Drilled recumbent fox amulet seal, Late Uruk–Jemdet Nasr, Date ca. 3500–2900 B.C., Mesopotamia or southwestern Iran, Marble, mustard color, Seal Face: 3.07 x 2.25 cm Fox: 2.2 x 3.03 cm, Height: 1.6 cm, String Hole: 0.4 cm, Stone-Stamp Seals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drilled-recumbent-fox-amulet-seal-late-urukjemdet-nasr-date-ca-35002900-bc-mesopotamia-or-southwestern-iran-marble-mustard-color-seal-face-307-x-225-cm-fox-22-x-303-cm-height-16-cm-string-hole-04-cm-stone-stamp-seals-image344673860.html
RM2B0N70M–Drilled recumbent fox amulet seal, Late Uruk–Jemdet Nasr, Date ca. 3500–2900 B.C., Mesopotamia or southwestern Iran, Marble, mustard color, Seal Face: 3.07 x 2.25 cm Fox: 2.2 x 3.03 cm, Height: 1.6 cm, String Hole: 0.4 cm, Stone-Stamp Seals
Art inspired by Whetstone handle, Iron Age II, ca. early 1st millennium B.C., Iran, probably from Luristan, Iran, Bronze, 2.68 x 3.03 in. (6.81 x 7.7 cm), Metalwork-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-whetstone-handle-iron-age-ii-ca-early-1st-millennium-bc-iran-probably-from-luristan-iran-bronze-268-x-303-in-681-x-77-cm-metalwork-implements-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799290.html
RF2HTX962–Art inspired by Whetstone handle, Iron Age II, ca. early 1st millennium B.C., Iran, probably from Luristan, Iran, Bronze, 2.68 x 3.03 in. (6.81 x 7.7 cm), Metalwork-Implements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Plaque fragment with battle scene. Culture: Assyrian. Dimensions: 1.14 x 3.03 in. (2.9 x 7.7 cm). Date: ca. 9th century B.C.. This broken piece of ivory was incised with a battle scene, now difficult to see because of the extensive damage to the piece. At center is a chariot, driven by a figure who holds the horses' reins, standing next to a bearded archer who raises his bow. Their clothing and the archer's beard identify them as Assyrians. A spear is set in the back platform of the chariot, extending diagonally away from the two soldiers in the chariot; next to the spear point, an arm dangle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-fragment-with-battle-scene-culture-assyrian-dimensions-114-x-303-in-29-x-77-cm-date-ca-9th-century-bc-this-broken-piece-of-ivory-was-incised-with-a-battle-scene-now-difficult-to-see-because-of-the-extensive-damage-to-the-piece-at-center-is-a-chariot-driven-by-a-figure-who-holds-the-horses-reins-standing-next-to-a-bearded-archer-who-raises-his-bow-their-clothing-and-the-archers-beard-identify-them-as-assyrians-a-spear-is-set-in-the-back-platform-of-the-chariot-extending-diagonally-away-from-the-two-soldiers-in-the-chariot-next-to-the-spear-point-an-arm-dangle-image213146692.html
RMPANJNT–Plaque fragment with battle scene. Culture: Assyrian. Dimensions: 1.14 x 3.03 in. (2.9 x 7.7 cm). Date: ca. 9th century B.C.. This broken piece of ivory was incised with a battle scene, now difficult to see because of the extensive damage to the piece. At center is a chariot, driven by a figure who holds the horses' reins, standing next to a bearded archer who raises his bow. Their clothing and the archer's beard identify them as Assyrians. A spear is set in the back platform of the chariot, extending diagonally away from the two soldiers in the chariot; next to the spear point, an arm dangle
Art inspired by Openwork plaque fragment, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 3.03 x 2.44 x 0.43 in. (7.7 x 6.2 x 1.09 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-openwork-plaque-fragment-neo-assyrian-ca-9th8th-century-bc-mesopotamia-nimrud-ancient-kalhu-assyrian-ivory-303-x-244-x-043-in-77-x-62-x-109-cm-ivorybone-reliefs-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462799313.html
RF2HTX96W–Art inspired by Openwork plaque fragment, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 3.03 x 2.44 x 0.43 in. (7.7 x 6.2 x 1.09 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Creation Date: 1886 Display Dimensions: 12 5/8 in. x 8 3/4 in. (32.1 cm x 22.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.653 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 25 April 2002, 10:11:03. English: thesandiegomuseumofartcollection 1125 Sirdar Singh (6125098444) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-creation-date-1886-display-dimensions-12-58-in-x-8-34-in-321-cm-x-222-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990653-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-25-april-2002-101103-english-thesandiegomuseumofartcollection-1125-sirdar-singh-6125098444-image185549519.html
RMMNTE8F–. English: Creation Date: 1886 Display Dimensions: 12 5/8 in. x 8 3/4 in. (32.1 cm x 22.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.653 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 25 April 2002, 10:11:03. English: thesandiegomuseumofartcollection 1125 Sirdar Singh (6125098444)
Iron Cross of 1939 - Knight's Cross with Oak Leaves and Swords,Knight's Cross,blackened iron core(rust film)with edge-high swastika,the silver frame punched '800' and 'L/12' for Juncker,Berlin,beneath the eyelet. Dimensions 48.2 x 54 mm,weight 33 g. Oak Leaves with Swords,silver,reverse with embossed raised marks '800' and 'L 12'(for Juncker). Dimensions 20.3 x 29.1 mm,weight 8.5 g. Black award presentation case with black velvet insert and light silk cover liner. Accompanied by a 12 cm section of ribbon(Nie 7.03.08 b5 and 7.03.06 3). Included are ,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-iron-cross-of-1939-knights-cross-with-oak-leaves-and-swordsknights-51504364.html
RMCYP69G–Iron Cross of 1939 - Knight's Cross with Oak Leaves and Swords,Knight's Cross,blackened iron core(rust film)with edge-high swastika,the silver frame punched '800' and 'L/12' for Juncker,Berlin,beneath the eyelet. Dimensions 48.2 x 54 mm,weight 33 g. Oak Leaves with Swords,silver,reverse with embossed raised marks '800' and 'L 12'(for Juncker). Dimensions 20.3 x 29.1 mm,weight 8.5 g. Black award presentation case with black velvet insert and light silk cover liner. Accompanied by a 12 cm section of ribbon(Nie 7.03.08 b5 and 7.03.06 3). Included are ,Additional-Rights-Clearences-Not Available
. English: Series Title: The Song of the Herdsman or Dark Lord Creation Date: ca. 1820 Display Dimensions: 11 3/32 in. x 14 3/16 in. (28.2 cm x 36 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1296 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:09:03. English: thesandiegomuseumofartcollection 1174 The friend urges Radha to abandon her pride (6124523993) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-series-title-the-song-of-the-herdsman-or-dark-lord-creation-date-ca-1820-display-dimensions-11-332-in-x-14-316-in-282-cm-x-36-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901296-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140903-english-thesandiegomuseumofartcollection-1174-the-friend-urges-radha-to-abandon-her-pride-6124523993-image185706280.html
RMMP3J74–. English: Series Title: The Song of the Herdsman or Dark Lord Creation Date: ca. 1820 Display Dimensions: 11 3/32 in. x 14 3/16 in. (28.2 cm x 36 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1296 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:09:03. English: thesandiegomuseumofartcollection 1174 The friend urges Radha to abandon her pride (6124523993)
Röhlike Hans, representation of the stairs (03.1905): Ladder staircase, 1:16 2/3. Tusche watercolor on the box, 64.4 x 47.8 cm (including scan edges) Röhlike Hans : Darstellung der Treppen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rhlike-hans-representation-of-the-stairs-031905-ladder-staircase-116-23-tusche-watercolor-on-the-box-644-x-478-cm-including-scan-edges-rhlike-hans-darstellung-der-treppen-image477523479.html
RM2JMW21Y–Röhlike Hans, representation of the stairs (03.1905): Ladder staircase, 1:16 2/3. Tusche watercolor on the box, 64.4 x 47.8 cm (including scan edges) Röhlike Hans : Darstellung der Treppen
. English: Series Title: Tales of Akbar Display Artist: Mukund Creation Date: 1600-1610 Display Dimensions: 13 1/2 in. x 8 29/32 in. (34.3 cm x 22.6 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.315 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:05:03. English: thesandiegomuseumofartcollection 1172 The Emperor Akbar hunts at Sanganer on his way to Gujarat (6124504229) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-series-title-tales-of-akbar-display-artist-mukund-creation-date-1600-1610-display-dimensions-13-12-in-x-8-2932-in-343-cm-x-226-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990315-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140503-english-thesandiegomuseumofartcollection-1172-the-emperor-akbar-hunts-at-sanganer-on-his-way-to-gujarat-6124504229-image185731974.html
RMMP4R0P–. English: Series Title: Tales of Akbar Display Artist: Mukund Creation Date: 1600-1610 Display Dimensions: 13 1/2 in. x 8 29/32 in. (34.3 cm x 22.6 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.315 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:05:03. English: thesandiegomuseumofartcollection 1172 The Emperor Akbar hunts at Sanganer on his way to Gujarat (6124504229)
Poelzig Hans (1869-1936), vocational school on Urban, Berlin-Kreuzberg (03.1929): gym tract, 3 floor plan EG-2. OG, 2 cuts 1: 100. Pencil on transparent, 89.2 x 105 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/poelzig-hans-1869-1936-vocational-school-on-urban-berlin-kreuzberg-031929-gym-tract-3-floor-plan-eg-2-og-2-cuts-1-100-pencil-on-transparent-892-x-105-cm-including-scan-edges-image477412975.html
RM2JMM13B–Poelzig Hans (1869-1936), vocational school on Urban, Berlin-Kreuzberg (03.1929): gym tract, 3 floor plan EG-2. OG, 2 cuts 1: 100. Pencil on transparent, 89.2 x 105 cm (including scan edges)
. English: Display Artist: Reza Abbasi Creation Date: ca. 1610 Display Dimensions: 7 1/2 in. x 3 3/8 in. (19.05 cm x 8.57 cm) Credit Line: Gift of Edwin Binney 3rd Accession Number: 1971.66 Collection: The San Diego Museum of Art . 1 October 2001, 15:03:01. English: thesandiegomuseumofartcollection A standing youth in a striped coat (6125041184) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-display-artist-reza-abbasi-creation-date-ca-1610-display-dimensions-7-12-in-x-3-38-in-1905-cm-x-857-cm-credit-line-gift-of-edwin-binney-3rd-accession-number-197166-collection-the-san-diego-museum-of-art-1-october-2001-150301-english-thesandiegomuseumofartcollection-a-standing-youth-in-a-striped-coat-6125041184-image184772155.html
RMMMH2NF–. English: Display Artist: Reza Abbasi Creation Date: ca. 1610 Display Dimensions: 7 1/2 in. x 3 3/8 in. (19.05 cm x 8.57 cm) Credit Line: Gift of Edwin Binney 3rd Accession Number: 1971.66 Collection: The San Diego Museum of Art . 1 October 2001, 15:03:01. English: thesandiegomuseumofartcollection A standing youth in a striped coat (6125041184)
Klein Hugo (died 1888), carrying system of a memory. Monthly competition March 1868 (03.1868): floor plan, longitudinal cut, cross -section, 3 carrying construct details; 2 scale strips. Tusche watercolor on the box, 61.1 x 44.3 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/klein-hugo-died-1888-carrying-system-of-a-memory-monthly-competition-march-1868-031868-floor-plan-longitudinal-cut-cross-section-3-carrying-construct-details-2-scale-strips-tusche-watercolor-on-the-box-611-x-443-cm-including-scan-edges-image477436304.html
RM2JMN2TG–Klein Hugo (died 1888), carrying system of a memory. Monthly competition March 1868 (03.1868): floor plan, longitudinal cut, cross -section, 3 carrying construct details; 2 scale strips. Tusche watercolor on the box, 61.1 x 44.3 cm (including scan edges)
Guttstadt Richard (born 1879), train station for 3 subways. Monthly competition March 1917 (03.1917): 2 variants: 1 site plan 1: 1000; several cross -sections 1: 200; 2 scale strips. Ink on cardboard, 39.7 x 68.3 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guttstadt-richard-born-1879-train-station-for-3-subways-monthly-competition-march-1917-031917-2-variants-1-site-plan-1-1000-several-cross-sections-1-200-2-scale-strips-ink-on-cardboard-397-x-683-cm-including-scan-edges-image477428369.html
RM2JMMMN5–Guttstadt Richard (born 1879), train station for 3 subways. Monthly competition March 1917 (03.1917): 2 variants: 1 site plan 1: 1000; several cross -sections 1: 200; 2 scale strips. Ink on cardboard, 39.7 x 68.3 cm (including scan edges)
HSKU 20080307 Pekka Halonen Ateneumin taidemuseossa taiteilija: Halonen, Pekka Inventaarionro A II 1438 teosnimi: Talvimaisema Myllykylästä haltija: AT kokoelma: Antell ajoitus: 1896 tekniikkateksti: öljy kankaalle pääluokka: maalaus aihe: MAISEMA ; Sortavalan maalaiskunta ; Helylän kylä ; Myllykylä ; Tohmajoen uoma ; talvi ; mitat: 69 cm x 48 cm Valokuvanro 32100.163 ajoitus: 2.3.1998 valokuvaaja: Tuominen, Janne valokuvatyyppi: laakadia v/k asiasanat: 69x48 sisältökuvaus: MAISEMA ; Myllylä ; talvimaisema ; lunta ; tie ; metsää Digikuvanro I0033000 skannaus 2007-03-15 skannaaja: Nurminen, Jen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hsku-20080307-pekka-halonen-ateneumin-taidemuseossa-taiteilija-halonen-pekka-inventaarionro-a-ii-1438-teosnimi-talvimaisema-myllykylst-haltija-at-kokoelma-antell-ajoitus-1896-tekniikkateksti-ljy-kankaalle-pluokka-maalaus-aihe-maisema-sortavalan-maalaiskunta-helyln-kyl-myllykyl-tohmajoen-uoma-talvi-mitat-69-cm-x-48-cm-valokuvanro-32100163-ajoitus-231998-valokuvaaja-tuominen-janne-valokuvatyyppi-laakadia-vk-asiasanat-69x48-sisltkuvaus-maisema-myllyl-talvimaisema-lunta-tie-mets-digikuvanro-i0033000-skannaus-2007-03-15-skannaaja-nurminen-jen-image211956940.html
