17th century men fashion hi-res stock photography and images

fashion, 17th century, six men, etching by Wenceslaus Hollar (1607 - 1677), 17th century, 17th century, graphic, graphics, clothes, outfit, outfits, men's fashion, headpiece, headpieces, hat, hats, cape, capes, coat half length, sitting, sit, standing, smoking pipe, pipes, smoking, smoke, table, tables, conversation, conversations, talks, talking, talk, sociability, men, man, etching, etchings, historic, historical, man, men, male, people, Additional-Rights-Clearences-Not Available Stock Photo

RMFF6T83–fashion, 17th century, six men, etching by Wenceslaus Hollar (1607 - 1677), 17th century, 17th century, graphic, graphics, clothes, outfit, outfits, men's fashion, headpiece, headpieces, hat, hats, cape, capes, coat half length, sitting, sit, standing, smoking pipe, pipes, smoking, smoke, table, tables, conversation, conversations, talks, talking, talk, sociability, men, man, etching, etchings, historic, historical, man, men, male, people, Additional-Rights-Clearences-Not Available

RMG38B94–Costume - Men 17th Century

Entitled: 'German nobility of the Baroque period.' Fashion in the period 1600-50 in Western European clothing is characterized by the disappearance of the ruff in favor of broad lace or linen collars. Waistlines rose through the period for both men and wo Stock Photo

RMG16E6W–Entitled: 'German nobility of the Baroque period.' Fashion in the period 1600-50 in Western European clothing is characterized by the disappearance of the ruff in favor of broad lace or linen collars. Waistlines rose through the period for both men and wo

17th century laced collar known as a falling band that was worn by both men and women (sometimes without lace) Stock Photo

RM2RT89GP–17th century laced collar known as a falling band that was worn by both men and women (sometimes without lace)

Vintage engraving of mens Fashions of 17th Century Strasbourg. Consul and Senator Stock Photo

RMKRPY7N–Vintage engraving of mens Fashions of 17th Century Strasbourg. Consul and Senator

17th century masculine fashion. From Modes and Manners, published 1935. Stock Photo

RM2JHBHAD–17th century masculine fashion. From Modes and Manners, published 1935.

Europe. 17th century. French noblemen in fashionable dress. Engraving, 19th century. Later colouration. Stock Photo

RMF3WRHX–Europe. 17th century. French noblemen in fashionable dress. Engraving, 19th century. Later colouration.

Man modelling a full-bottomed 17th century style wig Stock Photo

RMPFFY4B–Man modelling a full-bottomed 17th century style wig

1600s 17TH CENTURY MAN IN FASHION OF THE TIMES CAVALIER HIGH BOOTS SWORD CUMMERBUND AND LACE COLLAR LOOKING AT CAMERA CIRCA 1640 - a3639 HAR001 HARS EYE CONTACT HISTORIC MUSTACHE STYLES CUFFS PRIDE FACIAL HAIR UNIFORMS EGO FASHIONS 1600s CIRCA HAUGHTY MALES SASH 1640 17TH CENTURY ARROGANT ATTITUDE B&W BLACK AND WHITE BREECHES CAUCASIAN ETHNICITY CAVALIER CONCEITED COURTIER CUMMERBUND DOUBLET EGOTISTICAL LOOKING AT CAMERA MUSKETEER OLD FASHIONED PERSONS POMPOUS Stock Photo

RMM655CP–1600s 17TH CENTURY MAN IN FASHION OF THE TIMES CAVALIER HIGH BOOTS SWORD CUMMERBUND AND LACE COLLAR LOOKING AT CAMERA CIRCA 1640 - a3639 HAR001 HARS EYE CONTACT HISTORIC MUSTACHE STYLES CUFFS PRIDE FACIAL HAIR UNIFORMS EGO FASHIONS 1600s CIRCA HAUGHTY MALES SASH 1640 17TH CENTURY ARROGANT ATTITUDE B&W BLACK AND WHITE BREECHES CAUCASIAN ETHNICITY CAVALIER CONCEITED COURTIER CUMMERBUND DOUBLET EGOTISTICAL LOOKING AT CAMERA MUSKETEER OLD FASHIONED PERSONS POMPOUS

French costumes, 17th century Stock Photo

RMGHENAF–French costumes, 17th century

Marble bust of King Charles II, 17th century. Creator: Honore Pelle. Stock Photo

RMW7ED13–Marble bust of King Charles II, 17th century. Creator: Honore Pelle.

