19th century unidentified artist chinese Stock Photos and Images
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19th century unidentified artist chinese Stock Photos and Images
Unidentified Artist, Chinese Ships at Nagasaki, Japan, Edo period (1615–1868), Unidentified Artist Japanese, 19th century, ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Sheet: 6 3/8 x 18 3/16 in. (16.2 x 46.2 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-artist-chinese-ships-at-nagasaki-japan-edo-period-16151868-unidentified-artist-japanese-19th-century-ca-1840-japan-polychrome-woodblock-print-ink-and-color-on-paper-sheet-6-38-x-18-316-in-162-x-462-cm-prints-image344661588.htmlRM2B0MKAC–Unidentified Artist, Chinese Ships at Nagasaki, Japan, Edo period (1615–1868), Unidentified Artist Japanese, 19th century, ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Sheet: 6 3/8 x 18 3/16 in. (16.2 x 46.2 cm), Prints
Commendation Scroll. Artist: Unidentified Artist Chinese, 19th century. Culture: China. Dimensions: 13 3/4 x 176 1/2 in. (34.9 x 448.3 cm). Date: dated 1835. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/commendation-scroll-artist-unidentified-artist-chinese-19th-century-culture-china-dimensions-13-34-x-176-12-in-349-x-4483-cm-date-dated-1835-museum-metropolitan-museum-of-art-new-york-usa-image212913411.htmlRMPAB16B–Commendation Scroll. Artist: Unidentified Artist Chinese, 19th century. Culture: China. Dimensions: 13 3/4 x 176 1/2 in. (34.9 x 448.3 cm). Date: dated 1835. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Procession, Qing dynasty (1644–1911), late 19th century, China, Handscroll; ink and color on silk, 9 5/8 x 25 in. (24.4 x 63.5 cm), Paintings, Unidentified Artist Chinese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-procession-qing-dynasty-16441911-late-19th-century-china-handscroll-ink-and-color-on-silk-9-58-x-25-in-244-x-635-cm-paintings-unidentified-artist-chinese-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462912766.htmlRF2HW3DXP–Art inspired by Procession, Qing dynasty (1644–1911), late 19th century, China, Handscroll; ink and color on silk, 9 5/8 x 25 in. (24.4 x 63.5 cm), Paintings, Unidentified Artist Chinese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Commendation Scroll dated 1835 Unidentified artist. Commendation Scroll. Unidentified artist Chinese, 19th century. China. dated 1835. Handscroll; ink and color on silk and paper. Qing dynasty (1644–1911). Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/commendation-scroll-dated-1835-unidentified-artist-commendation-scroll-unidentified-artist-chinese-19th-century-china-dated-1835-handscroll-ink-and-color-on-silk-and-paper-qing-dynasty-16441911-paintings-image458476133.htmlRM2HHWAYH–Commendation Scroll dated 1835 Unidentified artist. Commendation Scroll. Unidentified artist Chinese, 19th century. China. dated 1835. Handscroll; ink and color on silk and paper. Qing dynasty (1644–1911). Paintings
Unidentified Marital Scene, c1800-c1850. Artist: Anon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-marital-scene-c1800-c1850-artist-anon-image60077240.htmlRMDDMN3M–Unidentified Marital Scene, c1800-c1850. Artist: Anon
Dragon-boat festival performance 18th–19th century Unidentified artist. Dragon-boat festival performance. Unidentified artist Chinese. China. 18th–19th century. Silk and metal thread tapestry (kesi). Qing dynasty (1644–1911). Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dragon-boat-festival-performance-18th19th-century-unidentified-artist-dragon-boat-festival-performance-unidentified-artist-chinese-china-18th19th-century-silk-and-metal-thread-tapestry-kesi-qing-dynasty-16441911-paintings-image457912470.htmlRM2HGYM0P–Dragon-boat festival performance 18th–19th century Unidentified artist. Dragon-boat festival performance. Unidentified artist Chinese. China. 18th–19th century. Silk and metal thread tapestry (kesi). Qing dynasty (1644–1911). Paintings
Portrait of Qianlong Emperor As a Young Man 19th century Unidentified artist. Portrait of Qianlong Emperor As a Young Man. Unidentified artist Chinese, 19th century. China. 19th century. Hanging scroll; ink and color on silk. Qing dynasty (1644–1911). Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-qianlong-emperor-as-a-young-man-19th-century-unidentified-artist-portrait-of-qianlong-emperor-as-a-young-man-unidentified-artist-chinese-19th-century-china-19th-century-hanging-scroll-ink-and-color-on-silk-qing-dynasty-16441911-paintings-image458136326.htmlRM2HH9WFJ–Portrait of Qianlong Emperor As a Young Man 19th century Unidentified artist. Portrait of Qianlong Emperor As a Young Man. Unidentified artist Chinese, 19th century. China. 19th century. Hanging scroll; ink and color on silk. Qing dynasty (1644–1911). Paintings
Twenty-four Paragons of Filial Piety 19th century Unidentified artist. Twenty-four Paragons of Filial Piety. Unidentified artist Chinese, 19th century. China. 19th century. Album of fifty-one leaves of paintings and calligraphy; ink, wash and color on paper. Qing dynasty (1644–1911). Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/twenty-four-paragons-of-filial-piety-19th-century-unidentified-artist-twenty-four-paragons-of-filial-piety-unidentified-artist-chinese-19th-century-china-19th-century-album-of-fifty-one-leaves-of-paintings-and-calligraphy-ink-wash-and-color-on-paper-qing-dynasty-16441911-paintings-image458435297.htmlRM2HHREW5–Twenty-four Paragons of Filial Piety 19th century Unidentified artist. Twenty-four Paragons of Filial Piety. Unidentified artist Chinese, 19th century. China. 19th century. Album of fifty-one leaves of paintings and calligraphy; ink, wash and color on paper. Qing dynasty (1644–1911). Paintings
Dutch Woman Holding a Dog first half of the 19th century Unidentified artist This print was not produced in Yokohama but rather in Nagasaki, the only port open to foreign trade until the end of the Edo period and thus Japan's only window to foreign countries. Nagasaki prints usually illustrated exotic sailing ships and Dutch and Chinese people. They were an important source for Yokohama prints.. Dutch Woman Holding a Dog 55405 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dutch-woman-holding-a-dog-first-half-of-the-19th-century-unidentified-artist-this-print-was-not-produced-in-yokohama-but-rather-in-nagasaki-the-only-port-open-to-foreign-trade-until-the-end-of-the-edo-period-and-thus-japans-only-window-to-foreign-countries-nagasaki-prints-usually-illustrated-exotic-sailing-ships-and-dutch-and-chinese-people-they-were-an-important-source-for-yokohama-prints-dutch-woman-holding-a-dog-55405-image458641361.htmlRM2HJ4WMH–Dutch Woman Holding a Dog first half of the 19th century Unidentified artist This print was not produced in Yokohama but rather in Nagasaki, the only port open to foreign trade until the end of the Edo period and thus Japan's only window to foreign countries. Nagasaki prints usually illustrated exotic sailing ships and Dutch and Chinese people. They were an important source for Yokohama prints.. Dutch Woman Holding a Dog 55405
Unidentified Artist, Mythical landscape with immortals, China, Qing dynasty (1644–1911), Unidentified Artist Chinese, 18th century, 19th century, China, Silk tapestry (kesi) with sections of hand-painted ink and color, Overall (a): 17 3/4 x 65 in. (45.1 x 165.1 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-artist-mythical-landscape-with-immortals-china-qing-dynasty-16441911-unidentified-artist-chinese-18th-century-19th-century-china-silk-tapestry-kesi-with-sections-of-hand-painted-ink-and-color-overall-a-17-34-x-65-in-451-x-1651-cm-paintings-image344610805.htmlRM2B0JAGN–Unidentified Artist, Mythical landscape with immortals, China, Qing dynasty (1644–1911), Unidentified Artist Chinese, 18th century, 19th century, China, Silk tapestry (kesi) with sections of hand-painted ink and color, Overall (a): 17 3/4 x 65 in. (45.1 x 165.1 cm), Paintings
Album Containing Twelve Paintings of Scenes Along a River. Artist: Unidentified Artist Chinese, 19th century. Culture: China. Dimensions: Image (album): 8 3/4 × 13 1/4 in. (22.2 × 33.7 cm) Overall (album): 9 3/4 × 14 5/8 × 1/2 in. (24.8 × 37.1 × 1.3 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-containing-twelve-paintings-of-scenes-along-a-river-artist-unidentified-artist-chinese-19th-century-culture-china-dimensions-image-album-8-34-13-14-in-222-337-cm-overall-album-9-34-14-58-12-in-248-371-13-cm-date-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213248379.htmlRMPAX8DF–Album Containing Twelve Paintings of Scenes Along a River. Artist: Unidentified Artist Chinese, 19th century. Culture: China. Dimensions: Image (album): 8 3/4 × 13 1/4 in. (22.2 × 33.7 cm) Overall (album): 9 3/4 × 14 5/8 × 1/2 in. (24.8 × 37.1 × 1.3 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Procession, Qing dynasty (1644–1911), late 19th century, China, Handscroll; ink and color on silk, 9 3/4 x 25 1/2 in. (24.8 x 64.8 cm), Paintings, Unidentified Artist Chinese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-procession-qing-dynasty-16441911-late-19th-century-china-handscroll-ink-and-color-on-silk-9-34-x-25-12-in-248-x-648-cm-paintings-unidentified-artist-chinese-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911994.htmlRF2HW3CY6–Art inspired by Procession, Qing dynasty (1644–1911), late 19th century, China, Handscroll; ink and color on silk, 9 3/4 x 25 1/2 in. (24.8 x 64.8 cm), Paintings, Unidentified Artist Chinese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Unidentified Marital Scene, c1800-c1850. Artist: Anon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-marital-scene-c1800-c1850-artist-anon-image60077229.htmlRMDDMN39–Unidentified Marital Scene, c1800-c1850. Artist: Anon
