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1824 artist Stock Photos and Images
P. I. Pestel at a meeting of the Northern Society in St. Petersburg in 1824. Artist K. Goldstein. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/p-i-pestel-at-a-meeting-of-the-northern-society-in-st-petersburg-in-1824-artist-k-goldstein-image481962676.htmlRM2K0388M–P. I. Pestel at a meeting of the Northern Society in St. Petersburg in 1824. Artist K. Goldstein.
CARL IOHANN, Crown Prince of Sweden.', Daniel Berger (1744-1824), Artist, 1813, paper, copperplate engraving, height 33, 6 cm, width 24, 5 cm, plate size 28×20, 2 cm, Fine Arts, Estate Constantin von Wurzbach, portrait, ruler, sovereign, man, The Vienna Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carl-iohann-crown-prince-of-sweden-daniel-berger-1744-1824-artist-1813-paper-copperplate-engraving-height-33-6-cm-width-24-5-cm-plate-size-2820-2-cm-fine-arts-estate-constantin-von-wurzbach-portrait-ruler-sovereign-man-the-vienna-collection-image573451229.htmlRM2T8XXW1–CARL IOHANN, Crown Prince of Sweden.', Daniel Berger (1744-1824), Artist, 1813, paper, copperplate engraving, height 33, 6 cm, width 24, 5 cm, plate size 28×20, 2 cm, Fine Arts, Estate Constantin von Wurzbach, portrait, ruler, sovereign, man, The Vienna Collection
N/A. English: Picture of Playfair's observatory on Calton Hill, Edinburgh, Scotland. 1824. Artist unknown, file created by Chi And H. 264 Calton Hill Playfair Building 1824 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-picture-of-playfairs-observatory-on-calton-hill-edinburgh-scotland-1824-artist-unknown-file-created-by-chi-and-h-264-calton-hill-playfair-building-1824-image210188786.htmlRMP5XWXA–N/A. English: Picture of Playfair's observatory on Calton Hill, Edinburgh, Scotland. 1824. Artist unknown, file created by Chi And H. 264 Calton Hill Playfair Building 1824
Jean-Louis-André-Théodore Gericault (1791-1824). Artist: Horace Vernet (French, Paris 1789-1863 Paris). Dimensions: 18 5/8 x 15 1/8 in. (47.3 x 38.4 cm). Date: probably 1822 or 1823. In the early 1820s, Parisian critics were hard pressed to decide which young painter held greater promise, Vernet or his close friend--and friendly rival--Gericault. This work shows Gericault as a Romantic artist, a type that had recently come into being based on Lord Byron's example. He is depicted deep in thought and possibly suffering physically as well. It was probably painted when Gericault was stricken with Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-louis-andr-thodore-gericault-1791-1824-artist-horace-vernet-french-paris-1789-1863-paris-dimensions-18-58-x-15-18-in-473-x-384-cm-date-probably-1822-or-1823-in-the-early-1820s-parisian-critics-were-hard-pressed-to-decide-which-young-painter-held-greater-promise-vernet-or-his-close-friend-and-friendly-rival-gericault-this-work-shows-gericault-as-a-romantic-artist-a-type-that-had-recently-come-into-being-based-on-lord-byrons-example-he-is-depicted-deep-in-thought-and-possibly-suffering-physically-as-well-it-was-probably-painted-when-gericault-was-stricken-with-image213294895.htmlRMPB0BPR–Jean-Louis-André-Théodore Gericault (1791-1824). Artist: Horace Vernet (French, Paris 1789-1863 Paris). Dimensions: 18 5/8 x 15 1/8 in. (47.3 x 38.4 cm). Date: probably 1822 or 1823. In the early 1820s, Parisian critics were hard pressed to decide which young painter held greater promise, Vernet or his close friend--and friendly rival--Gericault. This work shows Gericault as a Romantic artist, a type that had recently come into being based on Lord Byron's example. He is depicted deep in thought and possibly suffering physically as well. It was probably painted when Gericault was stricken with
Victor Emmanuel I of Sardinia (1759-1824). Artist: Anonymous Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-victor-emmanuel-i-of-sardinia-1759-1824-artist-anonymous-74095723.htmlRME8F9RR–Victor Emmanuel I of Sardinia (1759-1824). Artist: Anonymous
Monument, Memorial, Godfrey Sykes, born 1824, artist, designer, sculptor, Weston Park, Sheffield, South Yorkshire, UK, Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-monument-memorial-godfrey-sykes-born-1824-artist-designer-sculptor-13653195.htmlRMAEDW5G–Monument, Memorial, Godfrey Sykes, born 1824, artist, designer, sculptor, Weston Park, Sheffield, South Yorkshire, UK, Europe
Charles I (1600-1649) King of England, 1824. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-i-1600-1649-king-of-england-1824-artist-unknown-image262738223.htmlRMW7CN7Y–Charles I (1600-1649) King of England, 1824. Artist: Unknown
Pierre Puvis de Chavannes (1824-1898), French artist, best known for his mural painting. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-puvis-de-chavannes-1824-1898-french-artist-best-known-for-his-mural-painting-image560844054.htmlRM2RGCJ8P–Pierre Puvis de Chavannes (1824-1898), French artist, best known for his mural painting.
JEAN-LÉON GEROME (1824-1904) French artist. Photo: Nadar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-lon-gerome-1824-1904-french-artist-photo-nadar-image151829633.htmlRMJR0C6W–JEAN-LÉON GEROME (1824-1904) French artist. Photo: Nadar
Japan: 'Camels and Musicians'. Ukiyo-e woodblock print by Utagawa Kuniyasu (1794-1832), 1824. The camels and musicians are redolent of the Tang Dynasty and the Silk Road, especially Sogdian or Central Asian entertainers at the Tang Court. Utagawa Kuniyasu, born Yasugoro and also known as Ipposai and Nishikawa Yasunobu, was a relatively popular Japanese artist from the Utagawa school. He was taught by Utagawa Toyokuni, and illustrated around a hundred books throughout his career. He also designed hundreds of stand-alone prints of actors (yakusha-e) and beauties (bijing-ga). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-camels-and-musicians-ukiyo-e-woodblock-print-by-utagawa-kuniyasu-1794-1832-1824-the-camels-and-musicians-are-redolent-of-the-tang-dynasty-and-the-silk-road-especially-sogdian-or-central-asian-entertainers-at-the-tang-court-utagawa-kuniyasu-born-yasugoro-and-also-known-as-ipposai-and-nishikawa-yasunobu-was-a-relatively-popular-japanese-artist-from-the-utagawa-school-he-was-taught-by-utagawa-toyokuni-and-illustrated-around-a-hundred-books-throughout-his-career-he-also-designed-hundreds-of-stand-alone-prints-of-actors-yakusha-e-and-beauties-bijing-ga-image344234402.htmlRM2B016DP–Japan: 'Camels and Musicians'. Ukiyo-e woodblock print by Utagawa Kuniyasu (1794-1832), 1824. The camels and musicians are redolent of the Tang Dynasty and the Silk Road, especially Sogdian or Central Asian entertainers at the Tang Court. Utagawa Kuniyasu, born Yasugoro and also known as Ipposai and Nishikawa Yasunobu, was a relatively popular Japanese artist from the Utagawa school. He was taught by Utagawa Toyokuni, and illustrated around a hundred books throughout his career. He also designed hundreds of stand-alone prints of actors (yakusha-e) and beauties (bijing-ga).
