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1824 1861 Stock Photos and Images
Mlle. Rose Cheri (Rose-Marie Cizos) as Philiberte at the Gymnase Dramatique. French actress Rose Cheri (1824-1861) was one of a famous family of stage performers.. Handcoloured lithograph by Alexandre Lacauchie from 'Galerie Dramatique: Costumes des Theatres de Paris' 1853. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mlle-rose-cheri-rose-marie-cizos-as-philiberte-at-the-gymnase-dramatique-french-actress-rose-cheri-1824-1861-was-one-of-a-famous-family-of-stage-performers-handcoloured-lithograph-by-alexandre-lacauchie-from-galerie-dramatique-costumes-des-theatres-de-paris-1853-image209712018.htmlRMP555PX–Mlle. Rose Cheri (Rose-Marie Cizos) as Philiberte at the Gymnase Dramatique. French actress Rose Cheri (1824-1861) was one of a famous family of stage performers.. Handcoloured lithograph by Alexandre Lacauchie from 'Galerie Dramatique: Costumes des Theatres de Paris' 1853.
Mlle. Rose Cheri (Rose-Marie Cizos) as Philiberte at the Gymnase Dramatique. French actress Rose Cheri (1824-1861) was one of a famous family of stage performers. Handcoloured lithograph by Alexandre Lacauchie from 'Galerie Dramatique: Costumes des Theatres de Paris' 1853. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mlle-rose-cheri-rose-marie-cizos-as-philiberte-at-the-gymnase-dramatique-french-actress-rose-cheri-1824-1861-was-one-of-a-famous-family-of-stage-performers-handcoloured-lithograph-by-alexandre-lacauchie-from-galerie-dramatique-costumes-des-theatres-de-paris-1853-image348444565.htmlRM2B6W0GN–Mlle. Rose Cheri (Rose-Marie Cizos) as Philiberte at the Gymnase Dramatique. French actress Rose Cheri (1824-1861) was one of a famous family of stage performers. Handcoloured lithograph by Alexandre Lacauchie from 'Galerie Dramatique: Costumes des Theatres de Paris' 1853.
Сolor lithography of Maria Alexandrovna (Marie of Hesse). 1861 Maria Alexandrovna born Princess Wilhelmine Marie of Hesse and by Rhine (1824–1880), was Empress of Russia as the first wife and political adviser of Emperor Alexander II. She was one of the founders of the Russian Red Cross Society. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/olor-lithography-of-maria-alexandrovna-marie-of-hesse-1861-maria-alexandrovna-born-princess-wilhelmine-marie-of-hesse-and-by-rhine-18241880-was-empress-of-russia-as-the-first-wife-and-political-adviser-of-emperor-alexander-ii-she-was-one-of-the-founders-of-the-russian-red-cross-society-image549731334.htmlRF2PXABWX–Сolor lithography of Maria Alexandrovna (Marie of Hesse). 1861 Maria Alexandrovna born Princess Wilhelmine Marie of Hesse and by Rhine (1824–1880), was Empress of Russia as the first wife and political adviser of Emperor Alexander II. She was one of the founders of the Russian Red Cross Society.
Portrait of the Russian poet Ivan Savvich Nikitin (1824-1861) on the main page of the Iskra magazine, dedicated to the 50th anniversary of the poet's death. ca. 1911 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-russian-poet-ivan-savvich-nikitin-1824-1861-on-the-main-page-of-the-iskra-magazine-dedicated-to-the-50th-anniversary-of-the-poets-death-ca-1911-image504693886.htmlRM2M92P5J–Portrait of the Russian poet Ivan Savvich Nikitin (1824-1861) on the main page of the Iskra magazine, dedicated to the 50th anniversary of the poet's death. ca. 1911
Schneider, Trudpert - Elisabeth Henriette Fürstin zu Fürstenberg, geb. Prinzessin von Reuss-Greiz (1824-1861), Karlsruhe (Zeno Fotografie) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-schneider-trudpert-elisabeth-henriette-frstin-zu-frstenberg-geb-prinzessin-176809445.htmlRMM7JA71–Schneider, Trudpert - Elisabeth Henriette Fürstin zu Fürstenberg, geb. Prinzessin von Reuss-Greiz (1824-1861), Karlsruhe (Zeno Fotografie)
Mrs. Mary B. Pearse, ?, C.L. Weed, American, 1824 - 1903, 1861 - 1863; Albumen silver print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-mary-b-pearse-cl-weed-american-1824-1903-1861-1863-albumen-silver-print-image220659773.htmlRMPPYWP5–Mrs. Mary B. Pearse, ?, C.L. Weed, American, 1824 - 1903, 1861 - 1863; Albumen silver print
Ivan Nikitin (1824-1861), Russian poet, postage stamp, Russia, USSR, 1974 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ivan-nikitin-1824-1861-russian-poet-postage-stamp-russia-ussr-1974-image264328148.htmlRMWA1570–Ivan Nikitin (1824-1861), Russian poet, postage stamp, Russia, USSR, 1974
Portable Field Altar for Charles X, 1824-1830. Alexandre Denis Abel de Pujol (French, 1787-1861). Watercolor with graphite; sheet: 44.9 x 39.1 cm (17 11/16 x 15 3/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portable-field-altar-for-charles-x-1824-1830-alexandre-denis-abel-de-pujol-french-1787-1861-watercolor-with-graphite-sheet-449-x-391-cm-17-1116-x-15-38-in-image240523475.htmlRMRY8P43–Portable Field Altar for Charles X, 1824-1830. Alexandre Denis Abel de Pujol (French, 1787-1861). Watercolor with graphite; sheet: 44.9 x 39.1 cm (17 11/16 x 15 3/8 in
Illustration showing James Braidwood (1800–1861); Scottish fire-fighter who founded of the world's first municipal fire service in Edinburgh in 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-showing-james-braidwood-18001861-scottish-fire-fighter-who-founded-of-the-worlds-first-municipal-fire-service-in-edinburgh-in-1824-image235261687.htmlRMRJN2K3–Illustration showing James Braidwood (1800–1861); Scottish fire-fighter who founded of the world's first municipal fire service in Edinburgh in 1824.
New England Winter Scene, 1861. And James Merritt Ives (American, 1824-1895), Nathaniel Currier (American, 1813-1888). Lithograph, hand colored; image: 41.8 x 60 cm (16 7/16 x 23 5/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-england-winter-scene-1861-and-james-merritt-ives-american-1824-1895-nathaniel-currier-american-1813-1888-lithograph-hand-colored-image-418-x-60-cm-16-716-x-23-58-in-image240426906.htmlRMRY4AY6–New England Winter Scene, 1861. And James Merritt Ives (American, 1824-1895), Nathaniel Currier (American, 1813-1888). Lithograph, hand colored; image: 41.8 x 60 cm (16 7/16 x 23 5/8 in
Schneider, Trudpert - Elisabeth Henriette Fürstin zu Fürstenberg, geb. Prinzessin von Reuss-Greiz (1824-1861), Karlsruhe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schneider-trudpert-elisabeth-henriette-frstin-zu-frstenberg-geb-prinzessin-von-reuss-greiz-1824-1861-karlsruhe-image456906254.htmlRM2HF9TGE–Schneider, Trudpert - Elisabeth Henriette Fürstin zu Fürstenberg, geb. Prinzessin von Reuss-Greiz (1824-1861), Karlsruhe
One of the thinkers, inhuman man, Vincenzo Gaiassi, 1801-1861, 1824, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size?) 380 mm, Width (plate size?) 485 mm, Vin. Gaiassi inv e inc., Roma 1824, Un de'pensecutori, uomo inumano, Videle sventolar che chiome sparte;, E da tergo in passando alzo' la mano, Per ferir lei nella sua ignuda parte: Ma Tancredi gridò, che se n'accorse;, e colla spada a quel gran corpo accorso, Tasso Gerusalemme Liber.a Canto III ott 19, Graphic Design, European, Modernity (1800 - 1914), Italy, Lazio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/one-of-the-thinkers-inhuman-man-vincenzo-gaiassi-1801-1861-1824-graphic-art-etching-paper-color-printers-ink-etching-printet-height-plate-size-380-mm-width-plate-size-485-mm-vin-gaiassi-inv-e-inc-roma-1824-un-depensecutori-uomo-inumano-videle-sventolar-che-chiome-sparte-e-da-tergo-in-passando-alzo-la-mano-per-ferir-lei-nella-sua-ignuda-parte-ma-tancredi-grid-che-se-naccorse-e-colla-spada-a-quel-gran-corpo-accorso-tasso-gerusalemme-libera-canto-iii-ott-19-graphic-design-european-modernity-1800-1914-italy-lazio-image573195611.htmlRM2T8F8RR–One of the thinkers, inhuman man, Vincenzo Gaiassi, 1801-1861, 1824, Graphic Art, Etching, Paper, Color, Printer's ink, Etching, Printet, Height (plate size?) 380 mm, Width (plate size?) 485 mm, Vin. Gaiassi inv e inc., Roma 1824, Un de'pensecutori, uomo inumano, Videle sventolar che chiome sparte;, E da tergo in passando alzo' la mano, Per ferir lei nella sua ignuda parte: Ma Tancredi gridò, che se n'accorse;, e colla spada a quel gran corpo accorso, Tasso Gerusalemme Liber.a Canto III ott 19, Graphic Design, European, Modernity (1800 - 1914), Italy, Lazio
