18th century painting harbour hi-res stock photography and images

Men of War in Harbour, (18th Century warship) painting in oil on canvas by Charles Brooking, 1745-1755 Stock Photo

RM2X7NJDH–Men of War in Harbour, (18th Century warship) painting in oil on canvas by Charles Brooking, 1745-1755

View of Dieppe's harbour 07/12/2013 - 18th century Collection Stock Photo

RMEYF0C7–View of Dieppe's harbour 07/12/2013 - 18th century Collection

Panorama of Istanbul by Antoine de Favray (1706-1798), oil on canvas, late 18th century Stock Photo

RM2GGXADP–Panorama of Istanbul by Antoine de Favray (1706-1798), oil on canvas, late 18th century

The harbour of Dieppe, France in the late 18th century. After a painting by Claude Joseph Vernet. Stock Photo

RM2RH9X86–The harbour of Dieppe, France in the late 18th century. After a painting by Claude Joseph Vernet.

geography / travel, France, La Rochelle, harbour, view of the port, copper engraving, coloured, 1767, after painting by Joseph Vernet, 1762, Caroll Gallery, Munich, 18th century, historic, historical, boats, bank, people, Europe, city view, views, cityscape, cityscapes, tree, Additional-Rights-Clearences-Not Available Stock Photo

RMGBEJ67–geography / travel, France, La Rochelle, harbour, view of the port, copper engraving, coloured, 1767, after painting by Joseph Vernet, 1762, Caroll Gallery, Munich, 18th century, historic, historical, boats, bank, people, Europe, city view, views, cityscape, cityscapes, tree, Additional-Rights-Clearences-Not Available

Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta, the Grand and Marsamxett Harbours, ca.1733. Depiction of the extensive panoramic view of Valletta and its two harbours. At the foreplane are the three cities with Senglea, Fort Saint Angelo and Fort Ricasoli. In the middle distance are Valletta and Floriana, and at the furthest distance, Marsamexetto Harbour, Manoel island with Fort Manoel and Sliema. National Museum of Fine Arts. Valletta. Malta. Stock Photo

RM2BMFN65–Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta, the Grand and Marsamxett Harbours, ca.1733. Depiction of the extensive panoramic view of Valletta and its two harbours. At the foreplane are the three cities with Senglea, Fort Saint Angelo and Fort Ricasoli. In the middle distance are Valletta and Floriana, and at the furthest distance, Marsamexetto Harbour, Manoel island with Fort Manoel and Sliema. National Museum of Fine Arts. Valletta. Malta.

A 1796 painting by the English artist Thomas Whitcombe, (1763–1824) of the Irish Postal Packet 'Earl Of Leicester', with 10 guns, approaching the entrance To Waterford Harbour, via Hook Head, County Wexford, Ireland. Stock Photo

RM2JFH18M–A 1796 painting by the English artist Thomas Whitcombe, (1763–1824) of the Irish Postal Packet 'Earl Of Leicester', with 10 guns, approaching the entrance To Waterford Harbour, via Hook Head, County Wexford, Ireland.

“Farewell to Nelson”, Portsmouth, September 14th, 1805. By Andrew Carrick Gow (1848-1920). Exhibited at the Royal Academy in 1904, the painting anticipated the first centenary of Nelson’s death. Admiral Horatio Nelson, 1st Viscount Nelson, KB (1758-1805). Nelson was most noted for his leadership and strategic skills as well as his unconventional tactics, notably during the Napoleonic Wars. Stock Photo

RMTWPMG7–“Farewell to Nelson”, Portsmouth, September 14th, 1805. By Andrew Carrick Gow (1848-1920). Exhibited at the Royal Academy in 1904, the painting anticipated the first centenary of Nelson’s death. Admiral Horatio Nelson, 1st Viscount Nelson, KB (1758-1805). Nelson was most noted for his leadership and strategic skills as well as his unconventional tactics, notably during the Napoleonic Wars.

A Harbour in Moonlight (Harbor in Moonlight), painting by Claude Joseph Vernet, 1787 Stock Photo

RM2D3DKHW–A Harbour in Moonlight (Harbor in Moonlight), painting by Claude Joseph Vernet, 1787

A Mediterranean harbour scene with galleys South European master, probably mid-18th century. In the foreground sauntering, amongst others Turkish merchants as well as guards and dock workers. Oil on canvas. Not signed, partially repainted. In a black lacquered wooden frame. Dimensions of the painting 90 x 156 cm, dimensions of the frame 100 x 167 cm. According to tradition from the estate of Grand Duchess Olga Nikolaevna Romanova of Russia (1822 - 1892). historic, historical, 19th century, Additional-Rights-Clearance-Info-Not-Available Stock Photo

RMTBB3F2–A Mediterranean harbour scene with galleys South European master, probably mid-18th century. In the foreground sauntering, amongst others Turkish merchants as well as guards and dock workers. Oil on canvas. Not signed, partially repainted. In a black lacquered wooden frame. Dimensions of the painting 90 x 156 cm, dimensions of the frame 100 x 167 cm. According to tradition from the estate of Grand Duchess Olga Nikolaevna Romanova of Russia (1822 - 1892). historic, historical, 19th century, Additional-Rights-Clearance-Info-Not-Available

View of Dover, 1746/7. By Richard Wilson (1714-1782). A view of Georgian period Dover, England. Stock Photo

RM2X0Y7RR–View of Dover, 1746/7. By Richard Wilson (1714-1782). A view of Georgian period Dover, England.

