2 28 Cut Out Stock Images
weight, bronze, 2.29 x 2.28 x 0.75 cm, wt. 33.54g, Byzantine, Turkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/weight-bronze-229-x-228-x-075-cm-wt-3354g-byzantine-turkey-image344528632.htmlRM2B0EHP0–weight, bronze, 2.29 x 2.28 x 0.75 cm, wt. 33.54g, Byzantine, Turkey
Cima d'Arno, IT, Italy, Lombardy, N 46 2' 28'', N 10 34' 15'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cima-darno-it-italy-lombardy-n-46-2-28-n-10-34-15-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image614436486.htmlRM2XKJ006–Cima d'Arno, IT, Italy, Lombardy, N 46 2' 28'', N 10 34' 15'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Art inspired by Vasudhara Mandala, dated to 1777 (Samvat 897), Nepal, Distemper on cloth, Image: 34 1/2 × 28 3/4 in. (87.6 × 73 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-vasudhara-mandala-dated-to-1777-samvat-897-nepal-distemper-on-cloth-image-34-12-28-34-in-876-73-cm-paintings-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866280.htmlRF2HW1AJG–Art inspired by Vasudhara Mandala, dated to 1777 (Samvat 897), Nepal, Distemper on cloth, Image: 34 1/2 × 28 3/4 in. (87.6 × 73 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jesuit Athanasius Kircher (May 2, 1602 - November 28, 1680) witnessed eruptions of Mount Etna and Stromboli, then visited the crater of Vesuvius and published his view of an Earth with a central fire connected to numerous others caused by the burning of sulfur, bitumen and coal. Mount Etna is an active stratovolcano on the east coast of Sicily, Italy. Mount Etna is one of the most active volcanoes in the world and is in an almost constant state of activity. The fertile volcanic soils support extensive agriculture, with vineyards and orchards spread across the lower slopes of the mountain and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesuit-athanasius-kircher-may-2-1602-november-28-1680-witnessed-eruptions-of-mount-etna-and-stromboli-then-visited-the-crater-of-vesuvius-and-published-his-view-of-an-earth-with-a-central-fire-connected-to-numerous-others-caused-by-the-burning-of-sulfur-bitumen-and-coal-mount-etna-is-an-active-stratovolcano-on-the-east-coast-of-sicily-italy-mount-etna-is-one-of-the-most-active-volcanoes-in-the-world-and-is-in-an-almost-constant-state-of-activity-the-fertile-volcanic-soils-support-extensive-agriculture-with-vineyards-and-orchards-spread-across-the-lower-slopes-of-the-mountain-and-image352771232.htmlRM2BDX38G–Jesuit Athanasius Kircher (May 2, 1602 - November 28, 1680) witnessed eruptions of Mount Etna and Stromboli, then visited the crater of Vesuvius and published his view of an Earth with a central fire connected to numerous others caused by the burning of sulfur, bitumen and coal. Mount Etna is an active stratovolcano on the east coast of Sicily, Italy. Mount Etna is one of the most active volcanoes in the world and is in an almost constant state of activity. The fertile volcanic soils support extensive agriculture, with vineyards and orchards spread across the lower slopes of the mountain and
Electronics Technician - Volume 7 - Figure 2-28. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/electronics-technician-volume-7-figure-2-28-image328553748.htmlRM2A2EWJC–Electronics Technician - Volume 7 - Figure 2-28.
Herbert Putnam, 2/28/24 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/herbert-putnam-22824-image269608110.htmlRMWJHKW2–Herbert Putnam, 2/28/24
Mona Lisa Painting WW2 1938 Louvre France The threat of war prompted a large-scale evacuation of France’s public art collections to avoid imminent theft looting bombing and occupation by Nazi Germany On August 28, 1939, the Mona Lisa left the Louvre and on September 3, as war had been declared, a decision was taken to ensure that all of the most precious works would leave the premises by the end of the day. During the war, Leonardo da Vinci’s Mona Lisa would be moved five times more before returning to Paris to be unwrapped safe and untouched. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mona-lisa-painting-ww2-1938-louvre-france-the-threat-of-war-prompted-a-large-scale-evacuation-of-frances-public-art-collections-to-avoid-imminent-theft-looting-bombing-and-occupation-by-nazi-germany-on-august-28-1939-the-mona-lisa-left-the-louvre-and-on-september-3-as-war-had-been-declared-a-decision-was-taken-to-ensure-that-all-of-the-most-precious-works-would-leave-the-premises-by-the-end-of-the-day-during-the-war-leonardo-da-vincis-mona-lisa-would-be-moved-five-times-more-before-returning-to-paris-to-be-unwrapped-safe-and-untouched-image185680348.htmlRMMP2D50–Mona Lisa Painting WW2 1938 Louvre France The threat of war prompted a large-scale evacuation of France’s public art collections to avoid imminent theft looting bombing and occupation by Nazi Germany On August 28, 1939, the Mona Lisa left the Louvre and on September 3, as war had been declared, a decision was taken to ensure that all of the most precious works would leave the premises by the end of the day. During the war, Leonardo da Vinci’s Mona Lisa would be moved five times more before returning to Paris to be unwrapped safe and untouched.
Ilyushin Il-28 (NATO codename: Beagle). This is one of the series of Graphics Training Aids (GTA) used by the United States Army to train their personnel to recognize friendly and hostile aircraft. This particular set, GTA 44-2-1, was issued in July1977. The set features aircraft from: Canada, Italy, United Kingdom, United States, and the USSR. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ilyushin-il-28-nato-codename-beagle-this-is-one-of-the-series-of-graphics-training-aids-gta-used-by-the-united-states-army-to-train-their-personnel-to-recognize-friendly-and-hostile-aircraft-this-particular-set-gta-44-2-1-was-issued-in-july1977-the-set-features-aircraft-from-canada-italy-united-kingdom-united-states-and-the-ussr-image504872181.htmlRM2M9AWH9–Ilyushin Il-28 (NATO codename: Beagle). This is one of the series of Graphics Training Aids (GTA) used by the United States Army to train their personnel to recognize friendly and hostile aircraft. This particular set, GTA 44-2-1, was issued in July1977. The set features aircraft from: Canada, Italy, United Kingdom, United States, and the USSR.
Wimbledon Greyhound Stadiumpic David Sandison 28/2/2005 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wimbledon-greyhound-stadiumpic-david-sandison-2822005-image416854256.htmlRM2F659T0–Wimbledon Greyhound Stadiumpic David Sandison 28/2/2005
Golden number twenty eight balloon flying out of blank white box isolated on white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/golden-number-twenty-eight-balloon-flying-out-of-blank-white-box-isolated-on-white-background-image231166752.htmlRFRC2FFC–Golden number twenty eight balloon flying out of blank white box isolated on white background
. jsc2023e010166 (2/28/2023) - Representation of the APHRODITE analytical system, comprising the disposable Analytical Cartridge(pink) connected to the Analytical Device; the saliva sample is inserted into the device employing a needle-less syringe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jsc2023e010166-2282023-representation-of-the-aphrodite-analytical-system-comprising-the-disposable-analytical-cartridgepink-connected-to-the-analytical-device-the-saliva-sample-is-inserted-into-the-device-employing-a-needle-less-syringe-image556767204.htmlRM2R9PX70–. jsc2023e010166 (2/28/2023) - Representation of the APHRODITE analytical system, comprising the disposable Analytical Cartridge(pink) connected to the Analytical Device; the saliva sample is inserted into the device employing a needle-less syringe
![Receipt for ten dollars from Lucille Brown, signed by Annie Malone for a diploma for Ida Miller Kennedy. In the upper right corner is the number "51" printed in blue. In the upper left corner is a blank for the amount listed, which is filled in with ink "$10/00." The receipt reads "2-28-1919/ Received from Mrs. Lucile Brown/ Ten Dollars./ For Diploma for Mrs. Ida Miller C. Kennedy/ Annie M. Malone,/ (illegible)." Stamped across the lower left quadrant diagonally are the words "Department (illegible)." Poro College, a cosmetology school and centre, was es Stock Photo](https://c8.alamy.com/comp/2G4GRXT/receipt-for-ten-dollars-from-lucille-brown-signed-by-annie-malone-for-a-diploma-for-ida-miller-kennedy-in-the-upper-right-corner-is-the-number-quot51quot-printed-in-blue-in-the-upper-left-corner-is-a-blank-for-the-amount-listed-which-is-filled-in-with-ink-quot1000quot-the-receipt-reads-quot2-28-1919-received-from-mrs-lucile-brown-ten-dollars-for-diploma-for-mrs-ida-miller-c-kennedy-annie-m-malone-illegiblequot-stamped-across-the-lower-left-quadrant-diagonally-are-the-words-quotdepartment-illegiblequot-poro-college-a-cosmetology-school-and-centre-was-es-2G4GRXT.jpg "Receipt for ten dollars from Lucille Brown, signed by Annie Malone for a diploma for Ida Miller Kennedy. In the upper right corner is the number "51" printed in blue. In the upper left corner is a blank for the amount listed, which is filled in with ink "$10/00." The receipt reads "2-28-1919/ Received from Mrs. Lucile Brown/ Ten Dollars./ For Diploma for Mrs. Ida Miller C. Kennedy/ Annie M. Malone,/ (illegible)." Stamped across the lower left quadrant diagonally are the words "Department (illegible)." Poro College, a cosmetology school and centre, was es Stock Photo")
