Hidaymara Templeman, Bishomong, Woodblock print, Japan, ca.1820, Edo Period, 8 1/4 x 5 in., 21 x 12.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hidaymara-templeman-bishomong-woodblock-print-japan-ca1820-edo-period-8-14-x-5-in-21-x-127-cm-image454270305.html
RM2HB1PBD–Hidaymara Templeman, Bishomong, Woodblock print, Japan, ca.1820, Edo Period, 8 1/4 x 5 in., 21 x 12.7 cm
Inspired by Hidaymara Templeman, Bishomong, Woodblock print, Japan, ca.1820, Edo Period, 8 1/4 x 5 in., 21 x 12.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-hidaymara-templeman-bishomong-woodblock-print-japan-ca1820-edo-period-8-14-x-5-in-21-x-127-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459249423.html
RF2HK4H93–Inspired by Hidaymara Templeman, Bishomong, Woodblock print, Japan, ca.1820, Edo Period, 8 1/4 x 5 in., 21 x 12.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Masked Figure. Culture: Veracruz. Dimensions: H. 8 1/4 x W. 5 in. (21 x 12.7 cm). Date: 7th-9th century. The object depicts a fantastic four-legged being, seated with a long, curled tail. The three-toed front legs support its body. The creature has a long, pointed snout and even longer ears. It has big round eyes and wears a collar around its neck tied under the chin. On the head rest stacked slab-like elements with a five-pointed crest at the top. Remains of black pigment are visible in some areas. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/masked-figure-culture-veracruz-dimensions-h-8-14-x-w-5-in-21-x-127-cm-date-7th-9th-century-the-object-depicts-a-fantastic-four-legged-being-seated-with-a-long-curled-tail-the-three-toed-front-legs-support-its-body-the-creature-has-a-long-pointed-snout-and-even-longer-ears-it-has-big-round-eyes-and-wears-a-collar-around-its-neck-tied-under-the-chin-on-the-head-rest-stacked-slab-like-elements-with-a-five-pointed-crest-at-the-top-remains-of-black-pigment-are-visible-in-some-areas-museum-metropolitan-museum-of-art-new-york-usa-image213145872.html
RMPANHMG–Masked Figure. Culture: Veracruz. Dimensions: H. 8 1/4 x W. 5 in. (21 x 12.7 cm). Date: 7th-9th century. The object depicts a fantastic four-legged being, seated with a long, curled tail. The three-toed front legs support its body. The creature has a long, pointed snout and even longer ears. It has big round eyes and wears a collar around its neck tied under the chin. On the head rest stacked slab-like elements with a five-pointed crest at the top. Remains of black pigment are visible in some areas. Museum: Metropolitan Museum of Art, New York, USA.
Textile Book Cover, 1800s. Japan, 19th century. Silk; overall: 21 x 12.7 cm (8 1/4 x 5 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-book-cover-1800s-japan-19th-century-silk-overall-21-x-127-cm-8-14-x-5-in-image448080551.html
RM2H0YR8R–Textile Book Cover, 1800s. Japan, 19th century. Silk; overall: 21 x 12.7 cm (8 1/4 x 5 in.).
Portrait of a Trinitarian Friar . Polski: Portrait of a Trinitarian Friar, ca. 1609 Oil on canvas Unframed: 36 3/8 x 33 5/8 inches (92.39 x 85.41 cm) Framed: 48 x 45 1/4 x 3 inches (121.92 x 114.94 x 7.62 cm) . 24 August 2013, 21:12:56. 1205 Trinitarian friar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-trinitarian-friar-polski-portrait-of-a-trinitarian-friar-ca-1609-oil-on-canvas-unframed-36-38-x-33-58-inches-9239-x-8541-cm-framed-48-x-45-14-x-3-inches-12192-x-11494-x-762-cm-24-august-2013-211256-1205-trinitarian-friar-image185604030.html
RMMNXYRA–Portrait of a Trinitarian Friar . Polski: Portrait of a Trinitarian Friar, ca. 1609 Oil on canvas Unframed: 36 3/8 x 33 5/8 inches (92.39 x 85.41 cm) Framed: 48 x 45 1/4 x 3 inches (121.92 x 114.94 x 7.62 cm) . 24 August 2013, 21:12:56. 1205 Trinitarian friar
Europa, Deutschland, Hessen, Gießen, Zeit nach dem 1. Weltkrieg , Lebensmittelmarken für Fleisch ( Reichsfleischkarte ) , gültig vom 24. November 1919 bis 21. Dezember 1919 , Größe 10,7 cm x 10,8 cm , Motiv darf nur für journalistische oder wissenschaftliche Zwecke genutzt werden, Rechte werden nicht vertreten . / Europe, Germany, Hesse, Gießen, time after WW I , ration stamps for meat ( so called Reichsfleischkarte ) , valid from 24. 11. 1919 to 21. 12. 1919 , size 10,7 cm x 10,8 cm , image only for journalistic or academic use, there are no rights . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europa-deutschland-hessen-gieen-zeit-nach-dem-1-weltkrieg-lebensmittelmarken-fr-fleisch-reichsfleischkarte-gltig-vom-24-november-1919-bis-21-dezember-1919-gre-107-cm-x-108-cm-motiv-darf-nur-fr-journalistische-oder-wissenschaftliche-zwecke-genutzt-werden-rechte-werden-nicht-vertreten-europe-germany-hesse-gieen-time-after-ww-i-ration-stamps-for-meat-so-called-reichsfleischkarte-valid-from-24-11-1919-to-21-12-1919-size-107-cm-x-108-cm-image-only-for-journalistic-or-academic-use-there-are-no-rights-image382630628.html
RM2D6E97G–Europa, Deutschland, Hessen, Gießen, Zeit nach dem 1. Weltkrieg , Lebensmittelmarken für Fleisch ( Reichsfleischkarte ) , gültig vom 24. November 1919 bis 21. Dezember 1919 , Größe 10,7 cm x 10,8 cm , Motiv darf nur für journalistische oder wissenschaftliche Zwecke genutzt werden, Rechte werden nicht vertreten . / Europe, Germany, Hesse, Gießen, time after WW I , ration stamps for meat ( so called Reichsfleischkarte ) , valid from 24. 11. 1919 to 21. 12. 1919 , size 10,7 cm x 10,8 cm , image only for journalistic or academic use, there are no rights .
Print, Design for a Candlestick, pl. 12 in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Philippe-Louis Campagnon- Desplaces (1682 – 1739); Published by Gabriel Huquier (French, 1695–1772); France; etching on offf-white laid paper; 26.9 x 21.4 cm (10 9/16 x 8 7/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-design-for-a-candlestick-pl-12-in-oeuvre-de-juste-aurle-meissonnier-designed-by-juste-aurle-meissonnier-french-b-italy-16951750-engraved-by-philippe-louis-campagnon-desplaces-1682-1739-published-by-gabriel-huquier-french-16951772-france-etching-on-offf-white-laid-paper-269-x-214-cm-10-916-x-8-716-in-image546091153.html
RM2PMCGRD–Print, Design for a Candlestick, pl. 12 in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Philippe-Louis Campagnon- Desplaces (1682 – 1739); Published by Gabriel Huquier (French, 1695–1772); France; etching on offf-white laid paper; 26.9 x 21.4 cm (10 9/16 x 8 7/16 in.)
