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1800s printers Stock Photos and Images
technics, typography, typesetter hall of a printer's workshop, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/technics-typography-typesetter-hall-of-a-printers-workshop-additional-rights-clearance-info-not-available-image431213651.htmlRM2G1FDBF–technics, typography, typesetter hall of a printer's workshop, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
Dante and Virgil conveyed by the Monster Geryon, Giovanni Battista Romero, Ca. 1770-1800s, No later than 1814, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (paper size) 335 mm, Width (paper size) 265 mm, Graphic Design, European Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dante-and-virgil-conveyed-by-the-monster-geryon-giovanni-battista-romero-ca-1770-1800s-no-later-than-1814-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-paper-size-335-mm-width-paper-size-265-mm-graphic-design-european-image573193460.htmlRM2T8F630–Dante and Virgil conveyed by the Monster Geryon, Giovanni Battista Romero, Ca. 1770-1800s, No later than 1814, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (paper size) 335 mm, Width (paper size) 265 mm, Graphic Design, European
Printers engraving the Chinese classics, China 1800s. Hand-colored halftone of an illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-printers-engraving-the-chinese-classics-china-1800s-hand-colored-halftone-21038666.htmlRMB66B0X–Printers engraving the Chinese classics, China 1800s. Hand-colored halftone of an illustration
Trades of China, Qing dynasty, 1800s. Scribe writing with a brush at a desk 1, printers workshop 2, banker/money clipper 3, bookseller 4, embroiderer 5, and woman stocking maker 6. Copied from illustrations by Antoine Cardon in Jean Baptiste Joseph Breton's La Chine en miniature, 1811. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1815. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trades-of-china-qing-dynasty-1800s-scribe-writing-with-a-brush-at-a-desk-1-printers-workshop-2-bankermoney-clipper-3-bookseller-4-embroiderer-5-and-woman-stocking-maker-6-copied-from-illustrations-by-antoine-cardon-in-jean-baptiste-joseph-bretons-la-chine-en-miniature-1811-handcoloured-copperplate-engraving-from-carl-bertuchs-bilderbuch-fur-kinder-picture-book-for-children-weimar-1815-image571911275.htmlRM2T6CPJK–Trades of China, Qing dynasty, 1800s. Scribe writing with a brush at a desk 1, printers workshop 2, banker/money clipper 3, bookseller 4, embroiderer 5, and woman stocking maker 6. Copied from illustrations by Antoine Cardon in Jean Baptiste Joseph Breton's La Chine en miniature, 1811. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1815.
Trades of China, Qing dynasty, 1800s. Scribe writing with a brush at a desk 1, printer’s workshop 2, banker/money clipper 3, bookseller 4, embroiderer 5, and woman stocking maker 6. Copied from illustrations by Antoine Cardon in Jean Baptiste Joseph Breton's La Chine en miniature, 1811. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1815. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trades-of-china-qing-dynasty-1800s-scribe-writing-with-a-brush-at-a-desk-1-printers-workshop-2-bankermoney-clipper-3-bookseller-4-embroiderer-5-and-woman-stocking-maker-6-copied-from-illustrations-by-antoine-cardon-in-jean-baptiste-joseph-bretons-la-chine-en-miniature-1811-handcoloured-copperplate-engraving-from-carl-bertuchs-bilderbuch-fur-kinder-picture-book-for-children-weimar-1815-image563314667.htmlRM2RMD5GY–Trades of China, Qing dynasty, 1800s. Scribe writing with a brush at a desk 1, printer’s workshop 2, banker/money clipper 3, bookseller 4, embroiderer 5, and woman stocking maker 6. Copied from illustrations by Antoine Cardon in Jean Baptiste Joseph Breton's La Chine en miniature, 1811. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1815.
A 19th century European print shop. After a late 19th century work. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-19th-century-european-print-shop-after-a-late-19th-century-work-image330497138.htmlRM2A5KCD6–A 19th century European print shop. After a late 19th century work.
Queen Victoria, Diamond Jubilee, 1897 advert for Mander Brothers Printing Ink celebrating the Record Reign Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/queen-victoria-diamond-jubilee-1897-advert-for-mander-brothers-printing-image8421381.htmlRMAJH4G6–Queen Victoria, Diamond Jubilee, 1897 advert for Mander Brothers Printing Ink celebrating the Record Reign
Print shop at the Luostarinmäki Handicrafts Museum, an area of 200 year old wooden buildings which survived the fire of 1827, Turku, Finland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shop-at-the-luostarinmki-handicrafts-museum-an-area-of-200-year-old-wooden-buildings-which-survived-the-fire-of-1827-turku-finland-image228589096.htmlRMR7W3M8–Print shop at the Luostarinmäki Handicrafts Museum, an area of 200 year old wooden buildings which survived the fire of 1827, Turku, Finland
Engraving of workers using the power press at a printing company to print books. From The Harper Establishment, by Jacob Abbott, 1855. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-engraving-of-workers-using-the-power-press-at-a-printing-company-to-169930612.htmlRFKTD06C–Engraving of workers using the power press at a printing company to print books. From The Harper Establishment, by Jacob Abbott, 1855.
