1830s cotton hi-res stock photography and images

Star Quilt, American, 1830s, Cotton, Made in United States, North and Central America, Coverings & hangings, textiles, 107 x 112 in. (271.8 x 284.5 cm Stock Photo

RM2HB2W4Y–Star Quilt, American, 1830s, Cotton, Made in United States, North and Central America, Coverings & hangings, textiles, 107 x 112 in. (271.8 x 284.5 cm

Inspired by Star Quilt, American, 1830s, Cotton, Made in United States, North and Central America, Coverings & hangings, textiles, 107 x 112 in. (271.8 x 284.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK68E0–Inspired by Star Quilt, American, 1830s, Cotton, Made in United States, North and Central America, Coverings & hangings, textiles, 107 x 112 in. (271.8 x 284.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

QUILT, EAGLE PATTERN, 1837-50, New England, American crafts, cotton textile. The quilt is dated by its printed cottons that date from the 1830s and 1840s. Also, the twenty-sixth star above the eagle’s head, may celebrate Michigans admission to the union in 1837 (BSLOC 2017 16 123) Stock Photo

RMKWDJGA–QUILT, EAGLE PATTERN, 1837-50, New England, American crafts, cotton textile. The quilt is dated by its printed cottons that date from the 1830s and 1840s. Also, the twenty-sixth star above the eagle’s head, may celebrate Michigans admission to the union in 1837 (BSLOC 2017 16 123)

General view of Stockport, Lancashire, England in the 1830's showing cotton mills. Stock Photo

RMATDK2B–General view of Stockport, Lancashire, England in the 1830's showing cotton mills.

RMKWDM78–QUILT, EAGLE PATTERN, 1837-50, New England, American crafts, cotton textile. The quilt is dated by its printed cottons that date from the 1830s and 1840s. Also, the twenty-sixth star above the eagle’s head, may celebrate Michigans admission to the union in 1837 (BSLOC 2017 16 123)

industry, textile industry, English cotton mill, circa 1835, Stock Photo

RMBJTTBY–industry, textile industry, English cotton mill, circa 1835,

Collar 1830s American. Collar. American. 1830s. cotton Stock Photo

RM2HHAGHK–Collar 1830s American. Collar. American. 1830s. cotton

RMPXGW7M–Bleaching cotton

Accessory set 1830s American or European. Accessory set. American or European. 1830s. cotton Stock Photo

RM2HH7MCA–Accessory set 1830s American or European. Accessory set. American or European. 1830s. cotton

RMD87P0A–Cotton Factory Interior

Section of bedskirt printed with game birds 1830s British or American. Section of bedskirt printed with game birds. British or American. 1830s. Cotton. Textiles-Printed Stock Photo

RM2HH0XH9–Section of bedskirt printed with game birds 1830s British or American. Section of bedskirt printed with game birds. British or American. 1830s. Cotton. Textiles-Printed

The cotton mills of Swainson, Birley and Co. Preston, Lancashire. Date: 1835 Stock Photo

RMG38A5W–The cotton mills of Swainson, Birley and Co. Preston, Lancashire. Date: 1835

Dress 1830s American or European With its high waist, leg o'mutton sleeves, and swelling bell-shaped tiered skirt with embroidered trim at tiers as well as cuff and neck, this 1830s dress demonstrates the gentle dilations of the silhouette that occured during the nineteenth century and that pumped and shaped the body in variable directions and forms, filling our the repertoire of trims and adornments.. Dress. American or European. 1830s. cotton Stock Photo

RM2HHR67D–Dress 1830s American or European With its high waist, leg o'mutton sleeves, and swelling bell-shaped tiered skirt with embroidered trim at tiers as well as cuff and neck, this 1830s dress demonstrates the gentle dilations of the silhouette that occured during the nineteenth century and that pumped and shaped the body in variable directions and forms, filling our the repertoire of trims and adornments.. Dress. American or European. 1830s. cotton

