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1906 prints Stock Photos and Images
Felsschlucht, annual folder of the Society for Reproducing Art 1906, Rudolf Jettmar, Zawodzie near Tarnow, Galicia, 1869 - 1939 Vienna, 1902, edition 1906, prints, etching; drypoint; Japanese paper, plate: 40.4 x 26.8 cm, Austria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/felsschlucht-annual-folder-of-the-society-for-reproducing-art-1906-rudolf-jettmar-zawodzie-near-tarnow-galicia-1869-1939-vienna-1902-edition-1906-prints-etching-drypoint-japanese-paper-plate-404-x-268-cm-austria-image573275689.htmlRM2T8JXYN–Felsschlucht, annual folder of the Society for Reproducing Art 1906, Rudolf Jettmar, Zawodzie near Tarnow, Galicia, 1869 - 1939 Vienna, 1902, edition 1906, prints, etching; drypoint; Japanese paper, plate: 40.4 x 26.8 cm, Austria
Inspired by Moonlight, Edvard Munch, Norwegian, 1863–1944, 1896; printed c. 1906, Color woodcut on Japan paper, Prints, image: 15 13/16 x 18 9/16 in. (40.2 x 47.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-moonlight-edvard-munch-norwegian-18631944-1896-printed-c-1906-color-woodcut-on-japan-paper-prints-image-15-1316-x-18-916-in-402-x-471-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459281271.htmlRF2HK61XF–Inspired by Moonlight, Edvard Munch, Norwegian, 1863–1944, 1896; printed c. 1906, Color woodcut on Japan paper, Prints, image: 15 13/16 x 18 9/16 in. (40.2 x 47.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Thos. Willing., still image, Prints, 1886, Sartain, Samuel (1830-1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thos-willing-still-image-prints-1886-sartain-samuel-1830-1906-image376466737.htmlRM2CTDF4H–Thos. Willing., still image, Prints, 1886, Sartain, Samuel (1830-1906
Art inspired by Andreas Schwartz, 1906, Drypoint, plate: 9 7/16 x 12 5/8 inches (24 x 32.1 cm), Prints, Edvard Munch (Norwegian, Løten 1863–1944 Ekely, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-andreas-schwartz-1906-drypoint-plate-9-716-x-12-58-inches-24-x-321-cm-prints-edvard-munch-norwegian-lten-18631944-ekely-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805326.htmlRF2HTXGWJ–Art inspired by Andreas Schwartz, 1906, Drypoint, plate: 9 7/16 x 12 5/8 inches (24 x 32.1 cm), Prints, Edvard Munch (Norwegian, Løten 1863–1944 Ekely, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Rondout., still image, Prints, 1777 - 1890, Hunt, Samuel Valentine (1803-1893), Huntington, Daniel (1816-1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-rondout-still-image-prints-1777-1890-hunt-samuel-valentine-1803-1893-huntington-daniel-1816-1906-image376466994.htmlRM2CTDFDP–The Rondout., still image, Prints, 1777 - 1890, Hunt, Samuel Valentine (1803-1893), Huntington, Daniel (1816-1906
Art inspired by Moonlight, Edvard Munch, Norwegian, 1863-1944, 1896; printed c. 1906, Color woodcut on Japan paper, Prints, image: 15 13/16 x 18 9/16 in. (40.2 x 47.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-moonlight-edvard-munch-norwegian-1863-1944-1896-printed-c-1906-color-woodcut-on-japan-paper-prints-image-15-1316-x-18-916-in-402-x-471-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459593510.htmlRF2HKM85X–Art inspired by Moonlight, Edvard Munch, Norwegian, 1863-1944, 1896; printed c. 1906, Color woodcut on Japan paper, Prints, image: 15 13/16 x 18 9/16 in. (40.2 x 47.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
La récolte des pommes de terre d'après Breton., still image, Prints, 1868, Breton, Jules (1827-1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-rcolte-des-pommes-de-terre-daprs-breton-still-image-prints-1868-breton-jules-1827-1906-image376423865.htmlRM2CTBGDD–La récolte des pommes de terre d'après Breton., still image, Prints, 1868, Breton, Jules (1827-1906
Art inspired by Aubrey Beardsley's Illustrations to Salome by Oscar Wilde, 1906–7, Process prints from line blocks, 13 7/8 x 11 in. (35.2 x 27.9 cm), Portfolios, Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-aubrey-beardsleys-illustrations-to-salome-by-oscar-wilde-19067-process-prints-from-line-blocks-13-78-x-11-in-352-x-279-cm-portfolios-aubrey-vincent-beardsley-british-brighton-sussex-18721898-menton-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957951.htmlRF2HW5FGF–Art inspired by Aubrey Beardsley's Illustrations to Salome by Oscar Wilde, 1906–7, Process prints from line blocks, 13 7/8 x 11 in. (35.2 x 27.9 cm), Portfolios, Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Vintage 1950s Fashion Photography shows a female model being photographed on a New York street corner in winter. Two men, one holding an umbrella stand behind the 5x4 sheet film camera which is on a tripod. A third man is in the foreground. Contributor Names Rizzuto, Angelo, 1906-1967, photographer 01/1954 [January 1954] - Women--New York (State)--New York--1950-1960 - Photography--New York (State)--New York--1950-1960 - United States--New York (State)--New York Gelatin silver prints--1950-1960. Stock Photo](https://c8.alamy.com/comp/2HAJWBG/vintage-1950s-fashion-photography-shows-a-female-model-being-photographed-on-a-new-york-street-corner-in-winter-two-men-one-holding-an-umbrella-stand-behind-the-5x4-sheet-film-camera-which-is-on-a-tripod-a-third-man-is-in-the-foreground-contributor-names-rizzuto-angelo-1906-1967-photographer-011954-january-1954-women-new-york-state-new-york-1950-1960-photography-new-york-state-new-york-1950-1960-united-states-new-york-state-new-york-gelatin-silver-prints-1950-1960-2HAJWBG.jpg "Vintage 1950s Fashion Photography shows a female model being photographed on a New York street corner in winter. Two men, one holding an umbrella stand behind the 5x4 sheet film camera which is on a tripod. A third man is in the foreground. Contributor Names Rizzuto, Angelo, 1906-1967, photographer 01/1954 [January 1954] - Women--New York (State)--New York--1950-1960 - Photography--New York (State)--New York--1950-1960 - United States--New York (State)--New York Gelatin silver prints--1950-1960. Stock Photo")
Vintage 1950s Fashion Photography shows a female model being photographed on a New York street corner in winter. Two men, one holding an umbrella stand behind the 5x4 sheet film camera which is on a tripod. A third man is in the foreground. Contributor Names Rizzuto, Angelo, 1906-1967, photographer 01/1954 [January 1954] - Women--New York (State)--New York--1950-1960 - Photography--New York (State)--New York--1950-1960 - United States--New York (State)--New York Gelatin silver prints--1950-1960. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-1950s-fashion-photography-shows-a-female-model-being-photographed-on-a-new-york-street-corner-in-winter-two-men-one-holding-an-umbrella-stand-behind-the-5x4-sheet-film-camera-which-is-on-a-tripod-a-third-man-is-in-the-foreground-contributor-names-rizzuto-angelo-1906-1967-photographer-011954-january-1954-women-new-york-state-new-york-1950-1960-photography-new-york-state-new-york-1950-1960-united-states-new-york-state-new-york-gelatin-silver-prints-1950-1960-image454031188.htmlRM2HAJWBG–Vintage 1950s Fashion Photography shows a female model being photographed on a New York street corner in winter. Two men, one holding an umbrella stand behind the 5x4 sheet film camera which is on a tripod. A third man is in the foreground. Contributor Names Rizzuto, Angelo, 1906-1967, photographer 01/1954 [January 1954] - Women--New York (State)--New York--1950-1960 - Photography--New York (State)--New York--1950-1960 - United States--New York (State)--New York Gelatin silver prints--1950-1960.
