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1st 3rd century a Stock Photos and Images
Tetradrachm, Unknown, Syria, 1st–3rd century A.D., Billon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tetradrachm-unknown-syria-1st3rd-century-ad-billon-image261266506.htmlRMW51M2J–Tetradrachm, Unknown, Syria, 1st–3rd century A.D., Billon
Pair of gold earrings. Culture: Roman. Dimensions: Diam.: 3/4 in. (1.9 cm). Date: 1st-3rd century A.D.. In the form of rings of twisted gold. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pair-of-gold-earrings-culture-roman-dimensions-diam-34-in-19-cm-date-1st-3rd-century-ad-in-the-form-of-rings-of-twisted-gold-museum-metropolitan-museum-of-art-new-york-usa-image212909155.htmlRMPAARPB–Pair of gold earrings. Culture: Roman. Dimensions: Diam.: 3/4 in. (1.9 cm). Date: 1st-3rd century A.D.. In the form of rings of twisted gold. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Bronze statuette of a mouse, Imperial, ca. 1st–3rd century A.D., Roman, Bronze, H. 2.16 cm, Bronzes, Statuette of a mouse from a lamp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bronze-statuette-of-a-mouse-imperial-ca-1st3rd-century-ad-roman-bronze-h-216-cm-bronzes-statuette-of-a-mouse-from-a-lamp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462933715.htmlRF2HW4CJY–Art inspired by Bronze statuette of a mouse, Imperial, ca. 1st–3rd century A.D., Roman, Bronze, H. 2.16 cm, Bronzes, Statuette of a mouse from a lamp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Roman bottle with handle, 1st - 3rd century A.D. Colourless glass. Cylindrical body with a dished bottom, short neck and lateral handle. Fine, continuous cut rings around the body. Intact, with slight iris. Height 14 cm, historic, historical, ancient world, ancient world, ancient times, object, objects, stills, clipping, cut out, cut-out, cut-outs, vessel, vessels, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-roman-bottle-with-handle-1st-3rd-century-ad-colourless-glass-cylindrical-51504751.htmlRMCYP6RB–A Roman bottle with handle, 1st - 3rd century A.D. Colourless glass. Cylindrical body with a dished bottom, short neck and lateral handle. Fine, continuous cut rings around the body. Intact, with slight iris. Height 14 cm, historic, historical, ancient world, ancient world, ancient times, object, objects, stills, clipping, cut out, cut-out, cut-outs, vessel, vessels, Additional-Rights-Clearences-Not Available
Yemen: Alabaster head from ancient Southern Arabia, 3rd-1st century BCE. South Arabia as a general term refers to several regions as currently recognised, in chief the Republic of Yemen; yet it has historically also included Najran, Jizan and Asir which are presently in Saudi Arabia, and Dhofar presently in Oman. The frontiers of South Arabia as linguistically conceived would include the historic peoples speaking the related South Arabian languages as well as neighboring dialects of Arabic, and their descendants. Anciently there was a South Arabian alphabet, which was borrowed by Ethiopia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yemen-alabaster-head-from-ancient-southern-arabia-3rd-1st-century-bce-south-arabia-as-a-general-term-refers-to-several-regions-as-currently-recognised-in-chief-the-republic-of-yemen-yet-it-has-historically-also-included-najran-jizan-and-asir-which-are-presently-in-saudi-arabia-and-dhofar-presently-in-oman-the-frontiers-of-south-arabia-as-linguistically-conceived-would-include-the-historic-peoples-speaking-the-related-south-arabian-languages-as-well-as-neighboring-dialects-of-arabic-and-their-descendants-anciently-there-was-a-south-arabian-alphabet-which-was-borrowed-by-ethiopia-image344249371.htmlRM2B01WGB–Yemen: Alabaster head from ancient Southern Arabia, 3rd-1st century BCE. South Arabia as a general term refers to several regions as currently recognised, in chief the Republic of Yemen; yet it has historically also included Najran, Jizan and Asir which are presently in Saudi Arabia, and Dhofar presently in Oman. The frontiers of South Arabia as linguistically conceived would include the historic peoples speaking the related South Arabian languages as well as neighboring dialects of Arabic, and their descendants. Anciently there was a South Arabian alphabet, which was borrowed by Ethiopia.
Treasure of Mogon I. Medallion, interpreted like the umbo of a patera, which depicts a head of Medusa or Gorgon with two birds faced on her. 3rd-1st centuries BC (Hiding 1st century BC). Iberian culture. Silver. Hill of Los Castellanos-Mogon, Villacarrillo (Jaen province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/treasure-of-mogon-i-medallion-interpreted-like-the-umbo-of-a-patera-which-depicts-a-head-of-medusa-or-gorgon-with-two-birds-faced-on-her-3rd-1st-centuries-bc-hiding-1st-century-bc-iberian-culture-silver-hill-of-los-castellanos-mogon-villacarrillo-jaen-province-andalusia-spain-national-archaeological-museum-madrid-spain-image242469702.htmlRMT2DCG6–Treasure of Mogon I. Medallion, interpreted like the umbo of a patera, which depicts a head of Medusa or Gorgon with two birds faced on her. 3rd-1st centuries BC (Hiding 1st century BC). Iberian culture. Silver. Hill of Los Castellanos-Mogon, Villacarrillo (Jaen province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain.
Sidi Hamdan, Libya. Ruins of Roman Olive Oil Press, 1st-3rd Century A. D. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sidi-hamdan-libya-ruins-of-roman-olive-oil-press-1st-3rd-century-a-15492745.htmlRMANDC0X–Sidi Hamdan, Libya. Ruins of Roman Olive Oil Press, 1st-3rd Century A. D.
Head of a Kushan prince found in Dalvarzintepe from the 1st-3rd century A.D displayed in Termez Archaeological Museum in the city of Termez in Surkhandarya or Surxondaryo Region in Uzbekistan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-kushan-prince-found-in-dalvarzintepe-from-the-1st-3rd-century-ad-displayed-in-termez-archaeological-museum-in-the-city-of-termez-in-surkhandarya-or-surxondaryo-region-in-uzbekistan-image245923908.htmlRMT82PCM–Head of a Kushan prince found in Dalvarzintepe from the 1st-3rd century A.D displayed in Termez Archaeological Museum in the city of Termez in Surkhandarya or Surxondaryo Region in Uzbekistan
Head of Bodhisattva. Second half of the 1st century or early 2nd century. Kushan dynasty (1st-3rd A.D). red sandstone sculpture from Uttar Pradesh in India (North) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-head-of-bodhisattva-second-half-of-the-1st-century-or-early-2nd-century-57358569.htmlRMD98WC9–Head of Bodhisattva. Second half of the 1st century or early 2nd century. Kushan dynasty (1st-3rd A.D). red sandstone sculpture from Uttar Pradesh in India (North)
The seizing of Mortimer. Roger de Mortimer, 3rd Baron Mortimer of Wigmore, 1st Earl of March 1287 - 1330. After a print by James Fittler from the work by John Opie originally featured in Robert Bowyer's Historic Gallery, published between 1793 and 1806. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seizing-of-mortimer-roger-de-mortimer-3rd-baron-mortimer-of-wigmore-1st-earl-of-march-1287-1330-after-a-print-by-james-fittler-from-the-work-by-john-opie-originally-featured-in-robert-bowyers-historic-gallery-published-between-1793-and-1806-image530978095.htmlRM2NRT3YB–The seizing of Mortimer. Roger de Mortimer, 3rd Baron Mortimer of Wigmore, 1st Earl of March 1287 - 1330. After a print by James Fittler from the work by John Opie originally featured in Robert Bowyer's Historic Gallery, published between 1793 and 1806.
Aphrodite, 1st-3rd century A.D.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aphrodite-1st-3rd-century-ad-image568864772.htmlRM2T1E0R0–Aphrodite, 1st-3rd century A.D..
Fortuna. Roman, 1st-3rd century A.D.. Sculpture. Bronze Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fortuna-roman-1st-3rd-century-ad-sculpture-bronze-image464711834.htmlRM2J01CK6–Fortuna. Roman, 1st-3rd century A.D.. Sculpture. Bronze
Don José Antonio Primo de Rivera y Sáenz de Heredia, 1st Duke of Primo de Rivera, 3rd Marquis of Estella, Grandee of Spain (April 24, 1903 – November 20, 1936) was a Spanish lawyer, nobleman, politician, and founder of the Falange Española ('Spanish Phalanx'). He was executed by the Spanish republican government during the course of the Spanish Civil War. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/don-jos-antonio-primo-de-rivera-y-senz-de-heredia-1st-duke-of-primo-de-rivera-3rd-marquis-of-estella-grandee-of-spain-april-24-1903-november-20-1936-was-a-spanish-lawyer-nobleman-politician-and-founder-of-the-falange-espaola-spanish-phalanx-he-was-executed-by-the-spanish-republican-government-during-the-course-of-the-spanish-civil-war-image330681720.htmlRM2A5YRWC–Don José Antonio Primo de Rivera y Sáenz de Heredia, 1st Duke of Primo de Rivera, 3rd Marquis of Estella, Grandee of Spain (April 24, 1903 – November 20, 1936) was a Spanish lawyer, nobleman, politician, and founder of the Falange Española ('Spanish Phalanx'). He was executed by the Spanish republican government during the course of the Spanish Civil War.
Roman 1st-3rd century A.D., necklaces and jewellery, The Metropolitan Museum of Art (The Met), Upper Manhattan, New York City, New York State, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-roman-1st-3rd-century-ad-necklaces-and-jewellery-the-metropolitan-172445823.htmlRMM0FGBB–Roman 1st-3rd century A.D., necklaces and jewellery, The Metropolitan Museum of Art (The Met), Upper Manhattan, New York City, New York State, USA.