Cultivation and manufacture of the cotton plant Stock Photo

RMPXJ6YN–Cultivation and manufacture of the cotton plant

Carding, roving, and drawing cotton at the Swainson, Birley and Company mill, England, illustration 1830s Stock Photo

RF2X65Y7F–Carding, roving, and drawing cotton at the Swainson, Birley and Company mill, England, illustration 1830s

. English: Cotton mill in the 1830s. 1830s. Unknown 90 Bomullsfabrik Stock Photo

RMMX0344–. English: Cotton mill in the 1830s. 1830s. Unknown 90 Bomullsfabrik

Piece. Culture: British, London. Dimensions: L. 34 x W. 40 inches (loom) 86.4 x 101.6 cm. Manufactory: Bromley Hall. Date: 18th century. The design of this unusual printed cotton is actually recorded in a series of impressions on paper in a pattern book inscribed Fosters and Co., Bromley Hall, Middlesex, about 1780. The technique and width of this version suggest a date in the 1830s, after discharge printing had been invented. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1E38–Piece. Culture: British, London. Dimensions: L. 34 x W. 40 inches (loom) 86.4 x 101.6 cm. Manufactory: Bromley Hall. Date: 18th century. The design of this unusual printed cotton is actually recorded in a series of impressions on paper in a pattern book inscribed Fosters and Co., Bromley Hall, Middlesex, about 1780. The technique and width of this version suggest a date in the 1830s, after discharge printing had been invented. Museum: Metropolitan Museum of Art, New York, USA.

MANCHESTER MILL TAILRACE, AND COLUMNS OF 1920s NORTHERN ADDITION. NORTHWEST CORNER OF 1830s FOUNDATION AT CENTER. Manchester Cotton and Woolen Manufacturing Company, Southern Bank of James River at Mayo Bridge, Richmond, Independent City, VA Stock Photo

RMTBWF1H–MANCHESTER MILL TAILRACE, AND COLUMNS OF 1920s NORTHERN ADDITION. NORTHWEST CORNER OF 1830s FOUNDATION AT CENTER. Manchester Cotton and Woolen Manufacturing Company, Southern Bank of James River at Mayo Bridge, Richmond, Independent City, VA

Dress 1830s American or European. Dress. American or European. 1830s. silk, cotton Stock Photo

RM2HJ12CH–Dress 1830s American or European. Dress. American or European. 1830s. silk, cotton

Chintz Strippie Quilt, Unknown, American, 1830s, Cotton, United States, North and Central America, Coverings & hangings, textiles, 97 x 96 in. (246.4 x 243.8 cm Stock Photo

RM2HB2ME0–Chintz Strippie Quilt, Unknown, American, 1830s, Cotton, United States, North and Central America, Coverings & hangings, textiles, 97 x 96 in. (246.4 x 243.8 cm

Inspired by Chintz Strippie Quilt, Unknown, American, 1830s, Cotton, United States, North and Central America, Coverings & hangings, textiles, 97 x 96 in. (246.4 x 243.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK5PED–Inspired by Chintz Strippie Quilt, Unknown, American, 1830s, Cotton, United States, North and Central America, Coverings & hangings, textiles, 97 x 96 in. (246.4 x 243.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Woman's Bonnet. Mmes Polhamus and McGrath (United States, New York, New York City, active 19th century). United States, 1830s. Costumes; Accessories. Cotton velvet, ostrich feathers Stock Photo

RM2HYYG4N–Woman's Bonnet. Mmes Polhamus and McGrath (United States, New York, New York City, active 19th century). United States, 1830s. Costumes; Accessories. Cotton velvet, ostrich feathers

Cotton factory floor in 1830's showing workers carding, drawing and roving. Drawn by T Allom. Engraved by J Tingle Stock Photo

RMATDK19–Cotton factory floor in 1830's showing workers carding, drawing and roving. Drawn by T Allom. Engraved by J Tingle

A slave coffle setting out from the business of J.W. Neal in Washington, D.C. in the 1830s. Neal was a dealer who bought large numbers of slaves in Virginia to sell in the expanding cotton plantations of the Southern interior. The 1000 mile transport was call the Second Middle Passage. Stock Photo

RMBTKH1W–A slave coffle setting out from the business of J.W. Neal in Washington, D.C. in the 1830s. Neal was a dealer who bought large numbers of slaves in Virginia to sell in the expanding cotton plantations of the Southern interior. The 1000 mile transport was call the Second Middle Passage.