Satan semant l'ivraie (Satan Sowing the Tare). Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1906. Prints; etchings. Soft ground etching Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/satan-semant-livraie-satan-sowing-the-tare-flicien-victor-joseph-rops-belgium-namur-1833-1898-belgium-1906-prints-etchings-soft-ground-etching-image464725834.htmlRM2J022F6–Satan semant l'ivraie (Satan Sowing the Tare). Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1906. Prints; etchings. Soft ground etching
. English: Image Details Image Title The torments of hell. Published Date 1906-1907 Specific Material Type Prints Item Physical Description 1 print : b&w ; 7 x 12 cm. (2 3/4 x 4 1/2 in.) Notes Printed on border: 'From an Indian edition of the Mahabharata.' Original Source From History of India. Grolier Society, 1906-1907) Jackson, A. V. Williams (Abraham Valentine Williams) (1862-1937), Editor. Source Mid-Manhattan Picture Collection / Heaven and hell Source Description 2 folders (65 pictures) Location Mid-Manhattan Library / Picture Collection Catalog Call Number PC HEAV Digital ID 833588 Rec Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-image-details-image-title-the-torments-of-hell-published-date-1906-1907-specific-material-type-prints-item-physical-description-1-print-bw-7-x-12-cm-2-34-x-4-12-in-notes-printed-on-border-from-an-indian-edition-of-the-mahabharata-original-source-from-history-of-india-grolier-society-1906-1907-jackson-a-v-williams-abraham-valentine-williams-1862-1937-editor-source-mid-manhattan-picture-collection-heaven-and-hell-source-description-2-folders-65-pictures-location-mid-manhattan-library-picture-collection-catalog-call-number-pc-heav-digital-id-833588-rec-image188029935.htmlRMMWWE2R–. English: Image Details Image Title The torments of hell. Published Date 1906-1907 Specific Material Type Prints Item Physical Description 1 print : b&w ; 7 x 12 cm. (2 3/4 x 4 1/2 in.) Notes Printed on border: 'From an Indian edition of the Mahabharata.' Original Source From History of India. Grolier Society, 1906-1907) Jackson, A. V. Williams (Abraham Valentine Williams) (1862-1937), Editor. Source Mid-Manhattan Picture Collection / Heaven and hell Source Description 2 folders (65 pictures) Location Mid-Manhattan Library / Picture Collection Catalog Call Number PC HEAV Digital ID 833588 Rec
Portrait of Jules Claretie 1878 Marcellin-Gilbert Desboutin. Portrait of Jules Claretie. Marcellin-Gilbert Desboutin (French, Cérilly 1823–1902 Nice). 1878. Drypoint. Jules Claretie (French, 1838–1906). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-jules-claretie-1878-marcellin-gilbert-desboutin-portrait-of-jules-claretie-marcellin-gilbert-desboutin-french-crilly-18231902-nice-1878-drypoint-jules-claretie-french-18381906-prints-image457917231.htmlRM2HGYX2R–Portrait of Jules Claretie 1878 Marcellin-Gilbert Desboutin. Portrait of Jules Claretie. Marcellin-Gilbert Desboutin (French, Cérilly 1823–1902 Nice). 1878. Drypoint. Jules Claretie (French, 1838–1906). Prints
Les Chats. Original prints by Édouard Manet (French, 1832-1883), Marie Champfleury (French, 19th century) after Burbanck (British, 19th century), Louis Eugène Lambert (French, 1825-1900), Armand Désiré Gautier (French, 1825-1894), and Victor Eugène Géruzez (Crafty) (French, 1840-1906); illustrations by Charles Kreutzberger (French, 1829-1909), M. Mérimée (French, 19th century), Lorédan Larchey (French, 1831-1902), Prisse d'Avennes (French, 1807-1879), and Edmond Morin (French, 1824-1882); some works etched by M. Comte (French, 19th century) and Firmin Gillot (French, 1820-1872) after works by Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-chats-original-prints-by-douard-manet-french-1832-1883-marie-champfleury-french-19th-century-after-burbanck-british-19th-century-louis-eugne-lambert-french-1825-1900-armand-dsir-gautier-french-1825-1894-and-victor-eugne-gruzez-crafty-french-1840-1906-illustrations-by-charles-kreutzberger-french-1829-1909-m-mrime-french-19th-century-lordan-larchey-french-1831-1902-prisse-davennes-french-1807-1879-and-edmond-morin-french-1824-1882-some-works-etched-by-m-comte-french-19th-century-and-firmin-gillot-french-1820-1872-after-works-by-image239890140.htmlRMRX7X90–Les Chats. Original prints by Édouard Manet (French, 1832-1883), Marie Champfleury (French, 19th century) after Burbanck (British, 19th century), Louis Eugène Lambert (French, 1825-1900), Armand Désiré Gautier (French, 1825-1894), and Victor Eugène Géruzez (Crafty) (French, 1840-1906); illustrations by Charles Kreutzberger (French, 1829-1909), M. Mérimée (French, 19th century), Lorédan Larchey (French, 1831-1902), Prisse d'Avennes (French, 1807-1879), and Edmond Morin (French, 1824-1882); some works etched by M. Comte (French, 19th century) and Firmin Gillot (French, 1820-1872) after works by
A Toast II 1893 Anders Zorn Swedish Harold Wieselgren giving a toast. Behind him are from right to left are A. E. Nordenskiöld, C. F. Wæern, Axel Key and Hans Hildebrand. The etching is based on an oil painting in the National Museum, Stockholm.. A Toast II. Anders Zorn (Swedish, Mora 1860–1920 Mora). 1893. Etching; fifth state of five (Asplund). Harald Ossian Wieselgren (Swedish, 1835–1906). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-toast-ii-1893-anders-zorn-swedish-harold-wieselgren-giving-a-toast-behind-him-are-from-right-to-left-are-a-e-nordenskild-c-f-wern-axel-key-and-hans-hildebrand-the-etching-is-based-on-an-oil-painting-in-the-national-museum-stockholm-a-toast-ii-anders-zorn-swedish-mora-18601920-mora-1893-etching-fifth-state-of-five-asplund-harald-ossian-wieselgren-swedish-18351906-prints-image458405432.htmlRM2HHP4PG–A Toast II 1893 Anders Zorn Swedish Harold Wieselgren giving a toast. Behind him are from right to left are A. E. Nordenskiöld, C. F. Wæern, Axel Key and Hans Hildebrand. The etching is based on an oil painting in the National Museum, Stockholm.. A Toast II. Anders Zorn (Swedish, Mora 1860–1920 Mora). 1893. Etching; fifth state of five (Asplund). Harald Ossian Wieselgren (Swedish, 1835–1906). Prints
![German and Viennese photography, March, 1906 [and] Detail: Picasso--Braque exhibition, January, 1915 Abstract/medium: 2 photomechanical prints : halftone. Stock Photo](https://c8.alamy.com/comp/WDHT0J/german-and-viennese-photography-march-1906-and-detail-picasso-braque-exhibition-january-1915-abstractmedium-2-photomechanical-prints-halftone-WDHT0J.jpg "German and Viennese photography, March, 1906 [and] Detail: Picasso--Braque exhibition, January, 1915 Abstract/medium: 2 photomechanical prints : halftone. Stock Photo")
German and Viennese photography, March, 1906 [and] Detail: Picasso--Braque exhibition, January, 1915 Abstract/medium: 2 photomechanical prints : halftone. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/german-and-viennese-photography-march-1906-and-detail-picasso-braque-exhibition-january-1915-abstractmedium-2-photomechanical-prints-halftone-image266538066.htmlRMWDHT0J–German and Viennese photography, March, 1906 [and] Detail: Picasso--Braque exhibition, January, 1915 Abstract/medium: 2 photomechanical prints : halftone.
The 1906 caption reads: 'Albrecht Durer - a self portrait - in the Old Pinakothek in Munich.' Albrecht Durer (1471-1528) was a German artist well known for his prints and drawings of keen observation and rich detail. He was born in Nuremberg and had a studio there. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-1906-caption-reads-albrecht-durer-a-self-portrait-in-the-old-pinakothek-in-munich-albrecht-durer-1471-1528-was-a-german-artist-well-known-for-his-prints-and-drawings-of-keen-observation-and-rich-detail-he-was-born-in-nuremberg-and-had-a-studio-there-image549248025.htmlRF2PWGBCW–The 1906 caption reads: 'Albrecht Durer - a self portrait - in the Old Pinakothek in Munich.' Albrecht Durer (1471-1528) was a German artist well known for his prints and drawings of keen observation and rich detail. He was born in Nuremberg and had a studio there.
(160518) -- NEW YORK, May 18, 2016 (Xinhua) -- Photo taken on May 17, 2016 shows the Original Library of the Morgan Library and Museum in New York, the United States. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was designed b Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-160518-new-york-may-18-2016-xinhua-photo-taken-on-may-17-2016-shows-104361083.htmlRMG1P1HF–(160518) -- NEW YORK, May 18, 2016 (Xinhua) -- Photo taken on May 17, 2016 shows the Original Library of the Morgan Library and Museum in New York, the United States. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was designed b
160518 -- NEW YORK, May 17, 2016 -- Photo taken on May 17, 2016 shows the Gutenberg Bible inside the Morgan Library and Museum in New York, the United States. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was designed by Charle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/160518-new-york-may-17-2016-photo-taken-on-may-17-2016-shows-the-gutenberg-bible-inside-the-morgan-library-and-museum-in-new-york-the-united-states-the-morgan-library-museum-formerly-the-pierpont-morgan-library-is-a-museum-and-research-library-located-on-225-madison-avenue-east-36th-street-in-the-murray-hill-neighbourhood-of-manhattan-new-york-city-it-was-founded-to-house-the-private-library-of-j-p-morgan-in-1906-which-included-manuscripts-and-printed-books-some-of-them-in-rare-bindings-as-well-as-his-collection-of-prints-and-drawings-the-library-was-designed-by-charle-image563936486.htmlRM2RNDEMP–160518 -- NEW YORK, May 17, 2016 -- Photo taken on May 17, 2016 shows the Gutenberg Bible inside the Morgan Library and Museum in New York, the United States. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was designed by Charle
Original Edwardian era Christmas postcard of Santa with sack of toys, loading presents from his store shelves, circa 1907, U.K. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-edwardian-era-christmas-postcard-of-santa-with-sack-of-toys-loading-presents-from-his-store-shelves-circa-1907-uk-image475641188.htmlRM2JHR958–Original Edwardian era Christmas postcard of Santa with sack of toys, loading presents from his store shelves, circa 1907, U.K.
Käthe Kollwitz, etching, Die Pflüger (The Ploughmen), 1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kthe-kollwitz-etching-die-pflger-the-ploughmen-1906-image443238795.htmlRM2GN37GY–Käthe Kollwitz, etching, Die Pflüger (The Ploughmen), 1906
Mociaka; Nich, Edward (1851-1916), Podkowa, W Adys Aw (1866-1895); around 1886 (1881-00-00-1891-00-00);Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Wanderer (Warsaw-magazine-1863-1906)-illustrations, trial prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mociaka-nich-edward-1851-1916-podkowa-w-adys-aw-1866-1895-around-1886-1881-00-00-1891-00-00witke-jeewski-dominik-1862-1944-witke-jeewski-dominik-1862-1944-collection-wanderer-warsaw-magazine-1863-1906-illustrations-trial-prints-image598945498.htmlRM2WPC92J–Mociaka; Nich, Edward (1851-1916), Podkowa, W Adys Aw (1866-1895); around 1886 (1881-00-00-1891-00-00);Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Wanderer (Warsaw-magazine-1863-1906)-illustrations, trial prints
La Mode du Petit Journal 1906 French Paris fashion couture designer clothes art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-la-mode-du-petit-journal-1906-french-paris-fashion-couture-designer-87874821.htmlRMF2Y16D–La Mode du Petit Journal 1906 French Paris fashion couture designer clothes art
Bram Stoker. Portrait of the creator of Dracula, Abraham 'Bram' Stoker (1847-1912), c.1906. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bram-stoker-portrait-of-the-creator-of-dracula-abraham-bram-stoker-176940695.htmlRMM7T9JF–Bram Stoker. Portrait of the creator of Dracula, Abraham 'Bram' Stoker (1847-1912), c.1906.
Rotherhithe Tunnel, Shadwell, London. A view of the bulkhead from inside during construction. One of a series of prints documenting work on the road tunnel beneath the Thames (1904-08), this one taken in 1906. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rotherhithe-tunnel-shadwell-london-a-view-of-the-bulkhead-from-inside-image154469015.htmlRMJY8JPF–Rotherhithe Tunnel, Shadwell, London. A view of the bulkhead from inside during construction. One of a series of prints documenting work on the road tunnel beneath the Thames (1904-08), this one taken in 1906.
George Washington Carver (1860s-1943). Portrait of the American botanist and inventor by Francis Benjamin Johnston, 1906. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-george-washington-carver-1860s-1943-portrait-of-the-american-botanist-172521009.htmlRMM0K08H–George Washington Carver (1860s-1943). Portrait of the American botanist and inventor by Francis Benjamin Johnston, 1906.
