17th century london painting Stock Photos and Images
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17th century london painting Stock Photos and Images
Girls in 17th century period costume look at a painting by Anthony van Dyck showing Charles I, Henrietta Maria and their two children at the Tate Britain, London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girls-in-17th-century-period-costume-look-at-a-painting-by-anthony-van-dyck-showing-charles-i-henrietta-maria-and-their-two-children-at-the-tate-britain-london-image372261400.htmlRM2CHHY60–Girls in 17th century period costume look at a painting by Anthony van Dyck showing Charles I, Henrietta Maria and their two children at the Tate Britain, London.
Old London Bridge by Claude de Jongh, 1630. London Bridge as it appeared in the early 17th century, before the Great Fire of 1666. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-london-bridge-by-claude-de-jongh-1630-london-bridge-as-it-appeared-137201256.htmlRMHY61GT–Old London Bridge by Claude de Jongh, 1630. London Bridge as it appeared in the early 17th century, before the Great Fire of 1666.
Old London Bridge in 1630, London Square, 17th Century, Vintage Illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-london-bridge-in-1630-london-square-17th-century-vintage-illustration-image602173965.htmlRM2WYKB11–Old London Bridge in 1630, London Square, 17th Century, Vintage Illustration
Banquetting House Rubens painted ceiling detail Whitehall London England UK 17th century painting gilt gilded Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-banquetting-house-rubens-painted-ceiling-detail-whitehall-london-england-22991652.htmlRMB9BA2C–Banquetting House Rubens painted ceiling detail Whitehall London England UK 17th century painting gilt gilded
Painting depicting London Bridge over the River Thames by Claude de Jongh (1605-1663) Dutch Golden Age painter. Dated 17th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-depicting-london-bridge-over-the-river-thames-by-claude-de-90847127.htmlRMF7PCC7–Painting depicting London Bridge over the River Thames by Claude de Jongh (1605-1663) Dutch Golden Age painter. Dated 17th Century
Painting depicting London Bridge over the River Thames by Claude de Jongh (1605-1663) Dutch Golden Age painter. Dated 17th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-depicting-london-bridge-over-the-river-thames-by-claude-de-jongh-1605-1663-dutch-golden-age-painter-dated-17th-century-image330684628.htmlRM2A5YYH8–Painting depicting London Bridge over the River Thames by Claude de Jongh (1605-1663) Dutch Golden Age painter. Dated 17th Century
Peter Paul Rubens painting, 'Venus Mars and Cupid' 1635, 17th century history painting of a mythological scene, Dulwich Picture Gallery, London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peter-paul-rubens-painting-venus-mars-and-cupid-1635-17th-century-history-painting-of-a-mythological-scene-dulwich-picture-gallery-london-image595045873.htmlRM2WG2K29–Peter Paul Rubens painting, 'Venus Mars and Cupid' 1635, 17th century history painting of a mythological scene, Dulwich Picture Gallery, London.
The famous painting 'Adoration of the Shepherds' by El Greco as arrived at the Royal Academy in London after being transported under armed guards from Romania. The picture has been lent by King Carol of Romania for the Exhibition of European Art of the 17th century opening at Burlington House early in June. Photo shows, the picture 'Adoration of the Shepherds' being unpacked and past by a customs official at Burlington House. Right (nearest camera) is Mr Blackley, who had charge of it journeys journey. 22 December 1937 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-famous-painting-adoration-of-the-shepherds-by-el-greco-as-arrived-at-the-royal-academy-in-london-after-being-transported-under-armed-guards-from-romania-the-picture-has-been-lent-by-king-carol-of-romania-for-the-exhibition-of-european-art-of-the-17th-century-opening-at-burlington-house-early-in-june-photo-shows-the-picture-adoration-of-the-shepherds-being-unpacked-and-past-by-a-customs-official-at-burlington-house-right-nearest-camera-is-mr-blackley-who-had-charge-of-it-journeys-journey-22-december-1937-image359624535.htmlRM2BW28NB–The famous painting 'Adoration of the Shepherds' by El Greco as arrived at the Royal Academy in London after being transported under armed guards from Romania. The picture has been lent by King Carol of Romania for the Exhibition of European Art of the 17th century opening at Burlington House early in June. Photo shows, the picture 'Adoration of the Shepherds' being unpacked and past by a customs official at Burlington House. Right (nearest camera) is Mr Blackley, who had charge of it journeys journey. 22 December 1937
England, London, The Wellcome Collection, The Reading Room, 17th century Painting titled 'An Alchemist in His Laboratory' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-england-london-the-wellcome-collection-the-reading-room-17th-century-147272088.htmlRMJFGR1C–England, London, The Wellcome Collection, The Reading Room, 17th century Painting titled 'An Alchemist in His Laboratory'
John Cox Dillman Engleheart, Unknown woman in 17th century costume, painting, Watercolor on ivory, Height, 10 cm (3.9 inches), Width, 7.8 cm (3 inches), Signed, J.C.D, Engleheart fecit 1815 88 Newman St, London C, a tergo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-cox-dillman-engleheart-unknown-woman-in-17th-century-costume-painting-watercolor-on-ivory-height-10-cm-39-inches-width-78-cm-3-inches-signed-jcd-engleheart-fecit-1815-88-newman-st-london-c-a-tergo-image261313904.htmlRMW53TFC–John Cox Dillman Engleheart, Unknown woman in 17th century costume, painting, Watercolor on ivory, Height, 10 cm (3.9 inches), Width, 7.8 cm (3 inches), Signed, J.C.D, Engleheart fecit 1815 88 Newman St, London C, a tergo
Restoration Coffee House 1668 painting of an early London establishment centre of political and financial society Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-restoration-coffee-house-1668-painting-of-an-early-london-establishment-20144922.htmlRMB4NK1E–Restoration Coffee House 1668 painting of an early London establishment centre of political and financial society
Russell, William, 29.9.1639 - 21.7.1683, English politician, in the Tower of London, last service on the day before his execution, 20.7.1683, steel engraving by C.H.Jeens after painting by A. Johnston, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-russell-william-2991639-2171683-english-politician-in-the-tower-of-19844730.htmlRMB4804A–Russell, William, 29.9.1639 - 21.7.1683, English politician, in the Tower of London, last service on the day before his execution, 20.7.1683, steel engraving by C.H.Jeens after painting by A. Johnston, Artist's Copyright has not to be cleared
Greenwich, c18th century. By Robert Griffier (c1675-after 1727). A landscape including the Royal Observatory and Old Royal Naval College. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greenwich-c18th-century-by-robert-griffierc1675-after-1727-a-landscape-including-the-royal-observatory-and-old-royal-naval-college-image473283913.htmlRM2JDYXCW–Greenwich, c18th century. By Robert Griffier (c1675-after 1727). A landscape including the Royal Observatory and Old Royal Naval College.
Great Fire Of London, painting, 1675 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/great-fire-of-london-painting-1675-image238859012.htmlRMRTGY30–Great Fire Of London, painting, 1675
Harmensz Rembrandt - A Woman Bathing in a Stream - 1654 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-harmensz-rembrandt-a-woman-bathing-in-a-stream-1654-128207761.htmlRMHCGA8H–Harmensz Rembrandt - A Woman Bathing in a Stream - 1654
Globe Theatre, Southwark, Southwark, Greater London Authority. Reconstruction drawing showing an oblique view of The Hope, The Rose and The Globe theatres in Southwark as they may have appeared in the mid-17th century, with a scene depicting 'beere bayting' in the corner and black lettering added to the image. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/globe-theatre-southwark-southwark-greater-london-authority-reconstruction-drawing-showing-an-oblique-view-of-the-hope-the-rose-and-the-globe-theatres-in-southwark-as-they-may-have-appeared-in-the-mid-17th-century-with-a-scene-depicting-beere-bayting-in-the-corner-and-black-lettering-added-to-the-image-image379799935.htmlRM2D1WAKB–Globe Theatre, Southwark, Southwark, Greater London Authority. Reconstruction drawing showing an oblique view of The Hope, The Rose and The Globe theatres in Southwark as they may have appeared in the mid-17th century, with a scene depicting 'beere bayting' in the corner and black lettering added to the image.
The Laughing Cavalier. Painting by Dutch Artist Frans Hals. 1624. Wallace Collection. London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-laughing-cavalier-painting-by-dutch-artist-frans-hals-1624-wallace-collection-london-image548849571.htmlRM2PTX76B–The Laughing Cavalier. Painting by Dutch Artist Frans Hals. 1624. Wallace Collection. London.
Thomas Cromwell (c. 1485-1540). Earl of Essex. English statesman. Principal adviser to King Henry VIII. Portrait. Early 17th century copy of the original by Hans Holbein. Oil on panel (78,1 x 61,9 cm), early 17th century. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-cromwell-c-1485-1540-earl-of-essex-english-statesman-principal-adviser-to-king-henry-viii-portrait-early-17th-century-copy-of-the-original-by-hans-holbein-oil-on-panel-781-x-619-cm-early-17th-century-national-portrait-gallery-london-england-united-kingdom-image384661731.htmlRM2D9PRXY–Thomas Cromwell (c. 1485-1540). Earl of Essex. English statesman. Principal adviser to King Henry VIII. Portrait. Early 17th century copy of the original by Hans Holbein. Oil on panel (78,1 x 61,9 cm), early 17th century. National Portrait Gallery. London, England, United Kingdom.
