Unidentified elderly woman wearing a bonnet, seated, holding a fan. Lespinasse (French, active Paris, France, London, England and Madrid, Spain 1860s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-elderly-woman-wearing-a-bonnet-seated-holding-a-fan-lespinasse-french-active-paris-france-london-england-and-madrid-spain-1860s-image416550996.html
RM2F5KF18–Unidentified elderly woman wearing a bonnet, seated, holding a fan. Lespinasse (French, active Paris, France, London, England and Madrid, Spain 1860s)
Original Victorian CDV studio portrait of young woman or most probably a teenage girl holding a bonnet, blue hand coloured tint added to waistband and collar, she looks sickly, slightly spooky photograph. Circa 1860's, U.K. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-victorian-cdv-studio-portrait-of-young-woman-or-most-probably-a-teenage-girl-holding-a-bonnet-blue-hand-coloured-tint-added-to-waistband-and-collar-she-looks-sickly-slightly-spooky-photograph-circa-1860s-uk-image455630726.html
RM2HD7NHX–Original Victorian CDV studio portrait of young woman or most probably a teenage girl holding a bonnet, blue hand coloured tint added to waistband and collar, she looks sickly, slightly spooky photograph. Circa 1860's, U.K.
DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-departure-from-the-old-homestead-an-1862-photograph-by-george-barnard-50048531.html
RMCWBWBF–DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil
Chromolithographed frontispiece to Mr. Johnston's School by E C Tainsh. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chromolithographed-frontispiece-to-mr-johnstons-school-by-e-c-tainsh-28655934.html
RMBJHAX6–Chromolithographed frontispiece to Mr. Johnston's School by E C Tainsh.
Woman wearing a bonnet, 1860s-1870s, Auckland, by Hartley Webster. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-wearing-a-bonnet-1860s-1870s-auckland-by-hartley-webster-image479040201.html
RM2JRA4JH–Woman wearing a bonnet, 1860s-1870s, Auckland, by Hartley Webster.
Kronheim Chromolithograph of the Princess of Wales, 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-kronheim-chromolithograph-of-the-princess-of-wales-1864-101976257.html
RMFWWBN5–Kronheim Chromolithograph of the Princess of Wales, 1864
Otoe Delegation. Artist: Charles Milton Bell (American, 1848-1893). Dimensions: 24 x 28.8 cm (9 7/16 x 11 5/16 in.). Date: 1881. The troubled relationship between native and non-native North Americans was well documented by the camera. In the 1850s and 1860s white photographers moved West and welcomed Native Americans into their studios. They rarely paid their subjects, seldom recorded their names or tribes, and often dressed their sitters in studio props, confusing the ethnographic record. After the end of the Civil War, the locus for most so-called 'Indian' photographs moved east to Washin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/otoe-delegation-artist-charles-milton-bell-american-1848-1893-dimensions-24-x-288-cm-9-716-x-11-516-in-date-1881-the-troubled-relationship-between-native-and-non-native-north-americans-was-well-documented-by-the-camera-in-the-1850s-and-1860s-white-photographers-moved-west-and-welcomed-native-americans-into-their-studios-they-rarely-paid-their-subjects-seldom-recorded-their-names-or-tribes-and-often-dressed-their-sitters-in-studio-props-confusing-the-ethnographic-record-after-the-end-of-the-civil-war-the-locus-for-most-so-called-indian-photographs-moved-east-to-washin-image213207431.html
RMPATC73–Otoe Delegation. Artist: Charles Milton Bell (American, 1848-1893). Dimensions: 24 x 28.8 cm (9 7/16 x 11 5/16 in.). Date: 1881. The troubled relationship between native and non-native North Americans was well documented by the camera. In the 1850s and 1860s white photographers moved West and welcomed Native Americans into their studios. They rarely paid their subjects, seldom recorded their names or tribes, and often dressed their sitters in studio props, confusing the ethnographic record. After the end of the Civil War, the locus for most so-called 'Indian' photographs moved east to Washin