Print shows an allegorical scene with men working in a printer's shop at presses and setting type beneath a large circle with angels holding a cornucopia over a globe, they are encircled by stars and images of inventions, at the base is '1840'; at the top of the print, between portraits of 'Johannes Guttenberg' and 'Peter Schoeffer', is the date '1440'; at the bottom of the print is a man writing in a large book. Background vignettes show a steamboat and a steam locomotive. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-an-allegorical-scene-with-men-working-in-a-printers-shop-at-presses-and-setting-type-beneath-a-large-circle-with-angels-holding-a-cornucopia-over-a-globe-they-are-encircled-by-stars-and-images-of-inventions-at-the-base-is-1840-at-the-top-of-the-print-between-portraits-of-johannes-guttenberg-and-peter-schoeffer-is-the-date-1440-at-the-bottom-of-the-print-is-a-man-writing-in-a-large-book-background-vignettes-show-a-steamboat-and-a-steam-locomotive-image235129705.htmlRMRJF29D–Print shows an allegorical scene with men working in a printer's shop at presses and setting type beneath a large circle with angels holding a cornucopia over a globe, they are encircled by stars and images of inventions, at the base is '1840'; at the top of the print, between portraits of 'Johannes Guttenberg' and 'Peter Schoeffer', is the date '1440'; at the bottom of the print is a man writing in a large book. Background vignettes show a steamboat and a steam locomotive.
Letterpress Type in traditional printers type drawers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/letterpress-type-in-traditional-printers-type-drawers-image247480089.htmlRMTAHKAH–Letterpress Type in traditional printers type drawers
Traditional late 1800's storefront at the entrance to Printer's Alley, in the Downtown Section of Nashville, TN. Entertainment Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-traditional-late-1800s-storefront-at-the-entrance-to-printers-alley-93707190.htmlRMFCCMDA–Traditional late 1800's storefront at the entrance to Printer's Alley, in the Downtown Section of Nashville, TN. Entertainment
19th century typesetter and printers working with Stanhope cast iron printing press in print shop / pressroom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/19th-century-typesetter-and-printers-working-with-stanhope-cast-iron-printing-press-in-print-shop-pressroom-image393393247.htmlRM2DT0H2R–19th century typesetter and printers working with Stanhope cast iron printing press in print shop / pressroom
Inside a very old traditional print shop with various letters in cases. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inside-a-very-old-traditional-print-shop-with-various-letters-in-cases-image488108821.htmlRM2KA37NW–Inside a very old traditional print shop with various letters in cases.
Bibliographical Press - View to an Albion hand press, built in England in the 1800s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bibliographical-press-view-to-an-albion-hand-press-built-in-england-in-the-1800s-image331237902.htmlRM2A6W592–Bibliographical Press - View to an Albion hand press, built in England in the 1800s.
Poster advertising a lecture by suffragist Susan B Anthony titled, 'Woman wants Bread not the Ballot' printed in Boston Massachusetts, by Stewart and Cabie, Practical Printers, for the American market, 1876. Photography by Emilia van Beugen. () Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/poster-advertising-a-lecture-by-suffragist-susan-b-anthony-titled-woman-wants-bread-not-the-ballot-printed-in-boston-massachusetts-by-stewart-and-cabie-practical-printers-for-the-american-market-1876-photography-by-emilia-van-beugen-image415878419.htmlRM2F4GW4K–Poster advertising a lecture by suffragist Susan B Anthony titled, 'Woman wants Bread not the Ballot' printed in Boston Massachusetts, by Stewart and Cabie, Practical Printers, for the American market, 1876. Photography by Emilia van Beugen. ()
A type foundry preparing metal type for use in a letterpress for printing books. On the left molten metal is being prepared to be poured into a mold to cast a glymph, on the right glymphs are sorted. See more information below. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-type-foundry-preparing-metal-type-for-use-in-a-letterpress-for-printing-books-on-the-left-molten-metal-is-being-prepared-to-be-poured-into-a-mold-to-cast-a-glymph-on-the-right-glymphs-are-sorted-see-more-information-below-image241118625.htmlRMT07W7D–A type foundry preparing metal type for use in a letterpress for printing books. On the left molten metal is being prepared to be poured into a mold to cast a glymph, on the right glymphs are sorted. See more information below.
A Victorian wash drawing of a British compositor setting type by hand in a newspaper composing room. Individual sorts (letters) are picked from a type case and arranged into a composing stick before being made into lines and then placed on a form (page layout). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-victorian-wash-drawing-of-a-british-compositor-setting-type-by-hand-in-a-newspaper-composing-room-individual-sorts-letters-are-picked-from-a-type-case-and-arranged-into-a-composing-stick-before-being-made-into-lines-and-then-placed-on-a-form-page-layout-image332941395.htmlRM2A9JP43–A Victorian wash drawing of a British compositor setting type by hand in a newspaper composing room. Individual sorts (letters) are picked from a type case and arranged into a composing stick before being made into lines and then placed on a form (page layout).