The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-madame-b-album-1870s-marie-blanche-hennelle-fournier-french-18311906-france-albumen-prints-with-watercolor-in-album-292-419-cm-image328660698.htmlRM2A2KP22–The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm
Art inspired by Animas Canyon, Colorado, 1906, Chromolithograph, Image: 8.1 x 12.3 cm (3 3/16 x 4 13/16 in.), Prints, William Henry Jackson (American, 1843–1942), Around the turn of the twentieth century, printers developed sophisticated color processes that could transform black-and-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-animas-canyon-colorado-1906-chromolithograph-image-81-x-123-cm-3-316-x-4-1316-in-prints-william-henry-jackson-american-18431942-around-the-turn-of-the-twentieth-century-printers-developed-sophisticated-color-processes-that-could-transform-black-and-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462942260.htmlRF2HW4RG4–Art inspired by Animas Canyon, Colorado, 1906, Chromolithograph, Image: 8.1 x 12.3 cm (3 3/16 x 4 13/16 in.), Prints, William Henry Jackson (American, 1843–1942), Around the turn of the twentieth century, printers developed sophisticated color processes that could transform black-and-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Josephine Butler. Portrait of the English social reformer and feminist, Josephine Elizabeth Butler (née Grey, 1828-1906), by George Richmond, pastels, 1851 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/josephine-butler-portrait-of-the-english-social-reformer-and-feminist-josephine-elizabeth-butler-ne-grey-1828-1906-by-george-richmond-pastels-1851-image424924469.htmlRM2FK8YDW–Josephine Butler. Portrait of the English social reformer and feminist, Josephine Elizabeth Butler (née Grey, 1828-1906), by George Richmond, pastels, 1851
Art inspired by Den 1' Flyvning i Europa Sen 12 September 1906., 1905–19, Gelatin silver prints from glass negatives, Image: 4 9/16 × 3 1/16 in. (11.6 × 7.7 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the Wright, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-den-1-flyvning-i-europa-sen-12-september-1906-190519-gelatin-silver-prints-from-glass-negatives-image-4-916-3-116-in-116-77-cm-photographs-jacob-christian-hansen-ellehammer-danish-18711946-vilhelm-ellehammer-danish-unaware-of-the-wright-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463042700.htmlRF2HW9BK8–Art inspired by Den 1' Flyvning i Europa Sen 12 September 1906., 1905–19, Gelatin silver prints from glass negatives, Image: 4 9/16 × 3 1/16 in. (11.6 × 7.7 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the Wright, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Image Details Image Title The torments of hell. Published Date 1906-1907 Specific Material Type Prints Item Physical Description 1 print : b&w ; 7 x 12 cm. (2 3/4 x 4 1/2 in.) Notes Printed on border: 'From an Indian edition of the Mahabharata.' Original Source From History of India. Grolier Society, 1906-1907) Jackson, A. V. Williams (Abraham Valentine Williams) (1862-1937), Editor. Source Mid-Manhattan Picture Collection / Heaven and hell Source Description 2 folders (65 pictures) Location Mid-Manhattan Library / Picture Collection Catalog Call Number PC HEAV Digital ID 833588 Rec Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-image-details-image-title-the-torments-of-hell-published-date-1906-1907-specific-material-type-prints-item-physical-description-1-print-bw-7-x-12-cm-2-34-x-4-12-in-notes-printed-on-border-from-an-indian-edition-of-the-mahabharata-original-source-from-history-of-india-grolier-society-1906-1907-jackson-a-v-williams-abraham-valentine-williams-1862-1937-editor-source-mid-manhattan-picture-collection-heaven-and-hell-source-description-2-folders-65-pictures-location-mid-manhattan-library-picture-collection-catalog-call-number-pc-heav-digital-id-833588-rec-image187505474.htmlRMMW1H42–. English: Image Details Image Title The torments of hell. Published Date 1906-1907 Specific Material Type Prints Item Physical Description 1 print : b&w ; 7 x 12 cm. (2 3/4 x 4 1/2 in.) Notes Printed on border: 'From an Indian edition of the Mahabharata.' Original Source From History of India. Grolier Society, 1906-1907) Jackson, A. V. Williams (Abraham Valentine Williams) (1862-1937), Editor. Source Mid-Manhattan Picture Collection / Heaven and hell Source Description 2 folders (65 pictures) Location Mid-Manhattan Library / Picture Collection Catalog Call Number PC HEAV Digital ID 833588 Rec
Art inspired by The Large Bathers (Les Baigneurs), 1898, Lithograph, sheet: 19 1/16 x 24 13/16 in. (48.4 x 63.1 cm), Prints, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-large-bathers-les-baigneurs-1898-lithograph-sheet-19-116-x-24-1316-in-484-x-631-cm-prints-paul-czanne-french-aix-en-provence-18391906-aix-en-provence-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462962643.htmlRF2HW5NG3–Art inspired by The Large Bathers (Les Baigneurs), 1898, Lithograph, sheet: 19 1/16 x 24 13/16 in. (48.4 x 63.1 cm), Prints, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[The Corpse of Emperor Maximilian I of Mexico]. Artist: François Aubert (French, 1829-1906). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PA92XD/the-corpse-of-emperor-maximilian-i-of-mexico-artist-franois-aubert-french-1829-1906-date-1867-museum-metropolitan-museum-of-art-new-york-usa-PA92XD.jpg "[The Corpse of Emperor Maximilian I of Mexico]. Artist: François Aubert (French, 1829-1906). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
[The Corpse of Emperor Maximilian I of Mexico]. Artist: François Aubert (French, 1829-1906). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-corpse-of-emperor-maximilian-i-of-mexico-artist-franois-aubert-french-1829-1906-date-1867-museum-metropolitan-museum-of-art-new-york-usa-image212870853.htmlRMPA92XD–[The Corpse of Emperor Maximilian I of Mexico]. Artist: François Aubert (French, 1829-1906). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Print, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 8 7/8 in. (31.8 x 22.5 cm), Prints, Munakata, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-print-meiji-period-18681912-ca-1906-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-12-x-8-78-in-318-x-225-cm-prints-munakata-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462769235.htmlRF2HTTXTK–Art inspired by Print, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 8 7/8 in. (31.8 x 22.5 cm), Prints, Munakata, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Clarence H. White. The Fountain. 1905–1906. United States. Platinum print Clarence White began taking photographs in 1893, while working as a bookkeeper in Newark, Ohio. He quickly rose to prominence in photographic circles, garnering praise for his atmospheric, softly focused images of domestic life, rendered in lush yet detailed platinum prints. Despite the apparently spontaneous quality of his images, White often staged friends and family members in his photographs; this print depicts his wife, Jane, at center, with his sister-in-law and mother in the background. White made The Fountain at Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clarence-h-white-the-fountain-19051906-united-states-platinum-print-clarence-white-began-taking-photographs-in-1893-while-working-as-a-bookkeeper-in-newark-ohio-he-quickly-rose-to-prominence-in-photographic-circles-garnering-praise-for-his-atmospheric-softly-focused-images-of-domestic-life-rendered-in-lush-yet-detailed-platinum-prints-despite-the-apparently-spontaneous-quality-of-his-images-white-often-staged-friends-and-family-members-in-his-photographs-this-print-depicts-his-wife-jane-at-center-with-his-sister-in-law-and-mother-in-the-background-white-made-the-fountain-at-image337984284.htmlRM2AHTEB8–Clarence H. White. The Fountain. 1905–1906. United States. Platinum print Clarence White began taking photographs in 1893, while working as a bookkeeper in Newark, Ohio. He quickly rose to prominence in photographic circles, garnering praise for his atmospheric, softly focused images of domestic life, rendered in lush yet detailed platinum prints. Despite the apparently spontaneous quality of his images, White often staged friends and family members in his photographs; this print depicts his wife, Jane, at center, with his sister-in-law and mother in the background. White made The Fountain at
Art inspired by Mr. and Mrs. Atherton Curtis, 1906, Etching; second state of three, plate: 9 7/16 x 7 1/4 in. (24 x 18.4 cm), Prints, Anders Zorn (Swedish, Mora 1860–1920 Mora, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-mr-and-mrs-atherton-curtis-1906-etching-second-state-of-three-plate-9-716-x-7-14-in-24-x-184-cm-prints-anders-zorn-swedish-mora-18601920-mora-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462807021.htmlRF2HTXK25–Art inspired by Mr. and Mrs. Atherton Curtis, 1906, Etching; second state of three, plate: 9 7/16 x 7 1/4 in. (24 x 18.4 cm), Prints, Anders Zorn (Swedish, Mora 1860–1920 Mora, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
(160518) -- NEW YORK, May 18, 2016 (Xinhua) -- Photo taken on May 17, 2016 shows the Original Library of the Morgan Library and Museum in New York, the United States. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was designed b Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-160518-new-york-may-18-2016-xinhua-photo-taken-on-may-17-2016-shows-104361080.htmlRMG1P1HC–(160518) -- NEW YORK, May 18, 2016 (Xinhua) -- Photo taken on May 17, 2016 shows the Original Library of the Morgan Library and Museum in New York, the United States. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was designed b
Inspired by Fall of the Artillery Position at Isuzan, Kubota Beisen, Japanese, 1852–1906, Negishi Chokuzan, Japanese, active late 19th century, Meiji period, 1868–1912, 1894 or 1895, Color woodblock print, Made in Japan, Asia, Prints, sheet: 13 15/16 x 19 3/16 in. (35.4 x 48.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-fall-of-the-artillery-position-at-isuzan-kubota-beisen-japanese-18521906-negishi-chokuzan-japanese-active-late-19th-century-meiji-period-18681912-1894-or-1895-color-woodblock-print-made-in-japan-asia-prints-sheet-13-1516-x-19-316-in-354-x-487-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459279304.htmlRF2HK5YC8–Inspired by Fall of the Artillery Position at Isuzan, Kubota Beisen, Japanese, 1852–1906, Negishi Chokuzan, Japanese, active late 19th century, Meiji period, 1868–1912, 1894 or 1895, Color woodblock print, Made in Japan, Asia, Prints, sheet: 13 15/16 x 19 3/16 in. (35.4 x 48.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Original charming and very classic Victorian Christmas card or Edwardian period Christmas card of a traditional Victorian Father Christmas, Victorian Santa Claus, carrying a Christmas tree and old fashioned children's toys, with the message 'A Merry Christmas' U.K. Victorian Christmas card. Circa 1907 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-charming-and-very-classic-victorian-christmas-card-or-edwardian-period-christmas-card-of-a-traditional-victorian-father-christmas-victorian-santa-claus-carrying-a-christmas-tree-and-old-fashioned-childrens-toys-with-the-message-a-merry-christmas-uk-victorian-christmas-card-circa-1907-image499276307.htmlRM2M0800K–Original charming and very classic Victorian Christmas card or Edwardian period Christmas card of a traditional Victorian Father Christmas, Victorian Santa Claus, carrying a Christmas tree and old fashioned children's toys, with the message 'A Merry Christmas' U.K. Victorian Christmas card. Circa 1907
Käthe Kollwitz, Peasants' War: Arming in a Vault, etching, 1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kthe-kollwitz-peasants-war-arming-in-a-vault-etching-1906-image443239009.htmlRM2GN37TH–Käthe Kollwitz, Peasants' War: Arming in a Vault, etching, 1906
Original early 1900's era American traditional Christmas postcard of typical Santa delivering a sack of toys for children. He is a patriotic Santa as there is US flag in his sack. Victorian Chrismas card. He is holding an Xmas tree, posted / dated December 1907 - sent from the U.S. to an address in the U.K. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-early-1900s-era-american-traditional-christmas-postcard-of-typical-santa-delivering-a-sack-of-toys-for-children-he-is-a-patriotic-santa-as-there-is-us-flag-in-his-sack-victorian-chrismas-card-he-is-holding-an-xmas-tree-posted-dated-december-1907-sent-from-the-us-to-an-address-in-the-uk-image475641355.htmlRM2JHR9B7–Original early 1900's era American traditional Christmas postcard of typical Santa delivering a sack of toys for children. He is a patriotic Santa as there is US flag in his sack. Victorian Chrismas card. He is holding an Xmas tree, posted / dated December 1907 - sent from the U.S. to an address in the U.K.