'Dr. Thomas Monro, Wooded Landscape, 0, black chalk with gray wash on wove paper, overall: 12.7 x 21.1 cm (5 x 8 5/16 in.), Gift of William B. O'Neal, 1995.52.121' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dr-thomas-monro-wooded-landscape-0-black-chalk-with-gray-wash-on-wove-paper-overall-127-x-211-cm-5-x-8-516-in-gift-of-william-b-oneal-199552121-image559652060.html
RM2REE9WG–'Dr. Thomas Monro, Wooded Landscape, 0, black chalk with gray wash on wove paper, overall: 12.7 x 21.1 cm (5 x 8 5/16 in.), Gift of William B. O'Neal, 1995.52.121'
Bride Box MET 191896 1022 American, Bride Box, 1820?25, Pine, 8 1/4 x 19 3/16 x 12 in. (21 x 48.7 x 30.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1969 (69.198a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bride-box-met-191896-1022-american-bride-box-182025-pine-8-14-x-19-167906322.html
RMKN4P6A–Bride Box MET 191896 1022 American, Bride Box, 1820?25, Pine, 8 1/4 x 19 3/16 x 12 in. (21 x 48.7 x 30.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1969 (69.198a, b)
london UK 12 Sep 2022 Edgar Degas (1834-1917) Deux danseuses sur la scène signed 'Degas' (upper right) oil on paper laid down on panel 6 5/8 x 8 5/8 in. (17 x 21.7 cm.) Painted circa 1880 Estimate: USD $1,200,000 - 1,800,000 being sold for Charity during four Day and Evening Sales in New York 20 to 23 October. Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-12-sep-2022-edgar-degas-1834-1917-deux-danseuses-sur-la-scne-signed-degas-upper-right-oil-on-paper-laid-down-on-panel-6-58-x-8-58-in-17-x-217-cm-painted-circa-1880-estimate-usd-1200000-1800000-being-sold-for-charity-during-four-day-and-evening-sales-in-new-york-20-to-23-october-paul-quezada-neimanalamy-live-news-image482285718.html
RM2K0J09X–london UK 12 Sep 2022 Edgar Degas (1834-1917) Deux danseuses sur la scène signed 'Degas' (upper right) oil on paper laid down on panel 6 5/8 x 8 5/8 in. (17 x 21.7 cm.) Painted circa 1880 Estimate: USD $1,200,000 - 1,800,000 being sold for Charity during four Day and Evening Sales in New York 20 to 23 October. Paul Quezada-Neiman/Alamy Live News
Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-240-of-the-directional-spectrum-of-a-the-directional-spectrum-of-a-wind-generated-sea-as-determined-from-data-obtained-by-the-stereo-wave-observation-project-directionalspect00chas-year-1957-cm-13-12-11-10-9-8-7-6-5-4-3-2-1-0-10-fl-cz-c3-x-c4-0-c5-rn-gtv-0-0-n-ce-0-x-0-0-i0-20-30-1-1-ii-ik-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-figure-1130-cp-and-yp-as-a-function-of-k-229-image242266434.html
RMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
Trichomanes Crispum, Jamaica, Anna Atkins, British, 1799-1871, Cyanotype, ca. 1850, Image: 8 1/4 x 5 in., 21 x 12.7 cm, botanist, botany, Crisped bristle fern, drawing, early photographer, female photographer, fern, frond, leaf, nature, photogenic, photogram, Victorian, woman artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trichomanes-crispum-jamaica-anna-atkins-british-1799-1871-cyanotype-ca-1850-image-8-14-x-5-in-21-x-127-cm-botanist-botany-crisped-bristle-fern-drawing-early-photographer-female-photographer-fern-frond-leaf-nature-photogenic-photogram-victorian-woman-artist-image454270191.html
RM2HB1P7B–Trichomanes Crispum, Jamaica, Anna Atkins, British, 1799-1871, Cyanotype, ca. 1850, Image: 8 1/4 x 5 in., 21 x 12.7 cm, botanist, botany, Crisped bristle fern, drawing, early photographer, female photographer, fern, frond, leaf, nature, photogenic, photogram, Victorian, woman artist
Art inspired by Hidaymara Templeman, Bishomong, Woodblock print, Japan, ca.1820, Edo Period, 8 1/4 x 5 in., 21 x 12.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-hidaymara-templeman-bishomong-woodblock-print-japan-ca1820-edo-period-8-14-x-5-in-21-x-127-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566457.html
RF2HKK1KN–Art inspired by Hidaymara Templeman, Bishomong, Woodblock print, Japan, ca.1820, Edo Period, 8 1/4 x 5 in., 21 x 12.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Embroidered darning sampler. Culture: German. Dimensions: H. 21 1/8 x W. 12 inches (53.7 x 30.5 cm). Date: 1732. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embroidered-darning-sampler-culture-german-dimensions-h-21-18-x-w-12-inches-537-x-305-cm-date-1732-museum-metropolitan-museum-of-art-new-york-usa-image213167128.html
RMPAPGRM–Embroidered darning sampler. Culture: German. Dimensions: H. 21 1/8 x W. 12 inches (53.7 x 30.5 cm). Date: 1732. Museum: Metropolitan Museum of Art, New York, USA.
Hidaymara Templeman Bishomong. Hidaymara Templeman, ca.1820. Woodblock print, 8 1/4 x 5 in. (21 x 12.7 cm). Asian Art ca.1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hidaymara-templeman-bishomong-hidaymara-templeman-ca1820-woodblock-print-8-14-x-5-in-21-x-127-cm-asian-art-ca1820-image504716948.html
RM2M93RH8–Hidaymara Templeman Bishomong. Hidaymara Templeman, ca.1820. Woodblock print, 8 1/4 x 5 in. (21 x 12.7 cm). Asian Art ca.1820
. English: Accession Number: 1965.94.13 Display Artist: Katsushika Hokusai Display Title: Mirror Stand Fuji Series Title: One Hundred Views of Mount Fuji Suite Name: Fugaku hyakkei Creation Date: 1834-1835 Height: 7 1/8 in. Width: 9 5/8 in. Display Dimensions: 7 1/8 in. x 9 5/8 in. (18.1 cm x 24.45 cm) Publisher: Nishimuraya Yuzo Credit Line: Gift of Mrs. Harold Rhody Witherbee Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 25 May 2011, 12:39:21. English: thesandiegomuseumofartcollection 897 Mirror Stand Fuji (575899707 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-accession-number-19659413-display-artist-katsushika-hokusai-display-title-mirror-stand-fuji-series-title-one-hundred-views-of-mount-fuji-suite-name-fugaku-hyakkei-creation-date-1834-1835-height-7-18-in-width-9-58-in-display-dimensions-7-18-in-x-9-58-in-181-cm-x-2445-cm-publisher-nishimuraya-yuzo-credit-line-gift-of-mrs-harold-rhody-witherbee-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-25-may-2011-123921-english-thesandiegomuseumofartcollection-897-mirror-stand-fuji-575899707-image185864876.html
RMMPATF8–. English: Accession Number: 1965.94.13 Display Artist: Katsushika Hokusai Display Title: Mirror Stand Fuji Series Title: One Hundred Views of Mount Fuji Suite Name: Fugaku hyakkei Creation Date: 1834-1835 Height: 7 1/8 in. Width: 9 5/8 in. Display Dimensions: 7 1/8 in. x 9 5/8 in. (18.1 cm x 24.45 cm) Publisher: Nishimuraya Yuzo Credit Line: Gift of Mrs. Harold Rhody Witherbee Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 25 May 2011, 12:39:21. English: thesandiegomuseumofartcollection 897 Mirror Stand Fuji (575899707
Border (France); machine-printed paper, gilt, flocked; 54.5 x 31 cm (21 7/16 x 12 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-france-machine-printed-paper-gilt-flocked-545-x-31-cm-21-716-x-12-316-in-image546139089.html
RM2PMENYD–Border (France); machine-printed paper, gilt, flocked; 54.5 x 31 cm (21 7/16 x 12 3/16 in.)
'David Lucas after John Constable, A Dell at Helmingham Park, Suffolk, 1830, mezzotint on laid paper, plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.), Paul Mellon Fund, 2001.118.21' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-lucas-after-john-constable-a-dell-at-helmingham-park-suffolk-1830-mezzotint-on-laid-paper-plate-178-x-222-cm-7-x-8-34-in-sheet-26-x-31-cm-10-14-x-12-316-in-paul-mellon-fund-200111821-image559548137.html
RM2RE9HA1–'David Lucas after John Constable, A Dell at Helmingham Park, Suffolk, 1830, mezzotint on laid paper, plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.), Paul Mellon Fund, 2001.118.21'
Covered Dish MET DP260598 Covered Dish MET DP260598 /2385 British, Covered Dish, 1750?75, Earthenware, 5 x 11 1/2 x 8 1/2 in. (12.7 x 29.2 x 21.6 cm). The Metropolitan Museum of Art, New York. Gift of Col. G. Creighton Webb, 1936 (36.22.8) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-covered-dish-met-dp260598-covered-dish-met-dp260598-2385-british-covered-168033678.html
RMKNAGJP–Covered Dish MET DP260598 Covered Dish MET DP260598 /2385 British, Covered Dish, 1750?75, Earthenware, 5 x 11 1/2 x 8 1/2 in. (12.7 x 29.2 x 21.6 cm). The Metropolitan Museum of Art, New York. Gift of Col. G. Creighton Webb, 1936 (36.22.8)
boat hook, boat hook, iron, 21.0 x 12.7 cm, x, Netherlands, Utrecht, Wijk bij Duurstede, Wijk bij Duurstede, Dorestad Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boat-hook-boat-hook-iron-210-x-127-cm-x-netherlands-utrecht-wijk-bij-duurstede-wijk-bij-duurstede-dorestad-image344502107.html
RM2B0DBXK–boat hook, boat hook, iron, 21.0 x 12.7 cm, x, Netherlands, Utrecht, Wijk bij Duurstede, Wijk bij Duurstede, Dorestad
Inspired by Trichomanes Crispum, Jamaica, Anna Atkins, British, 1799-1871, Cyanotype, ca. 1850, Image: 8 1/4 x 5 in., 21 x 12.7 cm, botanist, botany, Crisped bristle fern, drawing, early photographer, female photographer, fern, frond, leaf, nature, photogenic, photogram, Victorian, woman artist, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-trichomanes-crispum-jamaica-anna-atkins-british-1799-1871-cyanotype-ca-1850-image-8-14-x-5-in-21-x-127-cm-botanist-botany-crisped-bristle-fern-drawing-early-photographer-female-photographer-fern-frond-leaf-nature-photogenic-photogram-victorian-woman-artist-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459249323.html
RF2HK4H5F–Inspired by Trichomanes Crispum, Jamaica, Anna Atkins, British, 1799-1871, Cyanotype, ca. 1850, Image: 8 1/4 x 5 in., 21 x 12.7 cm, botanist, botany, Crisped bristle fern, drawing, early photographer, female photographer, fern, frond, leaf, nature, photogenic, photogram, Victorian, woman artist, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Chalice. Culture: German. Dimensions: Overall: 8 7/16 x 5 1/16 in. (21.5 x 12.9 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chalice-culture-german-dimensions-overall-8-716-x-5-116-in-215-x-129-cm-date-15th-century-museum-metropolitan-museum-of-art-new-york-usa-image212915933.html
RMPAB4CD–Chalice. Culture: German. Dimensions: Overall: 8 7/16 x 5 1/16 in. (21.5 x 12.9 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.
