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222 1700 Stock Photos and Images
Carpet, 1650/1700, Northern France or the Low Countries (Netherlands, Belgium, Luxembourg), Northern France, Linen and wool, plain weave with supplementary pile warps forming cut solid velvet, edged with silk and linen plain weave extended weft cut fringe, 222.5 x 169.9 cm (87 5/8 x 67 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carpet-16501700-northern-france-or-the-low-countries-netherlands-belgium-luxembourg-northern-france-linen-and-wool-plain-weave-with-supplementary-pile-warps-forming-cut-solid-velvet-edged-with-silk-and-linen-plain-weave-extended-weft-cut-fringe-2225-x-1699-cm-87-58-x-67-in-image328637821.htmlRM2A2JMW1–Carpet, 1650/1700, Northern France or the Low Countries (Netherlands, Belgium, Luxembourg), Northern France, Linen and wool, plain weave with supplementary pile warps forming cut solid velvet, edged with silk and linen plain weave extended weft cut fringe, 222.5 x 169.9 cm (87 5/8 x 67 in
. Philydor amaurotis . between 1700 and 1880 222 Philydor amaurotis - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19200177 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philydor-amaurotis-between-1700-and-1880-222-philydor-amaurotis-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz19200177-image207788015.htmlRMP21FMF–. Philydor amaurotis . between 1700 and 1880 222 Philydor amaurotis - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19200177
Portrait of a painter at a donkey. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 222 mm × w 177 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-painter-at-a-donkey-draughtsman-anonymous-dating-1700-1800-measurements-h-222-mm-w-177-mm-museum-rijksmuseum-amsterdam-image233105768.htmlRMRF6TP0–Portrait of a painter at a donkey. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 222 mm × w 177 mm. Museum: Rijksmuseum, Amsterdam.
Op de voorgrond een hertenjacht met ruiters en jachthonden. Manufacturer : uitgever: anoniemprentmaker: Jacques Rigaud (mogelijk)Plaats manufacture: Parijs Dating: 1700 - 1799 Physical kenmerken: ingekleurde ets geplakt op karton Material: papier karton waterverf Techniek: etsen / penseel Dimensions: blad: h 222 mm (afgesneden) × b 465 mm (afgesneden) Subject: palacehunting, chase Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/op-de-voorgrond-een-hertenjacht-met-ruiters-en-jachthonden-manufacturer-uitgever-anoniemprentmaker-jacques-rigaud-mogelijkplaats-manufacture-parijs-dating-1700-1799-physical-kenmerken-ingekleurde-ets-geplakt-op-karton-material-papier-karton-waterverf-techniek-etsen-penseel-dimensions-blad-h-222-mm-afgesneden-b-465-mm-afgesneden-subject-palacehunting-chase-image348409959.htmlRM2B6RCCR–Op de voorgrond een hertenjacht met ruiters en jachthonden. Manufacturer : uitgever: anoniemprentmaker: Jacques Rigaud (mogelijk)Plaats manufacture: Parijs Dating: 1700 - 1799 Physical kenmerken: ingekleurde ets geplakt op karton Material: papier karton waterverf Techniek: etsen / penseel Dimensions: blad: h 222 mm (afgesneden) × b 465 mm (afgesneden) Subject: palacehunting, chase
Anna Fullings Goltzius, Hendrick 1558 - 1617 Copper engraving, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Hendrick Goltzius, part I-IV, Marjolein Leesberg, 222 III, C 48058, 2012 Anna Fullings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anna-fullings-goltzius-hendrick-1558-1617-copper-engraving-print-the-new-hollstein-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-hendrick-goltzius-part-i-iv-marjolein-leesberg-222-iii-c-48058-2012-anna-fullings-image613542584.htmlRM2XJ57R4–Anna Fullings Goltzius, Hendrick 1558 - 1617 Copper engraving, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Hendrick Goltzius, part I-IV, Marjolein Leesberg, 222 III, C 48058, 2012 Anna Fullings
