20 7 8 x 18 1 2 hi-res stock photography and images

Design for an interior. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: 20 7/8 x 18 1/2 in. (53 x 47 cm). Maker: Tiffany Glass and Decorating Company (American, 1892-1902). Date: 1892-1902. While Tiffany was famous for his Aesthetic-style interiors, this highly finished design for a Renaissance Revival interior shows his ability in other modes as well. Here, he presents a fully coordinated environment: note how the salmon color of the coffers is picked up in the strapwork-patterned wall covering, the leaded-glass windows, and even the loz Stock Photo

RMPANGYN–Design for an interior. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: 20 7/8 x 18 1/2 in. (53 x 47 cm). Maker: Tiffany Glass and Decorating Company (American, 1892-1902). Date: 1892-1902. While Tiffany was famous for his Aesthetic-style interiors, this highly finished design for a Renaissance Revival interior shows his ability in other modes as well. Here, he presents a fully coordinated environment: note how the salmon color of the coffers is picked up in the strapwork-patterned wall covering, the leaded-glass windows, and even the loz

Art inspired by Design for an interior, 1892–1902, Made in New York, United States, American, Watercolor, colored inks, and graphite on off-white wove paper mounted overall to an artist board, 20 7/8 x 18 1/2 in. (53 x 47 cm), Drawings, Tiffany Glass and Decorating Company (American, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9JAG–Art inspired by Design for an interior, 1892–1902, Made in New York, United States, American, Watercolor, colored inks, and graphite on off-white wove paper mounted overall to an artist board, 20 7/8 x 18 1/2 in. (53 x 47 cm), Drawings, Tiffany Glass and Decorating Company (American, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Egypt, shards, pot, pottery, Nr 1: 8.0x 3.2 cm, Ø = 34 cm, Nr 2, 8.3 x 8.6 cm, Ø = 28 cm, Nr 3, 7.4 x 4.7 cm, Ø = 20, Nr, 4, 5.2 x 5.1 cm, No. 5, 5.9 x 4.4 cm, Ø = 10 cm, No. 6, 9.4 x 3.3 cm, Ø = 18, No. 7, 9.6 x 6.8 cm, No. 8, 7.1 x 7.3 cm, Ø =, 19 cm, No. 9, 4.1 x 2.5 cm, Ø = 21, No. 10, 8.4 x 6.5 c, Meroitic Period, 2nd-4th century AD, Egypt Stock Photo

RM2B0DXRX–Egypt, shards, pot, pottery, Nr 1: 8.0x 3.2 cm, Ø = 34 cm, Nr 2, 8.3 x 8.6 cm, Ø = 28 cm, Nr 3, 7.4 x 4.7 cm, Ø = 20, Nr, 4, 5.2 x 5.1 cm, No. 5, 5.9 x 4.4 cm, Ø = 10 cm, No. 6, 9.4 x 3.3 cm, Ø = 18, No. 7, 9.6 x 6.8 cm, No. 8, 7.1 x 7.3 cm, Ø =, 19 cm, No. 9, 4.1 x 2.5 cm, Ø = 21, No. 10, 8.4 x 6.5 c, Meroitic Period, 2nd-4th century AD, Egypt

Art inspired by Girandole, 1835–40, Possibly made in Baltimore, Maryland, United States, American, Bronze, 20 x 21 1/2 x 7 1/8 in. (50.8 x 54.6 x 18.1 cm), Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW25J7–Art inspired by Girandole, 1835–40, Possibly made in Baltimore, Maryland, United States, American, Bronze, 20 x 21 1/2 x 7 1/8 in. (50.8 x 54.6 x 18.1 cm), Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Amaryllis lutea, c. 1800-1806, Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 18 1/2 x 13 1/4 in. (46.99 x 33.66 cm)25 1/2 × 19 7/8 in. (64.77 × 50.48 cm) (mat)26 3/8 × 20 7/8 × 1 1/2 in. (66.99 × 53.02 × 3.81 cm) (outer frame), Watercolor and graphite on vellum, Belgium, 18th-19th century, Pierre-Joseph Redouté was the foremost flower painter of the golden age of botanical illustration that spanned the century from 1750 to 1850. This drawing of the hardy bulbous perennial Amaryllis lutea exemplifies his extraordinary observational and artistic skills. Stock Photo

RM2T91BPX–Amaryllis lutea, c. 1800-1806, Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 18 1/2 x 13 1/4 in. (46.99 x 33.66 cm)25 1/2 × 19 7/8 in. (64.77 × 50.48 cm) (mat)26 3/8 × 20 7/8 × 1 1/2 in. (66.99 × 53.02 × 3.81 cm) (outer frame), Watercolor and graphite on vellum, Belgium, 18th-19th century, Pierre-Joseph Redouté was the foremost flower painter of the golden age of botanical illustration that spanned the century from 1750 to 1850. This drawing of the hardy bulbous perennial Amaryllis lutea exemplifies his extraordinary observational and artistic skills.

Art inspired by Chimney to the Parlour, Houghton Hall, Norfolk, 1735, Black ink, grey wash, sheet: 7 3/16 x 8 1/16 in. (18.2 x 20.5 cm), Isaac Ware (British, before 1704–1766 Hampstead, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW622R–Art inspired by Chimney to the Parlour, Houghton Hall, Norfolk, 1735, Black ink, grey wash, sheet: 7 3/16 x 8 1/16 in. (18.2 x 20.5 cm), Isaac Ware (British, before 1704–1766 Hampstead, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

A Peasant with a Bird, Oil on wood, Oval 7 1/8 x 5 1/2 in. (18.1 x 14 cm); set in rectangular panel 8 x 6 1/4 in. (20.3 x 15.9 Stock Photo

RMKCC66G–A Peasant with a Bird, Oil on wood, Oval 7 1/8 x 5 1/2 in. (18.1 x 14 cm); set in rectangular panel 8 x 6 1/4 in. (20.3 x 15.9

Art inspired by Side Chair, 1810–20, Made in New York, New York, United States, American, Mahogany with ash, yellow poplar, 32 1/4 x 21 3/4 x 18 3/8 in. (81.9 x 55.2 x 46.7 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW203P–Art inspired by Side Chair, 1810–20, Made in New York, New York, United States, American, Mahogany with ash, yellow poplar, 32 1/4 x 21 3/4 x 18 3/8 in. (81.9 x 55.2 x 46.7 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Chair seat covers (set of four), French, 18th century, French, Linen, wool, a: L. 20 x W. 24 inches (50.8 x 61 cm); b: L. 19 x 23-1/2 inches (48.3 x 59.7 cm); c: L. 21 x 23-3/4 inches (53.3 x 59.7 cm); d: L. 18 x 22-3/4 inches (45.7 x 57.2 cm), Textiles-Embroidered Stock Photo

RM2B0JJA2–Chair seat covers (set of four), French, 18th century, French, Linen, wool, a: L. 20 x W. 24 inches (50.8 x 61 cm); b: L. 19 x 23-1/2 inches (48.3 x 59.7 cm); c: L. 21 x 23-3/4 inches (53.3 x 59.7 cm); d: L. 18 x 22-3/4 inches (45.7 x 57.2 cm), Textiles-Embroidered

. English: Creation Date: ca. 1760 Display Dimensions: 8 1/2 in. x 7 7/32 in. (21.6 cm x 18.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.697 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:20. English: thesandiegomuseumofartcollection 776 Krishna dancing atop a stool, attended by two gopis. (6125100924) Stock Photo