The Champion, 1824. Artist: Sir Charles Lock Eastlake Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-champion-1824-artist-sir-charles-lock-eastlake-image551016777.htmlRM2R0CYEH–The Champion, 1824. Artist: Sir Charles Lock Eastlake
Gericault, Theodore, 26.9.1791 - 26.1.1824, French artist (painter), portrait, self-portrait, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gericault-theodore-2691791-2611824-french-artist-painter-portrait-29110194.htmlRMBKA29P–Gericault, Theodore, 26.9.1791 - 26.1.1824, French artist (painter), portrait, self-portrait, ,
Portrait of Horace Castelli (1824-1889) French Artist & Illustrator. Vintage or Old Illustration or Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-horace-castelli-1824-1889-french-artist-illustrator-vintage-or-old-illustration-or-engraving-image353612994.htmlRM2BF8CYE–Portrait of Horace Castelli (1824-1889) French Artist & Illustrator. Vintage or Old Illustration or Engraving
Entitled: 'Blondin carries manager Harry Colcord on back over Niagara Falls.' Charles Blondin (born Jean François Gravelet, February 28, 1824 - February 22, 1897) was a French tightrope walker and acrobat, called the 'Chevalier Blondin', or simply 'The Great Blondin'. At the age of five he was sent to the École de Gymnase at Lyon and, after six months training as an acrobat, made his first public appearance as 'The Boy Wonder'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entitled-blondin-carries-manager-harry-colcord-on-back-over-niagara-falls-charles-blondin-born-jean-franois-gravelet-february-28-1824-february-22-1897-was-a-french-tightrope-walker-and-acrobat-called-the-chevalier-blondin-or-simply-the-great-blondin-at-the-age-of-five-he-was-sent-to-the-cole-de-gymnase-at-lyon-and-after-six-months-training-as-an-acrobat-made-his-first-public-appearance-as-the-boy-wonder-image246587450.htmlRMT950PJ–Entitled: 'Blondin carries manager Harry Colcord on back over Niagara Falls.' Charles Blondin (born Jean François Gravelet, February 28, 1824 - February 22, 1897) was a French tightrope walker and acrobat, called the 'Chevalier Blondin', or simply 'The Great Blondin'. At the age of five he was sent to the École de Gymnase at Lyon and, after six months training as an acrobat, made his first public appearance as 'The Boy Wonder'.
La moisson - The harvest by Marius Engalière (1824–1857) France French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-la-moisson-the-harvest-by-marius-engalire-18241857-france-french-74829939.htmlRME9MP9R–La moisson - The harvest by Marius Engalière (1824–1857) France French
Still life 1824 James Peale Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-still-life-1824-james-peale-76565048.htmlRMECFRE0–Still life 1824 James Peale
The Highland Family - by David Wilkie, 1824 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-highland-family-by-david-wilkie-1824-image62037649.htmlRMDGX1J9–The Highland Family - by David Wilkie, 1824
On the Beach, Dieppe by Eugène Boudin (1824-1898), oil on wood, 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/on-the-beach-dieppe-by-eugne-boudin-1824-1898-oil-on-wood-1864-image500268086.htmlRM2M1W51A–On the Beach, Dieppe by Eugène Boudin (1824-1898), oil on wood, 1864
Lord Byron, portrait. British poet 1788-1824. After the portrait by T. Phillips . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lord-byron-portrait-british-poet-1788-1824-after-the-portrait-by-t-83363363.htmlRMERHEPY–Lord Byron, portrait. British poet 1788-1824. After the portrait by T. Phillips .
View of the Institute' oil on canvas, by Charles Lapostolet (1824-1890) French artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-institute-oil-on-canvas-by-charles-lapostolet-1824-1890-french-artist-image235040499.htmlRMRJB0FF–View of the Institute' oil on canvas, by Charles Lapostolet (1824-1890) French artist.
Daniel Berger (1744 - 1824), artist, execution Daniel Nikolaus Chodowiecki (1726 - 1801), template, after, Human Body. The sick man with the doctor and the friend, Origin of the printing medium: About 1770 - 1774 Publi, etching on paper vergé, sheet size: 8.5 x 11.1 cm (trimmed to border line Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/daniel-berger-1744-1824-artist-execution-daniel-nikolaus-chodowiecki-1726-1801-template-after-human-body-the-sick-man-with-the-doctor-and-the-friend-origin-of-the-printing-medium-about-1770-1774-publi-etching-on-paper-verg-sheet-size-85-x-111-cm-trimmed-to-border-line-image573219505.htmlRM2T8GB95–Daniel Berger (1744 - 1824), artist, execution Daniel Nikolaus Chodowiecki (1726 - 1801), template, after, Human Body. The sick man with the doctor and the friend, Origin of the printing medium: About 1770 - 1774 Publi, etching on paper vergé, sheet size: 8.5 x 11.1 cm (trimmed to border line
. English: African mounted soldier, c.1820 coloured aquatint Publication/Creation: c.1820 Creators and Contributors: Hutton, W., fl. c.1821 (artist) Clark, I., fl. c.1824 (artist) Description: Physical Description: 1 aquatint; 16.5 x 10.4 cm. Abstract: Hand-col. aquatint by I. Clark after Hutton; mounted figure in milit. costume with large plumed head-dress, carrying spear, riding towards left. Call Number: AfP1820sf-1 (ASK Brown Call No.) General notes: Small upright 8vo, matted; margins severely trimmed; slightly soiled. Title supplied by cataloger. Other notes: Lon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-african-mounted-soldier-c1820-coloured-aquatint-publicationcreation-c1820-creators-and-contributors-hutton-w-fl-c1821-artist-clark-i-fl-c1824-artist-description-physical-description-1-aquatint-165-x-104-cm-abstract-hand-col-aquatint-by-i-clark-after-hutton-mounted-figure-in-milit-costume-with-large-plumed-head-dress-carrying-spear-riding-towards-left-call-number-afp1820sf-1-ask-brown-call-no-general-notes-small-upright-8vo-matted-margins-severely-trimmed-slightly-soiled-title-supplied-by-cataloger-other-notes-lon-image188170070.htmlRMMX3TRJ–. English: African mounted soldier, c.1820 coloured aquatint Publication/Creation: c.1820 Creators and Contributors: Hutton, W., fl. c.1821 (artist) Clark, I., fl. c.1824 (artist) Description: Physical Description: 1 aquatint; 16.5 x 10.4 cm. Abstract: Hand-col. aquatint by I. Clark after Hutton; mounted figure in milit. costume with large plumed head-dress, carrying spear, riding towards left. Call Number: AfP1820sf-1 (ASK Brown Call No.) General notes: Small upright 8vo, matted; margins severely trimmed; slightly soiled. Title supplied by cataloger. Other notes: Lon
The Studio of Horace Vernet (Intérieur d'un Atelier), 1824. Artist: Horace Vernet (French, Paris 1789-1863 Paris); Jean Pierre Marie Jazet (French, Paris 1788-1871 Paris). Dimensions: 29-7/8 x 34 in. (75.9 x 86.4 cm). Date: 1824. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-studio-of-horace-vernet-intrieur-dun-atelier-1824-artist-horace-vernet-french-paris-1789-1863-paris-jean-pierre-marie-jazet-french-paris-1788-1871-paris-dimensions-29-78-x-34-in-759-x-864-cm-date-1824-museum-metropolitan-museum-of-art-new-york-usa-image213167965.htmlRMPAPHWH–The Studio of Horace Vernet (Intérieur d'un Atelier), 1824. Artist: Horace Vernet (French, Paris 1789-1863 Paris); Jean Pierre Marie Jazet (French, Paris 1788-1871 Paris). Dimensions: 29-7/8 x 34 in. (75.9 x 86.4 cm). Date: 1824. Museum: Metropolitan Museum of Art, New York, USA.
J'ai Perdu!, 1824. Artist: Roehn, Adolphe (1780-1867) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jai-perdu!-1824-artist-roehn-adolphe-1780-1867-image60386797.htmlRMDE6RY9–J'ai Perdu!, 1824. Artist: Roehn, Adolphe (1780-1867)
Inspired by Self Portrait, Eastman Johnson, American, 1824-1906, Oil on canvas, ca. 1890, 24 x 19 15/16 in., 60.9 x 50.7 cm, American Painting, American Rembrandt, artist, co-founder of the Metropolitan Museum of Art NYC, handlebar mustache, historical Portrait, Johnson, Eastman, male, man, oil on, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-self-portrait-eastman-johnson-american-1824-1906-oil-on-canvas-ca-1890-24-x-19-1516-in-609-x-507-cm-american-painting-american-rembrandt-artist-co-founder-of-the-metropolitan-museum-of-art-nyc-handlebar-mustache-historical-portrait-johnson-eastman-male-man-oil-on-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252432.htmlRF2HK4N4G–Inspired by Self Portrait, Eastman Johnson, American, 1824-1906, Oil on canvas, ca. 1890, 24 x 19 15/16 in., 60.9 x 50.7 cm, American Painting, American Rembrandt, artist, co-founder of the Metropolitan Museum of Art NYC, handlebar mustache, historical Portrait, Johnson, Eastman, male, man, oil on, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Boudicca (Boadicea) lst century British queen of Iceni, 1824. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boudicca-boadicea-lst-century-british-queen-of-iceni-1824-artist-unknown-image262738011.htmlRMW7CN0B–Boudicca (Boadicea) lst century British queen of Iceni, 1824. Artist: Unknown
CHARLES SMITH, ARTIST Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-smith-artist-image65736879.htmlRMDPXG1K–CHARLES SMITH, ARTIST
FIRST ANGLO-ASHANTI WAR 'Defeat of the Ashantees, by British forces under the command of Coll. Sutherland,July 11th, 1824' by unknown artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-anglo-ashanti-war-defeat-of-the-ashantees-by-british-forces-under-the-command-of-coll-sutherlandjuly-11th-1824-by-unknown-artist-image344400928.htmlRM2B08PW4–FIRST ANGLO-ASHANTI WAR 'Defeat of the Ashantees, by British forces under the command of Coll. Sutherland,July 11th, 1824' by unknown artist
Anton Bruckner, portrait by Karl Hayd. Austrian composer & organist, 1824-1896. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anton-bruckner-portrait-by-karl-hayd-austrian-composer-organist-1824-image156724783.htmlRMK2YC1K–Anton Bruckner, portrait by Karl Hayd. Austrian composer & organist, 1824-1896.