The carved wooden altar of St. Mary Aldermanbury, with painting of the Last Supper by Old Franks and the Ten Commandments from the Book of Exodus. Rebuilt by Christopher Wren in the 17th century, demolished in the Blitz. Copperplate drawn and engraved by James Peller Malcolm from his Anecdotes of the Manners and Customs of London during the 18th Century, Longman, Hurst, London, 1808. Malcolm (1767-1815) was an American-English topographer and engraver, Fellow of the Society of Antiquaries. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-carved-wooden-altar-of-st-mary-aldermanbury-with-painting-of-the-last-supper-by-old-franks-and-the-ten-commandments-from-the-book-of-exodus-rebuilt-by-christopher-wren-in-the-17th-century-demolished-in-the-blitz-copperplate-drawn-and-engraved-by-james-peller-malcolm-from-his-anecdotes-of-the-manners-and-customs-of-london-during-the-18th-century-longman-hurst-london-1808-malcolm-1767-1815-was-an-american-english-topographer-and-engraver-fellow-of-the-society-of-antiquaries-image425973270.htmlRM2FN0N72–The carved wooden altar of St. Mary Aldermanbury, with painting of the Last Supper by Old Franks and the Ten Commandments from the Book of Exodus. Rebuilt by Christopher Wren in the 17th century, demolished in the Blitz. Copperplate drawn and engraved by James Peller Malcolm from his Anecdotes of the Manners and Customs of London during the 18th Century, Longman, Hurst, London, 1808. Malcolm (1767-1815) was an American-English topographer and engraver, Fellow of the Society of Antiquaries.
A staff member looks at a Safavid brass celestrial globe, made in Persia in 17th century (est. £80,000-120,000) in front of a rare Maghribi gilt-metal thread embroidered curtain, made in North Africa in 17th century (est. £50,000-70,000) during the preview of Middle Eastern Art Week at Sotheby's in London, ahead of their sale by auction on 22 and 23 October. PA Photo. Picture date: Friday October 18, 2019. Highlights of the sale will include a sumptuous leaf from the mythic 9th/10th century blue & gold Qu'ran, a dynamic painting of a great Indian epic wedding procession, jewellery including a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-staff-member-looks-at-a-safavid-brass-celestrial-globe-made-in-persia-in-17th-century-est-80000-120000-in-front-of-a-rare-maghribi-gilt-metal-thread-embroidered-curtain-made-in-north-africa-in-17th-century-est-50000-70000-during-the-preview-of-middle-eastern-art-week-at-sothebys-in-london-ahead-of-their-sale-by-auction-on-22-and-23-october-pa-photo-picture-date-friday-october-18-2019-highlights-of-the-sale-will-include-a-sumptuous-leaf-from-the-mythic-9th10th-century-blue-gold-quran-a-dynamic-painting-of-a-great-indian-epic-wedding-procession-jewellery-including-a-image330205230.htmlRM2A5643X–A staff member looks at a Safavid brass celestrial globe, made in Persia in 17th century (est. £80,000-120,000) in front of a rare Maghribi gilt-metal thread embroidered curtain, made in North Africa in 17th century (est. £50,000-70,000) during the preview of Middle Eastern Art Week at Sotheby's in London, ahead of their sale by auction on 22 and 23 October. PA Photo. Picture date: Friday October 18, 2019. Highlights of the sale will include a sumptuous leaf from the mythic 9th/10th century blue & gold Qu'ran, a dynamic painting of a great Indian epic wedding procession, jewellery including a
View of London Bridge by Claude de Jongh (1605-1663), oil on panel, 1632 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-london-bridge-by-claude-de-jongh-1605-1663-oil-on-panel-1632-image437445246.htmlRM2GBK9TE–View of London Bridge by Claude de Jongh (1605-1663), oil on panel, 1632
Old London Bridge in 1630, Nonsuch House and drawbridge, 17th Century, Vintage Illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-london-bridge-in-1630-nonsuch-house-and-drawbridge-17th-century-vintage-illustration-image602173962.htmlRM2WYKB0X–Old London Bridge in 1630, Nonsuch House and drawbridge, 17th Century, Vintage Illustration
John Michael Wright, Charles II, Late 17th Century, Oil on canvas, Dulwich Picture Gallery, London, England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-michael-wright-charles-ii-late-17th-century-oil-on-canvas-dulwich-picture-gallery-london-england-image220907796.htmlRMPRB644–John Michael Wright, Charles II, Late 17th Century, Oil on canvas, Dulwich Picture Gallery, London, England.
Painting titled 'The Somerset House Conference' by an unknown artist. Delegates from Spain and the Spanish Netherlands on the left, the English on the right. Dated 17th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-titled-the-somerset-house-conference-by-an-unknown-artist-104173274.htmlRMG1DE22–Painting titled 'The Somerset House Conference' by an unknown artist. Delegates from Spain and the Spanish Netherlands on the left, the English on the right. Dated 17th Century
Gerrit Berckheyde Flemish school The Interior of the Grote Kerk, Haarlem 1673 Oil on oak (60.8 x 84.9 cm) London, National Gallery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gerrit-berckheyde-flemish-school-the-interior-of-the-grote-kerk-haarlem-1673-oil-on-oak-608-x-849-cm-london-national-gallery-image483535077.htmlRM2K2JWWW–Gerrit Berckheyde Flemish school The Interior of the Grote Kerk, Haarlem 1673 Oil on oak (60.8 x 84.9 cm) London, National Gallery
Carlo Dolci painting, 'Saint Catherine of Siena' c1665. 17th century Italian Baroque style painter, 1616-1687. Dulwich Picture Gallery London UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carlo-dolci-painting-saint-catherine-of-siena-c1665-17th-century-italian-baroque-style-painter-1616-1687-dulwich-picture-gallery-london-uk-image598298299.htmlRM2WNARGB–Carlo Dolci painting, 'Saint Catherine of Siena' c1665. 17th century Italian Baroque style painter, 1616-1687. Dulwich Picture Gallery London UK
Earl of Stafford by Sir Anthony van Dyck, 17th Century, (1599-1641), London, Marlborough Fine Arts Ltd. Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-earl-of-stafford-by-sir-anthony-van-dyck-17th-century-1599-1641-london-30483802.htmlRMBNGJB6–Earl of Stafford by Sir Anthony van Dyck, 17th Century, (1599-1641), London, Marlborough Fine Arts Ltd. Collection
England, London, The Wellcome Collection, The Reading Room, 17th century Painting titled 'An Alchemist in His Laboratory' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-england-london-the-wellcome-collection-the-reading-room-17th-century-147272089.htmlRMJFGR1D–England, London, The Wellcome Collection, The Reading Room, 17th century Painting titled 'An Alchemist in His Laboratory'
Feb. 02, 1971 - Art exhibition at the London Hilton Gallery: An exhibition of sculpture by Count Maurice Roscini, and painting by Celia Perceval and Mary Hickman, opened today at the London Hilton Gallery, London Hilton Hotel. Photo shows Count Maurice Roscini pictured at the exhibition today with one of his works a bust of Roy Dotrice as John Aubrey, the 17th, century diarist, the part he played in 1969 at the Criterion Theater in a stage adaptation of Aubrey' s ''Brief Lives' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/feb-02-1971-art-exhibition-at-the-london-hilton-gallery-an-exhibition-image69451771.htmlRME0YPCB–Feb. 02, 1971 - Art exhibition at the London Hilton Gallery: An exhibition of sculpture by Count Maurice Roscini, and painting by Celia Perceval and Mary Hickman, opened today at the London Hilton Gallery, London Hilton Hotel. Photo shows Count Maurice Roscini pictured at the exhibition today with one of his works a bust of Roy Dotrice as John Aubrey, the 17th, century diarist, the part he played in 1969 at the Criterion Theater in a stage adaptation of Aubrey' s ''Brief Lives'
Bonhams, London, UK. 2nd December 2019. Old Masters Painting sale preview at Bonhams. Image: Italian School, early 17th Century. A dappled grey Neapolitan horse before an extensive landscape. Estimate: £50,000-70,000. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bonhams-london-uk-2nd-december-2019-old-masters-painting-sale-preview-at-bonhams-image-italian-school-early-17th-century-a-dappled-grey-neapolitan-horse-before-an-extensive-landscape-estimate-50000-70000-credit-malcolm-parkalamy-live-news-image334632962.htmlRM2ACBRN6–Bonhams, London, UK. 2nd December 2019. Old Masters Painting sale preview at Bonhams. Image: Italian School, early 17th Century. A dappled grey Neapolitan horse before an extensive landscape. Estimate: £50,000-70,000. Credit: Malcolm Park/Alamy Live News.
