18th century painting harbour Stock Photos and Images
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18th century painting harbour Stock Photos and Images
Men of War in Harbour, (18th Century warship) painting in oil on canvas by Charles Brooking, 1745-1755 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/men-of-war-in-harbour-18th-century-warship-painting-in-oil-on-canvas-by-charles-brooking-1745-1755-image607140957.htmlRM2X7NJDH–Men of War in Harbour, (18th Century warship) painting in oil on canvas by Charles Brooking, 1745-1755
View of Dieppe's harbour 07/12/2013 - 18th century Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-view-of-dieppes-harbour-07122013-18th-century-collection-85766807.htmlRMEYF0C7–View of Dieppe's harbour 07/12/2013 - 18th century Collection
Panorama of Istanbul by Antoine de Favray (1706-1798), oil on canvas, late 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panorama-of-istanbul-by-antoine-de-favray-1706-1798-oil-on-canvas-late-18th-century-image440672674.htmlRM2GGXADP–Panorama of Istanbul by Antoine de Favray (1706-1798), oil on canvas, late 18th century
The harbour of Dieppe, France in the late 18th century. After a painting by Claude Joseph Vernet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-harbour-of-dieppe-france-in-the-late-18th-century-after-a-painting-by-claude-joseph-vernet-image561399110.htmlRM2RH9X86–The harbour of Dieppe, France in the late 18th century. After a painting by Claude Joseph Vernet.
Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta, the Grand and Marsamxett Harbours, ca.1733. Depiction of the extensive panoramic view of Valletta and its two harbours. At the foreplane are the three cities with Senglea, Fort Saint Angelo and Fort Ricasoli. In the middle distance are Valletta and Floriana, and at the furthest distance, Marsamexetto Harbour, Manoel island with Fort Manoel and Sliema. National Museum of Fine Arts. Valletta. Malta. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-giuseppe-caloriti-1681-ca1740-italian-painter-view-of-valletta-the-grand-and-marsamxett-harbours-ca1733-depiction-of-the-extensive-panoramic-view-of-valletta-and-its-two-harbours-at-the-foreplane-are-the-three-cities-with-senglea-fort-saint-angelo-and-fort-ricasoli-in-the-middle-distance-are-valletta-and-floriana-and-at-the-furthest-distance-marsamexetto-harbour-manoel-island-with-fort-manoel-and-sliema-national-museum-of-fine-arts-valletta-malta-image356846397.htmlRM2BMFN65–Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta, the Grand and Marsamxett Harbours, ca.1733. Depiction of the extensive panoramic view of Valletta and its two harbours. At the foreplane are the three cities with Senglea, Fort Saint Angelo and Fort Ricasoli. In the middle distance are Valletta and Floriana, and at the furthest distance, Marsamexetto Harbour, Manoel island with Fort Manoel and Sliema. National Museum of Fine Arts. Valletta. Malta.
A 1796 painting by the English artist Thomas Whitcombe, (1763–1824) of the Irish Postal Packet 'Earl Of Leicester', with 10 guns, approaching the entrance To Waterford Harbour, via Hook Head, County Wexford, Ireland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-1796-painting-by-the-english-artist-thomas-whitcombe-17631824-of-the-irish-postal-packet-earl-of-leicester-with-10-guns-approaching-the-entrance-to-waterford-harbour-via-hook-head-county-wexford-ireland-image474273988.htmlRM2JFH18M–A 1796 painting by the English artist Thomas Whitcombe, (1763–1824) of the Irish Postal Packet 'Earl Of Leicester', with 10 guns, approaching the entrance To Waterford Harbour, via Hook Head, County Wexford, Ireland.
“Farewell to Nelson”, Portsmouth, September 14th, 1805. By Andrew Carrick Gow (1848-1920). Exhibited at the Royal Academy in 1904, the painting anticipated the first centenary of Nelson’s death. Admiral Horatio Nelson, 1st Viscount Nelson, KB (1758-1805). Nelson was most noted for his leadership and strategic skills as well as his unconventional tactics, notably during the Napoleonic Wars. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/farewell-to-nelson-portsmouth-september-14th-1805-by-andrew-carrick-gow-1848-1920-exhibited-at-the-royal-academy-in-1904-the-painting-anticipated-the-first-centenary-of-nelsons-death-admiral-horatio-nelson-1st-viscount-nelson-kb-1758-1805-nelson-was-most-noted-for-his-leadership-and-strategic-skills-as-well-as-his-unconventional-tactics-notably-during-the-napoleonic-wars-image256810631.htmlRMTWPMG7–“Farewell to Nelson”, Portsmouth, September 14th, 1805. By Andrew Carrick Gow (1848-1920). Exhibited at the Royal Academy in 1904, the painting anticipated the first centenary of Nelson’s death. Admiral Horatio Nelson, 1st Viscount Nelson, KB (1758-1805). Nelson was most noted for his leadership and strategic skills as well as his unconventional tactics, notably during the Napoleonic Wars.
A Harbour in Moonlight (Harbor in Moonlight), painting by Claude Joseph Vernet, 1787 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-harbour-in-moonlight-harbor-in-moonlight-painting-by-claude-joseph-vernet-1787-image380772837.htmlRM2D3DKHW–A Harbour in Moonlight (Harbor in Moonlight), painting by Claude Joseph Vernet, 1787
View of Dover, 1746/7. By Richard Wilson (1714-1782). A view of Georgian period Dover, England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-dover-17467-by-richard-wilson-1714-1782-a-view-of-georgian-period-dover-england-image602961739.htmlRM2X0Y7RR–View of Dover, 1746/7. By Richard Wilson (1714-1782). A view of Georgian period Dover, England.
View of City of Quebec, New France, America, 18th Century 1740 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-city-of-quebec-new-france-america-18th-century-1740-image595268765.htmlRM2WGCRAN–View of City of Quebec, New France, America, 18th Century 1740
Nelson's flagship HMS Victory firing a Royal Salute in Portsmouth harbour on the occasion of Queen Adelaide's birthday, 1830. By John Mayle Whichelo (1784-1865). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nelsons-flagship-hms-victory-firing-a-royal-salute-in-portsmouth-harbour-on-the-occasion-of-queen-adelaides-birthday-1830-by-john-mayle-whichelo-1784-1865-image241951276.htmlRMT1HR90–Nelson's flagship HMS Victory firing a Royal Salute in Portsmouth harbour on the occasion of Queen Adelaide's birthday, 1830. By John Mayle Whichelo (1784-1865).
Joseph Vernet. Painting entitled 'Port of Palermo by Moonlight' by Claude-Joseph Vernet (1714-1789), oil on canvas, 1769 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-vernet-painting-entitled-port-of-palermo-by-moonlight-by-claude-joseph-vernet-1714-1789-oil-on-canvas-1769-image457825052.htmlRM2HGRMEM–Joseph Vernet. Painting entitled 'Port of Palermo by Moonlight' by Claude-Joseph Vernet (1714-1789), oil on canvas, 1769
A detailed watercolor depicting St. John's coastal town, capturing an 18th-century landscape. The scenic view illustrates historical architecture amidst serene waters and clear skies. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-detailed-watercolor-depicting-st-johns-coastal-town-capturing-an-18th-century-landscape-the-scenic-view-illustrates-historical-architecture-amidst-serene-waters-and-clear-skies-image634069136.htmlRF2YRG9J8–A detailed watercolor depicting St. John's coastal town, capturing an 18th-century landscape. The scenic view illustrates historical architecture amidst serene waters and clear skies.
