1835 samuel palmer Stock Photos and Images
At Festiniog, North Wales, 1835 Samuel Palmer, Also spelt Ffestiniog, as in Blaenau Ffestiniog, Landscape, Watercolour, Chalk, Wales, Sketch, Rocks, River Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-festiniog-north-wales-1835-samuel-palmer-also-spelt-ffestiniog-as-in-blaenau-ffestiniog-landscape-watercolour-chalk-wales-sketch-rocks-river-image387018285.htmlRM2DDJ5NH–At Festiniog, North Wales, 1835 Samuel Palmer, Also spelt Ffestiniog, as in Blaenau Ffestiniog, Landscape, Watercolour, Chalk, Wales, Sketch, Rocks, River
Samuel Palmer, Rocky Landscape in Wales, landscape painting 1835 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-palmer-rocky-landscape-in-wales-landscape-painting-1835-image619371518.htmlRM2XYJPKA–Samuel Palmer, Rocky Landscape in Wales, landscape painting 1835
At Festiniog, North Wales, 1835. Samuel Palmer. Also spelt Ffestiniog, as in Blaenau Ffestiniog Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-festiniog-north-wales-1835-samuel-palmer-also-spelt-ffestiniog-as-in-blaenau-ffestiniog-image551022920.htmlRM2R0D7A0–At Festiniog, North Wales, 1835. Samuel Palmer. Also spelt Ffestiniog, as in Blaenau Ffestiniog
View from Wilmots Hill, Kent, 1830/1835, Samuel Palmer, English, 1805-1881, England, Watercolor over black chalk on cream wove paper, 246 × 365 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-from-wilmots-hill-kent-18301835-samuel-palmer-english-1805-1881-england-watercolor-over-black-chalk-on-cream-wove-paper-246-365-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349728116.htmlRF2B8YDNT–View from Wilmots Hill, Kent, 1830/1835, Samuel Palmer, English, 1805-1881, England, Watercolor over black chalk on cream wove paper, 246 × 365 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
On the North Coast of Devon, Lundy Island in the Distance ca. 1835 Samuel Palmer British During the mid-1830s, Samuel Palmer moved away from the visionary style of his youthful Shoreham period when he belonged to a group of like-minded artists known as the 'Ancients.' In this coastal view of a county he dubbed 'dear, spongy Devon,' Palmer's obsessive attention to detail and penchant for striking color serve a naturalistic vision. A highly finished promontory in the center of the scene contrasts with a loosely-sketched foreground, and the inventive process is underscored by black chalk lines ap Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-the-north-coast-of-devon-lundy-island-in-the-distance-ca-1835-samuel-palmer-british-during-the-mid-1830s-samuel-palmer-moved-away-from-the-visionary-style-of-his-youthful-shoreham-period-when-he-belonged-to-a-group-of-like-minded-artists-known-as-the-ancients-in-this-coastal-view-of-a-county-he-dubbed-dear-spongy-devon-palmers-obsessive-attention-to-detail-and-penchant-for-striking-color-serve-a-naturalistic-vision-a-highly-finished-promontory-in-the-center-of-the-scene-contrasts-with-a-loosely-sketched-foreground-and-the-inventive-process-is-underscored-by-black-chalk-lines-ap-image458589817.htmlRM2HJ2FYN–On the North Coast of Devon, Lundy Island in the Distance ca. 1835 Samuel Palmer British During the mid-1830s, Samuel Palmer moved away from the visionary style of his youthful Shoreham period when he belonged to a group of like-minded artists known as the 'Ancients.' In this coastal view of a county he dubbed 'dear, spongy Devon,' Palmer's obsessive attention to detail and penchant for striking color serve a naturalistic vision. A highly finished promontory in the center of the scene contrasts with a loosely-sketched foreground, and the inventive process is underscored by black chalk lines ap