Head of Bodhisattva Maitreya, schist stone (1st-3rd cent. AD) Gandhara Period, Pakistan or Afghanistan. Museum World Cultures, Barcelona. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-bodhisattva-maitreya-schist-stone-1st-3rd-cent-ad-gandhara-period-pakistan-or-afghanistan-museum-world-cultures-barcelona-image356255039.htmlRM2BKGPX7–Head of Bodhisattva Maitreya, schist stone (1st-3rd cent. AD) Gandhara Period, Pakistan or Afghanistan. Museum World Cultures, Barcelona.
A lovely illustration of the classes available for steam train travel in the Victorian era -1st class - 2nd class - 3rd class - Goods Class Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-lovely-illustration-of-the-classes-available-for-steam-train-travel-in-the-victorian-era-1st-class-2nd-class-3rd-class-goods-class-image264790066.htmlRMWAP6C2–A lovely illustration of the classes available for steam train travel in the Victorian era -1st class - 2nd class - 3rd class - Goods Class
A late 19th Century illustration of the Forum and Capital in Rome during the Roman Empire. The Empire was the post-Republican period of ancient Rome. It included large territorial holdings around the Mediterranean Sea in Europe, Northern Africa, and Western Asia ruled by emperors. From the accession of Caesar Augustus to the military anarchy of the 3rd century, it was a principate with Italy as metropole of the provinces and the city of Rome as sole capital (27 BC – AD 286). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-late-19th-century-illustration-of-the-forum-and-capital-in-rome-during-the-roman-empire-the-empire-was-the-post-republican-period-of-ancient-rome-it-included-large-territorial-holdings-around-the-mediterranean-sea-in-europe-northern-africa-and-western-asia-ruled-by-emperors-from-the-accession-of-caesar-augustus-to-the-military-anarchy-of-the-3rd-century-it-was-a-principate-with-italy-as-metropole-of-the-provinces-and-the-city-of-rome-as-sole-capital-27-bc-ad-286-image450321451.htmlRM2H4HWGY–A late 19th Century illustration of the Forum and Capital in Rome during the Roman Empire. The Empire was the post-Republican period of ancient Rome. It included large territorial holdings around the Mediterranean Sea in Europe, Northern Africa, and Western Asia ruled by emperors. From the accession of Caesar Augustus to the military anarchy of the 3rd century, it was a principate with Italy as metropole of the provinces and the city of Rome as sole capital (27 BC – AD 286).
England's Kevin Pietersen raises his bat after scoring a century during the 3rd Test at McLean Park, Napier, New Zealand. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-englands-kevin-pietersen-raises-his-bat-after-scoring-a-century-during-109850872.htmlRMGAM3WC–England's Kevin Pietersen raises his bat after scoring a century during the 3rd Test at McLean Park, Napier, New Zealand.
North Leigh Roman villa, the remains of a large manor house dating from the 1st to 3rd century AD, North Leigh, Oxfordshire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-north-leigh-roman-villa-the-remains-of-a-large-manor-house-dating-50642049.htmlRMCXAXCH–North Leigh Roman villa, the remains of a large manor house dating from the 1st to 3rd century AD, North Leigh, Oxfordshire
Tetradrachm, Unknown, Syria, 1st–3rd century A.D., Billon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tetradrachm-unknown-syria-1st3rd-century-ad-billon-image261262575.htmlRMW51F27–Tetradrachm, Unknown, Syria, 1st–3rd century A.D., Billon
Chalcedony intaglio: Head of Jupiter Ammon. Culture: Roman. Dimensions: H.: 3/4 x 9/16 in. (2 x 1.5 cm). Date: 1st-3rd century A.D.. The pantheistic head has the ram's horns of Zeus Ammon, the modius headdress of Serapis, and the rays of Sol Invictus. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chalcedony-intaglio-head-of-jupiter-ammon-culture-roman-dimensions-h-34-x-916-in-2-x-15-cm-date-1st-3rd-century-ad-the-pantheistic-head-has-the-rams-horns-of-zeus-ammon-the-modius-headdress-of-serapis-and-the-rays-of-sol-invictus-museum-metropolitan-museum-of-art-new-york-usa-image212896564.htmlRMPAA7MM–Chalcedony intaglio: Head of Jupiter Ammon. Culture: Roman. Dimensions: H.: 3/4 x 9/16 in. (2 x 1.5 cm). Date: 1st-3rd century A.D.. The pantheistic head has the ram's horns of Zeus Ammon, the modius headdress of Serapis, and the rays of Sol Invictus. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Bone ligula (ear pick), ca. 1st–3rd century A.D., Roman, Bone, H.: 4 1/4 in. (10.8 cm), Ear pick with small bowl, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bone-ligula-ear-pick-ca-1st3rd-century-ad-roman-bone-h-4-14-in-108-cm-ear-pick-with-small-bowl-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462782874.htmlRF2HTWG7P–Art inspired by Bone ligula (ear pick), ca. 1st–3rd century A.D., Roman, Bone, H.: 4 1/4 in. (10.8 cm), Ear pick with small bowl, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Roman hand rotary mill, 1st century BC - 3rd century AD Flat-bevelled millstone with central hole to accept the trunnion, above which is a corresponding edged handstone with a central, quadratic hole tapering inside toward the central trough, which is notched with an iron bar rest for the trunnion (not present). On the handstone laterally is a horizontal boring for accepting an angled grip for turning the handstone. A well preserved, essentially complete device, which especially in military areas is widely distributed. Height ca. 22 cm. Diamete, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-roman-hand-rotary-mill-1st-century-bc-3rd-century-ad-flat-bevelled-millstone-with-central-hole-to-accept-the-trunnion-above-which-is-a-corresponding-edged-handstone-with-a-central-quadratic-hole-tapering-inside-toward-the-central-trough-which-is-notched-with-an-iron-bar-rest-for-the-trunnion-not-present-on-the-handstone-laterally-is-a-horizontal-boring-for-accepting-an-angled-grip-for-turning-the-handstone-a-well-preserved-essentially-complete-device-which-especially-in-military-areas-is-widely-distributed-height-ca-22-cm-diamete-additional-rights-clearance-info-not-available-image247289821.htmlRMTA90K9–A Roman hand rotary mill, 1st century BC - 3rd century AD Flat-bevelled millstone with central hole to accept the trunnion, above which is a corresponding edged handstone with a central, quadratic hole tapering inside toward the central trough, which is notched with an iron bar rest for the trunnion (not present). On the handstone laterally is a horizontal boring for accepting an angled grip for turning the handstone. A well preserved, essentially complete device, which especially in military areas is widely distributed. Height ca. 22 cm. Diamete, Additional-Rights-Clearance-Info-Not-Available
Yemen: A funerary stele featuring a ploughman above three busts, Sabaean, limestone, 1st-3rd centuries CE. Inscription in Sabaean language: 'Stele of Yahmad, Shufnîqên, Hassat and Khallî'. The ancient Sabaean Kingdom established power in the early 1st millennium BCE. In the 1st century BCE it was conquered by the Himyarites, but after the disintegration of the first Himyarite empire of the Kings of Saba' and Dhu-Raydan, the Middle Sabaean Kingdom reappeared in the early 2nd century. It was finally conquered by the Himyarites in the late 3rd century. Its capital was Ma'rib. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yemen-a-funerary-stele-featuring-a-ploughman-above-three-busts-sabaean-limestone-1st-3rd-centuries-ce-inscription-in-sabaean-language-stele-of-yahmad-shufnqn-hassat-and-khall-the-ancient-sabaean-kingdom-established-power-in-the-early-1st-millennium-bce-in-the-1st-century-bce-it-was-conquered-by-the-himyarites-but-after-the-disintegration-of-the-first-himyarite-empire-of-the-kings-of-saba-and-dhu-raydan-the-middle-sabaean-kingdom-reappeared-in-the-early-2nd-century-it-was-finally-conquered-by-the-himyarites-in-the-late-3rd-century-its-capital-was-marib-image344249363.htmlRM2B01WG3–Yemen: A funerary stele featuring a ploughman above three busts, Sabaean, limestone, 1st-3rd centuries CE. Inscription in Sabaean language: 'Stele of Yahmad, Shufnîqên, Hassat and Khallî'. The ancient Sabaean Kingdom established power in the early 1st millennium BCE. In the 1st century BCE it was conquered by the Himyarites, but after the disintegration of the first Himyarite empire of the Kings of Saba' and Dhu-Raydan, the Middle Sabaean Kingdom reappeared in the early 2nd century. It was finally conquered by the Himyarites in the late 3rd century. Its capital was Ma'rib.
Perotito Hoard. Patera for libations. 2nd half of the 3rd-early 1st century BC. The relief depicts a wolf devouring a human head surrounded by a snake. Around, centaurs and centaurides play musical instruments and erotes with trophies. From Perotito (Santisteban del Puerto, Jaen province, Andalusia, Spain). Gilded silver. Iberian culture. National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/perotito-hoard-patera-for-libations-2nd-half-of-the-3rd-early-1st-century-bc-the-relief-depicts-a-wolf-devouring-a-human-head-surrounded-by-a-snake-around-centaurs-and-centaurides-play-musical-instruments-and-erotes-with-trophies-from-perotito-santisteban-del-puerto-jaen-province-andalusia-spain-gilded-silver-iberian-culture-national-archaeological-museum-madrid-spain-image242469693.htmlRMT2DCFW–Perotito Hoard. Patera for libations. 2nd half of the 3rd-early 1st century BC. The relief depicts a wolf devouring a human head surrounded by a snake. Around, centaurs and centaurides play musical instruments and erotes with trophies. From Perotito (Santisteban del Puerto, Jaen province, Andalusia, Spain). Gilded silver. Iberian culture. National Archaeological Museum. Madrid. Spain.
