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1831 1854 Stock Photos and Images
. Nederlands: Keukeninterieur. oil on canvas. 52 × 65 cm (20.4 × 25.5 in). RCE (B728). Vroeger Rijksmuseum Amsterdam (SK-A-1831). . 1854. Johannes Stroebel 58 Kitchen Scene by Johannes Stroebel Rijksdienst voor het Cultureel Erfgoed B728 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nederlands-keukeninterieur-oil-on-canvas-52-65-cm-204-255-in-rce-b728-vroeger-rijksmuseum-amsterdam-sk-a-1831-1854-johannes-stroebel-58-kitchen-scene-by-johannes-stroebel-rijksdienst-voor-het-cultureel-erfgoed-b728-image189295780.htmlRMMYY4KG–. Nederlands: Keukeninterieur. oil on canvas. 52 × 65 cm (20.4 × 25.5 in). RCE (B728). Vroeger Rijksmuseum Amsterdam (SK-A-1831). . 1854. Johannes Stroebel 58 Kitchen Scene by Johannes Stroebel Rijksdienst voor het Cultureel Erfgoed B728
'Plenipotentiary', 1831-1854, (1911). Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plenipotentiary-1831-1854-1911-artist-unknown-image186135965.htmlRMMPR691–'Plenipotentiary', 1831-1854, (1911). Artist: Unknown.
St. Nicholas Chapel Westminster Abbey, John Bluck, active 1791–1831, British, after Frederick Mackenzie, 1788–1854, British, 1812 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-nicholas-chapel-westminster-abbey-john-bluck-active-17911831-british-after-frederick-mackenzie-17881854-british-1812-image389688295.htmlRM2DHYRB3–St. Nicholas Chapel Westminster Abbey, John Bluck, active 1791–1831, British, after Frederick Mackenzie, 1788–1854, British, 1812
The great flowerpot (title object) Leaf with a large representation of a vase a bunch of different flowers. Besides the vase two birds Where: under papegaai. Manufacturer : printmaker: anonymous publisher: Preserve H. Rynders (listed property) Place manufacture: printmaker: Netherlands Publisher: Amsterdam Date: 1831 - 1854 Physical features: woodcut and text printing material: paper Technique: woodcut / printing sizes: sheet: h 418 mm × W 331 mm Subject: flowers in a vasebirdsflowers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-great-flowerpot-title-object-leaf-with-a-large-representation-of-a-vase-a-bunch-of-different-flowers-besides-the-vase-two-birds-where-under-papegaai-manufacturer-printmaker-anonymous-publisher-preserve-h-rynders-listed-property-place-manufacture-printmaker-netherlands-publisher-amsterdam-date-1831-1854-physical-features-woodcut-and-text-printing-material-paper-technique-woodcut-printing-sizes-sheet-h-418-mm-w-331-mm-subject-flowers-in-a-vasebirdsflowers-image348290102.htmlRM2B6HYG6–The great flowerpot (title object) Leaf with a large representation of a vase a bunch of different flowers. Besides the vase two birds Where: under papegaai. Manufacturer : printmaker: anonymous publisher: Preserve H. Rynders (listed property) Place manufacture: printmaker: Netherlands Publisher: Amsterdam Date: 1831 - 1854 Physical features: woodcut and text printing material: paper Technique: woodcut / printing sizes: sheet: h 418 mm × W 331 mm Subject: flowers in a vasebirdsflowers
The 297 ton BORNEO built at Salem (USA) 1831 - Later altered from a ship to a bark - Abandoned in the Nth Atlantic on New Year's Day 1854 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-297-ton-borneo-built-at-salem-usa-1831-later-altered-from-a-ship-162853378.htmlRMKCXH42–The 297 ton BORNEO built at Salem (USA) 1831 - Later altered from a ship to a bark - Abandoned in the Nth Atlantic on New Year's Day 1854
Arteries of the thigh. Lithograph by N.H Jacob, 1831/1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arteries-of-the-thigh-lithograph-by-nh-jacob-18311854-image449999375.htmlRM2H436P7–Arteries of the thigh. Lithograph by N.H Jacob, 1831/1854.
Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/igreja-de-santo-antnio-dos-pobres-na-esquina-da-rua-dos-invlidos-com-a-rua-do-senado-no-centro-do-rio-exibe-em-seu-interior-um-pequeno-stio-arqueolgico-sob-cho-de-vidro-o-local-exibe-partes-da-igreja-original-de-1831-1854-descobertos-em-reforma-realizada-a-partir-de-2011-quando-as-obras-de-construo-do-centro-comercial-senado-ocupado-pela-petrobras-causaram-abalos-na-estrutura-da-igreja-que-teve-rachaduras-no-cho-e-nas-paredes-a-atiga-igreja-ficava-cerca-de-12m-abaixo-do-nvel-atual-image208973584.htmlRMP3YFX8–Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual.
. Index of volume II . 1831. Nathaniel Wallich (1786-1854) 15 2b Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II index (1831) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/index-of-volume-ii-1831-nathaniel-wallich-1786-1854-15-2b-nathaniel-wallich-plantae-asiaticae-rariores-vol-ii-index-1831-image187631841.htmlRMMW7A95–. Index of volume II . 1831. Nathaniel Wallich (1786-1854) 15 2b Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II index (1831)
Saint Tarcisius. Artist: Alexandre Falguière (French, Toulouse 1831-1900 Paris). Culture: French, Paris. Dimensions: Overall (confirmed): H. 23 1/2 x W. 52 x D. 20 in. (59.7 x 132.1 x 50.8 cm). Date: ca. 1868. Investigations into early Christianity constantly renourished Roman Catholicism in the nineteenth century. A best-selling novel by the Irish-born cardinal Nicholas Patrick Wiseman, Fabiola, or the Church of the Catacombs (1854), widely translated, was Alexander Falguière's immediate source for this sculpture. In the novel, the teenage acolyte Tarcisius is conveying the Host along the Ap Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-tarcisius-artist-alexandre-falguire-french-toulouse-1831-1900-paris-culture-french-paris-dimensions-overall-confirmed-h-23-12-x-w-52-x-d-20-in-597-x-1321-x-508-cm-date-ca-1868-investigations-into-early-christianity-constantly-renourished-roman-catholicism-in-the-nineteenth-century-a-best-selling-novel-by-the-irish-born-cardinal-nicholas-patrick-wiseman-fabiola-or-the-church-of-the-catacombs-1854-widely-translated-was-alexander-falguires-immediate-source-for-this-sculpture-in-the-novel-the-teenage-acolyte-tarcisius-is-conveying-the-host-along-the-ap-image213208923.htmlRMPATE4B–Saint Tarcisius. Artist: Alexandre Falguière (French, Toulouse 1831-1900 Paris). Culture: French, Paris. Dimensions: Overall (confirmed): H. 23 1/2 x W. 52 x D. 20 in. (59.7 x 132.1 x 50.8 cm). Date: ca. 1868. Investigations into early Christianity constantly renourished Roman Catholicism in the nineteenth century. A best-selling novel by the Irish-born cardinal Nicholas Patrick Wiseman, Fabiola, or the Church of the Catacombs (1854), widely translated, was Alexander Falguière's immediate source for this sculpture. In the novel, the teenage acolyte Tarcisius is conveying the Host along the Ap
Antique 1854 engraving, 'W. J. Florence, the Irish comedian.' William Jermyn Conlin (1831-1891) better known by his stage name William J. Florence, was a US actor, songwriter, and playwright. Florence was one of a select number of Americans to win the ribbon of the French Societe Histoire Dramatique. He was also co-founder with Walter M. Fleming of the Shriners, a Masonic Order. SOURCE: ORIGINAL ENGRAVING. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-antique-1854-engraving-w-j-florence-the-irish-comedian-william-jermyn-135782334.htmlRMHTWBN2–Antique 1854 engraving, 'W. J. Florence, the Irish comedian.' William Jermyn Conlin (1831-1891) better known by his stage name William J. Florence, was a US actor, songwriter, and playwright. Florence was one of a select number of Americans to win the ribbon of the French Societe Histoire Dramatique. He was also co-founder with Walter M. Fleming of the Shriners, a Masonic Order. SOURCE: ORIGINAL ENGRAVING.
Luke O'Connor(1831-1915), when sergeant, taking the colours from Lieut. Anstruther, and though severely wounded, carrying them to the end of the day at the Battle of Alma during the Crimean War. Such was O'Connor's bravery that he was awarded the Victoria Cross in 1857 when Queen Victoria first presented the award. Date: 20th September 1854 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luke-oconnor1831-1915-when-sergeant-taking-the-colours-from-lieut-anstruther-and-though-severely-wounded-carrying-them-to-the-end-of-the-day-at-the-battle-of-alma-during-the-crimean-war-such-was-oconnors-bravery-that-he-was-awarded-the-victoria-cross-in-1857-when-queen-victoria-first-presented-the-award-date-20th-september-1854-image501420018.htmlRM2M3NJ9P–Luke O'Connor(1831-1915), when sergeant, taking the colours from Lieut. Anstruther, and though severely wounded, carrying them to the end of the day at the Battle of Alma during the Crimean War. Such was O'Connor's bravery that he was awarded the Victoria Cross in 1857 when Queen Victoria first presented the award. Date: 20th September 1854
Apotheosis of Naser al-Din Shah Qajar (1831-1896), 1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apotheosis-of-naser-al-din-shah-qajar-1831-1896-1854-image214389044.htmlRMPCP7BG–Apotheosis of Naser al-Din Shah Qajar (1831-1896), 1854.
