Dolphin Tripod, about 1813-1820, bone china, 7-1/4 x 4-3/4 (diam.) in., Decorative Arts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dolphin-tripod-about-1813-1820-bone-china-7-14-x-4-34-diam-in-decorative-arts-image328771199.html
RM2A2TR0F–Dolphin Tripod, about 1813-1820, bone china, 7-1/4 x 4-3/4 (diam.) in., Decorative Arts
Young Women with a Letter, ca 1813-1820. Found in the Collection of the Musée des Beaux-Arts, Lille. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-women-with-a-letter-ca-1813-1820-found-in-the-collection-of-the-musxe9e-des-beaux-arts-lille-image462498755.html
RM2HTCHTK–Young Women with a Letter, ca 1813-1820. Found in the Collection of the Musée des Beaux-Arts, Lille.
Massachusetts Medical College ca 1813-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/massachusetts-medical-college-ca-1813-1820-image217119276.html
RMPH6HRT–Massachusetts Medical College ca 1813-1820
Battle of Bautzen and Wurschen 1813. Saxony, 1820 antique map Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-battle-of-bautzen-and-wurschen-1813-saxony-1820-antique-map-115319695.html
RFGKH7CF–Battle of Bautzen and Wurschen 1813. Saxony, 1820 antique map
Karl Philip, Prince of Schwarzenberg (1771-1820) Austrian soldier and diplomat; general 1810; field-marshal 1812. Negotiated marriage of Napoleon I and Maria Louisa of Austria. Commanded the Austrian army at the Battle of Leipzig, 1813. Stipple engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-karl-philip-prince-of-schwarzenberg-1771-1820-austrian-soldier-and-57287620.html
RMD95JXC–Karl Philip, Prince of Schwarzenberg (1771-1820) Austrian soldier and diplomat; general 1810; field-marshal 1812. Negotiated marriage of Napoleon I and Maria Louisa of Austria. Commanded the Austrian army at the Battle of Leipzig, 1813. Stipple engraving
Inspired by Sugar Bowl, attributed to Bakewell, Page and Bakewell, Pittsburgh, Pennsylvania, 1813–1832, 1820–35, Glass, Made in Pittsburgh, Pennsylvania, United States, North and Central America, Containers, glassware, 7 5/8 x 4 3/4 in. (19.4 x 12.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-sugar-bowl-attributed-to-bakewell-page-and-bakewell-pittsburgh-pennsylvania-18131832-182035-glass-made-in-pittsburgh-pennsylvania-united-states-north-and-central-america-containers-glassware-7-58-x-4-34-in-194-x-121-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459283254.html
RF2HK64DA–Inspired by Sugar Bowl, attributed to Bakewell, Page and Bakewell, Pittsburgh, Pennsylvania, 1813–1832, 1820–35, Glass, Made in Pittsburgh, Pennsylvania, United States, North and Central America, Containers, glassware, 7 5/8 x 4 3/4 in. (19.4 x 12.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Hand-coloured etching titled 'French Conscripts for the Years 1820, 21, 22, 23, 24 & 25' by George Cruikshank (1792-1878) British caricaturist and book illustrator. Dated 1813 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hand-coloured-etching-titled-french-conscripts-for-the-years-1820-21-22-23-24-25-by-george-cruikshank-1792-1878-british-caricaturist-and-book-illustrator-dated-1813-image330684278.html
RM2A5YY4P–Hand-coloured etching titled 'French Conscripts for the Years 1820, 21, 22, 23, 24 & 25' by George Cruikshank (1792-1878) British caricaturist and book illustrator. Dated 1813
Basin. Maker: William and Samuel Yale, American, active ca. 1813 - 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/basin-maker-william-and-samuel-yale-american-active-ca-1813-1820-image463298439.html
RM2HWN1TR–Basin. Maker: William and Samuel Yale, American, active ca. 1813 - 1820
Side Chair. Culture: American. Dimensions: 33 1/2 x 20 3/4 x 16 3/4 in. (85.1 x 52.7 x 42.5 cm). Maker: Possibly Thomas Ash (active ca. 1774-1813). Date: ca. 1820. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/side-chair-culture-american-dimensions-33-12-x-20-34-x-16-34-in-851-x-527-x-425-cm-maker-possibly-thomas-ash-active-ca-1774-1813-date-ca-1820-museum-metropolitan-museum-of-art-new-york-usa-image213248471.html
RMPAX8GR–Side Chair. Culture: American. Dimensions: 33 1/2 x 20 3/4 x 16 3/4 in. (85.1 x 52.7 x 42.5 cm). Maker: Possibly Thomas Ash (active ca. 1774-1813). Date: ca. 1820. Museum: Metropolitan Museum of Art, New York, USA.
Quarantine section of an Italian port. Pen drawing by I. Cremona, 1813-1820. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quarantine-section-of-an-italian-port-pen-drawing-by-i-cremona-1813-1820-image450021829.html
RM2H447C5–Quarantine section of an Italian port. Pen drawing by I. Cremona, 1813-1820.
Arrival of the Watermen at Brandenburgh House with an address to the Queen on 3 October 1820 by Matthew Dubourg (fl. 1813-20) - engraving in the Doris Leslie Collection.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arrival-of-the-watermen-at-brandenburgh-house-with-an-address-to-the-queen-on-3-october-1820-by-matthew-dubourg-fl-1813-20-engraving-in-the-doris-leslie-collection-image268853181.html
RMWHB8Y9–Arrival of the Watermen at Brandenburgh House with an address to the Queen on 3 October 1820 by Matthew Dubourg (fl. 1813-20) - engraving in the Doris Leslie Collection..
. Bruin become MEDIATOR or Negotiation for PEACE, New York. The picture refers to the War of 1812 between America and Great Britain and the Russian effort to mediate. It shows John Bull, the Russian Bear and Columbia. circa 1813. William Charles (1776–1820) 102 Bruin become Mediator or Negotiation for Peace Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bruin-become-mediator-or-negotiation-for-peace-new-york-the-picture-refers-to-the-war-of-1812-between-america-and-great-britain-and-the-russian-effort-to-mediate-it-shows-john-bull-the-russian-bear-and-columbia-circa-1813-william-charles-17761820-102-bruin-become-mediator-or-negotiation-for-peace-image187678271.html
RMMW9DFB–. Bruin become MEDIATOR or Negotiation for PEACE, New York. The picture refers to the War of 1812 between America and Great Britain and the Russian effort to mediate. It shows John Bull, the Russian Bear and Columbia. circa 1813. William Charles (1776–1820) 102 Bruin become Mediator or Negotiation for Peace
'Il masnadieri' (The Brigands) opera by the Italian composer Guiseppe Verdi (1813-1901), libretto by A Maffei based on Schiller's 'Die Rauber'. Jenny Lind (1820-1887), Swedish soprano, and Luigi Lablache (1794-1858), Italian buffo bass, in the first perfo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-il-masnadieri-the-brigands-opera-by-the-italian-composer-guiseppe-135678043.html
RMHTMJMB–'Il masnadieri' (The Brigands) opera by the Italian composer Guiseppe Verdi (1813-1901), libretto by A Maffei based on Schiller's 'Die Rauber'. Jenny Lind (1820-1887), Swedish soprano, and Luigi Lablache (1794-1858), Italian buffo bass, in the first perfo
Karl Philipp Fürst von Schwarzenberg (1771-1820) österreichischer Soldat und Diplomat: General 1810: Feldmarschall 1812. Verhandelte die Heirat von Napoleon I. und Maria Luisa von Österreich. Kommandierte die österreichische Armee in der Völkerschlacht bei Leipzig 1813. Punktierstich, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/karl-philipp-frst-von-schwarzenberg-1771-1820-sterreichischer-soldat-und-diplomat-general-1810-feldmarschall-1812-verhandelte-die-heirat-von-napoleon-i-und-maria-luisa-von-sterreich-kommandierte-die-sterreichische-armee-in-der-vlkerschlacht-bei-leipzig-1813-punktierstich-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image616276291.html
RF2XPHPKF–Karl Philipp Fürst von Schwarzenberg (1771-1820) österreichischer Soldat und Diplomat: General 1810: Feldmarschall 1812. Verhandelte die Heirat von Napoleon I. und Maria Luisa von Österreich. Kommandierte die österreichische Armee in der Völkerschlacht bei Leipzig 1813. Punktierstich, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
A BOXING MATCH or ANOTHER BLOODY NOSE FOR JOHN BULL by William Charles published in 1813. The cartoon celebrates American naval successes early in the War of 1812. The English ship Boxer was defeated by the American Enterprise as James Madison tauntingly reminds George III. William Charles (1776-1820) was a Scot who had emigrated to America Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-boxing-match-or-another-bloody-nose-for-john-bull-by-william-charles-published-in-1813-the-cartoon-celebrates-american-naval-successes-early-in-the-war-of-1812-the-english-ship-boxer-was-defeated-by-the-american-enterprise-as-james-madison-tauntingly-reminds-george-iii-william-charles-1776-1820-was-a-scot-who-had-emigrated-to-america-image386248126.html
RM2DCB3BX–A BOXING MATCH or ANOTHER BLOODY NOSE FOR JOHN BULL by William Charles published in 1813. The cartoon celebrates American naval successes early in the War of 1812. The English ship Boxer was defeated by the American Enterprise as James Madison tauntingly reminds George III. William Charles (1776-1820) was a Scot who had emigrated to America
VERDI - RIGOLETTO Ludovico GRAZIANI (Italian Tenor, 1820-1885) in Rigolettto Italian composer (1813-1901) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/verdi-rigoletto-ludovico-graziani-italian-tenor-1820-1885-in-rigolettto-image157816860.html
RMK4N50C–VERDI - RIGOLETTO Ludovico GRAZIANI (Italian Tenor, 1820-1885) in Rigolettto Italian composer (1813-1901)
Jakob Stämpfli (1820–1879) by Carl Friedrich Irminger (1813–1863) ZBZ. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jakob-stmpfli-18201879-by-carl-friedrich-irminger-18131863-zbz-image367354957.html
RM2C9JCYW–Jakob Stämpfli (1820–1879) by Carl Friedrich Irminger (1813–1863) ZBZ.