Venus and Adonis embracing after the hunt 1650–1700 Anonymous, 17th century This is a copy in reverse after Testa's print, for which see B.XX.222.25.. Venus and Adonis embracing after the hunt. Anonymous, 17th century. 1650–1700. Etching. Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venus-and-adonis-embracing-after-the-hunt-16501700-anonymous-17th-century-this-is-a-copy-in-reverse-after-testas-print-for-which-see-bxx22225-venus-and-adonis-embracing-after-the-hunt-anonymous-17th-century-16501700-etching-prints-image457779885.htmlRM2HGNJWH–Venus and Adonis embracing after the hunt 1650–1700 Anonymous, 17th century This is a copy in reverse after Testa's print, for which see B.XX.222.25.. Venus and Adonis embracing after the hunt. Anonymous, 17th century. 1650–1700. Etching. Prints
Print, The Annunciation, ca. 1700; Print Maker: Bernard Picart (1673–1733); After Guido Reni (Italian, 1575 - 1642); France; engraving on paper; 30.3 × 17.5 cm (11 15/16 × 6 7/8 in.); Bequest of George Campbell Cooper; 1896-3-222 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-the-annunciation-ca-1700-print-maker-bernard-picart-16731733-after-guido-reni-italian-1575-1642-france-engraving-on-paper-303-175-cm-11-1516-6-78-in-bequest-of-george-campbell-cooper-1896-3-222-image546139528.htmlRM2PMEPF4–Print, The Annunciation, ca. 1700; Print Maker: Bernard Picart (1673–1733); After Guido Reni (Italian, 1575 - 1642); France; engraving on paper; 30.3 × 17.5 cm (11 15/16 × 6 7/8 in.); Bequest of George Campbell Cooper; 1896-3-222
![Kissing contest. Orley, Jan van (Flemish, 1665-1735) (author of design) [draughtsman] c. 1700-1720 Tapestry Dimensions: H 10'10' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Mrs. P. A. Valentine 2/15/1917. In landscape, kissing couple seated before pyramid, surrounded by female figures; cupid hovers above (BRD) ferronerie interspersed with garlands of flowers; (L & R BRD) shells, torchiers No French & Co. stock sheet in archive, no stock number Related Works: Complete set in Vienna, Austrian State coll Stock Photo](https://c8.alamy.com/comp/2WTGER1/kissing-contest-orley-jan-van-flemish-1665-1735-author-of-design-draughtsman-c-1700-1720-tapestry-dimensions-h-1010-x-w-222-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-french-co-purchased-from-mrs-p-a-valentine-2151917-in-landscape-kissing-couple-seated-before-pyramid-surrounded-by-female-figures-cupid-hovers-above-brd-ferronerie-interspersed-with-garlands-of-flowers-l-r-brd-shells-torchiers-no-french-co-stock-sheet-in-archive-no-stock-number-related-works-complete-set-in-vienna-austrian-state-coll-2WTGER1.jpg "Kissing contest. Orley, Jan van (Flemish, 1665-1735) (author of design) [draughtsman] c. 1700-1720 Tapestry Dimensions: H 10'10' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Mrs. P. A. Valentine 2/15/1917. In landscape, kissing couple seated before pyramid, surrounded by female figures; cupid hovers above (BRD) ferronerie interspersed with garlands of flowers; (L & R BRD) shells, torchiers No French & Co. stock sheet in archive, no stock number Related Works: Complete set in Vienna, Austrian State coll Stock Photo")
Kissing contest. Orley, Jan van (Flemish, 1665-1735) (author of design) [draughtsman] c. 1700-1720 Tapestry Dimensions: H 10'10' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Mrs. P. A. Valentine 2/15/1917. In landscape, kissing couple seated before pyramid, surrounded by female figures; cupid hovers above (BRD) ferronerie interspersed with garlands of flowers; (L & R BRD) shells, torchiers No French & Co. stock sheet in archive, no stock number Related Works: Complete set in Vienna, Austrian State coll Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kissing-contest-orley-jan-van-flemish-1665-1735-author-of-design-draughtsman-c-1700-1720-tapestry-dimensions-h-1010-x-w-222-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-french-co-purchased-from-mrs-p-a-valentine-2151917-in-landscape-kissing-couple-seated-before-pyramid-surrounded-by-female-figures-cupid-hovers-above-brd-ferronerie-interspersed-with-garlands-of-flowers-l-r-brd-shells-torchiers-no-french-co-stock-sheet-in-archive-no-stock-number-related-works-complete-set-in-vienna-austrian-state-coll-image600267109.htmlRM2WTGER1–Kissing contest. Orley, Jan van (Flemish, 1665-1735) (author of design) [draughtsman] c. 1700-1720 Tapestry Dimensions: H 10'10' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Mrs. P. A. Valentine 2/15/1917. In landscape, kissing couple seated before pyramid, surrounded by female figures; cupid hovers above (BRD) ferronerie interspersed with garlands of flowers; (L & R BRD) shells, torchiers No French & Co. stock sheet in archive, no stock number Related Works: Complete set in Vienna, Austrian State coll