Rufus Putnam (1738–1824). Artist: John Trumbull, American, 1756–1843 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rufus-putnam17381824-artist-john-trumbull-american-17561843-image463093717.htmlRM2HWBMN9–Rufus Putnam (1738–1824). Artist: John Trumbull, American, 1756–1843
Pietsch, Ludwig, 25.12.1824 - 27.11.1911, German artist (poet, journalist, author / writer, painter), portrait, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pietsch-ludwig-25121824-27111911-german-artist-poet-journalist-author-24441632.htmlRMBBNBFC–Pietsch, Ludwig, 25.12.1824 - 27.11.1911, German artist (poet, journalist, author / writer, painter), portrait,
Painting depicts the cellar of the Johan Hendrik Weissenbruch (1824-1903) in The Hague. Dated 1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-depicts-the-cellar-of-the-johan-hendrik-weissenbruch-1824-1903-in-the-hague-dated-1888-image210408909.htmlRMP68XKW–Painting depicts the cellar of the Johan Hendrik Weissenbruch (1824-1903) in The Hague. Dated 1888
Charles Blondin (born Jean François Gravelet, February 28, 1824 - February 22, 1897) was a French tightrope walker and acrobat, called the 'Chevalier Blondin', or simply 'The Great Blondin'. At the age of five he was sent to the École de Gymnase at Lyon and, after six months training as an acrobat, made his first public appearance as 'The Boy Wonder'. His superior skill and grace, as well as the originality of the settings of his acts, made him a popular favorite. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-blondin-born-jean-franois-gravelet-february-28-1824-february-22-1897-was-a-french-tightrope-walker-and-acrobat-called-the-chevalier-blondin-or-simply-the-great-blondin-at-the-age-of-five-he-was-sent-to-the-cole-de-gymnase-at-lyon-and-after-six-months-training-as-an-acrobat-made-his-first-public-appearance-as-the-boy-wonder-his-superior-skill-and-grace-as-well-as-the-originality-of-the-settings-of-his-acts-made-him-a-popular-favorite-image246587457.htmlRMT950PW–Charles Blondin (born Jean François Gravelet, February 28, 1824 - February 22, 1897) was a French tightrope walker and acrobat, called the 'Chevalier Blondin', or simply 'The Great Blondin'. At the age of five he was sent to the École de Gymnase at Lyon and, after six months training as an acrobat, made his first public appearance as 'The Boy Wonder'. His superior skill and grace, as well as the originality of the settings of his acts, made him a popular favorite.
Death and the Maidens 1872 Puvis de Chavannes, 1824 -1898, France ,French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-death-and-the-maidens-1872-puvis-de-chavannes-1824-1898-france-french-165278392.htmlRMKGW27M–Death and the Maidens 1872 Puvis de Chavannes, 1824 -1898, France ,French
Mars disarmed by Venus - Jacques-Louis David, 1824 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mars-disarmed-by-venus-jacques-louis-david-1824-image217013911.htmlRMPH1RCR–Mars disarmed by Venus - Jacques-Louis David, 1824
Andromache and Astyanax by Pierre Paul Prudhon, 1824 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andromache-and-astyanax-by-pierre-paul-prudhon-1824-image69605114.htmlRME16P0X–Andromache and Astyanax by Pierre Paul Prudhon, 1824
The Young Seamstress by Jozef Israëls (1824-1911), oil on canvas, c. 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-young-seamstress-by-jozef-israls-1824-1911-oil-on-canvas-c-1880-image440673052.htmlRM2GGXAY8–The Young Seamstress by Jozef Israëls (1824-1911), oil on canvas, c. 1880
The early 1900s caption reads: 'Lord Heathfield by Reynolds (1723-1792) in the National Gallery. This work which is held by good judges to be one of the most characteristic portraits painted by Sir Joshua Reynolds was commissioned by Alderman Boydell in 1787. In the background there is a view of the Rock of Gibraltar much obscured by smoke, for the picture commemorates the defence of the Rock from 1779 to 1783 by Lord Heathfield, then General Eliott. This picture was purchased by the Government for the National Gallery in 1824.' Joshua Reynolds (1723-1792) was the leading English portraitist o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-early-1900s-caption-reads-lord-heathfield-by-reynolds-1723-1792-in-the-national-gallery-this-work-which-is-held-by-good-judges-to-be-one-of-the-most-characteristic-portraits-painted-by-sir-joshua-reynolds-was-commissioned-by-alderman-boydell-in-1787-in-the-background-there-is-a-view-of-the-rock-of-gibraltar-much-obscured-by-smoke-for-the-picture-commemorates-the-defence-of-the-rock-from-1779-to-1783-by-lord-heathfield-then-general-eliott-this-picture-was-purchased-by-the-government-for-the-national-gallery-in-1824-joshua-reynolds-1723-1792-was-the-leading-english-portraitist-o-image554978314.htmlRF2R6WCE2–The early 1900s caption reads: 'Lord Heathfield by Reynolds (1723-1792) in the National Gallery. This work which is held by good judges to be one of the most characteristic portraits painted by Sir Joshua Reynolds was commissioned by Alderman Boydell in 1787. In the background there is a view of the Rock of Gibraltar much obscured by smoke, for the picture commemorates the defence of the Rock from 1779 to 1783 by Lord Heathfield, then General Eliott. This picture was purchased by the Government for the National Gallery in 1824.' Joshua Reynolds (1723-1792) was the leading English portraitist o
Cattle Market at Arbresie'. Louis Guy (1824-1888) French artist. Oil on Canvas. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-cattle-market-at-arbresie-louis-guy-1824-1888-french-artist-oil-on-57315721.htmlRMD96XP1–Cattle Market at Arbresie'. Louis Guy (1824-1888) French artist. Oil on Canvas.