Wentworth, Thomas, 1st Earl of Strafford, 13.4.1593 - 12.5.1641, English politician, on his way to execution, steel engraving by Albert Henry Payne, 19th century, after painting by de la Roche, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wentworth-thomas-1st-earl-of-strafford-1341593-1251641-english-politician-18827449.htmlRMB2HJGW–Wentworth, Thomas, 1st Earl of Strafford, 13.4.1593 - 12.5.1641, English politician, on his way to execution, steel engraving by Albert Henry Payne, 19th century, after painting by de la Roche, Artist's Copyright has not to be cleared
The Hall, Christ's Hospital (Bluecoat School), c1808-1810. A print from 'The Microcosm of London', by William Henry Pyne (1770-1843). Artists: Thomas Rowlandson (1756-1827) and Auguste Charles Pugin. Seen here on St. Matthew's Day, 21st September. An imagined painting of James II and his court at Bluecoat School by Antonio Verrio (c1636-1707) can be seen on the right of the picture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-hall-christs-hospital-bluecoat-school-c1808-1810-a-print-from-the-microcosm-of-london-by-william-henry-pyne-1770-1843-artists-thomas-rowlandson-1756-1827-and-auguste-charles-pugin-seen-here-on-st-matthews-day-21st-september-an-imagined-painting-of-james-ii-and-his-court-at-bluecoat-school-by-antonio-verrio-c1636-1707-can-be-seen-on-the-right-of-the-picture-image247111572.htmlRMTA0W98–The Hall, Christ's Hospital (Bluecoat School), c1808-1810. A print from 'The Microcosm of London', by William Henry Pyne (1770-1843). Artists: Thomas Rowlandson (1756-1827) and Auguste Charles Pugin. Seen here on St. Matthew's Day, 21st September. An imagined painting of James II and his court at Bluecoat School by Antonio Verrio (c1636-1707) can be seen on the right of the picture.
View of London Bridge, oil on panel painting, circa 1632, Claude de Jongh Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-london-bridge-oil-on-panel-painting-circa-1632-claude-de-jongh-image238858975.htmlRMRTGY1K–View of London Bridge, oil on panel painting, circa 1632, Claude de Jongh
The Lord Mayor of London and party exercising his right to hunt over Epping Forest, by Jan Wyck (1652-1700), 17th century. The History of Foxhunting by Roger Longrigg, page 103. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lord-mayor-of-london-and-party-exercising-his-right-to-hunt-over-epping-forest-by-jan-wyck-1652-1700-17th-century-the-history-of-foxhunting-by-roger-longrigg-page-103-image268792117.htmlRMWH8F2D–The Lord Mayor of London and party exercising his right to hunt over Epping Forest, by Jan Wyck (1652-1700), 17th century. The History of Foxhunting by Roger Longrigg, page 103.
Samuel Pepys (1633-1709) English Member of Parliament who is remembered for the private diary he started in 1660 providing accounts of key events at the time such as the Great Plague (and the Great Fire of London in 1666. Oil painting by John Hayls (1600-1679) completed in 1666 and mentioned in Pepys’ diary. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samuel-pepys-1633-1709-english-member-of-parliament-who-is-remembered-for-the-private-diary-he-started-in-1660-providing-accounts-of-key-events-at-the-time-such-as-the-great-plague-and-the-great-fire-of-london-in-1666-oil-painting-by-john-hayls-1600-1679-completed-in-1666-and-mentioned-in-pepys-diary-image328745583.htmlRM2A2RJ9K–Samuel Pepys (1633-1709) English Member of Parliament who is remembered for the private diary he started in 1660 providing accounts of key events at the time such as the Great Plague (and the Great Fire of London in 1666. Oil painting by John Hayls (1600-1679) completed in 1666 and mentioned in Pepys’ diary.
Art inspired by St. Jerome Reading, 16th–17th century, Pen and brown ink, brush and brown and gray wash, sheet: 4 5/8 x 3 9/16 in. (11.7 x 9 cm), Drawings, Isaac Oliver (British, ca. 1565–1617), Oliver's father was a goldsmith and pewterer, who arrived in London 1568, a Protestant, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-st-jerome-reading-16th17th-century-pen-and-brown-ink-brush-and-brown-and-gray-wash-sheet-4-58-x-3-916-in-117-x-9-cm-drawings-isaac-oliver-british-ca-15651617-olivers-father-was-a-goldsmith-and-pewterer-who-arrived-in-london-1568-a-protestant-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462967105.htmlRF2HW5Y7D–Art inspired by St. Jerome Reading, 16th–17th century, Pen and brown ink, brush and brown and gray wash, sheet: 4 5/8 x 3 9/16 in. (11.7 x 9 cm), Drawings, Isaac Oliver (British, ca. 1565–1617), Oliver's father was a goldsmith and pewterer, who arrived in London 1568, a Protestant, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Chandos portrait. The most famous portrait that may depict William Shakespeare (1564-1616). Attributed to John Taylor. Oil on canvas (552 mm x 438 mm), c.1610. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-chandos-portrait-the-most-famous-portrait-that-may-depict-william-shakespeare-1564-1616-attributed-to-john-taylor-oil-on-canvas-552-mm-x-438-mm-c1610-national-portrait-gallery-london-england-united-kingdom-image384562329.htmlRM2D9J94W–The Chandos portrait. The most famous portrait that may depict William Shakespeare (1564-1616). Attributed to John Taylor. Oil on canvas (552 mm x 438 mm), c.1610. National Portrait Gallery. London, England, United Kingdom.
Katherine Villiers, Marchioness of Buckingham (d. 1649), 17th century aristocrat. Married George Villiers, Duke of Buckingham, in 1620, and Sir Randal MacDonnell, Marquess of Antrim, in 1635. Shown wearing lace ruff and cuffs, tight bodice and slashed sleeves, carrying a feather fan. Copperplate engraving by C. Hall after a portrait by Magdalena van de Passe, published by I. Thane, London, Oct. 24 1781. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/katherine-villiers-marchioness-of-buckingham-d-1649-17th-century-aristocrat-married-george-villiers-duke-of-buckingham-in-1620-and-sir-randal-macdonnell-marquess-of-antrim-in-1635-shown-wearing-lace-ruff-and-cuffs-tight-bodice-and-slashed-sleeves-carrying-a-feather-fan-copperplate-engraving-by-c-hall-after-a-portrait-by-magdalena-van-de-passe-published-by-i-thane-london-oct-24-1781-image377003211.htmlRM2CW9YCB–Katherine Villiers, Marchioness of Buckingham (d. 1649), 17th century aristocrat. Married George Villiers, Duke of Buckingham, in 1620, and Sir Randal MacDonnell, Marquess of Antrim, in 1635. Shown wearing lace ruff and cuffs, tight bodice and slashed sleeves, carrying a feather fan. Copperplate engraving by C. Hall after a portrait by Magdalena van de Passe, published by I. Thane, London, Oct. 24 1781.
Girls in 17th century period costume look at a painting by Anthony van Dyck at the Tate Britain, London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girls-in-17th-century-period-costume-look-at-a-painting-by-anthony-van-dyck-at-the-tate-britain-london-image372261401.htmlRM2CHHY61–Girls in 17th century period costume look at a painting by Anthony van Dyck at the Tate Britain, London.
The Great Fire of London in 1666, oil on canvas, from an original by Jan Griffier the Elder, c.1670-1678. St Paul's Cathedral can be seen amongst the flames in the distance. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-great-fire-of-london-in-1666-oil-on-canvas-from-an-original-by-105041356.htmlRMG2W190–The Great Fire of London in 1666, oil on canvas, from an original by Jan Griffier the Elder, c.1670-1678. St Paul's Cathedral can be seen amongst the flames in the distance.
Old London Bridge in 1630, City End, St Magnus Church, 17th Century, Vintage Illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-london-bridge-in-1630-city-end-st-magnus-church-17th-century-vintage-illustration-image602173971.htmlRM2WYKB17–Old London Bridge in 1630, City End, St Magnus Church, 17th Century, Vintage Illustration
The carved wooden altar of St. Mary Aldermanbury, with painting of the Last Supper by Old Franks and the Ten Commandments from the Book of Exodus. Rebuilt by Christopher Wren in the 17th century, demolished in the Blitz. Copperplate drawn and engraved by James Peller Malcolm from his Anecdotes of the Manners and Customs of London during the 18th Century, Longman, Hurst, London, 1808. Malcolm (1767-1815) was an American-English topographer and engraver, Fellow of the Society of Antiquaries. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-carved-wooden-altar-of-st-mary-aldermanbury-with-painting-of-the-last-supper-by-old-franks-and-the-ten-commandments-from-the-book-of-exodus-rebuilt-by-christopher-wren-in-the-17th-century-demolished-in-the-blitz-copperplate-drawn-and-engraved-by-james-peller-malcolm-from-his-anecdotes-of-the-manners-and-customs-of-london-during-the-18th-century-longman-hurst-london-1808-malcolm-1767-1815-was-an-american-english-topographer-and-engraver-fellow-of-the-society-of-antiquaries-image571813078.htmlRM2T689BJ–The carved wooden altar of St. Mary Aldermanbury, with painting of the Last Supper by Old Franks and the Ten Commandments from the Book of Exodus. Rebuilt by Christopher Wren in the 17th century, demolished in the Blitz. Copperplate drawn and engraved by James Peller Malcolm from his Anecdotes of the Manners and Customs of London during the 18th Century, Longman, Hurst, London, 1808. Malcolm (1767-1815) was an American-English topographer and engraver, Fellow of the Society of Antiquaries.