Carpet, 1650/1700, Northern France or the Low Countries (Netherlands, Belgium, Luxembourg), Northern France, Linen and wool, plain weave with supplementary pile warps forming cut solid velvet, edged with silk and linen plain weave extended weft cut fringe, 222.5 x 169.9 cm (87 5/8 x 67 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carpet-16501700-northern-france-or-the-low-countries-netherlands-belgium-luxembourg-northern-france-linen-and-wool-plain-weave-with-supplementary-pile-warps-forming-cut-solid-velvet-edged-with-silk-and-linen-plain-weave-extended-weft-cut-fringe-2225-x-1699-cm-87-58-x-67-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349705204.htmlRF2B8XCFG–Carpet, 1650/1700, Northern France or the Low Countries (Netherlands, Belgium, Luxembourg), Northern France, Linen and wool, plain weave with supplementary pile warps forming cut solid velvet, edged with silk and linen plain weave extended weft cut fringe, 222.5 x 169.9 cm (87 5/8 x 67 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
March 25, 2018 - Tokyo, Tokyo, China - Tokyo, Japan-25th March 2018: Cherry flowers blossom at Rikugien Garden in Tokyo, Japan. Rikugien is often considered Tokyo's most beautiful Japanese landscape garden alongside Koishikawa Korakuen. Built around 1700 for the 5th Tokugawa Shogun, Rikugien literally means ''six poems garden'' and reproduces in miniature 88 scenes from famous poems. The garden is a good example of an Edo Period strolling garden and features a large central pond surrounded by manmade hills and forested areas, all connected by a network of trails. (Credit Image: © SIPA Asia via Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/march-25-2018-tokyo-tokyo-china-tokyo-japan-25th-march-2018-cherry-flowers-blossom-at-rikugien-garden-in-tokyo-japan-rikugien-is-often-considered-tokyos-most-beautiful-japanese-landscape-garden-alongside-koishikawa-korakuen-built-around-1700-for-the-5th-tokugawa-shogun-rikugien-literally-means-six-poems-garden-and-reproduces-in-miniature-88-scenes-from-famous-poems-the-garden-is-a-good-example-of-an-edo-period-strolling-garden-and-features-a-large-central-pond-surrounded-by-manmade-hills-and-forested-areas-all-connected-by-a-network-of-trails-credit-image-sipa-asia-via-image177995405.htmlRMM9GAXN–March 25, 2018 - Tokyo, Tokyo, China - Tokyo, Japan-25th March 2018: Cherry flowers blossom at Rikugien Garden in Tokyo, Japan. Rikugien is often considered Tokyo's most beautiful Japanese landscape garden alongside Koishikawa Korakuen. Built around 1700 for the 5th Tokugawa Shogun, Rikugien literally means ''six poems garden'' and reproduces in miniature 88 scenes from famous poems. The garden is a good example of an Edo Period strolling garden and features a large central pond surrounded by manmade hills and forested areas, all connected by a network of trails. (Credit Image: © SIPA Asia via
Writing stationary while sitting on the deck in summer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-writing-stationary-while-sitting-on-the-deck-in-summer-19263876.htmlRMB39F7G–Writing stationary while sitting on the deck in summer
The Tavern, 222 East Main Street, Abingdon, Virginia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-tavern-222-east-main-street-abingdon-virginia-73080058.htmlRME6W2A2–The Tavern, 222 East Main Street, Abingdon, Virginia