Hidaymara Templeman Bishomong. Hidaymara Templeman, ca.1820. Woodblock print, 8 1/4 x 5 in. (21 x 12.7 cm). Asian Art ca.1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hidaymara-templeman-bishomong-hidaymara-templeman-ca1820-woodblock-print-8-14-x-5-in-21-x-127-cm-asian-art-ca1820-image504716959.html
RM2M93RHK–Hidaymara Templeman Bishomong. Hidaymara Templeman, ca.1820. Woodblock print, 8 1/4 x 5 in. (21 x 12.7 cm). Asian Art ca.1820
. English: Creation Date: ca. 1730 Display Dimensions: 8 17/32 in. x 12 25/32 in. (21.7 cm x 32.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1129 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:21. English: thesandiegomuseumofartcollection 1177 The Lustration of Raja Shamsher Sen (6125059732) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1730-display-dimensions-8-1732-in-x-12-2532-in-217-cm-x-325-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901129-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140821-english-thesandiegomuseumofartcollection-1177-the-lustration-of-raja-shamsher-sen-6125059732-image185706249.html
RMMP3J61–. English: Creation Date: ca. 1730 Display Dimensions: 8 17/32 in. x 12 25/32 in. (21.7 cm x 32.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1129 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:21. English: thesandiegomuseumofartcollection 1177 The Lustration of Raja Shamsher Sen (6125059732)
Jug; glazed earthenware; 21.5 x 16 x 12 cm (8 7/16 x 6 5/16 x 4 3/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-glazed-earthenware-215-x-16-x-12-cm-8-716-x-6-516-x-4-34-in-image546129648.html
RM2PME9X8–Jug; glazed earthenware; 21.5 x 16 x 12 cm (8 7/16 x 6 5/16 x 4 3/4 in.)
'F.L. Griggs, Sellenger, 1917/1922, etching in black on laid paper, plate: 12.38 x 16.83 cm (4 7/8 x 6 5/8 in.) sheet: 21.59 x 28.89 cm (8 1/2 x 11 3/8 in.), Ailsa Mellon Bruce Fund, 1975.27.2' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fl-griggs-sellenger-19171922-etching-in-black-on-laid-paper-plate-1238-x-1683-cm-4-78-x-6-58-in-sheet-2159-x-2889-cm-8-12-x-11-38-in-ailsa-mellon-bruce-fund-1975272-image559637702.html
RM2REDKGP–'F.L. Griggs, Sellenger, 1917/1922, etching in black on laid paper, plate: 12.38 x 16.83 cm (4 7/8 x 6 5/8 in.) sheet: 21.59 x 28.89 cm (8 1/2 x 11 3/8 in.), Ailsa Mellon Bruce Fund, 1975.27.2'
Christ on the Cross (Schr. 2789a) MET DP813701 382476 Artist: Anonymous, German, 15th century, Christ on the Cross (Schr. 2789a), 15th century, Pasteprint, sheet: 12 1/16 x 8 7/16 in. (30.6 x 21.5 cm). The Metropolitan Museum of Art, New York. Gift of Thomas O. Mabbott, 1961 (61.506) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-christ-on-the-cross-schr-2789a-met-dp813701-382476-artist-anonymous-168493210.html
RMKP3EPJ–Christ on the Cross (Schr. 2789a) MET DP813701 382476 Artist: Anonymous, German, 15th century, Christ on the Cross (Schr. 2789a), 15th century, Pasteprint, sheet: 12 1/16 x 8 7/16 in. (30.6 x 21.5 cm). The Metropolitan Museum of Art, New York. Gift of Thomas O. Mabbott, 1961 (61.506)
Building fragment of stone with mortar remains., Building fragment, stone, mortar, 21 x 12 x 7 cm, 4 kg, Netherlands, Limburg, Heerlen, Heerlen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/building-fragment-of-stone-with-mortar-remains-building-fragment-stone-mortar-21-x-12-x-7-cm-4-kg-netherlands-limburg-heerlen-heerlen-image344479449.html
RM2B0CB1D–Building fragment of stone with mortar remains., Building fragment, stone, mortar, 21 x 12 x 7 cm, 4 kg, Netherlands, Limburg, Heerlen, Heerlen
Art inspired by Trichomanes Crispum, Jamaica, Anna Atkins, British, 1799-1871, Cyanotype, ca. 1850, Image: 8 1/4 x 5 in., 21 x 12.7 cm, botanist, botany, Crisped bristle fern, drawing, early photographer, female photographer, fern, frond, leaf, nature, photogenic, photogram, Victorian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-trichomanes-crispum-jamaica-anna-atkins-british-1799-1871-cyanotype-ca-1850-image-8-14-x-5-in-21-x-127-cm-botanist-botany-crisped-bristle-fern-drawing-early-photographer-female-photographer-fern-frond-leaf-nature-photogenic-photogram-victorian-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566422.html
RF2HKK1JE–Art inspired by Trichomanes Crispum, Jamaica, Anna Atkins, British, 1799-1871, Cyanotype, ca. 1850, Image: 8 1/4 x 5 in., 21 x 12.7 cm, botanist, botany, Crisped bristle fern, drawing, early photographer, female photographer, fern, frond, leaf, nature, photogenic, photogram, Victorian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Death of Adonis. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 8 7/16 x 12 in. (21.5 x 30.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/death-of-adonis-artist-claude-mellan-french-abbeville-1598-1688-paris-dimensions-sheet-8-716-x-12-in-215-x-305-cm-museum-metropolitan-museum-of-art-new-york-usa-image233239355.html
RMRFCY4Y–Death of Adonis. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 8 7/16 x 12 in. (21.5 x 30.5 cm). Museum: Metropolitan Museum of Art, New York, USA.
Noh Mask, c 1700s- 1868. Japan, Edo period (1615-1868). Carved wood, pigment; overall: 21 x 12.7 cm (8 1/4 x 5 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/noh-mask-c-1700s-1868-japan-edo-period-1615-1868-carved-wood-pigment-overall-21-x-127-cm-8-14-x-5-in-image448093497.html
RM2H10BR5–Noh Mask, c 1700s- 1868. Japan, Edo period (1615-1868). Carved wood, pigment; overall: 21 x 12.7 cm (8 1/4 x 5 in.).
. English: Creation Date: ca. 1870 Display Dimensions: 21 17/32 in. x 15 19/32 in. (54.7 cm x 39.6 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.739 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:12. English: thesandiegomuseumofartcollection 1040 Raja Chattar Sal rides to the Gangaur Festival (6124561643) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1870-display-dimensions-21-1732-in-x-15-1932-in-547-cm-x-396-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990739-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-142912-english-thesandiegomuseumofartcollection-1040-raja-chattar-sal-rides-to-the-gangaur-festival-6124561643-image185555018.html
RMMNTN8X–. English: Creation Date: ca. 1870 Display Dimensions: 21 17/32 in. x 15 19/32 in. (54.7 cm x 39.6 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.739 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:12. English: thesandiegomuseumofartcollection 1040 Raja Chattar Sal rides to the Gangaur Festival (6124561643)
Fragment (Italy); silk, metallics; Warp x Weft: 21.4 x 12.6 cm (8 7/16 x 4 15/16 in.); 1896-2-54 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-italy-silk-metallics-warp-x-weft-214-x-126-cm-8-716-x-4-1516-in-1896-2-54-image546083179.html
RM2PMC6JK–Fragment (Italy); silk, metallics; Warp x Weft: 21.4 x 12.6 cm (8 7/16 x 4 15/16 in.); 1896-2-54
'Albert Besnard, Self-Portrait, 1893, collotype in black on cream laid paper, image: 17.2 x 11.7 cm (6 3/4 x 4 5/8 in.) plate: 21.1 x 14.1 cm (8 5/16 x 5 9/16 in.) sheet: 32 x 24.7 cm (12 5/8 x 9 3/4 in.), Gift of Mr. and Mrs. Daniel Bell, 1993.71.6' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-besnard-self-portrait-1893-collotype-in-black-on-cream-laid-paper-image-172-x-117-cm-6-34-x-4-58-in-plate-211-x-141-cm-8-516-x-5-916-in-sheet-32-x-247-cm-12-58-x-9-34-in-gift-of-mr-and-mrs-daniel-bell-1993716-image557243329.html
RM2RAGHFD–'Albert Besnard, Self-Portrait, 1893, collotype in black on cream laid paper, image: 17.2 x 11.7 cm (6 3/4 x 4 5/8 in.) plate: 21.1 x 14.1 cm (8 5/16 x 5 9/16 in.) sheet: 32 x 24.7 cm (12 5/8 x 9 3/4 in.), Gift of Mr. and Mrs. Daniel Bell, 1993.71.6'
Christ on the Cross (Schr. 2789a) MET DP813701 382476 Artist: Anonymous, German, 15th century, Christ on the Cross (Schr. 2789a), 15th century, Pasteprint, sheet: 12 1/16 x 8 7/16 in. (30.6 x 21.5 cm). The Metropolitan Museum of Art, New York. Gift of Thomas O. Mabbott, 1961 (61.506) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-christ-on-the-cross-schr-2789a-met-dp813701-382476-artist-anonymous-168338619.html
RMKNTDHF–Christ on the Cross (Schr. 2789a) MET DP813701 382476 Artist: Anonymous, German, 15th century, Christ on the Cross (Schr. 2789a), 15th century, Pasteprint, sheet: 12 1/16 x 8 7/16 in. (30.6 x 21.5 cm). The Metropolitan Museum of Art, New York. Gift of Thomas O. Mabbott, 1961 (61.506)