Kolkata's Roman Doric style Town Hall was built in 1813 by architect Major General John Garstin (1756 - 1820). It was used originally as a social venue for Europeans living in the town. The tax records of Mughal Emperor Akbar (1584–1598) as well as the work of a 15th century Bengali poet, Bipradaas, both mention a settlement named Kalikata (thought to mean ‘Steps of Kali’ for the Hindu goddess Kali) from which the name Calcutta is believed to derive. In 1690 Job Charnock, an agent of the East India Company, founded the first modern settlement in this location. In 1698 the company purchased t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kolkatas-roman-doric-style-town-hall-was-built-in-1813-by-architect-major-general-john-garstin-1756-1820-it-was-used-originally-as-a-social-venue-for-europeans-living-in-the-town-the-tax-records-of-mughal-emperor-akbar-15841598-as-well-as-the-work-of-a-15th-century-bengali-poet-bipradaas-both-mention-a-settlement-named-kalikata-thought-to-mean-steps-of-kali-for-the-hindu-goddess-kali-from-which-the-name-calcutta-is-believed-to-derive-in-1690-job-charnock-an-agent-of-the-east-india-company-founded-the-first-modern-settlement-in-this-location-in-1698-the-company-purchased-t-image344266342.html
RM2B02K6E–Kolkata's Roman Doric style Town Hall was built in 1813 by architect Major General John Garstin (1756 - 1820). It was used originally as a social venue for Europeans living in the town. The tax records of Mughal Emperor Akbar (1584–1598) as well as the work of a 15th century Bengali poet, Bipradaas, both mention a settlement named Kalikata (thought to mean ‘Steps of Kali’ for the Hindu goddess Kali) from which the name Calcutta is believed to derive. In 1690 Job Charnock, an agent of the East India Company, founded the first modern settlement in this location. In 1698 the company purchased t
1855 ca, FRANCE : The french writer , politician and journalist EUGENE PELLETAN ( 1813 - 1884 ). Photo by Felix Nadar ( 1820 - 1910 ), Paris . - SCRITTRICE - SCRITTORE - LETTERATURA - LITERATURE - letterato - ritratto - portrait - POLITICA - POLITICO - POLITIC - '800 - 800's - OTTOCENTO - beard - barba --- Archivio GBB Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1855-ca-france-the-french-writer-politician-and-journalist-eugene-pelletan-1813-1884-photo-by-felix-nadar-1820-1910-paris-scrittrice-scrittore-letteratura-literature-letterato-ritratto-portrait-politica-politico-politic-800-800s-ottocento-beard-barba-archivio-gbb-image376601902.html
RM2CTKKFX–1855 ca, FRANCE : The french writer , politician and journalist EUGENE PELLETAN ( 1813 - 1884 ). Photo by Felix Nadar ( 1820 - 1910 ), Paris . - SCRITTRICE - SCRITTORE - LETTERATURA - LITERATURE - letterato - ritratto - portrait - POLITICA - POLITICO - POLITIC - '800 - 800's - OTTOCENTO - beard - barba --- Archivio GBB
William Blake, (artist), British, 1757 - 1827, François Huet, (artist after), French, 1772 - 1813, Mrs. Q., 1820, stipple engraving printed in color Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-blake-artist-british-1757-1827-franois-huet-artist-after-french-1772-1813-mrs-q-1820-stipple-engraving-printed-in-color-image386257372.html
RM2DCBF64–William Blake, (artist), British, 1757 - 1827, François Huet, (artist after), French, 1772 - 1813, Mrs. Q., 1820, stipple engraving printed in color
Ferdinand VII, 14.10.1784 - 29 .11.1833, King of Spain 19.3. - 2.5.1808, 11.12.1813 - 29.9.1833, scene, entering Madrid, 13.11.1820, wood engraving, after drawing by Joseph Weiser (1847 - 1911), Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ferdinand-vii-14101784-29-111833-king-of-spain-193-251808-11121813-23533007.html
RMBA80GF–Ferdinand VII, 14.10.1784 - 29 .11.1833, King of Spain 19.3. - 2.5.1808, 11.12.1813 - 29.9.1833, scene, entering Madrid, 13.11.1820, wood engraving, after drawing by Joseph Weiser (1847 - 1911),
Agrippina Surrounded by her Children, Valentine Green, 1739–1813, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), 1774, Mezzotint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/agrippina-surrounded-by-her-children-valentine-green-17391813-british-after-benjamin-west-17381820-american-active-in-britain-from-1763-1774-mezzotint-image389760130.html
RM2DJ330J–Agrippina Surrounded by her Children, Valentine Green, 1739–1813, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), 1774, Mezzotint
Plan of the BATTLE OF LEIPZIG 1813. Battle of the Nations. Germany, 1820 map Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-plan-of-the-battle-of-leipzig-1813-battle-of-the-nations-germany-1820-115319735.html
RFGKH7DY–Plan of the BATTLE OF LEIPZIG 1813. Battle of the Nations. Germany, 1820 map
Benjamin West, American, 1738-1820, The Baptism of Christ, 1813, pen and brush and ink over graphite pencil on paper, Sheet: 5 7/8 × 9 inches (14.9 × 22.9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benjamin-west-american-1738-1820-the-baptism-of-christ-1813-pen-and-brush-and-ink-over-graphite-pencil-on-paper-sheet-5-78-9-inches-149-229-cm-image328727198.html
RM2A2PPW2–Benjamin West, American, 1738-1820, The Baptism of Christ, 1813, pen and brush and ink over graphite pencil on paper, Sheet: 5 7/8 × 9 inches (14.9 × 22.9 cm
Mexican War of Independence (from Spain) 1810-1820: Congress of Chilpancingo, 1813, called by Jose Maria Teclo Morelos y Pavon (1765-1815), right, Mexican Roman Catholic Priest who became leader of the revolutionaries after the exection of Miguel Hidalgo. The Congress endorsed Mexico's declaration of independence and on 6 November signed the first legal document of separation from Spain is proclaimed. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mexican-war-of-independence-from-spain-1810-1820-congress-of-chilpancingo-57347557.html
RMD98BB1–Mexican War of Independence (from Spain) 1810-1820: Congress of Chilpancingo, 1813, called by Jose Maria Teclo Morelos y Pavon (1765-1815), right, Mexican Roman Catholic Priest who became leader of the revolutionaries after the exection of Miguel Hidalgo. The Congress endorsed Mexico's declaration of independence and on 6 November signed the first legal document of separation from Spain is proclaimed.
South Boston Flint Glass Works, American, 1813–1827, Thomas Cains, lessor, 1813–1819/1820 , Lamp, c. 1813–30, Colorless lead glass, Height (with burners): 10 5/8 in. (27 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/south-boston-flint-glass-works-american-18131827-thomas-cains-lessor-181318191820-lamp-c-181330-colorless-lead-glass-height-with-burners-10-58-in-27-cm-image344578098.html
RM2B0GTTJ–South Boston Flint Glass Works, American, 1813–1827, Thomas Cains, lessor, 1813–1819/1820 , Lamp, c. 1813–30, Colorless lead glass, Height (with burners): 10 5/8 in. (27 cm
Inspired by Elegant Gathering at the Poetry Niche, Fa Shishan et al., Chinese, 1753–1813, Qing dynasty, 1644–1911, Jiaqing period, 1796–1820, 1801, Hanging scroll: ink and light color on paper, China, Asia, Paintings, scroll: 85 3/4 × 17 in. (217.8 × 43.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-elegant-gathering-at-the-poetry-niche-fa-shishan-et-al-chinese-17531813-qing-dynasty-16441911-jiaqing-period-17961820-1801-hanging-scroll-ink-and-light-color-on-paper-china-asia-paintings-scroll-85-34-17-in-2178-432-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459282738.html
RF2HK63PX–Inspired by Elegant Gathering at the Poetry Niche, Fa Shishan et al., Chinese, 1753–1813, Qing dynasty, 1644–1911, Jiaqing period, 1796–1820, 1801, Hanging scroll: ink and light color on paper, China, Asia, Paintings, scroll: 85 3/4 × 17 in. (217.8 × 43.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
South Boston Flint Glass Works, American, 1813–1827, Thomas Cains, lessor, 1813–1819/1820 , Decanter and Stopper, c. 1813–30, Colorless lead glass, Height (with stopper): 10 5/8 in. (27 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/south-boston-flint-glass-works-american-18131827-thomas-cains-lessor-181318191820-decanter-and-stopper-c-181330-colorless-lead-glass-height-with-stopper-10-58-in-27-cm-image344578078.html
RM2B0GTRX–South Boston Flint Glass Works, American, 1813–1827, Thomas Cains, lessor, 1813–1819/1820 , Decanter and Stopper, c. 1813–30, Colorless lead glass, Height (with stopper): 10 5/8 in. (27 cm
Note regarding Drawing Society 'Without Law or Spell', Anonymous, 1813 - 1820 paper. ink writing (processes) / pen money. artist's model, sitter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/note-regarding-drawing-society-without-law-or-spell-anonymous-1813-1820-paper-ink-writing-processes-pen-money-artists-model-sitter-image590802926.html
RM2W95B4E–Note regarding Drawing Society 'Without Law or Spell', Anonymous, 1813 - 1820 paper. ink writing (processes) / pen money. artist's model, sitter
South Boston Flint Glass Works, American, 1813–1827, Thomas Cains, lessor, 1813–1819/1820 , Sugar Bowl and Cover, c. 1813–35, Colorless lead glass, Height: 5 3/4 in. (14.6 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/south-boston-flint-glass-works-american-18131827-thomas-cains-lessor-181318191820-sugar-bowl-and-cover-c-181335-colorless-lead-glass-height-5-34-in-146-cm-image344578056.html
RM2B0GTR4–South Boston Flint Glass Works, American, 1813–1827, Thomas Cains, lessor, 1813–1819/1820 , Sugar Bowl and Cover, c. 1813–35, Colorless lead glass, Height: 5 3/4 in. (14.6 cm
. Bruin become MEDIATOR or Negotiation for PEACE, New York. The picture refers to the War of 1812 between America and Great Britain and the Russian effort to mediate. It shows John Bull, the Russian Bear and Columbia. circa 1813. William Charles (1776–1820) 103 Bruin become Mediator or Negotiation for Peace Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bruin-become-mediator-or-negotiation-for-peace-new-york-the-picture-refers-to-the-war-of-1812-between-america-and-great-britain-and-the-russian-effort-to-mediate-it-shows-john-bull-the-russian-bear-and-columbia-circa-1813-william-charles-17761820-103-bruin-become-mediator-or-negotiation-for-peace-image188241785.html
RMMX748W–. Bruin become MEDIATOR or Negotiation for PEACE, New York. The picture refers to the War of 1812 between America and Great Britain and the Russian effort to mediate. It shows John Bull, the Russian Bear and Columbia. circa 1813. William Charles (1776–1820) 103 Bruin become Mediator or Negotiation for Peace
Charles Severin, (artist), American, born 1808/1820, Nathaniel Currier, (publisher), American, 1813 - 1888, Peytona and Fashion: In Their Great Match for $20,000. Over the Union Course L.I. May 13th. 1845, Won by Peytona. Time 7:39 3/4, 7:45 1/4, c. 1845, hand-colored lithograph on wove paper, image: 45 x 72.5 cm (17 11/16 x 28 9/16 in.), sheet: 80.5 cm (31 11/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-severin-artist-american-born-18081820-nathaniel-currier-publisher-american-1813-1888-peytona-and-fashion-in-their-great-match-for-20000-over-the-union-course-li-may-13th-1845-won-by-peytona-time-739-34-745-14-c-1845-hand-colored-lithograph-on-wove-paper-image-45-x-725-cm-17-1116-x-28-916-in-sheet-805-cm-31-1116-in-image386348388.html
RM2DCFK8M–Charles Severin, (artist), American, born 1808/1820, Nathaniel Currier, (publisher), American, 1813 - 1888, Peytona and Fashion: In Their Great Match for $20,000. Over the Union Course L.I. May 13th. 1845, Won by Peytona. Time 7:39 3/4, 7:45 1/4, c. 1845, hand-colored lithograph on wove paper, image: 45 x 72.5 cm (17 11/16 x 28 9/16 in.), sheet: 80.5 cm (31 11/16 in
Plum Tree in Blossom. Artist: Kitao Shigemasa (Japanese, 1739-1820). Culture: Japan. Dimensions: 8 3/16 x 3 7/16 in. (20.8 x 8.7 cm). Date: 1813. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plum-tree-in-blossom-artist-kitao-shigemasa-japanese-1739-1820-culture-japan-dimensions-8-316-x-3-716-in-208-x-87-cm-date-1813-museum-metropolitan-museum-of-art-new-york-usa-image212916935.html
RMPAB5M7–Plum Tree in Blossom. Artist: Kitao Shigemasa (Japanese, 1739-1820). Culture: Japan. Dimensions: 8 3/16 x 3 7/16 in. (20.8 x 8.7 cm). Date: 1813. Museum: Metropolitan Museum of Art, New York, USA.