N/A. Français : Chambranle de porte avec des scènes de la vie du Buddha, Ier-IIIe siècle, région du Gandhra au Pakistan. English: Door casing with scenes of the life of the Buddha. 1st–3rd centuries, Gandhra, Pakistan. . between 1st century and 3rd century. N/A 466 Door casing life of the Buddha Guimet MA18849 n01 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-franais-chambranle-de-porte-avec-des-scnes-de-la-vie-du-buddha-ier-iiie-sicle-rgion-du-gandhra-au-pakistan-english-door-casing-with-scenes-of-the-life-of-the-buddha-1st3rd-centuries-gandhra-pakistan-between-1st-century-and-3rd-century-na-466-door-casing-life-of-the-buddha-guimet-ma18849-n01-image209952835.htmlRMP5G4YF–N/A. Français : Chambranle de porte avec des scènes de la vie du Buddha, Ier-IIIe siècle, région du Gandhra au Pakistan. English: Door casing with scenes of the life of the Buddha. 1st–3rd centuries, Gandhra, Pakistan. . between 1st century and 3rd century. N/A 466 Door casing life of the Buddha Guimet MA18849 n01
Portugal. Roman ruins of Villa Cardillio. 1st-4th centuries AD. Detail of a mosaic. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portugal-roman-ruins-of-villa-cardillio-1st-4th-centuries-ad-detail-of-a-mosaic-image469985803.htmlRM2J8HKK7–Portugal. Roman ruins of Villa Cardillio. 1st-4th centuries AD. Detail of a mosaic.
Head of Bodhisattva. Second half of the 1st century or early 2nd century. Kushan dynasty (1st-3rd A.D). red sandstone sculpture from Uttar Pradesh in India (North) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-head-of-bodhisattva-second-half-of-the-1st-century-or-early-2nd-century-57358574.htmlRMD98WCE–Head of Bodhisattva. Second half of the 1st century or early 2nd century. Kushan dynasty (1st-3rd A.D). red sandstone sculpture from Uttar Pradesh in India (North)
Chromolithograph Devotional Card - Saint Tarsicius (or Tarcisius), a martyr of the early Christian church of the 3rd century, receives Holy Communion before his death at the hand sof a mob as he carried the Holy Sacrement to condemned Christians in Prison. A souvenir card for the 1st communion of Henriette Dewees at the Church of St John the Baptist at Dunkirk, France on 28th April 1910. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chromolithograph-devotional-card-saint-tarsicius-or-tarcisius-a-martyr-of-the-early-christian-church-of-the-3rd-century-receives-holy-communion-before-his-death-at-the-hand-sof-a-mob-as-he-carried-the-holy-sacrement-to-condemned-christians-in-prison-a-souvenir-card-for-the-1st-communion-of-henriette-dewees-at-the-church-of-st-john-the-baptist-at-dunkirk-france-on-28th-april-1910-image504810730.htmlRM2M9836J–Chromolithograph Devotional Card - Saint Tarsicius (or Tarcisius), a martyr of the early Christian church of the 3rd century, receives Holy Communion before his death at the hand sof a mob as he carried the Holy Sacrement to condemned Christians in Prison. A souvenir card for the 1st communion of Henriette Dewees at the Church of St John the Baptist at Dunkirk, France on 28th April 1910.
Funerary niches of a burial building in the Necropolis of Portus in the Isola Sacra. The necropolis developed on the sides of the Via Flavia between the end of the 1st and 4th centuries AD - Fiumicino, Rome, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/funerary-niches-of-a-burial-building-in-the-necropolis-of-portus-in-the-isola-sacra-the-necropolis-developed-on-the-sides-of-the-via-flavia-between-the-end-of-the-1st-and-4th-centuries-ad-fiumicino-rome-italy-image616253781.htmlRM2XPGNYH–Funerary niches of a burial building in the Necropolis of Portus in the Isola Sacra. The necropolis developed on the sides of the Via Flavia between the end of the 1st and 4th centuries AD - Fiumicino, Rome, Italy
Aphrodite. Italy, Roman, 1st-3rd century A.D.. Sculpture. Bronze Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aphrodite-italy-roman-1st-3rd-century-ad-sculpture-bronze-image464711832.htmlRM2J01CK4–Aphrodite. Italy, Roman, 1st-3rd century A.D.. Sculpture. Bronze
A double-headed Roman sculpture of Baccus and his lover, Ariadne, circa 2nd-3rd century AD found in Jerusalem in 1941 by Somerset de Chair, a young British army officer, is to be included in Bonhams Antiquities sale on 1st May 2008. It is expected to sell for 60,000 to 90,000.photograph by David Sandison The Independent 28/04/2008 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-double-headed-roman-sculpture-of-baccus-and-his-lover-ariadne-circa-2nd-3rd-century-ad-found-in-jerusalem-in-1941-by-somerset-de-chair-a-young-british-army-officer-is-to-be-included-in-bonhams-antiquities-sale-on-1st-may-2008-it-is-expected-to-sell-for-60000-to-90000photograph-by-david-sandison-the-independent-28042008-image414206850.htmlRM2F1TN1P–A double-headed Roman sculpture of Baccus and his lover, Ariadne, circa 2nd-3rd century AD found in Jerusalem in 1941 by Somerset de Chair, a young British army officer, is to be included in Bonhams Antiquities sale on 1st May 2008. It is expected to sell for 60,000 to 90,000.photograph by David Sandison The Independent 28/04/2008
Armies of India. By major A.C. Lovett. London. 1911. 1st and 3rd Brahmans Subadar / Brahmans of Oudh and North- West Provinces Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/armies-of-india-by-major-ac-lovett-london-1911-1st-and-3rd-brahmans-subadar-brahmans-of-oudh-and-north-west-provinces-image343499025.htmlRM2AXRME9–Armies of India. By major A.C. Lovett. London. 1911. 1st and 3rd Brahmans Subadar / Brahmans of Oudh and North- West Provinces
Ancient Roman double head barrel with handle. Mould-blown Glass. 3rd-4th century A.D. Clipping path for design purpopes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-roman-double-head-barrel-with-handle-mould-blown-glass-3rd-4th-century-ad-clipping-path-for-design-purpopes-image402404546.htmlRM2EAK32X–Ancient Roman double head barrel with handle. Mould-blown Glass. 3rd-4th century A.D. Clipping path for design purpopes.
An etching depicting the exterior of the Tomb of the Scipios, the building served as a burial place for members of the Scipio family between the 3rd century BC and 1st century AD, Lucius Cornelius Scipio Barbatus is believed to have had it built and only his sarcophagus remained intact over time, the building served as a landmark in the city, as the city grew to include the tomb its location became confused leading to it being rediscovered on two occasions, today it is open to the public, Rome, Italy, 1749. From the New York Public Library. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-an-etching-depicting-the-exterior-of-the-tomb-of-the-scipios-the-building-166683410.htmlRMKK52AX–An etching depicting the exterior of the Tomb of the Scipios, the building served as a burial place for members of the Scipio family between the 3rd century BC and 1st century AD, Lucius Cornelius Scipio Barbatus is believed to have had it built and only his sarcophagus remained intact over time, the building served as a landmark in the city, as the city grew to include the tomb its location became confused leading to it being rediscovered on two occasions, today it is open to the public, Rome, Italy, 1749. From the New York Public Library.
BRITISH FOOT GUARD GRENADIERS of the 1st, Coldstream and 3rd Regiments in 1751 painted by Anglo-Swiss artist David Morier who specialised in military subjects. One of a series known as the Grenadier Paintings. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-foot-guard-grenadiers-of-the-1st-coldstream-and-3rd-regiments-in-1751-painted-by-anglo-swiss-artist-david-morier-who-specialised-in-military-subjects-one-of-a-series-known-as-the-grenadier-paintings-image215246078.htmlRMPE58FX–BRITISH FOOT GUARD GRENADIERS of the 1st, Coldstream and 3rd Regiments in 1751 painted by Anglo-Swiss artist David Morier who specialised in military subjects. One of a series known as the Grenadier Paintings.
Engraved portrait of John Maitland, 1st Duke and 2nd Earl of Lauderdale, 3rd Lord Thirlestane KG PC (1616 – 1682), was a Scottish politician, and leader within the Cabal Ministry. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraved-portrait-of-john-maitland-1st-duke-and-2nd-earl-of-lauderdale-3rd-lord-thirlestane-kg-pc-1616-1682-was-a-scottish-politician-and-leader-within-the-cabal-ministry-image334231189.htmlRM2ABNF85–Engraved portrait of John Maitland, 1st Duke and 2nd Earl of Lauderdale, 3rd Lord Thirlestane KG PC (1616 – 1682), was a Scottish politician, and leader within the Cabal Ministry.
