1856 88 hi-res stock photography and images

Design for a Cabinet in the 'Boulle' Style, Pagny, French, 1856 – 1888, Pagny, French, 1856 – 1888, Brush and black ink, wash, yellow gouache, brown watercolor, graphite on heavy white paper, This drawing depicts an architecturally imposing cabinet in the 'Boulle' style, veneered in ebony and symmetrically decorated with marquetry after Berain. Oval panels dominate the cabinet doors. Masked mounts and cartouches are additional decorative elements., France, 1856–88, furniture, Drawing Stock Photo

RM2DMF4H6–Design for a Cabinet in the 'Boulle' Style, Pagny, French, 1856 – 1888, Pagny, French, 1856 – 1888, Brush and black ink, wash, yellow gouache, brown watercolor, graphite on heavy white paper, This drawing depicts an architecturally imposing cabinet in the 'Boulle' style, veneered in ebony and symmetrically decorated with marquetry after Berain. Oval panels dominate the cabinet doors. Masked mounts and cartouches are additional decorative elements., France, 1856–88, furniture, Drawing

. William Henry Eaves . circa 1856 88 Brooklyn Museum - William Henry Eaves - overall Stock Photo

RMMYB8GR–. William Henry Eaves . circa 1856 88 Brooklyn Museum - William Henry Eaves - overall

Drawing, Design for a Cabinet in the ‘Boulle‘ Style, 1856–88 Stock Photo

RMWAR3R6–Drawing, Design for a Cabinet in the ‘Boulle‘ Style, 1856–88

. Català: Paisatge rural . Català: Paisatge rural. pintura sobre taula. Biblioteca Museu Víctor Balaguer . between 1856 and 1856 88 BMVB - Joaquim de Cabanyes i Ballester - Paisatge rural - 8835 Stock Photo

RMMXE5CA–. Català: Paisatge rural . Català: Paisatge rural. pintura sobre taula. Biblioteca Museu Víctor Balaguer . between 1856 and 1856 88 BMVB - Joaquim de Cabanyes i Ballester - Paisatge rural - 8835

Design for a Cabinet in the 'Boulle' Style. Date/Period: 1856-88. Drawing. Brush and black ink, wash, yellow gouache, brown watercolor, graphite on heavy white paper. Author: PAGNY. Stock Photo

RMPNDP6D–Design for a Cabinet in the 'Boulle' Style. Date/Period: 1856-88. Drawing. Brush and black ink, wash, yellow gouache, brown watercolor, graphite on heavy white paper. Author: PAGNY.

Statue of Eumachia and blind door, View statue of Eumachia in Pompeii, Fig. 88, p. 103, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig: Verlag von Wilhelm Engelmann, 1856 Stock Photo

RM2A2T29P–Statue of Eumachia and blind door, View statue of Eumachia in Pompeii, Fig. 88, p. 103, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig: Verlag von Wilhelm Engelmann, 1856

Mary Queen of Scots, on the evening preceding her execution (from 'The Eclectic Magazine,' volume 48, frontispiece) 1859 John Sartain American. Mary Queen of Scots, on the evening preceding her execution (from 'The Eclectic Magazine,' volume 48, frontispiece). John Sartain (American (born London, England) 1808–1897 Philadelphia, Pennsylvania). 1859. Mezzotint and etching on steel. Leavitt & Co. (New York, ca. 1856–88). Mary, Queen of Scots (British, Linlithgow 1542–1587 Fotheringhay). Prints Stock Photo

RM2HGNPJ1–Mary Queen of Scots, on the evening preceding her execution (from 'The Eclectic Magazine,' volume 48, frontispiece) 1859 John Sartain American. Mary Queen of Scots, on the evening preceding her execution (from 'The Eclectic Magazine,' volume 48, frontispiece). John Sartain (American (born London, England) 1808–1897 Philadelphia, Pennsylvania). 1859. Mezzotint and etching on steel. Leavitt & Co. (New York, ca. 1856–88). Mary, Queen of Scots (British, Linlithgow 1542–1587 Fotheringhay). Prints

Inspired by Takinogawa, Oji, No. 88 from One Hundred Famous Views of Edo, Utagawa Hiroshige, Ando, Japanese, 1797-1858, Woodblock print, Japan, 4th month of 1856, Edo Period, Ansei Era, Sheet: 14 3/16 x 9 1/4 in., 36 x 23.5 cm, 19th Century, 19thC, autumn, bridge, calmness, edo, fauna, flora, harmony, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4MGR–Inspired by Takinogawa, Oji, No. 88 from One Hundred Famous Views of Edo, Utagawa Hiroshige, Ando, Japanese, 1797-1858, Woodblock print, Japan, 4th month of 1856, Edo Period, Ansei Era, Sheet: 14 3/16 x 9 1/4 in., 36 x 23.5 cm, 19th Century, 19thC, autumn, bridge, calmness, edo, fauna, flora, harmony, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Thomas Butler Gunn Diaries Volume 8, page 88, October 20 22, 1856 Stock Photo

RMKE7JBW–Thomas Butler Gunn Diaries Volume 8, page 88, October 20 22, 1856

[ 1850s Japan - Falls and Shrine ] — View of Takinogawa Falls, Matsubashi Benten Shrine and Kongo-ji Temple in Oji, Edo (current Tokyo), 1856 (Ansei 3). This woodblock print is image 88 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 26 autumn scenes in the series. Title: Takinogawa in Oji (王子滝の川, Oji Takinogawa) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGA65–[ 1850s Japan - Falls and Shrine ] — View of Takinogawa Falls, Matsubashi Benten Shrine and Kongo-ji Temple in Oji, Edo (current Tokyo), 1856 (Ansei 3). This woodblock print is image 88 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 26 autumn scenes in the series. Title: Takinogawa in Oji (王子滝の川, Oji Takinogawa) 19th century vintage Ukiyoe woodblock print.

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): Longitudinal section 1: 100. Lithograph colored on paper, 61.1 x 88 cm (including scan edges) Stock Photo

RM2JMXRJB–Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): Longitudinal section 1: 100. Lithograph colored on paper, 61.1 x 88 cm (including scan edges)

Fotoreproductie van een schilderij, voorstellende een bessenverzamelaar The habitant-berry gatherer (titel op object) Photo reproduction of a painting, depicting a bessenverzamelaarThe habitant berry-gatherer (title object) Property Type: photo reproduction page Item number: RP-F 2001-7-699-6 Manufacturer : photographer William Notman (listed object) to painting by Cornelius Krieghoff (listed property) Date: ca. 1856 - or for 1866 Material: paper Technique: albumen print dimensions: photo: h 85 mm × W 54 mmToelichtingFoto front page 88. Subject: adult mancarrying something in basket, bag, ruck Stock Photo

RM2B6N0MJ–Fotoreproductie van een schilderij, voorstellende een bessenverzamelaar The habitant-berry gatherer (titel op object) Photo reproduction of a painting, depicting a bessenverzamelaarThe habitant berry-gatherer (title object) Property Type: photo reproduction page Item number: RP-F 2001-7-699-6 Manufacturer : photographer William Notman (listed object) to painting by Cornelius Krieghoff (listed property) Date: ca. 1856 - or for 1866 Material: paper Technique: albumen print dimensions: photo: h 85 mm × W 54 mmToelichtingFoto front page 88. Subject: adult mancarrying something in basket, bag, ruck

Dublin, Ireland 06 Oct 2023 Dawn after the battle of Langside, 14 May 1568, 1886-88 Lavery. On Location - A major survey of more than 70 paintings by modern Irish master Sir John Lavery (1856 - 1941), the first major monographic exhibition in the National Gallery of Ireland in 38 years (7 October 2023 - 14 January 2024). The exhibition is made more remarkable in that it is the first show to be presented in partnership with Belfast's Ulster Museum (23 February - 9 June 2024) and the National Galleries Scotland in Edinburgh (20 July - 27 October 2024).Paul Quezada-Neiman/Alamy Live News Stock Photo

RM2T0CYMA–Dublin, Ireland 06 Oct 2023 Dawn after the battle of Langside, 14 May 1568, 1886-88 Lavery. On Location - A major survey of more than 70 paintings by modern Irish master Sir John Lavery (1856 - 1941), the first major monographic exhibition in the National Gallery of Ireland in 38 years (7 October 2023 - 14 January 2024). The exhibition is made more remarkable in that it is the first show to be presented in partnership with Belfast's Ulster Museum (23 February - 9 June 2024) and the National Galleries Scotland in Edinburgh (20 July - 27 October 2024).Paul Quezada-Neiman/Alamy Live News

. Who's who in state politics. EAGAN, JAMES F., 20th Suffolk, Dem.,Boston. Born Framingham, July 16, 1879;public schools of Framingham. Clothingbusiness 17 years. Pres. Boston Internation-al Retail Clerks Protective assoc, K. C. House 11, public health. 148 EAMES, HARRY M., 9th Essex, Rep., An-dover. Born there July 9, 1856; publicschools. Wool sorter and wool buyer,.treasurer Crescent Worsted Co., farming atpresent. A. F. A. M. (P. M.), R, A, C. (P,H. P.), K. T., M. 3., I. 0, Q, F., R. A. Select-man, assessor, overseer of poor 1907 08-09-10 (ch. all 4 years); House (from Law-rence) 1887-88, c Stock Photo

RM2AG4540–. Who's who in state politics. EAGAN, JAMES F., 20th Suffolk, Dem.,Boston. Born Framingham, July 16, 1879;public schools of Framingham. Clothingbusiness 17 years. Pres. Boston Internation-al Retail Clerks Protective assoc, K. C. House 11, public health. 148 EAMES, HARRY M., 9th Essex, Rep., An-dover. Born there July 9, 1856; publicschools. Wool sorter and wool buyer,.treasurer Crescent Worsted Co., farming atpresent. A. F. A. M. (P. M.), R, A, C. (P,H. P.), K. T., M. 3., I. 0, Q, F., R. A. Select-man, assessor, overseer of poor 1907 08-09-10 (ch. all 4 years); House (from Law-rence) 1887-88, c

. The development of Renilla. Sea pansies; Ctenophora; Cnidaria; Corals. 83: 84; ¥: 85. 86 87, 88. 89. 90.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Wilson, Edmund B. (Edmund Beecher), 1856-1939. [London, Harrison and Sons Stock Photo

RMPFA70E–. The development of Renilla. Sea pansies; Ctenophora; Cnidaria; Corals. 83: 84; ¥: 85. 86 87, 88. 89. 90.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Wilson, Edmund B. (Edmund Beecher), 1856-1939. [London, Harrison and Sons

Image from page 88 of 'A Tarantasse Journey through Eastern Russia in the autumn of 1856' . Stock Photo

RMPGX806–Image from page 88 of 'A Tarantasse Journey through Eastern Russia in the autumn of 1856' .