RMMP8WD0–. English: Creation Date: ca. 1760 Display Dimensions: 8 1/2 in. x 7 7/32 in. (21.6 cm x 18.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.697 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:20. English: thesandiegomuseumofartcollection 776 Krishna dancing atop a stool, attended by two gopis. (6125100924)

Portrait Head of Youth; 1st century B.C; Marble; 31.8 x 18.7 x 20 cm, 12 1,2 x 7 3,8 x 7 7,8 in Stock Photo

RMPPT2HN–Portrait Head of Youth; 1st century B.C; Marble; 31.8 x 18.7 x 20 cm, 12 1,2 x 7 3,8 x 7 7,8 in

Prospect der Cascade zu Herrnhausen = VuÃàe de la grande Cascade au jardin Roial. Author Sassen, Joost van 100.59.q.(5) Place of publication: [Amsterdam] Publisher: [Pierre Schenk] Date of publication: [about 1720] Item type: 1 print Medium: etching Dimensions: platemark 18 x 20.8 cm, on sheet 20.2 x 22.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HDEA–Prospect der Cascade zu Herrnhausen = VuÃàe de la grande Cascade au jardin Roial. Author Sassen, Joost van 100.59.q.(5) Place of publication: [Amsterdam] Publisher: [Pierre Schenk] Date of publication: [about 1720] Item type: 1 print Medium: etching Dimensions: platemark 18 x 20.8 cm, on sheet 20.2 x 22.7 cm Former owner: George III, King of Great Britain, 1738-1820

Songs of Innocence and of Experience, Plate 18, 'Night' (Bentley 20), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), angels, branches, hills, leaf, literary theme, text, trees, vegetation, vines, wings Stock Photo

RM2DJ1JG3–Songs of Innocence and of Experience, Plate 18, 'Night' (Bentley 20), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), angels, branches, hills, leaf, literary theme, text, trees, vegetation, vines, wings

Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photo

RMRJF151–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.

Kongo, African, Male Figure, 19th Century, Carved steatite (soapstone), polychromed, 20 1/4 x 7 1/8 x 4 13/16 in. ( 51.4 x 18.1 x 12.2 cm Stock Photo

RM2A2R8E4–Kongo, African, Male Figure, 19th Century, Carved steatite (soapstone), polychromed, 20 1/4 x 7 1/8 x 4 13/16 in. ( 51.4 x 18.1 x 12.2 cm

Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher Stock Photo

RM2A6052R–Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher

Frieze (USA); machine-printed; 52 x 48 cm (20 1/2 x 18 7/8 in.) Stock Photo

RM2PMBHGF–Frieze (USA); machine-printed; 52 x 48 cm (20 1/2 x 18 7/8 in.)

'John William Upham, View of an Estate, 0, watercolor over graphite on wove paper, overall: 33.2 x 48 cm (13 1/16 x 18 7/8 in.), Gift of John Nichols Estabrook and Dorothy Coogan Estabrook, 1988.20.43' Stock Photo

RM2REGK9N–'John William Upham, View of an Estate, 0, watercolor over graphite on wove paper, overall: 33.2 x 48 cm (13 1/16 x 18 7/8 in.), Gift of John Nichols Estabrook and Dorothy Coogan Estabrook, 1988.20.43'

Europa, Österreich, Wien, Rationierungskarte für Seife ( Seifenkarte ) für weibliche Personen über 1 Jahr und männliche Personen über 1 Jahr bis 18 Jahre , gültig ab 1. 4. 1949 , Größe : 11,8 cm x 7 cm , Rechte werden nicht vertreten . / Europe, Austria, Vienna, ration stamp for soap for female persons older than 1 year and male persons older than 1 year up to 18 years, valid from 1. 04. 1949 , size : 11,8 cm x 7 cm , there are no rights . Stock Photo

RM2E025N8–Europa, Österreich, Wien, Rationierungskarte für Seife ( Seifenkarte ) für weibliche Personen über 1 Jahr und männliche Personen über 1 Jahr bis 18 Jahre , gültig ab 1. 4. 1949 , Größe : 11,8 cm x 7 cm , Rechte werden nicht vertreten . / Europe, Austria, Vienna, ration stamp for soap for female persons older than 1 year and male persons older than 1 year up to 18 years, valid from 1. 04. 1949 , size : 11,8 cm x 7 cm , there are no rights .

Various Moths and Butterflies. Artist: Kubo Shunman (Japanese, 1757-1820). Culture: Japan. Dimensions: 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFD9MJ–Various Moths and Butterflies. Artist: Kubo Shunman (Japanese, 1757-1820). Culture: Japan. Dimensions: 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Candlestick MET 230457 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b) Stock Photo

RMKN4R74–Candlestick MET 230457 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b)

Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 Stock Photo

RMW27192–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39

Candlestick MET DP147877 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b) Stock Photo

RMKNEBDD–Candlestick MET DP147877 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b)

. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo

RMPFYFDM–. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx:

RFT0W3PW–Illustration Xray Icon

RF2HW2049–Art inspired by Side Chair, 1810–20, Made in New York, New York, United States, American, Mahogany with ash, yellow poplar, 32 1/4 x 21 3/4 x 18 3/8 in. (81.9 x 55.2 x 46.7 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Side Chair, 1810–20, Made in New York, New York, United States, American, Mahogany, ash, tulip poplar, 32 1/4 x 21 3/4 x 18 3/8 in. (81.9 x 55.2 x 46.7 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW1YMR–Art inspired by Side Chair, 1810–20, Made in New York, New York, United States, American, Mahogany, ash, tulip poplar, 32 1/4 x 21 3/4 x 18 3/8 in. (81.9 x 55.2 x 46.7 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on canvas; overall: 37.5 x 45.7 cm (14 3/4 x 18 in.) framed: 51.1 x 59.5 x 3.8 cm (20 1/8 x 23 7/16 x 1 1/2 in.); 24 Two Studies of an Indian from Calcutta, Seated and Standing A11122 Stock Photo

RMP028E0–Painting; oil on canvas; overall: 37.5 x 45.7 cm (14 3/4 x 18 in.) framed: 51.1 x 59.5 x 3.8 cm (20 1/8 x 23 7/16 x 1 1/2 in.); 24 Two Studies of an Indian from Calcutta, Seated and Standing A11122

Art inspired by Sugar Bowl, 1827, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 7 7/8 x 7 7/16 x 5 1/2 in. (20 x 18.9 x 14 cm); 24 oz. 11 dwt. (762.8 g), Silver, Harvey Lewis (ca. 1783–1835, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW221B–Art inspired by Sugar Bowl, 1827, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 7 7/8 x 7 7/16 x 5 1/2 in. (20 x 18.9 x 14 cm); 24 oz. 11 dwt. (762.8 g), Silver, Harvey Lewis (ca. 1783–1835, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. English: Paul Cézanne, French, 1839–1906 The Bathers, 1898 Color lithograph plate: 41.5 x 51.8 cm. (16 5/16 x 20 3/8 in.) sheet: 47 x 65.7 cm. (18 1/2 x 25 7/8 in.) Gift of Frank Jewett Mather Jr. x1940-46 The Bathers. 1898. The Bathers, 1898 Stock Photo

RMMMKXWT–. English: Paul Cézanne, French, 1839–1906 The Bathers, 1898 Color lithograph plate: 41.5 x 51.8 cm. (16 5/16 x 20 3/8 in.) sheet: 47 x 65.7 cm. (18 1/2 x 25 7/8 in.) Gift of Frank Jewett Mather Jr. x1940-46 The Bathers. 1898. The Bathers, 1898

