transport / transportation, coaches, omnibuses, horse bus in Berlin, late 19th century, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/transport-transportation-coaches-omnibuses-horse-bus-in-berlin-late-19th-century-additional-rights-clearance-info-not-available-image612581735.html
RM2XGHE73–transport / transportation, coaches, omnibuses, horse bus in Berlin, late 19th century, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
Archimedes (c287-212 BC) Ancient Greek mathematician and inventor. The death of Archimedes at the capture of Syracuse by the Romans Engraving of late 19th century painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archimedes-c287-212-bc-ancient-greek-mathematician-and-inventor-the-death-of-archimedes-at-the-capture-of-syracuse-by-the-romans-engraving-of-late-19th-century-painting-image257297732.html
RMTXGWTM–Archimedes (c287-212 BC) Ancient Greek mathematician and inventor. The death of Archimedes at the capture of Syracuse by the Romans Engraving of late 19th century painting
. English: Signing of the preliminary Treaty of Paris, November 30, 1782 . 19th century painting by Carl Seiler 1120 SigningPreliminaryTreatyOfParis1782 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-signing-of-the-preliminary-treaty-of-paris-november-30-1782-19th-century-painting-by-carl-seiler-1120-signingpreliminarytreatyofparis1782-image185590073.html
RMMNXA0W–. English: Signing of the preliminary Treaty of Paris, November 30, 1782 . 19th century painting by Carl Seiler 1120 SigningPreliminaryTreatyOfParis1782
Cardinal Gerdil 19th century painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cardinal-gerdil-19th-century-painting-132411757.html
RMHKBTF9–Cardinal Gerdil 19th century painting
Battle of Nikopol on June 3, 1877. Copy of a 19th century painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-nikopol-on-june-3-1877-copy-of-a-19th-century-painting-image531146672.html
RM2NT3R00–Battle of Nikopol on June 3, 1877. Copy of a 19th century painting.
Archimedes (c287-212 BC) Ancient Greek mathematician and inventor. The death of Archimedes at the capture of Syracuse by the Romans. Engraving of late 19th century painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-archimedes-c287-212-bc-ancient-greek-mathematician-and-inventor-the-57301120.html
RMD9684G–Archimedes (c287-212 BC) Ancient Greek mathematician and inventor. The death of Archimedes at the capture of Syracuse by the Romans. Engraving of late 19th century painting
LISZT, Franz - portrait by Wilhelm von Kaulbach painted in 1857. Pictured in cloak, holding top hat and gloves - Hungarian pianist and composer. 22 October 1811 - 31 July 1886. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-liszt-franz-portrait-by-wilhelm-von-kaulbach-painted-in-1857-pictured-162968506.html
RMKD3RYP–LISZT, Franz - portrait by Wilhelm von Kaulbach painted in 1857. Pictured in cloak, holding top hat and gloves - Hungarian pianist and composer. 22 October 1811 - 31 July 1886.
Der Saal der Drapers Hall in London, England, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / The hall of Drapers Hall in London, England, digitally restored reproduction of an original 19th century painting, exact original date not known Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/der-saal-der-drapers-hall-in-london-england-digital-restaurierte-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-genaues-originaldatum-nicht-bekannt-the-hall-of-drapers-hall-in-london-england-digitally-restored-reproduction-of-an-original-19th-century-painting-exact-original-date-not-known-image474622696.html
RF2JG4X2G–Der Saal der Drapers Hall in London, England, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / The hall of Drapers Hall in London, England, digitally restored reproduction of an original 19th century painting, exact original date not known
Painting from 19th century titled 'Hinterlist' by B. Vautier. The picture shows children on the way to school in the winter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-from-19th-century-titled-hinterlist-by-b-vautier-the-picture-48336012.html
RMCPHW24–Painting from 19th century titled 'Hinterlist' by B. Vautier. The picture shows children on the way to school in the winter.
The Annunciation. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-annunciation-91709507.html
RMF95MBF–The Annunciation.
Cardinal Gerdil - 19th century painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cardinal-gerdil-19th-century-painting-139506700.html
RMJ2Y264–Cardinal Gerdil - 19th century painting
A drawing from The Death of General Wolfe, a well-known 1770 painting by Anglo-American artist Benjamin West depicting the death of British General James Wolfe at the 1759 Battle of Quebec during the French and Indian War. The Battle of Quebec, also known as the Battle of the Plains of Abraham, on September 13, 1759 was a pivotal event in the Seven Years' War and decided the fate of France's colonies in North America. The battle was fought between the British Army and the French Army; the pitched fighting lasted only fifteen minutes. The British Army was commanded by General Wolfe. Although su Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-drawing-from-the-death-of-general-wolfe-a-well-known-1770-painting-by-anglo-american-artist-benjamin-west-depicting-the-death-of-british-general-james-wolfe-at-the-1759-battle-of-quebec-during-the-french-and-indian-war-the-battle-of-quebec-also-known-as-the-battle-of-the-plains-of-abraham-on-september-13-1759-was-a-pivotal-event-in-the-seven-years-war-and-decided-the-fate-of-frances-colonies-in-north-america-the-battle-was-fought-between-the-british-army-and-the-french-army-the-pitched-fighting-lasted-only-fifteen-minutes-the-british-army-was-commanded-by-general-wolfe-although-su-image236286512.html
RMRMBNT0–A drawing from The Death of General Wolfe, a well-known 1770 painting by Anglo-American artist Benjamin West depicting the death of British General James Wolfe at the 1759 Battle of Quebec during the French and Indian War. The Battle of Quebec, also known as the Battle of the Plains of Abraham, on September 13, 1759 was a pivotal event in the Seven Years' War and decided the fate of France's colonies in North America. The battle was fought between the British Army and the French Army; the pitched fighting lasted only fifteen minutes. The British Army was commanded by General Wolfe. Although su
BATTLE OF THERMOPYLAE 480 BC. The Greeks blocking the final pass to the invading Persians in a 19th century painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-thermopylae-480-bc-the-greeks-blocking-the-final-pass-to-the-invading-persians-in-a-19th-century-painting-image345949491.html
RM2B2RA2Y–BATTLE OF THERMOPYLAE 480 BC. The Greeks blocking the final pass to the invading Persians in a 19th century painting
Cardinal Gerdil - 19th century painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cardinal-gerdil-19th-century-painting-image228838897.html
RMR88E9N–Cardinal Gerdil - 19th century painting.