Edvard Munch, Self-Portrait in Moonlight, woodcut print, 1904-1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edvard-munch-self-portrait-in-moonlight-woodcut-print-1904-1906-image334981407.htmlRM2ACYM5K–Edvard Munch, Self-Portrait in Moonlight, woodcut print, 1904-1906
Susan B Anthony. Portrait of Susan Brownell Anthony (1820-1906), American suffragists and social reformer, c.1900. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-susan-b-anthony-portrait-of-susan-brownell-anthony-1820-1906-american-176851551.htmlRMM7M7XR–Susan B Anthony. Portrait of Susan Brownell Anthony (1820-1906), American suffragists and social reformer, c.1900.
14 March 2019, Saxony, Leipzig: Thomas Kurz, typesetter and employee of the Museum für Druckkunst Leipzig, prints on a letterpress from 1906. The rooms of the historic printing workshop breathe 500 years of printing history with about 100 functioning machines and presses for historical casting, typesetting and printing techniques. On Friday (15.03.2019), the museum will participate in the first nationwide Print Art Day and offer a colourful programme. On 15 March last year, the artistic printing techniques were included in the German Unesco Commission's nationwide list of Intangible Cultural H Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/14-march-2019-saxony-leipzig-thomas-kurz-typesetter-and-employee-of-the-museum-fr-druckkunst-leipzig-prints-on-a-letterpress-from-1906-the-rooms-of-the-historic-printing-workshop-breathe-500-years-of-printing-history-with-about-100-functioning-machines-and-presses-for-historical-casting-typesetting-and-printing-techniques-on-friday-15032019-the-museum-will-participate-in-the-first-nationwide-print-art-day-and-offer-a-colourful-programme-on-15-march-last-year-the-artistic-printing-techniques-were-included-in-the-german-unesco-commissions-nationwide-list-of-intangible-cultural-h-image240830119.htmlRMRYPN7K–14 March 2019, Saxony, Leipzig: Thomas Kurz, typesetter and employee of the Museum für Druckkunst Leipzig, prints on a letterpress from 1906. The rooms of the historic printing workshop breathe 500 years of printing history with about 100 functioning machines and presses for historical casting, typesetting and printing techniques. On Friday (15.03.2019), the museum will participate in the first nationwide Print Art Day and offer a colourful programme. On 15 March last year, the artistic printing techniques were included in the German Unesco Commission's nationwide list of Intangible Cultural H
THE INFANT HERCULES AND THE STANDARD OIL SERPENTS, May 23, 1906. Puck Magazine political cartoon shows Theodore Roosevelt fighting snakes with the heads of Nelson W. Aldrich and John D. Rockefeller (BSLOC 2017 2 177) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-infant-hercules-and-the-standard-oil-serpents-may-23-1906-puck-170543666.htmlRMKWCX56–THE INFANT HERCULES AND THE STANDARD OIL SERPENTS, May 23, 1906. Puck Magazine political cartoon shows Theodore Roosevelt fighting snakes with the heads of Nelson W. Aldrich and John D. Rockefeller (BSLOC 2017 2 177)
The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-madame-b-album-1870s-marie-blanche-hennelle-fournier-french-18311906-france-albumen-prints-with-watercolor-in-album-292-419-cm-image328660722.htmlRM2A2KP2X–The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm
Liverpool Central Library - plaque commemorating gift of books, prints, autographs,from Hugh Frederick Hornby, a merchant of the city 1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-liverpool-central-library-plaque-commemorating-gift-of-books-prints-58541466.htmlRMDB6P6J–Liverpool Central Library - plaque commemorating gift of books, prints, autographs,from Hugh Frederick Hornby, a merchant of the city 1906
Study, 1906. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-1906-image462415373.htmlRM2HT8REN–Study, 1906.
C. Smith's employees picnic, 1906 photographic prints, gelatin silver prints, group portraits Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/c-smiths-employees-picnic-1906-photographic-prints-gelatin-silver-prints-group-portraits-image600325090.htmlRM2WTK4NP–C. Smith's employees picnic, 1906 photographic prints, gelatin silver prints, group portraits
. English: Image Details Image Title The torments of hell. Published Date 1906-1907 Specific Material Type Prints Item Physical Description 1 print : b&w ; 7 x 12 cm. (2 3/4 x 4 1/2 in.) Notes Printed on border: 'From an Indian edition of the Mahabharata.' Original Source From History of India. Grolier Society, 1906-1907) Jackson, A. V. Williams (Abraham Valentine Williams) (1862-1937), Editor. Source Mid-Manhattan Picture Collection / Heaven and hell Source Description 2 folders (65 pictures) Location Mid-Manhattan Library / Picture Collection Catalog Call Number PC HEAV Digital ID 833588 Rec Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-image-details-image-title-the-torments-of-hell-published-date-1906-1907-specific-material-type-prints-item-physical-description-1-print-bw-7-x-12-cm-2-34-x-4-12-in-notes-printed-on-border-from-an-indian-edition-of-the-mahabharata-original-source-from-history-of-india-grolier-society-1906-1907-jackson-a-v-williams-abraham-valentine-williams-1862-1937-editor-source-mid-manhattan-picture-collection-heaven-and-hell-source-description-2-folders-65-pictures-location-mid-manhattan-library-picture-collection-catalog-call-number-pc-heav-digital-id-833588-rec-image188769613.htmlRMMY35FW–. English: Image Details Image Title The torments of hell. Published Date 1906-1907 Specific Material Type Prints Item Physical Description 1 print : b&w ; 7 x 12 cm. (2 3/4 x 4 1/2 in.) Notes Printed on border: 'From an Indian edition of the Mahabharata.' Original Source From History of India. Grolier Society, 1906-1907) Jackson, A. V. Williams (Abraham Valentine Williams) (1862-1937), Editor. Source Mid-Manhattan Picture Collection / Heaven and hell Source Description 2 folders (65 pictures) Location Mid-Manhattan Library / Picture Collection Catalog Call Number PC HEAV Digital ID 833588 Rec
Rodin Sculptant. Eugène Carrière (France, 1849-1906). France, 1900. Prints; lithographs. Lithograph Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rodin-sculptant-eugne-carrire-france-1849-1906-france-1900-prints-lithographs-lithograph-image464665885.htmlRM2HYYA25–Rodin Sculptant. Eugène Carrière (France, 1849-1906). France, 1900. Prints; lithographs. Lithograph
1500 block of Locust Street, Northeast from Sixteenth Street. Photograph by unknown, 1906. Missouri History Museum Photographs and Prints collections. St. Louis Streets. n38985. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1500-block-of-locust-street-northeast-from-sixteenth-street-photograph-by-unknown-1906-missouri-history-museum-photographs-and-prints-collections-st-louis-streets-n38985-image178667589.htmlRMMAK099–1500 block of Locust Street, Northeast from Sixteenth Street. Photograph by unknown, 1906. Missouri History Museum Photographs and Prints collections. St. Louis Streets. n38985.
Etienne Carjat. Artist: Étienne Carjat (French, Fareins 1828-1906 Paris). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etienne-carjat-artist-tienne-carjat-french-fareins-1828-1906-paris-date-1870s-museum-metropolitan-museum-of-art-new-york-usa-image233331471.htmlRMRFH4JR–Etienne Carjat. Artist: Étienne Carjat (French, Fareins 1828-1906 Paris). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA.