RMP8RD6M–HSKU 20080307 Pekka Halonen Ateneumin taidemuseossa taiteilija: Halonen, Pekka Inventaarionro A II 1438 teosnimi: Talvimaisema Myllykylästä haltija: AT kokoelma: Antell ajoitus: 1896 tekniikkateksti: öljy kankaalle pääluokka: maalaus aihe: MAISEMA ; Sortavalan maalaiskunta ; Helylän kylä ; Myllykylä ; Tohmajoen uoma ; talvi ; mitat: 69 cm x 48 cm Valokuvanro 32100.163 ajoitus: 2.3.1998 valokuvaaja: Tuominen, Janne valokuvatyyppi: laakadia v/k asiasanat: 69x48 sisältökuvaus: MAISEMA ; Myllylä ; talvimaisema ; lunta ; tie ; metsää Digikuvanro I0033000 skannaus 2007-03-15 skannaaja: Nurminen, Jen
Knoblauch Eduard (1801-1865), company house, Berlin (03.06.1857): Calling of interesting for the construction of a theater behind the Catholic Church 1 (2 leaves, 3 pages of text). Ink on paper, 36.4 x 22.2 cm (including scan edges) Knoblauch Eduard (1801-1865): Gesellschaftshaus, Berlin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/knoblauch-eduard-1801-1865-company-house-berlin-03061857-calling-of-interesting-for-the-construction-of-a-theater-behind-the-catholic-church-1-2-leaves-3-pages-of-text-ink-on-paper-364-x-222-cm-including-scan-edges-knoblauch-eduard-1801-1865-gesellschaftshaus-berlin-image477472128.html
RM2JMPMG0–Knoblauch Eduard (1801-1865), company house, Berlin (03.06.1857): Calling of interesting for the construction of a theater behind the Catholic Church 1 (2 leaves, 3 pages of text). Ink on paper, 36.4 x 22.2 cm (including scan edges) Knoblauch Eduard (1801-1865): Gesellschaftshaus, Berlin
. English: Arhats Ajita, Kalika, and Vanavasin, from a six-part set of Arhat Immortal Thangkas. Mineral pigments on sized cotton, H x W (overall): 144.8 x 78.7 cm (57 x 31 in), H x W (painting): 61 x 34.3 cm (24 x 13 1/2 in). Tsang, Central Tibet, from the Alice S. Kandell Collection. Freer Gallery of Art and Arthur M. Sackler Gallery. Accession Number: S2013.28.2. . 19th century. Unknown / Smithsonian Institution Arhats Ajita, Kalika, and Vanavasin FS-7620 03 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-arhats-ajita-kalika-and-vanavasin-from-a-six-part-set-of-arhat-immortal-thangkas-mineral-pigments-on-sized-cotton-h-x-w-overall-1448-x-787-cm-57-x-31-in-h-x-w-painting-61-x-343-cm-24-x-13-12-in-tsang-central-tibet-from-the-alice-s-kandell-collection-freer-gallery-of-art-and-arthur-m-sackler-gallery-accession-number-s2013282-19th-century-unknown-smithsonian-institution-arhats-ajita-kalika-and-vanavasin-fs-7620-03-image184774396.html
RMMMH5HG–. English: Arhats Ajita, Kalika, and Vanavasin, from a six-part set of Arhat Immortal Thangkas. Mineral pigments on sized cotton, H x W (overall): 144.8 x 78.7 cm (57 x 31 in), H x W (painting): 61 x 34.3 cm (24 x 13 1/2 in). Tsang, Central Tibet, from the Alice S. Kandell Collection. Freer Gallery of Art and Arthur M. Sackler Gallery. Accession Number: S2013.28.2. . 19th century. Unknown / Smithsonian Institution Arhats Ajita, Kalika, and Vanavasin FS-7620 03
Guttstadt Richard (born 1879), train station for 3 subways. Monthly competition March 1917 (03.1917): 3 site plans 1: 1000; several cross -sections 1: 200; 2 scale strips, explanatory text. Ink on cardboard, 42.1 x 67.5 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guttstadt-richard-born-1879-train-station-for-3-subways-monthly-competition-march-1917-031917-3-site-plans-1-1000-several-cross-sections-1-200-2-scale-strips-explanatory-text-ink-on-cardboard-421-x-675-cm-including-scan-edges-image477428363.html
RM2JMMMMY–Guttstadt Richard (born 1879), train station for 3 subways. Monthly competition March 1917 (03.1917): 3 site plans 1: 1000; several cross -sections 1: 200; 2 scale strips, explanatory text. Ink on cardboard, 42.1 x 67.5 cm (including scan edges)
Painting; oil on panel; painted surface: 199.2 x 161.8 cm (78 7/16 x 63 11/16 in.) overall (panel): 201.5 x 163.8 cm (79 5/16 x 64 1/2 in.) framed: 220.03 × 182.88 × 9.53 cm (86 5/8 × 72 × 3 3/4 in.) framed weight: 92.987 kg (205 lb.); Mary, Queen of Heaven circa 1485-1500. 872 Master of the St Lucy Legend - Mary, Queen of Heaven- c. 1480 - c. 1510 (hi res) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-panel-painted-surface-1992-x-1618-cm-78-716-x-63-1116-in-overall-panel-2015-x-1638-cm-79-516-x-64-12-in-framed-22003-18288-953-cm-86-58-72-3-34-in-framed-weight-92987-kg-205-lb-mary-queen-of-heaven-circa-1485-1500-872-master-of-the-st-lucy-legend-mary-queen-of-heaven-c-1480-c-1510-hi-res-image185859704.html
RMMPAHXG–Painting; oil on panel; painted surface: 199.2 x 161.8 cm (78 7/16 x 63 11/16 in.) overall (panel): 201.5 x 163.8 cm (79 5/16 x 64 1/2 in.) framed: 220.03 × 182.88 × 9.53 cm (86 5/8 × 72 × 3 3/4 in.) framed weight: 92.987 kg (205 lb.); Mary, Queen of Heaven circa 1485-1500. 872 Master of the St Lucy Legend - Mary, Queen of Heaven- c. 1480 - c. 1510 (hi res)
Unknown Artist, Masonic Badge, 1600-1700, bronze, 2 3/8 x 1 13/16 in. (6.03 x 4.6 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-masonic-badge-1600-1700-bronze-2-38-x-1-1316-in-603-x-46-cm-image344472379.html
RM2B0C20Y–Unknown Artist, Masonic Badge, 1600-1700, bronze, 2 3/8 x 1 13/16 in. (6.03 x 4.6 cm
Blum Otto, subway station. Monthly competition March 1900 (03.1900): 2 site plans 1: 500; 2 floor plans 1: 500; Floor plan on 3 level 1: 200; 2 scale strips. Ink on cardboard, supplemented with pencil, 42.8 x 68.6 cm (including scan edges) Blum Otto : U-Bahnhof. Monatskonkurrenz März 1900 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blum-otto-subway-station-monthly-competition-march-1900-031900-2-site-plans-1-500-2-floor-plans-1-500-floor-plan-on-3-level-1-200-2-scale-strips-ink-on-cardboard-supplemented-with-pencil-428-x-686-cm-including-scan-edges-blum-otto-u-bahnhof-monatskonkurrenz-mrz-1900-image477546701.html
RM2JMX3K9–Blum Otto, subway station. Monthly competition March 1900 (03.1900): 2 site plans 1: 500; 2 floor plans 1: 500; Floor plan on 3 level 1: 200; 2 scale strips. Ink on cardboard, supplemented with pencil, 42.8 x 68.6 cm (including scan edges) Blum Otto : U-Bahnhof. Monatskonkurrenz März 1900
Openwork furniture plaque with lion. Culture: Assyrian. Dimensions: 3.03 x 2.44 x 0.43 in. (7.7 x 6.2 x 1.09 cm). Date: ca. 9th-8th century B.C.. This ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a snarling lion with hindquarters raised, head turned back over his shoulder, framed on three sides with a simple border decorated by two parallel vertical lines. The lion is carved in the openwork technique, in which the background is cut away and rem Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/openwork-furniture-plaque-with-lion-culture-assyrian-dimensions-303-x-244-x-043-in-77-x-62-x-109-cm-date-ca-9th-8th-century-bc-this-ivory-plaque-was-found-in-a-storage-room-in-fort-shalmaneser-a-royal-building-at-nimrud-that-was-used-to-store-booty-and-tribute-collected-by-the-assyrians-while-on-military-campaign-it-depicts-a-snarling-lion-with-hindquarters-raised-head-turned-back-over-his-shoulder-framed-on-three-sides-with-a-simple-border-decorated-by-two-parallel-vertical-lines-the-lion-is-carved-in-the-openwork-technique-in-which-the-background-is-cut-away-and-rem-image213151753.html
RMPANW6H–Openwork furniture plaque with lion. Culture: Assyrian. Dimensions: 3.03 x 2.44 x 0.43 in. (7.7 x 6.2 x 1.09 cm). Date: ca. 9th-8th century B.C.. This ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a snarling lion with hindquarters raised, head turned back over his shoulder, framed on three sides with a simple border decorated by two parallel vertical lines. The lion is carved in the openwork technique, in which the background is cut away and rem
Art inspired by Plaque fragment with battle scene, Neo-Assyrian, ca. 9th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.14 x 3.03 in. (2.9 x 7.7 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-fragment-with-battle-scene-neo-assyrian-ca-9th-century-bc-mesopotamia-nimrud-ancient-kalhu-assyrian-ivory-114-x-303-in-29-x-77-cm-ivorybone-reliefs-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462944705.html
RF2HW4XKD–Art inspired by Plaque fragment with battle scene, Neo-Assyrian, ca. 9th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.14 x 3.03 in. (2.9 x 7.7 cm), Ivory/Bone-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jansen Hermann (1869-1945), total development plan Ankara. Ankara Cooperifi. House types (25.03.1936): Type D1, Denizli, row house (chain house) 3 rooms, 2 cross -sections, rear view, front view 1:50. Pencil on transparent, 56.1 x 70.3 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Ankara Kooperatifi. Haustypen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jansen-hermann-1869-1945-total-development-plan-ankara-ankara-cooperifi-house-types-25031936-type-d1-denizli-row-house-chain-house-3-rooms-2-cross-sections-rear-view-front-view-150-pencil-on-transparent-561-x-703-cm-including-scan-edges-jansen-hermann-1869-1945-gesamtbebauungsplan-ankara-ankara-kooperatifi-haustypen-image477500860.html
RM2JMT164–Jansen Hermann (1869-1945), total development plan Ankara. Ankara Cooperifi. House types (25.03.1936): Type D1, Denizli, row house (chain house) 3 rooms, 2 cross -sections, rear view, front view 1:50. Pencil on transparent, 56.1 x 70.3 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Ankara Kooperatifi. Haustypen
Iron Cross of 1939 - Knight's Cross with Oak Leaves and Swords,Knight's Cross,blackened iron core(rust film)with edge-high swastika,the silver frame punched '800' and 'L/12' for Juncker,Berlin,beneath the eyelet. Dimensions 48.2 x 54 mm,weight 33 g. Oak Leaves with Swords,silver,reverse with embossed raised marks '800' and 'L 12'(for Juncker). Dimensions 20.3 x 29.1 mm,weight 8.5 g. Black award presentation case with black velvet insert and light silk cover liner. Accompanied by a 12 cm section of ribbon(Nie 7.03.08 b5 and 7.03.06 3). Included are ,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-iron-cross-of-1939-knights-cross-with-oak-leaves-and-swordsknights-51504426.html
RMCYP6BP–Iron Cross of 1939 - Knight's Cross with Oak Leaves and Swords,Knight's Cross,blackened iron core(rust film)with edge-high swastika,the silver frame punched '800' and 'L/12' for Juncker,Berlin,beneath the eyelet. Dimensions 48.2 x 54 mm,weight 33 g. Oak Leaves with Swords,silver,reverse with embossed raised marks '800' and 'L 12'(for Juncker). Dimensions 20.3 x 29.1 mm,weight 8.5 g. Black award presentation case with black velvet insert and light silk cover liner. Accompanied by a 12 cm section of ribbon(Nie 7.03.08 b5 and 7.03.06 3). Included are ,Additional-Rights-Clearences-Not Available
Art inspired by Baboon, Early Dynastic Period, ca. 3100–2649 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Faience, H. 7.9 x W. 3.7 x D. 5.2 cm (3 1/8 x 1 7/16 x 2 1/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-baboon-early-dynastic-period-ca-31002649-bc-from-egypt-northern-upper-egypt-abydos-osiris-temple-chamber-m69-egypt-exploration-fund-excavations-190203-faience-h-79-x-w-37-x-d-52-cm-3-18-x-1-716-x-2-116-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462852050.html
RF2HW0MEA–Art inspired by Baboon, Early Dynastic Period, ca. 3100–2649 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Faience, H. 7.9 x W. 3.7 x D. 5.2 cm (3 1/8 x 1 7/16 x 2 1/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Stinsky Paul, urban apartment block. Monthly competition March 1921 (03.1921): Department 1: 1000; Riss front view, side view 1: 200. Load/apartment module: floor plan ground floor and (1st to 3rd) upper floor; 2 scale bar. Ink on cardboard, 51.3 x 69.1 cm (including scan edges) Stinsky Paul : Städtischer Wohnblock. Monatskonkurrenz März 1921 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stinsky-paul-urban-apartment-block-monthly-competition-march-1921-031921-department-1-1000-riss-front-view-side-view-1-200-loadapartment-module-floor-plan-ground-floor-and-1st-to-3rd-upper-floor-2-scale-bar-ink-on-cardboard-513-x-691-cm-including-scan-edges-stinsky-paul-stdtischer-wohnblock-monatskonkurrenz-mrz-1921-image477539220.html
RM2JMWP44–Stinsky Paul, urban apartment block. Monthly competition March 1921 (03.1921): Department 1: 1000; Riss front view, side view 1: 200. Load/apartment module: floor plan ground floor and (1st to 3rd) upper floor; 2 scale bar. Ink on cardboard, 51.3 x 69.1 cm (including scan edges) Stinsky Paul : Städtischer Wohnblock. Monatskonkurrenz März 1921
Europa, Deutschland, Deutsches Reich, Baden-Württemberg, Stuttgart, Zeit nach dem 1. Weltkrieg, Bezugsmarke für Mehl oder Brot der Stadtgemeinde Stuttgart, gültig v. 12. - 15. 03. 1921, Größe : 4 cm x 3,2 cm, Rechte werden nicht vertreten . / Europe, Germany, German Reich, Baden-Württemberg, Stuttgart, time after WW I , ration stamp for bread or flour of the community Stuttgart, valid 12. - 15. 03. 1921 , size : 4 cm x 3,2 cm , there are no rights . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/europa-deutschland-deutsches-reich-baden-wrttemberg-stuttgart-zeit-nach-dem-1-weltkrieg-bezugsmarke-fr-mehl-oder-brot-der-stadtgemeinde-stuttgart-gltig-v-12-15-03-1921-gre-4-cm-x-32-cm-rechte-werden-nicht-vertreten-europe-germany-german-reich-baden-wrttemberg-stuttgart-time-after-ww-i-ration-stamp-for-bread-or-flour-of-the-community-stuttgart-valid-12-15-03-1921-size-4-cm-x-32-cm-there-are-no-rights-image396236828.html
RM2E0J438–Europa, Deutschland, Deutsches Reich, Baden-Württemberg, Stuttgart, Zeit nach dem 1. Weltkrieg, Bezugsmarke für Mehl oder Brot der Stadtgemeinde Stuttgart, gültig v. 12. - 15. 03. 1921, Größe : 4 cm x 3,2 cm, Rechte werden nicht vertreten . / Europe, Germany, German Reich, Baden-Württemberg, Stuttgart, time after WW I , ration stamp for bread or flour of the community Stuttgart, valid 12. - 15. 03. 1921 , size : 4 cm x 3,2 cm , there are no rights .