View of City of Quebec, New France, America, 18th Century 1740 Stock Photo

RM2WGCRAN–View of City of Quebec, New France, America, 18th Century 1740

Nelson's flagship HMS Victory firing a Royal Salute in Portsmouth harbour on the occasion of Queen Adelaide's birthday, 1830. By John Mayle Whichelo (1784-1865). Stock Photo

RMT1HR90–Nelson's flagship HMS Victory firing a Royal Salute in Portsmouth harbour on the occasion of Queen Adelaide's birthday, 1830. By John Mayle Whichelo (1784-1865).

Joseph Vernet. Painting entitled 'Port of Palermo by Moonlight' by Claude-Joseph Vernet (1714-1789), oil on canvas, 1769 Stock Photo

RM2HGRMEM–Joseph Vernet. Painting entitled 'Port of Palermo by Moonlight' by Claude-Joseph Vernet (1714-1789), oil on canvas, 1769

trade, merchant ships, harbour, Rochefort harbour with the warehouse for colonial produce, after painting, of Joseph Vernet (1714 - 1789), 1762, Artist's Copyright has not to be cleared Stock Photo

RMDB7JX5–trade, merchant ships, harbour, Rochefort harbour with the warehouse for colonial produce, after painting, of Joseph Vernet (1714 - 1789), 1762, Artist's Copyright has not to be cleared

Joseph Vernet. Painting entitled 'A Calm at a Mediterranean Port' by Claude-Joseph Vernet (1714-1789), oil on canvas, 1770 Stock Photo

RM2H8E0TP–Joseph Vernet. Painting entitled 'A Calm at a Mediterranean Port' by Claude-Joseph Vernet (1714-1789), oil on canvas, 1770

Japan: A Japanese map of Nagasaki Harbour and Dejima Island. The indicator for North is in the top right hand corner of the map. 1764. Dejima (literally 'exit island'; Dutch: Desjima or Deshima, sometimes latinised as Decima or Dezima) was a small fan-shaped artificial island built in the bay of Nagasaki in 1634. This island, which was formed by digging a canal through a small peninsula, remained as the single place of direct trade and exchange between Japan and the outside world during the Edo period. Dejima was built to constrain foreign traders as part of the 'sakoku' isolationist policy. Stock Photo

RM2B0189J–Japan: A Japanese map of Nagasaki Harbour and Dejima Island. The indicator for North is in the top right hand corner of the map. 1764. Dejima (literally 'exit island'; Dutch: Desjima or Deshima, sometimes latinised as Decima or Dezima) was a small fan-shaped artificial island built in the bay of Nagasaki in 1634. This island, which was formed by digging a canal through a small peninsula, remained as the single place of direct trade and exchange between Japan and the outside world during the Edo period. Dejima was built to constrain foreign traders as part of the 'sakoku' isolationist policy.

Joseph Vernet. Painting entitled 'Harbor Scene with a Grotto and Fishermen Hauling in Nets' by Claude-Joseph Vernet (1714-1789), oil on canvas, c. 1770-89 Stock Photo

RM2M0BFFR–Joseph Vernet. Painting entitled 'Harbor Scene with a Grotto and Fishermen Hauling in Nets' by Claude-Joseph Vernet (1714-1789), oil on canvas, c. 1770-89

O the Roast Beef of Old England (‘The Gate of Calais’), 1748. By William Hogarth (1697-1764). Hogarth produced this painting upon his return from France, where he had been arrested as a spy while sketching in Calais. The scene depicts a side of beef being transported from the harbour to an English tavern in the port, while a group of undernourished, ragged French soldiers and a fat friar look on hungrily. Stock Photo

RM2RPE4XE–O the Roast Beef of Old England (‘The Gate of Calais’), 1748. By William Hogarth (1697-1764). Hogarth produced this painting upon his return from France, where he had been arrested as a spy while sketching in Calais. The scene depicts a side of beef being transported from the harbour to an English tavern in the port, while a group of undernourished, ragged French soldiers and a fat friar look on hungrily.

Harbor Scene: An English Ship with Sails Loosened Firing a Gun by the English artist, Peter Monamy( 1681-1749), oil on canvas Stock Photo

RM2M434C2–Harbor Scene: An English Ship with Sails Loosened Firing a Gun by the English artist, Peter Monamy( 1681-1749), oil on canvas

View of Cette's harbour in Languedoc 07/12/2013 - 18th century Collection Stock Photo

RMEYF11C–View of Cette's harbour in Languedoc 07/12/2013 - 18th century Collection

Sir David Attenborough uses a pair of magnifying goggles to inspect a painting by 18th Century landscape artist William Hodges (1744-1797), at the National maritme Museum in Greenwich, South East London. The painting by Hodges was one of a series by the artist made during the second voyage of Captain Cook to the Pacific, between 1772-75 to record the trip for the Admiralty. The painting being examined by Sir David is titled 'A view of Pickersgill harbour, dusky bay', and beneath the scene is a view of Antartic icebergs only seen by X-Rays, which Hodges painted over some time later on the Stock Photo