Chinese Ships at Nagasaki ca. 1840 Unidentified artist Two Chinese ships approach the port of Nagasaki. The crew of the ship in the foreground works quickly to lower one of the sails as a small vessel approaches with a group of returning traders. An inscription at upper left declares the ships as trading vessels from Qing, China. It is followed by an inscription detailing the mission. The red seal at right bears the name of the print’s publisher, “Bunsaid?.”. Chinese Ships at Nagasaki. Unidentified artist Japanese, 19th century. Japan. ca. 1840. Woodblock print (nishiki-e); ink and color on pa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chinese-ships-at-nagasaki-ca-1840-unidentified-artist-two-chinese-ships-approach-the-port-of-nagasaki-the-crew-of-the-ship-in-the-foreground-works-quickly-to-lower-one-of-the-sails-as-a-small-vessel-approaches-with-a-group-of-returning-traders-an-inscription-at-upper-left-declares-the-ships-as-trading-vessels-from-qing-china-it-is-followed-by-an-inscription-detailing-the-mission-the-red-seal-at-right-bears-the-name-of-the-prints-publisher-bunsaid-chinese-ships-at-nagasaki-unidentified-artist-japanese-19th-century-japan-ca-1840-woodblock-print-nishiki-e-ink-and-color-on-pa-image458627324.htmlRM2HJ47R8–Chinese Ships at Nagasaki ca. 1840 Unidentified artist Two Chinese ships approach the port of Nagasaki. The crew of the ship in the foreground works quickly to lower one of the sails as a small vessel approaches with a group of returning traders. An inscription at upper left declares the ships as trading vessels from Qing, China. It is followed by an inscription detailing the mission. The red seal at right bears the name of the print’s publisher, “Bunsaid?.”. Chinese Ships at Nagasaki. Unidentified artist Japanese, 19th century. Japan. ca. 1840. Woodblock print (nishiki-e); ink and color on pa
Portrait of a man in court robes with fur surcoat Unidentified artist late 18th–early 19th century This portrait depicts a middle-aged man in court robes topped by a sumptuous fur coat. Building on both Chinese and European precedents, the artist shaded the face to suggest three-dimensional volume; the glistening white dot in the eye, suggesting moistness, is a purely European convention adopted by the artist during a time when images from abroad were becoming more widely available in China. The man sits before a screen painted with a floral rebus, or multipart visual pun: magnolia (yulan ??), Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-in-court-robes-with-fur-surcoat-unidentified-artist-late-18thearly-19th-century-this-portrait-depicts-a-middle-aged-man-in-court-robes-topped-by-a-sumptuous-fur-coat-building-on-both-chinese-and-european-precedents-the-artist-shaded-the-face-to-suggest-three-dimensional-volume-the-glistening-white-dot-in-the-eye-suggesting-moistness-is-a-purely-european-convention-adopted-by-the-artist-during-a-time-when-images-from-abroad-were-becoming-more-widely-available-in-china-the-man-sits-before-a-screen-painted-with-a-floral-rebus-or-multipart-visual-pun-magnolia-yulan-image569501980.htmlRM2T2F1GC–Portrait of a man in court robes with fur surcoat Unidentified artist late 18th–early 19th century This portrait depicts a middle-aged man in court robes topped by a sumptuous fur coat. Building on both Chinese and European precedents, the artist shaded the face to suggest three-dimensional volume; the glistening white dot in the eye, suggesting moistness, is a purely European convention adopted by the artist during a time when images from abroad were becoming more widely available in China. The man sits before a screen painted with a floral rebus, or multipart visual pun: magnolia (yulan ??),
Unidentified Artist, Dragon-boat festival performance, China, Qing dynasty (1644–1911), Unidentified Artist Chinese, 18th–19th century, China, Silk and metal thread tapestry (kesi), 30 × 42 1/2 in. (76.2 × 108 cm), Pressure-mounted: 35 × 47 × 1 1/2 in. (88.9 × 119.4 × 3.8 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-artist-dragon-boat-festival-performance-china-qing-dynasty-16441911-unidentified-artist-chinese-18th19th-century-china-silk-and-metal-thread-tapestry-kesi-30-42-12-in-762-108-cm-pressure-mounted-35-47-1-12-in-889-1194-38-cm-paintings-image344639591.htmlRM2B0KK8R–Unidentified Artist, Dragon-boat festival performance, China, Qing dynasty (1644–1911), Unidentified Artist Chinese, 18th–19th century, China, Silk and metal thread tapestry (kesi), 30 × 42 1/2 in. (76.2 × 108 cm), Pressure-mounted: 35 × 47 × 1 1/2 in. (88.9 × 119.4 × 3.8 cm), Paintings
Map of the Grand Canal from Beijing to the Yangzi River. Artist: Unidentified Artist Chinese, late 18th or early 19th century. Culture: China. Dimensions: Image: 21 7/8 in. × 30 ft. 7 in. (55.6 × 932.2 cm) Overall: H. 32 1/4 in. (81.9 cm). Date: late 18th or early 19th century. Managing China's complex network of rivers, canals, and irrigation systems has been one of the abiding concerns of its rulers. From the fourteenth century, the Grand Canal served as the major artery for transporting grain from the wealthy agricultural regions south of the Yangzi River to the capital city of Beijing in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-the-grand-canal-from-beijing-to-the-yangzi-river-artist-unidentified-artist-chinese-late-18th-or-early-19th-century-culture-china-dimensions-image-21-78-in-30-ft-7-in-556-9322-cm-overall-h-32-14-in-819-cm-date-late-18th-or-early-19th-century-managing-chinas-complex-network-of-rivers-canals-and-irrigation-systems-has-been-one-of-the-abiding-concerns-of-its-rulers-from-the-fourteenth-century-the-grand-canal-served-as-the-major-artery-for-transporting-grain-from-the-wealthy-agricultural-regions-south-of-the-yangzi-river-to-the-capital-city-of-beijing-in-image212900974.htmlRMPAADA6–Map of the Grand Canal from Beijing to the Yangzi River. Artist: Unidentified Artist Chinese, late 18th or early 19th century. Culture: China. Dimensions: Image: 21 7/8 in. × 30 ft. 7 in. (55.6 × 932.2 cm) Overall: H. 32 1/4 in. (81.9 cm). Date: late 18th or early 19th century. Managing China's complex network of rivers, canals, and irrigation systems has been one of the abiding concerns of its rulers. From the fourteenth century, the Grand Canal served as the major artery for transporting grain from the wealthy agricultural regions south of the Yangzi River to the capital city of Beijing in
Art inspired by Poem on Early Spring, 19th–20th century, China, Hanging scroll; ink on paper, Image: 53 7/16 x 26 in. (135.7 x 66 cm), Calligraphy, Unidentified Artist, After Zheng Xie (Chinese, 1693–1765, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-poem-on-early-spring-19th20th-century-china-hanging-scroll-ink-on-paper-image-53-716-x-26-in-1357-x-66-cm-calligraphy-unidentified-artist-after-zheng-xie-chinese-16931765-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462912362.htmlRF2HW3DCA–Art inspired by Poem on Early Spring, 19th–20th century, China, Hanging scroll; ink on paper, Image: 53 7/16 x 26 in. (135.7 x 66 cm), Calligraphy, Unidentified Artist, After Zheng Xie (Chinese, 1693–1765, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Lady and Attendant, Qing dynasty (1644–1911), 19th century, China, Hanging scroll; paint on paper, 63 3/4 x 24 3/8 in. (161.9 x 61.9 cm), Paintings, Unidentified Artist Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-lady-and-attendant-qing-dynasty-16441911-19th-century-china-hanging-scroll-paint-on-paper-63-34-x-24-38-in-1619-x-619-cm-paintings-unidentified-artist-chinese-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462912215.htmlRF2HW3D73–Art inspired by Lady and Attendant, Qing dynasty (1644–1911), 19th century, China, Hanging scroll; paint on paper, 63 3/4 x 24 3/8 in. (161.9 x 61.9 cm), Paintings, Unidentified Artist Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Unidentified Marital Scene, c1800-c1850. Artist: Anon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-marital-scene-c1800-c1850-artist-anon-image60077231.htmlRMDDMN3B–Unidentified Marital Scene, c1800-c1850. Artist: Anon