Benjamin West and His Son Raphael, Print made by Valentine Green, 1739–1813, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), Published by Valentine Green, 1739–1813, British, 1775, Mezzotint and etching on medium, moderately textured, cream laid paper, Sheet: 15 3/8 x 10 15/16 inches (39.1 x 27.8 cm) and Image: 13 7/8 x 10 7/8 inches (35.2 x 27.7 cm), artist, boy, child, cravat, drawing (activity), father, fur, man, pen, portfolio, portrait, ruffles, self-portrait, son, tondo, writing (processes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benjamin-west-and-his-son-raphael-print-made-by-valentine-green-17391813-british-after-benjamin-west-17381820-american-active-in-britain-from-1763-published-by-valentine-green-17391813-british-1775-mezzotint-and-etching-on-medium-moderately-textured-cream-laid-paper-sheet-15-38-x-10-1516-inches-391-x-278-cm-and-image-13-78-x-10-78-inches-352-x-277-cm-artist-boy-child-cravat-drawing-activity-father-fur-man-pen-portfolio-portrait-ruffles-self-portrait-son-tondo-writing-processes-image389733489.html
RM2DJ1W15–Benjamin West and His Son Raphael, Print made by Valentine Green, 1739–1813, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), Published by Valentine Green, 1739–1813, British, 1775, Mezzotint and etching on medium, moderately textured, cream laid paper, Sheet: 15 3/8 x 10 15/16 inches (39.1 x 27.8 cm) and Image: 13 7/8 x 10 7/8 inches (35.2 x 27.7 cm), artist, boy, child, cravat, drawing (activity), father, fur, man, pen, portfolio, portrait, ruffles, self-portrait, son, tondo, writing (processes
Alexander Grigoryevich Krasnokutsky - major general, participant in the Patriotic War of 1812 and foreign campaigns of 1813-1814, author of travel essays ca. circa 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexander-grigoryevich-krasnokutsky-major-general-participant-in-the-patriotic-war-of-1812-and-foreign-campaigns-of-1813-1814-author-of-travel-essays-ca-circa-1820-image504692417.html
RM2M92M95–Alexander Grigoryevich Krasnokutsky - major general, participant in the Patriotic War of 1812 and foreign campaigns of 1813-1814, author of travel essays ca. circa 1820
Jakob Stämpfli (1820–1879) by Carl Friedrich Irminger (1813–1863) ZBZ (A). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jakob-stmpfli-18201879-by-carl-friedrich-irminger-18131863-zbz-a-image367354943.html
RM2C9JCYB–Jakob Stämpfli (1820–1879) by Carl Friedrich Irminger (1813–1863) ZBZ (A).
Karl Philip, Prince of Schwarzenberg (1771-1820) Austrian soldier and diplomat; general 1810; field-marshal 1812. Negotiated marriage of Napoleon I and Maria Louisa of Austria. Commanded the Austrian army at the Battle of Leipzig, 1813. Stipple engraving from 'History of the Wars Occasioned by the French Revolution...' by CH Gifford (London, 1817). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/karl-philip-prince-of-schwarzenberg-1771-1820-austrian-soldier-and-diplomat-general-1810-field-marshal-1812-negotiated-marriage-of-napoleon-i-and-maria-louisa-of-austria-commanded-the-austrian-army-at-the-battle-of-leipzig-1813-stipple-engraving-from-history-of-the-wars-occasioned-by-the-french-revolution-by-ch-gifford-london-1817-image257301573.html
RMTXH2NW–Karl Philip, Prince of Schwarzenberg (1771-1820) Austrian soldier and diplomat; general 1810; field-marshal 1812. Negotiated marriage of Napoleon I and Maria Louisa of Austria. Commanded the Austrian army at the Battle of Leipzig, 1813. Stipple engraving from 'History of the Wars Occasioned by the French Revolution...' by CH Gifford (London, 1817).
1855 ca, FRANCE : The french writer , politician and journalist EUGENE PELLETAN ( 1813 - 1884 ). Photo by Felix Nadar ( 1820 - 1910 ), Paris . - SCRITTRICE - SCRITTORE - LETTERATURA - LITERATURE - letterato - ritratto - portrait - POLITICA - POLITICO - POLITIC - '800 - 800's - OTTOCENTO - beard - barba --- Archivio GBB Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1855-ca-france-the-french-writer-politician-and-journalist-eugene-pelletan-1813-1884-photo-by-felix-nadar-1820-1910-paris-scrittrice-scrittore-letteratura-literature-letterato-ritratto-portrait-politica-politico-politic-800-800s-ottocento-beard-barba-archivio-gbb-image376601868.html
RM2CTKKEM–1855 ca, FRANCE : The french writer , politician and journalist EUGENE PELLETAN ( 1813 - 1884 ). Photo by Felix Nadar ( 1820 - 1910 ), Paris . - SCRITTRICE - SCRITTORE - LETTERATURA - LITERATURE - letterato - ritratto - portrait - POLITICA - POLITICO - POLITIC - '800 - 800's - OTTOCENTO - beard - barba --- Archivio GBB
A Meon Valley environmental study group member surveys ship beams from an 18th century American ship, used to make a Hampshire mill. The Chesapeake Mill is a watermill in Wickham, Hampshire, constructed in 1820 using the timbers of HMS Chesapeake, which had previously been an old United States Navy frigate, USS Chesapeake, until the British captured it in 1813. The mill is now popular with American tourists. 17 December 1996 Picture by Roger Bamber Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-meon-valley-environmental-study-group-member-surveys-ship-beams-from-an-18th-century-american-ship-used-to-make-a-hampshire-mill-the-chesapeake-mill-is-a-watermill-in-wickham-hampshire-constructed-in-1820-using-the-timbers-of-hms-chesapeake-which-had-previously-been-an-old-united-states-navy-frigate-uss-chesapeake-until-the-british-captured-it-in-1813-the-mill-is-now-popular-with-american-tourists-17-december-1996-picture-by-roger-bamber-image615130499.html
RM2XMNH6B–A Meon Valley environmental study group member surveys ship beams from an 18th century American ship, used to make a Hampshire mill. The Chesapeake Mill is a watermill in Wickham, Hampshire, constructed in 1820 using the timbers of HMS Chesapeake, which had previously been an old United States Navy frigate, USS Chesapeake, until the British captured it in 1813. The mill is now popular with American tourists. 17 December 1996 Picture by Roger Bamber
The Death of Epaminondas after Benjamin West Valentine Green (1739-1813). 'La Mort d'Epaminondas', d'après Benjamin West (1728-1820). Gravure (manière noire). 1774. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-death-of-epaminondas-after-benjamin-west-valentine-green-1739-1813-la-mort-depaminondas-daprs-benjamin-west-1728-1820-gravure-manire-noire-1774-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349518385.html
RM2B8HX7D–The Death of Epaminondas after Benjamin West Valentine Green (1739-1813). 'La Mort d'Epaminondas', d'après Benjamin West (1728-1820). Gravure (manière noire). 1774. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Brekke between 1800 and 1813 / between 1813 and 1820 by John William Edy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brekke-between-1800-and-1813-between-1813-and-1820-by-john-william-edy-image559660898.html
RM2REEN56–Brekke between 1800 and 1813 / between 1813 and 1820 by John William Edy
Plan of the BATTLE OF KULM (Chlumec) 1813. Czech Republic, 1820 antique map Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-plan-of-the-battle-of-kulm-chlumec-1813-czech-republic-1820-antique-115319723.html
RFGKH7DF–Plan of the BATTLE OF KULM (Chlumec) 1813. Czech Republic, 1820 antique map
Wieland, Christoph Martin, 5.9.1733 - 20.1.1813, German author, portrait, engraving after painting by Ferdinand Carl Christian Jagemann, (1780 - 1820), 1805, 19 Jh., Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wieland-christoph-martin-591733-2011813-german-author-portrait-engraving-image8047471.html
RMAG3GR0–Wieland, Christoph Martin, 5.9.1733 - 20.1.1813, German author, portrait, engraving after painting by Ferdinand Carl Christian Jagemann, (1780 - 1820), 1805, 19 Jh.,
Il masnadieri (The Brigands) opera by the Italian composer Guiseppe Verdi (1813-1901), libretto by A Maffei based on Schiller's 'Die Rauber'. Jenny Lind (1820-1887), Swedish soprano, and Luigi Lablache (1794-1858), Italian buffo bass, in the first performance of the work: Her Majesty's Theatre, London. Wood engraving from 'The Illustrated London News', 31 July 1847 . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-il-masnadieri-the-brigands-opera-by-the-italian-composer-guiseppe-57302429.html
RMD969R9–Il masnadieri (The Brigands) opera by the Italian composer Guiseppe Verdi (1813-1901), libretto by A Maffei based on Schiller's 'Die Rauber'. Jenny Lind (1820-1887), Swedish soprano, and Luigi Lablache (1794-1858), Italian buffo bass, in the first performance of the work: Her Majesty's Theatre, London. Wood engraving from 'The Illustrated London News', 31 July 1847 .