Art inspired by A Peasant with a Bird, Oil on wood, Oval 7 1/8 x 5 1/2 in. (18.1 x 14 cm); set in rectangular panel 8 x 6 1/4 in. (20.3 x 15.9 cm), Paintings, Adriaen Brouwer (Flemish, Oudenaarde 1605/6–1638 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY0B2–Art inspired by A Peasant with a Bird, Oil on wood, Oval 7 1/8 x 5 1/2 in. (18.1 x 14 cm); set in rectangular panel 8 x 6 1/4 in. (20.3 x 15.9 cm), Paintings, Adriaen Brouwer (Flemish, Oudenaarde 1605/6–1638 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Anonymous, British, 18th century, The Colossus of the North; or the Striding Boreas, Anonymous, British, 18th century, December 1, 1774, Engraving, plate: 6 1/4 x 7 1/2 in. (15.8 x 19 cm), sheet: 7 3/16 x 7 7/8 in. (18.2 x 20 cm), Prints Stock Photo

RM2B0JXBN–Anonymous, British, 18th century, The Colossus of the North; or the Striding Boreas, Anonymous, British, 18th century, December 1, 1774, Engraving, plate: 6 1/4 x 7 1/2 in. (15.8 x 19 cm), sheet: 7 3/16 x 7 7/8 in. (18.2 x 20 cm), Prints

Art inspired by Teapot, 1715–22, Made in New York, New York, United States, American, Silver, Overall: 7 3/16 x 9 1/8 x 5 1/16 in. (18.3 x 23.2 x 12.9 cm); 20 oz. 17 dwt. (649 g), Silver, Jesse Kip (baptized 1660–1722, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2HFY–Art inspired by Teapot, 1715–22, Made in New York, New York, United States, American, Silver, Overall: 7 3/16 x 9 1/8 x 5 1/16 in. (18.3 x 23.2 x 12.9 cm); 20 oz. 17 dwt. (649 g), Silver, Jesse Kip (baptized 1660–1722, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Moses Striking the Rock (Numbers 20:11), Richard Westall, 1765–1836, British, before 1835, Graphite on medium, smooth, cream wove paper, Sheet: 5 3/8 x 3 3/8 inches (13.7 x 8.6 cm) and Contemporary drawn border: 7 1/4 x 5 1/4 inches (18.4 x 13.3 cm), child, drinking, food, hats, hill, illustration, Moses striking water from the rock (Exodus 17:1-7; Numbers 20:2-13), Old Testament, pot, religious and mythological subject, robes, water, women Stock Photo

RM2DHWP2W–Moses Striking the Rock (Numbers 20:11), Richard Westall, 1765–1836, British, before 1835, Graphite on medium, smooth, cream wove paper, Sheet: 5 3/8 x 3 3/8 inches (13.7 x 8.6 cm) and Contemporary drawn border: 7 1/4 x 5 1/4 inches (18.4 x 13.3 cm), child, drinking, food, hats, hill, illustration, Moses striking water from the rock (Exodus 17:1-7; Numbers 20:2-13), Old Testament, pot, religious and mythological subject, robes, water, women

Art inspired by Chariot Mount with Three Figures, 300–500, Made in posssibly Gaul, Late Roman or Byzantine, Copper Alloy, Overall: 7 15/16 x 7 3/16 x 2 1/8 in. (20.2 x 18.2 x 5.4 cm), Metalwork-Copper alloy, The men who adorn this chariot mount are probably two orators and a grammarian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW00JW–Art inspired by Chariot Mount with Three Figures, 300–500, Made in posssibly Gaul, Late Roman or Byzantine, Copper Alloy, Overall: 7 15/16 x 7 3/16 x 2 1/8 in. (20.2 x 18.2 x 5.4 cm), Metalwork-Copper alloy, The men who adorn this chariot mount are probably two orators and a grammarian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on panel transferred to canvas; original panel: 44 x 30.5 cm (17 5/16 x 12 in.) overall (with added border): 46 x 32.5 cm (18 1/8 x 12 13/16 in.) framed: 63.8 x 50.8 x 5.7 cm (25 1/8 x 20 x 2 1/4 in.); Portrait of Lorenzo di Credi. Portrait of Lorenzo di Credi . 1488. 819 Lorenzo di Credi by Perugino Stock Photo

RMMP9KPY–Painting; oil on panel transferred to canvas; original panel: 44 x 30.5 cm (17 5/16 x 12 in.) overall (with added border): 46 x 32.5 cm (18 1/8 x 12 13/16 in.) framed: 63.8 x 50.8 x 5.7 cm (25 1/8 x 20 x 2 1/4 in.); Portrait of Lorenzo di Credi. Portrait of Lorenzo di Credi . 1488. 819 Lorenzo di Credi by Perugino

Art inspired by Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet), 1789, Red, black, and white chalk on toned laid paper, Sheet: 20 1/2 x 18 7/8 in. (52 x 48 cm), Drawings, Adélaïde Labille-Guiard (French, Paris 1749–1803 Paris), Producing portraits in miniature, pastel, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6E7E–Art inspired by Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet), 1789, Red, black, and white chalk on toned laid paper, Sheet: 20 1/2 x 18 7/8 in. (52 x 48 cm), Drawings, Adélaïde Labille-Guiard (French, Paris 1749–1803 Paris), Producing portraits in miniature, pastel, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Chimney to the Parlour, Houghton Hall, Norfolk. Artist: Isaac Ware (British, before 1704-1766 Hampstead). Dimensions: sheet: 7 3/16 x 8 1/16 in. (18.2 x 20.5 cm). Date: 1735. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAKN6Y–Chimney to the Parlour, Houghton Hall, Norfolk. Artist: Isaac Ware (British, before 1704-1766 Hampstead). Dimensions: sheet: 7 3/16 x 8 1/16 in. (18.2 x 20.5 cm). Date: 1735. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Figures, 1624–63, Pen and brown ink, 2-1/2 x 7-3/8 in. (6.4 x 18.7 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW56BC–Art inspired by Figures, 1624–63, Pen and brown ink, 2-1/2 x 7-3/8 in. (6.4 x 18.7 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2DE4M63–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.

Sidewall (USA); block-printed, embossed; 52 x 48 cm (20 1/2 x 18 7/8 in.) Stock Photo

RM2PMKMG5–Sidewall (USA); block-printed, embossed; 52 x 48 cm (20 1/2 x 18 7/8 in.)

Chair, c. 1900. Victor Horta (Belgian, 1861-1947). Mahogany; overall: 95.6 x 48 x 52.1 cm (37 5/8 x 18 7/8 x 20 1/2 in.). Stock Photo

RM2H121X3–Chair, c. 1900. Victor Horta (Belgian, 1861-1947). Mahogany; overall: 95.6 x 48 x 52.1 cm (37 5/8 x 18 7/8 x 20 1/2 in.).