North Leigh Roman villa, the remains of a large manor house dating from the 1st to 3rd century AD, North Leigh, Oxfordshire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-north-leigh-roman-villa-the-remains-of-a-large-manor-house-dating-50642052.htmlRMCXAXCM–North Leigh Roman villa, the remains of a large manor house dating from the 1st to 3rd century AD, North Leigh, Oxfordshire
Tetradrachm, Unknown, Syria, 1st–3rd century A.D., Billon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tetradrachm-unknown-syria-1st3rd-century-ad-billon-image261262577.htmlRMW51F29–Tetradrachm, Unknown, Syria, 1st–3rd century A.D., Billon
Glass bowl fragment with later inscription. Culture: Roman. Dimensions: Overall: 2 1/2 x 3 1/8 in. (6.4 x 7.9 cm). Date: ca. 1st-3rd century A.D.. The fragment has been shown by scientific analysis and examination to be ancient. It is probably part of a bowl or globular bottle that was decorated with linear engraving in antiquity. However, the inscription and floral decoration appear to be modern additions. The inscription is copied from a Roman marble cinerary urn that has been known since 1716 and been in the British Museum since 1804. The decoration was therefore added to the fragment in o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glass-bowl-fragment-with-later-inscription-culture-roman-dimensions-overall-2-12-x-3-18-in-64-x-79-cm-date-ca-1st-3rd-century-ad-the-fragment-has-been-shown-by-scientific-analysis-and-examination-to-be-ancient-it-is-probably-part-of-a-bowl-or-globular-bottle-that-was-decorated-with-linear-engraving-in-antiquity-however-the-inscription-and-floral-decoration-appear-to-be-modern-additions-the-inscription-is-copied-from-a-roman-marble-cinerary-urn-that-has-been-known-since-1716-and-been-in-the-british-museum-since-1804-the-decoration-was-therefore-added-to-the-fragment-in-o-image213244821.htmlRMPAX3XD–Glass bowl fragment with later inscription. Culture: Roman. Dimensions: Overall: 2 1/2 x 3 1/8 in. (6.4 x 7.9 cm). Date: ca. 1st-3rd century A.D.. The fragment has been shown by scientific analysis and examination to be ancient. It is probably part of a bowl or globular bottle that was decorated with linear engraving in antiquity. However, the inscription and floral decoration appear to be modern additions. The inscription is copied from a Roman marble cinerary urn that has been known since 1716 and been in the British Museum since 1804. The decoration was therefore added to the fragment in o
Art inspired by Pair of gold earrings, Imperial, 1st–3rd century A.D., Roman, Gold, Diam.: 3/4 in. (1.9 cm), Gold and Silver, In the form of rings of twisted gold, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pair-of-gold-earrings-imperial-1st3rd-century-ad-roman-gold-diam-34-in-19-cm-gold-and-silver-in-the-form-of-rings-of-twisted-gold-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462785064.htmlRF2HTWK20–Art inspired by Pair of gold earrings, Imperial, 1st–3rd century A.D., Roman, Gold, Diam.: 3/4 in. (1.9 cm), Gold and Silver, In the form of rings of twisted gold, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Roman hand rotary mill, 1st century BC - 3rd century AD Flat-bevelled millstone with central hole to accept the trunnion, above which is a corresponding edged handstone with a central, quadratic hole tapering inside toward the central trough, which is notched with an iron bar rest for the trunnion (not present). On the handstone laterally is a horizontal boring for accepting an angled grip for turning the handstone. A well preserved, essentially complete device, which especially in military areas is widely distributed. Height ca. 22 cm. Diamete, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-roman-hand-rotary-mill-1st-century-bc-3rd-century-ad-flat-bevelled-millstone-with-central-hole-to-accept-the-trunnion-above-which-is-a-corresponding-edged-handstone-with-a-central-quadratic-hole-tapering-inside-toward-the-central-trough-which-is-notched-with-an-iron-bar-rest-for-the-trunnion-not-present-on-the-handstone-laterally-is-a-horizontal-boring-for-accepting-an-angled-grip-for-turning-the-handstone-a-well-preserved-essentially-complete-device-which-especially-in-military-areas-is-widely-distributed-height-ca-22-cm-diamete-additional-rights-clearance-info-not-available-image247289825.htmlRMTA90KD–A Roman hand rotary mill, 1st century BC - 3rd century AD Flat-bevelled millstone with central hole to accept the trunnion, above which is a corresponding edged handstone with a central, quadratic hole tapering inside toward the central trough, which is notched with an iron bar rest for the trunnion (not present). On the handstone laterally is a horizontal boring for accepting an angled grip for turning the handstone. A well preserved, essentially complete device, which especially in military areas is widely distributed. Height ca. 22 cm. Diamete, Additional-Rights-Clearance-Info-Not-Available
Yemen: South Arabian limestone perfume-burner decorated with a bas-relief ibex, 1st-3rd century CE. South Arabia as a general term refers to several regions as currently recognised, in chief the Republic of Yemen; yet it has historically also included Najran, Jizan, and 'Asir which are presently in Saudi Arabia, and Dhofar presently in Oman. The frontiers of South Arabia as linguistically conceived would include the historic peoples speaking the related South Arabian languages as well as neighboring dialects of Arabic, and their descendants. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yemen-south-arabian-limestone-perfume-burner-decorated-with-a-bas-relief-ibex-1st-3rd-century-ce-south-arabia-as-a-general-term-refers-to-several-regions-as-currently-recognised-in-chief-the-republic-of-yemen-yet-it-has-historically-also-included-najran-jizan-and-asir-which-are-presently-in-saudi-arabia-and-dhofar-presently-in-oman-the-frontiers-of-south-arabia-as-linguistically-conceived-would-include-the-historic-peoples-speaking-the-related-south-arabian-languages-as-well-as-neighboring-dialects-of-arabic-and-their-descendants-image344249370.htmlRM2B01WGA–Yemen: South Arabian limestone perfume-burner decorated with a bas-relief ibex, 1st-3rd century CE. South Arabia as a general term refers to several regions as currently recognised, in chief the Republic of Yemen; yet it has historically also included Najran, Jizan, and 'Asir which are presently in Saudi Arabia, and Dhofar presently in Oman. The frontiers of South Arabia as linguistically conceived would include the historic peoples speaking the related South Arabian languages as well as neighboring dialects of Arabic, and their descendants.
Relief of a Roman tomb dated between the 1st and 3rd centuries. Used to build foundations. Found in Cologne, Germany on the banks of the Rhine River. Roman-Germanic Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-relief-of-a-roman-tomb-dated-between-the-1st-and-3rd-centuries-used-175616208.htmlRMM5M07C–Relief of a Roman tomb dated between the 1st and 3rd centuries. Used to build foundations. Found in Cologne, Germany on the banks of the Rhine River. Roman-Germanic Museum. Cologne. Germany.
N/A. Français : Chambranle de porte avec des scènes de la vie du Buddha, ici l'offrande du singe. Ier-IIIe siècle, région du Gandhra au Pakistan. English: Door casing with scenes of the life of the Buddha: the monkey's offering. 1st–3rd centuries, Gandhra, Pakistan. . between 1st century and 3rd century. N/A 466 Door casing life of the Buddha Guimet MA18849 n02 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-franais-chambranle-de-porte-avec-des-scnes-de-la-vie-du-buddha-ici-loffrande-du-singe-ier-iiie-sicle-rgion-du-gandhra-au-pakistan-english-door-casing-with-scenes-of-the-life-of-the-buddha-the-monkeys-offering-1st3rd-centuries-gandhra-pakistan-between-1st-century-and-3rd-century-na-466-door-casing-life-of-the-buddha-guimet-ma18849-n02-image209952841.htmlRMP5G4YN–N/A. Français : Chambranle de porte avec des scènes de la vie du Buddha, ici l'offrande du singe. Ier-IIIe siècle, région du Gandhra au Pakistan. English: Door casing with scenes of the life of the Buddha: the monkey's offering. 1st–3rd centuries, Gandhra, Pakistan. . between 1st century and 3rd century. N/A 466 Door casing life of the Buddha Guimet MA18849 n02
Portugal. Roman ruins of Villa Cardillio. 1st-4th centuries AD. Detail of a mosaic with the names of the owners: Cardilio and Avita. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portugal-roman-ruins-of-villa-cardillio-1st-4th-centuries-ad-detail-of-a-mosaic-with-the-names-of-the-owners-cardilio-and-avita-image469985795.htmlRM2J8HKJY–Portugal. Roman ruins of Villa Cardillio. 1st-4th centuries AD. Detail of a mosaic with the names of the owners: Cardilio and Avita.
Print of Henry Grey, Duke of Suffolk, from a painting by Gheeroedts. Henry Grey, 1st Duke of Suffolk, 3rd Marquess of Dorset KG KB (17 January 1517 - 23 February 1554), was an English courtier and nobleman of the Tudor period. He was the father of Lady Jane Grey, known as The Nine Days' Queen. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-of-henry-grey-duke-of-suffolk-from-a-painting-by-gheeroedts-henry-grey-1st-duke-of-suffolk-3rd-marquess-of-dorset-kg-kb-17-january-1517-23-february-1554-was-an-english-courtier-and-nobleman-of-the-tudor-period-he-was-the-father-of-lady-jane-grey-known-as-the-nine-days-queen-image482091604.htmlRM2K094N8–Print of Henry Grey, Duke of Suffolk, from a painting by Gheeroedts. Henry Grey, 1st Duke of Suffolk, 3rd Marquess of Dorset KG KB (17 January 1517 - 23 February 1554), was an English courtier and nobleman of the Tudor period. He was the father of Lady Jane Grey, known as The Nine Days' Queen.