Schwarzenbergplatz, Vienna, Austria, c1935. Central area which was laid out after the demolition of the city walls in the mid 19th century. The square contains the Schwarzenberg Monument, an equestria statue which was erected to commemorate Karl Philipp, Prince of Schwarzenberg (1771-1820), the victorious commander of the 1813 Battle of Leipzig. From "Österreich - Land Und Volk", (Austria, Land and People). [R. Lechner (Wilhelm Müller), Vienna, c1935] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/schwarzenbergplatz-vienna-austria-c1935-central-area-which-was-laid-out-after-the-demolition-of-the-city-walls-in-the-mid-19th-century-the-square-contains-the-schwarzenberg-monument-an-equestria-statue-which-was-erected-to-commemorate-karl-philipp-prince-of-schwarzenberg-1771-1820-the-victorious-commander-of-the-1813-battle-of-leipzig-from-quotxd6sterreich-land-und-volkquot-austria-land-and-people-r-lechner-wilhelm-mxfcller-vienna-c1935-image274157187.html
RMWX0X83–Schwarzenbergplatz, Vienna, Austria, c1935. Central area which was laid out after the demolition of the city walls in the mid 19th century. The square contains the Schwarzenberg Monument, an equestria statue which was erected to commemorate Karl Philipp, Prince of Schwarzenberg (1771-1820), the victorious commander of the 1813 Battle of Leipzig. From "Österreich - Land Und Volk", (Austria, Land and People). [R. Lechner (Wilhelm Müller), Vienna, c1935]
Art inspired by Sugar Bowl, attributed to Bakewell, Page and Bakewell, Pittsburgh, Pennsylvania, 1813-1832, 1820-35, Glass, Made in Pittsburgh, Pennsylvania, United States, North and Central America, Containers, glassware, 7 5/8 x 4 3/4 in. (19.4 x 12.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-sugar-bowl-attributed-to-bakewell-page-and-bakewell-pittsburgh-pennsylvania-1813-1832-1820-35-glass-made-in-pittsburgh-pennsylvania-united-states-north-and-central-america-containers-glassware-7-58-x-4-34-in-194-x-121-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459596271.html
RF2HKMBMF–Art inspired by Sugar Bowl, attributed to Bakewell, Page and Bakewell, Pittsburgh, Pennsylvania, 1813-1832, 1820-35, Glass, Made in Pittsburgh, Pennsylvania, United States, North and Central America, Containers, glassware, 7 5/8 x 4 3/4 in. (19.4 x 12.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Hand-coloured etching titled 'French Conscripts for the Years 1820, 21, 22, 23, 24 & 25' by George Cruikshank (1792-1878) British caricaturist and book illustrator. Dated 1813 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hand-coloured-etching-titled-french-conscripts-for-the-years-1820-90840433.html
RMF7P3W5–Hand-coloured etching titled 'French Conscripts for the Years 1820, 21, 22, 23, 24 & 25' by George Cruikshank (1792-1878) British caricaturist and book illustrator. Dated 1813
German play medal with the portrait of Tsar Alexander, Lauer, 1813 - 1820 history medal Brass medal, on the front the portrait of Alexander to the left with a change, a winged globe on an anchor with cross -shaped end, with a change. brass (alloy) striking (metalworking) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/german-play-medal-with-the-portrait-of-tsar-alexander-lauer-1813-1820-history-medal-brass-medal-on-the-front-the-portrait-of-alexander-to-the-left-with-a-change-a-winged-globe-on-an-anchor-with-cross-shaped-end-with-a-change-brass-alloy-striking-metalworking-image590847897.html
RM2W97CEH–German play medal with the portrait of Tsar Alexander, Lauer, 1813 - 1820 history medal Brass medal, on the front the portrait of Alexander to the left with a change, a winged globe on an anchor with cross -shaped end, with a change. brass (alloy) striking (metalworking)
Portrait of the composer Richard Wagner (1813-1883), 1843. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-composer-richard-wagner-1813-1883-1843-image186155645.html
RMMPT3BW–Portrait of the composer Richard Wagner (1813-1883), 1843.
. Bruin become MEDIATOR or Negotiation for PEACE, New York. The picture refers to the War of 1812 between America and Great Britain and the Russian effort to mediate. It shows John Bull, the Russian Bear and Columbia. circa 1813. William Charles (1776–1820) 88 Bruin become Mediator or Negotiation for Peace Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bruin-become-mediator-or-negotiation-for-peace-new-york-the-picture-refers-to-the-war-of-1812-between-america-and-great-britain-and-the-russian-effort-to-mediate-it-shows-john-bull-the-russian-bear-and-columbia-circa-1813-william-charles-17761820-88-bruin-become-mediator-or-negotiation-for-peace-image188947703.html
RMMYB8M7–. Bruin become MEDIATOR or Negotiation for PEACE, New York. The picture refers to the War of 1812 between America and Great Britain and the Russian effort to mediate. It shows John Bull, the Russian Bear and Columbia. circa 1813. William Charles (1776–1820) 88 Bruin become Mediator or Negotiation for Peace
The swan rider Flinch, Andreas 1813 - 1872, Frølich, Lorenz 1820 - 1908 Woodcut, Print Lorens Frölich: Fortegnelse over Kunstnerens Illustrationer, Raderinger m.m., Pietro Krohn, Nr. 9, 1612, 1900 Svaneridderen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-swan-rider-flinch-andreas-1813-1872-frlich-lorenz-1820-1908-woodcut-print-lorens-frlich-fortegnelse-over-kunstnerens-illustrationer-raderinger-mm-pietro-krohn-nr-9-1612-1900-svaneridderen-image613404373.html
RM2XHXYF1–The swan rider Flinch, Andreas 1813 - 1872, Frølich, Lorenz 1820 - 1908 Woodcut, Print Lorens Frölich: Fortegnelse over Kunstnerens Illustrationer, Raderinger m.m., Pietro Krohn, Nr. 9, 1612, 1900 Svaneridderen
Plum Tree in Blossom. Artist: Kitao Shigemasa (Japanese, 1739-1820). Culture: Japan. Dimensions: 8 5/16 x 3 5/16 in. (21.1 x 8.4 cm). Date: 1813. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plum-tree-in-blossom-artist-kitao-shigemasa-japanese-1739-1820-culture-japan-dimensions-8-516-x-3-516-in-211-x-84-cm-date-1813-museum-metropolitan-museum-of-art-new-york-usa-image212849603.html
RMPA83RF–Plum Tree in Blossom. Artist: Kitao Shigemasa (Japanese, 1739-1820). Culture: Japan. Dimensions: 8 5/16 x 3 5/16 in. (21.1 x 8.4 cm). Date: 1813. Museum: Metropolitan Museum of Art, New York, USA.
Peter and John Going to the Sepulchre, Print made by Valentine Green, 1739–1813, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), Published by V. Green & Son, 1739–1813, British, 1784, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 18 9/16 x 9 5/8 inches (47.1 x 24.5 cm), Plate: 18 3/8 x 9 7/16 inches (46.6 x 23.9 cm), and Image: 17 3/8 x 9 7/16 inches (44.2 x 23.9 cm), anxiety, barefoot, cloaks, clouds, gesture, men, meteorology, mourning, Peter and/or John make sure that the tomb of Christ is empty, religious and mythological Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peter-and-john-going-to-the-sepulchre-print-made-by-valentine-green-17391813-british-after-benjamin-west-17381820-american-active-in-britain-from-1763-published-by-v-green-son-17391813-british-1784-mezzotint-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-18-916-x-9-58-inches-471-x-245-cm-plate-18-38-x-9-716-inches-466-x-239-cm-and-image-17-38-x-9-716-inches-442-x-239-cm-anxiety-barefoot-cloaks-clouds-gesture-men-meteorology-mourning-peter-andor-john-make-sure-that-the-tomb-of-christ-is-empty-religious-and-mythological-image389761255.html
RM2DJ34CR–Peter and John Going to the Sepulchre, Print made by Valentine Green, 1739–1813, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), Published by V. Green & Son, 1739–1813, British, 1784, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 18 9/16 x 9 5/8 inches (47.1 x 24.5 cm), Plate: 18 3/8 x 9 7/16 inches (46.6 x 23.9 cm), and Image: 17 3/8 x 9 7/16 inches (44.2 x 23.9 cm), anxiety, barefoot, cloaks, clouds, gesture, men, meteorology, mourning, Peter and/or John make sure that the tomb of Christ is empty, religious and mythological
Battle of Leipzig, field marshal Charles Philipp prince of Schwarzenberg notify the allies sovereign the victory in the battle of Leipzig (19.10.1813), engraving by John Scott based on a painting by Johann Peter Krafft. crest thrusting from (James / Jack) Girtin. print: Dixon, London. person key page Pk 3003, 413a, 1820 - 18200101 PD0321 - Rechteinfo: Rights Managed (RM) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-leipzig-field-marshal-charles-philipp-prince-of-schwarzenberg-notify-the-allies-sovereign-the-victory-in-the-battle-of-leipzig-19101813-engraving-by-john-scott-based-on-a-painting-by-johann-peter-krafft-crest-thrusting-from-james-jack-girtin-print-dixon-london-person-key-page-pk-3003-413a-1820-18200101-pd0321-rechteinfo-rights-managed-rm-image603203909.html
RM2X1A8MN–Battle of Leipzig, field marshal Charles Philipp prince of Schwarzenberg notify the allies sovereign the victory in the battle of Leipzig (19.10.1813), engraving by John Scott based on a painting by Johann Peter Krafft. crest thrusting from (James / Jack) Girtin. print: Dixon, London. person key page Pk 3003, 413a, 1820 - 18200101 PD0321 - Rechteinfo: Rights Managed (RM)
A carriage procession in Barrackpore Park showing Government House from the south west, a garden house and tents behind. ‘April XI 1820’. The wedding procession of James Munro Macnabb and Jean Mary Campbell. The bride was cousin to the Marchioness of Hastings, whose husband was Governor-General 1813-23, and who was a witness at the marriage. Macnab Collection. c.1820. Source: WD 4117, f.26. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-carriage-procession-in-barrackpore-park-showing-government-house-from-the-south-west-a-garden-house-and-tents-behind-april-xi-1820-the-wedding-procession-of-james-munro-macnabb-and-jean-mary-campbell-the-bride-was-cousin-to-the-marchioness-of-hastings-whose-husband-was-governor-general-1813-23-and-who-was-a-witness-at-the-marriage-macnab-collection-c1820-source-wd-4117-f26-language-english-image226833009.html
RMR513PW–A carriage procession in Barrackpore Park showing Government House from the south west, a garden house and tents behind. ‘April XI 1820’. The wedding procession of James Munro Macnabb and Jean Mary Campbell. The bride was cousin to the Marchioness of Hastings, whose husband was Governor-General 1813-23, and who was a witness at the marriage. Macnab Collection. c.1820. Source: WD 4117, f.26. Language: English.
