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1860s bonnet Stock Photos and Images
Unidentified woman wearing a bonnet and shawl, seated, Vuagnat (Swiss, active Geneva, Switzerland 1850s - 1860s), 1865–1875, Albumen silver print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-woman-wearing-a-bonnet-and-shawl-seated-vuagnat-swiss-active-geneva-switzerland-1850s-1860s-18651875-albumen-silver-print-image261290158.htmlRMW52P7A–Unidentified woman wearing a bonnet and shawl, seated, Vuagnat (Swiss, active Geneva, Switzerland 1850s - 1860s), 1865–1875, Albumen silver print
Bonnets - Hats 1860s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bonnets-hats-1860s-56738596.htmlRMD88JJC–Bonnets - Hats 1860s
Unidentified elderly woman wearing a bonnet, seated, holding a fan. Lespinasse (French, active Paris, France, London, England and Madrid, Spain 1860s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-elderly-woman-wearing-a-bonnet-seated-holding-a-fan-lespinasse-french-active-paris-france-london-england-and-madrid-spain-1860s-image416550996.htmlRM2F5KF18–Unidentified elderly woman wearing a bonnet, seated, holding a fan. Lespinasse (French, active Paris, France, London, England and Madrid, Spain 1860s)
COSTUME / PHOTO 1860S Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-costume-photo-1860s-105355413.htmlRMG3B9W9–COSTUME / PHOTO 1860S
Original Victorian CDV studio portrait of young woman or most probably a teenage girl holding a bonnet, blue hand coloured tint added to waistband and collar, she looks sickly, slightly spooky photograph. Circa 1860's, U.K. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-victorian-cdv-studio-portrait-of-young-woman-or-most-probably-a-teenage-girl-holding-a-bonnet-blue-hand-coloured-tint-added-to-waistband-and-collar-she-looks-sickly-slightly-spooky-photograph-circa-1860s-uk-image455630726.htmlRM2HD7NHX–Original Victorian CDV studio portrait of young woman or most probably a teenage girl holding a bonnet, blue hand coloured tint added to waistband and collar, she looks sickly, slightly spooky photograph. Circa 1860's, U.K.
DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-departure-from-the-old-homestead-an-1862-photograph-by-george-barnard-50048531.htmlRMCWBWBF–DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil
Chromolithographed frontispiece to Mr. Johnston's School by E C Tainsh. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chromolithographed-frontispiece-to-mr-johnstons-school-by-e-c-tainsh-28655934.htmlRMBJHAX6–Chromolithographed frontispiece to Mr. Johnston's School by E C Tainsh.
Woman wearing a bonnet, 1860s-1870s, Auckland, by Hartley Webster. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-wearing-a-bonnet-1860s-1870s-auckland-by-hartley-webster-image479040201.htmlRM2JRA4JH–Woman wearing a bonnet, 1860s-1870s, Auckland, by Hartley Webster.
Kronheim Chromolithograph of the Princess of Wales, 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-kronheim-chromolithograph-of-the-princess-of-wales-1864-101976257.htmlRMFWWBN5–Kronheim Chromolithograph of the Princess of Wales, 1864
Otoe Delegation. Artist: Charles Milton Bell (American, 1848-1893). Dimensions: 24 x 28.8 cm (9 7/16 x 11 5/16 in.). Date: 1881. The troubled relationship between native and non-native North Americans was well documented by the camera. In the 1850s and 1860s white photographers moved West and welcomed Native Americans into their studios. They rarely paid their subjects, seldom recorded their names or tribes, and often dressed their sitters in studio props, confusing the ethnographic record. After the end of the Civil War, the locus for most so-called 'Indian' photographs moved east to Washin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/otoe-delegation-artist-charles-milton-bell-american-1848-1893-dimensions-24-x-288-cm-9-716-x-11-516-in-date-1881-the-troubled-relationship-between-native-and-non-native-north-americans-was-well-documented-by-the-camera-in-the-1850s-and-1860s-white-photographers-moved-west-and-welcomed-native-americans-into-their-studios-they-rarely-paid-their-subjects-seldom-recorded-their-names-or-tribes-and-often-dressed-their-sitters-in-studio-props-confusing-the-ethnographic-record-after-the-end-of-the-civil-war-the-locus-for-most-so-called-indian-photographs-moved-east-to-washin-image213207431.htmlRMPATC73–Otoe Delegation. Artist: Charles Milton Bell (American, 1848-1893). Dimensions: 24 x 28.8 cm (9 7/16 x 11 5/16 in.). Date: 1881. The troubled relationship between native and non-native North Americans was well documented by the camera. In the 1850s and 1860s white photographers moved West and welcomed Native Americans into their studios. They rarely paid their subjects, seldom recorded their names or tribes, and often dressed their sitters in studio props, confusing the ethnographic record. After the end of the Civil War, the locus for most so-called 'Indian' photographs moved east to Washin