Lucretia Mott (1793-1880), American Feminist, Reformer and Abolitionist, Portrait, Circa 1860's Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lucretia-mott-1793-1880-american-feminist-reformer-and-abolitionist-55551721.html
RMD6AGP1–Lucretia Mott (1793-1880), American Feminist, Reformer and Abolitionist, Portrait, Circa 1860's
Baby's Hood - Knitting from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/babys-hood-knitting-from-godeys-ladys-book-and-magazine-december-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385084883.html
RF2DAE3KF–Baby's Hood - Knitting from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
Unidentified soldier in kilt and feathered bonnet. Porral (British, active Gibraltar 1860s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-soldier-in-kilt-and-feathered-bonnet-porral-british-active-gibraltar-1860s-image416511864.html
RM2F5HN3M–Unidentified soldier in kilt and feathered bonnet. Porral (British, active Gibraltar 1860s)
Taupe bonnet with cross-stitched brim worn by the enslaved woman Martha Barnes 1850s - 1860s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/taupe-bonnet-with-cross-stitched-brim-worn-by-the-enslaved-woman-martha-barnes-1850s-1860s-image567277855.html
RM2RXWMKB–Taupe bonnet with cross-stitched brim worn by the enslaved woman Martha Barnes 1850s - 1860s
Housekeeping staff having their photo taken, in the 1860s. Note the scrub bucket and brush lower left, posed flowers next to the broom, white cap on the lady in back and the cloth folded over her arm. This is a Tintype photograph. To see my other vintage images, Search: Prestor vintage Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-housekeeping-staff-having-their-photo-taken-in-the-1860s-note-the-133796424.html
RFHNJXKM–Housekeeping staff having their photo taken, in the 1860s. Note the scrub bucket and brush lower left, posed flowers next to the broom, white cap on the lady in back and the cloth folded over her arm. This is a Tintype photograph. To see my other vintage images, Search: Prestor vintage
Scottish women 's fashion: 1865. Illustration with background of the Old Tolbooth in Canongate in the 1860s Edinburgh. C. 1936. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-scottish-women-s-fashion-1865-illustration-with-background-of-the-83342687.html
RMERGGCF–Scottish women 's fashion: 1865. Illustration with background of the Old Tolbooth in Canongate in the 1860s Edinburgh. C. 1936.
Portrait of woman in black bonnet, United States, 1860s - 1880s, Hand-colored tintype, Sheet: 25.5 x 17.2 cm (10 1,16 reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-black-bonnet-united-states-1860s-1880s-hand-colored-tintype-sheet-255-x-172-cm-10-116-reimagined-image230260697.html
RFRAH7T9–Portrait of woman in black bonnet, United States, 1860s - 1880s, Hand-colored tintype, Sheet: 25.5 x 17.2 cm (10 1,16 reimagined
Boating Enthusiast, Costumes des theatres (Costumes of the theatres) 1860. From La Vie Parisienne by Joanna Richardson (1860) page 9. La Vie Parisienne (Parisian Life) is by by Jacques Offenbach (1819-1880) and is a five-act opera about cosmopolitan life in Paris in the 1860s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boating-enthusiast-costumes-des-theatres-costumes-of-the-theatres-1860-from-la-vie-parisienne-by-joanna-richardson-1860-page-9-la-vie-parisienne-parisian-life-is-by-by-jacques-offenbach-1819-1880-and-is-a-five-act-opera-about-cosmopolitan-life-in-paris-in-the-1860s-image268791910.html
RMWH8ER2–Boating Enthusiast, Costumes des theatres (Costumes of the theatres) 1860. From La Vie Parisienne by Joanna Richardson (1860) page 9. La Vie Parisienne (Parisian Life) is by by Jacques Offenbach (1819-1880) and is a five-act opera about cosmopolitan life in Paris in the 1860s.