Japan: Two groups of men and women dancing. Hanging scroll painting, 17th century. Yamato-e is a style of Japanese painting inspired by Tang Dynasty paintings and developed in the late Heian period. It is considered the classical Japanese style. From the Muromachi period (15th century), the term Yamato-e has been used to distinguish work from contemporary Chinese style paintings (kara-e), which were inspired by Song and Yuan Dynasty Zen Buddhism paintings. The Yamato-e often tell narrative themes with text along with them, show the beauty of nature, e.g. famous places (meisho-e). Stock Photo

RM2B0173B–Japan: Two groups of men and women dancing. Hanging scroll painting, 17th century. Yamato-e is a style of Japanese painting inspired by Tang Dynasty paintings and developed in the late Heian period. It is considered the classical Japanese style. From the Muromachi period (15th century), the term Yamato-e has been used to distinguish work from contemporary Chinese style paintings (kara-e), which were inspired by Song and Yuan Dynasty Zen Buddhism paintings. The Yamato-e often tell narrative themes with text along with them, show the beauty of nature, e.g. famous places (meisho-e).

Late 17th Century costume worn by the gentry during the co-regency of King William III and Queen Mary II Stock Photo

RMRDM4MA–Late 17th Century costume worn by the gentry during the co-regency of King William III and Queen Mary II

Louis XIV visiting the Gobelins Manufactory, 15th October 1667. After Simon Renard de St. André (c1613-1677). Louis XIV (1638-1715), aka Louis the Great (Louis le Grand) and the Sun King (le Roi Soleil), was King of France from 14th May 1643 until his death in 1715. Stock Photo

RMW60AX3–Louis XIV visiting the Gobelins Manufactory, 15th October 1667. After Simon Renard de St. André (c1613-1677). Louis XIV (1638-1715), aka Louis the Great (Louis le Grand) and the Sun King (le Roi Soleil), was King of France from 14th May 1643 until his death in 1715.

17th century painting of the shepherd Faustulus presenting infants Romulus and Remus to his wife. Stock Photo

RF2G27KDJ–17th century painting of the shepherd Faustulus presenting infants Romulus and Remus to his wife.

French Scientific Horsemanship. At the beginning of the 17th century Antoine de Pluvinel adopted and immensely improved the 16th century Neapolitan techniques of equitation. His classic Manege du Roy was published in 1623, and republished in 1628 as l'Instruction du Roy en l'exercise de monter a cheval. He is here (right) in the middle, instructing Louis XII. The royal pupil is striking the quintain, usually a simple wooden target but here a lifelike enemy. Jumping an obstacle formed no part of the manege. the pupil (left) is probably learning the capriole. The History of Horse Racing by Stock Photo

RMWH8HW6–French Scientific Horsemanship. At the beginning of the 17th century Antoine de Pluvinel adopted and immensely improved the 16th century Neapolitan techniques of equitation. His classic Manege du Roy was published in 1623, and republished in 1628 as l'Instruction du Roy en l'exercise de monter a cheval. He is here (right) in the middle, instructing Louis XII. The royal pupil is striking the quintain, usually a simple wooden target but here a lifelike enemy. Jumping an obstacle formed no part of the manege. the pupil (left) is probably learning the capriole. The History of Horse Racing by

French noblewoman in contemporary dress, last third of the 17th century. [automated translation] Stock Photo

RM2PYX5XE–French noblewoman in contemporary dress, last third of the 17th century. [automated translation]

English Civil War Period Musicians 17th century British history historical re-enactment music musical musician instrument Stock Photo

RMBJ1HGN–English Civil War Period Musicians 17th century British history historical re-enactment music musical musician instrument

European fashion and costumes, XVII century Stock Photo

RFH3J0BX–European fashion and costumes, XVII century

fashion, 17th century, Royal prince in court dress, copper engraving, France, second half 17th century, 17th century, graphic, graphics, baroque, aristocracy, aristocracies, noble, noble man, nobles, noble men, prince, princes, clothes, outfit, outfits, men's fashion, full length, standing, periwig, periwigs, wigs, full-bottomed wig, nobleman, noblemen, aristocrat, aristocrats, historic, historical, man, men, male, people, Artist's Copyright has not to be cleared Stock Photo

RMDE15NX–fashion, 17th century, Royal prince in court dress, copper engraving, France, second half 17th century, 17th century, graphic, graphics, baroque, aristocracy, aristocracies, noble, noble man, nobles, noble men, prince, princes, clothes, outfit, outfits, men's fashion, full length, standing, periwig, periwigs, wigs, full-bottomed wig, nobleman, noblemen, aristocrat, aristocrats, historic, historical, man, men, male, people, Artist's Copyright has not to be cleared

ELIZABETHAN ENGLAND: COUNTRY DANCING from Stephen Batman's 'The Doome, warning all men to the Judgment' published in 1581 Stock Photo

RMCPE8C5–ELIZABETHAN ENGLAND: COUNTRY DANCING from Stephen Batman's 'The Doome, warning all men to the Judgment' published in 1581

Entitled: 'Men's sundry garments from the Renaissance.' Renaissance fashion is marked by voluminous clothing worn in an abundance of layers. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation became prominent Stock Photo