File name: 07 11 001459 Title: The Boyhood of Lincoln Creator/Contributor: Johnson, Eastman, 1824-1906 (artist); L. Prang & Co. (publisher) Date issued: 1861-1897 (approximate) Physical description note: Genre: Chromolithographs; Portrait prints Location: Boston Public Library, on 2011-08-03: Camera: Sinar AG Sinarback 54 FW, Sinar m Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/file-name-07-11-001459-title-the-boyhood-of-lincoln-creatorcontributor-johnson-eastman-1824-1906-artist-l-prang-co-publisher-date-issued-1861-1897-approximate-physical-description-note-genre-chromolithographs-portrait-prints-location-boston-public-library-on-2011-08-03-camera-sinar-ag-sinarback-54-fw-sinar-m-image178645815.htmlRMMAJ0FK–File name: 07 11 001459 Title: The Boyhood of Lincoln Creator/Contributor: Johnson, Eastman, 1824-1906 (artist); L. Prang & Co. (publisher) Date issued: 1861-1897 (approximate) Physical description note: Genre: Chromolithographs; Portrait prints Location: Boston Public Library, on 2011-08-03: Camera: Sinar AG Sinarback 54 FW, Sinar m
Fotoalbum van Suriname 1906 - 1913 'Souvenir de Voyage', deel 4 Photo album hardback covered with red cloth with the front printed in ornate letters signage silver Souvenir de Voyage. On the faded back to the part number 4. Part of a group of five same albums numbered 1-5. The album contains 24 sheets of cardboard stuck with 126 pictures on both pages and on the endpapers of the album. Some pictures are numbered and have a handwritten caption. Many recordings are pasted prints two copies present in black and blue (cyanotype) on the opposite page. Some of the photos is marked with the initials Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fotoalbum-van-suriname-1906-1913-souvenir-de-voyage-deel-4-photo-album-hardback-covered-with-red-cloth-with-the-front-printed-in-ornate-letters-signage-silver-souvenir-de-voyage-on-the-faded-back-to-the-part-number-4-part-of-a-group-of-five-same-albums-numbered-1-5-the-album-contains-24-sheets-of-cardboard-stuck-with-126-pictures-on-both-pages-and-on-the-endpapers-of-the-album-some-pictures-are-numbered-and-have-a-handwritten-caption-many-recordings-are-pasted-prints-two-copies-present-in-black-and-blue-cyanotype-on-the-opposite-page-some-of-the-photos-is-marked-with-the-initials-image348351405.htmlRM2B6MNNH–Fotoalbum van Suriname 1906 - 1913 'Souvenir de Voyage', deel 4 Photo album hardback covered with red cloth with the front printed in ornate letters signage silver Souvenir de Voyage. On the faded back to the part number 4. Part of a group of five same albums numbered 1-5. The album contains 24 sheets of cardboard stuck with 126 pictures on both pages and on the endpapers of the album. Some pictures are numbered and have a handwritten caption. Many recordings are pasted prints two copies present in black and blue (cyanotype) on the opposite page. Some of the photos is marked with the initials
![. Sailing ship R.C. Rickmers, broadside Medium: 1 negative : glass ; 8 x 10 in. Reproduction Number: LC-D4-22246 (b&w glass neg.) Call Number: LC-D4-22246 <P&P> [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Notes: Detroit Publishing Co. no. 022246. Gift; State Historical Society of Colorado; 1949.. circa 1906 387 Detroit Publishing - Sailing ship R.C. Rickmers, broadside Stock Photo](https://c8.alamy.com/comp/P9W685/sailing-ship-rc-rickmers-broadside-medium-1-negative-glass-8-x-10-in-reproduction-number-lc-d4-22246-bw-glass-neg-call-number-lc-d4-22246-pp-pp-repository-library-of-congress-prints-and-photographs-division-washington-dc-20540-usa-notes-detroit-publishing-co-no-022246-gift-state-historical-society-of-colorado-1949-circa-1906-387-detroit-publishing-sailing-ship-rc-rickmers-broadside-P9W685.jpg ". Sailing ship R.C. Rickmers, broadside Medium: 1 negative : glass ; 8 x 10 in. Reproduction Number: LC-D4-22246 (b&w glass neg.) Call Number: LC-D4-22246 <P&P> [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Notes: Detroit Publishing Co. no. 022246. Gift; State Historical Society of Colorado; 1949.. circa 1906 387 Detroit Publishing - Sailing ship R.C. Rickmers, broadside Stock Photo")
. Sailing ship R.C. Rickmers, broadside Medium: 1 negative : glass ; 8 x 10 in. Reproduction Number: LC-D4-22246 (b&w glass neg.) Call Number: LC-D4-22246 <P&P> [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Notes: Detroit Publishing Co. no. 022246. Gift; State Historical Society of Colorado; 1949.. circa 1906 387 Detroit Publishing - Sailing ship R.C. Rickmers, broadside Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sailing-ship-rc-rickmers-broadside-medium-1-negative-glass-8-x-10-in-reproduction-number-lc-d4-22246-bw-glass-neg-call-number-lc-d4-22246-pp-pp-repository-library-of-congress-prints-and-photographs-division-washington-dc-20540-usa-notes-detroit-publishing-co-no-022246-gift-state-historical-society-of-colorado-1949-circa-1906-387-detroit-publishing-sailing-ship-rc-rickmers-broadside-image212610053.htmlRMP9W685–. Sailing ship R.C. Rickmers, broadside Medium: 1 negative : glass ; 8 x 10 in. Reproduction Number: LC-D4-22246 (b&w glass neg.) Call Number: LC-D4-22246 <P&P> [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Notes: Detroit Publishing Co. no. 022246. Gift; State Historical Society of Colorado; 1949.. circa 1906 387 Detroit Publishing - Sailing ship R.C. Rickmers, broadside
Inspired by W. Jones, Limeburner, Thames Street, James A. McNeill Whistler, American, 1834–1903, 1859, printed before 1906, Etching and drypoint, Made in London, Greater London, England, Europe, London, Greater London, England, Europe, Prints, image: 9 13/16 x 6 7/8 in. (25 x 17.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-w-jones-limeburner-thames-street-james-a-mcneill-whistler-american-18341903-1859-printed-before-1906-etching-and-drypoint-made-in-london-greater-london-england-europe-london-greater-london-england-europe-prints-image-9-1316-x-6-78-in-25-x-175-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459278506.htmlRF2HK5XBP–Inspired by W. Jones, Limeburner, Thames Street, James A. McNeill Whistler, American, 1834–1903, 1859, printed before 1906, Etching and drypoint, Made in London, Greater London, England, Europe, London, Greater London, England, Europe, Prints, image: 9 13/16 x 6 7/8 in. (25 x 17.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: Smith Poster Archive - Damayanti and the Swan Damayanti and the Swan Artist: Ravi Varma Publisher: Ravi-Vijaya Press, Ghatkopar 19' X 13 1/16' H. Daniel Smith Poster Archive, Department of Special Collections, Syracuse University Library, no 0061 This print is the work of the Kerala artist Ravi Varma (d. 1906), a founding figure in the tradition of prints and colored lithographs. This poster portrays an episode from the epic, Mahabharata, in which a swan tells Damayanti about the excellent qualities of Nala, King of Nishadha. The poster is reminiscent of Western representations of t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-smith-poster-archive-damayanti-and-the-swan-damayanti-and-the-swan-artist-ravi-varma-publisher-ravi-vijaya-press-ghatkopar-19-x-13-116-h-daniel-smith-poster-archive-department-of-special-collections-syracuse-university-library-no-0061-this-print-is-the-work-of-the-kerala-artist-ravi-varma-d-1906-a-founding-figure-in-the-tradition-of-prints-and-colored-lithographs-this-poster-portrays-an-episode-from-the-epic-mahabharata-in-which-a-swan-tells-damayanti-about-the-excellent-qualities-of-nala-king-of-nishadha-the-poster-is-reminiscent-of-western-representations-of-t-image184836031.htmlRMMMM06R–. English: Smith Poster Archive - Damayanti and the Swan Damayanti and the Swan Artist: Ravi Varma Publisher: Ravi-Vijaya Press, Ghatkopar 19' X 13 1/16' H. Daniel Smith Poster Archive, Department of Special Collections, Syracuse University Library, no 0061 This print is the work of the Kerala artist Ravi Varma (d. 1906), a founding figure in the tradition of prints and colored lithographs. This poster portrays an episode from the epic, Mahabharata, in which a swan tells Damayanti about the excellent qualities of Nala, King of Nishadha. The poster is reminiscent of Western representations of t
Art inspired by Woman After a Bath, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 3/8 x 10 3/8 in. (21.3 x 26.4 cm), Prints, Unidentified Artist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-woman-after-a-bath-meiji-period-18681912-ca-1906-japan-polychrome-woodblock-print-ink-and-color-on-paper-8-38-x-10-38-in-213-x-264-cm-prints-unidentified-artist-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462769340.htmlRF2HTTY0C–Art inspired by Woman After a Bath, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 3/8 x 10 3/8 in. (21.3 x 26.4 cm), Prints, Unidentified Artist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![. English: 1875-built Union Station in Worcester, Massachusetts, photographed in 1906. The station was torn down and replaced with the modern station 40 years later. Medium: 1 negative : glass ; 8 x 10 in. Reproduction Number: LC-D4-18898 (b&w glass neg.) Call Number: LC-D4-18898 <P&P> [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Notes: Corresponding glass transparency (with same series code) available on videodisc frame 1A-30436. '3118' on negative. Detroit Publishing Co. no. 018898. Gift; State Historical Society of Colorado; 1949. circa Stock Photo](https://c8.alamy.com/comp/P9W67W/english-1875-built-union-station-in-worcester-massachusetts-photographed-in-1906-the-station-was-torn-down-and-replaced-with-the-modern-station-40-years-later-medium-1-negative-glass-8-x-10-in-reproduction-number-lc-d4-18898-bw-glass-neg-call-number-lc-d4-18898-pp-pp-repository-library-of-congress-prints-and-photographs-division-washington-dc-20540-usa-notes-corresponding-glass-transparency-with-same-series-code-available-on-videodisc-frame-1a-30436-3118-on-negative-detroit-publishing-co-no-018898-gift-state-historical-society-of-colorado-1949-circa-P9W67W.jpg ". English: 1875-built Union Station in Worcester, Massachusetts, photographed in 1906. The station was torn down and replaced with the modern station 40 years later. Medium: 1 negative : glass ; 8 x 10 in. Reproduction Number: LC-D4-18898 (b&w glass neg.) Call Number: LC-D4-18898 <P&P> [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Notes: Corresponding glass transparency (with same series code) available on videodisc frame 1A-30436. '3118' on negative. Detroit Publishing Co. no. 018898. Gift; State Historical Society of Colorado; 1949. circa Stock Photo")
. English: 1875-built Union Station in Worcester, Massachusetts, photographed in 1906. The station was torn down and replaced with the modern station 40 years later. Medium: 1 negative : glass ; 8 x 10 in. Reproduction Number: LC-D4-18898 (b&w glass neg.) Call Number: LC-D4-18898 <P&P> [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Notes: Corresponding glass transparency (with same series code) available on videodisc frame 1A-30436. '3118' on negative. Detroit Publishing Co. no. 018898. Gift; State Historical Society of Colorado; 1949. circa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-1875-built-union-station-in-worcester-massachusetts-photographed-in-1906-the-station-was-torn-down-and-replaced-with-the-modern-station-40-years-later-medium-1-negative-glass-8-x-10-in-reproduction-number-lc-d4-18898-bw-glass-neg-call-number-lc-d4-18898-pp-pp-repository-library-of-congress-prints-and-photographs-division-washington-dc-20540-usa-notes-corresponding-glass-transparency-with-same-series-code-available-on-videodisc-frame-1a-30436-3118-on-negative-detroit-publishing-co-no-018898-gift-state-historical-society-of-colorado-1949-circa-image212610045.htmlRMP9W67W–. English: 1875-built Union Station in Worcester, Massachusetts, photographed in 1906. The station was torn down and replaced with the modern station 40 years later. Medium: 1 negative : glass ; 8 x 10 in. Reproduction Number: LC-D4-18898 (b&w glass neg.) Call Number: LC-D4-18898 <P&P> [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Notes: Corresponding glass transparency (with same series code) available on videodisc frame 1A-30436. '3118' on negative. Detroit Publishing Co. no. 018898. Gift; State Historical Society of Colorado; 1949. circa
Art inspired by Print, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 5/8 x 12 3/8 in. (21.9 x 31.4 cm), Prints, Tomioka Eisen (Japanese, 1864–1905, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-print-meiji-period-18681912-ca-1906-japan-polychrome-woodblock-print-ink-and-color-on-paper-8-58-x-12-38-in-219-x-314-cm-prints-tomioka-eisen-japanese-18641905-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462769231.htmlRF2HTTXTF–Art inspired by Print, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 5/8 x 12 3/8 in. (21.9 x 31.4 cm), Prints, Tomioka Eisen (Japanese, 1864–1905, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: File name: 07 11 000208 Title: Harvest (Near North Conway) Creator/Contributor: Stone, Benjamin Bellows Grant, 1829-1906 (artist); L. Prang & Co. (publisher) Date issued: 1861-1897 (approximate) Physical description note: Genre: Chromolithographs; Landscape prints Location: Boston Public Library, Print Department Rights: No known restrictions Flickr data on 2011-08-07: Camera: Sinar AG Sinarback 54 FW, Sinar m License: CC BY 2.0 User: Boston Public Library BPL . 1861-1897 (approximate) Flickr upload date: 2008-07-23 13:43:45 . Stone, Benjamin Bellows Grant, 1829-1906 (artist); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-file-name-07-11-000208-title-harvest-near-north-conway-creatorcontributor-stone-benjamin-bellows-grant-1829-1906-artist-l-prang-co-publisher-date-issued-1861-1897-approximate-physical-description-note-genre-chromolithographs-landscape-prints-location-boston-public-library-print-department-rights-no-known-restrictions-flickr-data-on-2011-08-07-camera-sinar-ag-sinarback-54-fw-sinar-m-license-cc-by-20-user-boston-public-library-bpl-1861-1897-approximate-flickr-upload-date-2008-07-23-134345-stone-benjamin-bellows-grant-1829-1906-artist-image207876192.htmlRMP25G5M–. English: File name: 07 11 000208 Title: Harvest (Near North Conway) Creator/Contributor: Stone, Benjamin Bellows Grant, 1829-1906 (artist); L. Prang & Co. (publisher) Date issued: 1861-1897 (approximate) Physical description note: Genre: Chromolithographs; Landscape prints Location: Boston Public Library, Print Department Rights: No known restrictions Flickr data on 2011-08-07: Camera: Sinar AG Sinarback 54 FW, Sinar m License: CC BY 2.0 User: Boston Public Library BPL . 1861-1897 (approximate) Flickr upload date: 2008-07-23 13:43:45 . Stone, Benjamin Bellows Grant, 1829-1906 (artist);
(160518) -- NEW YORK, May 18, 2016 (Xinhua) -- Photo taken on May 17, 2016 shows the Librarian's Office of the Morgan Library and Museum in New York, the United States. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was designed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-160518-new-york-may-18-2016-xinhua-photo-taken-on-may-17-2016-shows-104361082.htmlRMG1P1HE–(160518) -- NEW YORK, May 18, 2016 (Xinhua) -- Photo taken on May 17, 2016 shows the Librarian's Office of the Morgan Library and Museum in New York, the United States. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was designed
Susan B Anthony. Portrait of Susan Brownell Anthony (1820-1906), American suffragists and social reformer, by Frances Benjamin Johnston. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-susan-b-anthony-portrait-of-susan-brownell-anthony-1820-1906-american-176851553.htmlRMM7M7XW–Susan B Anthony. Portrait of Susan Brownell Anthony (1820-1906), American suffragists and social reformer, by Frances Benjamin Johnston.