Receipt for ten dollars from Lucille Brown, signed by Annie Malone for a diploma for Ida Miller Kennedy. In the upper right corner is the number "51" printed in blue. In the upper left corner is a blank for the amount listed, which is filled in with ink "$10/00." The receipt reads "2-28-1919/ Received from Mrs. Lucile Brown/ Ten Dollars./ For Diploma for Mrs. Ida Miller C. Kennedy/ Annie M. Malone,/ (illegible)." Stamped across the lower left quadrant diagonally are the words "Department (illegible)." Poro College, a cosmetology school and centre, was es Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/receipt-for-ten-dollars-from-lucille-brown-signed-by-annie-malone-for-a-diploma-for-ida-miller-kennedy-in-the-upper-right-corner-is-the-number-quot51quot-printed-in-blue-in-the-upper-left-corner-is-a-blank-for-the-amount-listed-which-is-filled-in-with-ink-quot1000quot-the-receipt-reads-quot2-28-1919-received-from-mrs-lucile-brown-ten-dollars-for-diploma-for-mrs-ida-miller-c-kennedy-annie-m-malone-illegiblequot-stamped-across-the-lower-left-quadrant-diagonally-are-the-words-quotdepartment-illegiblequot-poro-college-a-cosmetology-school-and-centre-was-es-image433087840.htmlRM2G4GRXT–Receipt for ten dollars from Lucille Brown, signed by Annie Malone for a diploma for Ida Miller Kennedy. In the upper right corner is the number "51" printed in blue. In the upper left corner is a blank for the amount listed, which is filled in with ink "$10/00." The receipt reads "2-28-1919/ Received from Mrs. Lucile Brown/ Ten Dollars./ For Diploma for Mrs. Ida Miller C. Kennedy/ Annie M. Malone,/ (illegible)." Stamped across the lower left quadrant diagonally are the words "Department (illegible)." Poro College, a cosmetology school and centre, was es
Ocala, FL 2-28-2024 box of traditional greek style spanakopita made with spinach and real feta cheese, phyllo, filo, fillo dough crunchy and crispy re Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ocala-fl-2-28-2024-box-of-traditional-greek-style-spanakopita-made-with-spinach-and-real-feta-cheese-phyllo-filo-fillo-dough-crunchy-and-crispy-re-image604593541.htmlRF2X3HH6D–Ocala, FL 2-28-2024 box of traditional greek style spanakopita made with spinach and real feta cheese, phyllo, filo, fillo dough crunchy and crispy re
Charles the Great, Carolus Magnus or Karolus Magnus, Charlemagne, April 2, 747 - January 28, 814, was King of the Frankish Empire from 768 to 814 / Karl der Große, Carolus Magnus oder Karolus Magnus, Charlemagne, 2. April 747 - 28. Januar 814, war von 768 bis 814 König des Fränkischen Reichs, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-the-great-carolus-magnus-or-karolus-magnus-charlemagne-april-2-747-january-28-814-was-king-of-the-frankish-empire-from-768-to-814-karl-der-groe-carolus-magnus-oder-karolus-magnus-charlemagne-2-april-747-28-januar-814-war-von-768-bis-814-knig-des-frnkischen-reichs-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image388683714.htmlRF2DGA216–Charles the Great, Carolus Magnus or Karolus Magnus, Charlemagne, April 2, 747 - January 28, 814, was King of the Frankish Empire from 768 to 814 / Karl der Große, Carolus Magnus oder Karolus Magnus, Charlemagne, 2. April 747 - 28. Januar 814, war von 768 bis 814 König des Fränkischen Reichs, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
Glass Fragment MET cdi23-229-2-28 466463 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-glass-fragment-met-cdi23-229-2-28-466463-168030406.htmlRMKNACDX–Glass Fragment MET cdi23-229-2-28 466463
Fetal Development Week 28) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fetal-development-week-28-56151121.htmlRMD79W95–Fetal Development Week 28)
N/A. Ivan Lermolieff (Pseudonym): Die Werke italienischer Meister in den Galerien von München, Dresden und Berlin. Leipzig 1880. Bild 2 Seite 277 . 1880. Giovanni Morelli (* 25. Februar 1816, Verona; † 28. Februar 1891, Mailand) 453 Die Werke italienischer Meister (Morelli) Bild2 Seite 277 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-ivan-lermolieff-pseudonym-die-werke-italienischer-meister-in-den-galerien-von-mnchen-dresden-und-berlin-leipzig-1880-bild-2-seite-277-1880-giovanni-morelli-25-februar-1816-verona-28-februar-1891-mailand-453-die-werke-italienischer-meister-morelli-bild2-seite-277-image209909300.htmlRMP5E5CM–N/A. Ivan Lermolieff (Pseudonym): Die Werke italienischer Meister in den Galerien von München, Dresden und Berlin. Leipzig 1880. Bild 2 Seite 277 . 1880. Giovanni Morelli (* 25. Februar 1816, Verona; † 28. Februar 1891, Mailand) 453 Die Werke italienischer Meister (Morelli) Bild2 Seite 277
Three Tamron lenses for Sony full frame A7 series FE mount mirrorless camera system - 17-28mm, 70-180mm and 28-75mm all f/2.8 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-tamron-lenses-for-sony-full-frame-a7-series-fe-mount-mirrorless-camera-system-17-28mm-70-180mm-and-28-75mm-all-f28-image368861180.htmlRF2CC325G–Three Tamron lenses for Sony full frame A7 series FE mount mirrorless camera system - 17-28mm, 70-180mm and 28-75mm all f/2.8
Cassetta frame. Culture: Italian, Lombardy (?). Dimensions: 28.7 x 34.2, 15.2 x 21, 16.5 x 22.2 cm.. Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cassetta-frame-culture-italian-lombardy-dimensions-287-x-342-152-x-21-165-x-222-cm-date-ca-1600-museum-metropolitan-museum-of-art-new-york-usa-image213331583.htmlRMPB22H3–Cassetta frame. Culture: Italian, Lombardy (?). Dimensions: 28.7 x 34.2, 15.2 x 21, 16.5 x 22.2 cm.. Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA.
Sherd, Halaf, Halaf, Date ca. 5000–4500 B.C., Syria, Tell Brak, Halaf, Ceramic, 3.07 x 2.28 in. (7.8 x 5.79 cm), Ceramics-Vessels Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sherd-halaf-halaf-date-ca-50004500-bc-syria-tell-brak-halaf-ceramic-307-x-228-in-78-x-579-cm-ceramics-vessels-image344669030.htmlRM2B0N0T6–Sherd, Halaf, Halaf, Date ca. 5000–4500 B.C., Syria, Tell Brak, Halaf, Ceramic, 3.07 x 2.28 in. (7.8 x 5.79 cm), Ceramics-Vessels
Rustiques, Aude, FR, France, Occitanie, N 43 12' 57'', N 2 28' 23'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rustiques-aude-fr-france-occitanie-n-43-12-57-n-2-28-23-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image614354844.htmlRM2XKE7TC–Rustiques, Aude, FR, France, Occitanie, N 43 12' 57'', N 2 28' 23'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Art inspired by Fragment, 17th century, Italian or Chinese?, Silk, metal thread, Overall: 11 1/4 x 16 1/2 in. (28.6 x 41.9 cm), Textiles-Velvets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fragment-17th-century-italian-or-chinese-silk-metal-thread-overall-11-14-x-16-12-in-286-x-419-cm-textiles-velvets-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778398.htmlRF2HTWAFX–Art inspired by Fragment, 17th century, Italian or Chinese?, Silk, metal thread, Overall: 11 1/4 x 16 1/2 in. (28.6 x 41.9 cm), Textiles-Velvets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Birthday candles number twenty eight Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-birthday-candles-number-twenty-eight-86373827.htmlRFF0EJKF–Birthday candles number twenty eight
Harding addressing Congress, 2-28-22 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harding-addressing-congress-2-28-22-image352670368.htmlRM2BDNEJ8–Harding addressing Congress, 2-28-22
Herbert Putnam, 2/28/24 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/herbert-putnam-22824-image269608135.htmlRMWJHKWY–Herbert Putnam, 2/28/24
1936 Vintage Mercedes-Benz 170H 2 door saloon car In 1936, in parallel to the classical front-engine Mercedes-Benz 170 V, Daimler-Benz AG introduced the Mercedes-Benz 170 H which had the same engine as the 170 V, with an architecture derived from the one of the 130, its predecessor. The 170 H was powered by a four-cylinder 1697 cc engine with a power of 38 PS (28 kW). The 'H' stood for 'Heckmotor', or rear engine. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1936-vintage-mercedes-benz-170h-2-door-saloon-car-in-1936-in-parallel-to-the-classical-front-engine-mercedes-benz-170-v-daimler-benz-ag-introduced-the-mercedes-benz-170-h-which-had-the-same-engine-as-the-170-v-with-an-architecture-derived-from-the-one-of-the-130-its-predecessor-the-170-h-was-powered-by-a-four-cylinder-1697-cc-engine-with-a-power-of-38-ps-28-kw-the-h-stood-for-heckmotor-or-rear-engine-image234683880.htmlRMRHPNK4–1936 Vintage Mercedes-Benz 170H 2 door saloon car In 1936, in parallel to the classical front-engine Mercedes-Benz 170 V, Daimler-Benz AG introduced the Mercedes-Benz 170 H which had the same engine as the 170 V, with an architecture derived from the one of the 130, its predecessor. The 170 H was powered by a four-cylinder 1697 cc engine with a power of 38 PS (28 kW). The 'H' stood for 'Heckmotor', or rear engine.
