Different poultry and a turkey, Different poultry near a farmhouse and a dovecote. In the foreground are depicted a turkey, a number of chickens, a rooster and other poultry., print, print maker: Jan Griffier (I), after drawing by: Francis Barlow, 1655 - 1718, paper, etching, engraving, height, 222 mm × width, 304 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/different-poultry-and-a-turkey-different-poultry-near-a-farmhouse-and-a-dovecote-in-the-foreground-are-depicted-a-turkey-a-number-of-chickens-a-rooster-and-other-poultry-print-print-maker-jan-griffier-i-after-drawing-by-francis-barlow-1655-1718-paper-etching-engraving-height-222-mm-width-304-mm-image623501797.html
RM2Y6AXW9–Different poultry and a turkey, Different poultry near a farmhouse and a dovecote. In the foreground are depicted a turkey, a number of chickens, a rooster and other poultry., print, print maker: Jan Griffier (I), after drawing by: Francis Barlow, 1655 - 1718, paper, etching, engraving, height, 222 mm × width, 304 mm
Chinese temple and pagoda Chinese temple and pagoda object type: drawing Object number: RP-T-00-208 Manufacturer : draftsman: Joan Nieuhof Dating: 1655 - 1657 Physical characteristics: pen in brown, brush in gray material: paper Technique: pen / brush dimensions: h 172 mm × W 222 mm Subject: Chinese Temple, shrine Hinduism, Buddhism, Jainismtemple, shrine non-Christian religion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinese-temple-and-pagoda-chinese-temple-and-pagoda-object-type-drawing-object-number-rp-t-00-208-manufacturer-draftsman-joan-nieuhof-dating-1655-1657-physical-characteristics-pen-in-brown-brush-in-gray-material-paper-technique-pen-brush-dimensions-h-172-mm-w-222-mm-subject-chinese-temple-shrine-hinduism-buddhism-jainismtemple-shrine-non-christian-religion-image348254091.html
RM2B6G9J3–Chinese temple and pagoda Chinese temple and pagoda object type: drawing Object number: RP-T-00-208 Manufacturer : draftsman: Joan Nieuhof Dating: 1655 - 1657 Physical characteristics: pen in brown, brush in gray material: paper Technique: pen / brush dimensions: h 172 mm × W 222 mm Subject: Chinese Temple, shrine Hinduism, Buddhism, Jainismtemple, shrine non-Christian religion
Landscape with Hunters Fouquier, Jacques 1590 - 1655, Wildens, Jan 1586 - 1653, Vinckboons, David 1576 - 1629 Painting Museets forøgelser med flamske malerier fra det 17de aarhundrede, Karl Madsen, p. 70f (som Jan Wildens), 15133, 1925. Flemish paintings: 1600 - 1800, Olaf Koester, p. 104-05, afb. p. 317 fig. 49 (s/h), 2000-589, 2000. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Olaf Koester, Christian IV og billedkunstens Europa, p. 318, kat. nr. 1027, 88-222, 1988 Landscape with Hunters Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-hunters-fouquier-jacques-1590-1655-wildens-jan-1586-1653-vinckboons-david-1576-1629-painting-museets-forgelser-med-flamske-malerier-fra-det-17de-aarhundrede-karl-madsen-p-70f-som-jan-wildens-15133-1925-flemish-paintings-1600-1800-olaf-koester-p-104-05-afb-p-317-fig-49-sh-2000-589-2000-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-olaf-koester-christian-iv-og-billedkunstens-europa-p-318-kat-nr-1027-88-222-1988-landscape-with-hunters-image613392500.html
RM2XHXCB0–Landscape with Hunters Fouquier, Jacques 1590 - 1655, Wildens, Jan 1586 - 1653, Vinckboons, David 1576 - 1629 Painting Museets forøgelser med flamske malerier fra det 17de aarhundrede, Karl Madsen, p. 70f (som Jan Wildens), 15133, 1925. Flemish paintings: 1600 - 1800, Olaf Koester, p. 104-05, afb. p. 317 fig. 49 (s/h), 2000-589, 2000. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Olaf Koester, Christian IV og billedkunstens Europa, p. 318, kat. nr. 1027, 88-222, 1988 Landscape with Hunters