Art inspired by Fishermen Hermits in River Country, 19th or 20th century, China, Handscroll; ink on silk, Image: 12 1/8 x 187 1/8 in. (30.8 x 475.3 cm), Paintings, Unidentified Artist Chinese, 19th or 20th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fishermen-hermits-in-river-country-19th-or-20th-century-china-handscroll-ink-on-silk-image-12-18-x-187-18-in-308-x-4753-cm-paintings-unidentified-artist-chinese-19th-or-20th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903502.htmlRF2HW323X–Art inspired by Fishermen Hermits in River Country, 19th or 20th century, China, Handscroll; ink on silk, Image: 12 1/8 x 187 1/8 in. (30.8 x 475.3 cm), Paintings, Unidentified Artist Chinese, 19th or 20th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Eight Landscape Scenes and Calligraphy, Qing dynasty (1644–1911), 19th century, China, Album of twenty-two leaves; ink and wash on paper, 13 3/4 x 9 5/8 in. (34.9 x 24.4 cm), Paintings, Unidentified Artist Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-eight-landscape-scenes-and-calligraphy-qing-dynasty-16441911-19th-century-china-album-of-twenty-two-leaves-ink-and-wash-on-paper-13-34-x-9-58-in-349-x-244-cm-paintings-unidentified-artist-chinese-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462912834.htmlRF2HW3E16–Art inspired by Eight Landscape Scenes and Calligraphy, Qing dynasty (1644–1911), 19th century, China, Album of twenty-two leaves; ink and wash on paper, 13 3/4 x 9 5/8 in. (34.9 x 24.4 cm), Paintings, Unidentified Artist Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Unidentified Artist, Portrait of Yongzheng Empress (1723–1735), China, Qing dynasty (1644–1911), Unidentified Artist Chinese, 19th century, 19th century, China, Hanging scroll; ink and color on silk, Image: 85 3/4 × 37 5/8 in. (217.8 × 95.6 cm), Overall with mounting: 85 3/4 x 37 5/8 in. (217.8 x 95.6 cm), Overall with knobs: 85 3/4 × 41 1/2 in. (217.8 × 105.4 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-artist-portrait-of-yongzheng-empress-17231735-china-qing-dynasty-16441911-unidentified-artist-chinese-19th-century-19th-century-china-hanging-scroll-ink-and-color-on-silk-image-85-34-37-58-in-2178-956-cm-overall-with-mounting-85-34-x-37-58-in-2178-x-956-cm-overall-with-knobs-85-34-41-12-in-2178-1054-cm-paintings-image344601914.htmlRM2B0HY76–Unidentified Artist, Portrait of Yongzheng Empress (1723–1735), China, Qing dynasty (1644–1911), Unidentified Artist Chinese, 19th century, 19th century, China, Hanging scroll; ink and color on silk, Image: 85 3/4 × 37 5/8 in. (217.8 × 95.6 cm), Overall with mounting: 85 3/4 x 37 5/8 in. (217.8 x 95.6 cm), Overall with knobs: 85 3/4 × 41 1/2 in. (217.8 × 105.4 cm), Paintings
Portrait of Qianlong Emperor As a Young Man. Artist: Unidentified Artist Chinese, 19th century. Culture: China. Dimensions: Image: 63 1/2 x 30 1/2 in. (161.3 x 77.5 cm) Overall with mounting: 96 7/8 x 39 1/2 in. (246.1 x 100.3 cm) Overall with knobs: 96 7/8 x 43 1/8 in. (246.1 x 109.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-qianlong-emperor-as-a-young-man-artist-unidentified-artist-chinese-19th-century-culture-china-dimensions-image-63-12-x-30-12-in-1613-x-775-cm-overall-with-mounting-96-78-x-39-12-in-2461-x-1003-cm-overall-with-knobs-96-78-x-43-18-in-2461-x-1095-cm-date-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213115093.htmlRMPAM6D9–Portrait of Qianlong Emperor As a Young Man. Artist: Unidentified Artist Chinese, 19th century. Culture: China. Dimensions: Image: 63 1/2 x 30 1/2 in. (161.3 x 77.5 cm) Overall with mounting: 96 7/8 x 39 1/2 in. (246.1 x 100.3 cm) Overall with knobs: 96 7/8 x 43 1/8 in. (246.1 x 109.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Unidentified Marital Scene, c1800-c1850. Artist: Anon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-marital-scene-c1800-c1850-artist-anon-image60077243.htmlRMDDMN3R–Unidentified Marital Scene, c1800-c1850. Artist: Anon
Art inspired by Album, Qing dynasty (?) (1644–1911), late 19th century, China, Album of twelve leaves; ink and color on pith paper, bound in red damask, 8 3/4 x 13 1/8 in. (22.2 x 33.3 cm), Paintings, Unidentified Artist Chinese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-album-qing-dynasty-16441911-late-19th-century-china-album-of-twelve-leaves-ink-and-color-on-pith-paper-bound-in-red-damask-8-34-x-13-18-in-222-x-333-cm-paintings-unidentified-artist-chinese-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462912761.htmlRF2HW3DXH–Art inspired by Album, Qing dynasty (?) (1644–1911), late 19th century, China, Album of twelve leaves; ink and color on pith paper, bound in red damask, 8 3/4 x 13 1/8 in. (22.2 x 33.3 cm), Paintings, Unidentified Artist Chinese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Unidentified Artist, Portrait of Yongzheng Emperor (1723–1735), China, Qing dynasty (1644–1911), Unidentified Artist Chinese, 19th century, 19th century, China, Hanging scroll; ink and color on silk, Image: 71 1/2 × 41 5/8 in. (181.6 × 105.7 cm), Overall with mounting: 102 1/4 x 47 5/8 in. (259.7 x 121 cm), Overall with knobs: 8 ft. 6 1/4 in. × 51 3/8 in. (259.7 × 130.5 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-artist-portrait-of-yongzheng-emperor-17231735-china-qing-dynasty-16441911-unidentified-artist-chinese-19th-century-19th-century-china-hanging-scroll-ink-and-color-on-silk-image-71-12-41-58-in-1816-1057-cm-overall-with-mounting-102-14-x-47-58-in-2597-x-121-cm-overall-with-knobs-8-ft-6-14-in-51-38-in-2597-1305-cm-paintings-image344601913.htmlRM2B0HY75–Unidentified Artist, Portrait of Yongzheng Emperor (1723–1735), China, Qing dynasty (1644–1911), Unidentified Artist Chinese, 19th century, 19th century, China, Hanging scroll; ink and color on silk, Image: 71 1/2 × 41 5/8 in. (181.6 × 105.7 cm), Overall with mounting: 102 1/4 x 47 5/8 in. (259.7 x 121 cm), Overall with knobs: 8 ft. 6 1/4 in. × 51 3/8 in. (259.7 × 130.5 cm), Paintings
Album. Artist: Unidentified Artist Chinese. Culture: China. Dimensions: 8 3/4 x 13 1/8 in. (22.2 x 33.3 cm). Date: late 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-artist-unidentified-artist-chinese-culture-china-dimensions-8-34-x-13-18-in-222-x-333-cm-date-late-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213261781.htmlRMPAXWG5–Album. Artist: Unidentified Artist Chinese. Culture: China. Dimensions: 8 3/4 x 13 1/8 in. (22.2 x 33.3 cm). Date: late 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Unidentified Marital Scene, c1800-c1850. Artist: Anon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-marital-scene-c1800-c1850-artist-anon-image60077236.htmlRMDDMN3G–Unidentified Marital Scene, c1800-c1850. Artist: Anon
Art inspired by Portrait of Qianlong Emperor As a Young Man, Qing dynasty (1644–1911), 19th century, China, Hanging scroll; ink and color on silk, Image: 63 1/2 x 30 1/2 in. (161.3 x 77.5 cm), Paintings, Unidentified Artist Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-qianlong-emperor-as-a-young-man-qing-dynasty-16441911-19th-century-china-hanging-scroll-ink-and-color-on-silk-image-63-12-x-30-12-in-1613-x-775-cm-paintings-unidentified-artist-chinese-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462912765.htmlRF2HW3DXN–Art inspired by Portrait of Qianlong Emperor As a Young Man, Qing dynasty (1644–1911), 19th century, China, Hanging scroll; ink and color on silk, Image: 63 1/2 x 30 1/2 in. (161.3 x 77.5 cm), Paintings, Unidentified Artist Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Unidentified Artist, Portrait of a Qianlong Empress, China, Qing dynasty (1644–1911), Unidentified Artist Chinese, 19th century, 19th century, China, Hanging scroll; ink and color on silk, Image: 72 3/4 × 43 1/8 in. (184.8 × 109.5 cm), Overall with mounting: 8 ft. 3 3/4 in. × 50 1/2 in. (253.4 × 128.3 cm), Overall with knobs: 8 ft. 3 3/4 in. × 54 1/2 in. (253.4 × 138.4 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-artist-portrait-of-a-qianlong-empress-china-qing-dynasty-16441911-unidentified-artist-chinese-19th-century-19th-century-china-hanging-scroll-ink-and-color-on-silk-image-72-34-43-18-in-1848-1095-cm-overall-with-mounting-8-ft-3-34-in-50-12-in-2534-1283-cm-overall-with-knobs-8-ft-3-34-in-54-12-in-2534-1384-cm-paintings-image344601912.htmlRM2B0HY74–Unidentified Artist, Portrait of a Qianlong Empress, China, Qing dynasty (1644–1911), Unidentified Artist Chinese, 19th century, 19th century, China, Hanging scroll; ink and color on silk, Image: 72 3/4 × 43 1/8 in. (184.8 × 109.5 cm), Overall with mounting: 8 ft. 3 3/4 in. × 50 1/2 in. (253.4 × 128.3 cm), Overall with knobs: 8 ft. 3 3/4 in. × 54 1/2 in. (253.4 × 138.4 cm), Paintings
Roses and Wisteria. Artist: Unidentified Artist; In the style of Yun Shouping (Chinese, 1633-1690). Culture: China. Dimensions: 11 15/16 x 102 3/8 in. (30.3 x 260 cm). Date: probably 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roses-and-wisteria-artist-unidentified-artist-in-the-style-of-yun-shouping-chinese-1633-1690-culture-china-dimensions-11-1516-x-102-38-in-303-x-260-cm-date-probably-18th-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213325335.htmlRMPB1PHY–Roses and Wisteria. Artist: Unidentified Artist; In the style of Yun Shouping (Chinese, 1633-1690). Culture: China. Dimensions: 11 15/16 x 102 3/8 in. (30.3 x 260 cm). Date: probably 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.