A young girl, doll and two dogs, England. A Trade Card by Riddle and Couchman entitled 'Good Morning' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-young-girl-doll-and-two-dogs-england-a-trade-card-by-riddle-and-149263520.htmlRMJJRF40–A young girl, doll and two dogs, England. A Trade Card by Riddle and Couchman entitled 'Good Morning'
An 1889 billhead for Alfred Porter, proprietor of the now defunct Whitby Times newspaper and printing office at 53 Baxtergate, Whitby, North Yorkshire, England. It carries the signature of Alfred Porter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-1889-billhead-for-alfred-porter-proprietor-of-the-now-defunct-whitby-times-newspaper-and-printing-office-at-53-baxtergate-whitby-north-yorkshire-england-it-carries-the-signature-of-alfred-porter-image462723125.htmlRM2HTPT1W–An 1889 billhead for Alfred Porter, proprietor of the now defunct Whitby Times newspaper and printing office at 53 Baxtergate, Whitby, North Yorkshire, England. It carries the signature of Alfred Porter
Paintings found in Pompeja, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, 1, 2, Pl. VI, Peintures trouvés à Pompeja, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paintings-found-in-pompeja-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-1-2-pl-vi-peintures-trouvs-pompeja-graphic-design-european-modernity-1800-1914-image573195591.htmlRM2T8F8R3–Paintings found in Pompeja, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, 1, 2, Pl. VI, Peintures trouvés à Pompeja, Graphic Design, European, Modernity (1800 - 1914
Typesetters and printers at work in a print shop 1800s. Hand-colored halftone of an A.B. Frost illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-typesetters-and-printers-at-work-in-a-print-shop-1800s-hand-colored-16970683.htmlRMAY2EJM–Typesetters and printers at work in a print shop 1800s. Hand-colored halftone of an A.B. Frost illustration
Christmas Nativity scene From Godey's Lady's Book and Magazine, January 1864, Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christmas-nativity-scene-from-godeys-ladys-book-and-magazine-january-1864-philadelphia-louis-a-godey-sarah-josepha-hale-image395481029.htmlRF2DYBM2D–Christmas Nativity scene From Godey's Lady's Book and Magazine, January 1864, Philadelphia, Louis A. Godey, Sarah Josepha Hale,
hand drawn advertisement for S M Bryde & Co, wallpaper manufacturers of Leeds from 1890s The Studio an Illustrated Magazine of Fine and Applied Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hand-drawn-advertisement-for-s-m-bryde-co-wallpaper-manufacturers-of-leeds-from-1890s-the-studio-an-illustrated-magazine-of-fine-and-applied-art-image385791690.htmlRF2DBJ96J–hand drawn advertisement for S M Bryde & Co, wallpaper manufacturers of Leeds from 1890s The Studio an Illustrated Magazine of Fine and Applied Art
R. Hoe & Co.s sextuple stereotype perfecting printing press with folders, vintage illustration from 1894 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/r-hoe-cos-sextuple-stereotype-perfecting-printing-press-with-folders-vintage-illustration-from-1894-image396742981.htmlRM2E1D5M5–R. Hoe & Co.s sextuple stereotype perfecting printing press with folders, vintage illustration from 1894
Printing press Upper Canada Village Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-printing-press-upper-canada-village-39976984.htmlRMC9131C–Printing press Upper Canada Village
Print shows an allegorical scene with men working in a printer's shop at presses and setting type beneath a large circle with angels holding a cornucopia over a globe, they are encircled by stars and images of inventions, at the base is '1840'; at the top of the print, between portraits of 'Johannes Guttenberg' and 'Peter Schoeffer', is the date '1440'; at the bottom of the print is a man writing in a large book. Background vignettes show a steamboat and a steam locomotive. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-an-allegorical-scene-with-men-working-in-a-printers-shop-at-presses-and-setting-type-beneath-a-large-circle-with-angels-holding-a-cornucopia-over-a-globe-they-are-encircled-by-stars-and-images-of-inventions-at-the-base-is-1840-at-the-top-of-the-print-between-portraits-of-johannes-guttenberg-and-peter-schoeffer-is-the-date-1440-at-the-bottom-of-the-print-is-a-man-writing-in-a-large-book-background-vignettes-show-a-steamboat-and-a-steam-locomotive-image261853875.htmlRMW60D83–Print shows an allegorical scene with men working in a printer's shop at presses and setting type beneath a large circle with angels holding a cornucopia over a globe, they are encircled by stars and images of inventions, at the base is '1840'; at the top of the print, between portraits of 'Johannes Guttenberg' and 'Peter Schoeffer', is the date '1440'; at the bottom of the print is a man writing in a large book. Background vignettes show a steamboat and a steam locomotive.
Letterpress Type in traditional printers type drawers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/letterpress-type-in-traditional-printers-type-drawers-image247480095.htmlRMTAHKAR–Letterpress Type in traditional printers type drawers
2 Antique compositors sticks used in the letterpress printing industry Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/2-antique-compositors-sticks-used-in-the-letterpress-printing-industry-image335599175.htmlRM2ADYT4R–2 Antique compositors sticks used in the letterpress printing industry
Shelves with reams of paper in an old fashioned printshop. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shelves-with-reams-of-paper-in-an-old-fashioned-printshop-image488108994.htmlRM2KA3802–Shelves with reams of paper in an old fashioned printshop.