RMMW0AGP–. Català: Paisatge rural . Català: Paisatge rural. pintura sobre taula. Biblioteca Museu Víctor Balaguer . between 1856 and 1856 88 BMVB - Joaquim de Cabanyes i Ballester - Paisatge rural - 8835

Egrets, Peonies, and Willows. Artist: Yamamoto Baiitsu (Japanese, 1783-1856). Culture: Japan. Dimensions: Image: 57 1/2 x 28 3/16 in. (146.1 x 71.6 cm) Overall: 88 3/4 x 37 1/4 in. (225.4 x 94.6 cm). Date: early 19th century. A pair of herons pause in shallow water beneath a drooping willow branch and tall stems of flowering plants, painted in the 'boneless' manner, with limited ink outline and pale wash. Yamamoto Baiitsu mingled with Kyoto literati circles but also sought varied artistic influences in the work of Chinese painter Shen Nanpin (Shen Quan, 1682-1758), who worked in Japan from 1 Stock Photo

RMPAP122–Egrets, Peonies, and Willows. Artist: Yamamoto Baiitsu (Japanese, 1783-1856). Culture: Japan. Dimensions: Image: 57 1/2 x 28 3/16 in. (146.1 x 71.6 cm) Overall: 88 3/4 x 37 1/4 in. (225.4 x 94.6 cm). Date: early 19th century. A pair of herons pause in shallow water beneath a drooping willow branch and tall stems of flowering plants, painted in the 'boneless' manner, with limited ink outline and pale wash. Yamamoto Baiitsu mingled with Kyoto literati circles but also sought varied artistic influences in the work of Chinese painter Shen Nanpin (Shen Quan, 1682-1758), who worked in Japan from 1

Portrait of an unknown English gentleman, 1856, oil on canvas, 112 x 88.5 cm, signed and dated lower right in red: F. Buchser 56., Frank Buchser, Feldbrunnen/Solothurn 1828–1890 Feldbrunnen/Solothurn Stock Photo

RM2A2NTGW–Portrait of an unknown English gentleman, 1856, oil on canvas, 112 x 88.5 cm, signed and dated lower right in red: F. Buchser 56., Frank Buchser, Feldbrunnen/Solothurn 1828–1890 Feldbrunnen/Solothurn

Friedrich Beckmann and two unnamed actors in 'Der Vater der Debütantin' (costume sketch no. 88 for the theater newspaper), Andreas Geiger (1765-1856), copper engraver, 1841, colorised, copperplate engraving, sheet size 31×24, 5 cm, Theatre, Performing arts, Fine Arts, actor (on the stage), Friedrich Beckmann, The Vienna Collection Stock Photo

RM2T8Y2TY–Friedrich Beckmann and two unnamed actors in 'Der Vater der Debütantin' (costume sketch no. 88 for the theater newspaper), Andreas Geiger (1765-1856), copper engraver, 1841, colorised, copperplate engraving, sheet size 31×24, 5 cm, Theatre, Performing arts, Fine Arts, actor (on the stage), Friedrich Beckmann, The Vienna Collection

Art inspired by Takinogawa, Oji, No. 88 from One Hundred Famous Views of Edo, Utagawa Hiroshige, Ando, Japanese, 1797-1858, Woodblock print, Japan, 4th month of 1856, Edo Period, Ansei Era, Sheet: 14 3/16 x 9 1/4 in., 36 x 23.5 cm, 19th Century, 19thC, autumn, bridge, calmness, edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK37G–Art inspired by Takinogawa, Oji, No. 88 from One Hundred Famous Views of Edo, Utagawa Hiroshige, Ando, Japanese, 1797-1858, Woodblock print, Japan, 4th month of 1856, Edo Period, Ansei Era, Sheet: 14 3/16 x 9 1/4 in., 36 x 23.5 cm, 19th Century, 19thC, autumn, bridge, calmness, edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2BMGAED–[ 1850s Japan - Falls and Shrine ] — View of Takinogawa Falls, Matsubashi Benten Shrine and Kongo-ji Temple in Oji, Edo (current Tokyo), 1856 (Ansei 3). This woodblock print is image 88 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 26 autumn scenes in the series. Title: Takinogawa in Oji (王子滝の川, Oji Takinogawa) 19th century vintage Ukiyoe woodblock print.

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): Floor plan 1: 100. Lithograph colored on paper, 66 x 88.1 cm (including scan edges) Stock Photo

RM2JMXRFG–Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): Floor plan 1: 100. Lithograph colored on paper, 66 x 88.1 cm (including scan edges)

Interieur van de Saint Matthew Church in Otterbourne, gezicht naar het koor Interior of Otterbourne Church (titel op object) Interior of the Saint Matthew Church in Otterbourne, facing the choir interior of Otterbourne Church (title object) Property Type: photo page Item number: RP-F 2001-7-254-24 Inscriptions / Brands: number, recto, printed, 'No. 24.' Manufacturer : Photographer: William Savage Place manufacture: Otterbourne Dating: ca. 1856 - or for 1866 Material: paper Technique: albumen print dimensions: photo: h 88 mm × W 108 mmToelichtingFoto page 119. Subject: Parts of church interior: Stock Photo

RM2B6WDDA–Interieur van de Saint Matthew Church in Otterbourne, gezicht naar het koor Interior of Otterbourne Church (titel op object) Interior of the Saint Matthew Church in Otterbourne, facing the choir interior of Otterbourne Church (title object) Property Type: photo page Item number: RP-F 2001-7-254-24 Inscriptions / Brands: number, recto, printed, 'No. 24.' Manufacturer : Photographer: William Savage Place manufacture: Otterbourne Dating: ca. 1856 - or for 1866 Material: paper Technique: albumen print dimensions: photo: h 88 mm × W 108 mmToelichtingFoto page 119. Subject: Parts of church interior:

SHC 1830-1905 . hael, George Demopolis, Ala. 1859-60 Michaeloffsky, Charles Mobile, Ala. 1856-57 Michel, Benjamin A. New Orleans, La. 1863-64 Michel, George New Orleans, La. 1887-88 Michel, Henry New Orleans, La. 1860-61 Michel, Julien New Orleans, La. 1848-49 Michel, Louis New Orleans, La. 1883-84 Michel, Prosper Houma, La. 1859-60 Michel, W. Harrison New Orleans, La. 1863-64 Michelena, Jose Havana, Cuba 1877-78 Mier, Jose Campeche, Yuc 1881-82 Miguel, Enrique Monterey, Mex. 1883-84 Milan, Ramon Merida, Yuc. 1857-58 Milburn, Richard Milburn, La. 1903-04 Mildenstein, Jacob Sagua la Grande, Cub Stock Photo

RM2AJAADB–SHC 1830-1905 . hael, George Demopolis, Ala. 1859-60 Michaeloffsky, Charles Mobile, Ala. 1856-57 Michel, Benjamin A. New Orleans, La. 1863-64 Michel, George New Orleans, La. 1887-88 Michel, Henry New Orleans, La. 1860-61 Michel, Julien New Orleans, La. 1848-49 Michel, Louis New Orleans, La. 1883-84 Michel, Prosper Houma, La. 1859-60 Michel, W. Harrison New Orleans, La. 1863-64 Michelena, Jose Havana, Cuba 1877-78 Mier, Jose Campeche, Yuc 1881-82 Miguel, Enrique Monterey, Mex. 1883-84 Milan, Ramon Merida, Yuc. 1857-58 Milburn, Richard Milburn, La. 1903-04 Mildenstein, Jacob Sagua la Grande, Cub

. The development of Renilla. Sea pansies; Ctenophora; Cnidaria; Corals. 81. I; •1 82. 83: 84; ¥: 85. 86 87, 88. 89. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Wilson, Edmund B. (Edmund Beecher), 1856-1939. [London, Harrison and Sons Stock Photo

RMPFA70G–. The development of Renilla. Sea pansies; Ctenophora; Cnidaria; Corals. 81. I; •1 82. 83: 84; ¥: 85. 86 87, 88. 89. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Wilson, Edmund B. (Edmund Beecher), 1856-1939. [London, Harrison and Sons

Archive image from page 88 of Culture of the citrus in. Culture of the citrus in California cultureofcitrusi00cali Year: 1900 ( AuRANTiUM, OR Oeange, Pomelo—Slightly reduced. Peenambuco Pomelo—Reduced one half. 6c VARIETIES OP THE POMELO. 81 Stock Photo

RMW9G0M5–Archive image from page 88 of Culture of the citrus in. Culture of the citrus in California cultureofcitrusi00cali Year: 1900 ( AuRANTiUM, OR Oeange, Pomelo—Slightly reduced. Peenambuco Pomelo—Reduced one half. 6c VARIETIES OP THE POMELO. 81

. Català: Paisatge rural. pintura sobre taula. Biblioteca Museu Víctor Balaguer Català: Paisatge rural . between 1856 and 1856. 88 BMVB - Joaquim de Cabanyes i Ballester - Paisatge rural - 8835 Stock Photo

RMMMJ6FC–. Català: Paisatge rural. pintura sobre taula. Biblioteca Museu Víctor Balaguer Català: Paisatge rural . between 1856 and 1856. 88 BMVB - Joaquim de Cabanyes i Ballester - Paisatge rural - 8835

Paris 1856. John Leech; English, 1817-1864. Date: 1851-1861. Dimensions: 111 × 88 mm. Watercolor and pen and brown ink, over graphite, on cream wove paper. Origin: England. Museum: The Chicago Art Institute. Stock Photo

RMRXACAR–Paris 1856. John Leech; English, 1817-1864. Date: 1851-1861. Dimensions: 111 × 88 mm. Watercolor and pen and brown ink, over graphite, on cream wove paper. Origin: England. Museum: The Chicago Art Institute.