Lady and Attendant, Unidentified Artist Chinese, 19th century, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-lady-and-attendant-unidentified-artist-chinese-19th-century-19th-century-162428974.htmlRMKC77PP–Lady and Attendant, Unidentified Artist Chinese, 19th century, 19th century
Procession, Unidentified Artist Chinese, late 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-procession-unidentified-artist-chinese-late-19th-century-162429550.htmlRMKC78FA–Procession, Unidentified Artist Chinese, late 19th century
Unidentified Marital Scene, c1800-c1850. Artist: Anon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-marital-scene-c1800-c1850-artist-anon-image60077235.htmlRMDDMN3F–Unidentified Marital Scene, c1800-c1850. Artist: Anon
Art inspired by Roses and Wisteria, Qing dynasty (1644–1911), probably 18th–19th century, China, Handscroll; ink and color on silk, 11 15/16 x 102 3/8 in. (30.3 x 260 cm), Paintings, Unidentified Artist, In the style of Yun Shouping (Chinese, 1633–1690, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-roses-and-wisteria-qing-dynasty-16441911-probably-18th19th-century-china-handscroll-ink-and-color-on-silk-11-1516-x-102-38-in-303-x-260-cm-paintings-unidentified-artist-in-the-style-of-yun-shouping-chinese-16331690-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462912764.htmlRF2HW3DXM–Art inspired by Roses and Wisteria, Qing dynasty (1644–1911), probably 18th–19th century, China, Handscroll; ink and color on silk, 11 15/16 x 102 3/8 in. (30.3 x 260 cm), Paintings, Unidentified Artist, In the style of Yun Shouping (Chinese, 1633–1690, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Landscape, Qing dynasty (1644–1911), 18th–19th century, China, Handscroll; ink on silk, 15 3/8 in. × 23 ft. 6 1/2 in. (39.1 × 717.6 cm), Paintings, Unidentified Artist, After Dong Yuan (Chinese, active 930s–960s, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-qing-dynasty-16441911-18th19th-century-china-handscroll-ink-on-silk-15-38-in-23-ft-6-12-in-391-7176-cm-paintings-unidentified-artist-after-dong-yuan-chinese-active-930s960s-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911770.htmlRF2HW3CK6–Art inspired by Landscape, Qing dynasty (1644–1911), 18th–19th century, China, Handscroll; ink on silk, 15 3/8 in. × 23 ft. 6 1/2 in. (39.1 × 717.6 cm), Paintings, Unidentified Artist, After Dong Yuan (Chinese, active 930s–960s, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by 清 佚名 台南地區荷蘭城堡, Forts Zeelandia and Provintia and the City of Tainan, 19th century,, China,, Framed wall hanging; ink and color on deerskin,, Image: 59 1/4 × 80 3/4 in. (150.5 × 205.1 cm), Paintings, Unidentified Artist Chinese, active 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-forts-zeelandia-and-provintia-and-the-city-of-tainan-19th-century-china-framed-wall-hanging-ink-and-color-on-deerskin-image-59-14-80-34-in-1505-2051-cm-paintings-unidentified-artist-chinese-active-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903399.htmlRF2HW3207–Art inspired by 清 佚名 台南地區荷蘭城堡, Forts Zeelandia and Provintia and the City of Tainan, 19th century,, China,, Framed wall hanging; ink and color on deerskin,, Image: 59 1/4 × 80 3/4 in. (150.5 × 205.1 cm), Paintings, Unidentified Artist Chinese, active 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Album Containing Twelve Paintings of Scenes Along a River, Qing dynasty (1644–1911), 19th century, China, Album of twelve leaves; ink and color on pith paper, Image (album): 8 3/4 × 13 1/4 in. (22.2 × 33.7 cm), Paintings, Unidentified Artist Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-album-containing-twelve-paintings-of-scenes-along-a-river-qing-dynasty-16441911-19th-century-china-album-of-twelve-leaves-ink-and-color-on-pith-paper-image-album-8-34-13-14-in-222-337-cm-paintings-unidentified-artist-chinese-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462912234.htmlRF2HW3D7P–Art inspired by Album Containing Twelve Paintings of Scenes Along a River, Qing dynasty (1644–1911), 19th century, China, Album of twelve leaves; ink and color on pith paper, Image (album): 8 3/4 × 13 1/4 in. (22.2 × 33.7 cm), Paintings, Unidentified Artist Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Dutch Woman Holding a Dog. Artist: Unidentified Artist. Culture: Japan. Dimensions: Image: 17 1/16 x 6 1/8 in. (43.3 x 15.6 cm). Date: first half of the 19th century. This print was not produced in Yokohama but rather in Nagasaki, the only port open to foreign trade until the end of the Edo period and thus Japan's only window to foreign countries. Nagasaki prints usually illustrated exotic sailing ships and Dutch and Chinese people. They were an important source for Yokohama prints. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dutch-woman-holding-a-dog-artist-unidentified-artist-culture-japan-dimensions-image-17-116-x-6-18-in-433-x-156-cm-date-first-half-of-the-19th-century-this-print-was-not-produced-in-yokohama-but-rather-in-nagasaki-the-only-port-open-to-foreign-trade-until-the-end-of-the-edo-period-and-thus-japans-only-window-to-foreign-countries-nagasaki-prints-usually-illustrated-exotic-sailing-ships-and-dutch-and-chinese-people-they-were-an-important-source-for-yokohama-prints-museum-metropolitan-museum-of-art-new-york-usa-image213184040.htmlRMPARABM–Dutch Woman Holding a Dog. Artist: Unidentified Artist. Culture: Japan. Dimensions: Image: 17 1/16 x 6 1/8 in. (43.3 x 15.6 cm). Date: first half of the 19th century. This print was not produced in Yokohama but rather in Nagasaki, the only port open to foreign trade until the end of the Edo period and thus Japan's only window to foreign countries. Nagasaki prints usually illustrated exotic sailing ships and Dutch and Chinese people. They were an important source for Yokohama prints. Museum: Metropolitan Museum of Art, New York, USA.
Procession, Unidentified Artist Chinese, late 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-procession-unidentified-artist-chinese-late-19th-century-162429548.htmlRMKC78F8–Procession, Unidentified Artist Chinese, late 19th century
Album, Unidentified Artist Chinese, late 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-album-unidentified-artist-chinese-late-19th-century-162416670.htmlRMKC6M3A–Album, Unidentified Artist Chinese, late 19th century
Art inspired by Twenty-four Paragons of Filial Piety, Qing dynasty (1644–1911), 19th century, China, Album of fifty-one leaves of paintings and calligraphy; ink, wash and color on paper, 13 3/4 x 9 5/9 in. (34.9 x 24.3 cm), Paintings, Unidentified Artist Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-twenty-four-paragons-of-filial-piety-qing-dynasty-16441911-19th-century-china-album-of-fifty-one-leaves-of-paintings-and-calligraphy-ink-wash-and-color-on-paper-13-34-x-9-59-in-349-x-243-cm-paintings-unidentified-artist-chinese-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462912258.htmlRF2HW3D8J–Art inspired by Twenty-four Paragons of Filial Piety, Qing dynasty (1644–1911), 19th century, China, Album of fifty-one leaves of paintings and calligraphy; ink, wash and color on paper, 13 3/4 x 9 5/9 in. (34.9 x 24.3 cm), Paintings, Unidentified Artist Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by 清 汪恭 摹趙孟頫肖像 軸, Copy of a Portrait of Zhao Mengfu, Qing dynasty (1644–1911), 19th century, China, Hanging scroll; ink and color on silk, 25 1/8 x 12 1/8 in. (63.8 x 30.8 cm), Paintings, Unidentified Artist, Formerly attributed to Wang Gong (Chinese, active early 19th, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-copy-of-a-portrait-of-zhao-mengfu-qing-dynasty-16441911-19th-century-china-hanging-scroll-ink-and-color-on-silk-25-18-x-12-18-in-638-x-308-cm-paintings-unidentified-artist-formerly-attributed-to-wang-gong-chinese-active-early-19th-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462903668.htmlRF2HW329T–Art inspired by 清 汪恭 摹趙孟頫肖像 軸, Copy of a Portrait of Zhao Mengfu, Qing dynasty (1644–1911), 19th century, China, Hanging scroll; ink and color on silk, 25 1/8 x 12 1/8 in. (63.8 x 30.8 cm), Paintings, Unidentified Artist, Formerly attributed to Wang Gong (Chinese, active early 19th, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by 清 佚名 時令三景, Three scenes from festivals of the twelve months, Qing dynasty (1644–1911), late 18th–early 19th century, China, Three framed panels; ink and color on silk, Each panel: 83 1/2 × 28 in. (212.1 × 71.1 cm), Paintings, Unidentified Artist Chinese, 清 佚名 七夕/中秋佳節圖 軸, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-three-scenes-from-festivals-of-the-twelve-months-qing-dynasty-16441911-late-18thearly-19th-century-china-three-framed-panels-ink-and-color-on-silk-each-panel-83-12-28-in-2121-711-cm-paintings-unidentified-artist-chinese-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463044011.htmlRF2HW9DA3–Art inspired by 清 佚名 時令三景, Three scenes from festivals of the twelve months, Qing dynasty (1644–1911), late 18th–early 19th century, China, Three framed panels; ink and color on silk, Each panel: 83 1/2 × 28 in. (212.1 × 71.1 cm), Paintings, Unidentified Artist Chinese, 清 佚名 七夕/中秋佳節圖 軸, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Three scenes from festivals of the twelve months. Artist: Unidentified Artist Chinese. Culture: China. Dimensions: Each panel: 83 1/2 × 28 in. (212.1 × 71.1 cm). Date: late 18th-early 19th century. The Seventh-Night and the Mid-Autumn Festivals These two paintings almost certainly once belonged to a set of hanging scrolls or a multipanel screen. While the complete suite may or may not have illustrated a continuous narrative, this pair clearly relates to legendary immortals honored in seasonal festivals. The painting on the left depicts the Qixi Festival that celebrates the rendezvous of a c Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-scenes-from-festivals-of-the-twelve-months-artist-unidentified-artist-chinese-culture-china-dimensions-each-panel-83-12-28-in-2121-711-cm-date-late-18th-early-19th-century-the-seventh-night-and-the-mid-autumn-festivals-these-two-paintings-almost-certainly-once-belonged-to-a-set-of-hanging-scrolls-or-a-multipanel-screen-while-the-complete-suite-may-or-may-not-have-illustrated-a-continuous-narrative-this-pair-clearly-relates-to-legendary-immortals-honored-in-seasonal-festivals-the-painting-on-the-left-depicts-the-qixi-festival-that-celebrates-the-rendezvous-of-a-c-image213321680.htmlRMPB1HYC–Three scenes from festivals of the twelve months. Artist: Unidentified Artist Chinese. Culture: China. Dimensions: Each panel: 83 1/2 × 28 in. (212.1 × 71.1 cm). Date: late 18th-early 19th century. The Seventh-Night and the Mid-Autumn Festivals These two paintings almost certainly once belonged to a set of hanging scrolls or a multipanel screen. While the complete suite may or may not have illustrated a continuous narrative, this pair clearly relates to legendary immortals honored in seasonal festivals. The painting on the left depicts the Qixi Festival that celebrates the rendezvous of a c
Art inspired by Dutch Woman Holding a Dog, Edo period (1615–1868), first half of the 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 17 1/16 x 6 1/8 in. (43.3 x 15.6 cm), Prints, Unidentified Artist, This print was not produced in Yokohama but rather in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-dutch-woman-holding-a-dog-edo-period-16151868-first-half-of-the-19th-century-japan-polychrome-woodblock-print-ink-and-color-on-paper-image-17-116-x-6-18-in-433-x-156-cm-prints-unidentified-artist-this-print-was-not-produced-in-yokohama-but-rather-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462915759.htmlRF2HW3HNK–Art inspired by Dutch Woman Holding a Dog, Edo period (1615–1868), first half of the 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 17 1/16 x 6 1/8 in. (43.3 x 15.6 cm), Prints, Unidentified Artist, This print was not produced in Yokohama but rather in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Commendation Scroll, Unidentified Artist Chinese, 19th century, dated 1835 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-commendation-scroll-unidentified-artist-chinese-19th-century-dated-162418277.htmlRMKC6P4N–Commendation Scroll, Unidentified Artist Chinese, 19th century, dated 1835