Piece, Italian, 17th–18th century, Italian, Silk and hemp, L. 21 x w. 5 inches (53.3 x 12.7 cm), Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piece-italian-17th18th-century-italian-silk-and-hemp-l-21-x-w-5-inches-533-x-127-cm-textiles-woven-image344582223.html
RM2B0H23Y–Piece, Italian, 17th–18th century, Italian, Silk and hemp, L. 21 x w. 5 inches (53.3 x 12.7 cm), Textiles-Woven
Art inspired by Masked Figure, 7th–9th century, Mexico, Mesoamerica, Veracruz, Veracruz, Ceramic, H. 8 1/4 x W. 5 in. (21 x 12.7 cm), Ceramics-Sculpture, The object depicts a fantastic four-legged being, seated with a long, curled tail. The three-toed front legs support its body. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-masked-figure-7th9th-century-mexico-mesoamerica-veracruz-veracruz-ceramic-h-8-14-x-w-5-in-21-x-127-cm-ceramics-sculpture-the-object-depicts-a-fantastic-four-legged-being-seated-with-a-long-curled-tail-the-three-toed-front-legs-support-its-body-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462798495.html
RF2HTX85K–Art inspired by Masked Figure, 7th–9th century, Mexico, Mesoamerica, Veracruz, Veracruz, Ceramic, H. 8 1/4 x W. 5 in. (21 x 12.7 cm), Ceramics-Sculpture, The object depicts a fantastic four-legged being, seated with a long, curled tail. The three-toed front legs support its body. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Suggestions for Urns. Artist: L. V. Grave (British, 18th century). Dimensions: sheet: 8 1/2 x 5 in. (21.6 x 12.7 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/suggestions-for-urns-artist-l-v-grave-british-18th-century-dimensions-sheet-8-12-x-5-in-216-x-127-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213373472.html
RMPB4014–Suggestions for Urns. Artist: L. V. Grave (British, 18th century). Dimensions: sheet: 8 1/2 x 5 in. (21.6 x 12.7 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Trichomanes Crispum (Jamaica) Anna Atkins (British, 1799-1871). , ca. 1850. Cyanotype, Image: 8 1/4 x 5 in. (21 x 12.7 cm). Photography ca. 1850 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trichomanes-crispum-jamaica-anna-atkins-british-1799-1871-ca-1850-cyanotype-image-8-14-x-5-in-21-x-127-cm-photography-ca-1850-image504711032.html
RM2M93G20–Trichomanes Crispum (Jamaica) Anna Atkins (British, 1799-1871). , ca. 1850. Cyanotype, Image: 8 1/4 x 5 in. (21 x 12.7 cm). Photography ca. 1850
. English: Series Title: Leyli and Majnun from the Quintet of Nizami Creation Date: ca. 1510 Display Dimensions: 7 9/16 in. x 5 in. (19.21 cm x 12.7 cm) Credit Line: Gift of Edwin Binney 3rd Accession Number: 1971.60 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 12:27:55. English: thesandiegomuseumofartcollection 846 Majnun watches the battle of the clans (6125040086) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-leyli-and-majnun-from-the-quintet-of-nizami-creation-date-ca-1510-display-dimensions-7-916-in-x-5-in-1921-cm-x-127-cm-credit-line-gift-of-edwin-binney-3rd-accession-number-197160-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-1-october-2001-122755-english-thesandiegomuseumofartcollection-846-majnun-watches-the-battle-of-the-clans-6125040086-image185826471.html
RMMP93FK–. English: Series Title: Leyli and Majnun from the Quintet of Nizami Creation Date: ca. 1510 Display Dimensions: 7 9/16 in. x 5 in. (19.21 cm x 12.7 cm) Credit Line: Gift of Edwin Binney 3rd Accession Number: 1971.60 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 12:27:55. English: thesandiegomuseumofartcollection 846 Majnun watches the battle of the clans (6125040086)
Border (USA); Manufactured by M.H. Birge & Sons Co. (United States); machine-printed paper; 54.5 x 30.5 cm (21 7/16 x 12 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-usa-manufactured-by-mh-birge-sons-co-united-states-machine-printed-paper-545-x-305-cm-21-716-x-12-in-image546129833.html
RM2PMEA4W–Border (USA); Manufactured by M.H. Birge & Sons Co. (United States); machine-printed paper; 54.5 x 30.5 cm (21 7/16 x 12 in.)
'Louis-Marin Bonnet after François Boucher, Tête de Flore (Head of Flora), 1769, pastel-manner printed in red, green, yellow, blue-green, light blue, bright blue, black, tan, brown, white, and pink inks, sheet: 41.8 x 33.6 cm (16 7/16 x 13 1/4 in.) overall (2nd framing line): 40.9 x 32.7 cm (16 1/8 x 12 7/8 in.), Rosenwald Collection, 1946.21.48' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-marin-bonnet-after-franois-boucher-tte-de-flore-head-of-flora-1769-pastel-manner-printed-in-red-green-yellow-blue-green-light-blue-bright-blue-black-tan-brown-white-and-pink-inks-sheet-418-x-336-cm-16-716-x-13-14-in-overall-2nd-framing-line-409-x-327-cm-16-18-x-12-78-in-rosenwald-collection-19462148-image559759979.html
RM2REK7FR–'Louis-Marin Bonnet after François Boucher, Tête de Flore (Head of Flora), 1769, pastel-manner printed in red, green, yellow, blue-green, light blue, bright blue, black, tan, brown, white, and pink inks, sheet: 41.8 x 33.6 cm (16 7/16 x 13 1/4 in.) overall (2nd framing line): 40.9 x 32.7 cm (16 1/8 x 12 7/8 in.), Rosenwald Collection, 1946.21.48'
Cubical dial MET 33420 188860 Maker: E.C. Stockert, Cubical dial, early 19th century, Wood and paper, 7-1/8 x 4-3/4 x 3-5/8 in. (18.1 x 12.1 x 9.2 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Stephen D. Tucker, 1903 (03.21.59) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cubical-dial-met-33420-188860-maker-ec-stockert-cubical-dial-early-168148250.html
RMKNFPPJ–Cubical dial MET 33420 188860 Maker: E.C. Stockert, Cubical dial, early 19th century, Wood and paper, 7-1/8 x 4-3/4 x 3-5/8 in. (18.1 x 12.1 x 9.2 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Stephen D. Tucker, 1903 (03.21.59)
Fragment, Italian, 16th century, Italian, Embroidered net, L. 8 1/2 x W. 5 inches, 21.6 x 12.7 cm, Textiles-Laces Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-italian-16th-century-italian-embroidered-net-l-8-12-x-w-5-inches-216-x-127-cm-textiles-laces-image344616910.html
RM2B0JJAP–Fragment, Italian, 16th century, Italian, Embroidered net, L. 8 1/2 x W. 5 inches, 21.6 x 12.7 cm, Textiles-Laces
Art inspired by Hot Water Pot, 1791–93, Made in New York, New York, United States, American, Silver, Overall: 14 13/16 x 8 1/4 x 5 in. (37.6 x 21 x 12.7 cm); 35 oz. 17 dwt. (1115.4 g), Silver, Van Voorhis & Schanck (active ca. 1791–93), Daniel Van Voorhis (1751–1824), Garret Schanck (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-hot-water-pot-179193-made-in-new-york-new-york-united-states-american-silver-overall-14-1316-x-8-14-x-5-in-376-x-21-x-127-cm-35-oz-17-dwt-11154-g-silver-van-voorhis-schanck-active-ca-179193-daniel-van-voorhis-17511824-garret-schanck-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462884813.html
RF2HW268D–Art inspired by Hot Water Pot, 1791–93, Made in New York, New York, United States, American, Silver, Overall: 14 13/16 x 8 1/4 x 5 in. (37.6 x 21 x 12.7 cm); 35 oz. 17 dwt. (1115.4 g), Silver, Van Voorhis & Schanck (active ca. 1791–93), Daniel Van Voorhis (1751–1824), Garret Schanck (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design for a Worktable. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 7/16 x 12 3/16 in. (21.5 x 31 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-worktable-artist-anonymous-british-19th-century-dimensions-sheet-8-716-x-12-316-in-215-x-31-cm-date-early-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212906880.html
RMPAAMW4–Design for a Worktable. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 7/16 x 12 3/16 in. (21.5 x 31 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Puzzle Pitcher, late 1600s. Saint-Jean-du-Desert Factory (French). Faience; overall: 22.6 x 21 x 12.7 cm (8 7/8 x 8 1/4 x 5 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/puzzle-pitcher-late-1600s-saint-jean-du-desert-factory-french-faience-overall-226-x-21-x-127-cm-8-78-x-8-14-x-5-in-image448130613.html
RM2H1234N–Puzzle Pitcher, late 1600s. Saint-Jean-du-Desert Factory (French). Faience; overall: 22.6 x 21 x 12.7 cm (8 7/8 x 8 1/4 x 5 in.).