Pelerine ca. 1835 American This is a quintessential example of the multi-tiered pelerine collars of the 1830s that lay on top of the large gigot dress sleeves. The combination of floral embroidery, saw-tooth borders and various pointed edges creates a visually compelling effect.. Pelerine. American. ca. 1835. cotton Stock Photo

RM2HH95F1–Pelerine ca. 1835 American This is a quintessential example of the multi-tiered pelerine collars of the 1830s that lay on top of the large gigot dress sleeves. The combination of floral embroidery, saw-tooth borders and various pointed edges creates a visually compelling effect.. Pelerine. American. ca. 1835. cotton

Born in Portsmouth in 1800 Leonard Cotton came from a family that was in Portsmouth since 1650. By the 1830's he was a retail grocer on Pleasant Stree Stock Photo

RF2EWC340–Born in Portsmouth in 1800 Leonard Cotton came from a family that was in Portsmouth since 1650. By the 1830's he was a retail grocer on Pleasant Stree

Piece 18th century Bromley Hall The design of this unusual printed cotton is actually recorded in a series of impressions on paper in a pattern book inscribed Fosters and Co., Bromley Hall, Middlesex, about 1780. The technique and width of this version suggest a date in the 1830s, after discharge printing had been invented.. Piece 229243 Stock Photo

RM2HHAEA8–Piece 18th century Bromley Hall The design of this unusual printed cotton is actually recorded in a series of impressions on paper in a pattern book inscribed Fosters and Co., Bromley Hall, Middlesex, about 1780. The technique and width of this version suggest a date in the 1830s, after discharge printing had been invented.. Piece 229243

The Heavenly Audience of Shiva and Parvati (image 1 of 3), between c1830 and c1850. Stock Photo

RM2T1E755–The Heavenly Audience of Shiva and Parvati (image 1 of 3), between c1830 and c1850.

Dress ca. 1835 American This is a dress from the early 1830s, the Romantic period, in which sleeves became quite large and women were said to look like butterflies. From the Whittemore family, an influential New Hampshire family in the nineteenth century, the dress is beautifully made. While the sleeves are large, they are in proportion to a child's form. Made of a fine fabric which is sheer and lightweight, great care was taken to add a cotton facing at the bottom of the hem to give it weight, allowing the dress to move gracefully.. Dress 159199 Stock Photo

RM2HHRH6C–Dress ca. 1835 American This is a dress from the early 1830s, the Romantic period, in which sleeves became quite large and women were said to look like butterflies. From the Whittemore family, an influential New Hampshire family in the nineteenth century, the dress is beautifully made. While the sleeves are large, they are in proportion to a child's form. Made of a fine fabric which is sheer and lightweight, great care was taken to add a cotton facing at the bottom of the hem to give it weight, allowing the dress to move gracefully.. Dress 159199

English spinning mill, 1830. Engraving. Stock Photo

RM2D8G4DK–English spinning mill, 1830. Engraving.

Petticoat 1830s American The necessary underpinnings to create the 1830s silhouette were the corset, the petticoat, and sleeve supports. This cotton petticoat is corded which serves to stiffen it into a rounded shape that would push the skirts of the dress outward into a bell form. Petticoats in this period were also made of horsehair fabric and called crinolines (from the French word crin, meaning horsehair). To create the slightly raised waist, the heavy white cotton corset (1987.238) is reinforced with cording and boning and has a slot for a busk at center front, as well as a large interior Stock Photo