RMG72XAG–Sir David Attenborough uses a pair of magnifying goggles to inspect a painting by 18th Century landscape artist William Hodges (1744-1797), at the National maritme Museum in Greenwich, South East London. The painting by Hodges was one of a series by the artist made during the second voyage of Captain Cook to the Pacific, between 1772-75 to record the trip for the Admiralty. The painting being examined by Sir David is titled 'A view of Pickersgill harbour, dusky bay', and beneath the scene is a view of Antartic icebergs only seen by X-Rays, which Hodges painted over some time later on the

The harbour of Toulon, France in the mid-18th century, showing the Arsenal of Toulon. After the painting by Claude Joseph Vernet. Stock Photo

RM2RMM6Y3–The harbour of Toulon, France in the mid-18th century, showing the Arsenal of Toulon. After the painting by Claude Joseph Vernet.

Italy: Detail from an illustration of Venice showing lateen- (triangular-) and square--rigged ships. Illustration by Frans Hogenberg (1535-1590), 16th century. For centuries Venice was Europe’s prime trading partner with the Middle East and the Byzantine Empire in particular. Venetian naval and commercial power was unrivalled in Europe until it lost a series of wars to the Ottoman armies in the 15th century. The city lost some 50,000 people to the Black Death in 1575-77, but remained a major manufacturing center and port well into the 18th century. Stock Photo

RM2B00TYR–Italy: Detail from an illustration of Venice showing lateen- (triangular-) and square--rigged ships. Illustration by Frans Hogenberg (1535-1590), 16th century. For centuries Venice was Europe’s prime trading partner with the Middle East and the Byzantine Empire in particular. Venetian naval and commercial power was unrivalled in Europe until it lost a series of wars to the Ottoman armies in the 15th century. The city lost some 50,000 people to the Black Death in 1575-77, but remained a major manufacturing center and port well into the 18th century.

Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta and the Three Cities, ca.1733. Depiction of an extensive panoramic elevated view of the newly built capital city of Valletta and its two harbours. National Museum of Fine Arts. Valletta. Malta. Stock Photo

RM2BMFN5A–Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta and the Three Cities, ca.1733. Depiction of an extensive panoramic elevated view of the newly built capital city of Valletta and its two harbours. National Museum of Fine Arts. Valletta. Malta.

The outer harbour of Brest France, oil painting by French Artist Henri Joseph van Blarenberghe, Date: 1773 Stock Photo

RM2WN144Y–The outer harbour of Brest France, oil painting by French Artist Henri Joseph van Blarenberghe, Date: 1773

Claude Joseph Vernet (1714-1789). French painter. The night. A port in the moonlight, 1771. Louvre Museum. Paris. France. Stock Photo

RM2DD4PRA–Claude Joseph Vernet (1714-1789). French painter. The night. A port in the moonlight, 1771. Louvre Museum. Paris. France.

Panoramic view of the harbour of Marseille. From an engraving dated 1760 by engravers Charles Nicolas Cochin and Jacques-Philippe Le Bas, after the painting by Claude Joseph Vernet. Stock Photo

RM2RHKCKB–Panoramic view of the harbour of Marseille. From an engraving dated 1760 by engravers Charles Nicolas Cochin and Jacques-Philippe Le Bas, after the painting by Claude Joseph Vernet.

Engraving depicting a nightmarish scene of a monster rearing its head above the water in a harbour. Another monster appears to be coming out of the painting; the picture is entitled 'Leviathan'. The Illustration is set within an ornate frame. Stock Photo

RM2JYYDTY–Engraving depicting a nightmarish scene of a monster rearing its head above the water in a harbour. Another monster appears to be coming out of the painting; the picture is entitled 'Leviathan'. The Illustration is set within an ornate frame.

Joseph Vernet. Painting entitled 'A Landscape at Sunset with Fishermen returning with their Catch ('Calme')' by Claude-Joseph Vernet (1714-1789), oil on canvas, 1773 Stock Photo

RM2H7PRAH–Joseph Vernet. Painting entitled 'A Landscape at Sunset with Fishermen returning with their Catch ('Calme')' by Claude-Joseph Vernet (1714-1789), oil on canvas, 1773

Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW Stock Photo

RMDTACEY–Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW

The spectacular bustling harbour scene which is the centrepoint for Luca Carlevarijs (1663 -1730) masterpiece entitled 'A Capriccio of a Mediterranean Seaport' which was sold today (Friday) by Chritie's to an anonymous telephone bidder for a record 1,651,500. It's estimate was only 250,000 - 350,000, and the new price is the highest ever paid for a work by Carlevarijs, the founder of the great 18th century Venetian school of view painting. Stock Photo

RM2D2X3TR–The spectacular bustling harbour scene which is the centrepoint for Luca Carlevarijs (1663 -1730) masterpiece entitled 'A Capriccio of a Mediterranean Seaport' which was sold today (Friday) by Chritie's to an anonymous telephone bidder for a record 1,651,500. It's estimate was only 250,000 - 350,000, and the new price is the highest ever paid for a work by Carlevarijs, the founder of the great 18th century Venetian school of view painting.