Chinese Ships at Nagasaki. Artist: Unidentified Artist Japanese, 19th century. Culture: Japan. Dimensions: Sheet: 6 3/8 x 18 3/16 in. (16.2 x 46.2 cm). Date: ca. 1840. Two Chinese ships approach the port of Nagasaki. The crew works quickly to lower one of the sails of the ship in the foreground as a small vessel approaches with a group of returning traders. Above the slopes of the shore at the right of the print is a red seal with the name of the print's publisher. It reads 'Bunsaido'. An inscription at the upper left of the print declares the ships to be trading vessels from Qing China. I Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chinese-ships-at-nagasaki-artist-unidentified-artist-japanese-19th-century-culture-japan-dimensions-sheet-6-38-x-18-316-in-162-x-462-cm-date-ca-1840-two-chinese-ships-approach-the-port-of-nagasaki-the-crew-works-quickly-to-lower-one-of-the-sails-of-the-ship-in-the-foreground-as-a-small-vessel-approaches-with-a-group-of-returning-traders-above-the-slopes-of-the-shore-at-the-right-of-the-print-is-a-red-seal-with-the-name-of-the-prints-publisher-it-reads-bunsaido-an-inscription-at-the-upper-left-of-the-print-declares-the-ships-to-be-trading-vessels-from-qing-china-i-image212863805.htmlRMPA8NXN–Chinese Ships at Nagasaki. Artist: Unidentified Artist Japanese, 19th century. Culture: Japan. Dimensions: Sheet: 6 3/8 x 18 3/16 in. (16.2 x 46.2 cm). Date: ca. 1840. Two Chinese ships approach the port of Nagasaki. The crew works quickly to lower one of the sails of the ship in the foreground as a small vessel approaches with a group of returning traders. Above the slopes of the shore at the right of the print is a red seal with the name of the print's publisher. It reads 'Bunsaido'. An inscription at the upper left of the print declares the ships to be trading vessels from Qing China. I
Art inspired by Commendation Scroll, Qing dynasty (1644–1911), dated 1835, China, Handscroll; ink and color on silk and paper, 13 3/4 x 176 1/2 in. (34.9 x 448.3 cm), Paintings, Unidentified Artist Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-commendation-scroll-qing-dynasty-16441911-dated-1835-china-handscroll-ink-and-color-on-silk-and-paper-13-34-x-176-12-in-349-x-4483-cm-paintings-unidentified-artist-chinese-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462912261.htmlRF2HW3D8N–Art inspired by Commendation Scroll, Qing dynasty (1644–1911), dated 1835, China, Handscroll; ink and color on silk and paper, 13 3/4 x 176 1/2 in. (34.9 x 448.3 cm), Paintings, Unidentified Artist Chinese, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Chinese Lions and Peonies, c. 1772, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, chuban, 10 3/8 x 7 5/8 in., Gibbons Among Cherry Trees, late 19th century, Unidentified artist, Japanese, active 19th century, Japan, Two panel screen, ink and colors on silk, 168.5.0 x 166.4 cm (painting), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chinese-lions-and-peonies-c-1772-isoda-koryusai-japanese-1735-1790-japan-color-woodblock-print-chuban-10-38-x-7-58-in-gibbons-among-cherry-trees-late-19th-century-unidentified-artist-japanese-active-19th-century-japan-two-panel-screen-ink-and-colors-on-silk-16850-x-1664-cm-painting-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349688996.htmlRF2B8WKTM–Chinese Lions and Peonies, c. 1772, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, chuban, 10 3/8 x 7 5/8 in., Gibbons Among Cherry Trees, late 19th century, Unidentified artist, Japanese, active 19th century, Japan, Two panel screen, ink and colors on silk, 168.5.0 x 166.4 cm (painting), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Eight Landscape Scenes and Calligraphy,, Unidentified Artist Chinese, 19th century, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-eight-landscape-scenes-and-calligraphy-unidentified-artist-chinese-162417275.htmlRMKC6MTY–Eight Landscape Scenes and Calligraphy,, Unidentified Artist Chinese, 19th century, 19th century
Mythical landscape with immortals. Artist: Unidentified Artist Chinese, 18th century. Culture: China. Dimensions: Overall (a): 17 3/4 x 65 in. (45.1 x 165.1 cm). Date: 19th century. This imposing set of ten silk tapestries depicts a mountainscape of magic and wonder. In the center, assembled scholars gaze up at a group of cloud-borne female immortals as they descend to the earthly realm. Waves surge with numinous intensity as auspicious cranes circle and mystical deer prance through the hills. The blue-green color palette reinforces the sense of a world inhabited by mystical forces. These col Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mythical-landscape-with-immortals-artist-unidentified-artist-chinese-18th-century-culture-china-dimensions-overall-a-17-34-x-65-in-451-x-1651-cm-date-19th-century-this-imposing-set-of-ten-silk-tapestries-depicts-a-mountainscape-of-magic-and-wonder-in-the-center-assembled-scholars-gaze-up-at-a-group-of-cloud-borne-female-immortals-as-they-descend-to-the-earthly-realm-waves-surge-with-numinous-intensity-as-auspicious-cranes-circle-and-mystical-deer-prance-through-the-hills-the-blue-green-color-palette-reinforces-the-sense-of-a-world-inhabited-by-mystical-forces-these-col-image213320952.htmlRMPB1H1C–Mythical landscape with immortals. Artist: Unidentified Artist Chinese, 18th century. Culture: China. Dimensions: Overall (a): 17 3/4 x 65 in. (45.1 x 165.1 cm). Date: 19th century. This imposing set of ten silk tapestries depicts a mountainscape of magic and wonder. In the center, assembled scholars gaze up at a group of cloud-borne female immortals as they descend to the earthly realm. Waves surge with numinous intensity as auspicious cranes circle and mystical deer prance through the hills. The blue-green color palette reinforces the sense of a world inhabited by mystical forces. These col
Twenty-four Paragons of Filial Piety, Unidentified Artist Chinese, 19th century, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-twenty-four-paragons-of-filial-piety-unidentified-artist-chinese-19th-162417140.htmlRMKC6MM4–Twenty-four Paragons of Filial Piety, Unidentified Artist Chinese, 19th century, 19th century
Sage under Windy Tree. Artist: Unidentified Artist. Culture: China. Dimensions: 9 x 9 5/8 in. (22.9 x 24.4 cm). Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sage-under-windy-tree-artist-unidentified-artist-culture-china-dimensions-9-x-9-58-in-229-x-244-cm-date-18th-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212874399.htmlRMPA97D3–Sage under Windy Tree. Artist: Unidentified Artist. Culture: China. Dimensions: 9 x 9 5/8 in. (22.9 x 24.4 cm). Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.
Portrait of Qianlong Emperor As a Young Man, Unidentified Artist Chinese, 19th century, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-portrait-of-qianlong-emperor-as-a-young-man-unidentified-artist-chinese-162554991.htmlRMKCD0FB–Portrait of Qianlong Emperor As a Young Man, Unidentified Artist Chinese, 19th century, 19th century
Fishermen Hermits in River Country, Unidentified Artist Chinese, 19th or 2th century, 19th or 20th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-fishermen-hermits-in-river-country-unidentified-artist-chinese-19th-162418099.htmlRMKC6NXB–Fishermen Hermits in River Country, Unidentified Artist Chinese, 19th or 2th century, 19th or 20th century
Album Containing Twelve Paintings of Scenes Along a River, Unidentified Artist Chinese, 19th century, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-album-containing-twelve-paintings-of-scenes-along-a-river-unidentified-162416672.htmlRMKC6M3C–Album Containing Twelve Paintings of Scenes Along a River, Unidentified Artist Chinese, 19th century, 19th century
清 佚名 台南地區荷蘭城堡, Forts Zeelandia and Provintia and the City of Tainan, Unidentified Artist Chinese, active 19th century, 19th c Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-forts-zeelandia-and-provintia-and-the-city-of-tainan-unidentified-162437921.htmlRMKC7K69–清 佚名 台南地區荷蘭城堡, Forts Zeelandia and Provintia and the City of Tainan, Unidentified Artist Chinese, active 19th century, 19th c
Unidentified Artist, Map of the Grand Canal from Beijing to the Yangzi River, China, Qing dynasty (1644–1911), Unidentified Artist Chinese, late 18th or early 19th century, late 18th or early 19th century, China, Handscroll; ink and color on silk, Image: 21 7/8 in. × 30 ft. 7 in. (55.6 × 932.2 cm), Overall: H. 32 1/4 in. (81.9 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-artist-map-of-the-grand-canal-from-beijing-to-the-yangzi-river-china-qing-dynasty-16441911-unidentified-artist-chinese-late-18th-or-early-19th-century-late-18th-or-early-19th-century-china-handscroll-ink-and-color-on-silk-image-21-78-in-30-ft-7-in-556-9322-cm-overall-h-32-14-in-819-cm-paintings-image344665738.htmlRM2B0MTJJ–Unidentified Artist, Map of the Grand Canal from Beijing to the Yangzi River, China, Qing dynasty (1644–1911), Unidentified Artist Chinese, late 18th or early 19th century, late 18th or early 19th century, China, Handscroll; ink and color on silk, Image: 21 7/8 in. × 30 ft. 7 in. (55.6 × 932.2 cm), Overall: H. 32 1/4 in. (81.9 cm), Paintings
Landscape, Unidentified Artist, After Dong Yuan, 18th–19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-landscape-unidentified-artist-after-dong-yuan-18th19th-century-162424863.htmlRMKC72FY–Landscape, Unidentified Artist, After Dong Yuan, 18th–19th century
Roses and Wisteria, Unidentified Artist, In the style of Yun Shouping, probably 18th–19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-roses-and-wisteria-unidentified-artist-in-the-style-of-yun-shouping-162417771.htmlRMKC6NEK–Roses and Wisteria, Unidentified Artist, In the style of Yun Shouping, probably 18th–19th century
Tartar Officer Carrying Blond Lady. Artist: Unidentified Artist. Culture: China. Dimensions: 10 5/8 x 10 15/16 in. (27.0 x 27.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tartar-officer-carrying-blond-lady-artist-unidentified-artist-culture-china-dimensions-10-58-x-10-1516-in-270-x-278-cm-date-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213107363.htmlRMPAKTH7–Tartar Officer Carrying Blond Lady. Artist: Unidentified Artist. Culture: China. Dimensions: 10 5/8 x 10 15/16 in. (27.0 x 27.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Dutch Woman Holding a Dog, Unidentified Artist, first half of the 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dutch-woman-holding-a-dog-unidentified-artist-first-half-of-the-19th-162407013.htmlRMKC67PD–Dutch Woman Holding a Dog, Unidentified Artist, first half of the 19th century
清 佚名 時令三景, Three scenes from festivals of the twelve months, Unidentified Artist Chinese, late 18th–early 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-three-scenes-from-festivals-of-the-twelve-months-unidentified-artist-162556952.htmlRMKCD31C–清 佚名 時令三景, Three scenes from festivals of the twelve months, Unidentified Artist Chinese, late 18th–early 19th century
Pavilion by Lake Shore. Artist: Unidentified Artist; After Wen Jia (Chinese, 1501-1583). Culture: China. Dimensions: 6 7/8 x 19 1/2 in. (17.5 x 49.5 cm). Date: 17th century or later. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pavilion-by-lake-shore-artist-unidentified-artist-after-wen-jia-chinese-1501-1583-culture-china-dimensions-6-78-x-19-12-in-175-x-495-cm-date-17th-century-or-later-museum-metropolitan-museum-of-art-new-york-usa-image213300365.htmlRMPB0JP5–Pavilion by Lake Shore. Artist: Unidentified Artist; After Wen Jia (Chinese, 1501-1583). Culture: China. Dimensions: 6 7/8 x 19 1/2 in. (17.5 x 49.5 cm). Date: 17th century or later. Museum: Metropolitan Museum of Art, New York, USA.