Portrait of Count de Mornay; Audibran, François-Adolphe-Bruneau (1810-1865), Drouard (Paris; Drukarnia; Fl. 1824-1861); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-count-de-mornay-audibran-franois-adolphe-bruneau-1810-1865-drouard-paris-drukarnia-fl-1824-1861-image598979307.htmlRM2WPDT63–Portrait of Count de Mornay; Audibran, François-Adolphe-Bruneau (1810-1865), Drouard (Paris; Drukarnia; Fl. 1824-1861);
Sunset at Sea after a Storm, Attributed to Francis Danby, 1793–1861, Irish, Formerly Francis Danby, 1793–1861, Irish, ca. 1824, Oil on pressed card, Support (PTG): 4 1/2 x 7 inches (11.4 x 17.8 cm), beauty, boat, clouds, landscape, meteorology, ocean, science, seascape, shipwreck, sky, storm, waves (natural events Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sunset-at-sea-after-a-storm-attributed-to-francis-danby-17931861-irish-formerly-francis-danby-17931861-irish-ca-1824-oil-on-pressed-card-support-ptg-4-12-x-7-inches-114-x-178-cm-beauty-boat-clouds-landscape-meteorology-ocean-science-seascape-shipwreck-sky-storm-waves-natural-events-image389744898.htmlRM2DJ2BGJ–Sunset at Sea after a Storm, Attributed to Francis Danby, 1793–1861, Irish, Formerly Francis Danby, 1793–1861, Irish, ca. 1824, Oil on pressed card, Support (PTG): 4 1/2 x 7 inches (11.4 x 17.8 cm), beauty, boat, clouds, landscape, meteorology, ocean, science, seascape, shipwreck, sky, storm, waves (natural events
Portrait of Jules Gabriel Janin. Drouard (Paryż ; drukarnia ; fl. 1824-1861), printing house, Chenay, Paul (1818-1906), graphic artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jules-gabriel-janin-drouard-pary-drukarnia-fl-1824-1861-printing-house-chenay-paul-1818-1906-graphic-artist-image480452008.htmlRM2JWJDC8–Portrait of Jules Gabriel Janin. Drouard (Paryż ; drukarnia ; fl. 1824-1861), printing house, Chenay, Paul (1818-1906), graphic artist
Bourcier, Une vente d'esclaves, à Richmond (A Slave Auction at Richmond), from 'Le Monde Illustré', Bourcier (French, active 1861–69), After Edmond Morin (French, Le Havre 1824–1882 Sceaux), March 23, 1861, Wood engraving, Sheet: 10 1/16 × 14 1/2 in. (25.5 × 36.8 cm), Image: 8 3/4 × 12 5/8 in. (22.2 × 32 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bourcier-une-vente-desclaves-richmond-a-slave-auction-at-richmond-from-le-monde-illustr-bourcier-french-active-186169-after-edmond-morin-french-le-havre-18241882-sceaux-march-23-1861-wood-engraving-sheet-10-116-14-12-in-255-368-cm-image-8-34-12-58-in-222-32-cm-prints-image344652559.htmlRM2B0M7RY–Bourcier, Une vente d'esclaves, à Richmond (A Slave Auction at Richmond), from 'Le Monde Illustré', Bourcier (French, active 1861–69), After Edmond Morin (French, Le Havre 1824–1882 Sceaux), March 23, 1861, Wood engraving, Sheet: 10 1/16 × 14 1/2 in. (25.5 × 36.8 cm), Image: 8 3/4 × 12 5/8 in. (22.2 × 32 cm), Prints
Portrait of Emile de Girardin. Masson, Alphonse Charles (1814-1898), graphic artist, Drouard (Paryż ; drukarnia ; fl. 1824-1861), publisher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emile-de-girardin-masson-alphonse-charles-1814-1898-graphic-artist-drouard-pary-drukarnia-fl-1824-1861-publisher-image480450052.htmlRM2JWJAXC–Portrait of Emile de Girardin. Masson, Alphonse Charles (1814-1898), graphic artist, Drouard (Paryż ; drukarnia ; fl. 1824-1861), publisher
Blondin at the Crystal Palace, London 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blondin-at-the-crystal-palace-london-1861-image501364124.htmlRM2M3K31G–Blondin at the Crystal Palace, London 1861
Portrait of Jean-Auguste-Dominique Ingres. Drouard (Paryż ; drukarnia ; fl. 1824-1861), printing house, Masson, Alphonse Charles (1814-1898), graphic artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jean-auguste-dominique-ingres-drouard-pary-drukarnia-fl-1824-1861-printing-house-masson-alphonse-charles-1814-1898-graphic-artist-image480451513.htmlRM2JWJCPH–Portrait of Jean-Auguste-Dominique Ingres. Drouard (Paryż ; drukarnia ; fl. 1824-1861), printing house, Masson, Alphonse Charles (1814-1898), graphic artist
Porträt von Dichter Iwan Sawwitsch Nikitin (1824-1861). Museum: Privatsammlung. Author: Wassili Timm (George Wilhelm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrt-von-dichter-iwan-sawwitsch-nikitin-1824-1861-museum-privatsammlung-author-wassili-timm-george-wilhelm-image597153819.htmlRM2WKEKP3–Porträt von Dichter Iwan Sawwitsch Nikitin (1824-1861). Museum: Privatsammlung. Author: Wassili Timm (George Wilhelm).
A Neapolitan Fisherman, 1824-1861. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-neapolitan-fisherman-1824-1861-image553400765.htmlRM2R49G91–A Neapolitan Fisherman, 1824-1861.
Jean-Léon Gérôme .1824-1904.Le Prisonnier du Nil.1861. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-lon-grme-1824-1904le-prisonnier-du-nil1861-image385439668.htmlRF2DB286C–Jean-Léon Gérôme .1824-1904.Le Prisonnier du Nil.1861.
Art inspired by Sketch for War, ca. 1861, Black chalk touched with white and red chalk, 16 7/8 x 12 1/2 in. (42.9 x 31.8 cm.) (irregular), Drawings, Pierre Puvis de Chavannes (French, Lyons 1824–1898 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-sketch-for-war-ca-1861-black-chalk-touched-with-white-and-red-chalk-16-78-x-12-12-in-429-x-318-cm-irregular-drawings-pierre-puvis-de-chavannes-french-lyons-18241898-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462952281.htmlRF2HW58A1–Art inspired by Sketch for War, ca. 1861, Black chalk touched with white and red chalk, 16 7/8 x 12 1/2 in. (42.9 x 31.8 cm.) (irregular), Drawings, Pierre Puvis de Chavannes (French, Lyons 1824–1898 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Schneider, Trudpert - Elisabeth Henriette Fürstin zu Fürstenberg, geb. Prinzessin von Reuss-Greiz (1824-1861), Schloss Heiligenberg (Zeno Fotografie) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-schneider-trudpert-elisabeth-henriette-frstin-zu-frstenberg-geb-prinzessin-176809446.htmlRMM7JA72–Schneider, Trudpert - Elisabeth Henriette Fürstin zu Fürstenberg, geb. Prinzessin von Reuss-Greiz (1824-1861), Schloss Heiligenberg (Zeno Fotografie)
Art inspired by President Lincoln and His Cabinet, with Lt. General Scott, in the Council Chamber at the White House, ca. 1861, Etching, engraving and stipple, Plate: 6 7/8 × 9 7/8 in. (17.5 × 25.1 cm), Prints, After Christian Schussele (American (born France), Guebwiller 1824–1879, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-president-lincoln-and-his-cabinet-with-lt-general-scott-in-the-council-chamber-at-the-white-house-ca-1861-etching-engraving-and-stipple-plate-6-78-9-78-in-175-251-cm-prints-after-christian-schussele-american-born-france-guebwiller-18241879-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023278.htmlRF2HW8EWJ–Art inspired by President Lincoln and His Cabinet, with Lt. General Scott, in the Council Chamber at the White House, ca. 1861, Etching, engraving and stipple, Plate: 6 7/8 × 9 7/8 in. (17.5 × 25.1 cm), Prints, After Christian Schussele (American (born France), Guebwiller 1824–1879, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
1861 coloured Cadbury's Cocoa advertisement Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1861-coloured-cadburys-cocoa-advertisement-148686403.htmlRMJHW70K–1861 coloured Cadbury's Cocoa advertisement
. English: Signature of Joaquim José Inácio, Viscount of Inhaúma . circa 1861. Sébastien Auguste Sisson (1824-1893) 1120 Signature of Inhauma Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-signature-of-joaquim-jos-incio-viscount-of-inhama-circa-1861-sbastien-auguste-sisson-1824-1893-1120-signature-of-inhauma-image185590046.htmlRMMNX9YX–. English: Signature of Joaquim José Inácio, Viscount of Inhaúma . circa 1861. Sébastien Auguste Sisson (1824-1893) 1120 Signature of Inhauma
Friedrich Wilhelm Herbig (1787-1861), The Artist's Family, 1824. Die Familie des Künstlers. Alte Nationalgalerie, Berlin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/friedrich-wilhelm-herbig-1787-1861-the-artists-family-1824-die-familie-des-knstlers-alte-nationalgalerie-berlin-image235084635.htmlRMRJD0RR–Friedrich Wilhelm Herbig (1787-1861), The Artist's Family, 1824. Die Familie des Künstlers. Alte Nationalgalerie, Berlin.