. Ministranten beim Gebet. Ca. 1887/88. Öl auf Leinwand. 121,5 x 91 cm . circa 1888. Felix von Ende (1856–1929) 124 Felix Freiherr von Ende Ministranten beim Gebet Stock Photo

RMP284R7–. Ministranten beim Gebet. Ca. 1887/88. Öl auf Leinwand. 121,5 x 91 cm . circa 1888. Felix von Ende (1856–1929) 124 Felix Freiherr von Ende Ministranten beim Gebet

Friedrich Beckmann and two unnamed actors in 'Der Vater der Debütantin' (costume picture no. 88 to the theater newspaper), Andreas Geiger (1765-1856), engraver, 1841, paper, colored, copperplate engraving, sheet size 30, 7×23, 4 cm, theater, performing arts, fine arts, actor (on stage), actor portrait, actress, Friedrich Beckmann, The Vienna Collection Stock Photo

RM2T8Y4Y4–Friedrich Beckmann and two unnamed actors in 'Der Vater der Debütantin' (costume picture no. 88 to the theater newspaper), Andreas Geiger (1765-1856), engraver, 1841, paper, colored, copperplate engraving, sheet size 30, 7×23, 4 cm, theater, performing arts, fine arts, actor (on stage), actor portrait, actress, Friedrich Beckmann, The Vienna Collection

Inspired by Mantelpiece from Padua in the house of Jules Soulages in Toulouse, Chimney Piece, Toulouse, c. 1855 - in or before 1856, albumen print, height 88 mm × width 114 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKDR0W–Inspired by Mantelpiece from Padua in the house of Jules Soulages in Toulouse, Chimney Piece, Toulouse, c. 1855 - in or before 1856, albumen print, height 88 mm × width 114 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan parquet 1: 100. Lithograph colored on paper, 75.8 x 88.3 cm (including scan edges) Stock Photo

RM2JMXRG8–Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan parquet 1: 100. Lithograph colored on paper, 75.8 x 88.3 cm (including scan edges)

$SHC 1830-1905 . 76-77 Cavaroc, Frederick New Orleans, La. 1851-52 Cawthon, Robert Mobile, Ala. 1878-79 Cazayoux, Jules Waterloo, La. 1887-88 Cefalu, John New Orleans, La. 1894-95 Celaya, Augustin Brownsville, Tex. 1877-78 Cervantes, Manuel Havana, Cuba 1876-77 Chaix, Edmond St. Charles Par., La. 1856-57 Chaguacedo, Raphael Havana, Cuba 1874-75 Chalin, Frederic P. New Orleans, La. 1904-05 Chalon, John New Orleans, La. 1869-70 Chamberlin, Daniel Kellis, Miss. 1858-59 Chamberlin, Samuel, Kellis, Miss. 1858-59 Chambers, Charles Mobile, Ala. 1857-58 Chandler, Walter Bay St. Louis, Miss. 1870-71 Cha Stock Photo$

RM2AJAHY5–SHC 1830-1905 . 76-77 Cavaroc, Frederick New Orleans, La. 1851-52 Cawthon, Robert Mobile, Ala. 1878-79 Cazayoux, Jules Waterloo, La. 1887-88 Cefalu, John New Orleans, La. 1894-95 Celaya, Augustin Brownsville, Tex. 1877-78 Cervantes, Manuel Havana, Cuba 1876-77 Chaix, Edmond St. Charles Par., La. 1856-57 Chaguacedo, Raphael Havana, Cuba 1874-75 Chalin, Frederic P. New Orleans, La. 1904-05 Chalon, John New Orleans, La. 1869-70 Chamberlin, Daniel Kellis, Miss. 1858-59 Chamberlin, Samuel, Kellis, Miss. 1858-59 Chambers, Charles Mobile, Ala. 1857-58 Chandler, Walter Bay St. Louis, Miss. 1870-71 Cha

. A dictionary of the fossils of Pennsylvania and neighboring states named in the reports and catalogues of the survey ... Paleontology. Geo/ Can Murchisonia attenuata (Hall, Trans. Alb. Inst. Vol. 4, )(1. ,3. page 27, 1856;—Whitfield, Bull. 3, Am. ,,, Mus. Nat. Hist. N. Y. p. 88, plate 9, fig. 13, i^ 1882). Collett's Indiana Report, 1883, page }nci,l3V^ 31,%m, plate 32, fig. IZ, enlarged six times, type specimen imperfect, from the Subcarboniferous of Sper- genHill. Ind.—X/. Murchisonia bellicincta, Hall. Pal. N. Y. Vol. 1, 1847, 11 ^^^K w^^ ^^^^ identifies Emmons' Pleuroto- II.O. ^.^^ ^^^^ Stock Photo

RMPFXGJ5–. A dictionary of the fossils of Pennsylvania and neighboring states named in the reports and catalogues of the survey ... Paleontology. Geo/ Can Murchisonia attenuata (Hall, Trans. Alb. Inst. Vol. 4, )(1. ,3. page 27, 1856;—Whitfield, Bull. 3, Am. ,,, Mus. Nat. Hist. N. Y. p. 88, plate 9, fig. 13, i^ 1882). Collett's Indiana Report, 1883, page }nci,l3V^ 31,%m, plate 32, fig. IZ, enlarged six times, type specimen imperfect, from the Subcarboniferous of Sper- genHill. Ind.—X/. Murchisonia bellicincta, Hall. Pal. N. Y. Vol. 1, 1847, 11 ^^^K w^^ ^^^^ identifies Emmons' Pleuroto- II.O. ^.^^ ^^^^

Image from page 88 of 'Descriptions of new species of Palæozoic Fossils . Extracted from the report of the Regents of the University [of the State of New York] for 1856' . Stock Photo

RMPM2W7G–Image from page 88 of 'Descriptions of new species of Palæozoic Fossils . Extracted from the report of the Regents of the University [of the State of New York] for 1856' .

Eiffel Tower Chair. Carlo Bugatti; Italian, 1856-1940; Italy. Date: 1902. Dimensions: H. 88.3 cm (34 3/4 in.). Wood frame covered with parchment, painted and gilded, applied brass mounts. Origin: Italy. Museum: The Chicago Art Institute, FLORENCIA, USA. Stock Photo

RM2YJGTAX–Eiffel Tower Chair. Carlo Bugatti; Italian, 1856-1940; Italy. Date: 1902. Dimensions: H. 88.3 cm (34 3/4 in.). Wood frame covered with parchment, painted and gilded, applied brass mounts. Origin: Italy. Museum: The Chicago Art Institute, FLORENCIA, USA.

. English: The Fairy Fountain, Glasgow International Exhibition, 1888. Signed and dated 88, oil on canvas, 31 x 26 cm . 1888. John Lavery (1856–1941) Alternative names Джон Лавери; Sir John Lavery; Sir Lavery; John R. H. Lavery; John Lavery (Sir); ジョン・レイヴァリー Description Irish painter Date of birth/death 20 March 1856 10 January 1941 Location of birth/death Belfast Kilmoganny Work period c.1870-1941 Work location Glasgow (c.1870-1881), London (1881), Paris (1881-1885), Glasgow (1885-1896), London (1896-1935), Los Angeles (1935-1939), Kilmoganny (1939-1941) Authority control : Q60 Stock Photo

RMMP8FAE–. English: The Fairy Fountain, Glasgow International Exhibition, 1888. Signed and dated 88, oil on canvas, 31 x 26 cm . 1888. John Lavery (1856–1941) Alternative names Джон Лавери; Sir John Lavery; Sir Lavery; John R. H. Lavery; John Lavery (Sir); ジョン・レイヴァリー Description Irish painter Date of birth/death 20 March 1856 10 January 1941 Location of birth/death Belfast Kilmoganny Work period c.1870-1941 Work location Glasgow (c.1870-1881), London (1881), Paris (1881-1885), Glasgow (1885-1896), London (1896-1935), Los Angeles (1935-1939), Kilmoganny (1939-1941) Authority control : Q60

Friedrich Beckmann and two unnamed actors in 'Der Vater der Debütantin' (costume picture no. 88 for the theater newspaper), Andreas Geiger (1765-1856), engraver, 1841, paper, colored, copperplate engraving, sheet size 30.8×22 cm, plate size 24.4×19 cm, theater, fine arts, performing arts, actors (on stage), Friedrich Beckmann, The Vienna Collection Stock Photo