Artist: Edwin Austin Abbey, American, 1852–1911, M.A., 1897, Two women in an interior - unidentified illustration, Graphite, pen and black and white ink washes, Chinese white on wove paper, 16 × 12 cm (6 5/16 × 4 3/4 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-edwin-austin-abbey-american-18521911-ma-1897-two-women-in-an-interior-unidentifiedillustration-graphite-pen-and-black-and-white-ink-washes-chinese-white-on-wove-paper-16-12-cm-6-516-4-34in-made-in-united-states-american-19thcentury-works-on-paper-drawings-andwatercolors-image393654785.htmlRM2DTCEKD–Artist: Edwin Austin Abbey, American, 1852–1911, M.A., 1897, Two women in an interior - unidentified illustration, Graphite, pen and black and white ink washes, Chinese white on wove paper, 16 × 12 cm (6 5/16 × 4 3/4 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors
Poem on Early Spring, Unidentified Artist, After Zheng Xie, 19th–20th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-poem-on-early-spring-unidentified-artist-after-zheng-xie-19th20th-162350573.htmlRMKC3KPN–Poem on Early Spring, Unidentified Artist, After Zheng Xie, 19th–20th century
Chinese Lions and Peonies, c. 1772, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, chuban, 10 3/8 x 7 5/8 in., Gibbons Among Cherry Trees, late 19th century, Unidentified artist, Japanese, active 19th century, Japan, Two panel screen, ink and colors on silk, 168.5.0 x 166.4 cm (painting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chinese-lions-and-peonies-c-1772-isoda-koryusai-japanese-1735-1790-japan-color-woodblock-print-chuban-10-38-x-7-58-in-gibbons-among-cherry-trees-late-19th-century-unidentified-artist-japanese-active-19th-century-japan-two-panel-screen-ink-and-colors-on-silk-16850-x-1664-cm-painting-image328627283.htmlRM2A2J7CK–Chinese Lions and Peonies, c. 1772, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, chuban, 10 3/8 x 7 5/8 in., Gibbons Among Cherry Trees, late 19th century, Unidentified artist, Japanese, active 19th century, Japan, Two panel screen, ink and colors on silk, 168.5.0 x 166.4 cm (painting
清 汪恭 摹趙孟頫肖像 軸, Copy of a Portrait of Zhao Mengfu, Unidentified Artist, Formerly attributed to Wang Gong, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-copy-of-a-portrait-of-zhao-mengfu-unidentified-artist-formerly-attributed-162431118.htmlRMKC7AFA–清 汪恭 摹趙孟頫肖像 軸, Copy of a Portrait of Zhao Mengfu, Unidentified Artist, Formerly attributed to Wang Gong, 19th century
Gathering Water Chestnuts. Artist: Unidentified Artist; After Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: 6 3/4 x 20 in. (17.1 x 50.8 cm). Date: 18th century or later, spurious date of 1706. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gathering-water-chestnuts-artist-unidentified-artist-after-wang-hui-chinese-1632-1717-culture-china-dimensions-6-34-x-20-in-171-x-508-cm-date-18th-century-or-later-spurious-date-of-1706-museum-metropolitan-museum-of-art-new-york-usa-image213503207.htmlRMPB9WEF–Gathering Water Chestnuts. Artist: Unidentified Artist; After Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: 6 3/4 x 20 in. (17.1 x 50.8 cm). Date: 18th century or later, spurious date of 1706. Museum: Metropolitan Museum of Art, New York, USA.
Calligraphy. Artist: Unidentified Artist; After Wang Duo (Chinese, 1592-1652). Culture: China. Dimensions: 6 3/8 x 20 1/4 in. (16.2 x 51.4 cm). Date: 17th century or later, spurious date of 1649. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/calligraphy-artist-unidentified-artist-after-wang-duo-chinese-1592-1652-culture-china-dimensions-6-38-x-20-14-in-162-x-514-cm-date-17th-century-or-later-spurious-date-of-1649-museum-metropolitan-museum-of-art-new-york-usa-image213423190.htmlRMPB67CP–Calligraphy. Artist: Unidentified Artist; After Wang Duo (Chinese, 1592-1652). Culture: China. Dimensions: 6 3/8 x 20 1/4 in. (16.2 x 51.4 cm). Date: 17th century or later, spurious date of 1649. Museum: Metropolitan Museum of Art, New York, USA.
Landscape. Artist: Unidentified Artist; After Wang Shimin (Chinese, 1592-1680). Culture: China. Dimensions: 6 1/2 x 20 1/2 in. (16.5 x 52.1 cm). Date: 18th century or later, spurious date of 1648. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-artist-unidentified-artist-after-wang-shimin-chinese-1592-1680-culture-china-dimensions-6-12-x-20-12-in-165-x-521-cm-date-18th-century-or-later-spurious-date-of-1648-museum-metropolitan-museum-of-art-new-york-usa-image212863738.htmlRMPA8NTA–Landscape. Artist: Unidentified Artist; After Wang Shimin (Chinese, 1592-1680). Culture: China. Dimensions: 6 1/2 x 20 1/2 in. (16.5 x 52.1 cm). Date: 18th century or later, spurious date of 1648. Museum: Metropolitan Museum of Art, New York, USA.
Landscape in the Style of Ni Zan. Artist: Unidentified Artist; After Wang Yuanqi (Chinese, 1642-1715). Culture: China. Dimensions: 6 1/2 x 19 1/2 in. (16.5 x 49.5 cm). Date: 18th century or later, spurious date of 1715. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-in-the-style-of-ni-zan-artist-unidentified-artist-after-wang-yuanqi-chinese-1642-1715-culture-china-dimensions-6-12-x-19-12-in-165-x-495-cm-date-18th-century-or-later-spurious-date-of-1715-museum-metropolitan-museum-of-art-new-york-usa-image212912196.htmlRMPAAYK0–Landscape in the Style of Ni Zan. Artist: Unidentified Artist; After Wang Yuanqi (Chinese, 1642-1715). Culture: China. Dimensions: 6 1/2 x 19 1/2 in. (16.5 x 49.5 cm). Date: 18th century or later, spurious date of 1715. Museum: Metropolitan Museum of Art, New York, USA.
Landscape in the Style of Yan Wengui. Artist: Unidentified Artist; After Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: 6 1/2 x 19 1/4 in. (16.5 x 48.9 cm). Date: 18th century or later, spurious date of 1707. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-in-the-style-of-yan-wengui-artist-unidentified-artist-after-wang-hui-chinese-1632-1717-culture-china-dimensions-6-12-x-19-14-in-165-x-489-cm-date-18th-century-or-later-spurious-date-of-1707-museum-metropolitan-museum-of-art-new-york-usa-image213105828.htmlRMPAKPJC–Landscape in the Style of Yan Wengui. Artist: Unidentified Artist; After Wang Hui (Chinese, 1632-1717). Culture: China. Dimensions: 6 1/2 x 19 1/4 in. (16.5 x 48.9 cm). Date: 18th century or later, spurious date of 1707. Museum: Metropolitan Museum of Art, New York, USA.
Landscape in the Style of Huichong. Artist: Unidentified Artist; After Wang Jian (Chinese, 1609-1677 or 1688). Culture: China. Dimensions: 6 3/8 x 20 1/2 in. (16.2 x 52.1 cm). Date: 18th century or later, spurious date of 1676. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-in-the-style-of-huichong-artist-unidentified-artist-after-wang-jian-chinese-1609-1677-or-1688-culture-china-dimensions-6-38-x-20-12-in-162-x-521-cm-date-18th-century-or-later-spurious-date-of-1676-museum-metropolitan-museum-of-art-new-york-usa-image212936248.htmlRMPAC2A0–Landscape in the Style of Huichong. Artist: Unidentified Artist; After Wang Jian (Chinese, 1609-1677 or 1688). Culture: China. Dimensions: 6 3/8 x 20 1/2 in. (16.2 x 52.1 cm). Date: 18th century or later, spurious date of 1676. Museum: Metropolitan Museum of Art, New York, USA.