RM2HH49N8–Petticoat 1830s American The necessary underpinnings to create the 1830s silhouette were the corset, the petticoat, and sleeve supports. This cotton petticoat is corded which serves to stiffen it into a rounded shape that would push the skirts of the dress outward into a bell form. Petticoats in this period were also made of horsehair fabric and called crinolines (from the French word crin, meaning horsehair). To create the slightly raised waist, the heavy white cotton corset (1987.238) is reinforced with cording and boning and has a slot for a busk at center front, as well as a large interior

Ensemble 1863–66 American The Algerian Zouave uniform was adopted by French soldiers in North Africa in the 1830s and later inspired the dress of American militia and volunteer units during the Civil War. This near-complete uniform of the Keystone Zouaves, manufactured at the Schuylkill Arsenal in Pennsylvania, consists of an appliquéd jacket with a false vest, full-cut pants with ties at the waist and cuff, a pair of brown leather jambieres, or shin guards, and white cotton leggings, all characteristic elements of the Zouave style. This example was worn by Private Jediah K. Burnham, who joine Stock Photo

RM2HHTTRJ–Ensemble 1863–66 American The Algerian Zouave uniform was adopted by French soldiers in North Africa in the 1830s and later inspired the dress of American militia and volunteer units during the Civil War. This near-complete uniform of the Keystone Zouaves, manufactured at the Schuylkill Arsenal in Pennsylvania, consists of an appliquéd jacket with a false vest, full-cut pants with ties at the waist and cuff, a pair of brown leather jambieres, or shin guards, and white cotton leggings, all characteristic elements of the Zouave style. This example was worn by Private Jediah K. Burnham, who joine

. English: Cotton mill in the 1830s. 1830s. Unknown 80 Bomullsfabrik Stock Photo

RMMY74EY–. English: Cotton mill in the 1830s. 1830s. Unknown 80 Bomullsfabrik

Dress. Culture: American. Date: ca. 1835. This is a dress from the early 1830s, the Romantic period, in which sleeves became quite large and women were said to look like butterflies. From the Whittemore family, an influential New Hampshire family in the nineteenth century, the dress is beautifully made. While the sleeves are large, they are in proportion to a child's form. Made of a fine fabric which is sheer and lightweight, great care was taken to add a cotton facing at the bottom of the hem to give it weight, allowing the dress to move gracefully. Museum: Metropolitan Museum of Art, New Stock Photo

RMPANR7Y–Dress. Culture: American. Date: ca. 1835. This is a dress from the early 1830s, the Romantic period, in which sleeves became quite large and women were said to look like butterflies. From the Whittemore family, an influential New Hampshire family in the nineteenth century, the dress is beautifully made. While the sleeves are large, they are in proportion to a child's form. Made of a fine fabric which is sheer and lightweight, great care was taken to add a cotton facing at the bottom of the hem to give it weight, allowing the dress to move gracefully. Museum: Metropolitan Museum of Art, New

Child's Whole Cloth Cheater Quilt, Unknown, American, 1830s, Cotton, United States, North and Central America, Coverings & hangings, textiles, 49 x 70 1/2 in. (124.5 x 179.1 cm Stock Photo

RM2HB2M9Y–Child's Whole Cloth Cheater Quilt, Unknown, American, 1830s, Cotton, United States, North and Central America, Coverings & hangings, textiles, 49 x 70 1/2 in. (124.5 x 179.1 cm

Inspired by Stenciled Counterpane, American, 1830s, Cotton, Made in United States, North and Central America, Coverings & hangings, textiles, overall including 2 1/2' fringe: 98 x 82 in. (248.9 x 208.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK68E8–Inspired by Stenciled Counterpane, American, 1830s, Cotton, Made in United States, North and Central America, Coverings & hangings, textiles, overall including 2 1/2' fringe: 98 x 82 in. (248.9 x 208.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Calico printing in cotton mill in 1830's Stock Photo

RMATDK28–Calico printing in cotton mill in 1830's

RMMW551G–. English: Cotton mill in the 1830s. 1830s. Unknown 90 Bomullsfabrik

Collar. Culture: American. Date: 1830s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANPWC–Collar. Culture: American. Date: 1830s. Museum: Metropolitan Museum of Art, New York, USA.

