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Chinese boat, still image, Prints, 1801 - 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinese-boat-still-image-prints-1801-1900-image376423394.htmlRM2CTBFTJ–Chinese boat, still image, Prints, 1801 - 1900
Inspired by Old ruined pillars on the Island of Rota. (Ruinen alter pfeiler auf der Insel Rota), Unknown, 1801 / 1900, lithography, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-old-ruined-pillars-on-the-island-of-rota-ruinen-alter-pfeiler-auf-der-insel-rota-unknown-1801-1900-lithography-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459298370.htmlRF2HK6RN6–Inspired by Old ruined pillars on the Island of Rota. (Ruinen alter pfeiler auf der Insel Rota), Unknown, 1801 / 1900, lithography, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Portrait of Leonardo Da Vinci, 1452-1519, engraving by Niccolo Guidetti, 1801-1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-leonardo-da-vinci-1452-1519-engraving-by-niccolo-guidetti-1801-1900-image257391892.htmlRMTXN5YG–Portrait of Leonardo Da Vinci, 1452-1519, engraving by Niccolo Guidetti, 1801-1900
. Español: Ángeles con partituras- Grabado anónimo (1801-1900) Biblioteca Valenciana Digital (España) English: Angels-Engraving Anonymous. (S. XIX) Biblioteca Valenciana Digital (Spain) Català: Àngels-Gravat Anònim segle XIX (1801-1900) Biblioteca Valenciana Digital (València) . 4 December 2012, 10:09:04. Anonymous Angeles conpartituras 1801- 1900 Biblioteca Valenciana Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/espaol-ngeles-con-partituras-grabado-annimo-1801-1900-biblioteca-valenciana-digital-espaa-english-angels-engraving-anonymous-s-xix-biblioteca-valenciana-digital-spain-catal-ngels-gravat-annim-segle-xix-1801-1900-biblioteca-valenciana-digital-valncia-4-december-2012-100904-anonymous-angeles-conpartituras-1801-1900-biblioteca-valenciana-image184892480.htmlRMMMPG6T–. Español: Ángeles con partituras- Grabado anónimo (1801-1900) Biblioteca Valenciana Digital (España) English: Angels-Engraving Anonymous. (S. XIX) Biblioteca Valenciana Digital (Spain) Català: Àngels-Gravat Anònim segle XIX (1801-1900) Biblioteca Valenciana Digital (València) . 4 December 2012, 10:09:04. Anonymous Angeles conpartituras 1801- 1900 Biblioteca Valenciana
Landscape, 1801-1900. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-1801-1900-image534484542.htmlRM2P1FTDJ–Landscape, 1801-1900.
Angeles conpartituras 1801- 1900 Biblioteca Valenciana Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-angeles-conpartituras-1801-1900-biblioteca-valenciana-132597308.htmlRMHKM964–Angeles conpartituras 1801- 1900 Biblioteca Valenciana
Angeles conpartituras 1801- 1900 Biblioteca Valenciana. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angeles-conpartituras-1801-1900-biblioteca-valenciana-image214732912.htmlRMPD9X0G–Angeles conpartituras 1801- 1900 Biblioteca Valenciana.
Pietá. Date/Period: 1801/1900. 264 x 296 mm. Author: Pierre Bonnaud. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piet-dateperiod-18011900-264-x-296-mm-author-pierre-bonnaud-image219747958.htmlRMPNEANA–Pietá. Date/Period: 1801/1900. 264 x 296 mm. Author: Pierre Bonnaud.
Napoleon Bonaparte inspecting a mummy at the pyramids, 1801 (1900). Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/napoleon-bonaparte-inspecting-a-mummy-at-the-pyramids-1801-1900-artist-unknown-image262745493.htmlRMW7D2FH–Napoleon Bonaparte inspecting a mummy at the pyramids, 1801 (1900). Artist: Unknown
Eglise d'Auteuil Alfred Bonnardot (1808-1884). Eglise d'Auteuil. Crayon sur papier clair, 1801-1900. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eglise-dauteuil-alfred-bonnardot-1808-1884-eglise-dauteuil-crayon-sur-papier-clair-1801-1900-paris-muse-carnavalet-image349745733.htmlRM2B90871–Eglise d'Auteuil Alfred Bonnardot (1808-1884). Eglise d'Auteuil. Crayon sur papier clair, 1801-1900. Paris, musée Carnavalet.
Rottec, Karl of 1801/1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rottec-karl-of-18011900-image418416269.htmlRM2F8ME65–Rottec, Karl of 1801/1900
tile (1801 - 1900) by William De Morgan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tile-1801-1900-by-william-de-morgan-image545603857.htmlRM2PKJB81–tile (1801 - 1900) by William De Morgan
Skeleton with phrenological skull, Europe, 1801-1900. In the 1800s, phrenology became popular among a large number of people. Phrenologists believed that the shape and size of the different brain regions determined personality. There was also disagreement among phrenologists, as this skull shows. One half of the head shows the system of Franz Joseph Gall (1758 -1828), a German physician and founder of phrenology, the other half shows the system of his colleague Johann Gaspar Spurzheim (1776-1832), Historical, digitally restored reproduction from a 19th century original / Skelett mit phrenolo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/skeleton-with-phrenological-skull-europe-1801-1900-in-the-1800s-phrenology-became-popular-among-a-large-number-of-people-phrenologists-believed-that-the-shape-and-size-of-the-different-brain-regions-determined-personality-there-was-also-disagreement-among-phrenologists-as-this-skull-shows-one-half-of-the-head-shows-the-system-of-franz-joseph-gall-1758-1828-a-german-physician-and-founder-of-phrenology-the-other-half-shows-the-system-of-his-colleague-johann-gaspar-spurzheim-1776-1832-historical-digitally-restored-reproduction-from-a-19th-century-original-skelett-mit-phrenolo-image555436847.htmlRF2R7J9A7–Skeleton with phrenological skull, Europe, 1801-1900. In the 1800s, phrenology became popular among a large number of people. Phrenologists believed that the shape and size of the different brain regions determined personality. There was also disagreement among phrenologists, as this skull shows. One half of the head shows the system of Franz Joseph Gall (1758 -1828), a German physician and founder of phrenology, the other half shows the system of his colleague Johann Gaspar Spurzheim (1776-1832), Historical, digitally restored reproduction from a 19th century original / Skelett mit phrenolo
London, UK. 19 October 2022. 'Inuit snow goggles', 1801 - 1900, worn by the Inuit and Yupik people of Alaska and northern Canada at a preview for ‘In Plain Sight’, a new exhibition at Wellcome Collection exploring the different ways we see and are seen. 144 objects and artworks invite visitors to encounter different experiences of sighted, partially sighted and blind people to consider the subjectivities of vision and blindness. The show runs 20 October to 12 February 2023. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-19-october-2022-inuit-snow-goggles-1801-1900-worn-by-the-inuit-and-yupik-people-of-alaska-and-northern-canada-at-a-preview-for-in-plain-sight-a-new-exhibition-at-wellcome-collection-exploring-the-different-ways-we-see-and-are-seen-144-objects-and-artworks-invite-visitors-to-encounter-different-experiences-of-sighted-partially-sighted-and-blind-people-to-consider-the-subjectivities-of-vision-and-blindness-the-show-runs-20-october-to-12-february-2023-credit-stephen-chung-alamy-live-news-image486741725.htmlRM2K7W011–London, UK. 19 October 2022. 'Inuit snow goggles', 1801 - 1900, worn by the Inuit and Yupik people of Alaska and northern Canada at a preview for ‘In Plain Sight’, a new exhibition at Wellcome Collection exploring the different ways we see and are seen. 144 objects and artworks invite visitors to encounter different experiences of sighted, partially sighted and blind people to consider the subjectivities of vision and blindness. The show runs 20 October to 12 February 2023. Credit: Stephen Chung / Alamy Live News