Study Electricity at Home by our correspondenoe method Terms low. Experi AGENTS COIN tomatic Cooker. Latest and sold over 1700 in one town. THE McGEE GOLD PROCESS. FRICTION CHUM CLUTCHES and ELEVATORS PROVIDENCE ft. I. Parsons Horological Institute. earn the Watch Trade Engraving and Jewelry Work. THE LINK-BELT COMPANIES Philadelphia address 2020 Hunting Park Av. PUBLICATIONS FOR 1894. or express money order or draft to order of (1'1-1E ' OLIN' GAS AND GASOLINE ENGINES FROM 1 TO 10 HORSE POWER FOR ALL POWER PURPOSES. THE OLIN GAS ENGINE CO. 222 CHICAGO STREET BUFFAL NEW YORK. 9 L. G. WINN MFG Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-electricity-at-home-by-our-correspondenoe-method-terms-low-experi-agents-coin-tomatic-cooker-latest-and-sold-over-1700-in-one-town-the-mcgee-gold-process-friction-chum-clutches-and-elevators-providence-ft-i-parsons-horological-institute-earn-the-watch-trade-engraving-and-jewelry-work-the-link-belt-companies-philadelphia-address-2020-hunting-park-av-publications-for-1894-or-express-money-order-or-draft-to-order-of-11-1e-olin-gas-and-gasoline-engines-from-1-to-10-horse-power-for-all-power-purposes-the-olin-gas-engine-co-222-chicago-street-buffal-new-york-9-l-g-winn-mfg-image334337548.htmlRM2ABXAXM–Study Electricity at Home by our correspondenoe method Terms low. Experi AGENTS COIN tomatic Cooker. Latest and sold over 1700 in one town. THE McGEE GOLD PROCESS. FRICTION CHUM CLUTCHES and ELEVATORS PROVIDENCE ft. I. Parsons Horological Institute. earn the Watch Trade Engraving and Jewelry Work. THE LINK-BELT COMPANIES Philadelphia address 2020 Hunting Park Av. PUBLICATIONS FOR 1894. or express money order or draft to order of (1'1-1E ' OLIN' GAS AND GASOLINE ENGINES FROM 1 TO 10 HORSE POWER FOR ALL POWER PURPOSES. THE OLIN GAS ENGINE CO. 222 CHICAGO STREET BUFFAL NEW YORK. 9 L. G. WINN MFG
Archive image from page 222 of Description du cap de Bonne-Espérance. Description du cap de Bonne-Espérance : où l'on trouve tout ce qui concerne l'histoire naturelle du pays, la religion ... des Hottentots et l'établissement des Hollandois descriptionducap03kolb Year: 1741 j.Tiycùr. zJ!Cnor.aa7îy. g//oTruzri. . .Pélican/, Z&nv. JII. pe. 2yz . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-222-of-description-du-cap-de-bonne-esprance-description-du-cap-de-bonne-esprance-o-lon-trouve-tout-ce-qui-concerne-lhistoire-naturelle-du-pays-la-religion-des-hottentots-et-ltablissement-des-hollandois-descriptionducap03kolb-year-1741-jtiycr-zj!cnoraa7y-gotruzri-plican-znv-jii-pe-2yz-image258663148.htmlRMW0R3DG–Archive image from page 222 of Description du cap de Bonne-Espérance. Description du cap de Bonne-Espérance : où l'on trouve tout ce qui concerne l'histoire naturelle du pays, la religion ... des Hottentots et l'établissement des Hollandois descriptionducap03kolb Year: 1741 j.Tiycùr. zJ!Cnor.aa7îy. g//oTruzri. . .Pélican/, Z&nv. JII. pe. 2yz .
Portrait of Hebrew Giovanni Bernardo De Rossi, historical persons, Giovanni Bernardo de Rossi, Frisi (mentioned on object), 1700 - 1799, paper, etching, h 222 mm × w 155 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-hebrew-giovanni-bernardo-de-rossi-historical-persons-giovanni-bernardo-de-rossi-frisi-mentioned-on-object-1700-1799-paper-etching-h-222-mm-w-155-mm-image261401281.htmlRMW57T01–Portrait of Hebrew Giovanni Bernardo De Rossi, historical persons, Giovanni Bernardo de Rossi, Frisi (mentioned on object), 1700 - 1799, paper, etching, h 222 mm × w 155 mm
. Philydor striolatus . between 1700 and 1880 222 Philydor striolatus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19200189 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philydor-striolatus-between-1700-and-1880-222-philydor-striolatus-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz19200189-image207788032.htmlRMP21FN4–. Philydor striolatus . between 1700 and 1880 222 Philydor striolatus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19200189
Tarquin and Lucretia. Dated: c. 1695/1700. Dimensions: overall: 195 x 171.5 cm (76 3/4 x 67 1/2 in.) framed: 222.9 x 201.9 x 14.3 cm (87 3/4 x 79 1/2 x 5 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GIUSEPPE MARIA CRESPI. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tarquin-and-lucretia-dated-c-16951700-dimensions-overall-195-x-1715-cm-76-34-x-67-12-in-framed-2229-x-2019-x-143-cm-87-34-x-79-12-x-5-58-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-giuseppe-maria-crespi-image233252091.htmlRMRFDFBR–Tarquin and Lucretia. Dated: c. 1695/1700. Dimensions: overall: 195 x 171.5 cm (76 3/4 x 67 1/2 in.) framed: 222.9 x 201.9 x 14.3 cm (87 3/4 x 79 1/2 x 5 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GIUSEPPE MARIA CRESPI.