Candlestick MET DP147876 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b) Stock Photo

RMKNEBD1–Candlestick MET DP147876 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b)

RMW2719A–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77

. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe francÌ§aise. Natural history; Scientific expeditions; Music. 63 Â° DE L'ÃTAT ACTUEL Arabes ne seront dÃ©signÃ©es que par les chiffres qui dÃ©signent leur ordre dans ce diagramme, il se rencontroit quelque chose que l'on voulÃ»t vÃ©rifier. â Diagramme gÃ©nÃ©ral des Sons du SystÃ¨me musical des Arabes, notÃ© avec leurs lettres, et traduit en notes de musique EuropÃ©enne* 1 2 3 4' 5 6 7 8 9 10 12 13 i4 15 16 17 18 19 20. -e- x-e- *-Â©â â jx -e- *-Â©- *-Â©- Stock Photo

RMPFBDWX–. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe francÌ§aise. Natural history; Scientific expeditions; Music. 63 Â° DE L'ÃTAT ACTUEL Arabes ne seront dÃ©signÃ©es que par les chiffres qui dÃ©signent leur ordre dans ce diagramme, il se rencontroit quelque chose que l'on voulÃ»t vÃ©rifier. â Diagramme gÃ©nÃ©ral des Sons du SystÃ¨me musical des Arabes, notÃ© avec leurs lettres, et traduit en notes de musique EuropÃ©enne* 1 2 3 4' 5 6 7 8 9 10 12 13 i4 15 16 17 18 19 20. -e- x-e- *-Â©â â jx -e- *-Â©- *-Â©-

RFT0T33K–Illustration Xray Icon

Songs of Innocence and of Experience, Plate 20, 'The Blossom' (Bentley 11), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 7/8 inches (11.1 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), angels, book, cherubs, children, clouds, leaf, literary theme, mother, plant, reading, text, tree, wings, women Stock Photo

RM2DJ1K6N–Songs of Innocence and of Experience, Plate 20, 'The Blossom' (Bentley 11), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 7/8 inches (11.1 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), angels, book, cherubs, children, clouds, leaf, literary theme, mother, plant, reading, text, tree, wings, women

Manuscript Painting with Hindu Tantric Scene Depicting Two Fish, India (Punjab Hills, Kangra), 1800–1820, India (Punjab Hills, Kangra), Ink and opaque watercolor on paper, Image: 7 3/16 x 5 3/16 in. (18.2 x 13.2 cm), Image (with decorative border): 8 1/16 x 6 1/8 in. (20.5 x 15.5 cm), Page: 10 3/8 x 8 5/8 in. (26.4 x 21.9 cm), Paintings Stock Photo

RM2B0HJK5–Manuscript Painting with Hindu Tantric Scene Depicting Two Fish, India (Punjab Hills, Kangra), 1800–1820, India (Punjab Hills, Kangra), Ink and opaque watercolor on paper, Image: 7 3/16 x 5 3/16 in. (18.2 x 13.2 cm), Image (with decorative border): 8 1/16 x 6 1/8 in. (20.5 x 15.5 cm), Page: 10 3/8 x 8 5/8 in. (26.4 x 21.9 cm), Paintings

. Seed Pans. Bulb or Lily Pans. Saucers. Flower Pots. Orchid Baskets. sizes. If in. 2 " 2i"'. 3 " . U" 4 " . ST^A^3>TID-^I^ID ^X^O'Ps7-:E1T^ IPOTS. Full inside measurement. No charge for packing. Six ai dozen rates ; 50 at 100 rates ; 500 at 1000 rates. Dozen. .Â§0 06 . 07. 08 . 09 . 11 . 14 . 18 inn. ?0 44... 50... 56. 69.., 88 . 1 06 . 1 38... 1000. I Sizes. $3 46 U in.. 3 96 I U " .. 4 45 I 5 " . 5 45 I 5.V " .. 6 93 I 6 " .. 8 41 !g.V â ' .. 10 89 7 " ., Each. Dozen. .SO 20 . 24. 32. 41 . 49. 62. 78- 100. .?1 56.. 1 88... 2 50 . 3 13.. Stock Photo

RMMCJ9PW–. Seed Pans. Bulb or Lily Pans. Saucers. Flower Pots. Orchid Baskets. sizes. If in. 2 " 2i"'. 3 " . U" 4 " . ST^A^3>TID-^I^ID ^X^O'Ps7-:E1T^ IPOTS. Full inside measurement. No charge for packing. Six ai dozen rates ; 50 at 100 rates ; 500 at 1000 rates. Dozen. .Â§0 06 . 07. 08 . 09 . 11 . 14 . 18 inn. ?0 44... 50... 56. 69.., 88 . 1 06 . 1 38... 1000. I Sizes. $3 46 U in.. 3 96 I U " .. 4 45 I 5 " . 5 45 I 5.V " .. 6 93 I 6 " .. 8 41 !g.V â ' .. 10 89 7 " ., Each. Dozen. .SO 20 . 24. 32. 41 . 49. 62. 78- 100. .?1 56.. 1 88... 2 50 . 3 13..

Horses. Artist: attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20-after 1679 Gubbio (?)). Dimensions: 2-7/8 x 7-1/8 in. (7.3 x 18.1 cm). Date: 1624-63. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAE5R–Horses. Artist: attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20-after 1679 Gubbio (?)). Dimensions: 2-7/8 x 7-1/8 in. (7.3 x 18.1 cm). Date: 1624-63. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Horses, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 2-7/8 x 7-1/8 in. (7.3 x 18.1 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXC16–Art inspired by Horses, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 2-7/8 x 7-1/8 in. (7.3 x 18.1 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The First Book of Urizen, Plate 20, 'Thus the Eternal Prophet Was Divided....' (Bentley 15), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm), Plate: 6 x 4 1/8 inches (15.2 x 10.5 cm), and Spine: 10 1/4 inches (26 cm), beard, earth, globe, literary theme, men, night, religious and mythological subject, text Stock Photo

RM2DJ2KET–The First Book of Urizen, Plate 20, 'Thus the Eternal Prophet Was Divided....' (Bentley 15), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm), Plate: 6 x 4 1/8 inches (15.2 x 10.5 cm), and Spine: 10 1/4 inches (26 cm), beard, earth, globe, literary theme, men, night, religious and mythological subject, text

Art inspired by Porringer, 1720–35, Made in Newport, Rhode Island, United States, American, Silver, Overall: 2 x 8 1/8 in. (5.1 x 20.6 cm); 7 oz. 18 dwt. (246.1 g), Silver, Samuel Vernon (1683–1737, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2DDR–Art inspired by Porringer, 1720–35, Made in Newport, Rhode Island, United States, American, Silver, Overall: 2 x 8 1/8 in. (5.1 x 20.6 cm); 7 oz. 18 dwt. (246.1 g), Silver, Samuel Vernon (1683–1737, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Fragments and Strip, China, Ming dynasty (1368–1644), Culture: China, Silk, metallic thread, Overall (a): 8 1/4 x 8 1/2 in. (21 x 21.6 cm), Overall (b): 5 x 5 in. (12.7 x 12.7 cm), Overall (c): 5 1/2 x 6 in. (14 x 15.2 cm), Overall (d): 5 3/4 x 20 1/4 in. (14.6 x 51.4 cm), Overall (e): 18 x 4 in. (45.7 x 10.2 cm), Textiles-Velvets Stock Photo

RM2B0H8CN–Fragments and Strip, China, Ming dynasty (1368–1644), Culture: China, Silk, metallic thread, Overall (a): 8 1/4 x 8 1/2 in. (21 x 21.6 cm), Overall (b): 5 x 5 in. (12.7 x 12.7 cm), Overall (c): 5 1/2 x 6 in. (14 x 15.2 cm), Overall (d): 5 3/4 x 20 1/4 in. (14.6 x 51.4 cm), Overall (e): 18 x 4 in. (45.7 x 10.2 cm), Textiles-Velvets

Art inspired by Sugar Bowl, 1835–40, Made in New York, United States, American, Silver, Overall: 5 9/16 x 7 x 4 15/16 in. (14.1 x 17.8 x 12.5 cm); 20 oz. 18 dwt. (650.2 g), Silver, William Forbes (baptized 1799, active New York, 1826–63, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW220G–Art inspired by Sugar Bowl, 1835–40, Made in New York, United States, American, Silver, Overall: 5 9/16 x 7 x 4 15/16 in. (14.1 x 17.8 x 12.5 cm); 20 oz. 18 dwt. (650.2 g), Silver, William Forbes (baptized 1799, active New York, 1826–63, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMW608JK–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.