Francesco Guardi, Capriccio of a Harbor, landscape painting in oil on canvas, 1760-1770 Stock Photo

RM2RR20FM–Francesco Guardi, Capriccio of a Harbor, landscape painting in oil on canvas, 1760-1770

French drawing of the Palace of Ribeira in the 18th century from the harbour by Guillaume Debrie Stock Photo

RMJ8DHD3–French drawing of the Palace of Ribeira in the 18th century from the harbour by Guillaume Debrie

Claude Joseph Vernet, Oriental Seaport at Sunrise, painting in oil on copper, circa 1755 Stock Photo

RM2KA6X19–Claude Joseph Vernet, Oriental Seaport at Sunrise, painting in oil on copper, circa 1755

Vintage hand colored print of the island of Grenada and the port of Saint George's in the West Indies circa 1776. Stock Photo

RM2YFYDBF–Vintage hand colored print of the island of Grenada and the port of Saint George's in the West Indies circa 1776.

Marine. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum. Stock Photo

RM2R6F2BN–Marine. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum.

South East View Of Fort St. George, Madras [Chennai]; Fort St George was the earliest fortified settlement of the East India Company in south India, the fort being begun in 1640. It was, however, completely unprotected from the sea until the construction of a protected harbour in the late 19th Century; ships had to anchor in the roads and land their passengers and cargoes by means of small boats. Simple wooden boats called masula were used to transport people and goods through the heavy surf and then boatsmen would carry the passengers ashore on their shoulders. From the book ' Oriental scener Stock Photo

RF2G5YN7B–South East View Of Fort St. George, Madras [Chennai]; Fort St George was the earliest fortified settlement of the East India Company in south India, the fort being begun in 1640. It was, however, completely unprotected from the sea until the construction of a protected harbour in the late 19th Century; ships had to anchor in the roads and land their passengers and cargoes by means of small boats. Simple wooden boats called masula were used to transport people and goods through the heavy surf and then boatsmen would carry the passengers ashore on their shoulders. From the book ' Oriental scener

. English: The English painter Samuel Scott (1702–1772) specialized in marine painting and views of London. This oil painting relates to events of the Austrian War of Succession, 1740–48, during which the British fleet occupied the Corsican port of Bastia in 1745. In the foreground the English fleet has closed in on the harbour, bombarding the town, which has already caught fire. Français : Cette peinture à l'huile se rapporte à des événements de la Guerre de Succession d'Autriche, 1740-1748, pendant laquelle la flotte britannique a occupé le port de Bastia en 1745. Au premier plan, la flotte Stock Photo

RMMW9AJ0–. English: The English painter Samuel Scott (1702–1772) specialized in marine painting and views of London. This oil painting relates to events of the Austrian War of Succession, 1740–48, during which the British fleet occupied the Corsican port of Bastia in 1745. In the foreground the English fleet has closed in on the harbour, bombarding the town, which has already caught fire. Français : Cette peinture à l'huile se rapporte à des événements de la Guerre de Succession d'Autriche, 1740-1748, pendant laquelle la flotte britannique a occupé le port de Bastia en 1745. Au premier plan, la flotte

View from the interior of Brest's harbour 07/12/2013 - 18th century Collection Stock Photo

RMEYF0BT–View from the interior of Brest's harbour 07/12/2013 - 18th century Collection

©Active Museu/MAXPPP - ActiveMuseum 0006124.jpg / L'embarquement d'Helene / Anonyme France / Peinture Active Museum / Le Pictorium Boarding ,Cherub ,Crowd ,Harbour ,Helen of Troy ,Horizontal ,Rampart ,Ship ,Soldier ,Tunic ,Europe ,Greece ,Troy ,Western Europe ,18th century ,Anonymous France ,Painting , Stock Photo

RM2K7FC67– ©Active Museu/MAXPPP - ActiveMuseum 0006124.jpg / L'embarquement d'Helene / Anonyme France / Peinture Active Museum / Le Pictorium Boarding ,Cherub ,Crowd ,Harbour ,Helen of Troy ,Horizontal ,Rampart ,Ship ,Soldier ,Tunic ,Europe ,Greece ,Troy ,Western Europe ,18th century ,Anonymous France ,Painting ,

ActiveMuseum 0003359.jpg / The night, a seaport in the moonlight 25/09/2013 - / 18th century Collection / Active Museum Stock Photo

RMEH03RG–ActiveMuseum 0003359.jpg / The night, a seaport in the moonlight 25/09/2013 - / 18th century Collection / Active Museum

©Active Museu/MAXPPP - ActiveMuseum 0002937.jpg / Paysage, XVIIIeme siecle - Anonyme francais / Anonyme France / Peinture Active Museum / Le Pictorium Boat ,Figurative painting ,Group ,Harbour ,Horizontal ,Horse ,Landscape ,Man ,Small boat ,Village ,Water ,18th century ,Anonymous France ,Painting , Stock Photo

RM2K7FA4A– ©Active Museu/MAXPPP - ActiveMuseum 0002937.jpg / Paysage, XVIIIeme siecle - Anonyme francais / Anonyme France / Peinture Active Museum / Le Pictorium Boat ,Figurative painting ,Group ,Harbour ,Horizontal ,Horse ,Landscape ,Man ,Small boat ,Village ,Water ,18th century ,Anonymous France ,Painting ,