Vietnam/France: Pierre Poivre (1719-1786) at Tourane (Da Nang) in 1749. Painting by Charles Fouqueray (23 April 1869 - 28 March 1956), late 19th - early 20th century. Pierre Poivre (23 August 1719 - 6 January 1786) was a French horticulturalist born in Lyon; missionary to China and Cochinchina, Intendant of the Islands of Mauritius and Bourbon, and wearer of the cordon of St. Michel. In his early 20s he was a missionary in Far Eastern locations such as Cochinchina, Guangzhou and Macau. In the 1760s, Poivre became administrator of Ile de France (Mauritius) and Ile Bourbon (Réunion). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vietnamfrance-pierre-poivre-1719-1786-at-tourane-da-nang-in-1749-painting-by-charles-fouqueray-23-april-1869-28-march-1956-late-19th-early-20th-century-pierre-poivre-23-august-1719-6-january-1786-was-a-french-horticulturalist-born-in-lyon-missionary-to-china-and-cochinchina-intendant-of-the-islands-of-mauritius-and-bourbon-and-wearer-of-the-cordon-of-st-michel-in-his-early-20s-he-was-a-missionary-in-far-eastern-locations-such-as-cochinchina-guangzhou-and-macau-in-the-1760s-poivre-became-administrator-of-ile-de-france-mauritius-and-ile-bourbon-runion-image344239510.html
RM2B01D06–Vietnam/France: Pierre Poivre (1719-1786) at Tourane (Da Nang) in 1749. Painting by Charles Fouqueray (23 April 1869 - 28 March 1956), late 19th - early 20th century. Pierre Poivre (23 August 1719 - 6 January 1786) was a French horticulturalist born in Lyon; missionary to China and Cochinchina, Intendant of the Islands of Mauritius and Bourbon, and wearer of the cordon of St. Michel. In his early 20s he was a missionary in Far Eastern locations such as Cochinchina, Guangzhou and Macau. In the 1760s, Poivre became administrator of Ile de France (Mauritius) and Ile Bourbon (Réunion).
1883 black and white engraving of a watercolour by Dante Gabriel Rossetti titled Lady Lilith Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1883-black-and-white-engraving-of-a-watercolour-by-dante-gabriel-rossetti-125196008.html
RMH7K4P0–1883 black and white engraving of a watercolour by Dante Gabriel Rossetti titled Lady Lilith
Cleopatra on the Cyndus, from a 19th Century Painting by Hans Makart Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cleopatra-on-the-cyndus-from-a-19th-century-painting-by-hans-makart-image68601046.html
RMDYH19A–Cleopatra on the Cyndus, from a 19th Century Painting by Hans Makart
Portrait of King George III of England, painting, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-king-george-iii-of-england-painting-19th-century-image601666621.html
RF2WXT7WH–Portrait of King George III of England, painting, 19th century
'Jerusalem hath grievously sinned therefore she is removed', c1846. Biblical scene, from Lamentations 1: 8: 'Jerusalem hath grievously sinned; therefore she is removed: all that honoured her despise her, because they have seen her nakedness: yea, she sigheth, and turneth backward'. The city of Jerusalem is poetically personified in a lament mourning the desertion of the city by God. Engraving after a mid 19th century painting by Karl Joseph Begas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jerusalem-hath-grievously-sinned-therefore-she-is-removed-c1846-biblical-scene-from-lamentations-1-8-jerusalem-hath-grievously-sinned-therefore-she-is-removed-all-that-honoured-her-despise-her-because-they-have-seen-her-nakedness-yea-she-sigheth-and-turneth-backward-the-city-of-jerusalem-is-poetically-personified-in-a-lament-mourning-the-desertion-of-the-city-by-god-engraving-after-a-mid-19th-century-painting-by-karl-joseph-begas-image274145612.html
RMWX0BEM–'Jerusalem hath grievously sinned therefore she is removed', c1846. Biblical scene, from Lamentations 1: 8: 'Jerusalem hath grievously sinned; therefore she is removed: all that honoured her despise her, because they have seen her nakedness: yea, she sigheth, and turneth backward'. The city of Jerusalem is poetically personified in a lament mourning the desertion of the city by God. Engraving after a mid 19th century painting by Karl Joseph Begas.
Christmas, angel, Christmas angel, adapted from painting, by Hermann Kaulbach (1846 - 1909), 19th century, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christmas-angel-christmas-angel-adapted-from-painting-by-hermann-kaulbach-1846-1909-19th-century-artists-copyright-has-not-to-be-cleared-image612591566.html
RM2XGHXP6–Christmas, angel, Christmas angel, adapted from painting, by Hermann Kaulbach (1846 - 1909), 19th century, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED
Sketch for the church of Saint Augustine: The death of Saint Monica, Maillart, Diogenes, Painter, In 1874, 3rd quarter of the 19th century, Painting, Oil on canvas, Height: 81 cm, Width: 54 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sketch-for-the-church-of-saint-augustine-the-death-of-saint-monica-maillart-diogenes-painter-in-1874-3rd-quarter-of-the-19th-century-painting-oil-on-canvas-height-81-cm-width-54-cm-image573420712.html
RM2T8WFY4–Sketch for the church of Saint Augustine: The death of Saint Monica, Maillart, Diogenes, Painter, In 1874, 3rd quarter of the 19th century, Painting, Oil on canvas, Height: 81 cm, Width: 54 cm
. Deutsch: Gottfried Seybold (1757–1816) . 19. jhd. / 19th century. n.n. (19th century painting) 251 Gottfried-seybold Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-gottfried-seybold-17571816-19-jhd-19th-century-nn-19th-century-painting-251-gottfried-seybold-image188294959.html
RMMX9G3Y–. Deutsch: Gottfried Seybold (1757–1816) . 19. jhd. / 19th century. n.n. (19th century painting) 251 Gottfried-seybold
Mary Queen of Scots, G. W. Wilson & Co. photographic print on 19th Century 'Carte de Visite' mount, 1860 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-queen-of-scots-g-w-wilson-co-photographic-print-on-19th-century-carte-de-visite-mount-1860-image245741131.html
RMT7PD8Y–Mary Queen of Scots, G. W. Wilson & Co. photographic print on 19th Century 'Carte de Visite' mount, 1860
Piazzetta adjacent to St. Mark's Square where the Doge's Palace is located. Copy of a 19th century painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piazzetta-adjacent-to-st-marks-square-where-the-doges-palace-is-located-copy-of-a-19th-century-painting-image531147591.html
RM2NT3T4R–Piazzetta adjacent to St. Mark's Square where the Doge's Palace is located. Copy of a 19th century painting.
19th century depiction of the death of King John on his couch in the cloistered-garden of Swineshead Abbey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-depiction-of-the-death-of-king-john-on-his-couch-in-the-cloistered-garden-of-swineshead-abbey-image634317565.html
RM2YRYJEN–19th century depiction of the death of King John on his couch in the cloistered-garden of Swineshead Abbey
[ 1890s Japan - Japanese Man Scared of Ghost ] — Man acting surprised by a painting of a ghost. From a series of glass slides published (but not photographed) by Scottish photographer George Washington Wilson (1823–1893). Wilson’s firm was one of the largest publishers of photographic prints in the world. 19th century vintage glass slide. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1890s-japan-japanese-man-scared-of-ghost-man-acting-surprised-by-a-painting-of-a-ghost-from-a-series-of-glass-slides-published-but-not-photographed-by-scottish-photographer-george-washington-wilson-18231893-wilsons-firm-was-one-of-the-largest-publishers-of-photographic-prints-in-the-world-19th-century-vintage-glass-slide-image357102748.html
RM2BMYC5G–[ 1890s Japan - Japanese Man Scared of Ghost ] — Man acting surprised by a painting of a ghost. From a series of glass slides published (but not photographed) by Scottish photographer George Washington Wilson (1823–1893). Wilson’s firm was one of the largest publishers of photographic prints in the world. 19th century vintage glass slide.