Landscape in the Style of Huang Gongwang. Artist: Unidentified Artist; After Lan Ying (Chinese, 1585-1664). Culture: China. Dimensions: 6 5/8 x 20 1/2 in. (16.8 x 52.1 cm). Date: 17th century or later, spurious date of 1633. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-in-the-style-of-huang-gongwang-artist-unidentified-artist-after-lan-ying-chinese-1585-1664-culture-china-dimensions-6-58-x-20-12-in-168-x-521-cm-date-17th-century-or-later-spurious-date-of-1633-museum-metropolitan-museum-of-art-new-york-usa-image212884128.htmlRMPA9KTG–Landscape in the Style of Huang Gongwang. Artist: Unidentified Artist; After Lan Ying (Chinese, 1585-1664). Culture: China. Dimensions: 6 5/8 x 20 1/2 in. (16.8 x 52.1 cm). Date: 17th century or later, spurious date of 1633. Museum: Metropolitan Museum of Art, New York, USA.
Tartar Officer with Blond Lady Playing Musical Instruments. Artist: Unidentified Artist. Culture: China. Dimensions: 10 1/2 x 10 7/16 in. (26.7 x 26.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tartar-officer-with-blond-lady-playing-musical-instruments-artist-unidentified-artist-culture-china-dimensions-10-12-x-10-716-in-267-x-265-cm-date-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213149846.htmlRMPANPPE–Tartar Officer with Blond Lady Playing Musical Instruments. Artist: Unidentified Artist. Culture: China. Dimensions: 10 1/2 x 10 7/16 in. (26.7 x 26.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Interior with Woman, Child and Nurse. Artist: Unidentified Artist. Culture: China. Dimensions: Image: 71 1/4 × 47 1/2 in. (181 × 120.7 cm) Overall with mounting: 92 3/8 × 50 3/8 in. (234.6 × 128 cm) Overall with knobs: 92 3/8 × 54 3/8 in. (234.6 × 138.1 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-with-woman-child-and-nurse-artist-unidentified-artist-culture-china-dimensions-image-71-14-47-12-in-181-1207-cm-overall-with-mounting-92-38-50-38-in-2346-128-cm-overall-with-knobs-92-38-54-38-in-2346-1381-cm-date-late-18th-early-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213111789.htmlRMPAM279–Interior with Woman, Child and Nurse. Artist: Unidentified Artist. Culture: China. Dimensions: Image: 71 1/4 × 47 1/2 in. (181 × 120.7 cm) Overall with mounting: 92 3/8 × 50 3/8 in. (234.6 × 128 cm) Overall with knobs: 92 3/8 × 54 3/8 in. (234.6 × 138.1 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Portraits of members of a Manchu family. Artist: Unidentified Artist. Culture: China. Dimensions: 13 1/8 x 14 1/8 in. (33.3 x 35.9 cm). Date: mid-19th century. Portrait albums are rare, and this one, which seems to depict an entire family, is particularly unusual. The clothing indicates that the subjects were Manchus, the ethnicity of the ruling Qing dynasty (1644-1911). Several of the men wear 'rank badges'--textile squares or circles indicating their official position within the Qing government. In each image, objects of refinement--books, fine furniture, scholar's rocks--are carefully plac Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portraits-of-members-of-a-manchu-family-artist-unidentified-artist-culture-china-dimensions-13-18-x-14-18-in-333-x-359-cm-date-mid-19th-century-portrait-albums-are-rare-and-this-one-which-seems-to-depict-an-entire-family-is-particularly-unusual-the-clothing-indicates-that-the-subjects-were-manchus-the-ethnicity-of-the-ruling-qing-dynasty-1644-1911-several-of-the-men-wear-rank-badges-textile-squares-or-circles-indicating-their-official-position-within-the-qing-government-in-each-image-objects-of-refinement-books-fine-furniture-scholars-rocks-are-carefully-plac-image213163815.htmlRMPAPCHB–Portraits of members of a Manchu family. Artist: Unidentified Artist. Culture: China. Dimensions: 13 1/8 x 14 1/8 in. (33.3 x 35.9 cm). Date: mid-19th century. Portrait albums are rare, and this one, which seems to depict an entire family, is particularly unusual. The clothing indicates that the subjects were Manchus, the ethnicity of the ruling Qing dynasty (1644-1911). Several of the men wear 'rank badges'--textile squares or circles indicating their official position within the Qing government. In each image, objects of refinement--books, fine furniture, scholar's rocks--are carefully plac
One hundred portraits of Peking opera characters. Artist: Unidentified Artist. Culture: China. Dimensions: Image (each): 10 3/8 × 8 1/4 in. (26.4 × 21 cm) Overall (each leaf): 12 7/8 × 9 3/8 in. (32.7 × 23.8 cm) Overall (each double leaf): 12 7/8 × 18 3/4 in. (32.7 × 47.6 cm). Date: late 19th-early 20th century. In the opera boom of the late nineteenth century, albums were turned to a new purpose: documenting the variety and vibrancy of stage culture in all its multicolored splendor. This album records in detail the makeup and costume of one hundred characters drawn from nine plays. Each ch Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-hundred-portraits-of-peking-opera-characters-artist-unidentified-artist-culture-china-dimensions-image-each-10-38-8-14-in-264-21-cm-overall-each-leaf-12-78-9-38-in-327-238-cm-overall-each-double-leaf-12-78-18-34-in-327-476-cm-date-late-19th-early-20th-century-in-the-opera-boom-of-the-late-nineteenth-century-albums-were-turned-to-a-new-purpose-documenting-the-variety-and-vibrancy-of-stage-culture-in-all-its-multicolored-splendor-this-album-records-in-detail-the-makeup-and-costume-of-one-hundred-characters-drawn-from-nine-plays-each-ch-image213175697.htmlRMPAPYNN–One hundred portraits of Peking opera characters. Artist: Unidentified Artist. Culture: China. Dimensions: Image (each): 10 3/8 × 8 1/4 in. (26.4 × 21 cm) Overall (each leaf): 12 7/8 × 9 3/8 in. (32.7 × 23.8 cm) Overall (each double leaf): 12 7/8 × 18 3/4 in. (32.7 × 47.6 cm). Date: late 19th-early 20th century. In the opera boom of the late nineteenth century, albums were turned to a new purpose: documenting the variety and vibrancy of stage culture in all its multicolored splendor. This album records in detail the makeup and costume of one hundred characters drawn from nine plays. Each ch
Tartar Officer with Blonde Lady. Artist: Unidentified Artist. Culture: China. Dimensions: (a): 10 1/2 x 10 1/2 in. (26.7 x 26.7 cm) (b): 10 1/2 x 11 1/8 in. (26.7 x 28.3 cm) (c): 10 1/2 x 11 1/8 in. (26.7 x 28.3 cm) (d): 10 1/2 x 11 in. (26.7 x 27.9 cm) (e) 10 1/2 x 11 in. (26.7 x 27.9 cm) (f) 10 1/2 x 11 in. (26.7 x 27.9 cm) (g) 10 1/2 x 11 in. (26.7 x 27.9 cm) (h) 10 1/2 x 11 in. (26.7 x 27.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tartar-officer-with-blonde-lady-artist-unidentified-artist-culture-china-dimensions-a-10-12-x-10-12-in-267-x-267-cm-b-10-12-x-11-18-in-267-x-283-cm-c-10-12-x-11-18-in-267-x-283-cm-d-10-12-x-11-in-267-x-279-cm-e-10-12-x-11-in-267-x-279-cm-f-10-12-x-11-in-267-x-279-cm-g-10-12-x-11-in-267-x-279-cm-h-10-12-x-11-in-267-x-279-cm-date-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213395873.htmlRMPB50H5–Tartar Officer with Blonde Lady. Artist: Unidentified Artist. Culture: China. Dimensions: (a): 10 1/2 x 10 1/2 in. (26.7 x 26.7 cm) (b): 10 1/2 x 11 1/8 in. (26.7 x 28.3 cm) (c): 10 1/2 x 11 1/8 in. (26.7 x 28.3 cm) (d): 10 1/2 x 11 in. (26.7 x 27.9 cm) (e) 10 1/2 x 11 in. (26.7 x 27.9 cm) (f) 10 1/2 x 11 in. (26.7 x 27.9 cm) (g) 10 1/2 x 11 in. (26.7 x 27.9 cm) (h) 10 1/2 x 11 in. (26.7 x 27.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Calligraphy. Artist: Unidentified Artist; After Wen Zhengming (Chinese, 1470-1559). Culture: China. Dimensions: 7 1/8 x 20 7/8 in. (18.1 x 53 cm). Date: 17th century or later. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/calligraphy-artist-unidentified-artist-after-wen-zhengming-chinese-1470-1559-culture-china-dimensions-7-18-x-20-78-in-181-x-53-cm-date-17th-century-or-later-museum-metropolitan-museum-of-art-new-york-usa-image212915954.htmlRMPAB4D6–Calligraphy. Artist: Unidentified Artist; After Wen Zhengming (Chinese, 1470-1559). Culture: China. Dimensions: 7 1/8 x 20 7/8 in. (18.1 x 53 cm). Date: 17th century or later. Museum: Metropolitan Museum of Art, New York, USA.
Bamboo Branch with Berries and Birds. Artist: Unidentified Artist. Culture: China. Dimensions: 11 x 10 7/8 in. (27.9 x 27.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bamboo-branch-with-berries-and-birds-artist-unidentified-artist-culture-china-dimensions-11-x-10-78-in-279-x-276-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213132628.htmlRMPAN0RG–Bamboo Branch with Berries and Birds. Artist: Unidentified Artist. Culture: China. Dimensions: 11 x 10 7/8 in. (27.9 x 27.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Landscape. Artist: Unidentified Artist; After Zhao Mengfu (Chinese, 1254-1322). Culture: China. Dimensions: 10 1/16 x 12 in. (25.6 x 30.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-artist-unidentified-artist-after-zhao-mengfu-chinese-1254-1322-culture-china-dimensions-10-116-x-12-in-256-x-305-cm-museum-metropolitan-museum-of-art-new-york-usa-image213320928.htmlRMPB1H0G–Landscape. Artist: Unidentified Artist; After Zhao Mengfu (Chinese, 1254-1322). Culture: China. Dimensions: 10 1/16 x 12 in. (25.6 x 30.5 cm). Museum: Metropolitan Museum of Art, New York, USA.