![Engraving of Paul I of Russia. 1913 Paul I (1754–1801) was Emperor of Russia from 1796 until his assassination. Officially, he was the only son of Peter III and Catherine the Great, although Catherine hinted that he was fathered by her lover Sergei Saltykov.[1][2] Paul remained overshadowed by his mother for most of his life. He adopted the laws of succession to the Russian throne—rules that lasted until the end of the Romanov dynasty and of the Russian Empire. He also intervened in the French Revolutionary Wars and, toward the end of his reign, added Kartli and Kakheti in Eastern Georgia into Stock Photo](https://c8.alamy.com/comp/2NH6F4W/engraving-of-paul-i-of-russia-1913-paul-i-17541801-was-emperor-of-russia-from-1796-until-his-assassination-officially-he-was-the-only-son-of-peter-iii-and-catherine-the-great-although-catherine-hinted-that-he-was-fathered-by-her-lover-sergei-saltykov-1-2-paul-remained-overshadowed-by-his-mother-for-most-of-his-life-he-adopted-the-laws-of-succession-to-the-russian-thronerules-that-lasted-until-the-end-of-the-romanov-dynasty-and-of-the-russian-empire-he-also-intervened-in-the-french-revolutionary-wars-and-toward-the-end-of-his-reign-added-kartli-and-kakheti-in-eastern-georgia-into-2NH6F4W.jpg "Engraving of Paul I of Russia. 1913 Paul I (1754–1801) was Emperor of Russia from 1796 until his assassination. Officially, he was the only son of Peter III and Catherine the Great, although Catherine hinted that he was fathered by her lover Sergei Saltykov.[1][2] Paul remained overshadowed by his mother for most of his life. He adopted the laws of succession to the Russian throne—rules that lasted until the end of the Romanov dynasty and of the Russian Empire. He also intervened in the French Revolutionary Wars and, toward the end of his reign, added Kartli and Kakheti in Eastern Georgia into Stock Photo")
Engraving of Paul I of Russia. 1913 Paul I (1754–1801) was Emperor of Russia from 1796 until his assassination. Officially, he was the only son of Peter III and Catherine the Great, although Catherine hinted that he was fathered by her lover Sergei Saltykov.[1][2] Paul remained overshadowed by his mother for most of his life. He adopted the laws of succession to the Russian throne—rules that lasted until the end of the Romanov dynasty and of the Russian Empire. He also intervened in the French Revolutionary Wars and, toward the end of his reign, added Kartli and Kakheti in Eastern Georgia into Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-paul-i-of-russia-1913-paul-i-17541801-was-emperor-of-russia-from-1796-until-his-assassination-officially-he-was-the-only-son-of-peter-iii-and-catherine-the-great-although-catherine-hinted-that-he-was-fathered-by-her-lover-sergei-saltykov-1-2-paul-remained-overshadowed-by-his-mother-for-most-of-his-life-he-adopted-the-laws-of-succession-to-the-russian-thronerules-that-lasted-until-the-end-of-the-romanov-dynasty-and-of-the-russian-empire-he-also-intervened-in-the-french-revolutionary-wars-and-toward-the-end-of-his-reign-added-kartli-and-kakheti-in-eastern-georgia-into-image526903801.htmlRM2NH6F4W–Engraving of Paul I of Russia. 1913 Paul I (1754–1801) was Emperor of Russia from 1796 until his assassination. Officially, he was the only son of Peter III and Catherine the Great, although Catherine hinted that he was fathered by her lover Sergei Saltykov.[1][2] Paul remained overshadowed by his mother for most of his life. He adopted the laws of succession to the Russian throne—rules that lasted until the end of the Romanov dynasty and of the Russian Empire. He also intervened in the French Revolutionary Wars and, toward the end of his reign, added Kartli and Kakheti in Eastern Georgia into
Catania, Sicily: Teatro Bellini. Early 20th century postcard. Bellini, Italian composer, 3 November 1801 - 23 September 1835 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-catania-sicily-teatro-bellini-early-20th-century-postcard-bellini-165541596.htmlRMKH91YT–Catania, Sicily: Teatro Bellini. Early 20th century postcard. Bellini, Italian composer, 3 November 1801 - 23 September 1835
Cast iron stove, circa 1900, living room in the teacher's apartment, school building from Pfaffenhofen, built in 1801 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cast-iron-stove-circa-1900-living-room-in-the-teachers-apartment-school-48713487.htmlRMCR72FB–Cast iron stove, circa 1900, living room in the teacher's apartment, school building from Pfaffenhofen, built in 1801
Lortzing, Albert, 23.10.1801 - 21.1.1851, portrait, engraving by Moritz Klinkicht, circa 1900, Germany, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lortzing-albert-23101801-2111851-portrait-engraving-by-moritz-klinkicht-11640705.htmlRMA6RYHP–Lortzing, Albert, 23.10.1801 - 21.1.1851, portrait, engraving by Moritz Klinkicht, circa 1900, Germany, 19th century,
Taj Mahal, 1801 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-taj-mahal-1801-20342851.htmlRMB52KEB–Taj Mahal, 1801
Butterflies and moths, still image, Prints, 1801 - 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/butterflies-and-moths-still-image-prints-1801-1900-image376455705.htmlRM2CTD12H–Butterflies and moths, still image, Prints, 1801 - 1900
Art inspired by Old ruined pillars on the Island of Rota. (Ruinen alter pfeiler auf der Insel Rota), Unknown, 1801 / 1900, lithography, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-old-ruined-pillars-on-the-island-of-rota-ruinen-alter-pfeiler-auf-der-insel-rota-unknown-1801-1900-lithography-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459614677.htmlRF2HKN75W–Art inspired by Old ruined pillars on the Island of Rota. (Ruinen alter pfeiler auf der Insel Rota), Unknown, 1801 / 1900, lithography, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Leonardo Da Vinci, 1452-1519, engraving by Niccolo Guidetti, 1801-1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-leonardo-da-vinci-1452-1519-engraving-by-niccolo-guidetti-1801-1900-image257391573.htmlRMTXN5G5–Portrait of Leonardo Da Vinci, 1452-1519, engraving by Niccolo Guidetti, 1801-1900
N/A. Español: Panel de azulejos representando el manteo de Sancho Panza. Fragmento de pavimento con medallón con una escena del Quijote. Template:Ca. 1825. Fábrica de José Royo (actividad entre 1801=1900). Origen: Casa Palacio de la familia Saavedra (Miquel Saavedra), antes de los Dassio, parientes de los Condes de Alcudia y Baron de Albalat, en la calle Campaneros, 8, Valencia (L´Horta Nord, Valencia). 158 Azulejo valenciano siglo XIX Manteo Sancho Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-espaol-panel-de-azulejos-representando-el-manteo-de-sancho-panza-fragmento-de-pavimento-con-medalln-con-una-escena-del-quijote-templateca-1825-fbrica-de-jos-royo-actividad-entre-1801=1900-origen-casa-palacio-de-la-familia-saavedra-miquel-saavedra-antes-de-los-dassio-parientes-de-los-condes-de-alcudia-y-baron-de-albalat-en-la-calle-campaneros-8-valencia-lhorta-nord-valencia-158-azulejo-valenciano-siglo-xix-manteo-sancho-image210069233.htmlRMP5NDCH–N/A. Español: Panel de azulejos representando el manteo de Sancho Panza. Fragmento de pavimento con medallón con una escena del Quijote. Template:Ca. 1825. Fábrica de José Royo (actividad entre 1801=1900). Origen: Casa Palacio de la familia Saavedra (Miquel Saavedra), antes de los Dassio, parientes de los Condes de Alcudia y Baron de Albalat, en la calle Campaneros, 8, Valencia (L´Horta Nord, Valencia). 158 Azulejo valenciano siglo XIX Manteo Sancho
Fan painting - Landscape, 19th century, (1801-1900). Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fan-painting-landscape-19th-century-1801-1900-artist-unknown-image186168691.htmlRMMPTM1R–Fan painting - Landscape, 19th century, (1801-1900). Artist: Unknown.