Wettrudern auf der Themse, Ruderregatta, um 1860, London, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / Rowing race on the Thames, rowing regatta, c. 1860, London, digitally restored reproduction of an original 19th century painting, exact original date unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wettrudern-auf-der-themse-ruderregatta-um-1860-london-digital-restaurierte-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-genaues-originaldatum-nicht-bekannt-rowing-race-on-the-thames-rowing-regatta-c-1860-london-digitally-restored-reproduction-of-an-original-19th-century-painting-exact-original-date-unknown-image474622290.html
RF2JG4WG2–Wettrudern auf der Themse, Ruderregatta, um 1860, London, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / Rowing race on the Thames, rowing regatta, c. 1860, London, digitally restored reproduction of an original 19th century painting, exact original date unknown
Galileo Galilei before the Holy Office, photo after a 19th-century painting by Joseph-Nicolas Robert-Fleury Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/galileo-galilei-before-the-holy-office-photo-after-a-19th-century-painting-by-joseph-nicolas-robert-fleury-image247138921.html
RMTA2461–Galileo Galilei before the Holy Office, photo after a 19th-century painting by Joseph-Nicolas Robert-Fleury
Iphigenia is a painting by German artist Anselm Feuerbach. Illustration of the 19th century. White background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iphigenia-is-a-painting-by-german-artist-anselm-feuerbach-illustration-of-the-19th-century-white-background-image483712363.html
RF2K2Y01F–Iphigenia is a painting by German artist Anselm Feuerbach. Illustration of the 19th century. White background.
Bad Ischl by F X Sandmann. 19th century panorama. Watercolour after picture by J Rau. Austria. C J Brahms, J Strauss (II) & F Lehar lived here. R Tauber visited. Austria. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bad-ischl-by-f-x-sandmann-19th-century-panorama-watercolour-after-image159143263.html
RMK6WGRY–Bad Ischl by F X Sandmann. 19th century panorama. Watercolour after picture by J Rau. Austria. C J Brahms, J Strauss (II) & F Lehar lived here. R Tauber visited. Austria.
Aegidius Punter, and artist, working on his 'master-piece' that he hopes will bring future fame. From the Camera Obscura, a 19th Century collection of Dutch humorous-realistic essays, stories and sketches in which Hildebrand, the author, takes an ironic look at the behavior of the 'well-to-do', finding them bourgeois and without a good word for them. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aegidius-punter-and-artist-working-on-his-master-piece-that-he-hopes-will-bring-future-fame-from-the-camera-obscura-a-19th-century-collection-of-dutch-humorous-realistic-essays-stories-and-sketches-in-which-hildebrand-the-author-takes-an-ironic-look-at-the-behavior-of-the-well-to-do-finding-them-bourgeois-and-without-a-good-word-for-them-image240789159.html
RMRYMW0R–Aegidius Punter, and artist, working on his 'master-piece' that he hopes will bring future fame. From the Camera Obscura, a 19th Century collection of Dutch humorous-realistic essays, stories and sketches in which Hildebrand, the author, takes an ironic look at the behavior of the 'well-to-do', finding them bourgeois and without a good word for them.
Story Teller in Brittany France 19th Century Illustration from a Painting by Emily Macirone Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-story-teller-in-brittany-france-19th-century-illustration-from-a-painting-21092420.html
RMB68RGM–Story Teller in Brittany France 19th Century Illustration from a Painting by Emily Macirone
Painting of New Orleans in 1850, looking upriver from the Lower Cotton Press, by artist Bernhard J. Dondorf (1809-1902). The Lower Cotton Press or Levee Steam Cotton Press was where cotton bales were compressed for shipping. It was located at the foot of Press Street at the lower end of the Faubourg Marigny neighborhood. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-of-new-orleans-in-1850-looking-upriver-from-the-lower-cotton-press-by-artist-bernhard-j-dondorf-1809-1902-the-lower-cotton-press-or-levee-steam-cotton-press-was-where-cotton-bales-were-compressed-for-shipping-it-was-located-at-the-foot-of-press-street-at-the-lower-end-of-the-faubourg-marigny-neighborhood-image458811662.html
RM2HJCJXP–Painting of New Orleans in 1850, looking upriver from the Lower Cotton Press, by artist Bernhard J. Dondorf (1809-1902). The Lower Cotton Press or Levee Steam Cotton Press was where cotton bales were compressed for shipping. It was located at the foot of Press Street at the lower end of the Faubourg Marigny neighborhood.
Burma/Myanmar: King Mindon Min (8 July 1808 - 1 October 1878), 10th and penultimate ruler of the Konbaung Dynasty (1752-1885),portrait at the Mandalay Palace, 19th century. Mindon Min was the penultimate king of Burma (Myanmar) from 1853 to 1878. He was one of the most popular and revered kings of Burma. Under his half-brother King Pagan, the Second Anglo-Burmese War in 1852 ended with the annexation of Lower Burma by the British Empire; Mindon and his younger brother Kanaung subsequenly overthrew their half-brother. He spent most of his reign trying to defend and modernise his kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/burmamyanmar-king-mindon-min-8-july-1808-1-october-1878-10th-and-penultimate-ruler-of-the-konbaung-dynasty-1752-1885portrait-at-the-mandalay-palace-19th-century-mindon-min-was-the-penultimate-king-of-burma-myanmar-from-1853-to-1878-he-was-one-of-the-most-popular-and-revered-kings-of-burma-under-his-half-brother-king-pagan-the-second-anglo-burmese-war-in-1852-ended-with-the-annexation-of-lower-burma-by-the-british-empire-mindon-and-his-younger-brother-kanaung-subsequenly-overthrew-their-half-brother-he-spent-most-of-his-reign-trying-to-defend-and-modernise-his-kingdom-image344237741.html
RM2B01AN1–Burma/Myanmar: King Mindon Min (8 July 1808 - 1 October 1878), 10th and penultimate ruler of the Konbaung Dynasty (1752-1885),portrait at the Mandalay Palace, 19th century. Mindon Min was the penultimate king of Burma (Myanmar) from 1853 to 1878. He was one of the most popular and revered kings of Burma. Under his half-brother King Pagan, the Second Anglo-Burmese War in 1852 ended with the annexation of Lower Burma by the British Empire; Mindon and his younger brother Kanaung subsequenly overthrew their half-brother. He spent most of his reign trying to defend and modernise his kingdom.
1884 black and white engraving of the painting Shy by Sir Lawrence Alma-Tadema Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1884-black-and-white-engraving-of-the-painting-shy-by-sir-lawrence-125196010.html
RMH7K4P2–1884 black and white engraving of the painting Shy by Sir Lawrence Alma-Tadema
Painting of Sara Delano Roosevelt. The mother of President Franklin Roosevelt was a beautiful, intelligent socialite. Ca. 1880. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-of-sara-delano-roosevelt-the-mother-of-president-franklin-52432747.html
RMD18EE3–Painting of Sara Delano Roosevelt. The mother of President Franklin Roosevelt was a beautiful, intelligent socialite. Ca. 1880.