Printing work bench Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/printing-work-bench-image331363305.htmlRM2A72W7N–Printing work bench
Letterpress type Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/letterpress-type-image327645749.htmlRM2A11FDW–Letterpress type
Pseudo garden Triclinium House of Acteon, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Pseudo jardin Triclinium Maison d' Acteon, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pseudo-garden-triclinium-house-of-acteon-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-pseudo-jardin-triclinium-maison-d-acteon-graphic-design-european-modernity-1800-1914-image573195574.htmlRM2T8F8PE–Pseudo garden Triclinium House of Acteon, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Pseudo jardin Triclinium Maison d' Acteon, Graphic Design, European, Modernity (1800 - 1914
Chinese printers inking blocks to reprint Chinese classics; paper is rubbed on top of the inked block 1800s. Hand-colored halftone of an illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chinese-printers-inking-blocks-to-reprint-chinese-classics-paper-is-image3755975.htmlRMA69KC8–Chinese printers inking blocks to reprint Chinese classics; paper is rubbed on top of the inked block 1800s. Hand-colored halftone of an illustration
Print shows two fashionably dress young women posing before a large sun for an advertisement for poster printer Sam W. Hoke, who consistently uses the '$' dollar sign symbol to replace the 'S' in his first name. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-two-fashionably-dress-young-women-posing-before-a-large-sun-for-an-advertisement-for-poster-printer-sam-w-hoke-who-consistently-uses-the-dollar-sign-symbol-to-replace-the-s-in-his-first-name-image234688045.htmlRMRHPXYW–Print shows two fashionably dress young women posing before a large sun for an advertisement for poster printer Sam W. Hoke, who consistently uses the '$' dollar sign symbol to replace the 'S' in his first name.
Print shows two fashionably dress young women posing before a large sun for an advertisement for poster printer Sam W. Hoke, who consistently uses the '$' dollar sign symbol to replace the 'S' in his first name. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-two-fashionably-dress-young-women-posing-before-a-large-sun-for-an-advertisement-for-poster-printer-sam-w-hoke-who-consistently-uses-the-dollar-sign-symbol-to-replace-the-s-in-his-first-name-image387337694.htmlRM2DE4N52–Print shows two fashionably dress young women posing before a large sun for an advertisement for poster printer Sam W. Hoke, who consistently uses the '$' dollar sign symbol to replace the 'S' in his first name.
Advertisements hanging up to dry in an old fashioned print shop Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/advertisements-hanging-up-to-dry-in-an-old-fashioned-print-shop-image488108925.htmlRM2KA37WH–Advertisements hanging up to dry in an old fashioned print shop
The valley of the Shenandoah ca 1864 Frances Palmer for Currier & Ives Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-valley-of-the-shenandoah-ca-1864-frances-palmer-for-currier-ives-image188966233.htmlRMMYC4A1–The valley of the Shenandoah ca 1864 Frances Palmer for Currier & Ives
Currier & Ives Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/currier-ives-print-image188980160.htmlRMMYCP3C–Currier & Ives Print
Letterpress type Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/letterpress-type-image327645806.htmlRM2A11FFX–Letterpress type
A cotton plantation on the Mississippi c 1884 lithograph from Currier & Ives Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-cotton-plantation-on-the-mississippi-c-1884-lithograph-from-currier-ives-image188933395.htmlRMMYAJD7–A cotton plantation on the Mississippi c 1884 lithograph from Currier & Ives
The Temple of Hercules in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Temple d'Hercule à Pompeja, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-temple-of-hercules-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-temple-dhercule-pompeja-graphic-design-european-modernity-1800-1914-image573195573.htmlRM2T8F8PD–The Temple of Hercules in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Temple d'Hercule à Pompeja, Graphic Design, European, Modernity (1800 - 1914
C. 1860 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/c-1860-image188706738.htmlRMMY09AA–C. 1860
c 1884 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/c-1884-image188705948.htmlRMMY08A4–c 1884
c 1860 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/c-1860-image188706799.htmlRMMY09CF–c 1860
Major Gen. Benj. F. Butler of Massachusetts c 1856-1907 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/major-gen-benj-f-butler-of-massachusetts-c-1856-1907-image188706609.htmlRMMY095N–Major Gen. Benj. F. Butler of Massachusetts c 1856-1907
400 Year Anniversary - Christopher Columbus Discoverer of America 1492 c 1892 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/400-year-anniversary-christopher-columbus-discoverer-of-america-1492-c-1892-image188705736.htmlRMMY082G–400 Year Anniversary - Christopher Columbus Discoverer of America 1492 c 1892
General Grant in his library, writing his memoirs, 1885 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/general-grant-in-his-library-writing-his-memoirs-1885-image188784278.htmlRMMY3T7J–General Grant in his library, writing his memoirs, 1885
Shelves with reams of paper in an old fashioned printshop. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shelves-with-reams-of-paper-in-an-old-fashioned-printshop-image488108986.htmlRM2KA37YP–Shelves with reams of paper in an old fashioned printshop.