RMEYF11F–View of Dieppe's harbour 07/12/2013 - 18th century Collection

©Active Museu/MAXPPP - ActiveMuseum 0006804.jpg / Vue du Port de Rochefort, prise du Magasin des Colonies 1762 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Barrel ,Blue sky ,Crowd ,Fishing net ,General view ,Harbour ,Horizontal ,Horse-drawn carriage ,Smoke () ,Three-master ,18th century ,Joseph Vernet ,Painting , Stock Photo

RM2K7FEGT– ©Active Museu/MAXPPP - ActiveMuseum 0006804.jpg / Vue du Port de Rochefort, prise du Magasin des Colonies 1762 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Barrel ,Blue sky ,Crowd ,Fishing net ,General view ,Harbour ,Horizontal ,Horse-drawn carriage ,Smoke () ,Three-master ,18th century ,Joseph Vernet ,Painting ,

Small Harbour near a Tavern, mid-17th-early 18th century. Stock Photo

RM2RRHJ10–Small Harbour near a Tavern, mid-17th-early 18th century.

Joseph Vernet French school Detail from the right part of the painting 'Third view of Toulon: view of the old port from the side of the food stores' 1756 Oil on canvas Paris, musée de la Marine Stock Photo

RMGG2G8Y–Joseph Vernet French school Detail from the right part of the painting 'Third view of Toulon: view of the old port from the side of the food stores' 1756 Oil on canvas Paris, musée de la Marine

'Coastal Harbour. Calm', c1763. Artist: Claude-Joseph Vernet Stock Photo

RMDE1E67–'Coastal Harbour. Calm', c1763. Artist: Claude-Joseph Vernet

'fine arts, Joli, Antonio, (circa 1700 - 1777), painting, 'arrival of Charles III in Naples', oil on canvas, 128 cm x 205 cm, Stock Photo

RMAHY2MN–'fine arts, Joli, Antonio, (circa 1700 - 1777), painting, 'arrival of Charles III in Naples', oil on canvas, 128 cm x 205 cm,

RMDTACF1–Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW

RM2F9B5A1–Marine, 18th century.

Plymouth Dockyard, c.1798, where ships were built, repaired and refitted. The third vessel in the foreground is a sheer hulk used for fitting masts into ships. Detail from a painting by Nicholas Pocock (1740-1821), English painter. Darwin and the Beagle by Alan Moorhead, page 36.. . Stock Photo

RMWH8J6F–Plymouth Dockyard, c.1798, where ships were built, repaired and refitted. The third vessel in the foreground is a sheer hulk used for fitting masts into ships. Detail from a painting by Nicholas Pocock (1740-1821), English painter. Darwin and the Beagle by Alan Moorhead, page 36.. .

Bombay, c.1731 In the centre of the picture is a large white building, with a high gateway surmounted by a coat of arms; this seems to be â€˜the Bunder or Companyâ€™s Warehousesâ€™ marked in Groseâ€™s map (about 1760). In front, a pier projects into the harbour. On the right stands the castle, with the Union Jack floating from the Flagstaff Bastion; on the left are a number of warehouses. The foreground is occupied by shipping; a large boat with a triangular sail, is flying the Companyâ€™s colours, a flag crossed by horizontal bars alternately red and white. c.1731. Oil painting. 32 by 52 ins Stock Photo

RMRCXBC2–Bombay, c.1731 In the centre of the picture is a large white building, with a high gateway surmounted by a coat of arms; this seems to be â€˜the Bunder or Companyâ€™s Warehousesâ€™ marked in Groseâ€™s map (about 1760). In front, a pier projects into the harbour. On the right stands the castle, with the Union Jack floating from the Flagstaff Bastion; on the left are a number of warehouses. The foreground is occupied by shipping; a large boat with a triangular sail, is flying the Companyâ€™s colours, a flag crossed by horizontal bars alternately red and white. c.1731. Oil painting. 32 by 52 ins

View of Hamburg harbour and block house. After Watercolour by Alexander Scherzer, c. 1860. AS: 1835 - 1871 Stock Photo

RMJF7FHP–View of Hamburg harbour and block house. After Watercolour by Alexander Scherzer, c. 1860. AS: 1835 - 1871

CAPTAIN THE HON. AUGUSTUS HERVEY (1724-1779) TAKING LEAVE OF HIS FAMILY by Hubert Francois Bourguignon known as Hubert Gravelot Stock Photo

RMB8XMRE–CAPTAIN THE HON. AUGUSTUS HERVEY (1724-1779) TAKING LEAVE OF HIS FAMILY by Hubert Francois Bourguignon known as Hubert Gravelot

RM2R6H7T3–Marine. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum.

A Ship Running into Harbour with Other Crafts at a Jetty By Thomas Whitcombe (possibly 19 May 1763 – c. 1824) was a prominent British maritime painter of the Napoleonic Wars. Among his work are over 150 actions of the Royal Navy, and he exhibited at the Royal Academy, the British Institution and the Royal Society of British Artists. His pictures are highly sought after today. Stock Photo

RM2CT46Y9–A Ship Running into Harbour with Other Crafts at a Jetty By Thomas Whitcombe (possibly 19 May 1763 – c. 1824) was a prominent British maritime painter of the Napoleonic Wars. Among his work are over 150 actions of the Royal Navy, and he exhibited at the Royal Academy, the British Institution and the Royal Society of British Artists. His pictures are highly sought after today.