A relaxing summer morning tea and book on the deck Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-relaxing-summer-morning-tea-and-book-on-the-deck-19061363.html
RMB308XY–A relaxing summer morning tea and book on the deck
Reconciliation of Jacob and Esau, History of Jacob (series title), Jacob and his wives and children kneel before his brother Esau. Behind Esau is his army. At the bottom of the margin a reference in Latin to the Bible text in Gen. 33., print, print maker: Claes Moeyaert, Amsterdam, 1612 - 1655, paper, etching, height, 158 mm × width, 222 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reconciliation-of-jacob-and-esau-history-of-jacob-series-title-jacob-and-his-wives-and-children-kneel-before-his-brother-esau-behind-esau-is-his-army-at-the-bottom-of-the-margin-a-reference-in-latin-to-the-bible-text-in-gen-33-print-print-maker-claes-moeyaert-amsterdam-1612-1655-paper-etching-height-158-mm-width-222-mm-image623502410.html
RM2Y6AYK6–Reconciliation of Jacob and Esau, History of Jacob (series title), Jacob and his wives and children kneel before his brother Esau. Behind Esau is his army. At the bottom of the margin a reference in Latin to the Bible text in Gen. 33., print, print maker: Claes Moeyaert, Amsterdam, 1612 - 1655, paper, etching, height, 158 mm × width, 222 mm
Paulus the Apostle defending himself at the Trial in Caesarea Knüpfer, Nikolaus 1607 - 1655 Painting Über Nikolaus Knüpfer, Friedrich Schlie, p. 16, 1321, 1896. Niederländisches Künstler-Lexikon: Auf Grund archivalischer Forschungen bearbeitet. I-III, Alfred von Wurzbach, vol. I, p. 300, 1832, 1906-1911. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Olaf Koester, Christian IV og billedkunstens Europa, p. 325, kat.nr. 1052, 88-222, 1988. Abraham Bloemaert and his sons: paintings and prints, Marcel Georges Roethlisberger, p. 469, 93-675, 1993. Nikolaus Knup Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paulus-the-apostle-defending-himself-at-the-trial-in-caesarea-knpfer-nikolaus-1607-1655-painting-ber-nikolaus-knpfer-friedrich-schlie-p-16-1321-1896-niederlndisches-knstler-lexikon-auf-grund-archivalischer-forschungen-bearbeitet-i-iii-alfred-von-wurzbach-vol-i-p-300-1832-1906-1911-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-olaf-koester-christian-iv-og-billedkunstens-europa-p-325-katnr-1052-88-222-1988-abraham-bloemaert-and-his-sons-paintings-and-prints-marcel-georges-roethlisberger-p-469-93-675-1993-nikolaus-knup-image613508060.html
RM2XJ3KP4–Paulus the Apostle defending himself at the Trial in Caesarea Knüpfer, Nikolaus 1607 - 1655 Painting Über Nikolaus Knüpfer, Friedrich Schlie, p. 16, 1321, 1896. Niederländisches Künstler-Lexikon: Auf Grund archivalischer Forschungen bearbeitet. I-III, Alfred von Wurzbach, vol. I, p. 300, 1832, 1906-1911. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Olaf Koester, Christian IV og billedkunstens Europa, p. 325, kat.nr. 1052, 88-222, 1988. Abraham Bloemaert and his sons: paintings and prints, Marcel Georges Roethlisberger, p. 469, 93-675, 1993. Nikolaus Knup
Portrait of Reimerus Ligarius, Portrait of Reimerus Ligarius, Lutheran minister in Amsterdam, at the age of 50. There is an open Bible and an hourglass on his writing desk. Top right a Bible quote from 2 Tim. 3:16, in Latin. In the margin a four-line poem of praise in Latin, German and Dutch. Copy after the print of the same name by Crispijn van de Passe (II)., print, print maker: anonymous, after print by: Crispijn van de Passe (II), Philipp von Zesen, (mentioned on object), Amsterdam, 1655 - 1673, paper, engraving, height, 318 mm × width, 222 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-reimerus-ligarius-portrait-of-reimerus-ligarius-lutheran-minister-in-amsterdam-at-the-age-of-50-there-is-an-open-bible-and-an-hourglass-on-his-writing-desk-top-right-a-bible-quote-from-2-tim-316-in-latin-in-the-margin-a-four-line-poem-of-praise-in-latin-german-and-dutch-copy-after-the-print-of-the-same-name-by-crispijn-van-de-passe-ii-print-print-maker-anonymous-after-print-by-crispijn-van-de-passe-ii-philipp-von-zesen-mentioned-on-object-amsterdam-1655-1673-paper-engraving-height-318-mm-width-222-mm-image623508707.html