Underriver-The Golden Valley. Artist: John Linnell (British, London 1792-1882 Redhill, Surrey). Dimensions: Sheet: 10 7/8 × 10 11/16 in. (27.7 × 27.2 cm). Date: ca. 1833. While working as a successful portraitist, Linnell produced evocative landscapes for his own pleasure. Between 1825 and 1835 he was close to 'The Ancients,' a visionary group led by Samuel Palmer--Linnell's protégé and later his son-in-law. The two often sketched together, and the present work was likely made during a summer visit to Palmer's home at Shoreham in Kent. Setting aside his typically careful draftsmanship, Linnel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/underriver-the-golden-valley-artist-john-linnell-british-london-1792-1882-redhill-surrey-dimensions-sheet-10-78-10-1116-in-277-272-cm-date-ca-1833-while-working-as-a-successful-portraitist-linnell-produced-evocative-landscapes-for-his-own-pleasure-between-1825-and-1835-he-was-close-to-the-ancients-a-visionary-group-led-by-samuel-palmer-linnells-protg-and-later-his-son-in-law-the-two-often-sketched-together-and-the-present-work-was-likely-made-during-a-summer-visit-to-palmers-home-at-shoreham-in-kent-setting-aside-his-typically-careful-draftsmanship-linnel-image233311910.htmlRMRFG7M6–Underriver-The Golden Valley. Artist: John Linnell (British, London 1792-1882 Redhill, Surrey). Dimensions: Sheet: 10 7/8 × 10 11/16 in. (27.7 × 27.2 cm). Date: ca. 1833. While working as a successful portraitist, Linnell produced evocative landscapes for his own pleasure. Between 1825 and 1835 he was close to 'The Ancients,' a visionary group led by Samuel Palmer--Linnell's protégé and later his son-in-law. The two often sketched together, and the present work was likely made during a summer visit to Palmer's home at Shoreham in Kent. Setting aside his typically careful draftsmanship, Linnel
Art inspired by On the North Coast of Devon, Lundy Island in the Distance, ca. 1835, Watercolor and black chalk over graphite with touches of gouache, sheet: 10 11/16 x 14 15/16 in. (27.1 x 38 cm), Drawings, Samuel Palmer (British, London 1805–1881 Redhill, Surrey), During the mid-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-on-the-north-coast-of-devon-lundy-island-in-the-distance-ca-1835-watercolor-and-black-chalk-over-graphite-with-touches-of-gouache-sheet-10-1116-x-14-1516-in-271-x-38-cm-drawings-samuel-palmer-british-london-18051881-redhill-surrey-during-the-mid-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462960848.htmlRF2HW5K80–Art inspired by On the North Coast of Devon, Lundy Island in the Distance, ca. 1835, Watercolor and black chalk over graphite with touches of gouache, sheet: 10 11/16 x 14 15/16 in. (27.1 x 38 cm), Drawings, Samuel Palmer (British, London 1805–1881 Redhill, Surrey), During the mid-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pastoral Scene, c1833-1835. Artist: Samuel Palmer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pastoral-scene-c1833-1835-artist-samuel-palmer-image186178706.htmlRMMPW4RE–Pastoral Scene, c1833-1835. Artist: Samuel Palmer.
Samuel Palmer's House, nicknamed 'Rat Abbey' in Shoreham, home the British landscape painter Samuel Palmer between 1826 and 1835 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-samuel-palmers-house-nicknamed-rat-abbey-in-shoreham-home-the-british-43693528.htmlRMCF2BF4–Samuel Palmer's House, nicknamed 'Rat Abbey' in Shoreham, home the British landscape painter Samuel Palmer between 1826 and 1835
Samuel Palmer. View from Wilmots Hill, Kent. 1830–1835. England. Watercolor over black chalk on cream wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-palmer-view-from-wilmots-hill-kent-18301835-england-watercolor-over-black-chalk-on-cream-wove-paper-image337978978.htmlRM2AHT7HP–Samuel Palmer. View from Wilmots Hill, Kent. 1830–1835. England. Watercolor over black chalk on cream wove paper
Samuel Palmer's House, nicknamed 'Rat Abbey' in Shoreham, home the British landscape painter Samuel Palmer between 1826 and 1835 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-samuel-palmers-house-nicknamed-rat-abbey-in-shoreham-home-the-british-43693515.htmlRMCF2BEK–Samuel Palmer's House, nicknamed 'Rat Abbey' in Shoreham, home the British landscape painter Samuel Palmer between 1826 and 1835