Die Familie des Künstlers - The artist's family 1824 Wilhelm Herbig 1787 - 1861 Franz Krüger 1797 -1857 German Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-die-familie-des-knstlers-the-artists-family-1824-wilhelm-herbig-1787-123231288.htmlRMH4DJNC–Die Familie des Künstlers - The artist's family 1824 Wilhelm Herbig 1787 - 1861 Franz Krüger 1797 -1857 German Germany
Schneider, Trudpert - Elisabeth Henriette Fürstin zu Fürstenberg, geb. Prinzessin von Reuss-Greiz (1824-1861), Schloss Heiligenberg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schneider-trudpert-elisabeth-henriette-frstin-zu-frstenberg-geb-prinzessin-von-reuss-greiz-1824-1861-schloss-heiligenberg-image456906260.htmlRM2HF9TGM–Schneider, Trudpert - Elisabeth Henriette Fürstin zu Fürstenberg, geb. Prinzessin von Reuss-Greiz (1824-1861), Schloss Heiligenberg
Fishermen carrying a Drowned Man by Jozef Israëls (1824-1911), oil on canvas, c. 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fishermen-carrying-a-drowned-man-by-jozef-israls-1824-1911-oil-on-canvas-c-1861-image468521342.htmlRM2J66YN2–Fishermen carrying a Drowned Man by Jozef Israëls (1824-1911), oil on canvas, c. 1861
AMBROSE BURNSIDE (1824-1881) US soldier and industrialist as a Union Army general about 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ambrose-burnside-1824-1881-us-soldier-and-industrialist-as-a-union-58328121.htmlRMDAW235–AMBROSE BURNSIDE (1824-1881) US soldier and industrialist as a Union Army general about 1861
Eugène Louis Boudin (1824-1898) - Cattle Market Daoulas Brittany 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eugne-louis-boudin-1824-1898-cattle-market-daoulas-brittany-1861-image431909977.htmlRF2G2K5G9–Eugène Louis Boudin (1824-1898) - Cattle Market Daoulas Brittany 1861
Vintage chromolithograph of The Coat of arms of Kyiv (Kiev). 1861, by Ludwik Piechaczek (ca 1824-1878) – graphic artist. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-chromolithograph-of-the-coat-of-arms-of-kyiv-kiev-1861-by-ludwik-piechaczek-ca-1824-1878-graphic-artist-image457380672.htmlRM2HG3DM0–Vintage chromolithograph of The Coat of arms of Kyiv (Kiev). 1861, by Ludwik Piechaczek (ca 1824-1878) – graphic artist.
Brig. Gen. Isham N. Haynie, head-and-shoulders portrait, facing straight, image taken between 1861 and 1865, printed later, Haynie, Isham Nicolas, 1824-1868, Photographic prints, 1860-1870., Portrait photographs, 1860-1870, Photographic prints, 1860-1870, 1 photoprint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brig-gen-isham-n-haynie-head-and-shoulders-portrait-facing-straight-image-taken-between-1861-and-1865-printed-later-haynie-isham-nicolas-1824-1868-photographic-prints-1860-1870-portrait-photographs-1860-1870-photographic-prints-1860-1870-1-photoprint-image599543211.htmlRM2WRBFDF–Brig. Gen. Isham N. Haynie, head-and-shoulders portrait, facing straight, image taken between 1861 and 1865, printed later, Haynie, Isham Nicolas, 1824-1868, Photographic prints, 1860-1870., Portrait photographs, 1860-1870, Photographic prints, 1860-1870, 1 photoprint
A view of Belgrave Square, London, 1864. By Richard Doyle (1824-1883). Taken from Doyle's 'Bird's-eye Views of Society'. Doyle’s Bird’s-Eye Views of Society appeared in serial form in The Cornhill Magazine between April 1861 and October 1862. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-belgrave-square-london-1864-by-richard-doyle1824-1883-taken-from-doyles-birds-eye-views-of-society-doyles-birds-eye-views-of-society-appeared-in-serial-form-in-the-cornhill-magazine-between-april-1861-and-october-1862-image490597959.htmlRM2KE4JKK–A view of Belgrave Square, London, 1864. By Richard Doyle (1824-1883). Taken from Doyle's 'Bird's-eye Views of Society'. Doyle’s Bird’s-Eye Views of Society appeared in serial form in The Cornhill Magazine between April 1861 and October 1862.
Minna Pfüller (1824-1907) - Frederick William IV, King of Prussia (1795-1861) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minna-pfller-1824-1907-frederick-william-iv-king-of-prussia-1795-1861-image401211585.htmlRM2E8MND5–Minna Pfüller (1824-1907) - Frederick William IV, King of Prussia (1795-1861)
Portrait of Count de Mornay. Drouard (Paryż ; drukarnia ; fl. 1824-1861), printing house, Audibran, François-Adolphe-Bruneau (1810-1865), graphic artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-count-de-mornay-drouard-pary-drukarnia-fl-1824-1861-printing-house-audibran-franois-adolphe-bruneau-1810-1865-graphic-artist-image480451488.htmlRM2JWJCNM–Portrait of Count de Mornay. Drouard (Paryż ; drukarnia ; fl. 1824-1861), printing house, Audibran, François-Adolphe-Bruneau (1810-1865), graphic artist
Gustave Boulanger (Paris 1824- Paris 18883), Répétition du Joueur de flüte ». et de la «Femme de Diomède» chez le prince Napoléon, 1861, Musée d'Orsay, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustave-boulanger-paris-1824-paris-18883-rptition-du-joueur-de-flte-et-de-la-femme-de-diomde-chez-le-prince-napolon-1861-muse-dorsay-paris-france-image620574140.htmlRM2Y1HGJ4–Gustave Boulanger (Paris 1824- Paris 18883), Répétition du Joueur de flüte ». et de la «Femme de Diomède» chez le prince Napoléon, 1861, Musée d'Orsay, Paris, France.
Portrait of Jules Gabriel Janina; CHENAY, PAUL (1818-1906), Drouard (Paris; Printing; Fl. 1824-1861); 1858 (1858-00-00-1858-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jules-gabriel-janina-chenay-paul-1818-1906-drouard-paris-printing-fl-1824-1861-1858-1858-00-00-1858-00-00-image598972500.htmlRM2WPDFF0–Portrait of Jules Gabriel Janina; CHENAY, PAUL (1818-1906), Drouard (Paris; Printing; Fl. 1824-1861); 1858 (1858-00-00-1858-00-00);
Portrait of poet Ivan Savwitsch Nikitin (1824-1861), 1861. Private Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-poet-ivan-savwitsch-nikitin-1824-1861-1861-private-collection-image599663591.htmlRM2WRH10R–Portrait of poet Ivan Savwitsch Nikitin (1824-1861), 1861. Private Collection
Portrait of Honoré Balzac. Drouard (Paryż ; drukarnia ; fl. 1824-1861), printing house, Chenay, Paul (1818-1906), graphic artist, Boulanger, Louis (1806-1867), draughtsman, cartoonist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-honor-balzac-drouard-pary-drukarnia-fl-1824-1861-printing-house-chenay-paul-1818-1906-graphic-artist-boulanger-louis-1806-1867-draughtsman-cartoonist-image480451520.htmlRM2JWJCPT–Portrait of Honoré Balzac. Drouard (Paryż ; drukarnia ; fl. 1824-1861), printing house, Chenay, Paul (1818-1906), graphic artist, Boulanger, Louis (1806-1867), draughtsman, cartoonist
Jean-Léon Gérôme . 1824-1904. Le Prisonnier du Nil. 1861. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-lon-grme-1824-1904-le-prisonnier-du-nil-1861-image385439526.htmlRF2DB281A–Jean-Léon Gérôme . 1824-1904. Le Prisonnier du Nil. 1861.