Pattern and sample of painting from St Stephen's Chapel, old Palace of Westminster, London, England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pattern-and-sample-of-painting-from-st-stephens-chapel-old-palace-of-westminster-london-england-image492299840.htmlRM2KGX5D4–Pattern and sample of painting from St Stephen's Chapel, old Palace of Westminster, London, England
Gabriel Metsu Dutch school A Young Woman seated Drawing About 1655-1660 Oil on oak (36.3 x 30.7 cm) London, National Gallery Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gabriel-metsu-dutch-school-a-young-woman-seated-drawing-about-1655-1660-oil-on-oak-363-x-307-cm-london-national-gallery-image483534959.htmlRM2K2JWNK–Gabriel Metsu Dutch school A Young Woman seated Drawing About 1655-1660 Oil on oak (36.3 x 30.7 cm) London, National Gallery
Gerrit Dou painting, 'A Woman playing a Clavichord', 1675; 17th century Dutch Golden Age painter; 1613- 1675 ; in Dulwich Picture Gallery London UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gerrit-dou-painting-a-woman-playing-a-clavichord-1675-17th-century-dutch-golden-age-painter-1613-1675-in-dulwich-picture-gallery-london-uk-image598298321.htmlRM2WNARH5–Gerrit Dou painting, 'A Woman playing a Clavichord', 1675; 17th century Dutch Golden Age painter; 1613- 1675 ; in Dulwich Picture Gallery London UK
Black and white engraving of the architect Inigo Jones, after the painting by Anthony Van Dyck, from the November 1883 issue of The English Illustrated Magazine. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-black-and-white-engraving-of-the-architect-inigo-jones-after-the-painting-130435278.htmlRMHG5REP–Black and white engraving of the architect Inigo Jones, after the painting by Anthony Van Dyck, from the November 1883 issue of The English Illustrated Magazine.
England, London, The Wellcome Collection, The Reading Room, 17th century Painting titled 'An Alchemist in His Laboratory' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-england-london-the-wellcome-collection-the-reading-room-17th-century-147272090.htmlRMJFGR1E–England, London, The Wellcome Collection, The Reading Room, 17th century Painting titled 'An Alchemist in His Laboratory'
England, London, The Wellcome Collection, 17th century Painting depicting an Alchemist in his Laboratory Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/england-london-the-wellcome-collection-17th-century-painting-depicting-an-alchemist-in-his-laboratory-image187542079.htmlRMMW37RB–England, London, The Wellcome Collection, 17th century Painting depicting an Alchemist in his Laboratory
Bonhams, London, UK. 2nd December 2019. Old Masters Painting sale preview at Bonhams. Image: Italian School, early 17th Century. A dappled grey Neapolitan horse before an extensive landscape. Estimate: £50,000-70,000. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bonhams-london-uk-2nd-december-2019-old-masters-painting-sale-preview-at-bonhams-image-italian-school-early-17th-century-a-dappled-grey-neapolitan-horse-before-an-extensive-landscape-estimate-50000-70000-credit-malcolm-parkalamy-live-news-image334633066.htmlRM2ACBRTX–Bonhams, London, UK. 2nd December 2019. Old Masters Painting sale preview at Bonhams. Image: Italian School, early 17th Century. A dappled grey Neapolitan horse before an extensive landscape. Estimate: £50,000-70,000. Credit: Malcolm Park/Alamy Live News.
Cromwell, Oliver, 25.4.1599 - 3.9.1658, English politician, Lord Protector 16.12.1653 - 3.9.1658, dissolving the Long Parliament, London, 20.4.1653, wood engraving after painting by Adamo, 19th century, England, Great Britain, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-cromwell-oliver-2541599-391658-english-politician-lord-protector-16121653-20727736.htmlRMB5M6C8–Cromwell, Oliver, 25.4.1599 - 3.9.1658, English politician, Lord Protector 16.12.1653 - 3.9.1658, dissolving the Long Parliament, London, 20.4.1653, wood engraving after painting by Adamo, 19th century, England, Great Britain, , Artist's Copyright has not to be cleared
A view of St. Paul's Cathedral from Paul's Cross, c1928. St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. The present cathedral, dates from the late 17th century and was designed in the English Baroque style by Sir Christopher Wren. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-view-of-st-pauls-cathedral-from-pauls-cross-c1928-st-pauls-cathedral-london-is-an-anglican-cathedral-the-seat-of-the-bishop-of-london-and-the-mother-church-of-the-diocese-of-london-the-present-cathedral-dates-from-the-late-17th-century-and-was-designed-in-the-english-baroque-style-by-sir-christopher-wren-image599323620.htmlRM2WR1FB0–A view of St. Paul's Cathedral from Paul's Cross, c1928. St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. The present cathedral, dates from the late 17th century and was designed in the English Baroque style by Sir Christopher Wren.
Greenwich with London in the distance, landscape painting by Jan Vorsterman, circa 1680 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greenwich-with-london-in-the-distance-landscape-painting-by-jan-vorsterman-circa-1680-image377023501.htmlRM2CWAW91–Greenwich with London in the distance, landscape painting by Jan Vorsterman, circa 1680
17th century map of London (W.Hollar) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-17th-century-map-of-london-whollar-132589324.htmlRMHKKY10–17th century map of London (W.Hollar)
A painting by Adam Willaerts (1577-1664), a painter of the Dutch Golden Age, in which a ship of the East India Company leaves port as England establishes itself as a colonial power. Willaerts was born in London to Flemish parents who had fled from Antwerp for religious reasons. From 1597 until his death, Adam lived and worked in Utrecht; known as a painter of river and canal pieces, coastal landscapes, fish-markets, processions, and genre scenes, he also painted villages and marine battle scenes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-painting-by-adam-willaerts-1577-1664-a-painter-of-the-dutch-golden-age-in-which-a-ship-of-the-east-india-company-leaves-port-as-england-establishes-itself-as-a-colonial-power-willaerts-was-born-in-london-to-flemish-parents-who-had-fled-from-antwerp-for-religious-reasons-from-1597-until-his-death-adam-lived-and-worked-in-utrecht-known-as-a-painter-of-river-and-canal-pieces-coastal-landscapes-fish-markets-processions-and-genre-scenes-he-also-painted-villages-and-marine-battle-scenes-image417856890.htmlRM2F7R0MA–A painting by Adam Willaerts (1577-1664), a painter of the Dutch Golden Age, in which a ship of the East India Company leaves port as England establishes itself as a colonial power. Willaerts was born in London to Flemish parents who had fled from Antwerp for religious reasons. From 1597 until his death, Adam lived and worked in Utrecht; known as a painter of river and canal pieces, coastal landscapes, fish-markets, processions, and genre scenes, he also painted villages and marine battle scenes.
London, UK, 13 October 2021: At the Frieze Masters art fair in Regent's Park works from the Twentieth century and all previous eras, through to artefacts from ancient Greece and Rome, are on display to prospective buyers until Sunday 17th October. A sculpture by Japanese artist Yayoi Kusama is juxtaposed with an oil painting by Italian Giorgio Morandi. Anna Watson/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-13-october-2021-at-the-frieze-masters-art-fair-in-regents-park-works-from-the-twentieth-century-and-all-previous-eras-through-to-artefacts-from-ancient-greece-and-rome-are-on-display-to-prospective-buyers-until-sunday-17th-october-a-sculpture-by-japanese-artist-yayoi-kusama-is-juxtaposed-with-an-oil-painting-by-italian-giorgio-morandi-anna-watsonalamy-live-news-image447905544.htmlRM2H0KT2G–London, UK, 13 October 2021: At the Frieze Masters art fair in Regent's Park works from the Twentieth century and all previous eras, through to artefacts from ancient Greece and Rome, are on display to prospective buyers until Sunday 17th October. A sculpture by Japanese artist Yayoi Kusama is juxtaposed with an oil painting by Italian Giorgio Morandi. Anna Watson/Alamy Live News
Cardinal Armand Jean du Plessis (1585-1642) known as Cardinal de Richelieu. French clergyman and statesman. He was chief minister of King Louis XIII. Portrait of Cadinal de Richelieu by Philippe de Champaigne (1602-1674), the leader French portrait painter of the reign of Louis XIII. Oil on canvas painted between 1633 and 1640 (259,5 x 178,5 cm). National Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cardinal-armand-jean-du-plessis-1585-1642-known-as-cardinal-de-richelieu-french-clergyman-and-statesman-he-was-chief-minister-of-king-louis-xiii-portrait-of-cadinal-de-richelieu-by-philippe-de-champaigne-1602-1674-the-leader-french-portrait-painter-of-the-reign-of-louis-xiii-oil-on-canvas-painted-between-1633-and-1640-2595-x-1785-cm-national-gallery-london-england-united-kingdom-image368448451.htmlRM2CBC7N7–Cardinal Armand Jean du Plessis (1585-1642) known as Cardinal de Richelieu. French clergyman and statesman. He was chief minister of King Louis XIII. Portrait of Cadinal de Richelieu by Philippe de Champaigne (1602-1674), the leader French portrait painter of the reign of Louis XIII. Oil on canvas painted between 1633 and 1640 (259,5 x 178,5 cm). National Gallery. London, England, United Kingdom.