Lucretia Mott (1793-1880), American Feminist, Reformer and Abolitionist, Portrait, Circa 1860's Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lucretia-mott-1793-1880-american-feminist-reformer-and-abolitionist-55551721.htmlRMD6AGP1–Lucretia Mott (1793-1880), American Feminist, Reformer and Abolitionist, Portrait, Circa 1860's
Baby's Hood - Knitting from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/babys-hood-knitting-from-godeys-ladys-book-and-magazine-december-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385084883.htmlRF2DAE3KF–Baby's Hood - Knitting from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
Unidentified soldier in kilt and feathered bonnet. Porral (British, active Gibraltar 1860s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-soldier-in-kilt-and-feathered-bonnet-porral-british-active-gibraltar-1860s-image416511864.htmlRM2F5HN3M–Unidentified soldier in kilt and feathered bonnet. Porral (British, active Gibraltar 1860s)
Taupe bonnet with cross-stitched brim worn by the enslaved woman Martha Barnes 1850s - 1860s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/taupe-bonnet-with-cross-stitched-brim-worn-by-the-enslaved-woman-martha-barnes-1850s-1860s-image567277855.htmlRM2RXWMKB–Taupe bonnet with cross-stitched brim worn by the enslaved woman Martha Barnes 1850s - 1860s
Housekeeping staff having their photo taken, in the 1860s. Note the scrub bucket and brush lower left, posed flowers next to the broom, white cap on the lady in back and the cloth folded over her arm. This is a Tintype photograph. To see my other vintage images, Search: Prestor vintage Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-housekeeping-staff-having-their-photo-taken-in-the-1860s-note-the-133796424.htmlRFHNJXKM–Housekeeping staff having their photo taken, in the 1860s. Note the scrub bucket and brush lower left, posed flowers next to the broom, white cap on the lady in back and the cloth folded over her arm. This is a Tintype photograph. To see my other vintage images, Search: Prestor vintage
Scottish women 's fashion: 1865. Illustration with background of the Old Tolbooth in Canongate in the 1860s Edinburgh. C. 1936. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-scottish-women-s-fashion-1865-illustration-with-background-of-the-83342687.htmlRMERGGCF–Scottish women 's fashion: 1865. Illustration with background of the Old Tolbooth in Canongate in the 1860s Edinburgh. C. 1936.
Portrait of woman in black bonnet, United States, 1860s - 1880s, Hand-colored tintype, Sheet: 25.5 x 17.2 cm (10 1,16 reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-black-bonnet-united-states-1860s-1880s-hand-colored-tintype-sheet-255-x-172-cm-10-116-reimagined-image230260697.htmlRFRAH7T9–Portrait of woman in black bonnet, United States, 1860s - 1880s, Hand-colored tintype, Sheet: 25.5 x 17.2 cm (10 1,16 reimagined
Boating Enthusiast, Costumes des theatres (Costumes of the theatres) 1860. From La Vie Parisienne by Joanna Richardson (1860) page 9. La Vie Parisienne (Parisian Life) is by by Jacques Offenbach (1819-1880) and is a five-act opera about cosmopolitan life in Paris in the 1860s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boating-enthusiast-costumes-des-theatres-costumes-of-the-theatres-1860-from-la-vie-parisienne-by-joanna-richardson-1860-page-9-la-vie-parisienne-parisian-life-is-by-by-jacques-offenbach-1819-1880-and-is-a-five-act-opera-about-cosmopolitan-life-in-paris-in-the-1860s-image268791910.htmlRMWH8ER2–Boating Enthusiast, Costumes des theatres (Costumes of the theatres) 1860. From La Vie Parisienne by Joanna Richardson (1860) page 9. La Vie Parisienne (Parisian Life) is by by Jacques Offenbach (1819-1880) and is a five-act opera about cosmopolitan life in Paris in the 1860s.