Woman at Church Door, c1860. The Walters Art Museum holds a number of works by George Henry Boughton, who was popular with both William T. and Henry Walters. Boughton had trained in France with Edouard Frère in the 1860s (another artist well represented at the museum). William T. Walters visited Boughton's studio in London with George Lucas as early as 1867 and William visited again in the 1883. Meanwhile in 1881 Henry Walters had viewed the work of Alma-Tadema in the Royal Academy alongside Boughton. The artist may have played role in introducing the work Alma-Tadema to William and Henry Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-at-church-door-c1860-the-walters-art-museum-holds-a-number-of-works-by-george-henry-boughton-who-was-popular-with-both-william-t-and-henry-walters-boughton-had-trained-in-france-with-edouard-frxe8re-in-the-1860s-another-artist-well-represented-at-the-museum-william-t-walters-visited-boughtons-studio-in-london-with-george-lucas-as-early-as-1867-and-william-visited-again-in-the-1883-meanwhile-in-1881-henry-walters-had-viewed-the-work-of-alma-tadema-in-the-royal-academy-alongside-boughton-the-artist-may-have-played-role-in-introducing-the-work-alma-tadema-to-william-and-henry-image575141533.html
RM2TBKXW1–Woman at Church Door, c1860. The Walters Art Museum holds a number of works by George Henry Boughton, who was popular with both William T. and Henry Walters. Boughton had trained in France with Edouard Frère in the 1860s (another artist well represented at the museum). William T. Walters visited Boughton's studio in London with George Lucas as early as 1867 and William visited again in the 1883. Meanwhile in 1881 Henry Walters had viewed the work of Alma-Tadema in the Royal Academy alongside Boughton. The artist may have played role in introducing the work Alma-Tadema to William and Henry
Unidentified woman wearing a bonnet standing, with two bundles over her shoulder plus an umbrella, Thomas Edge (British, active 1850s - 1870s), 1860s, Albumen silver print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-woman-wearing-a-bonnet-standing-with-two-bundles-over-her-shoulder-plus-an-umbrella-thomas-edge-british-active-1850s-1870s-1860s-albumen-silver-print-image261290253.html
RMW52PAN–Unidentified woman wearing a bonnet standing, with two bundles over her shoulder plus an umbrella, Thomas Edge (British, active 1850s - 1870s), 1860s, Albumen silver print
Loom for Weaving Bonnet Braid 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/loom-for-weaving-bonnet-braid-1865-image555911146.html
RM2R8BX9E–Loom for Weaving Bonnet Braid 1865
Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; 17.8 × 12.6 cm, 7 × 4 15,16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-178-126-cm-7-4-1516-in-image220679997.html
RMPR0RGD–Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; 17.8 × 12.6 cm, 7 × 4 15,16 in
Seamstresses at Ingleton, UK 14th September, 2013. Seamstress Camp followers sewing at Ingleton's Wild West Weekend featuring the American Civil War Society with living history displays and re-enactments. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seamstresses-at-ingleton-uk-14th-september-2013-seamstress-camp-followers-image60454891.html
RMDE9XR7–Seamstresses at Ingleton, UK 14th September, 2013. Seamstress Camp followers sewing at Ingleton's Wild West Weekend featuring the American Civil War Society with living history displays and re-enactments.
DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-departure-from-the-old-homestead-an-1862-photograph-by-george-barnard-50048532.html
RMCWBWBG–DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil
Anna Atkins (1799-1871) English scientist and early female photographer; her self published book 'British Algae: Cyanotype Impressions' published in October 1843 used a cyanotype photographic process invented by Sir John Herschel the previous year. This was the first published book illustrated with photographic images. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-anna-atkins-1799-1871-english-scientist-and-early-female-photographer-130652566.html
RMHGFMK2–Anna Atkins (1799-1871) English scientist and early female photographer; her self published book 'British Algae: Cyanotype Impressions' published in October 1843 used a cyanotype photographic process invented by Sir John Herschel the previous year. This was the first published book illustrated with photographic images.