Royal Navy - HMS Boadicea, a Boadicea-Class scout cruiser built for the Royal Navy in the first decade of the 20th century. She led the 1st Destroyer Flotilla from completion until the ship was transferred to the 3rd Destroyer Flotilla in mid-1912. A year later Boadicea was reassigned to the 2nd Battle Squadron and she spent the bulk of World War I with that squadron. The ship was present at, but did not fight in, the Battle of Jutland in mid-1916. Boadicea was converted into a minelayer at the end of 1917 and made three sorties to lay her mines before the end of the war. She was placed in res Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/royal-navy-hms-boadicea-a-boadicea-class-scout-cruiser-built-for-the-royal-navy-in-the-first-decade-of-the-20th-century-she-led-the-1st-destroyer-flotilla-from-completion-until-the-ship-was-transferred-to-the-3rd-destroyer-flotilla-in-mid-1912-a-year-later-boadicea-was-reassigned-to-the-2nd-battle-squadron-and-she-spent-the-bulk-of-world-war-i-with-that-squadron-the-ship-was-present-at-but-did-not-fight-in-the-battle-of-jutland-in-mid-1916-boadicea-was-converted-into-a-minelayer-at-the-end-of-1917-and-made-three-sorties-to-lay-her-mines-before-the-end-of-the-war-she-was-placed-in-res-image560814892.htmlRM2RGB938–Royal Navy - HMS Boadicea, a Boadicea-Class scout cruiser built for the Royal Navy in the first decade of the 20th century. She led the 1st Destroyer Flotilla from completion until the ship was transferred to the 3rd Destroyer Flotilla in mid-1912. A year later Boadicea was reassigned to the 2nd Battle Squadron and she spent the bulk of World War I with that squadron. The ship was present at, but did not fight in, the Battle of Jutland in mid-1916. Boadicea was converted into a minelayer at the end of 1917 and made three sorties to lay her mines before the end of the war. She was placed in res
Funerary niches of a burial building in the Necropolis of Portus in the Isola Sacra. The necropolis developed on the sides of the Via Flavia between the end of the 1st and 4th centuries AD - Fiumicino, Rome, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/funerary-niches-of-a-burial-building-in-the-necropolis-of-portus-in-the-isola-sacra-the-necropolis-developed-on-the-sides-of-the-via-flavia-between-the-end-of-the-1st-and-4th-centuries-ad-fiumicino-rome-italy-image616147616.htmlRM2XPBXG0–Funerary niches of a burial building in the Necropolis of Portus in the Isola Sacra. The necropolis developed on the sides of the Via Flavia between the end of the 1st and 4th centuries AD - Fiumicino, Rome, Italy
Scale. Roman, 1st-3rd century A.D.. Tools and Equipment; scales. Bronze Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scale-roman-1st-3rd-century-ad-tools-and-equipment-scales-bronze-image464711702.htmlRM2J01CEE–Scale. Roman, 1st-3rd century A.D.. Tools and Equipment; scales. Bronze
A double-headed Roman sculpture of Baccus and his lover, Ariadne, circa 2nd-3rd century AD found in Jerusalem in 1941 by Somerset de Chair, a young British army officer, is to be included in Bonhams Antiquities sale on 1st May 2008. It is expected to sell for 60,000 to 90,000.photograph by David Sandison The Independent 28/04/2008 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-double-headed-roman-sculpture-of-baccus-and-his-lover-ariadne-circa-2nd-3rd-century-ad-found-in-jerusalem-in-1941-by-somerset-de-chair-a-young-british-army-officer-is-to-be-included-in-bonhams-antiquities-sale-on-1st-may-2008-it-is-expected-to-sell-for-60000-to-90000photograph-by-david-sandison-the-independent-28042008-image415027024.htmlRM2F3635M–A double-headed Roman sculpture of Baccus and his lover, Ariadne, circa 2nd-3rd century AD found in Jerusalem in 1941 by Somerset de Chair, a young British army officer, is to be included in Bonhams Antiquities sale on 1st May 2008. It is expected to sell for 60,000 to 90,000.photograph by David Sandison The Independent 28/04/2008
Antique 1825 engraving, John Maitland. John Maitland, 1st Duke and 2nd Earl of Lauderdale, 3rd Lord Thirlestane (1616-1682), was a Scottish politician, and leader within the Cabal Ministry. SOURCE: ORIGINAL ENGRAVING. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-antique-1825-engraving-john-maitland-john-maitland-1st-duke-and-2nd-142366639.htmlRMJ7HA2R–Antique 1825 engraving, John Maitland. John Maitland, 1st Duke and 2nd Earl of Lauderdale, 3rd Lord Thirlestane (1616-1682), was a Scottish politician, and leader within the Cabal Ministry. SOURCE: ORIGINAL ENGRAVING.
Parthian ceramic plaque from the 1st to 3rd century, depicting a mounted archer. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parthian-ceramic-plaque-from-the-1st-to-3rd-century-depicting-a-mounted-archer-artist-unknown-image262770681.htmlRMW7E6K5–Parthian ceramic plaque from the 1st to 3rd century, depicting a mounted archer. Artist: Unknown
Archibald Campbell, 3rd Duke of Argyll, Archibald Campbell, 1st Earl of Ilay Islay, June 1st 1682 - April 15, 1761, was a Scottish aristocrat, judges, politicians and soldier / Archibald Campbell, 3. Duke of Argyll, Archibald Campbell, 1. Earl of Ilay Islay, 1. Juni 1682 - 15. April 1761, war ein schottischer Aristokrat, Richter, Politiker und Soldat, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archibald-campbell-3rd-duke-of-argyll-archibald-campbell-1st-earl-of-ilay-islay-june-1st-1682-april-15-1761-was-a-scottish-aristocrat-judges-politicians-and-soldier-archibald-campbell-3-duke-of-argyll-archibald-campbell-1-earl-of-ilay-islay-1-juni-1682-15-april-1761-war-ein-schottischer-aristokrat-richter-politiker-und-soldat-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image358428095.htmlRF2BR3PKB–Archibald Campbell, 3rd Duke of Argyll, Archibald Campbell, 1st Earl of Ilay Islay, June 1st 1682 - April 15, 1761, was a Scottish aristocrat, judges, politicians and soldier / Archibald Campbell, 3. Duke of Argyll, Archibald Campbell, 1. Earl of Ilay Islay, 1. Juni 1682 - 15. April 1761, war ein schottischer Aristokrat, Richter, Politiker und Soldat, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
Painted sandstone head of a ba-statue, 1st-3rd century. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painted-sandstone-head-of-a-ba-statue-1st-3rd-century-artist-unknown-image186168126.htmlRMMPTK9J–Painted sandstone head of a ba-statue, 1st-3rd century. Artist: Unknown.
Lusitania Inquiry J J Lewis ( 3rd Senior Officer ) , A R Jones ( 1st Officer and A A Bestick 15 June 1915 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lusitania-inquiry-j-j-lewis-3rd-senior-officer-a-r-jones-1st-officer-and-a-a-bestick-15-june-1915-image359832078.htmlRM2BWBNDJ–Lusitania Inquiry J J Lewis ( 3rd Senior Officer ) , A R Jones ( 1st Officer and A A Bestick 15 June 1915
Marble bust of King Demetrius I Poliorcetes of Macedonia (reign 294-288 BC). Roman copy from the 1st century AD after a Greek original from the 3rd century BC found in the rectangular peristyle in the Villa dei Papiri (Villa of the Papyri) in Herculaneum on display in the National Archaeological Museum in Naples, Campania, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-marble-bust-of-king-demetrius-i-poliorcetes-of-macedonia-reign-294-140918220.htmlRMJ57AHG–Marble bust of King Demetrius I Poliorcetes of Macedonia (reign 294-288 BC). Roman copy from the 1st century AD after a Greek original from the 3rd century BC found in the rectangular peristyle in the Villa dei Papiri (Villa of the Papyri) in Herculaneum on display in the National Archaeological Museum in Naples, Campania, Italy.
Tetradrachm of Macrinus, Unknown, Berytus, 1st–3rd century A.D., Billon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tetradrachm-of-macrinus-unknown-berytus-1st3rd-century-ad-billon-image261262397.htmlRMW51ERW–Tetradrachm of Macrinus, Unknown, Berytus, 1st–3rd century A.D., Billon
Inlay, floral square. Dimensions: H. 2.6 × W. 2.6 cm (1 × 1 in.). Date: 1st-3rd Century A.D.. A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inlay-floral-square-dimensions-h-26-w-26-cm-1-1-in-date-1st-3rd-century-ad-a-mosaic-glass-technique-allowed-multiples-of-an-image-to-be-created-a-figural-or-design-composition-was-made-by-bundling-colored-glass-canes-which-were-then-drawn-out-into-a-long-bar-the-bar-was-then-sectioned-at-right-angles-probably-by-striking-the-bar-with-appropriate-tools-to-produce-small-inlay-tiles-the-tile-would-then-be-smoothed-and-polished-on-the-face-intended-to-appear-outwards-museum-metropolitan-museum-of-art-new-york-usa-image213368037.htmlRMPB3N31–Inlay, floral square. Dimensions: H. 2.6 × W. 2.6 cm (1 × 1 in.). Date: 1st-3rd Century A.D.. A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Jug, 1st–3rd century A.D., Roman, Terracotta, 9 11/16in. (24.5cm), Vases, Red varnished jug with handle and moulded and furrowed bands around shoulder and base, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-jug-1st3rd-century-ad-roman-terracotta-9-1116in-245cm-vases-red-varnished-jug-with-handle-and-moulded-and-furrowed-bands-around-shoulder-and-base-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462787529.htmlRF2HTWP61–Art inspired by Jug, 1st–3rd century A.D., Roman, Terracotta, 9 11/16in. (24.5cm), Vases, Red varnished jug with handle and moulded and furrowed bands around shoulder and base, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Admiral Otto von Diederichs (1843 - 1918), certificates and documents from his legacy Commission as a Sea Cadet 1866, as an Ensign 1867, as a Lieutenant 1869, and as a Lieutenant Commander 1880, with Kaiser Wilhelm I's signature. Command appointments: Captain of the armoured ship 'Sachsen' 1889, Senior Dockyard Director at Kiel 1890, Commodore of the Wilhelmshaven Cruiser Squadron 1899, each with Kaiser Wilhelm II's signature. Medal and decoration citations: Order of the Red Eagle, 4th Class 1884, 3rd Class with the sash, 1889, 3rd Class with Oak Leaves 1893, 1, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-admiral-otto-von-diederichs-1843-1918-certificates-and-documents-from-31628044.htmlRMBRCNW0–Admiral Otto von Diederichs (1843 - 1918), certificates and documents from his legacy Commission as a Sea Cadet 1866, as an Ensign 1867, as a Lieutenant 1869, and as a Lieutenant Commander 1880, with Kaiser Wilhelm I's signature. Command appointments: Captain of the armoured ship 'Sachsen' 1889, Senior Dockyard Director at Kiel 1890, Commodore of the Wilhelmshaven Cruiser Squadron 1899, each with Kaiser Wilhelm II's signature. Medal and decoration citations: Order of the Red Eagle, 4th Class 1884, 3rd Class with the sash, 1889, 3rd Class with Oak Leaves 1893, 1,
Yemen: Funerary stele. Alabaster 1st-3rd centuries CE. Upper band: banquet scene with three people; lower band: horse rider with camel. Sabaean inscription: 'Image and funerary monument of `Iglum, son of Sa`adīllāt of Qaryot. May Eastern `Athtar smite whoever would destroy it'. South Arabia as a general term refers to several regions as currently recognised, in chief the Republic of Yemen; yet it has historically also included Najran, Jizan and 'Asir which are presently in Saudi Arabia, and Dhofar presently in Oman. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yemen-funerary-stele-alabaster-1st-3rd-centuries-ce-upper-band-banquet-scene-with-three-people-lower-band-horse-rider-with-camel-sabaean-inscription-image-and-funerary-monument-of-`iglum-son-of-sa`adllt-of-qaryot-may-eastern-`athtar-smite-whoever-would-destroy-it-south-arabia-as-a-general-term-refers-to-several-regions-as-currently-recognised-in-chief-the-republic-of-yemen-yet-it-has-historically-also-included-najran-jizan-and-asir-which-are-presently-in-saudi-arabia-and-dhofar-presently-in-oman-image344249388.htmlRM2B01WH0–Yemen: Funerary stele. Alabaster 1st-3rd centuries CE. Upper band: banquet scene with three people; lower band: horse rider with camel. Sabaean inscription: 'Image and funerary monument of `Iglum, son of Sa`adīllāt of Qaryot. May Eastern `Athtar smite whoever would destroy it'. South Arabia as a general term refers to several regions as currently recognised, in chief the Republic of Yemen; yet it has historically also included Najran, Jizan and 'Asir which are presently in Saudi Arabia, and Dhofar presently in Oman.