Fashionable woman promenading on the Seine in front of the Pont Alexandre III, Paris, 1900. The ornate Beaux Arts-style bridge with sculptures by Emmanuel Fremiet. In the background, the dome of Les Invalides. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashionable-woman-promenading-on-the-seine-in-front-of-the-pont-alexandre-iii-paris-1900-the-ornate-beaux-arts-style-bridge-with-sculptures-by-emmanuel-fremiet-in-the-background-the-dome-of-les-invalides-handcoloured-drypoint-or-pointe-seche-etching-by-henri-boutet-from-les-modes-feminines-du-xixeme-siecle-female-fashions-of-the-19th-century-ernest-flammarion-paris-1902-boutet-1851-1919-was-a-french-artist-engraver-lithographer-and-designer-image472764479.htmlRM2JD47WK–Fashionable woman promenading on the Seine in front of the Pont Alexandre III, Paris, 1900. The ornate Beaux Arts-style bridge with sculptures by Emmanuel Fremiet. In the background, the dome of Les Invalides. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.
Słucak, Rynak. Слуцак, Рынак (1801-1900). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sucak-rynak-1801-1900-image458613147.htmlRM2HJ3HMY–Słucak, Rynak. Слуцак, Рынак (1801-1900).
Tile. Date/Period: 1801 - 1900. Decorative Art. Ceramic. Author: De Morgan, William. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tile-dateperiod-1801-1900-decorative-art-ceramic-author-de-morgan-william-image219728565.htmlRMPNDE0N–Tile. Date/Period: 1801 - 1900. Decorative Art. Ceramic. Author: De Morgan, William.
1900 ca : The italian princess ELISABETTA Duchessa di SAVOIA GENOVA ( Dresden 1830 - Stresa 1912 ), born princess Maria Elisabeth von Sachsen , daughter of King Johann I Von SACHSEN (1801–1873) and Prinzessin Amalie Auguste von Bayern (1801–1877). Married in Italy with prince Ferdinand Maria DUCA di GENOVA Savoia-Carignano (1822–1855), son of King Carlo Alberto di Sardegna Piemonte di Savoia and princess Maria Theresia von Osterreich-Toskana HABSBURG . Elisabetta Savoia-Genova have 2 sons: the Queen MARGHERITA di SAVOIA ( 1851 - 1926 ) , wife and cousine of italian king Umberto I ( 1844 - 19 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1900-ca-the-italian-princess-elisabetta-duchessa-di-savoia-genova-dresden-1830-stresa-1912-born-princess-maria-elisabeth-von-sachsen-daughter-of-king-johann-i-von-sachsen-18011873-and-prinzessin-amalie-auguste-von-bayern-18011877-married-in-italy-with-prince-ferdinand-maria-duca-di-genova-savoia-carignano-18221855-son-of-king-carlo-alberto-di-sardegna-piemonte-di-savoia-and-princess-maria-theresia-von-osterreich-toskana-habsburg-elisabetta-savoia-genova-have-2-sons-the-queen-margherita-di-savoia-1851-1926-wife-and-cousine-of-italian-king-umberto-i-1844-19-image541205295.htmlRM2PCE0TF–1900 ca : The italian princess ELISABETTA Duchessa di SAVOIA GENOVA ( Dresden 1830 - Stresa 1912 ), born princess Maria Elisabeth von Sachsen , daughter of King Johann I Von SACHSEN (1801–1873) and Prinzessin Amalie Auguste von Bayern (1801–1877). Married in Italy with prince Ferdinand Maria DUCA di GENOVA Savoia-Carignano (1822–1855), son of King Carlo Alberto di Sardegna Piemonte di Savoia and princess Maria Theresia von Osterreich-Toskana HABSBURG . Elisabetta Savoia-Genova have 2 sons: the Queen MARGHERITA di SAVOIA ( 1851 - 1926 ) , wife and cousine of italian king Umberto I ( 1844 - 19
St-Martin Alfred Bonnardot (1808-1884). Abbaye Saint-Martin. Crayon sur calque, 1801-1900. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-martin-alfred-bonnardot-1808-1884-abbaye-saint-martin-crayon-sur-calque-1801-1900-paris-muse-carnavalet-image349745383.htmlRM2B907PF–St-Martin Alfred Bonnardot (1808-1884). Abbaye Saint-Martin. Crayon sur calque, 1801-1900. Paris, musée Carnavalet.
