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19 15 16 x 16 Stock Photos and Images
Art inspired by Chancelier Michel IV Le Tellier, 1674, Engraving; second state of three (Petitjean & Wickert), Sheet: 19 15/16 x 16 11/16 in. (50.6 x 42.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-chancelier-michel-iv-le-tellier-1674-engraving-second-state-of-three-petitjean-wickert-sheet-19-1516-x-16-1116-in-506-x-424-cm-prints-robert-nanteuil-french-reims-16231678-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462959171.htmlRF2HW5H43–Art inspired by Chancelier Michel IV Le Tellier, 1674, Engraving; second state of three (Petitjean & Wickert), Sheet: 19 15/16 x 16 11/16 in. (50.6 x 42.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Raimundo de Madrazo y Garreta, Spanish, 1841–1920, Woman with a Parrot, c. 1872, Oil on canvas, 19 5/16 x 14 15/16 in. (49 x 38 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raimundo-de-madrazo-y-garreta-spanish-18411920-woman-with-a-parrot-c-1872-oil-on-canvas-19-516-x-14-1516-in-49-x-38-cm-image344574638.htmlRM2B0GMD2–Raimundo de Madrazo y Garreta, Spanish, 1841–1920, Woman with a Parrot, c. 1872, Oil on canvas, 19 5/16 x 14 15/16 in. (49 x 38 cm
. English: Pierre-Paul Prud'hon, French, 1758–1823 Nicolas Perchet, 1795 Pastel on blue-gray paper 40.0 x 31.0 cm. (15 3/4 x 12 3/16 in.) frame (oval): 55.9 x 43.2 cm. (22 x 17 in.) Museum purchase, Fowler McCormick, Class of 1921, Fund 2010-15 2010-15 19 1795, Prud'hon, Pierre-Paul, Nicolas Perchet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-pierre-paul-prudhon-french-17581823-nicolas-perchet-1795-pastel-on-blue-gray-paper-400-x-310-cm-15-34-x-12-316-in-frame-oval-559-x-432-cm-22-x-17-in-museum-purchase-fowler-mccormick-class-of-1921-fund-2010-15-2010-15-19-1795-prudhon-pierre-paul-nicolas-perchet-image206574448.htmlRMP027PT–. English: Pierre-Paul Prud'hon, French, 1758–1823 Nicolas Perchet, 1795 Pastel on blue-gray paper 40.0 x 31.0 cm. (15 3/4 x 12 3/16 in.) frame (oval): 55.9 x 43.2 cm. (22 x 17 in.) Museum purchase, Fowler McCormick, Class of 1921, Fund 2010-15 2010-15 19 1795, Prud'hon, Pierre-Paul, Nicolas Perchet
(150216) -- XI'AN, Feb. 16, 2015 (Xinhua) -- Chinese President and General Secretary of the Communist Party of China Central Committee Xi Jinping (C), also chairman of the Central Military Commission, holds a paper-cut work and offers Lunar New Year greetings to the Chinese people as he visits a community service center in Dianzicheng Subdistrict, Xi'an, capital of northwest China's Shaanxi Province, Feb. 15, 2015. Xi made a tour in Shaanxi on Feb. 13 - 16, and extended festival greetings to locals and people across the nation ahead of the Spring Festival, which falls on Feb. 19. (Xinhua/Li X Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-150216-xian-feb-16-2015-xinhua-chinese-president-and-general-secretary-78768059.htmlRMEG45CY–(150216) -- XI'AN, Feb. 16, 2015 (Xinhua) -- Chinese President and General Secretary of the Communist Party of China Central Committee Xi Jinping (C), also chairman of the Central Military Commission, holds a paper-cut work and offers Lunar New Year greetings to the Chinese people as he visits a community service center in Dianzicheng Subdistrict, Xi'an, capital of northwest China's Shaanxi Province, Feb. 15, 2015. Xi made a tour in Shaanxi on Feb. 13 - 16, and extended festival greetings to locals and people across the nation ahead of the Spring Festival, which falls on Feb. 19. (Xinhua/Li X
History of Germany. 1200. From left to right, 14-15-16: Counts, 17: Frederick II, Holy Roman Emperor (1194-1250). Chromolithography. 'Historia Universal', by César Cantú. Volume X, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-germany-1200-from-left-to-right-14-15-16-counts-17-frederick-ii-holy-roman-emperor-1194-1250-chromolithography-historia-universal-by-csar-cant-volume-x-1881-image592832735.htmlRM2WCDT5K–History of Germany. 1200. From left to right, 14-15-16: Counts, 17: Frederick II, Holy Roman Emperor (1194-1250). Chromolithography. 'Historia Universal', by César Cantú. Volume X, 1881.
Edfou Temple Egypt and Nubia, Volume II: Edfou, 1846. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43 x 60.2 cm (16 15/16 x 23 11/16 in.); image: 32.7 x 48.8 cm (12 7/8 x 19 3/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edfou-temple-egypt-and-nubia-volume-ii-edfou-1846-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-43-x-602-cm-16-1516-x-23-1116-in-image-327-x-488-cm-12-78-x-19-316-in-image349558691.htmlRM2B8KNJY–Edfou Temple Egypt and Nubia, Volume II: Edfou, 1846. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43 x 60.2 cm (16 15/16 x 23 11/16 in.); image: 32.7 x 48.8 cm (12 7/8 x 19 3/16 in.).
Ceiling Paper (USA); machine-printed paper; 76 x 49.5 cm (29 15/16 x 19 1/2 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ceiling-paper-usa-machine-printed-paper-76-x-495-cm-29-1516-x-19-12-in-image546255417.htmlRM2PMM2A1–Ceiling Paper (USA); machine-printed paper; 76 x 49.5 cm (29 15/16 x 19 1/2 in.)
Belt, 1800s. Yugoslavia, Dalmatia, 19th century. Silver; overall: 9 x 50.7 cm (3 9/16 x 19 15/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/belt-1800s-yugoslavia-dalmatia-19th-century-silver-overall-9-x-507-cm-3-916-x-19-1516-in-image448073669.htmlRM2H0YEF1–Belt, 1800s. Yugoslavia, Dalmatia, 19th century. Silver; overall: 9 x 50.7 cm (3 9/16 x 19 15/16 in.).
Chancelier Michel IV Le Tellier. Artist: Robert Nanteuil (French, Reims 1623-1678 Paris). Dimensions: Sheet: 19 15/16 x 16 11/16 in. (50.6 x 42.4 cm). Date: 1674. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chancelier-michel-iv-le-tellier-artist-robert-nanteuil-french-reims-1623-1678-paris-dimensions-sheet-19-1516-x-16-1116-in-506-x-424-cm-date-1674-museum-metropolitan-museum-of-art-new-york-usa-image233239821.htmlRMRFCYNH–Chancelier Michel IV Le Tellier. Artist: Robert Nanteuil (French, Reims 1623-1678 Paris). Dimensions: Sheet: 19 15/16 x 16 11/16 in. (50.6 x 42.4 cm). Date: 1674. Museum: Metropolitan Museum of Art, New York, USA.
Das NeC3BCe Modelbuch. . .Erster Theil Designer: Designed by Rosina Helena Fürst, German, 1642-1709, Das New Modelbuch. ca. 1660, Etching and woodcut, 6 3/16 x 7 11/16 x 9/16 in. (15.7 x 19.5 x 1.5 cm). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-das-nec3bce-modelbuch-erster-theil-designer-designed-by-rosina-helena-168092464.htmlRMKND7J8–Das NeC3BCe Modelbuch. . .Erster Theil Designer: Designed by Rosina Helena Fürst, German, 1642-1709, Das New Modelbuch. ca. 1660, Etching and woodcut, 6 3/16 x 7 11/16 x 9/16 in. (15.7 x 19.5 x 1.5 cm).
Young blonde female holding a controller, smiling while gaming (playstation/x-box) tv game. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-young-blonde-female-holding-a-controller-smiling-while-gaming-playstationx-47656906.htmlRMCNEXTA–Young blonde female holding a controller, smiling while gaming (playstation/x-box) tv game.