Ilyushin Il-28 (NATO codename: Beagle) & Il-28U (NATO codename: Mascot). This is one of the series of Graphics Training Aids (GTA) used by the United States Army to train their personnel to recognize friendly and hostile aircraft. This particular set, GTA 44-2-1, was issued in July1977. The set features aircraft from: Canada, Italy, United Kingdom, United States, and the USSR. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ilyushin-il-28-nato-codename-beagle-il-28u-nato-codename-mascot-this-is-one-of-the-series-of-graphics-training-aids-gta-used-by-the-united-states-army-to-train-their-personnel-to-recognize-friendly-and-hostile-aircraft-this-particular-set-gta-44-2-1-was-issued-in-july1977-the-set-features-aircraft-from-canada-italy-united-kingdom-united-states-and-the-ussr-image560815236.htmlRM2RGB9FG–Ilyushin Il-28 (NATO codename: Beagle) & Il-28U (NATO codename: Mascot). This is one of the series of Graphics Training Aids (GTA) used by the United States Army to train their personnel to recognize friendly and hostile aircraft. This particular set, GTA 44-2-1, was issued in July1977. The set features aircraft from: Canada, Italy, United Kingdom, United States, and the USSR.
Wimbledon Greyhound Stadiumpic David Sandison 28/2/2005 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wimbledon-greyhound-stadiumpic-david-sandison-2822005-image415930069.htmlRM2F4K719–Wimbledon Greyhound Stadiumpic David Sandison 28/2/2005
Number 28 twenty eight made of silver inflatable balloons isolated on white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/number-28-twenty-eight-made-of-silver-inflatable-balloons-isolated-on-white-background-image356727048.htmlRF2BMA8YM–Number 28 twenty eight made of silver inflatable balloons isolated on white background
A850247b U12N DIAMOND BEECH FAC DRAWING JOHN BROUILLARD (Project Engineer) FEB 28 85 EG&G/NTS PHOTO LAB Publication Date: 2/28/1985 30 INCH FAST ACTING CLOSURE; DIAGRAMS; DIAMOND BEECH; DIAMOND BEECH TEST; DRAWINGS; EDGERTON, GERMESHAUSEN & GRIER; EG&G; EQUIPMENT & INSTRUMENTS; EQUIPMENT (SNL); FAC; FAC DRAWING; FAST ACTING CLOSURE; FAST ACTION CLOSURE; FAST ACTION CLOSURE DRAWING; NEVADA; NEVADA TEST SITE; NTS; NUCLEAR ENERGY TECHNOLOGY; NUCLEAR TESTING; NUCLEAR TESTS; TEST SITES; UGT; UNDERGROUND TESTING; DIAMOND BEECH-FAC DRAWING historical images. 1972 - 2012. Department of Energy. Natio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a850247b-u12n-diamond-beech-fac-drawing-john-brouillard-project-engineer-feb-28-85-eggnts-photo-lab-publication-date-2281985-30-inch-fast-acting-closure-diagrams-diamond-beech-diamond-beech-test-drawings-edgerton-germeshausen-grier-egg-equipment-instruments-equipment-snl-fac-fac-drawing-fast-acting-closure-fast-action-closure-fast-action-closure-drawing-nevada-nevada-test-site-nts-nuclear-energy-technology-nuclear-testing-nuclear-tests-test-sites-ugt-underground-testing-diamond-beech-fac-drawing-historical-images-1972-2012-department-of-energy-natio-image478979951.htmlRM2JR7BPR–A850247b U12N DIAMOND BEECH FAC DRAWING JOHN BROUILLARD (Project Engineer) FEB 28 85 EG&G/NTS PHOTO LAB Publication Date: 2/28/1985 30 INCH FAST ACTING CLOSURE; DIAGRAMS; DIAMOND BEECH; DIAMOND BEECH TEST; DRAWINGS; EDGERTON, GERMESHAUSEN & GRIER; EG&G; EQUIPMENT & INSTRUMENTS; EQUIPMENT (SNL); FAC; FAC DRAWING; FAST ACTING CLOSURE; FAST ACTION CLOSURE; FAST ACTION CLOSURE DRAWING; NEVADA; NEVADA TEST SITE; NTS; NUCLEAR ENERGY TECHNOLOGY; NUCLEAR TESTING; NUCLEAR TESTS; TEST SITES; UGT; UNDERGROUND TESTING; DIAMOND BEECH-FAC DRAWING historical images. 1972 - 2012. Department of Energy. Natio
KUBARY(1895) 2.145 Tafel 28 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kubary1895-2145-tafel-28-73581721.htmlRME7KX6H–KUBARY(1895) 2.145 Tafel 28
Ocala, FL 2-28-2024 sparkling ice water 5 flavors zero sugar with vitamins and antioxidants. Peach nectarine, pink grapefruit, coconut pineapple, frui Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ocala-fl-2-28-2024-sparkling-ice-water-5-flavors-zero-sugar-with-vitamins-and-antioxidants-peach-nectarine-pink-grapefruit-coconut-pineapple-frui-image598325989.htmlRF2WNC2W9–Ocala, FL 2-28-2024 sparkling ice water 5 flavors zero sugar with vitamins and antioxidants. Peach nectarine, pink grapefruit, coconut pineapple, frui
Ernest Renan, February 28, 1823 - October 2, 1892, was a French writer, historian, archaeologist, religious scholar and orientalist / Ernest Renan, 28. Februar 1823 - 2. Oktober 1892, war ein französischer Schriftsteller, Historiker, Archäologe, Religionswissenschaftler und Orientalist, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ernest-renan-february-28-1823-october-2-1892-was-a-french-writer-historian-archaeologist-religious-scholar-and-orientalist-ernest-renan-28-februar-1823-2-oktober-1892-war-ein-franzsischer-schriftsteller-historiker-archologe-religionswissenschaftler-und-orientalist-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image415029759.htmlRF2F366KB–Ernest Renan, February 28, 1823 - October 2, 1892, was a French writer, historian, archaeologist, religious scholar and orientalist / Ernest Renan, 28. Februar 1823 - 2. Oktober 1892, war ein französischer Schriftsteller, Historiker, Archäologe, Religionswissenschaftler und Orientalist, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
28 2 8 Number Logo Design with a Creative Cut and Black Circle Background. Creative logo design. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/28-2-8-number-logo-design-with-a-creative-cut-and-black-circle-background-creative-logo-design-image344162851.htmlRF2AYWY6B–28 2 8 Number Logo Design with a Creative Cut and Black Circle Background. Creative logo design.
Codex Marchalianus (Ezk 1,28 2,6) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-codex-marchalianus-ezk-128-26-139695114.htmlRMJ37JF6–Codex Marchalianus (Ezk 1,28 2,6)
N/A. Ivan Lermolieff (Pseudonym): Die Werke italienischer Meister in den Galerien von München, Dresden und Berlin. Leipzig 1880. Bild 2 Seite 104 . 1880. Giovanni Morelli (* 25. Februar 1816, Verona; † 28. Februar 1891, Mailand) 453 Die Werke italienischer Meister (Morelli) Bild2 Seite 104 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-ivan-lermolieff-pseudonym-die-werke-italienischer-meister-in-den-galerien-von-mnchen-dresden-und-berlin-leipzig-1880-bild-2-seite-104-1880-giovanni-morelli-25-februar-1816-verona-28-februar-1891-mailand-453-die-werke-italienischer-meister-morelli-bild2-seite-104-image209909136.htmlRMP5E56T–N/A. Ivan Lermolieff (Pseudonym): Die Werke italienischer Meister in den Galerien von München, Dresden und Berlin. Leipzig 1880. Bild 2 Seite 104 . 1880. Giovanni Morelli (* 25. Februar 1816, Verona; † 28. Februar 1891, Mailand) 453 Die Werke italienischer Meister (Morelli) Bild2 Seite 104
Winneconne , WI - 28 August 2020: A Mustone 2 cigar on an isolated background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winneconne-wi-28-august-2020-a-mustone-2-cigar-on-an-isolated-background-image371055835.htmlRF2CFK1E3–Winneconne , WI - 28 August 2020: A Mustone 2 cigar on an isolated background.