Jansen Hermann (1869-1945), total development plan Ankara. Ankara Cooperifi. House types (25.03.1936): (Light break from Inv.No. 23282): Type D1, Denizli, row house (chain house) 3 rooms, 2 cross sections, rear view, front view 1:50. Pencil and colored pencil over a break on paper, 66.6 x 77.5 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Ankara Kooperatifi. Haustypen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jansen-hermann-1869-1945-total-development-plan-ankara-ankara-cooperifi-house-types-25031936-light-break-from-invno-23282-type-d1-denizli-row-house-chain-house-3-rooms-2-cross-sections-rear-view-front-view-150-pencil-and-colored-pencil-over-a-break-on-paper-666-x-775-cm-including-scan-edges-jansen-hermann-1869-1945-gesamtbebauungsplan-ankara-ankara-kooperatifi-haustypen-image477500872.html
RM2JMT16G–Jansen Hermann (1869-1945), total development plan Ankara. Ankara Cooperifi. House types (25.03.1936): (Light break from Inv.No. 23282): Type D1, Denizli, row house (chain house) 3 rooms, 2 cross sections, rear view, front view 1:50. Pencil and colored pencil over a break on paper, 66.6 x 77.5 cm (including scan edges) Jansen Hermann (1869-1945): Gesamtbebauungsplan Ankara. Ankara Kooperatifi. Haustypen
Box MET DP240944 188872 probably Italian, Naples, Box, early 18th century, Tortoiseshell, silver, 1/2 x 2 1/4 x 3 1/4 in. (1.3 x 5.7 x 8.3 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.6) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-box-met-dp240944-188872-probably-italian-naples-box-early-18th-century-168148277.html
RMKNFPRH–Box MET DP240944 188872 probably Italian, Naples, Box, early 18th century, Tortoiseshell, silver, 1/2 x 2 1/4 x 3 1/4 in. (1.3 x 5.7 x 8.3 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.6)
Böhmer Franz (1907-1943), Park Hotel in Posen (08.03.1940): floor plan 2nd floor 1: 100. Pencil, colored pencil on transparent, 58.2 x 58.3 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bhmer-franz-1907-1943-park-hotel-in-posen-08031940-floor-plan-2nd-floor-1-100-pencil-colored-pencil-on-transparent-582-x-583-cm-including-scan-edges-image477581101.html
RM2JMYKFW–Böhmer Franz (1907-1943), Park Hotel in Posen (08.03.1940): floor plan 2nd floor 1: 100. Pencil, colored pencil on transparent, 58.2 x 58.3 cm (including scan edges)
Kühn Bernhard (1838-1917), Villa Dr. Vattke in Berlin-Lichterfelde. Herbarium (10.03.1888): Herbarium: 2 floor plans. Ink, pencil, ink colored, watercolor on cardboard, 33.8 x 50.3 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/khn-bernhard-1838-1917-villa-dr-vattke-in-berlin-lichterfelde-herbarium-10031888-herbarium-2-floor-plans-ink-pencil-ink-colored-watercolor-on-cardboard-338-x-503-cm-including-scan-edges-image477433350.html
RM2JMMY32–Kühn Bernhard (1838-1917), Villa Dr. Vattke in Berlin-Lichterfelde. Herbarium (10.03.1888): Herbarium: 2 floor plans. Ink, pencil, ink colored, watercolor on cardboard, 33.8 x 50.3 cm (including scan edges)
Archive image from page 96 of Design and wind tunnel testing. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET). . designwindtunnel00mitc Year: 1976 o o LU X O co CO 2 O LU LU 'ZL J -z. E LU o Q o 3 o CD CO £ r- ID o - a: cj < LU cr x h- O - LU CD o O) 03 o - o o CM â o o cu c o u CJ l/> o c: Cl) -a o s- cu a. E fO co CJ5 47 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-96-of-design-and-wind-tunnel-testing-design-and-wind-tunnel-testing-of-a-size-sampling-in-situ-net-system-ssisnet-designwindtunnel00mitc-year-1976-o-o-lu-x-o-co-co-2-o-lu-lu-zl-j-z-e-lu-o-q-o-3-o-cd-co-r-id-o-a-cj-lt-lu-cr-x-h-o-lu-cd-o-o-03-o-o-o-cm-o-o-cu-c-o-u-cj-lgt-o-c-cl-a-o-s-cu-a-e-fo-co-cj5-47-image259063102.html
RMW1D9HJ–Archive image from page 96 of Design and wind tunnel testing. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET). . designwindtunnel00mitc Year: 1976 o o LU X O co CO 2 O LU LU 'ZL J -z. E LU o Q o 3 o CD CO £ r- ID o - a: cj < LU cr x h- O - LU CD o O) 03 o - o o CM â o o cu c o u CJ l/> o c: Cl) -a o s- cu a. E fO co CJ5 47
. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET).. Oceanography. X !- -z. CD 2 LU J 2 LU Q o <3- CO o E o h- c^- h- in ^ ^ LU J . M CO =5 LU O 2 LU £ o" ^ LU O LU Q co CD Q h- , t E 2^ i LU / 2 / 1 / Q I / u ^LU ^v* / ™ ^LU ^&./ *** «^co l cc lOLU + Ob lO< CM^ CM O. CO C£ LL O n> > <u 03 U C o 42. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Mitchk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-and-wind-tunnel-testing-of-a-size-sampling-in-situ-net-system-ssisnet-oceanography-x-!-z-cd-2-lu-j-2-lu-q-o-lt3-co-o-e-o-h-c-h-in-lu-j-m-co-=5-lu-o-2-lu-oquot-lu-o-lu-q-co-cd-q-h-t-e-2-i-lu-2-1-q-i-u-lu-v-lu-amp-co-l-cc-lolu-ob-lolt-cm-cm-o-co-c-ll-o-ngt-gt-ltu-03-u-c-o-42-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-mitchk-image215978411.html
RMPFAJJK–. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET).. Oceanography. X !- -z. CD 2 LU J 2 LU Q o <3- CO o E o h- c^- h- in ^ ^ LU J . M CO =5 LU O 2 LU £ o" ^ LU O LU Q co CD Q h- , t E 2^ i LU / 2 / 1 / Q I / u ^LU ^v* / ™ ^LU ^&./ *** «^co l cc lOLU + Ob lO< CM^ CM O. CO C£ LL O n> > <u 03 U C o 42. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Mitchk
. English: The Virgin with a Spindle Etching touched with burin; second state Platemark: 25.3 x 18.9 cm (9 15/16 x 7 7/16 in.); Sheet (cut within the platemark); Mount: 33.4 x 25.2 cm (13 1/8 x 9 15/16 in.) Robert-Dumesnil 03; Walch 09; Reed-Worthenthird 08; Bellange cat. (1975)#8; second state Museum of Fine Arts, Boston . between 1600 and 1616. Jacques Bellange (1575–1616) Alternative names Jacques de Bellange; Jacques Charles de Bellange; Jacques. Bellange; Jacques Belange; Charles Bellange; Jac. Bellange; Charles de Bellange Description French etcher, painter and draughtsman Date Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-virgin-with-a-spindle-etching-touched-with-burin-second-state-platemark-253-x-189-cm-9-1516-x-7-716-in-sheet-cut-within-the-platemark-mount-334-x-252-cm-13-18-x-9-1516-in-robert-dumesnil-03-walch-09-reed-worthenthird-08-bellange-cat-19758-second-state-museum-of-fine-arts-boston-between-1600-and-1616-jacques-bellange-15751616-alternative-names-jacques-de-bellange-jacques-charles-de-bellange-jacques-bellange-jacques-belange-charles-bellange-jac-bellange-charles-de-bellange-description-french-etcher-painter-and-draughtsman-date-image184912916.html
RMMMRE8M–. English: The Virgin with a Spindle Etching touched with burin; second state Platemark: 25.3 x 18.9 cm (9 15/16 x 7 7/16 in.); Sheet (cut within the platemark); Mount: 33.4 x 25.2 cm (13 1/8 x 9 15/16 in.) Robert-Dumesnil 03; Walch 09; Reed-Worthenthird 08; Bellange cat. (1975)#8; second state Museum of Fine Arts, Boston . between 1600 and 1616. Jacques Bellange (1575–1616) Alternative names Jacques de Bellange; Jacques Charles de Bellange; Jacques. Bellange; Jacques Belange; Charles Bellange; Jac. Bellange; Charles de Bellange Description French etcher, painter and draughtsman Date
Imperial Robe, China, Qing dynasty (1644–1911), Date 19th century, China, Silk, 54 1/2 x 78 3/4 in. (138.43 x 200.03 cm), Costumes-Embroidered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/imperial-robe-china-qing-dynasty-16441911-date-19th-century-china-silk-54-12-x-78-34-in-13843-x-20003-cm-costumes-embroidered-image344587201.html
RM2B0H8DN–Imperial Robe, China, Qing dynasty (1644–1911), Date 19th century, China, Silk, 54 1/2 x 78 3/4 in. (138.43 x 200.03 cm), Costumes-Embroidered
N/A. English: BPLDC no.: 08 04 000443 Page Title: Blank page Collection: Tupper Scrapbooks Collection Album: Volume 3: Athens. Call no.: 4098B.104 v3 (p. 60) Creator: Tupper, William Vaughn Genre: Scrapbooks Extent: 1 page ; 33 x 39 cm. Description: Scrapbook page is blank. Notes: Page title and description supplied by cataloger, derived from captions and/or annotated information. BPL Department: Print Department Rights: No known restrictions. Flickr data on 2011-08-26: Camera: Sinar AG Sinarback 54 FW, Sinar m License: CC BY 2.0 User: Boston Public Library Boston Public Library . March 12— Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-bpldc-no-08-04-000443-page-title-blank-page-collection-tupper-scrapbooks-collection-album-volume-3-athens-call-no-4098b104-v3-p-60-creator-tupper-william-vaughn-genre-scrapbooks-extent-1-page-33-x-39-cm-description-scrapbook-page-is-blank-notes-page-title-and-description-supplied-by-cataloger-derived-from-captions-andor-annotated-information-bpl-department-print-department-rights-no-known-restrictions-flickr-data-on-2011-08-26-camera-sinar-ag-sinarback-54-fw-sinar-m-license-cc-by-20-user-boston-public-library-boston-public-library-march-12-image209844034.html
RMP5B65P–N/A. English: BPLDC no.: 08 04 000443 Page Title: Blank page Collection: Tupper Scrapbooks Collection Album: Volume 3: Athens. Call no.: 4098B.104 v3 (p. 60) Creator: Tupper, William Vaughn Genre: Scrapbooks Extent: 1 page ; 33 x 39 cm. Description: Scrapbook page is blank. Notes: Page title and description supplied by cataloger, derived from captions and/or annotated information. BPL Department: Print Department Rights: No known restrictions. Flickr data on 2011-08-26: Camera: Sinar AG Sinarback 54 FW, Sinar m License: CC BY 2.0 User: Boston Public Library Boston Public Library . March 12—
Juvenile Baboon. Dimensions: H. 7.6 x W. 3.2 x D. 4.1 cm (3 x 1 1/4 x 1 5/8 in.). Date: ca. 3100-2649 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/juvenile-baboon-dimensions-h-76-x-w-32-x-d-41-cm-3-x-1-14-x-1-58-in-date-ca-3100-2649-bc-museum-metropolitan-museum-of-art-new-york-usa-image212915895.html
RMPAB4B3–Juvenile Baboon. Dimensions: H. 7.6 x W. 3.2 x D. 4.1 cm (3 x 1 1/4 x 1 5/8 in.). Date: ca. 3100-2649 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