Relief of a Roman tomb dated between the 1st and 3rd centuries. Used to build foundations. Found in Cologne, Germany on the banks of the Rhine River. Roman-Germanic Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-relief-of-a-roman-tomb-dated-between-the-1st-and-3rd-centuries-used-175616209.htmlRMM5M07D–Relief of a Roman tomb dated between the 1st and 3rd centuries. Used to build foundations. Found in Cologne, Germany on the banks of the Rhine River. Roman-Germanic Museum. Cologne. Germany.
N/A. Français : Chambranle de porte avec des scènes de la vie du Buddha, ici l'entrée à Rajagriha. Ier-IIIe siècle, région du Gandhra au Pakistan. English: Door casing with scenes of the life of the Buddha: entering the city of Rjagiha. 1st–3rd centuries, Gandhra, Pakistan. . between 1st century and 3rd century. N/A 466 Door casing life of the Buddha Guimet MA18849 n03 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-franais-chambranle-de-porte-avec-des-scnes-de-la-vie-du-buddha-ici-lentre-rajagriha-ier-iiie-sicle-rgion-du-gandhra-au-pakistan-english-door-casing-with-scenes-of-the-life-of-the-buddha-entering-the-city-of-rjagiha-1st3rd-centuries-gandhra-pakistan-between-1st-century-and-3rd-century-na-466-door-casing-life-of-the-buddha-guimet-ma18849-n03-image209952843.htmlRMP5G4YR–N/A. Français : Chambranle de porte avec des scènes de la vie du Buddha, ici l'entrée à Rajagriha. Ier-IIIe siècle, région du Gandhra au Pakistan. English: Door casing with scenes of the life of the Buddha: entering the city of Rjagiha. 1st–3rd centuries, Gandhra, Pakistan. . between 1st century and 3rd century. N/A 466 Door casing life of the Buddha Guimet MA18849 n03
Roman city of Miróbriga. 1st-4th centuries AD. Detail of a Corinthian column in the Forum. Surrounding area of Santiago do Cacém. Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-city-of-mirbriga-1st-4th-centuries-ad-detail-of-a-corinthian-column-in-the-forum-surrounding-area-of-santiago-do-cacm-portugal-image469985381.htmlRM2J8HK45–Roman city of Miróbriga. 1st-4th centuries AD. Detail of a Corinthian column in the Forum. Surrounding area of Santiago do Cacém. Portugal.
part of a cult statue, 2nd century Buddha head The Amaravati School (1st century BC - 3rd century AD) the limestone sculpture Andhra Pradesh, India (South) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-part-of-a-cult-statue-2nd-century-buddha-head-the-amaravati-school-57358516.htmlRMD98WAC–part of a cult statue, 2nd century Buddha head The Amaravati School (1st century BC - 3rd century AD) the limestone sculpture Andhra Pradesh, India (South)
Guillaume de Mandeville, 3rd Earl of Essex, 1st Creation, born ? died 1189, meets King Richard I in front of a French castle. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-guillaume-de-mandeville-3rd-earl-of-essex-1st-creation-born-died-1189-23825356.htmlRMBAN9DG–Guillaume de Mandeville, 3rd Earl of Essex, 1st Creation, born ? died 1189, meets King Richard I in front of a French castle.
Funerary niches of a burial building in the Necropolis of Portus in the Isola Sacra. The necropolis developed on the sides of the Via Flavia between the end of the 1st and 4th centuries AD - Fiumicino, Rome, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/funerary-niches-of-a-burial-building-in-the-necropolis-of-portus-in-the-isola-sacra-the-necropolis-developed-on-the-sides-of-the-via-flavia-between-the-end-of-the-1st-and-4th-centuries-ad-fiumicino-rome-italy-image616254380.htmlRM2XPGPN0–Funerary niches of a burial building in the Necropolis of Portus in the Isola Sacra. The necropolis developed on the sides of the Via Flavia between the end of the 1st and 4th centuries AD - Fiumicino, Rome, Italy
Oil Lamp with Horse's Head. Roman, 1st-3rd century A.D.. Furnishings; Lighting. Bronze Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-lamp-with-horses-head-roman-1st-3rd-century-ad-furnishings-lighting-bronze-image464711839.htmlRM2J01CKB–Oil Lamp with Horse's Head. Roman, 1st-3rd century A.D.. Furnishings; Lighting. Bronze
A double-headed Roman sculpture of Baccus and his lover, Ariadne, circa 2nd-3rd century AD found in Jerusalem in 1941 by Somerset de Chair, a young British army officer, is to be included in Bonhams Antiquities sale on 1st May 2008. It is expected to sell for 60,000 to 90,000. photograph by David Sandison The Independent 28/04/2008 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-double-headed-roman-sculpture-of-baccus-and-his-lover-ariadne-circa-2nd-3rd-century-ad-found-in-jerusalem-in-1941-by-somerset-de-chair-a-young-british-army-officer-is-to-be-included-in-bonhams-antiquities-sale-on-1st-may-2008-it-is-expected-to-sell-for-60000-to-90000-photograph-by-david-sandison-the-independent-28042008-image418068335.htmlRM2F84JBY–A double-headed Roman sculpture of Baccus and his lover, Ariadne, circa 2nd-3rd century AD found in Jerusalem in 1941 by Somerset de Chair, a young British army officer, is to be included in Bonhams Antiquities sale on 1st May 2008. It is expected to sell for 60,000 to 90,000. photograph by David Sandison The Independent 28/04/2008
Antique c1780 engraving, The Duke of Lauderdale. John Maitland, 1st Duke and 2nd Earl of Lauderdale, 3rd Lord Thirlestane KG PC (1616-1682), was a Scottish politician, and leader within the Cabal Ministry. SOURCE: ORIGINAL ENGRAVING. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-antique-c1780-engraving-the-duke-of-lauderdale-john-maitland-1st-duke-118835750.htmlRMGW9C5X–Antique c1780 engraving, The Duke of Lauderdale. John Maitland, 1st Duke and 2nd Earl of Lauderdale, 3rd Lord Thirlestane KG PC (1616-1682), was a Scottish politician, and leader within the Cabal Ministry. SOURCE: ORIGINAL ENGRAVING.
Emperor in the guise of a pharaoh donating a symbolic plot of land to the god Ptah. Sandstone, Egypt 1st-3rd century AD Egyptian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emperor-in-the-guise-of-a-pharaoh-donating-a-symbolic-plot-of-land-to-the-god-ptah-sandstone-egypt-1st-3rd-century-ad-egyptian-image391529561.htmlRM2DMYKXH–Emperor in the guise of a pharaoh donating a symbolic plot of land to the god Ptah. Sandstone, Egypt 1st-3rd century AD Egyptian
Spanish civil war: Don José Antonio Primo de Rivera y Sáenz de Heredia, 1st Duke of Primo de Rivera, 3rd Marquis of Estella, Grandee of Spain (April 24, 1903 â€ì November 20, 1936) was a Spanish lawyer, nobleman, politician, and founder of the Falange Española ('Spanish Phalanx'). He was executed by the Spanish republican government during the course of the Spanish Civil War. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spanish-civil-war-don-jos-antonio-primo-de-rivera-y-senz-de-heredia-1st-duke-of-primo-de-rivera-3rd-marquis-of-estella-grandee-of-spain-april-24-1903-november-20-1936-was-a-spanish-lawyer-nobleman-politician-and-founder-of-the-falange-espaola-spanish-phalanx-he-was-executed-by-the-spanish-republican-government-during-the-course-of-the-spanish-civil-war-image210364295.htmlRMP66WPF–Spanish civil war: Don José Antonio Primo de Rivera y Sáenz de Heredia, 1st Duke of Primo de Rivera, 3rd Marquis of Estella, Grandee of Spain (April 24, 1903 â€ì November 20, 1936) was a Spanish lawyer, nobleman, politician, and founder of the Falange Española ('Spanish Phalanx'). He was executed by the Spanish republican government during the course of the Spanish Civil War.