Salvator Rosa frame. Culture: Italian, Naples. Dimensions: 28.3 x 37.5, 19.3 x 28.2, 20.5 x 29.9 cm.. Date: early to mid-18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salvator-rosa-frame-culture-italian-naples-dimensions-283-x-375-193-x-282-205-x-299-cm-date-early-to-mid-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213144950.htmlRMPANGFJ–Salvator Rosa frame. Culture: Italian, Naples. Dimensions: 28.3 x 37.5, 19.3 x 28.2, 20.5 x 29.9 cm.. Date: early to mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.
Vessel sherd, Mitanni, Mitanni, Date ca. 15th–14th century B.C., Mesopotamia, Tell al-Rimah, Mitanni, Ceramic, paint, 1.85 x 2.28 in. (4.7 x 5.79 cm), Ceramics-Vessels Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vessel-sherd-mitanni-mitanni-date-ca-15th14th-century-bc-mesopotamia-tell-al-rimah-mitanni-ceramic-paint-185-x-228-in-47-x-579-cm-ceramics-vessels-image344674702.htmlRM2B0N82P–Vessel sherd, Mitanni, Mitanni, Date ca. 15th–14th century B.C., Mesopotamia, Tell al-Rimah, Mitanni, Ceramic, paint, 1.85 x 2.28 in. (4.7 x 5.79 cm), Ceramics-Vessels
Auxy, Loiret, FR, France, Centre, N 48 7' 8'', N 2 28' 27'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/auxy-loiret-fr-france-centre-n-48-7-8-n-2-28-27-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image614314521.htmlRM2XKCCC9–Auxy, Loiret, FR, France, Centre, N 48 7' 8'', N 2 28' 27'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Art inspired by Armchair (one of a pair), ca. 1760, German, Beechwood, Overall: 43 × 28 1/2 × 28 in. (109.2 × 72.4 × 71.1 cm), Woodwork-Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-armchair-one-of-a-pair-ca-1760-german-beechwood-overall-43-28-12-28-in-1092-724-711-cm-woodwork-furniture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462779609.htmlRF2HTWC35–Art inspired by Armchair (one of a pair), ca. 1760, German, Beechwood, Overall: 43 × 28 1/2 × 28 in. (109.2 × 72.4 × 71.1 cm), Woodwork-Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jean-Jacques Rousseau (28 June 1712 – 2 July 1778) was a Genevan philosopher, writer, and composer of the 18th century. His political philosophy influenced The Enlightenment in France and across Europe, as well as aspects of the French Revolution and the overall development of modern political and educational thought. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-jacques-rousseau-28-june-1712-2-july-1778-was-a-genevan-philosopher-writer-and-composer-of-the-18th-century-his-political-philosophy-influenced-the-enlightenment-in-france-and-across-europe-as-well-as-aspects-of-the-french-revolution-and-the-overall-development-of-modern-political-and-educational-thought-image344271748.htmlRM2B02X3G–Jean-Jacques Rousseau (28 June 1712 – 2 July 1778) was a Genevan philosopher, writer, and composer of the 18th century. His political philosophy influenced The Enlightenment in France and across Europe, as well as aspects of the French Revolution and the overall development of modern political and educational thought.
Wm. O. Atkeson (of Mo., 2-28-21) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wm-o-atkeson-of-mo-2-28-21-image590563889.htmlRM2W8PE7D–Wm. O. Atkeson (of Mo., 2-28-21)
Hiram Johnson, 2/28/22 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hiram-johnson-22822-image269634554.htmlRMWJJWHE–Hiram Johnson, 2/28/22
Leaders of the “Big Three” countries of the anti-Hitler coalition at the Potsdam conference: British Prime Minister (since July 28, 1945) Clement Attlee, US President Harry Truman, Chairman of the USSR Council of People’s Commissars and Chairman of the State Defense Committee of the USSR, Joseph Stalin. The Potsdam conference was held in Potsdam from July 17 to August 2, 1945 with the aim of determining the further steps for the post-war arrangement of Europe. Location: Potsdam, Germany Date: July-August 1945 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaders-of-the-big-three-countries-of-the-anti-hitler-coalition-at-the-potsdam-conference-british-prime-minister-since-july-28-1945-clement-attlee-us-president-harry-truman-chairman-of-the-ussr-council-of-peoples-commissars-and-chairman-of-the-state-defense-committee-of-the-ussr-joseph-stalin-the-potsdam-conference-was-held-in-potsdam-from-july-17-to-august-2-1945-with-the-aim-of-determining-the-further-steps-for-the-post-war-arrangement-of-europe-location-potsdam-germany-date-july-august-1945-image231105784.htmlRMRBYNP0–Leaders of the “Big Three” countries of the anti-Hitler coalition at the Potsdam conference: British Prime Minister (since July 28, 1945) Clement Attlee, US President Harry Truman, Chairman of the USSR Council of People’s Commissars and Chairman of the State Defense Committee of the USSR, Joseph Stalin. The Potsdam conference was held in Potsdam from July 17 to August 2, 1945 with the aim of determining the further steps for the post-war arrangement of Europe. Location: Potsdam, Germany Date: July-August 1945
Avro Canada CF-100 Canuck. This is one of the series of Graphics Training Aids (GTA) used by the United States Army to train their personnel to recognize friendly and hostile aircraft. This particular set, GTA 44-2-1, was issued in July1977. The set features aircraft from: Canada, Italy, United Kingdom, United States, and the USSR. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/avro-canada-cf-100-canuck-this-is-one-of-the-series-of-graphics-training-aids-gta-used-by-the-united-states-army-to-train-their-personnel-to-recognize-friendly-and-hostile-aircraft-this-particular-set-gta-44-2-1-was-issued-in-july1977-the-set-features-aircraft-from-canada-italy-united-kingdom-united-states-and-the-ussr-image560815196.htmlRM2RGB9E4–Avro Canada CF-100 Canuck. This is one of the series of Graphics Training Aids (GTA) used by the United States Army to train their personnel to recognize friendly and hostile aircraft. This particular set, GTA 44-2-1, was issued in July1977. The set features aircraft from: Canada, Italy, United Kingdom, United States, and the USSR.
Wimbledon Greyhound Stadiumpic David Sandison 28/2/2005 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wimbledon-greyhound-stadiumpic-david-sandison-2822005-image419273187.htmlRM2FA3F6B–Wimbledon Greyhound Stadiumpic David Sandison 28/2/2005
Number 28 twenty eight made of rose gold inflatable balloons isolated on white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/number-28-twenty-eight-made-of-rose-gold-inflatable-balloons-isolated-on-white-background-image339438729.htmlRF2AM6NFN–Number 28 twenty eight made of rose gold inflatable balloons isolated on white background
![scene. Mignard, Pierre I (French, 1612-1695) (designed after) [painter] c. 1700-1720 Tapestry Dimensions: H 9'9' x W 13' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: London Ownership History: French & Co. received from Mrs. Nathan Brill, invoiced 2/28/1928; returned from consignment 11/12/1928. Blowing figure in sky arrives on seashore [Neptune (Poseidon) without trident ?] (L of center, top), female figure reclines next to man near fire, lion skins & gourds (center, foreground), man in chariot in clouds (R, top) (BRD) string of bunches of flowers & fruit 'Gallery of Stock Photo](https://c8.alamy.com/comp/2WTGHJJ/scene-mignard-pierre-i-french-1612-1695-designed-after-painter-c-1700-1720-tapestry-dimensions-h-99-x-w-13-tapestry-materialstechniques-unknown-culture-english-weaving-center-london-ownership-history-french-co-received-from-mrs-nathan-brill-invoiced-2281928-returned-from-consignment-11121928-blowing-figure-in-sky-arrives-on-seashore-neptune-poseidon-without-trident-l-of-center-top-female-figure-reclines-next-to-man-near-fire-lion-skins-gourds-center-foreground-man-in-chariot-in-clouds-r-top-brd-string-of-bunches-of-flowers-fruit-gallery-of-2WTGHJJ.jpg "scene. Mignard, Pierre I (French, 1612-1695) (designed after) [painter] c. 1700-1720 Tapestry Dimensions: H 9'9' x W 13' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: London Ownership History: French & Co. received from Mrs. Nathan Brill, invoiced 2/28/1928; returned from consignment 11/12/1928. Blowing figure in sky arrives on seashore [Neptune (Poseidon) without trident ?] (L of center, top), female figure reclines next to man near fire, lion skins & gourds (center, foreground), man in chariot in clouds (R, top) (BRD) string of bunches of flowers & fruit 'Gallery of Stock Photo")