. English: (Artist) signed by Sayyid Ali; (Patron) Shah Tahmasp; Iran; circa 1540; Ink, opaque watercolor and gold on paper; H x W: 37.2 x 23.9 cm (14 5/8 x 9 7/16 in); Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler . 5 November 2008, 12:41:49. Mir Sayyid Ali 21 A School Scene By Mir Sayyid Ali, Iran, Tabriz, ca. 1540, Freer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-artist-signed-by-sayyid-ali-patron-shah-tahmasp-iran-circa-1540-ink-opaque-watercolor-and-gold-on-paper-h-x-w-372-x-239-cm-14-58-x-9-716-in-purchase-smithsonian-unrestricted-trust-funds-smithsonian-collections-acquisition-program-and-dr-arthur-m-sackler-5-november-2008-124149-mir-sayyid-ali-21-a-school-scene-by-mir-sayyid-ali-iran-tabriz-ca-1540-freer-image187481220.html
RMMW0E5T–. English: (Artist) signed by Sayyid Ali; (Patron) Shah Tahmasp; Iran; circa 1540; Ink, opaque watercolor and gold on paper; H x W: 37.2 x 23.9 cm (14 5/8 x 9 7/16 in); Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler . 5 November 2008, 12:41:49. Mir Sayyid Ali 21 A School Scene By Mir Sayyid Ali, Iran, Tabriz, ca. 1540, Freer
Decanter And Stopper (Ireland); glass; 21.7 x 12 cm (8 9/16 x 4 3/4 in.); Bequest of Walter Phelps Warren; 1986-61-141-a,b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/decanter-and-stopper-ireland-glass-217-x-12-cm-8-916-x-4-34-in-bequest-of-walter-phelps-warren-1986-61-141-ab-image546095339.html
RM2PMCP4Y–Decanter And Stopper (Ireland); glass; 21.7 x 12 cm (8 9/16 x 4 3/4 in.); Bequest of Walter Phelps Warren; 1986-61-141-a,b
'Bernard van Orley, Putto with Arms of Jacques Coëne [reverse], c. 1513, oil on panel, painted surface: 54.4 x 32.9 cm (21 7/16 x 12 15/16 in.) overall (panel): 54.9 x 33.3 cm (21 5/8 x 13 1/8 in.) framed: 63 x 41.8 x 5.7 cm (24 13/16 x 16 7/16 x 2 1/4 in.), Samuel H. Kress Collection, 1952.5.47.b' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bernard-van-orley-putto-with-arms-of-jacques-cone-reverse-c-1513-oil-on-panel-painted-surface-544-x-329-cm-21-716-x-12-1516-in-overall-panel-549-x-333-cm-21-58-x-13-18-in-framed-63-x-418-x-57-cm-24-1316-x-16-716-x-2-14-in-samuel-h-kress-collection-1952547b-image557965342.html
RM2RBNEDJ–'Bernard van Orley, Putto with Arms of Jacques Coëne [reverse], c. 1513, oil on panel, painted surface: 54.4 x 32.9 cm (21 7/16 x 12 15/16 in.) overall (panel): 54.9 x 33.3 cm (21 5/8 x 13 1/8 in.) framed: 63 x 41.8 x 5.7 cm (24 13/16 x 16 7/16 x 2 1/4 in.), Samuel H. Kress Collection, 1952.5.47.b'
Albarello MET LC-02 5 21 188539 Italian, Sicily or Faenza, Albarello, second half 16th century, Maiolica (tin-glazed earthenware), Overall (confirmed): 11 1/2 x 5 x 5 in. (29.2 x 12.7 x 12.7 cm). The Metropolitan Museum of Art, New York. Gift of W. B. Osgood Field, 1902 (02.5.21) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-albarello-met-lc-02-5-21-188539-italian-sicily-or-faenza-albarello-168030664.html
RMKNACR4–Albarello MET LC-02 5 21 188539 Italian, Sicily or Faenza, Albarello, second half 16th century, Maiolica (tin-glazed earthenware), Overall (confirmed): 11 1/2 x 5 x 5 in. (29.2 x 12.7 x 12.7 cm). The Metropolitan Museum of Art, New York. Gift of W. B. Osgood Field, 1902 (02.5.21)
Piece, French, 1750–60, French, Silk and metal thread, L. 21 1/2 x W. 5 inches, 54.6 x 12.7 cm, Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piece-french-175060-french-silk-and-metal-thread-l-21-12-x-w-5-inches-546-x-127-cm-textiles-woven-image344582202.html
RM2B0H236–Piece, French, 1750–60, French, Silk and metal thread, L. 21 1/2 x W. 5 inches, 54.6 x 12.7 cm, Textiles-Woven
Inspired by Ragini Madhu Madhavi, Indian, Ink on paper, Rajasthan, India, ca. 1775, sheet: 12 7/8 x 8 5/8 in., 32.7 x 21.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-ragini-madhu-madhavi-indian-ink-on-paper-rajasthan-india-ca-1775-sheet-12-78-x-8-58-in-327-x-219-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459260564.html
RF2HK53F0–Inspired by Ragini Madhu Madhavi, Indian, Ink on paper, Rajasthan, India, ca. 1775, sheet: 12 7/8 x 8 5/8 in., 32.7 x 21.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Stirrup Spout Bottle with Couple. Culture: Moche. Dimensions: H. 8 5/8 x W. 5 in. (21.9 x 12.7 cm). Date: 3rd-7th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stirrup-spout-bottle-with-couple-culture-moche-dimensions-h-8-58-x-w-5-in-219-x-127-cm-date-3rd-7th-century-museum-metropolitan-museum-of-art-new-york-usa-image212912274.html
RMPAAYNP–Stirrup Spout Bottle with Couple. Culture: Moche. Dimensions: H. 8 5/8 x W. 5 in. (21.9 x 12.7 cm). Date: 3rd-7th century. Museum: Metropolitan Museum of Art, New York, USA.
Prospect of the West Front of Tangier Castle. Author Hollar, Wenceslaus 117.81.b Place of publication: [London] Publisher: [John Overton] Date of publication: [1673] Item type: 1 print Medium: etching Dimensions: sheet 12.7 x 21.5 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prospect-of-the-west-front-of-tangier-castle-author-hollar-wenceslaus-11781b-place-of-publication-london-publisher-john-overton-date-of-publication-1673-item-type-1-print-medium-etching-dimensions-sheet-127-x-215-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401731736.html
RM2E9GCX0–Prospect of the West Front of Tangier Castle. Author Hollar, Wenceslaus 117.81.b Place of publication: [London] Publisher: [John Overton] Date of publication: [1673] Item type: 1 print Medium: etching Dimensions: sheet 12.7 x 21.5 cm. Former owner: George III, King of Great Britain, 1738-1820
. English: (Artist) signed by Sayyid Ali; (Patron) Shah Tahmasp; Iran; circa 1540; Ink, opaque watercolor and gold on paper; H x W: 37.2 x 23.9 cm (14 5/8 x 9 7/16 in); Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler . 5 November 2008, 12:41:49. Mir Sayyid Ali 21 A School Scene By Mir Sayyid Ali, Iran, Tabriz, ca. 1540, Freer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-artist-signed-by-sayyid-ali-patron-shah-tahmasp-iran-circa-1540-ink-opaque-watercolor-and-gold-on-paper-h-x-w-372-x-239-cm-14-58-x-9-716-in-purchase-smithsonian-unrestricted-trust-funds-smithsonian-collections-acquisition-program-and-dr-arthur-m-sackler-5-november-2008-124149-mir-sayyid-ali-21-a-school-scene-by-mir-sayyid-ali-iran-tabriz-ca-1540-freer-image187942287.html
RMMWNE8F–. English: (Artist) signed by Sayyid Ali; (Patron) Shah Tahmasp; Iran; circa 1540; Ink, opaque watercolor and gold on paper; H x W: 37.2 x 23.9 cm (14 5/8 x 9 7/16 in); Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler . 5 November 2008, 12:41:49. Mir Sayyid Ali 21 A School Scene By Mir Sayyid Ali, Iran, Tabriz, ca. 1540, Freer
Textile; cotton; Warp x Weft: 102 x 54.5 cm (40 3/16 x 21 7/16 in.) Repeat H: 55.9 cm (22 in.); 1973-25-12 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-cotton-warp-x-weft-102-x-545-cm-40-316-x-21-716-in-repeat-h-559-cm-22-in-1973-25-12-image546235554.html
RM2PMK50J–Textile; cotton; Warp x Weft: 102 x 54.5 cm (40 3/16 x 21 7/16 in.) Repeat H: 55.9 cm (22 in.); 1973-25-12
Albarello MET LC-02 5 20-21 188539 Italian, Sicily or Faenza, Albarello, second half 16th century, Maiolica (tin-glazed earthenware), Overall (confirmed): 11 1/2 x 5 x 5 in. (29.2 x 12.7 x 12.7 cm). The Metropolitan Museum of Art, New York. Gift of W. B. Osgood Field, 1902 (02.5.21) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-albarello-met-lc-02-5-20-21-188539-italian-sicily-or-faenza-albarello-168030421.html
RMKNACED–Albarello MET LC-02 5 20-21 188539 Italian, Sicily or Faenza, Albarello, second half 16th century, Maiolica (tin-glazed earthenware), Overall (confirmed): 11 1/2 x 5 x 5 in. (29.2 x 12.7 x 12.7 cm). The Metropolitan Museum of Art, New York. Gift of W. B. Osgood Field, 1902 (02.5.21)
Unknown Artist, Christ Carrying the Cross, 1490, woodcut on paper, 8 9/16 in. x 12 7/8 in. (21.7 cm. x 32.7 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-christ-carrying-the-cross-1490-woodcut-on-paper-8-916-in-x-12-78-in-217-cm-x-327-cm-image344472588.html
RM2B0C28C–Unknown Artist, Christ Carrying the Cross, 1490, woodcut on paper, 8 9/16 in. x 12 7/8 in. (21.7 cm. x 32.7 cm.)