RMG16E6X–Entitled: 'Men's sundry garments from the Renaissance.' Renaissance fashion is marked by voluminous clothing worn in an abundance of layers. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation became prominent

17th century games and pastimes in Britain - A woodcut from the time showing four men playing backgammon. One is smoking a long pipe Stock Photo

RMWTD5WJ–17th century games and pastimes in Britain - A woodcut from the time showing four men playing backgammon. One is smoking a long pipe

Vintage engraving of History of Fashion, Costumes of Poland, 17th Century. Dress of Polish women and men Stock Photo

RMP1Y688–Vintage engraving of History of Fashion, Costumes of Poland, 17th Century. Dress of Polish women and men

The Court Ball, after a miniature by Abraham Bosse. From Modes and Manners, published 1935. Stock Photo

RM2KNFDX4–The Court Ball, after a miniature by Abraham Bosse. From Modes and Manners, published 1935.

Everyday clothes of ordinary English people at the time of King Charles I. Stock Photo

RMB5TRRB–Everyday clothes of ordinary English people at the time of King Charles I.

A man modelling a 17th-century hairdo and a suit featuring a long jacket and ruffles Stock Photo

RMPFFJPB–A man modelling a 17th-century hairdo and a suit featuring a long jacket and ruffles

1600s PORTRAIT KING LOUIS XIV OF FRANCE THE SUN KING WEARING ERMINE ROBES HOLDING SCEPTER REIGNED FROM 1643 T0 1715 - q74793 CPC001 HARS B&W BLACK AND WHITE CENTURY- KINGS LOOKING AT CAMERA MONARCHS OCCUPATIONS OLD FASHIONED PERSONS REIGNED SOVEREIGN SUN KING T0 XIV Stock Photo

RMM66PDF–1600s PORTRAIT KING LOUIS XIV OF FRANCE THE SUN KING WEARING ERMINE ROBES HOLDING SCEPTER REIGNED FROM 1643 T0 1715 - q74793 CPC001 HARS B&W BLACK AND WHITE CENTURY- KINGS LOOKING AT CAMERA MONARCHS OCCUPATIONS OLD FASHIONED PERSONS REIGNED SOVEREIGN SUN KING T0 XIV

RMGHENA9–French costumes, 17th century

Louis XIV of France visiting the Gobelins tapestry works, 17th century (late 19th century). Artist: Unknown Stock Photo

RMW7CPK1–Louis XIV of France visiting the Gobelins tapestry works, 17th century (late 19th century). Artist: Unknown

line drawing of 17th century men's boots, shoes and footwear from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photo

RF2MFD4A8–line drawing of 17th century men's boots, shoes and footwear from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black

Late 17th Century costume worn by the commonality (ordinary folk) during the coregency of King William III and Queen Mary II Stock Photo

RMRDM4N1–Late 17th Century costume worn by the commonality (ordinary folk) during the coregency of King William III and Queen Mary II

Trade card for Will’s Best Coffee Powder at Manwarings Coffee House, c1700. An illustration of Manwarings Coffee House, Falcon Court, Nr St Dunstan-in-the-West, Fleet Street, London. English coffeehouses in the 17th and 18th centuries were public social places where men would meet for conversation and commerce. Stock Photo

RM2JK19EJ–Trade card for Will’s Best Coffee Powder at Manwarings Coffee House, c1700. An illustration of Manwarings Coffee House, Falcon Court, Nr St Dunstan-in-the-West, Fleet Street, London. English coffeehouses in the 17th and 18th centuries were public social places where men would meet for conversation and commerce.

Charles II and Nell Gwynn, 17th century (1905). Artist: Unknown. Stock Photo

RMHT0XH0–Charles II and Nell Gwynn, 17th century (1905). Artist: Unknown.

French Scientific Horsemanship. At the beginning of the 17th century Antoine de Pluvinel (1555-1620) adopted and immensely improved the 16th century Neapolitan techniques of equitation. His classic Manege du Roy was published in 1623, and republished in 1628 as L'Instruction du Roy en l'exercise de monter a cheval. He is here (right) in the middle, instructing Louis XII. The royal pupil is striking the quintain, usually a simple wooden target but here a lifelike enemy. Jumping an obstacle formed no part of the manege. the pupil (left) is probably learning the capriole. The History of Horse Stock Photo

RMWH8HYK–French Scientific Horsemanship. At the beginning of the 17th century Antoine de Pluvinel (1555-1620) adopted and immensely improved the 16th century Neapolitan techniques of equitation. His classic Manege du Roy was published in 1623, and republished in 1628 as L'Instruction du Roy en l'exercise de monter a cheval. He is here (right) in the middle, instructing Louis XII. The royal pupil is striking the quintain, usually a simple wooden target but here a lifelike enemy. Jumping an obstacle formed no part of the manege. the pupil (left) is probably learning the capriole. The History of Horse

RM2PYX5XB–French noblewoman in contemporary dress, last third of the 17th century. [automated translation]