Portrait of Emile de Girardin; Masson, Alphonse Charles (1814-1898), Drouard (Paris; Drukarnia; Fl. 1824-1861); after 1855 (1850-00-00-1880-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emile-de-girardin-masson-alphonse-charles-1814-1898-drouard-paris-drukarnia-fl-1824-1861-after-1855-1850-00-00-1880-00-00-image598986317.htmlRM2WPE54D–Portrait of Emile de Girardin; Masson, Alphonse Charles (1814-1898), Drouard (Paris; Drukarnia; Fl. 1824-1861); after 1855 (1850-00-00-1880-00-00);
Art inspired by President Lincoln and His Cabinet, ca. 1861, Pen and ink, brush and wash, Sheet: 10 7/8 × 15 1/8 in. (27.6 × 38.4 cm), Drawings, Christian Schussele (American (born France), Guebwiller 1824–1879 Merchantville, New Jersey), Schussele’s drawing documents Lincoln's chief, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-president-lincoln-and-his-cabinet-ca-1861-pen-and-ink-brush-and-wash-sheet-10-78-15-18-in-276-384-cm-drawings-christian-schussele-american-born-france-guebwiller-18241879-merchantville-new-jersey-schusseles-drawing-documents-lincolns-chief-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023289.htmlRF2HW8EX1–Art inspired by President Lincoln and His Cabinet, ca. 1861, Pen and ink, brush and wash, Sheet: 10 7/8 × 15 1/8 in. (27.6 × 38.4 cm), Drawings, Christian Schussele (American (born France), Guebwiller 1824–1879 Merchantville, New Jersey), Schussele’s drawing documents Lincoln's chief, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Jean Auguste Dominique Ingres; Masson, Alphonse Charles (1814-1898), Drouard (Paris; Drukarnia; Fl. 1824-1861); around 1860 (1855-00-00-1865-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jean-auguste-dominique-ingres-masson-alphonse-charles-1814-1898-drouard-paris-drukarnia-fl-1824-1861-around-1860-1855-00-00-1865-00-00-image598999633.htmlRM2WPEP41–Portrait of Jean Auguste Dominique Ingres; Masson, Alphonse Charles (1814-1898), Drouard (Paris; Drukarnia; Fl. 1824-1861); around 1860 (1855-00-00-1865-00-00);
. English: Joaquim José Inácio, Viscount of Inhaúma, c.1861 . circa 1861. Sébastien Auguste Sisson (1824-1893) 1240 Viscount of Inhauma by Sisson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-joaquim-jos-incio-viscount-of-inhama-c1861-circa-1861-sbastien-auguste-sisson-1824-1893-1240-viscount-of-inhauma-by-sisson-image185609696.htmlRMMNY71M–. English: Joaquim José Inácio, Viscount of Inhaúma, c.1861 . circa 1861. Sébastien Auguste Sisson (1824-1893) 1240 Viscount of Inhauma by Sisson
Portrait of Delphine de Girardin. Masson, Alphonse Charles (1814-1898), graphic artist, Chassériau, Théodore (1819-1856), draughtsman, cartoonist, Drouard (Paryż ; drukarnia ; fl. 1824-1861), publisher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-delphine-de-girardin-masson-alphonse-charles-1814-1898-graphic-artist-chassriau-thodore-1819-1856-draughtsman-cartoonist-drouard-pary-drukarnia-fl-1824-1861-publisher-image480449510.htmlRM2JWJA72–Portrait of Delphine de Girardin. Masson, Alphonse Charles (1814-1898), graphic artist, Chassériau, Théodore (1819-1856), draughtsman, cartoonist, Drouard (Paryż ; drukarnia ; fl. 1824-1861), publisher
Dase, Zacharias, 23.6.1824 - 11.9.1861, German mental calculator, portrait, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dase-zacharias-2361824-1191861-german-mental-calculator-portrait-27948571.htmlRMBHD4K7–Dase, Zacharias, 23.6.1824 - 11.9.1861, German mental calculator, portrait, ,
Pitcher. Modeler: Charles Coxon, British, 1805–1868Maker: Millington, Astbury and Paulson, American, 1859–1870Honorand: Elmer Ephraim Ellsworth, American, 1837–1861Honorand: James W. Jackson, American, ca. 1824–1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pitcher-modeler-charles-coxon-british-18051868maker-millington-astbury-and-paulson-american-18591870honorand-elmer-ephraim-ellsworth-american-18371861honorand-james-w-jackson-american-ca-18241861-image463091501.htmlRM2HWBHX5–Pitcher. Modeler: Charles Coxon, British, 1805–1868Maker: Millington, Astbury and Paulson, American, 1859–1870Honorand: Elmer Ephraim Ellsworth, American, 1837–1861Honorand: James W. Jackson, American, ca. 1824–1861
James Braidwood Superintendent of the London Fire Engine Establishment James Braidwood (1800 - 1861) founded the world's first municipal fire service in Edinburgh in 1824, and was the first director of the London Fire Engine Establishment (the brigade which was eventually to become the London Fire Brigade) He is credited with the development of the modern municipal fire service Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-braidwood-superintendent-of-the-london-fire-engine-establishment-james-braidwood-1800-1861-founded-the-worlds-first-municipal-fire-service-in-edinburgh-in-1824-and-was-the-first-director-of-the-london-fire-engine-establishment-the-brigade-which-was-eventually-to-become-the-london-fire-brigade-he-is-credited-with-the-development-of-the-modern-municipal-fire-service-image623904707.htmlRM2Y718PY–James Braidwood Superintendent of the London Fire Engine Establishment James Braidwood (1800 - 1861) founded the world's first municipal fire service in Edinburgh in 1824, and was the first director of the London Fire Engine Establishment (the brigade which was eventually to become the London Fire Brigade) He is credited with the development of the modern municipal fire service
Portrait of Honoré Balzac; Chenay, Paul (1818-1906), Boulanger, Louis (1806-1867), Drouard (Paris; Printing house; fl. 1824-1861); around 1860 (1855-00-00-1865-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-honor-balzac-chenay-paul-1818-1906-boulanger-louis-1806-1867-drouard-paris-printing-house-fl-1824-1861-around-1860-1855-00-00-1865-00-00-image598983501.htmlRM2WPE1FW–Portrait of Honoré Balzac; Chenay, Paul (1818-1906), Boulanger, Louis (1806-1867), Drouard (Paris; Printing house; fl. 1824-1861); around 1860 (1855-00-00-1865-00-00);
The funeral of James Braidwood , the late chief of the London Fire Brigade in Abney park cemetery . 1861 Superintendent of the London Fire Engine Establishment James Braidwood (1800 - 1861) founded the world's first municipal fire service in Edinburgh in 1824, and was the first director of the London Fire Engine Establishment (the brigade which was eventually to become the London Fire Brigade) He is credited with the development of the modern municipal fire service Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-funeral-of-james-braidwood-the-late-chief-of-the-london-fire-brigade-in-abney-park-cemetery-1861-superintendent-of-the-london-fire-engine-establishment-james-braidwood-1800-1861-founded-the-worlds-first-municipal-fire-service-in-edinburgh-in-1824-and-was-the-first-director-of-the-london-fire-engine-establishment-the-brigade-which-was-eventually-to-become-the-london-fire-brigade-he-is-credited-with-the-development-of-the-modern-municipal-fire-service-image623904716.htmlRM2Y718R8–The funeral of James Braidwood , the late chief of the London Fire Brigade in Abney park cemetery . 1861 Superintendent of the London Fire Engine Establishment James Braidwood (1800 - 1861) founded the world's first municipal fire service in Edinburgh in 1824, and was the first director of the London Fire Engine Establishment (the brigade which was eventually to become the London Fire Brigade) He is credited with the development of the modern municipal fire service
Portrait of Delphine de Girardin; Masson, Alphonse Charles (1814-1898), Chassériau, Théodore (1819-1856), Drouard (Paris; Printing house; Fl. 1824-1861); after 1855 (1850-00-00-1880-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-delphine-de-girardin-masson-alphonse-charles-1814-1898-chassriau-thodore-1819-1856-drouard-paris-printing-house-fl-1824-1861-after-1855-1850-00-00-1880-00-00-image598958619.htmlRM2WPCWR7–Portrait of Delphine de Girardin; Masson, Alphonse Charles (1814-1898), Chassériau, Théodore (1819-1856), Drouard (Paris; Printing house; Fl. 1824-1861); after 1855 (1850-00-00-1880-00-00);
Major General Winfield S. Hancock, three-quarter length portrait, seated, facing front, Washington, D.C.: Campbell Photo Service, between 1861 and 1865, Hancock, Winfield Scott, 1824-1886, Military service, Photographic prints, 1860-1870., Portrait photographs, 1860-1870, Photographic prints, 1860-1870, 1 photographic print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/major-general-winfield-s-hancock-three-quarter-length-portrait-seated-facing-front-washington-dc-campbell-photo-service-between-1861-and-1865-hancock-winfield-scott-1824-1886-military-service-photographic-prints-1860-1870-portrait-photographs-1860-1870-photographic-prints-1860-1870-1-photographic-print-image599543987.htmlRM2WRBGD7–Major General Winfield S. Hancock, three-quarter length portrait, seated, facing front, Washington, D.C.: Campbell Photo Service, between 1861 and 1865, Hancock, Winfield Scott, 1824-1886, Military service, Photographic prints, 1860-1870., Portrait photographs, 1860-1870, Photographic prints, 1860-1870, 1 photographic print
Jean-Pierre Dantan (1800-1869), said Dantan the young. Bust of the actress at the gymnasium, Rose-Marie Cizos dit Rose-Cheri (1824-1861). Terracotta. 1866. Paris, Carnavalet museum. French actress, bust, terracotta, theater gymnasium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-pierre-dantan-1800-1869-said-dantan-the-young-bust-of-the-actress-at-the-gymnasium-rose-marie-cizos-dit-rose-cheri-1824-1861-terracotta-1866-paris-carnavalet-museum-french-actress-bust-terracotta-theater-gymnasium-image596771128.htmlRM2WJW7JG–Jean-Pierre Dantan (1800-1869), said Dantan the young. Bust of the actress at the gymnasium, Rose-Marie Cizos dit Rose-Cheri (1824-1861). Terracotta. 1866. Paris, Carnavalet museum. French actress, bust, terracotta, theater gymnasium