Joseph Vernet. Painting entitled 'A Calm at a Mediterranean Port' by Claude-Joseph Vernet (1714-1789), oil on canvas, 1770 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-vernet-painting-entitled-a-calm-at-a-mediterranean-port-by-claude-joseph-vernet-1714-1789-oil-on-canvas-1770-image452694838.htmlRM2H8E0TP–Joseph Vernet. Painting entitled 'A Calm at a Mediterranean Port' by Claude-Joseph Vernet (1714-1789), oil on canvas, 1770
Japan: A Japanese map of Nagasaki Harbour and Dejima Island. The indicator for North is in the top right hand corner of the map. 1764. Dejima (literally 'exit island'; Dutch: Desjima or Deshima, sometimes latinised as Decima or Dezima) was a small fan-shaped artificial island built in the bay of Nagasaki in 1634. This island, which was formed by digging a canal through a small peninsula, remained as the single place of direct trade and exchange between Japan and the outside world during the Edo period. Dejima was built to constrain foreign traders as part of the 'sakoku' isolationist policy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-a-japanese-map-of-nagasaki-harbour-and-dejima-island-the-indicator-for-north-is-in-the-top-right-hand-corner-of-the-map-1764-dejima-literally-exit-island-dutch-desjima-or-deshima-sometimes-latinised-as-decima-or-dezima-was-a-small-fan-shaped-artificial-island-built-in-the-bay-of-nagasaki-in-1634-this-island-which-was-formed-by-digging-a-canal-through-a-small-peninsula-remained-as-the-single-place-of-direct-trade-and-exchange-between-japan-and-the-outside-world-during-the-edo-period-dejima-was-built-to-constrain-foreign-traders-as-part-of-the-sakoku-isolationist-policy-image344235854.htmlRM2B0189J–Japan: A Japanese map of Nagasaki Harbour and Dejima Island. The indicator for North is in the top right hand corner of the map. 1764. Dejima (literally 'exit island'; Dutch: Desjima or Deshima, sometimes latinised as Decima or Dezima) was a small fan-shaped artificial island built in the bay of Nagasaki in 1634. This island, which was formed by digging a canal through a small peninsula, remained as the single place of direct trade and exchange between Japan and the outside world during the Edo period. Dejima was built to constrain foreign traders as part of the 'sakoku' isolationist policy.
Joseph Vernet. Painting entitled 'Harbor Scene with a Grotto and Fishermen Hauling in Nets' by Claude-Joseph Vernet (1714-1789), oil on canvas, c. 1770-89 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-vernet-painting-entitled-harbor-scene-with-a-grotto-and-fishermen-hauling-in-nets-by-claude-joseph-vernet-1714-1789-oil-on-canvas-c-1770-89-image499354347.htmlRM2M0BFFR–Joseph Vernet. Painting entitled 'Harbor Scene with a Grotto and Fishermen Hauling in Nets' by Claude-Joseph Vernet (1714-1789), oil on canvas, c. 1770-89
O the Roast Beef of Old England (‘The Gate of Calais’), 1748. By William Hogarth (1697-1764). Hogarth produced this painting upon his return from France, where he had been arrested as a spy while sketching in Calais. The scene depicts a side of beef being transported from the harbour to an English tavern in the port, while a group of undernourished, ragged French soldiers and a fat friar look on hungrily. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/o-the-roast-beef-of-old-england-the-gate-of-calais-1748-by-william-hogarth-1697-1764-hogarth-produced-this-painting-upon-his-return-from-france-where-he-had-been-arrested-as-a-spy-while-sketching-in-calais-the-scene-depicts-a-side-of-beef-being-transported-from-the-harbour-to-an-english-tavern-in-the-port-while-a-group-of-undernourished-ragged-french-soldiers-and-a-fat-friar-look-on-hungrily-image564565414.htmlRM2RPE4XE–O the Roast Beef of Old England (‘The Gate of Calais’), 1748. By William Hogarth (1697-1764). Hogarth produced this painting upon his return from France, where he had been arrested as a spy while sketching in Calais. The scene depicts a side of beef being transported from the harbour to an English tavern in the port, while a group of undernourished, ragged French soldiers and a fat friar look on hungrily.
Harbor Scene: An English Ship with Sails Loosened Firing a Gun by the English artist, Peter Monamy( 1681-1749), oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harbor-scene-an-english-ship-with-sails-loosened-firing-a-gun-by-the-english-artist-peter-monamy-1681-1749-oil-on-canvas-image501628626.htmlRM2M434C2–Harbor Scene: An English Ship with Sails Loosened Firing a Gun by the English artist, Peter Monamy( 1681-1749), oil on canvas
Sir David Attenborough uses a pair of magnifying goggles to inspect a painting by 18th Century landscape artist William Hodges (1744-1797), at the National maritme Museum in Greenwich, South East London. The painting by Hodges was one of a series by the artist made during the second voyage of Captain Cook to the Pacific, between 1772-75 to record the trip for the Admiralty. The painting being examined by Sir David is titled 'A view of Pickersgill harbour, dusky bay', and beneath the scene is a view of Antartic icebergs only seen by X-Rays, which Hodges painted over some time later on the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-david-attenborough-uses-a-pair-of-magnifying-goggles-to-inspect-107629384.htmlRMG72XAG–Sir David Attenborough uses a pair of magnifying goggles to inspect a painting by 18th Century landscape artist William Hodges (1744-1797), at the National maritme Museum in Greenwich, South East London. The painting by Hodges was one of a series by the artist made during the second voyage of Captain Cook to the Pacific, between 1772-75 to record the trip for the Admiralty. The painting being examined by Sir David is titled 'A view of Pickersgill harbour, dusky bay', and beneath the scene is a view of Antartic icebergs only seen by X-Rays, which Hodges painted over some time later on the
Italy: Detail from an illustration of Venice showing lateen- (triangular-) and square--rigged ships. Illustration by Frans Hogenberg (1535-1590), 16th century. For centuries Venice was Europe’s prime trading partner with the Middle East and the Byzantine Empire in particular. Venetian naval and commercial power was unrivalled in Europe until it lost a series of wars to the Ottoman armies in the 15th century. The city lost some 50,000 people to the Black Death in 1575-77, but remained a major manufacturing center and port well into the 18th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-detail-from-an-illustration-of-venice-showing-lateen-triangular-and-square-rigged-ships-illustration-by-frans-hogenberg-1535-1590-16th-century-for-centuries-venice-was-europes-prime-trading-partner-with-the-middle-east-and-the-byzantine-empire-in-particular-venetian-naval-and-commercial-power-was-unrivalled-in-europe-until-it-lost-a-series-of-wars-to-the-ottoman-armies-in-the-15th-century-the-city-lost-some-50000-people-to-the-black-death-in-1575-77-but-remained-a-major-manufacturing-center-and-port-well-into-the-18th-century-image344226955.htmlRM2B00TYR–Italy: Detail from an illustration of Venice showing lateen- (triangular-) and square--rigged ships. Illustration by Frans Hogenberg (1535-1590), 16th century. For centuries Venice was Europe’s prime trading partner with the Middle East and the Byzantine Empire in particular. Venetian naval and commercial power was unrivalled in Europe until it lost a series of wars to the Ottoman armies in the 15th century. The city lost some 50,000 people to the Black Death in 1575-77, but remained a major manufacturing center and port well into the 18th century.
View of Cette's harbour in Languedoc 07/12/2013 - 18th century Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-view-of-cettes-harbour-in-languedoc-07122013-18th-century-collection-85767288.htmlRMEYF11C–View of Cette's harbour in Languedoc 07/12/2013 - 18th century Collection
The outer harbour of Brest France, oil painting by French Artist Henri Joseph van Blarenberghe, Date: 1773 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-outer-harbour-of-brest-france-oil-painting-by-french-artist-henri-joseph-van-blarenberghe-date-1773-image598085515.htmlRM2WN144Y–The outer harbour of Brest France, oil painting by French Artist Henri Joseph van Blarenberghe, Date: 1773
The harbour of Toulon, France in the mid-18th century, showing the Arsenal of Toulon. After the painting by Claude Joseph Vernet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-harbour-of-toulon-france-in-the-mid-18th-century-showing-the-arsenal-of-toulon-after-the-painting-by-claude-joseph-vernet-image563469399.htmlRM2RMM6Y3–The harbour of Toulon, France in the mid-18th century, showing the Arsenal of Toulon. After the painting by Claude Joseph Vernet.
Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta and the Three Cities, ca.1733. Depiction of an extensive panoramic elevated view of the newly built capital city of Valletta and its two harbours. National Museum of Fine Arts. Valletta. Malta. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-giuseppe-caloriti-1681-ca1740-italian-painter-view-of-valletta-and-the-three-cities-ca1733-depiction-of-an-extensive-panoramic-elevated-view-of-the-newly-built-capital-city-of-valletta-and-its-two-harbours-national-museum-of-fine-arts-valletta-malta-image356846374.htmlRM2BMFN5A–Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta and the Three Cities, ca.1733. Depiction of an extensive panoramic elevated view of the newly built capital city of Valletta and its two harbours. National Museum of Fine Arts. Valletta. Malta.
Panoramic view of the harbour of Marseille. From an engraving dated 1760 by engravers Charles Nicolas Cochin and Jacques-Philippe Le Bas, after the painting by Claude Joseph Vernet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panoramic-view-of-the-harbour-of-marseille-from-an-engraving-dated-1760-by-engravers-charles-nicolas-cochin-and-jacques-philippe-le-bas-after-the-painting-by-claude-joseph-vernet-image561607967.htmlRM2RHKCKB–Panoramic view of the harbour of Marseille. From an engraving dated 1760 by engravers Charles Nicolas Cochin and Jacques-Philippe Le Bas, after the painting by Claude Joseph Vernet.