Rottec, Karl of 1801/1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rottec-karl-of-18011900-image418398861.htmlRM2F8KM0D–Rottec, Karl of 1801/1900
Daruma from 1801 until 1900 by Kawanabe Kyosai Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daruma-from-1801-until-1900-by-kawanabe-kyosai-image545523966.htmlRM2PKENAP–Daruma from 1801 until 1900 by Kawanabe Kyosai
Skeleton with phrenological skull, Europe, 1801-1900. In the 1800s, phrenology became popular among a large number of people. Phrenologists believed that the shape and size of the different brain regions determined personality. There was also disagreement among phrenologists, as this skull shows. One half of the head shows the system of Franz Joseph Gall (1758 -1828), a German physician and founder of phrenology, the other half shows the system of his colleague Johann Gaspar Spurzheim (1776-1832), Historical, digitally restored reproduction from a 19th century original / Skelett mit phrenolo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/skeleton-with-phrenological-skull-europe-1801-1900-in-the-1800s-phrenology-became-popular-among-a-large-number-of-people-phrenologists-believed-that-the-shape-and-size-of-the-different-brain-regions-determined-personality-there-was-also-disagreement-among-phrenologists-as-this-skull-shows-one-half-of-the-head-shows-the-system-of-franz-joseph-gall-1758-1828-a-german-physician-and-founder-of-phrenology-the-other-half-shows-the-system-of-his-colleague-johann-gaspar-spurzheim-1776-1832-historical-digitally-restored-reproduction-from-a-19th-century-original-skelett-mit-phrenolo-image557120167.htmlRF2RAB0CR–Skeleton with phrenological skull, Europe, 1801-1900. In the 1800s, phrenology became popular among a large number of people. Phrenologists believed that the shape and size of the different brain regions determined personality. There was also disagreement among phrenologists, as this skull shows. One half of the head shows the system of Franz Joseph Gall (1758 -1828), a German physician and founder of phrenology, the other half shows the system of his colleague Johann Gaspar Spurzheim (1776-1832), Historical, digitally restored reproduction from a 19th century original / Skelett mit phrenolo
John Henry Newman, 1801 – 1890. Catholic cardinal and theologian. From The International Library of Famous Literature, published c.1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-henry-newman-1801-1890-catholic-cardinal-and-theologian-from-132891736.htmlRMHM5MNC–John Henry Newman, 1801 – 1890. Catholic cardinal and theologian. From The International Library of Famous Literature, published c.1900
La carrozza nella storia della locomozione . () Una statistica ufficiale del 31 dicembre 1810 dava come passate in questo annosulla strada del Moncenisio 2911 carrozze a molle o sospese ; 14037 vetture ; e 37250 ca-valli o muli. — CoMANDiNi, U Italia nei Cento Anni del Secolo XIX (1801-1900); A. Vallardi,Milano; pag. 464. — 71 — Ma la diligenza dallora era un veicolo poco diverso da quelli chesi possono vedere quasi ogni giorno davanti allOspedale Maggiorein Milano, e che trasportano i malati dai piccoli comuni di campagna,veicolo che in Francia fu detto umoristicamente coitcoti e fu aro^oment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-carrozza-nella-storia-della-locomozione-una-statistica-ufficiale-del-31-dicembre-1810-dava-come-passate-in-questo-annosulla-strada-del-moncenisio-2911-carrozze-a-molle-o-sospese-14037-vetture-e-37250-ca-valli-o-muli-comandini-u-italia-nei-cento-anni-del-secolo-xix-1801-1900-a-vallardimilano-pag-464-71-ma-la-diligenza-dallora-era-un-veicolo-poco-diverso-da-quelli-chesi-possono-vedere-quasi-ogni-giorno-davanti-allospedale-maggiorein-milano-e-che-trasportano-i-malati-dai-piccoli-comuni-di-campagnaveicolo-che-in-francia-fu-detto-umoristicamente-coitcoti-e-fu-arooment-image339888511.htmlRM2AMY77B–La carrozza nella storia della locomozione . () Una statistica ufficiale del 31 dicembre 1810 dava come passate in questo annosulla strada del Moncenisio 2911 carrozze a molle o sospese ; 14037 vetture ; e 37250 ca-valli o muli. — CoMANDiNi, U Italia nei Cento Anni del Secolo XIX (1801-1900); A. Vallardi,Milano; pag. 464. — 71 — Ma la diligenza dallora era un veicolo poco diverso da quelli chesi possono vedere quasi ogni giorno davanti allOspedale Maggiorein Milano, e che trasportano i malati dai piccoli comuni di campagna,veicolo che in Francia fu detto umoristicamente coitcoti e fu aro^oment
Map of Paris in 1801 'Plan routier de la ville et faubourg, divisé en 12 mairies' (Road map of the town and suburb, divided in 12 districts). Engraving from Dépôt des cartes et plans de la Bibliothèque Nationale. In : Louis Barron, Paris Pittoresque 1800-1900. La Vie - Les Moeurs - Les Plaisirs, Paris, Société Française d'Editions d'Art L.-Henry May, 1899. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-paris-in-1801-plan-routier-de-la-ville-et-faubourg-divis-en-12-mairies-road-map-of-the-town-and-suburb-divided-in-12-districts-engraving-from-dpt-des-cartes-et-plans-de-la-bibliothque-nationale-in-louis-barron-paris-pittoresque-1800-1900-la-vie-les-moeurs-les-plaisirs-paris-socit-franaise-deditions-dart-l-henry-may-1899-image424976907.htmlRM2FKBAAK–Map of Paris in 1801 'Plan routier de la ville et faubourg, divisé en 12 mairies' (Road map of the town and suburb, divided in 12 districts). Engraving from Dépôt des cartes et plans de la Bibliothèque Nationale. In : Louis Barron, Paris Pittoresque 1800-1900. La Vie - Les Moeurs - Les Plaisirs, Paris, Société Française d'Editions d'Art L.-Henry May, 1899.
Fauteuil chair and cast-iron stove, 1900, living room in the teacher's apartment, school building from Pfaffenhofen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fauteuil-chair-and-cast-iron-stove-1900-living-room-in-the-teachers-48713488.htmlRMCR72FC–Fauteuil chair and cast-iron stove, 1900, living room in the teacher's apartment, school building from Pfaffenhofen
medicine, anatomy, physiognomy, four temperaments, fltr: phlegmatic person, choleric type, sanguine person, melancholiac, after Johann Christian Lavater (1741 - 1801), 1775, wood engraving, from: 'Grosser Brockhaus', circa 1900, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medicine-anatomy-physiognomy-four-temperaments-fltr-phlegmatic-person-image60219740.htmlRMDDY6W0–medicine, anatomy, physiognomy, four temperaments, fltr: phlegmatic person, choleric type, sanguine person, melancholiac, after Johann Christian Lavater (1741 - 1801), 1775, wood engraving, from: 'Grosser Brockhaus', circa 1900, Additional-Rights-Clearences-Not Available
Engraving of Alexander I of Russia. 1913 Alexander I (1777–1825) was the emperor of Russia from 1801, the first king of Congress Poland from 1815, and the grand duke of Finland from 1809 to his death in 1825. He was the eldest son of Emperor Paul I and Sophie Dorothea of Württemberg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-alexander-i-of-russia-1913-alexander-i-17771825-was-the-emperor-of-russia-from-1801-the-first-king-of-congress-poland-from-1815-and-the-grand-duke-of-finland-from-1809-to-his-death-in-1825-he-was-the-eldest-son-of-emperor-paul-i-and-sophie-dorothea-of-wrttemberg-image526903804.htmlRM2NH6F50–Engraving of Alexander I of Russia. 1913 Alexander I (1777–1825) was the emperor of Russia from 1801, the first king of Congress Poland from 1815, and the grand duke of Finland from 1809 to his death in 1825. He was the eldest son of Emperor Paul I and Sophie Dorothea of Württemberg.