Bavarian Army, Uhlan Private 1814-1822, National Light Cavalryman in Regiment 1813-1815, Hussar of the 2nd Regiment 1815-1822, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bavarian-army-uhlan-private-1814-1822-national-light-cavalryman-in-regiment-1813-1815-hussar-of-the-2nd-regiment-1815-1822-illustration-the-history-of-costume-braun-schneider-munich-germany-1861-1880-image473010922.html
RM2JDFE76–Bavarian Army, Uhlan Private 1814-1822, National Light Cavalryman in Regiment 1813-1815, Hussar of the 2nd Regiment 1815-1822, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880
music, caricature, Albert Niemann, Franz Lachner, Peter Cornelius, Richard Wagner, Hans von Bülow, Joseph Tichatschek, by Herbert König (1820 - 1876), gallery of famous contemporaries, from 'Über Land und Meer', wood engraving, Stittgart, 1868, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-music-caricature-albert-niemann-franz-lachner-peter-cornelius-richard-58547938.html
RMDB72DP–music, caricature, Albert Niemann, Franz Lachner, Peter Cornelius, Richard Wagner, Hans von Bülow, Joseph Tichatschek, by Herbert König (1820 - 1876), gallery of famous contemporaries, from 'Über Land und Meer', wood engraving, Stittgart, 1868, Additional-Rights-Clearences-Not Available
The Great Hall altered between 1813 and 1820 to designs by Thomas Hopper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-great-hall-altered-between-1813-and-1820-to-designs-by-thomas-22671590.html
RMB8TNRJ–The Great Hall altered between 1813 and 1820 to designs by Thomas Hopper
Death of Bayard after Benjamin West Valentine Green (1739-1813). 'La Mort de Bayard', d'après Benjamin West (1738-1820). Gravure (manière noire). 1774. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/death-of-bayard-after-benjamin-west-valentine-green-1739-1813-la-mort-de-bayard-daprs-benjamin-west-1738-1820-gravure-manire-noire-1774-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349518367.html
RM2B8HX6R–Death of Bayard after Benjamin West Valentine Green (1739-1813). 'La Mort de Bayard', d'après Benjamin West (1738-1820). Gravure (manière noire). 1774. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Porter between 1800 and 1813 / between 1813 and 1820 by John William Edy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/porter-between-1800-and-1813-between-1813-and-1820-by-john-william-edy-image559660889.html
RM2REEN4W–Porter between 1800 and 1813 / between 1813 and 1820 by John William Edy
Plan of the BATTLE OF DRESDEN 1813 & environs. Germany, 1820 antique map Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-plan-of-the-battle-of-dresden-1813-environs-germany-1820-antique-map-115319720.html
RFGKH7DC–Plan of the BATTLE OF DRESDEN 1813 & environs. Germany, 1820 antique map
Pantheon caricature famous writers [Balzac portrait] Bertall (Albert d'Arnoux, dit) (1820-1882). 'Panthéon caricatural des écrivains célèbres [Portrait de Balzac]'. Balzac, Honoré de (1799-1850). Hugo, Victor (1802-1885). Gautier, Théophile (1811-1872). Janin, Jules (1804-1874). Pelletan, Camille (1813-1884). Scribe, Eugène (1791-1861). gravure. après 1848. Paris, Maison de Balzac. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pantheon-caricature-famous-writers-balzac-portrait-bertall-albert-darnoux-dit-1820-1882-panthon-caricatural-des-crivains-clbres-portrait-de-balzac-balzac-honor-de-1799-1850-hugo-victor-1802-1885-gautier-thophile-1811-1872-janin-jules-1804-1874-pelletan-camille-1813-1884-scribe-eugne-1791-1861-gravure-aprs-1848-paris-maison-de-balzac-image349615497.html
RM2B8PA3N–Pantheon caricature famous writers [Balzac portrait] Bertall (Albert d'Arnoux, dit) (1820-1882). 'Panthéon caricatural des écrivains célèbres [Portrait de Balzac]'. Balzac, Honoré de (1799-1850). Hugo, Victor (1802-1885). Gautier, Théophile (1811-1872). Janin, Jules (1804-1874). Pelletan, Camille (1813-1884). Scribe, Eugène (1791-1861). gravure. après 1848. Paris, Maison de Balzac.
. L'illustration : journal universel . roi mourut débiteur deson peuple. Cest le 3 février 1847 que Frédéric-Guil-laume IV, pour acquitter h dette de son père, a publié lapitente royale qui devait donner lélincelle de vie aux lois-promesses de 1813, 1813, 1820 et 1823 demeurées jusquàprésent à létat de lellre morte, et qui méritaient seules cenom de vains chiffons dp papier i^ua donné le roi de Prusse,djns son discours douverture des Eiats, à toutes les consti-tutions écrites. Pour apprécier, pour comprendre la patente royale du 3février, cet acte étrange, incomplet, informe, qui habilleune in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lillustration-journal-universel-roi-mourut-dbiteur-deson-peuple-cest-le-3-fvrier-1847-que-frdric-guil-laume-iv-pour-acquitter-h-dette-de-son-pre-a-publi-lapitente-royale-qui-devait-donner-llincelle-de-vie-aux-lois-promesses-de-1813-1813-1820-et-1823-demeures-jusquprsent-ltat-de-lellre-morte-et-qui-mritaient-seules-cenom-de-vains-chiffons-dp-papier-iua-donn-le-roi-de-prussedjns-son-discours-douverture-des-eiats-toutes-les-consti-tutions-crites-pour-apprcier-pour-comprendre-la-patente-royale-du-3fvrier-cet-acte-trange-incomplet-informe-qui-habilleune-in-image372389699.html
RM2CHRPT3–. L'illustration : journal universel . roi mourut débiteur deson peuple. Cest le 3 février 1847 que Frédéric-Guil-laume IV, pour acquitter h dette de son père, a publié lapitente royale qui devait donner lélincelle de vie aux lois-promesses de 1813, 1813, 1820 et 1823 demeurées jusquàprésent à létat de lellre morte, et qui méritaient seules cenom de vains chiffons dp papier i^ua donné le roi de Prusse,djns son discours douverture des Eiats, à toutes les consti-tutions écrites. Pour apprécier, pour comprendre la patente royale du 3février, cet acte étrange, incomplet, informe, qui habilleune in
Luigi Rossini. The Arch of Septimus Severus. 1820. Italy. Etching on off-white wove paper Luigi Rossini trained as an architect in Bologna before moving to Rome in 1813, where he had more success as an artist. Following in the footsteps of Giovanni Battista Piranesi, Rossini began a series of etchings of Rome’s constructed marvels. His extensive knowledge of structural design proved valuable for his accurate, detailed portrayals of sites such as the antique arch of Septimus Severus. Whereas Piranesi tended to exaggerate his scenes, Rossini remained grounded in his realistic representations. Be Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luigi-rossini-the-arch-of-septimus-severus-1820-italy-etching-on-off-white-wove-paper-luigi-rossini-trained-as-an-architect-in-bologna-before-moving-to-rome-in-1813-where-he-had-more-success-as-an-artist-following-in-the-footsteps-of-giovanni-battista-piranesi-rossini-began-a-series-of-etchings-of-romes-constructed-marvels-his-extensive-knowledge-of-structural-design-proved-valuable-for-his-accurate-detailed-portrayals-of-sites-such-as-the-antique-arch-of-septimus-severus-whereas-piranesi-tended-to-exaggerate-his-scenes-rossini-remained-grounded-in-his-realistic-representations-be-image337959582.html
RM2AHRAW2–Luigi Rossini. The Arch of Septimus Severus. 1820. Italy. Etching on off-white wove paper Luigi Rossini trained as an architect in Bologna before moving to Rome in 1813, where he had more success as an artist. Following in the footsteps of Giovanni Battista Piranesi, Rossini began a series of etchings of Rome’s constructed marvels. His extensive knowledge of structural design proved valuable for his accurate, detailed portrayals of sites such as the antique arch of Septimus Severus. Whereas Piranesi tended to exaggerate his scenes, Rossini remained grounded in his realistic representations. Be
Art inspired by Elegant Gathering at the Poetry Niche, Fa Shishan et al., Chinese, 1753-1813, Qing dynasty, 1644-1911, Jiaqing period, 1796-1820, 1801, Hanging scroll: ink and light color on paper, China, Asia, Paintings, scroll: 85 3/4 × 17 in. (217.8 × 43.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-elegant-gathering-at-the-poetry-niche-fa-shishan-et-al-chinese-1753-1813-qing-dynasty-1644-1911-jiaqing-period-1796-1820-1801-hanging-scroll-ink-and-light-color-on-paper-china-asia-paintings-scroll-85-34-17-in-2178-432-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459595519.html
RF2HKMANK–Art inspired by Elegant Gathering at the Poetry Niche, Fa Shishan et al., Chinese, 1753-1813, Qing dynasty, 1644-1911, Jiaqing period, 1796-1820, 1801, Hanging scroll: ink and light color on paper, China, Asia, Paintings, scroll: 85 3/4 × 17 in. (217.8 × 43.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Aquatint engraving depicting Josiah the First. The caricature depicts the wealthy American politician and civic reformer Josiah Quincy I (1710–1784), by William Charles (1776-1820) Scottish-born engraver who immigrated to the United States. Dated 1813 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aquatint-engraving-depicting-josiah-the-first-the-caricature-depicts-90844838.html
RMF7P9EE–Aquatint engraving depicting Josiah the First. The caricature depicts the wealthy American politician and civic reformer Josiah Quincy I (1710–1784), by William Charles (1776-1820) Scottish-born engraver who immigrated to the United States. Dated 1813
Play medal from Nuremberg with King Frederik Willem III van Pruisen, Lauer, 1813 - 1820 history medal. jeton Messing Penning, on the front the bust of Frederik Willem to the left with a change, a surrounding eagle with a change on the reverse. Nuremberg brass (alloy) striking (metalworking) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/play-medal-from-nuremberg-with-king-frederik-willem-iii-van-pruisen-lauer-1813-1820-history-medal-jeton-messing-penning-on-the-front-the-bust-of-frederik-willem-to-the-left-with-a-change-a-surrounding-eagle-with-a-change-on-the-reverse-nuremberg-brass-alloy-striking-metalworking-image590850686.html