The Fall of Babylon by John Martin (1789-1854). 1831. National Library. Paris. France. Exposition Babylon. Louvre. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-fall-of-babylon-by-john-martin-1789-1854-1831-national-library-79107495.htmlRMEGKJBK–The Fall of Babylon by John Martin (1789-1854). 1831. National Library. Paris. France. Exposition Babylon. Louvre.
Portrait of the opera singer Henriette Sontag', (1806-1854), 1831. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-opera-singer-henriette-sontag-1806-1854-1831-image60415028.htmlRMDE83YG–Portrait of the opera singer Henriette Sontag', (1806-1854), 1831.
Wojciech Gerson (1831-1901). Polish painter. Path by a Stream, 1854. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wojciech-gerson-1831-1901-polish-painter-path-by-a-stream-1854-19th-century-polish-art-gallery-sukiennice-museum-national-museum-of-krakow-poland-image331814425.htmlRM2A7RCK5–Wojciech Gerson (1831-1901). Polish painter. Path by a Stream, 1854. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland.
JOACHIM Joseph playing violin and accompanying Clara Schumann on the piano. Painting by Adolph Menzel, 1854. Hungarian (Germanized) violinist. Violinist, composer, conductor (1831-1907) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-joachim-joseph-playing-violin-and-accompanying-clara-schumann-on-the-164175584.htmlRMKF2RHM–JOACHIM Joseph playing violin and accompanying Clara Schumann on the piano. Painting by Adolph Menzel, 1854. Hungarian (Germanized) violinist. Violinist, composer, conductor (1831-1907)
Leopold I of Belgium (1790-1865). First king of the Belgians (1831-1865). Portrait. Drawing by C. Legrand. Lithography by J. Donón. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leopold-i-of-belgium-1790-1865-first-king-of-the-belgians-1831-1865-portrait-drawing-by-c-legrand-lithography-by-j-donn-reyes-contemporneos-contemporary-kings-volume-iii-published-in-madrid-1854-image607312296.htmlRM2X81D0T–Leopold I of Belgium (1790-1865). First king of the Belgians (1831-1865). Portrait. Drawing by C. Legrand. Lithography by J. Donón. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854.
JOACHIM Joseph playing violin and accompanying Clara Schumann on the piano. Painting by Adolph Menzel, 1854. Hungarian (Germanized) violinist. Violinist, composer, conductor (1831-1907) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joachim-joseph-playing-violin-and-accompanying-clara-schumann-on-the-image157816907.htmlRMK4N523–JOACHIM Joseph playing violin and accompanying Clara Schumann on the piano. Painting by Adolph Menzel, 1854. Hungarian (Germanized) violinist. Violinist, composer, conductor (1831-1907)
zouaves assaulting rifle-pits 1854 French army infantry The Crimean War Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-zouaves-assaulting-rifle-pits-1854-french-army-infantry-the-crimean-22613815.htmlRFB8P447–zouaves assaulting rifle-pits 1854 French army infantry The Crimean War
Julia Bartet as Fabienne Lecoulteux in 'Thermidor' by Victorien Sardou at la Comedie-Francaise. Cover Le Theatre September 1904. JB: French actress, 1854 - 1941. VS: French dramatist 1831 -1908. Photo P. Boyer. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-julia-bartet-as-fabienne-lecoulteux-in-thermidor-by-victorien-sardou-163611209.htmlRMKE53ND–Julia Bartet as Fabienne Lecoulteux in 'Thermidor' by Victorien Sardou at la Comedie-Francaise. Cover Le Theatre September 1904. JB: French actress, 1854 - 1941. VS: French dramatist 1831 -1908. Photo P. Boyer.
The two german philosophers Friedrich SCHELLING ( 1775 - 1854 ) and Georg Wilhelm Friedrich HEGEL ( 1770 - 1831 ) with a young professor at Berlin University - SCRITTORE - LETTERATO - WRITER - LETTERATURA - LITERATURE - PENSATORE - THINKER - FILOSOFO - PHILOSOPHER - PHILOSOPHY - FILOSOFIA - ritratto - caricature - caricatura - disegno - IDEALISMO - IDEALISM ---- Archivio GBB Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-two-german-philosophers-friedrich-schelling-1775-1854-and-georg-wilhelm-friedrich-hegel-1770-1831-with-a-young-professor-at-berlin-university-scrittore-letterato-writer-letteratura-literature-pensatore-thinker-filosofo-philosopher-philosophy-filosofia-ritratto-caricature-caricatura-disegno-idealismo-idealism-archivio-gbb-image533534649.htmlRM2P00GTW–The two german philosophers Friedrich SCHELLING ( 1775 - 1854 ) and Georg Wilhelm Friedrich HEGEL ( 1770 - 1831 ) with a young professor at Berlin University - SCRITTORE - LETTERATO - WRITER - LETTERATURA - LITERATURE - PENSATORE - THINKER - FILOSOFO - PHILOSOPHER - PHILOSOPHY - FILOSOFIA - ritratto - caricature - caricatura - disegno - IDEALISMO - IDEALISM ---- Archivio GBB
Tomb - Queen Eleanor, John Bluck, active 1791–1831, British, after Frederick Mackenzie, 1788–1854, British, 1812, Aquatint, hand-colored Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tomb-queen-eleanor-john-bluck-active-17911831-british-after-frederick-mackenzie-17881854-british-1812-aquatint-hand-colored-image389681622.htmlRM2DHYETP–Tomb - Queen Eleanor, John Bluck, active 1791–1831, British, after Frederick Mackenzie, 1788–1854, British, 1812, Aquatint, hand-colored
The narration of Asschepoester (title object) Leaf with 12 scenes from the fairy tale Cinderella. Under each picture a onderschrift. Manufacturer : publisher: Preserve H. Rynders (indicated on object) print maker: anonymous location manufacture: publisher: Amsterdam Print Author: The Netherlands Date: 1831 - 1854 Physical characteristics: wood block colored in yellow and orange; text printing material: paper Technique: woodcut / colors / printing sizes: sheet: H 400 mm × W 331 mm Subject: tales and fairy tales (with TITLE) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-narration-of-asschepoester-title-object-leaf-with-12-scenes-from-the-fairy-tale-cinderella-under-each-picture-a-onderschrift-manufacturer-publisher-preserve-h-rynders-indicated-on-object-print-maker-anonymous-location-manufacture-publisher-amsterdam-print-author-the-netherlands-date-1831-1854-physical-characteristics-wood-block-colored-in-yellow-and-orange-text-printing-material-paper-technique-woodcut-colors-printing-sizes-sheet-h-400-mm-w-331-mm-subject-tales-and-fairy-tales-with-title-image348301491.htmlRM2B6JE2Y–The narration of Asschepoester (title object) Leaf with 12 scenes from the fairy tale Cinderella. Under each picture a onderschrift. Manufacturer : publisher: Preserve H. Rynders (indicated on object) print maker: anonymous location manufacture: publisher: Amsterdam Print Author: The Netherlands Date: 1831 - 1854 Physical characteristics: wood block colored in yellow and orange; text printing material: paper Technique: woodcut / colors / printing sizes: sheet: H 400 mm × W 331 mm Subject: tales and fairy tales (with TITLE)
Hegel, Georg Wilhelm Friedrich, 27.8.1770 - 14.11.1831, German philosopher, portrait, wood engraving by Hugo Buerkner, Dresden, 1854, private collection, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hegel-georg-wilhelm-friedrich-2781770-14111831-german-philosopher-48716478.htmlRMCR76A6–Hegel, Georg Wilhelm Friedrich, 27.8.1770 - 14.11.1831, German philosopher, portrait, wood engraving by Hugo Buerkner, Dresden, 1854, private collection, ,
The pelvis: five figures. Lithograph by N.H Jacob, 1831/1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-pelvis-five-figures-lithograph-by-nh-jacob-18311854-image450069103.htmlRM2H46BMF–The pelvis: five figures. Lithograph by N.H Jacob, 1831/1854.
Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/igreja-de-santo-antnio-dos-pobres-na-esquina-da-rua-dos-invlidos-com-a-rua-do-senado-no-centro-do-rio-exibe-em-seu-interior-um-pequeno-stio-arqueolgico-sob-cho-de-vidro-o-local-exibe-partes-da-igreja-original-de-1831-1854-descobertos-em-reforma-realizada-a-partir-de-2011-quando-as-obras-de-construo-do-centro-comercial-senado-ocupado-pela-petrobras-causaram-abalos-na-estrutura-da-igreja-que-teve-rachaduras-no-cho-e-nas-paredes-a-atiga-igreja-ficava-cerca-de-12m-abaixo-do-nvel-atual-image208973589.htmlRMP3YFXD–Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual.
. Index of volume II . 1831. Nathaniel Wallich (1786-1854) 13 2b Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II index (1831) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/index-of-volume-ii-1831-nathaniel-wallich-1786-1854-13-2b-nathaniel-wallich-plantae-asiaticae-rariores-vol-ii-index-1831-image188887138.htmlRMMY8FD6–. Index of volume II . 1831. Nathaniel Wallich (1786-1854) 13 2b Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II index (1831)
The Fall of Babylon by John Martin (1789-1854). 1831. National Library. Paris. France. Exposition Babylon. Louvre. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fall-of-babylon-by-john-martin-1789-1854-1831-national-library-paris-france-exposition-babylon-louvre-image209680594.htmlRMP53NMJ–The Fall of Babylon by John Martin (1789-1854). 1831. National Library. Paris. France. Exposition Babylon. Louvre.