Stenciled Counterpane, American, 1830s, Cotton, Made in United States, North and Central America, Coverings & hangings, textiles, overall including 2 1/2' fringe: 98 x 82 in. (248.9 x 208.3 cm Stock Photo

RM2HB2W80–Stenciled Counterpane, American, 1830s, Cotton, Made in United States, North and Central America, Coverings & hangings, textiles, overall including 2 1/2' fringe: 98 x 82 in. (248.9 x 208.3 cm

Inspired by Child's Whole Cloth Cheater Quilt, Unknown, American, 1830s, Cotton, United States, North and Central America, Coverings & hangings, textiles, 49 x 70 1/2 in. (124.5 x 179.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK5P5K–Inspired by Child's Whole Cloth Cheater Quilt, Unknown, American, 1830s, Cotton, United States, North and Central America, Coverings & hangings, textiles, 49 x 70 1/2 in. (124.5 x 179.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Cotton factory floor in 1830's showing workers mule spinning. Drawn by T Allom. Engraved by J Tingle. Stock Photo

RMATDK1D–Cotton factory floor in 1830's showing workers mule spinning. Drawn by T Allom. Engraved by J Tingle.

RMMMK63G–. English: Cotton mill in the 1830s. . 1830s. Unknown 90 Bomullsfabrik

Fichu. Culture: American. Date: 1830s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA914M–Fichu. Culture: American. Date: 1830s. Museum: Metropolitan Museum of Art, New York, USA.

Dress, American, 1830s, American, cotton Stock Photo

RM2B0HP1J–Dress, American, 1830s, American, cotton

Art inspired by Star Quilt, American, 1830s, Cotton, Made in United States, North and Central America, Coverings & hangings, textiles, 107 x 112 in. (271.8 x 284.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKMG1E–Art inspired by Star Quilt, American, 1830s, Cotton, Made in United States, North and Central America, Coverings & hangings, textiles, 107 x 112 in. (271.8 x 284.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMATDK42–Power Loom circa 1830's.

Section of bedskirt printed with game birds. Culture: British or American. Dimensions: L. 24 1/2 x W. 26 inches 62.2 x 66.0 cm. Date: 1830s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB21CR–Section of bedskirt printed with game birds. Culture: British or American. Dimensions: L. 24 1/2 x W. 26 inches 62.2 x 66.0 cm. Date: 1830s. Museum: Metropolitan Museum of Art, New York, USA.

Collar, American, 1830s, American, cotton Stock Photo

RM2B0JA5E–Collar, American, 1830s, American, cotton

Art inspired by Chintz Strippie Quilt, Unknown, American, 1830s, Cotton, United States, North and Central America, Coverings & hangings, textiles, 97 x 96 in. (246.4 x 243.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKKYDJ–Art inspired by Chintz Strippie Quilt, Unknown, American, 1830s, Cotton, United States, North and Central America, Coverings & hangings, textiles, 97 x 96 in. (246.4 x 243.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Swainson Birley Co factory near Preston, Lancashire, England in the 1830's. Drawn by T Allom. Engraved by J Tingle. Stock Photo

RMAT9K7D–Swainson Birley Co factory near Preston, Lancashire, England in the 1830's. Drawn by T Allom. Engraved by J Tingle.

Dress. Culture: American or European. Date: 1830s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAKRRH–Dress. Culture: American or European. Date: 1830s. Museum: Metropolitan Museum of Art, New York, USA.