John Maitland, 1st Duke and 2nd Earl of Lauderdale, 3rd Lord Thirlestane, 1616-1682, a Scottish politician Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-maitland-1st-duke-and-2nd-earl-of-lauderdale-3rd-lord-thirlestane-96899092.htmlRMFHJ3NT–John Maitland, 1st Duke and 2nd Earl of Lauderdale, 3rd Lord Thirlestane, 1616-1682, a Scottish politician
Raby Castle, Durham, England. Medieval castle built in 1379 by John de Neville, 3rd Baron, with Gothic style entrance hall added in the 19th century by the Vanes, the Dukes of Cleveland, descendants of William Harry Vane, 1st Duke of Cleveland, owner of a plantation in Barbados (233 enslaved). Colour woodblock by Benjamin Fawcett in the Baxter process of an illustration by Alexander Francis Lydon from Reverend Francis Orpen Morris’s Picturesque Views of the Seats of Noblemen and Gentlemen of Great Britain and Ireland, William Mackenzie, London, 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raby-castle-durham-england-medieval-castle-built-in-1379-by-john-de-neville-3rd-baron-with-gothic-style-entrance-hall-added-in-the-19th-century-by-the-vanes-the-dukes-of-cleveland-descendants-of-william-harry-vane-1st-duke-of-cleveland-owner-of-a-plantation-in-barbados-233-enslaved-colour-woodblock-by-benjamin-fawcett-in-the-baxter-process-of-an-illustration-by-alexander-francis-lydon-from-reverend-francis-orpen-morriss-picturesque-views-of-the-seats-of-noblemen-and-gentlemen-of-great-britain-and-ireland-william-mackenzie-london-1880-image389773140.htmlRM2DJ3KH8–Raby Castle, Durham, England. Medieval castle built in 1379 by John de Neville, 3rd Baron, with Gothic style entrance hall added in the 19th century by the Vanes, the Dukes of Cleveland, descendants of William Harry Vane, 1st Duke of Cleveland, owner of a plantation in Barbados (233 enslaved). Colour woodblock by Benjamin Fawcett in the Baxter process of an illustration by Alexander Francis Lydon from Reverend Francis Orpen Morris’s Picturesque Views of the Seats of Noblemen and Gentlemen of Great Britain and Ireland, William Mackenzie, London, 1880.
Part of a letter written by Charles Spencer, 3rd Earl of Sunderland, 1678 (1840). Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/part-of-a-letter-written-by-charles-spencer-3rd-earl-of-sunderland-1678-1840-artist-unknown-image262755818.htmlRMW7DFMA–Part of a letter written by Charles Spencer, 3rd Earl of Sunderland, 1678 (1840). Artist: Unknown
Tetradrachm, Unknown, Antioch, Syria, 1st–3rd century A.D., Billon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tetradrachm-unknown-antioch-syria-1st3rd-century-ad-billon-image261262579.htmlRMW51F2B–Tetradrachm, Unknown, Antioch, Syria, 1st–3rd century A.D., Billon
Inlay fragment, net design. Dimensions: H. 1.7 × W. 2.3 cm (11/16 × 7/8 in.). Date: 1st-3rd Century A.D.. A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inlay-fragment-net-design-dimensions-h-17-w-23-cm-1116-78-in-date-1st-3rd-century-ad-a-mosaic-glass-technique-allowed-multiples-of-an-image-to-be-created-a-figural-or-design-composition-was-made-by-bundling-colored-glass-canes-which-were-then-drawn-out-into-a-long-bar-the-bar-was-then-sectioned-at-right-angles-probably-by-striking-the-bar-with-appropriate-tools-to-produce-small-inlay-tiles-the-tile-would-then-be-smoothed-and-polished-on-the-face-intended-to-appear-outwards-museum-metropolitan-museum-of-art-new-york-usa-image213324897.htmlRMPB1P29–Inlay fragment, net design. Dimensions: H. 1.7 × W. 2.3 cm (11/16 × 7/8 in.). Date: 1st-3rd Century A.D.. A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Ivory die, ca. 1st–3rd century A.D., Roman, Ivory, Overall: 3/4 x 3/4 in. (1.9 x 1.9 cm), Cubical in form, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ivory-die-ca-1st3rd-century-ad-roman-ivory-overall-34-x-34-in-19-x-19-cm-cubical-in-form-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462784661.htmlRF2HTWJFH–Art inspired by Ivory die, ca. 1st–3rd century A.D., Roman, Ivory, Overall: 3/4 x 3/4 in. (1.9 x 1.9 cm), Cubical in form, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A model 1886/1914 helmet for reserve officers,of the 2nd Schwere Reiter Regiment,the 1st,3rd,5th,and 7th Chevauleger Regiments,and the Field Artillery. Fiber skull,gilded mountings,small 1914 emblem with the silver-plated reserve/Landwehr cross. Slightly convex metal chinscales. Officer's cockades. Olive-coloured lining and leather sweat band(DEPAHEG Patent). Lacquer and gilding are almost perfectly preserved.,historic,historical,1910s,20th century,19th century,Bavaria,Bavarian,German,Germany,Southern Germany,the South of Germany,object,ob,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-model-18861914-helmet-for-reserve-officersof-the-2nd-schwere-reiter-31709093.htmlRMBRGD7H–A model 1886/1914 helmet for reserve officers,of the 2nd Schwere Reiter Regiment,the 1st,3rd,5th,and 7th Chevauleger Regiments,and the Field Artillery. Fiber skull,gilded mountings,small 1914 emblem with the silver-plated reserve/Landwehr cross. Slightly convex metal chinscales. Officer's cockades. Olive-coloured lining and leather sweat band(DEPAHEG Patent). Lacquer and gilding are almost perfectly preserved.,historic,historical,1910s,20th century,19th century,Bavaria,Bavarian,German,Germany,Southern Germany,the South of Germany,object,ob,Additional-Rights-Clearences-Not Available
Yemen: Alabaster head, 3rd-1st centuries BCE. South Arabia as a general term refers to several regions as currently recognised, in chief the Republic of Yemen; yet it has historically also included Najran, Jizan, and 'Asir which are presently in Saudi Arabia, and Dhofar presently in Oman. The frontiers of South Arabia as linguistically conceived would include the historic peoples speaking the related South Arabian languages as well as neighboring dialects of Arabic, and their descendants. Anciently there was a South Arabian alphabet, which was borrowed by Ethiopia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yemen-alabaster-head-3rd-1st-centuries-bce-south-arabia-as-a-general-term-refers-to-several-regions-as-currently-recognised-in-chief-the-republic-of-yemen-yet-it-has-historically-also-included-najran-jizan-and-asir-which-are-presently-in-saudi-arabia-and-dhofar-presently-in-oman-the-frontiers-of-south-arabia-as-linguistically-conceived-would-include-the-historic-peoples-speaking-the-related-south-arabian-languages-as-well-as-neighboring-dialects-of-arabic-and-their-descendants-anciently-there-was-a-south-arabian-alphabet-which-was-borrowed-by-ethiopia-image344249392.htmlRM2B01WH4–Yemen: Alabaster head, 3rd-1st centuries BCE. South Arabia as a general term refers to several regions as currently recognised, in chief the Republic of Yemen; yet it has historically also included Najran, Jizan, and 'Asir which are presently in Saudi Arabia, and Dhofar presently in Oman. The frontiers of South Arabia as linguistically conceived would include the historic peoples speaking the related South Arabian languages as well as neighboring dialects of Arabic, and their descendants. Anciently there was a South Arabian alphabet, which was borrowed by Ethiopia.
Relief of a Roman tomb dated between the 1st and 3rd centuries. Used to build foundations. Found in Cologne, Germany on the banks of the Rhine River. Roman-Germanic Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-relief-of-a-roman-tomb-dated-between-the-1st-and-3rd-centuries-used-175616207.htmlRMM5M07B–Relief of a Roman tomb dated between the 1st and 3rd centuries. Used to build foundations. Found in Cologne, Germany on the banks of the Rhine River. Roman-Germanic Museum. Cologne. Germany.
N/A. Clockwise from top left: w:Henry Boyle, 1st Baron Carleton, w:Richard Boyle, 3rd Earl of Burlington, w:George IV of the United Kingdom and John Nash . Early 19th century. various 274 Carleton-Burlington-Prinny-Nash Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-clockwise-from-top-left-whenry-boyle-1st-baron-carleton-wrichard-boyle-3rd-earl-of-burlington-wgeorge-iv-of-the-united-kingdom-and-john-nash-early-19th-century-various-274-carleton-burlington-prinny-nash-image209909370.htmlRMP5E5F6–N/A. Clockwise from top left: w:Henry Boyle, 1st Baron Carleton, w:Richard Boyle, 3rd Earl of Burlington, w:George IV of the United Kingdom and John Nash . Early 19th century. various 274 Carleton-Burlington-Prinny-Nash
Roman coins. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-coins-image487013659.htmlRM2K89ATY–Roman coins.