Claude Joseph Vernet (1714-1789). French painter. The night. A port in the moonlight, 1771. Louvre Museum. Paris. France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/claude-joseph-vernet-1714-1789-french-painter-the-night-a-port-in-the-moonlight-1771-louvre-museum-paris-france-image386724334.htmlRM2DD4PRA–Claude Joseph Vernet (1714-1789). French painter. The night. A port in the moonlight, 1771. Louvre Museum. Paris. France.
Engraving depicting a nightmarish scene of a monster rearing its head above the water in a harbour. Another monster appears to be coming out of the painting; the picture is entitled 'Leviathan'. The Illustration is set within an ornate frame. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-depicting-a-nightmarish-scene-of-a-monster-rearing-its-head-above-the-water-in-a-harbour-another-monster-appears-to-be-coming-out-of-the-painting-the-picture-is-entitled-leviathan-the-illustration-is-set-within-an-ornate-frame-image481879243.htmlRM2JYYDTY–Engraving depicting a nightmarish scene of a monster rearing its head above the water in a harbour. Another monster appears to be coming out of the painting; the picture is entitled 'Leviathan'. The Illustration is set within an ornate frame.
Joseph Vernet. Painting entitled 'A Landscape at Sunset with Fishermen returning with their Catch ('Calme')' by Claude-Joseph Vernet (1714-1789), oil on canvas, 1773 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-vernet-painting-entitled-a-landscape-at-sunset-with-fishermen-returning-with-their-catch-calme-by-claude-joseph-vernet-1714-1789-oil-on-canvas-1773-image452273433.htmlRM2H7PRAH–Joseph Vernet. Painting entitled 'A Landscape at Sunset with Fishermen returning with their Catch ('Calme')' by Claude-Joseph Vernet (1714-1789), oil on canvas, 1773
Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kornelimnster-ehemalige-reichsabtei-sammlung-kunst-aus-nrw-image66612195.htmlRMDTACEY–Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW
The spectacular bustling harbour scene which is the centrepoint for Luca Carlevarijs (1663 -1730) masterpiece entitled 'A Capriccio of a Mediterranean Seaport' which was sold today (Friday) by Chritie's to an anonymous telephone bidder for a record 1,651,500. It's estimate was only 250,000 - 350,000, and the new price is the highest ever paid for a work by Carlevarijs, the founder of the great 18th century Venetian school of view painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-spectacular-bustling-harbour-scene-which-is-the-centrepoint-for-luca-carlevarijs-1663-1730-masterpiece-entitled-a-capriccio-of-a-mediterranean-seaport-which-was-sold-today-friday-by-chrities-to-an-anonymous-telephone-bidder-for-a-record-1651500-its-estimate-was-only-250000-350000-and-the-new-price-is-the-highest-ever-paid-for-a-work-by-carlevarijs-the-founder-of-the-great-18th-century-venetian-school-of-view-painting-image380431207.htmlRM2D2X3TR–The spectacular bustling harbour scene which is the centrepoint for Luca Carlevarijs (1663 -1730) masterpiece entitled 'A Capriccio of a Mediterranean Seaport' which was sold today (Friday) by Chritie's to an anonymous telephone bidder for a record 1,651,500. It's estimate was only 250,000 - 350,000, and the new price is the highest ever paid for a work by Carlevarijs, the founder of the great 18th century Venetian school of view painting.
Francesco Guardi, Capriccio of a Harbor, landscape painting in oil on canvas, 1760-1770 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francesco-guardi-capriccio-of-a-harbor-landscape-painting-in-oil-on-canvas-1760-1770-image564913208.htmlRM2RR20FM–Francesco Guardi, Capriccio of a Harbor, landscape painting in oil on canvas, 1760-1770
French drawing of the Palace of Ribeira in the 18th century from the harbour by Guillaume Debrie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-drawing-of-the-palace-of-ribeira-in-the-18th-century-from-the-142899263.htmlRMJ8DHD3–French drawing of the Palace of Ribeira in the 18th century from the harbour by Guillaume Debrie
Claude Joseph Vernet, Oriental Seaport at Sunrise, painting in oil on copper, circa 1755 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/claude-joseph-vernet-oriental-seaport-at-sunrise-painting-in-oil-on-copper-circa-1755-image488188997.htmlRM2KA6X19–Claude Joseph Vernet, Oriental Seaport at Sunrise, painting in oil on copper, circa 1755
Vintage hand colored print of the island of Grenada and the port of Saint George's in the West Indies circa 1776. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-hand-colored-print-of-the-island-of-grenada-and-the-port-of-saint-georges-in-the-west-indies-circa-1776-image629396307.htmlRM2YFYDBF–Vintage hand colored print of the island of Grenada and the port of Saint George's in the West Indies circa 1776.
Marine. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marine-oil-on-canvas-date-18th-century-museum-smithsonian-american-art-museum-image554750889.htmlRM2R6F2BN–Marine. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum.
![South East View Of Fort St. George, Madras [Chennai]; Fort St George was the earliest fortified settlement of the East India Company in south India, the fort being begun in 1640. It was, however, completely unprotected from the sea until the construction of a protected harbour in the late 19th Century; ships had to anchor in the roads and land their passengers and cargoes by means of small boats. Simple wooden boats called masula were used to transport people and goods through the heavy surf and then boatsmen would carry the passengers ashore on their shoulders. From the book ' Oriental scener Stock Photo](https://c8.alamy.com/comp/2G5YN7B/south-east-view-of-fort-st-george-madras-chennai-fort-st-george-was-the-earliest-fortified-settlement-of-the-east-india-company-in-south-india-the-fort-being-begun-in-1640-it-was-however-completely-unprotected-from-the-sea-until-the-construction-of-a-protected-harbour-in-the-late-19th-century-ships-had-to-anchor-in-the-roads-and-land-their-passengers-and-cargoes-by-means-of-small-boats-simple-wooden-boats-called-masula-were-used-to-transport-people-and-goods-through-the-heavy-surf-and-then-boatsmen-would-carry-the-passengers-ashore-on-their-shoulders-from-the-book-oriental-scener-2G5YN7B.jpg "South East View Of Fort St. George, Madras [Chennai]; Fort St George was the earliest fortified settlement of the East India Company in south India, the fort being begun in 1640. It was, however, completely unprotected from the sea until the construction of a protected harbour in the late 19th Century; ships had to anchor in the roads and land their passengers and cargoes by means of small boats. Simple wooden boats called masula were used to transport people and goods through the heavy surf and then boatsmen would carry the passengers ashore on their shoulders. From the book ' Oriental scener Stock Photo")
South East View Of Fort St. George, Madras [Chennai]; Fort St George was the earliest fortified settlement of the East India Company in south India, the fort being begun in 1640. It was, however, completely unprotected from the sea until the construction of a protected harbour in the late 19th Century; ships had to anchor in the roads and land their passengers and cargoes by means of small boats. Simple wooden boats called masula were used to transport people and goods through the heavy surf and then boatsmen would carry the passengers ashore on their shoulders. From the book ' Oriental scener Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/south-east-view-of-fort-st-george-madras-chennai-fort-st-george-was-the-earliest-fortified-settlement-of-the-east-india-company-in-south-india-the-fort-being-begun-in-1640-it-was-however-completely-unprotected-from-the-sea-until-the-construction-of-a-protected-harbour-in-the-late-19th-century-ships-had-to-anchor-in-the-roads-and-land-their-passengers-and-cargoes-by-means-of-small-boats-simple-wooden-boats-called-masula-were-used-to-transport-people-and-goods-through-the-heavy-surf-and-then-boatsmen-would-carry-the-passengers-ashore-on-their-shoulders-from-the-book-oriental-scener-image433941855.htmlRF2G5YN7B–South East View Of Fort St. George, Madras [Chennai]; Fort St George was the earliest fortified settlement of the East India Company in south India, the fort being begun in 1640. It was, however, completely unprotected from the sea until the construction of a protected harbour in the late 19th Century; ships had to anchor in the roads and land their passengers and cargoes by means of small boats. Simple wooden boats called masula were used to transport people and goods through the heavy surf and then boatsmen would carry the passengers ashore on their shoulders. From the book ' Oriental scener
