Anne Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-inscription-on-grave-of-shakespeares-wife-anne-hathaway-in-stratford-83361840.htmlRMERHCTG–Inscription on grave of Shakespeare's wife Anne Hathaway, in Stratford Church. Reads: 'Heere lyeth interred the body of Anne
17th. Century inscription in Nave. Church of Saint Martin, Bowness-on-Windermere, Lake District National Park, Cumbria, England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-17th-century-inscription-in-nave-church-of-saint-martin-bowness-on-35778951.htmlRMC25TBK–17th. Century inscription in Nave. Church of Saint Martin, Bowness-on-Windermere, Lake District National Park, Cumbria, England.
Bowl with Inscription Cartouches and Repeating Floral Ornament, Bowl, 16th–17th century, Attributed to Iran, Copper; chased in low relief, H. 5 1/8 in. (13.0 cm), Diam. 11 1/2 in. (29.2 cm), Metal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-with-inscription-cartouches-and-repeating-floral-ornament-bowl-16th17th-century-attributed-to-iran-copper-chased-in-low-relief-h-5-18-in-130-cm-diam-11-12-in-292-cm-metal-image344673564.htmlRM2B0N6J4–Bowl with Inscription Cartouches and Repeating Floral Ornament, Bowl, 16th–17th century, Attributed to Iran, Copper; chased in low relief, H. 5 1/8 in. (13.0 cm), Diam. 11 1/2 in. (29.2 cm), Metal
Inscription in the inventory of August 1679 of the Duke of Lauderdale at Ham House, Surrey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-inscription-in-the-inventory-of-august-1679-of-the-duke-of-lauderdale-94491014.htmlRMFDMC72–Inscription in the inventory of August 1679 of the Duke of Lauderdale at Ham House, Surrey.
Overall view of the monastery of El Escorial at San Lorenzo de El Escorial, Madrid Province, Spain. The monastery and site of El Escorial are a UNESCO World Heritage Site. The inscription below the engraving is a poem dedicated to Philip II of Spain who initiated the building of El Escorial. After an early 17th century print. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/overall-view-of-the-monastery-of-el-escorial-at-san-lorenzo-de-el-escorial-madrid-province-spain-the-monastery-and-site-of-el-escorial-are-a-unesco-world-heritage-site-the-inscription-below-the-engraving-is-a-poem-dedicated-to-philip-ii-of-spain-who-initiated-the-building-of-el-escorial-after-an-early-17th-century-print-image327129221.htmlRM2A060JD–Overall view of the monastery of El Escorial at San Lorenzo de El Escorial, Madrid Province, Spain. The monastery and site of El Escorial are a UNESCO World Heritage Site. The inscription below the engraving is a poem dedicated to Philip II of Spain who initiated the building of El Escorial. After an early 17th century print.
Portrait of Jacob von Pallingen, died 1623, in blue sash and gold chain, with his coat of arms and an inscription. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German curator, archaeologist, art historian, illustrator and etcher. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-jacob-von-pallingen-died-1623-in-blue-sash-and-gold-chain-with-his-coat-of-arms-and-an-inscription-chromolithograph-from-hefner-altenecks-costumes-artworks-and-appliances-from-the-middle-ages-to-the-17th-century-frankfurt-1889-illustration-by-dr-jakob-heinrich-von-hefner-alteneck-and-published-by-heinrich-keller-dr-hefner-alteneck-1811-1903-was-a-german-curator-archaeologist-art-historian-illustrator-and-etcher-image209908465.htmlRMP5E4AW–Portrait of Jacob von Pallingen, died 1623, in blue sash and gold chain, with his coat of arms and an inscription. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German curator, archaeologist, art historian, illustrator and etcher.
Search Results for 17th century inscription Stock Photos and Images (2,021)
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