Woman at Church Door, c1860. The Walters Art Museum holds a number of works by George Henry Boughton, who was popular with both William T. and Henry Walters. Boughton had trained in France with Edouard Frère in the 1860s (another artist well represented at the museum). William T. Walters visited Boughton's studio in London with George Lucas as early as 1867 and William visited again in the 1883. Meanwhile in 1881 Henry Walters had viewed the work of Alma-Tadema in the Royal Academy alongside Boughton. The artist may have played role in introducing the work Alma-Tadema to William and Henry Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-at-church-door-c1860-the-walters-art-museum-holds-a-number-of-works-by-george-henry-boughton-who-was-popular-with-both-william-t-and-henry-walters-boughton-had-trained-in-france-with-edouard-frxe8re-in-the-1860s-another-artist-well-represented-at-the-museum-william-t-walters-visited-boughtons-studio-in-london-with-george-lucas-as-early-as-1867-and-william-visited-again-in-the-1883-meanwhile-in-1881-henry-walters-had-viewed-the-work-of-alma-tadema-in-the-royal-academy-alongside-boughton-the-artist-may-have-played-role-in-introducing-the-work-alma-tadema-to-william-and-henry-image575141533.htmlRM2TBKXW1–Woman at Church Door, c1860. The Walters Art Museum holds a number of works by George Henry Boughton, who was popular with both William T. and Henry Walters. Boughton had trained in France with Edouard Frère in the 1860s (another artist well represented at the museum). William T. Walters visited Boughton's studio in London with George Lucas as early as 1867 and William visited again in the 1883. Meanwhile in 1881 Henry Walters had viewed the work of Alma-Tadema in the Royal Academy alongside Boughton. The artist may have played role in introducing the work Alma-Tadema to William and Henry
Unidentified woman wearing a bonnet standing, with two bundles over her shoulder plus an umbrella, Thomas Edge (British, active 1850s - 1870s), 1860s, Albumen silver print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-woman-wearing-a-bonnet-standing-with-two-bundles-over-her-shoulder-plus-an-umbrella-thomas-edge-british-active-1850s-1870s-1860s-albumen-silver-print-image261290253.htmlRMW52PAN–Unidentified woman wearing a bonnet standing, with two bundles over her shoulder plus an umbrella, Thomas Edge (British, active 1850s - 1870s), 1860s, Albumen silver print
Loom for Weaving Bonnet Braid 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/loom-for-weaving-bonnet-braid-1865-image555911146.htmlRM2R8BX9E–Loom for Weaving Bonnet Braid 1865
Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; 17.8 × 12.6 cm, 7 × 4 15,16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-178-126-cm-7-4-1516-in-image220679997.htmlRMPR0RGD–Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; 17.8 × 12.6 cm, 7 × 4 15,16 in
Costume Photo 1860s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-costume-photo-1860s-105355649.htmlRMG3BA5N–Costume Photo 1860s
Seamstresses at Ingleton, UK 14th September, 2013. Seamstress Camp followers sewing at Ingleton's Wild West Weekend featuring the American Civil War Society with living history displays and re-enactments. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seamstresses-at-ingleton-uk-14th-september-2013-seamstress-camp-followers-image60454891.htmlRMDE9XR7–Seamstresses at Ingleton, UK 14th September, 2013. Seamstress Camp followers sewing at Ingleton's Wild West Weekend featuring the American Civil War Society with living history displays and re-enactments.
DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-departure-from-the-old-homestead-an-1862-photograph-by-george-barnard-50048532.htmlRMCWBWBG–DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil
Old Bethpage, New York, USA. 28th Sep, 2014. MARY ANN KOFERI, wearing a mauve dress with hoopslip, in traditional 1860's style, is an official in the Exhibition Hall at the 172nd Long Island Fair, a six-day fall county fair held late September and early October. A yearly event since 1842, the old-time festival is now held at a reconstructed fairground at Old Bethpage Village Restoration. © Ann Parry/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-bethpage-new-york-usa-28th-sep-2014-mary-ann-koferi-wearing-a-73852107.htmlRME84737–Old Bethpage, New York, USA. 28th Sep, 2014. MARY ANN KOFERI, wearing a mauve dress with hoopslip, in traditional 1860's style, is an official in the Exhibition Hall at the 172nd Long Island Fair, a six-day fall county fair held late September and early October. A yearly event since 1842, the old-time festival is now held at a reconstructed fairground at Old Bethpage Village Restoration. © Ann Parry/ZUMA Wire/Alamy Live News
Anna Atkins (1799-1871) English scientist and early female photographer; her self published book 'British Algae: Cyanotype Impressions' published in October 1843 used a cyanotype photographic process invented by Sir John Herschel the previous year. This was the first published book illustrated with photographic images. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-anna-atkins-1799-1871-english-scientist-and-early-female-photographer-130652566.htmlRMHGFMK2–Anna Atkins (1799-1871) English scientist and early female photographer; her self published book 'British Algae: Cyanotype Impressions' published in October 1843 used a cyanotype photographic process invented by Sir John Herschel the previous year. This was the first published book illustrated with photographic images.