RMMX5PTF–. English: The English painter Samuel Scott (1702–1772) specialized in marine painting and views of London. This oil painting relates to events of the Austrian War of Succession, 1740–48, during which the British fleet occupied the Corsican port of Bastia in 1745. In the foreground the English fleet has closed in on the harbour, bombarding the town, which has already caught fire. Français : Cette peinture à l'huile se rapporte à des événements de la Guerre de Succession d'Autriche, 1740-1748, pendant laquelle la flotte britannique a occupé le port de Bastia en 1745. Au premier plan, la flotte

Musée d'Histoire de Marseille : Exposition Great Plague 1720 Anonymous painting 1755 showing Chevalier ROZE supervising assembly of corpses before mass burial on Esplanade de la Tourette Stock Photo

RM2H6PF74–Musée d'Histoire de Marseille : Exposition Great Plague 1720 Anonymous painting 1755 showing Chevalier ROZE supervising assembly of corpses before mass burial on Esplanade de la Tourette

Wet Paint sign and Artist Fraser Campbell at Crinan Lock Boatyard, Argyll Scotland uk Stock Photo

RMAYP4NW–Wet Paint sign and Artist Fraser Campbell at Crinan Lock Boatyard, Argyll Scotland uk

Pelecanus conspicillatus, white pelican Stock Photo

RMDTGDCJ–Pelecanus conspicillatus, white pelican

The Destruction of Tea at Boston Harbor, hand coloured engraving depicting the 1773 Boston Tea Party, Nathaniel Currier,1846 Stock Photo

RMT5EN7A–The Destruction of Tea at Boston Harbor, hand coloured engraving depicting the 1773 Boston Tea Party, Nathaniel Currier,1846

The Harbour of Antibes, view from the earth side 07/12/2013 - 18th century Collection Stock Photo

RMEYF11N–The Harbour of Antibes, view from the earth side 07/12/2013 - 18th century Collection

©Active Museu/MAXPPP - ActiveMuseum 0006800.jpg / Vue du port de Cette, en Languedoc 1757 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Boat ,Catboat ,Cloudy skies ,Harbour ,Hill ,Horizontal ,Rough sea ,Three-master ,Wave ,Europe ,France ,Languedoc-Roussillon ,Western Europe ,18th century ,Joseph Vernet ,Painting , Stock Photo

RM2K7FEF3– ©Active Museu/MAXPPP - ActiveMuseum 0006800.jpg / Vue du port de Cette, en Languedoc 1757 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Boat ,Catboat ,Cloudy skies ,Harbour ,Hill ,Horizontal ,Rough sea ,Three-master ,Wave ,Europe ,France ,Languedoc-Roussillon ,Western Europe ,18th century ,Joseph Vernet ,Painting ,

Le Louvre Lens : Claude Joseph VERNET (1714-1789) Le retour de la peche Stock Photo

RM2E59AB1–Le Louvre Lens : Claude Joseph VERNET (1714-1789) Le retour de la peche

Joseph Vernet French school Detail from the left part of the painting 'Third view of Toulon: view of the old port from the side of the food stores' 1756 Oil on canvas Paris, musée de la Marine Stock Photo

RMGG2G8W–Joseph Vernet French school Detail from the left part of the painting 'Third view of Toulon: view of the old port from the side of the food stores' 1756 Oil on canvas Paris, musée de la Marine

Abner Doubleday, buried in Arlington National Cemetery’s Section 1, grave 61, was a Brevet Brigadier General in the U.S. Army. Doubleday is often credited with having invented baseball. Stock Photo

RMPCGC13–Abner Doubleday, buried in Arlington National Cemetery’s Section 1, grave 61, was a Brevet Brigadier General in the U.S. Army. Doubleday is often credited with having invented baseball.

Halftone of the arrival of a convict ship in an Australian penal colony, from an educational publication in 1927. Stock Photo

RM2M4E8PG–Halftone of the arrival of a convict ship in an Australian penal colony, from an educational publication in 1927.

RMDTACFD–Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW

Hunting Scene with a Harbor, 18th century. Stock Photo

RM2F3CXJD–Hunting Scene with a Harbor, 18th century.

Aviation Structural Mechanic 2nd Class Greg Gusse, from Palm City, Fla., inspects the tail rotor paddle of an MH-60R Sea Hawk helicopter assigned to the Spartans of Helicopter Maritime Strike Squadron (HSM) 70 aboard the aircraft carrier USS George H.W. Bush (CVN 77). George H.W. Bush is supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility. Stock Photo

RMPCGC17–Aviation Structural Mechanic 2nd Class Greg Gusse, from Palm City, Fla., inspects the tail rotor paddle of an MH-60R Sea Hawk helicopter assigned to the Spartans of Helicopter Maritime Strike Squadron (HSM) 70 aboard the aircraft carrier USS George H.W. Bush (CVN 77). George H.W. Bush is supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility.