RM2T8XM9N–Friedrich Beckmann and two unnamed actors in 'Der Vater der Debütantin' (costume picture no. 88 for the theater newspaper), Andreas Geiger (1765-1856), engraver, 1841, paper, colored, copperplate engraving, sheet size 30.8×22 cm, plate size 24.4×19 cm, theater, fine arts, performing arts, actors (on stage), Friedrich Beckmann, The Vienna Collection

Ellen Julia Myers, Lady Jackson *oil on canvas *129.7 x 88.6 cm *signed l.r.: J. Lavery *inscribed (verso): LADY JACKSON./By/JOHN LAVERY./1919 . English: Ellen Julia Myers, Lady Jackson, wife of John Jackson oil on canvas 129.7 x 88.6 cm signed l.r.: J. Lavery inscribed (verso): LADY JACKSON./By/JOHN LAVERY./1919 . 1919. John Lavery (1856–1941) Alternative names Джон Лавери; Sir John Lavery; Sir Lavery; John R. H. Lavery; John Lavery (Sir); ジョン・レイヴァリー Description Irish painter Date of birth/death 20 March 1856 10 January 1941 Location of birth/death Belfast Kilmoganny Work p Stock Photo

RMMP3T8M–Ellen Julia Myers, Lady Jackson *oil on canvas *129.7 x 88.6 cm *signed l.r.: J. Lavery *inscribed (verso): LADY JACKSON./By/JOHN LAVERY./1919 . English: Ellen Julia Myers, Lady Jackson, wife of John Jackson oil on canvas 129.7 x 88.6 cm signed l.r.: J. Lavery inscribed (verso): LADY JACKSON./By/JOHN LAVERY./1919 . 1919. John Lavery (1856–1941) Alternative names Джон Лавери; Sir John Lavery; Sir Lavery; John R. H. Lavery; John Lavery (Sir); ジョン・レイヴァリー Description Irish painter Date of birth/death 20 March 1856 10 January 1941 Location of birth/death Belfast Kilmoganny Work p

Wall from the apartments in Peribolos of Venus temple, Wall in the Temple of Venus in Pompeii, Fig. 75, p. 88, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig: Verlag von Wilhelm Engelmann, 1856 Stock Photo

RM2A2T29A–Wall from the apartments in Peribolos of Venus temple, Wall in the Temple of Venus in Pompeii, Fig. 75, p. 88, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig: Verlag von Wilhelm Engelmann, 1856

Charles Giles Bridle Daubeny (1795-1867) . between 1856 and 1860 88 Charles Daubeny Stock Photo

RMP8235X–Charles Giles Bridle Daubeny (1795-1867) . between 1856 and 1860 88 Charles Daubeny

Inspired by Photoreproduction of a painted portrait of Adolphe Thiers by Paul Delaroche, Portrait de M. Thiers, Robert Jefferson Bingham, after: Paul Delaroche, Paris, in or after 1856 - in or before 1858, paper, albumen print, engraving, height 133 mm × width 88 mmheight 199 mm × width 144 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKHR01–Inspired by Photoreproduction of a painted portrait of Adolphe Thiers by Paul Delaroche, Portrait de M. Thiers, Robert Jefferson Bingham, after: Paul Delaroche, Paris, in or after 1856 - in or before 1858, paper, albumen print, engraving, height 133 mm × width 88 mmheight 199 mm × width 144 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

1740 Thomas Butler Gunn Diaries- Volume 8, page 88, October 20-22, 1856 Stock Photo

RMPB99CK–1740 Thomas Butler Gunn Diaries- Volume 8, page 88, October 20-22, 1856

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan of the armory 1: 100. Lithograph colored on paper, 65.8 x 88.1 cm (including scan edges) Stock Photo

RM2JMXRJ5–Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan of the armory 1: 100. Lithograph colored on paper, 65.8 x 88.1 cm (including scan edges)

. 306 Gloeden, Wilhelm von (1856-1931) - n. 0007 B - Piazza Duomo - Pohlmann p. 88 - Dal sito del National Geographic Stock Photo

RMP8PW8Y–. 306 Gloeden, Wilhelm von (1856-1931) - n. 0007 B - Piazza Duomo - Pohlmann p. 88 - Dal sito del National Geographic

Pennsylvania, colonial and federal : a history, 1608-1903 . Sept. 11, 1891; 8 m.; op. by Williamsport & N. Br. East Broad Top, July 3, 1871; 44.62 m. East Mahanoy, Mar. 9, 1856; 10.95 m.; op. by P. & R. East Pennsylvania, Apr. 27, 1857; 35.38 m.; op. by P. & R. Easton and Northern, Mar. 28, 1889; 12.78 m.; op. by B. & Portland. Ebensburg and Black Lick, xA.pr. 4, 1868; 20.88 m.; op. by P. R. R. Eddystone and Del. River, June 12, 1S99; 1.50 m. Elk and Highlands, Apr. 4, 1898; 15.32 m. Ellwood Connecting, Apr. 11, 1892; .68 m.; op. by P. & L. E. Ellwood Short Line, Apr. 25. i8go; 3.10 m.; op. by Stock Photo

RM2AX8102–Pennsylvania, colonial and federal : a history, 1608-1903 . Sept. 11, 1891; 8 m.; op. by Williamsport & N. Br. East Broad Top, July 3, 1871; 44.62 m. East Mahanoy, Mar. 9, 1856; 10.95 m.; op. by P. & R. East Pennsylvania, Apr. 27, 1857; 35.38 m.; op. by P. & R. Easton and Northern, Mar. 28, 1889; 12.78 m.; op. by B. & Portland. Ebensburg and Black Lick, xA.pr. 4, 1868; 20.88 m.; op. by P. R. R. Eddystone and Del. River, June 12, 1S99; 1.50 m. Elk and Highlands, Apr. 4, 1898; 15.32 m. Ellwood Connecting, Apr. 11, 1892; .68 m.; op. by P. & L. E. Ellwood Short Line, Apr. 25. i8go; 3.10 m.; op. by

. English: Bloody Sunday in 1905 by Wojciech Kossak . 18 April 2017. Wojciech Kossak (1856-1942) 88 Bloody Sunday in 1905 by Wojciech Kossak Stock Photo

RMMX5P4T–. English: Bloody Sunday in 1905 by Wojciech Kossak . 18 April 2017. Wojciech Kossak (1856-1942) 88 Bloody Sunday in 1905 by Wojciech Kossak

RMPFXGHX–. A dictionary of the fossils of Pennsylvania and neighboring states named in the reports and catalogues of the survey ... Paleontology. Geo/ Can Murchisonia attenuata (Hall, Trans. Alb. Inst. Vol. 4, )(1. ,3. page 27, 1856;—Whitfield, Bull. 3, Am. ,,, Mus. Nat. Hist. N. Y. p. 88, plate 9, fig. 13, i^ 1882). Collett's Indiana Report, 1883, page }nci,l3V^ 31,%m, plate 32, fig. IZ, enlarged six times, type specimen imperfect, from the Subcarboniferous of Sper- genHill. Ind.—X/. Murchisonia bellicincta, Hall. Pal. N. Y. Vol. 1, 1847, 11 ^^^K w^^ ^^^^ identifies Emmons' Pleuroto- II.O. ^.^^ ^^^^

Archive image from page 88 of Delle funzioni riproduttive degli animali. Delle funzioni riproduttive degli animali in complemento all'edizione italiana del corso elementare di zoologia del signor Milne Edwards dellefunzionirip00defi Year: 1856 FUNZIONI RIPRODUTTIVE. 77 di analogo ha luogo nei rotiferi che producono d'inverno un unico grosso uovo, e molte piÃ¹ piccole uova nella buona stagione. La storia mirabile dei gorgoglioni od afidi (fig. 54) Ã¨ nota da lungo tempo. Dalle uova deposte in autunno da questi insettucci, na- scono in primavera delle femmine vi- vipare, i cui piccini, cresciut Stock Photo

RMW1T2MM–Archive image from page 88 of Delle funzioni riproduttive degli animali. Delle funzioni riproduttive degli animali in complemento all'edizione italiana del corso elementare di zoologia del signor Milne Edwards dellefunzionirip00defi Year: 1856 FUNZIONI RIPRODUTTIVE. 77 di analogo ha luogo nei rotiferi che producono d'inverno un unico grosso uovo, e molte piÃ¹ piccole uova nella buona stagione. La storia mirabile dei gorgoglioni od afidi (fig. 54) Ã¨ nota da lungo tempo. Dalle uova deposte in autunno da questi insettucci, na- scono in primavera delle femmine vi- vipare, i cui piccini, cresciut

Yellow-poll Wood Warbler, Warbler (Sylvicola aestiva), Signed: J.J. Audubon, J.T. Bowen, lithograph, Pl. 88 (vol. 2), Audubon, John James (drawn); Bowen, J. T. (lith.), 1856, John James Audubon: The birds of America: from drawings made in the United States and their territories. New York: Audubon, 1856 Stock Photo

RM2A2T9BG–Yellow-poll Wood Warbler, Warbler (Sylvicola aestiva), Signed: J.J. Audubon, J.T. Bowen, lithograph, Pl. 88 (vol. 2), Audubon, John James (drawn); Bowen, J. T. (lith.), 1856, John James Audubon: The birds of America: from drawings made in the United States and their territories. New York: Audubon, 1856

Rail Road Suspension Bridge near Niagara Falls, C. Parsons, Nathaniel Currier, American, 1813–88, James Merritt Ives, 1824 – 1895, Engraving on paper, The bridge in the middleground between the American and Canadian banks of the Niagara River. The two levels of the bridge are indicated, a train appears on upper level with carriages on the lower level. The Falls are in the background., USA, 1856, graphic design, Print Stock Photo