. English: The English painter Samuel Scott (1702–1772) specialized in marine painting and views of London. This oil painting relates to events of the Austrian War of Succession, 1740–48, during which the British fleet occupied the Corsican port of Bastia in 1745. In the foreground the English fleet has closed in on the harbour, bombarding the town, which has already caught fire. Français : Cette peinture à l'huile se rapporte à des événements de la Guerre de Succession d'Autriche, 1740-1748, pendant laquelle la flotte britannique a occupé le port de Bastia en 1745. Au premier plan, la flotte Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-english-painter-samuel-scott-17021772-specialized-in-marine-painting-and-views-of-london-this-oil-painting-relates-to-events-of-the-austrian-war-of-succession-174048-during-which-the-british-fleet-occupied-the-corsican-port-of-bastia-in-1745-in-the-foreground-the-english-fleet-has-closed-in-on-the-harbour-bombarding-the-town-which-has-already-caught-fire-franais-cette-peinture-lhuile-se-rapporte-des-vnements-de-la-guerre-de-succession-dautriche-1740-1748-pendant-laquelle-la-flotte-britannique-a-occup-le-port-de-bastia-en-1745-au-premier-plan-la-flotte-image187675992.htmlRMMW9AJ0–. English: The English painter Samuel Scott (1702–1772) specialized in marine painting and views of London. This oil painting relates to events of the Austrian War of Succession, 1740–48, during which the British fleet occupied the Corsican port of Bastia in 1745. In the foreground the English fleet has closed in on the harbour, bombarding the town, which has already caught fire. Français : Cette peinture à l'huile se rapporte à des événements de la Guerre de Succession d'Autriche, 1740-1748, pendant laquelle la flotte britannique a occupé le port de Bastia en 1745. Au premier plan, la flotte
©Active Museu/MAXPPP - ActiveMuseum 0006124.jpg / L'embarquement d'Helene / Anonyme France / Peinture Active Museum / Le Pictorium Boarding ,Cherub ,Crowd ,Harbour ,Helen of Troy ,Horizontal ,Rampart ,Ship ,Soldier ,Tunic ,Europe ,Greece ,Troy ,Western Europe ,18th century ,Anonymous France ,Painting , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0006124jpg-lembarquement-dhelene-anonyme-france-peinture-active-museum-le-pictorium-boarding-cherub-crowd-harbour-helen-of-troy-horizontal-rampart-ship-soldier-tunic-europe-greece-troy-western-europe-18th-century-anonymous-france-painting-image486531759.htmlRM2K7FC67– ©Active Museu/MAXPPP - ActiveMuseum 0006124.jpg / L'embarquement d'Helene / Anonyme France / Peinture Active Museum / Le Pictorium Boarding ,Cherub ,Crowd ,Harbour ,Helen of Troy ,Horizontal ,Rampart ,Ship ,Soldier ,Tunic ,Europe ,Greece ,Troy ,Western Europe ,18th century ,Anonymous France ,Painting ,
Small Harbour near a Tavern, mid-17th-early 18th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/small-harbour-near-a-tavern-mid-17th-early-18th-century-image565256188.htmlRM2RRHJ10–Small Harbour near a Tavern, mid-17th-early 18th century.
View from the interior of Brest's harbour 07/12/2013 - 18th century Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-view-from-the-interior-of-brests-harbour-07122013-18th-century-collection-85766796.htmlRMEYF0BT–View from the interior of Brest's harbour 07/12/2013 - 18th century Collection
©Active Museu/MAXPPP - ActiveMuseum 0002937.jpg / Paysage, XVIIIeme siecle - Anonyme francais / Anonyme France / Peinture Active Museum / Le Pictorium Boat ,Figurative painting ,Group ,Harbour ,Horizontal ,Horse ,Landscape ,Man ,Small boat ,Village ,Water ,18th century ,Anonymous France ,Painting , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0002937jpg-paysage-xviiieme-siecle-anonyme-francais-anonyme-france-peinture-active-museum-le-pictorium-boat-figurative-painting-group-harbour-horizontal-horse-landscape-man-small-boat-village-water-18th-century-anonymous-france-painting-image486530138.htmlRM2K7FA4A– ©Active Museu/MAXPPP - ActiveMuseum 0002937.jpg / Paysage, XVIIIeme siecle - Anonyme francais / Anonyme France / Peinture Active Museum / Le Pictorium Boat ,Figurative painting ,Group ,Harbour ,Horizontal ,Horse ,Landscape ,Man ,Small boat ,Village ,Water ,18th century ,Anonymous France ,Painting ,
ActiveMuseum 0003359.jpg / The night, a seaport in the moonlight 25/09/2013 - / 18th century Collection / Active Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-activemuseum-0003359jpg-the-night-a-seaport-in-the-moonlight-25092013-79293636.htmlRMEH03RG–ActiveMuseum 0003359.jpg / The night, a seaport in the moonlight 25/09/2013 - / 18th century Collection / Active Museum
©Active Museu/MAXPPP - ActiveMuseum 0006804.jpg / Vue du Port de Rochefort, prise du Magasin des Colonies 1762 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Barrel ,Blue sky ,Crowd ,Fishing net ,General view ,Harbour ,Horizontal ,Horse-drawn carriage ,Smoke () ,Three-master ,18th century ,Joseph Vernet ,Painting , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0006804jpg-vue-du-port-de-rochefort-prise-du-magasin-des-colonies-1762-joseph-vernet-peinture-active-museum-le-pictorium-barrel-blue-sky-crowd-fishing-net-general-view-harbour-horizontal-horse-drawn-carriage-smoke-three-master-18th-century-joseph-vernet-painting-image486533624.htmlRM2K7FEGT– ©Active Museu/MAXPPP - ActiveMuseum 0006804.jpg / Vue du Port de Rochefort, prise du Magasin des Colonies 1762 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Barrel ,Blue sky ,Crowd ,Fishing net ,General view ,Harbour ,Horizontal ,Horse-drawn carriage ,Smoke () ,Three-master ,18th century ,Joseph Vernet ,Painting ,
View of Dieppe's harbour 07/12/2013 - 18th century Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-view-of-dieppes-harbour-07122013-18th-century-collection-85767291.htmlRMEYF11F–View of Dieppe's harbour 07/12/2013 - 18th century Collection
'Coastal Harbour. Calm', c1763. Artist: Claude-Joseph Vernet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coastal-harbour-calm-c1763-artist-claude-joseph-vernet-image60269391.htmlRMDE1E67–'Coastal Harbour. Calm', c1763. Artist: Claude-Joseph Vernet
Joseph Vernet French school Detail from the right part of the painting 'Third view of Toulon: view of the old port from the side of the food stores' 1756 Oil on canvas Paris, musée de la Marine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-vernet-french-school-detail-from-the-right-part-of-the-painting-113153403.htmlRMGG2G8Y–Joseph Vernet French school Detail from the right part of the painting 'Third view of Toulon: view of the old port from the side of the food stores' 1756 Oil on canvas Paris, musée de la Marine
Marine, 18th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marine-18th-century-image418826409.htmlRM2F9B5A1–Marine, 18th century.
Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kornelimnster-ehemalige-reichsabtei-sammlung-kunst-aus-nrw-image66612197.htmlRMDTACF1–Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW
Plymouth Dockyard, c.1798, where ships were built, repaired and refitted. The third vessel in the foreground is a sheer hulk used for fitting masts into ships. Detail from a painting by Nicholas Pocock (1740-1821), English painter. Darwin and the Beagle by Alan Moorhead, page 36.. . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plymouth-dockyard-c1798-where-ships-were-built-repaired-and-refitted-the-third-vessel-in-the-foreground-is-a-sheer-hulk-used-for-fitting-masts-into-ships-detail-from-a-painting-by-nicholas-pocock-1740-1821-english-painter-darwin-and-the-beagle-by-alan-moorhead-page-36-image268794583.htmlRMWH8J6F–Plymouth Dockyard, c.1798, where ships were built, repaired and refitted. The third vessel in the foreground is a sheer hulk used for fitting masts into ships. Detail from a painting by Nicholas Pocock (1740-1821), English painter. Darwin and the Beagle by Alan Moorhead, page 36.. .