At Festiniog, North Wales, 1835. By Samuel Palmer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-festiniog-north-wales-1835-by-samuel-palmer-image551016429.htmlRM2R0CY25–At Festiniog, North Wales, 1835. By Samuel Palmer
Samuel Palmer, 1805–1881, British, active in Italy (1837–39), A Pastoral Scene, 1835. Brown wash on wove paper. carts , genre subject , harvest , landscape , moon , oxen , pastoral , people , rocks (landforms) , sheaf , tree Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-palmer-18051881-british-active-in-italy-183739-a-pastoral-scene-1835-brown-wash-on-wove-paper-carts-genre-subject-harvest-landscape-moon-oxen-pastoral-people-rocks-landforms-sheaf-tree-image398449657.htmlRM2E46XGW–Samuel Palmer, 1805–1881, British, active in Italy (1837–39), A Pastoral Scene, 1835. Brown wash on wove paper. carts , genre subject , harvest , landscape , moon , oxen , pastoral , people , rocks (landforms) , sheaf , tree
Samuel Palmer, 1805–1881, British, active in Italy (1837–39), Rocky Landscape in Wales, 1835 or 1836. Gouache and watercolor with gum and black chalk on moderately thick, slightly textured, cream wove paper. geology , landscape , rocks (landforms) , science. Cymru , Europe , United Kingdom , Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-palmer-18051881-british-active-in-italy-183739-rocky-landscape-in-wales-1835-or-1836-gouache-and-watercolor-with-gum-and-black-chalk-on-moderately-thick-slightly-textured-cream-wove-paper-geology-landscape-rocks-landforms-science-cymru-europe-united-kingdom-wales-image398451133.htmlRM2E470DH–Samuel Palmer, 1805–1881, British, active in Italy (1837–39), Rocky Landscape in Wales, 1835 or 1836. Gouache and watercolor with gum and black chalk on moderately thick, slightly textured, cream wove paper. geology , landscape , rocks (landforms) , science. Cymru , Europe , United Kingdom , Wales
Samuel Palmer, 1805–1881, British, active in Italy (1837–39), Pistil Mawddach, North Wales, between 1835 and 1836. Watercolor, gouache and graphite on medium, slightly textured, cream wove paper. landscape , leisure , north , swimming , waterfall. Caernarfonshire and Merionethshire , Cymru , Europe , Pistil Mawddach , United Kingdom , Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-palmer-18051881-british-active-in-italy-183739-pistil-mawddach-north-wales-between-1835-and-1836-watercolor-gouache-and-graphite-on-medium-slightly-textured-cream-wove-paper-landscape-leisure-north-swimming-waterfall-caernarfonshire-and-merionethshire-cymru-europe-pistil-mawddach-united-kingdom-wales-image398452057.htmlRM2E471JH–Samuel Palmer, 1805–1881, British, active in Italy (1837–39), Pistil Mawddach, North Wales, between 1835 and 1836. Watercolor, gouache and graphite on medium, slightly textured, cream wove paper. landscape , leisure , north , swimming , waterfall. Caernarfonshire and Merionethshire , Cymru , Europe , Pistil Mawddach , United Kingdom , Wales
At Festiniog, North Wales, 1835 Samuel Palmer, Also spelt Ffestiniog, as in Blaenau Ffestiniog, Landscape, Watercolour, Chalk, Wales, Sketch, Rocks, River Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-festiniog-north-wales-1835-samuel-palmer-also-spelt-ffestiniog-as-in-blaenau-ffestiniog-landscape-watercolour-chalk-wales-sketch-rocks-river-image387018219.htmlRM2DDJ5K7–At Festiniog, North Wales, 1835 Samuel Palmer, Also spelt Ffestiniog, as in Blaenau Ffestiniog, Landscape, Watercolour, Chalk, Wales, Sketch, Rocks, River
Samuel Palmer, The Waterfalls, Pistil Mawddach, North Wales, landscape painting 1835-1836 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-palmer-the-waterfalls-pistil-mawddach-north-wales-landscape-painting-1835-1836-image619371363.htmlRM2XYJPDR–Samuel Palmer, The Waterfalls, Pistil Mawddach, North Wales, landscape painting 1835-1836