Paintings and Bas-reliefs found in Pompeja, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Pl: VII, 1, 2, Peintures et Bas-relief trouvés à Pompeja, Graphic Design, European Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paintings-and-bas-reliefs-found-in-pompeja-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-pl-vii-1-2-peintures-et-bas-relief-trouvs-pompeja-graphic-design-european-image573195600.htmlRM2T8F8RC–Paintings and Bas-reliefs found in Pompeja, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Pl: VII, 1, 2, Peintures et Bas-relief trouvés à Pompeja, Graphic Design, European
General Grant - 1885 Currier and Ives lithograph Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/general-grant-1885-currier-and-ives-lithograph-image188733749.htmlRMMY1FR1–General Grant - 1885 Currier and Ives lithograph
Black and white historical print of John C. Breckenridge c 1860 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-and-white-historical-print-of-john-c-breckenridge-c-1860-image188706780.htmlRMMY09BT–Black and white historical print of John C. Breckenridge c 1860
Paintings found at Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Peintures retrouvés à Pompei, P. IX, 1, 2, 3, 4, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paintings-found-at-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-peintures-retrouvs-pompei-p-ix-1-2-3-4-graphic-design-european-modernity-1800-1914-image573195559.htmlRM2T8F8NY–Paintings found at Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Peintures retrouvés à Pompei, P. IX, 1, 2, 3, 4, Graphic Design, European, Modernity (1800 - 1914
c. 1861 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/c-1861-image188705532.htmlRMMY07R8–c. 1861
Paintings found in Pompeja, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 445 mm, Width (paper size) 450 mm, Peintures trouvés à Pompeja, Pl. VIII, 1, 2, 3, 4, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paintings-found-in-pompeja-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-445-mm-width-paper-size-450-mm-peintures-trouvs-pompeja-pl-viii-1-2-3-4-graphic-design-european-modernity-1800-1914-image573195593.htmlRM2T8F8R5–Paintings found in Pompeja, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 445 mm, Width (paper size) 450 mm, Peintures trouvés à Pompeja, Pl. VIII, 1, 2, 3, 4, Graphic Design, European, Modernity (1800 - 1914
Currier & Ives Historical Print - Col. Jas. A. Mulligan Of the Illinois Irish Brigade c 1860-1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/currier-ives-historical-print-col-jas-a-mulligan-of-the-illinois-irish-brigade-c-1860-1870-image188784322.htmlRMMY3T96–Currier & Ives Historical Print - Col. Jas. A. Mulligan Of the Illinois Irish Brigade c 1860-1870
Abraham LincolnThe martyr president - assassinated April 14th 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abraham-lincolnthe-martyr-president-assassinated-april-14th-1865-image188705832.htmlRMMY0860–Abraham LincolnThe martyr president - assassinated April 14th 1865
H.W. Beecher Herny Ward Beecher c 1860 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hw-beecher-herny-ward-beecher-c-1860-image188733257.htmlRMMY1F5D–H.W. Beecher Herny Ward Beecher c 1860
Map showing the old and the modern Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Carte de la Situation ancienne et moderne de Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-showing-the-old-and-the-modern-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-carte-de-la-situation-ancienne-et-moderne-de-pompeia-graphic-design-european-modernity-1800-1914-image573195596.htmlRM2T8F8R8–Map showing the old and the modern Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Carte de la Situation ancienne et moderne de Pompeia, Graphic Design, European, Modernity (1800 - 1914
First archbishop of New York ca. 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-archbishop-of-new-york-ca-1864-image188718509.htmlRMMY0TAN–First archbishop of New York ca. 1864
View of the Covered Theater in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Dessiné d'après Nature 1825, Vue du Théatre couvert à Pompej, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-covered-theater-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-dessin-daprs-nature-1825-vue-du-thatre-couvert-pompej-graphic-design-european-modernity-1800-1914-image573195601.htmlRM2T8F8RD–View of the Covered Theater in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Dessiné d'après Nature 1825, Vue du Théatre couvert à Pompej, Graphic Design, European, Modernity (1800 - 1914
c. 1860 - Hon. Hannibal Hamlin Republican candidate for vice president of the United States Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/c-1860-hon-hannibal-hamlin-republican-candidate-for-vice-president-of-the-united-states-image188705410.htmlRMMY07JX–c. 1860 - Hon. Hannibal Hamlin Republican candidate for vice president of the United States
View of a Bathroom in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue d'une Chambre pour Bains à Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-a-bathroom-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-vue-dune-chambre-pour-bains-pompeia-graphic-design-european-modernity-1800-1914-image573195566.htmlRM2T8F8P6–View of a Bathroom in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue d'une Chambre pour Bains à Pompeia, Graphic Design, European, Modernity (1800 - 1914