Bombay, c.1731 In the centre of the picture is a large white building, with a high gateway surmounted by a coat of arms; this seems to be ‘the Bunder or Company’s Warehouses’ marked in Grose’s map (about 1760). In front, a pier projects into the harbour. On the right stands the castle, with the Union Jack floating from the Flagstaff Bastion; on the left are a number of warehouses. The foreground is occupied by shipping; a large boat with a triangular sail, is flying the Company’s colours, a flag crossed by horizontal bars alternately red and white. c.1731. Oil painting. 32 by 52 ins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bombay-c1731-in-the-centre-of-the-picture-is-a-large-white-building-with-a-high-gateway-surmounted-by-a-coat-of-arms-this-seems-to-be-the-bunder-or-companys-warehouses-marked-in-groses-map-about-1760-in-front-a-pier-projects-into-the-harbour-on-the-right-stands-the-castle-with-the-union-jack-floating-from-the-flagstaff-bastion-on-the-left-are-a-number-of-warehouses-the-foreground-is-occupied-by-shipping-a-large-boat-with-a-triangular-sail-is-flying-the-companys-colours-a-flag-crossed-by-horizontal-bars-alternately-red-and-white-c1731-oil-painting-32-by-52-ins-image231690370.htmlRMRCXBC2–Bombay, c.1731 In the centre of the picture is a large white building, with a high gateway surmounted by a coat of arms; this seems to be ‘the Bunder or Company’s Warehouses’ marked in Grose’s map (about 1760). In front, a pier projects into the harbour. On the right stands the castle, with the Union Jack floating from the Flagstaff Bastion; on the left are a number of warehouses. The foreground is occupied by shipping; a large boat with a triangular sail, is flying the Company’s colours, a flag crossed by horizontal bars alternately red and white. c.1731. Oil painting. 32 by 52 ins
View of Hamburg harbour and block house. After Watercolour by Alexander Scherzer, c. 1860. AS: 1835 - 1871 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-view-of-hamburg-harbour-and-block-house-after-watercolour-by-alexander-147068706.htmlRMJF7FHP–View of Hamburg harbour and block house. After Watercolour by Alexander Scherzer, c. 1860. AS: 1835 - 1871
CAPTAIN THE HON. AUGUSTUS HERVEY (1724-1779) TAKING LEAVE OF HIS FAMILY by Hubert Francois Bourguignon known as Hubert Gravelot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-captain-the-hon-augustus-hervey-1724-1779-taking-leave-of-his-family-22714706.htmlRMB8XMRE–CAPTAIN THE HON. AUGUSTUS HERVEY (1724-1779) TAKING LEAVE OF HIS FAMILY by Hubert Francois Bourguignon known as Hubert Gravelot
Musée d'Histoire de Marseille : Exposition Great Plague 1720 Anonymous painting 1755 showing Chevalier ROZE supervising assembly of corpses before mass burial on Esplanade de la Tourette Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/muse-dhistoire-de-marseille-exposition-great-plague-1720-anonymous-painting-1755-showing-chevalier-roze-supervising-assembly-of-corpses-before-mass-burial-on-esplanade-de-la-tourette-image451652408.htmlRM2H6PF74–Musée d'Histoire de Marseille : Exposition Great Plague 1720 Anonymous painting 1755 showing Chevalier ROZE supervising assembly of corpses before mass burial on Esplanade de la Tourette
Marine. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marine-oil-on-canvas-date-18th-century-museum-smithsonian-american-art-museum-image554799059.htmlRM2R6H7T3–Marine. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum.
A Ship Running into Harbour with Other Crafts at a Jetty By Thomas Whitcombe (possibly 19 May 1763 – c. 1824) was a prominent British maritime painter of the Napoleonic Wars. Among his work are over 150 actions of the Royal Navy, and he exhibited at the Royal Academy, the British Institution and the Royal Society of British Artists. His pictures are highly sought after today. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-ship-running-into-harbour-with-other-crafts-at-a-jetty-by-thomas-whitcombe-possibly-19-may-1763-c-1824-was-a-prominent-british-maritime-painter-of-the-napoleonic-wars-among-his-work-are-over-150-actions-of-the-royal-navy-and-he-exhibited-at-the-royal-academy-the-british-institution-and-the-royal-society-of-british-artists-his-pictures-are-highly-sought-after-today-image376262749.htmlRM2CT46Y9–A Ship Running into Harbour with Other Crafts at a Jetty By Thomas Whitcombe (possibly 19 May 1763 – c. 1824) was a prominent British maritime painter of the Napoleonic Wars. Among his work are over 150 actions of the Royal Navy, and he exhibited at the Royal Academy, the British Institution and the Royal Society of British Artists. His pictures are highly sought after today.
. English: The English painter Samuel Scott (1702–1772) specialized in marine painting and views of London. This oil painting relates to events of the Austrian War of Succession, 1740–48, during which the British fleet occupied the Corsican port of Bastia in 1745. In the foreground the English fleet has closed in on the harbour, bombarding the town, which has already caught fire. Français : Cette peinture à l'huile se rapporte à des événements de la Guerre de Succession d'Autriche, 1740-1748, pendant laquelle la flotte britannique a occupé le port de Bastia en 1745. Au premier plan, la flotte Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-english-painter-samuel-scott-17021772-specialized-in-marine-painting-and-views-of-london-this-oil-painting-relates-to-events-of-the-austrian-war-of-succession-174048-during-which-the-british-fleet-occupied-the-corsican-port-of-bastia-in-1745-in-the-foreground-the-english-fleet-has-closed-in-on-the-harbour-bombarding-the-town-which-has-already-caught-fire-franais-cette-peinture-lhuile-se-rapporte-des-vnements-de-la-guerre-de-succession-dautriche-1740-1748-pendant-laquelle-la-flotte-britannique-a-occup-le-port-de-bastia-en-1745-au-premier-plan-la-flotte-image188212431.htmlRMMX5PTF–. English: The English painter Samuel Scott (1702–1772) specialized in marine painting and views of London. This oil painting relates to events of the Austrian War of Succession, 1740–48, during which the British fleet occupied the Corsican port of Bastia in 1745. In the foreground the English fleet has closed in on the harbour, bombarding the town, which has already caught fire. Français : Cette peinture à l'huile se rapporte à des événements de la Guerre de Succession d'Autriche, 1740-1748, pendant laquelle la flotte britannique a occupé le port de Bastia en 1745. Au premier plan, la flotte
Wet Paint sign and Artist Fraser Campbell at Crinan Lock Boatyard, Argyll Scotland uk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wet-paint-sign-and-artist-fraser-campbell-at-crinan-lock-boatyard-17155524.htmlRMAYP4NW–Wet Paint sign and Artist Fraser Campbell at Crinan Lock Boatyard, Argyll Scotland uk
Pelecanus conspicillatus, white pelican Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pelecanus-conspicillatus-white-pelican-image66744626.htmlRMDTGDCJ–Pelecanus conspicillatus, white pelican
The Destruction of Tea at Boston Harbor, hand coloured engraving depicting the 1773 Boston Tea Party, Nathaniel Currier,1846 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-destruction-of-tea-at-boston-harbor-hand-coloured-engraving-depicting-the-1773-boston-tea-party-nathaniel-currier1846-image244342430.htmlRMT5EN7A–The Destruction of Tea at Boston Harbor, hand coloured engraving depicting the 1773 Boston Tea Party, Nathaniel Currier,1846
Le Louvre Lens : Claude Joseph VERNET (1714-1789) Le retour de la peche Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-louvre-lens-claude-joseph-vernet-1714-1789-le-retour-de-la-peche-image399117461.htmlRM2E59AB1–Le Louvre Lens : Claude Joseph VERNET (1714-1789) Le retour de la peche
Abner Doubleday, buried in Arlington National Cemetery’s Section 1, grave 61, was a Brevet Brigadier General in the U.S. Army. Doubleday is often credited with having invented baseball. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abner-doubleday-buried-in-arlington-national-cemeterys-section-1-grave-61-was-a-brevet-brigadier-general-in-the-us-army-doubleday-is-often-credited-with-having-invented-baseball-image214260959.htmlRMPCGC13–Abner Doubleday, buried in Arlington National Cemetery’s Section 1, grave 61, was a Brevet Brigadier General in the U.S. Army. Doubleday is often credited with having invented baseball.