Johann Christian Klengel (1751 - 1824), artist, presumed Christian Wilhelm Ernst Dietrich (1712 - 1774), in the manner of, Am Fenster sitzender Bauer, origin of print medium: circa 1780, etching, sheet size: 12.5 x 8.5 cm, inscribed at upper right 'C. W. E. Dietrich fec., 1731 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-christian-klengel-1751-1824-artist-presumed-christian-wilhelm-ernst-dietrich-1712-1774-in-the-manner-of-am-fenster-sitzender-bauer-origin-of-print-medium-circa-1780-etching-sheet-size-125-x-85-cm-inscribed-at-upper-right-c-w-e-dietrich-fec-1731-image573216155.htmlRM2T8G71F–Johann Christian Klengel (1751 - 1824), artist, presumed Christian Wilhelm Ernst Dietrich (1712 - 1774), in the manner of, Am Fenster sitzender Bauer, origin of print medium: circa 1780, etching, sheet size: 12.5 x 8.5 cm, inscribed at upper right 'C. W. E. Dietrich fec., 1731
. English: African mounted soldier, c.1820 coloured aquatint Publication/Creation: c.1820 Creators and Contributors: Hutton, W., fl. c.1821 (artist) Clark, I., fl. c.1824 (artist) Description: Physical Description: 1 aquatint; 16.5 x 10.4 cm. Abstract: Hand-col. aquatint by I. Clark after Hutton; mounted figure in milit. costume with large plumed head-dress, carrying spear, riding towards left. Call Number: AfP1820sf-1 (ASK Brown Call No.) General notes: Small upright 8vo, matted; margins severely trimmed; slightly soiled. Title supplied by cataloger. Other notes: Lon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-african-mounted-soldier-c1820-coloured-aquatint-publicationcreation-c1820-creators-and-contributors-hutton-w-fl-c1821-artist-clark-i-fl-c1824-artist-description-physical-description-1-aquatint-165-x-104-cm-abstract-hand-col-aquatint-by-i-clark-after-hutton-mounted-figure-in-milit-costume-with-large-plumed-head-dress-carrying-spear-riding-towards-left-call-number-afp1820sf-1-ask-brown-call-no-general-notes-small-upright-8vo-matted-margins-severely-trimmed-slightly-soiled-title-supplied-by-cataloger-other-notes-lon-image187625417.htmlRMMW723N–. English: African mounted soldier, c.1820 coloured aquatint Publication/Creation: c.1820 Creators and Contributors: Hutton, W., fl. c.1821 (artist) Clark, I., fl. c.1824 (artist) Description: Physical Description: 1 aquatint; 16.5 x 10.4 cm. Abstract: Hand-col. aquatint by I. Clark after Hutton; mounted figure in milit. costume with large plumed head-dress, carrying spear, riding towards left. Call Number: AfP1820sf-1 (ASK Brown Call No.) General notes: Small upright 8vo, matted; margins severely trimmed; slightly soiled. Title supplied by cataloger. Other notes: Lon
Charles Albert Fechter in the role of Boccace (Boccaccio) at the Theatre du Vaudeville. Fechter (1824-1879) took nine roles in this staging of 'The Tales of Boccaccio.' Handcoloured lithograph by Alexandre Lacauchie from 'Galerie Dramatique: Costumes des Theatres de Paris' 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-albert-fechter-in-the-role-of-boccace-boccaccio-at-the-theatre-du-vaudeville-fechter-1824-1879-took-nine-roles-in-this-staging-of-the-tales-of-boccaccio-handcoloured-lithograph-by-alexandre-lacauchie-from-galerie-dramatique-costumes-des-theatres-de-paris-1853-image348444477.htmlRM2B6W0DH–Charles Albert Fechter in the role of Boccace (Boccaccio) at the Theatre du Vaudeville. Fechter (1824-1879) took nine roles in this staging of 'The Tales of Boccaccio.' Handcoloured lithograph by Alexandre Lacauchie from 'Galerie Dramatique: Costumes des Theatres de Paris' 1853.
The Library of Count Henryk Ilinsky in Romaniv, 1824. Artist: Anonymous Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-library-of-count-henryk-ilinsky-in-romaniv-1824-artist-anonymous-image60317078.htmlRMDE3K1A–The Library of Count Henryk Ilinsky in Romaniv, 1824. Artist: Anonymous
Inspired by The Carpet Merchant of Cairo, Jean-Léon Gérôme, French, 1824-1904, Oil on canvas, Europe, 1869, 31 7/8 x 22 in., 81 x 55.9 cm, Academicism style, Arab, bazzar, beard, Cairo, carpet, city, cityscape, commerce, discussion, east, Egypt, Egyptian, European, French, French artist, French oil, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-carpet-merchant-of-cairo-jean-lon-grme-french-1824-1904-oil-on-canvas-europe-1869-31-78-x-22-in-81-x-559-cm-academicism-style-arab-bazzar-beard-cairo-carpet-city-cityscape-commerce-discussion-east-egypt-egyptian-european-french-french-artist-french-oil-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459259356.htmlRF2HK51YT–Inspired by The Carpet Merchant of Cairo, Jean-Léon Gérôme, French, 1824-1904, Oil on canvas, Europe, 1869, 31 7/8 x 22 in., 81 x 55.9 cm, Academicism style, Arab, bazzar, beard, Cairo, carpet, city, cityscape, commerce, discussion, east, Egypt, Egyptian, European, French, French artist, French oil, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Archimedes (c287-212 BC), Ancient Greek mathematician and inventor, 1824. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archimedes-c287-212-bc-ancient-greek-mathematician-and-inventor-1824-artist-unknown-image262737866.htmlRMW7CMR6–Archimedes (c287-212 BC), Ancient Greek mathematician and inventor, 1824. Artist: Unknown
PUVIS DE CHAVANNES, French artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/puvis-de-chavannes-french-artist-image65734980.htmlRMDPXDHT–PUVIS DE CHAVANNES, French artist
CHRISTIAN SCHUSSELE (1824-1879) American artist. Print of his his watercolor Ocean Life painted about 1859. Original painting is in the New York Metropolitan Museum of Art. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christian-schussele-1824-1879-american-artist-print-of-his-his-watercolor-ocean-life-painted-about-1859-original-painting-is-in-the-new-york-metropolitan-museum-of-art-image459883427.htmlRM2HM5E03–CHRISTIAN SCHUSSELE (1824-1879) American artist. Print of his his watercolor Ocean Life painted about 1859. Original painting is in the New York Metropolitan Museum of Art.
Anton Bruckner in front of piano - painting by Beraton. Bruckner: Austrian composer & organist, 4 September 1824 - 11 October 1896. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anton-bruckner-in-front-of-piano-painting-by-beraton-bruckner-austrian-image155402287.htmlRMK0R55K–Anton Bruckner in front of piano - painting by Beraton. Bruckner: Austrian composer & organist, 4 September 1824 - 11 October 1896.
Elisha Hutchinson (1765–1824). Artist: William Williams, American, 1727–1791 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elisha-hutchinson17651824-artist-william-williams-american-17271791-image463257013.htmlRM2HWK519–Elisha Hutchinson (1765–1824). Artist: William Williams, American, 1727–1791
Schinkel, Karl Friedrich, 13.3.1781 - 9.10.1841, German artist (painter), full length, 'Schinkel in Naples', painting by Franz Catel, 1824, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-schinkel-karl-friedrich-1331781-9101841-german-artist-painter-full-106684999.htmlRMG5FWPF–Schinkel, Karl Friedrich, 13.3.1781 - 9.10.1841, German artist (painter), full length, 'Schinkel in Naples', painting by Franz Catel, 1824,
Painting titled 'Wooded View near Barbizon' painted by Johan Hendrik Weissenbruch (1824-1903). Dated 1900 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-wooded-view-near-barbizon-painted-by-johan-hendrik-weissenbruch-1824-1903-dated-1900-image210408904.htmlRMP68XKM–Painting titled 'Wooded View near Barbizon' painted by Johan Hendrik Weissenbruch (1824-1903). Dated 1900
Charles Blondin (born Jean François Gravelet, February 28, 1824 - February 22, 1897) was a French tightrope walker and acrobat, called the 'Chevalier Blondin', or simply 'The Great Blondin'. At the age of five he was sent to the École de Gymnase at Lyon and, after six months training as an acrobat, made his first public appearance as 'The Boy Wonder'. His superior skill and grace, as well as the originality of the settings of his acts, made him a popular favorite. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-blondin-born-jean-franois-gravelet-february-28-1824-february-22-1897-was-a-french-tightrope-walker-and-acrobat-called-the-chevalier-blondin-or-simply-the-great-blondin-at-the-age-of-five-he-was-sent-to-the-cole-de-gymnase-at-lyon-and-after-six-months-training-as-an-acrobat-made-his-first-public-appearance-as-the-boy-wonder-his-superior-skill-and-grace-as-well-as-the-originality-of-the-settings-of-his-acts-made-him-a-popular-favorite-image246587453.htmlRMT950PN–Charles Blondin (born Jean François Gravelet, February 28, 1824 - February 22, 1897) was a French tightrope walker and acrobat, called the 'Chevalier Blondin', or simply 'The Great Blondin'. At the age of five he was sent to the École de Gymnase at Lyon and, after six months training as an acrobat, made his first public appearance as 'The Boy Wonder'. His superior skill and grace, as well as the originality of the settings of his acts, made him a popular favorite.