Samuel Palmer, 1805–1881, British, active in Italy (1837–39), Tintern Abbey, 1835. Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper. abbey , architectural subject , Gothic (Medieval) , Medieval , ruins. Cymru , Europe , Monmouthshire , Tintern Abbey , United Kingdom , Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-palmer-18051881-british-active-in-italy-183739-tintern-abbey-1835-watercolor-gouache-pen-and-brown-ink-and-graphite-on-medium-smooth-cream-wove-paper-abbey-architectural-subject-gothic-medieval-medieval-ruins-cymru-europe-monmouthshire-tintern-abbey-united-kingdom-wales-image398451126.htmlRM2E470DA–Samuel Palmer, 1805–1881, British, active in Italy (1837–39), Tintern Abbey, 1835. Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper. abbey , architectural subject , Gothic (Medieval) , Medieval , ruins. Cymru , Europe , Monmouthshire , Tintern Abbey , United Kingdom , Wales
On the North Coast of Devon, Lundy Island in the Distance. Artist: Samuel Palmer (British, London 1805-1881 Redhill, Surrey). Dimensions: sheet: 10 11/16 x 14 15/16 in. (27.1 x 38 cm). Date: ca. 1835. During the mid-1830s, Samuel Palmer moved away from the visionary style of his youthful Shoreham period when he belonged to a group of like-minded artists known as the 'Ancients.' In this coastal view of a county he dubbed 'dear, spongy Devon,' Palmer's obsessive attention to detail and penchant for striking color serve a naturalistic vision. A highly finished promontory in the center of the sce Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-the-north-coast-of-devon-lundy-island-in-the-distance-artist-samuel-palmer-british-london-1805-1881-redhill-surrey-dimensions-sheet-10-1116-x-14-1516-in-271-x-38-cm-date-ca-1835-during-the-mid-1830s-samuel-palmer-moved-away-from-the-visionary-style-of-his-youthful-shoreham-period-when-he-belonged-to-a-group-of-like-minded-artists-known-as-the-ancients-in-this-coastal-view-of-a-county-he-dubbed-dear-spongy-devon-palmers-obsessive-attention-to-detail-and-penchant-for-striking-color-serve-a-naturalistic-vision-a-highly-finished-promontory-in-the-center-of-the-sce-image233303360.htmlRMRFFTPT–On the North Coast of Devon, Lundy Island in the Distance. Artist: Samuel Palmer (British, London 1805-1881 Redhill, Surrey). Dimensions: sheet: 10 11/16 x 14 15/16 in. (27.1 x 38 cm). Date: ca. 1835. During the mid-1830s, Samuel Palmer moved away from the visionary style of his youthful Shoreham period when he belonged to a group of like-minded artists known as the 'Ancients.' In this coastal view of a county he dubbed 'dear, spongy Devon,' Palmer's obsessive attention to detail and penchant for striking color serve a naturalistic vision. A highly finished promontory in the center of the sce
Art inspired by Underriver–The Golden Valley, ca. 1833, Pen and brown ink, brush and brown wash, over graphite on cream wove paper, Sheet: 10 7/8 × 10 11/16 in. (27.7 × 27.2 cm), Drawings, John Linnell (British, London 1792–1882 Redhill, Surrey), While working as a successful, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-underriverthe-golden-valley-ca-1833-pen-and-brown-ink-brush-and-brown-wash-over-graphite-on-cream-wove-paper-sheet-10-78-10-1116-in-277-272-cm-drawings-john-linnell-british-london-17921882-redhill-surrey-while-working-as-a-successful-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957303.htmlRF2HW5ENB–Art inspired by Underriver–The Golden Valley, ca. 1833, Pen and brown ink, brush and brown wash, over graphite on cream wove paper, Sheet: 10 7/8 × 10 11/16 in. (27.7 × 27.2 cm), Drawings, John Linnell (British, London 1792–1882 Redhill, Surrey), While working as a successful, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
On the North Coast of Devon, Lundy Island in the Distance, ca. 1835. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-the-north-coast-of-devon-lundy-island-in-the-distance-ca-1835-image359003820.htmlRM2BT2110–On the North Coast of Devon, Lundy Island in the Distance, ca. 1835.