Art inspired by Triptych Panel with the Crucifixion, early 16th century, Made in Limoges, France, French, Painted enamel, copper, Overall: 7 15/16 x 7 3/8 x 1/16 in. (20.2 x 18.8 x 0.1 cm), Enamels-Painted, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW90YF–Art inspired by Triptych Panel with the Crucifixion, early 16th century, Made in Limoges, France, French, Painted enamel, copper, Overall: 7 15/16 x 7 3/8 x 1/16 in. (20.2 x 18.8 x 0.1 cm), Enamels-Painted, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Textile (France); silk; Warp x Weft: 47 x 53 cm (18 1/2 x 20 7/8 in.); 1953-20-7 Stock Photo

RM2PMKJ31–Textile (France); silk; Warp x Weft: 47 x 53 cm (18 1/2 x 20 7/8 in.); 1953-20-7

Art inspired by Salt, 1755–65, Made in Charlestown, Massachusetts, United States, American, Silver, 1 3/8 x 3 1/4 in. (3.5 x 8.3 cm); 2 oz. 18 dwt. (89.7 g), Silver, Josiah Austin (1719/20–ca. 1780, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2E70–Art inspired by Salt, 1755–65, Made in Charlestown, Massachusetts, United States, American, Silver, 1 3/8 x 3 1/4 in. (3.5 x 8.3 cm); 2 oz. 18 dwt. (89.7 g), Silver, Josiah Austin (1719/20–ca. 1780, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Study for the Head of the Monument to Honoré de Balzac, 1893-1897. Auguste Rodin (French, 1840-1917). Bronze; overall: 18.8 x 20.7 x 16.2 cm (7 3/8 x 8 1/8 x 6 3/8 in.). Stock Photo

RM2H11G5A–Study for the Head of the Monument to Honoré de Balzac, 1893-1897. Auguste Rodin (French, 1840-1917). Bronze; overall: 18.8 x 20.7 x 16.2 cm (7 3/8 x 8 1/8 x 6 3/8 in.).

Candlestick MET DP147874 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b) Stock Photo

RMKNEB8Y–Candlestick MET DP147874 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b)

Le Verger, 1868. Charles François Daubigny (French, 1817-1878). Etching and drypoint; sheet: 20.3 x 13.2 cm (8 x 5 3/16 in.); image: 18.8 x 12.1 cm (7 3/8 x 4 3/4 in.). Stock Photo

RM2H104CR–Le Verger, 1868. Charles François Daubigny (French, 1817-1878). Etching and drypoint; sheet: 20.3 x 13.2 cm (8 x 5 3/16 in.); image: 18.8 x 12.1 cm (7 3/8 x 4 3/4 in.).

Candlestick MET DP251708 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b) Stock Photo

RMKNAFB3–Candlestick MET DP251708 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b)

The Storks, 1865. Félix Bracquemond (French, 1833-1914), Cadart & Luquet, Paris. Etching; sheet: 52 x 35.5 cm (20 1/2 x 14 in.); platemark: 24.5 x 18.7 cm (9 5/8 x 7 3/8 in.). Stock Photo

RM2H12GD8–The Storks, 1865. Félix Bracquemond (French, 1833-1914), Cadart & Luquet, Paris. Etching; sheet: 52 x 35.5 cm (20 1/2 x 14 in.); platemark: 24.5 x 18.7 cm (9 5/8 x 7 3/8 in.).

Archive image from page 178 of Die Corycaeinen Mit Berücksichtigung aller. Die Corycaeinen. Mit Berücksichtigung aller bekannten Arten diecorycaeinenmi00dahl Year: 1912 Plankton-Expedition G.f.l. Taf.x. 16.1 8. 23. 2.9.17.2.18. 70.3. 25. 19.11 A 5.12. 26. 20. 13.6.Z7. 21.1 f-. 28.7.15.22. Ilg.l-28Mddhlgez. Verlag von Lipswst Tisdia-j Kid iLäpzig. LWi.Ans!.v. E.A.FunktjLeipzig, Stock Photo

RMW037N2–Archive image from page 178 of Die Corycaeinen Mit Berücksichtigung aller. Die Corycaeinen. Mit Berücksichtigung aller bekannten Arten diecorycaeinenmi00dahl Year: 1912 Plankton-Expedition G.f.l. Taf.x. 16.1 8. 23. 2.9.17.2.18. 70.3. 25. 19.11 A 5.12. 26. 20. 13.6.Z7. 21.1 f-. 28.7.15.22. Ilg.l-28Mddhlgez. Verlag von Lipswst Tisdia-j Kid iLäpzig. LWi.Ans!.v. E.A.FunktjLeipzig,

$. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe francÌ§aise. Natural history; Scientific expeditions; Music. 664 DE L ETAT ACTUEL 6.* Tabaqah. 4 6 9 ii *3 i4 Â«7 {9 -5 y J L l ^ jo f L -cr x-e- 7.c Tabaqah. L l Â»3 l8 20 2 1 24 26 t B* oT / 8,e Tabaqah I* 1. 9.e Tabaqah. 8 IG C *3 15 17 Â«3U / t 2 I 23 io.e Tabaqah. 13 IJ 17 20 22 24 e^ S? 25 28 30 j -eâ 11 .e Tabaqah. S 10 C 12 i4 15 =1 18 20 t ^i fer -e- I2.e Tabaqah. 10 12 -tD- i4 17 19 21 c^ 25 27 13.' Tabaqah. â 7 "9 / w ir *4 Â»6 28 29 3* 3 Stock Photo$

RMPFBDTJ–. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe francÌ§aise. Natural history; Scientific expeditions; Music. 664 DE L ETAT ACTUEL 6.* Tabaqah. 4 6 9 ii *3 i4 Â«7 {9 -5 y J L l ^ jo f L -cr x-e- 7.c Tabaqah. L l Â»3 l8 20 2 1 24 26 t B* oT / 8,e Tabaqah I* 1. 9.e Tabaqah. 8 IG C *3 15 17 Â«3U / t 2 I 23 io.e Tabaqah. 13 IJ 17 20 22 24 e^ S? 25 28 30 j -eâ 11 .e Tabaqah. S 10 C 12 i4 15 =1 18 20 t ^i fer -e- I2.e Tabaqah. 10 12 -tD- i4 17 19 21 c^ 25 27 13.' Tabaqah. â 7 "9 / w ir *4 Â»6 28 29 3* 3

RFT0T3BB–Illustration Xray Icon

. Fig. 108. Chart showing the diurnal depth distribution of Calanus acutus. The arrangement of the chart is similar to that described in the legend of Fig. 99. HOUR 12 13 14 15 IB 17 18 6 20 21 23 0 1 11 11 , , 23 6 7 a 9 1011 ie STATION Dj wyininonw^inrvj^inwOTini/ii/icnawncuinA^^in^OTioivj^,^ 5 55 353 5 5533S33 5 55555 35555 " 555 555 35555555555-5 0- ' in UJ 50- 41 2 in c 24 1 ' Â» â Â® 20 . * 5 5 (280) 180 3 h UJ 5 3D 20 â¢ l53 6 8 â¢ 260 5 14 13 (300) 8 8 ' ' '6 rVÂ® ' K)0. 20 15 27 (89- '6 l6Â®4 * inn- <S) Â© . Â® figs, O <SS) 40 is ra Cllsgi X 1- 0 (M J3Â§) 2" (159 Stock Photo