La plage de Trouville - The beach at Trouville 1867 Eugène Boudin 1824 - 1898 French France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-la-plage-de-trouville-the-beach-at-trouville-1867-eugne-boudin-1824-90841207.htmlRMF7P4TR–La plage de Trouville - The beach at Trouville 1867 Eugène Boudin 1824 - 1898 French France
Jean Léon Gérôme (1824-1904), French painter, artist and sculptor, portrait engraving by Henry Wolf, 1898 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-lon-grme-1824-1904-french-painter-artist-and-sculptor-portrait-engraving-by-henry-wolf-1898-image367010456.htmlRM2C92NG8–Jean Léon Gérôme (1824-1904), French painter, artist and sculptor, portrait engraving by Henry Wolf, 1898
The Highland Family by Sir David Wilkie, 1824 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-highland-family-by-sir-david-wilkie-1824-image69603387.htmlRME16KR7–The Highland Family by Sir David Wilkie, 1824
A Chat by the Fireside by Jean-Léon Gérôme (1824-1904), oil on canvas, 1881 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-chat-by-the-fireside-by-jean-lon-grme-1824-1904-oil-on-canvas-1881-image443269972.htmlRM2GN4KAC–A Chat by the Fireside by Jean-Léon Gérôme (1824-1904), oil on canvas, 1881
'The Dinner Hour' at Victoria Mill, Wallgate, Wigan illustrates a straightforward and unromanticised view of working people in an industrial setting. It was created in 1874 by Eyre Crowe ARA (1824–1910),an English painter, principally of historical art and genre scenes, but with an interest in social realism. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-dinner-hour-at-victoria-mill-wallgate-wigan-illustrates-a-straightforward-and-unromanticised-view-of-working-people-in-an-industrial-setting-it-was-created-in-1874-by-eyre-crowe-ara-18241910an-english-painter-principally-of-historical-art-and-genre-scenes-but-with-an-interest-in-social-realism-image356395415.htmlRM2BKR5YK–'The Dinner Hour' at Victoria Mill, Wallgate, Wigan illustrates a straightforward and unromanticised view of working people in an industrial setting. It was created in 1874 by Eyre Crowe ARA (1824–1910),an English painter, principally of historical art and genre scenes, but with an interest in social realism.
Oil on canvas painting by the French artist Adolphe Monticelli (14th October 1824 - 29th June 1886) work titled 'Fete champetre'. Completed 1860. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-oil-on-canvas-painting-by-the-french-artist-adolphe-monticelli-14th-104952581.htmlRMG2N02D–Oil on canvas painting by the French artist Adolphe Monticelli (14th October 1824 - 29th June 1886) work titled 'Fete champetre'. Completed 1860.
Daniel Berger (1744 - 1824), artist Daniel Nikolaus Chodowiecki (1726 - 1801), after, Lotte, origin of print medium: 1779, etching on vergé paper, sheet size: 12.8 x 8.0 cm (trimmed within platemark)' Field3 center inscribed under portrait 'LOTTE'; bottom left inscribed 'D. Chodowiecki delineavit.'; below Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/daniel-berger-1744-1824-artist-daniel-nikolaus-chodowiecki-1726-1801-after-lotte-origin-of-print-medium-1779-etching-on-verg-paper-sheet-size-128-x-80-cm-trimmed-within-platemark-field3-center-inscribed-under-portrait-lotte-bottom-left-inscribed-d-chodowiecki-delineavit-below-image573219656.htmlRM2T8GBEG–Daniel Berger (1744 - 1824), artist Daniel Nikolaus Chodowiecki (1726 - 1801), after, Lotte, origin of print medium: 1779, etching on vergé paper, sheet size: 12.8 x 8.0 cm (trimmed within platemark)' Field3 center inscribed under portrait 'LOTTE'; bottom left inscribed 'D. Chodowiecki delineavit.'; below
. English: African mounted soldier, c.1820 coloured aquatint Publication/Creation: c.1820 Creators and Contributors: Hutton, W., fl. c.1821 (artist) Clark, I., fl. c.1824 (artist) Description: Physical Description: 1 aquatint; 16.5 x 10.4 cm. Abstract: Hand-col. aquatint by I. Clark after Hutton; mounted figure in milit. costume with large plumed head-dress, carrying spear, riding towards left. Call Number: AfP1820sf-1 (ASK Brown Call No.) General notes: Small upright 8vo, matted; margins severely trimmed; slightly soiled. Title supplied by cataloger. Other notes: Lon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-african-mounted-soldier-c1820-coloured-aquatint-publicationcreation-c1820-creators-and-contributors-hutton-w-fl-c1821-artist-clark-i-fl-c1824-artist-description-physical-description-1-aquatint-165-x-104-cm-abstract-hand-col-aquatint-by-i-clark-after-hutton-mounted-figure-in-milit-costume-with-large-plumed-head-dress-carrying-spear-riding-towards-left-call-number-afp1820sf-1-ask-brown-call-no-general-notes-small-upright-8vo-matted-margins-severely-trimmed-slightly-soiled-title-supplied-by-cataloger-other-notes-lon-image188902418.htmlRMMY96XX–. English: African mounted soldier, c.1820 coloured aquatint Publication/Creation: c.1820 Creators and Contributors: Hutton, W., fl. c.1821 (artist) Clark, I., fl. c.1824 (artist) Description: Physical Description: 1 aquatint; 16.5 x 10.4 cm. Abstract: Hand-col. aquatint by I. Clark after Hutton; mounted figure in milit. costume with large plumed head-dress, carrying spear, riding towards left. Call Number: AfP1820sf-1 (ASK Brown Call No.) General notes: Small upright 8vo, matted; margins severely trimmed; slightly soiled. Title supplied by cataloger. Other notes: Lon
Mlle. Rose Cheri (Rose-Marie Cizos) as Philiberte at the Gymnase Dramatique. French actress Rose Cheri (1824-1861) was one of a famous family of stage performers. Handcoloured lithograph by Alexandre Lacauchie from 'Galerie Dramatique: Costumes des Theatres de Paris' 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mlle-rose-cheri-rose-marie-cizos-as-philiberte-at-the-gymnase-dramatique-french-actress-rose-cheri-1824-1861-was-one-of-a-famous-family-of-stage-performers-handcoloured-lithograph-by-alexandre-lacauchie-from-galerie-dramatique-costumes-des-theatres-de-paris-1853-image348444565.htmlRM2B6W0GN–Mlle. Rose Cheri (Rose-Marie Cizos) as Philiberte at the Gymnase Dramatique. French actress Rose Cheri (1824-1861) was one of a famous family of stage performers. Handcoloured lithograph by Alexandre Lacauchie from 'Galerie Dramatique: Costumes des Theatres de Paris' 1853.
The Draughts Game, 1824. Artist: Pnin, Pyotr Ivanovich (1803-1837) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-draughts-game-1824-artist-pnin-pyotr-ivanovich-1803-1837-image60426531.htmlRMDE8JJB–The Draughts Game, 1824. Artist: Pnin, Pyotr Ivanovich (1803-1837)
Inspired by Fort Dumpling, Rhode Island, George L. Clough, American, 1824-1901, Oil on canvas, ca. 1870, 23 15/16 x 36 in., 60.8 x 91.5 cm, 19th century, American artist, American oil, black, boats, ca. 1870, clouds, Fort Dumpling, landscape, painting, people, sailboats, sky, white, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-fort-dumpling-rhode-island-george-l-clough-american-1824-1901-oil-on-canvas-ca-1870-23-1516-x-36-in-608-x-915-cm-19th-century-american-artist-american-oil-black-boats-ca-1870-clouds-fort-dumpling-landscape-painting-people-sailboats-sky-white-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459267067.htmlRF2HK5BR7–Inspired by Fort Dumpling, Rhode Island, George L. Clough, American, 1824-1901, Oil on canvas, ca. 1870, 23 15/16 x 36 in., 60.8 x 91.5 cm, 19th century, American artist, American oil, black, boats, ca. 1870, clouds, Fort Dumpling, landscape, painting, people, sailboats, sky, white, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
'Study of Fish: Two Tench, a Trout and a Perch', c1822-1824. Artist: JMW Turner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-of-fish-two-tench-a-trout-and-a-perch-c1822-1824-artist-jmw-turner-image262755520.htmlRMW7DF9M–'Study of Fish: Two Tench, a Trout and a Perch', c1822-1824. Artist: JMW Turner
PUVIS DE CHAVANNES, French artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/puvis-de-chavannes-french-artist-image65734982.htmlRMDPXDHX–PUVIS DE CHAVANNES, French artist
BATTLE OF WATERLOO. The moment on 18 June 1815 that Wellington receives confirmation tht hePrussian troops will be arriving soon. At bottom left the wounded Prince of Orange is being lifted to safety. Painted in 1824 by Dutch artist Jan Willem Pienemen . Many of the combatants are clearly recognizable. Original in the Rijksmuseum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-waterloo-the-moment-on-18-june-1815-that-wellington-receives-confirmation-tht-heprussian-troops-will-be-arriving-soon-at-bottom-left-the-wounded-prince-of-orange-is-being-lifted-to-safety-painted-in-1824-by-dutch-artist-jan-willem-pienemen-many-of-the-combatants-are-clearly-recognizable-original-in-the-rijksmuseum-image520749325.htmlRM2N76525–BATTLE OF WATERLOO. The moment on 18 June 1815 that Wellington receives confirmation tht hePrussian troops will be arriving soon. At bottom left the wounded Prince of Orange is being lifted to safety. Painted in 1824 by Dutch artist Jan Willem Pienemen . Many of the combatants are clearly recognizable. Original in the Rijksmuseum.