Pelerine, American, 1830s, American, cotton Stock Photo

RM2B0JA72–Pelerine, American, 1830s, American, cotton

Art inspired by Stenciled Counterpane, American, 1830s, Cotton, Made in United States, North and Central America, Coverings & hangings, textiles, overall including 2 1/2' fringe: 98 x 82 in. (248.9 x 208.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKMG14–Art inspired by Stenciled Counterpane, American, 1830s, Cotton, Made in United States, North and Central America, Coverings & hangings, textiles, overall including 2 1/2' fringe: 98 x 82 in. (248.9 x 208.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Hargreave's Spinning Jenny. Engraved by T E Nicholson in 1830s Stock Photo

RMATDK08–Hargreave's Spinning Jenny. Engraved by T E Nicholson in 1830s

Evening shawl. Culture: American. Date: 1830-40. The pointed edges and small scale of the embroidery are quintessential stylistic features of the 1830s. The exuberance of the double ruffles complements the large gigot sleeves of the period, adding to the 'butterfly effect' of the silhouette. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAXXPT–Evening shawl. Culture: American. Date: 1830-40. The pointed edges and small scale of the embroidery are quintessential stylistic features of the 1830s. The exuberance of the double ruffles complements the large gigot sleeves of the period, adding to the 'butterfly effect' of the silhouette. Museum: Metropolitan Museum of Art, New York, USA.

Petticoat, American, 1830s, American, cotton Stock Photo

RM2B0JB28–Petticoat, American, 1830s, American, cotton

Art inspired by Child's Whole Cloth Cheater Quilt, Unknown, American, 1830s, Cotton, United States, North and Central America, Coverings & hangings, textiles, 49 x 70 1/2 in. (124.5 x 179.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKKY52–Art inspired by Child's Whole Cloth Cheater Quilt, Unknown, American, 1830s, Cotton, United States, North and Central America, Coverings & hangings, textiles, 49 x 70 1/2 in. (124.5 x 179.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Peignoir, 1830s, American, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW1R7–Art inspired by Peignoir, 1830s, American, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Drawing Frame end elevation at left and plan at right drawn by J W Lowry in the 1830's. Stock Photo

RMATDK17–Drawing Frame end elevation at left and plan at right drawn by J W Lowry in the 1830's.

Bodice. Culture: American. Date: 1837-40. This is a charming girl's bodice which replicates the form of an adult garment of the period. Like women's dress during the 1830s, this bodice marks the beginning of the collapse of the full sleeve, an event that occurred in 1837. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAPGGB–Bodice. Culture: American. Date: 1837-40. This is a charming girl's bodice which replicates the form of an adult garment of the period. Like women's dress during the 1830s, this bodice marks the beginning of the collapse of the full sleeve, an event that occurred in 1837. Museum: Metropolitan Museum of Art, New York, USA.

Coatdress, American, early 1830s, American, cotton Stock Photo

RM2B0JA04–Coatdress, American, early 1830s, American, cotton

Art inspired by Fichu, 1830s, American, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW3D6–Art inspired by Fichu, 1830s, American, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Pelerine. Culture: American. Date: ca. 1835. This is a quintessential example of the multi-tiered pelerine collars of the 1830s that lay on top of the large gigot dress sleeves. The combination of floral embroidery, saw-tooth borders and various pointed edges creates a visually compelling effect. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAEHN–Pelerine. Culture: American. Date: ca. 1835. This is a quintessential example of the multi-tiered pelerine collars of the 1830s that lay on top of the large gigot dress sleeves. The combination of floral embroidery, saw-tooth borders and various pointed edges creates a visually compelling effect. Museum: Metropolitan Museum of Art, New York, USA.

Collar, probably American, 1830s, probably American, cotton Stock Photo

RM2B0HD9Y–Collar, probably American, 1830s, probably American, cotton

Art inspired by Collar, 1830s, American, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW3D7–Art inspired by Collar, 1830s, American, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Ensemble. Culture: American. Date: 1831-35. Printed dresses like this were very fashionable for the promenade. The pelerine (small cape), a popular accessory in the 1830s, added a versatility to the day dress. It not only completed the look of the dress, but also afforded some warmth outdoors. When removed, the fine details of the pleated and piped bodice were revealed. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1HK6–Ensemble. Culture: American. Date: 1831-35. Printed dresses like this were very fashionable for the promenade. The pelerine (small cape), a popular accessory in the 1830s, added a versatility to the day dress. It not only completed the look of the dress, but also afforded some warmth outdoors. When removed, the fine details of the pleated and piped bodice were revealed. Museum: Metropolitan Museum of Art, New York, USA.