scene. Mignard, Pierre I (French, 1612-1695) (designed after) [painter] c. 1700-1720 Tapestry Dimensions: H 9'9' x W 13' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: London Ownership History: French & Co. received from Mrs. Nathan Brill, invoiced 2/28/1928; returned from consignment 11/12/1928. Blowing figure in sky arrives on seashore [Neptune (Poseidon) without trident ?] (L of center, top), female figure reclines next to man near fire, lion skins & gourds (center, foreground), man in chariot in clouds (R, top) (BRD) string of bunches of flowers & fruit 'Gallery of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scene-mignard-pierre-i-french-1612-1695-designed-after-painter-c-1700-1720-tapestry-dimensions-h-99-x-w-13-tapestry-materialstechniques-unknown-culture-english-weaving-center-london-ownership-history-french-co-received-from-mrs-nathan-brill-invoiced-2281928-returned-from-consignment-11121928-blowing-figure-in-sky-arrives-on-seashore-neptune-poseidon-without-trident-l-of-center-top-female-figure-reclines-next-to-man-near-fire-lion-skins-gourds-center-foreground-man-in-chariot-in-clouds-r-top-brd-string-of-bunches-of-flowers-fruit-gallery-of-image600269338.htmlRM2WTGHJJ–scene. Mignard, Pierre I (French, 1612-1695) (designed after) [painter] c. 1700-1720 Tapestry Dimensions: H 9'9' x W 13' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: London Ownership History: French & Co. received from Mrs. Nathan Brill, invoiced 2/28/1928; returned from consignment 11/12/1928. Blowing figure in sky arrives on seashore [Neptune (Poseidon) without trident ?] (L of center, top), female figure reclines next to man near fire, lion skins & gourds (center, foreground), man in chariot in clouds (R, top) (BRD) string of bunches of flowers & fruit 'Gallery of
KUBARY(1895) 2.145 Tafel 28 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kubary1895-2145-tafel-28-74501354.htmlRME95R6J–KUBARY(1895) 2.145 Tafel 28
Ocala, FL 2-28-2024 box of traditional greek style spanakopita made with spinach and real feta cheese, phyllo, filo, fillo dough crunchy and crispy re Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ocala-fl-2-28-2024-box-of-traditional-greek-style-spanakopita-made-with-spinach-and-real-feta-cheese-phyllo-filo-fillo-dough-crunchy-and-crispy-re-image598325980.htmlRF2WNC2W0–Ocala, FL 2-28-2024 box of traditional greek style spanakopita made with spinach and real feta cheese, phyllo, filo, fillo dough crunchy and crispy re
Charles the Great (Charlemagne; * April 2 747 or 748, † 28 January 814) was 768-814 king of the Frankish Empire / Karl der Grosse ( Charlemagne; * 2. April 747 oder 748; † 28. Januar 814) war von 768 bis 814 Koenig des Fraenkischen Reichs, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-the-great-charlemagne-april-2-747-or-748-28-january-814-was-768-814-king-of-the-frankish-empire-karl-der-grosse-charlemagne-2-april-747-oder-748-28-januar-814-war-von-768-bis-814-koenig-des-fraenkischen-reichs-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image364459004.htmlRF2C4XF50–Charles the Great (Charlemagne; * April 2 747 or 748, † 28 January 814) was 768-814 king of the Frankish Empire / Karl der Grosse ( Charlemagne; * 2. April 747 oder 748; † 28. Januar 814) war von 768 bis 814 Koenig des Fraenkischen Reichs, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
28 2 8 Grey and Pink Number Logo with Creative Shadow Cut Vector Illustration Design. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/28-2-8-grey-and-pink-number-logo-with-creative-shadow-cut-vector-illustration-design-image354233063.htmlRF2BG8KTR–28 2 8 Grey and Pink Number Logo with Creative Shadow Cut Vector Illustration Design.
Polnoe sobranie zakonov Rossijskoj imperii. Sobranie 2. Tom 28. Otdelenie 1 nr 27111 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-polnoe-sobranie-zakonov-rossijskoj-imperii-sobranie-2-tom-28-otdelenie-140422468.htmlRMJ4CP84–Polnoe sobranie zakonov Rossijskoj imperii. Sobranie 2. Tom 28. Otdelenie 1 nr 27111
. English: 'Kosynier' 2 1862. 29 January 2013, 01:28:53. Władysław Anczyc (1823–1883), Michał Bałucki (1837–1901). 347 Kosynier 2 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-kosynier-2-1862-29-january-2013-012853-wadysaw-anczyc-18231883-micha-baucki-18371901-347-kosynier-2-1862-image187823565.htmlRMMWG2TD–. English: 'Kosynier' 2 1862. 29 January 2013, 01:28:53. Władysław Anczyc (1823–1883), Michał Bałucki (1837–1901). 347 Kosynier 2 1862
Winneconne , WI - 28 August 2020: A Mustone 2 cigar on an isolated background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winneconne-wi-28-august-2020-a-mustone-2-cigar-on-an-isolated-background-image369859889.htmlRF2CDMG1N–Winneconne , WI - 28 August 2020: A Mustone 2 cigar on an isolated background.
Armchair. Culture: American. Dimensions: 28 1/2 x 22 x 12 1/4 in. (72.4 x 55.9 x 31.1 cm). Date: 1750-1800. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/armchair-culture-american-dimensions-28-12-x-22-x-12-14-in-724-x-559-x-311-cm-date-1750-1800-museum-metropolitan-museum-of-art-new-york-usa-image213109820.htmlRMPAKYN0–Armchair. Culture: American. Dimensions: 28 1/2 x 22 x 12 1/4 in. (72.4 x 55.9 x 31.1 cm). Date: 1750-1800. Museum: Metropolitan Museum of Art, New York, USA.
Front: Head, left. Reverse: Stylized wild boar ?, mint, Celtic, metal, silver, diam: 1.6 cm, wt. 2.28 grams, unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/front-head-left-reverse-stylized-wild-boar-mint-celtic-metal-silver-diam-16-cm-wt-228-grams-unknown-image344499027.htmlRM2B0D80K–Front: Head, left. Reverse: Stylized wild boar ?, mint, Celtic, metal, silver, diam: 1.6 cm, wt. 2.28 grams, unknown
Coudroy, Loiret, FR, France, Centre, N 47 54' 26'', N 2 28' 5'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coudroy-loiret-fr-france-centre-n-47-54-26-n-2-28-5-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image614355665.htmlRM2XKE8WN–Coudroy, Loiret, FR, France, Centre, N 47 54' 26'', N 2 28' 5'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Art inspired by Eight Monkeys, a Dead Goose, and a Cormorant, mid-18th–early 19th century, Pen and brown ink, brown wash, over black chalk, 7 3/16 x 11 1/8 in. (18.2 x 28.3 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-eight-monkeys-a-dead-goose-and-a-cormorant-mid-18thearly-19th-century-pen-and-brown-ink-brown-wash-over-black-chalk-7-316-x-11-18-in-182-x-283-cm-drawings-giovanni-domenico-tiepolo-italian-venice-17271804-venice-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463031223.htmlRF2HW8W1B–Art inspired by Eight Monkeys, a Dead Goose, and a Cormorant, mid-18th–early 19th century, Pen and brown ink, brown wash, over black chalk, 7 3/16 x 11 1/8 in. (18.2 x 28.3 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Beijing city wall was a series of fortifications built between the early 1400s and 1553. The Inner city wall was 24 km long and 15 meters high, with a thickness of 20 metres at ground level and 12 metres at the top. It had nine gates. This wall stood for nearly 530 years, but in 1965 it was removed to allow construction of the 2nd Ring Road and the Line 2, Beijing Subway. Only one part of the wall is extant, in the southeast, just south of Beijing Railway Station. The Outer city walls had a perimeter of approximately 28 kilometres. The entire enclosure of the Inner and Outer cities had a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-beijing-city-wall-was-a-series-of-fortifications-built-between-the-early-1400s-and-1553-the-inner-city-wall-was-24-km-long-and-15-meters-high-with-a-thickness-of-20-metres-at-ground-level-and-12-metres-at-the-top-it-had-nine-gates-this-wall-stood-for-nearly-530-years-but-in-1965-it-was-removed-to-allow-construction-of-the-2nd-ring-road-and-the-line-2-beijing-subway-only-one-part-of-the-wall-is-extant-in-the-southeast-just-south-of-beijing-railway-station-the-outer-city-walls-had-a-perimeter-of-approximately-28-kilometres-the-entire-enclosure-of-the-inner-and-outer-cities-had-a-image344273234.htmlRM2B0300J–The Beijing city wall was a series of fortifications built between the early 1400s and 1553. The Inner city wall was 24 km long and 15 meters high, with a thickness of 20 metres at ground level and 12 metres at the top. It had nine gates. This wall stood for nearly 530 years, but in 1965 it was removed to allow construction of the 2nd Ring Road and the Line 2, Beijing Subway. Only one part of the wall is extant, in the southeast, just south of Beijing Railway Station. The Outer city walls had a perimeter of approximately 28 kilometres. The entire enclosure of the Inner and Outer cities had a
Westeinde 2-28 (vrnl,links) Jacob Olie (max res). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/westeinde-2-28-vrnllinks-jacob-olie-max-res-image575567216.htmlRM2TCB9T0–Westeinde 2-28 (vrnl,links) Jacob Olie (max res).