The Hatch Family 1870-71, by Eastman Johnson (1824-1906), American portrait and genre painter.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-hatch-family-1870-71-by-eastman-johnson-1824-1906-american-portrait-and-genre-painter-image268792226.htmlRMWH8F6A–The Hatch Family 1870-71, by Eastman Johnson (1824-1906), American portrait and genre painter..
Medal Cardinal Consalvi 1757-1824. Artist: Giuseppe Cerbara, Italian, 1770–1856 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medal-cardinal-consalvi1757-1824-artist-giuseppe-cerbara-italian-17701856-image463223219.htmlRM2HWHHXB–Medal Cardinal Consalvi 1757-1824. Artist: Giuseppe Cerbara, Italian, 1770–1856
Sir Thomas Lawrence (1769-1830). English painter. Portrait of Lady Elizabeth Conyngham (1799-1839), 1824. Calouste Gulbenkian Museum. Lisbon. Portugal. Author: Sir Thomas Lawrence (1769-1830). British artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-thomas-lawrence-1769-1830-english-painter-portrait-of-lady-elizabeth-conyngham-1799-1839-1824-calouste-gulbenkian-museum-lisbon-portugal-author-sir-thomas-lawrence-1769-1830-british-artist-image467972991.htmlRM2J5A093–Sir Thomas Lawrence (1769-1830). English painter. Portrait of Lady Elizabeth Conyngham (1799-1839), 1824. Calouste Gulbenkian Museum. Lisbon. Portugal. Author: Sir Thomas Lawrence (1769-1830). British artist.
Eugene Boudin (1824-1898) Still Life with Oysters, oil on canvas. The colours in this accomplished still life are muted but relieved by the sharp notes of the lemons in the right foreground and the warmth of the pears behind. It is the oysters on the left which dominate the composition. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eugene-boudin-1824-1898-still-life-with-oysters-oil-on-canvas-the-colours-in-this-accomplished-still-life-are-muted-but-relieved-by-the-sharp-notes-of-the-lemons-in-the-right-foreground-and-the-warmth-of-the-pears-behind-it-is-the-oysters-on-the-left-which-dominate-the-composition-image210385673.htmlRMP67W21–Eugene Boudin (1824-1898) Still Life with Oysters, oil on canvas. The colours in this accomplished still life are muted but relieved by the sharp notes of the lemons in the right foreground and the warmth of the pears behind. It is the oysters on the left which dominate the composition.
Charles Blondin (born Jean François Gravelet, February 28, 1824 - February 22, 1897) was a French tightrope walker and acrobat, called the 'Chevalier Blondin', or simply 'The Great Blondin'. At the age of five he was sent to the École de Gymnase at Lyon and, after six months training as an acrobat, made his first public appearance as 'The Boy Wonder'. His superior skill and grace, as well as the originality of the settings of his acts, made him a popular favorite. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-blondin-born-jean-franois-gravelet-february-28-1824-february-22-1897-was-a-french-tightrope-walker-and-acrobat-called-the-chevalier-blondin-or-simply-the-great-blondin-at-the-age-of-five-he-was-sent-to-the-cole-de-gymnase-at-lyon-and-after-six-months-training-as-an-acrobat-made-his-first-public-appearance-as-the-boy-wonder-his-superior-skill-and-grace-as-well-as-the-originality-of-the-settings-of-his-acts-made-him-a-popular-favorite-image246587448.htmlRMT950PG–Charles Blondin (born Jean François Gravelet, February 28, 1824 - February 22, 1897) was a French tightrope walker and acrobat, called the 'Chevalier Blondin', or simply 'The Great Blondin'. At the age of five he was sent to the École de Gymnase at Lyon and, after six months training as an acrobat, made his first public appearance as 'The Boy Wonder'. His superior skill and grace, as well as the originality of the settings of his acts, made him a popular favorite.
Un Brigand mourant - A dying Bandit 1824 Guillaume Bodinier 1795-1872 1824 France French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-un-brigand-mourant-a-dying-bandit-1824-guillaume-bodinier-1795-1872-94820427.htmlRMFE7CBR–Un Brigand mourant - A dying Bandit 1824 Guillaume Bodinier 1795-1872 1824 France French
Jean Léon Gérôme (1824-1904), French painter, artist and sculptor, portrait photograph by Goupil, 1869-1871 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-lon-grme-1824-1904-french-painter-artist-and-sculptor-portrait-photograph-by-goupil-1869-1871-image367010461.htmlRM2C92NGD–Jean Léon Gérôme (1824-1904), French painter, artist and sculptor, portrait photograph by Goupil, 1869-1871
Heroic Landscape with Rainbow - by Joseph Anton Koch, 1824 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heroic-landscape-with-rainbow-by-joseph-anton-koch-1824-image62041222.htmlRMDGX65X–Heroic Landscape with Rainbow - by Joseph Anton Koch, 1824
Cranberry Pickers by Eastman Johnson (1824-1906), oil on canvas, c.1878/9 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cranberry-pickers-by-eastman-johnson-1824-1906-oil-on-canvas-c18789-image330956402.htmlRM2A6CA7E–Cranberry Pickers by Eastman Johnson (1824-1906), oil on canvas, c.1878/9
'The Pigeon' by Pierre Puvis de Chavannes (1824-1898), a French painter best known for his mural painting, who came to be known as 'the painter for France'. He became the co-founder and president of the Société Nationale des Beaux-Arts, and his work influenced many other artists, notably Robert Genin. Puvis de Chavannes was a prominent painter in the early Third Republic. Émile Zola described his work as 'an art made of reason, passion, and will'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-pigeon-by-pierre-puvis-de-chavannes-1824-1898-a-french-painter-best-known-for-his-mural-painting-who-came-to-be-known-as-the-painter-for-france-he-became-the-co-founder-and-president-of-the-socit-nationale-des-beaux-arts-and-his-work-influenced-many-other-artists-notably-robert-genin-puvis-de-chavannes-was-a-prominent-painter-in-the-early-third-republic-mile-zola-described-his-work-as-an-art-made-of-reason-passion-and-will-image357806283.htmlRM2BP3DFR–'The Pigeon' by Pierre Puvis de Chavannes (1824-1898), a French painter best known for his mural painting, who came to be known as 'the painter for France'. He became the co-founder and president of the Société Nationale des Beaux-Arts, and his work influenced many other artists, notably Robert Genin. Puvis de Chavannes was a prominent painter in the early Third Republic. Émile Zola described his work as 'an art made of reason, passion, and will'.
The Champion; 1824; by Charles Lock Eastlake (1793-1865).. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-champion-1824-by-charles-lock-eastlake-1793-1865-76396018.htmlRMEC83W6–The Champion; 1824; by Charles Lock Eastlake (1793-1865)..