Inspired by Little Draped Figure Leaning, James Abbott McNeill Whistler, American, 1834-1903, Lithograph, 1893, 12 7/16 x 8 5/8 in., 31.6 x 21.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-little-draped-figure-leaning-james-abbott-mcneill-whistler-american-1834-1903-lithograph-1893-12-716-x-8-58-in-316-x-219-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459263660.html
RF2HK57DG–Inspired by Little Draped Figure Leaning, James Abbott McNeill Whistler, American, 1834-1903, Lithograph, 1893, 12 7/16 x 8 5/8 in., 31.6 x 21.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Bowl. Culture: Coptic. Dimensions: Overall: 5 x 8 1/4 x 7 11/16 in. (12.7 x 21 x 19.6 cm). Date: 4th-7th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bowl-culture-coptic-dimensions-overall-5-x-8-14-x-7-1116-in-127-x-21-x-196-cm-date-4th-7th-century-museum-metropolitan-museum-of-art-new-york-usa-image213170957.html
RMPAPNMD–Bowl. Culture: Coptic. Dimensions: Overall: 5 x 8 1/4 x 7 11/16 in. (12.7 x 21 x 19.6 cm). Date: 4th-7th century. Museum: Metropolitan Museum of Art, New York, USA.
The North View of Row Hampton. Author Roberts, James 41.21.a. Place of publication: [London] Publisher: [unknown publisher] Date of publication: [1750.] Item type: 1 print Medium: etching Dimensions: sheet 7.8 x 12.0 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-north-view-of-row-hampton-author-roberts-james-4121a-place-of-publication-london-publisher-unknown-publisher-date-of-publication-1750-item-type-1-print-medium-etching-dimensions-sheet-78-x-120-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401762209.html
RM2E9HRP9–The North View of Row Hampton. Author Roberts, James 41.21.a. Place of publication: [London] Publisher: [unknown publisher] Date of publication: [1750.] Item type: 1 print Medium: etching Dimensions: sheet 7.8 x 12.0 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820
. English: Creation Date: ca. 1850 Display Dimensions: 12 3/32 in. x 15 1/32 in. (30.7 cm x 38.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1025 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 April 2003, 09:21:15. English: thesandiegomuseumofartcollection 1136 Sri Daulat Rao Sediya with his maternal uncle Sambaji and brother-in-law Hindura (6124578553) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1850-display-dimensions-12-332-in-x-15-132-in-307-cm-x-382-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901025-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-15-april-2003-092115-english-thesandiegomuseumofartcollection-1136-sri-daulat-rao-sediya-with-his-maternal-uncle-sambaji-and-brother-in-law-hindura-6124578553-image185621059.html
RMMNYNFF–. English: Creation Date: ca. 1850 Display Dimensions: 12 3/32 in. x 15 1/32 in. (30.7 cm x 38.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1025 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 April 2003, 09:21:15. English: thesandiegomuseumofartcollection 1136 Sri Daulat Rao Sediya with his maternal uncle Sambaji and brother-in-law Hindura (6124578553)
Drawing, Study for 'Muse of History'; Elihu Vedder (American, 1836 – 1923); USA; pastel crayon on gray paper; 30.9 x 21.7 cm (12 3/16 x 8 9/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-study-for-muse-of-history-elihu-vedder-american-1836-1923-usa-pastel-crayon-on-gray-paper-309-x-217-cm-12-316-x-8-916-in-image546182188.html
RM2PMGMXM–Drawing, Study for 'Muse of History'; Elihu Vedder (American, 1836 – 1923); USA; pastel crayon on gray paper; 30.9 x 21.7 cm (12 3/16 x 8 9/16 in.)
Conversation Piece - Ravens MET DP832890 393451 Artist: Henry Emerson Tuttle, American, Lake Forest, Illinois 1890?1946 New Haven, Connecticut, Conversation Piece - Ravens, 1934, Drypoint; first state, plate: 8 1/2 x 12 7/8 in. (21.6 x 32.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Emerson Tuttle, 1946 (46.59.2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-conversation-piece-ravens-met-dp832890-393451-artist-henry-emerson-168497549.html
RMKP3M9H–Conversation Piece - Ravens MET DP832890 393451 Artist: Henry Emerson Tuttle, American, Lake Forest, Illinois 1890?1946 New Haven, Connecticut, Conversation Piece - Ravens, 1934, Drypoint; first state, plate: 8 1/2 x 12 7/8 in. (21.6 x 32.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Emerson Tuttle, 1946 (46.59.2)
Unknown Artist, Bishop in Tabernacle Plaquette, 1800-1900, bronze, gilding, 8 9/16 in. x 4 15/16 in. (21.7 cm. x 12.6 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-bishop-in-tabernacle-plaquette-1800-1900-bronze-gilding-8-916-in-x-4-1516-in-217-cm-x-126-cm-image344477182.html
RM2B0C84E–Unknown Artist, Bishop in Tabernacle Plaquette, 1800-1900, bronze, gilding, 8 9/16 in. x 4 15/16 in. (21.7 cm. x 12.6 cm.)
Inspired by Apocalypse de Saint-Jean, Odilon Redon, French, 1840-1916, Lithograph on China paper laid down, 1899, 12 3/16 x 8 7/16 in., 31 x 21.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-apocalypse-de-saint-jean-odilon-redon-french-1840-1916-lithograph-on-china-paper-laid-down-1899-12-316-x-8-716-in-31-x-215-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253501.html
RF2HK4PEN–Inspired by Apocalypse de Saint-Jean, Odilon Redon, French, 1840-1916, Lithograph on China paper laid down, 1899, 12 3/16 x 8 7/16 in., 31 x 21.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Design for Two Caskets. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 9/16 x 12 1/4 in. (21.7 x 31.1 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-two-caskets-artist-anonymous-british-19th-century-dimensions-sheet-8-916-x-12-14-in-217-x-311-cm-date-early-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213303452.html
RMPB0PMC–Design for Two Caskets. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 9/16 x 12 1/4 in. (21.7 x 31.1 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
View near Maidstone. Visual Material information: Title: View near Maidstone. 17.2.2.e. Date of publication: [after 1798] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 12.6 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-near-maidstone-visual-material-information-title-view-near-maidstone-1722e-date-of-publication-after-1798-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-126-x-217-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401749410.html
RM2E9H7D6–View near Maidstone. Visual Material information: Title: View near Maidstone. 17.2.2.e. Date of publication: [after 1798] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 12.6 x 21.7 cm Former owner: George III, King of Great Britain, 1738-1820
. Deutsch: Theodor Hosemann: Angler im Boot mit Sonnenschirm, 1846, Öl auf Leinwand, 21,7 x 34,2 cm; datiert „18 12/3 46“ . 1846. Hosemann Angler im Boot mit Schirm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-theodor-hosemann-angler-im-boot-mit-sonnenschirm-1846-l-auf-leinwand-217-x-342-cm-datiert-18-123-46-1846-hosemann-angler-im-boot-mit-schirm-image185016050.html
RMMN05T2–. Deutsch: Theodor Hosemann: Angler im Boot mit Sonnenschirm, 1846, Öl auf Leinwand, 21,7 x 34,2 cm; datiert „18 12/3 46“ . 1846. Hosemann Angler im Boot mit Schirm
Drawing, Design for Crèche (Nativity Scene); Italy; pen and brown ink, brush and brown wash on white paper; 21.4 x 32.3 cm (8 7/16 x 12 11/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-crche-nativity-scene-italy-pen-and-brown-ink-brush-and-brown-wash-on-white-paper-214-x-323-cm-8-716-x-12-1116-in-image546177159.html
RM2PMGEF3–Drawing, Design for Crèche (Nativity Scene); Italy; pen and brown ink, brush and brown wash on white paper; 21.4 x 32.3 cm (8 7/16 x 12 11/16 in.)
Conversation Piece - Ravens MET DP832890 393451 Artist: Henry Emerson Tuttle, American, Lake Forest, Illinois 1890?1946 New Haven, Connecticut, Conversation Piece - Ravens, 1934, Drypoint; first state, plate: 8 1/2 x 12 7/8 in. (21.6 x 32.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Emerson Tuttle, 1946 (46.59.2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-conversation-piece-ravens-met-dp832890-393451-artist-henry-emerson-168354736.html
RMKNW654–Conversation Piece - Ravens MET DP832890 393451 Artist: Henry Emerson Tuttle, American, Lake Forest, Illinois 1890?1946 New Haven, Connecticut, Conversation Piece - Ravens, 1934, Drypoint; first state, plate: 8 1/2 x 12 7/8 in. (21.6 x 32.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Emerson Tuttle, 1946 (46.59.2)
Unknown Artist, Bishop in Tabernacle Plaquette, 1800-1900, bronze, gilding, 8 9/16 in. x 4 15/16 in. (21.7 cm. x 12.6 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-bishop-in-tabernacle-plaquette-1800-1900-bronze-gilding-8-916-in-x-4-1516-in-217-cm-x-126-cm-image344477179.html
RM2B0C84B–Unknown Artist, Bishop in Tabernacle Plaquette, 1800-1900, bronze, gilding, 8 9/16 in. x 4 15/16 in. (21.7 cm. x 12.6 cm.)