The Charge of the Light Brigade, the Battle of Balaclava, 25th October 1854 with Godfrey Charles Morgan, 1st Viscount Tredegar (1831 - 1913) astride his Horse, 'Sir Briggs' 1905 by John Charlton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-charge-of-the-light-brigade-the-battle-of-balaclava-25th-october-1854-with-godfrey-charles-morgan-1st-viscount-tredegar-1831-1913-astride-his-horse-sir-briggs-1905-by-john-charlton-image559672873.htmlRM2REF8CW–The Charge of the Light Brigade, the Battle of Balaclava, 25th October 1854 with Godfrey Charles Morgan, 1st Viscount Tredegar (1831 - 1913) astride his Horse, 'Sir Briggs' 1905 by John Charlton
Wojciech Gerson (1831-1901). Polish painter. Path by a Stream, 1854. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. P Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wojciech-gerson-1831-1901-polish-painter-path-by-a-stream-1854-19th-century-polish-art-gallery-sukiennice-museum-national-museum-of-krakow-p-image447936485.htmlRM2H0N7FH–Wojciech Gerson (1831-1901). Polish painter. Path by a Stream, 1854. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. P
Rivenhall Place, Essex, 1831 - engraving by James Charles Armytage (1802-1897) after William Henry Bartlett (1809-1854) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rivenhall-place-essex-1831-engraving-by-james-charles-armytage-1802-1897-after-william-henry-bartlett-1809-1854-image608031054.htmlRM2X965PP–Rivenhall Place, Essex, 1831 - engraving by James Charles Armytage (1802-1897) after William Henry Bartlett (1809-1854)
The Expulsion, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-expulsion-from-illustrations-of-the-bible-1831-john-martin-english-1789-1854-england-mezzotint-in-black-on-ivory-wove-paper-190-290-mm-image-268-357-mm-plate-329-416-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349740124.htmlRF2B9012M–The Expulsion, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Portrait of Queen Pauline Therese of Württemberg (1800-1873), 1831. Private Collection. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-queen-pauline-therese-of-wxfcrttemberg-1800-1873-1831-private-collection-image348985376.htmlRM2B7NJBC–Portrait of Queen Pauline Therese of Württemberg (1800-1873), 1831. Private Collection.
Whitby East Pier was built in 1854 and the West Pier in 1831 to a design by Francis Pickernell. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-whitby-east-pier-was-built-in-1854-and-the-west-pier-in-1831-to-a-40006347.htmlRMC92CE3–Whitby East Pier was built in 1854 and the West Pier in 1831 to a design by Francis Pickernell.
Portrait of Per Daniel Amadeus Atterbom (1790-1855), 1831. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-per-daniel-amadeus-atterbom-1790-1855-1831-image186210054.htmlRMMPXGR2–Portrait of Per Daniel Amadeus Atterbom (1790-1855), 1831.
Leopold I of Belgium (1790-1865). First king of the Belgians (1831-1865). Portrait. Drawing by C. Legrand. Lithography by J. Donón. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leopold-i-of-belgium-1790-1865-first-king-of-the-belgians-1831-1865-portrait-drawing-by-c-legrand-lithography-by-j-donn-reyes-contemporneos-contemporary-kings-volume-iii-published-in-madrid-1854-image607312294.htmlRM2X81D0P–Leopold I of Belgium (1790-1865). First king of the Belgians (1831-1865). Portrait. Drawing by C. Legrand. Lithography by J. Donón. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854.
Portrait of the Composer Engelbert Humperdinck (1854-1921). Private Collection. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-composer-engelbert-humperdinck-1854-1921-private-collection-image273970680.htmlRMWWMCB4–Portrait of the Composer Engelbert Humperdinck (1854-1921). Private Collection.
JOZEF CHLOPICKI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jozef-chlopicki-56759613.htmlRMD89HD1–JOZEF CHLOPICKI
Julia Bartet as Fabienne Lecoulteux in 'Thermidor' by Victorien Sardou at la Comedie-Francaise. Cover Le Theatre September 1904. JB: French actress, 1854 - 1941. VS: French dramatist 1831 -1908. Photo P. Boyer. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-julia-bartet-as-fabienne-lecoulteux-in-thermidor-by-victorien-sardou-163611180.htmlRMKE53MC–Julia Bartet as Fabienne Lecoulteux in 'Thermidor' by Victorien Sardou at la Comedie-Francaise. Cover Le Theatre September 1904. JB: French actress, 1854 - 1941. VS: French dramatist 1831 -1908. Photo P. Boyer.
The book of orders of knighthood and decorations of honour of all nations ... . acings, and gold embroidery. THE ORDER OF ST. JOHN OF JERUSALEM. After the fall of Napoleon, Pope Pius VII. having restoredthis Order, and the deputy Grand Master having establishedhis head-quarters at Rome in 1831, a considerable portion ofits previous possessions at Parma, Lucca, Tuscany, Piedmont,and in the Lombardo-Venetian kingdom, was restored to theOrder in 1839, as we have already mentioned under the head ofAustria; and we will here only allude to the Bull of Pope PiusIX. of the 28th July, 1854, in which he Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-book-of-orders-of-knighthood-and-decorations-of-honour-of-all-nations-acings-and-gold-embroidery-the-order-of-st-john-of-jerusalem-after-the-fall-of-napoleon-pope-pius-vii-having-restoredthis-order-and-the-deputy-grand-master-having-establishedhis-head-quarters-at-rome-in-1831-a-considerable-portion-ofits-previous-possessions-at-parma-lucca-tuscany-piedmontand-in-the-lombardo-venetian-kingdom-was-restored-to-theorder-in-1839-as-we-have-already-mentioned-under-the-head-ofaustria-and-we-will-here-only-allude-to-the-bull-of-pope-piusix-of-the-28th-july-1854-in-which-he-image340210456.htmlRM2ANDWWC–The book of orders of knighthood and decorations of honour of all nations ... . acings, and gold embroidery. THE ORDER OF ST. JOHN OF JERUSALEM. After the fall of Napoleon, Pope Pius VII. having restoredthis Order, and the deputy Grand Master having establishedhis head-quarters at Rome in 1831, a considerable portion ofits previous possessions at Parma, Lucca, Tuscany, Piedmont,and in the Lombardo-Venetian kingdom, was restored to theOrder in 1839, as we have already mentioned under the head ofAustria; and we will here only allude to the Bull of Pope PiusIX. of the 28th July, 1854, in which he
Screen over the Chantry of Henry the Fifth, John Bluck, active 1791–1831, British, after Frederick Mackenzie, 1788–1854, British, 1812, Aquatint, hand-colored Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/screen-over-the-chantry-of-henry-the-fifth-john-bluck-active-17911831-british-after-frederick-mackenzie-17881854-british-1812-aquatint-hand-colored-image389688514.htmlRM2DHYRJX–Screen over the Chantry of Henry the Fifth, John Bluck, active 1791–1831, British, after Frederick Mackenzie, 1788–1854, British, 1812, Aquatint, hand-colored
The narration of Asschepoester (title object) Leaf with 12 scenes from the fairy tale of Cinderella. Under each picture a onderschrift. Manufacturer : publisher: Preserve H. Rynders (indicated on object) print maker: anonymous location manufacture: publisher: Amsterdam Print Author: The Netherlands Date: 1831 - 1854 Physical characteristics: wood block colored in yellow and orange; text printing material: paper Technique: woodcut / colors / printing sizes: sheet: H 420 mm × W 340 mm Subject: tales and fairy tales (with TITLE) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-narration-of-asschepoester-title-object-leaf-with-12-scenes-from-the-fairy-tale-of-cinderella-under-each-picture-a-onderschrift-manufacturer-publisher-preserve-h-rynders-indicated-on-object-print-maker-anonymous-location-manufacture-publisher-amsterdam-print-author-the-netherlands-date-1831-1854-physical-characteristics-wood-block-colored-in-yellow-and-orange-text-printing-material-paper-technique-woodcut-colors-printing-sizes-sheet-h-420-mm-w-340-mm-subject-tales-and-fairy-tales-with-title-image348301522.htmlRM2B6JE42–The narration of Asschepoester (title object) Leaf with 12 scenes from the fairy tale of Cinderella. Under each picture a onderschrift. Manufacturer : publisher: Preserve H. Rynders (indicated on object) print maker: anonymous location manufacture: publisher: Amsterdam Print Author: The Netherlands Date: 1831 - 1854 Physical characteristics: wood block colored in yellow and orange; text printing material: paper Technique: woodcut / colors / printing sizes: sheet: H 420 mm × W 340 mm Subject: tales and fairy tales (with TITLE)
Pape, Joseph, 4.4.1831 - 16.5.1898, German author / writer, works, epic poem 'Der treue Eckart' (The Faithful Eckart), beginning, Friedrich Cazin publishing house, Muenster, Germany, 1854, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pape-joseph-441831-1651898-german-author-writer-works-epic-poem-der-28087225.htmlRMBHKDF5–Pape, Joseph, 4.4.1831 - 16.5.1898, German author / writer, works, epic poem 'Der treue Eckart' (The Faithful Eckart), beginning, Friedrich Cazin publishing house, Muenster, Germany, 1854,
Muscles and tendons of the foot. Lithograph by N.H Jacob, 1831/1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/muscles-and-tendons-of-the-foot-lithograph-by-nh-jacob-18311854-image450072994.htmlRM2H46GKE–Muscles and tendons of the foot. Lithograph by N.H Jacob, 1831/1854.
Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/igreja-de-santo-antnio-dos-pobres-na-esquina-da-rua-dos-invlidos-com-a-rua-do-senado-no-centro-do-rio-exibe-em-seu-interior-um-pequeno-stio-arqueolgico-sob-cho-de-vidro-o-local-exibe-partes-da-igreja-original-de-1831-1854-descobertos-em-reforma-realizada-a-partir-de-2011-quando-as-obras-de-construo-do-centro-comercial-senado-ocupado-pela-petrobras-causaram-abalos-na-estrutura-da-igreja-que-teve-rachaduras-no-cho-e-nas-paredes-a-atiga-igreja-ficava-cerca-de-12m-abaixo-do-nvel-atual-image208973578.htmlRMP3YFX2–Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual.
. Index of volume II . 1831. Nathaniel Wallich (1786-1854) 15 2b Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II index (1831) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/index-of-volume-ii-1831-nathaniel-wallich-1786-1854-15-2b-nathaniel-wallich-plantae-asiaticae-rariores-vol-ii-index-1831-image188153663.htmlRMMX33WK–. Index of volume II . 1831. Nathaniel Wallich (1786-1854) 15 2b Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II index (1831)
Wojciech Gerson (1831-1901). Pintor polaco. Camino junto a un arroyo, 1854. Galería de Arte Polaco del siglo XIX (Lonja de los Paños, Sukiennice). Museo Nacional de Cracovia. Polonia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wojciech-gerson-1831-1901-pintor-polaco-camino-junto-a-un-arroyo-1854-galera-de-arte-polaco-del-siglo-xix-lonja-de-los-paos-sukiennice-museo-nacional-de-cracovia-polonia-image246838320.htmlRMT9GCP8–Wojciech Gerson (1831-1901). Pintor polaco. Camino junto a un arroyo, 1854. Galería de Arte Polaco del siglo XIX (Lonja de los Paños, Sukiennice). Museo Nacional de Cracovia. Polonia.
![. The Victoria history of the county of Surrey. Natural history. A HISTORY OF SURREY Sir Thomas Abney, the friend and patron of Dr. Isaac Watts.'" Mrs. Abney left the estate to her chaplain, the Rev. Thomas Tayler. The Abney family was Presbyterian, and the hall of Tilford House was licensed for Presbyterian services until 1776, when a chapel was erected in the present stable yard. By 1854 this chapel was disused,"" and soon after 1857 the pulpit was given to a Wes- leyan chapel at AJdershot, where it now is."' In 1831 Tilford House passed into the possession of Anne, vrife Stock Photo](https://c8.alamy.com/comp/PG034R/the-victoria-history-of-the-county-of-surrey-natural-history-a-history-of-surrey-sir-thomas-abney-the-friend-and-patron-of-dr-isaac-wattsquot-mrs-abney-left-the-estate-to-her-chaplain-the-rev-thomas-tayler-the-abney-family-was-presbyterian-and-the-hall-of-tilford-house-was-licensed-for-presbyterian-services-until-1776-when-a-chapel-was-erected-in-the-present-stable-yard-by-1854-this-chapel-was-disusedquotquot-and-soon-after-1857-the-pulpit-was-given-to-a-wes-leyan-chapel-at-ajdershot-where-it-now-isquot-in-1831-tilford-house-passed-into-the-possession-of-anne-vrife-PG034R.jpg ". The Victoria history of the county of Surrey. Natural history. A HISTORY OF SURREY Sir Thomas Abney, the friend and patron of Dr. Isaac Watts.'" Mrs. Abney left the estate to her chaplain, the Rev. Thomas Tayler. The Abney family was Presbyterian, and the hall of Tilford House was licensed for Presbyterian services until 1776, when a chapel was erected in the present stable yard. By 1854 this chapel was disused,"" and soon after 1857 the pulpit was given to a Wes- leyan chapel at AJdershot, where it now is."' In 1831 Tilford House passed into the possession of Anne, vrife Stock Photo")
. The Victoria history of the county of Surrey. Natural history. A HISTORY OF SURREY Sir Thomas Abney, the friend and patron of Dr. Isaac Watts.'" Mrs. Abney left the estate to her chaplain, the Rev. Thomas Tayler. The Abney family was Presbyterian, and the hall of Tilford House was licensed for Presbyterian services until 1776, when a chapel was erected in the present stable yard. By 1854 this chapel was disused,"" and soon after 1857 the pulpit was given to a Wes- leyan chapel at AJdershot, where it now is."' In 1831 Tilford House passed into the possession of Anne, vrife Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-victoria-history-of-the-county-of-surrey-natural-history-a-history-of-surrey-sir-thomas-abney-the-friend-and-patron-of-dr-isaac-wattsquot-mrs-abney-left-the-estate-to-her-chaplain-the-rev-thomas-tayler-the-abney-family-was-presbyterian-and-the-hall-of-tilford-house-was-licensed-for-presbyterian-services-until-1776-when-a-chapel-was-erected-in-the-present-stable-yard-by-1854-this-chapel-was-disusedquotquot-and-soon-after-1857-the-pulpit-was-given-to-a-wes-leyan-chapel-at-ajdershot-where-it-now-isquot-in-1831-tilford-house-passed-into-the-possession-of-anne-vrife-image216361399.htmlRMPG034R–. The Victoria history of the county of Surrey. Natural history. A HISTORY OF SURREY Sir Thomas Abney, the friend and patron of Dr. Isaac Watts.'" Mrs. Abney left the estate to her chaplain, the Rev. Thomas Tayler. The Abney family was Presbyterian, and the hall of Tilford House was licensed for Presbyterian services until 1776, when a chapel was erected in the present stable yard. By 1854 this chapel was disused,"" and soon after 1857 the pulpit was given to a Wes- leyan chapel at AJdershot, where it now is."' In 1831 Tilford House passed into the possession of Anne, vrife
Archive image from page 80 of Die Mollusken von Süd-Georgien . Die Mollusken von Süd-Georgien : nach der Ausbeute der Deutschen Station 1882-83 . diemolluskenvons00mart Year: 1886 «, - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-80-of-die-mollusken-von-sd-georgien-die-mollusken-von-sd-georgien-nach-der-ausbeute-der-deutschen-station-1882-83-diemolluskenvons00mart-year-1886-image259055431.htmlRMW1CYRK–Archive image from page 80 of Die Mollusken von Süd-Georgien . Die Mollusken von Süd-Georgien : nach der Ausbeute der Deutschen Station 1882-83 . diemolluskenvons00mart Year: 1886 «, -
The Creation, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-creation-from-illustrations-of-the-bible-1831-john-martin-english-1789-1854-england-mezzotint-in-black-on-ivory-wove-paper-190-290-mm-image-268-357-mm-plate-329-416-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349740142.htmlRF2B9013A–The Creation, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Leopold I of Belgium (1790-1865). First king of the Belgians (1831-1865). Portrait. Drawing by C. Legrand. Lithography by J. Donón. Detail. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leopold-i-of-belgium-1790-1865-first-king-of-the-belgians-1831-1865-portrait-drawing-by-c-legrand-lithography-by-j-donn-detail-reyes-contemporneos-contemporary-kings-volume-iii-published-in-madrid-1854-image607312442.htmlRM2X81D62–Leopold I of Belgium (1790-1865). First king of the Belgians (1831-1865). Portrait. Drawing by C. Legrand. Lithography by J. Donón. Detail. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854.