Daniel Berger (1744 - 1824), artist, execution Daniel Nikolaus Chodowiecki (1726 - 1801), pattern, after, imagination of memory of an old man with crooked leg, looking at the image of his childhood, youth and male age, origin of the print carrier: About 1770 - 1774 Publi, etching on paper vergé, sheet size: 8.5 x 11.0 cm (trimmed to border line Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/daniel-berger-1744-1824-artist-execution-daniel-nikolaus-chodowiecki-1726-1801-pattern-after-imagination-of-memory-of-an-old-man-with-crooked-leg-looking-at-the-image-of-his-childhood-youth-and-male-age-origin-of-the-print-carrier-about-1770-1774-publi-etching-on-paper-verg-sheet-size-85-x-110-cm-trimmed-to-border-line-image573219517.htmlRM2T8GB9H–Daniel Berger (1744 - 1824), artist, execution Daniel Nikolaus Chodowiecki (1726 - 1801), pattern, after, imagination of memory of an old man with crooked leg, looking at the image of his childhood, youth and male age, origin of the print carrier: About 1770 - 1774 Publi, etching on paper vergé, sheet size: 8.5 x 11.0 cm (trimmed to border line
. English: African mounted soldier, c.1820 coloured aquatint Publication/Creation: c.1820 Creators and Contributors: Hutton, W., fl. c.1821 (artist) Clark, I., fl. c.1824 (artist) Description: Physical Description: 1 aquatint; 16.5 x 10.4 cm. Abstract: Hand-col. aquatint by I. Clark after Hutton; mounted figure in milit. costume with large plumed head-dress, carrying spear, riding towards left. Call Number: AfP1820sf-1 (ASK Brown Call No.) General notes: Small upright 8vo, matted; margins severely trimmed; slightly soiled. Title supplied by cataloger. Other notes: Lon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-african-mounted-soldier-c1820-coloured-aquatint-publicationcreation-c1820-creators-and-contributors-hutton-w-fl-c1821-artist-clark-i-fl-c1824-artist-description-physical-description-1-aquatint-165-x-104-cm-abstract-hand-col-aquatint-by-i-clark-after-hutton-mounted-figure-in-milit-costume-with-large-plumed-head-dress-carrying-spear-riding-towards-left-call-number-afp1820sf-1-ask-brown-call-no-general-notes-small-upright-8vo-matted-margins-severely-trimmed-slightly-soiled-title-supplied-by-cataloger-other-notes-lon-image184880792.htmlRMMMP19C–. English: African mounted soldier, c.1820 coloured aquatint Publication/Creation: c.1820 Creators and Contributors: Hutton, W., fl. c.1821 (artist) Clark, I., fl. c.1824 (artist) Description: Physical Description: 1 aquatint; 16.5 x 10.4 cm. Abstract: Hand-col. aquatint by I. Clark after Hutton; mounted figure in milit. costume with large plumed head-dress, carrying spear, riding towards left. Call Number: AfP1820sf-1 (ASK Brown Call No.) General notes: Small upright 8vo, matted; margins severely trimmed; slightly soiled. Title supplied by cataloger. Other notes: Lon
Fête d’Après-Midi , 1880, Artist, Adolphe-Joseph-Thomas Monticelli, French, 1824-1886 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fte-daprs-midi-1880-artist-adolphe-joseph-thomas-monticelli-french-1824-1886-image552616243.htmlRF2R31RJB–Fête d’Après-Midi , 1880, Artist, Adolphe-Joseph-Thomas Monticelli, French, 1824-1886
Erminia and the Shepherds, 1824. Artist: Briullov, Karl Pavlovich (1799-1852) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/erminia-and-the-shepherds-1824-artist-briullov-karl-pavlovich-1799-image60421336.htmlRMDE8C0T–Erminia and the Shepherds, 1824. Artist: Briullov, Karl Pavlovich (1799-1852)
Art inspired by Isabella Hunter, Cousin of the Artist, 1781, Watercolor, colored chalk, and graphite, sheet: 16 1/16 x 11 1/16 in. (40.8 x 28.1 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), Downman's cousin Isabella, daughter of Emilia and John Hunter, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-isabella-hunter-cousin-of-the-artist-1781-watercolor-colored-chalk-and-graphite-sheet-16-116-x-11-116-in-408-x-281-cm-drawings-john-downman-british-ruabon-wales-17501824-wrexham-wales-downmans-cousin-isabella-daughter-of-emilia-and-john-hunter-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462954802.htmlRF2HW5BG2–Art inspired by Isabella Hunter, Cousin of the Artist, 1781, Watercolor, colored chalk, and graphite, sheet: 16 1/16 x 11 1/16 in. (40.8 x 28.1 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), Downman's cousin Isabella, daughter of Emilia and John Hunter, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'View of Dundee', 1824. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-dundee-1824-artist-unknown-image262786794.htmlRMW7EY6J–'View of Dundee', 1824. Artist: Unknown.
Copenhagen. Denmark. Portrait bust of Pierre Puvis de Chavannes (1824-1898), 1900-1901 (modeled ca. 1890) by Auguste Rodin (1840-1917). Ny Carlsberg G Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copenhagen-denmark-portrait-bust-of-pierre-puvis-de-chavannes-1824-1898-1900-1901-modeled-ca-1890-by-auguste-rodin-1840-1917-ny-carlsberg-g-image242089914.htmlRMT1T44A–Copenhagen. Denmark. Portrait bust of Pierre Puvis de Chavannes (1824-1898), 1900-1901 (modeled ca. 1890) by Auguste Rodin (1840-1917). Ny Carlsberg G
SEASCAPE STUDY WITH RAIN CLOUD by John Constable c 1824 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seascape-study-with-rain-cloud-by-john-constable-c-1824-image488243687.htmlRM2KA9BPF–SEASCAPE STUDY WITH RAIN CLOUD by John Constable c 1824
Horses in Warfare: An Officer of the Imperial Guard on Horseback 1812 by Theodore Gericault (1791-1824). Encyclopedia of the Horse page 330.. . . . . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horses-in-warfare-an-officer-of-the-imperial-guard-on-horseback-1812-by-theodore-gericault-1791-1824-encyclopedia-of-the-horse-page-330-image268793650.htmlRMWH8H16–Horses in Warfare: An Officer of the Imperial Guard on Horseback 1812 by Theodore Gericault (1791-1824). Encyclopedia of the Horse page 330.. . . . .
Mazeppa. Artist: Théodore Géricault, French, 1791–1824 Artist In collaboration with: Eugene Lami, French, 1800–1890 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mazeppa-artist-thodore-gricault-french-17911824-artist-in-collaboration-with-eugene-lami-french-18001890-image463104994.htmlRM2HWC742–Mazeppa. Artist: Théodore Géricault, French, 1791–1824 Artist In collaboration with: Eugene Lami, French, 1800–1890
Sir Thomas Lawrence (1769-1830). English painter. Portrait of Lady Elizabeth Conyngham (1799-1839), 1824. Detail. Calouste Gulbenkian Museum. Lisbon. Portugal. Author: Sir Thomas Lawrence (1769-1830). British artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-thomas-lawrence-1769-1830-english-painter-portrait-of-lady-elizabeth-conyngham-1799-1839-1824-detail-calouste-gulbenkian-museum-lisbon-portugal-author-sir-thomas-lawrence-1769-1830-british-artist-image467973007.htmlRM2J5A09K–Sir Thomas Lawrence (1769-1830). English painter. Portrait of Lady Elizabeth Conyngham (1799-1839), 1824. Detail. Calouste Gulbenkian Museum. Lisbon. Portugal. Author: Sir Thomas Lawrence (1769-1830). British artist.
Eugene Boudin (1824-1898) Harbour Scene, oil on canvas. Boudin has captured the maze of masts and rigging along the quaysides of a Northern French harbour. The grey sky and leaden sea are rendered with a sense of constant movement, animated by breaking up the water's surface into single brushstrokes. The perspective is focused on a ship in the middle distance, thereby closing off the background beyond and keeping the picture space narrow. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eugene-boudin-1824-1898-harbour-scene-oil-on-canvas-boudin-has-captured-the-maze-of-masts-and-rigging-along-the-quaysides-of-a-northern-french-harbour-the-grey-sky-and-leaden-sea-are-rendered-with-a-sense-of-constant-movement-animated-by-breaking-up-the-waters-surface-into-single-brushstrokes-the-perspective-is-focused-on-a-ship-in-the-middle-distance-thereby-closing-off-the-background-beyond-and-keeping-the-picture-space-narrow-image210385693.htmlRMP67W2N–Eugene Boudin (1824-1898) Harbour Scene, oil on canvas. Boudin has captured the maze of masts and rigging along the quaysides of a Northern French harbour. The grey sky and leaden sea are rendered with a sense of constant movement, animated by breaking up the water's surface into single brushstrokes. The perspective is focused on a ship in the middle distance, thereby closing off the background beyond and keeping the picture space narrow.