Landscape with Figures Date: c. 1870 Artist: Narcisse Virgile Diaz de la Peña French, 1807-1876 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-figures-date-c-1870-artist-narcisse-virgile-diaz-de-la-pea-french-1807-1876-image551197124.html
RF2R0N5FG–Landscape with Figures Date: c. 1870 Artist: Narcisse Virgile Diaz de la Peña French, 1807-1876
'Behold the place where they laid him', 19th century. Biblical scene, from Mark 16: 6: 'And he saith unto them, Be not affrighted: Ye seek Jesus of Nazareth, which was crucified: he is risen; he is not here: behold the place where they laid him'. The Virgin Mary and Mary Magdalene at Christ's tomb. Jesus' body was sealed in a tomb after his crucifixion, but it was found to be empty after God raised him from the dead. Engraving after an early-mid 19th century painting by Philipp Veit. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/behold-the-place-where-they-laid-him-19th-century-biblical-scene-from-mark-16-6-and-he-saith-unto-them-be-not-affrighted-ye-seek-jesus-of-nazareth-which-was-crucified-he-is-risen-he-is-not-here-behold-the-place-where-they-laid-him-the-virgin-mary-and-mary-magdalene-at-christs-tomb-jesus-body-was-sealed-in-a-tomb-after-his-crucifixion-but-it-was-found-to-be-empty-after-god-raised-him-from-the-dead-engraving-after-an-early-mid-19th-century-painting-by-philipp-veit-image274145634.html
RMWX0BFE–'Behold the place where they laid him', 19th century. Biblical scene, from Mark 16: 6: 'And he saith unto them, Be not affrighted: Ye seek Jesus of Nazareth, which was crucified: he is risen; he is not here: behold the place where they laid him'. The Virgin Mary and Mary Magdalene at Christ's tomb. Jesus' body was sealed in a tomb after his crucifixion, but it was found to be empty after God raised him from the dead. Engraving after an early-mid 19th century painting by Philipp Veit.
ancient world, Roman Empire, religion, dancing maenads, wood engraving, 19th century, after mural painting, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-world-roman-empire-religion-dancing-maenads-wood-engraving-19th-century-after-mural-painting-artists-copyright-has-not-to-be-cleared-image612558780.html
RM2XGGCY8–ancient world, Roman Empire, religion, dancing maenads, wood engraving, 19th century, after mural painting, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED
Model for the chapel of the house for the education of young workers: the Empress placing the work of young workers under the protection of the Virgin, Saint Vincent-de-Paul and Saint Geneviève, Barrias, Félix-Joseph, Painter, Between 1853 and 1870, 3rd quarter of the 19th century, Painting, Model, Architecture - Town planning, Detail model, Oil painting, Dimensions - Work: Height: 68cm, Width: 41.5cm, Depth: 20cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/model-for-the-chapel-of-the-house-for-the-education-of-young-workers-the-empress-placing-the-work-of-young-workers-under-the-protection-of-the-virgin-saint-vincent-de-paul-and-saint-genevive-barrias-flix-joseph-painter-between-1853-and-1870-3rd-quarter-of-the-19th-century-painting-model-architecture-town-planning-detail-model-oil-painting-dimensions-work-height-68cm-width-415cm-depth-20cm-image573230961.html
RM2T8GWX9–Model for the chapel of the house for the education of young workers: the Empress placing the work of young workers under the protection of the Virgin, Saint Vincent-de-Paul and Saint Geneviève, Barrias, Félix-Joseph, Painter, Between 1853 and 1870, 3rd quarter of the 19th century, Painting, Model, Architecture - Town planning, Detail model, Oil painting, Dimensions - Work: Height: 68cm, Width: 41.5cm, Depth: 20cm
. Deutsch: Gottfried Seybold (1757–1816) . 19. jhd. / 19th century. n.n. (19th century painting) 250 Gottfried-seybold Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-gottfried-seybold-17571816-19-jhd-19th-century-nn-19th-century-painting-250-gottfried-seybold-image187745017.html
RMMWCEK5–. Deutsch: Gottfried Seybold (1757–1816) . 19. jhd. / 19th century. n.n. (19th century painting) 250 Gottfried-seybold
Thomas Edison (1847-1931), portrait painting by Herbert Sydney, 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-edison-1847-1931-portrait-painting-by-herbert-sydney-19th-century-image244275570.html
RMT5BKYE–Thomas Edison (1847-1931), portrait painting by Herbert Sydney, 19th Century
The crossing of the Russian army across the Danube near Zimnitsa (Zimnicea / Svishtov) on June 15, 1877. Copy of a 19th century painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crossing-of-the-russian-army-across-the-danube-near-zimnitsa-zimnicea-svishtov-on-june-15-1877-copy-of-a-19th-century-painting-image531147951.html
RM2NT3THK–The crossing of the Russian army across the Danube near Zimnitsa (Zimnicea / Svishtov) on June 15, 1877. Copy of a 19th century painting.
The Ghost of Xerxes I ruler of the Achaemenid Empire, pursues his assassin, Artabanus. 19th century illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ghost-of-xerxes-i-ruler-of-the-achaemenid-empire-pursues-his-assassin-artabanus-19th-century-illustration-image634298827.html
RM2YRXPHF–The Ghost of Xerxes I ruler of the Achaemenid Empire, pursues his assassin, Artabanus. 19th century illustration
[ 1890s Japan - Japanese Calligraphy ] — Woman in kimono painting on a kakemono (掛物), a hanging scroll . Kakemono are used to display and exhibit paintings and calligraphy. They are usually mounted on a flexible backing with silk fabric edges, so that they can be rolled for storage. From a series of glass slides published (but not photographed) by Scottish photographer George Washington Wilson (1823–1893). Wilson’s firm was one of the largest publishers of photographic prints in the world. 19th century vintage glass slide. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1890s-japan-japanese-calligraphy-woman-in-kimono-painting-on-a-kakemono-a-hanging-scroll-kakemono-are-used-to-display-and-exhibit-paintings-and-calligraphy-they-are-usually-mounted-on-a-flexible-backing-with-silk-fabric-edges-so-that-they-can-be-rolled-for-storage-from-a-series-of-glass-slides-published-but-not-photographed-by-scottish-photographer-george-washington-wilson-18231893-wilsons-firm-was-one-of-the-largest-publishers-of-photographic-prints-in-the-world-19th-century-vintage-glass-slide-image357103053.html
RM2BMYCGD–[ 1890s Japan - Japanese Calligraphy ] — Woman in kimono painting on a kakemono (掛物), a hanging scroll . Kakemono are used to display and exhibit paintings and calligraphy. They are usually mounted on a flexible backing with silk fabric edges, so that they can be rolled for storage. From a series of glass slides published (but not photographed) by Scottish photographer George Washington Wilson (1823–1893). Wilson’s firm was one of the largest publishers of photographic prints in the world. 19th century vintage glass slide.