RMAY4J32–Costume Men 17th Century

17th century caricatures depicting the abuse of alcohol and tobacco Stock Photo

RFEWJB9Y–17th century caricatures depicting the abuse of alcohol and tobacco

fashion, hair styles, different periwig, wood engraving, 19th century, 17th century, 18th century, 19th century, graphic, graphics, baroque, rococo, ladies' fashion, men's fashion, hair style, hair, put-up hairstyle, put-up hairdo, up-do, headdress, full-bottomed wig, braid, plait, soldier's queue, haircut, hairdo, hair styles, hairstyles, haircuts, periwig, periwigs, wig, wigs, historic, historical, woman, women, female, man, men, male, people, Additional-Rights-Clearences-Not Available Stock Photo

RMDE14D4–fashion, hair styles, different periwig, wood engraving, 19th century, 17th century, 18th century, 19th century, graphic, graphics, baroque, rococo, ladies' fashion, men's fashion, hair style, hair, put-up hairstyle, put-up hairdo, up-do, headdress, full-bottomed wig, braid, plait, soldier's queue, haircut, hairdo, hair styles, hairstyles, haircuts, periwig, periwigs, wig, wigs, historic, historical, woman, women, female, man, men, male, people, Additional-Rights-Clearences-Not Available

Gaming purse. Culture: French. Date: late 17th century. A new level of card game mania swept Europe during the 17th century. Gambling with cards or 'gaming' was a favored pastime for both men and women of all ages and classes. Several examples of luxury gaming purses in the Brooklyn Museum collection reflect the fashion for a specific type of bag in which to hold one's coins or counters won in games like 'Put' or 'La Bête.' Made of velvet or brocade, the bags are often heavily embroidered with silver and gold metallic threads. Like others of the type, it has a round flat bottom and closes by Stock Photo

RMPAAWW6–Gaming purse. Culture: French. Date: late 17th century. A new level of card game mania swept Europe during the 17th century. Gambling with cards or 'gaming' was a favored pastime for both men and women of all ages and classes. Several examples of luxury gaming purses in the Brooklyn Museum collection reflect the fashion for a specific type of bag in which to hold one's coins or counters won in games like 'Put' or 'La Bête.' Made of velvet or brocade, the bags are often heavily embroidered with silver and gold metallic threads. Like others of the type, it has a round flat bottom and closes by

A 17th-century engraving of an extremely patched face. In the 1600s, it was in vogue for both women and men to paste black patches on their faces. Here the patches are in the shape of stars and moons and crosses. At first, the patches may have been used t Stock Photo

RMG16B3W–A 17th-century engraving of an extremely patched face. In the 1600s, it was in vogue for both women and men to paste black patches on their faces. Here the patches are in the shape of stars and moons and crosses. At first, the patches may have been used t

17th century games and pastimes in Britain - A woodcut from the time showing men playing a game of dice. One is smoking a long pipe Stock Photo

RMWTD7H7–17th century games and pastimes in Britain - A woodcut from the time showing men playing a game of dice. One is smoking a long pipe

History of Fashion, Costumes of French noblemen of the mid 17th Century Stock Photo

RMKR1129–History of Fashion, Costumes of French noblemen of the mid 17th Century

Consul, Councilman (1670), Strasbourg, 17th Century, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880 Stock Photo

RM2JFBYB4–Consul, Councilman (1670), Strasbourg, 17th Century, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880

Portrait of a Man of the House of Leiva 1580 El Greco (Domenikos Theotokópoulos) 1541- 1614, 17th, century, Spain, Spanish, Greek, Greece. Stock Photo

RM2E2C0DT–Portrait of a Man of the House of Leiva 1580 El Greco (Domenikos Theotokópoulos) 1541- 1614, 17th, century, Spain, Spanish, Greek, Greece.

Late 17th century XVII French Officer and Nobleman Stock Photo

RFDJ8KR3–Late 17th century XVII French Officer and Nobleman

TIMELINE OF FRENCH FASHION CLOTHING FROM 1618 TO 1799 17th & 18TH CENTURY COSTUME Stock Photo

RMF14GJW–TIMELINE OF FRENCH FASHION CLOTHING FROM 1618 TO 1799 17th & 18TH CENTURY COSTUME

Traditional fashion in 17th century, Europe, Mode im 17. Jahrhundert Stock Photo

RMECW1DD–Traditional fashion in 17th century, Europe, Mode im 17. Jahrhundert

Matamore captain, hired killer, Spanish type, 17th century (1882-1884). Artist: Unknown Stock Photo

RMW7DXA4–Matamore captain, hired killer, Spanish type, 17th century (1882-1884). Artist: Unknown

line drawing of Cromwellian fashion from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photo

RF2MFD4T4–line drawing of Cromwellian fashion from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black

Costume worn by the nobility and gentry,during the brief reign of King James II1685-1688 following the death of his father King Charles II. Stock Photo

RMR943YJ–Costume worn by the nobility and gentry,during the brief reign of King James II1685-1688 following the death of his father King Charles II.