Merchants Exchange., still image, Prints, 1801 - 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/merchants-exchange-still-image-prints-1801-1900-image376451492.htmlRM2CTCRM4–Merchants Exchange., still image, Prints, 1801 - 1900
amulet pendant, Berber peoples, 1801-1900, silver, enamel, 3-1/16 x 1-7/8 x 5/16 in., African Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amulet-pendant-berber-peoples-1801-1900-silver-enamel-3-116-x-1-78-x-516-in-african-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349850767.htmlRF2B95267–amulet pendant, Berber peoples, 1801-1900, silver, enamel, 3-1/16 x 1-7/8 x 5/16 in., African Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Godanme, Japan between 1799 and 1801 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-godanme-japan-between-1799-and-1801-15832731.htmlRMAPNFWG–Godanme, Japan between 1799 and 1801
. Horse . between 1801 and 1900 100 Brooklyn Museum - Horse Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horse-between-1801-and-1900-100-brooklyn-museum-horse-image187677404.htmlRMMW9CCC–. Horse . between 1801 and 1900 100 Brooklyn Museum - Horse
Fan painting - Horse and Groom, 19th century (1801-1900). Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fan-painting-horse-and-groom-19th-century-1801-1900-artist-unknown-image186168690.htmlRMMPTM1P–Fan painting - Horse and Groom, 19th century (1801-1900). Artist: Unknown.
Fashionable lady carrying a bouquet of flowers outside the restaurant Au Lapin Saute, Paris, 1844. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashionable-lady-carrying-a-bouquet-of-flowers-outside-the-restaurant-au-lapin-saute-paris-1844-handcoloured-drypoint-or-pointe-seche-etching-by-henri-boutet-from-les-modes-feminines-du-xixeme-siecle-feminine-fashions-of-the-19th-century-ernest-flammarion-paris-1902-boutet-1851-1919-was-a-french-artist-engraver-lithographer-and-designer-image473097060.htmlRM2JDKC3G–Fashionable lady carrying a bouquet of flowers outside the restaurant Au Lapin Saute, Paris, 1844. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.
Słucak, Siołki-Vostraŭ. Слуцак, Сёлкі-Востраў (1801-1900). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sucak-sioki-vostra-1801-1900-image458613207.htmlRM2HJ3HR3–Słucak, Siołki-Vostraŭ. Слуцак, Сёлкі-Востраў (1801-1900).
RODRIGO DIAZ DE VIVAR - CID CAMPEADOR - GRABADO SIGLO XIX - 85x116. Author: Mas de Xaxars (1801-1900). Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rodrigo-diaz-de-vivar-cid-campeador-grabado-siglo-xix-85x116-author-mas-de-xaxars-1801-1900-location-biblioteca-nacional-coleccion-madrid-spain-image209328888.htmlRMP4FN3M–RODRIGO DIAZ DE VIVAR - CID CAMPEADOR - GRABADO SIGLO XIX - 85x116. Author: Mas de Xaxars (1801-1900). Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.
Close view of three eighteenth nineteenth century dolls in glass display cases on the State Bedroom Landing at Clevedon Court Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-close-view-of-three-eighteenth-nineteenth-century-dolls-in-glass-display-22717187.htmlRMB8XT03–Close view of three eighteenth nineteenth century dolls in glass display cases on the State Bedroom Landing at Clevedon Court
St. Anthony Abbey Alfred Bonnardot (1808-1884). Abbaye Saint-Antoine. Crayon sur papier crème, 1801-1900. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-anthony-abbey-alfred-bonnardot-1808-1884-abbaye-saint-antoine-crayon-sur-papier-crme-1801-1900-paris-muse-carnavalet-image349744936.htmlRM2B9076G–St. Anthony Abbey Alfred Bonnardot (1808-1884). Abbaye Saint-Antoine. Crayon sur papier crème, 1801-1900. Paris, musée Carnavalet.
Hammer-Purgstall, Joseph Freiherr 1801 / 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hammer-purgstall-joseph-freiherr-1801-1900-image418388299.htmlRM2F8K6F7–Hammer-Purgstall, Joseph Freiherr 1801 / 1900
Overmeire between 1801 and 1900 by Jean-François Taelemans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/overmeire-between-1801-and-1900-by-jean-franois-taelemans-image562094289.htmlRM2RJDH01–Overmeire between 1801 and 1900 by Jean-François Taelemans
Elisabeth Ludovika of Bavaria, 13 November 1801 – 14 December 1873, was a Princess of Bavaria and later Queen consort of Prussia, digital improved reproduction of an original print from the year 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisabeth-ludovika-of-bavaria-13-november-1801-14-december-1873-was-a-princess-of-bavaria-and-later-queen-consort-of-prussia-digital-improved-reproduction-of-an-original-print-from-the-year-1900-image212514436.htmlRFP9MT98–Elisabeth Ludovika of Bavaria, 13 November 1801 – 14 December 1873, was a Princess of Bavaria and later Queen consort of Prussia, digital improved reproduction of an original print from the year 1900
Seven sisters Victorian houses in San Francisco 19 th century California United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seven-sisters-victorian-houses-in-san-francisco-19-th-century-california-image5282987.htmlRFAT2MAC–Seven sisters Victorian houses in San Francisco 19 th century California United States
Drawing, Imaginary Landscape; Attributed to Frederic Edwin Church (American, 1826–1900), Thomas Cole (1801 – 1848); USA; pen and dark brown ink on paper; 8.6 x 11.3 cm (3 3/8 x 4 7/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-imaginary-landscape-attributed-to-frederic-edwin-church-american-18261900-thomas-cole-1801-1848-usa-pen-and-dark-brown-ink-on-paper-86-x-113-cm-3-38-x-4-716-in-image546085112.htmlRM2PMC93M–Drawing, Imaginary Landscape; Attributed to Frederic Edwin Church (American, 1826–1900), Thomas Cole (1801 – 1848); USA; pen and dark brown ink on paper; 8.6 x 11.3 cm (3 3/8 x 4 7/16 in.)