SCOLIOSIS, X-RAY Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-scoliosis-x-ray-48413166.htmlRMCPNBDJ–SCOLIOSIS, X-RAY
STRASBOURG, FRANCE - SEPTEMBER 19, 2014: Apple Store Computers interior reflected with genius workers talking about new product during the sales launch of the latest newest more powerful iPhone X 8 Plus 14 15 16 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/strasbourg-france-september-19-2014-apple-store-computers-interior-reflected-with-genius-workers-talking-about-new-product-during-the-sales-launch-of-the-latest-newest-more-powerful-iphone-x-8-plus-14-15-16-image503065527.htmlRF2M6CH5Y–STRASBOURG, FRANCE - SEPTEMBER 19, 2014: Apple Store Computers interior reflected with genius workers talking about new product during the sales launch of the latest newest more powerful iPhone X 8 Plus 14 15 16
WRIST, X-RAY RESULT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wrist-x-ray-result-53867208.htmlRFD3HT4T–WRIST, X-RAY RESULT
Young woman laughing while getting piggy back from teenage sister, side view Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-laughing-while-getting-piggy-back-from-teenage-sister-side-view-image330488966.htmlRF2A5K21A–Young woman laughing while getting piggy back from teenage sister, side view
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image235128797.htmlRMRJF151–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
; India; early 17th century; Ink, color, and gold on paper; H x W: 32.8 x 19.9 cm (12 15/16 x 7 13/16 in); Gift of Charles Lang Freer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/india-early-17th-century-ink-color-and-gold-on-paper-h-x-w-328-x-199-cm-12-1516-x-7-1316-in-gift-of-charles-lang-freer-image353575539.htmlRM2BF6N5R–; India; early 17th century; Ink, color, and gold on paper; H x W: 32.8 x 19.9 cm (12 15/16 x 7 13/16 in); Gift of Charles Lang Freer
Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/irish-members-in-their-seats-in-the-house-of-parliament-1886-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoher-image330688927.htmlRM2A6052R–Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher
Europa, Deutschland, Berlin, Los der Königlich Preußischen Klassenlotterie, ein viertel Los, Zweite Klasse, das Los wurde am 15. und 16. August 1839 gezogen, herausgegeben wurde das Los von der Königl. Preuss. General-Lotterie-Direktion , 2. Juli 1839 , Größe : 9,5 cm x 7,6 cm . / Europe, Germany, Berlin, lottery of the Royal Prussian Lottery company, a lottery ticket from 2. July 1839 , a quarter lottery ticket, second class, size : 9,5 cm x 7,6 cm . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/europa-deutschland-berlin-los-der-kniglich-preuischen-klassenlotterie-ein-viertel-los-zweite-klasse-das-los-wurde-am-15-und-16-august-1839-gezogen-herausgegeben-wurde-das-los-von-der-knigl-preuss-general-lotterie-direktion-2-juli-1839-gre-95-cm-x-76-cm-europe-germany-berlin-lottery-of-the-royal-prussian-lottery-company-a-lottery-ticket-from-2-july-1839-a-quarter-lottery-ticket-second-class-size-95-cm-x-76-cm-image415161395.htmlRM2F3C6GK–Europa, Deutschland, Berlin, Los der Königlich Preußischen Klassenlotterie, ein viertel Los, Zweite Klasse, das Los wurde am 15. und 16. August 1839 gezogen, herausgegeben wurde das Los von der Königl. Preuss. General-Lotterie-Direktion , 2. Juli 1839 , Größe : 9,5 cm x 7,6 cm . / Europe, Germany, Berlin, lottery of the Royal Prussian Lottery company, a lottery ticket from 2. July 1839 , a quarter lottery ticket, second class, size : 9,5 cm x 7,6 cm .
Art inspired by Simla Bazaar, 1858–61, Albumen silver print, Image: 15.2 x 19.6 cm (6 x 7 11/16 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-simla-bazaar-185861-albumen-silver-print-image-152-x-196-cm-6-x-7-1116-in-photographs-unknown-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462793367.htmlRF2HTX1JF–Art inspired by Simla Bazaar, 1858–61, Albumen silver print, Image: 15.2 x 19.6 cm (6 x 7 11/16 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
John Singer Sargent, American, 1856–1925, A Venetian Interior, c. 1880–82, Oil on canvas, 19 1/16 x 23 15/16 in. (48.4 x 60.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-singer-sargent-american-18561925-a-venetian-interior-c-188082-oil-on-canvas-19-116-x-23-1516-in-484-x-608-cm-image344574274.htmlRM2B0GM02–John Singer Sargent, American, 1856–1925, A Venetian Interior, c. 1880–82, Oil on canvas, 19 1/16 x 23 15/16 in. (48.4 x 60.8 cm
. English: Creation Date: ca. 1740 Display Dimensions: 12 9/16 in. x 8 15/32 in. (31.9 cm x 21.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1126 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:19. English: thesandiegomuseumofartcollection 1115 Shiva- Yogi and Mendicant (6124515937) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-creation-date-ca-1740-display-dimensions-12-916-in-x-8-1532-in-319-cm-x-215-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901126-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140819-english-thesandiegomuseumofartcollection-1115-shiva-yogi-and-mendicant-6124515937-image185706247.htmlRMMP3J5Y–. English: Creation Date: ca. 1740 Display Dimensions: 12 9/16 in. x 8 15/32 in. (31.9 cm x 21.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1126 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:19. English: thesandiegomuseumofartcollection 1115 Shiva- Yogi and Mendicant (6124515937)
MIAMI BEACH, FLORIDA - JULY 15: Models walk the runway for MISTER TRIPLE X At Miami Swim Week Powered By Art Hearts Fashion Swim/Resort 2019/20 at Faena Forum on July 15, 2019 in Miami Beach, Florida. People: Model Credit: Storms Media Group/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miami-beach-florida-july-15-models-walk-the-runway-for-mister-triple-x-at-miami-swim-week-powered-by-art-hearts-fashion-swimresort-201920-at-faena-forum-on-july-15-2019-in-miami-beach-florida-people-model-credit-storms-media-groupalamy-live-news-image260446872.htmlRMW3MAJ0–MIAMI BEACH, FLORIDA - JULY 15: Models walk the runway for MISTER TRIPLE X At Miami Swim Week Powered By Art Hearts Fashion Swim/Resort 2019/20 at Faena Forum on July 15, 2019 in Miami Beach, Florida. People: Model Credit: Storms Media Group/Alamy Live News
History of Germany. 1200. From left to right, 12: Anna of Hohenstaufen (1230-1307), daughter of Frederick II, 13: Archduke Henry of Breslau, ca. 1258-1290, 14-15-16: Counts, 17: Frederick II, Holy Roman Emperor (1194-1250). Chromolithography. 'Historia Universal', by César Cantú. Volume X, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-germany-1200-from-left-to-right-12-anna-of-hohenstaufen-1230-1307-daughter-of-frederick-ii-13-archduke-henry-of-breslau-ca-1258-1290-14-15-16-counts-17-frederick-ii-holy-roman-emperor-1194-1250-chromolithography-historia-universal-by-csar-cant-volume-x-1881-image592832755.htmlRM2WCDT6B–History of Germany. 1200. From left to right, 12: Anna of Hohenstaufen (1230-1307), daughter of Frederick II, 13: Archduke Henry of Breslau, ca. 1258-1290, 14-15-16: Counts, 17: Frederick II, Holy Roman Emperor (1194-1250). Chromolithography. 'Historia Universal', by César Cantú. Volume X, 1881.
Temple at Edfou, Ancient Apollinopolis, Upper Egypt 1847 from Egypt and Nubia, Volume I: Temple at Edfou, Ancient Apollinopolis, Upper Egypt, 1847. Louis Haghe (British, 1806-1885), F.G. Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43 x 60.3 cm (16 15/16 x 23 3/4 in.); image: 33.6 x 50.1 cm (13 1/4 x 19 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/temple-at-edfou-ancient-apollinopolis-upper-egypt-1847-from-egypt-and-nubia-volume-i-temple-at-edfou-ancient-apollinopolis-upper-egypt-1847-louis-haghe-british-1806-1885-fg-moon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-43-x-603-cm-16-1516-x-23-34-in-image-336-x-501-cm-13-14-x-19-34-in-image349567272.htmlRM2B8M4HC–Temple at Edfou, Ancient Apollinopolis, Upper Egypt 1847 from Egypt and Nubia, Volume I: Temple at Edfou, Ancient Apollinopolis, Upper Egypt, 1847. Louis Haghe (British, 1806-1885), F.G. Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43 x 60.3 cm (16 15/16 x 23 3/4 in.); image: 33.6 x 50.1 cm (13 1/4 x 19 3/4 in.).
Frieze (USA); Manufactured by Standard Wall-Paper Company; machine-printed paper; 233.5 x 49 cm (91 15/16 x 19 5/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frieze-usa-manufactured-by-standard-wall-paper-company-machine-printed-paper-2335-x-49-cm-91-1516-x-19-516-in-image546102730.htmlRM2PMD3GX–Frieze (USA); Manufactured by Standard Wall-Paper Company; machine-printed paper; 233.5 x 49 cm (91 15/16 x 19 5/16 in.)
Sari (Fragment), 1800s. India, 19th century. Brocade; silk and metal thread; overall: 19.2 x 20.1 cm (7 9/16 x 7 15/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sari-fragment-1800s-india-19th-century-brocade-silk-and-metal-thread-overall-192-x-201-cm-7-916-x-7-1516-in-image448079184.htmlRM2H0YNG0–Sari (Fragment), 1800s. India, 19th century. Brocade; silk and metal thread; overall: 19.2 x 20.1 cm (7 9/16 x 7 15/16 in.).