Die Portelet Bucht auf der Insel Jersey, Großbritannien, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / The Portelet Bay on the island of Jersey, Great Britain, digitally restored reproduction of an original 19th century painting, exact original date not known Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/die-portelet-bucht-auf-der-insel-jersey-grobritannien-digital-restaurierte-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-genaues-originaldatum-nicht-bekannt-the-portelet-bay-on-the-island-of-jersey-great-britain-digitally-restored-reproduction-of-an-original-19th-century-painting-exact-original-date-not-known-image474622771.html
RF2JG4X57–Die Portelet Bucht auf der Insel Jersey, Großbritannien, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / The Portelet Bay on the island of Jersey, Great Britain, digitally restored reproduction of an original 19th century painting, exact original date not known
The painting from the first half of the 19th century shows the Zeughaus (right) and the Kronprinzenpalais (Crown Prince's Palace) (left). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painting-from-the-first-half-of-the-19th-century-shows-the-zeughaus-right-and-the-kronprinzenpalais-crown-princes-palace-left-image385781171.html
RM2DBHRPY–The painting from the first half of the 19th century shows the Zeughaus (right) and the Kronprinzenpalais (Crown Prince's Palace) (left).
The Smoker is a painting by French artist Ernest Meissonier. Illustration of the 19th century. White background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-smoker-is-a-painting-by-french-artist-ernest-meissonier-illustration-of-the-19th-century-white-background-image483712321.html
RF2K2Y001–The Smoker is a painting by French artist Ernest Meissonier. Illustration of the 19th century. White background.
The 1884 battle of Foochow. 19th century painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-1884-battle-of-foochow-19th-century-painting-image260958626.html
RMW4FKAX–The 1884 battle of Foochow. 19th century painting.
Aegidius Punter, and artist, admired by his wife, works on artwork on the hope of future fame. From the Camera Obscura, a 19th Century collection of Dutch humorous-realistic essays, stories and sketches in which Hildebrand, the author, takes an ironic look at the behavior of the 'well-to-do', finding them bourgeois and without a good word for them. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aegidius-punter-and-artist-admired-by-his-wife-works-on-artwork-on-the-hope-of-future-fame-from-the-camera-obscura-a-19th-century-collection-of-dutch-humorous-realistic-essays-stories-and-sketches-in-which-hildebrand-the-author-takes-an-ironic-look-at-the-behavior-of-the-well-to-do-finding-them-bourgeois-and-without-a-good-word-for-them-image240789174.html
RMRYMW1A–Aegidius Punter, and artist, admired by his wife, works on artwork on the hope of future fame. From the Camera Obscura, a 19th Century collection of Dutch humorous-realistic essays, stories and sketches in which Hildebrand, the author, takes an ironic look at the behavior of the 'well-to-do', finding them bourgeois and without a good word for them.
Cottage and Mountains 19th century Shibata Zeshin Japanese. Cottage and Mountains. Shibata Zeshin (Japanese, 1807–1891). Japan. 19th century. Painting; colored lacquers on paper. Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cottage-and-mountains-19th-century-shibata-zeshin-japanese-cottage-and-mountains-shibata-zeshin-japanese-18071891-japan-19th-century-painting-colored-lacquers-on-paper-paintings-image458092665.html
RM2HH7WT9–Cottage and Mountains 19th century Shibata Zeshin Japanese. Cottage and Mountains. Shibata Zeshin (Japanese, 1807–1891). Japan. 19th century. Painting; colored lacquers on paper. Paintings
Karl Lichnowsky ( Prince ) - portrait of Beethoven 's benefactor ( until 1806 ) 1756-1814 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/karl-lichnowsky-prince-portrait-of-beethoven-s-benefactor-until-1806-image155406106.html
RMK0RA22–Karl Lichnowsky ( Prince ) - portrait of Beethoven 's benefactor ( until 1806 ) 1756-1814
Thailand: Khaw Soo Chiang (Kho Suchiang) Na Ranong (1797-1882), ethnic Chinese founder of the Setthi Na Ranong family, 19th century. Khaw Soo Cheang was a Chinese immigrant from Zhangzhou, Fujian Province. He left China at the age of 25, first arriving in Penang before moving to Siam in 1822. Soo Cheang started a highly successful tin mining and shipping business, and was appointed governor of Ranong Province by King Mongkut in 1854, who also gave him the princely title of Phraya Na Ranong. His family, the Khaw Na Ranong Family became one of Thailand's most prominent Thai Chinese families. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thailand-khaw-soo-chiang-kho-suchiang-na-ranong-1797-1882-ethnic-chinese-founder-of-the-setthi-na-ranong-family-19th-century-khaw-soo-cheang-was-a-chinese-immigrant-from-zhangzhou-fujian-province-he-left-china-at-the-age-of-25-first-arriving-in-penang-before-moving-to-siam-in-1822-soo-cheang-started-a-highly-successful-tin-mining-and-shipping-business-and-was-appointed-governor-of-ranong-province-by-king-mongkut-in-1854-who-also-gave-him-the-princely-title-of-phraya-na-ranong-his-family-the-khaw-na-ranong-family-became-one-of-thailands-most-prominent-thai-chinese-families-image344236840.html
RM2B019GT–Thailand: Khaw Soo Chiang (Kho Suchiang) Na Ranong (1797-1882), ethnic Chinese founder of the Setthi Na Ranong family, 19th century. Khaw Soo Cheang was a Chinese immigrant from Zhangzhou, Fujian Province. He left China at the age of 25, first arriving in Penang before moving to Siam in 1822. Soo Cheang started a highly successful tin mining and shipping business, and was appointed governor of Ranong Province by King Mongkut in 1854, who also gave him the princely title of Phraya Na Ranong. His family, the Khaw Na Ranong Family became one of Thailand's most prominent Thai Chinese families.
Painting of a tea-house in Vedo, Japan. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-of-a-tea-house-in-vedo-japan-dated-19th-century-image330685757.html
RM2A6011H–Painting of a tea-house in Vedo, Japan. Dated 19th Century
Robert E. Lee (1807-1870), celebrated Confederate General in the United States Civil War. Painting of General Robert E. Lee and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-robert-e-lee-1807-1870-celebrated-confederate-general-in-the-united-50024194.html
RMCWAPAA–Robert E. Lee (1807-1870), celebrated Confederate General in the United States Civil War. Painting of General Robert E. Lee and
Alabama Claims, Diplomats meeting for the Geneva arbitration, 1872, Room in the Hotel De Beau Rivage, 1870s, 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alabama-claims-diplomats-meeting-for-the-geneva-arbitration-1872-room-in-the-hotel-de-beau-rivage-1870s-19th-century-image613057892.html
RM2XHB5GM–Alabama Claims, Diplomats meeting for the Geneva arbitration, 1872, Room in the Hotel De Beau Rivage, 1870s, 19th Century
Part of a letter from Matthew Prior the poet, late 17th-early 18th century, (1840). Artist: Matthew Prior Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-a-letter-from-matthew-prior-the-poet-late-17th-early-18th-century-1840-artist-matthew-prior-image262750716.html
RMW7D964–Part of a letter from Matthew Prior the poet, late 17th-early 18th century, (1840). Artist: Matthew Prior
Savigny, Friedrich Carl von, 21.2.1779 - 25.10.1861, German jurisprudent, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/savigny-friedrich-carl-von-2121779-25101861-german-jurisprudent-additional-rights-clearance-info-not-available-image604232544.html
RM2X314NM–Savigny, Friedrich Carl von, 21.2.1779 - 25.10.1861, German jurisprudent, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
Reproduction of a painting by Ernest Renoux, Photographer, 19th-20th century, Photograph, Photo negative on glass, Dimensions - Work: Height: 13 cm, Width: 18 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reproduction-of-a-painting-by-ernest-renoux-photographer-19th-20th-century-photograph-photo-negative-on-glass-dimensions-work-height-13-cm-width-18-cm-image573221501.html
RM2T8GDTD–Reproduction of a painting by Ernest Renoux, Photographer, 19th-20th century, Photograph, Photo negative on glass, Dimensions - Work: Height: 13 cm, Width: 18 cm
112 Cardinal Gerdil - 19th century painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/112-cardinal-gerdil-19th-century-painting-image214257556.html
RMPCG7KG–112 Cardinal Gerdil - 19th century painting
Peninsular War; Prisoners of War; After the painting by William Frederick Yeames RA (1835 - 1918). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peninsular-war-prisoners-of-war-after-the-painting-by-william-frederick-yeames-ra-1835-1918-image351876949.html
RM2BCDAHW–Peninsular War; Prisoners of War; After the painting by William Frederick Yeames RA (1835 - 1918).