Inspired by Kurdish Soldiers, One of 274 Vintage Photographs, Albumen silver photograph, late 19th-early 20th century, Qajar, Qajar Period, 4 7/8 x 8 9 /16 in., 12.4 x 21.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-kurdish-soldiers-one-of-274-vintage-photographs-albumen-silver-photograph-late-19th-early-20th-century-qajar-qajar-period-4-78-x-8-9-16-in-124-x-217-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459247750.html
RF2HK4F5A–Inspired by Kurdish Soldiers, One of 274 Vintage Photographs, Albumen silver photograph, late 19th-early 20th century, Qajar, Qajar Period, 4 7/8 x 8 9 /16 in., 12.4 x 21.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Perspective Drawing of an Interior. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perspective-drawing-of-an-interior-artist-anonymous-british-19th-century-dimensions-sheet-8-916-x-12-516-in-217-x-312-cm-date-early-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212883827.html
RMPA9KDR–Perspective Drawing of an Interior. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Prospect of Lyme 21 Aug 1723 LONDINIS. Author Stukeley, William 12.8. Place of publication: [England] Publisher: [printed for the author] Date of publication: [1724] Item type: 1 print Medium: etching Dimensions: platemark 17.7 x 27.8 cm, on sheet 22.8 x 33.6 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prospect-of-lyme-21-aug-1723-londinis-author-stukeley-william-128-place-of-publication-england-publisher-printed-for-the-author-date-of-publication-1724-item-type-1-print-medium-etching-dimensions-platemark-177-x-278-cm-on-sheet-228-x-336-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401735901.html
RM2E9GJ6N–Prospect of Lyme 21 Aug 1723 LONDINIS. Author Stukeley, William 12.8. Place of publication: [England] Publisher: [printed for the author] Date of publication: [1724] Item type: 1 print Medium: etching Dimensions: platemark 17.7 x 27.8 cm, on sheet 22.8 x 33.6 cm. Former owner: George III, King of Great Britain, 1738-1820
. The Triumphal Arch crossing the Ravine leading to Petra. Watercolour over pencil. Inscribed with title. 12 7/8 x 8 5/8 in (32.7 x 21.9 cm). circa 1839. 1182 The Triumphal Arch crossing the Ravine leading to Petra by David Roberts, RA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-triumphal-arch-crossing-the-ravine-leading-to-petra-watercolour-over-pencil-inscribed-with-title-12-78-x-8-58-in-327-x-219-cm-circa-1839-1182-the-triumphal-arch-crossing-the-ravine-leading-to-petra-by-david-roberts-ra-image185600315.html
RMMNXR2K–. The Triumphal Arch crossing the Ravine leading to Petra. Watercolour over pencil. Inscribed with title. 12 7/8 x 8 5/8 in (32.7 x 21.9 cm). circa 1839. 1182 The Triumphal Arch crossing the Ravine leading to Petra by David Roberts, RA
Drawing, Old House, Beirut; Frederic Edwin Church (American, 1826–1900); Lebanon; graphite on green-gray paper; 12.4 x 21.1 cm (4 7/8 x 8 5/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-old-house-beirut-frederic-edwin-church-american-18261900-lebanon-graphite-on-green-gray-paper-124-x-211-cm-4-78-x-8-516-in-image546091704.html
RM2PMCHF4–Drawing, Old House, Beirut; Frederic Edwin Church (American, 1826–1900); Lebanon; graphite on green-gray paper; 12.4 x 21.1 cm (4 7/8 x 8 5/16 in.)
Hat MET 54.81.9 CP3 157223 Design House: House of Lanvin, French, founded 1889, Designer: Jeanne Lanvin, French, 1867?1946, Hat, 1932, silk, 5 x 8 1/2 in. (12.7 x 21.6 cm). The Metropolitan Museum of Art, New York. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Mrs. Frank L. Babbott, 1954 (2009.300.2401) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-hat-met-54819-cp3-157223-design-house-house-of-lanvin-french-founded-168096788.html
RMKNDD4M–Hat MET 54.81.9 CP3 157223 Design House: House of Lanvin, French, founded 1889, Designer: Jeanne Lanvin, French, 1867?1946, Hat, 1932, silk, 5 x 8 1/2 in. (12.7 x 21.6 cm). The Metropolitan Museum of Art, New York. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Mrs. Frank L. Babbott, 1954 (2009.300.2401)
Raphael, Standing Prophet and Other Studies (a&b), 1483-1520, red chalk on paper, 12 5/8 in. x 8 7/16 in. (32 cm. x 21.4 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raphael-standing-prophet-and-other-studies-ab-1483-1520-red-chalk-on-paper-12-58-in-x-8-716-in-32-cm-x-214-cm-image344469218.html
RM2B0BX02–Raphael, Standing Prophet and Other Studies (a&b), 1483-1520, red chalk on paper, 12 5/8 in. x 8 7/16 in. (32 cm. x 21.4 cm.)
Inspired by Two Birds with White Flowers, Print, Japan, 1892, Meiji Period, Other, Sight: 12 3/16 x 8 7/16 in., 31 x 21.4 cm, animals, birds, fauna, flora, flowers, Nature, plants, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-two-birds-with-white-flowers-print-japan-1892-meiji-period-other-sight-12-316-x-8-716-in-31-x-214-cm-animals-birds-fauna-flora-flowers-nature-plants-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459249638.html
RF2HK4HGP–Inspired by Two Birds with White Flowers, Print, Japan, 1892, Meiji Period, Other, Sight: 12 3/16 x 8 7/16 in., 31 x 21.4 cm, animals, birds, fauna, flora, flowers, Nature, plants, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Putti and Lions. Artist: Master FG (Italian, active mid-16th century). Dimensions: sheet: 4 3/4 x 8 9/16 in. (12 x 21.7 cm). Date: 1547. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/putti-and-lions-artist-master-fg-italian-active-mid-16th-century-dimensions-sheet-4-34-x-8-916-in-12-x-217-cm-date-1547-museum-metropolitan-museum-of-art-new-york-usa-image213327264.html
RMPB1W2T–Putti and Lions. Artist: Master FG (Italian, active mid-16th century). Dimensions: sheet: 4 3/4 x 8 9/16 in. (12 x 21.7 cm). Date: 1547. Museum: Metropolitan Museum of Art, New York, USA.
Radcliffe Library Oxford Author Green, James 35.21.i. Place of publication: [Oxford] Publisher: [Richard Clements] Date of publication: [c. 1753 or later] Item type: 1 print Medium: etching Dimensions: platemark 7.1 x 5.6 cm, on sheet 12.5 x 8.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/radcliffe-library-oxford-author-green-james-3521i-place-of-publication-oxford-publisher-richard-clements-date-of-publication-c-1753-or-later-item-type-1-print-medium-etching-dimensions-platemark-71-x-56-cm-on-sheet-125-x-88-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401760141.html
RM2E9HN4D–Radcliffe Library Oxford Author Green, James 35.21.i. Place of publication: [Oxford] Publisher: [Richard Clements] Date of publication: [c. 1753 or later] Item type: 1 print Medium: etching Dimensions: platemark 7.1 x 5.6 cm, on sheet 12.5 x 8.8 cm Former owner: George III, King of Great Britain, 1738-1820
English: The Little Street or Boulevard des Batignolles by Pierre Bonnard, c. 1903, oil on canvas, 12 1/8 x 8 1/2 in. (30.7 x 21.6 cm) . circa 1903 8 The Little Street or Boulevard des Batignolles by Pierre Bonnard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-little-street-or-boulevard-des-batignolles-by-pierre-bonnard-c-1903-oil-on-canvas-12-18-x-8-12-in-307-x-216-cm-circa-1903-8-the-little-street-or-boulevard-des-batignolles-by-pierre-bonnard-image210918415.html
RMP744GF–English: The Little Street or Boulevard des Batignolles by Pierre Bonnard, c. 1903, oil on canvas, 12 1/8 x 8 1/2 in. (30.7 x 21.6 cm) . circa 1903 8 The Little Street or Boulevard des Batignolles by Pierre Bonnard
Fork (Germany); brass, steel; L x W: 21.5 x 2 cm (8 7/16 x 13/16 in.); The Robert L. Metzenberg Collection, gift of Eleanor L. Metzenberg; 1985-103-12 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fork-germany-brass-steel-l-x-w-215-x-2-cm-8-716-x-1316-in-the-robert-l-metzenberg-collection-gift-of-eleanor-l-metzenberg-1985-103-12-image546109567.html
RM2PMDC93–Fork (Germany); brass, steel; L x W: 21.5 x 2 cm (8 7/16 x 13/16 in.); The Robert L. Metzenberg Collection, gift of Eleanor L. Metzenberg; 1985-103-12
Asia MET DP-12283-001 202342 Factory: Fulda Pottery and Porcelain Manufactory, German, 1764?1789, Designer: After a design by Johann Andreas Herrlein, 1720?1796, Asia, ca. 1780?88, Hard-paste porcelain, Overall (confirmed): 8 9/16 x 5 x 3 3/4 in. (21.7 x 12.7 x 9.5 cm). The Metropolitan Museum of Art, New York. Gift of Estate of James Hazen Hyde, 1959 (59.208.7) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-asia-met-dp-12283-001-202342-factory-fulda-pottery-and-porcelain-manufactory-168092512.html
RMKND7M0–Asia MET DP-12283-001 202342 Factory: Fulda Pottery and Porcelain Manufactory, German, 1764?1789, Designer: After a design by Johann Andreas Herrlein, 1720?1796, Asia, ca. 1780?88, Hard-paste porcelain, Overall (confirmed): 8 9/16 x 5 x 3 3/4 in. (21.7 x 12.7 x 9.5 cm). The Metropolitan Museum of Art, New York. Gift of Estate of James Hazen Hyde, 1959 (59.208.7)
Raphael, Standing Prophet and Other Studies (verso), 1483-1520, red chalk on paper, 12 5/8 in. x 8 7/16 in. (32 cm. x 21.4 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raphael-standing-prophet-and-other-studies-verso-1483-1520-red-chalk-on-paper-12-58-in-x-8-716-in-32-cm-x-214-cm-image344469219.html
RM2B0BX03–Raphael, Standing Prophet and Other Studies (verso), 1483-1520, red chalk on paper, 12 5/8 in. x 8 7/16 in. (32 cm. x 21.4 cm.)