. Effects of ammonium sulfate and ammonium phosphate on flammability . ,£ '5 ° j â co co , ^ 4S a â 03 CO > U 03 co a OS co d S CO o 5 > ££ 0 CD d°« 1 s CU X. 03 £ O O ffi E i) d H to P cu cs £ â d a> -S W 1-1 K w CO w % X u w o § w a 2 H â¢a g CO 1â1 o â a & 3 03 > T3 " s $ <D to CO " 2 d 3 £ s - a ⢠cu a -q CN O 5 m c « CO cu £ d co o I cu cu co U CU >.£ « d â d > cu C (h Cu CO "5 d Cu >- ^ % CO -d > cu 3 cu H 05 111 m co c 42 b o3 CO ^ £ o & Cm CO K ^d W â1 T3 3 CO ^ a o o 8 3 03 -d d cu 3 T) >, 03 J 03 > ni cu u d 03 C Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/effects-of-ammonium-sulfate-and-ammonium-phosphate-on-flammability-5-j-co-co-4s-a-03-co-gt-u-03-co-a-os-co-d-s-co-o-5-gt-0-cd-d-1-s-cu-x-03-o-o-ffi-e-i-d-h-to-p-cu-cs-d-agt-s-w-1-1-k-w-co-w-x-u-w-o-w-a-2-h-a-g-co-11-o-a-amp-3-03-gt-t3-quot-s-ltd-to-co-quot-2-d-3-s-a-cu-a-q-cn-o-5-m-c-co-cu-d-co-o-i-cu-cu-co-u-cu-gt-d-d-gt-cu-c-h-cu-co-quot5-d-cu-gt-co-d-gt-cu-3-cu-h-05-111-m-co-c-42-b-o3-co-o-amp-cm-co-k-d-w-1-t3-3-co-a-o-o-8-3-03-d-d-cu-3-t-gt-03-j-03-gt-ni-cu-u-d-03-c-image178406292.html
RMMA7318–. Effects of ammonium sulfate and ammonium phosphate on flammability . ,£ '5 ° j â co co , ^ 4S a â 03 CO > U 03 co a OS co d S CO o 5 > ££ 0 CD d°« 1 s CU X. 03 £ O O ffi E i) d H to P cu cs £ â d a> -S W 1-1 K w CO w % X u w o § w a 2 H â¢a g CO 1â1 o â a & 3 03 > T3 " s $ <D to CO " 2 d 3 £ s - a ⢠cu a -q CN O 5 m c « CO cu £ d co o I cu cu co U CU >.£ « d â d > cu C (h Cu CO "5 d Cu >- ^ % CO -d > cu 3 cu H 05 111 m co c 42 b o3 CO ^ £ o & Cm CO K ^d W â1 T3 3 CO ^ a o o 8 3 03 -d d cu 3 T) >, 03 J 03 > ni cu u d 03 C
Iron Cross of 1939 - Knight's Cross with Oak Leaves and Swords,Knight's Cross,blackened iron core(rust film)with edge-high swastika,the silver frame punched '800' and 'L/12' for Juncker,Berlin,beneath the eyelet. Dimensions 48.2 x 54 mm,weight 33 g. Oak Leaves with Swords,silver,reverse with embossed raised marks '800' and 'L 12'(for Juncker). Dimensions 20.3 x 29.1 mm,weight 8.5 g. Black award presentation case with black velvet insert and light silk cover liner. Accompanied by a 12 cm section of ribbon(Nie 7.03.08 b5 and 7.03.06 3). Included are ,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-iron-cross-of-1939-knights-cross-with-oak-leaves-and-swordsknights-51504357.html
RMCYP699–Iron Cross of 1939 - Knight's Cross with Oak Leaves and Swords,Knight's Cross,blackened iron core(rust film)with edge-high swastika,the silver frame punched '800' and 'L/12' for Juncker,Berlin,beneath the eyelet. Dimensions 48.2 x 54 mm,weight 33 g. Oak Leaves with Swords,silver,reverse with embossed raised marks '800' and 'L 12'(for Juncker). Dimensions 20.3 x 29.1 mm,weight 8.5 g. Black award presentation case with black velvet insert and light silk cover liner. Accompanied by a 12 cm section of ribbon(Nie 7.03.08 b5 and 7.03.06 3). Included are ,Additional-Rights-Clearences-Not Available
Art inspired by Crocodile, Early Dynastic Period, ca. 3100–2649 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Faience, L. 9.6 x H. 2.7 x W. 2.2 cm (3 3/4 x 1 1/16 x 7/8 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-crocodile-early-dynastic-period-ca-31002649-bc-from-egypt-northern-upper-egypt-abydos-osiris-temple-chamber-m69-egypt-exploration-fund-excavations-190203-faience-l-96-x-h-27-x-w-22-cm-3-34-x-1-116-x-78-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462852052.html
RF2HW0MEC–Art inspired by Crocodile, Early Dynastic Period, ca. 3100–2649 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Faience, L. 9.6 x H. 2.7 x W. 2.2 cm (3 3/4 x 1 1/16 x 7/8 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Box MET 43262 188870 Maker: Enameler: Anthony Tregent, Box, 1758, Copper, enamel, 1 1/4 x 3 1/4 x 2 1/2 in. (3.2 x 8.3 x 6.4 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.3) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-box-met-43262-188870-maker-enameler-anthony-tregent-box-1758-copper-168148273.html
RMKNFPRD–Box MET 43262 188870 Maker: Enameler: Anthony Tregent, Box, 1758, Copper, enamel, 1 1/4 x 3 1/4 x 2 1/2 in. (3.2 x 8.3 x 6.4 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.3)
Memoirs of the National Academy of Sciences . o d e^ .£1 « I> ?< s toa Ed OS Q a: CD 1 <! o <3 ra s S Ph ;z; o lO r^ ;s < ? T! Q fcjD C3 pi! a il^ 0, c; U O 03 a^ w d ?* i o ... fl 1—r d o Hi •c i 1-1 te ?« M g ?3 <J X • M g ;z on C Q CO C H -•^ O s Iz; •7* fe X c g :2; ;z; ^-^ CM h- « g 1—t o s ^U. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/memoirs-of-the-national-academy-of-sciences-o-d-e-1-igt-lt-s-toa-ed-os-q-a-cd-1-lt!-o-lt3-ra-s-s-ph-z-o-lo-r-s-lt-t!-q-fcjd-c3-pi!-a-il-0-c-u-o-03-a-w-d-i-o-fl-1r-d-o-hi-c-i-1-1-te-m-g-3-ltj-x-m-g-z-on-c-q-co-c-h-o-s-iz-7-fe-x-c-g-2-z-cm-h-g-1t-o-s-u-image339151146.html
RM2AKNJMX–Memoirs of the National Academy of Sciences . o d e^ .£1 « I> ?< s toa Ed OS Q a: CD 1 <! o <3 ra s S Ph ;z; o lO r^ ;s < ? T! Q fcjD C3 pi! a il^ 0, c; U O 03 a^ w d ?* i o ... fl 1—r d o Hi •c i 1-1 te ?« M g ?3 <J X • M g ;z on C Q CO C H -•^ O s Iz; •7* fe X c g :2; ;z; ^-^ CM h- « g 1—t o s ^U.
Kühn Bernhard (1838-1917), Villa Dr. Vattke in Berlin-Lichterfelde. Herbarium (10.03.1888): Herbarium: 2 floor plans. Ink, pencil, ink colored, watercolor on cardboard, 33.5 x 50.3 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/khn-bernhard-1838-1917-villa-dr-vattke-in-berlin-lichterfelde-herbarium-10031888-herbarium-2-floor-plans-ink-pencil-ink-colored-watercolor-on-cardboard-335-x-503-cm-including-scan-edges-image477433310.html
RM2JMMY1J–Kühn Bernhard (1838-1917), Villa Dr. Vattke in Berlin-Lichterfelde. Herbarium (10.03.1888): Herbarium: 2 floor plans. Ink, pencil, ink colored, watercolor on cardboard, 33.5 x 50.3 cm (including scan edges)
Archive image from page 86 of Design and wind tunnel testing. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET). . designwindtunnel00mitc Year: 1976 X - -z. CD 2 LU J 2 LU Q o <3- CO o E o h- c- h- in LU J . M CO =5 LU O 2 LU £ o' LU O LU Q co CD Q h- , t E 2 i LU / 2 / 1 / Q I / u LU v / ™ LU &./ «co l cc lOLU + Ob lO< CM CM O CO C£ LL O n> > <u 03 U C o 42 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-86-of-design-and-wind-tunnel-testing-design-and-wind-tunnel-testing-of-a-size-sampling-in-situ-net-system-ssisnet-designwindtunnel00mitc-year-1976-x-z-cd-2-lu-j-2-lu-q-o-lt3-co-o-e-o-h-c-h-in-lu-j-m-co-=5-lu-o-2-lu-o-lu-o-lu-q-co-cd-q-h-t-e-2-i-lu-2-1-q-i-u-lu-v-lu-co-l-cc-lolu-ob-lolt-cm-cm-o-co-c-ll-o-ngt-gt-ltu-03-u-c-o-42-image259057393.html
RMW1D29N–Archive image from page 86 of Design and wind tunnel testing. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET). . designwindtunnel00mitc Year: 1976 X - -z. CD 2 LU J 2 LU Q o <3- CO o E o h- c- h- in LU J . M CO =5 LU O 2 LU £ o' LU O LU Q co CD Q h- , t E 2 i LU / 2 / 1 / Q I / u LU v / ™ LU &./ «co l cc lOLU + Ob lO< CM CM O CO C£ LL O n> > <u 03 U C o 42
Orth August (1828-1901), Church am Urban, Berlin. Project II (03.05.1895): 2 floor plans, longitudinal section, cross -section. Ink, pencil, ink colored, watercolored on paper, 64.3 x 83.2 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orth-august-1828-1901-church-am-urban-berlin-project-ii-03051895-2-floor-plans-longitudinal-section-cross-section-ink-pencil-ink-colored-watercolored-on-paper-643-x-832-cm-including-scan-edges-image477430267.html
RM2JMMR4Y–Orth August (1828-1901), Church am Urban, Berlin. Project II (03.05.1895): 2 floor plans, longitudinal section, cross -section. Ink, pencil, ink colored, watercolored on paper, 64.3 x 83.2 cm (including scan edges)
. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET).. Oceanography. o o LU X O co CO 2 O LU LU "ZL ^ J -z. E LU o Q o 3 o CD CO £ r- ID o - a: cj < LU cr x h- O !- LU. CD o O) 03 o - o o CM â o o cu c o u CJ l/> o c: Cl) -a o s- cu a. E fO co CJ5 47. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Mitchke, Robert Paul. Monterey, California: U. S. Naval Postgraduate School Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-and-wind-tunnel-testing-of-a-size-sampling-in-situ-net-system-ssisnet-oceanography-o-o-lu-x-o-co-co-2-o-lu-lu-quotzl-j-z-e-lu-o-q-o-3-o-cd-co-r-id-o-a-cj-lt-lu-cr-x-h-o-!-lu-cd-o-o-03-o-o-o-cm-o-o-cu-c-o-u-cj-lgt-o-c-cl-a-o-s-cu-a-e-fo-co-cj5-47-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-mitchke-robert-paul-monterey-california-u-s-naval-postgraduate-school-image215978387.html
RMPFAJHR–. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET).. Oceanography. o o LU X O co CO 2 O LU LU "ZL ^ J -z. E LU o Q o 3 o CD CO £ r- ID o - a: cj < LU cr x h- O !- LU. CD o O) 03 o - o o CM â o o cu c o u CJ l/> o c: Cl) -a o s- cu a. E fO co CJ5 47. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Mitchke, Robert Paul. Monterey, California: U. S. Naval Postgraduate School
Unknown architect, gardener house in a princely park. Monthly competition March 1861 (03.1861): floor plan, torture front view, detail: Dacxhriter at the entrance; 3 scale strips. Ink on paper, 36.2 x 39.5 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-architect-gardener-house-in-a-princely-park-monthly-competition-march-1861-031861-floor-plan-torture-front-view-detail-dacxhriter-at-the-entrance-3-scale-strips-ink-on-paper-362-x-395-cm-including-scan-edges-image477435518.html
RM2JMN1TE–Unknown architect, gardener house in a princely park. Monthly competition March 1861 (03.1861): floor plan, torture front view, detail: Dacxhriter at the entrance; 3 scale strips. Ink on paper, 36.2 x 39.5 cm (including scan edges)
Unknown Artist, Kneeling Man, ca. 1590-1652, pen and brown ink over graphite on paper, 3 1/2 in. x 2 3/8 in. (8.89 cm. x 6.03 cm.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-kneeling-man-ca-1590-1652-pen-and-brown-ink-over-graphite-on-paper-3-12-in-x-2-38-in-889-cm-x-603-cm-image344470455.html
RM2B0BYG7–Unknown Artist, Kneeling Man, ca. 1590-1652, pen and brown ink over graphite on paper, 3 1/2 in. x 2 3/8 in. (8.89 cm. x 6.03 cm.)