President's shield, 2/28/22 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/presidents-shield-22822-image328398981.htmlRM2A27T71–President's shield, 2/28/22
![[ 1890s Japan - First Sino-Japanese War (1894–1895) ] — Military fortifications in Dalian (formerly known as Jinzhou or Kin-Tchéou) in Liaoning province (formerly Tai-Lien-Wan), China during the First Sino-Japanese War (1894–1895). Published in the French illustrated weekly L'Illustration on February 2, 1895 (Meiji 28). 19th century vintage newspaper illustration. Stock Photo](https://c8.alamy.com/comp/W9J920/1890s-japan-first-sino-japanese-war-18941895-military-fortifications-in-dalian-formerly-known-as-jinzhou-or-kin-tchou-in-liaoning-province-formerly-tai-lien-wan-china-during-the-first-sino-japanese-war-18941895-published-in-the-french-illustrated-weekly-lillustration-on-february-2-1895-meiji-28-19th-century-vintage-newspaper-illustration-W9J920.jpg "[ 1890s Japan - First Sino-Japanese War (1894–1895) ] — Military fortifications in Dalian (formerly known as Jinzhou or Kin-Tchéou) in Liaoning province (formerly Tai-Lien-Wan), China during the First Sino-Japanese War (1894–1895). Published in the French illustrated weekly L'Illustration on February 2, 1895 (Meiji 28). 19th century vintage newspaper illustration. Stock Photo")
[ 1890s Japan - First Sino-Japanese War (1894–1895) ] — Military fortifications in Dalian (formerly known as Jinzhou or Kin-Tchéou) in Liaoning province (formerly Tai-Lien-Wan), China during the First Sino-Japanese War (1894–1895). Published in the French illustrated weekly L'Illustration on February 2, 1895 (Meiji 28). 19th century vintage newspaper illustration. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1890s-japan-first-sino-japanese-war-18941895-military-fortifications-in-dalian-formerly-known-as-jinzhou-or-kin-tchou-in-liaoning-province-formerly-tai-lien-wan-china-during-the-first-sino-japanese-war-18941895-published-in-the-french-illustrated-weekly-lillustration-on-february-2-1895-meiji-28-19th-century-vintage-newspaper-illustration-image264089672.htmlRMW9J920–[ 1890s Japan - First Sino-Japanese War (1894–1895) ] — Military fortifications in Dalian (formerly known as Jinzhou or Kin-Tchéou) in Liaoning province (formerly Tai-Lien-Wan), China during the First Sino-Japanese War (1894–1895). Published in the French illustrated weekly L'Illustration on February 2, 1895 (Meiji 28). 19th century vintage newspaper illustration.
Avro Canada CF-100 Canuck. This is one of the series of Graphics Training Aids (GTA) used by the United States Army to train their personnel to recognize friendly and hostile aircraft. This particular set, GTA 44-2-1, was issued in July1977. The set features aircraft from: Canada, Italy, United Kingdom, United States, and the USSR. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/avro-canada-cf-100-canuck-this-is-one-of-the-series-of-graphics-training-aids-gta-used-by-the-united-states-army-to-train-their-personnel-to-recognize-friendly-and-hostile-aircraft-this-particular-set-gta-44-2-1-was-issued-in-july1977-the-set-features-aircraft-from-canada-italy-united-kingdom-united-states-and-the-ussr-image504872016.htmlRM2M9AWBC–Avro Canada CF-100 Canuck. This is one of the series of Graphics Training Aids (GTA) used by the United States Army to train their personnel to recognize friendly and hostile aircraft. This particular set, GTA 44-2-1, was issued in July1977. The set features aircraft from: Canada, Italy, United Kingdom, United States, and the USSR.
Wimbledon Greyhound Stadiumpic David Sandison 28/2/2005 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wimbledon-greyhound-stadiumpic-david-sandison-2822005-image425577228.htmlRM2FMAM2M–Wimbledon Greyhound Stadiumpic David Sandison 28/2/2005
Golden number twenty eight balloon flying out of blank white box isolated on white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/golden-number-twenty-eight-balloon-flying-out-of-blank-white-box-isolated-on-white-background-image357390137.htmlRF2BNCEND–Golden number twenty eight balloon flying out of blank white box isolated on white background
mail, postage stamps, USA, Republic of Hawaii, date of issue: 28.2.1894, star, stars, year date 1893, , 19th century, mail, post, postage stamps, postage stamp, USA, United States of America, republic, republics, historic, historical, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mail-postage-stamps-usa-republic-of-hawaii-date-of-issue-2821894-star-stars-year-date-1893-19th-century-mail-post-postage-stamps-postage-stamp-usa-united-states-of-america-republic-republics-historic-historical-additional-rights-clearance-info-not-available-image241531534.htmlRMT0XKX6–mail, postage stamps, USA, Republic of Hawaii, date of issue: 28.2.1894, star, stars, year date 1893, , 19th century, mail, post, postage stamps, postage stamp, USA, United States of America, republic, republics, historic, historical, Additional-Rights-Clearance-Info-Not-Available
KUBARY(1895) 2.145 Tafel 28 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kubary1895-2145-tafel-28-74617227.htmlRME9B30Y–KUBARY(1895) 2.145 Tafel 28
Ocala, FL 2-28-2024 sparkling ice water 5 flavors zero sugar with vitamins and antioxidants. Peach nectarine, pink grapefruit, coconut pineapple, frui Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ocala-fl-2-28-2024-sparkling-ice-water-5-flavors-zero-sugar-with-vitamins-and-antioxidants-peach-nectarine-pink-grapefruit-coconut-pineapple-frui-image604591866.htmlRF2X3HF2J–Ocala, FL 2-28-2024 sparkling ice water 5 flavors zero sugar with vitamins and antioxidants. Peach nectarine, pink grapefruit, coconut pineapple, frui
Charles Albert, Italian: Carlo Alberto I, 2 October 1798 – 28 July 1849, was the King of Sardinia from 27 April 1831 to 23 March 1849 / Charles Albert, Italiener: Carlo Alberto I., 2. Oktober 1798 - 28. Juli 1849, war vom 27. April 1831 bis 23. März 1849 König von Sardinien, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-albert-italian-carlo-alberto-i-2-october-1798-28-july-1849-was-the-king-of-sardinia-from-27-april-1831-to-23-march-1849-charles-albert-italiener-carlo-alberto-i-2-oktober-1798-28-juli-1849-war-vom-27-april-1831-bis-23-mrz-1849-knig-von-sardinien-historisch-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image346504617.htmlRF2B3MJ4W–Charles Albert, Italian: Carlo Alberto I, 2 October 1798 – 28 July 1849, was the King of Sardinia from 27 April 1831 to 23 March 1849 / Charles Albert, Italiener: Carlo Alberto I., 2. Oktober 1798 - 28. Juli 1849, war vom 27. April 1831 bis 23. März 1849 König von Sardinien, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
(240828) -- BEIJING, Aug. 28, 2024 (Xinhua) -- Cyclists compete during Stage 2 of the 15th Tour of Hainan Island cycling race from Qionghai to Lingshui, south China's Hainan Province, Aug. 28, 2024. (Xinhua/Yang Guanyu) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/240828-beijing-aug-28-2024-xinhua-cyclists-compete-during-stage-2-of-the-15th-tour-of-hainan-island-cycling-race-from-qionghai-to-lingshui-south-chinas-hainan-province-aug-28-2024-xinhuayang-guanyu-image619133969.htmlRM2XY7YKD–(240828) -- BEIJING, Aug. 28, 2024 (Xinhua) -- Cyclists compete during Stage 2 of the 15th Tour of Hainan Island cycling race from Qionghai to Lingshui, south China's Hainan Province, Aug. 28, 2024. (Xinhua/Yang Guanyu)
Polnoe sobranie zakonov Rossijskoj imperii. Sobranie 2. Tom 28. Otdelenie 1 nr 27017 b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-polnoe-sobranie-zakonov-rossijskoj-imperii-sobranie-2-tom-28-otdelenie-140422467.htmlRMJ4CP83–Polnoe sobranie zakonov Rossijskoj imperii. Sobranie 2. Tom 28. Otdelenie 1 nr 27017 b
. English: 'Kosynier' 2 1862. 29 January 2013, 01:28:53. Władysław Anczyc (1823–1883), Michał Bałucki (1837–1901). 347 Kosynier 2 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-kosynier-2-1862-29-january-2013-012853-wadysaw-anczyc-18231883-micha-baucki-18371901-347-kosynier-2-1862-image188337658.htmlRMMXBEGX–. English: 'Kosynier' 2 1862. 29 January 2013, 01:28:53. Władysław Anczyc (1823–1883), Michał Bałucki (1837–1901). 347 Kosynier 2 1862
Cases of the 2nd Royal Saxon Field Artillery Regiment No. 28 Bautzen. Barracks d. K.S. 2. Field-Art.-stint. No. 28 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cases-of-the-2nd-royal-saxon-field-artillery-regiment-no-28-bautzen-barracks-d-ks-2-field-art-stint-no-28-image416161307.htmlRM2F51NYR–Cases of the 2nd Royal Saxon Field Artillery Regiment No. 28 Bautzen. Barracks d. K.S. 2. Field-Art.-stint. No. 28
Trestle Table. Culture: American. Dimensions: 28 3/4 x 41 1/4 x 26 1/2 in. (73 x 104.8 x 67.3 cm). Date: 1740-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trestle-table-culture-american-dimensions-28-34-x-41-14-x-26-12-in-73-x-1048-x-673-cm-date-1740-80-museum-metropolitan-museum-of-art-new-york-usa-image213249611.htmlRMPAXA1F–Trestle Table. Culture: American. Dimensions: 28 3/4 x 41 1/4 x 26 1/2 in. (73 x 104.8 x 67.3 cm). Date: 1740-80. Museum: Metropolitan Museum of Art, New York, USA.