A Roman Street Letter Writer Reading a Letter Aloud to a Young Girl, Ernst Meyer, 1797-1861, 1829, Painting, Genre Painting, While studying at the Academy in Copenhagen and during the following years training at Munich, Meyer wanted to be a historical painter. But when he came to Rome in 1824 he successfully turned to depictions of Italian street life. Today, we might see this type of painting as idealised and devoid of any social message, but the public of the day appreciated the humour with which Meyer was able to portray amusing everyday events., Textile, Canvas, Color, Oil paint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-roman-street-letter-writer-reading-a-letter-aloud-to-a-young-girl-ernst-meyer-1797-1861-1829-painting-genre-painting-while-studying-at-the-academy-in-copenhagen-and-during-the-following-years-training-at-munich-meyer-wanted-to-be-a-historical-painter-but-when-he-came-to-rome-in-1824-he-successfully-turned-to-depictions-of-italian-street-life-today-we-might-see-this-type-of-painting-as-idealised-and-devoid-of-any-social-message-but-the-public-of-the-day-appreciated-the-humour-with-which-meyer-was-able-to-portray-amusing-everyday-events-textile-canvas-color-oil-paint-image573186724.htmlRM2T8EWEC–A Roman Street Letter Writer Reading a Letter Aloud to a Young Girl, Ernst Meyer, 1797-1861, 1829, Painting, Genre Painting, While studying at the Academy in Copenhagen and during the following years training at Munich, Meyer wanted to be a historical painter. But when he came to Rome in 1824 he successfully turned to depictions of Italian street life. Today, we might see this type of painting as idealised and devoid of any social message, but the public of the day appreciated the humour with which Meyer was able to portray amusing everyday events., Textile, Canvas, Color, Oil paint
Saint Francis of Assisi after F. Lexycki’s painting in St. Michael’s church in Vilnius. Drouard (Paryż ; drukarnia ; fl. 1824-1861), printing house, Oleszczyński, Antoni (1794-1879), graphic artist, Lekszycki, Franciszek (?-1668), painter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-francis-of-assisi-after-f-lexyckis-painting-in-st-michaels-church-in-vilnius-drouard-pary-drukarnia-fl-1824-1861-printing-house-oleszczyski-antoni-1794-1879-graphic-artist-lekszycki-franciszek-1668-painter-image480425888.htmlRM2JWH83C–Saint Francis of Assisi after F. Lexycki’s painting in St. Michael’s church in Vilnius. Drouard (Paryż ; drukarnia ; fl. 1824-1861), printing house, Oleszczyński, Antoni (1794-1879), graphic artist, Lekszycki, Franciszek (?-1668), painter
Gustave Boulanger (Paris 1824- Paris 18883), Répétition du Joueur de flüte ». et de la «Femme de Diomède» chez le prince Napoléon, 1861, Musée d'Orsay, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustave-boulanger-paris-1824-paris-18883-rptition-du-joueur-de-flte-et-de-la-femme-de-diomde-chez-le-prince-napolon-1861-muse-dorsay-paris-france-image620572390.htmlRM2Y1HEBJ–Gustave Boulanger (Paris 1824- Paris 18883), Répétition du Joueur de flüte ». et de la «Femme de Diomède» chez le prince Napoléon, 1861, Musée d'Orsay, Paris, France.
Portrait of Stanisław Bonifacy Jundziłł, against the background of the Botanic Garden in Vilnius. Oleszczyński, Antoni (1794-1879), graphic artist, Rypiński, Karol (1808-1892), draughtsman, cartoonist, Drouard (Paryż ; drukarnia ; fl. 1824-1861), workshop, Wilczyński, Jan Kazimierz (1806-1885), publisher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-stanisaw-bonifacy-jundzi-against-the-background-of-the-botanic-garden-in-vilnius-oleszczyski-antoni-1794-1879-graphic-artist-rypiski-karol-1808-1892-draughtsman-cartoonist-drouard-pary-drukarnia-fl-1824-1861-workshop-wilczyski-jan-kazimierz-1806-1885-publisher-image480425639.htmlRM2JWH7PF–Portrait of Stanisław Bonifacy Jundziłł, against the background of the Botanic Garden in Vilnius. Oleszczyński, Antoni (1794-1879), graphic artist, Rypiński, Karol (1808-1892), draughtsman, cartoonist, Drouard (Paryż ; drukarnia ; fl. 1824-1861), workshop, Wilczyński, Jan Kazimierz (1806-1885), publisher
Reception of the Ambassadors of Siam by Napoleon III at the Palace of Fontainebleau on June 27, 1861 Artist: Gerôme, Jean-Léon (1824-1904) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reception-of-the-ambassadors-of-siam-by-napoleon-iii-at-the-palace-74093824.htmlRME8F7C0–Reception of the Ambassadors of Siam by Napoleon III at the Palace of Fontainebleau on June 27, 1861 Artist: Gerôme, Jean-Léon (1824-1904)
Juan Sebastian Elcano (Guetaria, 1476-at the sea, 1526). Spanish explorer of Basque origin. He completed the first circumnavigation of the Earth. Detail of the bronze statue erected in 1861 by the Spanish sculptor Anonio Palao (1824-1886) in Elcano square, Getaria. Guipuzcoa province, Basque Country, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/juan-sebastian-elcano-guetaria-1476-at-the-sea-1526-spanish-explorer-of-basque-origin-he-completed-the-first-circumnavigation-of-the-earth-detail-of-the-bronze-statue-erected-in-1861-by-the-spanish-sculptor-anonio-palao-1824-1886-in-elcano-square-getaria-guipuzcoa-province-basque-country-spain-image220018787.htmlRMPNXM5R–Juan Sebastian Elcano (Guetaria, 1476-at the sea, 1526). Spanish explorer of Basque origin. He completed the first circumnavigation of the Earth. Detail of the bronze statue erected in 1861 by the Spanish sculptor Anonio Palao (1824-1886) in Elcano square, Getaria. Guipuzcoa province, Basque Country, Spain.
NOEL Edmond Morin (1824-1882). 'Noël'. Bois, 1861. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/noel-edmond-morin-1824-1882-nol-bois-1861-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350208384.htmlRM2B9NAA8–NOEL Edmond Morin (1824-1882). 'Noël'. Bois, 1861. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
De kathedraal van Antwerpen, gezien van de Groenplaats, met het standbeeld van Rubens after 1824–voor 1861 by Émile Rouargue Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-kathedraal-van-antwerpen-gezien-van-de-groenplaats-met-het-standbeeld-van-rubens-after-1824voor-1861-by-mile-rouargue-image559708980.htmlRM2REGXEC–De kathedraal van Antwerpen, gezien van de Groenplaats, met het standbeeld van Rubens after 1824–voor 1861 by Émile Rouargue
Petersburg, Virginia. Group of Federal generals: Winfield Scott Hancock (seated), with division commanders, Francis Channing Barlow, (left), David Bell Birney, and John Gibbon, between 1861 and 1864, Hancock, Winfield Scott, 1824-1886, Glass negatives, 1860-1870, 1 negative: glass, wet collodion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/petersburg-virginia-group-of-federal-generals-winfield-scott-hancock-seated-with-division-commanders-francis-channing-barlow-left-david-bell-birney-and-john-gibbon-between-1861-and-1864-hancock-winfield-scott-1824-1886-glass-negatives-1860-1870-1-negative-glass-wet-collodion-image599546490.htmlRM2WRBKJJ–Petersburg, Virginia. Group of Federal generals: Winfield Scott Hancock (seated), with division commanders, Francis Channing Barlow, (left), David Bell Birney, and John Gibbon, between 1861 and 1864, Hancock, Winfield Scott, 1824-1886, Glass negatives, 1860-1870, 1 negative: glass, wet collodion
N/A. English: A Short Rest . 1861. Cristiano Banti (1824–1904) Description Italian painter Date of birth/death 4 January 1824 4 December 1904 Location of birth/death Santa Croce sull'Arno Montemurlo Work location Florence; Siena Authority control : Q3697440 VIAF:18059418 ISNI:0000 0000 6680 6606 ULAN:500017902 LCCN:n84100381 WGA:BANTI, Cristiano WorldCat 168 Banti-Rest Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-a-short-rest-1861-cristiano-banti-18241904-description-italian-painter-date-of-birthdeath-4-january-1824-4-december-1904-location-of-birthdeath-santa-croce-sullarno-montemurlo-work-location-florence-siena-authority-control-q3697440-viaf18059418-isni0000-0000-6680-6606-ulan500017902-lccnn84100381-wgabanti-cristiano-worldcat-168-banti-rest-image210076365.htmlRMP5NPF9–N/A. English: A Short Rest . 1861. Cristiano Banti (1824–1904) Description Italian painter Date of birth/death 4 January 1824 4 December 1904 Location of birth/death Santa Croce sull'Arno Montemurlo Work location Florence; Siena Authority control : Q3697440 VIAF:18059418 ISNI:0000 0000 6680 6606 ULAN:500017902 LCCN:n84100381 WGA:BANTI, Cristiano WorldCat 168 Banti-Rest
A late 19th Century portrait of Thomas Jonathan 'Stonewall' Jackson (1824-1863) AKA 'Old Jack', 'Old Blue Light', 'Tom Fool' who served as a Confederate general (1861–1863) during the American Civil War, and became one of the best-known Confederate commanders after General Robert E. Lee. Jackson played a prominent role in nearly all military engagements in the Eastern Theater of the war until his death, and had a key part in winning many significant battles. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-late-19th-century-portrait-of-thomas-jonathan-stonewall-jackson-1824-1863-aka-old-jack-old-blue-light-tom-fool-who-served-as-a-confederate-general-18611863-during-the-american-civil-war-and-became-one-of-the-best-known-confederate-commanders-after-general-robert-e-lee-jackson-played-a-prominent-role-in-nearly-all-military-engagements-in-the-eastern-theater-of-the-war-until-his-death-and-had-a-key-part-in-winning-many-significant-battles-image455365276.htmlRM2HCRK1G–A late 19th Century portrait of Thomas Jonathan 'Stonewall' Jackson (1824-1863) AKA 'Old Jack', 'Old Blue Light', 'Tom Fool' who served as a Confederate general (1861–1863) during the American Civil War, and became one of the best-known Confederate commanders after General Robert E. Lee. Jackson played a prominent role in nearly all military engagements in the Eastern Theater of the war until his death, and had a key part in winning many significant battles.