RMMCTPK4–. Fig. 108. Chart showing the diurnal depth distribution of Calanus acutus. The arrangement of the chart is similar to that described in the legend of Fig. 99. HOUR 12 13 14 15 IB 17 18 6 20 21 23 0 1 11 11 , , 23 6 7 a 9 1011 ie STATION Dj wyininonw^inrvj^inwOTini/ii/icnawncuinA^^in^OTioivj^,^ 5 55 353 5 5533S33 5 55555 35555 " 555 555 35555555555-5 0- ' in UJ 50- 41 2 in c 24 1 ' Â» â Â® 20 . * 5 5 (280) 180 3 h UJ 5 3D 20 â¢ l53 6 8 â¢ 260 5 14 13 (300) 8 8 ' ' '6 rVÂ® ' K)0. 20 15 27 (89- '6 l6Â®4 * inn- <S) Â© . Â® figs, O <SS) 40 is ra Cllsgi X 1- 0 (M J3Â§) 2" (159

Side Chair. Culture: American. Dimensions: 32 1/4 x 21 3/4 x 18 3/8 in. (81.9 x 55.2 x 46.7 cm). Date: 1810-20. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA8BK7–Side Chair. Culture: American. Dimensions: 32 1/4 x 21 3/4 x 18 3/8 in. (81.9 x 55.2 x 46.7 cm). Date: 1810-20. Museum: Metropolitan Museum of Art, New York, USA.

After a model by Michelangelo Buonarroti, Christ Crucified Between the Two Thieves, Italian, After a model by Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome) (Christ), Follower of Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome) (thieves), 16th–17th century, Italian, Bronze, (Christ .a, confirmed): 10 3/4 × 8 × 1 13/16 in. (27.3 × 20.3 × 4.6 cm), (Thief .b, confirmed): 9 3/8 × 7 1/4 × 2 3/8 in. (23.8 × 18.4 × 6 cm), (Thief .c, confirmed): 9 1/8 × 8 3/4 × 2 7/8 in. (23.2 × 22.2 × 7.3 cm), (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm), Sculpture-Bronze Stock Photo

RM2B0MRYM–After a model by Michelangelo Buonarroti, Christ Crucified Between the Two Thieves, Italian, After a model by Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome) (Christ), Follower of Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome) (thieves), 16th–17th century, Italian, Bronze, (Christ .a, confirmed): 10 3/4 × 8 × 1 13/16 in. (27.3 × 20.3 × 4.6 cm), (Thief .b, confirmed): 9 3/8 × 7 1/4 × 2 3/8 in. (23.8 × 18.4 × 6 cm), (Thief .c, confirmed): 9 1/8 × 8 3/4 × 2 7/8 in. (23.2 × 22.2 × 7.3 cm), (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm), Sculpture-Bronze

Sidewall (USA); Made by J.J.L. and Co.; machine-printed; 48 x 52 cm (18 7/8 x 20 1/2 in.) Stock Photo

RM2PMG3TN–Sidewall (USA); Made by J.J.L. and Co.; machine-printed; 48 x 52 cm (18 7/8 x 20 1/2 in.)

Art inspired by Tankard, ca. 1785–95, Possibly made in Boston, Massachusetts, United States, American, Silver, Overall: 8 1/16 x 7 1/8 in. (20.5 x 18.1 cm); 29 oz. 19 dwt. (931.2 g), Silver, Possibly by David Tyler (1760–1804, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2H1C–Art inspired by Tankard, ca. 1785–95, Possibly made in Boston, Massachusetts, United States, American, Silver, Overall: 8 1/16 x 7 1/8 in. (20.5 x 18.1 cm); 29 oz. 19 dwt. (931.2 g), Silver, Possibly by David Tyler (1760–1804, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Life of Abraham, third quarter 17th century, British, Silk on canvas, H. 12 1/2 x W. 16 inches (31.8 x 40.6 cm); Framed: H. 18 x W. 20 1/4 x D. 1 1/2 inches (45.7 x 51.4 x 3.8 cm), Textiles-Embroidered, After a design by Gerard de Jode (Netherlandish, 1509/17–1591, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3YCB–Art inspired by Life of Abraham, third quarter 17th century, British, Silk on canvas, H. 12 1/2 x W. 16 inches (31.8 x 40.6 cm); Framed: H. 18 x W. 20 1/4 x D. 1 1/2 inches (45.7 x 51.4 x 3.8 cm), Textiles-Embroidered, After a design by Gerard de Jode (Netherlandish, 1509/17–1591, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Anceau. Aimé-Firmin. 20 ans, né le 18/2/74 à Paris XIIe. Sculpteur sur bois. Anarchiste. 17/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4RX5–Art inspired by Anceau. Aimé-Firmin. 20 ans, né le 18/2/74 à Paris XIIe. Sculpteur sur bois. Anarchiste. 17/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Duguesclin, 1829. Eugène Delacroix (French, 1798-1863). Lithograph with chine collé; sheet: 48 x 34.7 cm (18 7/8 x 13 11/16 in.); image: 27.2 x 20.4 cm (10 11/16 x 8 1/16 in.). Stock Photo

RM2H12WHJ–Duguesclin, 1829. Eugène Delacroix (French, 1798-1863). Lithograph with chine collé; sheet: 48 x 34.7 cm (18 7/8 x 13 11/16 in.); image: 27.2 x 20.4 cm (10 11/16 x 8 1/16 in.).

Art inspired by Saint Philip, 1384–85, Tempera and gold on wood, Overall, excluding 1 1/8 in. (2.9 cm) of frame at bottom, 20 3/4 x 7 3/8 in. (52.7 x 18.7 cm); painted surface, excluding 5/8 in. (1.5 cm) of titulus, 18 1/8 x 5 3/8 in. (46 x 13.7 cm), Paintings, Spinello Aretino (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYCR1–Art inspired by Saint Philip, 1384–85, Tempera and gold on wood, Overall, excluding 1 1/8 in. (2.9 cm) of frame at bottom, 20 3/4 x 7 3/8 in. (52.7 x 18.7 cm); painted surface, excluding 5/8 in. (1.5 cm) of titulus, 18 1/8 x 5 3/8 in. (46 x 13.7 cm), Paintings, Spinello Aretino (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Rest on the Flight into Egypt. Elisabetta Sirani (Italian, 1638-1665). Etching and aquatint ; sheet: 18.4 x 20.8 cm (7 1/4 x 8 3/16 in.); platemark: 16.7 x 18.2 cm (6 9/16 x 7 3/16 in.). Stock Photo

RM2H0YGWJ–Rest on the Flight into Egypt. Elisabetta Sirani (Italian, 1638-1665). Etching and aquatint ; sheet: 18.4 x 20.8 cm (7 1/4 x 8 3/16 in.); platemark: 16.7 x 18.2 cm (6 9/16 x 7 3/16 in.).