A game of tennis, 1659. Real tennis is the original racquet sport from which the modern game of tennis is derived. It is also known as court tennis in the United States, formerly royal tennis in England and Australia and courte-paume in France. The game thrived among the 17th century nobility of France, Spain, Italy, the Netherlands, and the Habsburg Empire. Stock Photo

RMW60BRJ–A game of tennis, 1659. Real tennis is the original racquet sport from which the modern game of tennis is derived. It is also known as court tennis in the United States, formerly royal tennis in England and Australia and courte-paume in France. The game thrived among the 17th century nobility of France, Spain, Italy, the Netherlands, and the Habsburg Empire.

Painting of King Charles II dressed in garter robes when he was the ruling monarch of England, Scotland and Ireland. Stock Photo

RF2G27KCN–Painting of King Charles II dressed in garter robes when he was the ruling monarch of England, Scotland and Ireland.

. English: Dudley, Third Baron North (1581-1666) Painting: Oil painted portraits of noble or wealthy men and women became increasingly common in the 17th century. Important as it was to dress magnificently, it was also essential to be portrayed in one's finery. The portraits nearly always show the sitters splendidly dressed in the height of expensive fashion, in order to emphasise their status. Subject: Dudley North (1581-1666) was one of the principal courtiers of James I. His family was linked by marriage with the Dudley family that had been so powerful at the Tudor court. Robert Dudley, Ea Stock Photo

RMMMX5WW–. English: Dudley, Third Baron North (1581-1666) Painting: Oil painted portraits of noble or wealthy men and women became increasingly common in the 17th century. Important as it was to dress magnificently, it was also essential to be portrayed in one's finery. The portraits nearly always show the sitters splendidly dressed in the height of expensive fashion, in order to emphasise their status. Subject: Dudley North (1581-1666) was one of the principal courtiers of James I. His family was linked by marriage with the Dudley family that had been so powerful at the Tudor court. Robert Dudley, Ea

RM2PYX602–French noblewoman in contemporary dress, last third of the 17th century. [automated translation]

Men in mid-17th century costume. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithograph by CB and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German curator, archaeologist, art historian, illustrator and etcher. Stock Photo

RM2A7HGYE–Men in mid-17th century costume. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithograph by CB and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German curator, archaeologist, art historian, illustrator and etcher.

German costumes, men and ladies wear late XVII century Stock Photo

RFH3J0BT–German costumes, men and ladies wear late XVII century

fashion, 17th century, clothes from the time of king Charles II, England, second half 17th century, wood engraving, 19th century, 17th century, 19th century, graphic, graphics, clothes, outfit, outfits, men's fashion, headpiece, headpieces, hat, hats, beard, beards, cape, capes, coat, coats, knee breeches, harem pants, full length, standing, ladies' fashion, bonnet, bonnets, dress, dresses, fashion for women, women's clothing, time, times, king, kings, historic, historical, woman, women, female, man, men, male, people, Additional-Rights-Clearences-Not Available Stock Photo

RMDE15GE–fashion, 17th century, clothes from the time of king Charles II, England, second half 17th century, wood engraving, 19th century, 17th century, 19th century, graphic, graphics, clothes, outfit, outfits, men's fashion, headpiece, headpieces, hat, hats, beard, beards, cape, capes, coat, coats, knee breeches, harem pants, full length, standing, ladies' fashion, bonnet, bonnets, dress, dresses, fashion for women, women's clothing, time, times, king, kings, historic, historical, woman, women, female, man, men, male, people, Additional-Rights-Clearences-Not Available

RMPAKNRC–Gaming purse. Culture: French. Date: late 17th century. A new level of card game mania swept Europe during the 17th century. Gambling with cards or 'gaming' was a favored pastime for both men and women of all ages and classes. Several examples of luxury gaming purses in the Brooklyn Museum collection reflect the fashion for a specific type of bag in which to hold one's coins or counters won in games like 'Put' or 'La Bête.' Made of velvet or brocade, the bags are often heavily embroidered with silver and gold metallic threads. This example has a band of embroidered fleur-de-lis motifs, indica

RMG16B3T–A 17th-century engraving of an extremely patched face. In the 1600s, it was in vogue for both women and men to paste black patches on their faces. Here the patches are in the shape of stars and moons and a carriage with horses. At first, the patches may h

17th century medicine in Britain - a 1630 illustration showing rich and poor alike fleeing from outbreaks of the plague, walking,riding and by coach. Skeletons are around them signifying the disease and one pulls the bell ringer on a mansion or castle gate (right), whilst a woman lies dead on the road (left). In the centre a skelton holds sands of time . Stock Photo

RMWTD3A9–17th century medicine in Britain - a 1630 illustration showing rich and poor alike fleeing from outbreaks of the plague, walking,riding and by coach. Skeletons are around them signifying the disease and one pulls the bell ringer on a mansion or castle gate (right), whilst a woman lies dead on the road (left). In the centre a skelton holds sands of time .