400 Year Anniversary - Christopher Columbus Discoverer of America 1492 c 1892 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/400-year-anniversary-christopher-columbus-discoverer-of-america-1492-c-1892-image238634743.htmlRMRT6N1B–400 Year Anniversary - Christopher Columbus Discoverer of America 1492 c 1892
View of the Tragic Theater in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue du Théatre tragique à Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-tragic-theater-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-vue-du-thatre-tragique-pompeia-graphic-design-european-modernity-1800-1914-image573195569.htmlRM2T8F8P9–View of the Tragic Theater in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue du Théatre tragique à Pompeia, Graphic Design, European, Modernity (1800 - 1914
View of the Forum Nondinarum in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue du Forum Nondinarum à Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-forum-nondinarum-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-vue-du-forum-nondinarum-pompeia-graphic-design-european-modernity-1800-1914-image573195570.htmlRM2T8F8PA–View of the Forum Nondinarum in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue du Forum Nondinarum à Pompeia, Graphic Design, European, Modernity (1800 - 1914
Dante and Virgil conveyed by the Monster Geryon, Giovanni Battista Romero, Ca. 1770-1800s, No later than 1814, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 335 mm, Height (paper size) 355 mm, Width (plate size) 265 mm, Width (paper size) 285 mm, A. Thorvaldsen inv. e dis., G. Romero inc, DANTE E VIRGILIO, Graphic Design, European Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dante-and-virgil-conveyed-by-the-monster-geryon-giovanni-battista-romero-ca-1770-1800s-no-later-than-1814-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-335-mm-height-paper-size-355-mm-width-plate-size-265-mm-width-paper-size-285-mm-a-thorvaldsen-inv-e-dis-g-romero-inc-dante-e-virgilio-graphic-design-european-image573193461.htmlRM2T8F631–Dante and Virgil conveyed by the Monster Geryon, Giovanni Battista Romero, Ca. 1770-1800s, No later than 1814, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 335 mm, Height (paper size) 355 mm, Width (plate size) 265 mm, Width (paper size) 285 mm, A. Thorvaldsen inv. e dis., G. Romero inc, DANTE E VIRGILIO, Graphic Design, European
Tools found in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Utils retrouvés à Pompei, P. XII, 1, 2, 6, 5, 4, 3, 7, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tools-found-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-utils-retrouvs-pompei-p-xii-1-2-6-5-4-3-7-graphic-design-european-modernity-1800-1914-image573195565.htmlRM2T8F8P5–Tools found in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Utils retrouvés à Pompei, P. XII, 1, 2, 6, 5, 4, 3, 7, Graphic Design, European, Modernity (1800 - 1914
View of the House of Sallust in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de la Maison de Salustio à Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-house-of-sallust-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-vue-de-la-maison-de-salustio-pompeia-graphic-design-european-modernity-1800-1914-image573195588.htmlRM2T8F8R0–View of the House of Sallust in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de la Maison de Salustio à Pompeia, Graphic Design, European, Modernity (1800 - 1914
Forum seen from the side of the Temple of Jupiter in Pompeja, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Forum vue du còté du Temple de Jupiter à Pompeja, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/forum-seen-from-the-side-of-the-temple-of-jupiter-in-pompeja-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-forum-vue-du-ct-du-temple-de-jupiter-pompeja-graphic-design-european-modernity-1800-1914-image573195580.htmlRM2T8F8PM–Forum seen from the side of the Temple of Jupiter in Pompeja, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Forum vue du còté du Temple de Jupiter à Pompeja, Graphic Design, European, Modernity (1800 - 1914
View of the Ramparts of the city of Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Dessiné e après Nature 1825, Vue des Remparts de la Ville de Pompei, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-ramparts-of-the-city-of-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-dessin-e-aprs-nature-1825-vue-des-remparts-de-la-ville-de-pompei-graphic-design-european-modernity-1800-1914-image573195584.htmlRM2T8F8PT–View of the Ramparts of the city of Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Dessiné e après Nature 1825, Vue des Remparts de la Ville de Pompei, Graphic Design, European, Modernity (1800 - 1914
View of the Tomb of the Scaurus at Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue du Tombeau du Scaurus à Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-tomb-of-the-scaurus-at-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-vue-du-tombeau-du-scaurus-pompeia-graphic-design-european-modernity-1800-1914-image573195582.htmlRM2T8F8PP–View of the Tomb of the Scaurus at Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue du Tombeau du Scaurus à Pompeia, Graphic Design, European, Modernity (1800 - 1914
View of the House of Diomedes in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de la Maison de Diomèdes à Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-house-of-diomedes-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-vue-de-la-maison-de-diomdes-pompeia-graphic-design-european-modernity-1800-1914-image573195586.htmlRM2T8F8PX–View of the House of Diomedes in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de la Maison de Diomèdes à Pompeia, Graphic Design, European, Modernity (1800 - 1914