Gezicht op de Cour Ovale van het Palais de FontainebleauVeüe de la Cour Ovale de Fontainebleau (titel op object) Object Type : prent opticaprent Objectnummer: RP-P-1980-443 Manufacturer : uitgever: anoniemprentmaker: Jacques Rigaud (mogelijk)Plaats manufacture: Parijs Dating: 1700 - 1799 Physical kenmerken: ingekleurde ets geplakt op karton Material: papier karton waterverf Techniek: etsen / penseel Dimensions: blad: h 222 mm (afgesneden) × b 466 mm (afgesneden) Subject: palaceinner court of palace or 'hôtel' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-op-de-cour-ovale-van-het-palais-de-fontainebleauvee-de-la-cour-ovale-de-fontainebleau-titel-op-object-object-type-prent-opticaprent-objectnummer-rp-p-1980-443-manufacturer-uitgever-anoniemprentmaker-jacques-rigaud-mogelijkplaats-manufacture-parijs-dating-1700-1799-physical-kenmerken-ingekleurde-ets-geplakt-op-karton-material-papier-karton-waterverf-techniek-etsen-penseel-dimensions-blad-h-222-mm-afgesneden-b-466-mm-afgesneden-subject-palaceinner-court-of-palace-or-htel-image348390600.htmlRM2B6PFNC–Gezicht op de Cour Ovale van het Palais de FontainebleauVeüe de la Cour Ovale de Fontainebleau (titel op object) Object Type : prent opticaprent Objectnummer: RP-P-1980-443 Manufacturer : uitgever: anoniemprentmaker: Jacques Rigaud (mogelijk)Plaats manufacture: Parijs Dating: 1700 - 1799 Physical kenmerken: ingekleurde ets geplakt op karton Material: papier karton waterverf Techniek: etsen / penseel Dimensions: blad: h 222 mm (afgesneden) × b 466 mm (afgesneden) Subject: palaceinner court of palace or 'hôtel'
December Matham, Jacob 1571 - 1631, Wildens, Jan 1586 - 1653, Hondius I, Hendrik 1573 - 1650 Copper engraving, Print The Illustrated Bartsch 4, Netherlandish artists, Matham, Saenredam, Muller, Walter L. Strauss, 231, C 36168, 1980. The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Jacob Matham, part I-III, Léna Widerkehr, 222 II, C 38244, 2007-2008 December Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/december-matham-jacob-1571-1631-wildens-jan-1586-1653-hondius-i-hendrik-1573-1650-copper-engraving-print-the-illustrated-bartsch-4-netherlandish-artists-matham-saenredam-muller-walter-l-strauss-231-c-36168-1980-the-new-hollstein-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-jacob-matham-part-i-iii-lna-widerkehr-222-ii-c-38244-2007-2008-december-image613577066.htmlRM2XJ6RPJ–December Matham, Jacob 1571 - 1631, Wildens, Jan 1586 - 1653, Hondius I, Hendrik 1573 - 1650 Copper engraving, Print The Illustrated Bartsch 4, Netherlandish artists, Matham, Saenredam, Muller, Walter L. Strauss, 231, C 36168, 1980. The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Jacob Matham, part I-III, Léna Widerkehr, 222 II, C 38244, 2007-2008 December
Grotesken met Diana en gevleugelde vrouwfiguur Neues Groteschgen-Werk (serietitel) Three pilasters with grotesques and several mythical figures and scènes. Manufacturer : printmaker Johann Adam Dels Bach (listed property) designed by Paul Decker (I) publisher: Johann Christoph WeigelPlaats manufacture: Nuremberg Date: 1700 - 1725 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 222 mm × b 172 mmToelichtingDeze print is part of a series of vier. Subject: ornament grotesque (story of) Diana (Artemis) Abstract Ideas and Concepts (+ clothed with wings) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grotesken-met-diana-en-gevleugelde-vrouwfiguur-neues-groteschgen-werk-serietitel-three-pilasters-with-grotesques-and-several-mythical-figures-and-scnes-manufacturer-printmaker-johann-adam-dels-bach-listed-property-designed-by-paul-decker-i-publisher-johann-christoph-weigelplaats-manufacture-nuremberg-date-1700-1725-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-222-mm-b-172-mmtoelichtingdeze-print-is-part-of-a-series-of-vier-subject-ornament-grotesque-story-of-diana-artemis-abstract-ideas-and-concepts-clothed-with-wings-image348421773.htmlRM2B6RYEN–Grotesken met Diana en gevleugelde vrouwfiguur Neues Groteschgen-Werk (serietitel) Three pilasters with grotesques and several mythical figures and scènes. Manufacturer : printmaker Johann Adam Dels Bach (listed property) designed by Paul Decker (I) publisher: Johann Christoph WeigelPlaats manufacture: Nuremberg Date: 1700 - 1725 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 222 mm × b 172 mmToelichtingDeze print is part of a series of vier. Subject: ornament grotesque (story of) Diana (Artemis) Abstract Ideas and Concepts (+ clothed with wings)