Fig .: bust with pearl diad n.r., DN VALEN - S PF AUG, Kz: Victoria et al., SECURITAS REIPUBLICAE, coin, aes-III, Valens, metal, copper, Diam. 17 mm, wt. 2.28 gr, roman 367-375, the Netherlands, Gelderland, Nijmegen, Nijmegen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fig-bust-with-pearl-diad-nr-dn-valen-s-pf-aug-kz-victoria-et-al-securitas-reipublicae-coin-aes-iii-valens-metal-copper-diam-17-mm-wt-228-gr-roman-367-375-the-netherlands-gelderland-nijmegen-nijmegen-image344541186.htmlRM2B0F5PA–Fig .: bust with pearl diad n.r., DN VALEN - S PF AUG, Kz: Victoria et al., SECURITAS REIPUBLICAE, coin, aes-III, Valens, metal, copper, Diam. 17 mm, wt. 2.28 gr, roman 367-375, the Netherlands, Gelderland, Nijmegen, Nijmegen
Puiseaux, Loiret, FR, France, Centre, N 48 12' 19'', N 2 28' 15'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/puiseaux-loiret-fr-france-centre-n-48-12-19-n-2-28-15-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image614351380.htmlRM2XKE3CM–Puiseaux, Loiret, FR, France, Centre, N 48 12' 19'', N 2 28' 15'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Art inspired by Bracket, 16th–17th century, Attributed to India, Wood; carved, H. 28 1/2 in. (72.4 cm), Wood, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bracket-16th17th-century-attributed-to-india-wood-carved-h-28-12-in-724-cm-wood-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462819331.htmlRF2HTY6NR–Art inspired by Bracket, 16th–17th century, Attributed to India, Wood; carved, H. 28 1/2 in. (72.4 cm), Wood, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Charlemagne (2 April 742 – 28 January 814 CE), also known as Charles the Great (Latin: Carolus or Karolus Magnus, French: Charles Le Grand or Charlemagne, German: Karl der Grosse, Italian: Carlo Magno or Carlomagno) or Charles I, was King of the Franks who united most of Western Europe during the Middle Ages and laid the foundations for modern France and Germany. He took the Frankish throne from 768 and became King of Italy from 774. From 800 he became the first Holy Roman Emperor - the first recognized Roman emperor in Western Europe since the collapse of the Western Roman Empire three centur Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charlemagne-2-april-742-28-january-814-ce-also-known-as-charles-the-great-latin-carolus-or-karolus-magnus-french-charles-le-grand-or-charlemagne-german-karl-der-grosse-italian-carlo-magno-or-carlomagno-or-charles-i-was-king-of-the-franks-who-united-most-of-western-europe-during-the-middle-ages-and-laid-the-foundations-for-modern-france-and-germany-he-took-the-frankish-throne-from-768-and-became-king-of-italy-from-774-from-800-he-became-the-first-holy-roman-emperor-the-first-recognized-roman-emperor-in-western-europe-since-the-collapse-of-the-western-roman-empire-three-centur-image344270448.htmlRM2B02TD4–Charlemagne (2 April 742 – 28 January 814 CE), also known as Charles the Great (Latin: Carolus or Karolus Magnus, French: Charles Le Grand or Charlemagne, German: Karl der Grosse, Italian: Carlo Magno or Carlomagno) or Charles I, was King of the Franks who united most of Western Europe during the Middle Ages and laid the foundations for modern France and Germany. He took the Frankish throne from 768 and became King of Italy from 774. From 800 he became the first Holy Roman Emperor - the first recognized Roman emperor in Western Europe since the collapse of the Western Roman Empire three centur
Codex Marchalianus (Ezk 1,28-2,6). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/codex-marchalianus-ezk-128-26-image260473365.htmlRMW3NGC5–Codex Marchalianus (Ezk 1,28-2,6).
![Work & Fall, [2/28/23] Stock Photo](https://c8.alamy.com/comp/2A68RB3/work-fall-22823-2A68RB3.jpg "Work & Fall, [2/28/23] Stock Photo")
Work & Fall, [2/28/23] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/work-fall-22823-image330878887.htmlRM2A68RB3–Work & Fall, [2/28/23]
![[ 1860s Japan - Parade of Seiji Shimizu ] — Parade of Seiji Shimizu on December 28, 1864. Shimizu was the leader of the samurai who had cut down the British officers Major George Walter Baldwin and Lieutenant Robert Nichols Bird. On November 22, 1864 Baldwin and Bird were murdered by samurai near Wakamiya Oji, Kamakura, Kanagawa Prefecture. Published in 1865 (Genji 2). Art by French artist Godefroy Durand (1832-1920). 19th century vintage newspaper illustration. Stock Photo](https://c8.alamy.com/comp/W9JFTN/1860s-japan-parade-of-seiji-shimizu-parade-of-seiji-shimizu-on-december-28-1864-shimizu-was-the-leader-of-the-samurai-who-had-cut-down-the-british-officers-major-george-walter-baldwin-and-lieutenant-robert-nichols-bird-on-november-22-1864-baldwin-and-bird-were-murdered-by-samurai-near-wakamiya-oji-kamakura-kanagawa-prefecture-published-in-1865-genji-2-art-by-french-artist-godefroy-durand-1832-1920-19th-century-vintage-newspaper-illustration-W9JFTN.jpg "[ 1860s Japan - Parade of Seiji Shimizu ] — Parade of Seiji Shimizu on December 28, 1864. Shimizu was the leader of the samurai who had cut down the British officers Major George Walter Baldwin and Lieutenant Robert Nichols Bird. On November 22, 1864 Baldwin and Bird were murdered by samurai near Wakamiya Oji, Kamakura, Kanagawa Prefecture. Published in 1865 (Genji 2). Art by French artist Godefroy Durand (1832-1920). 19th century vintage newspaper illustration. Stock Photo")
[ 1860s Japan - Parade of Seiji Shimizu ] — Parade of Seiji Shimizu on December 28, 1864. Shimizu was the leader of the samurai who had cut down the British officers Major George Walter Baldwin and Lieutenant Robert Nichols Bird. On November 22, 1864 Baldwin and Bird were murdered by samurai near Wakamiya Oji, Kamakura, Kanagawa Prefecture. Published in 1865 (Genji 2). Art by French artist Godefroy Durand (1832-1920). 19th century vintage newspaper illustration. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1860s-japan-parade-of-seiji-shimizu-parade-of-seiji-shimizu-on-december-28-1864-shimizu-was-the-leader-of-the-samurai-who-had-cut-down-the-british-officers-major-george-walter-baldwin-and-lieutenant-robert-nichols-bird-on-november-22-1864-baldwin-and-bird-were-murdered-by-samurai-near-wakamiya-oji-kamakura-kanagawa-prefecture-published-in-1865-genji-2-art-by-french-artist-godefroy-durand-1832-1920-19th-century-vintage-newspaper-illustration-image264095013.htmlRMW9JFTN–[ 1860s Japan - Parade of Seiji Shimizu ] — Parade of Seiji Shimizu on December 28, 1864. Shimizu was the leader of the samurai who had cut down the British officers Major George Walter Baldwin and Lieutenant Robert Nichols Bird. On November 22, 1864 Baldwin and Bird were murdered by samurai near Wakamiya Oji, Kamakura, Kanagawa Prefecture. Published in 1865 (Genji 2). Art by French artist Godefroy Durand (1832-1920). 19th century vintage newspaper illustration.