RM2B0HD8H–Collar, probably American, 1830s, probably American, cotton

Art inspired by Dress, 1830s, American, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW23N–Art inspired by Dress, 1830s, American, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Bodice. Culture: probably German. Date: 1830-35. This is an unusual garment, combining fashionable silhouette with regional detail. The lining and braid suggests that it is part of a German folk costume, but it is in the highly fashionable shape of the 1830s. Much skilled handwork went into the fabric manipulation as well as an interesting use of the ombré striped border as a decorative detail and pleated around the neckline forming a ruffle. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAM441–Bodice. Culture: probably German. Date: 1830-35. This is an unusual garment, combining fashionable silhouette with regional detail. The lining and braid suggests that it is part of a German folk costume, but it is in the highly fashionable shape of the 1830s. Much skilled handwork went into the fabric manipulation as well as an interesting use of the ombré striped border as a decorative detail and pleated around the neckline forming a ruffle. Museum: Metropolitan Museum of Art, New York, USA.

RM2B0HD91–Collar, probably American, 1830s, probably American, cotton

RF2HTW39F–Art inspired by Collar, 1830s, American, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Morning dress. Culture: American. Date: ca. 1852. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due Stock Photo

RMPB4G7A–Morning dress. Culture: American. Date: ca. 1852. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due

Dress, American or European, 1830s, American or European, cotton Stock Photo

RM2B0J97D–Dress, American or European, 1830s, American or European, cotton

Art inspired by Underdress, 1830s, American or European, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW2YE–Art inspired by Underdress, 1830s, American or European, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Afternoon dress. Culture: American. Date: ca. 1845. The rustle of silk was a sound which epitomized elegance in the middle of the 19th century. This beautiful gown would have combined the visual appeal with the auditory appeal simply through its choice of taffeta. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the Stock Photo

RMPAC0KA–Afternoon dress. Culture: American. Date: ca. 1845. The rustle of silk was a sound which epitomized elegance in the middle of the 19th century. This beautiful gown would have combined the visual appeal with the auditory appeal simply through its choice of taffeta. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the

Pelerine, American or European, 1830s, American or European, cotton Stock Photo

RM2B0HDG4–Pelerine, American or European, 1830s, American or European, cotton

Collar, 1830s, American, cotton Stock Photo

RMKC59CK–Collar, 1830s, American, cotton

Art inspired by Corset, 1830s, American or European, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW5MF–Art inspired by Corset, 1830s, American or European, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Dress. Culture: American. Date: 1832-35. This transitional style indicates the aesthetic of its period. The large gigot sleeves were popular from the early 1830s through 1836 when they began to diminish to the tightly fitted sleeves of the following period. This type of sleeve was generally supported by whalebone or down filling. Another indication of its transitional disposition is the waist height and the full bell-shaped skirts. The rich color and lively pattern is engaging and in line with the mode of the day. The female silhouette of the middle of the 19th century consisted of a f Stock Photo

RMPB9R9T–Dress. Culture: American. Date: 1832-35. This transitional style indicates the aesthetic of its period. The large gigot sleeves were popular from the early 1830s through 1836 when they began to diminish to the tightly fitted sleeves of the following period. This type of sleeve was generally supported by whalebone or down filling. Another indication of its transitional disposition is the waist height and the full bell-shaped skirts. The rich color and lively pattern is engaging and in line with the mode of the day. The female silhouette of the middle of the 19th century consisted of a f