Interior view of the Amphitheatre in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de l' Intérieur de l' Amphiteatre à Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-view-of-the-amphitheatre-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-vue-de-l-intrieur-de-l-amphiteatre-pompeia-graphic-design-european-modernity-1800-1914-image573195594.htmlRM2T8F8R6–Interior view of the Amphitheatre in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de l' Intérieur de l' Amphiteatre à Pompeia, Graphic Design, European, Modernity (1800 - 1914
View of the inn called Albino in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravée par Paul Fumagalli, Vue de l' Auberge dit l' Albino à Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-inn-called-albino-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grave-par-paul-fumagalli-vue-de-l-auberge-dit-l-albino-pompeia-graphic-design-european-modernity-1800-1914-image573195583.htmlRM2T8F8PR–View of the inn called Albino in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravée par Paul Fumagalli, Vue de l' Auberge dit l' Albino à Pompeia, Graphic Design, European, Modernity (1800 - 1914
Tetrastyle Cavaedium in the house at the south of the Basilica, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Tetrastyle Cavaedium dans la maison au midi de la Basilique, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tetrastyle-cavaedium-in-the-house-at-the-south-of-the-basilica-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-tetrastyle-cavaedium-dans-la-maison-au-midi-de-la-basilique-graphic-design-european-modernity-1800-1914-image573195567.htmlRM2T8F8P7–Tetrastyle Cavaedium in the house at the south of the Basilica, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Tetrastyle Cavaedium dans la maison au midi de la Basilique, Graphic Design, European, Modernity (1800 - 1914
View of the Entrance to the House of Pansa in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de l'Entrée de la Maison de Pansas à Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-entrance-to-the-house-of-pansa-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-vue-de-lentre-de-la-maison-de-pansas-pompeia-graphic-design-european-modernity-1800-1914-image573195599.htmlRM2T8F8RB–View of the Entrance to the House of Pansa in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de l'Entrée de la Maison de Pansas à Pompeia, Graphic Design, European, Modernity (1800 - 1914
View of the inner side of the Herculaneum Gate in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de la Porte Herculanum du côte interieur à Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-inner-side-of-the-herculaneum-gate-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-vue-de-la-porte-herculanum-du-cte-interieur-pompeia-graphic-design-european-modernity-1800-1914-image573195592.htmlRM2T8F8R4–View of the inner side of the Herculaneum Gate in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de la Porte Herculanum du côte interieur à Pompeia, Graphic Design, European, Modernity (1800 - 1914
View of the School in the Grand Theater in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de l' Ecole dans le grand Théatre à Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-school-in-the-grand-theater-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-vue-de-l-ecole-dans-le-grand-thatre-pompeia-graphic-design-european-modernity-1800-1914-image573195587.htmlRM2T8F8PY–View of the School in the Grand Theater in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de l' Ecole dans le grand Théatre à Pompeia, Graphic Design, European, Modernity (1800 - 1914
View of the Basilica on the Foro side in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de la Basilique du cotè du Foro à Pompeia, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-basilica-on-the-foro-side-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-grav-par-paul-fumagalli-vue-de-la-basilique-du-cot-du-foro-pompeia-graphic-design-european-modernity-1800-1914-image573195562.htmlRM2T8F8P2–View of the Basilica on the Foro side in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Gravé par Paul Fumagalli, Vue de la Basilique du cotè du Foro à Pompeia, Graphic Design, European, Modernity (1800 - 1914
Section, Ornaments and Stuccoes found at Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Section, Ornaments et Stucs retrouvés à Pompei, P. XI, 1, 4, 5, 3, 6, 2, 2, 2, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/section-ornaments-and-stuccoes-found-at-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-section-ornaments-et-stucs-retrouvs-pompei-p-xi-1-4-5-3-6-2-2-2-graphic-design-european-modernity-1800-1914-image573195560.htmlRM2T8F8P0–Section, Ornaments and Stuccoes found at Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Section, Ornaments et Stucs retrouvés à Pompei, P. XI, 1, 4, 5, 3, 6, 2, 2, 2, Graphic Design, European, Modernity (1800 - 1914