The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-madame-b-album-1870s-marie-blanche-hennelle-fournier-french-18311906-france-albumen-prints-with-watercolor-in-album-292-419-cm-image328660617.htmlRM2A2KNY5–The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm
14 March 2019, Saxony, Leipzig: Thomas Kurz, typesetter and employee of the Museum für Druckkunst Leipzig, prints on a letterpress from 1906. The rooms of the historic printing workshop breathe 500 years of printing history with about 100 functioning machines and presses for historical casting, typesetting and printing techniques. On Friday (15.03.2019), the museum will participate in the first nationwide Print Art Day and offer a colourful programme. On 15 March last year, the artistic printing techniques were included in the German Unesco Commission's nationwide list of Intangible Cultural H Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/14-march-2019-saxony-leipzig-thomas-kurz-typesetter-and-employee-of-the-museum-fr-druckkunst-leipzig-prints-on-a-letterpress-from-1906-the-rooms-of-the-historic-printing-workshop-breathe-500-years-of-printing-history-with-about-100-functioning-machines-and-presses-for-historical-casting-typesetting-and-printing-techniques-on-friday-15032019-the-museum-will-participate-in-the-first-nationwide-print-art-day-and-offer-a-colourful-programme-on-15-march-last-year-the-artistic-printing-techniques-were-included-in-the-german-unesco-commissions-nationwide-list-of-intangible-cultural-h-image240830089.htmlRMRYPN6H–14 March 2019, Saxony, Leipzig: Thomas Kurz, typesetter and employee of the Museum für Druckkunst Leipzig, prints on a letterpress from 1906. The rooms of the historic printing workshop breathe 500 years of printing history with about 100 functioning machines and presses for historical casting, typesetting and printing techniques. On Friday (15.03.2019), the museum will participate in the first nationwide Print Art Day and offer a colourful programme. On 15 March last year, the artistic printing techniques were included in the German Unesco Commission's nationwide list of Intangible Cultural H
John D. Rockefeller, Sr. & Jr., Henry Huttleston Rogers, and Jonathan Ogden Armour at the theater. 1906 Puck Magazine political cartoon in which they enjoy the performance of Law, Justice, and the Courts. At the time, the businessmen were under pressure from reformers and progressives (BSLOC 2017 2 176) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-d-rockefeller-sr-jr-henry-huttleston-rogers-and-jonathan-ogden-170543665.htmlRMKWCX55–John D. Rockefeller, Sr. & Jr., Henry Huttleston Rogers, and Jonathan Ogden Armour at the theater. 1906 Puck Magazine political cartoon in which they enjoy the performance of Law, Justice, and the Courts. At the time, the businessmen were under pressure from reformers and progressives (BSLOC 2017 2 176)
Two Horses, 1906. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-horses-1906-image457046610.htmlRM2HFG7H6–Two Horses, 1906.
(160518) -- NEW YORK, May 17, 2016 -- Photo taken on May 17, 2016 shows the ceiling of rotunda of the Morgan Library and Museum in New York, the United States. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was designed by Charl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/160518-new-york-may-17-2016-photo-taken-on-may-17-2016-shows-the-ceiling-of-rotunda-of-the-morgan-library-and-museum-in-new-york-the-united-states-the-morgan-library-museum-formerly-the-pierpont-morgan-library-is-a-museum-and-research-library-located-on-225-madison-avenue-east-36th-street-in-the-murray-hill-neighbourhood-of-manhattan-new-york-city-it-was-founded-to-house-the-private-library-of-j-p-morgan-in-1906-which-included-manuscripts-and-printed-books-some-of-them-in-rare-bindings-as-well-as-his-collection-of-prints-and-drawings-the-library-was-designed-by-charl-image563936488.htmlRM2RNDEMT–(160518) -- NEW YORK, May 17, 2016 -- Photo taken on May 17, 2016 shows the ceiling of rotunda of the Morgan Library and Museum in New York, the United States. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was designed by Charl
The Bathers. Paul Cézanne (France, Aix, 1839-1906). France, circa 1898. Prints; lithographs. Lithograph Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bathers-paul-czanne-france-aix-1839-1906-france-circa-1898-prints-lithographs-lithograph-image464665865.htmlRM2HYYA1D–The Bathers. Paul Cézanne (France, Aix, 1839-1906). France, circa 1898. Prints; lithographs. Lithograph
Paulus the Apostle defending himself at the Trial in Caesarea Knüpfer, Nikolaus 1607 - 1655 Painting Über Nikolaus Knüpfer, Friedrich Schlie, p. 16, 1321, 1896. Niederländisches Künstler-Lexikon: Auf Grund archivalischer Forschungen bearbeitet. I-III, Alfred von Wurzbach, vol. I, p. 300, 1832, 1906-1911. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Olaf Koester, Christian IV og billedkunstens Europa, p. 325, kat.nr. 1052, 88-222, 1988. Abraham Bloemaert and his sons: paintings and prints, Marcel Georges Roethlisberger, p. 469, 93-675, 1993. Nikolaus Knup Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paulus-the-apostle-defending-himself-at-the-trial-in-caesarea-knpfer-nikolaus-1607-1655-painting-ber-nikolaus-knpfer-friedrich-schlie-p-16-1321-1896-niederlndisches-knstler-lexikon-auf-grund-archivalischer-forschungen-bearbeitet-i-iii-alfred-von-wurzbach-vol-i-p-300-1832-1906-1911-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-olaf-koester-christian-iv-og-billedkunstens-europa-p-325-katnr-1052-88-222-1988-abraham-bloemaert-and-his-sons-paintings-and-prints-marcel-georges-roethlisberger-p-469-93-675-1993-nikolaus-knup-image613508060.htmlRM2XJ3KP4–Paulus the Apostle defending himself at the Trial in Caesarea Knüpfer, Nikolaus 1607 - 1655 Painting Über Nikolaus Knüpfer, Friedrich Schlie, p. 16, 1321, 1896. Niederländisches Künstler-Lexikon: Auf Grund archivalischer Forschungen bearbeitet. I-III, Alfred von Wurzbach, vol. I, p. 300, 1832, 1906-1911. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Olaf Koester, Christian IV og billedkunstens Europa, p. 325, kat.nr. 1052, 88-222, 1988. Abraham Bloemaert and his sons: paintings and prints, Marcel Georges Roethlisberger, p. 469, 93-675, 1993. Nikolaus Knup
Jean Baptiste Camille Corot. Artist: Étienne Carjat (French, Fareins 1828-1906 Paris). Date: 1870. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-camille-corot-artist-tienne-carjat-french-fareins-1828-1906-paris-date-1870-museum-metropolitan-museum-of-art-new-york-usa-image233331491.htmlRMRFH4KF–Jean Baptiste Camille Corot. Artist: Étienne Carjat (French, Fareins 1828-1906 Paris). Date: 1870. Museum: Metropolitan Museum of Art, New York, USA.