Triangular Corner Safe. Dated: c. 1941. Dimensions: overall: 50.7 x 40.6 cm (19 15/16 x 16 in.) Original IAD Object: 7'9'high; 3'9'wide; 8'deep. Medium: watercolor, color pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Rosa Rivero. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triangular-corner-safe-dated-c-1941-dimensions-overall-507-x-406-cm-19-1516-x-16-in-original-iad-object-79high-39wide-8deep-medium-watercolor-color-pencil-and-graphite-on-paperboard-museum-national-gallery-of-art-washington-dc-author-rosa-rivero-image225774202.htmlRMR38W8A–Triangular Corner Safe. Dated: c. 1941. Dimensions: overall: 50.7 x 40.6 cm (19 15/16 x 16 in.) Original IAD Object: 7'9'high; 3'9'wide; 8'deep. Medium: watercolor, color pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Rosa Rivero.
Creamer MET DP154629 2704 Maker: Possibly by James Adam, 1755?1798 or, Maker: Possibly by John Adam, 1775?1848, Creamer, 1770?1810, Silver, Overall: 6 x 4 7/8 in. (15.2 x 12.4 cm); 4 oz. 19 dwt. (153.8 g) Foot: 2 5/16 x 2 3/8 in. (5.9 x 6 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.292) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-creamer-met-dp154629-2704-maker-possibly-by-james-adam-17551798-or-168177117.htmlRMKNH3HH–Creamer MET DP154629 2704 Maker: Possibly by James Adam, 1755?1798 or, Maker: Possibly by John Adam, 1775?1848, Creamer, 1770?1810, Silver, Overall: 6 x 4 7/8 in. (15.2 x 12.4 cm); 4 oz. 19 dwt. (153.8 g) Foot: 2 5/16 x 2 3/8 in. (5.9 x 6 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.292)
Teenage girl holding a controller smiling. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-teenage-girl-holding-a-controller-smiling-38588546.htmlRMC6NT2A–Teenage girl holding a controller smiling.
'Jacques Callot, The Grain Weighers, 1608/1611, engraving, plate: 19.6 x 21.1 cm (7 11/16 x 8 5/16 in.), R.L. Baumfeld Collection, 1969.15.14' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacques-callot-the-grain-weighers-16081611-engraving-plate-196-x-211-cm-7-1116-x-8-516-in-rl-baumfeld-collection-19691514-image560395179.htmlRM2RFM5NF–'Jacques Callot, The Grain Weighers, 1608/1611, engraving, plate: 19.6 x 21.1 cm (7 11/16 x 8 5/16 in.), R.L. Baumfeld Collection, 1969.15.14'
!['A droll caricature map of England and Wales.'. Geography Bewitched ! or, a droll Caricature Map of England and Wales. Dighton del. London : Printed for Bowles & Carver, [ca. 1795]. 16 x 19 cm. Source: Maps.C.27.f.15.(1). Stock Photo](https://c8.alamy.com/comp/R5GFH8/a-droll-caricature-map-of-england-and-wales-geography-bewitched-!-or-a-droll-caricature-map-of-england-and-wales-dighton-del-london-printed-for-bowles-carver-ca-1795-16-x-19-cm-source-mapsc27f151-R5GFH8.jpg "'A droll caricature map of England and Wales.'. Geography Bewitched ! or, a droll Caricature Map of England and Wales. Dighton del. London : Printed for Bowles & Carver, [ca. 1795]. 16 x 19 cm. Source: Maps.C.27.f.15.(1). Stock Photo")
'A droll caricature map of England and Wales.'. Geography Bewitched ! or, a droll Caricature Map of England and Wales. Dighton del. London : Printed for Bowles & Carver, [ca. 1795]. 16 x 19 cm. Source: Maps.C.27.f.15.(1). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-droll-caricature-map-of-england-and-wales-geography-bewitched-!-or-a-droll-caricature-map-of-england-and-wales-dighton-del-london-printed-for-bowles-carver-ca-1795-16-x-19-cm-source-mapsc27f151-image227171540.htmlRMR5GFH8–'A droll caricature map of England and Wales.'. Geography Bewitched ! or, a droll Caricature Map of England and Wales. Dighton del. London : Printed for Bowles & Carver, [ca. 1795]. 16 x 19 cm. Source: Maps.C.27.f.15.(1).
CEPHALOMETRIC X-RAY Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-cephalometric-x-ray-49268482.htmlRMCT4ACJ–CEPHALOMETRIC X-RAY
Young woman posing with teenage sisters by park, portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-posing-with-teenage-sisters-by-park-portrait-image330489071.htmlRF2A5K253–Young woman posing with teenage sisters by park, portrait
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image387336939.htmlRM2DE4M63–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
(Artist) James McNeill Whistler; United States; 1876; Oil paint and metal leaf on wood; H x W: 49.7 x 32.8 cm (19 9/16 x 12 15/16 in); Gift of Charles Lang Freer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1876-oil-paint-and-metal-leaf-on-wood-h-x-w-497-x-328-cm-19-916-x-12-1516-in-gift-of-charles-lang-freer-image353512519.htmlRM2BF3TR3–(Artist) James McNeill Whistler; United States; 1876; Oil paint and metal leaf on wood; H x W: 49.7 x 32.8 cm (19 9/16 x 12 15/16 in); Gift of Charles Lang Freer
July 16, 2002 - K25552EG:K-19: THE WIDOWMAKER PREMIERE.MANN VILLAGE AND BRUIN THEATERS, WESTWOOD, CA 07/15/2002.MICHAEL J.X. GLADIS. ED GELLER/ 2002.(Credit Image: © Globe Photos/ZUMAPRESS.com) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/july-16-2002-k25552egk-19-the-widowmaker-premieremann-village-and-image65090940.htmlRMDNW44C–July 16, 2002 - K25552EG:K-19: THE WIDOWMAKER PREMIERE.MANN VILLAGE AND BRUIN THEATERS, WESTWOOD, CA 07/15/2002.MICHAEL J.X. GLADIS. ED GELLER/ 2002.(Credit Image: © Globe Photos/ZUMAPRESS.com)
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241474455.htmlRFT0T33K–Illustration Xray Icon
Art inspired by Fables, Vol. I & II, 1729–47, Illustrations: engraving, 7 1/2 x 4 15/16 in. (19 x 12.5 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fables-vol-i-ii-172947-illustrations-engraving-7-12-x-4-1516-in-19-x-125-cm-books-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462803123.htmlRF2HTXE2Y–Art inspired by Fables, Vol. I & II, 1729–47, Illustrations: engraving, 7 1/2 x 4 15/16 in. (19 x 12.5 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Attributed to Pieter Molyn, Dutch, 1595–1661, Village Road, 1605–1661, Black chalk on paper, Overall: 5 15/16 x 7 1/2 in. (15.1 x 19.1 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attributed-to-pieter-molyn-dutch-15951661-village-road-16051661-black-chalk-on-paper-overall-5-1516-x-7-12-in-151-x-191-cm-image344571749.htmlRM2B0GGNW–Attributed to Pieter Molyn, Dutch, 1595–1661, Village Road, 1605–1661, Black chalk on paper, Overall: 5 15/16 x 7 1/2 in. (15.1 x 19.1 cm
. English: Series Title: Kalighat Album Suite Name: Kalighat Album Creation Date: ca. 1880 Display Dimensions: 17 19/32 in. x 10 15/16 in. (44.7 cm x 27.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1440 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 9 September 2007, 14:13:27. English: thesandiegomuseumofartcollection Courtesan with a mirror (recto); Krishna on horse with cowgirls (verso) (6124605141) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-series-title-kalighat-album-suite-name-kalighat-album-creation-date-ca-1880-display-dimensions-17-1932-in-x-10-1516-in-447-cm-x-278-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901440-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-9-september-2007-141327-english-thesandiegomuseumofartcollection-courtesan-with-a-mirror-recto-krishna-on-horse-with-cowgirls-verso-6124605141-image184776499.htmlRMMMH88K–. English: Series Title: Kalighat Album Suite Name: Kalighat Album Creation Date: ca. 1880 Display Dimensions: 17 19/32 in. x 10 15/16 in. (44.7 cm x 27.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1440 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 9 September 2007, 14:13:27. English: thesandiegomuseumofartcollection Courtesan with a mirror (recto); Krishna on horse with cowgirls (verso) (6124605141)