Fashion of mid 17th Century England. William Villiers, Viscount of Grandison, Roylist Soldier, Nobleman 1649 Stock Photo

RMPG67BC–Fashion of mid 17th Century England. William Villiers, Viscount of Grandison, Roylist Soldier, Nobleman 1649

Two French Cavaliers, Last Third of 17th Century, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880 Stock Photo

RM2J22CCF–Two French Cavaliers, Last Third of 17th Century, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880

Portrait of Francesco I d' Este, Italian, Italy, is a 1638-1639 oil on canvas, Diego Velázquez, (1599–1660),17th century ,Spain, Spanish, Stock Photo

RM2KFAPA6–Portrait of Francesco I d' Este, Italian, Italy, is a 1638-1639 oil on canvas, Diego Velázquez, (1599–1660),17th century ,Spain, Spanish,

Historians define English coffeehouses as public social houses during the 17th and 18th centuries, in which patrons would assemble for conversation and social interaction, while taking part in the newly emerging coffee consumption habits of the time. Travellers introduced coffee as a beverage to England during the mid-17th century. For the price of a penny, customers purchased a cup of coffee and admission to a coffeehouse, where men engaged in conversation. Topics discussed within the coffeehouses included politics and political scandals, daily gossip, fashion, current events, and debates su Stock Photo

RM2B020E5–Historians define English coffeehouses as public social houses during the 17th and 18th centuries, in which patrons would assemble for conversation and social interaction, while taking part in the newly emerging coffee consumption habits of the time. Travellers introduced coffee as a beverage to England during the mid-17th century. For the price of a penny, customers purchased a cup of coffee and admission to a coffeehouse, where men engaged in conversation. Topics discussed within the coffeehouses included politics and political scandals, daily gossip, fashion, current events, and debates su

German Musketeer and Pikeman 17th century Stock Photo

RFDJ6TM5–German Musketeer and Pikeman 17th century

Traditional fashion in 17th century, Lorraine, Europe, Mode aus Lothringen im 17. Jahrhundert Stock Photo

RMECTTRF–Traditional fashion in 17th century, Lorraine, Europe, Mode aus Lothringen im 17. Jahrhundert

Group of portraits, late 17th - early 18th century (1906). Artist: Unknown Stock Photo

RMW7DRXC–Group of portraits, late 17th - early 18th century (1906). Artist: Unknown

Fashion in the Middle Ages: collar and hat, about 1630, historical illustration Stock Photo

RFEH0TE1–Fashion in the Middle Ages: collar and hat, about 1630, historical illustration

PURITAN CHURCH DRUMMER. /nIn the absence of church bells, a drummer in 17th century New England summons Puritans to service. Wood engraving, 19th century. Stock Photo

RMFFA10T–PURITAN CHURCH DRUMMER. /nIn the absence of church bells, a drummer in 17th century New England summons Puritans to service. Wood engraving, 19th century.

A portrait of the chief conspirators in the Gunpowder Plot, 1605, including Guy Fawkes (1570-1606) and Robert Catesby (c1572-1605). By Simon Van der Passe (c1595-1647). The Gunpowder Plot was a failed assassination attempt against King James I of England and VI of Scotland by a group of provincial English Catholics. Stock Photo

RMTAACGW–A portrait of the chief conspirators in the Gunpowder Plot, 1605, including Guy Fawkes (1570-1606) and Robert Catesby (c1572-1605). By Simon Van der Passe (c1595-1647). The Gunpowder Plot was a failed assassination attempt against King James I of England and VI of Scotland by a group of provincial English Catholics.

'The Merry Company', 17th century. Artist: Dirck Hals Stock Photo

RMDE2G60–'The Merry Company', 17th century. Artist: Dirck Hals

Polo at The Hurlingham Club , London - 17th Lancers versus Hurricanes 1926 Stock Photo

RM2BWBE4B–Polo at The Hurlingham Club , London - 17th Lancers versus Hurricanes 1926

RM2PYX5XK–French noblewoman in contemporary dress, last third of the 17th century. [automated translation]

Silk embroidery from 550-650AD with figures of men wrestling lions and ornamental designs. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1879. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo

RM2A7CAH6–Silk embroidery from 550-650AD with figures of men wrestling lions and ornamental designs. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1879. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Nuremberg, year 1644, fashioned bridegroom in the company of noble friends going to marry Stock Photo

RFH6GKNE–Nuremberg, year 1644, fashioned bridegroom in the company of noble friends going to marry

fashion, 17th century, couple in mourning clothes at the occasion of the funeral of Prince-Elector Frederick William of Brandenburg, May 1688, Artist's Copyright has not to be cleared Stock Photo

RMFGRMPR–fashion, 17th century, couple in mourning clothes at the occasion of the funeral of Prince-Elector Frederick William of Brandenburg, May 1688, Artist's Copyright has not to be cleared

RMP5DBWC–Men in mid-17th century costume. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithograph by CB and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German curator, archaeologist, art historian, illustrator and etcher.