William Alabaster, (also Alablaster, Arblastier), English poet, playwright, and religious writer, 1567-1640. Copperplate engraving after a painting by Corn. Johns (Cornelis Janssens) from William Richardson's Portraits Illustrating Granger's Biographical History of England, London, 1792–1812. James Granger (1723–1776) was an English clergyman, biographer, and print collector. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-alabaster-also-alablaster-arblastier-english-poet-playwright-and-religious-writer-1567-1640-copperplate-engraving-after-a-painting-by-corn-johns-cornelis-janssens-from-william-richardsons-portraits-illustrating-grangers-biographical-history-of-england-london-17921812-james-granger-17231776-was-an-english-clergyman-biographer-and-print-collector-image331975495.htmlRM2A82P3K–William Alabaster, (also Alablaster, Arblastier), English poet, playwright, and religious writer, 1567-1640. Copperplate engraving after a painting by Corn. Johns (Cornelis Janssens) from William Richardson's Portraits Illustrating Granger's Biographical History of England, London, 1792–1812. James Granger (1723–1776) was an English clergyman, biographer, and print collector.
PA Library filerRubens 'Samson and Delilah' : A leading expert on painting forgeries has added to the controversy surrounding the authenticity of a Rubens masterpiece by saying he believes it could be a fake. Painter Leo Stevenson claims the 17th century picture of Samson and Delilah on display in the National Gallery was probably painted by one of his pupils. PA Photos. (Available in b/w Only) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pa-library-filerrubens-samson-and-delilah-a-leading-expert-on-painting-forgeries-has-added-to-the-controversy-surrounding-the-authenticity-of-a-rubens-masterpiece-by-saying-he-believes-it-could-be-a-fake-painter-leo-stevenson-claims-the-17th-century-picture-of-samson-and-delilah-on-display-in-the-national-gallery-was-probably-painted-by-one-of-his-pupils-pa-photos-available-in-bw-only-image380455333.htmlRM2D2Y6JD–PA Library filerRubens 'Samson and Delilah' : A leading expert on painting forgeries has added to the controversy surrounding the authenticity of a Rubens masterpiece by saying he believes it could be a fake. Painter Leo Stevenson claims the 17th century picture of Samson and Delilah on display in the National Gallery was probably painted by one of his pupils. PA Photos. (Available in b/w Only)
The Great Fire of London in 1666, seen from Ludgate, oil on canvas, from an original by Jan Griffier the Elder, c.1670-1678. St Paul's Cathedral can be seen burning in the distance. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-great-fire-of-london-in-1666-seen-from-ludgate-oil-on-canvas-from-105041349.htmlRMG2W18N–The Great Fire of London in 1666, seen from Ludgate, oil on canvas, from an original by Jan Griffier the Elder, c.1670-1678. St Paul's Cathedral can be seen burning in the distance.
Old London Bridge in 1630, Southwark End, Heads over traitor's Gate, 17th Century, Vintage Illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-london-bridge-in-1630-southwark-end-heads-over-traitors-gate-17th-century-vintage-illustration-image602173974.htmlRM2WYKB1A–Old London Bridge in 1630, Southwark End, Heads over traitor's Gate, 17th Century, Vintage Illustration
St. Jerome Reading. Artist: Isaac Oliver (British, ca. 1565-1617). Dimensions: sheet: 4 5/8 x 3 9/16 in. (11.7 x 9 cm) mount: 7 3/8 x 5 11/16 in. (18.8 x 14.4 cm). Date: 16th-17th century. Oliver's father was a goldsmith and pewterer, who arrived in London 1568, a Protestant refugee from Rouen. After studies with Nicholas Hilliard, Oliver made several Continental trips, became known in England for painting miniatures and small histories, and was appointment by Queen Anne in 1605 as 'Painter for the art of limning.' This finely executed drawing uses pen and brown ink, and gray wash to describ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-jerome-reading-artist-isaac-oliver-british-ca-1565-1617-dimensions-sheet-4-58-x-3-916-in-117-x-9-cm-mount-7-38-x-5-1116-in-188-x-144-cm-date-16th-17th-century-olivers-father-was-a-goldsmith-and-pewterer-who-arrived-in-london-1568-a-protestant-refugee-from-rouen-after-studies-with-nicholas-hilliard-oliver-made-several-continental-trips-became-known-in-england-for-painting-miniatures-and-small-histories-and-was-appointment-by-queen-anne-in-1605-as-painter-for-the-art-of-limning-this-finely-executed-drawing-uses-pen-and-brown-ink-and-gray-wash-to-describ-image213106830.htmlRMPAKRX6–St. Jerome Reading. Artist: Isaac Oliver (British, ca. 1565-1617). Dimensions: sheet: 4 5/8 x 3 9/16 in. (11.7 x 9 cm) mount: 7 3/8 x 5 11/16 in. (18.8 x 14.4 cm). Date: 16th-17th century. Oliver's father was a goldsmith and pewterer, who arrived in London 1568, a Protestant refugee from Rouen. After studies with Nicholas Hilliard, Oliver made several Continental trips, became known in England for painting miniatures and small histories, and was appointment by Queen Anne in 1605 as 'Painter for the art of limning.' This finely executed drawing uses pen and brown ink, and gray wash to describ
Rembrandt, (15.7.1606 - 4.10.1669), 'Self Portrait at the Age of 63', 1669, National Gallery, London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rembrandt-1571606-4101669-self-portrait-at-the-age-of-63-1669-national-gallery-london-image332189131.htmlRF2A8CEHF–Rembrandt, (15.7.1606 - 4.10.1669), 'Self Portrait at the Age of 63', 1669, National Gallery, London
Willem van de Velde the Younger Dutch school 'Resolution' in a Gale c.1678 Oil on canvas (119.4 x 101.6 cm) London, National Maritime Museum of Greenwich Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/willem-van-de-velde-the-younger-dutch-school-resolution-in-a-gale-c1678-oil-on-canvas-1194-x-1016-cm-london-national-maritime-museum-of-greenwich-image257280510.htmlRMTXG3WJ–Willem van de Velde the Younger Dutch school 'Resolution' in a Gale c.1678 Oil on canvas (119.4 x 101.6 cm) London, National Maritime Museum of Greenwich
by Sir Peter Lely,painting, . English: Sir Henry Blount (1602-1682) . 17th century. Peter Lely (1618–1680) Alternative names Sir Peter Lely, Peter Lelio, Peter Lilley, Peter Lilly, Peter Lylly, Pieter Lelij, Birth name: Pieter van der Faes Description English painter and art collector Date of birth/death 14 September 1618 30 November 1680 Location of birth/death Soest London Work period between circa 1637 and circa 1680 Work location Haarlem (6 October 1637), London (1641-1680), Amsterdam (1656) Authority control : Q161336 VIAF: 47033545 ISNI: 0000 0000 8379 8302 ULAN: 5000021 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/by-sir-peter-lelypainting-english-sir-henry-blount-1602-1682-17th-century-peter-lely-16181680-alternative-names-sir-peter-lely-peter-lelio-peter-lilley-peter-lilly-peter-lylly-pieter-lelij-birth-name-pieter-van-der-faes-description-english-painter-and-art-collector-date-of-birthdeath-14-september-1618-30-november-1680-location-of-birthdeath-soest-london-work-period-between-circa-1637-and-circa-1680-work-location-haarlem-6-october-1637-london-1641-1680-amsterdam-1656-authority-control-q161336-viaf47033545-isni0000-0000-8379-8302-ulan5000021-image185585139.htmlRMMNX3MK–by Sir Peter Lely,painting, . English: Sir Henry Blount (1602-1682) . 17th century. Peter Lely (1618–1680) Alternative names Sir Peter Lely, Peter Lelio, Peter Lilley, Peter Lilly, Peter Lylly, Pieter Lelij, Birth name: Pieter van der Faes Description English painter and art collector Date of birth/death 14 September 1618 30 November 1680 Location of birth/death Soest London Work period between circa 1637 and circa 1680 Work location Haarlem (6 October 1637), London (1641-1680), Amsterdam (1656) Authority control : Q161336 VIAF: 47033545 ISNI: 0000 0000 8379 8302 ULAN: 5000021
View of London Bridge 1632 painting by Claude de Longh picture historical perspective London River Thames art artwork Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-london-bridge-1632-painting-by-claude-de-longh-picture-historical-perspective-london-river-thames-art-artwork-image614961109.htmlRM2XMDW4N–View of London Bridge 1632 painting by Claude de Longh picture historical perspective London River Thames art artwork
Wrens Plans For Rebuilding London drawn up by the architect for King Charles II after the Great Fire approved but never built Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wrens-plans-for-rebuilding-london-drawn-up-by-the-architect-for-king-21702065.htmlRMB78H5N–Wrens Plans For Rebuilding London drawn up by the architect for King Charles II after the Great Fire approved but never built
England, London, The Wellcome Collection, The Reading Room, 17th century Painting titled 'An Alchemist in His Laboratory' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-england-london-the-wellcome-collection-the-reading-room-17th-century-83117977.htmlRMER69R5–England, London, The Wellcome Collection, The Reading Room, 17th century Painting titled 'An Alchemist in His Laboratory'
Battersea Park, London, UK. 2 October, 2018. The largest edition of the interior trade’s favourite period design event, The Autumn Decorative Antiques & Textiles Fair, takes place from 2-7 October 2018 at Battersea Park. Around 160 dealers from across the UK and Europe take part, bringing antiques, design, works of art, decorative objects and garden artefacts dating from the 17th century to around 1970, and paintings, prints and sculpture from ancient to contemporary. Image: Dutch Old Master painting by Albertus Rootius (1624-1666), Portrait of a Lady, 1661. Credit: Malcolm Park/Alamy Live Ne Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battersea-park-london-uk-2-october-2018-the-largest-edition-of-the-interior-trades-favourite-period-design-event-the-autumn-decorative-antiques-textiles-fair-takes-place-from-2-7-october-2018-at-battersea-park-around-160-dealers-from-across-the-uk-and-europe-take-part-bringing-antiques-design-works-of-art-decorative-objects-and-garden-artefacts-dating-from-the-17th-century-to-around-1970-and-paintings-prints-and-sculpture-from-ancient-to-contemporary-image-dutch-old-master-painting-by-albertus-rootius-1624-1666-portrait-of-a-lady-1661-credit-malcolm-parkalamy-live-ne-image220974627.htmlRMPRE7AY–Battersea Park, London, UK. 2 October, 2018. The largest edition of the interior trade’s favourite period design event, The Autumn Decorative Antiques & Textiles Fair, takes place from 2-7 October 2018 at Battersea Park. Around 160 dealers from across the UK and Europe take part, bringing antiques, design, works of art, decorative objects and garden artefacts dating from the 17th century to around 1970, and paintings, prints and sculpture from ancient to contemporary. Image: Dutch Old Master painting by Albertus Rootius (1624-1666), Portrait of a Lady, 1661. Credit: Malcolm Park/Alamy Live Ne
fine arts, Rubens, Peter Paul (1577 - 1640), painting, 'Le Chapeau de Paille' (The Straw Hat), circa 1622 - 1625, oil on panel, 79 x 54 cm, National Gallery, London, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-rubens-peter-paul-1577-1640-painting-le-chapeau-de-paille-95879488.htmlRMFFYK7C–fine arts, Rubens, Peter Paul (1577 - 1640), painting, 'Le Chapeau de Paille' (The Straw Hat), circa 1622 - 1625, oil on panel, 79 x 54 cm, National Gallery, London, Additional-Rights-Clearences-Not Available
Sir William Pritchard (1632-1705) was an English merchant and politician, Lord Mayor of London in 1682. From a water colour painting. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-william-pritchard-1632-1705-was-an-english-merchant-and-politician-lord-mayor-of-london-in-1682-from-a-water-colour-painting-image482095616.htmlRM2K099TG–Sir William Pritchard (1632-1705) was an English merchant and politician, Lord Mayor of London in 1682. From a water colour painting.