MIAMI BEACH, FLORIDA - JULY 15: Models walk the runway for MISTER TRIPLE X At Miami Swim Week Powered By Art Hearts Fashion Swim/Resort 2019/20 at Faena Forum on July 15, 2019 in Miami Beach, Florida. People: Model Credit: Storms Media Group/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miami-beach-florida-july-15-models-walk-the-runway-for-mister-triple-x-at-miami-swim-week-powered-by-art-hearts-fashion-swimresort-201920-at-faena-forum-on-july-15-2019-in-miami-beach-florida-people-model-credit-storms-media-groupalamy-live-news-image260446894.htmlRMW3MAJP–MIAMI BEACH, FLORIDA - JULY 15: Models walk the runway for MISTER TRIPLE X At Miami Swim Week Powered By Art Hearts Fashion Swim/Resort 2019/20 at Faena Forum on July 15, 2019 in Miami Beach, Florida. People: Model Credit: Storms Media Group/Alamy Live News
. The developmental anatomy of Isoetes. Isoetes; Botany. Orth.-2 Orth. I Orth. 2. Figs. 15 and 16. Outlines of roots and locations of root traces in transverse sections of a plant of moderate size. X 50. Figure 16 is at a higher level in the plant than figure 15. The basal furrow runs from left to right so that the drawings can be viewed in a standardized position on the x- and y-axes. Series of roots are numbered according to information obtained from a study of serial sections. Other sections in the series are drawn as figures 17, 18, and 19. Explanations of the figures are in the text. In f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-developmental-anatomy-of-isoetes-isoetes-botany-orth-2-orth-i-orth-2-figs-15-and-16-outlines-of-roots-and-locations-of-root-traces-in-transverse-sections-of-a-plant-of-moderate-size-x-50-figure-16-is-at-a-higher-level-in-the-plant-than-figure-15-the-basal-furrow-runs-from-left-to-right-so-that-the-drawings-can-be-viewed-in-a-standardized-position-on-the-x-and-y-axes-series-of-roots-are-numbered-according-to-information-obtained-from-a-study-of-serial-sections-other-sections-in-the-series-are-drawn-as-figures-17-18-and-19-explanations-of-the-figures-are-in-the-text-in-f-image215971093.htmlRMPFA999–. The developmental anatomy of Isoetes. Isoetes; Botany. Orth.-2 Orth. I Orth. 2. Figs. 15 and 16. Outlines of roots and locations of root traces in transverse sections of a plant of moderate size. X 50. Figure 16 is at a higher level in the plant than figure 15. The basal furrow runs from left to right so that the drawings can be viewed in a standardized position on the x- and y-axes. Series of roots are numbered according to information obtained from a study of serial sections. Other sections in the series are drawn as figures 17, 18, and 19. Explanations of the figures are in the text. In f
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489962.htmlRF2RAYT3P–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Bandbox Lid, Castles in Spain; USA; block-printed paper on pasteboard support; 50 x 40 cm (19 11/16 x 15 3/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bandbox-lid-castles-in-spain-usa-block-printed-paper-on-pasteboard-support-50-x-40-cm-19-1116-x-15-34-in-image546088849.htmlRM2PMCDW5–Bandbox Lid, Castles in Spain; USA; block-printed paper on pasteboard support; 50 x 40 cm (19 11/16 x 15 3/4 in.)
Hillside Village (recto), c 1900s ?. Jan Matulka (American, 1890-1972). Watercolor; sheet: 38 x 50.4 cm (14 15/16 x 19 13/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hillside-village-recto-c-1900s-jan-matulka-american-1890-1972-watercolor-sheet-38-x-504-cm-14-1516-x-19-1316-in-image448070299.htmlRM2H0YA6K–Hillside Village (recto), c 1900s ?. Jan Matulka (American, 1890-1972). Watercolor; sheet: 38 x 50.4 cm (14 15/16 x 19 13/16 in.).
Paul Revere Print. Dated: 1940. Dimensions: overall: 50.7 x 40.7 cm (19 15/16 x 16 in.) Original IAD Object: 8 7/8' high; 9 7/8' wide. Medium: watercolor and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Archie Thompson. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-revere-print-dated-1940-dimensions-overall-507-x-407-cm-19-1516-x-16-in-original-iad-object-8-78-high-9-78-wide-medium-watercolor-and-pen-and-ink-on-paper-museum-national-gallery-of-art-washington-dc-author-archie-thompson-image225641787.htmlRMR32TB7–Paul Revere Print. Dated: 1940. Dimensions: overall: 50.7 x 40.7 cm (19 15/16 x 16 in.) Original IAD Object: 8 7/8' high; 9 7/8' wide. Medium: watercolor and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Archie Thompson.
Creamer MET DP155302 2704 Maker: Possibly by James Adam, 1755?1798 or, Maker: Possibly by John Adam, 1775?1848, Creamer, 1770?1810, Silver, Overall: 6 x 4 7/8 in. (15.2 x 12.4 cm); 4 oz. 19 dwt. (153.8 g) Foot: 2 5/16 x 2 3/8 in. (5.9 x 6 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.292) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-creamer-met-dp155302-2704-maker-possibly-by-james-adam-17551798-or-168177130.htmlRMKNH3J2–Creamer MET DP155302 2704 Maker: Possibly by James Adam, 1755?1798 or, Maker: Possibly by John Adam, 1775?1848, Creamer, 1770?1810, Silver, Overall: 6 x 4 7/8 in. (15.2 x 12.4 cm); 4 oz. 19 dwt. (153.8 g) Foot: 2 5/16 x 2 3/8 in. (5.9 x 6 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.292)
Teenage girl holding a controller smiling. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-teenage-girl-holding-a-controller-smiling-38588412.htmlRMC6NRWG–Teenage girl holding a controller smiling.
'Jacques Callot, Solimano, Act II, 1620, etching and engraving, plate: 19.7 x 27.4 cm (7 3/4 x 10 13/16 in.), R.L. Baumfeld Collection, 1969.15.62' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacques-callot-solimano-act-ii-1620-etching-and-engraving-plate-197-x-274-cm-7-34-x-10-1316-in-rl-baumfeld-collection-19691562-image560395549.htmlRM2RFM66N–'Jacques Callot, Solimano, Act II, 1620, etching and engraving, plate: 19.7 x 27.4 cm (7 3/4 x 10 13/16 in.), R.L. Baumfeld Collection, 1969.15.62'
![A coloured map of Scotland in the shape of a person. Geography Bewitched ! or, a droll Caricature Map of Scotland. London : Printed for Bowles & Carver, [ca. 1795]. 16 x 19 cm. Source: Maps.C.27.f.15.(2). Language: English. Author: Robert Dighton. Stock Photo](https://c8.alamy.com/comp/R5CD33/a-coloured-map-of-scotland-in-the-shape-of-a-person-geography-bewitched-!-or-a-droll-caricature-map-of-scotland-london-printed-for-bowles-carver-ca-1795-16-x-19-cm-source-mapsc27f152-language-english-author-robert-dighton-R5CD33.jpg "A coloured map of Scotland in the shape of a person. Geography Bewitched ! or, a droll Caricature Map of Scotland. London : Printed for Bowles & Carver, [ca. 1795]. 16 x 19 cm. Source: Maps.C.27.f.15.(2). Language: English. Author: Robert Dighton. Stock Photo")
A coloured map of Scotland in the shape of a person. Geography Bewitched ! or, a droll Caricature Map of Scotland. London : Printed for Bowles & Carver, [ca. 1795]. 16 x 19 cm. Source: Maps.C.27.f.15.(2). Language: English. Author: Robert Dighton. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-coloured-map-of-scotland-in-the-shape-of-a-person-geography-bewitched-!-or-a-droll-caricature-map-of-scotland-london-printed-for-bowles-carver-ca-1795-16-x-19-cm-source-mapsc27f152-language-english-author-robert-dighton-image227081767.htmlRMR5CD33–A coloured map of Scotland in the shape of a person. Geography Bewitched ! or, a droll Caricature Map of Scotland. London : Printed for Bowles & Carver, [ca. 1795]. 16 x 19 cm. Source: Maps.C.27.f.15.(2). Language: English. Author: Robert Dighton.