Entitled: 'Costumes French men and women 1690's.' Fashion is a distinctive and often habitual trend in the style in which a person dresses. It is the prevailing styles in behavior and the newest creations of textile designers. Prior to the mid-19th centur Stock Photo

RMG16E73–Entitled: 'Costumes French men and women 1690's.' Fashion is a distinctive and often habitual trend in the style in which a person dresses. It is the prevailing styles in behavior and the newest creations of textile designers. Prior to the mid-19th centur

An old engraving of clothing worn in Tudor/Elizabethan times in England. The style of dress dates from latter part of the 16th and early 17th centuries during the reign of Elizabeth I (1558–1603). More variety crept into taste and fashions of the era. Women’s clothes featured long dresses and robes often embroidered with jewels. Neck ruffs were popular. For men doublet and hose were worn, with breeches of various lengths below a tapered/narrow waist or cod-piece. Short cloaks worn over this. These would have been worn by those in society with money, landed gentry and the nobility at court. Stock Photo

RM2R1DG7H–An old engraving of clothing worn in Tudor/Elizabethan times in England. The style of dress dates from latter part of the 16th and early 17th centuries during the reign of Elizabeth I (1558–1603). More variety crept into taste and fashions of the era. Women’s clothes featured long dresses and robes often embroidered with jewels. Neck ruffs were popular. For men doublet and hose were worn, with breeches of various lengths below a tapered/narrow waist or cod-piece. Short cloaks worn over this. These would have been worn by those in society with money, landed gentry and the nobility at court.

Traditional costumes of Germany in the 17th Century. Noblemen Stock Photo

RME0DN46–Traditional costumes of Germany in the 17th Century. Noblemen

Boyarina, Boyars, members of the Aristocracy, Russia, 17th and 18th Centuries, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880 Stock Photo

RM2JCMG90–Boyarina, Boyars, members of the Aristocracy, Russia, 17th and 18th Centuries, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880

Fashion in the Middle Ages: collar and headdress, 1620, historical illustration Stock Photo

RMRD6MGA–Fashion in the Middle Ages: collar and headdress, 1620, historical illustration

RM2B020E4–Historians define English coffeehouses as public social houses during the 17th and 18th centuries, in which patrons would assemble for conversation and social interaction, while taking part in the newly emerging coffee consumption habits of the time. Travellers introduced coffee as a beverage to England during the mid-17th century. For the price of a penny, customers purchased a cup of coffee and admission to a coffeehouse, where men engaged in conversation. Topics discussed within the coffeehouses included politics and political scandals, daily gossip, fashion, current events, and debates su

17th century XVII German soldiers Stock Photo

RFDJ8KWP–17th century XVII German soldiers

Persian costumes, 17th century Stock Photo

RMGHEN3J–Persian costumes, 17th century

Group of royal portraits, late 17th - early 18th century (1906). Artist: Unknown Stock Photo

RMW7DRPC–Group of royal portraits, late 17th - early 18th century (1906). Artist: Unknown

RFEH0TDW–Fashion in the Middle Ages: collar and headdress, 1620, historical illustration

RM2JFBTY5–Lloyd’s Subscription Room, London, 1809. Lloyd's began in Edward Lloyd's coffee house in Tower Street in the City of London during the 17th century. Lloyd himself was not involved in insurance but provided premises, reliable shipping news and a variety of services to enable his clientele of ships' captains, merchants and rich men to carry on their business of insuring ships and their cargoes. These wealthy individuals would each take a share of a risk, signing their names one beneath the other on the policy together, with the amount they agreed to cover. For this reason they were known as 'und

Queen Elizabeth I Hawking, 1575. Elizabeth I (1533-1603) hawking. Woodcut from Turbervile's Booke of Faulconrie or Hauking by George Turberville (c1540-c1597), 1575. Stock Photo

RMW60A9J–Queen Elizabeth I Hawking, 1575. Elizabeth I (1533-1603) hawking. Woodcut from Turbervile's Booke of Faulconrie or Hauking by George Turberville (c1540-c1597), 1575.