Dress, 1830s, American, cotton Stock Photo

RMKC5946–Dress, 1830s, American, cotton

Art inspired by Double collar, 1830s, French, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW39B–Art inspired by Double collar, 1830s, French, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMPAXX3C–Dress. Culture: American. Date: 1832-35. This transitional style indicates the aesthetic of its period. The large gigot sleeves were popular from the early 1830s through 1836 when they began to diminish to the tightly fitted sleeves of the following period. This type of sleeve was generally supported by whalebone or down filling. Another indication of its transitional disposition is the waist height and the full bell-shaped skirts. The beautiful textile is also a product of its time with a stippled ground and bright flowers against muted vinery. The patterning creates a very charming fee

Peignoir, 1830s, American, cotton Stock Photo

RMKC59GP–Peignoir, 1830s, American, cotton

Art inspired by Double collar, 1830s, American, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW39C–Art inspired by Double collar, 1830s, American, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Dress. Culture: American. Date: 1837-39. The textile here is a nice example of a process known as mill engraving where the textile is printed from an engraved copper roller. This process allowed for highly detailed small-scale motifs across the textile which enhances the charm. It is firmly anchored it in the 1830s not only because of its textile, but also because of its unabashed emphasis on the bust and shoulders by the way of wider neckline and V-shaped gathering over the bust. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full Stock Photo

RMPB4F1N–Dress. Culture: American. Date: 1837-39. The textile here is a nice example of a process known as mill engraving where the textile is printed from an engraved copper roller. This process allowed for highly detailed small-scale motifs across the textile which enhances the charm. It is firmly anchored it in the 1830s not only because of its textile, but also because of its unabashed emphasis on the bust and shoulders by the way of wider neckline and V-shaped gathering over the bust. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full

Fichu, 1830s, American, cotton Stock Photo

RMKC58XH–Fichu, 1830s, American, cotton

Art inspired by Accessory set, 1830s, American or European, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW2AH–Art inspired by Accessory set, 1830s, American or European, cotton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Piece, 1830s, British, Cotton, L. 98 x W. 49 inches, Textiles-Printed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWA55–Art inspired by Piece, 1830s, British, Cotton, L. 98 x W. 49 inches, Textiles-Printed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Evening dress. Culture: American. Date: 1850-55. This subdued plaid of this dress was designed after Scottish tartans which became popular in the 1850s due to Queen Victoria (1837-1901) taking part-time residence at Balmoral Castle in Aberdeenshire, Scotland. The plaid stripes alternating with more subdued plain stripes draw particular attention to the beauty of the textile. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was low Stock Photo

RMPB0F42–Evening dress. Culture: American. Date: 1850-55. This subdued plaid of this dress was designed after Scottish tartans which became popular in the 1850s due to Queen Victoria (1837-1901) taking part-time residence at Balmoral Castle in Aberdeenshire, Scotland. The plaid stripes alternating with more subdued plain stripes draw particular attention to the beauty of the textile. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was low

RMKC58PP–Collar, 1830s, American, cotton

Art inspired by Section of bedskirt printed with game birds, 1830s, British or American, Cotton, L. 24 1/2 x W. 26 inches, Textiles-Printed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWA51–Art inspired by Section of bedskirt printed with game birds, 1830s, British or American, Cotton, L. 24 1/2 x W. 26 inches, Textiles-Printed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Wedding ensemble, 1864, French, cotton, A rounded shoulderline that enhanced the length of the neck was prized through most of the nineteenth century. From the 1830s to the 1880s, it was accomplished by the lowered splayed stance of corset straps, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW5DD–Art inspired by Wedding ensemble, 1864, French, cotton, A rounded shoulderline that enhanced the length of the neck was prized through most of the nineteenth century. From the 1830s to the 1880s, it was accomplished by the lowered splayed stance of corset straps, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

moon shawl, European, 1830s?, silk and cotton, 63-1/2 x 65-1/4 in., Textile and Fashion Arts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B95GB1–moon shawl, European, 1830s?, silk and cotton, 63-1/2 x 65-1/4 in., Textile and Fashion Arts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Afternoon dress. Culture: American. Date: ca. 1862. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, du Stock Photo

RMPB1M8D–Afternoon dress. Culture: American. Date: ca. 1862. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, du