Jefferson Finis Davis (geboren 3. Juni 1808 in Fairview, Kentucky, verstorben 6. Dezember 1889 in New Orleans, Louisiana) war ein US-amerikanischer Politiker, von 1861 bis 1865 der einzige Präsident der Konföderierten Staaten von Amerika. Nach einem Foto von Matthew Brady (1824-1896), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jefferson-finis-davis-geboren-3-juni-1808-in-fairview-kentucky-verstorben-6-dezember-1889-in-new-orleans-louisiana-war-ein-us-amerikanischer-politiker-von-1861-bis-1865-der-einzige-prsident-der-konfderierten-staaten-von-amerika-nach-einem-foto-von-matthew-brady-1824-1896-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image592316698.htmlRF2WBJ9YP–Jefferson Finis Davis (geboren 3. Juni 1808 in Fairview, Kentucky, verstorben 6. Dezember 1889 in New Orleans, Louisiana) war ein US-amerikanischer Politiker, von 1861 bis 1865 der einzige Präsident der Konföderierten Staaten von Amerika. Nach einem Foto von Matthew Brady (1824-1896), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Portrait of French tightrope walker and acrobat Charles Blondin (1824 - 1897), London, England, United Kingdom, June 1, 1861. Photography by Negretti & Zambra (1850 - 1899). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-french-tightrope-walker-and-acrobat-charles-blondin-1824-1897-london-england-united-kingdom-june-1-1861-photography-by-negretti-zambra-1850-1899-image466195078.htmlRM2J2D0G6–Portrait of French tightrope walker and acrobat Charles Blondin (1824 - 1897), London, England, United Kingdom, June 1, 1861. Photography by Negretti & Zambra (1850 - 1899).
Vue de Tananarive, capitale de Madagascar, dessin d'Evremond de Berard (1824-1881), pour illustrer le voyage d'Ida Pfeiffer a Madagascar, en 1857. Gravure in 'Le tour du monde' 1861. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vue-de-tananarive-capitale-de-madagascar-dessin-devremond-de-berard-1824-1881-pour-illustrer-le-voyage-dida-pfeiffer-a-madagascar-en-1857-gravure-in-le-tour-du-monde-1861-image560293287.htmlRM2RFFFPF–Vue de Tananarive, capitale de Madagascar, dessin d'Evremond de Berard (1824-1881), pour illustrer le voyage d'Ida Pfeiffer a Madagascar, en 1857. Gravure in 'Le tour du monde' 1861.
Mr. John Laird, of Birkenhead, 1861. Engraving from a photograph by John and Charles Watkins. 'Mr . Laird has been connected with steam navigation since 1821...The Birkenhead Ironworks were commenced in 1824 by his father, the late Mr. William Laird, and the first iron vessel built at these works was in 1829. Great difficulties were experienced in persuading shipowners and the public to adopt iron vessels, and iron shipbuilding made but slow progress until 1839, when the Admiralty ordered the first iron steam-vessel for her Majesty's service from Mr. Laird...The Birkenhead Docks were first pro Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mr-john-laird-of-birkenhead-1861-engraving-from-a-photograph-by-john-and-charles-watkins-mr-laird-has-been-connected-with-steam-navigation-since-1821the-birkenhead-ironworks-were-commenced-in-1824-by-his-father-the-late-mr-william-laird-and-the-first-iron-vessel-built-at-these-works-was-in-1829-great-difficulties-were-experienced-in-persuading-shipowners-and-the-public-to-adopt-iron-vessels-and-iron-shipbuilding-made-but-slow-progress-until-1839-when-the-admiralty-ordered-the-first-iron-steam-vessel-for-her-majestys-service-from-mr-lairdthe-birkenhead-docks-were-first-pro-image575130008.htmlRM2TBKC5C–Mr. John Laird, of Birkenhead, 1861. Engraving from a photograph by John and Charles Watkins. 'Mr . Laird has been connected with steam navigation since 1821...The Birkenhead Ironworks were commenced in 1824 by his father, the late Mr. William Laird, and the first iron vessel built at these works was in 1829. Great difficulties were experienced in persuading shipowners and the public to adopt iron vessels, and iron shipbuilding made but slow progress until 1839, when the Admiralty ordered the first iron steam-vessel for her Majesty's service from Mr. Laird...The Birkenhead Docks were first pro
![Thomas Jonathan 'Stonewall' Jackson (January 21, 1824 – May 10, 1863) served as a Confederate general (1861–1863) during the American Civil War, and became one of the best-known Confederate commanders after General Robert E. Lee.[2] Jackson played a prominent role in nearly all military engagements in the Eastern Theater of the war until his death, and had a key part in winning many significant battles. from the book ' The Civil war through the camera ' hundreds of vivid photographs actually taken in Civil war times, sixteen reproductions in color of famous war paintings. The new text history Stock Photo](https://c8.alamy.com/comp/2GNB19W/thomas-jonathan-stonewall-jackson-january-21-1824-may-10-1863-served-as-a-confederate-general-18611863-during-the-american-civil-war-and-became-one-of-the-best-known-confederate-commanders-after-general-robert-e-lee-2-jackson-played-a-prominent-role-in-nearly-all-military-engagements-in-the-eastern-theater-of-the-war-until-his-death-and-had-a-key-part-in-winning-many-significant-battles-from-the-book-the-civil-war-through-the-camera-hundreds-of-vivid-photographs-actually-taken-in-civil-war-times-sixteen-reproductions-in-color-of-famous-war-paintings-the-new-text-history-2GNB19W.jpg "Thomas Jonathan 'Stonewall' Jackson (January 21, 1824 – May 10, 1863) served as a Confederate general (1861–1863) during the American Civil War, and became one of the best-known Confederate commanders after General Robert E. Lee.[2] Jackson played a prominent role in nearly all military engagements in the Eastern Theater of the war until his death, and had a key part in winning many significant battles. from the book ' The Civil war through the camera ' hundreds of vivid photographs actually taken in Civil war times, sixteen reproductions in color of famous war paintings. The new text history Stock Photo")
Thomas Jonathan 'Stonewall' Jackson (January 21, 1824 – May 10, 1863) served as a Confederate general (1861–1863) during the American Civil War, and became one of the best-known Confederate commanders after General Robert E. Lee.[2] Jackson played a prominent role in nearly all military engagements in the Eastern Theater of the war until his death, and had a key part in winning many significant battles. from the book ' The Civil war through the camera ' hundreds of vivid photographs actually taken in Civil war times, sixteen reproductions in color of famous war paintings. The new text history Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-jonathan-stonewall-jackson-january-21-1824-may-10-1863-served-as-a-confederate-general-18611863-during-the-american-civil-war-and-became-one-of-the-best-known-confederate-commanders-after-general-robert-e-lee-2-jackson-played-a-prominent-role-in-nearly-all-military-engagements-in-the-eastern-theater-of-the-war-until-his-death-and-had-a-key-part-in-winning-many-significant-battles-from-the-book-the-civil-war-through-the-camera-hundreds-of-vivid-photographs-actually-taken-in-civil-war-times-sixteen-reproductions-in-color-of-famous-war-paintings-the-new-text-history-image443409509.htmlRM2GNB19W–Thomas Jonathan 'Stonewall' Jackson (January 21, 1824 – May 10, 1863) served as a Confederate general (1861–1863) during the American Civil War, and became one of the best-known Confederate commanders after General Robert E. Lee.[2] Jackson played a prominent role in nearly all military engagements in the Eastern Theater of the war until his death, and had a key part in winning many significant battles. from the book ' The Civil war through the camera ' hundreds of vivid photographs actually taken in Civil war times, sixteen reproductions in color of famous war paintings. The new text history
James Braidwood statue (1800–1861) was a Scottish firefighter who founded one of the world's first municipal fire service in Edinburgh in 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-braidwood-statue-18001861-was-a-scottish-firefighter-who-founded-one-of-the-worlds-first-municipal-fire-service-in-edinburgh-in-1824-image264472853.htmlRFWA7NR1–James Braidwood statue (1800–1861) was a Scottish firefighter who founded one of the world's first municipal fire service in Edinburgh in 1824.