RM2W97G26–Play medal from Nuremberg with King Frederik Willem III van Pruisen, Lauer, 1813 - 1820 history medal. jeton Messing Penning, on the front the bust of Frederik Willem to the left with a change, a surrounding eagle with a change on the reverse. Nuremberg brass (alloy) striking (metalworking)
Art inspired by Plum Tree in Blossom, Edo period (1615–1868), 1813, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 3 7/16 in. (20.8 x 8.7 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plum-tree-in-blossom-edo-period-16151868-1813-japan-polychrome-woodblock-print-surimono-ink-and-color-on-paper-8-316-x-3-716-in-208-x-87-cm-prints-kitao-shigemasa-japanese-17391820-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462769087.html
RF2HTTXKB–Art inspired by Plum Tree in Blossom, Edo period (1615–1868), 1813, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 3 7/16 in. (20.8 x 8.7 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. English: Flag of Jujuy Province. This flag, created by Manuel Belgrano under the name 'Bandera Nacional de Nuestra Libertad Civil (National flag of our Civil Freedom)' was donated by him to the Cabildo of Jujuy Province. 1813. Manuel Belgrano (1770–1820) Officially promulgated by Jujuy Province Legislature [1] 168 Bandera Nacional de Nuestra Libertad Civil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-flag-of-jujuy-province-this-flag-created-by-manuel-belgrano-under-the-name-bandera-nacional-de-nuestra-libertad-civil-national-flag-of-our-civil-freedom-was-donated-by-him-to-the-cabildo-of-jujuy-province-1813-manuel-belgrano-17701820-officially-promulgated-by-jujuy-province-legislature-1-168-bandera-nacional-de-nuestra-libertad-civil-image210076118.html
RMP5NP6E–N/A. English: Flag of Jujuy Province. This flag, created by Manuel Belgrano under the name 'Bandera Nacional de Nuestra Libertad Civil (National flag of our Civil Freedom)' was donated by him to the Cabildo of Jujuy Province. 1813. Manuel Belgrano (1770–1820) Officially promulgated by Jujuy Province Legislature [1] 168 Bandera Nacional de Nuestra Libertad Civil
Cartoon titled 'Pig-headed Obstruction'. The cartoon depicts George Hammond Whalley (1813-1878), the MP for Peterborough, obstructing the tracks as he lies amongst pigs. The cartoon comments on the obstructive techniques of MPs to block unpopular proposals. Illustrated by Joseph Swain (1820-1909) an English wood-engraver. Dated 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cartoon-titled-pig-headed-obstruction-the-cartoon-depicts-george-hammond-whalley-1813-1878-the-mp-for-peterborough-obstructing-the-tracks-as-he-lies-amongst-pigs-the-cartoon-comments-on-the-obstructive-techniques-of-mps-to-block-unpopular-proposals-illustrated-by-joseph-swain-1820-1909-an-english-wood-engraver-dated-19th-century-image186316808.html
RMMR3CYM–Cartoon titled 'Pig-headed Obstruction'. The cartoon depicts George Hammond Whalley (1813-1878), the MP for Peterborough, obstructing the tracks as he lies amongst pigs. The cartoon comments on the obstructive techniques of MPs to block unpopular proposals. Illustrated by Joseph Swain (1820-1909) an English wood-engraver. Dated 19th century
Young Woman on the Back of a Horse Attended by a Female Driver. Artist: Kubo Shunman (Japanese, 1757-1820). Culture: Japan. Dimensions: 7 7/8 x 10 13/16 in. (20 x 27.5 cm). Date: 1813. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-on-the-back-of-a-horse-attended-by-a-female-driver-artist-kubo-shunman-japanese-1757-1820-culture-japan-dimensions-7-78-x-10-1316-in-20-x-275-cm-date-1813-museum-metropolitan-museum-of-art-new-york-usa-image233247020.html
RMRFD8XM–Young Woman on the Back of a Horse Attended by a Female Driver. Artist: Kubo Shunman (Japanese, 1757-1820). Culture: Japan. Dimensions: 7 7/8 x 10 13/16 in. (20 x 27.5 cm). Date: 1813. Museum: Metropolitan Museum of Art, New York, USA.
The Three Marys Going to the Sepulchre, Print made by Valentine Green, 1739–1813, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), Published by V. Green & Son, 1739–1813, British, 1784, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 18 7/16 x 9 5/8 inches (46.9 x 24.4 cm), Plate: 18 1/4 x 9 7/16 inches (46.4 x 24 cm), and Image: 17 5/16 x 9 7/16 inches (44 x 24 cm), cloaks, clouds, jars, meteorology, mourning, ointments, religious and mythological subject, sadness, science, sepulcher, storm, the holy women (the three Marys) on Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-three-marys-going-to-the-sepulchre-print-made-by-valentine-green-17391813-british-after-benjamin-west-17381820-american-active-in-britain-from-1763-published-by-v-green-son-17391813-british-1784-mezzotint-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-18-716-x-9-58-inches-469-x-244-cm-plate-18-14-x-9-716-inches-464-x-24-cm-and-image-17-516-x-9-716-inches-44-x-24-cm-cloaks-clouds-jars-meteorology-mourning-ointments-religious-and-mythological-subject-sadness-science-sepulcher-storm-the-holy-women-the-three-marys-on-image389761256.html
RM2DJ34CT–The Three Marys Going to the Sepulchre, Print made by Valentine Green, 1739–1813, British, after Benjamin West, 1738–1820, American, active in Britain (from 1763), Published by V. Green & Son, 1739–1813, British, 1784, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 18 7/16 x 9 5/8 inches (46.9 x 24.4 cm), Plate: 18 1/4 x 9 7/16 inches (46.4 x 24 cm), and Image: 17 5/16 x 9 7/16 inches (44 x 24 cm), cloaks, clouds, jars, meteorology, mourning, ointments, religious and mythological subject, sadness, science, sepulcher, storm, the holy women (the three Marys) on
Portrait of the Composer Richard Wagner (1813-1883), c. 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-composer-richard-wagner-1813-1883-c-1853-image186155537.html
RMMPT381–Portrait of the Composer Richard Wagner (1813-1883), c. 1853.
Albrecht Altdorfer (1480 um - 1538), artist Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), after, Venus after bathing, Edouard Denis Baldus (1813, 1820 - 1882, 1889), artist, editor Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), Original Raphael (1483 - 1520), after, Venus after bathing, Albrecht Altdorfer (1480 um - 1538), artist Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), after, Venus after bathing, Anonymous (date unknown), artist: In Marcantonio Raimondi (1470, 1482 around - around 1527, 1534), copy after Raphael (1483 - 1520) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albrecht-altdorfer-1480-um-1538-artist-marcantonio-raimondi-1470-1482-um-um-1527-1534-after-venus-after-bathing-edouard-denis-baldus-1813-1820-1882-1889-artist-editor-marcantonio-raimondi-1470-1482-um-um-1527-1534-original-raphael-1483-1520-after-venus-after-bathing-albrecht-altdorfer-1480-um-1538-artist-marcantonio-raimondi-1470-1482-um-um-1527-1534-after-venus-after-bathing-anonymous-date-unknown-artist-in-marcantonio-raimondi-1470-1482-around-around-1527-1534-copy-after-raphael-1483-1520-image573218065.html
RM2T8G9DN–Albrecht Altdorfer (1480 um - 1538), artist Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), after, Venus after bathing, Edouard Denis Baldus (1813, 1820 - 1882, 1889), artist, editor Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), Original Raphael (1483 - 1520), after, Venus after bathing, Albrecht Altdorfer (1480 um - 1538), artist Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), after, Venus after bathing, Anonymous (date unknown), artist: In Marcantonio Raimondi (1470, 1482 around - around 1527, 1534), copy after Raphael (1483 - 1520)
Owl games at the gallows Flinch, Andreas 1813 - 1872, Frølich, Lorenz 1820 - 1908 Woodcut, Print Lorens Frölich: Fortegnelse over Kunstnerens Illustrationer, Raderinger m.m., Pietro Krohn, Nr. 16, 1612, 1900 Uglspil ved galgen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/owl-games-at-the-gallows-flinch-andreas-1813-1872-frlich-lorenz-1820-1908-woodcut-print-lorens-frlich-fortegnelse-over-kunstnerens-illustrationer-raderinger-mm-pietro-krohn-nr-16-1612-1900-uglspil-ved-galgen-image613500924.html
RM2XJ3AK8–Owl games at the gallows Flinch, Andreas 1813 - 1872, Frølich, Lorenz 1820 - 1908 Woodcut, Print Lorens Frölich: Fortegnelse over Kunstnerens Illustrationer, Raderinger m.m., Pietro Krohn, Nr. 16, 1612, 1900 Uglspil ved galgen
Russian soldier in a wild gallop, Carl Friedrich Zimmermann (Berlin 1796 - 1820 Loisach (river) near Wolfratshausen), around 1813, drawing, black chalk, on light brown paper, 223 x 281 mm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/russian-soldier-in-a-wild-gallop-carl-friedrich-zimmermann-berlin-1796-1820-loisach-river-near-wolfratshausen-around-1813-drawing-black-chalk-on-light-brown-paper-223-x-281-mm-ll-duke-albert-of-saxe-teschen-image573318383.html
RM2T8MWCF–Russian soldier in a wild gallop, Carl Friedrich Zimmermann (Berlin 1796 - 1820 Loisach (river) near Wolfratshausen), around 1813, drawing, black chalk, on light brown paper, 223 x 281 mm, l.l. Duke Albert of Saxe-Teschen
The victory at Leipzig, Charles Philipp prince of Schwarzenberg notify the allies sovereign - czar Alexander I of Russia, emperor Franz I (II) and king Frederic William III of Prussia - the victory in the battle of the nations at Leipzig 1813 figure code compare Pk 511a, 13a. copper engraving / etching by John Scott based on painting by Johann Peter Krafft, 1820 - 18200101 PD0489 - Rechteinfo: Rights Managed (RM) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-victory-at-leipzig-charles-philipp-prince-of-schwarzenberg-notify-the-allies-sovereign-czar-alexander-i-of-russia-emperor-franz-i-ii-and-king-frederic-william-iii-of-prussia-the-victory-in-the-battle-of-the-nations-at-leipzig-1813-figure-code-compare-pk-511a-13a-copper-engraving-etching-by-john-scott-based-on-painting-by-johann-peter-krafft-1820-18200101-pd0489-rechteinfo-rights-managed-rm-image603203912.html