Inspired by The Thames, James Abbott McNeill Whistler, American, 1834-1903, Linotint on paper, 1896, Sheet: 12 7/16 x 8 1/2 in., 31.6 x 21.6 cm, boats, fog, hazy, sky, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-the-thames-james-abbott-mcneill-whistler-american-1834-1903-linotint-on-paper-1896-sheet-12-716-x-8-12-in-316-x-216-cm-boats-fog-hazy-sky-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254120.html
RF2HK4R8T–Inspired by The Thames, James Abbott McNeill Whistler, American, 1834-1903, Linotint on paper, 1896, Sheet: 12 7/16 x 8 1/2 in., 31.6 x 21.6 cm, boats, fog, hazy, sky, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Design for a One-armed Sofa. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 7/16 x 12 1/16 in. (21.5 x 30.7 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-one-armed-sofa-artist-anonymous-british-19th-century-dimensions-sheet-8-716-x-12-116-in-215-x-307-cm-date-early-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212862523.html
RMPA8M8Y–Design for a One-armed Sofa. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 7/16 x 12 1/16 in. (21.5 x 30.7 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
A View of Bridgenorth Author Ogborne, John 36.12.d. Place of publication: [London] Publisher: [Thomas Simpson, Darling , Thompson] Date of publication: [September 1 1797] Item type: 1 print Medium: stipple etching, sepia Dimensions: sheet 21.6 x 27.7 cm (trimmed below platemark, eliminating the publication information) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-bridgenorth-author-ogborne-john-3612d-place-of-publication-london-publisher-thomas-simpson-darling-thompson-date-of-publication-september-1-1797-item-type-1-print-medium-stipple-etching-sepia-dimensions-sheet-216-x-277-cm-trimmed-below-platemark-eliminating-the-publication-information-former-owner-george-iii-king-of-great-britain-1738-1820-image401760388.html
RM2E9HND8–A View of Bridgenorth Author Ogborne, John 36.12.d. Place of publication: [London] Publisher: [Thomas Simpson, Darling , Thompson] Date of publication: [September 1 1797] Item type: 1 print Medium: stipple etching, sepia Dimensions: sheet 21.6 x 27.7 cm (trimmed below platemark, eliminating the publication information) Former owner: George III, King of Great Britain, 1738-1820
Painting; oil on cardboard; overall: 41.7 x 31.9 cm (16 7/16 x 12 9/16 in.) framed: 63.5 x 53.3 x 5.4 cm (25 x 21 x 2 1/8 in.); 385 Madame Bonnard A17635 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-cardboard-overall-417-x-319-cm-16-716-x-12-916-in-framed-635-x-533-x-54-cm-25-x-21-x-2-18-in-385-madame-bonnard-a17635-image213946000.html
RMPC228G–Painting; oil on cardboard; overall: 41.7 x 31.9 cm (16 7/16 x 12 9/16 in.) framed: 63.5 x 53.3 x 5.4 cm (25 x 21 x 2 1/8 in.); 385 Madame Bonnard A17635
Print, Dance of the Daughters of Herodias; Print Maker: Israhel van Meckenem (German, ca. 1440 - 1503); Germany; engraving on white paper; 21.4 x 31.8 cm (8 7/16 x 12 1/2 in.); 1958-122-5 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-dance-of-the-daughters-of-herodias-print-maker-israhel-van-meckenem-german-ca-1440-1503-germany-engraving-on-white-paper-214-x-318-cm-8-716-x-12-12-in-1958-122-5-image546103341.html
RM2PMD4AN–Print, Dance of the Daughters of Herodias; Print Maker: Israhel van Meckenem (German, ca. 1440 - 1503); Germany; engraving on white paper; 21.4 x 31.8 cm (8 7/16 x 12 1/2 in.); 1958-122-5
Central Park, Statue of the Indian Hunter Artist: Anonymous, American, 19th century, Artist: Sculpted by John Quincy Adams Ward, American, Urbana, Ohio 1830-1910 New York, Central Park, Statue of the Indian Hunter, 1869, Hand-colored lithograph, image: 4 13/16 x 8 in. (12.3 x 20.3 cm) sheet: 5 9/16 x 8 7/16 in. (14.1 x 21.5 cm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-central-park-statue-of-the-indian-hunter-artist-anonymous-american-168086421.html
RMKNCYXD–Central Park, Statue of the Indian Hunter Artist: Anonymous, American, 19th century, Artist: Sculpted by John Quincy Adams Ward, American, Urbana, Ohio 1830-1910 New York, Central Park, Statue of the Indian Hunter, 1869, Hand-colored lithograph, image: 4 13/16 x 8 in. (12.3 x 20.3 cm) sheet: 5 9/16 x 8 7/16 in. (14.1 x 21.5 cm).
After Albrecht Dürer, German, 1471–1528, Saint Jerome in Penitence, Engraving on paper, image: 12 7/16 x 8 3/8 in. (31.6 x 21.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-albrecht-drer-german-14711528-saint-jerome-in-penitence-engraving-on-paper-image-12-716-x-8-38-in-316-x-213-cm-image344572511.html
RM2B0GHN3–After Albrecht Dürer, German, 1471–1528, Saint Jerome in Penitence, Engraving on paper, image: 12 7/16 x 8 3/8 in. (31.6 x 21.3 cm
Art inspired by Suggestions for Urns, 18th century, Graphite, sheet: 8 1/2 x 5 in. (21.6 x 12.7 cm), L. V. Grave (British, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-suggestions-for-urns-18th-century-graphite-sheet-8-12-x-5-in-216-x-127-cm-l-v-grave-british-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462804621.html
RF2HTXG0D–Art inspired by Suggestions for Urns, 18th century, Graphite, sheet: 8 1/2 x 5 in. (21.6 x 12.7 cm), L. V. Grave (British, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Night Scene on the Volga. Artist: Alexei Kondratievich Savrasov (Russian, Moscow 1830-1897 Moscow). Dimensions: 12 7/8 x 21 1/2 in. (32.7 x 54.6 cm). Date: 1871. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/night-scene-on-the-volga-artist-alexei-kondratievich-savrasov-russian-moscow-1830-1897-moscow-dimensions-12-78-x-21-12-in-327-x-546-cm-date-1871-museum-metropolitan-museum-of-art-new-york-usa-image213111280.html
RMPAM1H4–Night Scene on the Volga. Artist: Alexei Kondratievich Savrasov (Russian, Moscow 1830-1897 Moscow). Dimensions: 12 7/8 x 21 1/2 in. (32.7 x 54.6 cm). Date: 1871. Museum: Metropolitan Museum of Art, New York, USA.
THE SPEAKER'S HOUSE, From West.r Bridge. Author Levens, T 27.14. Place of publication: [London] Publisher: Published by A. Beugo, Printseller, No. 38 Maiden Lane, Covent Garden, Nov 12., Date of publication: 1810. Item type: 1 print Medium: etching Dimensions: sheet 17.0 x 21.7 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-speakers-house-from-westr-bridge-author-levens-t-2714-place-of-publication-london-publisher-published-by-a-beugo-printseller-no-38-maiden-lane-covent-garden-nov-12-date-of-publication-1810-item-type-1-print-medium-etching-dimensions-sheet-170-x-217-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401757292.html
RM2E9HHEM–THE SPEAKER'S HOUSE, From West.r Bridge. Author Levens, T 27.14. Place of publication: [London] Publisher: Published by A. Beugo, Printseller, No. 38 Maiden Lane, Covent Garden, Nov 12., Date of publication: 1810. Item type: 1 print Medium: etching Dimensions: sheet 17.0 x 21.7 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820
Zeitungskinder (A). Heliogravüre nach einer Federzeichnung auf gewalztem China, aufgelegt auf festes Velin. 16,7 x 12,8 cm (Plattenrand); 27,6 x 21,8 cm (Blattgröße). Signiert. Um 1906. Rosenbach 44 a (von c). circa 1906 189 Heinrich Zille Zeitungskinder Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zeitungskinder-a-heliogravre-nach-einer-federzeichnung-auf-gewalztem-china-aufgelegt-auf-festes-velin-167-x-128-cm-plattenrand-276-x-218-cm-blattgre-signiert-um-1906-rosenbach-44-a-von-c-circa-1906-189-heinrich-zille-zeitungskinder-image211425234.html
RMP7Y716–Zeitungskinder (A). Heliogravüre nach einer Federzeichnung auf gewalztem China, aufgelegt auf festes Velin. 16,7 x 12,8 cm (Plattenrand); 27,6 x 21,8 cm (Blattgröße). Signiert. Um 1906. Rosenbach 44 a (von c). circa 1906 189 Heinrich Zille Zeitungskinder
Drawing, Sunset, Hudson, New York; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on thin paperboard. verso: graphite.; 21.5 x 31.2 cm (8 7/16 x 12 5/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-sunset-hudson-new-york-frederic-edwin-church-american-18261900-usa-brush-and-oil-paint-graphite-on-thin-paperboard-verso-graphite-215-x-312-cm-8-716-x-12-516-in-image546072788.html
RM2PMBNBG–Drawing, Sunset, Hudson, New York; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on thin paperboard. verso: graphite.; 21.5 x 31.2 cm (8 7/16 x 12 5/16 in.)
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