RM2DMYKW7–Rail Road Suspension Bridge near Niagara Falls, C. Parsons, Nathaniel Currier, American, 1813–88, James Merritt Ives, 1824 – 1895, Engraving on paper, The bridge in the middleground between the American and Canadian banks of the Niagara River. The two levels of the bridge are indicated, a train appears on upper level with carriages on the lower level. The Falls are in the background., USA, 1856, graphic design, Print

Art inspired by Photoreproduction of a painted portrait of Adolphe Thiers by Paul Delaroche, Portrait de M. Thiers, Robert Jefferson Bingham, after: Paul Delaroche, Paris, in or after 1856 - in or before 1858, paper, albumen print, engraving, height 133 mm × width 88 mmheight 199 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HM163F–Art inspired by Photoreproduction of a painted portrait of Adolphe Thiers by Paul Delaroche, Portrait de M. Thiers, Robert Jefferson Bingham, after: Paul Delaroche, Paris, in or after 1856 - in or before 1858, paper, albumen print, engraving, height 133 mm × width 88 mmheight 199 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Cabinet, c. 1895. Carlo Bugatti (Italian, 1856-1940). Wood with metal inlays and painted parchment, glass doors and mirror; overall: 224.5 x 141 x 55.3 cm (88 3/8 x 55 1/2 x 21 3/4 in Stock Photo

RMRY5T8T–Cabinet, c. 1895. Carlo Bugatti (Italian, 1856-1940). Wood with metal inlays and painted parchment, glass doors and mirror; overall: 224.5 x 141 x 55.3 cm (88 3/8 x 55 1/2 x 21 3/4 in

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan from the lace-up floor. Lithograph colored on paper, 65.9 x 88.4 cm (including scan edges) Stock Photo

RM2JMXRJG–Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan from the lace-up floor. Lithograph colored on paper, 65.9 x 88.4 cm (including scan edges)

River view with church tower, print maker: Jan Daniël Cornelis Carel Willem baron de Constant Rebecque, (mentioned on object), The Hague, 1856 - 1893, paper, etching, h 88 mm × w 142 mm Stock Photo

RM2JC2DX1–River view with church tower, print maker: Jan Daniël Cornelis Carel Willem baron de Constant Rebecque, (mentioned on object), The Hague, 1856 - 1893, paper, etching, h 88 mm × w 142 mm

Italiano: Wilhelm von Gloeden (1856-1931), Ragazzo con bastone. Numero di catalogo: 0457. English: Wilhelm von Gloeden (1856-1931), Boy with a stick. Catalogue number: 0457. . circa 1895 128 Gloeden, Wilhelm von (1856-1931) - n. 0457 - Twelwetrees p. 88 Stock Photo

RMP75PMT–Italiano: Wilhelm von Gloeden (1856-1931), Ragazzo con bastone. Numero di catalogo: 0457. English: Wilhelm von Gloeden (1856-1931), Boy with a stick. Catalogue number: 0457. . circa 1895 128 Gloeden, Wilhelm von (1856-1931) - n. 0457 - Twelwetrees p. 88

. Through the year with Thoreau. , 165, 167, 168. [ 114 ] FROST CRYSTALS December 21, 1854. Walden is frozen over, ap-parently about two inches thick. It is very thicklycovered with what C. calls ice-rosettes, i.e., thosesmall pinches of crystallized snow, — as thickly asif it had snowed in that form. I think it is a sort ofhoar frost on the ice. Journal, vii, 88. January 1, 1856. On the ice at Walden are verybeautiful great leaf crystals in great profusion. Theice is frequently thickly covered with them for manyrods. They seem to be connected with the rosettes,— a running together of them. Th Stock Photo

RM2CF91DH–. Through the year with Thoreau. , 165, 167, 168. [ 114 ] FROST CRYSTALS December 21, 1854. Walden is frozen over, ap-parently about two inches thick. It is very thicklycovered with what C. calls ice-rosettes, i.e., thosesmall pinches of crystallized snow, — as thickly asif it had snowed in that form. I think it is a sort ofhoar frost on the ice. Journal, vii, 88. January 1, 1856. On the ice at Walden are verybeautiful great leaf crystals in great profusion. Theice is frequently thickly covered with them for manyrods. They seem to be connected with the rosettes,— a running together of them. Th

. Danmarks fauna; illustrerede haandbøger over den danske dyreverden... 88 rand og ingen langs den anden. De midterste tænder er de mindste. (Fig. 19c). Længde 5,5-6,5 mm. Farvevariationer: 1. Pronotum helt sort. Dækvinger fortil helt sorte f. saundersi Reut. 2. Pronotum bredt sort bagtil og til siderne. Dækvingerne sortbrune med små lyse pletter f. nigrofusca Reut. Arten lever på løvtræer. Imago fra juli til september. Spredt og ret sjælden. Taget ved Randers, Sønderborg, Sakskøbing og på æbletræer i Kjeldbjerg pr. Skive. (D++ S.NT.). 9. Phytocoris pint Kirschbaum, 1856. Gråbrun, sort skygget Stock Photo

RMPFHC4J–. Danmarks fauna; illustrerede haandbøger over den danske dyreverden... 88 rand og ingen langs den anden. De midterste tænder er de mindste. (Fig. 19c). Længde 5,5-6,5 mm. Farvevariationer: 1. Pronotum helt sort. Dækvinger fortil helt sorte f. saundersi Reut. 2. Pronotum bredt sort bagtil og til siderne. Dækvingerne sortbrune med små lyse pletter f. nigrofusca Reut. Arten lever på løvtræer. Imago fra juli til september. Spredt og ret sjælden. Taget ved Randers, Sønderborg, Sakskøbing og på æbletræer i Kjeldbjerg pr. Skive. (D++ S.NT.). 9. Phytocoris pint Kirschbaum, 1856. Gråbrun, sort skygget

Archive image from page 106 of The development of Renilla (1882). The development of Renilla . developmentofren00wils Year: 1882 83: 84; ¥: 85. 86 87, 88. 89 90. Stock Photo

RMW152XP–Archive image from page 106 of The development of Renilla (1882). The development of Renilla . developmentofren00wils Year: 1882 83: 84; ¥: 85. 86 87, 88. 89 90.

RF2B92K43–Portrait of an unknown English gentleman, 1856, oil on canvas, 112 x 88.5 cm, signed and dated lower right in red: F. Buchser 56., Frank Buchser, Feldbrunnen/Solothurn 1828–1890 Feldbrunnen/Solothurn, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan in the amount of the balcony 1: 100. Lithograph colored on paper, 66 x 88.1 cm (including scan edges) Stock Photo

RM2JMXRF6–Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan in the amount of the balcony 1: 100. Lithograph colored on paper, 66 x 88.1 cm (including scan edges)

L'Universelle, compagnie anonyme d'assurances maritimes, December 24, 1856, Oudiné, Eugène-André, Engraver in medals, In 1856, Numismatic, Token (numismatic), Copper, Sizes - Work: Diameter: 3.7 cm, Weight (type dimension): 23.88 g Stock Photo

RM2T8WHGR–L'Universelle, compagnie anonyme d'assurances maritimes, December 24, 1856, Oudiné, Eugène-André, Engraver in medals, In 1856, Numismatic, Token (numismatic), Copper, Sizes - Work: Diameter: 3.7 cm, Weight (type dimension): 23.88 g

. English: Mrs. Charles Deering John Singer Sargent -- American painter c. 1877 ?? Rhode Island School of Design Museum of Art Oil on canvas 55.88 x 43.18 cm (22 x 17 in.) Jpg: The Athenaeum . circa 1877. John Singer Sargent (January 12, 1856 – April 14, 1925) 71 Mrs. Charles Deering Stock Photo

RMMYYE17–. English: Mrs. Charles Deering John Singer Sargent -- American painter c. 1877 ?? Rhode Island School of Design Museum of Art Oil on canvas 55.88 x 43.18 cm (22 x 17 in.) Jpg: The Athenaeum . circa 1877. John Singer Sargent (January 12, 1856 – April 14, 1925) 71 Mrs. Charles Deering

Art inspired by Table, ca. 1860, Made in New York, New York, United States, American, Oak, poplar, walnut, pearwood or applewood veneer, 30 1/4 x 53 3/4 x 35 in. (76.8 x 136.5 x 88.9 cm), Furniture, Léon Marcotte (1824–1887), This table is part of a suite of Louis XVI–style furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2GM4–Art inspired by Table, ca. 1860, Made in New York, New York, United States, American, Oak, poplar, walnut, pearwood or applewood veneer, 30 1/4 x 53 3/4 x 35 in. (76.8 x 136.5 x 88.9 cm), Furniture, Léon Marcotte (1824–1887), This table is part of a suite of Louis XVI–style furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Through the year with Thoreau . cannot beamended. Journal, ix, 165, 167, 168. 1114 n FROST CRYSTALS December 21, 1854. Walden is frozen over, ap-parently about two inches thick. It is very thicklycovered with what C. calls ice-rosettes, i.e., thosesmall pinches of crystallized snow, — as thickly asif it had snowed in that form. I think it is a sort ofhoar frost on the ice. Journal, vii, 88. January 1, 1856. On the ice at Walden are verybeautiful great leaf crystals in great profusion. Theice is frequently thickly covered with them for manyrods. They seem to be connected with the rosettes,— a Stock Photo

RM2CJ87PG–. Through the year with Thoreau . cannot beamended. Journal, ix, 165, 167, 168. 1114 n FROST CRYSTALS December 21, 1854. Walden is frozen over, ap-parently about two inches thick. It is very thicklycovered with what C. calls ice-rosettes, i.e., thosesmall pinches of crystallized snow, — as thickly asif it had snowed in that form. I think it is a sort ofhoar frost on the ice. Journal, vii, 88. January 1, 1856. On the ice at Walden are verybeautiful great leaf crystals in great profusion. Theice is frequently thickly covered with them for manyrods. They seem to be connected with the rosettes,— a