The Great Fire of London with Ludgate and Old St Paul's, painting circa 1670 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-great-fire-of-london-with-ludgate-and-old-st-pauls-painting-circa-1670-image361480065.htmlRM2C02RE9–The Great Fire of London with Ludgate and Old St Paul's, painting circa 1670
An old English Delft plate with a painting of the Duke of Marlborough. 17th century. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-old-english-delft-plate-with-a-painting-of-the-duke-of-marlborough-17th-century-black-and-white-illustration-from-the-connoisseur-an-illustrated-magazine-for-collectors-voll-3-may-aug-1902-published-in-london-image596450160.htmlRM2WJAJ7C–An old English Delft plate with a painting of the Duke of Marlborough. 17th century. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London.
Henry Purcell (1659-1695) was an English composer who incorporated Italian and French stylistic elements, to create a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers, who's work has influenced musicians of the 20th and 21st Centuries. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-purcell-1659-1695-was-an-english-composer-who-incorporated-italian-and-french-stylistic-elements-to-create-a-uniquely-english-form-of-baroque-music-he-is-generally-considered-to-be-one-of-the-greatest-english-composers-whos-work-has-influenced-musicians-of-the-20th-and-21st-centuries-image420112582.htmlRM2FBDNTP–Henry Purcell (1659-1695) was an English composer who incorporated Italian and French stylistic elements, to create a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers, who's work has influenced musicians of the 20th and 21st Centuries.
London, UK, 13 October 2021: At the Frieze Masters art fair in Regent's Park works from the Twentieth century and all previous eras, through to artefacts from ancient Greece and Rome, are on display to prospective buyers until Sunday 17th October. A sculpture by Japanese artist Yayoi Kusama is juxtaposed with an oil painting by Italian Giorgio Morandi. Anna Watson/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-13-october-2021-at-the-frieze-masters-art-fair-in-regents-park-works-from-the-twentieth-century-and-all-previous-eras-through-to-artefacts-from-ancient-greece-and-rome-are-on-display-to-prospective-buyers-until-sunday-17th-october-a-sculpture-by-japanese-artist-yayoi-kusama-is-juxtaposed-with-an-oil-painting-by-italian-giorgio-morandi-anna-watsonalamy-live-news-image447905539.htmlRM2H0KT2B–London, UK, 13 October 2021: At the Frieze Masters art fair in Regent's Park works from the Twentieth century and all previous eras, through to artefacts from ancient Greece and Rome, are on display to prospective buyers until Sunday 17th October. A sculpture by Japanese artist Yayoi Kusama is juxtaposed with an oil painting by Italian Giorgio Morandi. Anna Watson/Alamy Live News
Henry V (c.1387-1422) king of England from 1413 until 1422. Portrait by an unidentified artist. Oil on panel. Late 16th century-Early 17th century. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-v-c1387-1422-king-of-england-from-1413-until-1422-portrait-by-an-unidentified-artist-oil-on-panel-late-16th-century-early-17th-century-national-portrait-gallery-london-england-united-kingdom-image384562323.htmlRM2D9J94K–Henry V (c.1387-1422) king of England from 1413 until 1422. Portrait by an unidentified artist. Oil on panel. Late 16th century-Early 17th century. National Portrait Gallery. London, England, United Kingdom.
Banquetting House Rubens painted ceiling detail Whitehall London England UK 17th century painting gilt gilded cherub putto putti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-banquetting-house-rubens-painted-ceiling-detail-whitehall-london-england-22991632.htmlRMB9BA1M–Banquetting House Rubens painted ceiling detail Whitehall London England UK 17th century painting gilt gilded cherub putto putti
A staff member adjusts a rare Ottoman silk and metal-thread brocade panel, made in Turkey in the 17th century (est. £60,000-£80,000), during the preview of Middle Eastern Art Week at Sotheby's in London, ahead of their sale by auction on 22 and 23 October. PA Photo. Picture date: Friday October 18, 2019. Highlights of the sale will include a sumptuous leaf from the mythic 9th/10th century blue & gold Qu'ran, a dynamic painting of a great Indian epic wedding procession, jewellery including a talismanic Mughal emerald crystal weighing 363.9 carats, and paintings and sculpture by pioneering artis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-staff-member-adjusts-a-rare-ottoman-silk-and-metal-thread-brocade-panel-made-in-turkey-in-the-17th-century-est-60000-80000-during-the-preview-of-middle-eastern-art-week-at-sothebys-in-london-ahead-of-their-sale-by-auction-on-22-and-23-october-pa-photo-picture-date-friday-october-18-2019-highlights-of-the-sale-will-include-a-sumptuous-leaf-from-the-mythic-9th10th-century-blue-gold-quran-a-dynamic-painting-of-a-great-indian-epic-wedding-procession-jewellery-including-a-talismanic-mughal-emerald-crystal-weighing-3639-carats-and-paintings-and-sculpture-by-pioneering-artis-image330204588.htmlRM2A56390–A staff member adjusts a rare Ottoman silk and metal-thread brocade panel, made in Turkey in the 17th century (est. £60,000-£80,000), during the preview of Middle Eastern Art Week at Sotheby's in London, ahead of their sale by auction on 22 and 23 October. PA Photo. Picture date: Friday October 18, 2019. Highlights of the sale will include a sumptuous leaf from the mythic 9th/10th century blue & gold Qu'ran, a dynamic painting of a great Indian epic wedding procession, jewellery including a talismanic Mughal emerald crystal weighing 363.9 carats, and paintings and sculpture by pioneering artis
The 17thC English diarist, John Evelyn (1620-1706) by follower of Adriaen Hanneman, oil on canvas, c.1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-17thc-english-diarist-john-evelyn-1620-1706-by-follower-of-adriaen-hanneman-oil-on-canvas-c1650-image207768842.htmlRMP20K7P–The 17thC English diarist, John Evelyn (1620-1706) by follower of Adriaen Hanneman, oil on canvas, c.1650
Old London Bridge in 1630, East Side, Traitor's Gate, Drawbridge Nonsuch House, 17th Century, Vintage Illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-london-bridge-in-1630-east-side-traitors-gate-drawbridge-nonsuch-house-17th-century-vintage-illustration-image602173958.htmlRM2WYKB0P–Old London Bridge in 1630, East Side, Traitor's Gate, Drawbridge Nonsuch House, 17th Century, Vintage Illustration
The Offering to Pan from a set of the Berain Grotesques. Artist: Related to a painting by Nicolas Poussin (French, Les Andelys 1594-1665 Rome) (The Triumph of Pan, National Gallery, London). Culture: French, Beauvais. Designer: Jean-Baptiste Monnoyer (French, Lille 1636-1699 London). Dimensions: H. 121 x W. 111 inches (307.3 x 281.9 cm). Maker: Workshop of Philippe Béhagle (French, 1641-1705) or his son. Manufactory: Beauvais. Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-offering-to-pan-from-a-set-of-the-berain-grotesques-artist-related-to-a-painting-by-nicolas-poussin-french-les-andelys-1594-1665-rome-the-triumph-of-pan-national-gallery-london-culture-french-beauvais-designer-jean-baptiste-monnoyer-french-lille-1636-1699-london-dimensions-h-121-x-w-111-inches-3073-x-2819-cm-maker-workshop-of-philippe-bhagle-french-1641-1705-or-his-son-manufactory-beauvais-date-late-17th-early-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213082004.htmlRMPAJM7G–The Offering to Pan from a set of the Berain Grotesques. Artist: Related to a painting by Nicolas Poussin (French, Les Andelys 1594-1665 Rome) (The Triumph of Pan, National Gallery, London). Culture: French, Beauvais. Designer: Jean-Baptiste Monnoyer (French, Lille 1636-1699 London). Dimensions: H. 121 x W. 111 inches (307.3 x 281.9 cm). Maker: Workshop of Philippe Béhagle (French, 1641-1705) or his son. Manufactory: Beauvais. Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Martyrdom of Saint Lawrence, early 17th century, Black chalk, pen and brown ink, brown wash, heightened with white; contours traced with stylus for transfer., sheet: 14 5/8 x 10 5/8 in. (37.2 x 27 cm), Drawings, Workshop of Peter Paul Rubens (Flemish, Siegen 1577–1640, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-martyrdom-of-saint-lawrence-early-17th-century-black-chalk-pen-and-brown-ink-brown-wash-heightened-with-white-contours-traced-with-stylus-for-transfer-sheet-14-58-x-10-58-in-372-x-27-cm-drawings-workshop-of-peter-paul-rubens-flemish-siegen-15771640-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462958624.htmlRF2HW5GCG–Art inspired by Martyrdom of Saint Lawrence, early 17th century, Black chalk, pen and brown ink, brown wash, heightened with white; contours traced with stylus for transfer., sheet: 14 5/8 x 10 5/8 in. (37.2 x 27 cm), Drawings, Workshop of Peter Paul Rubens (Flemish, Siegen 1577–1640, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Antechamber at Whitehall during the Dying Moments of Charles II, 1685' (1905). Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antechamber-at-whitehall-during-the-dying-moments-of-charles-ii-1685-1905-artist-unknown-image262784579.htmlRMW7ETBF–'Antechamber at Whitehall during the Dying Moments of Charles II, 1685' (1905). Artist: Unknown.