'Musical Evening', early 17th century. Artist: Master of Haarlem Stock Photo

RMDE2G5K–'Musical Evening', early 17th century. Artist: Master of Haarlem

Several hundred gorgeous costumes of the 17th, 18th and 19th centuries formed one of the most unusual collections ever to be seen in London. The collection, through which British sartorial history can be traced, decade by decade, was made entirely by one man and is now to be sold as a New Bond Street (London) auction rooms. Photo shows, trying on a coat of blue grey corded silk with embroidered sprays of flowers, and a waistcoat of cream worded silk, designed with trellis work, one of the many elaborate costumes in the collection, dating from 1770. 18 November 1937 Stock Photo

RM2BW29C1–Several hundred gorgeous costumes of the 17th, 18th and 19th centuries formed one of the most unusual collections ever to be seen in London. The collection, through which British sartorial history can be traced, decade by decade, was made entirely by one man and is now to be sold as a New Bond Street (London) auction rooms. Photo shows, trying on a coat of blue grey corded silk with embroidered sprays of flowers, and a waistcoat of cream worded silk, designed with trellis work, one of the many elaborate costumes in the collection, dating from 1770. 18 November 1937

RM2PYX5XJ–French noblewoman in contemporary dress, last third of the 17th century. [automated translation]

Three young men from family registers of the 17th century, with their coats of arms on ensigns. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by CB, and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German curator, archaeologist, art historian, illustrator and etcher. Stock Photo

RM2A7HGR9–Three young men from family registers of the 17th century, with their coats of arms on ensigns. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by CB, and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German curator, archaeologist, art historian, illustrator and etcher.

Nuremberg, year 1644, fashioned bride in the company of noble friends going to marry Stock Photo

RFH6GKNG–Nuremberg, year 1644, fashioned bride in the company of noble friends going to marry

fashion,17th century,court dress,drawing by Hermann Grobet,early 20th century,17th century,20th century,graphic,graphics,clothes,outfit,outfits,aristocracy,aristocracies,court,courts,ladies' fashion,dress,dresses,court dress,court dresses,decollete,low-necked,low-cut,plunging neckline,low neckline,pannier,panniers,side hoops,hoop skirt,hoopskirt,hooped skirt,hoop skirts,hoopskirts,hooped skirts,periwig,periwigs,wigs,full-bottomed wig,steps,dog,dogs,welcome,welcoming,greeting,greet,half length,standing,fashion for ,Additional-Rights-Clearences-Not Available Stock Photo

RMDE15JR–fashion,17th century,court dress,drawing by Hermann Grobet,early 20th century,17th century,20th century,graphic,graphics,clothes,outfit,outfits,aristocracy,aristocracies,court,courts,ladies' fashion,dress,dresses,court dress,court dresses,decollete,low-necked,low-cut,plunging neckline,low neckline,pannier,panniers,side hoops,hoop skirt,hoopskirt,hooped skirt,hoop skirts,hoopskirts,hooped skirts,periwig,periwigs,wigs,full-bottomed wig,steps,dog,dogs,welcome,welcoming,greeting,greet,half length,standing,fashion for ,Additional-Rights-Clearences-Not Available

RMP6EEPT–Silk embroidery from 550-650AD with figures of men wrestling lions and ornamental designs. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1879. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

1600s 17th CENTURY PAINTING JESUS DESCENT FROM THE CROSS BY PETER PAUL RUBENS - a3779 HAR001 HARS 1600s MALES 33 AD/CE B&W BLACK AND WHITE CRUCIFIED DESCENT JESUS CHRIST NEW TESTAMENT OLD FASHIONED PERSONS RUBENS Stock Photo

RMM655E0–1600s 17th CENTURY PAINTING JESUS DESCENT FROM THE CROSS BY PETER PAUL RUBENS - a3779 HAR001 HARS 1600s MALES 33 AD/CE B&W BLACK AND WHITE CRUCIFIED DESCENT JESUS CHRIST NEW TESTAMENT OLD FASHIONED PERSONS RUBENS

An old engraving of clothing worn by men in Tudor/Elizabethan times in England. The style of dress dates from latter part of the 16th and early 17th centuries during the reign of Elizabeth I (1558–1603). More variety crept into taste and fashions of the era. For men the doublet and hose were in vogue, with breeches of various lengths below a tapered and narrow waist or cod-piece. Short cloaks worn over the top. Ruffs again featured. Hats with brims and a loose, informal style became popular. Hair length varied and beards and moustaches were fashionable. Stock Photo

RM2R1DG7M–An old engraving of clothing worn by men in Tudor/Elizabethan times in England. The style of dress dates from latter part of the 16th and early 17th centuries during the reign of Elizabeth I (1558–1603). More variety crept into taste and fashions of the era. For men the doublet and hose were in vogue, with breeches of various lengths below a tapered and narrow waist or cod-piece. Short cloaks worn over the top. Ruffs again featured. Hats with brims and a loose, informal style became popular. Hair length varied and beards and moustaches were fashionable.

Fashion of mid 17th Century England. Marquis of Hamilton, Citizen, Duchess of Richmond Stock Photo

RMPG67BF–Fashion of mid 17th Century England. Marquis of Hamilton, Citizen, Duchess of Richmond

17th century men fashion Stock Photos and Images

17th century men fashion Stock Photos and Images

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