Sulgrave Club, Wadsworth House, 1801 Massachusetts Avenue NW, Washington DC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sulgrave-club-wadsworth-house-1801-massachusetts-avenue-nw-washington-72787718.htmlRME6BNDA–Sulgrave Club, Wadsworth House, 1801 Massachusetts Avenue NW, Washington DC
Louis Ferdinand, 18.11.1772 - 10.10.1806, Prince of Prussia, Prussian general, portrait, bust by Carl Wichman, 1801, Monbijou Ca Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-ferdinand-18111772-10101806-prince-of-prussia-prussian-general-23396522.htmlRMBA1PE2–Louis Ferdinand, 18.11.1772 - 10.10.1806, Prince of Prussia, Prussian general, portrait, bust by Carl Wichman, 1801, Monbijou Ca
Korean man and woman, still image, Prints, 1801 - 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/korean-man-and-woman-still-image-prints-1801-1900-image376444759.htmlRM2CTCF3K–Korean man and woman, still image, Prints, 1801 - 1900
pendant mask, Edo people, 1801-1900, brass, iron, 7-3/16 x 4-1/2 x 1-1/2 in., African Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pendant-mask-edo-people-1801-1900-brass-iron-7-316-x-4-12-x-1-12-in-african-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349857561.htmlRF2B95ATW–pendant mask, Edo people, 1801-1900, brass, iron, 7-3/16 x 4-1/2 x 1-1/2 in., African Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Juichidanme, Japan bbetween 1799 and 1801 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-juichidanme-japan-bbetween-1799-and-1801-15725132.htmlRMAPA3JN–Juichidanme, Japan bbetween 1799 and 1801
. Horse . between 1801 and 1900 100 Brooklyn Museum - Horse Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horse-between-1801-and-1900-100-brooklyn-museum-horse-image188214817.htmlRMMX5WWN–. Horse . between 1801 and 1900 100 Brooklyn Museum - Horse
Lily, rock, and dragonfly, 19th century (1801-1900). Artist: Baoru Liu. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lily-rock-and-dragonfly-19th-century-1801-1900-artist-baoru-liu-image186168536.htmlRMMPTKT8–Lily, rock, and dragonfly, 19th century (1801-1900). Artist: Baoru Liu.
Fashionable woman on a balcony holding the L'Avant Garde newspaper watching a balloonist flying during the Siege of Paris, 1870. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashionable-woman-on-a-balcony-holding-the-lavant-garde-newspaper-watching-a-balloonist-flying-during-the-siege-of-paris-1870-handcoloured-drypoint-or-pointe-seche-etching-by-henri-boutet-from-les-modes-feminines-du-xixeme-siecle-female-fashions-of-the-19th-century-ernest-flammarion-paris-1902-boutet-1851-1919-was-a-french-artist-engraver-lithographer-and-designer-image472764424.htmlRM2JD47RM–Fashionable woman on a balcony holding the L'Avant Garde newspaper watching a balloonist flying during the Siege of Paris, 1870. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.
Jan Karal Chadkievič. Ян Караль Хадкевіч (V. Ślivicki, 1801; Z. Gloger, 1900). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-karal-chadkievi-v-livicki-1801-z-gloger-1900-image367315053.htmlRM2C9GJ2N–Jan Karal Chadkievič. Ян Караль Хадкевіч (V. Ślivicki, 1801; Z. Gloger, 1900).
Tilemakers. Thomas Barker (English, 1769-1847); published by G. J. Vollweiler (German, c. 1801-1900). Date: 1803. Dimensions: 318 × 241 mm. Polyautograph on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tilemakers-thomas-barker-english-1769-1847-published-by-g-j-vollweiler-german-c-1801-1900-date-1803-dimensions-318-241-mm-polyautograph-on-paper-origin-england-museum-the-chicago-art-institute-image240136828.htmlRMRXK4Y8–Tilemakers. Thomas Barker (English, 1769-1847); published by G. J. Vollweiler (German, c. 1801-1900). Date: 1803. Dimensions: 318 × 241 mm. Polyautograph on paper. Origin: England. Museum: The Chicago Art Institute.
Sizergh Castle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sizergh-castle-22709575.htmlRMB8XE87–Sizergh Castle
Courthouse Alfred Bonnardot (1808-1884). Palais de Justice. Plume et lavis sur papier fin, 1801-1900. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/courthouse-alfred-bonnardot-1808-1884-palais-de-justice-plume-et-lavis-sur-papier-fin-1801-1900-paris-muse-carnavalet-image349745390.htmlRM2B907PP–Courthouse Alfred Bonnardot (1808-1884). Palais de Justice. Plume et lavis sur papier fin, 1801-1900. Paris, musée Carnavalet.
Humboldt, Alexander Freiherr from 1801/1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/humboldt-alexander-freiherr-from-18011900-image418540969.htmlRM2F8X57N–Humboldt, Alexander Freiherr from 1801/1900
Maisonnette between 1801 and 1900 by Jean-François Taelemans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maisonnette-between-1801-and-1900-by-jean-franois-taelemans-image562094226.htmlRM2RJDGWP–Maisonnette between 1801 and 1900 by Jean-François Taelemans
Paul I, Pavel Petrovich, 1 October 1754 – 23 March 1801, reigned as Emperor of Russia between 1796 and 1801., digital improved reproduction of an original print from the year 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-i-pavel-petrovich-1-october-1754-23-march-1801-reigned-as-emperor-of-russia-between-1796-and-1801-digital-improved-reproduction-of-an-original-print-from-the-year-1900-image212482262.htmlRFP9KB86–Paul I, Pavel Petrovich, 1 October 1754 – 23 March 1801, reigned as Emperor of Russia between 1796 and 1801., digital improved reproduction of an original print from the year 1900
Seven sisters Victorian houses in San Francisco 19 th century California United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seven-sisters-victorian-houses-in-san-francisco-19-th-century-california-image5282934.htmlRFAT2M77–Seven sisters Victorian houses in San Francisco 19 th century California United States
Drawing, Imaginary Landscape; Frederic Edwin Church (American, 1826–1900); Attributed to Thomas Cole (1801 – 1848); USA; pen and dark brown ink on off-white paper; 8.6 x 11.1cm (3 3/8 x 4 3/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-imaginary-landscape-frederic-edwin-church-american-18261900-attributed-to-thomas-cole-1801-1848-usa-pen-and-dark-brown-ink-on-off-white-paper-86-x-111cm-3-38-x-4-38-in-image546083221.htmlRM2PMC6M5–Drawing, Imaginary Landscape; Frederic Edwin Church (American, 1826–1900); Attributed to Thomas Cole (1801 – 1848); USA; pen and dark brown ink on off-white paper; 8.6 x 11.1cm (3 3/8 x 4 3/8 in.)
Sulgrave Club, Wadsworth House, 1801 Massachusetts Avenue NW, Washington DC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sulgrave-club-wadsworth-house-1801-massachusetts-avenue-nw-washington-72787717.htmlRME6BND9–Sulgrave Club, Wadsworth House, 1801 Massachusetts Avenue NW, Washington DC
Discouragement, still image, Prints, 1801 - 1900, Cucinotta, Saro Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/discouragement-still-image-prints-1801-1900-cucinotta-saro-image376444643.htmlRM2CTCEYF–Discouragement, still image, Prints, 1801 - 1900, Cucinotta, Saro
Pair of Lappets (Joined), 1801/1900, France, Bayeux, Bayeux, Silk, bobbin straight lace, 110.8 × 11.2 cm (43 5/8 × 4 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-lappets-joined-18011900-france-bayeux-bayeux-silk-bobbin-straight-lace-1108-112-cm-43-58-4-38-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349703702.htmlRF2B8XAHX–Pair of Lappets (Joined), 1801/1900, France, Bayeux, Bayeux, Silk, bobbin straight lace, 110.8 × 11.2 cm (43 5/8 × 4 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Kudanme, Japan between 1799 and 1801 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kudanme-japan-between-1799-and-1801-15725644.htmlRMAPA55H–Kudanme, Japan between 1799 and 1801
. Bijin . between 1801 and 1900 99 Brooklyn Museum - Bijin - Eizan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bijin-between-1801-and-1900-99-brooklyn-museum-bijin-eizan-image187677261.htmlRMMW9C79–. Bijin . between 1801 and 1900 99 Brooklyn Museum - Bijin - Eizan
Woman dressed as wife of an official, 19th century, (1801 - 1900). Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-dressed-as-wife-of-an-official-19th-century-1801-1900-artist-unknown-image186168496.htmlRMMPTKPT–Woman dressed as wife of an official, 19th century, (1801 - 1900). Artist: Unknown.