RM2X1A8MT–The victory at Leipzig, Charles Philipp prince of Schwarzenberg notify the allies sovereign - czar Alexander I of Russia, emperor Franz I (II) and king Frederic William III of Prussia - the victory in the battle of the nations at Leipzig 1813 figure code compare Pk 511a, 13a. copper engraving / etching by John Scott based on painting by Johann Peter Krafft, 1820 - 18200101 PD0489 - Rechteinfo: Rights Managed (RM)
Sugar Bowl, attributed to Bakewell, Page and Bakewell, Pittsburgh, Pennsylvania, 1813–1832, 1820–35, Glass, Made in Pittsburgh, Pennsylvania, United States, North and Central America, Containers, glassware, 7 5/8 x 4 3/4 in. (19.4 x 12.1 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sugar-bowl-attributed-to-bakewell-page-and-bakewell-pittsburgh-pennsylvania-18131832-182035-glass-made-in-pittsburgh-pennsylvania-united-states-north-and-central-america-containers-glassware-7-58-x-4-34-in-194-x-121-cm-image454293375.html
RM2HB2RRB–Sugar Bowl, attributed to Bakewell, Page and Bakewell, Pittsburgh, Pennsylvania, 1813–1832, 1820–35, Glass, Made in Pittsburgh, Pennsylvania, United States, North and Central America, Containers, glassware, 7 5/8 x 4 3/4 in. (19.4 x 12.1 cm
The ferry at Helgeraae between 1800 and 1813 / between 1813 and 1820 by John William Edy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ferry-at-helgeraae-between-1800-and-1813-between-1813-and-1820-by-john-william-edy-image559661019.html
RM2REEN9F–The ferry at Helgeraae between 1800 and 1813 / between 1813 and 1820 by John William Edy
BATTLE OF LUTZEN 1813. Leipzig Merseburg. Schlacht von Großgörschen, 1820 map Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-battle-of-lutzen-1813-leipzig-merseburg-schlacht-von-grogrschen-1820-115319692.html
RFGKH7CC–BATTLE OF LUTZEN 1813. Leipzig Merseburg. Schlacht von Großgörschen, 1820 map
Marshal Blucher. Gebhard Leberecht von Blüücher, Fürst von Wahlstatt (December 16, 1742 – September 12, 1819). A Prussian field marshal who led his army against Napoleon I at the Battle of the Nations at Leipzig in 1813 and at the Battle of Waterloo in 1815 with the Duke of Wellington. . History of the French Revolution, and of the wars produced by that ... event ...; and the ... Battle of Waterloo. London : T. Kelly, 1820-22. Source: 9525.f.1 volume 2 plate opposite page 387. Author: CHRISTOPHER KELLY. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marshal-blucher-gebhard-leberecht-von-blcher-frst-von-wahlstatt-december-16-1742-september-12-1819-a-prussian-field-marshal-who-led-his-army-against-napoleon-i-at-the-battle-of-the-nations-at-leipzig-in-1813-and-at-the-battle-of-waterloo-in-1815-with-the-duke-of-wellington-history-of-the-french-revolution-and-of-the-wars-produced-by-that-event-and-the-battle-of-waterloo-london-t-kelly-1820-22-source-9525f1-volume-2-plate-opposite-page-387-author-christopher-kelly-image227086371.html
RMR5CJYF–Marshal Blucher. Gebhard Leberecht von Blüücher, Fürst von Wahlstatt (December 16, 1742 – September 12, 1819). A Prussian field marshal who led his army against Napoleon I at the Battle of the Nations at Leipzig in 1813 and at the Battle of Waterloo in 1815 with the Duke of Wellington. . History of the French Revolution, and of the wars produced by that ... event ...; and the ... Battle of Waterloo. London : T. Kelly, 1820-22. Source: 9525.f.1 volume 2 plate opposite page 387. Author: CHRISTOPHER KELLY.
Karl Philipp Fürst von Schwarzenberg 1771-1820 österreichischer Soldat und Diplomat: General 1810: Feldmarschall 1812. Verhandelte die Heirat von Napo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/karl-philipp-frst-von-schwarzenberg-1771-1820-sterreichischer-soldat-und-diplomat-general-1810-feldmarschall-1812-verhandelte-die-heirat-von-napo-image616275697.html
RM2XPHNX9–Karl Philipp Fürst von Schwarzenberg 1771-1820 österreichischer Soldat und Diplomat: General 1810: Feldmarschall 1812. Verhandelte die Heirat von Napo
Allegory of the Battle of Leipzig, 1813 Battle by Leipzig in 1813 (title object) Allegory of the Battle of Leipzig Battle of Nations, on 16-19 October 1813, between the coalition armies of Russia, Prussia, Austria and Sweden and the French army of Napoleon. Monumental column with weapon trophy picture of the battle, medallions with portraits of the victorious princes Victory and Fame. With six-line vers. Manufacturer : print maker: Cornelis Bogerts (indicated on object) to drawing of: John of Diepenhuijsen (indicated on object) Place manufacture: The Netherlands Date: 1818 - 1820 Physical char Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegory-of-the-battle-of-leipzig-1813-battle-by-leipzig-in-1813-title-object-allegory-of-the-battle-of-leipzig-battle-of-nations-on-16-19-october-1813-between-the-coalition-armies-of-russia-prussia-austria-and-sweden-and-the-french-army-of-napoleon-monumental-column-with-weapon-trophy-picture-of-the-battle-medallions-with-portraits-of-the-victorious-princes-victory-and-fame-with-six-line-vers-manufacturer-print-maker-cornelis-bogerts-indicated-on-object-to-drawing-of-john-of-diepenhuijsen-indicated-on-object-place-manufacture-the-netherlands-date-1818-1820-physical-char-image348124723.html
RM2B6ACHR–Allegory of the Battle of Leipzig, 1813 Battle by Leipzig in 1813 (title object) Allegory of the Battle of Leipzig Battle of Nations, on 16-19 October 1813, between the coalition armies of Russia, Prussia, Austria and Sweden and the French army of Napoleon. Monumental column with weapon trophy picture of the battle, medallions with portraits of the victorious princes Victory and Fame. With six-line vers. Manufacturer : print maker: Cornelis Bogerts (indicated on object) to drawing of: John of Diepenhuijsen (indicated on object) Place manufacture: The Netherlands Date: 1818 - 1820 Physical char
William Edmondstoune Aytoun, 1813 – 1865, a Scottish poet, professor of rhetoric Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-edmondstoune-aytoun-1813-1865-a-scottish-poet-professor-of-rhetoric-image229803102.html
RMR9TC5J–William Edmondstoune Aytoun, 1813 – 1865, a Scottish poet, professor of rhetoric
Unloading a wagon 1813. Artist: Thomas Rowlandson (1756-1827) an English artist and caricaturist of the Georgian Era. A social observer, he was a prolific artist and print maker. Credit: Thomas Rowlandson/Alamy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unloading-a-wagon-1813-artist-thomas-rowlandson-1756-1827-an-english-artist-and-caricaturist-of-the-georgian-era-a-social-observer-he-was-a-prolific-artist-and-print-maker-credit-thomas-rowlandsonalamy-image457255869.html
RM2HFWPEN–Unloading a wagon 1813. Artist: Thomas Rowlandson (1756-1827) an English artist and caricaturist of the Georgian Era. A social observer, he was a prolific artist and print maker. Credit: Thomas Rowlandson/Alamy
Play medal from Nuremberg with King Frederik Willem III van Pruisen, Lauer, 1813 - 1820 history medal. jeton Brass medal, on the front the bust of Frederik Willem to the right with a change, a winged globe on an anchor with cross -shaped end, with a change. Nuremberg brass (alloy) striking (metalworking) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/play-medal-from-nuremberg-with-king-frederik-willem-iii-van-pruisen-lauer-1813-1820-history-medal-jeton-brass-medal-on-the-front-the-bust-of-frederik-willem-to-the-right-with-a-change-a-winged-globe-on-an-anchor-with-cross-shaped-end-with-a-change-nuremberg-brass-alloy-striking-metalworking-image590849053.html
RM2W97DYW–Play medal from Nuremberg with King Frederik Willem III van Pruisen, Lauer, 1813 - 1820 history medal. jeton Brass medal, on the front the bust of Frederik Willem to the right with a change, a winged globe on an anchor with cross -shaped end, with a change. Nuremberg brass (alloy) striking (metalworking)
Art inspired by Plum Tree in Blossom, Edo period (1615–1868), 1813, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 3 5/16 in. (21.1 x 8.4 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plum-tree-in-blossom-edo-period-16151868-1813-japan-polychrome-woodblock-print-surimono-ink-and-color-on-paper-8-516-x-3-516-in-211-x-84-cm-prints-kitao-shigemasa-japanese-17391820-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462769074.html
RF2HTTXJX–Art inspired by Plum Tree in Blossom, Edo period (1615–1868), 1813, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 3 5/16 in. (21.1 x 8.4 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. Nederlands: Jan Rodenpoortstoren, aanzicht zuidzijde. circa 1813. Abraham van der Hart (1727–1820) Description Dutch architect and draughtsman Date of birth/death 27 May 1747 (baptised) 1 February 1820 Location of birth/death Amsterdam Amsterdam Work period circa 1762-1820 Work location Amsterdam Authority control : Q3815619 VIAF:204145542466596641516 ISNI:0000 0000 8040 0223 ULAN:500000938 GND:174313209 BPN:49322210 55 Abraham van der Hart 003 detail 01 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-nederlands-jan-rodenpoortstoren-aanzicht-zuidzijde-circa-1813-abraham-van-der-hart-17271820-description-dutch-architect-and-draughtsman-date-of-birthdeath-27-may-1747-baptised-1-february-1820-location-of-birthdeath-amsterdam-amsterdam-work-period-circa-1762-1820-work-location-amsterdam-authority-control-q3815619-viaf204145542466596641516-isni0000-0000-8040-0223-ulan500000938-gnd174313209-bpn49322210-55-abraham-van-der-hart-003-detail-01-image209993213.html