Moonlight I, woodcut print by Edvard Munch, 1896-1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moonlight-i-woodcut-print-by-edvard-munch-1896-1906-image436142840.htmlRM2G9G0J0–Moonlight I, woodcut print by Edvard Munch, 1896-1906
Fotoalbum van Suriname 1906 - 1913 'Souvenir de Voyage', deel 5 Photo album hardback covered with red cloth with the front printed in ornate letters signage silver Souvenir de Voyage. On the faded back to the part number 5. Part of a group of five same albums numbered 1-5. The album contains 24 sheets of cardboard with 208 photos pasted on both pages and on the endpapers of the album. Some pictures are numbered and have a handwritten caption. Many recordings are pasted prints two copies present in black and blue (cyanotype) on the opposite page. Life Doijer family (Hendrik Doijer and Henriette Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fotoalbum-van-suriname-1906-1913-souvenir-de-voyage-deel-5-photo-album-hardback-covered-with-red-cloth-with-the-front-printed-in-ornate-letters-signage-silver-souvenir-de-voyage-on-the-faded-back-to-the-part-number-5-part-of-a-group-of-five-same-albums-numbered-1-5-the-album-contains-24-sheets-of-cardboard-with-208-photos-pasted-on-both-pages-and-on-the-endpapers-of-the-album-some-pictures-are-numbered-and-have-a-handwritten-caption-many-recordings-are-pasted-prints-two-copies-present-in-black-and-blue-cyanotype-on-the-opposite-page-life-doijer-family-hendrik-doijer-and-henriette-image348351404.htmlRM2B6MNNG–Fotoalbum van Suriname 1906 - 1913 'Souvenir de Voyage', deel 5 Photo album hardback covered with red cloth with the front printed in ornate letters signage silver Souvenir de Voyage. On the faded back to the part number 5. Part of a group of five same albums numbered 1-5. The album contains 24 sheets of cardboard with 208 photos pasted on both pages and on the endpapers of the album. Some pictures are numbered and have a handwritten caption. Many recordings are pasted prints two copies present in black and blue (cyanotype) on the opposite page. Life Doijer family (Hendrik Doijer and Henriette
Edinburgh Castle and Esplanade, hand coloured vintage photograph, c. 1890-1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edinburgh-castle-and-esplanade-hand-coloured-vintage-photograph-c-1890-1906-image243662088.htmlRMT4BNDC–Edinburgh Castle and Esplanade, hand coloured vintage photograph, c. 1890-1906
Hikifuda are advertising handbills that became popular in late 19th to early 20th century Japan. Showing the increasing sophistication of Japanese commerce, the handbills were produced to advertise a company or promote a product, and sometimes they were even used as wrapping paper. While hikifuda began to be produced as woodblock prints in the late 17th century, they witnessed a boom in the later 19th century when they were cheaply printed using colour lithography. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hikifuda-are-advertising-handbills-that-became-popular-in-late-19th-to-early-20th-century-japan-showing-the-increasing-sophistication-of-japanese-commerce-the-handbills-were-produced-to-advertise-a-company-or-promote-a-product-and-sometimes-they-were-even-used-as-wrapping-paper-while-hikifuda-began-to-be-produced-as-woodblock-prints-in-the-late-17th-century-they-witnessed-a-boom-in-the-later-19th-century-when-they-were-cheaply-printed-using-colour-lithography-image344274638.htmlRM2B031PP–Hikifuda are advertising handbills that became popular in late 19th to early 20th century Japan. Showing the increasing sophistication of Japanese commerce, the handbills were produced to advertise a company or promote a product, and sometimes they were even used as wrapping paper. While hikifuda began to be produced as woodblock prints in the late 17th century, they witnessed a boom in the later 19th century when they were cheaply printed using colour lithography.
Portrait of a Lady with a Dog - Date: 1885; Eugène Carrière; French; 1849-1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-lady-with-a-dog-date-1885-eugne-carrire-french-1849-1906-image381538764.htmlRM2D4MGGC–Portrait of a Lady with a Dog - Date: 1885; Eugène Carrière; French; 1849-1906
St michael & All Angels Church, Little Ilford, East Ham, London. Architect: Charles Sydney Spooner. The nave and aisles were built in 1898, and chancel in 1906. Church demolished in 1992. This image from circa 1907 is taken from the south side of Romford Road looking north towards Toronto Road. From a contemporary postcard. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-michael-all-angels-church-little-ilford-east-ham-london-architect-charles-sydney-spooner-the-nave-and-aisles-were-built-in-1898-and-chancel-in-1906-church-demolished-in-1992-this-image-from-circa-1907-is-taken-from-the-south-side-of-romford-road-looking-north-towards-toronto-road-from-a-contemporary-postcard-image568400725.htmlRM2T0MTWW–St michael & All Angels Church, Little Ilford, East Ham, London. Architect: Charles Sydney Spooner. The nave and aisles were built in 1898, and chancel in 1906. Church demolished in 1992. This image from circa 1907 is taken from the south side of Romford Road looking north towards Toronto Road. From a contemporary postcard.
19th Century Art - The Song of the Lark ; Date: 1884 - - Jules Adolphe Breton - French; 1827-1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/19th-century-art-the-song-of-the-lark-date-1884-jules-adolphe-breton-french-1827-1906-image381537663.htmlRM2D4MF53–19th Century Art - The Song of the Lark ; Date: 1884 - - Jules Adolphe Breton - French; 1827-1906
Art inspired by Print, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 5/8 x 8 7/8 in. (21.9 x 22.5 cm), Prints, Kajita Hanko (Japanese, 1870–1917, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-print-meiji-period-18681912-ca-1906-japan-polychrome-woodblock-print-ink-and-color-on-paper-8-58-x-8-78-in-219-x-225-cm-prints-kajita-hanko-japanese-18701917-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462769230.htmlRF2HTTXTE–Art inspired by Print, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 5/8 x 8 7/8 in. (21.9 x 22.5 cm), Prints, Kajita Hanko (Japanese, 1870–1917, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: File name: 07 11 000276 Title: The Barefoot Boy Creator/Contributor: Johnson, Eastman, 1824-1906 (artist); L. Prang & Co. (publisher) Date issued: 1861-1897 (approximate) Physical description note: Genre: Chromolithographs; Portrait prints Location: Boston Public Library, Print Department Rights: No known restrictions Flickr data on 2011-08-07: Camera: Sinar AG Sinarback 54 FW, Sinar m License: CC BY 2.0 User: Boston Public Library BPL . 1861-1897 (approximate) Flickr upload date: 2008-07-23 13:50:14 . Johnson, Eastman, 1824-1906 (artist); L. Prang & Co. (publisher) 304 The Bar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-file-name-07-11-000276-title-the-barefoot-boy-creatorcontributor-johnson-eastman-1824-1906-artist-l-prang-co-publisher-date-issued-1861-1897-approximate-physical-description-note-genre-chromolithographs-portrait-prints-location-boston-public-library-print-department-rights-no-known-restrictions-flickr-data-on-2011-08-07-camera-sinar-ag-sinarback-54-fw-sinar-m-license-cc-by-20-user-boston-public-library-bpl-1861-1897-approximate-flickr-upload-date-2008-07-23-135014-johnson-eastman-1824-1906-artist-l-prang-co-publisher-304-the-bar-image207877571.htmlRMP25HXY–. English: File name: 07 11 000276 Title: The Barefoot Boy Creator/Contributor: Johnson, Eastman, 1824-1906 (artist); L. Prang & Co. (publisher) Date issued: 1861-1897 (approximate) Physical description note: Genre: Chromolithographs; Portrait prints Location: Boston Public Library, Print Department Rights: No known restrictions Flickr data on 2011-08-07: Camera: Sinar AG Sinarback 54 FW, Sinar m License: CC BY 2.0 User: Boston Public Library BPL . 1861-1897 (approximate) Flickr upload date: 2008-07-23 13:50:14 . Johnson, Eastman, 1824-1906 (artist); L. Prang & Co. (publisher) 304 The Bar
(160518) -- NEW YORK, May 18, 2016 (Xinhua) -- Visitors are seen inside the Original Library of the Morgan Library and Museum in New York, the United States, on May 17, 2016. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was de Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-160518-new-york-may-18-2016-xinhua-visitors-are-seen-inside-the-original-104361084.htmlRMG1P1HG–(160518) -- NEW YORK, May 18, 2016 (Xinhua) -- Visitors are seen inside the Original Library of the Morgan Library and Museum in New York, the United States, on May 17, 2016. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was de
Susan B Anthony. Portrait of Susan Brownell Anthony (1820-1906), American suffragists and social reformer, by Matthew Brady, c.1870. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-susan-b-anthony-portrait-of-susan-brownell-anthony-1820-1906-american-176851549.htmlRMM7M7XN–Susan B Anthony. Portrait of Susan Brownell Anthony (1820-1906), American suffragists and social reformer, by Matthew Brady, c.1870.
The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-madame-b-album-1870s-marie-blanche-hennelle-fournier-french-18311906-france-albumen-prints-with-watercolor-in-album-292-419-cm-image328660621.htmlRM2A2KNY9–The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm
14 March 2019, Saxony, Leipzig: Thomas Kurz, typesetter and employee of the Museum für Druckkunst Leipzig, prints on a letterpress from 1906. The rooms of the historic printing workshop breathe 500 years of printing history with about 100 functioning machines and presses for historical casting, typesetting and printing techniques. On Friday (15.03.2019), the museum will participate in the first nationwide Print Art Day and offer a colourful programme. On 15 March last year, the artistic printing techniques were included in the German Unesco Commission's nationwide list of Intangible Cultural H Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/14-march-2019-saxony-leipzig-thomas-kurz-typesetter-and-employee-of-the-museum-fr-druckkunst-leipzig-prints-on-a-letterpress-from-1906-the-rooms-of-the-historic-printing-workshop-breathe-500-years-of-printing-history-with-about-100-functioning-machines-and-presses-for-historical-casting-typesetting-and-printing-techniques-on-friday-15032019-the-museum-will-participate-in-the-first-nationwide-print-art-day-and-offer-a-colourful-programme-on-15-march-last-year-the-artistic-printing-techniques-were-included-in-the-german-unesco-commissions-nationwide-list-of-intangible-cultural-h-image240830035.htmlRMRYPN4K–14 March 2019, Saxony, Leipzig: Thomas Kurz, typesetter and employee of the Museum für Druckkunst Leipzig, prints on a letterpress from 1906. The rooms of the historic printing workshop breathe 500 years of printing history with about 100 functioning machines and presses for historical casting, typesetting and printing techniques. On Friday (15.03.2019), the museum will participate in the first nationwide Print Art Day and offer a colourful programme. On 15 March last year, the artistic printing techniques were included in the German Unesco Commission's nationwide list of Intangible Cultural H
'Portrait of Pierre Dupuis', 1906. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-pierre-dupuis-1906-image246329113.htmlRMT8N789–'Portrait of Pierre Dupuis', 1906.
Two Horses, 1906. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-horses-1906-image457046947.htmlRM2HFG817–Two Horses, 1906.