Krischen Friedrich, War Academy. Schinkel competition 1911 (03.01.1912): floor plan 2nd floor with lines 1: 150. Ink, ink colored via repropotography on cardboard, 81.2 x 120.3 cm (including scan edges) Krischen Friedrich : Kriegsakademie. Schinkelwettbewerb 1911 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krischen-friedrich-war-academy-schinkel-competition-1911-03011912-floor-plan-2nd-floor-with-lines-1-150-ink-ink-colored-via-repropotography-on-cardboard-812-x-1203-cm-including-scan-edges-krischen-friedrich-kriegsakademie-schinkelwettbewerb-1911-image477527063.html
RM2JMW6HY–Krischen Friedrich, War Academy. Schinkel competition 1911 (03.01.1912): floor plan 2nd floor with lines 1: 150. Ink, ink colored via repropotography on cardboard, 81.2 x 120.3 cm (including scan edges) Krischen Friedrich : Kriegsakademie. Schinkelwettbewerb 1911
Baboon. Dimensions: H. 7.9 x W. 3.7 x D. 5.2 cm (3 1/8 x 1 7/16 x 2 1/16 in.). Date: ca. 3100-2649 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/baboon-dimensions-h-79-x-w-37-x-d-52-cm-3-18-x-1-716-x-2-116-in-date-ca-3100-2649-bc-museum-metropolitan-museum-of-art-new-york-usa-image212906829.html
RMPAAMR9–Baboon. Dimensions: H. 7.9 x W. 3.7 x D. 5.2 cm (3 1/8 x 1 7/16 x 2 1/16 in.). Date: ca. 3100-2649 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
Poelzig Hans (1869-1936), workers' settlement of the Rybnicker hard coal union, Radlin (03/10/1916): Houses, type IV, 3 floor plans, 3 views, 2 cuts 1: 100. Light break on paper, 47.7 x 74.8 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/poelzig-hans-1869-1936-workers-settlement-of-the-rybnicker-hard-coal-union-radlin-03101916-houses-type-iv-3-floor-plans-3-views-2-cuts-1-100-light-break-on-paper-477-x-748-cm-including-scan-edges-image477416778.html
RM2JMM5Y6–Poelzig Hans (1869-1936), workers' settlement of the Rybnicker hard coal union, Radlin (03/10/1916): Houses, type IV, 3 floor plans, 3 views, 2 cuts 1: 100. Light break on paper, 47.7 x 74.8 cm (including scan edges)
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Iron Cross of 1939 - Knight's Cross with Oak Leaves and Swords,Knight's Cross,blackened iron core(rust film)with edge-high swastika,the silver frame punched '800' and 'L/12' for Juncker,Berlin,beneath the eyelet. Dimensions 48.2 x 54 mm,weight 33 g. Oak Leaves with Swords,silver,reverse with embossed raised marks '800' and 'L 12'(for Juncker). Dimensions 20.3 x 29.1 mm,weight 8.5 g. Black award presentation case with black velvet insert and light silk cover liner. Accompanied by a 12 cm section of ribbon(Nie 7.03.08 b5 and 7.03.06 3). Included are ,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-iron-cross-of-1939-knights-cross-with-oak-leaves-and-swordsknights-51504365.html
RMCYP69H–Iron Cross of 1939 - Knight's Cross with Oak Leaves and Swords,Knight's Cross,blackened iron core(rust film)with edge-high swastika,the silver frame punched '800' and 'L/12' for Juncker,Berlin,beneath the eyelet. Dimensions 48.2 x 54 mm,weight 33 g. Oak Leaves with Swords,silver,reverse with embossed raised marks '800' and 'L 12'(for Juncker). Dimensions 20.3 x 29.1 mm,weight 8.5 g. Black award presentation case with black velvet insert and light silk cover liner. Accompanied by a 12 cm section of ribbon(Nie 7.03.08 b5 and 7.03.06 3). Included are ,Additional-Rights-Clearences-Not Available
Art inspired by Juvenile Baboon, Early Dynastic Period, ca. 3100–2649 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Faience, H. 7.6 x W. 3.2 x D. 4.1 cm (3 x 1 1/4 x 1 5/8 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-juvenile-baboon-early-dynastic-period-ca-31002649-bc-from-egypt-northern-upper-egypt-abydos-osiris-temple-chamber-m69-egypt-exploration-fund-excavations-190203-faience-h-76-x-w-32-x-d-41-cm-3-x-1-14-x-1-58-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462852049.html
RF2HW0ME9–Art inspired by Juvenile Baboon, Early Dynastic Period, ca. 3100–2649 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Faience, H. 7.6 x W. 3.2 x D. 4.1 cm (3 x 1 1/4 x 1 5/8 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jansen Hermann (1869-1945), Bamberg development plan (22.03.1932): Zone and business plan in two parts, sheet 2 1: 5000. Tusche over a break on transparent, 119.2 x 75.3 cm (including scan edges) Jansen Hermann (1869-1945): Bebauungsplan Bamberg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jansen-hermann-1869-1945-bamberg-development-plan-22031932-zone-and-business-plan-in-two-parts-sheet-2-1-5000-tusche-over-a-break-on-transparent-1192-x-753-cm-including-scan-edges-jansen-hermann-1869-1945-bebauungsplan-bamberg-image477493528.html
RM2JMRKT8–Jansen Hermann (1869-1945), Bamberg development plan (22.03.1932): Zone and business plan in two parts, sheet 2 1: 5000. Tusche over a break on transparent, 119.2 x 75.3 cm (including scan edges) Jansen Hermann (1869-1945): Bebauungsplan Bamberg
Punitzer Martin (1889-1949), machine factory Queitsch, Berlin-Wittenau (03.1935): cross-section, 2 side views, street view, rear view 1: 100. Light break on paper, 63.7 x 105.3 cm (including scan edges) Punitzer Martin (1889-1949): Maschinenfabrik Queitzsch, Berlin-Wittenau Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/punitzer-martin-1889-1949-machine-factory-queitsch-berlin-wittenau-031935-cross-section-2-side-views-street-view-rear-view-1-100-light-break-on-paper-637-x-1053-cm-including-scan-edges-punitzer-martin-1889-1949-maschinenfabrik-queitzsch-berlin-wittenau-image477528961.html
RM2JMW91N–Punitzer Martin (1889-1949), machine factory Queitsch, Berlin-Wittenau (03.1935): cross-section, 2 side views, street view, rear view 1: 100. Light break on paper, 63.7 x 105.3 cm (including scan edges) Punitzer Martin (1889-1949): Maschinenfabrik Queitzsch, Berlin-Wittenau
Box MET DP240945 188872 probably Italian, Naples, Box, early 18th century, Tortoiseshell, silver, 1/2 x 2 1/4 x 3 1/4 in. (1.3 x 5.7 x 8.3 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.6) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-box-met-dp240945-188872-probably-italian-naples-box-early-18th-century-168148296.html
RMKNFPT8–Box MET DP240945 188872 probably Italian, Naples, Box, early 18th century, Tortoiseshell, silver, 1/2 x 2 1/4 x 3 1/4 in. (1.3 x 5.7 x 8.3 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.6)
Bull Hubert (1838-1907), fell-like monument in Stendal. Monthly competition March 1875 (03.1875): Riss side view; Scale bar. Ink on cardboard, 58.2 x 44.3 cm (including scan edges) Stier d. Ä. Hubert (1838-1907): Gefallenendenkmal, Stendal. Monatskonkurrenz März 1875 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bull-hubert-1838-1907-fell-like-monument-in-stendal-monthly-competition-march-1875-031875-riss-side-view-scale-bar-ink-on-cardboard-582-x-443-cm-including-scan-edges-stier-d-hubert-1838-1907-gefallenendenkmal-stendal-monatskonkurrenz-mrz-1875-image477516316.html
RM2JMTMX4–Bull Hubert (1838-1907), fell-like monument in Stendal. Monthly competition March 1875 (03.1875): Riss side view; Scale bar. Ink on cardboard, 58.2 x 44.3 cm (including scan edges) Stier d. Ä. Hubert (1838-1907): Gefallenendenkmal, Stendal. Monatskonkurrenz März 1875
Archive image from page 60 of Die Japanischen Seeigel (1887). Die Japanischen Seeigel . diejapanischense01dd Year: 1887 51 6n e: (D . a ö a 0 cà J ö fH j <d ri ce CD o à <V OJ ;> o 'à :-⢠bs) ö fl CS o f-t 0 N <D 0 X 03. 'S N à 0 (D CO 0 ho TS =ä 3 o â¢4'S ;t> 6q CO - - 00 CM 00 ' 00 ' . â â< t- Ol ⢠Gl . (M <M + J. 00 I <M , O 7 + + - ? 12 00 -; - -1 tD CO + â - rt [ 1- ro C1 CO 00 â¢' 1 00 IM 1 (M 1 '03 CO â I 'CO i- 1 I ⢠CO + I CO CO tM IM I â CO ::3 +1 I +7 l CO J.7 CO ' I plT =1 im' 00 'S I d. + d fM IM ' CT tM +1: I 2 1:0 I 1 M IM CT ' '7 CO Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-60-of-die-japanischen-seeigel-1887-die-japanischen-seeigel-diejapanischense01dd-year-1887-51-6n-e-d-a-a-0-c-j-fh-j-ltd-ri-ce-cd-o-ltv-oj-gt-o-bs-fl-cs-o-f-t-0-n-ltd-0-x-03-s-n-0-d-co-0-ho-ts-=-3-o-4s-tgt-6q-co-00-cm-00-00-lt-t-ol-gl-m-ltm-j-00-i-ltm-o-7-12-00-1-td-co-rt-1-ro-c1-co-00-1-00-im-1-m-1-03-co-i-co-i-1-i-co-i-co-co-tm-im-i-co-3-1-i-7-l-co-j7-co-i-plt-=1-im-00-s-i-d-d-fm-im-ct-tm-1-i-2-10-i-1-m-im-ct-7-co-image259044336.html
RMW1CDKC–Archive image from page 60 of Die Japanischen Seeigel (1887). Die Japanischen Seeigel . diejapanischense01dd Year: 1887 51 6n e: (D . a ö a 0 cà J ö fH j <d ri ce CD o à <V OJ ;> o 'à :-⢠bs) ö fl CS o f-t 0 N <D 0 X 03. 'S N à 0 (D CO 0 ho TS =ä 3 o â¢4'S ;t> 6q CO - - 00 CM 00 ' 00 ' . â â< t- Ol ⢠Gl . (M <M + J. 00 I <M , O 7 + + - ? 12 00 -; - -1 tD CO + â - rt [ 1- ro C1 CO 00 â¢' 1 00 IM 1 (M 1 '03 CO â I 'CO i- 1 I ⢠CO + I CO CO tM IM I â CO ::3 +1 I +7 l CO J.7 CO ' I plT =1 im' 00 'S I d. + d fM IM ' CT tM +1: I 2 1:0 I 1 M IM CT ' '7 CO
. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT- 42 16.2N LONG- DEPTH 22.8 METERS NUriHER OF OBSERVflTIONS = OBSERVATION TCRIOD Z4/VII/67 TO 20/V11/67 70 16.6H 5500 MEAN VARIANCE Cn/SEC I CM/SEC 12 ST-DEV Cn/SEC 6KEM KURT MAX Cn/SEC niN Cn/SEC S 36.49 288-63 U .61 1369-87 V 3.89 234-69 16.99 97.01 15-32 -262 -187 .319 2.30 1-86 4.03 81-28 78-92 60.18 2.57 -78-70 -55.00 S = SPEED U = EAST-WEST COMPONENT OF VELOCITY. EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY. NORTH = POSITIVE V 330 z o (X > 220 â ⢠S Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/current-meter-observations-in-massachusetts-bay-oceanographic-buoys-oceanographic-instruments-statistics-of-currents-lflt-42-162n-long-depth-228-meters-nuriher-of-observfltions-=-observation-tcriod-z4vii67-to-20v1167-70-166h-5500-mean-variance-cnsec-i-cmsec-12-st-dev-cnsec-6kem-kurt-max-cnsec-nin-cnsec-s-3649-288-63-u-61-1369-87-v-389-234-69-1699-9701-15-32-262-187-319-230-1-86-403-81-28-78-92-6018-257-78-70-5500-s-=-speed-u-=-east-west-component-of-velocity-east-=-positive-u-v-=-north-south-component-of-velocity-north-=-positive-v-330-z-o-x-gt-220-s-image216342118.html
RMPFY6G6–. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT- 42 16.2N LONG- DEPTH 22.8 METERS NUriHER OF OBSERVflTIONS = OBSERVATION TCRIOD Z4/VII/67 TO 20/V11/67 70 16.6H 5500 MEAN VARIANCE Cn/SEC I CM/SEC 12 ST-DEV Cn/SEC 6KEM KURT MAX Cn/SEC niN Cn/SEC S 36.49 288-63 U .61 1369-87 V 3.89 234-69 16.99 97.01 15-32 -262 -187 .319 2.30 1-86 4.03 81-28 78-92 60.18 2.57 -78-70 -55.00 S = SPEED U = EAST-WEST COMPONENT OF VELOCITY. EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY. NORTH = POSITIVE V 330 z o (X > 220 â ⢠S
Cosmetic container, Bactria-Margiana Archaeological Complex, Bronze Age, Date ca. late 3rd–early 2nd millennium B.C., Bactria-Margiana, Bactria-Margiana Archaeological Complex, Copper alloy, 2.83 x 3.03 in. (7.19 x 7.7 cm), Metalwork-Vessels Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cosmetic-container-bactria-margiana-archaeological-complex-bronze-age-date-ca-late-3rdearly-2nd-millennium-bc-bactria-margiana-bactria-margiana-archaeological-complex-copper-alloy-283-x-303-in-719-x-77-cm-metalwork-vessels-image344666812.html
RM2B0MX10–Cosmetic container, Bactria-Margiana Archaeological Complex, Bronze Age, Date ca. late 3rd–early 2nd millennium B.C., Bactria-Margiana, Bactria-Margiana Archaeological Complex, Copper alloy, 2.83 x 3.03 in. (7.19 x 7.7 cm), Metalwork-Vessels
Partial statuette probably depicting a young boy. Dimensions: H. 11 x W. 2.3 x D. 2.7 cm (4 5/16 x 7/8 x 1 1/16 in.). Date: ca. 3100-2650 B.C.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/partial-statuette-probably-depicting-a-young-boy-dimensions-h-11-x-w-23-x-d-27-cm-4-516-x-78-x-1-116-in-date-ca-3100-2650-bc-museum-metropolitan-museum-of-art-new-york-usa-image213317569.html
RMPB1CMH–Partial statuette probably depicting a young boy. Dimensions: H. 11 x W. 2.3 x D. 2.7 cm (4 5/16 x 7/8 x 1 1/16 in.). Date: ca. 3100-2650 B.C.. Museum: Metropolitan Museum of Art, New York, USA.