View from Wilmots Hill, Kent, 1830/1835, Samuel Palmer, English, 1805-1881, England, Watercolor over black chalk on cream wove paper, 246 × 365 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-from-wilmots-hill-kent-18301835-samuel-palmer-english-1805-1881-england-watercolor-over-black-chalk-on-cream-wove-paper-246-365-mm-image328649227.htmlRM2A2K7CB–View from Wilmots Hill, Kent, 1830/1835, Samuel Palmer, English, 1805-1881, England, Watercolor over black chalk on cream wove paper, 246 × 365 mm
Samuel Palmer, On the North Coast of Devon, Lundy Island in the distance, landscape painting circa 1835 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-palmer-on-the-north-coast-of-devon-lundy-island-in-the-distance-landscape-painting-circa-1835-image619372035.htmlRM2XYJR9R–Samuel Palmer, On the North Coast of Devon, Lundy Island in the distance, landscape painting circa 1835
A Pastoral Scene, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835, Brown wash on wove paper, Sheet: 3 3/4 x 4 1/2 inches (9.5 x 11.4 cm), carts, genre subject, harvest, landscape, moon, oxen, pastoral, people, rocks (landforms), sheaf, tree Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-pastoral-scene-samuel-palmer-18051881-british-active-in-italy-183739-1835-brown-wash-on-wove-paper-sheet-3-34-x-4-12-inches-95-x-114-cm-carts-genre-subject-harvest-landscape-moon-oxen-pastoral-people-rocks-landforms-sheaf-tree-image389623933.htmlRM2DHTW8D–A Pastoral Scene, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835, Brown wash on wove paper, Sheet: 3 3/4 x 4 1/2 inches (9.5 x 11.4 cm), carts, genre subject, harvest, landscape, moon, oxen, pastoral, people, rocks (landforms), sheaf, tree
Samuel Palmer, 1805–1881, British, active in Italy (1837–39), Mountains by the Traveller's Rest near Dolgelly, 1835. Watercolor and gouache over graphite on medium, moderately textured, beige wove paper. landscape , mountains , rest areas , traveler's. Caernarfonshire and Merionethshire , Cymru , Dolgellau , Europe , United Kingdom , Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-palmer-18051881-british-active-in-italy-183739-mountains-by-the-travellers-rest-near-dolgelly-1835-watercolor-and-gouache-over-graphite-on-medium-moderately-textured-beige-wove-paper-landscape-mountains-rest-areas-travelers-caernarfonshire-and-merionethshire-cymru-dolgellau-europe-united-kingdom-wales-image398451132.htmlRM2E470DG–Samuel Palmer, 1805–1881, British, active in Italy (1837–39), Mountains by the Traveller's Rest near Dolgelly, 1835. Watercolor and gouache over graphite on medium, moderately textured, beige wove paper. landscape , mountains , rest areas , traveler's. Caernarfonshire and Merionethshire , Cymru , Dolgellau , Europe , United Kingdom , Wales
A Pastoral Scene. Date/Period: 1835. Painting. Watercolor. Height: 95 mm (3.74 in); Width: 114 mm (4.48 in). Author: Samuel Palmer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-pastoral-scene-dateperiod-1835-painting-watercolor-height-95-mm-374-in-width-114-mm-448-in-author-samuel-palmer-image233303894.htmlRMRFFWDX–A Pastoral Scene. Date/Period: 1835. Painting. Watercolor. Height: 95 mm (3.74 in); Width: 114 mm (4.48 in). Author: Samuel Palmer.
Llwyn Gwynedd and part of Llyn-y-ddina, between Capel Curig and Beddegelert, North Wales, landscape painting by Samuel Palmer, 1835 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/llwyn-gwynedd-and-part-of-llyn-y-ddina-between-capel-curig-and-beddegelert-north-wales-landscape-painting-by-samuel-palmer-1835-image619371359.htmlRM2XYJPDK–Llwyn Gwynedd and part of Llyn-y-ddina, between Capel Curig and Beddegelert, North Wales, landscape painting by Samuel Palmer, 1835
Rocky Landscape in Wales, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835 or 1836, Gouache and watercolor with gum and black chalk on moderately thick, slightly textured, cream wove paper, Sheet: 15 × 18 7/8 inches (38.1 × 47.9 cm), geology, landscape, rocks (landforms), science, Cymru, Europe, United Kingdom, Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rocky-landscape-in-wales-samuel-palmer-18051881-british-active-in-italy-183739-1835-or-1836-gouache-and-watercolor-with-gum-and-black-chalk-on-moderately-thick-slightly-textured-cream-wove-paper-sheet-15-18-78-inches-381-479-cm-geology-landscape-rocks-landforms-science-cymru-europe-united-kingdom-wales-image389621294.htmlRM2DHTNX6–Rocky Landscape in Wales, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835 or 1836, Gouache and watercolor with gum and black chalk on moderately thick, slightly textured, cream wove paper, Sheet: 15 × 18 7/8 inches (38.1 × 47.9 cm), geology, landscape, rocks (landforms), science, Cymru, Europe, United Kingdom, Wales