Presentation of the captive Osman Pasha to Emperor Alexander II. Copy of a 19th century painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/presentation-of-the-captive-osman-pasha-to-emperor-alexander-ii-copy-of-a-19th-century-painting-image534886568.html
RM2P2657M–Presentation of the captive Osman Pasha to Emperor Alexander II. Copy of a 19th century painting.
Engraving depicting a young woman and her maid hanging a painting in an attempt to redecorate. Date 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-depicting-a-young-woman-and-her-maid-hanging-a-painting-in-an-attempt-to-redecorate-date-19th-century-image481837347.html
RM2JYWGCK–Engraving depicting a young woman and her maid hanging a painting in an attempt to redecorate. Date 19th Century
Jacob Wrestles with the Angel by W. Ebbinghaus, 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jacob-wrestles-with-the-angel-by-w-ebbinghaus-19th-century-30472456.html
RMBNG3X0–Jacob Wrestles with the Angel by W. Ebbinghaus, 19th Century
Felsenküste bei Bournemouth, 1860, im Südwesten von England, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / Rocky coast near Bournemouth, 1860, in the southwest of England, digitally restored reproduction of an original 19th century painting, exact original date unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/felsenkste-bei-bournemouth-1860-im-sdwesten-von-england-digital-restaurierte-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-genaues-originaldatum-nicht-bekannt-rocky-coast-near-bournemouth-1860-in-the-southwest-of-england-digitally-restored-reproduction-of-an-original-19th-century-painting-exact-original-date-unknown-image474622006.html
RF2JG4W5X–Felsenküste bei Bournemouth, 1860, im Südwesten von England, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / Rocky coast near Bournemouth, 1860, in the southwest of England, digitally restored reproduction of an original 19th century painting, exact original date unknown
The painting from the first half of the 19th century shows the Zeughaus (right) and the Kronprinzenpalais (Crown Prince's Palace) (left). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painting-from-the-first-half-of-the-19th-century-shows-the-zeughaus-right-and-the-kronprinzenpalais-crown-princes-palace-left-image385781097.html
RM2DBHRM9–The painting from the first half of the 19th century shows the Zeughaus (right) and the Kronprinzenpalais (Crown Prince's Palace) (left).
Advertising poster. Painting by an Austrian artist Julius Klinger. Illustration of the 19th century. Germany. White background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/advertising-poster-painting-by-an-austrian-artist-julius-klinger-illustration-of-the-19th-century-germany-white-background-image483712415.html
RF2K2Y03B–Advertising poster. Painting by an Austrian artist Julius Klinger. Illustration of the 19th century. Germany. White background.
Black Cleitus saves Alexander in the charge at the Granicus (19th century adaptation from the painting by Charles le Brun) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-black-cleitus-saves-alexander-in-the-charge-at-the-granicus-19th-century-132661764.html
RMHKR7C4–Black Cleitus saves Alexander in the charge at the Granicus (19th century adaptation from the painting by Charles le Brun)
Aegidius Punter, and artist, admires his sole exhibit an a local art exhibition whilst dreaming of future fame. From the Camera Obscura, a 19th Century collection of Dutch humorous-realistic essays, stories and sketches in which Hildebrand, the author, takes an ironic look at the behavior of the 'well-to-do', finding them bourgeois and without a good word for them. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aegidius-punter-and-artist-admires-his-sole-exhibit-an-a-local-art-exhibition-whilst-dreaming-of-future-fame-from-the-camera-obscura-a-19th-century-collection-of-dutch-humorous-realistic-essays-stories-and-sketches-in-which-hildebrand-the-author-takes-an-ironic-look-at-the-behavior-of-the-well-to-do-finding-them-bourgeois-and-without-a-good-word-for-them-image240789139.html
RMRYMW03–Aegidius Punter, and artist, admires his sole exhibit an a local art exhibition whilst dreaming of future fame. From the Camera Obscura, a 19th Century collection of Dutch humorous-realistic essays, stories and sketches in which Hildebrand, the author, takes an ironic look at the behavior of the 'well-to-do', finding them bourgeois and without a good word for them.
Santiago Unknown. , 19th century. painting on fabric, 8 1/16 x 5 7/8 in. (20.5 x 14.9 cm). American Art 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santiago-unknown-19th-century-painting-on-fabric-8-116-x-5-78-in-205-x-149-cm-american-art-19th-century-image504725952.html
RM2M9472T–Santiago Unknown. , 19th century. painting on fabric, 8 1/16 x 5 7/8 in. (20.5 x 14.9 cm). American Art 19th century
Samuel Wesley - portrait by J. Jackson. English organist, composer and conductor. 24 February 1766 - 11 October 1837. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-samuel-wesley-portrait-by-j-jackson-english-organist-composer-and-163031628.html
RMKD6ME4–Samuel Wesley - portrait by J. Jackson. English organist, composer and conductor. 24 February 1766 - 11 October 1837.