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Iron Cross of 1939 - Knight's Cross with Oak Leaves and Swords,Knight's Cross,blackened iron core(rust film)with edge-high swastika,the silver frame punched '800' and 'L/12' for Juncker,Berlin,beneath the eyelet. Dimensions 48.2 x 54 mm,weight 33 g. Oak Leaves with Swords,silver,reverse with embossed raised marks '800' and 'L 12'(for Juncker). Dimensions 20.3 x 29.1 mm,weight 8.5 g. Black award presentation case with black velvet insert and light silk cover liner. Accompanied by a 12 cm section of ribbon(Nie 7.03.08 b5 and 7.03.06 3). Included are ,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-iron-cross-of-1939-knights-cross-with-oak-leaves-and-swordsknights-51504358.html
RMCYP69A–Iron Cross of 1939 - Knight's Cross with Oak Leaves and Swords,Knight's Cross,blackened iron core(rust film)with edge-high swastika,the silver frame punched '800' and 'L/12' for Juncker,Berlin,beneath the eyelet. Dimensions 48.2 x 54 mm,weight 33 g. Oak Leaves with Swords,silver,reverse with embossed raised marks '800' and 'L 12'(for Juncker). Dimensions 20.3 x 29.1 mm,weight 8.5 g. Black award presentation case with black velvet insert and light silk cover liner. Accompanied by a 12 cm section of ribbon(Nie 7.03.08 b5 and 7.03.06 3). Included are ,Additional-Rights-Clearences-Not Available
Art inspired by Game Piece in the Form of a Lion, Early Dynastic Period, ca. 3100–2649 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Ivory, L. 8.7 x H. 4.3 x W. 3.2 cm (3 7/16 x 1 11/16 x 1 1/4 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-game-piece-in-the-form-of-a-lion-early-dynastic-period-ca-31002649-bc-from-egypt-northern-upper-egypt-abydos-osiris-temple-chamber-m69-egypt-exploration-fund-excavations-190203-ivory-l-87-x-h-43-x-w-32-cm-3-716-x-1-1116-x-1-14-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463037158.html
RF2HW94HA–Art inspired by Game Piece in the Form of a Lion, Early Dynastic Period, ca. 3100–2649 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Ivory, L. 8.7 x H. 4.3 x W. 3.2 cm (3 7/16 x 1 11/16 x 1 1/4 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Box MET SF03 26 3 img4 188870 Maker: Enameler: Anthony Tregent, Box, 1758, Copper, enamel, 1 1/4 x 3 1/4 x 2 1/2 in. (3.2 x 8.3 x 6.4 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.3) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-box-met-sf03-26-3-img4-188870-maker-enameler-anthony-tregent-box-1758-168148262.html
RMKNFPR2–Box MET SF03 26 3 img4 188870 Maker: Enameler: Anthony Tregent, Box, 1758, Copper, enamel, 1 1/4 x 3 1/4 x 2 1/2 in. (3.2 x 8.3 x 6.4 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.3)
Doebber Adolf (1845-1920), painter studio. Monthly competition March 1874 (03.1874): floor plan ground floor, tort garden view; 2 scale strips. Tusche watercolor on the box, 50.3 x 39.2 cm (including scan edges) Doebber Adolf (1845-1920): Maleratelier. Monatskonkurrenz März 1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/doebber-adolf-1845-1920-painter-studio-monthly-competition-march-1874-031874-floor-plan-ground-floor-tort-garden-view-2-scale-strips-tusche-watercolor-on-the-box-503-x-392-cm-including-scan-edges-doebber-adolf-1845-1920-maleratelier-monatskonkurrenz-mrz-1874-image477515095.html
RM2JMTKAF–Doebber Adolf (1845-1920), painter studio. Monthly competition March 1874 (03.1874): floor plan ground floor, tort garden view; 2 scale strips. Tusche watercolor on the box, 50.3 x 39.2 cm (including scan edges) Doebber Adolf (1845-1920): Maleratelier. Monatskonkurrenz März 1874
The porifera and coelentera . s =4.2 So >> ^ O c bi ^^ o 3 tJ *§ 0 po .5 o O « Cm S 03 09 03 — J— CO d o ^ rt s o o s ps ? •c o c g ?Z S b 5 3 o ;4 <i PU ^ 00 ?^ ? m -^^ :- M ^ ^^ o ^ ^ lit -U O ^ 2 S2 .2 ^ ^?^ •g •c PE< C s ^ 1 X ,0 a H i li M O immigration of cells takes place at any point. When there are no pos-terior granular cells, however, the iinmij^rntion may be entirely restrictedto the posterior pole, so that the hinderinost flagellated cells become con- SPONGES 75 tinually modified and pass iuto the interior, their place being filled bythe closing in of the cilia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-porifera-and-coelentera-s-=42-so-gtgt-o-c-bi-o-3-tj-0-po-5-o-o-cm-s-03-09-03-j-co-d-o-rt-s-o-o-s-ps-c-o-c-g-z-s-b-5-3-o-4-lti-pu-00-m-m-o-lit-u-o-2-s2-2-g-c-pelt-c-s-1-x-0-a-h-i-li-m-o-immigration-of-cells-takes-place-at-any-point-when-there-are-no-pos-terior-granular-cells-however-the-iinmijrntion-may-be-entirely-restrictedto-the-posterior-pole-so-that-the-hinderinost-flagellated-cells-become-con-sponges-75-tinually-modified-and-pass-iuto-the-interior-their-place-being-filled-bythe-closing-in-of-the-cilia-image343362245.html
RM2AXHE19–The porifera and coelentera . s =4.2 So >> ^ O c bi ^^ o 3 tJ *§ 0 po .5 o O « Cm S 03 09 03 — J— CO d o ^ rt s o o s ps ? •c o c g ?Z S b 5 3 o ;4 <i PU ^ 00 ?^ ? m -^^ :- M ^ ^^ o ^ ^ lit -U O ^ 2 S2 .2 ^ ^?^ •g •c PE< C s ^ 1 X ,0 a H i li M O immigration of cells takes place at any point. When there are no pos-terior granular cells, however, the iinmij^rntion may be entirely restrictedto the posterior pole, so that the hinderinost flagellated cells become con- SPONGES 75 tinually modified and pass iuto the interior, their place being filled bythe closing in of the cilia
Klomp Johannes Franziskus (1865-1946), Vinzenz-Waisenhaus (with stable building), Dortmund (03.1902): floor plan 1st and 2nd floor (sheet 2). Ink, ink colored, watercolor on transparent, 70.3 x 50 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Vinzenz-Waisenhaus (mit Stallgebäude), Dortmund Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/klomp-johannes-franziskus-1865-1946-vinzenz-waisenhaus-with-stable-building-dortmund-031902-floor-plan-1st-and-2nd-floor-sheet-2-ink-ink-colored-watercolor-on-transparent-703-x-50-cm-including-scan-edges-klomp-johannes-franziskus-1865-1946-vinzenz-waisenhaus-mit-stallgebude-dortmund-image477552232.html
RM2JMXAMT–Klomp Johannes Franziskus (1865-1946), Vinzenz-Waisenhaus (with stable building), Dortmund (03.1902): floor plan 1st and 2nd floor (sheet 2). Ink, ink colored, watercolor on transparent, 70.3 x 50 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Vinzenz-Waisenhaus (mit Stallgebäude), Dortmund
Distribution and abundance trends of Distribution and abundance trends of 22 selected species in the Middle Atlantic Bight from bottom trawl surveys during 1967-1979 : final report to the U.S. Mineral[s] Management Service distributionabun1985unit Year: 1985 en Q X CJ (â CT cc ( ) LU cx >- a LxJ cc > lj az u ZD â¢â⢠cn 1â o CD LJ LU- LU 2: V. CO m â CM LO ⢠a LU 2: 1â1 0 LJ on LU cr â¢-2 L hiiiiiiihiii.iu rmwrw nmnwyiww puiiiip |»ni»iMumi»nmn|iiiuin*â CO oaoaaoooaaoooao o2 o a o a o 03 LO ST P) M IM <M a o a O 03 <l â1 O LO a o 3f rJ a a a S3 a 10 o a ai IT a 3 â a âºâ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/distribution-and-abundance-trends-of-distribution-and-abundance-trends-of-22-selected-species-in-the-middle-atlantic-bight-from-bottom-trawl-surveys-during-1967-1979-final-report-to-the-us-mineral-s-management-service-distributionabun1985unit-year-1985-en-q-x-cj-ct-cc-lu-cx-gt-a-lxj-cc-gt-lj-az-u-zd-cn-1-o-cd-lj-lu-lu-2-v-co-m-cm-lo-a-lu-2-11-0-lj-on-lu-cr-2-l-hiiiiiiihiiiiu-rmwrw-nmnwyiww-puiiiip-niimuminmniiiuin-co-oaoaaoooaaoooao-o2-o-a-o-a-o-03-lo-st-p-m-im-ltm-a-o-a-o-03-ltl-1-o-lo-a-o-3f-rj-a-a-a-s3-a-10-o-a-ai-it-a-3-a-image241950379.html
RMT1HP4Y–Distribution and abundance trends of Distribution and abundance trends of 22 selected species in the Middle Atlantic Bight from bottom trawl surveys during 1967-1979 : final report to the U.S. Mineral[s] Management Service distributionabun1985unit Year: 1985 en Q X CJ (â CT cc ( ) LU cx >- a LxJ cc > lj az u ZD â¢â⢠cn 1â o CD LJ LU- LU 2: V. CO m â CM LO ⢠a LU 2: 1â1 0 LJ on LU cr â¢-2 L hiiiiiiihiii.iu rmwrw nmnwyiww puiiiip |»ni»iMumi»nmn|iiiuin*â CO oaoaaoooaaoooao o2 o a o a o 03 LO ST P) M IM <M a o a O 03 <l â1 O LO a o 3f rJ a a a S3 a 10 o a ai IT a 3 â a âºâ
Unknown architect, built -in house. Monthly competition March 1882 (03.1882): floor plan ground floor, 1st floor, upright road view, longitudinal section; 2 scale strips. Tusche watercolor on the box, 66.3 x 53.7 cm (including scan edges) N.N. : Eingebautes Wohnhaus. Monatskonkurrenz März 1882 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-architect-built-in-house-monthly-competition-march-1882-031882-floor-plan-ground-floor-1st-floor-upright-road-view-longitudinal-section-2-scale-strips-tusche-watercolor-on-the-box-663-x-537-cm-including-scan-edges-nn-eingebautes-wohnhaus-monatskonkurrenz-mrz-1882-image477534615.html
RM2JMWG7K–Unknown architect, built -in house. Monthly competition March 1882 (03.1882): floor plan ground floor, 1st floor, upright road view, longitudinal section; 2 scale strips. Tusche watercolor on the box, 66.3 x 53.7 cm (including scan edges) N.N. : Eingebautes Wohnhaus. Monatskonkurrenz März 1882
Panel, China, Qing dynasty (1644–1911), Date early 18th century, China, Silk, metallic thread; lined with cotton, 65 1/2 x 28 3/4 in. (166.37 x 73.03 cm), Textiles-Woven Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-china-qing-dynasty-16441911-date-early-18th-century-china-silk-metallic-thread-lined-with-cotton-65-12-x-28-34-in-16637-x-7303-cm-textiles-woven-image344588073.html
RM2B0H9GW–Panel, China, Qing dynasty (1644–1911), Date early 18th century, China, Silk, metallic thread; lined with cotton, 65 1/2 x 28 3/4 in. (166.37 x 73.03 cm), Textiles-Woven
Adoration of the Shepherds with Donor. Dated: c. 1540/1550. Dimensions: overall (maximum dimensions): 32.86 x 43.18 x 6.03 cm (12 15/16 x 17 x 2 3/8 in.). Medium: alabaster. Museum: National Gallery of Art, Washington DC. Author: Flemish 16th Century, possibly Circle of Jean Mone. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adoration-of-the-shepherds-with-donor-dated-c-15401550-dimensions-overall-maximum-dimensions-3286-x-4318-x-603-cm-12-1516-x-17-x-2-38-in-medium-alabaster-museum-national-gallery-of-art-washington-dc-author-flemish-16th-century-possibly-circle-of-jean-mone-image218581115.html
RMPKH6CB–Adoration of the Shepherds with Donor. Dated: c. 1540/1550. Dimensions: overall (maximum dimensions): 32.86 x 43.18 x 6.03 cm (12 15/16 x 17 x 2 3/8 in.). Medium: alabaster. Museum: National Gallery of Art, Washington DC. Author: Flemish 16th Century, possibly Circle of Jean Mone.