RM2Y6B7M3–Portrait of Reimerus Ligarius, Portrait of Reimerus Ligarius, Lutheran minister in Amsterdam, at the age of 50. There is an open Bible and an hourglass on his writing desk. Top right a Bible quote from 2 Tim. 3:16, in Latin. In the margin a four-line poem of praise in Latin, German and Dutch. Copy after the print of the same name by Crispijn van de Passe (II)., print, print maker: anonymous, after print by: Crispijn van de Passe (II), Philipp von Zesen, (mentioned on object), Amsterdam, 1655 - 1673, paper, engraving, height, 318 mm × width, 222 mm
View of ruins in Rome, Vestige du Temple de la Paix (...) (title on object), Numbered bottom right: 1., print maker: Nicolas Perelle, print maker: Adam Perelle, print maker: Gabriel Perelle, publisher: Paris, France, 1627 - 1655, paper, etching, engraving, height 222 mm × width 261 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-ruins-in-rome-vestige-du-temple-de-la-paix-title-on-object-numbered-bottom-right-1-print-maker-nicolas-perelle-print-maker-adam-perelle-print-maker-gabriel-perelle-publisher-paris-france-1627-1655-paper-etching-engraving-height-222-mm-width-261-mm-print-image599488927.html
RM2WR926R–View of ruins in Rome, Vestige du Temple de la Paix (...) (title on object), Numbered bottom right: 1., print maker: Nicolas Perelle, print maker: Adam Perelle, print maker: Gabriel Perelle, publisher: Paris, France, 1627 - 1655, paper, etching, engraving, height 222 mm × width 261 mm, print
Il Contento'. Mercury abducting the Goddess Contento from the Earth Knüpfer, Nikolaus 1607 - 1655 Painting Über Nikolaus Knüpfer, Friedrich Schlie, pp. 18 og 20, afb. ovf. p. 10, 1321, 1896. Adam Elsheimer, der Maler von Frankfurt, Heinrich Weizsäcker, vol. I: p. 148, 13460, 1936-52. Niederländisches Künstler-Lexikon: Auf Grund archivalischer Forschungen bearbeitet. I-III, Alfred von Wurzbach, vol. I: 300, 1832, 1906-1911. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Olaf Koester, Christian IV og billedkunstens Europa, p. 324-325, kat.nr. 1051, 88-222, 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/il-contento-mercury-abducting-the-goddess-contento-from-the-earth-knpfer-nikolaus-1607-1655-painting-ber-nikolaus-knpfer-friedrich-schlie-pp-18-og-20-afb-ovf-p-10-1321-1896-adam-elsheimer-der-maler-von-frankfurt-heinrich-weizscker-vol-i-p-148-13460-1936-52-niederlndisches-knstler-lexikon-auf-grund-archivalischer-forschungen-bearbeitet-i-iii-alfred-von-wurzbach-vol-i-300-1832-1906-1911-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-olaf-koester-christian-iv-og-billedkunstens-europa-p-324-325-katnr-1051-88-222-1-image613389660.html
RM2XHX8NG–Il Contento'. Mercury abducting the Goddess Contento from the Earth Knüpfer, Nikolaus 1607 - 1655 Painting Über Nikolaus Knüpfer, Friedrich Schlie, pp. 18 og 20, afb. ovf. p. 10, 1321, 1896. Adam Elsheimer, der Maler von Frankfurt, Heinrich Weizsäcker, vol. I: p. 148, 13460, 1936-52. Niederländisches Künstler-Lexikon: Auf Grund archivalischer Forschungen bearbeitet. I-III, Alfred von Wurzbach, vol. I: 300, 1832, 1906-1911. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Olaf Koester, Christian IV og billedkunstens Europa, p. 324-325, kat.nr. 1051, 88-222, 1