c. 1890 Australia - Brighton Beach Melbourne Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-c-1890-australia-brighton-beach-melbourne-172666928.html
RMM0WJC0–c. 1890 Australia - Brighton Beach Melbourne
Breton Brother and Sister. Artist: William Bouguereau (French, La Rochelle 1825-1905 La Rochelle). Dimensions: 50 7/8 x 35 1/8 in. (129.2 x 89.2 cm). Date: 1871. Based on sketches Bouguereau made while summering in Brittany in the late 1860s, this picture was completed in the artist's studio in 1871. His young models, posed in traditional Breton costumes, epitomize pastoral sibling affection. This type of scene was quickly snapped up by American collectors, earning Bouguereau fame and fortune. As one critic explained, 'Whoever gets a picture by [him] gets the full worth of his money, in finis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/breton-brother-and-sister-artist-william-bouguereau-french-la-rochelle-1825-1905-la-rochelle-dimensions-50-78-x-35-18-in-1292-x-892-cm-date-1871-based-on-sketches-bouguereau-made-while-summering-in-brittany-in-the-late-1860s-this-picture-was-completed-in-the-artists-studio-in-1871-his-young-models-posed-in-traditional-breton-costumes-epitomize-pastoral-sibling-affection-this-type-of-scene-was-quickly-snapped-up-by-american-collectors-earning-bouguereau-fame-and-fortune-as-one-critic-explained-whoever-gets-a-picture-by-him-gets-the-full-worth-of-his-money-in-finis-image213108034.html
RMPAKWD6–Breton Brother and Sister. Artist: William Bouguereau (French, La Rochelle 1825-1905 La Rochelle). Dimensions: 50 7/8 x 35 1/8 in. (129.2 x 89.2 cm). Date: 1871. Based on sketches Bouguereau made while summering in Brittany in the late 1860s, this picture was completed in the artist's studio in 1871. His young models, posed in traditional Breton costumes, epitomize pastoral sibling affection. This type of scene was quickly snapped up by American collectors, earning Bouguereau fame and fortune. As one critic explained, 'Whoever gets a picture by [him] gets the full worth of his money, in finis
Mary Cassatt, Self-portrait, painting, circa 1868 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-cassatt-self-portrait-painting-circa-1868-image261614504.html
RMW5HFY4–Mary Cassatt, Self-portrait, painting, circa 1868
Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fashionable-bonnets-1864-from-godeys-ladys-book-and-magazine-december-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385085008.html
RF2DAE3T0–Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
Baby in a bonnet and a long gown. Désiré Durand (French, active 1860s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/baby-in-a-bonnet-and-a-long-gown-dsir-durand-french-active-1860s-image416468533.html
RM2F5FNT5–Baby in a bonnet and a long gown. Désiré Durand (French, active 1860s)
‘Old Mother Goose’ reading her tales to the children. Frontispiece illustration from ‘by Paul Gustave Doré (1832-1883). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-mother-goose-reading-her-tales-to-the-children-frontispiece-illustration-121927082.html
RMH2A76J–‘Old Mother Goose’ reading her tales to the children. Frontispiece illustration from ‘by Paul Gustave Doré (1832-1883).
Full-Length Seated Portrait Mary Todd Lincoln in Mourning Attire after the death of her son, Willie in 1862, Photograph by Joseph Ward, possibly 1863, when she entered a period of half-mourning by evidence of a touch of white fabric at her wrists Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/full-length-seated-portrait-mary-todd-lincoln-in-mourning-attire-after-the-death-of-her-son-willie-in-1862-photograph-by-joseph-ward-possibly-1863-when-she-entered-a-period-of-half-mourning-by-evidence-of-a-touch-of-white-fabric-at-her-wrists-image247282864.html
RMTA8KPT–Full-Length Seated Portrait Mary Todd Lincoln in Mourning Attire after the death of her son, Willie in 1862, Photograph by Joseph Ward, possibly 1863, when she entered a period of half-mourning by evidence of a touch of white fabric at her wrists
A young girl in Civil War period costume. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-young-girl-in-civil-war-period-costume-87183785.html
RMF1RFPH–A young girl in Civil War period costume.
Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, 17.8 × 12.6 cm (7 × 4 15,16 in reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-178-126-cm-7-4-1516-in-reimagined-image230260712.html
RFRAH7TT–Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, 17.8 × 12.6 cm (7 × 4 15,16 in reimagined
Vivandières costume 1860. La Vie Parisienne by Joanna Richardson (1860), page 91. La Vie Parisienne (Parisian Life), composed by Jacques Offenbach (1819-1880), is a five-act opera about cosmopolitan life in Paris in the 1860s.. Vivandières (Hospitality giver) played an interesting, and often obscure role in the American Civil War. They travelled with soldiers for little or no pay as sutlers, mascots or nurses, while others fought alongside their male counterparts. Most Vivandières and regimental daughters were mascots, present for parades and reviews but not often seen in battle.. Officially Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vivandires-costume-1860-la-vie-parisienne-by-joanna-richardson-1860-page-91-la-vie-parisienne-parisian-life-composed-by-jacques-offenbach-1819-1880-is-a-five-act-opera-about-cosmopolitan-life-in-paris-in-the-1860s-vivandires-hospitality-giver-played-an-interesting-and-often-obscure-role-in-the-american-civil-war-they-travelled-with-soldiers-for-little-or-no-pay-as-sutlers-mascots-or-nurses-while-others-fought-alongside-their-male-counterparts-most-vivandires-and-regimental-daughters-were-mascots-present-for-parades-and-reviews-but-not-often-seen-in-battle-officially-image268792114.html
RMWH8F2A–Vivandières costume 1860. La Vie Parisienne by Joanna Richardson (1860), page 91. La Vie Parisienne (Parisian Life), composed by Jacques Offenbach (1819-1880), is a five-act opera about cosmopolitan life in Paris in the 1860s.. Vivandières (Hospitality giver) played an interesting, and often obscure role in the American Civil War. They travelled with soldiers for little or no pay as sutlers, mascots or nurses, while others fought alongside their male counterparts. Most Vivandières and regimental daughters were mascots, present for parades and reviews but not often seen in battle.. Officially
La Simple, 1860s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-simple-1860s-image368402584.html
RM2CBA574–La Simple, 1860s.
Silhouette portrait of mother and child Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-silhouette-portrait-of-mother-and-child-52229388.html
RFD0Y738–Silhouette portrait of mother and child
Canada Ontario Morrisburg Upper Canada Village, woman creating a tapestry from moss and dried flowers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canada-ontario-morrisburg-upper-canada-village-woman-creating-a-tapestry-from-moss-and-dried-flowers-image417475795.html
RM2F75JHR–Canada Ontario Morrisburg Upper Canada Village, woman creating a tapestry from moss and dried flowers
Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; 23.8 × 19 cm, 9 3,8 × 7 1,2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-238-19-cm-9-38-7-12-in-image220679994.html
RMPR0RGA–Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; 23.8 × 19 cm, 9 3,8 × 7 1,2 in
OLD WOMAN 1860S Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-woman-1860s-105355411.html
Portrait of a woman wearing traditional German folk costume with headdress, circa 1860. Photography by Gottlieb Theodor Hase (1818 - 1888). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-wearing-traditional-german-folk-costume-with-headdress-circa-1860-photography-by-gottlieb-theodor-hase-1818-1888-image466187635.html
RM2J2CK2B–Portrait of a woman wearing traditional German folk costume with headdress, circa 1860. Photography by Gottlieb Theodor Hase (1818 - 1888).
Chromolithographed Victorian print of mother and daughter protecting their puppy from sheepdog. Circa 1860 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chromolithographed-victorian-print-of-mother-and-daughter-protecting-18331847.html
RMB1R2CR–Chromolithographed Victorian print of mother and daughter protecting their puppy from sheepdog. Circa 1860
Portrait of Sojourner Truth, Detroit, Michigan, 1864. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-sojourner-truth-detroit-michigan-1864-image382279823.html
RF2D5X9PR–Portrait of Sojourner Truth, Detroit, Michigan, 1864.