Fashionable lady with pet dog watching a steeplechase at a race course, Paris, 1867. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashionable-lady-with-pet-dog-watching-a-steeplechase-at-a-race-course-paris-1867-handcoloured-drypoint-or-pointe-seche-etching-by-henri-boutet-from-les-modes-feminines-du-xixeme-siecle-feminine-fashions-of-the-19th-century-ernest-flammarion-paris-1902-boutet-1851-1919-was-a-french-artist-engraver-lithographer-and-designer-image473097092.htmlRM2JDKC4M–Fashionable lady with pet dog watching a steeplechase at a race course, Paris, 1867. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.
Archive image from page 146 of Cyclopedia of American horticulture, comprising. Cyclopedia of American horticulture, comprising suggestions for cultivation of horticultural plants, descriptions of the species of fruits, vegetables, flowers and ornamental plants sold in the United States and Canada, together with geographical and biographical sketches, and a synopsis of the vegetable kingdom cyclopediaofamer06bail Year: 1906 THUNIA THURBER 1801 ceolate, striate lvs. G in. long: raceme drooping at the end of the stem, 6-12-fld.: fls. white, 3-4 in. across when fully open; sepals and petals obl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-146-of-cyclopedia-of-american-horticulture-comprising-cyclopedia-of-american-horticulture-comprising-suggestions-for-cultivation-of-horticultural-plants-descriptions-of-the-species-of-fruits-vegetables-flowers-and-ornamental-plants-sold-in-the-united-states-and-canada-together-with-geographical-and-biographical-sketches-and-a-synopsis-of-the-vegetable-kingdom-cyclopediaofamer06bail-year-1906-thunia-thurber-1801-ceolate-striate-lvs-g-in-long-raceme-drooping-at-the-end-of-the-stem-6-12-fld-fls-white-3-4-in-across-when-fully-open-sepals-and-petals-obl-image259457988.htmlRMW2398M–Archive image from page 146 of Cyclopedia of American horticulture, comprising. Cyclopedia of American horticulture, comprising suggestions for cultivation of horticultural plants, descriptions of the species of fruits, vegetables, flowers and ornamental plants sold in the United States and Canada, together with geographical and biographical sketches, and a synopsis of the vegetable kingdom cyclopediaofamer06bail Year: 1906 THUNIA THURBER 1801 ceolate, striate lvs. G in. long: raceme drooping at the end of the stem, 6-12-fld.: fls. white, 3-4 in. across when fully open; sepals and petals obl
Outskirts of Rome. Jean-Baptiste-Camille Corot (French, 1796-1875); printed by Auguste Delâtre (French, 1822-1907); published by Cadart et Luquet, Editeurs (French, 1801-1900). Date: 1866. Dimensions: 288 × 210 mm (image); 316 × 235 mm (plate); 433 × 328 mm (sheet). Etching on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/outskirts-of-rome-jean-baptiste-camille-corot-french-1796-1875-printed-by-auguste-deltre-french-1822-1907-published-by-cadart-et-luquet-editeurs-french-1801-1900-date-1866-dimensions-288-210-mm-image-316-235-mm-plate-433-328-mm-sheet-etching-on-ivory-china-paper-laid-down-on-white-wove-paper-origin-france-museum-the-chicago-art-institute-image240177238.htmlRMRXN0EE–Outskirts of Rome. Jean-Baptiste-Camille Corot (French, 1796-1875); printed by Auguste Delâtre (French, 1822-1907); published by Cadart et Luquet, Editeurs (French, 1801-1900). Date: 1866. Dimensions: 288 × 210 mm (image); 316 × 235 mm (plate); 433 × 328 mm (sheet). Etching on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute.
Attingham Park Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-attingham-park-22677023.htmlRMB8W0NK–Attingham Park
Grenier Street on water. Ed. Bernard. Rue Grenier sur l'eau. Crayon, aquarelle sur papier crème, 1801-1900. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grenier-street-on-water-ed-bernard-rue-grenier-sur-leau-crayon-aquarelle-sur-papier-crme-1801-1900-paris-muse-carnavalet-image349749523.htmlRM2B90D2B–Grenier Street on water. Ed. Bernard. Rue Grenier sur l'eau. Crayon, aquarelle sur papier crème, 1801-1900. Paris, musée Carnavalet.
Uhland, Ludwig Stecher: Kühner, Traugottdatierung: 1801/1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/uhland-ludwig-stecher-khner-traugottdatierung-18011900-image418457795.htmlRM2F8PB57–Uhland, Ludwig Stecher: Kühner, Traugottdatierung: 1801/1900
Chaumières between 1801 and 1900 by Jean-François Taelemans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chaumires-between-1801-and-1900-by-jean-franois-taelemans-image562094031.htmlRM2RJDGJR–Chaumières between 1801 and 1900 by Jean-François Taelemans
George III, George William Frederick, 4 June 1738 – 29 January 1820, was King of Great Britain and Ireland from 25 October 1760 until the union of the two countries on 1 January 1801, after which he was King of the United Kingdom of Great Britain and Ireland until his death in 1820, digital improved reproduction of an original print from the year 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-iii-george-william-frederick-4-june-1738-29-january-1820-was-king-of-great-britain-and-ireland-from-25-october-1760-until-the-union-of-the-two-countries-on-1-january-1801-after-which-he-was-king-of-the-united-kingdom-of-great-britain-and-ireland-until-his-death-in-1820-digital-improved-reproduction-of-an-original-print-from-the-year-1900-image212476800.htmlRFP9K494–George III, George William Frederick, 4 June 1738 – 29 January 1820, was King of Great Britain and Ireland from 25 October 1760 until the union of the two countries on 1 January 1801, after which he was King of the United Kingdom of Great Britain and Ireland until his death in 1820, digital improved reproduction of an original print from the year 1900
Drawing, Imaginary Landscape; Frederic Edwin Church (American, 1826–1900); Attributed to Thomas Cole (1801 – 1848); USA; pen and dark brown ink on off-white laid paper; 8.8 x 10.8 cm (3 7/16 x 4 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-imaginary-landscape-frederic-edwin-church-american-18261900-attributed-to-thomas-cole-1801-1848-usa-pen-and-dark-brown-ink-on-off-white-laid-paper-88-x-108-cm-3-716-x-4-14-in-image546084030.htmlRM2PMC7N2–Drawing, Imaginary Landscape; Frederic Edwin Church (American, 1826–1900); Attributed to Thomas Cole (1801 – 1848); USA; pen and dark brown ink on off-white laid paper; 8.8 x 10.8 cm (3 7/16 x 4 1/4 in.)