CEPHALOMETRIC X-RAY Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-cephalometric-x-ray-49268443.htmlRMCT4AB7–CEPHALOMETRIC X-RAY
Young woman with teenage sisters in car back seat laughing, close up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-with-teenage-sisters-in-car-back-seat-laughing-close-up-image330488835.htmlRF2A5K1TK–Young woman with teenage sisters in car back seat laughing, close up
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image261850251.htmlRMW608JK–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Archive image from page 93 of Die Fauna südwest-Australiens Ergebnisse der. Die Fauna südwest-Australiens. Ergebnisse der Hamburger südwest-australischen Forschungsreise 1905 diefaunasdwest12mich Year: 1907 206 V. Mic IIA! I -I . Fig. XXII. Notoseoli x r/i- beseens n. sp. s miiic n tu seh 011-Pore u 2 Paar, in Querschlitzen auf [ntersegmental- furche 7/8 und 8/9 in den Borstenlinien b. Pubertätsorgane: Drüsige ventral liane Quer- £ . streifen bezw. -wälle dicht vor und hinter den [nterseg- mentalfurchen 15 16 19/20, die vorderen seitlich bis an den Gürtelrand (ungefähr mit Borstenlin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-93-of-die-fauna-sdwest-australiens-ergebnisse-der-die-fauna-sdwest-australiens-ergebnisse-der-hamburger-sdwest-australischen-forschungsreise-1905-diefaunasdwest12mich-year-1907-206-v-mic-iia!-i-i-fig-xxii-notoseoli-x-ri-beseens-n-sp-s-miiic-n-tu-seh-011-pore-u-2-paar-in-querschlitzen-auf-ntersegmental-furche-78-und-89-in-den-borstenlinien-b-puberttsorgane-drsige-ventral-liane-quer-streifen-bezw-wlle-dicht-vor-und-hinter-den-nterseg-mentalfurchen-15-16-1920-die-vorderen-seitlich-bis-an-den-grtelrand-ungefhr-mit-borstenlin-image258193674.htmlRMW01MJJ–Archive image from page 93 of Die Fauna südwest-Australiens Ergebnisse der. Die Fauna südwest-Australiens. Ergebnisse der Hamburger südwest-australischen Forschungsreise 1905 diefaunasdwest12mich Year: 1907 206 V. Mic IIA! I -I . Fig. XXII. Notoseoli x r/i- beseens n. sp. s miiic n tu seh 011-Pore u 2 Paar, in Querschlitzen auf [ntersegmental- furche 7/8 und 8/9 in den Borstenlinien b. Pubertätsorgane: Drüsige ventral liane Quer- £ . streifen bezw. -wälle dicht vor und hinter den [nterseg- mentalfurchen 15 16 19/20, die vorderen seitlich bis an den Gürtelrand (ungefähr mit Borstenlin
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241474979.htmlRFT0T3PB–Illustration Xray Icon
Art inspired by Jama Masjid Mosque, Delhi, 1850s, Albumen silver print, Image: 15.2 x 19.8 cm (6 x 7 13/16 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-jama-masjid-mosque-delhi-1850s-albumen-silver-print-image-152-x-198-cm-6-x-7-1316-in-photographs-unknown-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462793388.htmlRF2HTX1K8–Art inspired by Jama Masjid Mosque, Delhi, 1850s, Albumen silver print, Image: 15.2 x 19.8 cm (6 x 7 13/16 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Alexandre Cabanel, French, 1823–1889, Study for 'Le Poète Florentin', c. 1853, Black chalk on buff wove paper, Overall: 7 13/16 x 16 15/16 in. (19.8 x 43 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexandre-cabanel-french-18231889-study-for-le-pote-florentin-c-1853-black-chalk-on-buff-wove-paper-overall-7-1316-x-16-1516-in-198-x-43-cm-image344578949.htmlRM2B0GWY1–Alexandre Cabanel, French, 1823–1889, Study for 'Le Poète Florentin', c. 1853, Black chalk on buff wove paper, Overall: 7 13/16 x 16 15/16 in. (19.8 x 43 cm
. English: Accession Number: 1957.103.a-b Display Artist: Iwase Masanobu Display Title: Calligraphy of the Famous Courtesans of the Pleasure Quarter Translation(s): Seiro meikun jihitsu shu Series Title: Yoshiwara keisei shin bijin awase jihitsu kagami (A Comparison of New Beauties w Suite Name: Yoshiwara keisei shin bijin awase jihitsu kagami Creation Date: 1784 Medium: Woodblock Height: 14 11/16 in. Width: 19 15/16 in. Display Dimensions: 14 11/16 in. x 19 15/16 in. (37.31 cm x 50.64 cm) Publisher: Tsutaya Juzaburo Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'This print is f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-accession-number-1957103a-b-display-artist-iwase-masanobu-display-title-calligraphy-of-the-famous-courtesans-of-the-pleasure-quarter-translations-seiro-meikun-jihitsu-shu-series-title-yoshiwara-keisei-shin-bijin-awase-jihitsu-kagami-a-comparison-of-new-beauties-w-suite-name-yoshiwara-keisei-shin-bijin-awase-jihitsu-kagami-creation-date-1784-medium-woodblock-height-14-1116-in-width-19-1516-in-display-dimensions-14-1116-in-x-19-1516-in-3731-cm-x-5064-cm-publisher-tsutaya-juzaburo-credit-line-bequest-of-mrs-cora-timken-burnett-label-copy-this-print-is-f-image184775661.htmlRMMMH76N–. English: Accession Number: 1957.103.a-b Display Artist: Iwase Masanobu Display Title: Calligraphy of the Famous Courtesans of the Pleasure Quarter Translation(s): Seiro meikun jihitsu shu Series Title: Yoshiwara keisei shin bijin awase jihitsu kagami (A Comparison of New Beauties w Suite Name: Yoshiwara keisei shin bijin awase jihitsu kagami Creation Date: 1784 Medium: Woodblock Height: 14 11/16 in. Width: 19 15/16 in. Display Dimensions: 14 11/16 in. x 19 15/16 in. (37.31 cm x 50.64 cm) Publisher: Tsutaya Juzaburo Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'This print is f
MIAMI BEACH, FLORIDA - JULY 15: Models walk the runway for MISTER TRIPLE X At Miami Swim Week Powered By Art Hearts Fashion Swim/Resort 2019/20 at Faena Forum on July 15, 2019 in Miami Beach, Florida. People: Model Credit: Storms Media Group/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miami-beach-florida-july-15-models-walk-the-runway-for-mister-triple-x-at-miami-swim-week-powered-by-art-hearts-fashion-swimresort-201920-at-faena-forum-on-july-15-2019-in-miami-beach-florida-people-model-credit-storms-media-groupalamy-live-news-image260427802.htmlRMW3KE8X–MIAMI BEACH, FLORIDA - JULY 15: Models walk the runway for MISTER TRIPLE X At Miami Swim Week Powered By Art Hearts Fashion Swim/Resort 2019/20 at Faena Forum on July 15, 2019 in Miami Beach, Florida. People: Model Credit: Storms Media Group/Alamy Live News
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489957.htmlRF2RAYT3H–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Sidewall (USA); Manufactured by York Card & Paper Co.; machine-printed paper, liquid mica; 39 x 49 cm (15 3/8 x 19 5/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sidewall-usa-manufactured-by-york-card-paper-co-machine-printed-paper-liquid-mica-39-x-49-cm-15-38-x-19-516-in-image546241407.htmlRM2PMKCDK–Sidewall (USA); Manufactured by York Card & Paper Co.; machine-printed paper, liquid mica; 39 x 49 cm (15 3/8 x 19 5/16 in.)
Wooded Path (verso), c 1900s ?. Jan Matulka (American, 1890-1972). Watercolor; sheet: 38 x 50.4 cm (14 15/16 x 19 13/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wooded-path-verso-c-1900s-jan-matulka-american-1890-1972-watercolor-sheet-38-x-504-cm-14-1516-x-19-1316-in-image448070298.htmlRM2H0YA6J–Wooded Path (verso), c 1900s ?. Jan Matulka (American, 1890-1972). Watercolor; sheet: 38 x 50.4 cm (14 15/16 x 19 13/16 in.).
Jug. Dated: c. 1938. Dimensions: overall: 50.7 x 40.6 cm (19 15/16 x 16 in.) Original IAD Object: 12 1/2' High 8 1/2' Dia. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Lee Brown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jug-dated-c-1938-dimensions-overall-507-x-406-cm-19-1516-x-16-in-original-iad-object-12-12-high-8-12-dia-medium-watercolor-graphite-and-gouache-on-paperboard-museum-national-gallery-of-art-washington-dc-author-lee-brown-image225822117.htmlRMR3B2BH–Jug. Dated: c. 1938. Dimensions: overall: 50.7 x 40.6 cm (19 15/16 x 16 in.) Original IAD Object: 12 1/2' High 8 1/2' Dia. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Lee Brown.
Creamer MET DP154628 2704 Maker: Possibly by James Adam, 1755?1798 or, Maker: Possibly by John Adam, 1775?1848, Creamer, 1770?1810, Silver, Overall: 6 x 4 7/8 in. (15.2 x 12.4 cm); 4 oz. 19 dwt. (153.8 g) Foot: 2 5/16 x 2 3/8 in. (5.9 x 6 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.292) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-creamer-met-dp154628-2704-maker-possibly-by-james-adam-17551798-or-168175954.htmlRMKNH242–Creamer MET DP154628 2704 Maker: Possibly by James Adam, 1755?1798 or, Maker: Possibly by John Adam, 1775?1848, Creamer, 1770?1810, Silver, Overall: 6 x 4 7/8 in. (15.2 x 12.4 cm); 4 oz. 19 dwt. (153.8 g) Foot: 2 5/16 x 2 3/8 in. (5.9 x 6 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.292)
Teenage girl holding a controller smiling. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-teenage-girl-holding-a-controller-smiling-38589722.htmlRMC6NWGA–Teenage girl holding a controller smiling.