Japan: Portrait of Jippensha Ikku (1765 – 12 September 1831), Japanese writer. Illustration by Utagawa Kunisada (1786-1865), 19th century. Jippensha Ikku, real name Shigeta Sadakazu, was a prolific Japanese writer from the late Edo period. He lived primarily in Edo (Tokyo) in the service of samurai, but also spent some time in Osaka as a townsman. He was among the most prolific yellow-backed novel (kibyōshi) writers of his time - between 1795 and 1801 he wrote a minimum of twenty novels a year, and thereafter wrote sharebon, kokkeibon and over 360 illustrated stories (gokan). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-portrait-of-jippensha-ikku-1765-12-september-1831-japanese-writer-illustration-by-utagawa-kunisada-1786-1865-19th-century-jippensha-ikku-real-name-shigeta-sadakazu-was-a-prolific-japanese-writer-from-the-late-edo-period-he-lived-primarily-in-edo-tokyo-in-the-service-of-samurai-but-also-spent-some-time-in-osaka-as-a-townsman-he-was-among-the-most-prolific-yellow-backed-novel-kibyshi-writers-of-his-time-between-1795-and-1801-he-wrote-a-minimum-of-twenty-novels-a-year-and-thereafter-wrote-sharebon-kokkeibon-and-over-360-illustrated-stories-gokan-image344234399.html
RM2B016DK–Japan: Portrait of Jippensha Ikku (1765 – 12 September 1831), Japanese writer. Illustration by Utagawa Kunisada (1786-1865), 19th century. Jippensha Ikku, real name Shigeta Sadakazu, was a prolific Japanese writer from the late Edo period. He lived primarily in Edo (Tokyo) in the service of samurai, but also spent some time in Osaka as a townsman. He was among the most prolific yellow-backed novel (kibyōshi) writers of his time - between 1795 and 1801 he wrote a minimum of twenty novels a year, and thereafter wrote sharebon, kokkeibon and over 360 illustrated stories (gokan).
Painting titled 'Columbus sighting America' by George Harvey (1806-1876) Scottish painter. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-titled-columbus-sighting-america-by-george-harvey-1806-1876-scottish-painter-dated-19th-century-image330685642.html
RM2A600WE–Painting titled 'Columbus sighting America' by George Harvey (1806-1876) Scottish painter. Dated 19th Century
Tetanus (Lockjaw) victim. The contracted body of soldier suffering from tetanus. Engraving from painting by Charles Bell, 1809. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tetanus-lockjaw-victim-the-contracted-body-of-soldier-suffering-from-50048070.html
RMCWBTR2–Tetanus (Lockjaw) victim. The contracted body of soldier suffering from tetanus. Engraving from painting by Charles Bell, 1809.
Engraving of the exterior of Montgomery Place, an early 19th century estate and National Historic Landmark, Annandale-on-Hudson, New York, 1836. From the New York Public Library. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-engraving-of-the-exterior-of-montgomery-place-an-early-19th-century-170501317.html
RMKWB04N–Engraving of the exterior of Montgomery Place, an early 19th century estate and National Historic Landmark, Annandale-on-Hudson, New York, 1836. From the New York Public Library.
'The Battle of the Pictures', 19th century.Artist: William Hogarth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-battle-of-the-pictures-19th-centuryartist-william-hogarth-image262749435.html
RMW7D7GB–'The Battle of the Pictures', 19th century.Artist: William Hogarth
Schichtl, Michael August, 22.10.1851 - 16.2.1911, German carny (on the left), ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schichtl-michael-august-22101851-1621911-german-carny-on-the-left-additional-rights-clearance-info-not-available-image604025632.html
RM2X2KMT0–Schichtl, Michael August, 22.10.1851 - 16.2.1911, German carny (on the left), ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
Portrait of Louis Ratisbonne, Scheffer, Ary, Painter, In 1852, 2nd half of the 19th century, Musée de la Vie romantique, Painting, Painting in oil, Height: 46.5 cm, Width: 38.5 cm, Dimensions - Frame:, Height: 82 cm, Width: 74 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-louis-ratisbonne-scheffer-ary-painter-in-1852-2nd-half-of-the-19th-century-muse-de-la-vie-romantique-painting-painting-in-oil-height-465-cm-width-385-cm-dimensions-frame-height-82-cm-width-74-cm-image573423962.html
RM2T8WM36–Portrait of Louis Ratisbonne, Scheffer, Ary, Painter, In 1852, 2nd half of the 19th century, Musée de la Vie romantique, Painting, Painting in oil, Height: 46.5 cm, Width: 38.5 cm, Dimensions - Frame:, Height: 82 cm, Width: 74 cm
. English: Hyacinthe Sigismond Gerdil . 25 May 2012. Unknown 97 Cardinal Gerdil - 19th century painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-hyacinthe-sigismond-gerdil-25-may-2012-unknown-97-cardinal-gerdil-19th-century-painting-image188959340.html
RMMYBRFT–. English: Hyacinthe Sigismond Gerdil . 25 May 2012. Unknown 97 Cardinal Gerdil - 19th century painting
Black and White Illustration; Commerce and Sea Power from the painting by W. L. Wyllie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-white-illustration-commerce-and-sea-power-from-the-painting-by-w-l-wyllie-image458415636.html
RM2HHPHR0–Black and White Illustration; Commerce and Sea Power from the painting by W. L. Wyllie
The liberation of the garrison of the Bayezid Fortress on June 28, 1877. Copy of a 19th century painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-liberation-of-the-garrison-of-the-bayezid-fortress-on-june-28-1877-copy-of-a-19th-century-painting-image531148069.html
RM2NT3TNW–The liberation of the garrison of the Bayezid Fortress on June 28, 1877. Copy of a 19th century painting.
Painting titled 'Haystacking' by William H. Hopkins (1853-1892) a British artist. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-painting-titled-haystacking-by-william-h-hopkins-1853-1892-a-british-162596533.html
RMKCEWF1–Painting titled 'Haystacking' by William H. Hopkins (1853-1892) a British artist. Dated 19th Century
The First-Comers by Eugenio Cecconi, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-first-comers-by-eugenio-cecconi-19th-century-30471156.html
RMBNG27G–The First-Comers by Eugenio Cecconi, 19th century
Das Prinz Akbert-Denkmal in London im Jahre 1870, England, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / The Prince Albert Monument in London in 1870, England, digitally restored reproduction of an original 19th century painting, exact original date not known Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/das-prinz-akbert-denkmal-in-london-im-jahre-1870-england-digital-restaurierte-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-genaues-originaldatum-nicht-bekannt-the-prince-albert-monument-in-london-in-1870-england-digitally-restored-reproduction-of-an-original-19th-century-painting-exact-original-date-not-known-image474622462.html
RF2JG4WP6–Das Prinz Akbert-Denkmal in London im Jahre 1870, England, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / The Prince Albert Monument in London in 1870, England, digitally restored reproduction of an original 19th century painting, exact original date not known
The painting by Johann Heinrich Hintze from the first half of the 19th century shows the Belle-Alliance-Platz in Berlin (today Mehringplatz) with the Victory Column in the middle. Seen from Halleschen Tor, the Friedrichstrasse (center of the picture) and the Lindenstrasse (right) lead into the center of Berlin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painting-by-johann-heinrich-hintze-from-the-first-half-of-the-19th-century-shows-the-belle-alliance-platz-in-berlin-today-mehringplatz-with-the-victory-column-in-the-middle-seen-from-halleschen-tor-the-friedrichstrasse-center-of-the-picture-and-the-lindenstrasse-right-lead-into-the-center-of-berlin-image385781186.html
RM2DBHRRE–The painting by Johann Heinrich Hintze from the first half of the 19th century shows the Belle-Alliance-Platz in Berlin (today Mehringplatz) with the Victory Column in the middle. Seen from Halleschen Tor, the Friedrichstrasse (center of the picture) and the Lindenstrasse (right) lead into the center of Berlin.