. Painting of Lady Elizabeth Wilbraham by Sir Peter Lely. 125.7x99 cm. 17th century. Peter Lely (1618–1680) Alternative names Sir Peter Lely, Peter Lelio, Peter Lilley, Peter Lilly, Peter Lylly, Pieter Lelij, Birth name: Pieter van der Faes Description English painter and art collector Date of birth/death 14 September 1618 30 November 1680 Location of birth/death Soest London Work period between circa 1637 and circa 1680 Work location Haarlem (6 October 1637), London (1641-1680), Amsterdam (1656) Authority control : Q161336 VIAF: 47033545 ISNI: 0000 0000 8379 8302 ULAN: 500002184 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-of-lady-elizabeth-wilbraham-by-sir-peter-lely-1257x99-cm-17th-century-peter-lely-16181680-alternative-names-sir-peter-lely-peter-lelio-peter-lilley-peter-lilly-peter-lylly-pieter-lelij-birth-name-pieter-van-der-faes-description-english-painter-and-art-collector-date-of-birthdeath-14-september-1618-30-november-1680-location-of-birthdeath-soest-london-work-period-between-circa-1637-and-circa-1680-work-location-haarlem-6-october-1637-london-1641-1680-amsterdam-1656-authority-control-q161336-viaf47033545-isni0000-0000-8379-8302-ulan500002184-image185823626.htmlRMMP8YX2–. Painting of Lady Elizabeth Wilbraham by Sir Peter Lely. 125.7x99 cm. 17th century. Peter Lely (1618–1680) Alternative names Sir Peter Lely, Peter Lelio, Peter Lilley, Peter Lilly, Peter Lylly, Pieter Lelij, Birth name: Pieter van der Faes Description English painter and art collector Date of birth/death 14 September 1618 30 November 1680 Location of birth/death Soest London Work period between circa 1637 and circa 1680 Work location Haarlem (6 October 1637), London (1641-1680), Amsterdam (1656) Authority control : Q161336 VIAF: 47033545 ISNI: 0000 0000 8379 8302 ULAN: 500002184
Portrait of the 17th century English architect, Inigo Jones (1573 -1652) by William Hogarth, oil on canvas, 1757-58 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-17th-century-english-architect-inigo-jones-1573-1652-by-william-hogarth-oil-on-canvas-1757-58-image338934830.htmlRM2AKBPRA–Portrait of the 17th century English architect, Inigo Jones (1573 -1652) by William Hogarth, oil on canvas, 1757-58
'The Gamblers', or 'Card Players, painting by Antiveduto Grammatica in Apsley House, London. Artist: Patricia Payne. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-gamblers-or-card-players-painting-by-antiveduto-grammatica-in-apsley-house-london-artist-patricia-payne-image186177085.htmlRMMPW2NH–'The Gamblers', or 'Card Players, painting by Antiveduto Grammatica in Apsley House, London. Artist: Patricia Payne.
England, London, The Wellcome Collection, The Reading Room, 17th century Painting titled 'An Alchemist in His Laboratory' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-england-london-the-wellcome-collection-the-reading-room-17th-century-83117976.htmlRMER69R4–England, London, The Wellcome Collection, The Reading Room, 17th century Painting titled 'An Alchemist in His Laboratory'
Battersea Park, London, UK. 2 October, 2018. The largest edition of the interior trade’s favourite period design event, The Autumn Decorative Antiques & Textiles Fair, takes place from 2-7 October 2018 at Battersea Park. Around 160 dealers from across the UK and Europe take part, bringing antiques, design, works of art, decorative objects and garden artefacts dating from the 17th century to around 1970, and paintings, prints and sculpture from ancient to contemporary. Image: Dutch Old Master painting by Albertus Rootius (1624-1666), Portrait of a Lady, 1661. Credit: Malcolm Park/Alamy Live Ne Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battersea-park-london-uk-2-october-2018-the-largest-edition-of-the-interior-trades-favourite-period-design-event-the-autumn-decorative-antiques-textiles-fair-takes-place-from-2-7-october-2018-at-battersea-park-around-160-dealers-from-across-the-uk-and-europe-take-part-bringing-antiques-design-works-of-art-decorative-objects-and-garden-artefacts-dating-from-the-17th-century-to-around-1970-and-paintings-prints-and-sculpture-from-ancient-to-contemporary-image-dutch-old-master-painting-by-albertus-rootius-1624-1666-portrait-of-a-lady-1661-credit-malcolm-parkalamy-live-ne-image220974632.htmlRMPRE7B4–Battersea Park, London, UK. 2 October, 2018. The largest edition of the interior trade’s favourite period design event, The Autumn Decorative Antiques & Textiles Fair, takes place from 2-7 October 2018 at Battersea Park. Around 160 dealers from across the UK and Europe take part, bringing antiques, design, works of art, decorative objects and garden artefacts dating from the 17th century to around 1970, and paintings, prints and sculpture from ancient to contemporary. Image: Dutch Old Master painting by Albertus Rootius (1624-1666), Portrait of a Lady, 1661. Credit: Malcolm Park/Alamy Live Ne
Charles I, 19.11.1600 - 30.1.1649, King of England, Scotland and Ireland 1625 - 1649, full length, riding, painting 'Charles I on Horseback', by Anthony van Dyck (1599 - 1641), circa 1637, National Gallery, London, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charles-i-19111600-3011649-king-of-england-scotland-and-ireland-1625-25339451.htmlRMBD68MB–Charles I, 19.11.1600 - 30.1.1649, King of England, Scotland and Ireland 1625 - 1649, full length, riding, painting 'Charles I on Horseback', by Anthony van Dyck (1599 - 1641), circa 1637, National Gallery, London, Artist's Copyright has not to be cleared
The Ampulla and Coronation Spoon, 1953. When a monarch is anointed, the Dean of Westminster first pours holy anointing oil from an ampulla into a spoon. The original ampulla was a small stone phial, sometimes worn around the neck as a pendant by kings, and otherwise kept inside an eagle-shaped golden reliquary. It is unclear why, after the Restoration, the vessel itself came to be reinterpreted as an eagle standing on a domed base. The Coronation Spoon, dates from the late 12th century and is silver-gilt and set with four pearls, which were added in the 17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ampulla-and-coronation-spoon-1953-when-a-monarch-is-anointed-the-dean-of-westminster-first-pours-holy-anointing-oil-from-an-ampulla-into-a-spoon-the-original-ampulla-was-a-small-stone-phial-sometimes-worn-around-the-neck-as-a-pendant-by-kings-and-otherwise-kept-inside-an-eagle-shaped-golden-reliquary-it-is-unclear-why-after-the-restoration-the-vessel-itself-came-to-be-reinterpreted-as-an-eagle-standing-on-a-domed-base-the-coronation-spoon-dates-from-the-late-12th-century-and-is-silver-gilt-and-set-with-four-pearls-which-were-added-in-the-17th-century-image607533409.htmlRM2X8BF1N–The Ampulla and Coronation Spoon, 1953. When a monarch is anointed, the Dean of Westminster first pours holy anointing oil from an ampulla into a spoon. The original ampulla was a small stone phial, sometimes worn around the neck as a pendant by kings, and otherwise kept inside an eagle-shaped golden reliquary. It is unclear why, after the Restoration, the vessel itself came to be reinterpreted as an eagle standing on a domed base. The Coronation Spoon, dates from the late 12th century and is silver-gilt and set with four pearls, which were added in the 17th century.