Gustave Boulanger (Paris 1824- Paris 18883), Répétition du Joueur de flüte » et de la «Femme de Diomède» chez le prince Napoléon, 1861, Musée d'Orsay, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustave-boulanger-paris-1824-paris-18883-rptition-du-joueur-de-flte-et-de-la-femme-de-diomde-chez-le-prince-napolon-1861-muse-dorsay-image617542336.htmlRM2XTKDFC–Gustave Boulanger (Paris 1824- Paris 18883), Répétition du Joueur de flüte » et de la «Femme de Diomède» chez le prince Napoléon, 1861, Musée d'Orsay,
Detail of James Braidwood statue (1800–1861) a Scottish firefighter who founded one of the world's first municipal fire service in Edinburgh in 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-james-braidwood-statue-18001861-a-scottish-firefighter-who-founded-one-of-the-worlds-first-municipal-fire-service-in-edinburgh-in-1824-image273336221.htmlRFWTKF3W–Detail of James Braidwood statue (1800–1861) a Scottish firefighter who founded one of the world's first municipal fire service in Edinburgh in 1824.
Karl Christoph Stiller 1824 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-karl-christoph-stiller-1824-142886713.htmlRMJ8D1CW–Karl Christoph Stiller 1824
Headquarters Krupp, slate half-timbered building, replica, residence of the Essen industrial family Krupp from 1824 to 1861, behind it the new Thyssen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/headquarters-krupp-slate-half-timbered-building-replica-residence-of-the-essen-industrial-family-krupp-from-1824-to-1861-behind-it-the-new-thyssen-image331854849.htmlRM2A7W86W–Headquarters Krupp, slate half-timbered building, replica, residence of the Essen industrial family Krupp from 1824 to 1861, behind it the new Thyssen
Juan Sebastian Elcano (Guetaria, 1476-at the sea, 1526). Spanish explorer of Basque origin. He completed the first circumnavigation of the Earth. Detail of the bronze statue erected in 1861 by the Spanish sculptor Anonio Palao (1824-1886) in Elcano square, Getaria. Guipuzcoa province, Basque Country, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/juan-sebastian-elcano-guetaria-1476-at-the-sea-1526-spanish-explorer-of-basque-origin-he-completed-the-first-circumnavigation-of-the-earth-detail-of-the-bronze-statue-erected-in-1861-by-the-spanish-sculptor-anonio-palao-1824-1886-in-elcano-square-getaria-guipuzcoa-province-basque-country-spain-image231229799.htmlRMRC5BY3–Juan Sebastian Elcano (Guetaria, 1476-at the sea, 1526). Spanish explorer of Basque origin. He completed the first circumnavigation of the Earth. Detail of the bronze statue erected in 1861 by the Spanish sculptor Anonio Palao (1824-1886) in Elcano square, Getaria. Guipuzcoa province, Basque Country, Spain.
Portrait of Stanisław Bonifacy Jundziłł, against the background of the Botanic Garden in Vilnius. Drouard (Paryż ; drukarnia ; fl. 1824-1861), printing house, Oleszczyński, Antoni (1794-1879), graphic artist, Rypiński, Karol (1808-1892), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-stanisaw-bonifacy-jundzi-against-the-background-of-the-botanic-garden-in-vilnius-drouard-pary-drukarnia-fl-1824-1861-printing-house-oleszczyski-antoni-1794-1879-graphic-artist-rypiski-karol-1808-1892-draughtsman-cartoonist-wilczyski-jan-kazimierz-1806-1885-publisher-image480425645.htmlRM2JWH7PN–Portrait of Stanisław Bonifacy Jundziłł, against the background of the Botanic Garden in Vilnius. Drouard (Paryż ; drukarnia ; fl. 1824-1861), printing house, Oleszczyński, Antoni (1794-1879), graphic artist, Rypiński, Karol (1808-1892), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher
Eugène de Beauharnais', (1781–1824), 1815. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eugne-de-beauharnais-17811824-1815-image60411881.htmlRMDE7YY5–Eugène de Beauharnais', (1781–1824), 1815.
Jean-Pierre Dantan (1800-1869), known as Dantan young. Portrait-signs of the actress at the gymnasium, Rose-Marie Cizos dit Rose-Cheri (1824-1861). Terracotta patinated plaster. Paris, Carnavalet museum. 53174-15 French actress, Comedian, pattero patina, portrait-metering, terracotta, theater gymnasium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-pierre-dantan-1800-1869-known-as-dantan-young-portrait-signs-of-the-actress-at-the-gymnasium-rose-marie-cizos-dit-rose-cheri-1824-1861-terracotta-patinated-plaster-paris-carnavalet-museum-53174-15-french-actress-comedian-pattero-patina-portrait-metering-terracotta-theater-gymnasium-image596780147.htmlRM2WJWK4K–Jean-Pierre Dantan (1800-1869), known as Dantan young. Portrait-signs of the actress at the gymnasium, Rose-Marie Cizos dit Rose-Cheri (1824-1861). Terracotta patinated plaster. Paris, Carnavalet museum. 53174-15 French actress, Comedian, pattero patina, portrait-metering, terracotta, theater gymnasium
Hill Edmond Morin (1824-1882). 'De Pujol'. Bois, 1861. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hill-edmond-morin-1824-1882-de-pujol-bois-1861-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350209859.htmlRM2B9NC6Y–Hill Edmond Morin (1824-1882). 'De Pujol'. Bois, 1861. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Spangenberg Ludwig (1824-1893), landscape near Willingshausen (09.1861): Perspective view. Pencil on the box, 35.7 x 51.8 cm (including scan edges) Spangenberg Ludwig (1824-1893): Landschaft bei Willingshausen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spangenberg-ludwig-1824-1893-landscape-near-willingshausen-091861-perspective-view-pencil-on-the-box-357-x-518-cm-including-scan-edges-spangenberg-ludwig-1824-1893-landschaft-bei-willingshausen-image477456544.htmlRM2JMP0KC–Spangenberg Ludwig (1824-1893), landscape near Willingshausen (09.1861): Perspective view. Pencil on the box, 35.7 x 51.8 cm (including scan edges) Spangenberg Ludwig (1824-1893): Landschaft bei Willingshausen
Evangeline 1861 by Christian Schussele, born Guebviller, France 1824-died Merchantville, NJ 1879 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/evangeline-1861-by-christian-schussele-born-guebviller-france-1824-died-merchantville-nj-1879-image555983649.htmlRM2R8F6PW–Evangeline 1861 by Christian Schussele, born Guebviller, France 1824-died Merchantville, NJ 1879
N/A. Français : 'Chemins de fer royaux grand-ducaux Guillaume-Luxembourg:Viaduc sur la Pétrusse'lithographie . circa 1861. Pierre Brandebourg (1824–1878) Alternative names Peter Brandenbourg, Pierre Brandenbourger, Peter Brandenbourger Description Luxembourgish photographer and painter Date of birth/death 25 July 1824 23 May 1878 Location of birth/death Luxembourg (city) Luxembourg (city) Authority control : Q3246580 229 Brandebourg Viaduc de Luxembourg 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-franais-chemins-de-fer-royaux-grand-ducaux-guillaume-luxembourgviaduc-sur-la-ptrusselithographie-circa-1861-pierre-brandebourg-18241878-alternative-names-peter-brandenbourg-pierre-brandenbourger-peter-brandenbourger-description-luxembourgish-photographer-and-painter-date-of-birthdeath-25-july-1824-23-may-1878-location-of-birthdeath-luxembourg-city-luxembourg-city-authority-control-q3246580-229-brandebourg-viaduc-de-luxembourg-1861-image210109477.htmlRMP5R8NW–N/A. Français : 'Chemins de fer royaux grand-ducaux Guillaume-Luxembourg:Viaduc sur la Pétrusse'lithographie . circa 1861. Pierre Brandebourg (1824–1878) Alternative names Peter Brandenbourg, Pierre Brandenbourger, Peter Brandenbourger Description Luxembourgish photographer and painter Date of birth/death 25 July 1824 23 May 1878 Location of birth/death Luxembourg (city) Luxembourg (city) Authority control : Q3246580 229 Brandebourg Viaduc de Luxembourg 1861
Gropius Martin (1824-1880), field decoration of the banker Aron, Berlin. Berlin. (From: Architectural sketchbook, H. 52/4, 1861.) (1861-1861): Wand processing. Lithograph colored on paper, 25.8 x 34.9 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gropius-martin-1824-1880-field-decoration-of-the-banker-aron-berlin-berlin-from-architectural-sketchbook-h-524-1861-1861-1861-wand-processing-lithograph-colored-on-paper-258-x-349-cm-including-scan-edges-image477583784.htmlRM2JMYPYM–Gropius Martin (1824-1880), field decoration of the banker Aron, Berlin. Berlin. (From: Architectural sketchbook, H. 52/4, 1861.) (1861-1861): Wand processing. Lithograph colored on paper, 25.8 x 34.9 cm (including scan edges)
Pierre Gustave Toutant Beauregard (geboren 28. Mai 1818 im St. Bernard Parish, Louisiana, verstorben 20. Februar 1893 in New Orleans, Louisiana, USA) war bis 1861 Offizier des US-Heeres und danach General im konföderierten Heer. Nach einem Foto von Matthew Brady (1824-1896), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierre-gustave-toutant-beauregard-geboren-28-mai-1818-im-st-bernard-parish-louisiana-verstorben-20-februar-1893-in-new-orleans-louisiana-usa-war-bis-1861-offizier-des-us-heeres-und-danach-general-im-konfderierten-heer-nach-einem-foto-von-matthew-brady-1824-1896-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image592316697.htmlRF2WBJ9YN–Pierre Gustave Toutant Beauregard (geboren 28. Mai 1818 im St. Bernard Parish, Louisiana, verstorben 20. Februar 1893 in New Orleans, Louisiana, USA) war bis 1861 Offizier des US-Heeres und danach General im konföderierten Heer. Nach einem Foto von Matthew Brady (1824-1896), Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Indian barber in Reunion island. Western Indian Ocean, drawing by Evremond de Berard (1824-1881) Journey to Reunion Island, 1861 by Louis Laurent Simonin (1830-1886) Le Tour du Monde 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/indian-barber-in-reunion-island-western-indian-ocean-drawing-by-evremond-de-berard-1824-1881-journey-to-reunion-island-1861-by-louis-laurent-simonin-1830-1886-le-tour-du-monde-1862-image612429762.htmlRM2XGAGBE–Indian barber in Reunion island. Western Indian Ocean, drawing by Evremond de Berard (1824-1881) Journey to Reunion Island, 1861 by Louis Laurent Simonin (1830-1886) Le Tour du Monde 1862
Vue de Port de France, en Nouvelle Caledonie, dessin de Evremont de Berard (1824-1881), pour illustrer le voyage a la Nouvelle Caledonie, en 1859, de Victor de Rochas. Gravure in 'Le tour du monde' 1861. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vue-de-port-de-france-en-nouvelle-caledonie-dessin-de-evremont-de-berard-1824-1881-pour-illustrer-le-voyage-a-la-nouvelle-caledonie-en-1859-de-victor-de-rochas-gravure-in-le-tour-du-monde-1861-image560293524.htmlRM2RFFG30–Vue de Port de France, en Nouvelle Caledonie, dessin de Evremont de Berard (1824-1881), pour illustrer le voyage a la Nouvelle Caledonie, en 1859, de Victor de Rochas. Gravure in 'Le tour du monde' 1861.