RF2B93PFG–Yellow-poll Wood Warbler, Warbler (Sylvicola aestiva), Signed: J.J. Audubon, J.T. Bowen, lithograph, Pl. 88 (vol. 2), Audubon, John James (drawn), Bowen, J. T. (lith.), 1856, John James Audubon: The birds of America: from drawings made in the United States and their territories. New York: Audubon, 1856, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Archive image from page 88 of Die Asseln oder Isopoden Deutschlands. Die Asseln oder Isopoden Deutschlands . dieasselnoderiso00dahl Year: 1916 Geographische Verbreitung der Asseln in Deutschland. 79 l l Fig. 107. Verbreitungskarte der Landisopoden in Deutschland. . -y' 1 0, STFsind die vier Verbreitungsgebiete. Leitform für NO ist Armadilhcimm zenckeri, für NW Philoscia muscorum sijlvestris, für SO Porcellio politus {-{-Philoscia miniita) und für 8 W Porcellio liigubris {-]-Philoscia minuta). Die anderen Buchstaben zeigen die Orte an, in deren Umgebung besonders isopodeu gesammelt sind: H Stock Photo

RMW1D3TF–Archive image from page 88 of Die Asseln oder Isopoden Deutschlands. Die Asseln oder Isopoden Deutschlands . dieasselnoderiso00dahl Year: 1916 Geographische Verbreitung der Asseln in Deutschland. 79 l l Fig. 107. Verbreitungskarte der Landisopoden in Deutschland. . -y' 1 0, STFsind die vier Verbreitungsgebiete. Leitform für NO ist Armadilhcimm zenckeri, für NW Philoscia muscorum sijlvestris, für SO Porcellio politus {-{-Philoscia miniita) und für 8 W Porcellio liigubris {-]-Philoscia minuta). Die anderen Buchstaben zeigen die Orte an, in deren Umgebung besonders isopodeu gesammelt sind: H

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan in the amount of the 2nd balcony 1: 100. Lithograph colored on paper, 66 x 88.4 cm (including scan edges) Stock Photo

RM2JMXRJ8–Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan in the amount of the 2nd balcony 1: 100. Lithograph colored on paper, 66 x 88.4 cm (including scan edges)

RM2T8WHGE–L'Universelle, compagnie anonyme d'assurances maritimes, December 24, 1856, Oudiné, Eugène-André, Engraver in medals, In 1856, Numismatic, Token (numismatic), Copper, Sizes - Work: Diameter: 3.7 cm, Weight (type dimension): 23.88 g

. English: Mrs. William Crowninshield Endicott Jr. John Singer Sargent -- American painter 1903 Private collection Oil on canvas 142.2 by 88.5 cm (56 by 35 in.) signed John S. Sargent and dated 1903, u.l. Jpg: Sothebys . 1903. John Singer Sargent Born: January 12, 1856, Florence Died: April 14, 1925, London, United Kingdom 72 Mrs. William Crowninshield Endicott Jr Stock Photo

RMMYY73G–. English: Mrs. William Crowninshield Endicott Jr. John Singer Sargent -- American painter 1903 Private collection Oil on canvas 142.2 by 88.5 cm (56 by 35 in.) signed John S. Sargent and dated 1903, u.l. Jpg: Sothebys . 1903. John Singer Sargent Born: January 12, 1856, Florence Died: April 14, 1925, London, United Kingdom 72 Mrs. William Crowninshield Endicott Jr

Wojciech Kossak (1856-1942), Return from the Hunt; from: `Kłosy`, 1874, 1, no. 88. Boulay, Ernest (fl. 1872-1875), graphic artist, Kossak, Wojciech (1856-1942), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher Stock Photo

RM2JWJ75G–Wojciech Kossak (1856-1942), Return from the Hunt; from: `Kłosy`, 1874, 1, no. 88. Boulay, Ernest (fl. 1872-1875), graphic artist, Kossak, Wojciech (1856-1942), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher

. Das mikroskop : Theorie, gebrauch, geschichte und gegenwärtiger zustand desselben . sselbe wurde von H, Ems-mann (Poggendorffs J.wwaZ. 1853, Bd. 88, S. 262) ausführlich beschrie-ben. Zuerst war es nur dazubestimmt, Objecte genau nach-zuzeichnen, die gar nicht oderdoch nur wenig durch eineLupe vergrössert wurden; spä-ter hat er es aber auch fürdas zusammengesetzte Mikro-skop eingerichtet. (Karl B.Heller: Das dioptriscJie Mi-Jcroskop. Wien 1856, S. 51.)Von der früheren AmicisehenEinrichtung unterscheidet sichdieses Instrument häuptsächlich dadurch, dass das Prisma durch einenGlasspiegel ersetz Stock Photo

RM2CDCGWC–. Das mikroskop : Theorie, gebrauch, geschichte und gegenwärtiger zustand desselben . sselbe wurde von H, Ems-mann (Poggendorffs J.wwaZ. 1853, Bd. 88, S. 262) ausführlich beschrie-ben. Zuerst war es nur dazubestimmt, Objecte genau nach-zuzeichnen, die gar nicht oderdoch nur wenig durch eineLupe vergrössert wurden; spä-ter hat er es aber auch fürdas zusammengesetzte Mikro-skop eingerichtet. (Karl B.Heller: Das dioptriscJie Mi-Jcroskop. Wien 1856, S. 51.)Von der früheren AmicisehenEinrichtung unterscheidet sichdieses Instrument häuptsächlich dadurch, dass das Prisma durch einenGlasspiegel ersetz

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan in the amount of the 1st sub-machine 1: 100. Lithograph colored on paper, 75.8 x 88.6 cm (including scan edges) Stock Photo

RM2JMXRGJ–Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan in the amount of the 1st sub-machine 1: 100. Lithograph colored on paper, 75.8 x 88.6 cm (including scan edges)

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (09.1905): Grundriss 3rd floor, 3rd place 1: 100. Pressure on cardboard, 74.7 x 88.9 cm (including scan edges) Genzmer, Felix (1856-1929): Schauspielhaus, Berlin. Umbau Stock Photo

RM2JMP2E5–Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (09.1905): Grundriss 3rd floor, 3rd place 1: 100. Pressure on cardboard, 74.7 x 88.9 cm (including scan edges) Genzmer, Felix (1856-1929): Schauspielhaus, Berlin. Umbau

Archive image from page 61 of Die Asseln oder Isopoden Deutschlands. Die Asseln oder Isopoden Deutschlands . dieasselnoderiso00dahl Year: 1916 Fig. 87. Porcello Ingubris, Hinterleibsende. Fig. 88. Porcello lugubris, Kopf. Fig. 86. Porcellio spinicornis, Fühlerende. Das 'Wurzelglied der Schwanzfüße ist am Ende schräg gestutzt, so daß der Außenwinkel ein sehr stumpfer ist (Fig. 87); der Zahn am Ende des 2. Fühlergliedes ist nur halb so lang wie der des 3. Gliedes (Fig. 88); das vorletzte Fühlerglied ist (auch beim er- wachsenen Tier) nicht oder kaum länger als das Endglied; der Stock Photo

RMW1CEEA–Archive image from page 61 of Die Asseln oder Isopoden Deutschlands. Die Asseln oder Isopoden Deutschlands . dieasselnoderiso00dahl Year: 1916 Fig. 87. Porcello Ingubris, Hinterleibsende. Fig. 88. Porcello lugubris, Kopf. Fig. 86. Porcellio spinicornis, Fühlerende. Das 'Wurzelglied der Schwanzfüße ist am Ende schräg gestutzt, so daß der Außenwinkel ein sehr stumpfer ist (Fig. 87); der Zahn am Ende des 2. Fühlergliedes ist nur halb so lang wie der des 3. Gliedes (Fig. 88); das vorletzte Fühlerglied ist (auch beim er- wachsenen Tier) nicht oder kaum länger als das Endglied; der

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan in the amount of the 2nd sub-machine 1: 100, site plan 1: 1000. Lithograph colored on paper, 75.8 x 88.3 cm (including scan edges) Stock Photo

RM2JMXRFR–Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (1904-1905): floor plan in the amount of the 2nd sub-machine 1: 100, site plan 1: 1000. Lithograph colored on paper, 75.8 x 88.3 cm (including scan edges)

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (09.1905): floor plan 2nd floor, 2nd place 1: 100. Pressure on cardboard, 73.4 x 88.3 cm (including scan edges) Genzmer, Felix (1856-1929): Schauspielhaus, Berlin. Umbau Stock Photo

RM2JMP2E6–Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (09.1905): floor plan 2nd floor, 2nd place 1: 100. Pressure on cardboard, 73.4 x 88.3 cm (including scan edges) Genzmer, Felix (1856-1929): Schauspielhaus, Berlin. Umbau

View of Sennaia Square and view of the Kazan Cathedral, at St. Petersburg, St. Petersburg in 1856.- The Sennaia Ploschad, or Hay Market / St. Petersburg in 1856.- The Kazan Cathedral (title on object), With English text on verso., print maker: Orrin Smith, (mentioned on object), 1856, paper, letterpress printing, height 88 mm × width 236 mm Stock Photo

RM2JE3NP1–View of Sennaia Square and view of the Kazan Cathedral, at St. Petersburg, St. Petersburg in 1856.- The Sennaia Ploschad, or Hay Market / St. Petersburg in 1856.- The Kazan Cathedral (title on object), With English text on verso., print maker: Orrin Smith, (mentioned on object), 1856, paper, letterpress printing, height 88 mm × width 236 mm