©Active Museu/MAXPPP - ActiveMuseum 0006800.jpg / Vue du port de Cette, en Languedoc 1757 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Boat ,Catboat ,Cloudy skies ,Harbour ,Hill ,Horizontal ,Rough sea ,Three-master ,Wave ,Europe ,France ,Languedoc-Roussillon ,Western Europe ,18th century ,Joseph Vernet ,Painting , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0006800jpg-vue-du-port-de-cette-en-languedoc-1757-joseph-vernet-peinture-active-museum-le-pictorium-boat-catboat-cloudy-skies-harbour-hill-horizontal-rough-sea-three-master-wave-europe-france-languedoc-roussillon-western-europe-18th-century-joseph-vernet-painting-image486533575.htmlRM2K7FEF3– ©Active Museu/MAXPPP - ActiveMuseum 0006800.jpg / Vue du port de Cette, en Languedoc 1757 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Boat ,Catboat ,Cloudy skies ,Harbour ,Hill ,Horizontal ,Rough sea ,Three-master ,Wave ,Europe ,France ,Languedoc-Roussillon ,Western Europe ,18th century ,Joseph Vernet ,Painting ,
The Harbour of Antibes, view from the earth side 07/12/2013 - 18th century Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-harbour-of-antibes-view-from-the-earth-side-07122013-18th-century-85767297.htmlRMEYF11N–The Harbour of Antibes, view from the earth side 07/12/2013 - 18th century Collection
Aviation Structural Mechanic 2nd Class Greg Gusse, from Palm City, Fla., inspects the tail rotor paddle of an MH-60R Sea Hawk helicopter assigned to the Spartans of Helicopter Maritime Strike Squadron (HSM) 70 aboard the aircraft carrier USS George H.W. Bush (CVN 77). George H.W. Bush is supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aviation-structural-mechanic-2nd-class-greg-gusse-from-palm-city-fla-inspects-the-tail-rotor-paddle-of-an-mh-60r-sea-hawk-helicopter-assigned-to-the-spartans-of-helicopter-maritime-strike-squadron-hsm-70-aboard-the-aircraft-carrier-uss-george-hw-bush-cvn-77-george-hw-bush-is-supporting-maritime-security-operations-and-theater-security-cooperation-efforts-in-the-us-5th-fleet-area-of-responsibility-image214260963.htmlRMPCGC17–Aviation Structural Mechanic 2nd Class Greg Gusse, from Palm City, Fla., inspects the tail rotor paddle of an MH-60R Sea Hawk helicopter assigned to the Spartans of Helicopter Maritime Strike Squadron (HSM) 70 aboard the aircraft carrier USS George H.W. Bush (CVN 77). George H.W. Bush is supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility.
Joseph Vernet French school Detail from the left part of the painting 'Third view of Toulon: view of the old port from the side of the food stores' 1756 Oil on canvas Paris, musée de la Marine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-vernet-french-school-detail-from-the-left-part-of-the-painting-113153401.htmlRMGG2G8W–Joseph Vernet French school Detail from the left part of the painting 'Third view of Toulon: view of the old port from the side of the food stores' 1756 Oil on canvas Paris, musée de la Marine
Hunting Scene with a Harbor, 18th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-scene-with-a-harbor-18th-century-image415177125.htmlRM2F3CXJD–Hunting Scene with a Harbor, 18th century.
Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kornelimnster-ehemalige-reichsabtei-sammlung-kunst-aus-nrw-image66612209.htmlRMDTACFD–Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW
U.S. Navy Mass Communication Specialist 3rd Class Lorelei Vandergriend, left, takes caption information from Aviation Boatswain's Mate (Handling) Airman Recruit Brandon Waters aboard the aircraft carrier USS George H.W. Bush (CVN 77) in the Persian Gulf July 7, 2014. The George H.W. Bush was supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/us-navy-mass-communication-specialist-3rd-class-lorelei-vandergriend-left-takes-caption-information-from-aviation-boatswains-mate-handling-airman-recruit-brandon-waters-aboard-the-aircraft-carrier-uss-george-hw-bush-cvn-77-in-the-persian-gulf-july-7-2014-the-george-hw-bush-was-supporting-maritime-security-operations-and-theater-security-cooperation-efforts-in-the-us-5th-fleet-area-of-responsibility-image214260960.htmlRMPCGC14–U.S. Navy Mass Communication Specialist 3rd Class Lorelei Vandergriend, left, takes caption information from Aviation Boatswain's Mate (Handling) Airman Recruit Brandon Waters aboard the aircraft carrier USS George H.W. Bush (CVN 77) in the Persian Gulf July 7, 2014. The George H.W. Bush was supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility.
View from Boston looking north-east, with a British soldier standing beside a cannon on top of Beacon Hill in the foreground, with rooftops and spires of North Boston. Sailing ships and H.M.S. Somerset can be seen entering the harbour beyond, and Charlestown, Bunker Hill, Noddle Island and Hog Island are shown across Mystic River in the background; key below. View of the country round Boston taken from Beacon hill. 1775. ink and watercolour; sheet 16.9 x 47.9 cm. Source: Maps K.Top.120.38.f. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-from-boston-looking-north-east-with-a-british-soldier-standing-beside-a-cannon-on-top-of-beacon-hill-in-the-foreground-with-rooftops-and-spires-of-north-boston-sailing-ships-and-hms-somerset-can-be-seen-entering-the-harbour-beyond-and-charlestown-bunker-hill-noddle-island-and-hog-island-are-shown-across-mystic-river-in-the-background-key-below-view-of-the-country-round-boston-taken-from-beacon-hill-1775-ink-and-watercolour-sheet-169-x-479-cm-source-maps-ktop12038f-language-english-image231705397.htmlRMRCY2GN–View from Boston looking north-east, with a British soldier standing beside a cannon on top of Beacon Hill in the foreground, with rooftops and spires of North Boston. Sailing ships and H.M.S. Somerset can be seen entering the harbour beyond, and Charlestown, Bunker Hill, Noddle Island and Hog Island are shown across Mystic River in the background; key below. View of the country round Boston taken from Beacon hill. 1775. ink and watercolour; sheet 16.9 x 47.9 cm. Source: Maps K.Top.120.38.f. Language: English.
Binnenhafen, the oldest part of Hamburg harbour. After Watercolour by Cornelius Suhr, c. 1820. CS: 1781 - 1857 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-binnenhafen-the-oldest-part-of-hamburg-harbour-after-watercolour-by-147068710.htmlRMJF7FHX–Binnenhafen, the oldest part of Hamburg harbour. After Watercolour by Cornelius Suhr, c. 1820. CS: 1781 - 1857
Halftone of the arrival of a convict ship in an Australian penal colony, from an educational publication in 1927. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/halftone-of-the-arrival-of-a-convict-ship-in-an-australian-penal-colony-from-an-educational-publication-in-1927-image501873528.htmlRM2M4E8PG–Halftone of the arrival of a convict ship in an Australian penal colony, from an educational publication in 1927.
Robert Salmon (1775-1845). English painter. Picture of 'The Dream' Pleasure Yacht. 1839. Thyssen-Bornemisza Museum. Madrid. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-robert-salmon-1775-1845-english-painter-picture-of-the-dream-pleasure-57083405.htmlRMD8TAD1–Robert Salmon (1775-1845). English painter. Picture of 'The Dream' Pleasure Yacht. 1839. Thyssen-Bornemisza Museum. Madrid.
Canal in Venice. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canal-in-venice-oil-on-canvas-date-18th-century-museum-smithsonian-american-art-museum-image554740933.htmlRM2R6EHM5–Canal in Venice. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum.