FRANK DICKSEE - 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frank-dicksee-2-image65452395.htmlRMDPDH5F–FRANK DICKSEE - 2
Mick Davis Chief Exec...... Xstrata pic David Sandison. 28/2/2002 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mick-davis-chief-exec-xstrata-pic-david-sandison-2822002-image412099794.htmlRM2EXCNDP–Mick Davis Chief Exec...... Xstrata pic David Sandison. 28/2/2002
Golden number twenty eight balloon flying out of blank white box isolated on white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/golden-number-twenty-eight-balloon-flying-out-of-blank-white-box-isolated-on-white-background-image330065411.htmlRF2A4YNPB–Golden number twenty eight balloon flying out of blank white box isolated on white background
A magnificent vase, presumably Russian private manufactory, mid-19th century Porcelain glazed in white, black and gold. Lavishly painted with fine floral decoration in colour and gold. Height 28.2 cm. Excellent undamaged condition and quality. Cf. Vase by porcelain manufactory Popov in almost identical shape and size, Christie's, 3 June 2013, lot 296, estimated value circa 6,000 - 9,000 USD. historic, historical, 19th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-magnificent-vase-presumably-russian-private-manufactory-mid-19th-century-porcelain-glazed-in-white-black-and-gold-lavishly-painted-with-fine-floral-decoration-in-colour-and-gold-height-282-cm-excellent-undamaged-condition-and-quality-cf-vase-by-porcelain-manufactory-popov-in-almost-identical-shape-and-size-christies-3-june-2013-lot-296-estimated-value-circa-6000-9000-usd-historic-historical-19th-century-additional-rights-clearance-info-not-available-image247324887.htmlRMTAAHBK–A magnificent vase, presumably Russian private manufactory, mid-19th century Porcelain glazed in white, black and gold. Lavishly painted with fine floral decoration in colour and gold. Height 28.2 cm. Excellent undamaged condition and quality. Cf. Vase by porcelain manufactory Popov in almost identical shape and size, Christie's, 3 June 2013, lot 296, estimated value circa 6,000 - 9,000 USD. historic, historical, 19th century, Additional-Rights-Clearance-Info-Not-Available
Codex Marchalianus (Ezk 1,28 2,6) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-codex-marchalianus-ezk-128-26-132459791.htmlRMHKE1PR–Codex Marchalianus (Ezk 1,28 2,6)
Letter from the Marshal Count Maurice of Saxony, Hermann Saxe, Marshal Saxe, October 28, 1696 - November 30, 1750, at the Ulrich Friedrich Woldemar Freiherr Count of Löwendal April 1, 1700 - May 27, 1755, German military commander and Marshal of France, page 2 / Brief des Marschall Graf Moritz von Sachsen, Hermann Moritz Graf von Sachsen, Marschall von Sachsen, 28. Oktober 1696 - 30. November 1750, an den Ulrich Friedrich Woldemar Freiherr Graf von Löwendal, 1. April 1700 - 27. Mai 1755 , deutscher Feldherr, und Marschall von Frankreich, Seite 2, Historisch, historical, digital improved rep Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/letter-from-the-marshal-count-maurice-of-saxony-hermann-saxe-marshal-saxe-october-28-1696-november-30-1750-at-the-ulrich-friedrich-woldemar-freiherr-count-of-lwendal-april-1-1700-may-27-1755-german-military-commander-and-marshal-of-france-page-2-brief-des-marschall-graf-moritz-von-sachsen-hermann-moritz-graf-von-sachsen-marschall-von-sachsen-28-oktober-1696-30-november-1750-an-den-ulrich-friedrich-woldemar-freiherr-graf-von-lwendal-1-april-1700-27-mai-1755-deutscher-feldherr-und-marschall-von-frankreich-seite-2-historisch-historical-digital-improved-rep-image371144238.htmlRF2CFR27A–Letter from the Marshal Count Maurice of Saxony, Hermann Saxe, Marshal Saxe, October 28, 1696 - November 30, 1750, at the Ulrich Friedrich Woldemar Freiherr Count of Löwendal April 1, 1700 - May 27, 1755, German military commander and Marshal of France, page 2 / Brief des Marschall Graf Moritz von Sachsen, Hermann Moritz Graf von Sachsen, Marschall von Sachsen, 28. Oktober 1696 - 30. November 1750, an den Ulrich Friedrich Woldemar Freiherr Graf von Löwendal, 1. April 1700 - 27. Mai 1755 , deutscher Feldherr, und Marschall von Frankreich, Seite 2, Historisch, historical, digital improved rep
Belo Horizonte, Brazil. 28th June, 2014. Brazil's Neymar celebrates the goal during the penalty shoot-out of a Round of 16 match between Brazil and Chile of 2014 FIFA World Cup at the Estadio Mineirao Stadium in Belo Horizonte, Brazil, on June 28, 2014. Brazil won 4-3 (3-2 in penalties) over Chile and qualified for Quarter-finals on Saturday. Credit: Liu Dawei/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-belo-horizonte-brazil-28th-june-2014-brazils-neymar-celebrates-the-71219109.htmlRME3T8KH–Belo Horizonte, Brazil. 28th June, 2014. Brazil's Neymar celebrates the goal during the penalty shoot-out of a Round of 16 match between Brazil and Chile of 2014 FIFA World Cup at the Estadio Mineirao Stadium in Belo Horizonte, Brazil, on June 28, 2014. Brazil won 4-3 (3-2 in penalties) over Chile and qualified for Quarter-finals on Saturday. Credit: Liu Dawei/Xinhua/Alamy Live News
Polnoe sobranie zakonov Rossijskoj imperii. Sobranie 2. Tom 28. Otdelenie 1 nr 27017 a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-polnoe-sobranie-zakonov-rossijskoj-imperii-sobranie-2-tom-28-otdelenie-140422466.htmlRMJ4CP82–Polnoe sobranie zakonov Rossijskoj imperii. Sobranie 2. Tom 28. Otdelenie 1 nr 27017 a
. English: 'Kosynier' 2 1862. 29 January 2013, 01:28:53. Władysław Anczyc (1823–1883), Michał Bałucki (1837–1901). 302 Kosynier 2 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-kosynier-2-1862-29-january-2013-012853-wadysaw-anczyc-18231883-micha-baucki-18371901-302-kosynier-2-1862-image189102817.htmlRMMYJAG1–. English: 'Kosynier' 2 1862. 29 January 2013, 01:28:53. Władysław Anczyc (1823–1883), Michał Bałucki (1837–1901). 302 Kosynier 2 1862
Barracks of the 2nd Royal Saxon Field Artillery Regiment No. 28 - Main Input Bautzen. Barracks d. K.S. 2. Field-Art.-stint. No. 28 - Main entrance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/barracks-of-the-2nd-royal-saxon-field-artillery-regiment-no-28-main-input-bautzen-barracks-d-ks-2-field-art-stint-no-28-main-entrance-image416219835.htmlRM2F54CJ3–Barracks of the 2nd Royal Saxon Field Artillery Regiment No. 28 - Main Input Bautzen. Barracks d. K.S. 2. Field-Art.-stint. No. 28 - Main entrance
The Church of the Zitelle on the Giudecca. Artist: Giacomo Guardi (Italian, Venice (?) 1764-1835 Venice (?)). Dimensions: 4 1/2 x 7 5/16 in. (11.5 x 18.5 cm). Date: ca. 1804-28. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-church-of-the-zitelle-on-the-giudecca-artist-giacomo-guardi-italian-venice-1764-1835-venice-dimensions-4-12-x-7-516-in-115-x-185-cm-date-ca-1804-28-museum-metropolitan-museum-of-art-new-york-usa-image212896250.htmlRMPAA79E–The Church of the Zitelle on the Giudecca. Artist: Giacomo Guardi (Italian, Venice (?) 1764-1835 Venice (?)). Dimensions: 4 1/2 x 7 5/16 in. (11.5 x 18.5 cm). Date: ca. 1804-28. Museum: Metropolitan Museum of Art, New York, USA.
Vz: bust image n.l. with mappa and scepter, DN ARCADIUS PF AUG, Kz: camp gate under christ monogram, GLORIA REI-PVBLICE, coin, aes-III, Arcadius, metal, copper, diam. 17 mm, wt. 2.28 gr, roman 383-388, unknown, unknown, unknown, unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vz-bust-image-nl-with-mappa-and-scepter-dn-arcadius-pf-aug-kz-camp-gate-under-christ-monogram-gloria-rei-pvblice-coin-aes-iii-arcadius-metal-copper-diam-17-mm-wt-228-gr-roman-383-388-unknown-unknown-unknown-unknown-image344556688.htmlRM2B0FWG0–Vz: bust image n.l. with mappa and scepter, DN ARCADIUS PF AUG, Kz: camp gate under christ monogram, GLORIA REI-PVBLICE, coin, aes-III, Arcadius, metal, copper, diam. 17 mm, wt. 2.28 gr, roman 383-388, unknown, unknown, unknown, unknown
Cadix, Tarn, FR, France, Occitanie, N 43 58' 33'', N 2 28' 37'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cadix-tarn-fr-france-occitanie-n-43-58-33-n-2-28-37-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image614321334.htmlRM2XKCN3J–Cadix, Tarn, FR, France, Occitanie, N 43 58' 33'', N 2 28' 37'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Art inspired by Fluted astragal frame, late 16th century, Italian, Lombardy, Poplar, Overall: 22 1/2 x 28 3/4 in, Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fluted-astragal-frame-late-16th-century-italian-lombardy-poplar-overall-22-12-x-28-34-in-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462825703.htmlRF2HTYEWB–Art inspired by Fluted astragal frame, late 16th century, Italian, Lombardy, Poplar, Overall: 22 1/2 x 28 3/4 in, Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
CrastiaCamorta 28 2. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crastiacamorta-28-2-image261213915.htmlRMW4Y90B–CrastiaCamorta 28 2.