View from Boston looking north-east, with a British soldier standing beside a cannon on top of Beacon Hill in the foreground, with rooftops and spires of North Boston. Sailing ships and H.M.S. Somerset can be seen entering the harbour beyond, and Charlestown, Bunker Hill, Noddle Island and Hog Island are shown across Mystic River in the background; key below. View of the country round Boston taken from Beacon hill. 1775. ink and watercolour; sheet 16.9 x 47.9 cm. Source: Maps K.Top.120.38.f. Language: English. Stock Photo

RMRCY2GN–View from Boston looking north-east, with a British soldier standing beside a cannon on top of Beacon Hill in the foreground, with rooftops and spires of North Boston. Sailing ships and H.M.S. Somerset can be seen entering the harbour beyond, and Charlestown, Bunker Hill, Noddle Island and Hog Island are shown across Mystic River in the background; key below. View of the country round Boston taken from Beacon hill. 1775. ink and watercolour; sheet 16.9 x 47.9 cm. Source: Maps K.Top.120.38.f. Language: English.

Binnenhafen, the oldest part of Hamburg harbour. After Watercolour by Cornelius Suhr, c. 1820. CS: 1781 - 1857 Stock Photo

RMJF7FHX–Binnenhafen, the oldest part of Hamburg harbour. After Watercolour by Cornelius Suhr, c. 1820. CS: 1781 - 1857

U.S. Navy Mass Communication Specialist 3rd Class Lorelei Vandergriend, left, takes caption information from Aviation Boatswain's Mate (Handling) Airman Recruit Brandon Waters aboard the aircraft carrier USS George H.W. Bush (CVN 77) in the Persian Gulf July 7, 2014. The George H.W. Bush was supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility. Stock Photo

RMPCGC14–U.S. Navy Mass Communication Specialist 3rd Class Lorelei Vandergriend, left, takes caption information from Aviation Boatswain's Mate (Handling) Airman Recruit Brandon Waters aboard the aircraft carrier USS George H.W. Bush (CVN 77) in the Persian Gulf July 7, 2014. The George H.W. Bush was supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility.

Canal in Venice. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum. Stock Photo

RM2R6EHM5–Canal in Venice. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum.

18th Century view of Town and Cove of Sidney from the book The history of New South Wales : including Botany Bay, Port Jackson, Parramatta, Sydney, and all its dependancies, from the original discovery of the island ; with the customs and manners of the natives; and an account of the English colony, from its foundation, to the present time by George Barrington, 1755-1804. Publication date 1810 Publisher London : M. Jones. George Barrington (14 May 1755 – 27 December 1804) was an Irish-born pickpocket, popular London socialite, Australian pioneer (following his transportation to Botany Bay), an Stock Photo

RF2JAMJYH–18th Century view of Town and Cove of Sidney from the book The history of New South Wales : including Botany Bay, Port Jackson, Parramatta, Sydney, and all its dependancies, from the original discovery of the island ; with the customs and manners of the natives; and an account of the English colony, from its foundation, to the present time by George Barrington, 1755-1804. Publication date 1810 Publisher London : M. Jones. George Barrington (14 May 1755 – 27 December 1804) was an Irish-born pickpocket, popular London socialite, Australian pioneer (following his transportation to Botany Bay), an

RMMYB6BE–. English: The English painter Samuel Scott (1702–1772) specialized in marine painting and views of London. This oil painting relates to events of the Austrian War of Succession, 1740–48, during which the British fleet occupied the Corsican port of Bastia in 1745. In the foreground the English fleet has closed in on the harbour, bombarding the town, which has already caught fire. Français : Cette peinture à l'huile se rapporte à des événements de la Guerre de Succession d'Autriche, 1740-1748, pendant laquelle la flotte britannique a occupé le port de Bastia en 1745. Au premier plan, la flotte

Robert Salmon (1775-1845). English painter. Picture of 'The Dream' Pleasure Yacht. 1839. Thyssen-Bornemisza Museum. Madrid. Stock Photo

RMD8TAD1–Robert Salmon (1775-1845). English painter. Picture of 'The Dream' Pleasure Yacht. 1839. Thyssen-Bornemisza Museum. Madrid.

Gibralter from a drawing by Birket Foster; Illustration from Cassell's History of England, King's Edition Part 34 Stock Photo

RMPEDJ42–Gibralter from a drawing by Birket Foster; Illustration from Cassell's History of England, King's Edition Part 34

Fourteen molluscs, including gastropods and bivalves Stock Photo

RMDTGBJR–Fourteen molluscs, including gastropods and bivalves

RMG72XAJ–William Hodges artwork

RMEYF0CC–The Harbour of Antibes, view from the earth side 07/12/2013 - 18th century Collection

©Active Museu/MAXPPP - ActiveMuseum 0006555.jpg / Vue du Port de Rochefort, prise du Magasin des Colonies 1762 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Barrel ,Blue sky ,Crowd ,Fishing net ,General view ,Harbour ,Horizontal ,Horse-drawn carriage ,Smoke () ,Three-master ,18th century ,Joseph Vernet ,Painting , Stock Photo

RM2K7FD45– ©Active Museu/MAXPPP - ActiveMuseum 0006555.jpg / Vue du Port de Rochefort, prise du Magasin des Colonies 1762 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Barrel ,Blue sky ,Crowd ,Fishing net ,General view ,Harbour ,Horizontal ,Horse-drawn carriage ,Smoke () ,Three-master ,18th century ,Joseph Vernet ,Painting ,

RM2H0N65B–Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta and the Three Cities, ca.1733. Depiction of an extensive panoramic e

RM2E41X7N–Kuppelfresko, Goya, 1798

RM2M4E8JY–Halftone of the arrival of a convict ship in an Australian penal colony, from an educational publication in 1927.