18th Century view of Town and Cove of Sidney from the book The history of New South Wales : including Botany Bay, Port Jackson, Parramatta, Sydney, and all its dependancies, from the original discovery of the island ; with the customs and manners of the natives; and an account of the English colony, from its foundation, to the present time by George Barrington, 1755-1804. Publication date 1810 Publisher London : M. Jones. George Barrington (14 May 1755 – 27 December 1804) was an Irish-born pickpocket, popular London socialite, Australian pioneer (following his transportation to Botany Bay), an Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/18th-century-view-of-town-and-cove-of-sidney-from-the-book-the-history-of-new-south-wales-including-botany-bay-port-jackson-parramatta-sydney-and-all-its-dependancies-from-the-original-discovery-of-the-island-with-the-customs-and-manners-of-the-natives-and-an-account-of-the-english-colony-from-its-foundation-to-the-present-time-by-george-barrington-1755-1804-publication-date-1810-publisher-london-m-jones-george-barrington-14-may-1755-27-december-1804-was-an-irish-born-pickpocket-popular-london-socialite-australian-pioneer-following-his-transportation-to-botany-bay-an-image471280421.htmlRF2JAMJYH–18th Century view of Town and Cove of Sidney from the book The history of New South Wales : including Botany Bay, Port Jackson, Parramatta, Sydney, and all its dependancies, from the original discovery of the island ; with the customs and manners of the natives; and an account of the English colony, from its foundation, to the present time by George Barrington, 1755-1804. Publication date 1810 Publisher London : M. Jones. George Barrington (14 May 1755 – 27 December 1804) was an Irish-born pickpocket, popular London socialite, Australian pioneer (following his transportation to Botany Bay), an
. English: The English painter Samuel Scott (1702–1772) specialized in marine painting and views of London. This oil painting relates to events of the Austrian War of Succession, 1740–48, during which the British fleet occupied the Corsican port of Bastia in 1745. In the foreground the English fleet has closed in on the harbour, bombarding the town, which has already caught fire. Français : Cette peinture à l'huile se rapporte à des événements de la Guerre de Succession d'Autriche, 1740-1748, pendant laquelle la flotte britannique a occupé le port de Bastia en 1745. Au premier plan, la flotte Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-english-painter-samuel-scott-17021772-specialized-in-marine-painting-and-views-of-london-this-oil-painting-relates-to-events-of-the-austrian-war-of-succession-174048-during-which-the-british-fleet-occupied-the-corsican-port-of-bastia-in-1745-in-the-foreground-the-english-fleet-has-closed-in-on-the-harbour-bombarding-the-town-which-has-already-caught-fire-franais-cette-peinture-lhuile-se-rapporte-des-vnements-de-la-guerre-de-succession-dautriche-1740-1748-pendant-laquelle-la-flotte-britannique-a-occup-le-port-de-bastia-en-1745-au-premier-plan-la-flotte-image188945890.htmlRMMYB6BE–. English: The English painter Samuel Scott (1702–1772) specialized in marine painting and views of London. This oil painting relates to events of the Austrian War of Succession, 1740–48, during which the British fleet occupied the Corsican port of Bastia in 1745. In the foreground the English fleet has closed in on the harbour, bombarding the town, which has already caught fire. Français : Cette peinture à l'huile se rapporte à des événements de la Guerre de Succession d'Autriche, 1740-1748, pendant laquelle la flotte britannique a occupé le port de Bastia en 1745. Au premier plan, la flotte
Gibralter from a drawing by Birket Foster; Illustration from Cassell's History of England, King's Edition Part 34 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gibralter-from-a-drawing-by-birket-foster-illustration-from-cassells-history-of-england-kings-edition-part-34-image215429202.htmlRMPEDJ42–Gibralter from a drawing by Birket Foster; Illustration from Cassell's History of England, King's Edition Part 34
Fourteen molluscs, including gastropods and bivalves Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fourteen-molluscs-including-gastropods-and-bivalves-image66743231.htmlRMDTGBJR–Fourteen molluscs, including gastropods and bivalves
William Hodges artwork Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-hodges-artwork-107629386.htmlRMG72XAJ–William Hodges artwork
Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta and the Three Cities, ca.1733. Depiction of an extensive panoramic e Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-giuseppe-caloriti-1681-ca1740-italian-painter-view-of-valletta-and-the-three-cities-ca1733-depiction-of-an-extensive-panoramic-e-image447935415.htmlRM2H0N65B–Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta and the Three Cities, ca.1733. Depiction of an extensive panoramic e
Kuppelfresko, Goya, 1798 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kuppelfresko-goya-1798-image398339641.htmlRM2E41X7N–Kuppelfresko, Goya, 1798
©Active Museu/MAXPPP - ActiveMuseum 0006555.jpg / Vue du Port de Rochefort, prise du Magasin des Colonies 1762 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Barrel ,Blue sky ,Crowd ,Fishing net ,General view ,Harbour ,Horizontal ,Horse-drawn carriage ,Smoke () ,Three-master ,18th century ,Joseph Vernet ,Painting , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0006555jpg-vue-du-port-de-rochefort-prise-du-magasin-des-colonies-1762-joseph-vernet-peinture-active-museum-le-pictorium-barrel-blue-sky-crowd-fishing-net-general-view-harbour-horizontal-horse-drawn-carriage-smoke-three-master-18th-century-joseph-vernet-painting-image486532485.htmlRM2K7FD45– ©Active Museu/MAXPPP - ActiveMuseum 0006555.jpg / Vue du Port de Rochefort, prise du Magasin des Colonies 1762 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Barrel ,Blue sky ,Crowd ,Fishing net ,General view ,Harbour ,Horizontal ,Horse-drawn carriage ,Smoke () ,Three-master ,18th century ,Joseph Vernet ,Painting ,
The Harbour of Antibes, view from the earth side 07/12/2013 - 18th century Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-harbour-of-antibes-view-from-the-earth-side-07122013-18th-century-85766812.htmlRMEYF0CC–The Harbour of Antibes, view from the earth side 07/12/2013 - 18th century Collection
Harbor Scene with a Grotto and Fishermen Hauling in Nets. (French, late 18th century) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harbor-scene-with-a-grotto-and-fishermen-hauling-in-nets-french-late-18th-century-image343006543.htmlRM2AX189K–Harbor Scene with a Grotto and Fishermen Hauling in Nets. (French, late 18th century)
Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kornelimnster-ehemalige-reichsabtei-sammlung-kunst-aus-nrw-image66612219.htmlRMDTACFR–Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW
U.S. Navy Aviation Structural Mechanic 3rd Class Darryl Shawn, assigned to Helicopter Sea Combat Squadron (HSC) 9, measures a bolt aboard the aircraft carrier USS George H.W. Bush (CVN 77)in the Persian Gulf July 7, 2014. The George H.W. Bush was supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/us-navy-aviation-structural-mechanic-3rd-class-darryl-shawn-assigned-to-helicopter-sea-combat-squadron-hsc-9-measures-a-bolt-aboard-the-aircraft-carrier-uss-george-hw-bush-cvn-77in-the-persian-gulf-july-7-2014-the-george-hw-bush-was-supporting-maritime-security-operations-and-theater-security-cooperation-efforts-in-the-us-5th-fleet-area-of-responsibility-image214260961.htmlRMPCGC15–U.S. Navy Aviation Structural Mechanic 3rd Class Darryl Shawn, assigned to Helicopter Sea Combat Squadron (HSC) 9, measures a bolt aboard the aircraft carrier USS George H.W. Bush (CVN 77)in the Persian Gulf July 7, 2014. The George H.W. Bush was supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility.
View of the city Teu-tcheou foo, taken from the Hindostan at anchor in the straight of Mi-a-tau. Two English ships and some Chines barges sailing in the Bohai Sea near the port of Penglai. Signed with initials at bottom right and annotated in pencil on verso: 'View of Port of the City of Ten-cheou-fou. July 21st, 1793'. Pasted on mount with washlines. Described as 'A distant view of the City Teu-tcheou foo, taken from the Hindostan at anchor in the streight of Mi-a-tau, a harbour of some note among the Chinese'. . [A collection of eighty views, maps, portraits and drawings illustrative of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-city-teu-tcheou-foo-taken-from-the-hindostan-at-anchor-in-the-straight-of-mi-a-tau-two-english-ships-and-some-chines-barges-sailing-in-the-bohai-sea-near-the-port-of-penglai-signed-with-initials-at-bottom-right-and-annotated-in-pencil-on-verso-view-of-port-of-the-city-of-ten-cheou-fou-july-21st-1793-pasted-on-mount-with-washlines-described-as-a-distant-view-of-the-city-teu-tcheou-foo-taken-from-the-hindostan-at-anchor-in-the-streight-of-mi-a-tau-a-harbour-of-some-note-among-the-chinese-a-collection-of-eighty-views-maps-portraits-and-drawings-illustrative-of-the-image231350588.htmlRMRCAX10–View of the city Teu-tcheou foo, taken from the Hindostan at anchor in the straight of Mi-a-tau. Two English ships and some Chines barges sailing in the Bohai Sea near the port of Penglai. Signed with initials at bottom right and annotated in pencil on verso: 'View of Port of the City of Ten-cheou-fou. July 21st, 1793'. Pasted on mount with washlines. Described as 'A distant view of the City Teu-tcheou foo, taken from the Hindostan at anchor in the streight of Mi-a-tau, a harbour of some note among the Chinese'. . [A collection of eighty views, maps, portraits and drawings illustrative of the
Hamburg harbour. Colourised steel engraving of a drawing by Carl A. Lill, c. 1840. CL: 1807 - 1879 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hamburg-harbour-colourised-steel-engraving-of-a-drawing-by-carl-a-147068715.htmlRMJF7FJ3–Hamburg harbour. Colourised steel engraving of a drawing by Carl A. Lill, c. 1840. CL: 1807 - 1879
Halftone of the arrival of a convict ship in an Australian penal colony, from an educational publication in 1927. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/halftone-of-the-arrival-of-a-convict-ship-in-an-australian-penal-colony-from-an-educational-publication-in-1927-image501873427.htmlRM2M4E8JY–Halftone of the arrival of a convict ship in an Australian penal colony, from an educational publication in 1927.