RMP5J0DH–N/A. Nederlands: Jan Rodenpoortstoren, aanzicht zuidzijde. circa 1813. Abraham van der Hart (1727–1820) Description Dutch architect and draughtsman Date of birth/death 27 May 1747 (baptised) 1 February 1820 Location of birth/death Amsterdam Amsterdam Work period circa 1762-1820 Work location Amsterdam Authority control : Q3815619 VIAF:204145542466596641516 ISNI:0000 0000 8040 0223 ULAN:500000938 GND:174313209 BPN:49322210 55 Abraham van der Hart 003 detail 01
Art inspired by Side Chair, ca. 1820, Made in New York, New York, United States, American, Maple, beech, 33 1/2 x 20 3/4 x 16 3/4 in. (85.1 x 52.7 x 42.5 cm), Furniture, Possibly Thomas Ash (active ca. 1774–1813, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-side-chair-ca-1820-made-in-new-york-new-york-united-states-american-maple-beech-33-12-x-20-34-x-16-34-in-851-x-527-x-425-cm-furniture-possibly-thomas-ash-active-ca-17741813-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462879811.html
RF2HW1YWR–Art inspired by Side Chair, ca. 1820, Made in New York, New York, United States, American, Maple, beech, 33 1/2 x 20 3/4 x 16 3/4 in. (85.1 x 52.7 x 42.5 cm), Furniture, Possibly Thomas Ash (active ca. 1774–1813, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Tobacco Pouch and Pipe. Artist: Kubo Shunman (Japanese, 1757-1820). Culture: Japan. Dimensions: 7 7/8 x 7 1/8 in. (20 x 18.1 cm). Date: 1813. The traditional Japanese smoking ensemble--pipe, tobacco pouch, and netsuke--is the subject of this embossed commemorative print by Kubo Shunman, dated 1813. The poems inscribed in the top portion of the print link the fires of Kasuga Temple at Nara with the smoke emitted from the smoking set of a guard who fills his pipe and indulges in this practice. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tobacco-pouch-and-pipe-artist-kubo-shunman-japanese-1757-1820-culture-japan-dimensions-7-78-x-7-18-in-20-x-181-cm-date-1813-the-traditional-japanese-smoking-ensemble-pipe-tobacco-pouch-and-netsuke-is-the-subject-of-this-embossed-commemorative-print-by-kubo-shunman-dated-1813-the-poems-inscribed-in-the-top-portion-of-the-print-link-the-fires-of-kasuga-temple-at-nara-with-the-smoke-emitted-from-the-smoking-set-of-a-guard-who-fills-his-pipe-and-indulges-in-this-practice-museum-metropolitan-museum-of-art-new-york-usa-image233247113.html
RMRFD921–Tobacco Pouch and Pipe. Artist: Kubo Shunman (Japanese, 1757-1820). Culture: Japan. Dimensions: 7 7/8 x 7 1/8 in. (20 x 18.1 cm). Date: 1813. The traditional Japanese smoking ensemble--pipe, tobacco pouch, and netsuke--is the subject of this embossed commemorative print by Kubo Shunman, dated 1813. The poems inscribed in the top portion of the print link the fires of Kasuga Temple at Nara with the smoke emitted from the smoking set of a guard who fills his pipe and indulges in this practice. Museum: Metropolitan Museum of Art, New York, USA.
Mangrove swamp at low water Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mangrove-swamp-at-low-water-image66747697.html
RMDTGHA9–Mangrove swamp at low water
Portrait of the pianist and composer Stephen Heller (1813-1888), ca 1860. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-pianist-and-composer-stephen-heller-1813-1888-ca-1860-image186194401.html
RMMPWTT1–Portrait of the pianist and composer Stephen Heller (1813-1888), ca 1860.
'fine arts, Embde, August van der (1780 - 1862), painting, 'Bildnis der Louise Reichenbach', ('portrait of Louise Reichenbach Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-embde-august-van-der-1780-1862-painting-bildnis-der-louise-10879237.html
RMA3Y19X–'fine arts, Embde, August van der (1780 - 1862), painting, 'Bildnis der Louise Reichenbach', ('portrait of Louise Reichenbach
Owl games and the butcher Flinch, Andreas 1813 - 1872, Frølich, Lorenz 1820 - 1908 Woodcut, Print Lorens Frölich: Fortegnelse over Kunstnerens Illustrationer, Raderinger m.m., Pietro Krohn, Nr. 277, 1612, 1900 Uglspil og slagteren Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/owl-games-and-the-butcher-flinch-andreas-1813-1872-frlich-lorenz-1820-1908-woodcut-print-lorens-frlich-fortegnelse-over-kunstnerens-illustrationer-raderinger-mm-pietro-krohn-nr-277-1612-1900-uglspil-og-slagteren-image613420280.html
RM2XHYKR4–Owl games and the butcher Flinch, Andreas 1813 - 1872, Frølich, Lorenz 1820 - 1908 Woodcut, Print Lorens Frölich: Fortegnelse over Kunstnerens Illustrationer, Raderinger m.m., Pietro Krohn, Nr. 277, 1612, 1900 Uglspil og slagteren
'fine arts, Embde, August van der (1780 - 1862), painting, 'Bildnis der Louise Reichenbach', ('portrait of Louise Reichenbach Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-embde-august-van-der-1780-1862-painting-bildnis-der-louise-10882534.html
RMA3YB4R–'fine arts, Embde, August van der (1780 - 1862), painting, 'Bildnis der Louise Reichenbach', ('portrait of Louise Reichenbach
A text book of the geography, history, constitution and civil government of Vermont; also Constitution and civil government of the US., a publication expressly prepared to comply with Vermont's state school laws . Martin Chittenden, 9th Gov.,1813-15 Richard Skinner, nth Gov.,1820-23 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-text-book-of-the-geography-history-constitution-and-civil-government-of-vermont-also-constitution-and-civil-government-of-the-us-a-publication-expressly-prepared-to-comply-with-vermonts-state-school-laws-martin-chittenden-9th-gov1813-15-richard-skinner-nth-gov1820-23-image343035958.html
RM2AX2HT6–A text book of the geography, history, constitution and civil government of Vermont; also Constitution and civil government of the US., a publication expressly prepared to comply with Vermont's state school laws . Martin Chittenden, 9th Gov.,1813-15 Richard Skinner, nth Gov.,1820-23
Elegant Gathering at the Poetry Niche, Fa Shishan et al., Chinese, 1753–1813, Qing dynasty, 1644–1911, Jiaqing period, 1796–1820, 1801, Hanging scroll: ink and light color on paper, China, Asia, Paintings, scroll: 85 3/4 × 17 in. (217.8 × 43.2 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elegant-gathering-at-the-poetry-niche-fa-shishan-et-al-chinese-17531813-qing-dynasty-16441911-jiaqing-period-17961820-1801-hanging-scroll-ink-and-light-color-on-paper-china-asia-paintings-scroll-85-34-17-in-2178-432-cm-image454293139.html
RM2HB2REY–Elegant Gathering at the Poetry Niche, Fa Shishan et al., Chinese, 1753–1813, Qing dynasty, 1644–1911, Jiaqing period, 1796–1820, 1801, Hanging scroll: ink and light color on paper, China, Asia, Paintings, scroll: 85 3/4 × 17 in. (217.8 × 43.2 cm
Town of Brevig between 1800 and 1813 / between 1813 and 1820 by John William Edy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/town-of-brevig-between-1800-and-1813-between-1813-and-1820-by-john-william-edy-image559660901.html
RM2REEN59–Town of Brevig between 1800 and 1813 / between 1813 and 1820 by John William Edy
Old Woman on an Ox, 1813, Okada Beisanjin, Japanese, 1744 - 1820, 39 7/8 × 13 3/16 in. (101.28 × 33.5 cm) (image)67 × 19 3/8 in. (170.18 × 49.21 cm) (mount, without roller), Ink on silk, Japan, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-woman-on-an-ox-1813-okada-beisanjin-japanese-1744-1820-39-78-13-316-in-10128-335-cm-image67-19-38-in-17018-4921-cm-mount-without-roller-ink-on-silk-japan-19th-century-image573484512.html
RM2T90D9M–Old Woman on an Ox, 1813, Okada Beisanjin, Japanese, 1744 - 1820, 39 7/8 × 13 3/16 in. (101.28 × 33.5 cm) (image)67 × 19 3/8 in. (170.18 × 49.21 cm) (mount, without roller), Ink on silk, Japan, 19th century
Half-length painted portrait of Major-General John Garstin (1756-1820), Bengal Engineers. Wearing a red coat. . Half-length portrait of Major-General John Garstin (1756-1820), Bengal Engineers. India. John Garstin is best known as the architect of Calcutta Town Hall which was commenced in 1807 and completed in 1813 . Two years later a number of defects were discovered in the structure and Garstin was obliged to pay for all the repairs, although it was acknowledged that some of the damage had been caused by the soil conditions of the site. Garstin was also responsible for the building of th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-length-painted-portrait-of-major-general-john-garstin-1756-1820-bengal-engineers-wearing-a-red-coat-half-length-portrait-of-major-general-john-garstin-1756-1820-bengal-engineers-india-john-garstin-is-best-known-as-the-architect-of-calcutta-town-hall-which-was-commenced-in-1807-and-completed-in-1813-two-years-later-a-number-of-defects-were-discovered-in-the-structure-and-garstin-was-obliged-to-pay-for-all-the-repairs-although-it-was-acknowledged-that-some-of-the-damage-had-been-caused-by-the-soil-conditions-of-the-site-garstin-was-also-responsible-for-the-building-of-th-image231214070.html
RMRC4KWA–Half-length painted portrait of Major-General John Garstin (1756-1820), Bengal Engineers. Wearing a red coat. . Half-length portrait of Major-General John Garstin (1756-1820), Bengal Engineers. India. John Garstin is best known as the architect of Calcutta Town Hall which was commenced in 1807 and completed in 1813 . Two years later a number of defects were discovered in the structure and Garstin was obliged to pay for all the repairs, although it was acknowledged that some of the damage had been caused by the soil conditions of the site. Garstin was also responsible for the building of th
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