RMDTACFR–Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW

Harbor Scene with a Grotto and Fishermen Hauling in Nets. (French, late 18th century) Stock Photo

RM2AX189K–Harbor Scene with a Grotto and Fishermen Hauling in Nets. (French, late 18th century)

View of the city Teu-tcheou foo, taken from the Hindostan at anchor in the straight of Mi-a-tau. Two English ships and some Chines barges sailing in the Bohai Sea near the port of Penglai. Signed with initials at bottom right and annotated in pencil on verso: 'View of Port of the City of Ten-cheou-fou. July 21st, 1793'. Pasted on mount with washlines. Described as 'A distant view of the City Teu-tcheou foo, taken from the Hindostan at anchor in the streight of Mi-a-tau, a harbour of some note among the Chinese'. . [A collection of eighty views, maps, portraits and drawings illustrative of the Stock Photo

RMRCAX10–View of the city Teu-tcheou foo, taken from the Hindostan at anchor in the straight of Mi-a-tau. Two English ships and some Chines barges sailing in the Bohai Sea near the port of Penglai. Signed with initials at bottom right and annotated in pencil on verso: 'View of Port of the City of Ten-cheou-fou. July 21st, 1793'. Pasted on mount with washlines. Described as 'A distant view of the City Teu-tcheou foo, taken from the Hindostan at anchor in the streight of Mi-a-tau, a harbour of some note among the Chinese'. . [A collection of eighty views, maps, portraits and drawings illustrative of the

Hamburg harbour. Colourised steel engraving of a drawing by Carl A. Lill, c. 1840. CL: 1807 - 1879 Stock Photo

RMJF7FJ3–Hamburg harbour. Colourised steel engraving of a drawing by Carl A. Lill, c. 1840. CL: 1807 - 1879

U.S. Navy Aviation Structural Mechanic 3rd Class Darryl Shawn, assigned to Helicopter Sea Combat Squadron (HSC) 9, measures a bolt aboard the aircraft carrier USS George H.W. Bush (CVN 77)in the Persian Gulf July 7, 2014. The George H.W. Bush was supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility. Stock Photo

RMPCGC15–U.S. Navy Aviation Structural Mechanic 3rd Class Darryl Shawn, assigned to Helicopter Sea Combat Squadron (HSC) 9, measures a bolt aboard the aircraft carrier USS George H.W. Bush (CVN 77)in the Persian Gulf July 7, 2014. The George H.W. Bush was supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility.

Bacino di San Marco, Venice - 18th century - 124,5x204,5 cm - oil on canvas. Author: Canaletto (1697-1768). Location: MUSEUM OF FINE ARTS, BOSTON-MASSACHUSETTS. Also known as: LA DARSENA DE SAN MARCOS VISTA DEL ESTE. Stock Photo

RMP4EXA1–Bacino di San Marco, Venice - 18th century - 124,5x204,5 cm - oil on canvas. Author: Canaletto (1697-1768). Location: MUSEUM OF FINE ARTS, BOSTON-MASSACHUSETTS. Also known as: LA DARSENA DE SAN MARCOS VISTA DEL ESTE.

Java Head is the most westerly point of the island of Java, colour print from the book ' A Picturesque Voyage to India by Way of China ' by Thomas Daniell, R.A. and William Daniell, A.R.A. London : Printed for Longman, Hurst, Rees, and Orme, and William Daniell by Thomas Davison, 1810. The Daniells' original watercolors for the scenes depicted herein are now at the Yale Center for British Art, Department of Rare Books and Manuscripts, Stock Photo

RM2G4AXCX–Java Head is the most westerly point of the island of Java, colour print from the book ' A Picturesque Voyage to India by Way of China ' by Thomas Daniell, R.A. and William Daniell, A.R.A. London : Printed for Longman, Hurst, Rees, and Orme, and William Daniell by Thomas Davison, 1810. The Daniells' original watercolors for the scenes depicted herein are now at the Yale Center for British Art, Department of Rare Books and Manuscripts,

View of Rochefort's Harbour, taken from Magasin des Colonies 07/12/2013 - 18th century Collection Stock Photo

RMEYF0C9–View of Rochefort's Harbour, taken from Magasin des Colonies 07/12/2013 - 18th century Collection

©Active Museu/MAXPPP - ActiveMuseum 0006554.jpg / Vue du Port de la Rochelle, prise de la petite Rive 1762 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Animals ,Barrel ,Boat ,Group ,Harbour ,Horizontal ,People ,Sailing boat ,Tree ,Twilight sky ,Women ,1TermeCandGEO ,La Rochelle ,18th century ,Joseph Vernet ,Painting , Stock Photo

RM2K7FD3Y– ©Active Museu/MAXPPP - ActiveMuseum 0006554.jpg / Vue du Port de la Rochelle, prise de la petite Rive 1762 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Animals ,Barrel ,Boat ,Group ,Harbour ,Horizontal ,People ,Sailing boat ,Tree ,Twilight sky ,Women ,1TermeCandGEO ,La Rochelle ,18th century ,Joseph Vernet ,Painting ,

RF2GF3869–Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta and the Three Cities, ca.1733. Depiction of an extensive panoramic e