Kronheim litlhograph of Family farewell circa 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kronheim-litlhograph-of-family-farewell-circa-1865-image6997091.html
RMA945X4–Kronheim litlhograph of Family farewell circa 1865
Thomas Jonathan Jackson. oil on canvas. Date: 1876. Museum: NATIONAL PORTRAIT GALLERY. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-jonathan-jackson-oil-on-canvas-date-1876-museum-national-portrait-gallery-image554741758.html
RM2R6EJNJ–Thomas Jonathan Jackson. oil on canvas. Date: 1876. Museum: NATIONAL PORTRAIT GALLERY.
Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fashionable-bonnets-1864-from-godeys-ladys-book-and-magazine-december-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385478080.html
RF2DB4168–Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fashionable-bonnets-1864-from-godeys-ladys-book-and-magazine-december-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385085067.html
RF2DAE3X3–Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
Unidentified woman wearing a bonnet and shawl, seated. Vuagnat (Swiss, active Geneva, Switzerland 1850s - 1860s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-woman-wearing-a-bonnet-and-shawl-seated-vuagnat-swiss-active-geneva-switzerland-1850s-1860s-image416549202.html
RM2F5KCN6–Unidentified woman wearing a bonnet and shawl, seated. Vuagnat (Swiss, active Geneva, Switzerland 1850s - 1860s)
‘Before she had time to exclaim “Oh, my gracious!” She was bolted entire by the monster voracious.” Illustration from ‘Little Red Riding Hood’ by Paul Gustave Doré (1832-1883). See description for more information. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-before-she-had-time-to-exclaim-oh-my-gracious!-she-was-bolted-entire-115583876.html
RMGM18BG–‘Before she had time to exclaim “Oh, my gracious!” She was bolted entire by the monster voracious.” Illustration from ‘Little Red Riding Hood’ by Paul Gustave Doré (1832-1883). See description for more information.
DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil War. The pipe smoking woman may be a descendent of early Scotch-Irish settlers who populated the Appalachians in the 18th century, and whose women smoked pipes into the 20th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-departure-from-the-old-homestead-an-1862-photograph-by-george-barnard-32392906.html
RMBTKHDE–DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil War. The pipe smoking woman may be a descendent of early Scotch-Irish settlers who populated the Appalachians in the 18th century, and whose women smoked pipes into the 20th century.
Unidentified couple c. 1856 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-couple-c-1856-image555591469.html
RM2R7WAGD–Unidentified couple c. 1856
Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, 23.8 × 19 cm (9 3,8 × 7 1,2 in reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-238-19-cm-9-38-7-12-in-reimagined-image230260709.html
RFRAH7TN–Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, 23.8 × 19 cm (9 3,8 × 7 1,2 in reimagined
La capuche, 1860s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-capuche-1860s-image365738875.html
RM2C70RJK–La capuche, 1860s.
Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 35.8 × 25.6 cm, 14 1,8 × 10 1,16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-sheet-358-256-cm-14-18-10-116-in-image220680000.html
RMPR0RGG–Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 35.8 × 25.6 cm, 14 1,8 × 10 1,16 in
Hand coloured stereo photograph showing conductor of omnibus refusing entrance to woman wearing crinoline circa 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hand-coloured-stereo-photograph-showing-conductor-of-omnibus-refusing-entrance-to-woman-wearing-crinoline-circa-1865-image342040869.html
RM2ATD8H9–Hand coloured stereo photograph showing conductor of omnibus refusing entrance to woman wearing crinoline circa 1865
Robert Edward Lee. oil on canvas. Date: 1876. Museum: NATIONAL PORTRAIT GALLERY. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robert-edward-lee-oil-on-canvas-date-1876-museum-national-portrait-gallery-image554744213.html
RM2R6ENW9–Robert Edward Lee. oil on canvas. Date: 1876. Museum: NATIONAL PORTRAIT GALLERY.
Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fashionable-bonnets-1864-from-godeys-ladys-book-and-magazine-december-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385084969.html
RF2DAE3PH–Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
Unidentified elderly woman wearing a bonnet. L. K. Showman (American, active Portland, Michigan 1860s - 1870s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-elderly-woman-wearing-a-bonnet-l-k-showman-american-active-portland-michigan-1860s-1870s-image416456952.html
RM2F5F72G–Unidentified elderly woman wearing a bonnet. L. K. Showman (American, active Portland, Michigan 1860s - 1870s)
‘“Oh, Granny, your teeth are tremendous in size!” “They’re to eat you!” – and he ate her!’ from ‘Little Red Riding Hood’ by Paul Gustave Doré (1832-1883). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-oh-granny-your-teeth-are-tremendous-in-size!-theyre-to-eat-you!-and-112978516.html
RMGFPH70–‘“Oh, Granny, your teeth are tremendous in size!” “They’re to eat you!” – and he ate her!’ from ‘Little Red Riding Hood’ by Paul Gustave Doré (1832-1883).
DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil War. The pipe smoking woman may be a descendant of early Scotch-Irish settlers who populated the Appalachians in the 18th century, and whose women smoked pipes into the 20th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-departure-from-the-old-homestead-an-1862-photograph-by-george-barnard-32392905.html
RMBTKHDD–DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil War. The pipe smoking woman may be a descendant of early Scotch-Irish settlers who populated the Appalachians in the 18th century, and whose women smoked pipes into the 20th century.
Caroline Fillmore c. 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caroline-fillmore-c-1865-image555448926.html
RM2R7JTNJ–Caroline Fillmore c. 1865
Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, Sheet: 35.8 × 25.6 cm (14 1,8 × 10 1 reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-sheet-358-256-cm-14-18-10-1-reimagined-image230260717.html
RFRAH7W1–Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, Sheet: 35.8 × 25.6 cm (14 1,8 × 10 1 reimagined
Le deux roses, 1860s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-deux-roses-1860s-image365756056.html
RM2C71HG8–Le deux roses, 1860s.
Mrs. Greene C. [Jane Andrews] Germon c. 1860-1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-greene-c-jane-andrews-germon-c-1860-1870-image555379533.html
RM2R7FM79–Mrs. Greene C. [Jane Andrews] Germon c. 1860-1870
woman playing violin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woman-playing-violin-19265813.html
RMB39HMN–woman playing violin
Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 21.5 x 16.5 cm, 8 7,16 x 6 1,2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-sheet-215-x-165-cm-8-716-x-6-12-in-image220679905.html
RMPR0RD5–Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 21.5 x 16.5 cm, 8 7,16 x 6 1,2 in
Unidentified Woman c. 1860-1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-woman-c-1860-1870-image555589181.html
RM2R7W7JN–Unidentified Woman c. 1860-1870
woman playing violin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woman-playing-violin-19266592.html
young sweethearts civil war Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-young-sweethearts-civil-war-19265838.html
RMB39HNJ–young sweethearts civil war
Advertising insert for the Louvre Venetian Self Coiling Shutters Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-advertising-insert-for-the-louvre-venetian-self-coiling-shutters-128511987.html
RMHD269R–Advertising insert for the Louvre Venetian Self Coiling Shutters
Godey's Lady's Book and Magazine, August, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/godeys-ladys-book-and-magazine-august-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385083621.html
RF2DAE22D–Godey's Lady's Book and Magazine, August, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
Unidentified elderly woman wearing a bonnet, in vignette-style. Aubrey Tomlinson (British, active East Dunwich, England 1860s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-elderly-woman-wearing-a-bonnet-in-vignette-style-aubrey-tomlinson-british-active-east-dunwich-england-1860s-image416448169.html
RM2F5ERTW–Unidentified elderly woman wearing a bonnet, in vignette-style. Aubrey Tomlinson (British, active East Dunwich, England 1860s)
‘“Oh, Granny, your teeth are tremendous in size!” “They’re to eat you!” – and he ate her!’ from ‘Little Red Riding Hood’ by Paul Gustave Doré (1832-1883). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-oh-granny-your-teeth-are-tremendous-in-size!-theyre-to-eat-you!-and-112839951.html
RMGFG8E7–‘“Oh, Granny, your teeth are tremendous in size!” “They’re to eat you!” – and he ate her!’ from ‘Little Red Riding Hood’ by Paul Gustave Doré (1832-1883).
Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, Sheet: 21.5 x 16.5 cm (8 7,16 x 6 1, reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-sheet-215-x-165-cm-8-716-x-6-1-reimagined-image230260636.html
RFRAH7P4–Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, Sheet: 21.5 x 16.5 cm (8 7,16 x 6 1, reimagined
Portrait of woman in black bonnet; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 25.5 x 17.2 cm, 10 1,16 x 6 3,4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-black-bonnet-united-states-1860s-1880s-hand-colored-tintype-sheet-255-x-172-cm-10-116-x-6-34-in-image220679981.html
RMPR0RFW–Portrait of woman in black bonnet; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 25.5 x 17.2 cm, 10 1,16 x 6 3,4 in
Unidentified Woman c. 1860-1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-woman-c-1860-1870-image555591471.html
RM2R7WAGF–Unidentified Woman c. 1860-1870
Old Woman 1860s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-woman-1860s-image6561078.html
RMA672Y7–Old Woman 1860s
View of the National Fair, Patent Office 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-national-fair-patent-office-1864-image555479358.html
RM2R7M7GE–View of the National Fair, Patent Office 1864
Middle-aged Victorian woman in a crinoline dress Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-middle-aged-victorian-woman-in-a-crinoline-dress-169317327.html
RMKRD1YB–Middle-aged Victorian woman in a crinoline dress
Portrait of the King and Queen of the French, standing arm in arm, at Claremont, Surrey, UK, circa 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-king-and-queen-of-the-french-standing-arm-in-arm-at-claremont-surrey-uk-circa-1865-image401808479.html
RM2E9KXPR–Portrait of the King and Queen of the French, standing arm in arm, at Claremont, Surrey, UK, circa 1865
Bonnets and Hats 1868 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bonnets-and-hats-1868-56738598.html
RMD88JJE–Bonnets and Hats 1868
Mary Theodosia Palmer Banks c. 1860 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-theodosia-palmer-banks-c-1860-image555468596.html
RM2R7KNT4–Mary Theodosia Palmer Banks c. 1860
Costume May 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-costume-may-1864-131024263.html
RMHH4JNY–Costume May 1864
Genre scene: people in discussion around table, one woman with bonnet, gun leaning against table. E. Lamy (French, active 1860s - 1870s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/genre-scene-people-in-discussion-around-table-one-woman-with-bonnet-gun-leaning-against-table-e-lamy-french-active-1860s-1870s-image416547656.html
RM2F5KAP0–Genre scene: people in discussion around table, one woman with bonnet, gun leaning against table. E. Lamy (French, active 1860s - 1870s)
Babies Christening cap 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-babies-christening-cap-1864-131024440.html
RMHH4K08–Babies Christening cap 1864
Jerusha Wilcox Sturgis c. 1860-1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jerusha-wilcox-sturgis-c-1860-1870-image555469624.html
RM2R7KR4T–Jerusha Wilcox Sturgis c. 1860-1870
Resemblance of animals and their owners Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-resemblance-of-animals-and-their-owners-105255191.html
RMG36P1Y–Resemblance of animals and their owners
soldier in kilt and feathered bonnet, Porral (British, active Gibraltar 1860s), 1870s, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/soldier-in-kilt-and-feathered-bonnet-porral-british-active-gibraltar-1860s-1870s-albumen-silver-print-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350054058.html
RF2B9E9EJ–soldier in kilt and feathered bonnet, Porral (British, active Gibraltar 1860s), 1870s, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Street comb seller 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/street-comb-seller-1864-image222876621.html