c. 1890 Australia - Brighton Beach Melbourne Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-c-1890-australia-brighton-beach-melbourne-172666928.htmlRMM0WJC0–c. 1890 Australia - Brighton Beach Melbourne
![Breton Brother and Sister. Artist: William Bouguereau (French, La Rochelle 1825-1905 La Rochelle). Dimensions: 50 7/8 x 35 1/8 in. (129.2 x 89.2 cm). Date: 1871. Based on sketches Bouguereau made while summering in Brittany in the late 1860s, this picture was completed in the artist's studio in 1871. His young models, posed in traditional Breton costumes, epitomize pastoral sibling affection. This type of scene was quickly snapped up by American collectors, earning Bouguereau fame and fortune. As one critic explained, 'Whoever gets a picture by [him] gets the full worth of his money, in finis Stock Photo](https://c8.alamy.com/comp/PAKWD6/breton-brother-and-sister-artist-william-bouguereau-french-la-rochelle-1825-1905-la-rochelle-dimensions-50-78-x-35-18-in-1292-x-892-cm-date-1871-based-on-sketches-bouguereau-made-while-summering-in-brittany-in-the-late-1860s-this-picture-was-completed-in-the-artists-studio-in-1871-his-young-models-posed-in-traditional-breton-costumes-epitomize-pastoral-sibling-affection-this-type-of-scene-was-quickly-snapped-up-by-american-collectors-earning-bouguereau-fame-and-fortune-as-one-critic-explained-whoever-gets-a-picture-by-him-gets-the-full-worth-of-his-money-in-finis-PAKWD6.jpg "Breton Brother and Sister. Artist: William Bouguereau (French, La Rochelle 1825-1905 La Rochelle). Dimensions: 50 7/8 x 35 1/8 in. (129.2 x 89.2 cm). Date: 1871. Based on sketches Bouguereau made while summering in Brittany in the late 1860s, this picture was completed in the artist's studio in 1871. His young models, posed in traditional Breton costumes, epitomize pastoral sibling affection. This type of scene was quickly snapped up by American collectors, earning Bouguereau fame and fortune. As one critic explained, 'Whoever gets a picture by [him] gets the full worth of his money, in finis Stock Photo")
Breton Brother and Sister. Artist: William Bouguereau (French, La Rochelle 1825-1905 La Rochelle). Dimensions: 50 7/8 x 35 1/8 in. (129.2 x 89.2 cm). Date: 1871. Based on sketches Bouguereau made while summering in Brittany in the late 1860s, this picture was completed in the artist's studio in 1871. His young models, posed in traditional Breton costumes, epitomize pastoral sibling affection. This type of scene was quickly snapped up by American collectors, earning Bouguereau fame and fortune. As one critic explained, 'Whoever gets a picture by [him] gets the full worth of his money, in finis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/breton-brother-and-sister-artist-william-bouguereau-french-la-rochelle-1825-1905-la-rochelle-dimensions-50-78-x-35-18-in-1292-x-892-cm-date-1871-based-on-sketches-bouguereau-made-while-summering-in-brittany-in-the-late-1860s-this-picture-was-completed-in-the-artists-studio-in-1871-his-young-models-posed-in-traditional-breton-costumes-epitomize-pastoral-sibling-affection-this-type-of-scene-was-quickly-snapped-up-by-american-collectors-earning-bouguereau-fame-and-fortune-as-one-critic-explained-whoever-gets-a-picture-by-him-gets-the-full-worth-of-his-money-in-finis-image213108034.htmlRMPAKWD6–Breton Brother and Sister. Artist: William Bouguereau (French, La Rochelle 1825-1905 La Rochelle). Dimensions: 50 7/8 x 35 1/8 in. (129.2 x 89.2 cm). Date: 1871. Based on sketches Bouguereau made while summering in Brittany in the late 1860s, this picture was completed in the artist's studio in 1871. His young models, posed in traditional Breton costumes, epitomize pastoral sibling affection. This type of scene was quickly snapped up by American collectors, earning Bouguereau fame and fortune. As one critic explained, 'Whoever gets a picture by [him] gets the full worth of his money, in finis
Mary Cassatt, Self-portrait, painting, circa 1868 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-cassatt-self-portrait-painting-circa-1868-image261614504.htmlRMW5HFY4–Mary Cassatt, Self-portrait, painting, circa 1868
Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fashionable-bonnets-1864-from-godeys-ladys-book-and-magazine-december-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385085008.htmlRF2DAE3T0–Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
Baby in a bonnet and a long gown. Désiré Durand (French, active 1860s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/baby-in-a-bonnet-and-a-long-gown-dsir-durand-french-active-1860s-image416468533.htmlRM2F5FNT5–Baby in a bonnet and a long gown. Désiré Durand (French, active 1860s)
‘Old Mother Goose’ reading her tales to the children. Frontispiece illustration from ‘by Paul Gustave Doré (1832-1883). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-mother-goose-reading-her-tales-to-the-children-frontispiece-illustration-121927082.htmlRMH2A76J–‘Old Mother Goose’ reading her tales to the children. Frontispiece illustration from ‘by Paul Gustave Doré (1832-1883).