Christmas Eve is a painting by German artist Ludwig Richter. Illustration of the 19th century. White background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christmas-eve-is-a-painting-by-german-artist-ludwig-richter-illustration-of-the-19th-century-white-background-image483712331.html
RF2K2Y00B–Christmas Eve is a painting by German artist Ludwig Richter. Illustration of the 19th century. White background.
The injured Rajah Porus is brought before Alexander (19th century adaptation from the painting in the Louvre done in 1673 by Charles le Brun) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-injured-rajah-porus-is-brought-before-alexander-19th-century-adaptation-132492640.html
RMHKFFM0–The injured Rajah Porus is brought before Alexander (19th century adaptation from the painting in the Louvre done in 1673 by Charles le Brun)
A mid-19th century view of Milford Haven in Pembrokeshire, Wales from a painting by Edward Henry Wehnert (1813–1868), an English-born painter of landscape. The town founded in 1790 by Sir William Hamilton, who designed a grid pattern is situated on the north side of the Milford Haven Waterway, an estuary forming a natural harbour and has been used as a port since the Middle Ages. It was originally intended to be a whaling centre, though by 1800 it was developing as a Royal Navy dockyard which it remained until the dockyard was transferred to Pembroke in 1814. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-mid-19th-century-view-of-milford-haven-in-pembrokeshire-wales-from-a-painting-by-edward-henry-wehnert-18131868-an-english-born-painter-of-landscape-the-town-founded-in-1790-by-sir-william-hamilton-who-designed-a-grid-pattern-is-situated-on-the-north-side-of-the-milford-haven-waterway-an-estuary-forming-a-natural-harbour-and-has-been-used-as-a-port-since-the-middle-ages-it-was-originally-intended-to-be-a-whaling-centre-though-by-1800-it-was-developing-as-a-royal-navy-dockyard-which-it-remained-until-the-dockyard-was-transferred-to-pembroke-in-1814-image491497916.html
RM2KFHJH0–A mid-19th century view of Milford Haven in Pembrokeshire, Wales from a painting by Edward Henry Wehnert (1813–1868), an English-born painter of landscape. The town founded in 1790 by Sir William Hamilton, who designed a grid pattern is situated on the north side of the Milford Haven Waterway, an estuary forming a natural harbour and has been used as a port since the Middle Ages. It was originally intended to be a whaling centre, though by 1800 it was developing as a Royal Navy dockyard which it remained until the dockyard was transferred to Pembroke in 1814.
Trinity Unknown. , early 19th century. Painting on tin, 12 1/2 x 16 1/4 in. (31.8 x 41.3 cm). American Art early 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trinity-unknown-early-19th-century-painting-on-tin-12-12-x-16-14-in-318-x-413-cm-american-art-early-19th-century-image504706411.html
RM2M93A4Y–Trinity Unknown. , early 19th century. Painting on tin, 12 1/2 x 16 1/4 in. (31.8 x 41.3 cm). American Art early 19th century
Anton Rubinstein conducting - Russian composer and pianist - Bassed on painting by Repin. Brother of Nikolai Rubinstein. 1829-1894. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-anton-rubinstein-conducting-russian-composer-and-pianist-bassed-on-163610660.html
RMKE531T–Anton Rubinstein conducting - Russian composer and pianist - Bassed on painting by Repin. Brother of Nikolai Rubinstein. 1829-1894.
JUSTUS von LIEBIG (1803-1873) German scientist and one of the founders of organic chemistry. An 1843 lithograph from an 1821 painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/justus-von-liebig-1803-1873-german-scientist-and-one-of-the-founders-of-organic-chemistry-an-1843-lithograph-from-an-1821-painting-image428944783.html
RM2FWT3CF–JUSTUS von LIEBIG (1803-1873) German scientist and one of the founders of organic chemistry. An 1843 lithograph from an 1821 painting.
Painting depicting a Circassians lady. The Circassians are a North Caucasian ethnic group native to Circassia. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-depicting-a-circassians-lady-the-circassians-are-a-north-caucasian-ethnic-group-native-to-circassia-dated-19th-century-image330685740.html
RM2A60110–Painting depicting a Circassians lady. The Circassians are a North Caucasian ethnic group native to Circassia. Dated 19th Century
Charlotte Bronte (1816-1855), British author. Engraving from an original painting by Alonzo Chappel printed in the early 1870s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charlotte-bronte-1816-1855-british-author-engraving-from-an-original-50029536.html
RMCWB154–Charlotte Bronte (1816-1855), British author. Engraving from an original painting by Alonzo Chappel printed in the early 1870s.
An illustrated self-portrait of James Abbott McNeill Whistler, he was an American born artist active during the 19th century, he was a vocal proponent of the 'art for art's sake' movement which believes in the intrinsic value art without a need for sentimentality or moral allusion, he is most famous for his painting commonly known as Whistler's Mother, 1859. From the New York Public Library. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-an-illustrated-self-portrait-of-james-abbott-mcneill-whistler-he-was-166683174.html
RMKK522E–An illustrated self-portrait of James Abbott McNeill Whistler, he was an American born artist active during the 19th century, he was a vocal proponent of the 'art for art's sake' movement which believes in the intrinsic value art without a need for sentimentality or moral allusion, he is most famous for his painting commonly known as Whistler's Mother, 1859. From the New York Public Library.
'Caligula's Palace and Bridge', 19th century.Artist: E Goodall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caligulas-palace-and-bridge-19th-centuryartist-e-goodall-image262756305.html
RMW7DG9N–'Caligula's Palace and Bridge', 19th century.Artist: E Goodall
. English: Hyacinthe Sigismond Gerdil . 25 May 2012. Unknown 112 Cardinal Gerdil - 19th century painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-hyacinthe-sigismond-gerdil-25-may-2012-unknown-112-cardinal-gerdil-19th-century-painting-image187679728.html
RMMW9FBC–. English: Hyacinthe Sigismond Gerdil . 25 May 2012. Unknown 112 Cardinal Gerdil - 19th century painting
Reproduction of a painting by James J McDonald in 1906 depicting Maori warriors preparing for an attack on their pa. A warrior in the foreground is blowing a warning on a conch while others gather at the palisades. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reproduction-of-a-painting-by-james-j-mcdonald-in-1906-depicting-maori-warriors-preparing-for-an-attack-on-their-pa-a-warrior-in-the-foreground-is-blowing-a-warning-on-a-conch-while-others-gather-at-the-palisades-image602107632.html
RM2WYGAC0–Reproduction of a painting by James J McDonald in 1906 depicting Maori warriors preparing for an attack on their pa. A warrior in the foreground is blowing a warning on a conch while others gather at the palisades.
Slave embankment on the Grand Canal in Venice. Doge's Palace overlooking St. Mark's Campanile. Copy of a 19th century painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/slave-embankment-on-the-grand-canal-in-venice-doges-palace-overlooking-st-marks-campanile-copy-of-a-19th-century-painting-image531147834.html
RM2NT3TDE–Slave embankment on the Grand Canal in Venice. Doge's Palace overlooking St. Mark's Campanile. Copy of a 19th century painting.