'Marcantonio Raimondi after Raphael, Il Morbetto (The Plague), engraving, sheet (trimmed to plate mark): 19.5 x 25.2 cm (7 11/16 x 9 15/16 in.), Gift of W.G. Russell Allen, 1941.1.76' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marcantonio-raimondi-after-raphael-il-morbetto-the-plague-engraving-sheet-trimmed-to-plate-mark-195-x-252-cm-7-1116-x-9-1516-in-gift-of-wg-russell-allen-1941176-image559766130.htmlRM2REKFBE–'Marcantonio Raimondi after Raphael, Il Morbetto (The Plague), engraving, sheet (trimmed to plate mark): 19.5 x 25.2 cm (7 11/16 x 9 15/16 in.), Gift of W.G. Russell Allen, 1941.1.76'
RADIOLOGY CENTER Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-radiology-center-130790014.htmlRMHGNYYX–RADIOLOGY CENTER
Young woman and her teenage sisters talking on fire escape Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-and-her-teenage-sisters-talking-on-fire-escape-image330489448.htmlRF2A5K2JG–Young woman and her teenage sisters talking on fire escape
Illustration Xray Icon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-xray-icon-image241480950.htmlRFT0TBBJ–Illustration Xray Icon
Art inspired by Joseph Interpreting the Dreams of Pharoah's Butler and Baker, 1766, Engraving, Sheet: 15 3/16 x 19 5/16 in. (38.5 x 49 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-joseph-interpreting-the-dreams-of-pharoahs-butler-and-baker-1766-engraving-sheet-15-316-x-19-516-in-385-x-49-cm-prints-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462969227.htmlRF2HW61Y7–Art inspired by Joseph Interpreting the Dreams of Pharoah's Butler and Baker, 1766, Engraving, Sheet: 15 3/16 x 19 5/16 in. (38.5 x 49 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Egypt, fragment, pot, earthenware, 1, 13 x 16 cm, Ø = 19, 2, 4 x 4.5 cm, 3: 2 x 4 cm; 4, 6.5 x 5.5 cm, 5, 4 x 3.5 cm, 6: 3 x 6 cm, Ø = 13; 7, 3 x 4 cm, Ø = 16, 8: 3.5 x 4.5 cm, Ø = 15, 9, 2 x 3, cm, 10, 2.5 x 4 cm, Ø = 16, 11, 2.5 x 4 cm, 12, 3 x 3 cm, 13:16 x 2.5 cm, 14, 4.5 x 6.5 cm, ; 15: 5 x 4.5 cm, 16 :, Meroitic Period, 2nd-4th century AD, Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-fragment-pot-earthenware-1-13-x-16-cm-=-19-2-4-x-45-cm-3-2-x-4-cm-4-65-x-55-cm-5-4-x-35-cm-6-3-x-6-cm-=-13-7-3-x-4-cm-=-16-8-35-x-45-cm-=-15-9-2-x-3-cm-10-25-x-4-cm-=-16-11-25-x-4-cm-12-3-x-3-cm-1316-x-25-cm-14-45-x-65-cm-15-5-x-45-cm-16-meroitic-period-2nd-4th-century-ad-egypt-image344513133.htmlRM2B0DX0D–Egypt, fragment, pot, earthenware, 1, 13 x 16 cm, Ø = 19, 2, 4 x 4.5 cm, 3: 2 x 4 cm; 4, 6.5 x 5.5 cm, 5, 4 x 3.5 cm, 6: 3 x 6 cm, Ø = 13; 7, 3 x 4 cm, Ø = 16, 8: 3.5 x 4.5 cm, Ø = 15, 9, 2 x 3, cm, 10, 2.5 x 4 cm, Ø = 16, 11, 2.5 x 4 cm, 12, 3 x 3 cm, 13:16 x 2.5 cm, 14, 4.5 x 6.5 cm, ; 15: 5 x 4.5 cm, 16 :, Meroitic Period, 2nd-4th century AD, Egypt
. Français : Église Saint-Aubin en Notre-Dame-de-Bonne-Nouvelle, Rennes . Français : Église Saint-Aubin en Notre-Dame-de-Bonne-Nouvelle : planche d'Emmanuel Le Ray, architecte municipal de Rennes, composée de photographies de l'état des travaux à la reprise du chantier en 1895. Une photographie noir et blanc (22.5 x 15.5 cm) de l'intérieur. Une photographie sépia (24 x 19 cm) de la voûte de l'abside. Quatre photographies noir et blanc (18,5 x 13,5 cm ; 22,5 x 16 cm) des façades. Archives municipales de Rennes, 10 Fi 77. . 1926. Emmanuel Le Ray (1859–1936) Description French architect Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-glise-saint-aubin-en-notre-dame-de-bonne-nouvelle-rennes-franais-glise-saint-aubin-en-notre-dame-de-bonne-nouvelle-planche-demmanuel-le-ray-architecte-municipal-de-rennes-compose-de-photographies-de-ltat-des-travaux-la-reprise-du-chantier-en-1895-une-photographie-noir-et-blanc-225-x-155-cm-de-lintrieur-une-photographie-spia-24-x-19-cm-de-la-vote-de-labside-quatre-photographies-noir-et-blanc-185-x-135-cm-225-x-16-cm-des-faades-archives-municipales-de-rennes-10-fi-77-1926-emmanuel-le-ray-18591936-description-french-architect-image188835464.htmlRMMY65FM–. Français : Église Saint-Aubin en Notre-Dame-de-Bonne-Nouvelle, Rennes . Français : Église Saint-Aubin en Notre-Dame-de-Bonne-Nouvelle : planche d'Emmanuel Le Ray, architecte municipal de Rennes, composée de photographies de l'état des travaux à la reprise du chantier en 1895. Une photographie noir et blanc (22.5 x 15.5 cm) de l'intérieur. Une photographie sépia (24 x 19 cm) de la voûte de l'abside. Quatre photographies noir et blanc (18,5 x 13,5 cm ; 22,5 x 16 cm) des façades. Archives municipales de Rennes, 10 Fi 77. . 1926. Emmanuel Le Ray (1859–1936) Description French architect
MIAMI BEACH, FLORIDA - JULY 15: Models walk the runway for MISTER TRIPLE X At Miami Swim Week Powered By Art Hearts Fashion Swim/Resort 2019/20 at Faena Forum on July 15, 2019 in Miami Beach, Florida. People: Model Credit: Storms Media Group/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miami-beach-florida-july-15-models-walk-the-runway-for-mister-triple-x-at-miami-swim-week-powered-by-art-hearts-fashion-swimresort-201920-at-faena-forum-on-july-15-2019-in-miami-beach-florida-people-model-credit-storms-media-groupalamy-live-news-image260427857.htmlRMW3KEAW–MIAMI BEACH, FLORIDA - JULY 15: Models walk the runway for MISTER TRIPLE X At Miami Swim Week Powered By Art Hearts Fashion Swim/Resort 2019/20 at Faena Forum on July 15, 2019 in Miami Beach, Florida. People: Model Credit: Storms Media Group/Alamy Live News
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489973.htmlRF2RAYT45–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Sidewall (USA); Manufactured by Robert Graves Co. (United States); machine-printed paper, varnish; 50.5 x 43 cm (19 7/8 x 16 15/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sidewall-usa-manufactured-by-robert-graves-co-united-states-machine-printed-paper-varnish-505-x-43-cm-19-78-x-16-1516-in-image546083790.htmlRM2PMC7CE–Sidewall (USA); Manufactured by Robert Graves Co. (United States); machine-printed paper, varnish; 50.5 x 43 cm (19 7/8 x 16 15/16 in.)
The End of Rembrandt, 1909. Emile Antoine Bourdelle (French, 1861-1929). Bronze; overall: 50.8 x 48.3 x 38.2 cm (20 x 19 x 15 1/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-end-of-rembrandt-1909-emile-antoine-bourdelle-french-1861-1929-bronze-overall-508-x-483-x-382-cm-20-x-19-x-15-116-in-image448063827.htmlRM2H0Y1YF–The End of Rembrandt, 1909. Emile Antoine Bourdelle (French, 1861-1929). Bronze; overall: 50.8 x 48.3 x 38.2 cm (20 x 19 x 15 1/16 in.).