Full-Length Seated Portrait Mary Todd Lincoln in Mourning Attire after the death of her son, Willie in 1862, Photograph by Joseph Ward, possibly 1863, when she entered a period of half-mourning by evidence of a touch of white fabric at her wrists Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/full-length-seated-portrait-mary-todd-lincoln-in-mourning-attire-after-the-death-of-her-son-willie-in-1862-photograph-by-joseph-ward-possibly-1863-when-she-entered-a-period-of-half-mourning-by-evidence-of-a-touch-of-white-fabric-at-her-wrists-image247282864.htmlRMTA8KPT–Full-Length Seated Portrait Mary Todd Lincoln in Mourning Attire after the death of her son, Willie in 1862, Photograph by Joseph Ward, possibly 1863, when she entered a period of half-mourning by evidence of a touch of white fabric at her wrists
A young girl in Civil War period costume. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-young-girl-in-civil-war-period-costume-87183785.htmlRMF1RFPH–A young girl in Civil War period costume.
Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, 17.8 × 12.6 cm (7 × 4 15,16 in reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-178-126-cm-7-4-1516-in-reimagined-image230260712.htmlRFRAH7TT–Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, 17.8 × 12.6 cm (7 × 4 15,16 in reimagined
Vivandières costume 1860. La Vie Parisienne by Joanna Richardson (1860), page 91. La Vie Parisienne (Parisian Life), composed by Jacques Offenbach (1819-1880), is a five-act opera about cosmopolitan life in Paris in the 1860s.. Vivandières (Hospitality giver) played an interesting, and often obscure role in the American Civil War. They travelled with soldiers for little or no pay as sutlers, mascots or nurses, while others fought alongside their male counterparts. Most Vivandières and regimental daughters were mascots, present for parades and reviews but not often seen in battle.. Officially Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vivandires-costume-1860-la-vie-parisienne-by-joanna-richardson-1860-page-91-la-vie-parisienne-parisian-life-composed-by-jacques-offenbach-1819-1880-is-a-five-act-opera-about-cosmopolitan-life-in-paris-in-the-1860s-vivandires-hospitality-giver-played-an-interesting-and-often-obscure-role-in-the-american-civil-war-they-travelled-with-soldiers-for-little-or-no-pay-as-sutlers-mascots-or-nurses-while-others-fought-alongside-their-male-counterparts-most-vivandires-and-regimental-daughters-were-mascots-present-for-parades-and-reviews-but-not-often-seen-in-battle-officially-image268792114.htmlRMWH8F2A–Vivandières costume 1860. La Vie Parisienne by Joanna Richardson (1860), page 91. La Vie Parisienne (Parisian Life), composed by Jacques Offenbach (1819-1880), is a five-act opera about cosmopolitan life in Paris in the 1860s.. Vivandières (Hospitality giver) played an interesting, and often obscure role in the American Civil War. They travelled with soldiers for little or no pay as sutlers, mascots or nurses, while others fought alongside their male counterparts. Most Vivandières and regimental daughters were mascots, present for parades and reviews but not often seen in battle.. Officially
La Simple, 1860s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-simple-1860s-image368402584.htmlRM2CBA574–La Simple, 1860s.
Silhouette portrait of mother and child Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-silhouette-portrait-of-mother-and-child-52229388.htmlRFD0Y738–Silhouette portrait of mother and child
Canada Ontario Morrisburg Upper Canada Village, woman creating a tapestry from moss and dried flowers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canada-ontario-morrisburg-upper-canada-village-woman-creating-a-tapestry-from-moss-and-dried-flowers-image417475795.htmlRM2F75JHR–Canada Ontario Morrisburg Upper Canada Village, woman creating a tapestry from moss and dried flowers
Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; 23.8 × 19 cm, 9 3,8 × 7 1,2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-238-19-cm-9-38-7-12-in-image220679994.htmlRMPR0RGA–Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; 23.8 × 19 cm, 9 3,8 × 7 1,2 in
OLD WOMAN 1860S Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-woman-1860s-105355411.htmlRMG3B9W7–OLD WOMAN 1860S
Fashion plate 1869 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fashion-plate-1869-image6997116.htmlRFA945YD–Fashion plate 1869
Portrait of a woman wearing traditional German folk costume with headdress, circa 1860. Photography by Gottlieb Theodor Hase (1818 - 1888). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-wearing-traditional-german-folk-costume-with-headdress-circa-1860-photography-by-gottlieb-theodor-hase-1818-1888-image466187635.htmlRM2J2CK2B–Portrait of a woman wearing traditional German folk costume with headdress, circa 1860. Photography by Gottlieb Theodor Hase (1818 - 1888).