Frost Fair on the Thames with Old London Bridge in the distance, painting by unknown artist, circa 1684 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frost-fair-on-the-thames-with-old-london-bridge-in-the-distance-painting-by-unknown-artist-circa-1684-image238858988.htmlRMRTGY24–Frost Fair on the Thames with Old London Bridge in the distance, painting by unknown artist, circa 1684
An old English Delft plate with a painting of William III of England (William of Orange). 17th century. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-old-english-delft-plate-with-a-painting-of-william-iii-of-england-william-of-orange-17th-century-black-and-white-illustration-from-the-connoisseur-an-illustrated-magazine-for-collectors-voll-3-may-aug-1902-published-in-london-image596450159.htmlRM2WJAJ7B–An old English Delft plate with a painting of William III of England (William of Orange). 17th century. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London.
Title: The Flemish Proverbs Creator: Pieter Bruegel the Elder Date: c. 17th Medium: Oil on canvas Dimensions: 119.6x164 cms Location: Johnny van Haeften Gallery, London, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-the-flemish-proverbs-creator-pieter-bruegel-the-elder-date-c-17th-medium-oil-on-canvas-dimensions-1196x164-cms-location-johnny-van-haeften-gallery-london-uk-image416461817.htmlRM2F5FD89–Title: The Flemish Proverbs Creator: Pieter Bruegel the Elder Date: c. 17th Medium: Oil on canvas Dimensions: 119.6x164 cms Location: Johnny van Haeften Gallery, London, UK
London. England. UK. Dulwich Picture Gallery, Nicolas Poussin's 'Confirmation', ca. 1637-40. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-england-uk-dulwich-picture-gallery-nicolas-poussins-confirmation-177310263.htmlRMM8D51B–London. England. UK. Dulwich Picture Gallery, Nicolas Poussin's 'Confirmation', ca. 1637-40.
Samuel Pepys (1633-1703). English diarist and naval administrator. Portrait by John Hayls (1600?-1679). The music he holds is his own setting of a lyric by Sir William Davenant titled 'Beauty, retire'. Oil on canvas (75,6 x 62,9 cm), 1666. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samuel-pepys-1633-1703-english-diarist-and-naval-administrator-portrait-by-john-hayls-1600-1679-the-music-he-holds-is-his-own-setting-of-a-lyric-by-sir-william-davenant-titled-beauty-retire-oil-on-canvas-756-x-629-cm-1666-national-portrait-gallery-london-england-united-kingdom-image435149460.htmlRM2G7XNG4–Samuel Pepys (1633-1703). English diarist and naval administrator. Portrait by John Hayls (1600?-1679). The music he holds is his own setting of a lyric by Sir William Davenant titled 'Beauty, retire'. Oil on canvas (75,6 x 62,9 cm), 1666. National Portrait Gallery. London, England, United Kingdom.
This painting was in St Sepulchre's church,London, in 1967. It portrays Matoaka, a native American nicknamed Pocohantas, who married an English man. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-painting-was-in-st-sepulchres-churchlondon-in-1967-it-portrays-matoaka-a-native-american-nicknamed-pocohantas-who-married-an-english-man-image179396181.htmlRMMBT5JD–This painting was in St Sepulchre's church,London, in 1967. It portrays Matoaka, a native American nicknamed Pocohantas, who married an English man.
A staff member holds a Safavid pottery dish depicting a lion, made in Persia in 17th century (est. £8,000-12,000) in front of a rare Maghribi gilt-metal thread embroidered curtain, made in North Africa in 17th century (est. £50,000-70,000) during the preview of Middle Eastern Art Week at Sotheby's in London, ahead of their sale by auction on 22 and 23 October. PA Photo. Picture date: Friday October 18, 2019. Highlights of the sale will include a sumptuous leaf from the mythic 9th/10th century blue & gold Qu'ran, a dynamic painting of a great Indian epic wedding procession, jewellery including Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-staff-member-holds-a-safavid-pottery-dish-depicting-a-lion-made-in-persia-in-17th-century-est-8000-12000-in-front-of-a-rare-maghribi-gilt-metal-thread-embroidered-curtain-made-in-north-africa-in-17th-century-est-50000-70000-during-the-preview-of-middle-eastern-art-week-at-sothebys-in-london-ahead-of-their-sale-by-auction-on-22-and-23-october-pa-photo-picture-date-friday-october-18-2019-highlights-of-the-sale-will-include-a-sumptuous-leaf-from-the-mythic-9th10th-century-blue-gold-quran-a-dynamic-painting-of-a-great-indian-epic-wedding-procession-jewellery-including-image330204575.htmlRM2A5638F–A staff member holds a Safavid pottery dish depicting a lion, made in Persia in 17th century (est. £8,000-12,000) in front of a rare Maghribi gilt-metal thread embroidered curtain, made in North Africa in 17th century (est. £50,000-70,000) during the preview of Middle Eastern Art Week at Sotheby's in London, ahead of their sale by auction on 22 and 23 October. PA Photo. Picture date: Friday October 18, 2019. Highlights of the sale will include a sumptuous leaf from the mythic 9th/10th century blue & gold Qu'ran, a dynamic painting of a great Indian epic wedding procession, jewellery including
The 17thC English diarist, John Evelyn (1620-1706), portrait by Robert Walker, oil on canvas, 1648. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-17thc-english-diarist-john-evelyn-1620-1706-portrait-by-robert-walker-oil-on-canvas-1648-image359372127.htmlRM2BTJPPR–The 17thC English diarist, John Evelyn (1620-1706), portrait by Robert Walker, oil on canvas, 1648.
Architecture, late 17th Century house at 23 Great Winchester Street, London, destroyed in 1890 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/architecture-late-17th-century-house-at-23-great-winchester-street-london-destroyed-in-1890-image484820228.htmlRM2K4ND44–Architecture, late 17th Century house at 23 Great Winchester Street, London, destroyed in 1890
Anne Douglas, Countess of Morton (c. 1610-1654), born Anne Villiers, English noblewoman, famed for her beauty, bravery and loyalty to the throne. Daughter of Sir Edward Villiers, married to Robert Douglas, Lord Dalkeith, later Earl of Morton. The Lady Morton. Copperplate engraving after a painting by Theodore Russel, London, 1790s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anne-douglas-countess-of-morton-c-1610-1654-born-anne-villiers-english-noblewoman-famed-for-her-beauty-bravery-and-loyalty-to-the-throne-daughter-of-sir-edward-villiers-married-to-robert-douglas-lord-dalkeith-later-earl-of-morton-the-lady-morton-copperplate-engraving-after-a-painting-by-theodore-russel-london-1790s-image377003363.htmlRM2CW9YHR–Anne Douglas, Countess of Morton (c. 1610-1654), born Anne Villiers, English noblewoman, famed for her beauty, bravery and loyalty to the throne. Daughter of Sir Edward Villiers, married to Robert Douglas, Lord Dalkeith, later Earl of Morton. The Lady Morton. Copperplate engraving after a painting by Theodore Russel, London, 1790s.
The Declaration, from 'Illustrated London News'. Artist: After Frederick Goodall (British, London 1822-1904 London). Dimensions: Image: 9 3/4 × 9 3/16 in. (24.7 × 23.3 cm) Sheet: 10 3/8 × 9 7/16 in. (26.3 × 24 cm). Engraver: William Luson Thomas (British, London 1830-1900 Chertsey, Surrey). Date: August 29, 1868. The costume of these lovers places them in the 17th century Netherlands. Sitting by a leafy pond, a man whispers endearments to a young woman. The wood engraving reproduces a painting by Goodall exhibited at Leeds. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-declaration-from-illustrated-london-news-artist-after-frederick-goodall-british-london-1822-1904-london-dimensions-image-9-34-9-316-in-247-233-cm-sheet-10-38-9-716-in-263-24-cm-engraver-william-luson-thomas-british-london-1830-1900-chertsey-surrey-date-august-29-1868-the-costume-of-these-lovers-places-them-in-the-17th-century-netherlands-sitting-by-a-leafy-pond-a-man-whispers-endearments-to-a-young-woman-the-wood-engraving-reproduces-a-painting-by-goodall-exhibited-at-leeds-museum-metropolitan-museum-of-art-new-york-usa-image213402079.htmlRMPB58ER–The Declaration, from 'Illustrated London News'. Artist: After Frederick Goodall (British, London 1822-1904 London). Dimensions: Image: 9 3/4 × 9 3/16 in. (24.7 × 23.3 cm) Sheet: 10 3/8 × 9 7/16 in. (26.3 × 24 cm). Engraver: William Luson Thomas (British, London 1830-1900 Chertsey, Surrey). Date: August 29, 1868. The costume of these lovers places them in the 17th century Netherlands. Sitting by a leafy pond, a man whispers endearments to a young woman. The wood engraving reproduces a painting by Goodall exhibited at Leeds. Museum: Metropolitan Museum of Art, New York, USA.
Search Results for 17th century london painting Stock Photos and Images (1,309)
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