(160518) -- NEW YORK, May 17, 2016 -- Photo taken on May 17, 2016 shows the Pierpont Morgan s Study of the Morgan Library and Museum in New York, the United States. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was designed by Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/160518-new-york-may-17-2016-photo-taken-on-may-17-2016-shows-the-pierpont-morgan-s-study-of-the-morgan-library-and-museum-in-new-york-the-united-states-the-morgan-library-museum-formerly-the-pierpont-morgan-library-is-a-museum-and-research-library-located-on-225-madison-avenue-east-36th-street-in-the-murray-hill-neighbourhood-of-manhattan-new-york-city-it-was-founded-to-house-the-private-library-of-j-p-morgan-in-1906-which-included-manuscripts-and-printed-books-some-of-them-in-rare-bindings-as-well-as-his-collection-of-prints-and-drawings-the-library-was-designed-by-image563936385.htmlRM2RNDEH5–(160518) -- NEW YORK, May 17, 2016 -- Photo taken on May 17, 2016 shows the Pierpont Morgan s Study of the Morgan Library and Museum in New York, the United States. The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library located on 225 Madison Avenue, East 36th Street, in the Murray Hill neighbourhood of Manhattan, New York City. It was founded to house the private library of J. P. Morgan in 1906, which included manuscripts and printed books, some of them in rare bindings, as well as his collection of prints and drawings. The library was designed by
Self-portrait. Paul Cézanne (France, Aix, 1839-1906). France. Prints; lithographs. Lithograph on Japan paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-paul-czanne-france-aix-1839-1906-france-prints-lithographs-lithograph-on-japan-paper-image464685504.htmlRM2J0072T–Self-portrait. Paul Cézanne (France, Aix, 1839-1906). France. Prints; lithographs. Lithograph on Japan paper
The fence Cézanne, Paul 1839 - 1906 Watercolour, Drawing French drawings and watercolours 19th - 20th centuries. French Drawings in the Department of Prints and Drawings, Statens Museum for Kunst, Jan Würtz Frandsen, nr. 100, C 25932, 2002. Ny Carlsberg Glyptotek: a guide to the department of modern works of art, Haavard Rostrup, nr. 1002., 13306, 1936. Cézanne: Son art, son oeuvre, Lionello Venturi, p.258, nr. 949., 13311, 1936. Udstilling af franske Haandtegninger fra det 19. og. 20: Aarhundrede i Statens Museum for Kunst. Maj 1939, Ubekendt, nr. 9., 14587, 1939. Cézanne in Provence, Philip Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fence-czanne-paul-1839-1906-watercolour-drawing-french-drawings-and-watercolours-19th-20th-centuries-french-drawings-in-the-department-of-prints-and-drawings-statens-museum-for-kunst-jan-wrtz-frandsen-nr-100-c-25932-2002-ny-carlsberg-glyptotek-a-guide-to-the-department-of-modern-works-of-art-haavard-rostrup-nr-1002-13306-1936-czanne-son-art-son-oeuvre-lionello-venturi-p258-nr-949-13311-1936-udstilling-af-franske-haandtegninger-fra-det-19-og-20-aarhundrede-i-statens-museum-for-kunst-maj-1939-ubekendt-nr-9-14587-1939-czanne-in-provence-philip-image613404497.htmlRM2XHXYKD–The fence Cézanne, Paul 1839 - 1906 Watercolour, Drawing French drawings and watercolours 19th - 20th centuries. French Drawings in the Department of Prints and Drawings, Statens Museum for Kunst, Jan Würtz Frandsen, nr. 100, C 25932, 2002. Ny Carlsberg Glyptotek: a guide to the department of modern works of art, Haavard Rostrup, nr. 1002., 13306, 1936. Cézanne: Son art, son oeuvre, Lionello Venturi, p.258, nr. 949., 13311, 1936. Udstilling af franske Haandtegninger fra det 19. og. 20: Aarhundrede i Statens Museum for Kunst. Maj 1939, Ubekendt, nr. 9., 14587, 1939. Cézanne in Provence, Philip
Temple a Denderah. Artist: Antonio Beato (British, born Corfu, 1834-1906). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/temple-a-denderah-artist-antonio-beato-british-born-corfu-1834-1906-date-1870s-museum-metropolitan-museum-of-art-new-york-usa-image213107381.htmlRMPAKTHW–Temple a Denderah. Artist: Antonio Beato (British, born Corfu, 1834-1906). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA.
The tower of King Street Station located between Pioneer Square and International District in Seattle, Washington, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tower-of-king-street-station-located-between-pioneer-square-and-international-district-in-seattle-washington-usa-image216245039.htmlRMPFPPN3–The tower of King Street Station located between Pioneer Square and International District in Seattle, Washington, USA.
Fotoalbum van Suriname 1906 - 1913 'Souvenir de Voyage', deel 2 Photo album hardback covered with red cloth with the front printed in ornate letters signage silver Souvenir de Voyage. On the faded back to the part number 2. Part of a group of five same albums numbered 1-5. The album contains 24 sheets of cardboard with 136 photos pasted on both pages and on the endpapers of the album. Some pictures are numbered and have a handwritten caption. Many recordings are pasted prints two copies present in black and blue (cyanotype) on the opposite page. Life Doijer family (Hendrik Doijer and Henriette Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fotoalbum-van-suriname-1906-1913-souvenir-de-voyage-deel-2-photo-album-hardback-covered-with-red-cloth-with-the-front-printed-in-ornate-letters-signage-silver-souvenir-de-voyage-on-the-faded-back-to-the-part-number-2-part-of-a-group-of-five-same-albums-numbered-1-5-the-album-contains-24-sheets-of-cardboard-with-136-photos-pasted-on-both-pages-and-on-the-endpapers-of-the-album-some-pictures-are-numbered-and-have-a-handwritten-caption-many-recordings-are-pasted-prints-two-copies-present-in-black-and-blue-cyanotype-on-the-opposite-page-life-doijer-family-hendrik-doijer-and-henriette-image348351409.htmlRM2B6MNNN–Fotoalbum van Suriname 1906 - 1913 'Souvenir de Voyage', deel 2 Photo album hardback covered with red cloth with the front printed in ornate letters signage silver Souvenir de Voyage. On the faded back to the part number 2. Part of a group of five same albums numbered 1-5. The album contains 24 sheets of cardboard with 136 photos pasted on both pages and on the endpapers of the album. Some pictures are numbered and have a handwritten caption. Many recordings are pasted prints two copies present in black and blue (cyanotype) on the opposite page. Life Doijer family (Hendrik Doijer and Henriette
Edinburgh Castle, from Grassmarket, hand coloured vintage photograph, c.1890-1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edinburgh-castle-from-grassmarket-hand-coloured-vintage-photograph-c1890-1906-image243662100.htmlRMT4BNDT–Edinburgh Castle, from Grassmarket, hand coloured vintage photograph, c.1890-1906
Vintage photo of Acropolis. Looking East from propylaea across ruin-strewn Acropolis to west end of Parthenon, Athens. 1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-photo-of-acropolis-looking-east-from-propylaea-across-ruin-strewn-acropolis-to-west-end-of-parthenon-athens-1906-image457380517.htmlRF2HG3DED–Vintage photo of Acropolis. Looking East from propylaea across ruin-strewn Acropolis to west end of Parthenon, Athens. 1906
The American dope party, Puck Magazine's cartoon of the Boston Tea Party by Albert Levering, print, 1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-american-dope-party-puck-magazines-cartoon-of-the-boston-tea-party-by-albert-levering-print-1906-image244342432.htmlRMT5EN7C–The American dope party, Puck Magazine's cartoon of the Boston Tea Party by Albert Levering, print, 1906
Sascha Schneider - Icarus - 1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sascha-schneider-icarus-1906-image465198224.htmlRF2J0RH28–Sascha Schneider - Icarus - 1906
Christian IX, King of Denmark, 8.4.1818 - 29.1.1906, lithograph, by J. Donon, Madrid, Spain, mid 19th century, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christian-ix-king-of-denmark-841818-2911906-lithograph-by-j-donon-18828709.htmlRMB2HM5W–Christian IX, King of Denmark, 8.4.1818 - 29.1.1906, lithograph, by J. Donon, Madrid, Spain, mid 19th century,
Art inspired by Print, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 11 5/8 x 8 1/2 in. (29.5 x 21.6 cm), Prints, Kobori Tomoto (Japanese, 1864–1931, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-print-meiji-period-18681912-ca-1906-japan-polychrome-woodblock-print-ink-and-color-on-paper-11-58-x-8-12-in-295-x-216-cm-prints-kobori-tomoto-japanese-18641931-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462769222.htmlRF2HTTXT6–Art inspired by Print, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 11 5/8 x 8 1/2 in. (29.5 x 21.6 cm), Prints, Kobori Tomoto (Japanese, 1864–1931, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: File name: 07 11 000207 Title: Harvest (Near North Conway) Creator/Contributor: Stone, Benjamin Bellows Grant, 1829-1906 (artist); L. Prang & Co. (publisher) Date issued: 1861-1897 (approximate) Physical description note: Genre: Chromolithographs; Landscape prints Location: Boston Public Library, Print Department Rights: No known restrictions Flickr data on 2011-08-07: Camera: Sinar AG Sinarback 54 FW, Sinar m License: CC BY 2.0 User: Boston Public Library BPL . 1861-1897 (approximate) Flickr upload date: 2008-07-23 13:43:40 . Stone, Benjamin Bellows Grant, 1829-1906 (artist); Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-file-name-07-11-000207-title-harvest-near-north-conway-creatorcontributor-stone-benjamin-bellows-grant-1829-1906-artist-l-prang-co-publisher-date-issued-1861-1897-approximate-physical-description-note-genre-chromolithographs-landscape-prints-location-boston-public-library-print-department-rights-no-known-restrictions-flickr-data-on-2011-08-07-camera-sinar-ag-sinarback-54-fw-sinar-m-license-cc-by-20-user-boston-public-library-bpl-1861-1897-approximate-flickr-upload-date-2008-07-23-134340-stone-benjamin-bellows-grant-1829-1906-artist-image207876152.htmlRMP25G48–. English: File name: 07 11 000207 Title: Harvest (Near North Conway) Creator/Contributor: Stone, Benjamin Bellows Grant, 1829-1906 (artist); L. Prang & Co. (publisher) Date issued: 1861-1897 (approximate) Physical description note: Genre: Chromolithographs; Landscape prints Location: Boston Public Library, Print Department Rights: No known restrictions Flickr data on 2011-08-07: Camera: Sinar AG Sinarback 54 FW, Sinar m License: CC BY 2.0 User: Boston Public Library BPL . 1861-1897 (approximate) Flickr upload date: 2008-07-23 13:43:40 . Stone, Benjamin Bellows Grant, 1829-1906 (artist);
Art inspired by Love Letter (Kesobumi), Meiji period (1868–1912), January 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 11 3/4 in. (22.2 x 29.8 cm), Prints, Kajita Hanko (Japanese, 1870–1917, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-love-letter-kesobumi-meiji-period-18681912-january-1906-japan-polychrome-woodblock-print-ink-and-color-on-paper-8-34-x-11-34-in-222-x-298-cm-prints-kajita-hanko-japanese-18701917-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462769325.htmlRF2HTTXYW–Art inspired by Love Letter (Kesobumi), Meiji period (1868–1912), January 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 11 3/4 in. (22.2 x 29.8 cm), Prints, Kajita Hanko (Japanese, 1870–1917, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for 1906 prints Stock Photos and Images (840)
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