. An ecological characterization of Coastal Maine (north and east of Cape Elizabeth) . h -^^8 ,;$*5 1 â â - n CO S S C3 K a â i- c a D- 03 â (-. â¢i- ^2 X> 01 4-1 CO â¢H CJ o Cfl co to i-> â H 01 .c 4J X! C co w â u co 4-i â¢H ⢠^3 XS CO 01 X. J-i >-. aj 0) 60 M-J T) Oi 01 Sj D. T5 C to co 4-1 CO »> â u iâi â¢H cfl X c crl o â¢H CO CM CO o 01 o 01 CJ 60 D c Cfl cfl S-i r> Iâ1 0) TO JZ u J-I d 4-1 01 .â1 4-1 3 Cfl CJ a â¢H â¢H M T1 60 C cfl â¢H * CO a 01 en c £> â¢l-l u tH 3 ,£> râ1 D Cfl Cfl 4J C * O c; N cO â¢H ^2 J-l u O P s I 01 S-l => 60 16-13 10-80 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-ecological-characterization-of-coastal-maine-north-and-east-of-cape-elizabeth-h-8-5-1-n-co-s-s-c3-k-a-i-c-a-d-03-i-2-xgt-01-4-1-co-h-cj-o-cfl-co-to-i-gt-h-01-c-4j-x!-c-co-w-u-co-4-i-h-3-xs-co-01-x-j-i-gt-aj-0-60-m-j-t-oi-01-sj-d-t5-c-to-co-4-1-co-gt-u-ii-h-cfl-x-c-crl-o-h-co-cm-co-o-01-o-01-cj-60-d-c-cfl-cfl-s-i-rgt-i1-0-to-jz-u-j-i-d-4-1-01-1-4-1-3-cfl-cj-a-h-h-m-t1-60-c-cfl-h-co-a-01-en-c-gt-l-l-u-th-3-gt-r1-d-cfl-cfl-4j-c-o-c-n-co-h-2-j-l-u-o-p-s-i-01-s-l-=gt-60-16-13-10-80-image178438506.html
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Art inspired by Partial statuette probably depicting a young boy, Early Dynastic Period, ca. 3100–2650 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Ivory, H. 11 x W. 2.3 x D. 2.7 cm (4 5/16 x 7/8 x 1 1/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-partial-statuette-probably-depicting-a-young-boy-early-dynastic-period-ca-31002650-bc-from-egypt-northern-upper-egypt-abydos-osiris-temple-chamber-m69-egypt-exploration-fund-excavations-190203-ivory-h-11-x-w-23-x-d-27-cm-4-516-x-78-x-1-116-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463037160.html
RF2HW94HC–Art inspired by Partial statuette probably depicting a young boy, Early Dynastic Period, ca. 3100–2650 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Ivory, H. 11 x W. 2.3 x D. 2.7 cm (4 5/16 x 7/8 x 1 1/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Apostle Spoon: St. Matthew, 1602/03, London, England, London, Silver, figure gilded, 18.7 x 5.1 cm (7 3/8 x 2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apostle-spoon-st-matthew-160203-london-england-london-silver-figure-gilded-187-x-51-cm-7-38-x-2-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349715264.html
RF2B8XWAT–Apostle Spoon: St. Matthew, 1602/03, London, England, London, Silver, figure gilded, 18.7 x 5.1 cm (7 3/8 x 2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Box MET SF03 26 3 img2 188870 Maker: Enameler: Anthony Tregent, Box, 1758, Copper, enamel, 1 1/4 x 3 1/4 x 2 1/2 in. (3.2 x 8.3 x 6.4 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.3) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-box-met-sf03-26-3-img2-188870-maker-enameler-anthony-tregent-box-1758-168148258.html
RMKNFPPX–Box MET SF03 26 3 img2 188870 Maker: Enameler: Anthony Tregent, Box, 1758, Copper, enamel, 1 1/4 x 3 1/4 x 2 1/2 in. (3.2 x 8.3 x 6.4 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.3)
The oil fields of Crawford and Lawrence counties . 88Jâ NTfOOOlONffl ⢠CM CO OSCM CM il m i-i CM -<J< ;C0i-HiO â¢;98Jâdo% 01 mdd<j cc o I- 00â O CM. OOONOCOOOiOlOOHO^OlNfflNOtOlOtOlOffliniONNtCONNMlOCeOMOC<5COCDC050COCOe!OMTP0. NXi-l^NiClOOOOtDrHM^MO co-^coT*co-*«>*<Mcocoi-icvi<McOTr^HO X »-H lO 00 r-i O i-H lOOOOOOOOi r-OOOCJOOit^t^oi^ocâ<cOTfCM-H lOMCKNCOWiClOCNlOOMOlOO i3 Ct5 fl O * O 03 O a O pa £ 03 £ 03 s-g S o 03£ :pqM cawM rzi.2< O O 03-^ O l-O CO .-ICC co i-i r co io cm OOOOOOOOOOO ooâ -* CM CO 00 .2*>222®2,2(3^222> arsf^^^^^^z !z !zz *z *z Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-oil-fields-of-crawford-and-lawrence-counties-88j-ntfooolonffl-cm-co-oscm-cm-il-m-i-i-cm-ltjlt-c0i-hio-98jdo-01-mddltj-cc-o-i-00-o-cm-ooonocoooioloohoolnfflnotolotolofflinionntconnmloceomoclt5cocdc050cocoe!omtp0-nxi-lniclooootdrhmmo-co-cotco-gtltmcocoi-icviltmcotrho-x-h-lo-00-r-i-o-i-h-looooooooi-r-ooocjooittoiocltcotfcm-h-lomckncowiclocnloomoloo-i3-ct5-fl-o-o-03-o-a-o-pa-03-03-s-g-s-o-03-pqm-cawm-rzi2lt-o-o-03-o-l-o-co-icc-co-i-i-r-co-io-cm-ooooooooooo-oo-cm-co-00-2gt222223222gt-arsfz-!z-!zz-z-z-image339126897.html
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Distribution and abundance trends of Distribution and abundance trends of 22 selected species in the Middle Atlantic Bight from bottom trawl surveys during 1967-1979 : final report to the U.S. Mineral[s] Management Service distributionabun1985unit Year: 1985 cz CD U Iâ i rT LU LJ CC LU >- U n 1 cr > 2: cc in Iâ LD z. cr râ i CC :z 1â Q en cr LO cc ID fJ 0 CD * * CO â e LJ UJ S LU 2: LU O CO cr LU un CO 0 p en 'â * n 10 Q ai ⢠ââ O fH x> CO CD en 3 â' M aoaoooacooooooo a 0 o a o a a o ai j ni a fll rj cm rj cy ru a CO x 10 0 a o a O 03 O a O UJ c a x m - 2 x 3 â 0 O X Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/distribution-and-abundance-trends-of-distribution-and-abundance-trends-of-22-selected-species-in-the-middle-atlantic-bight-from-bottom-trawl-surveys-during-1967-1979-final-report-to-the-us-mineral-s-management-service-distributionabun1985unit-year-1985-cz-cd-u-i-i-rt-lu-lj-cc-lu-gt-u-n-1-cr-gt-2-cc-in-i-ld-z-cr-r-i-cc-z-1-q-en-cr-lo-cc-id-fj-0-cd-co-e-lj-uj-s-lu-2-lu-o-co-cr-lu-un-co-0-p-en-n-10-q-ai-o-fh-xgt-co-cd-en-3-m-aoaoooacooooooo-a-0-o-a-o-a-a-o-ai-j-ni-a-fll-rj-cm-rj-cy-ru-a-co-x-10-0-a-o-a-o-03-o-a-o-uj-c-a-x-m-2-x-3-0-o-x-image241933544.html
RMT1H0KM–Distribution and abundance trends of Distribution and abundance trends of 22 selected species in the Middle Atlantic Bight from bottom trawl surveys during 1967-1979 : final report to the U.S. Mineral[s] Management Service distributionabun1985unit Year: 1985 cz CD U Iâ i rT LU LJ CC LU >- U n 1 cr > 2: cc in Iâ LD z. cr râ i CC :z 1â Q en cr LO cc ID fJ 0 CD * * CO â e LJ UJ S LU 2: LU O CO cr LU un CO 0 p en 'â * n 10 Q ai ⢠ââ O fH x> CO CD en 3 â' M aoaoooacooooooo a 0 o a o a a o ai j ni a fll rj cm rj cy ru a CO x 10 0 a o a O 03 O a O UJ c a x m - 2 x 3 â 0 O X
Zekeli & Müller, Kurhaus and bathing facility in Hamm. Monthly competition March 1882 (03.1882): floor plan and 2 cross -sections of the side wing; Scale bar. Photo on cardboard, 38.3 x 28.1 cm (including scan edges) Zekeli & Müller : Kurhaus und Badeanlage, Hamm. Monatskonkurrenz März 1882 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zekeli-mller-kurhaus-and-bathing-facility-in-hamm-monthly-competition-march-1882-031882-floor-plan-and-2-cross-sections-of-the-side-wing-scale-bar-photo-on-cardboard-383-x-281-cm-including-scan-edges-zekeli-mller-kurhaus-und-badeanlage-hamm-monatskonkurrenz-mrz-1882-image477534815.html
RM2JMWGER–Zekeli & Müller, Kurhaus and bathing facility in Hamm. Monthly competition March 1882 (03.1882): floor plan and 2 cross -sections of the side wing; Scale bar. Photo on cardboard, 38.3 x 28.1 cm (including scan edges) Zekeli & Müller : Kurhaus und Badeanlage, Hamm. Monatskonkurrenz März 1882
Unknown architect, a fallen monument in Stendal. Monthly competition March 1875 (03.1875): site plan 1: 500, tearing front view 1:20; 2 scale strips. Ink on paper, 56.3 x 39.9 cm (including scan edges) N.N. : Gefallenendenkmal, Stendal. Monatskonkurrenz März 1875 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-architect-a-fallen-monument-in-stendal-monthly-competition-march-1875-031875-site-plan-1-500-tearing-front-view-120-2-scale-strips-ink-on-paper-563-x-399-cm-including-scan-edges-nn-gefallenendenkmal-stendal-monatskonkurrenz-mrz-1875-image477516380.html
RM2JMTN0C–Unknown architect, a fallen monument in Stendal. Monthly competition March 1875 (03.1875): site plan 1: 500, tearing front view 1:20; 2 scale strips. Ink on paper, 56.3 x 39.9 cm (including scan edges) N.N. : Gefallenendenkmal, Stendal. Monatskonkurrenz März 1875
Ralph Wood, English, 1715-1772, Green Dog, c. 1770, glazed earthenware, 2 3/4 x 2 3/8 x 1 7/8 in. (7.0 x 6.03 x 4.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ralph-wood-english-1715-1772-green-dog-c-1770-glazed-earthenware-2-34-x-2-38-x-1-78-in-70-x-603-x-48-cm-image328741424.html
RM2A2RD14–Ralph Wood, English, 1715-1772, Green Dog, c. 1770, glazed earthenware, 2 3/4 x 2 3/8 x 1 7/8 in. (7.0 x 6.03 x 4.8 cm
Unknown architect, burial chapel. Monthly competition March 1895 (03.1895): Grundriss Keller, ground floor, gallery, gallery, turmoil front view, side view, cross -section (direction altar); 2 scale strips. Ink on paper, 60.1 x 41.3 cm (including scan edges) N.N. : Begräbniskapelle. Monatskonkurrenz März 1895 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-architect-burial-chapel-monthly-competition-march-1895-031895-grundriss-keller-ground-floor-gallery-gallery-turmoil-front-view-side-view-cross-section-direction-altar-2-scale-strips-ink-on-paper-601-x-413-cm-including-scan-edges-nn-begrbniskapelle-monatskonkurrenz-mrz-1895-image477537771.html
RM2JMWM8B–Unknown architect, burial chapel. Monthly competition March 1895 (03.1895): Grundriss Keller, ground floor, gallery, gallery, turmoil front view, side view, cross -section (direction altar); 2 scale strips. Ink on paper, 60.1 x 41.3 cm (including scan edges) N.N. : Begräbniskapelle. Monatskonkurrenz März 1895
A Warrior Fighting a Horseman. Dated: 15th century. Dimensions: overall: 3.99 x 5.33 cm (1 9/16 x 2 1/8 in.) gross weight: 27.03 gr (0.06 lb.). Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Roman 15th or 16th Century, after the Antique. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-warrior-fighting-a-horseman-dated-15th-century-dimensions-overall-399-x-533-cm-1-916-x-2-18-in-gross-weight-2703-gr-006-lb-medium-bronzemedium-brown-patina-museum-national-gallery-of-art-washington-dc-author-roman-15th-or-16th-century-after-the-antique-image225642876.html
RMR32WP4–A Warrior Fighting a Horseman. Dated: 15th century. Dimensions: overall: 3.99 x 5.33 cm (1 9/16 x 2 1/8 in.) gross weight: 27.03 gr (0.06 lb.). Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Roman 15th or 16th Century, after the Antique.