Interior View of the Church San Miniato al Monte, Paolo Fumagalli, 1700s-1800s, No later than 1870, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 320 mm, Height (paper size) 382 mm, Width (plate size) 455 mm, Width (paper size) 465 mm, Francesco Frullani dis., Lasiano Figlio incise, INTERNO DELLA CHIESA DI S. MINIATO AL MONTE, Graphic Design, European Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-view-of-the-church-san-miniato-al-monte-paolo-fumagalli-1700s-1800s-no-later-than-1870-graphic-art-etching-paper-color-printers-ink-etching-printet-height-plate-size-320-mm-height-paper-size-382-mm-width-plate-size-455-mm-width-paper-size-465-mm-francesco-frullani-dis-lasiano-figlio-incise-interno-della-chiesa-di-s-miniato-al-monte-graphic-design-european-image573195597.htmlRM2T8F8R9–Interior View of the Church San Miniato al Monte, Paolo Fumagalli, 1700s-1800s, No later than 1870, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size) 320 mm, Height (paper size) 382 mm, Width (plate size) 455 mm, Width (paper size) 465 mm, Francesco Frullani dis., Lasiano Figlio incise, INTERNO DELLA CHIESA DI S. MINIATO AL MONTE, Graphic Design, European
Tools and paintings found in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 268 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Utils et Peintures retrouvès à Pompeja, P. IV, 1, 2, 3, 4, 5, 6, Grave par Paul Fumagalli, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tools-and-paintings-found-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-268-mm-height-paper-size-310-mm-width-plate-size-320-mm-width-paper-size-450-mm-utils-et-peintures-retrouvs-pompeja-p-iv-1-2-3-4-5-6-grave-par-paul-fumagalli-graphic-design-european-modernity-1800-1914-image573195581.htmlRM2T8F8PN–Tools and paintings found in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 268 mm, Height (paper size) 310 mm, Width (plate size) 320 mm, Width (paper size) 450 mm, Utils et Peintures retrouvès à Pompeja, P. IV, 1, 2, 3, 4, 5, 6, Grave par Paul Fumagalli, Graphic Design, European, Modernity (1800 - 1914
Tools and paintings found in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 322 mm, Width (paper size) 450 mm, Utils et Peintures retrouvès à Pompeja, P.V., 1, 2, 3, 4, 5, 6, 7, Gravè par Paul Fumagalli, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tools-and-paintings-found-in-pompeii-paolo-fumagalli-1700s-1800s-1822-1824-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-270-mm-height-paper-size-310-mm-width-plate-size-322-mm-width-paper-size-450-mm-utils-et-peintures-retrouvs-pompeja-pv-1-2-3-4-5-6-7-grav-par-paul-fumagalli-graphic-design-european-modernity-1800-1914-image573195589.htmlRM2T8F8R1–Tools and paintings found in Pompeii, Paolo Fumagalli, 1700s-1800s, 1822 - 1824, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 270 mm, Height (paper size) 310 mm, Width (plate size) 322 mm, Width (paper size) 450 mm, Utils et Peintures retrouvès à Pompeja, P.V., 1, 2, 3, 4, 5, 6, 7, Gravè par Paul Fumagalli, Graphic Design, European, Modernity (1800 - 1914
Pompeia Picturesque, historical and geometric treatise, Paolo Fumagalli, 1700s-1800s, 1827, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 380 mm, Height (paper size) 450 mm, Width (plate size) 270 mm, Width (paper size) 310 mm, Pompeia, Traité, PITTORESQUE, HISTORIQUE ET GÉOMÉTRIQUE, Ouvrage dessiné sur les lieux, Dans les années 1824 au 1827, Gravé et Publié, Par, P.F., À FLORENCE, Aux depenses de l'Auteur, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pompeia-picturesque-historical-and-geometric-treatise-paolo-fumagalli-1700s-1800s-1827-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-380-mm-height-paper-size-450-mm-width-plate-size-270-mm-width-paper-size-310-mm-pompeia-trait-pittoresque-historique-et-gomtrique-ouvrage-dessin-sur-les-lieux-dans-les-annes-1824-au-1827-grav-et-publi-par-pf-florence-aux-depenses-de-lauteur-graphic-design-european-modernity-1800-1914-image573195568.htmlRM2T8F8P8–Pompeia Picturesque, historical and geometric treatise, Paolo Fumagalli, 1700s-1800s, 1827, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 380 mm, Height (paper size) 450 mm, Width (plate size) 270 mm, Width (paper size) 310 mm, Pompeia, Traité, PITTORESQUE, HISTORIQUE ET GÉOMÉTRIQUE, Ouvrage dessiné sur les lieux, Dans les années 1824 au 1827, Gravé et Publié, Par, P.F., À FLORENCE, Aux depenses de l'Auteur, Graphic Design, European, Modernity (1800 - 1914
Interior View of the Church San Miniato al Monte, Paolo Fumagalli, 1700s-1800s, No later than 1870, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 320 mm, Height (paper size) 330 mm, Width (plate size) 455 mm, Width (paper size) 462 mm, Francesco Frullani dis., Lasinio Fig. inc. a Contorno - Paolo Fumagalli fece al aqua tinta, INTERNO DELLA CHIESA DI S. MINIATO AL MONTE, Firenze presso Luigi Bardi e C Borgo degli Albizzi N. 460, Graphic Design, European Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-view-of-the-church-san-miniato-al-monte-paolo-fumagalli-1700s-1800s-no-later-than-1870-graphic-art-aquatint-paper-color-printers-ink-aquatint-printet-height-plate-size-320-mm-height-paper-size-330-mm-width-plate-size-455-mm-width-paper-size-462-mm-francesco-frullani-dis-lasinio-fig-inc-a-contorno-paolo-fumagalli-fece-al-aqua-tinta-interno-della-chiesa-di-s-miniato-al-monte-firenze-presso-luigi-bardi-e-c-borgo-degli-albizzi-n-460-graphic-design-european-image573195575.htmlRM2T8F8PF–Interior View of the Church San Miniato al Monte, Paolo Fumagalli, 1700s-1800s, No later than 1870, Graphic Art, Aquatint, Paper, Color, Printer's ink, Aquatint, Printet, Height (plate size) 320 mm, Height (paper size) 330 mm, Width (plate size) 455 mm, Width (paper size) 462 mm, Francesco Frullani dis., Lasinio Fig. inc. a Contorno - Paolo Fumagalli fece al aqua tinta, INTERNO DELLA CHIESA DI S. MINIATO AL MONTE, Firenze presso Luigi Bardi e C Borgo degli Albizzi N. 460, Graphic Design, European
Search Results for 1800s printers Stock Photos and Images (86)
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