Grandfather Clock. Dated: c. 1939. Dimensions: overall: 50.7 x 40.7 cm (19 15/16 x 16 in.) Original IAD Object: 8'6'high; 21'wide; 10'deep. See data sheet for details.. Medium: watercolor, gouache, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Amos C. Brinton. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grandfather-clock-dated-c-1939-dimensions-overall-507-x-407-cm-19-1516-x-16-in-original-iad-object-86high-21wide-10deep-see-data-sheet-for-details-medium-watercolor-gouache-colored-pencil-and-graphite-on-paperboard-museum-national-gallery-of-art-washington-dc-author-amos-c-brinton-image225458634.htmlRMR2PEP2–Grandfather Clock. Dated: c. 1939. Dimensions: overall: 50.7 x 40.7 cm (19 15/16 x 16 in.) Original IAD Object: 8'6'high; 21'wide; 10'deep. See data sheet for details.. Medium: watercolor, gouache, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Amos C. Brinton.
Cruet Stand MET DP216649 Cruet Stand MET DP216649 /2747 Maker: Joseph Dubois, 1767?1798, Maker: Teunis Denise Dubois, 1773?1843, Cruet Stand, ca.1796, Silver, Overall: 9 13/16 x 8 1/16 x 6 in. (24.9 x 20.5 x 15.2 cm); 19 oz. 14 dwt. (612.4 g) Body: H. 4 in. (10.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Mr. and Mrs. Marshall P. Blankarn Gift, 1972 (1972.225.1) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cruet-stand-met-dp216649-cruet-stand-met-dp216649-2747-maker-joseph-168006284.htmlRMKN99MC–Cruet Stand MET DP216649 Cruet Stand MET DP216649 /2747 Maker: Joseph Dubois, 1767?1798, Maker: Teunis Denise Dubois, 1773?1843, Cruet Stand, ca.1796, Silver, Overall: 9 13/16 x 8 1/16 x 6 in. (24.9 x 20.5 x 15.2 cm); 19 oz. 14 dwt. (612.4 g) Body: H. 4 in. (10.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Mr. and Mrs. Marshall P. Blankarn Gift, 1972 (1972.225.1)
Good looking teenage boy holding a controller. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-good-looking-teenage-boy-holding-a-controller-38590891.htmlRMC6NY23–Good looking teenage boy holding a controller.
'Anthony Devis, Deer Resting in Albury Park, after 1780, watercolor over graphite on Whatman laid paper, overall: 38 x 49.7 cm (14 15/16 x 19 9/16 in.), Ailsa Mellon Bruce Fund, 1991.138.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anthony-devis-deer-resting-in-albury-park-after-1780-watercolor-over-graphite-on-whatman-laid-paper-overall-38-x-497-cm-14-1516-x-19-916-in-ailsa-mellon-bruce-fund-19911381-image559652670.htmlRM2REEAKA–'Anthony Devis, Deer Resting in Albury Park, after 1780, watercolor over graphite on Whatman laid paper, overall: 38 x 49.7 cm (14 15/16 x 19 9/16 in.), Ailsa Mellon Bruce Fund, 1991.138.1'
MOUNTAIN DOCTOR Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mountain-doctor-139736931.htmlRMJ39FTK–MOUNTAIN DOCTOR
Young woman and her teenage sisters sitting on wall laughing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-and-her-teenage-sisters-sitting-on-wall-laughing-image330489297.htmlRF2A5K2D5–Young woman and her teenage sisters sitting on wall laughing
Art inspired by Mendicant Pilgrim, 1870s, Albumen silver print from glass negative, 25.2 x 19.9 cm (9 15/16 x 7 13/16 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-mendicant-pilgrim-1870s-albumen-silver-print-from-glass-negative-252-x-199-cm-9-1516-x-7-1316-in-photographs-unknown-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462793619.htmlRF2HTX1YF–Art inspired by Mendicant Pilgrim, 1870s, Albumen silver print from glass negative, 25.2 x 19.9 cm (9 15/16 x 7 13/16 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Schloß Wittentz des Grafen Erdoedy, Xavier Laurent, drawing, pencil; Pencil binding line, 33.9 x 50.7 cm (13 3/8 x 19 15/16 in.), l.u. Duke Albert von Sachsen-Teschen, Passepartout: on Albertmontierung 'Xavier Laurent', 'La Vue du Château de Wittentz belonging to mème <, Erdoedy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/schlo-wittentz-des-grafen-erdoedy-xavier-laurent-drawing-pencil-pencil-binding-line-339-x-507-cm-13-38-x-19-1516-in-lu-duke-albert-von-sachsen-teschen-passepartout-on-albertmontierung-xavier-laurent-la-vue-du-chteau-de-wittentz-belonging-to-mme-erdoedy-image573316609.htmlRM2T8MR55–Schloß Wittentz des Grafen Erdoedy, Xavier Laurent, drawing, pencil; Pencil binding line, 33.9 x 50.7 cm (13 3/8 x 19 15/16 in.), l.u. Duke Albert von Sachsen-Teschen, Passepartout: on Albertmontierung 'Xavier Laurent', 'La Vue du Château de Wittentz belonging to mème <, Erdoedy
. Français : Église Saint-Aubin en Notre-Dame-de-Bonne-Nouvelle, Rennes . Français : Église Saint-Aubin en Notre-Dame-de-Bonne-Nouvelle : planche d'Emmanuel Le Ray, architecte municipal de Rennes, composée de photographies de l'état des travaux à la reprise du chantier en 1895. Une photographie noir et blanc (22.5 x 15.5 cm) de l'intérieur. Une photographie sépia (24 x 19 cm) de la voûte de l'abside. Quatre photographies noir et blanc (18,5 x 13,5 cm ; 22,5 x 16 cm) des façades. Archives municipales de Rennes, 10 Fi 77. . 1926. Emmanuel Le Ray (1859–1936) Description French architect Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-glise-saint-aubin-en-notre-dame-de-bonne-nouvelle-rennes-franais-glise-saint-aubin-en-notre-dame-de-bonne-nouvelle-planche-demmanuel-le-ray-architecte-municipal-de-rennes-compose-de-photographies-de-ltat-des-travaux-la-reprise-du-chantier-en-1895-une-photographie-noir-et-blanc-225-x-155-cm-de-lintrieur-une-photographie-spia-24-x-19-cm-de-la-vote-de-labside-quatre-photographies-noir-et-blanc-185-x-135-cm-225-x-16-cm-des-faades-archives-municipales-de-rennes-10-fi-77-1926-emmanuel-le-ray-18591936-description-french-architect-image188120026.htmlRMMX1H0A–. Français : Église Saint-Aubin en Notre-Dame-de-Bonne-Nouvelle, Rennes . Français : Église Saint-Aubin en Notre-Dame-de-Bonne-Nouvelle : planche d'Emmanuel Le Ray, architecte municipal de Rennes, composée de photographies de l'état des travaux à la reprise du chantier en 1895. Une photographie noir et blanc (22.5 x 15.5 cm) de l'intérieur. Une photographie sépia (24 x 19 cm) de la voûte de l'abside. Quatre photographies noir et blanc (18,5 x 13,5 cm ; 22,5 x 16 cm) des façades. Archives municipales de Rennes, 10 Fi 77. . 1926. Emmanuel Le Ray (1859–1936) Description French architect
MIAMI BEACH, FLORIDA - JULY 15: Models walk the runway for MISTER TRIPLE X At Miami Swim Week Powered By Art Hearts Fashion Swim/Resort 2019/20 at Faena Forum on July 15, 2019 in Miami Beach, Florida. People: Model Credit: Storms Media Group/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miami-beach-florida-july-15-models-walk-the-runway-for-mister-triple-x-at-miami-swim-week-powered-by-art-hearts-fashion-swimresort-201920-at-faena-forum-on-july-15-2019-in-miami-beach-florida-people-model-credit-storms-media-groupalamy-live-news-image260427780.htmlRMW3KE84–MIAMI BEACH, FLORIDA - JULY 15: Models walk the runway for MISTER TRIPLE X At Miami Swim Week Powered By Art Hearts Fashion Swim/Resort 2019/20 at Faena Forum on July 15, 2019 in Miami Beach, Florida. People: Model Credit: Storms Media Group/Alamy Live News
Bandbox (USA); block-printed paper on pasteboard support; 49 x 39 x 29 cm (19 5/16 x 15 3/8 x 11 7/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bandbox-usa-block-printed-paper-on-pasteboard-support-49-x-39-x-29-cm-19-516-x-15-38-x-11-716-in-image546234170.htmlRM2PMK376–Bandbox (USA); block-printed paper on pasteboard support; 49 x 39 x 29 cm (19 5/16 x 15 3/8 x 11 7/16 in.)