Chromolithographed Victorian print of mother and daughter protecting their puppy from sheepdog. Circa 1860 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chromolithographed-victorian-print-of-mother-and-daughter-protecting-18331847.htmlRMB1R2CR–Chromolithographed Victorian print of mother and daughter protecting their puppy from sheepdog. Circa 1860
Portrait of Sojourner Truth, Detroit, Michigan, 1864. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-sojourner-truth-detroit-michigan-1864-image382279823.htmlRF2D5X9PR–Portrait of Sojourner Truth, Detroit, Michigan, 1864.
Kronheim litlhograph of Family farewell circa 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kronheim-litlhograph-of-family-farewell-circa-1865-image6997091.htmlRMA945X4–Kronheim litlhograph of Family farewell circa 1865
Thomas Jonathan Jackson. oil on canvas. Date: 1876. Museum: NATIONAL PORTRAIT GALLERY. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-jonathan-jackson-oil-on-canvas-date-1876-museum-national-portrait-gallery-image554741758.htmlRM2R6EJNJ–Thomas Jonathan Jackson. oil on canvas. Date: 1876. Museum: NATIONAL PORTRAIT GALLERY.
Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fashionable-bonnets-1864-from-godeys-ladys-book-and-magazine-december-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385478080.htmlRF2DB4168–Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fashionable-bonnets-1864-from-godeys-ladys-book-and-magazine-december-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385085067.htmlRF2DAE3X3–Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
Unidentified woman wearing a bonnet and shawl, seated. Vuagnat (Swiss, active Geneva, Switzerland 1850s - 1860s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-woman-wearing-a-bonnet-and-shawl-seated-vuagnat-swiss-active-geneva-switzerland-1850s-1860s-image416549202.htmlRM2F5KCN6–Unidentified woman wearing a bonnet and shawl, seated. Vuagnat (Swiss, active Geneva, Switzerland 1850s - 1860s)
‘Before she had time to exclaim “Oh, my gracious!” She was bolted entire by the monster voracious.” Illustration from ‘Little Red Riding Hood’ by Paul Gustave Doré (1832-1883). See description for more information. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-before-she-had-time-to-exclaim-oh-my-gracious!-she-was-bolted-entire-115583876.htmlRMGM18BG–‘Before she had time to exclaim “Oh, my gracious!” She was bolted entire by the monster voracious.” Illustration from ‘Little Red Riding Hood’ by Paul Gustave Doré (1832-1883). See description for more information.
DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil War. The pipe smoking woman may be a descendent of early Scotch-Irish settlers who populated the Appalachians in the 18th century, and whose women smoked pipes into the 20th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-departure-from-the-old-homestead-an-1862-photograph-by-george-barnard-32392906.htmlRMBTKHDE–DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil War. The pipe smoking woman may be a descendent of early Scotch-Irish settlers who populated the Appalachians in the 18th century, and whose women smoked pipes into the 20th century.
Unidentified couple c. 1856 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-couple-c-1856-image555591469.htmlRM2R7WAGD–Unidentified couple c. 1856
Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, 23.8 × 19 cm (9 3,8 × 7 1,2 in reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-238-19-cm-9-38-7-12-in-reimagined-image230260709.htmlRFRAH7TN–Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, 23.8 × 19 cm (9 3,8 × 7 1,2 in reimagined
girl drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-girl-drawing-19265803.htmlRMB39HMB–girl drawing
La capuche, 1860s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-capuche-1860s-image365738875.htmlRM2C70RJK–La capuche, 1860s.
Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 35.8 × 25.6 cm, 14 1,8 × 10 1,16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-sheet-358-256-cm-14-18-10-116-in-image220680000.htmlRMPR0RGG–Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 35.8 × 25.6 cm, 14 1,8 × 10 1,16 in
PURPLE BONNET 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-purple-bonnet-1865-105355851.htmlRMG3BACY–PURPLE BONNET 1865
Costume Photo 1860s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/costume-photo-1860s-image6561080.htmlRMA672Y9–Costume Photo 1860s
Hand coloured stereo photograph showing conductor of omnibus refusing entrance to woman wearing crinoline circa 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hand-coloured-stereo-photograph-showing-conductor-of-omnibus-refusing-entrance-to-woman-wearing-crinoline-circa-1865-image342040869.htmlRM2ATD8H9–Hand coloured stereo photograph showing conductor of omnibus refusing entrance to woman wearing crinoline circa 1865
Robert Edward Lee. oil on canvas. Date: 1876. Museum: NATIONAL PORTRAIT GALLERY. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robert-edward-lee-oil-on-canvas-date-1876-museum-national-portrait-gallery-image554744213.htmlRM2R6ENW9–Robert Edward Lee. oil on canvas. Date: 1876. Museum: NATIONAL PORTRAIT GALLERY.
Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fashionable-bonnets-1864-from-godeys-ladys-book-and-magazine-december-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385084969.htmlRF2DAE3PH–Fashionable Bonnets 1864 from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
Unidentified elderly woman wearing a bonnet. L. K. Showman (American, active Portland, Michigan 1860s - 1870s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-elderly-woman-wearing-a-bonnet-l-k-showman-american-active-portland-michigan-1860s-1870s-image416456952.htmlRM2F5F72G–Unidentified elderly woman wearing a bonnet. L. K. Showman (American, active Portland, Michigan 1860s - 1870s)
‘“Oh, Granny, your teeth are tremendous in size!” “They’re to eat you!” – and he ate her!’ from ‘Little Red Riding Hood’ by Paul Gustave Doré (1832-1883). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-oh-granny-your-teeth-are-tremendous-in-size!-theyre-to-eat-you!-and-112978516.htmlRMGFPH70–‘“Oh, Granny, your teeth are tremendous in size!” “They’re to eat you!” – and he ate her!’ from ‘Little Red Riding Hood’ by Paul Gustave Doré (1832-1883).
DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil War. The pipe smoking woman may be a descendant of early Scotch-Irish settlers who populated the Appalachians in the 18th century, and whose women smoked pipes into the 20th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-departure-from-the-old-homestead-an-1862-photograph-by-george-barnard-32392905.htmlRMBTKHDD–DEPARTURE FROM THE OLD HOMESTEAD, an 1862 photograph by George Barnard shows a American family on the move during the Civil War. The pipe smoking woman may be a descendant of early Scotch-Irish settlers who populated the Appalachians in the 18th century, and whose women smoked pipes into the 20th century.
Caroline Fillmore c. 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caroline-fillmore-c-1865-image555448926.htmlRM2R7JTNJ–Caroline Fillmore c. 1865
Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, Sheet: 35.8 × 25.6 cm (14 1,8 × 10 1 reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-sheet-358-256-cm-14-18-10-1-reimagined-image230260717.htmlRFRAH7W1–Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, Sheet: 35.8 × 25.6 cm (14 1,8 × 10 1 reimagined
Malvina Pray Florence 1853-1860 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/malvina-pray-florence-1853-1860-image555593451.htmlRM2R7WD37–Malvina Pray Florence 1853-1860
Le deux roses, 1860s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-deux-roses-1860s-image365756056.htmlRM2C71HG8–Le deux roses, 1860s.
![Mrs. Greene C. [Jane Andrews] Germon c. 1860-1870 Stock Photo](https://c8.alamy.com/comp/2R7FM79/mrs-greene-c-jane-andrews-germon-c-1860-1870-2R7FM79.jpg "Mrs. Greene C. [Jane Andrews] Germon c. 1860-1870 Stock Photo")
Mrs. Greene C. [Jane Andrews] Germon c. 1860-1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-greene-c-jane-andrews-germon-c-1860-1870-image555379533.htmlRM2R7FM79–Mrs. Greene C. [Jane Andrews] Germon c. 1860-1870
woman playing violin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woman-playing-violin-19265813.htmlRMB39HMN–woman playing violin
Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 21.5 x 16.5 cm, 8 7,16 x 6 1,2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-sheet-215-x-165-cm-8-716-x-6-12-in-image220679905.htmlRMPR0RD5–Portrait of woman in bonnet; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 21.5 x 16.5 cm, 8 7,16 x 6 1,2 in
Unidentified Woman c. 1860-1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-woman-c-1860-1870-image555589181.htmlRM2R7W7JN–Unidentified Woman c. 1860-1870
woman playing violin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woman-playing-violin-19266592.htmlRMB39JMG–woman playing violin
Costume Photo 1860s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/costume-photo-1860s-image6561230.htmlRMA673TF–Costume Photo 1860s
young sweethearts civil war Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-young-sweethearts-civil-war-19265838.htmlRMB39HNJ–young sweethearts civil war
Advertising insert for the Louvre Venetian Self Coiling Shutters Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-advertising-insert-for-the-louvre-venetian-self-coiling-shutters-128511987.htmlRMHD269R–Advertising insert for the Louvre Venetian Self Coiling Shutters
Godey's Lady's Book and Magazine, August, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/godeys-ladys-book-and-magazine-august-1864-volume-lxix-volume-69-philadelphia-louis-a-godey-sarah-josepha-hale-image385083621.htmlRF2DAE22D–Godey's Lady's Book and Magazine, August, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
Unidentified elderly woman wearing a bonnet, in vignette-style. Aubrey Tomlinson (British, active East Dunwich, England 1860s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-elderly-woman-wearing-a-bonnet-in-vignette-style-aubrey-tomlinson-british-active-east-dunwich-england-1860s-image416448169.htmlRM2F5ERTW–Unidentified elderly woman wearing a bonnet, in vignette-style. Aubrey Tomlinson (British, active East Dunwich, England 1860s)
‘“Oh, Granny, your teeth are tremendous in size!” “They’re to eat you!” – and he ate her!’ from ‘Little Red Riding Hood’ by Paul Gustave Doré (1832-1883). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-oh-granny-your-teeth-are-tremendous-in-size!-theyre-to-eat-you!-and-112839951.htmlRMGFG8E7–‘“Oh, Granny, your teeth are tremendous in size!” “They’re to eat you!” – and he ate her!’ from ‘Little Red Riding Hood’ by Paul Gustave Doré (1832-1883).
Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, Sheet: 21.5 x 16.5 cm (8 7,16 x 6 1, reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-bonnet-united-states-1860s-1880s-hand-colored-tintype-sheet-215-x-165-cm-8-716-x-6-1-reimagined-image230260636.htmlRFRAH7P4–Portrait of woman in bonnet, United States, 1860s - 1880s, Hand-colored tintype, Sheet: 21.5 x 16.5 cm (8 7,16 x 6 1, reimagined
Funerale, 1860s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/funerale-1860s-image365738302.htmlRM2C70PX6–Funerale, 1860s.
Portrait of woman in black bonnet; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 25.5 x 17.2 cm, 10 1,16 x 6 3,4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-woman-in-black-bonnet-united-states-1860s-1880s-hand-colored-tintype-sheet-255-x-172-cm-10-116-x-6-34-in-image220679981.htmlRMPR0RFW–Portrait of woman in black bonnet; United States; 1860s - 1880s; Hand-colored tintype; Sheet: 25.5 x 17.2 cm, 10 1,16 x 6 3,4 in
Unidentified Woman c. 1860-1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-woman-c-1860-1870-image555591471.htmlRM2R7WAGF–Unidentified Woman c. 1860-1870
Old Woman 1860s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-woman-1860s-image6561078.htmlRMA672Y7–Old Woman 1860s
View of the National Fair, Patent Office 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-national-fair-patent-office-1864-image555479358.htmlRM2R7M7GE–View of the National Fair, Patent Office 1864
Middle-aged Victorian woman in a crinoline dress Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-middle-aged-victorian-woman-in-a-crinoline-dress-169317327.htmlRMKRD1YB–Middle-aged Victorian woman in a crinoline dress
Portrait of the King and Queen of the French, standing arm in arm, at Claremont, Surrey, UK, circa 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-king-and-queen-of-the-french-standing-arm-in-arm-at-claremont-surrey-uk-circa-1865-image401808479.htmlRM2E9KXPR–Portrait of the King and Queen of the French, standing arm in arm, at Claremont, Surrey, UK, circa 1865
Bonnets and Hats 1868 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bonnets-and-hats-1868-56738598.htmlRMD88JJE–Bonnets and Hats 1868
Mary Theodosia Palmer Banks c. 1860 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-theodosia-palmer-banks-c-1860-image555468596.htmlRM2R7KNT4–Mary Theodosia Palmer Banks c. 1860
Costume May 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-costume-may-1864-131024263.htmlRMHH4JNY–Costume May 1864
Genre scene: people in discussion around table, one woman with bonnet, gun leaning against table. E. Lamy (French, active 1860s - 1870s) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/genre-scene-people-in-discussion-around-table-one-woman-with-bonnet-gun-leaning-against-table-e-lamy-french-active-1860s-1870s-image416547656.htmlRM2F5KAP0–Genre scene: people in discussion around table, one woman with bonnet, gun leaning against table. E. Lamy (French, active 1860s - 1870s)
Babies Christening cap 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-babies-christening-cap-1864-131024440.htmlRMHH4K08–Babies Christening cap 1864
Jerusha Wilcox Sturgis c. 1860-1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jerusha-wilcox-sturgis-c-1860-1870-image555469624.htmlRM2R7KR4T–Jerusha Wilcox Sturgis c. 1860-1870
Resemblance of animals and their owners Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-resemblance-of-animals-and-their-owners-105255191.htmlRMG36P1Y–Resemblance of animals and their owners
soldier in kilt and feathered bonnet, Porral (British, active Gibraltar 1860s), 1870s, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/soldier-in-kilt-and-feathered-bonnet-porral-british-active-gibraltar-1860s-1870s-albumen-silver-print-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350054058.htmlRF2B9E9EJ–soldier in kilt and feathered bonnet, Porral (British, active Gibraltar 1860s), 1870s, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Street comb seller 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/street-comb-seller-1864-image222876621.htmlRMPXGWB9–Street comb seller 1864
Search Results for 1860s bonnet Stock Photos and Images (229)
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