A three-quarter portrait in front view of Johannes Coch (Cocceius) (1603-1669), a German-Dutch theologian and philologist and professor in successively Bremen (1630), Franeker (1636) and Leiden (1650), Portrait of Johannes Cocceius., print maker: Abraham Bloteling, after: Anthonie Palamedesz., Amsterdam, 1655 - 1678, paper, engraving, h 222 mm × w 196 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-three-quarter-portrait-in-front-view-of-johannes-coch-cocceius-1603-1669-a-german-dutch-theologian-and-philologist-and-professor-in-successively-bremen-1630-franeker-1636-and-leiden-1650-portrait-of-johannes-cocceius-print-maker-abraham-bloteling-after-anthonie-palamedesz-amsterdam-1655-1678-paper-engraving-h-222-mm-w-196-mm-image473393785.html
RM2JE4XGW–A three-quarter portrait in front view of Johannes Coch (Cocceius) (1603-1669), a German-Dutch theologian and philologist and professor in successively Bremen (1630), Franeker (1636) and Leiden (1650), Portrait of Johannes Cocceius., print maker: Abraham Bloteling, after: Anthonie Palamedesz., Amsterdam, 1655 - 1678, paper, engraving, h 222 mm × w 196 mm
Still Life Claesz, Pieter 1597 - 1661, Koets I, Roelof 1590 - 1655 Painting Adam van Vianen's silverware in relation to seventeenth century dutch painting, Joh. R. ter Molen, p. 488 (sølvfadet yderst tv. på bordet kan identificeres som et arbejde formentlig af Christiaen van Vianen før 1628 udført i faderens værksted, cf. J.W. Frederiks: Dutch Silver, vol. I (1952) no. 174), 63501. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Olaf Koester, Christian IV og billedkunstens Europa, p. 313, kat. 1014, 88-222, 1988. Dutch still-life painting from the 16th to t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/still-life-claesz-pieter-1597-1661-koets-i-roelof-1590-1655-painting-adam-van-vianens-silverware-in-relation-to-seventeenth-century-dutch-painting-joh-r-ter-molen-p-488-slvfadet-yderst-tv-p-bordet-kan-identificeres-som-et-arbejde-formentlig-af-christiaen-van-vianen-fr-1628-udfrt-i-faderens-vrksted-cf-jw-frederiks-dutch-silver-vol-i-1952-no-174-63501-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-olaf-koester-christian-iv-og-billedkunstens-europa-p-313-kat-1014-88-222-1988-dutch-still-life-painting-from-the-16th-to-t-image613441575.html
RM2XJ0JYK–Still Life Claesz, Pieter 1597 - 1661, Koets I, Roelof 1590 - 1655 Painting Adam van Vianen's silverware in relation to seventeenth century dutch painting, Joh. R. ter Molen, p. 488 (sølvfadet yderst tv. på bordet kan identificeres som et arbejde formentlig af Christiaen van Vianen før 1628 udført i faderens værksted, cf. J.W. Frederiks: Dutch Silver, vol. I (1952) no. 174), 63501. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Olaf Koester, Christian IV og billedkunstens Europa, p. 313, kat. 1014, 88-222, 1988. Dutch still-life painting from the 16th to t
Top of mask with two ear-shells, bottom of mask with double ear-shells, Vertical lobe cartouche with large oval compartment Some new compartment (series title), print maker: Johannes Lutma (1624-1689), Johannes Lutma (1624-1689), publisher: Frederik de Wit, Amsterdam, c. 1653 - c. 1655, paper, etching, h 222 mm × w 180 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/top-of-mask-with-two-ear-shells-bottom-of-mask-with-double-ear-shells-vertical-lobe-cartouche-with-large-oval-compartment-some-new-compartment-series-title-print-maker-johannes-lutma-1624-1689-johannes-lutma-1624-1689-publisher-frederik-de-wit-amsterdam-c-1653-c-1655-paper-etching-h-222-mm-w-180-mm-image472140361.html
RM2JC3RRN–Top of mask with two ear-shells, bottom of mask with double ear-shells, Vertical lobe cartouche with large oval compartment Some new compartment (series title), print maker: Johannes Lutma (1624-1689), Johannes Lutma (1624-1689), publisher: Frederik de Wit, Amsterdam, c. 1653 - c. 1655, paper, etching, h 222 mm × w 180 mm