part of a cult statue, 2nd century Buddha head The Amaravati School (1st century BC - 3rd century AD) the limestone sculpture Andhra Pradesh, India (South) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-part-of-a-cult-statue-2nd-century-buddha-head-the-amaravati-school-57358511.htmlRMD98WA7–part of a cult statue, 2nd century Buddha head The Amaravati School (1st century BC - 3rd century AD) the limestone sculpture Andhra Pradesh, India (South)
A 1914 list of kings of Vijayanagar that ruled from the now great ruined city in southern India (Sanskrit: “City of Victory”). With dates from 1336 to 1586 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-1914-list-of-kings-of-vijayanagar-that-ruled-from-the-now-great-ruined-city-in-southern-india-sanskrit-city-of-victory-with-dates-from-1336-to-1586-image430389405.htmlRM2G05X25–A 1914 list of kings of Vijayanagar that ruled from the now great ruined city in southern India (Sanskrit: “City of Victory”). With dates from 1336 to 1586
Funerary niches of a burial building in the Necropolis of Portus in the Isola Sacra. The necropolis developed on the sides of the Via Flavia between the end of the 1st and 4th centuries AD - Fiumicino, Rome, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/funerary-niches-of-a-burial-building-in-the-necropolis-of-portus-in-the-isola-sacra-the-necropolis-developed-on-the-sides-of-the-via-flavia-between-the-end-of-the-1st-and-4th-centuries-ad-fiumicino-rome-italy-image616251985.htmlRM2XPGKKD–Funerary niches of a burial building in the Necropolis of Portus in the Isola Sacra. The necropolis developed on the sides of the Via Flavia between the end of the 1st and 4th centuries AD - Fiumicino, Rome, Italy
Axe Head. Indonesia, circa 1st-3rd century A.D.. Arms and Armor; axes. Copper alloy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/axe-head-indonesia-circa-1st-3rd-century-ad-arms-and-armor-axes-copper-alloy-image464699328.htmlRM2J00TMG–Axe Head. Indonesia, circa 1st-3rd century A.D.. Arms and Armor; axes. Copper alloy
A double-headed Roman sculpture of Baccus and his lover, Ariadne, circa 2nd-3rd century AD found in Jerusalem in 1941 by Somerset de Chair, a young British army officer, is to be included in Bonhams Antiquities sale on 1st May 2008. It is expected to sell for 60,000 to 90,000.photograph by David Sandison The Independent 28/04/2008 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-double-headed-roman-sculpture-of-baccus-and-his-lover-ariadne-circa-2nd-3rd-century-ad-found-in-jerusalem-in-1941-by-somerset-de-chair-a-young-british-army-officer-is-to-be-included-in-bonhams-antiquities-sale-on-1st-may-2008-it-is-expected-to-sell-for-60000-to-90000photograph-by-david-sandison-the-independent-28042008-image410777127.htmlRM2ET8EBK–A double-headed Roman sculpture of Baccus and his lover, Ariadne, circa 2nd-3rd century AD found in Jerusalem in 1941 by Somerset de Chair, a young British army officer, is to be included in Bonhams Antiquities sale on 1st May 2008. It is expected to sell for 60,000 to 90,000.photograph by David Sandison The Independent 28/04/2008
Antique c1810 engraving, The Duke of Lauderdale. John Maitland, 1st Duke and 2nd Earl of Lauderdale, 3rd Lord Thirlestane KG PC (1616-1682), was a Scottish politician, and leader within the Cabal Ministry. SOURCE: ORIGINAL ENGRAVING. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-antique-c1810-engraving-the-duke-of-lauderdale-john-maitland-1st-duke-120774762.htmlRMH0DNCA–Antique c1810 engraving, The Duke of Lauderdale. John Maitland, 1st Duke and 2nd Earl of Lauderdale, 3rd Lord Thirlestane KG PC (1616-1682), was a Scottish politician, and leader within the Cabal Ministry. SOURCE: ORIGINAL ENGRAVING.
Demetrius I Poliorketes 294–288 BC Roman copy from 1st century AD of a Greek original from 3rd century BC King of Macedonia Greek, Greece, Sculpture, ( 18th century Plasters of the Herculanense Museum for Carlos III ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/demetrius-i-poliorketes-294288-bc-roman-copy-from-1st-century-ad-of-a-greek-original-from-3rd-century-bc-king-of-macedonia-greek-greece-sculpture-18th-century-plasters-of-the-herculanense-museum-for-carlos-iii-image384466701.htmlRM2D9DY5H–Demetrius I Poliorketes 294–288 BC Roman copy from 1st century AD of a Greek original from 3rd century BC King of Macedonia Greek, Greece, Sculpture, ( 18th century Plasters of the Herculanense Museum for Carlos III )
Christopher Columbus' coat of arms in 1502 1st and 2nd quarters, the royal charges of Castile and Leon (castle and lion) 3rd quarter, islands in a wavy sea 4th quarter, the customary arms of his family Engraving Private collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christopher-columbus-coat-of-arms-in-1502-1st-and-2nd-quarters-the-113153576.htmlRMGG2GF4–Christopher Columbus' coat of arms in 1502 1st and 2nd quarters, the royal charges of Castile and Leon (castle and lion) 3rd quarter, islands in a wavy sea 4th quarter, the customary arms of his family Engraving Private collection
John Maitland, 1st Duke and 2nd Earl of Lauderdale, 3rd Lord Thirlestane, 1616-1682, a Scottish politician Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-maitland-1st-duke-and-2nd-earl-of-lauderdale-3rd-lord-thirlestane-96899392.htmlRMFHJ44G–John Maitland, 1st Duke and 2nd Earl of Lauderdale, 3rd Lord Thirlestane, 1616-1682, a Scottish politician
Istanbul Archaeological Museum. Head of a statue from Madain Saleh, 3rd-1st century BC. Sandstone. Saudi Arabia. Orient Museum. Turkey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/istanbul-archaeological-museum-head-of-a-statue-from-madain-saleh-3rd-1st-century-bc-sandstone-saudi-arabia-orient-museum-turkey-image345241316.htmlRM2B1K2R0–Istanbul Archaeological Museum. Head of a statue from Madain Saleh, 3rd-1st century BC. Sandstone. Saudi Arabia. Orient Museum. Turkey.
Small statue of Aphrodite bathing, known as the Rhodes Venus. A later remodelling of a statue type of the 3rd century BCE, whose Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-small-statue-of-aphrodite-bathing-known-as-the-rhodes-venus-a-later-59234234.htmlRMDCA9TA–Small statue of Aphrodite bathing, known as the Rhodes Venus. A later remodelling of a statue type of the 3rd century BCE, whose
Tetradrachm of Elegabalus, Unknown, Syria, 1st–3rd century A.D., Billon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tetradrachm-of-elegabalus-unknown-syria-1st3rd-century-ad-billon-image261262545.htmlRMW51F15–Tetradrachm of Elegabalus, Unknown, Syria, 1st–3rd century A.D., Billon
Inlay fragment, conventional floral pattern. Dimensions: H. 2.9 × W. 2.9 cm (1 1/8 × 1 1/8 in.). Date: 1st-3rd Century A.D.. A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inlay-fragment-conventional-floral-pattern-dimensions-h-29-w-29-cm-1-18-1-18-in-date-1st-3rd-century-ad-a-mosaic-glass-technique-allowed-multiples-of-an-image-to-be-created-a-figural-or-design-composition-was-made-by-bundling-colored-glass-canes-which-were-then-drawn-out-into-a-long-bar-the-bar-was-then-sectioned-at-right-angles-probably-by-striking-the-bar-with-appropriate-tools-to-produce-small-inlay-tiles-the-tile-would-then-be-smoothed-and-polished-on-the-face-intended-to-appear-outwards-museum-metropolitan-museum-of-art-new-york-usa-image213197318.htmlRMPARY9X–Inlay fragment, conventional floral pattern. Dimensions: H. 2.9 × W. 2.9 cm (1 1/8 × 1 1/8 in.). Date: 1st-3rd Century A.D.. A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Ivory die, ca. 1st–3rd century A.D., Roman, Ivory, Overall: 5/8 x 9/16 in. (1.6 x 1.4 cm), Cubical in form, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ivory-die-ca-1st3rd-century-ad-roman-ivory-overall-58-x-916-in-16-x-14-cm-cubical-in-form-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462784648.htmlRF2HTWJF4–Art inspired by Ivory die, ca. 1st–3rd century A.D., Roman, Ivory, Overall: 5/8 x 9/16 in. (1.6 x 1.4 cm), Cubical in form, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Hellenistic Aphrodite, 3rd - 1st century B.C. Red-brown terracotta with remnats of white ground coat, sinter remains. Made with a two-piece mould, parts of the headdress modelled by hand. The base with restored cracks and a small addition, the elegantly shaped figure is otherwise intact and of appealing quality. Height 30.5 cm. Cf. Geoffrey Grigson, Aphrodite - Göttin der Liebe, 1976, p. 154. Provenance: J. Collection, Leverkusen, 1960s. historic, historical, people, 20th century, ancient world, ancient world, ancient times, object, objects, stills, clipping,, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-hellenistic-aphrodite-3rd-1st-century-bc-red-brown-terracotta-with-31479304.htmlRMBR604T–A Hellenistic Aphrodite, 3rd - 1st century B.C. Red-brown terracotta with remnats of white ground coat, sinter remains. Made with a two-piece mould, parts of the headdress modelled by hand. The base with restored cracks and a small addition, the elegantly shaped figure is otherwise intact and of appealing quality. Height 30.5 cm. Cf. Geoffrey Grigson, Aphrodite - Göttin der Liebe, 1976, p. 154. Provenance: J. Collection, Leverkusen, 1960s. historic, historical, people, 20th century, ancient world, ancient world, ancient times, object, objects, stills, clipping,,
Pakistan/Afghanistan: An early Buddhist triad. From left to right, a Kushan devotee, the Bodhisattva Maitreya, the Buddha, the Bodhisattva Avalokitesvara, and a Buddhist monk. Gandhara, 2nd-3rd century CE. Photo by World Imaging (CC BY-SA 3.0 License). Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE - 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pakistanafghanistan-an-early-buddhist-triad-from-left-to-right-a-kushan-devotee-the-bodhisattva-maitreya-the-buddha-the-bodhisattva-avalokitesvara-and-a-buddhist-monk-gandhara-2nd-3rd-century-ce-photo-by-world-imaging-cc-by-sa-30-license-gandhra-is-noted-for-the-distinctive-gandhra-style-of-buddhist-art-which-developed-out-of-a-merger-of-greek-syrian-persian-and-indian-artistic-influence-this-development-began-during-the-parthian-period-50-bce-75-ce-gandhran-style-flourished-and-achieved-its-peak-during-the-kushan-period-from-the-1st-to-the-5th-century-image344239570.htmlRM2B01D2A–Pakistan/Afghanistan: An early Buddhist triad. From left to right, a Kushan devotee, the Bodhisattva Maitreya, the Buddha, the Bodhisattva Avalokitesvara, and a Buddhist monk. Gandhara, 2nd-3rd century CE. Photo by World Imaging (CC BY-SA 3.0 License). Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE - 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century.
Search Results for 1st 3rd century a Stock Photos and Images (4,534)
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