Bobbin Lace (Punto di Milano) Edging, 17th-18th century. Italy, Milan, 17th-18th century. Lace, bobbin; average: 12.5 x 48.3 cm (4 15/16 x 19 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bobbin-lace-punto-di-milano-edging-17th-18th-century-italy-milan-17th-18th-century-lace-bobbin-average-125-x-483-cm-4-1516-x-19-in-image448089233.htmlRM2H106AW–Bobbin Lace (Punto di Milano) Edging, 17th-18th century. Italy, Milan, 17th-18th century. Lace, bobbin; average: 12.5 x 48.3 cm (4 15/16 x 19 in.).
The Punta di San Giobbe, with the Island of San Secondo in the Distance. Artist: Giacomo Guardi (Italian, Venice (?) 1764-1835 Venice (?)). Dimensions: 4 15/16 x 7 13/16in. (12.6 x 19.9cm). Date: 1764-1835. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-punta-di-san-giobbe-with-the-island-of-san-secondo-in-the-distance-artist-giacomo-guardi-italian-venice-1764-1835-venice-dimensions-4-1516-x-7-1316in-126-x-199cm-date-1764-1835-museum-metropolitan-museum-of-art-new-york-usa-image213329154.htmlRMPB1YEA–The Punta di San Giobbe, with the Island of San Secondo in the Distance. Artist: Giacomo Guardi (Italian, Venice (?) 1764-1835 Venice (?)). Dimensions: 4 15/16 x 7 13/16in. (12.6 x 19.9cm). Date: 1764-1835. Museum: Metropolitan Museum of Art, New York, USA.
Cruet Stand MET DP216645 Cruet Stand MET DP216645 /2747 Maker: Joseph Dubois, 1767?1798, Maker: Teunis Denise Dubois, 1773?1843, Cruet Stand, ca.1796, Silver, Overall: 9 13/16 x 8 1/16 x 6 in. (24.9 x 20.5 x 15.2 cm); 19 oz. 14 dwt. (612.4 g) Body: H. 4 in. (10.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Mr. and Mrs. Marshall P. Blankarn Gift, 1972 (1972.225.1) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cruet-stand-met-dp216645-cruet-stand-met-dp216645-2747-maker-joseph-168006289.htmlRMKN99MH–Cruet Stand MET DP216645 Cruet Stand MET DP216645 /2747 Maker: Joseph Dubois, 1767?1798, Maker: Teunis Denise Dubois, 1773?1843, Cruet Stand, ca.1796, Silver, Overall: 9 13/16 x 8 1/16 x 6 in. (24.9 x 20.5 x 15.2 cm); 19 oz. 14 dwt. (612.4 g) Body: H. 4 in. (10.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Mr. and Mrs. Marshall P. Blankarn Gift, 1972 (1972.225.1)
Teenage girl holding a controller smiling. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-teenage-girl-holding-a-controller-smiling-38588674.htmlRMC6NT6X–Teenage girl holding a controller smiling.
'Hubert François Gravelot, Quoi donc, les vrais Chrétiens auraient tant de vertu, 0, red chalk and graphite on laid paper, overall: 27.8 x 19.2 cm (10 15/16 x 7 9/16 in.), Rosenwald Collection, 1980.45.628' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hubert-franois-gravelot-quoi-donc-les-vrais-chrtiens-auraient-tant-de-vertu-0-red-chalk-and-graphite-on-laid-paper-overall-278-x-192-cm-10-1516-x-7-916-in-rosenwald-collection-198045628-image559640692.htmlRM2REDRBG–'Hubert François Gravelot, Quoi donc, les vrais Chrétiens auraient tant de vertu, 0, red chalk and graphite on laid paper, overall: 27.8 x 19.2 cm (10 15/16 x 7 9/16 in.), Rosenwald Collection, 1980.45.628'
MOUNTAIN DOCTOR Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mountain-doctor-139736930.htmlRMJ39FTJ–MOUNTAIN DOCTOR
Young woman and her teenage sisters sitting on wall talking Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-and-her-teenage-sisters-sitting-on-wall-talking-image330489361.htmlRF2A5K2FD–Young woman and her teenage sisters sitting on wall talking
Art inspired by Speculum Romanae Magnificentiae: Farnese Palace Interior, 1585, Engraving and etching, sheet: 15 3/8 x 19 1/16 in. (39 x 48.4 cm), Prints, Anonymous, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-speculum-romanae-magnificentiae-farnese-palace-interior-1585-engraving-and-etching-sheet-15-38-x-19-116-in-39-x-484-cm-prints-anonymous-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463004761.htmlRF2HW7K89–Art inspired by Speculum Romanae Magnificentiae: Farnese Palace Interior, 1585, Engraving and etching, sheet: 15 3/8 x 19 1/16 in. (39 x 48.4 cm), Prints, Anonymous, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Powder Flask, ca. 1570, French, Antler, iron, 17 9/16 x 5 11/16 x 1 3/4 (19.2 x 14.5 x 4.5 cm); Wt. 8.15 oz. (231 g), Firearms Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-powder-flask-ca-1570-french-antler-iron-17-916-x-5-1116-x-1-34-192-162446388.htmlRMKC820M–Powder Flask, ca. 1570, French, Antler, iron, 17 9/16 x 5 11/16 x 1 3/4 (19.2 x 14.5 x 4.5 cm); Wt. 8.15 oz. (231 g), Firearms
. Français : Église Saint-Aubin en Notre-Dame-de-Bonne-Nouvelle : planche d'Emmanuel Le Ray, architecte municipal de Rennes, composée de photographies de l'état des travaux à la reprise du chantier en 1895. Une photographie noir et blanc (22.5 x 15.5 cm) de l'intérieur. Une photographie sépia (24 x 19 cm) de la voûte de l'abside. Quatre photographies noir et blanc (18,5 x 13,5 cm ; 22,5 x 16 cm) des façades. Archives municipales de Rennes, 10 Fi 77. Français : Église Saint-Aubin en Notre-Dame-de-Bonne-Nouvelle, Rennes . 1926. Emmanuel Le Ray (1859–1936) Description French architect D Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-glise-saint-aubin-en-notre-dame-de-bonne-nouvelle-planche-demmanuel-le-ray-architecte-municipal-de-rennes-compose-de-photographies-de-ltat-des-travaux-la-reprise-du-chantier-en-1895-une-photographie-noir-et-blanc-225-x-155-cm-de-lintrieur-une-photographie-spia-24-x-19-cm-de-la-vote-de-labside-quatre-photographies-noir-et-blanc-185-x-135-cm-225-x-16-cm-des-faades-archives-municipales-de-rennes-10-fi-77-franais-glise-saint-aubin-en-notre-dame-de-bonne-nouvelle-rennes-1926-emmanuel-le-ray-18591936-description-french-architect-d-image184796655.htmlRMMMJ60F–. Français : Église Saint-Aubin en Notre-Dame-de-Bonne-Nouvelle : planche d'Emmanuel Le Ray, architecte municipal de Rennes, composée de photographies de l'état des travaux à la reprise du chantier en 1895. Une photographie noir et blanc (22.5 x 15.5 cm) de l'intérieur. Une photographie sépia (24 x 19 cm) de la voûte de l'abside. Quatre photographies noir et blanc (18,5 x 13,5 cm ; 22,5 x 16 cm) des façades. Archives municipales de Rennes, 10 Fi 77. Français : Église Saint-Aubin en Notre-Dame-de-Bonne-Nouvelle, Rennes . 1926. Emmanuel Le Ray (1859–1936) Description French architect D
MIAMI BEACH, FLORIDA - JULY 15: Models walk the runway for MISTER TRIPLE X At Miami Swim Week Powered By Art Hearts Fashion Swim/Resort 2019/20 at Faena Forum on July 15, 2019 in Miami Beach, Florida. People: Model Credit: Storms Media Group/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miami-beach-florida-july-15-models-walk-the-runway-for-mister-triple-x-at-miami-swim-week-powered-by-art-hearts-fashion-swimresort-201920-at-faena-forum-on-july-15-2019-in-miami-beach-florida-people-model-credit-storms-media-groupalamy-live-news-image260446920.htmlRMW3MAKM–MIAMI BEACH, FLORIDA - JULY 15: Models walk the runway for MISTER TRIPLE X At Miami Swim Week Powered By Art Hearts Fashion Swim/Resort 2019/20 at Faena Forum on July 15, 2019 in Miami Beach, Florida. People: Model Credit: Storms Media Group/Alamy Live News
Bandbox (USA); block-printed on paper, pasteboard support; 49 x 39 x 32 cm (19 5/16 x 15 3/8 x 12 5/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bandbox-usa-block-printed-on-paper-pasteboard-support-49-x-39-x-32-cm-19-516-x-15-38-x-12-58-in-image546162631.htmlRM2PMFT07–Bandbox (USA); block-printed on paper, pasteboard support; 49 x 39 x 32 cm (19 5/16 x 15 3/8 x 12 5/8 in.)
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