. English: Mrs. Frederick William Roller (nee Eva Eyton) John Singer Sargent -- American painter 1895 Frye Art Museum, Seattle, Washington Oil on canvas 223.52 x 113.03 cm (88 x 44 1/2 in) Inscribed ur: John S. Sargent Jpg: Frye Art Museum . 1895. John Singer Sargent Born: January 12, 1856, Florence Died: April 14, 1925, London, United Kingdom 71 Mrs. Frederick William Roller Stock Photo

RMMYY728–. English: Mrs. Frederick William Roller (nee Eva Eyton) John Singer Sargent -- American painter 1895 Frye Art Museum, Seattle, Washington Oil on canvas 223.52 x 113.03 cm (88 x 44 1/2 in) Inscribed ur: John S. Sargent Jpg: Frye Art Museum . 1895. John Singer Sargent Born: January 12, 1856, Florence Died: April 14, 1925, London, United Kingdom 71 Mrs. Frederick William Roller

. A history of the birds of Europe, not observed in the British Isles . ;Miihle, Monogr, der Eur. Sylv. 88 INSECTIVOR.E. FamUy SYLVIAD^. Genus Sylvia. (Latham.) FANTAIL WAEBLER. Sylvia cisticola. Sylvia cisticola, typus, Cisticola scJicEiiicola, Salicaria cisticola, Riverain Cisticole,Cisten Rohrsanger,Beccamosche, Temminck; Man., 228, 1820.ViEiLLOT; Faun. Fr., p. 227.Savi; Ornith. Tosc, 1827.ScniNZ; Europ. Faun., 1840.MiJHLE; Monog., 1856.EiJppELL; Neue Wirb. Vogel,p. 113. BONAPAETE, 1838. DuEAZzo; Ueelli Liguri, 1840.Z. Geebe; Diet., 1848.Degland, 1849.Keyseeling & Blasitjs, 1840.ScHLEGEL; R Stock Photo

RM2CNRW2F–. A history of the birds of Europe, not observed in the British Isles . ;Miihle, Monogr, der Eur. Sylv. 88 INSECTIVOR.E. FamUy SYLVIAD^. Genus Sylvia. (Latham.) FANTAIL WAEBLER. Sylvia cisticola. Sylvia cisticola, typus, Cisticola scJicEiiicola, Salicaria cisticola, Riverain Cisticole,Cisten Rohrsanger,Beccamosche, Temminck; Man., 228, 1820.ViEiLLOT; Faun. Fr., p. 227.Savi; Ornith. Tosc, 1827.ScniNZ; Europ. Faun., 1840.MiJHLE; Monog., 1856.EiJppELL; Neue Wirb. Vogel,p. 113. BONAPAETE, 1838. DuEAZzo; Ueelli Liguri, 1840.Z. Geebe; Diet., 1848.Degland, 1849.Keyseeling & Blasitjs, 1840.ScHLEGEL; R

Archive image from page 140 of Dictionnaire d'horticulture illustré par. Dictionnaire d'horticulture illustrÃ / par D. Bois prÃface de Maxime Cornu avec la collaboration de E. AndrÃ ... [et al.]. . dictionnairedhor00bois Year: 1893 Fig. 88. â ASCLEPIAS TUBEHOSA L. A. incarnata L. â AmÃrique du Nord. â Vi- vace; non traÃ§ant; tige rougeÃ¢tre de 1 m., pu- bescente; feuilles lancÃolÃ:?? fleurs odorantes rose purpurin. A. princeps Bartl. â AmÃrique du Nord. â DiffÃ¨re de VA. Douglasii par absence de rhi- zomes traÃ§ants, par sa floraison plus abondante et sa taille plus ÃlevÃe. A. tuberosa Stock Photo

RMW15DNY–Archive image from page 140 of Dictionnaire d'horticulture illustré par. Dictionnaire d'horticulture illustrÃ / par D. Bois prÃface de Maxime Cornu avec la collaboration de E. AndrÃ ... [et al.]. . dictionnairedhor00bois Year: 1893 Fig. 88. â ASCLEPIAS TUBEHOSA L. A. incarnata L. â AmÃrique du Nord. â Vi- vace; non traÃ§ant; tige rougeÃ¢tre de 1 m., pu- bescente; feuilles lancÃolÃ:?? fleurs odorantes rose purpurin. A. princeps Bartl. â AmÃrique du Nord. â DiffÃ¨re de VA. Douglasii par absence de rhi- zomes traÃ§ants, par sa floraison plus abondante et sa taille plus ÃlevÃe. A. tuberosa

Genzmer, Felix (1856-1929), Royal Opera in Berlin-Tiergarten (1910): Grundriss 1st floor, 1st rank 1: 200. Light break on paper, 88.6 x 67.4 cm (including scan edges) Genzmer, Felix (1856-1929): Königliche Oper, Berlin-Tiergarten Stock Photo

RM2JMP2FK–Genzmer, Felix (1856-1929), Royal Opera in Berlin-Tiergarten (1910): Grundriss 1st floor, 1st rank 1: 200. Light break on paper, 88.6 x 67.4 cm (including scan edges) Genzmer, Felix (1856-1929): Königliche Oper, Berlin-Tiergarten

Wichards Franz (1856-1919), textile exchange for Berlin. Schinkel competition 1885 (01.11.1885): Cut C-D 1:75. Tusche watercolor on the box, 88.5 x 73.8 cm (including scan edges) Wichards Franz (1856-1919): Textilbörse, Berlin. Schinkelwettbewerb 1885 Stock Photo

RM2JMT7W2–Wichards Franz (1856-1919), textile exchange for Berlin. Schinkel competition 1885 (01.11.1885): Cut C-D 1:75. Tusche watercolor on the box, 88.5 x 73.8 cm (including scan edges) Wichards Franz (1856-1919): Textilbörse, Berlin. Schinkelwettbewerb 1885

Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (09.1905): Building template: Longitudinal section with specification of the reference and developing 1: 100. Ink colored, watercolor over pressure on cardboard, 65.4 x 88.5 cm (including scan edges) Genzmer, Felix (1856-1929): Schauspielhaus, Berlin. Umbau Stock Photo

RM2JMP2FD–Genzmer, Felix (1856-1929), Schauspielhaus, Berlin. Conversion (09.1905): Building template: Longitudinal section with specification of the reference and developing 1: 100. Ink colored, watercolor over pressure on cardboard, 65.4 x 88.5 cm (including scan edges) Genzmer, Felix (1856-1929): Schauspielhaus, Berlin. Umbau

Wichards Franz (1856-1919), fallen in Stralsund. Monthly competition February 1885 (02.1885): floor plan on three levels, vertical cut. Pencil watercolored on paper, 88.3 x 57.7 cm (including scan edges) Wichards Franz (1856-1919): Gefallenendenkmal, Stralsund. Monatskonkurrenz Februar 1885 Stock Photo

RM2JMWJ88–Wichards Franz (1856-1919), fallen in Stralsund. Monthly competition February 1885 (02.1885): floor plan on three levels, vertical cut. Pencil watercolored on paper, 88.3 x 57.7 cm (including scan edges) Wichards Franz (1856-1919): Gefallenendenkmal, Stralsund. Monatskonkurrenz Februar 1885

Unger (1743-1799), Potsdam Citizens' Houses. Building recordings (so-called Ziller-Folder) around 1850. Eckhaus Charlottenstraße 88, corner of Waisenstraße (built 1781) (27.08.1856): Riss front view facade (scale bar, foot). Pencil and ink watercolor on paper, 46.1 x 33.7 cm (including scan edges) Unger (1743-1799): Potsdamer Bürgerhäuser. Bauaufnahmen (sog. Ziller-Mappe) um 1850. Eckhaus Charlottenstraße 88, Ecke Waisenstraße (Baujahr 1781) Stock Photo

RM2JMRTHT–Unger (1743-1799), Potsdam Citizens' Houses. Building recordings (so-called Ziller-Folder) around 1850. Eckhaus Charlottenstraße 88, corner of Waisenstraße (built 1781) (27.08.1856): Riss front view facade (scale bar, foot). Pencil and ink watercolor on paper, 46.1 x 33.7 cm (including scan edges) Unger (1743-1799): Potsdamer Bürgerhäuser. Bauaufnahmen (sog. Ziller-Mappe) um 1850. Eckhaus Charlottenstraße 88, Ecke Waisenstraße (Baujahr 1781)

Takinogawa, Oji, No. 88 from One Hundred Famous Views of Edo, Utagawa Hiroshige, Ando, Japanese, 1797-1858, Woodblock print, Japan, 4th month of 1856, Edo Period, Ansei Era, Sheet: 14 3/16 x 9 1/4 in., 36 x 23.5 cm, 19th Century, 19thC, autumn, bridge, calmness, edo, fauna, flora, harmony, hiroshige, japanese, landscape, meditative, minimal, nature, print, Tokyo, tree, water, woodblock Stock Photo

RM2HB1WP8–Takinogawa, Oji, No. 88 from One Hundred Famous Views of Edo, Utagawa Hiroshige, Ando, Japanese, 1797-1858, Woodblock print, Japan, 4th month of 1856, Edo Period, Ansei Era, Sheet: 14 3/16 x 9 1/4 in., 36 x 23.5 cm, 19th Century, 19thC, autumn, bridge, calmness, edo, fauna, flora, harmony, hiroshige, japanese, landscape, meditative, minimal, nature, print, Tokyo, tree, water, woodblock

Return from the hunt according to Wojciech Kossak. A clipping of ears 1874 (1) 88 Boulay, Ernest (N.N.), Kossak, Wojciech (1856 1942) Stock Photo

RM2JB1X7C–Return from the hunt according to Wojciech Kossak. A clipping of ears 1874 (1) 88 Boulay, Ernest (N.N.), Kossak, Wojciech (1856 1942)