General Government of Lyons according to the last General Estates where are Lyons, Forez, Beauolois, Bourbonnois, Auvergne, Marche, etc., Map of the Lyonnais Governorate, Fig. 222, p. 25, 1661, Martin Zeiller: Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Franckreich: beedes auss eygner Erfahrung und den besten und berühmbtesten Scribenten, so in underschiedlichen Spraachen davon aussgangen seyn, auch auss erlangten Bericht und Relationen von etlichen Jahren hero zusammen getragen, in richtige Ordnung Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/general-government-of-lyons-according-to-the-last-general-estates-where-are-lyons-forez-beauolois-bourbonnois-auvergne-marche-etc-map-of-the-lyonnais-governorate-fig-222-p-25-1661-martin-zeiller-topographia-galliae-oder-beschreibung-und-contrafaitung-der-vornehmbsten-und-bekantisten-oerter-in-dem-mchtigen-und-grossen-knigreich-franckreich-beedes-auss-eygner-erfahrung-und-den-besten-und-berhmbtesten-scribenten-so-in-underschiedlichen-spraachen-davon-aussgangen-seyn-auch-auss-erlangten-bericht-und-relationen-von-etlichen-jahren-hero-zusammen-getragen-in-richtige-ordnung-image328750389.html
RM2A2RTD9–General Government of Lyons according to the last General Estates where are Lyons, Forez, Beauolois, Bourbonnois, Auvergne, Marche, etc., Map of the Lyonnais Governorate, Fig. 222, p. 25, 1661, Martin Zeiller: Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Franckreich: beedes auss eygner Erfahrung und den besten und berühmbtesten Scribenten, so in underschiedlichen Spraachen davon aussgangen seyn, auch auss erlangten Bericht und Relationen von etlichen Jahren hero zusammen getragen, in richtige Ordnung
Façade of Palazzo Borghese, Di Martino Lunghi il vecchio la loggia corispondente a Ripetta architettura di Flaminio Pontio (title on object), Roman palaces (series title), Palazzi di Roma (series title), Palazzi di Roma dei più celebri architett (.. .) (series title), Print is part of an album., print, print maker: Giovanni Battista Falda, after drawing by: Giovanni Battista Falda, after design by: Martino Longhi (I), (mentioned on object), print maker: Italy, after drawing by: Italy, after design by: Rome, after design by: Rome, publisher: Rome, Vaticaanstad, Rome, Italy, in or after 1655 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/faade-of-palazzo-borghese-di-martino-lunghi-il-vecchio-la-loggia-corispondente-a-ripetta-architettura-di-flaminio-pontio-title-on-object-roman-palaces-series-title-palazzi-di-roma-series-title-palazzi-di-roma-dei-pi-celebri-architett-series-title-print-is-part-of-an-album-print-print-maker-giovanni-battista-falda-after-drawing-by-giovanni-battista-falda-after-design-by-martino-longhi-i-mentioned-on-object-print-maker-italy-after-drawing-by-italy-after-design-by-rome-after-design-by-rome-publisher-rome-vaticaanstad-rome-italy-in-or-after-1655-image606663632.html
RM2X6YWJ8–Façade of Palazzo Borghese, Di Martino Lunghi il vecchio la loggia corispondente a Ripetta architettura di Flaminio Pontio (title on object), Roman palaces (series title), Palazzi di Roma (series title), Palazzi di Roma dei più celebri architett (.. .) (series title), Print is part of an album., print, print maker: Giovanni Battista Falda, after drawing by: Giovanni Battista Falda, after design by: Martino Longhi (I), (mentioned on object), print maker: Italy, after drawing by: Italy, after design by: Rome, after design by: Rome, publisher: Rome, Vaticaanstad, Rome, Italy, in or after 1655
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