Bacino di San Marco, Venice - 18th century - 124,5x204,5 cm - oil on canvas. Author: Canaletto (1697-1768). Location: MUSEUM OF FINE ARTS, BOSTON-MASSACHUSETTS. Also known as: LA DARSENA DE SAN MARCOS VISTA DEL ESTE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bacino-di-san-marco-venice-18th-century-1245x2045-cm-oil-on-canvas-author-canaletto-1697-1768-location-museum-of-fine-arts-boston-massachusetts-also-known-as-la-darsena-de-san-marcos-vista-del-este-image209311033.htmlRMP4EXA1–Bacino di San Marco, Venice - 18th century - 124,5x204,5 cm - oil on canvas. Author: Canaletto (1697-1768). Location: MUSEUM OF FINE ARTS, BOSTON-MASSACHUSETTS. Also known as: LA DARSENA DE SAN MARCOS VISTA DEL ESTE.
Java Head is the most westerly point of the island of Java, colour print from the book ' A Picturesque Voyage to India by Way of China ' by Thomas Daniell, R.A. and William Daniell, A.R.A. London : Printed for Longman, Hurst, Rees, and Orme, and William Daniell by Thomas Davison, 1810. The Daniells' original watercolors for the scenes depicted herein are now at the Yale Center for British Art, Department of Rare Books and Manuscripts, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/java-head-is-the-most-westerly-point-of-the-island-of-java-colour-print-from-the-book-a-picturesque-voyage-to-india-by-way-of-china-by-thomas-daniell-ra-and-william-daniell-ara-london-printed-for-longman-hurst-rees-and-orme-and-william-daniell-by-thomas-davison-1810-the-daniells-original-watercolors-for-the-scenes-depicted-herein-are-now-at-the-yale-center-for-british-art-department-of-rare-books-and-manuscripts-image432958090.htmlRM2G4AXCX–Java Head is the most westerly point of the island of Java, colour print from the book ' A Picturesque Voyage to India by Way of China ' by Thomas Daniell, R.A. and William Daniell, A.R.A. London : Printed for Longman, Hurst, Rees, and Orme, and William Daniell by Thomas Davison, 1810. The Daniells' original watercolors for the scenes depicted herein are now at the Yale Center for British Art, Department of Rare Books and Manuscripts,
Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta and the Three Cities, ca.1733. Depiction of an extensive panoramic e Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-giuseppe-caloriti-1681-ca1740-italian-painter-view-of-valletta-and-the-three-cities-ca1733-depiction-of-an-extensive-panoramic-e-image439551345.htmlRF2GF3869–Attributed to Giuseppe Caloriti (1681-ca.1740). Italian painter. View of Valletta and the Three Cities, ca.1733. Depiction of an extensive panoramic e
Deckengemälde des Langhauses von Joh. Bapt. Enderle 1772 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deckengemlde-des-langhauses-von-joh-bapt-enderle-1772-image398323442.htmlRM2E415H6–Deckengemälde des Langhauses von Joh. Bapt. Enderle 1772
©Active Museu/MAXPPP - ActiveMuseum 0006554.jpg / Vue du Port de la Rochelle, prise de la petite Rive 1762 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Animals ,Barrel ,Boat ,Group ,Harbour ,Horizontal ,People ,Sailing boat ,Tree ,Twilight sky ,Women ,1TermeCandGEO ,La Rochelle ,18th century ,Joseph Vernet ,Painting , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0006554jpg-vue-du-port-de-la-rochelle-prise-de-la-petite-rive-1762-joseph-vernet-peinture-active-museum-le-pictorium-animals-barrel-boat-group-harbour-horizontal-people-sailing-boat-tree-twilight-sky-women-1termecandgeo-la-rochelle-18th-century-joseph-vernet-painting-image486532479.htmlRM2K7FD3Y– ©Active Museu/MAXPPP - ActiveMuseum 0006554.jpg / Vue du Port de la Rochelle, prise de la petite Rive 1762 - / Joseph Vernet / Peinture Active Museum / Le Pictorium Animals ,Barrel ,Boat ,Group ,Harbour ,Horizontal ,People ,Sailing boat ,Tree ,Twilight sky ,Women ,1TermeCandGEO ,La Rochelle ,18th century ,Joseph Vernet ,Painting ,
View of Rochefort's Harbour, taken from Magasin des Colonies 07/12/2013 - 18th century Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-view-of-rocheforts-harbour-taken-from-magasin-des-colonies-07122013-85766809.htmlRMEYF0C9–View of Rochefort's Harbour, taken from Magasin des Colonies 07/12/2013 - 18th century Collection
View of Stockholm, c18th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-stockholm-c18th-century-image565255525.htmlRM2RRHH59–View of Stockholm, c18th century.
Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kornelimnster-ehemalige-reichsabtei-sammlung-kunst-aus-nrw-image66612221.htmlRMDTACFW–Kornelimünster, ehemalige Reichsabtei, Sammlung Kunst aus NRW
U.S. Aviation Boatswain?s Mate Airman Recruit Brandon Waters secures an EA-6B Prowler aircraft assigned to Electronic Attack Squadron (VAQ) 134 aboard the aircraft carrier USS George H.W. Bush (CVN 77) in the Persian Gulf July 7, 2014. The George H.W. Bush was supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/us-aviation-boatswains-mate-airman-recruit-brandon-waters-secures-an-ea-6b-prowler-aircraft-assigned-to-electronic-attack-squadron-vaq-134-aboard-the-aircraft-carrier-uss-george-hw-bush-cvn-77-in-the-persian-gulf-july-7-2014-the-george-hw-bush-was-supporting-maritime-security-operations-and-theater-security-cooperation-efforts-in-the-us-5th-fleet-area-of-responsibility-image214260962.htmlRMPCGC16–U.S. Aviation Boatswain?s Mate Airman Recruit Brandon Waters secures an EA-6B Prowler aircraft assigned to Electronic Attack Squadron (VAQ) 134 aboard the aircraft carrier USS George H.W. Bush (CVN 77) in the Persian Gulf July 7, 2014. The George H.W. Bush was supporting maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility.
Oberhafen, Hamburg harbour, view from Stadtdeich before 1829. Colourised lithograph of a drawing by Peter Suhr 1788 - 1857 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-oberhafen-hamburg-harbour-view-from-stadtdeich-before-1829-colourised-147068730.htmlRMJF7FJJ–Oberhafen, Hamburg harbour, view from Stadtdeich before 1829. Colourised lithograph of a drawing by Peter Suhr 1788 - 1857
U.S. Navy Aircrew Survival Equipmentman Airman Victor Romero, left, and Aircrew Survival Equipmentman 1st Class Bruce Pearson, both assigned to Helicopter Sea Combat Squadron (HSC) 9, check night vision goggles before flight operations aboard the aircraft carrier USS George H.W. Bush (CVN 77) June 27, 2014, in the Persian Gulf. The ship supported maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/us-navy-aircrew-survival-equipmentman-airman-victor-romero-left-and-aircrew-survival-equipmentman-1st-class-bruce-pearson-both-assigned-to-helicopter-sea-combat-squadron-hsc-9-check-night-vision-goggles-before-flight-operations-aboard-the-aircraft-carrier-uss-george-hw-bush-cvn-77-june-27-2014-in-the-persian-gulf-the-ship-supported-maritime-security-operations-and-theater-security-cooperation-efforts-in-the-us-5th-fleet-area-of-responsibility-image214260964.htmlRMPCGC18–U.S. Navy Aircrew Survival Equipmentman Airman Victor Romero, left, and Aircrew Survival Equipmentman 1st Class Bruce Pearson, both assigned to Helicopter Sea Combat Squadron (HSC) 9, check night vision goggles before flight operations aboard the aircraft carrier USS George H.W. Bush (CVN 77) June 27, 2014, in the Persian Gulf. The ship supported maritime security operations and theater security cooperation efforts in the U.S. 5th Fleet area of responsibility.
Adriaen Fransz Boudewijns / 'A Port', Second half 17th century - Early 18th century, Flemish School, Oil on canvas, 35 cm x 57 cm, P01379. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adriaen-fransz-boudewijns-a-port-second-half-17th-century-early-18th-century-flemish-school-oil-on-canvas-35-cm-x-57-cm-p01379-museum-museo-del-prado-madrid-spain-image630871883.htmlRM2YJAKEK–Adriaen Fransz Boudewijns / 'A Port', Second half 17th century - Early 18th century, Flemish School, Oil on canvas, 35 cm x 57 cm, P01379. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