Portrait of Wilkie Collins. A photograph. William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright, and author of short stories. . The Woman in White ... Illustrated, etc. London : Sampson Low, Son & Co., 1861. Source: 12654.d.2 frontispiece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-wilkie-collins-a-photograph-william-wilkie-collins-8-january-1824-23-september-1889-was-an-english-novelist-playwright-and-author-of-short-stories-the-woman-in-white-illustrated-etc-london-sampson-low-son-co-1861-source-12654d2-frontispiece-image227001059.htmlRMR58P4K–Portrait of Wilkie Collins. A photograph. William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright, and author of short stories. . The Woman in White ... Illustrated, etc. London : Sampson Low, Son & Co., 1861. Source: 12654.d.2 frontispiece.
Portrait of US Civil War General Ambrose Burnside (1824 - 1881) - his distinctive facial hair gave rise to the term 'sideburns'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-us-civil-war-general-ambrose-burnside-1824-1881-his-distinctive-31398984.htmlRMBR29M8–Portrait of US Civil War General Ambrose Burnside (1824 - 1881) - his distinctive facial hair gave rise to the term 'sideburns'.
Sketch for War, painting in the Museum of Picardy at Amiens, Pierre Puvis de Chavannes, ca. 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-sketch-for-war-painting-in-the-museum-of-picardy-at-amiens-pierre-162465646.htmlRMKC8XGE–Sketch for War, painting in the Museum of Picardy at Amiens, Pierre Puvis de Chavannes, ca. 1861
Gustave Boulanger (Paris 1824- Paris 18883), Répétition du Joueur de flüte » et de la «Femme de Diomède» chez le prince Napoléon, 1861, Musée d'Orsay, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustave-boulanger-paris-1824-paris-18883-rptition-du-joueur-de-flte-et-de-la-femme-de-diomde-chez-le-prince-napolon-1861-muse-dorsay-image617542338.htmlRM2XTKDFE–Gustave Boulanger (Paris 1824- Paris 18883), Répétition du Joueur de flüte » et de la «Femme de Diomède» chez le prince Napoléon, 1861, Musée d'Orsay,
Sunset at Sea after a Storm, Attributed to Francis Danby, 1793-1861, British Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sunset-at-sea-after-a-storm-attributed-to-francis-danby-1793-1861-77447974.htmlRMEE01K2–Sunset at Sea after a Storm, Attributed to Francis Danby, 1793-1861, British
Mrs. Mary B. Pearse (?), C.L. Weed (American, 1824 - 1903), 1861 - 1863, Albumen silver print. Reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-mary-b-pearse-cl-weed-american-1824-1903-1861-1863-albumen-silver-print-reimagined-image230222855.htmlRFRAFFGR–Mrs. Mary B. Pearse (?), C.L. Weed (American, 1824 - 1903), 1861 - 1863, Albumen silver print. Reimagined
Headquarters Krupp, slate half-timbered building, replica, residence of the Essen industrial family Krupp from 1824 to 1861, behind it the new Thyssen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/headquarters-krupp-slate-half-timbered-building-replica-residence-of-the-essen-industrial-family-krupp-from-1824-to-1861-behind-it-the-new-thyssen-image331854837.htmlRM2A7W86D–Headquarters Krupp, slate half-timbered building, replica, residence of the Essen industrial family Krupp from 1824 to 1861, behind it the new Thyssen
Reinado de Fernando VII (1814 a 1833). Guardias Reales en el año 1824. Dibujo de Villegas. Lámina número 74 del ALBUM DE LA INFANTERIA ESPAÑOLA del Teniente General Conde de Clonard. Litografía Militar, Madrid, año 1861. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reinado-de-fernando-vii-1814-a-1833-guardias-reales-en-el-ao-1824-dibujo-de-villegas-lmina-nmero-74-del-album-de-la-infanteria-espaola-del-teniente-general-conde-de-clonard-litografa-militar-madrid-ao-1861-image209627702.htmlRMP51A7J–Reinado de Fernando VII (1814 a 1833). Guardias Reales en el año 1824. Dibujo de Villegas. Lámina número 74 del ALBUM DE LA INFANTERIA ESPAÑOLA del Teniente General Conde de Clonard. Litografía Militar, Madrid, año 1861.
President Lincoln and His Cabinet, Christian Schussele, ca. 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-president-lincoln-and-his-cabinet-christian-schussele-ca-1861-162523784.htmlRMKCBGMT–President Lincoln and His Cabinet, Christian Schussele, ca. 1861
Ixion Chained in Tartarus, 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ixion-chained-in-tartarus-1824-image186176538.htmlRMMPW222–Ixion Chained in Tartarus, 1824.
Um dos sinos da igreja ganhou o nome de Aragão, pois entre os anos de 1824 e 1827 executava o toque de recolher determinado pelo Intendente Geral da Polícia, Teixeira de Aragão. Fachada e detalhes arquitetônicos da Igreja de São Francisco de Paula, no Largo de São Francisco de Paula, Centro Histórico do Rio. A construção iniciou-se em 1759 com iniciativa dos irmãos da Ordem Terceira dos Mínimos de São Francisco de Paula, com conclusão em 1801, só ficou completamente pronta em 1861, quando foi inaugurada por Dom Pedro II e Teresa Cristina. Atualmente é a segunda maior igreja da cidade, ficando Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/um-dos-sinos-da-igreja-ganhou-o-nome-de-arago-pois-entre-os-anos-de-1824-e-1827-executava-o-toque-de-recolher-determinado-pelo-intendente-geral-da-polcia-teixeira-de-arago-fachada-e-detalhes-arquitetnicos-da-igreja-de-so-francisco-de-paula-no-largo-de-so-francisco-de-paula-centro-histrico-do-rio-a-construo-iniciou-se-em-1759-com-iniciativa-dos-irmos-da-ordem-terceira-dos-mnimos-de-so-francisco-de-paula-com-concluso-em-1801-s-ficou-completamente-pronta-em-1861-quando-foi-inaugurada-por-dom-pedro-ii-e-teresa-cristina-atualmente-a-segunda-maior-igreja-da-cidade-ficando-image208942471.htmlRMP3X473–Um dos sinos da igreja ganhou o nome de Aragão, pois entre os anos de 1824 e 1827 executava o toque de recolher determinado pelo Intendente Geral da Polícia, Teixeira de Aragão. Fachada e detalhes arquitetônicos da Igreja de São Francisco de Paula, no Largo de São Francisco de Paula, Centro Histórico do Rio. A construção iniciou-se em 1759 com iniciativa dos irmãos da Ordem Terceira dos Mínimos de São Francisco de Paula, com conclusão em 1801, só ficou completamente pronta em 1861, quando foi inaugurada por Dom Pedro II e Teresa Cristina. Atualmente é a segunda maior igreja da cidade, ficando