Samuel Palmer, 1805–1881, British, active in Italy (1837–39), Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales, 1835 or 1836. Gouache, watercolor, graphite and black chalk on medium, smooth, brown wove paper. figure , landscape , light , mountains , river , sky. Aberconwy and Colwyn , Capel Curig , Cymru , Europe , United Kingdom , Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-palmer-18051881-british-active-in-italy-183739-llwyngwynedd-and-part-of-llyn-y-ddina-between-capel-curig-and-beddegelert-north-wales-1835-or-1836-gouache-watercolor-graphite-and-black-chalk-on-medium-smooth-brown-wove-paper-figure-landscape-light-mountains-river-sky-aberconwy-and-colwyn-capel-curig-cymru-europe-united-kingdom-wales-image398451119.htmlRM2E470D3–Samuel Palmer, 1805–1881, British, active in Italy (1837–39), Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales, 1835 or 1836. Gouache, watercolor, graphite and black chalk on medium, smooth, brown wove paper. figure , landscape , light , mountains , river , sky. Aberconwy and Colwyn , Capel Curig , Cymru , Europe , United Kingdom , Wales
Tintern Abbey. Date/Period: 1835. Painting. Gouache and watercolor with pen and brown ink over graphite on medium, smooth, cream wove paper. Height: 591 mm (23.26 in); Width: 762 mm (30 in). Author: Samuel Palmer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tintern-abbey-dateperiod-1835-painting-gouache-and-watercolor-with-pen-and-brown-ink-over-graphite-on-medium-smooth-cream-wove-paper-height-591-mm-2326-in-width-762-mm-30-in-author-samuel-palmer-image233303602.htmlRMRFFW3E–Tintern Abbey. Date/Period: 1835. Painting. Gouache and watercolor with pen and brown ink over graphite on medium, smooth, cream wove paper. Height: 591 mm (23.26 in); Width: 762 mm (30 in). Author: Samuel Palmer.
Underriver–The Golden Valley ca. 1833 John Linnell British While working as a successful portraitist, Linnell produced evocative landscapes for his own pleasure. Between 1825 and 1835 he was close to 'The Ancients,' a visionary group led by Samuel Palmer—Linnell’s protégé and later his son-in-law. The two often sketched together, and the present work was likely made during a summer visit to Palmer’s home at Shoreham in Kent. Setting aside his typically careful draftsmanship, Linnell adopted Palmer’s flamboyant cursive pen-and-ink style to evoke the rolling fields and hedgerows of the Weald of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/underriverthe-golden-valley-ca-1833-john-linnell-british-while-working-as-a-successful-portraitist-linnell-produced-evocative-landscapes-for-his-own-pleasure-between-1825-and-1835-he-was-close-to-the-ancients-a-visionary-group-led-by-samuel-palmerlinnells-protg-and-later-his-son-in-law-the-two-often-sketched-together-and-the-present-work-was-likely-made-during-a-summer-visit-to-palmers-home-at-shoreham-in-kent-setting-aside-his-typically-careful-draftsmanship-linnell-adopted-palmers-flamboyant-cursive-pen-and-ink-style-to-evoke-the-rolling-fields-and-hedgerows-of-the-weald-of-image458511399.htmlRM2HHXYY3–Underriver–The Golden Valley ca. 1833 John Linnell British While working as a successful portraitist, Linnell produced evocative landscapes for his own pleasure. Between 1825 and 1835 he was close to 'The Ancients,' a visionary group led by Samuel Palmer—Linnell’s protégé and later his son-in-law. The two often sketched together, and the present work was likely made during a summer visit to Palmer’s home at Shoreham in Kent. Setting aside his typically careful draftsmanship, Linnell adopted Palmer’s flamboyant cursive pen-and-ink style to evoke the rolling fields and hedgerows of the Weald of
Mountains by the Traveller's Rest near Dolgelly, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835, Watercolor and gouache over graphite on medium, moderately textured, beige wove paper, Sheet: 11 3/4 x 18 1/8 inches (29.8 x 46 cm), landscape, mountains, rest areas, traveler's, Caernarfonshire and Merionethshire, Cymru, Dolgellau, Europe, United Kingdom, Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mountains-by-the-travellers-rest-near-dolgelly-samuel-palmer-18051881-british-active-in-italy-183739-1835-watercolor-and-gouache-over-graphite-on-medium-moderately-textured-beige-wove-paper-sheet-11-34-x-18-18-inches-298-x-46-cm-landscape-mountains-rest-areas-travelers-caernarfonshire-and-merionethshire-cymru-dolgellau-europe-united-kingdom-wales-image389624065.htmlRM2DHTWD5–Mountains by the Traveller's Rest near Dolgelly, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835, Watercolor and gouache over graphite on medium, moderately textured, beige wove paper, Sheet: 11 3/4 x 18 1/8 inches (29.8 x 46 cm), landscape, mountains, rest areas, traveler's, Caernarfonshire and Merionethshire, Cymru, Dolgellau, Europe, United Kingdom, Wales
View from Wilmots Hill, Kent. Samuel Palmer; English, 1805-1881. Date: 1830-1835. Dimensions: 246 × 365 mm. Watercolor over black chalk on cream wove paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-from-wilmots-hill-kent-samuel-palmer-english-1805-1881-date-1830-1835-dimensions-246-365-mm-watercolor-over-black-chalk-on-cream-wove-paper-origin-england-museum-the-chicago-art-institute-image240167527.htmlRMRXMG3K–View from Wilmots Hill, Kent. Samuel Palmer; English, 1805-1881. Date: 1830-1835. Dimensions: 246 × 365 mm. Watercolor over black chalk on cream wove paper. Origin: England. Museum: The Chicago Art Institute.