Zaar Heinrich (1847-1904), painter studio. Monthly competition in March 1874 (03.1874): floor plan ground floor, turmoil front view; 2 scale strips, explanatory text. Tusche watercolor on the box, 52.3 x 34.8 cm (including scan edges) Zaar Heinrich (1847-1904): Maleratelier. Monatskonkurrenz März 1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zaar-heinrich-1847-1904-painter-studio-monthly-competition-in-march-1874-031874-floor-plan-ground-floor-turmoil-front-view-2-scale-strips-explanatory-text-tusche-watercolor-on-the-box-523-x-348-cm-including-scan-edges-zaar-heinrich-1847-1904-maleratelier-monatskonkurrenz-mrz-1874-image477515075.html
RM2JMTK9R–Zaar Heinrich (1847-1904), painter studio. Monthly competition in March 1874 (03.1874): floor plan ground floor, turmoil front view; 2 scale strips, explanatory text. Tusche watercolor on the box, 52.3 x 34.8 cm (including scan edges) Zaar Heinrich (1847-1904): Maleratelier. Monatskonkurrenz März 1874
Jansen Hermann (1869-1945), settlement plan of the Heimstättengesellschaft Primus Wittenau, Berlin-Reinickendorf (03.03.1920): Type 2 residential building, front view, cut, 3 floor plans. Pencil on transparent, 36.2 x 73.1 cm (including scan edges) Jansen Hermann (1869-1945): Siedlungsplan der Heimstättengesellschaft Primus Wittenau, Berlin-Reinickendorf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jansen-hermann-1869-1945-settlement-plan-of-the-heimstttengesellschaft-primus-wittenau-berlin-reinickendorf-03031920-type-2-residential-building-front-view-cut-3-floor-plans-pencil-on-transparent-362-x-731-cm-including-scan-edges-jansen-hermann-1869-1945-siedlungsplan-der-heimstttengesellschaft-primus-wittenau-berlin-reinickendorf-image477490495.html
RM2JMRFYY–Jansen Hermann (1869-1945), settlement plan of the Heimstättengesellschaft Primus Wittenau, Berlin-Reinickendorf (03.03.1920): Type 2 residential building, front view, cut, 3 floor plans. Pencil on transparent, 36.2 x 73.1 cm (including scan edges) Jansen Hermann (1869-1945): Siedlungsplan der Heimstättengesellschaft Primus Wittenau, Berlin-Reinickendorf
Box MET SF03 26 3 img6 188870 Maker: Enameler: Anthony Tregent, Box, 1758, Copper, enamel, 1 1/4 x 3 1/4 x 2 1/2 in. (3.2 x 8.3 x 6.4 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.3) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-box-met-sf03-26-3-img6-188870-maker-enameler-anthony-tregent-box-1758-168148267.html
RMKNFPR7–Box MET SF03 26 3 img6 188870 Maker: Enameler: Anthony Tregent, Box, 1758, Copper, enamel, 1 1/4 x 3 1/4 x 2 1/2 in. (3.2 x 8.3 x 6.4 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.3)
Minutes of the ..annual session of the North Carolina Baptist State Sunday School Convention ..[serial] . 20.3 Cm ?Ls:: m 3 si--. 2^: S? O ; Pi p: : : ; : • p ; i : . o• • *. -3 00 OC ^1 -^00 -x: PC O OJ rf^ g> -I 00 g> m1^3 H-i 00 o >+-^^5^ ? cn oi jiTi^T - O -J 03 No. teacht rs & officersNo. male scholars No female scholars Total No. scholars No. Bible readers i-« : o ^^ ? I No. of volumes in Library C5 -7 C CO rf^ -J cn ;0 -JWCOOOCCX3tOOO-3ti) ^o^^?^^s^:ooOl;^^7l-:^ i-i ii cn)OS o . H-i CO hH [nS --3 H-i No. of conversions in School for yr No joined church No. of Helps Amnt of mone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/minutes-of-the-annual-session-of-the-north-carolina-baptist-state-sunday-school-convention-serial-203-cm-ls-m-3-si-2-s-o-pi-p-p-i-o-3-00-oc-1-00-x-pc-o-oj-rf-ggt-i-00-ggt-m13-h-i-00-o-gt-5-cn-oi-jitit-o-j-03-no-teacht-rs-officersno-male-scholars-no-female-scholars-total-no-scholars-no-bible-readers-i-o-i-no-of-volumes-in-library-c5-7-c-co-rf-j-cn-0-jwcoooccx3tooo-3ti-osoool7l-i-i-ii-cnos-o-h-i-co-hh-ns-3-h-i-no-of-conversions-in-school-for-yr-no-joined-church-no-of-helps-amnt-of-mone-image340156472.html
RM2ANBD1C–Minutes of the ..annual session of the North Carolina Baptist State Sunday School Convention ..[serial] . 20.3 Cm ?Ls:: m 3 si--. 2^: S? O ; Pi p: : : ; : • p ; i : . o• • *. -3 00 OC ^1 -^00 -x: PC O OJ rf^ g> -I 00 g> m1^3 H-i 00 o >+-^^5^ ? cn oi jiTi^T - O -J 03 No. teacht rs & officersNo. male scholars No female scholars Total No. scholars No. Bible readers i-« : o ^^ ? I No. of volumes in Library C5 -7 C CO rf^ -J cn ;0 -JWCOOOCCX3tOOO-3ti) ^o^^?^^s^:ooOl;^^7l-:^ i-i ii cn)OS o . H-i CO hH [nS --3 H-i No. of conversions in School for yr No joined church No. of Helps Amnt of mone
Effects of ammonium sulfate and ammonium phosphate on flammability effectsofammoniu121geor Year: 1972 ,£ '5 ° j â co co , ^ 4S a â 03 CO > U 03 co a OS co d S CO o 5 > ££ 0 CD d°« 1 s CU X. 03 £ O O ffi E i) d H to P cu cs £ â d a> -S W 1-1 K w CO w X u w o § w a 2 H â¢a g CO 1â1 o â a & 3 03 > T3 ' s $ <D to CO ' 2 d 3 £ s - a ⢠cu a -q CN O 5 m c « CO cu £ d co o I cu cu co U CU >.£ « d â d > cu C (h Cu CO '5 d Cu >- ^ CO -d > cu 3 cu H 05 111 m co c 42 b o3 CO ^ £ o & Cm CO K ^d W â1 T3 3 CO ^ a o o 8 3 03 -d d cu 3 T) >, 03 J 03 > ni Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/effects-of-ammonium-sulfate-and-ammonium-phosphate-on-flammability-effectsofammoniu121geor-year-1972-5-j-co-co-4s-a-03-co-gt-u-03-co-a-os-co-d-s-co-o-5-gt-0-cd-d-1-s-cu-x-03-o-o-ffi-e-i-d-h-to-p-cu-cs-d-agt-s-w-1-1-k-w-co-w-x-u-w-o-w-a-2-h-a-g-co-11-o-a-3-03-gt-t3-s-ltd-to-co-2-d-3-s-a-cu-a-q-cn-o-5-m-c-co-cu-d-co-o-i-cu-cu-co-u-cu-gt-d-d-gt-cu-c-h-cu-co-5-d-cu-gt-co-d-gt-cu-3-cu-h-05-111-m-co-c-42-b-o3-co-o-cm-co-k-d-w-1-t3-3-co-a-o-o-8-3-03-d-d-cu-3-t-gt-03-j-03-gt-ni-image240665784.html
RMRYF7JG–Effects of ammonium sulfate and ammonium phosphate on flammability effectsofammoniu121geor Year: 1972 ,£ '5 ° j â co co , ^ 4S a â 03 CO > U 03 co a OS co d S CO o 5 > ££ 0 CD d°« 1 s CU X. 03 £ O O ffi E i) d H to P cu cs £ â d a> -S W 1-1 K w CO w X u w o § w a 2 H â¢a g CO 1â1 o â a & 3 03 > T3 ' s $ <D to CO ' 2 d 3 £ s - a ⢠cu a -q CN O 5 m c « CO cu £ d co o I cu cu co U CU >.£ « d â d > cu C (h Cu CO '5 d Cu >- ^ CO -d > cu 3 cu H 05 111 m co c 42 b o3 CO ^ £ o & Cm CO K ^d W â1 T3 3 CO ^ a o o 8 3 03 -d d cu 3 T) >, 03 J 03 > ni
Unknown (English), Hind, c. 1780, glazed earthenware, 2 1/2 x 2 3/8 x 1 1/4 in. (6.35 x 6.03 x 3.18 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-english-hind-c-1780-glazed-earthenware-2-12-x-2-38-x-1-14-in-635-x-603-x-318-cm-image328741320.html
RM2A2RCWC–Unknown (English), Hind, c. 1780, glazed earthenware, 2 1/2 x 2 3/8 x 1 1/4 in. (6.35 x 6.03 x 3.18 cm
1852-1858, Jeremiah Gurney, American, 1812 - 1895, 2 1/2 x 2 in. (6.35 x 5.08 cm) (image, each)2 13/16 x 2 3/8 x 5/8 in. (7.14 x 6.03 x 1.59 cm) (mount), 2 daguerreotypes (1/9 plate), United States, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1852-1858-jeremiah-gurney-american-1812-1895-2-12-x-2-in-635-x-508-cm-image-each2-1316-x-2-38-x-58-in-714-x-603-x-159-cm-mount-2-daguerreotypes-19-plate-united-states-19th-century-image573499201.html
RM2T91429–1852-1858, Jeremiah Gurney, American, 1812 - 1895, 2 1/2 x 2 in. (6.35 x 5.08 cm) (image, each)2 13/16 x 2 3/8 x 5/8 in. (7.14 x 6.03 x 1.59 cm) (mount), 2 daguerreotypes (1/9 plate), United States, 19th century
The Fortress of Königstein: Courtyard with the Magdalenenburg. Dated: 1756-1758. Dimensions: overall: 48.3 x 78.7 cm (19 x 31 in.) framed: 63.18 x 94.3 x 6.03 cm (24 7/8 x 37 1/8 x 2 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: BERNARDO BELLOTTO. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fortress-of-knigstein-courtyard-with-the-magdalenenburg-dated-1756-1758-dimensions-overall-483-x-787-cm-19-x-31-in-framed-6318-x-943-x-603-cm-24-78-x-37-18-x-2-38-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-bernardo-bellotto-image225463276.html
RMR2PMKT–The Fortress of Königstein: Courtyard with the Magdalenenburg. Dated: 1756-1758. Dimensions: overall: 48.3 x 78.7 cm (19 x 31 in.) framed: 63.18 x 94.3 x 6.03 cm (24 7/8 x 37 1/8 x 2 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: BERNARDO BELLOTTO.
Jansen Hermann (1869-1945), model houses for small settlements (03.03.1919): 4 family row house with 2 floor plans of the upper floor and top floor 1:50, base cut 1:10. Pencil on transparent, 31.4 x 71.3 cm (including scan edges) Jansen Hermann (1869-1945): Musterhäuser für Kleinsiedlungen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jansen-hermann-1869-1945-model-houses-for-small-settlements-03031919-4-family-row-house-with-2-floor-plans-of-the-upper-floor-and-top-floor-150-base-cut-110-pencil-on-transparent-314-x-713-cm-including-scan-edges-jansen-hermann-1869-1945-musterhuser-fr-kleinsiedlungen-image477490663.html
RM2JMRG5Y–Jansen Hermann (1869-1945), model houses for small settlements (03.03.1919): 4 family row house with 2 floor plans of the upper floor and top floor 1:50, base cut 1:10. Pencil on transparent, 31.4 x 71.3 cm (including scan edges) Jansen Hermann (1869-1945): Musterhäuser für Kleinsiedlungen
Box MET DP232240 Box MET DP232240 /188872 probably Italian, Naples, Box, early 18th century, Tortoiseshell, silver, 1/2 x 2 1/4 x 3 1/4 in. (1.3 x 5.7 x 8.3 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.6) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-box-met-dp232240-box-met-dp232240-188872-probably-italian-naples-box-168007278.html
RMKN9AYX–Box MET DP232240 Box MET DP232240 /188872 probably Italian, Naples, Box, early 18th century, Tortoiseshell, silver, 1/2 x 2 1/4 x 3 1/4 in. (1.3 x 5.7 x 8.3 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. Eleanor Strong, 1903 (03.26.6)
Five sections of a patchwork quilt, 19th century, Margaret Kirklie Larkin, American, 22 x 44 1/2 in. (55.88 x 113.03 cm) (four triangular pieces, each)30 3/4 x 31 3/4 in. (78.11 x 80.65 cm) (square section), Velvet, silk, satin; quilted, United States, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/five-sections-of-a-patchwork-quilt-19th-century-margaret-kirklie-larkin-american-22-x-44-12-in-5588-x-11303-cm-four-triangular-pieces-each30-34-x-31-34-in-7811-x-8065-cm-square-section-velvet-silk-satin-quilted-united-states-19th-century-image573498698.html
RM2T913CA–Five sections of a patchwork quilt, 19th century, Margaret Kirklie Larkin, American, 22 x 44 1/2 in. (55.88 x 113.03 cm) (four triangular pieces, each)30 3/4 x 31 3/4 in. (78.11 x 80.65 cm) (square section), Velvet, silk, satin; quilted, United States, 19th century
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