Thomas Crofton Croker Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-thomas-crofton-croker-56763361.htmlRMD89P6W–Thomas Crofton Croker
Queen's University : an illustrated sketch of its foundation, growth and present proportions . 18.33-1854 saw the es-tablishment of theMedical Faculty, withDr. Sampson, and af-terwards Dr. Dickson, & ^s.«t-i^tiil . ! THE THIRD HOME OF orEEN S. as President. In 18(55 this faculty re-organized as theRoyal College of Physicians and Surgeons, in affiliationwith Queens. In 1831 the original status w-as resumed,additions were madeto the staflf, and aninterchange of ser-vices arranged be-tween Arts and Med-ical Faculties, whichhas proved of mutualbenefit to both. Dr. Liddell re-tired from the princi- Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/queens-university-an-illustrated-sketch-of-its-foundation-growth-and-present-proportions-1833-1854-saw-the-es-tablishment-of-themedical-faculty-withdr-sampson-and-af-terwards-dr-dickson-st-itiil-!-the-third-home-of-oreen-s-as-president-in-1855-this-faculty-re-organized-as-theroyal-college-of-physicians-and-surgeons-in-affiliationwith-queens-in-1831-the-original-status-w-as-resumedadditions-were-madeto-the-staflf-and-aninterchange-of-ser-vices-arranged-be-tween-arts-and-med-ical-faculties-whichhas-proved-of-mutualbenefit-to-both-dr-liddell-re-tired-from-the-princi-image343038223.htmlRM2AX2MN3–Queen's University : an illustrated sketch of its foundation, growth and present proportions . 18.33-1854 saw the es-tablishment of theMedical Faculty, withDr. Sampson, and af-terwards Dr. Dickson, & ^s.«t-i^tiil . ! THE THIRD HOME OF orEEN S. as President. In 18(55 this faculty re-organized as theRoyal College of Physicians and Surgeons, in affiliationwith Queens. In 1831 the original status w-as resumed,additions were madeto the staflf, and aninterchange of ser-vices arranged be-tween Arts and Med-ical Faculties, whichhas proved of mutualbenefit to both. Dr. Liddell re-tired from the princi-
Memorials in the North Entrance, John Bluck, active 1791–1831, British, And Thomas Williamson, active 1802, after Frederick Mackenzie, 1788–1854, British, And after Francois Huet-Villiers, 1772–1813, French, 1811, Aquatint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/memorials-in-the-north-entrance-john-bluck-active-17911831-british-and-thomas-williamson-active-1802-after-frederick-mackenzie-17881854-british-and-after-francois-huet-villiers-17721813-french-1811-aquatint-image389681635.htmlRM2DHYEW7–Memorials in the North Entrance, John Bluck, active 1791–1831, British, And Thomas Williamson, active 1802, after Frederick Mackenzie, 1788–1854, British, And after Francois Huet-Villiers, 1772–1813, French, 1811, Aquatint
Behold dees picture with all Aandagt And will find cruelty (title object) Leaf with 16 performances of French tyranny. Under each performance a four-line verse. Numbered upper right: No. 7. Manufacturer : publisher: Preserve H. Rynders (listed building) printmaker: anonymous place manufacture: Publisher: Amsterdam Print Author: Netherlands Date: 1831 - 1854 Physical features: woodcut and text printing material: paper Technique: woodcut / printing sizes: sheet: H 284 mm × b 330 mm Subject: governmental and legal systems Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/behold-dees-picture-with-all-aandagt-and-will-find-cruelty-title-object-leaf-with-16-performances-of-french-tyranny-under-each-performance-a-four-line-verse-numbered-upper-right-no-7-manufacturer-publisher-preserve-h-rynders-listed-building-printmaker-anonymous-place-manufacture-publisher-amsterdam-print-author-netherlands-date-1831-1854-physical-features-woodcut-and-text-printing-material-paper-technique-woodcut-printing-sizes-sheet-h-284-mm-b-330-mm-subject-governmental-and-legal-systems-image348107526.htmlRM2B69JKJ–Behold dees picture with all Aandagt And will find cruelty (title object) Leaf with 16 performances of French tyranny. Under each performance a four-line verse. Numbered upper right: No. 7. Manufacturer : publisher: Preserve H. Rynders (listed building) printmaker: anonymous place manufacture: Publisher: Amsterdam Print Author: Netherlands Date: 1831 - 1854 Physical features: woodcut and text printing material: paper Technique: woodcut / printing sizes: sheet: H 284 mm × b 330 mm Subject: governmental and legal systems
The Creation, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-creation-from-illustrations-of-the-bible-1831-john-martin-english-1789-1854-england-mezzotint-in-black-on-ivory-wove-paper-190-290-mm-image-268-357-mm-plate-329-416-mm-sheet-image328655785.htmlRM2A2KFPH–The Creation, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet
Muscles of the anus: a dissection. Lithograph by N.H Jacob, 1831/1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/muscles-of-the-anus-a-dissection-lithograph-by-nh-jacob-18311854-image450068516.htmlRM2H46AYG–Muscles of the anus: a dissection. Lithograph by N.H Jacob, 1831/1854.
Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/igreja-de-santo-antnio-dos-pobres-na-esquina-da-rua-dos-invlidos-com-a-rua-do-senado-no-centro-do-rio-exibe-em-seu-interior-um-pequeno-stio-arqueolgico-sob-cho-de-vidro-o-local-exibe-partes-da-igreja-original-de-1831-1854-descobertos-em-reforma-realizada-a-partir-de-2011-quando-as-obras-de-construo-do-centro-comercial-senado-ocupado-pela-petrobras-causaram-abalos-na-estrutura-da-igreja-que-teve-rachaduras-no-cho-e-nas-paredes-a-atiga-igreja-ficava-cerca-de-12m-abaixo-do-nvel-atual-image208973574.htmlRMP3YFWX–Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual.
. Title of volume II . 1831. Nathaniel Wallich (1786-1854) 13 2a Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II title 1 (1831) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-of-volume-ii-1831-nathaniel-wallich-1786-1854-13-2a-nathaniel-wallich-plantae-asiaticae-rariores-vol-ii-title-1-1831-image188887130.htmlRMMY8FCX–. Title of volume II . 1831. Nathaniel Wallich (1786-1854) 13 2a Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II title 1 (1831)
Leopold I of Belgium (1790-1865). First king of the Belgians (1831-1865). Portrait. Drawing by C. Legrand. Lithography by J. Donón. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leopold-i-of-belgium-1790-1865-first-king-of-the-belgians-1831-1865-portrait-drawing-by-c-legrand-lithography-by-j-donn-reyes-contemporneos-contemporary-kings-volume-iii-published-in-madrid-1854-author-julio-donn-spanish-artist-active-from-1840-to-1880-luis-carlos-legrand-fl-1829-1858-spanish-draughtsman-and-lithographer-image607641405.htmlRM2X8GCPN–Leopold I of Belgium (1790-1865). First king of the Belgians (1831-1865). Portrait. Drawing by C. Legrand. Lithography by J. Donón. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer.
Pape, Joseph, 4.4.1831 - 16.5.1898, German author / writer, works, epic poem 'Der treue Eckart' (The Faithful Eckart), title page, Friedrich Cazin publishing house, Muenster, Germany, 1854, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pape-joseph-441831-1651898-german-author-writer-works-epic-poem-der-28086327.htmlRMBHKCB3–Pape, Joseph, 4.4.1831 - 16.5.1898, German author / writer, works, epic poem 'Der treue Eckart' (The Faithful Eckart), title page, Friedrich Cazin publishing house, Muenster, Germany, 1854,
Archive image from page 80 of Die Mollusken von Süd-Georgien . Die Mollusken von Süd-Georgien : nach der Ausbeute der Deutschen Station 1882-83 . diemolluskenvons00mart Year: 1886 Ta/l 4 c. r '€/ Sa. S'h 3d Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-80-of-die-mollusken-von-sd-georgien-die-mollusken-von-sd-georgien-nach-der-ausbeute-der-deutschen-station-1882-83-diemolluskenvons00mart-year-1886-tal-4-c-r-sa-sh-3d-image259055416.htmlRMW1CYR4–Archive image from page 80 of Die Mollusken von Süd-Georgien . Die Mollusken von Süd-Georgien : nach der Ausbeute der Deutschen Station 1882-83 . diemolluskenvons00mart Year: 1886 Ta/l 4 c. r '€/ Sa. S'h 3d
Chlopicki, Josef, 24.3.1771 - 30.9.1854, Polish general, dictator, 5.12.1830 - 23.1.1831, portrait, steel engraving, 19th century, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chlopicki-josef-2431771-3091854-polish-general-dictator-5121830-2311831-18854902.htmlRMB2JWHA–Chlopicki, Josef, 24.3.1771 - 30.9.1854, Polish general, dictator, 5.12.1830 - 23.1.1831, portrait, steel engraving, 19th century, Artist's Copyright has not to be cleared
The Deluge, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-deluge-from-illustrations-of-the-bible-1831-john-martin-english-1789-1854-england-mezzotint-in-black-on-ivory-wove-paper-190-290-mm-image-268-357-mm-plate-329-416-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349740136.htmlRF2B90134–The Deluge, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
History of Woodford County . ious services in theDavidson barn in 1831. The Davidson home was open to allvisitors who sought its shelter, and many a student made hishome there without cost while attending the college at Eu-reka. John E. Davidson also came at an early date. John Summers settled there in 1836, and made his homethere for more than half a century. He was a member ofthe committee that was appointed in 1854 to divide thecounty into townships.He was the first presi-dent of the Old Settlersorganized in 1870 andheld that office sevenyears. He also served ascounty commissioner ofschools Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-woodford-county-ious-services-in-thedavidson-barn-in-1831-the-davidson-home-was-open-to-allvisitors-who-sought-its-shelter-and-many-a-student-made-hishome-there-without-cost-while-attending-the-college-at-eu-reka-john-e-davidson-also-came-at-an-early-date-john-summers-settled-there-in-1836-and-made-his-homethere-for-more-than-half-a-century-he-was-a-member-ofthe-committee-that-was-appointed-in-1854-to-divide-thecounty-into-townshipshe-was-the-first-presi-dent-of-the-old-settlersorganized-in-1870-andheld-that-office-sevenyears-he-also-served-ascounty-commissioner-ofschools-image338411725.htmlRM2AJFYH1–History of Woodford County . ious services in theDavidson barn in 1831. The Davidson home was open to allvisitors who sought its shelter, and many a student made hishome there without cost while attending the college at Eu-reka. John E. Davidson also came at an early date. John Summers settled there in 1836, and made his homethere for more than half a century. He was a member ofthe committee that was appointed in 1854 to divide thecounty into townships.He was the first presi-dent of the Old Settlersorganized in 1870 andheld that office sevenyears. He also served ascounty commissioner ofschools
The narration of Asschepoester (title object) Leaf with 12 scenes from the fairy tale Cinderella. Under each picture a onderschrift. Manufacturer : publisher: Preserve H. Rynders (listed building) printmaker: anonymous place manufacture: Publisher: Amsterdam Print Author: Netherlands Date: 1831 - 1854 Physical features: woodcut colored in blue, yellow and orange; text printing material: paper Technique: woodcut / colors / printing sizes: sheet: H 412 mm × W 331 mm Subject: tales and fairy tales (with TITLE) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-narration-of-asschepoester-title-object-leaf-with-12-scenes-from-the-fairy-tale-cinderella-under-each-picture-a-onderschrift-manufacturer-publisher-preserve-h-rynders-listed-building-printmaker-anonymous-place-manufacture-publisher-amsterdam-print-author-netherlands-date-1831-1854-physical-features-woodcut-colored-in-blue-yellow-and-orange-text-printing-material-paper-technique-woodcut-colors-printing-sizes-sheet-h-412-mm-w-331-mm-subject-tales-and-fairy-tales-with-title-image348301525.htmlRM2B6JE45–The narration of Asschepoester (title object) Leaf with 12 scenes from the fairy tale Cinderella. Under each picture a onderschrift. Manufacturer : publisher: Preserve H. Rynders (listed building) printmaker: anonymous place manufacture: Publisher: Amsterdam Print Author: Netherlands Date: 1831 - 1854 Physical features: woodcut colored in blue, yellow and orange; text printing material: paper Technique: woodcut / colors / printing sizes: sheet: H 412 mm × W 331 mm Subject: tales and fairy tales (with TITLE)
The Expulsion, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-expulsion-from-illustrations-of-the-bible-1831-john-martin-english-1789-1854-england-mezzotint-in-black-on-ivory-wove-paper-190-290-mm-image-268-357-mm-plate-329-416-mm-sheet-image328655772.htmlRM2A2KFP4–The Expulsion, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet
Muscles of the abdomen and thigh. Coloured lithograph by N.H Jacob, 1831/1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/muscles-of-the-abdomen-and-thigh-coloured-lithograph-by-nh-jacob-18311854-image450038091.htmlRM2H4504Y–Muscles of the abdomen and thigh. Coloured lithograph by N.H Jacob, 1831/1854.
Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/igreja-de-santo-antnio-dos-pobres-na-esquina-da-rua-dos-invlidos-com-a-rua-do-senado-no-centro-do-rio-exibe-em-seu-interior-um-pequeno-stio-arqueolgico-sob-cho-de-vidro-o-local-exibe-partes-da-igreja-original-de-1831-1854-descobertos-em-reforma-realizada-a-partir-de-2011-quando-as-obras-de-construo-do-centro-comercial-senado-ocupado-pela-petrobras-causaram-abalos-na-estrutura-da-igreja-que-teve-rachaduras-no-cho-e-nas-paredes-a-atiga-igreja-ficava-cerca-de-12m-abaixo-do-nvel-atual-image208973559.htmlRMP3YFWB–Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual.
. Title of volume II . 1831. Nathaniel Wallich (1786-1854) 15 2a Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II title 1 (1831) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-of-volume-ii-1831-nathaniel-wallich-1786-1854-15-2a-nathaniel-wallich-plantae-asiaticae-rariores-vol-ii-title-1-1831-image188153660.htmlRMMX33WG–. Title of volume II . 1831. Nathaniel Wallich (1786-1854) 15 2a Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II title 1 (1831)
Leopold I of Belgium (1790-1865). First king of the Belgians (1831-1865). Portrait. Drawing by C. Legrand. Lithography by J. Donón. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leopold-i-of-belgium-1790-1865-first-king-of-the-belgians-1831-1865-portrait-drawing-by-c-legrand-lithography-by-j-donn-reyes-contemporneos-contemporary-kings-volume-iii-published-in-madrid-1854-author-julio-donn-spanish-artist-active-from-1840-to-1880-luis-carlos-legrand-fl-1829-1858-spanish-draughtsman-and-lithographer-image607641454.htmlRM2X8GCTE–Leopold I of Belgium (1790-1865). First king of the Belgians (1831-1865). Portrait. Drawing by C. Legrand. Lithography by J. Donón. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer.
Archive image from page 80 of Die Mollusken von Süd-Georgien . Die Mollusken von Süd-Georgien : nach der Ausbeute der Deutschen Station 1882-83 . diemolluskenvons00mart Year: 1886 «, - Ta/l Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-80-of-die-mollusken-von-sd-georgien-die-mollusken-von-sd-georgien-nach-der-ausbeute-der-deutschen-station-1882-83-diemolluskenvons00mart-year-1886-tal-image259055429.htmlRMW1CYRH–Archive image from page 80 of Die Mollusken von Süd-Georgien . Die Mollusken von Süd-Georgien : nach der Ausbeute der Deutschen Station 1882-83 . diemolluskenvons00mart Year: 1886 «, - Ta/l
Chlopicky, Jozef, 24.3.1771 - 30.9.1854, Polish general, dictator 5.12.1830 - 23.1.1831, portrait, wood engraving, 19th century, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chlopicky-jozef-2431771-3091854-polish-general-dictator-5121830-2311831-23617495.htmlRMBABT9Y–Chlopicky, Jozef, 24.3.1771 - 30.9.1854, Polish general, dictator 5.12.1830 - 23.1.1831, portrait, wood engraving, 19th century, , Artist's Copyright has not to be cleared
The Fall of Man, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fall-of-man-from-illustrations-of-the-bible-1831-john-martin-english-1789-1854-england-mezzotint-in-black-on-ivory-wove-paper-190-290-mm-image-268-357-mm-plate-329-416-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349740140.htmlRF2B90138–The Fall of Man, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Commemorative biographical record of Hartford County, Connecticut : containing biographical sketches of prominent and representative citizens, and of many of the early settled families . <-* /A-£^4. COMMEMORATIVE BIOGRAPHICAL RECORD. 201 He was married Oct. 31, 1776, to Hannah Van-Horn. She was born Ang 19, 1750, and died April15, 1831. Their children were Anne. Genubath,Elijah, Elijah (2), and Caleb. Elijah Bliss (son of Caleb Bliss and HannahVan Horn), was born at West Spring-field, Mass.,Feb. 19, 1783, and died there April 15, 1854. Byoccupation he was a shoemaker, and he also carriedo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/commemorative-biographical-record-of-hartford-county-connecticut-containing-biographical-sketches-of-prominent-and-representative-citizens-and-of-many-of-the-early-settled-families-lt-a-4-commemorative-biographical-record-201-he-was-married-oct-31-1776-to-hannah-van-horn-she-was-born-ang-19-1750-and-died-april15-1831-their-children-were-anne-genubathelijah-elijah-2-and-caleb-elijah-bliss-son-of-caleb-bliss-and-hannahvan-horn-was-born-at-west-spring-field-massfeb-19-1783-and-died-there-april-15-1854-byoccupation-he-was-a-shoemaker-and-he-also-carriedo-image342723134.htmlRM2AWGARX–Commemorative biographical record of Hartford County, Connecticut : containing biographical sketches of prominent and representative citizens, and of many of the early settled families . <-* /A-£^4. COMMEMORATIVE BIOGRAPHICAL RECORD. 201 He was married Oct. 31, 1776, to Hannah Van-Horn. She was born Ang 19, 1750, and died April15, 1831. Their children were Anne. Genubath,Elijah, Elijah (2), and Caleb. Elijah Bliss (son of Caleb Bliss and HannahVan Horn), was born at West Spring-field, Mass.,Feb. 19, 1783, and died there April 15, 1854. Byoccupation he was a shoemaker, and he also carriedo
The first picture shows the fight in which horse and rider fell The other outlines the hour of joy to the faithful hero soul (title object) Sheet with 2 performances. Above a depiction of the Battle of Turnhout. Under a depiction of the Battle of Hasselt. Under each performance a fresh two kolommen. Manufacturer : publisher: Preserve H. Rynders (listed building) printmaker: anonymous place manufacture: Publisher: Amsterdam Print Author: Netherlands Date: 1831 - 1854 Physical features: woodcut colored in blue, yellow and orange; text printing material: paper Technique: woodcut / colors / printi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-first-picture-shows-the-fight-in-which-horse-and-rider-fell-the-other-outlines-the-hour-of-joy-to-the-faithful-hero-soul-title-object-sheet-with-2-performances-above-a-depiction-of-the-battle-of-turnhout-under-a-depiction-of-the-battle-of-hasselt-under-each-performance-a-fresh-two-kolommen-manufacturer-publisher-preserve-h-rynders-listed-building-printmaker-anonymous-place-manufacture-publisher-amsterdam-print-author-netherlands-date-1831-1854-physical-features-woodcut-colored-in-blue-yellow-and-orange-text-printing-material-paper-technique-woodcut-colors-printi-image348289265.htmlRM2B6HXE9–The first picture shows the fight in which horse and rider fell The other outlines the hour of joy to the faithful hero soul (title object) Sheet with 2 performances. Above a depiction of the Battle of Turnhout. Under a depiction of the Battle of Hasselt. Under each performance a fresh two kolommen. Manufacturer : publisher: Preserve H. Rynders (listed building) printmaker: anonymous place manufacture: Publisher: Amsterdam Print Author: Netherlands Date: 1831 - 1854 Physical features: woodcut colored in blue, yellow and orange; text printing material: paper Technique: woodcut / colors / printi
The Deluge, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-deluge-from-illustrations-of-the-bible-1831-john-martin-english-1789-1854-england-mezzotint-in-black-on-ivory-wove-paper-190-290-mm-image-268-357-mm-plate-329-416-mm-sheet-image328655781.htmlRM2A2KFPD–The Deluge, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet
Arteries of the foot: three figures. Lithograph by N.H Jacob, 1831/1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arteries-of-the-foot-three-figures-lithograph-by-nh-jacob-18311854-image450113094.htmlRM2H48BRJ–Arteries of the foot: three figures. Lithograph by N.H Jacob, 1831/1854.
Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/igreja-de-santo-antnio-dos-pobres-na-esquina-da-rua-dos-invlidos-com-a-rua-do-senado-no-centro-do-rio-exibe-em-seu-interior-um-pequeno-stio-arqueolgico-sob-cho-de-vidro-o-local-exibe-partes-da-igreja-original-de-1831-1854-descobertos-em-reforma-realizada-a-partir-de-2011-quando-as-obras-de-construo-do-centro-comercial-senado-ocupado-pela-petrobras-causaram-abalos-na-estrutura-da-igreja-que-teve-rachaduras-no-cho-e-nas-paredes-a-atiga-igreja-ficava-cerca-de-12m-abaixo-do-nvel-atual-image208973567.htmlRMP3YFWK–Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual.
. Title of volume II . 1831. Nathaniel Wallich (1786-1854) 15 2a Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II title 1 (1831) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-of-volume-ii-1831-nathaniel-wallich-1786-1854-15-2a-nathaniel-wallich-plantae-asiaticae-rariores-vol-ii-title-1-1831-image187631837.htmlRMMW7A91–. Title of volume II . 1831. Nathaniel Wallich (1786-1854) 15 2a Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II title 1 (1831)
Leopold I of Belgium (1790-1865). First king of the Belgians (1831-1865). Portrait. Drawing by C. Legrand. Lithography by J. Donón. Detail. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leopold-i-of-belgium-1790-1865-first-king-of-the-belgians-1831-1865-portrait-drawing-by-c-legrand-lithography-by-j-donn-detail-reyes-contemporneos-contemporary-kings-volume-iii-published-in-madrid-1854-author-julio-donn-spanish-artist-active-from-1840-to-1880-luis-carlos-legrand-fl-1829-1858-spanish-draughtsman-and-lithographer-image607641403.htmlRM2X8GCPK–Leopold I of Belgium (1790-1865). First king of the Belgians (1831-1865). Portrait. Drawing by C. Legrand. Lithography by J. Donón. Detail. 'Reyes Contemporáneos' (Contemporary Kings). Volume III. Published in Madrid, 1854. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer.
Archive image from page 80 of Die Mollusken von Süd-Georgien . Die Mollusken von Süd-Georgien : nach der Ausbeute der Deutschen Station 1882-83 . diemolluskenvons00mart Year: 1886 'tl 0/ rx /â¢'â â //> Sa 8i. m 8d x /o // .96 I Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-80-of-die-mollusken-von-sd-georgien-die-mollusken-von-sd-georgien-nach-der-ausbeute-der-deutschen-station-1882-83-diemolluskenvons00mart-year-1886-tl-0-rx-gt-sa-8i-m-8d-x-o-96-i-image259055438.htmlRMW1CYRX–Archive image from page 80 of Die Mollusken von Süd-Georgien . Die Mollusken von Süd-Georgien : nach der Ausbeute der Deutschen Station 1882-83 . diemolluskenvons00mart Year: 1886 'tl 0/ rx /â¢'â â //> Sa 8i. m 8d x /o // .96 I
Chlopicki, Jozef, 24.3.1771 - 30.9.1854, Polish general, dictator 5.12.1830 - 23.1.1831, half length, steel engraving, 19th century, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chlopicki-jozef-2431771-3091854-polish-general-dictator-5121830-2311831-23618119.htmlRMBABW47–Chlopicki, Jozef, 24.3.1771 - 30.9.1854, Polish general, dictator 5.12.1830 - 23.1.1831, half length, steel engraving, 19th century, , Artist's Copyright has not to be cleared
The Death of Abel, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-death-of-abel-from-illustrations-of-the-bible-1831-john-martin-english-1789-1854-england-mezzotint-in-black-on-ivory-wove-paper-190-290-mm-image-268-357-mm-plate-329-416-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349740130.htmlRF2B9012X–The Death of Abel, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Queen Therese of Bavaria (1792 - 1854) - a small Vermeil casket., Stephan Mayerhofer, Vienna 1830. Rectangular shape with ribbed sides and four screw-fastened paw shaped feet. The monogram 'T' beneath the Bavarian royal crown is screwed onto the centre of the cambered lid which also has a frieze of roses in relief. The Austrian double eagle hallmark, the jeweller's mark 'ST. MAYERHOFER' and the Viennese wheel mark for 15 lot silver from 1830 are both inside the lid and on the bottom. Stephan Mayerhofer, silversmith after 1825, merged his silverware bu, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-queen-therese-of-bavaria-1792-1854-a-small-vermeil-casket-stephan-19829612.htmlRMB478TC–Queen Therese of Bavaria (1792 - 1854) - a small Vermeil casket., Stephan Mayerhofer, Vienna 1830. Rectangular shape with ribbed sides and four screw-fastened paw shaped feet. The monogram 'T' beneath the Bavarian royal crown is screwed onto the centre of the cambered lid which also has a frieze of roses in relief. The Austrian double eagle hallmark, the jeweller's mark 'ST. MAYERHOFER' and the Viennese wheel mark for 15 lot silver from 1830 are both inside the lid and on the bottom. Stephan Mayerhofer, silversmith after 1825, merged his silverware bu, Artist's Copyright has not to be cleared
Menshikov, Alexander Sergeyevich, 26.8.1787 - 1.5.1869, Russian general and politician, half length, wood engraving, 19th century, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-menshikov-alexander-sergeyevich-2681787-151869-russian-general-and-28829507.htmlRMBJW897–Menshikov, Alexander Sergeyevich, 26.8.1787 - 1.5.1869, Russian general and politician, half length, wood engraving, 19th century, ,
History of York County, Maine With illustrations and biographical sketches of its prominent men and pioneers . gation, in local and Statelegislation; and many members otthis large family were found patrioticto the country of their adoption, andfought in the war for independence,and in the warof 1812-14. The namewas originally spelled Newcombe.Simon Newcomb was born in Ha^erhill, Mass., March 14, 1831. Hisfather, Jesse S. Newcomb, born inWellfleet, Mass., Feb. 7, 1792 ; married Sarah W. Atwood, of the sameplace, Sept. 20, 1815. She was boinin 1797, and died about 1854. Jesse S. Newcomb ha^ spen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-york-county-maine-with-illustrations-and-biographical-sketches-of-its-prominent-men-and-pioneers-gation-in-local-and-statelegislation-and-many-members-otthis-large-family-were-found-patrioticto-the-country-of-their-adoption-andfought-in-the-war-for-independenceand-in-the-warof-1812-14-the-namewas-originally-spelled-newcombesimon-newcomb-was-born-in-haerhill-mass-march-14-1831-hisfather-jesse-s-newcomb-born-inwellfleet-mass-feb-7-1792-married-sarah-w-atwood-of-the-sameplace-sept-20-1815-she-was-boinin-1797-and-died-about-1854-jesse-s-newcomb-ha-spen-image338332320.htmlRM2AJCA94–History of York County, Maine With illustrations and biographical sketches of its prominent men and pioneers . gation, in local and Statelegislation; and many members otthis large family were found patrioticto the country of their adoption, andfought in the war for independence,and in the warof 1812-14. The namewas originally spelled Newcombe.Simon Newcomb was born in Ha^erhill, Mass., March 14, 1831. Hisfather, Jesse S. Newcomb, born inWellfleet, Mass., Feb. 7, 1792 ; married Sarah W. Atwood, of the sameplace, Sept. 20, 1815. She was boinin 1797, and died about 1854. Jesse S. Newcomb ha^ spen
Deez 'bible picture shown you to aardsvaderlyk geslagt And how God's ancient people Egijpt' was uitgebragt (title object) Leaf with 16 performances of stories from the Old Testament Where: under Jacob's dream, Moses found and the crossing of the Red sea. Under each performance fresh and a two-line reference to the accompanying Scripture. Numbered upper right: No. 20. Manufacturer : Seller: Preserve H. Rynders (listed building) Publisher: Jacobus Wendel Print Author: anonymous place Manufacture: Seller: Amsterdam Publisher: Amsterdam Print Author: Netherlands Date: 1831 - 1854 Physical features Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deez-bible-picture-shown-you-to-aardsvaderlyk-geslagt-and-how-gods-ancient-people-egijpt-was-uitgebragt-title-object-leaf-with-16-performances-of-stories-from-the-old-testament-where-under-jacobs-dream-moses-found-and-the-crossing-of-the-red-sea-under-each-performance-fresh-and-a-two-line-reference-to-the-accompanying-scripture-numbered-upper-right-no-20-manufacturer-seller-preserve-h-rynders-listed-building-publisher-jacobus-wendel-print-author-anonymous-place-manufacture-seller-amsterdam-publisher-amsterdam-print-author-netherlands-date-1831-1854-physical-features-image348304622.htmlRM2B6JJ2P–Deez 'bible picture shown you to aardsvaderlyk geslagt And how God's ancient people Egijpt' was uitgebragt (title object) Leaf with 16 performances of stories from the Old Testament Where: under Jacob's dream, Moses found and the crossing of the Red sea. Under each performance fresh and a two-line reference to the accompanying Scripture. Numbered upper right: No. 20. Manufacturer : Seller: Preserve H. Rynders (listed building) Publisher: Jacobus Wendel Print Author: anonymous place Manufacture: Seller: Amsterdam Publisher: Amsterdam Print Author: Netherlands Date: 1831 - 1854 Physical features
The Death of Abel, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-death-of-abel-from-illustrations-of-the-bible-1831-john-martin-english-1789-1854-england-mezzotint-in-black-on-ivory-wove-paper-190-290-mm-image-268-357-mm-plate-329-416-mm-sheet-image328655773.htmlRM2A2KFP5–The Death of Abel, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet
Muscles of the back of the leg: three figures. Lithograph by N.H Jacob, 1831/1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/muscles-of-the-back-of-the-leg-three-figures-lithograph-by-nh-jacob-18311854-image449992329.htmlRM2H42WPH–Muscles of the back of the leg: three figures. Lithograph by N.H Jacob, 1831/1854.
Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/igreja-de-santo-antnio-dos-pobres-na-esquina-da-rua-dos-invlidos-com-a-rua-do-senado-no-centro-do-rio-exibe-em-seu-interior-um-pequeno-stio-arqueolgico-sob-cho-de-vidro-o-local-exibe-partes-da-igreja-original-de-1831-1854-descobertos-em-reforma-realizada-a-partir-de-2011-quando-as-obras-de-construo-do-centro-comercial-senado-ocupado-pela-petrobras-causaram-abalos-na-estrutura-da-igreja-que-teve-rachaduras-no-cho-e-nas-paredes-a-atiga-igreja-ficava-cerca-de-12m-abaixo-do-nvel-atual-image208973580.htmlRMP3YFX4–Igreja de Santo Antônio dos Pobres, na esquina da Rua dos Inválidos com a Rua do Senado, no Centro do Rio, exibe em seu interior um pequeno sítio arqueológico sob chão de vidro. O local exibe partes da igreja original de 1831 / 1854 descobertos em reforma realizada a partir de 2011, quando as obras de construção do Centro Comercial Senado (ocupado pela Petrobras) causaram abalos na estrutura da igreja, que teve rachaduras no chão e nas paredes. A atiga igreja ficava cerca de 1,2m abaixo do nível atual.
. Illustration of Pinalia leucantha as syn. Eria alba . 1831. Nathaniel Wallich (1786-1854) 484 Pinalia leucantha as Eria alba - Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II plate 197 (1831) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-pinalia-leucantha-as-syn-eria-alba-1831-nathaniel-wallich-1786-1854-484-pinalia-leucantha-as-eria-alba-nathaniel-wallich-plantae-asiaticae-rariores-vol-ii-plate-197-1831-image187481190.htmlRMMW0E4P–. Illustration of Pinalia leucantha as syn. Eria alba . 1831. Nathaniel Wallich (1786-1854) 484 Pinalia leucantha as Eria alba - Nathaniel Wallich - Plantae Asiaticae Rariores - vol. II plate 197 (1831)
The Expulsion, from Illustrations of the Bible. John Martin; English, 1789-1854. Date: 1831. Dimensions: 190 × 290 mm (image); 268 × 357 mm (plate); 329 × 416 mm (sheet). Mezzotint in black on ivory wove paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-expulsion-from-illustrations-of-the-bible-john-martin-english-1789-1854-date-1831-dimensions-190-290-mm-image-268-357-mm-plate-329-416-mm-sheet-mezzotint-in-black-on-ivory-wove-paper-origin-england-museum-the-chicago-art-institute-image240143180.htmlRMRXKD24–The Expulsion, from Illustrations of the Bible. John Martin; English, 1789-1854. Date: 1831. Dimensions: 190 × 290 mm (image); 268 × 357 mm (plate); 329 × 416 mm (sheet). Mezzotint in black on ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
Archive image from page 82 of Die Mollusken von Süd-Georgien . Die Mollusken von Süd-Georgien : nach der Ausbeute der Deutschen Station 1882-83 . diemolluskenvons00mart Year: 1886 Ted IL // m' '& 'M h w Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-82-of-die-mollusken-von-sd-georgien-die-mollusken-von-sd-georgien-nach-der-ausbeute-der-deutschen-station-1882-83-diemolluskenvons00mart-year-1886-ted-il-m-m-h-w-image259056140.htmlRMW1D0N0–Archive image from page 82 of Die Mollusken von Süd-Georgien . Die Mollusken von Süd-Georgien : nach der Ausbeute der Deutschen Station 1882-83 . diemolluskenvons00mart Year: 1886 Ted IL // m' '& 'M h w
Madame Benoist, Achille Devéria (French, 1800 - 1857), or Théodule Devéria (French, 1831 - 1871), 1854, Salted paper print retouched with brown ink, 13 × 10.5 cm (5 1,8 × 4 1,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madame-benoist-achille-devria-french-1800-1857-or-thodule-devria-french-1831-1871-1854-salted-paper-print-retouched-with-brown-ink-13-105-cm-5-18-4-18-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350036373.htmlRF2B9DEY1–Madame Benoist, Achille Devéria (French, 1800 - 1857), or Théodule Devéria (French, 1831 - 1871), 1854, Salted paper print retouched with brown ink, 13 × 10.5 cm (5 1,8 × 4 1,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Menshikov, Alexander Sergeyevich, 26.8.1787 - 1.5.1869, Russian general and politician, portrait, wood engraving, 19th century, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-menshikov-alexander-sergeyevich-2681787-151869-russian-general-and-28901006.htmlRMBK0FEP–Menshikov, Alexander Sergeyevich, 26.8.1787 - 1.5.1869, Russian general and politician, portrait, wood engraving, 19th century, ,
A history of the United States of America; its people and its institutions . James A. Garfield. ^ James Abram Garfield was born in Ohio in 1831. The family wasvery poor, but by hard work he managed to obtain admission to Wil-liams College, where he graduated in 1854. He became a professor inHiram College, was elected State senator in 1859, and in 1861 enteredthe army as colonel. He took part in several battles, was made major-general in 1863, and soon after was elected to Congress. Here hebecame prominent as a statesman of fine ability. In 1880 he waselected United States Senator, but before h Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-history-of-the-united-states-of-america-its-people-and-its-institutions-james-a-garfield-james-abram-garfield-was-born-in-ohio-in-1831-the-family-wasvery-poor-but-by-hard-work-he-managed-to-obtain-admission-to-wil-liams-college-where-he-graduated-in-1854-he-became-a-professor-inhiram-college-was-elected-state-senator-in-1859-and-in-1861-enteredthe-army-as-colonel-he-took-part-in-several-battles-was-made-major-general-in-1863-and-soon-after-was-elected-to-congress-here-hebecame-prominent-as-a-statesman-of-fine-ability-in-1880-he-waselected-united-states-senator-but-before-h-image338212899.htmlRM2AJ6X03–A history of the United States of America; its people and its institutions . James A. Garfield. ^ James Abram Garfield was born in Ohio in 1831. The family wasvery poor, but by hard work he managed to obtain admission to Wil-liams College, where he graduated in 1854. He became a professor inHiram College, was elected State senator in 1859, and in 1861 enteredthe army as colonel. He took part in several battles, was made major-general in 1863, and soon after was elected to Congress. Here hebecame prominent as a statesman of fine ability. In 1880 he waselected United States Senator, but before h
Hare Majesteit Frederica Louisa Wilhelmina, Koningin der Nederlanden (titel op object) Portrait of Wilhelmina of Prussia and her daughter Paulina, encased in an ornamental frame of branches, draped cloths and wapentuig. Manufacturer : printmaker Jan Oortman (Sr.) (possible) publisher: Preserve H. Rynders (listed property) Place manufacture: printmaker : Netherlands Publisher: Amsterdam Date: 1831 - 1854 Physical features: woodcut and text printing material: paper Technique: woodcut / printing sizes: sheet: h 415 mm × W 335 mmOnderwerpWie: Wilhelmina of Prussia (1774-1837) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hare-majesteit-frederica-louisa-wilhelmina-koningin-der-nederlanden-titel-op-object-portrait-of-wilhelmina-of-prussia-and-her-daughter-paulina-encased-in-an-ornamental-frame-of-branches-draped-cloths-and-wapentuig-manufacturer-printmaker-jan-oortman-sr-possible-publisher-preserve-h-rynders-listed-property-place-manufacture-printmaker-netherlands-publisher-amsterdam-date-1831-1854-physical-features-woodcut-and-text-printing-material-paper-technique-woodcut-printing-sizes-sheet-h-415-mm-w-335-mmonderwerpwie-wilhelmina-of-prussia-1774-1837-image348426282.htmlRM2B6T57P–Hare Majesteit Frederica Louisa Wilhelmina, Koningin der Nederlanden (titel op object) Portrait of Wilhelmina of Prussia and her daughter Paulina, encased in an ornamental frame of branches, draped cloths and wapentuig. Manufacturer : printmaker Jan Oortman (Sr.) (possible) publisher: Preserve H. Rynders (listed property) Place manufacture: printmaker : Netherlands Publisher: Amsterdam Date: 1831 - 1854 Physical features: woodcut and text printing material: paper Technique: woodcut / printing sizes: sheet: h 415 mm × W 335 mmOnderwerpWie: Wilhelmina of Prussia (1774-1837)
The Fall of Man, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fall-of-man-from-illustrations-of-the-bible-1831-john-martin-english-1789-1854-england-mezzotint-in-black-on-ivory-wove-paper-190-290-mm-image-268-357-mm-plate-329-416-mm-sheet-image328655784.htmlRM2A2KFPG–The Fall of Man, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet
Nerves and muscles of the legs: two figures. Lithograph by N.H Jacob, 1831/1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nerves-and-muscles-of-the-legs-two-figures-lithograph-by-nh-jacob-18311854-image450075719.htmlRM2H46M4R–Nerves and muscles of the legs: two figures. Lithograph by N.H Jacob, 1831/1854.
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