Pistil Mawddach, North Wales, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), between 1835 and 1836, Watercolor, gouache and graphite on medium, slightly textured, cream wove paper, Sheet: 17 3/8 x 21 inches (44.1 x 53.3 cm), landscape, leisure, north, swimming, waterfall, Caernarfonshire and Merionethshire, Cymru, Europe, Pistil Mawddach, United Kingdom, Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pistil-mawddach-north-wales-samuel-palmer-18051881-british-active-in-italy-183739-between-1835-and-1836-watercolor-gouache-and-graphite-on-medium-slightly-textured-cream-wove-paper-sheet-17-38-x-21-inches-441-x-533-cm-landscape-leisure-north-swimming-waterfall-caernarfonshire-and-merionethshire-cymru-europe-pistil-mawddach-united-kingdom-wales-image389621440.htmlRM2DHTP3C–Pistil Mawddach, North Wales, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), between 1835 and 1836, Watercolor, gouache and graphite on medium, slightly textured, cream wove paper, Sheet: 17 3/8 x 21 inches (44.1 x 53.3 cm), landscape, leisure, north, swimming, waterfall, Caernarfonshire and Merionethshire, Cymru, Europe, Pistil Mawddach, United Kingdom, Wales
Pistil Mawddach, North Wales. Date/Period: Between 1835 and 1836. Landscape. Watercolor, gouache and graphite with scratching out on medium, cream wove paper. Height: 441 mm (17.36 in); Width: 533 mm (20.98 in). Author: Samuel Palmer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pistil-mawddach-north-wales-dateperiod-between-1835-and-1836-landscape-watercolor-gouache-and-graphite-with-scratching-out-on-medium-cream-wove-paper-height-441-mm-1736-in-width-533-mm-2098-in-author-samuel-palmer-image233303896.htmlRMRFFWE0–Pistil Mawddach, North Wales. Date/Period: Between 1835 and 1836. Landscape. Watercolor, gouache and graphite with scratching out on medium, cream wove paper. Height: 441 mm (17.36 in); Width: 533 mm (20.98 in). Author: Samuel Palmer.