Dutch man, woman and infant, still image, Prints, 1801 - 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dutch-man-woman-and-infant-still-image-prints-1801-1900-image376445849.htmlRM2CTCGEH–Dutch man, woman and infant, still image, Prints, 1801 - 1900
Daruma, Kawanabe Kyōsai (Japanese, 1831-1889), Edo, 1801-1900, ink on paper, 58 x 35-7/8 in. (image) 92-3/8 x 44-1/8 in. (overall), Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daruma-kawanabe-kysai-japanese-1831-1889-edo-1801-1900-ink-on-paper-58-x-35-78-in-image-92-38-x-44-18-in-overall-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349868562.htmlRF2B95TWP–Daruma, Kawanabe Kyōsai (Japanese, 1831-1889), Edo, 1801-1900, ink on paper, 58 x 35-7/8 in. (image) 92-3/8 x 44-1/8 in. (overall), Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Sandanme, Japan between 1799 and 1801 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sandanme-japan-between-1799-and-1801-15697611.htmlRMAP75NG–Sandanme, Japan between 1799 and 1801
. Bijin . between 1801 and 1900 100 Brooklyn Museum - Bijin - Eizan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bijin-between-1801-and-1900-100-brooklyn-museum-bijin-eizan-image188214602.htmlRMMX5WJ2–. Bijin . between 1801 and 1900 100 Brooklyn Museum - Bijin - Eizan
Fan painting - Flower and Bird, 19th century (1801-1900). Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fan-painting-flower-and-bird-19th-century-1801-1900-artist-unknown-image186168689.htmlRMMPTM1N–Fan painting - Flower and Bird, 19th century (1801-1900). Artist: Unknown.
Fashionable woman in front of a church, Paris, 1815. She wears a bonnet with ribbons, long embroidered shawl, ankle-length dress. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashionable-woman-in-front-of-a-church-paris-1815-she-wears-a-bonnet-with-ribbons-long-embroidered-shawl-ankle-length-dress-handcoloured-drypoint-or-pointe-seche-etching-by-henri-boutet-from-les-modes-feminines-du-xixeme-siecle-female-fashions-of-the-19th-century-ernest-flammarion-paris-1902-boutet-1851-1919-was-a-french-artist-engraver-lithographer-and-designer-image472764344.htmlRM2JD47MT–Fashionable woman in front of a church, Paris, 1815. She wears a bonnet with ribbons, long embroidered shawl, ankle-length dress. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.
Fashionable woman promenading on the Seine in front of the Pont Alexandre III, Paris, 1900. The ornate Beaux Arts-style bridge with sculptures by Emmanuel Fremiet. In the background, the dome of Les Invalides. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashionable-woman-promenading-on-the-seine-in-front-of-the-pont-alexandre-iii-paris-1900-the-ornate-beaux-arts-style-bridge-with-sculptures-by-emmanuel-fremiet-in-the-background-the-dome-of-les-invalides-handcoloured-drypoint-or-pointe-seche-etching-by-henri-boutet-from-les-modes-feminines-du-xixeme-siecle-female-fashions-of-the-19th-century-ernest-flammarion-paris-1902-boutet-1851-1919-was-a-french-artist-engraver-lithographer-and-designer-image571833311.htmlRM2T69767–Fashionable woman promenading on the Seine in front of the Pont Alexandre III, Paris, 1900. The ornate Beaux Arts-style bridge with sculptures by Emmanuel Fremiet. In the background, the dome of Les Invalides. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.
Cushendun Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cushendun-22696303.htmlRMB8WWA7–Cushendun
The street of Venice Camille Bourget. La rue de Venise. Paris (IVème arr.), 1801-1900. Crayon sur papier crème. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-street-of-venice-camille-bourget-la-rue-de-venise-paris-ivme-arr-1801-1900-crayon-sur-papier-crme-paris-muse-carnavalet-image349746076.htmlRM2B908K8–The street of Venice Camille Bourget. La rue de Venise. Paris (IVème arr.), 1801-1900. Crayon sur papier crème. Paris, musée Carnavalet.
Bonaparte, Lucian unknown artist dating: 1801/1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonaparte-lucian-unknown-artist-dating-18011900-image418428843.htmlRM2F8N277–Bonaparte, Lucian unknown artist dating: 1801/1900
Village between 1801 and 1900 by Jean-François Taelemans Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/village-between-1801-and-1900-by-jean-franois-taelemans-image562094214.htmlRM2RJDGWA–Village between 1801 and 1900 by Jean-François Taelemans
Drawing, Imaginary Landscape; Frederic Edwin Church (American, 1826–1900); Attributed to Thomas Cole (1801 – 1848); USA; pen and dark brown ink on off-white laid paper; 8.6 x 11.3 cm (3 3/8 x 4 7/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-imaginary-landscape-frederic-edwin-church-american-18261900-attributed-to-thomas-cole-1801-1848-usa-pen-and-dark-brown-ink-on-off-white-laid-paper-86-x-113-cm-3-38-x-4-716-in-image546084798.htmlRM2PMC8ME–Drawing, Imaginary Landscape; Frederic Edwin Church (American, 1826–1900); Attributed to Thomas Cole (1801 – 1848); USA; pen and dark brown ink on off-white laid paper; 8.6 x 11.3 cm (3 3/8 x 4 7/16 in.)
Untitled, still image, Prints, 1801 - 1900, Cortazzo, Oreste, 1836 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/untitled-still-image-prints-1801-1900-cortazzo-oreste-1836-image376429321.htmlRM2CTBRC9–Untitled, still image, Prints, 1801 - 1900, Cortazzo, Oreste, 1836
Remembrance of Italy, 1863, Jean-Baptiste-Camille Corot (French, 1796-1875), printed by Auguste Delâtre (French, 1822-1907), published by Cadart et Chevalier, Editeurs (French, 1801-1900), France, Etching on light tan laid paper, 293 × 220 mm (image), 239 × 236 mm (plate), 392 × 292 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/remembrance-of-italy-1863-jean-baptiste-camille-corot-french-1796-1875-printed-by-auguste-deltre-french-1822-1907-published-by-cadart-et-chevalier-editeurs-french-1801-1900-france-etching-on-light-tan-laid-paper-293-220-mm-image-239-236-mm-plate-392-292-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349696722.htmlRF2B8X1MJ–Remembrance of Italy, 1863, Jean-Baptiste-Camille Corot (French, 1796-1875), printed by Auguste Delâtre (French, 1822-1907), published by Cadart et Chevalier, Editeurs (French, 1801-1900), France, Etching on light tan laid paper, 293 × 220 mm (image), 239 × 236 mm (plate), 392 × 292 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