Art inspired by Sandstone Head, 10th–12th century, Mexico, Mesoamerica, Veracruz, Huastec, Sandstone, H. 7 15/16 x W. 7 x D. 7 1/4 in. (20.2 x 17.8 x 18.4 cm), Stone-Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX57X–Art inspired by Sandstone Head, 10th–12th century, Mexico, Mesoamerica, Veracruz, Huastec, Sandstone, H. 7 15/16 x W. 7 x D. 7 1/4 in. (20.2 x 17.8 x 18.4 cm), Stone-Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Calmouk, 1771. Jean Baptiste Le Prince (French, 1734-1781). Etching and aquatint; sheet: 28.9 x 20.8 cm (11 3/8 x 8 3/16 in.); platemark: 24.1 x 18.4 cm (9 1/2 x 7 1/4 in.). Stock Photo

RM2H0YGMY–Calmouk, 1771. Jean Baptiste Le Prince (French, 1734-1781). Etching and aquatint; sheet: 28.9 x 20.8 cm (11 3/8 x 8 3/16 in.); platemark: 24.1 x 18.4 cm (9 1/2 x 7 1/4 in.).

RMPA9DEH–Side Chair. Culture: American. Dimensions: 32 1/4 x 21 3/4 x 18 3/8 in. (81.9 x 55.2 x 46.7 cm). Date: 1810-20. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by The Visitation, ca. 1310–20, Made in Constance, German, Walnut, paint, gilding, rock-crystal cabochons inset in gilt-silver mounts, Overall: 23 1/4 x 11 7/8 x 7 1/4 in. (59.1 x 30.2 x 18.4 cm), Sculpture-Wood, Attributed to Master Heinrich of Constance (German, active, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW900C–Art inspired by The Visitation, ca. 1310–20, Made in Constance, German, Walnut, paint, gilding, rock-crystal cabochons inset in gilt-silver mounts, Overall: 23 1/4 x 11 7/8 x 7 1/4 in. (59.1 x 30.2 x 18.4 cm), Sculpture-Wood, Attributed to Master Heinrich of Constance (German, active, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Young Tiger Playing with its Mother, 1831. Eugène Delacroix (French, 1798-1863). Lithograph; sheet: 20.4 x 26.7 cm (8 1/16 x 10 1/2 in.); image: 11.2 x 18.9 cm (4 7/16 x 7 7/16 in.). Stock Photo

RM2H11EY0–Young Tiger Playing with its Mother, 1831. Eugène Delacroix (French, 1798-1863). Lithograph; sheet: 20.4 x 26.7 cm (8 1/16 x 10 1/2 in.); image: 11.2 x 18.9 cm (4 7/16 x 7 7/16 in.).

Inspired by Standing Bodhisattva, Gandhāran, Kushan dynasty, 1st–3rd century, 2nd–3rd century, Phyllite (micaceous schist), Khyber-Pakhtunkhwa province, Pakistan, Asia, Sculpture, stone & mineral, 18 1/2 x 8 x 5 in. (47 x 20.3 x 12.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK5WM3–Inspired by Standing Bodhisattva, Gandhāran, Kushan dynasty, 1st–3rd century, 2nd–3rd century, Phyllite (micaceous schist), Khyber-Pakhtunkhwa province, Pakistan, Asia, Sculpture, stone & mineral, 18 1/2 x 8 x 5 in. (47 x 20.3 x 12.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Ten Elements for East Window of an Architectural Ensemble from a Jain Meeting Hall, India (Gujarat, Patan), last quarter of 16th century, India (Gujarat, Patan), Teak with traces of color, Overall (.a): 18 1/2 x 43 x 21 1/2 in. (47 x 109.2 x 54.6 cm), Overall (.b): 44 x 20 x 4 in. (111.8 x 50.8 x 10.2 cm), Overall (.c): 43 x 23 x 8 in. (109.2 x 58.4 x 20.3 cm), Overall (.d): 17 x 39 1/2 x 10 in. (43.2 x 100.3 x 25.4 cm), Overall (.e): 15 1/4 x 40 x 18 1/2 in. (38.7 x 101.6 x 47 cm), Overall (.f): 47 x 50 x 25 in. (119.4 x 127 x 63.5 cm), Overall (.g): 7 3/8 x 2 3/4 x 2 in. (18.7 x 7 x 5.1 cm Stock Photo

RM2B0KHJ3–Ten Elements for East Window of an Architectural Ensemble from a Jain Meeting Hall, India (Gujarat, Patan), last quarter of 16th century, India (Gujarat, Patan), Teak with traces of color, Overall (.a): 18 1/2 x 43 x 21 1/2 in. (47 x 109.2 x 54.6 cm), Overall (.b): 44 x 20 x 4 in. (111.8 x 50.8 x 10.2 cm), Overall (.c): 43 x 23 x 8 in. (109.2 x 58.4 x 20.3 cm), Overall (.d): 17 x 39 1/2 x 10 in. (43.2 x 100.3 x 25.4 cm), Overall (.e): 15 1/4 x 40 x 18 1/2 in. (38.7 x 101.6 x 47 cm), Overall (.f): 47 x 50 x 25 in. (119.4 x 127 x 63.5 cm), Overall (.g): 7 3/8 x 2 3/4 x 2 in. (18.7 x 7 x 5.1 cm

Art inspired by Various Moths and Butterflies, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3EGA–Art inspired by Various Moths and Butterflies, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Side Chair, 1810–20, Made in New York, New York, United States, American, Mahogany, ash, tulip poplar, 32 1/4 x 21 3/4 x 18 3/8 Stock Photo

RMKC77WH–Side Chair, 1810–20, Made in New York, New York, United States, American, Mahogany, ash, tulip poplar, 32 1/4 x 21 3/4 x 18 3/8

Candlestick MET DP251700 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b) Stock Photo

RMKNAFAG–Candlestick MET DP251700 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b)

Horse, c. 1765, Staffordshire, England, Staffordshire, Lead-glazed earthenware (creamware), 18.6 x 20.3 x 8.9 cm (7 5/16 x 8 x 3 1/2 in Stock Photo

RM2A2KT4A–Horse, c. 1765, Staffordshire, England, Staffordshire, Lead-glazed earthenware (creamware), 18.6 x 20.3 x 8.9 cm (7 5/16 x 8 x 3 1/2 in

Sidewall (USA); Made by Sears, Roebuck and Co. (United States); machine-printed and embossed; 47 x 53 cm (18 1/2 x 20 7/8 in.) Stock Photo

RM2PMFHH2–Sidewall (USA); Made by Sears, Roebuck and Co. (United States); machine-printed and embossed; 47 x 53 cm (18 1/2 x 20 7/8 in.)

published in le Charivari (no du 18 septembre 1842): Ancient History, plate 25: Hercules Subdued by Cupid, 18 September 1842. Honoré Daumier (French, 1808-1879), Aubert. Lithograph; sheet: 33.3 x 26.4 cm (13 1/8 x 10 3/8 in.); image: 24.8 x 20.2 cm (9 3/4 x 7 15/16 in Stock Photo

RMRY28RB–published in le Charivari (no du 18 septembre 1842): Ancient History, plate 25: Hercules Subdued by Cupid, 18 September 1842. Honoré Daumier (French, 1808-1879), Aubert. Lithograph; sheet: 33.3 x 26.4 cm (13 1/8 x 10 3/8 in.); image: 24.8 x 20.2 cm (9 3/4 x 7 15/16 in

Archive image from page 76 of Descriptive catalogue of vegetable, flower,. Descriptive catalogue of vegetable, flower, and farm seeds Descriptivecata00WeebA Year: 18uu Flower Pots, Tubs, Etc. 76 WEEBER y DON ROUND SEED PANS EARTHENWARE Eeight Width - Price per doz. 3 x 6 .. $ 1 00 4. x 1 25, 5 x 10 2 50 6 x 12 3 00 7 x 14 5 00 8 x 16 -10 00 UNION PLANT TUBS Made of cypress, painted greeii, with iron hoops and feet and handles; perforated bottom, very strong. No. 1. 13 inch diameter, 11 inch high ..each $1 00 2. 14 3. 16 ' 4 20 ' 5. 24 ' 6. 28 Outside Measurement.; 15i 18 20 22 . 1, 50 Stock Photo