Tintern Abbey, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835, Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper, Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm) and Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm), abbey, architectural subject, Gothic (Medieval), Medieval, ruins, Cymru, Europe, Monmouthshire, Tintern Abbey, United Kingdom, Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tintern-abbey-samuel-palmer-18051881-british-active-in-italy-183739-1835-watercolor-gouache-pen-and-brown-ink-and-graphite-on-medium-smooth-cream-wove-paper-sheet-10-38-x-14-34-inches-264-x-375-cm-and-frame-23-14-x-30-x-1in-591-x-762-x-25cm-abbey-architectural-subject-gothic-medieval-medieval-ruins-cymru-europe-monmouthshire-tintern-abbey-united-kingdom-wales-image389620679.htmlRM2DHTN47–Tintern Abbey, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835, Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper, Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm) and Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm), abbey, architectural subject, Gothic (Medieval), Medieval, ruins, Cymru, Europe, Monmouthshire, Tintern Abbey, United Kingdom, Wales
On the North Coast of Devon, Lundy Island in the Distance, Samuel Palmer, ca. 1835 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-on-the-north-coast-of-devon-lundy-island-in-the-distance-samuel-palmer-162410736.htmlRMKC6CFC–On the North Coast of Devon, Lundy Island in the Distance, Samuel Palmer, ca. 1835
Mountains by the Traveller's Rest near Dolgelly. Date/Period: 1835. Landscape. Watercolor and gouache over graphite on medium, moderately textured, beige wove paper. Height: 298 mm (11.73 in); Width: 460 mm (18.11 in). Author: Samuel Palmer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mountains-by-the-travellers-rest-near-dolgelly-dateperiod-1835-landscape-watercolor-and-gouache-over-graphite-on-medium-moderately-textured-beige-wove-paper-height-298-mm-1173-in-width-460-mm-1811-in-author-samuel-palmer-image233302475.htmlRMRFFRK7–Mountains by the Traveller's Rest near Dolgelly. Date/Period: 1835. Landscape. Watercolor and gouache over graphite on medium, moderately textured, beige wove paper. Height: 298 mm (11.73 in); Width: 460 mm (18.11 in). Author: Samuel Palmer.
Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835 or 1836, Gouache, watercolor, graphite and black chalk on medium, smooth, brown wove paper, Sheet: 15 x 18 1/8 inches (38.1 x 46 cm), figure, landscape, light, mountains, river, sky, Aberconwy and Colwyn, Capel Curig, Cymru, Europe, United Kingdom, Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/llwyngwynedd-and-part-of-llyn-y-ddina-between-capel-curig-and-beddegelert-north-wales-samuel-palmer-18051881-british-active-in-italy-183739-1835-or-1836-gouache-watercolor-graphite-and-black-chalk-on-medium-smooth-brown-wove-paper-sheet-15-x-18-18-inches-381-x-46-cm-figure-landscape-light-mountains-river-sky-aberconwy-and-colwyn-capel-curig-cymru-europe-united-kingdom-wales-image389618703.htmlRM2DHTJHK–Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835 or 1836, Gouache, watercolor, graphite and black chalk on medium, smooth, brown wove paper, Sheet: 15 x 18 1/8 inches (38.1 x 46 cm), figure, landscape, light, mountains, river, sky, Aberconwy and Colwyn, Capel Curig, Cymru, Europe, United Kingdom, Wales
Underriver–The Golden Valley, John Linnell, ca. 1833 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-underriverthe-golden-valley-john-linnell-ca-1833-162533861.htmlRMKCC1GN–Underriver–The Golden Valley, John Linnell, ca. 1833
Rocky Landscape in Wales. Date/Period: 1835 or 1836. Landscape. Gouache and watercolor with traces of gum and black chalk on moderately thick, slightly textured, cream wove paper. Height: 379 mm (14.92 in); Width: 479 mm (18.85 in). Author: Samuel Palmer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rocky-landscape-in-wales-dateperiod-1835-or-1836-landscape-gouache-and-watercolor-with-traces-of-gum-and-black-chalk-on-moderately-thick-slightly-textured-cream-wove-paper-height-379-mm-1492-in-width-479-mm-1885-in-author-samuel-palmer-image233303895.htmlRMRFFWDY–Rocky Landscape in Wales. Date/Period: 1835 or 1836. Landscape. Gouache and watercolor with traces of gum and black chalk on moderately thick, slightly textured, cream wove paper. Height: 379 mm (14.92 in); Width: 479 mm (18.85 in). Author: Samuel Palmer.
Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales. Date/Period: 1835 or 1836. Landscape. Gouache, watercolor, graphite and black chalk on medium, smooth, brown wove paper on card. Height: 381 mm (15 in); Width: 460 mm (18.11 in). Author: Samuel Palmer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/llwyngwynedd-and-part-of-llyn-y-ddina-between-capel-curig-and-beddegelert-north-wales-dateperiod-1835-or-1836-landscape-gouache-watercolor-graphite-and-black-chalk-on-medium-smooth-brown-wove-paper-on-card-height-381-mm-15-in-width-460-mm-1811-in-author-samuel-palmer-image233303853.htmlRMRFFWCD–Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales. Date/Period: 1835 or 1836. Landscape. Gouache, watercolor, graphite and black chalk on medium, smooth, brown wove paper on card. Height: 381 mm (15 in); Width: 460 mm (18.11 in). Author: Samuel Palmer.