Odd Fellows ceremonial ark, 1856, 10 3/16 x 19 1/4 x 10 1/4 in. (25.88 x 48.9 x 26.04 cm), Wood, pigment, United States, 19th century Stock Photo

RM2T91XT8–Odd Fellows ceremonial ark, 1856, 10 3/16 x 19 1/4 x 10 1/4 in. (25.88 x 48.9 x 26.04 cm), Wood, pigment, United States, 19th century

Giseh Jîzah: Grab 86., 87., 88., 89. Wild. 1849 - 1856. Lepsius, Richard, 1810-1884. Cartographic. Prints. General Research Division. Egypt , Antiquities, Pyramids of Giza (Egypt), Jîzah (Egypt) Stock Photo

RM2K412XW–Giseh Jîzah: Grab 86., 87., 88., 89. Wild. 1849 - 1856. Lepsius, Richard, 1810-1884. Cartographic. Prints. General Research Division. Egypt , Antiquities, Pyramids of Giza (Egypt), Jîzah (Egypt)

. Norsk lutherske prester i Amerika, 1843-1913 . 226. GiERE, Nils Amundson. Old. 1887. Antiniissouri, 1887—90, Forenede kirke, 9(). F. i Koshkonong, Wis., 7 mars 1856, af AmundNilson G, og Kari (f, Gjesme), frekv. LutherColl., 72—74, 82—84, Luther Sem., 84—85, Capi-tal Univ., 85—86, Northfield Sem., 86—87 (C.T.),prest, Aberdeen, S. D., 87—91, Black River Falls,Wis., 91—04, North Prairie, Minn., 04—10, SpringValley, Minn., 10—, ordinationskom., 99—00, visi-tator, 08—11, foreningskom. (nr. 2), 12—. *CarrieLee, 88. 1912. Stock Photo

RM2CGJB4T–. Norsk lutherske prester i Amerika, 1843-1913 . 226. GiERE, Nils Amundson. Old. 1887. Antiniissouri, 1887—90, Forenede kirke, 9(). F. i Koshkonong, Wis., 7 mars 1856, af AmundNilson G, og Kari (f, Gjesme), frekv. LutherColl., 72—74, 82—84, Luther Sem., 84—85, Capi-tal Univ., 85—86, Northfield Sem., 86—87 (C.T.),prest, Aberdeen, S. D., 87—91, Black River Falls,Wis., 91—04, North Prairie, Minn., 04—10, SpringValley, Minn., 10—, ordinationskom., 99—00, visi-tator, 08—11, foreningskom. (nr. 2), 12—. *CarrieLee, 88. 1912.

Friedrich Beckmann and two not mentioned actors in 'The Father of the Defective Agency' (costume picture No. 88 for the theater newspaper). Andreas Geiger (1765-1856), Copper Engraver, after: Johann Christian Schoeller (1782-1851), artist Stock Photo

RM2JAHNW0–Friedrich Beckmann and two not mentioned actors in 'The Father of the Defective Agency' (costume picture No. 88 for the theater newspaper). Andreas Geiger (1765-1856), Copper Engraver, after: Johann Christian Schoeller (1782-1851), artist

. th) mmmteft&mfÃ´&&i, fÃ fÃ¨itfÃ¨ ^#HffÂ£ Uffir-)ÃW (peach-almond), mm (Luizet) â fcÃ«-.&SS&mZnm (Revue Horticole)5) #3 'M; 4.?mmm; 5. Bjgjjggg (Barcelona);! SE; 6. ^M(Malaga) H 8. #Ã¯?B&88(Sinyrna)JlS&0 1} 5^^ÃÃ'^H^,IBi:s,^rafÃª'^396:a5SS37():5^' *Â¥&â%tft':f(âi>&m. 2) ZH^iBg*. 1856^,^ 532 H. âÅfÃ#( bIMW^W) gÂ£Ã®Åffi$ft&Â£FaTOi!ÃiÃffifÃ 5Ã«S&yiJ. ^-Ã¯Sl^i^^i^l &Sc#|IMJ5 (Rivers) 1863^f $ 27 S): 3) HE^^8,|g^,afl68K. 5) 5ia2:H#IB^,1866 ^,ai800^. Stock Photo

RMMCK4CK–. th) mmmteft&mfÃ´&&i, fÃ fÃ¨itfÃ¨ ^#HffÂ£ Uffir-)ÃW (peach-almond), mm (Luizet) â fcÃ«-.&SS&mZnm (Revue Horticole)5) #3 'M; 4.?mmm; 5. Bjgjjggg (Barcelona);! SE; 6. ^M(Malaga) H 8. #Ã¯?B&88(Sinyrna)JlS&0 1} 5^^ÃÃ'^H^,IBi:s,^rafÃª'^396:a5SS37():5^' *Â¥&â%tft':f(âi>&m. 2) ZH^iBg*. 1856^,^ 532 H. âÅfÃ#( bIMW^W) gÂ£Ã®Åffi$ft&Â£FaTOi!ÃiÃffifÃ 5Ã«S&yiJ. ^-Ã¯Sl^i^^i^l &Sc#|IMJ5 (Rivers) 1863^f $ 27 S): 3) HE^^8,|g^,afl68K. 5) 5ia2:H#IB^,1866 ^,ai800^.

Back from hunt according to the watercolour by JuIIusz Kossak, drawn by Wojciech Kossak. Excerpt from „Kłosy” 1877 (2) 88 Pomianowski, Kazimierz (Ca 1875 1890), Kossak, Juliusz (1824 1899), Kossak, Wojciech (1856 1942) Stock Photo

RM2JB1R0B–Back from hunt according to the watercolour by JuIIusz Kossak, drawn by Wojciech Kossak. Excerpt from „Kłosy” 1877 (2) 88 Pomianowski, Kazimierz (Ca 1875 1890), Kossak, Juliusz (1824 1899), Kossak, Wojciech (1856 1942)

RMW1CEED–Archive image from page 61 of Die Asseln oder Isopoden Deutschlands. Die Asseln oder Isopoden Deutschlands . dieasselnoderiso00dahl Year: 1916 52 26. Porcellio. erweitening ist mehr oder weniger stumpf, höchstens ein fast rechter (Fig. 85 u. 88); die Färbung der Oberseite des Körpers ist meist mit vielem Hell gemischt; der Körper wird bis 14 mm lang Das Wurzelglied der Schwanzfüße ist am Ende mehr quer ge- stutzt, so daß der Außenwinkel ein fast rechter ist (Fig. 84); auf dem 2. Fühlergliede befindet sich ein Endzahn, der etwa eben so lang ist wie der äußere Endzahn des 3. Gliedes (Fig. 85);

RM2JAAX43–Friedrich Beckmann and two not mentioned actors in 'The Father of the Defective Agency' (costume picture No. 88 for the theater newspaper). Andreas Geiger (1765-1856), Copper Engraver, after: Johann Christian Schoeller (1782-1851), artist

After the Reception, 1887, Douglas Volk, American, 1856 - 1935, 34 3/4 x 25 1/2 in. (88.27 x 64.77 cm) (canvas)48 x 38 1/2 x 3 1/2 in. (121.92 x 97.79 x 8.89 cm) (outer frame), Oil on canvas, United States, 19th century Stock Photo

RM2T91495–After the Reception, 1887, Douglas Volk, American, 1856 - 1935, 34 3/4 x 25 1/2 in. (88.27 x 64.77 cm) (canvas)48 x 38 1/2 x 3 1/2 in. (121.92 x 97.79 x 8.89 cm) (outer frame), Oil on canvas, United States, 19th century

. Norsk lutherske prester i Amerika, 1843-1913 . Svingen, Ole Pederson. Ord. 1888. Hauges synode, 1888—. F. i Hedalen, Vaage, N. Gudbrandsdalen, Ha-mar, 7 jan. 1856, af Peder S. og Anne (f. Olsen),kolportør og lægprædikant, 80—84, udv. 84, RedWing Sem., 85—88 (C.T.), prest, Bottineau Co.,N. D., 88—91, Randall, la., 91—97, Frost, Minn.,97—04, Bottineau, N. D., 04—12, kredsformand,06—07. *Marie Romsaas, 86. 1891.. 1913. SWALESTUEN, JØRGEN DaNIELSON. Ord. 1888. Antimissouri, 1888—90, Forenede kirke, 90—. F. i Fyresdal, Øvre Telemarken vest, Kri-stiansand, 16 jan. 1867, af Daniel Paulson S. ogAash Stock Photo

RM2CHKHRY–. Norsk lutherske prester i Amerika, 1843-1913 . Svingen, Ole Pederson. Ord. 1888. Hauges synode, 1888—. F. i Hedalen, Vaage, N. Gudbrandsdalen, Ha-mar, 7 jan. 1856, af Peder S. og Anne (f. Olsen),kolportør og lægprædikant, 80—84, udv. 84, RedWing Sem., 85—88 (C.T.), prest, Bottineau Co.,N. D., 88—91, Randall, la., 91—97, Frost, Minn.,97—04, Bottineau, N. D., 04—12, kredsformand,06—07. *Marie Romsaas, 86. 1891.. 1913. SWALESTUEN, JØRGEN DaNIELSON. Ord. 1888. Antimissouri, 1888—90, Forenede kirke, 90—. F. i Fyresdal, Øvre Telemarken vest, Kri-stiansand, 16 jan. 1867, af Daniel Paulson S. ogAash

RM2JAB9W8–Friedrich Beckmann and two not mentioned actors in 'The Father of the Defective Agency' (costume picture No. 88 for the theater newspaper). Andreas Geiger (1765-1856), Copper Engraver, after: Johann Christian Schoeller (1782-1851), artist

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1856 88 Stock Photos and Images

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