Charles Blondin (born Jean François Gravelet, February 28, 1824 - February 22, 1897) was a French tightrope walker and acrobat, called the 'Chevalier Blondin', or simply 'The Great Blondin'. At the age of five he was sent to the École de Gymnase at Lyon and, after six months training as an acrobat, made his first public appearance as 'The Boy Wonder'. His superior skill and grace, as well as the originality of the settings of his acts, made him a popular favorite. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-blondin-born-jean-franois-gravelet-february-28-1824-february-22-1897-was-a-french-tightrope-walker-and-acrobat-called-the-chevalier-blondin-or-simply-the-great-blondin-at-the-age-of-five-he-was-sent-to-the-cole-de-gymnase-at-lyon-and-after-six-months-training-as-an-acrobat-made-his-first-public-appearance-as-the-boy-wonder-his-superior-skill-and-grace-as-well-as-the-originality-of-the-settings-of-his-acts-made-him-a-popular-favorite-image246587449.htmlRMT950PH–Charles Blondin (born Jean François Gravelet, February 28, 1824 - February 22, 1897) was a French tightrope walker and acrobat, called the 'Chevalier Blondin', or simply 'The Great Blondin'. At the age of five he was sent to the École de Gymnase at Lyon and, after six months training as an acrobat, made his first public appearance as 'The Boy Wonder'. His superior skill and grace, as well as the originality of the settings of his acts, made him a popular favorite.
Réception du Grand Condé par Louis XIV (Versailles, - Receiving the Great Condé by Louis XIV (Versailles, 1674) 1878 Gérôme, Jean Léon 1824 - 1904 France French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rception-du-grand-cond-par-louis-xiv-versailles-receiving-the-great-89870003.htmlRMF65X2Y–Réception du Grand Condé par Louis XIV (Versailles, - Receiving the Great Condé by Louis XIV (Versailles, 1674) 1878 Gérôme, Jean Léon 1824 - 1904 France French
Jean-Leon Gerome (1824-1904) was a French painter and sculptor in what is now called the style of Academicism. Among his best known works are Turlkish Prisoner and Turkish Butcher, Prayer, and The Slave Market. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-leon-gerome-1824-1904-was-a-french-painter-and-sculptor-in-what-is-now-called-the-style-of-academicism-among-his-best-known-works-are-turlkish-prisoner-and-turkish-butcher-prayer-and-the-slave-market-image382558054.htmlRF2D6B0KJ–Jean-Leon Gerome (1824-1904) was a French painter and sculptor in what is now called the style of Academicism. Among his best known works are Turlkish Prisoner and Turkish Butcher, Prayer, and The Slave Market.
Louise Maximilienne Caroline, Countess of Albany (1752-1824) (oil on canvas) by Fabre, Francois Xavier (1766-1837); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: daughter of prince Gustav-Adolf of Stolberg-Gedern & princess Elisabeth of Hornes; married prince Charles Edward Stuart (1720-88) in 1774; later she became the lover of the poet Vittorio Alfieri and after his death in 1803 she became the friend and companion of the artist Fabre;); French, out of copyright. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louise-maximilienne-caroline-countess-of-albany-1752-1824-oil-on-canvas-by-fabre-francois-xavier-1766-1837-galleria-degli-uffizi-florence-tuscany-italy-addinfo-daughter-of-prince-gustav-adolf-of-stolberg-gedern-princess-elisabeth-of-hornes-married-prince-charles-edward-stuart-1720-88-in-1774-later-she-became-the-lover-of-the-poet-vittorio-alfieri-and-after-his-death-in-1803-she-became-the-friend-and-companion-of-the-artist-fabre-french-out-of-copyright-image468938960.htmlRM2J6X0C0–Louise Maximilienne Caroline, Countess of Albany (1752-1824) (oil on canvas) by Fabre, Francois Xavier (1766-1837); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: daughter of prince Gustav-Adolf of Stolberg-Gedern & princess Elisabeth of Hornes; married prince Charles Edward Stuart (1720-88) in 1774; later she became the lover of the poet Vittorio Alfieri and after his death in 1803 she became the friend and companion of the artist Fabre;); French, out of copyright.
Husking Bee, Island of Nantucket by Eastman Johnson (1824-1906), oil on canvas, 1876 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/husking-bee-island-of-nantucket-by-eastman-johnson-1824-1906-oil-on-canvas-1876-image331614328.htmlRM2A7E9CT–Husking Bee, Island of Nantucket by Eastman Johnson (1824-1906), oil on canvas, 1876
Camaret: The Port (German: Camaret. Der Hafen), 1876 (Painting) by Artist: Boudin, Eugene Louis (1824-98) / French. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/camaret-the-port-german-camaret-der-hafen-1876-painting-by-artist-boudin-eugene-louis-1824-98-french-image574122309.htmlRF2TA1ET5–Camaret: The Port (German: Camaret. Der Hafen), 1876 (Painting) by Artist: Boudin, Eugene Louis (1824-98) / French.
The Estuary by Eugene Boudin (1824-1898), oil on panel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-estuary-by-eugene-boudin-1824-1898-oil-on-panel-image69820683.htmlRME1GGYR–The Estuary by Eugene Boudin (1824-1898), oil on panel.
Daniel Berger (1744 - 1824), artist, execution Daniel Nikolaus Chodowiecki (1726 - 1801), model, after, suspicion, envy and desire for revenge. Mother stabs a knitting needle through the temple of her child, who is believed to be dead.Origin of the print medium: 1774 Publication: 17, etching on vergé paper, sheet size: 8.5 x 11.2 cm (trimmed to border line Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/daniel-berger-1744-1824-artist-execution-daniel-nikolaus-chodowiecki-1726-1801-model-after-suspicion-envy-and-desire-for-revenge-mother-stabs-a-knitting-needle-through-the-temple-of-her-child-who-is-believed-to-be-deadorigin-of-the-print-medium-1774-publication-17-etching-on-verg-paper-sheet-size-85-x-112-cm-trimmed-to-border-line-image573219597.htmlRM2T8GBCD–Daniel Berger (1744 - 1824), artist, execution Daniel Nikolaus Chodowiecki (1726 - 1801), model, after, suspicion, envy and desire for revenge. Mother stabs a knitting needle through the temple of her child, who is believed to be dead.Origin of the print medium: 1774 Publication: 17, etching on vergé paper, sheet size: 8.5 x 11.2 cm (trimmed to border line
. English: Looking South from the Citadel, Montreal, Lower Canada. Français : Vue de Montréal, en regardant vers le sud depuis la Citadelle, Bas-Canada . 1824. Unknown Artist 116, active 1824. 818 Looking South from the Citadel, Montreal, Lower Canada Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-looking-south-from-the-citadel-montreal-lower-canada-franais-vue-de-montral-en-regardant-vers-le-sud-depuis-la-citadelle-bas-canada-1824-unknown-artist-116-active-1824-818-looking-south-from-the-citadel-montreal-lower-canada-image185838903.htmlRMMP9KBK–. English: Looking South from the Citadel, Montreal, Lower Canada. Français : Vue de Montréal, en regardant vers le sud depuis la Citadelle, Bas-Canada . 1824. Unknown Artist 116, active 1824. 818 Looking South from the Citadel, Montreal, Lower Canada
Painting titled 'The Leaping Horse' by John Constable dated 1824 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-the-leaping-horse-by-john-constable-dated-1824-image209095111.htmlRMP452XF–Painting titled 'The Leaping Horse' by John Constable dated 1824
Tsarina Elizabeth Alexeievna of Russia, 1824. Artist: Jean-Henri Benner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tsarina-elizabeth-alexeievna-of-russia-1824-artist-jean-henri-benner-image60243042.htmlRMDE08H6–Tsarina Elizabeth Alexeievna of Russia, 1824. Artist: Jean-Henri Benner
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