Chrysanthemums. Artist: Unidentified Artist; After Yun Shouping (Chinese, 1633-1690). Culture: China. Dimensions: 11 7/8 x 8 1/8 in. (30.2 x 20.6 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chrysanthemums-artist-unidentified-artist-after-yun-shouping-chinese-1633-1690-culture-china-dimensions-11-78-x-8-18-in-302-x-206-cm-museum-metropolitan-museum-of-art-new-york-usa-image212874204.htmlRMPA9764–Chrysanthemums. Artist: Unidentified Artist; After Yun Shouping (Chinese, 1633-1690). Culture: China. Dimensions: 11 7/8 x 8 1/8 in. (30.2 x 20.6 cm). Museum: Metropolitan Museum of Art, New York, USA.
Landscape. Artist: Unidentified Artist; After Cao Zhibai (Chinese, died 1355). Culture: China. Dimensions: 11 7/16 x 14 5/8 in. (29.1 x 37.1 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-artist-unidentified-artist-after-cao-zhibai-chinese-died-1355-culture-china-dimensions-11-716-x-14-58-in-291-x-371-cm-museum-metropolitan-museum-of-art-new-york-usa-image213182859.htmlRMPAR8WF–Landscape. Artist: Unidentified Artist; After Cao Zhibai (Chinese, died 1355). Culture: China. Dimensions: 11 7/16 x 14 5/8 in. (29.1 x 37.1 cm). Museum: Metropolitan Museum of Art, New York, USA.
Rabbit. Artist: Unidentified Artist; After Wang Yuan (Chinese, ca. 1280-after 1349). Culture: China. Dimensions: 19 3/4 x 12 3/8 in. (50.2 x 31.4 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rabbit-artist-unidentified-artist-after-wang-yuan-chinese-ca-1280-after-1349-culture-china-dimensions-19-34-x-12-38-in-502-x-314-cm-museum-metropolitan-museum-of-art-new-york-usa-image212903813.htmlRMPAAGYH–Rabbit. Artist: Unidentified Artist; After Wang Yuan (Chinese, ca. 1280-after 1349). Culture: China. Dimensions: 19 3/4 x 12 3/8 in. (50.2 x 31.4 cm). Museum: Metropolitan Museum of Art, New York, USA.
Mountain Landscape. Artist: Unidentified Artist; In the style of Mi Fu (Chinese, 1051-1107). Culture: China. Dimensions: 13 1/4 x 110 3/16 in. (33.7 x 279.9 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mountain-landscape-artist-unidentified-artist-in-the-style-of-mi-fu-chinese-1051-1107-culture-china-dimensions-13-14-x-110-316-in-337-x-2799-cm-museum-metropolitan-museum-of-art-new-york-usa-image212935820.htmlRMPAC1PM–Mountain Landscape. Artist: Unidentified Artist; In the style of Mi Fu (Chinese, 1051-1107). Culture: China. Dimensions: 13 1/4 x 110 3/16 in. (33.7 x 279.9 cm). Museum: Metropolitan Museum of Art, New York, USA.
Kara kan shobu no zu Two Chinese Scholars Practicing Calligraphy in Their Studio. Artist: Unidentified Artist. Culture: Japan. Dimensions: Image: 9 7/8 x 14 3/4 in. (25.1 x 37.5 cm). Date: ca. 1840. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kara-kan-shobu-no-zu-two-chinese-scholars-practicing-calligraphy-in-their-studio-artist-unidentified-artist-culture-japan-dimensions-image-9-78-x-14-34-in-251-x-375-cm-date-ca-1840-museum-metropolitan-museum-of-art-new-york-usa-image212870704.htmlRMPA92N4–Kara kan shobu no zu Two Chinese Scholars Practicing Calligraphy in Their Studio. Artist: Unidentified Artist. Culture: Japan. Dimensions: Image: 9 7/8 x 14 3/4 in. (25.1 x 37.5 cm). Date: ca. 1840. Museum: Metropolitan Museum of Art, New York, USA.
Crabs and Reeds. Artist: Unidentified Artist. Culture: China. Dimensions: 11 5/8 x 9 in. (29.5 x 22.9 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crabs-and-reeds-artist-unidentified-artist-culture-china-dimensions-11-58-x-9-in-295-x-229-cm-museum-metropolitan-museum-of-art-new-york-usa-image213370821.htmlRMPB3TJD–Crabs and Reeds. Artist: Unidentified Artist. Culture: China. Dimensions: 11 5/8 x 9 in. (29.5 x 22.9 cm). Museum: Metropolitan Museum of Art, New York, USA.
River Scene. Artist: Unidentified Artist. Culture: China. Dimensions: 9 3/8 x 11 3/4 in. (23.8 x 29.8 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/river-scene-artist-unidentified-artist-culture-china-dimensions-9-38-x-11-34-in-238-x-298-cm-museum-metropolitan-museum-of-art-new-york-usa-image212901387.htmlRMPAADTY–River Scene. Artist: Unidentified Artist. Culture: China. Dimensions: 9 3/8 x 11 3/4 in. (23.8 x 29.8 cm). Museum: Metropolitan Museum of Art, New York, USA.
Water Buffalo. Artist: Unidentified Artist. Culture: China. Dimensions: 9 1/2 x 11 1/2 in. (24.1 x 29.2 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/water-buffalo-artist-unidentified-artist-culture-china-dimensions-9-12-x-11-12-in-241-x-292-cm-museum-metropolitan-museum-of-art-new-york-usa-image213418625.htmlRMPB61HN–Water Buffalo. Artist: Unidentified Artist. Culture: China. Dimensions: 9 1/2 x 11 1/2 in. (24.1 x 29.2 cm). Museum: Metropolitan Museum of Art, New York, USA.
Spring Pictures. Artist: Unidentified Artist. Culture: China. Dimensions: 10 1/8 x 8 13/16 in. (25.7 x 22.4 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spring-pictures-artist-unidentified-artist-culture-china-dimensions-10-18-x-8-1316-in-257-x-224-cm-museum-metropolitan-museum-of-art-new-york-usa-image213182663.htmlRMPAR8JF–Spring Pictures. Artist: Unidentified Artist. Culture: China. Dimensions: 10 1/8 x 8 13/16 in. (25.7 x 22.4 cm). Museum: Metropolitan Museum of Art, New York, USA.
Landscape Painting of Figure in Woodland Setting. Artist: Unidentified Artist. Culture: China. Dimensions: 5 x 14 3/4 in. (12.7 x 37.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-painting-of-figure-in-woodland-setting-artist-unidentified-artist-culture-china-dimensions-5-x-14-34-in-127-x-375-cm-museum-metropolitan-museum-of-art-new-york-usa-image213331731.htmlRMPB22PB–Landscape Painting of Figure in Woodland Setting. Artist: Unidentified Artist. Culture: China. Dimensions: 5 x 14 3/4 in. (12.7 x 37.5 cm). Museum: Metropolitan Museum of Art, New York, USA.
Landscape Painting of Figure in Woodland Setting. Artist: Unidentified Artist. Culture: China. Dimensions: 5 x 14 5/8 in. (12.7 x 37.1 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-painting-of-figure-in-woodland-setting-artist-unidentified-artist-culture-china-dimensions-5-x-14-58-in-127-x-371-cm-museum-metropolitan-museum-of-art-new-york-usa-image212903330.htmlRMPAAGAA–Landscape Painting of Figure in Woodland Setting. Artist: Unidentified Artist. Culture: China. Dimensions: 5 x 14 5/8 in. (12.7 x 37.1 cm). Museum: Metropolitan Museum of Art, New York, USA.
Branch of Flowering Tree with Bird. Artist: Unidentified Artist. Culture: China. Dimensions: 11 x 10 3/4 in. (27.9 x 27.3 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/branch-of-flowering-tree-with-bird-artist-unidentified-artist-culture-china-dimensions-11-x-10-34-in-279-x-273-cm-museum-metropolitan-museum-of-art-new-york-usa-image213259121.htmlRMPAXP55–Branch of Flowering Tree with Bird. Artist: Unidentified Artist. Culture: China. Dimensions: 11 x 10 3/4 in. (27.9 x 27.3 cm). Museum: Metropolitan Museum of Art, New York, USA.
Bird on Branch. Artist: Unidentified Artist. Culture: China. Dimensions: 10 3/4 x 10 7/8 in. (27.3 x 27.6 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bird-on-branch-artist-unidentified-artist-culture-china-dimensions-10-34-x-10-78-in-273-x-276-cm-museum-metropolitan-museum-of-art-new-york-usa-image212912168.htmlRMPAAYJ0–Bird on Branch. Artist: Unidentified Artist. Culture: China. Dimensions: 10 3/4 x 10 7/8 in. (27.3 x 27.6 cm). Museum: Metropolitan Museum of Art, New York, USA.
Bird on Branch. Artist: Unidentified Artist. Culture: China. Dimensions: 11 1/4 x 10 3/4 in. (28.6 x 27.3 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bird-on-branch-artist-unidentified-artist-culture-china-dimensions-11-14-x-10-34-in-286-x-273-cm-museum-metropolitan-museum-of-art-new-york-usa-image212907794.htmlRMPAAP1P–Bird on Branch. Artist: Unidentified Artist. Culture: China. Dimensions: 11 1/4 x 10 3/4 in. (28.6 x 27.3 cm). Museum: Metropolitan Museum of Art, New York, USA.
Landscape Painting of Figure in Woodland Setting. Artist: Unidentified Artist. Culture: China. Dimensions: 4 5/8 x 14 3/4 in. (11.7 x 37.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-painting-of-figure-in-woodland-setting-artist-unidentified-artist-culture-china-dimensions-4-58-x-14-34-in-117-x-375-cm-museum-metropolitan-museum-of-art-new-york-usa-image213180993.htmlRMPAR6EW–Landscape Painting of Figure in Woodland Setting. Artist: Unidentified Artist. Culture: China. Dimensions: 4 5/8 x 14 3/4 in. (11.7 x 37.5 cm). Museum: Metropolitan Museum of Art, New York, USA.
Search Results for 19th century unidentified artist chinese Stock Photos and Images (108)
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