RMW0PKB5–Archive image from page 76 of Descriptive catalogue of vegetable, flower,. Descriptive catalogue of vegetable, flower, and farm seeds Descriptivecata00WeebA Year: 18uu Flower Pots, Tubs, Etc. 76 WEEBER y DON ROUND SEED PANS EARTHENWARE Eeight Width - Price per doz. 3 x 6 .. $ 1 00 4. x 1 25, 5 x 10 2 50 6 x 12 3 00 7 x 14 5 00 8 x 16 -10 00 UNION PLANT TUBS Made of cypress, painted greeii, with iron hoops and feet and handles; perforated bottom, very strong. No. 1. 13 inch diameter, 11 inch high ..each $1 00 2. 14 3. 16 ' 4 20 ' 5. 24 ' 6. 28 Outside Measurement.; 15i 18 20 22 . 1, 50

. Denkschriften - Ãsterreichische Akademie der Wissenschaften. Ãatilcfa Die WnrmcvcrthcÃ¼uns auf der ErdoberflÃ¤che. '"7a : : " l " X im MI Un ;.-> â¢ rn o-s Â«.', â¢ im 7'S r,r, â > i 60 l In 45 18 0 1Â» i; ii 86 18 2. 80 â¢ji ;, OK 80 0 20 80 0 16 80 ii in â¢-â 0 7 n. ;, â¢ ii â . 0 a. !. : , 10 >/ , IS ,, 0 20 i n 26 i:, â i im l ; i 35 ii 40 m â 15 i 60 I 4. 55 VII â , ,. ! . â i . i â ! â i ; ; s in :, :i ; 13 .'. WS /, 0 10 Ã¤ â Ji 7 â j:l s â¢J!l .'. 80 ll 30 II III s 1 0 II 1 1 1 ii ; ii s 16'0 210 28-0 Ã¼.'. 1 20-8 /,.'- lalMllÂ«- i. Temperatur der Parallelkrei Stock Photo

RMPFDY6M–. Denkschriften - Ãsterreichische Akademie der Wissenschaften. Ãatilcfa Die WnrmcvcrthcÃ¼uns auf der ErdoberflÃ¤che. '"7a : : " l " X im MI Un ;.-> â¢ rn o-s Â«.', â¢ im 7'S r,r, â > i 60 l In 45 18 0 1Â» i; ii 86 18 2. 80 â¢ji ;, OK 80 0 20 80 0 16 80 ii in â¢-â 0 7 n. ;, â¢ ii â . 0 a. !. : , 10 >/ , IS ,, 0 20 i n 26 i:, â i im l ; i 35 ii 40 m â 15 i 60 I 4. 55 VII â , ,. ! . â i . i â ! â i ; ; s in :, :i ; 13 .'. WS /, 0 10 Ã¤ â Ji 7 â j:l s â¢J!l .'. 80 ll 30 II III s 1 0 II 1 1 1 ii ; ii s 16'0 210 28-0 Ã¼.'. 1 20-8 /,.'- lalMllÂ«- i. Temperatur der Parallelkrei

RMMA7H8N–. E. H. Hunt's catalogue . Size in No. 1—3: No. 2—5 Wo. 3-5 Ho. 4—6 Wo. 5— !< Mo. 6—7 Ho. 7-8 Ho. 8-7 nches. x 13 x 2'A x 9 x 3H x 15 x 3lA x 12 x 3lA x 10!ix 3 x 16 x 3'A x 18 x 3lA X 16 x 4 Price per 1,000 Deep S13.00 " 16.00 •• 20.00 »» 20.00 " 20.00 » 25.00 " 30.00 " 30.00 Ife can supply above sizes on short notice, allowing time tor printing when such is to be done, as he keep above sizes In Stock. Special sizes made to order. FERTILIZERS. Pure Bone Flour. The brand we are selling has no superior. It is pure bone, guaranteed free from acids, and is sold at as low ra

RFT0W3KC–Illustration Xray Icon

Sandstone Head. Culture: Huastec. Dimensions: H. 7 15/16 x W. 7 x D. 7 1/4 in. (20.2 x 17.8 x 18.4 cm). Date: 10th-12th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB0K6G–Sandstone Head. Culture: Huastec. Dimensions: H. 7 15/16 x W. 7 x D. 7 1/4 in. (20.2 x 17.8 x 18.4 cm). Date: 10th-12th century. Museum: Metropolitan Museum of Art, New York, USA.

Statue of Amenemhat III, c. 1859–1814 BC. Egypt, Middle Kingdom, Dynasty 12 (1980-1801), reign of Amenemhat III. Granodiorite; overall: 51.2 x 19.8 x 18.4 cm (20 3/16 x 7 13/16 x 7 1/4 in.). Stock Photo

RM2H10DWM–Statue of Amenemhat III, c. 1859–1814 BC. Egypt, Middle Kingdom, Dynasty 12 (1980-1801), reign of Amenemhat III. Granodiorite; overall: 51.2 x 19.8 x 18.4 cm (20 3/16 x 7 13/16 x 7 1/4 in.).

RF2HW3EGD–Art inspired by Various Moths and Butterflies, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Candlestick MET DP254043 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b) Stock Photo

RMKNE0Y1–Candlestick MET DP254043 1321 Maker: Myer Myers, 1723?1795, Candlestick, 1755?60, Silver, Overall: 10 3/16 x 5 1/2 in. (25.9 x 14 cm); 20 oz. 14 dwt. (643.2 g) Without bobeche: 9 3/4 in. (24.8 cm); 18 oz. 15 dwt. (583.7 g) Bobeche: 1 11/16 x 2 7/8 in. (4.3 x 7.3 cm); 1 oz. 18 dwt. (59.5 g). The Metropolitan Museum of Art, New York. Sansbury-Mills Fund, 1972 (1972.3.1a, b)

Print, Via Crucis - Station I, Jesus Condemmed to Death; Giovanni Domenico Tiepolo (Italian, 1727 – 1804); etching on cream laid paper; 20.9 x 18.1 cm (8 1/4 x 7 1/8 in. ); 1931-67-66-2 Stock Photo

RM2PMG0NY–Print, Via Crucis - Station I, Jesus Condemmed to Death; Giovanni Domenico Tiepolo (Italian, 1727 – 1804); etching on cream laid paper; 20.9 x 18.1 cm (8 1/4 x 7 1/8 in. ); 1931-67-66-2

Francis Wayland Sherman at the Age of 2 Years 10 Months, 1862. H.N. Roberts (American, active 1860s). Albumen print from wet collodion negative; image: 18.6 x 13.3 cm (7 5/16 x 5 1/4 in.); mounted: 25.1 x 19.9 cm (9 7/8 x 7 13/16 in.); matted: 50.8 x 40.6 cm (20 x 16 in Stock Photo

RMRY6KGG–Francis Wayland Sherman at the Age of 2 Years 10 Months, 1862. H.N. Roberts (American, active 1860s). Albumen print from wet collodion negative; image: 18.6 x 13.3 cm (7 5/16 x 5 1/4 in.); mounted: 25.1 x 19.9 cm (9 7/8 x 7 13/16 in.); matted: 50.8 x 40.6 cm (20 x 16 in

20 7 8 x 18 1 2 Stock Photos and Images

20 7 8 x 18 1 2 Stock Photos and Images

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