The XVIIIth century; its institutions, customs, and costumes France, 1700-1789 . many abuses to exist—the absence of pavements, the shootspouring the rainfall on to the peoples head, the overhanging gables,the houses built on the bridges (see Fig. 222), the lamps left un-lighted, the infiltrations from the cesspools, etc. No account waskept of the number of people run over in the streets. There werecertain points where one or two people met with such accidentsevery day. Whether killed or wounded, they were conveyed to thedead-house of the Chatelet, where also were deposited the bodiespicked up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-xviiith-century-its-institutions-customs-and-costumes-france-1700-1789-many-abuses-to-existthe-absence-of-pavements-the-shootspouring-the-rainfall-on-to-the-peoples-head-the-overhanging-gablesthe-houses-built-on-the-bridges-see-fig-222-the-lamps-left-un-lighted-the-infiltrations-from-the-cesspools-etc-no-account-waskept-of-the-number-of-people-run-over-in-the-streets-there-werecertain-points-where-one-or-two-people-met-with-such-accidentsevery-day-whether-killed-or-wounded-they-were-conveyed-to-thedead-house-of-the-chatelet-where-also-were-deposited-the-bodiespicked-up-image340111026.htmlRM2AN9B2A–The XVIIIth century; its institutions, customs, and costumes France, 1700-1789 . many abuses to exist—the absence of pavements, the shootspouring the rainfall on to the peoples head, the overhanging gables,the houses built on the bridges (see Fig. 222), the lamps left un-lighted, the infiltrations from the cesspools, etc. No account waskept of the number of people run over in the streets. There werecertain points where one or two people met with such accidentsevery day. Whether killed or wounded, they were conveyed to thedead-house of the Chatelet, where also were deposited the bodiespicked up
![Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) [weaver] Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) [weaver] c. 1700-1720 Tapestry Dimensions: H 13'4' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left [not visible in photograph] Inscri Stock Photo](https://c8.alamy.com/comp/2WT3EK6/theater-scene-borcht-jacques-van-der-the-elder-flemish-act1676-1710-workshop-attr-weaver-borcht-gaspard-van-der-flemish-1700-d1742-workshop-attr-weaver-c-1700-1720-tapestry-dimensions-h-134-x-w-222-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-louisa-lady-ashburton-coll-england-sir-alfred-mond-coll-northampton-c1931-sold-91931-to-h-lareham-harding-french-co-purchased-from-arnold-seligmann-rey-co-inc-2281919-inscriptions-city-mark-on-lower-guard-left-not-visible-in-photograph-inscri-2WT3EK6.jpg "Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) [weaver] Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) [weaver] c. 1700-1720 Tapestry Dimensions: H 13'4' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left [not visible in photograph] Inscri Stock Photo")
Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) [weaver] Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) [weaver] c. 1700-1720 Tapestry Dimensions: H 13'4' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left [not visible in photograph] Inscri Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theater-scene-borcht-jacques-van-der-the-elder-flemish-act1676-1710-workshop-attr-weaver-borcht-gaspard-van-der-flemish-1700-d1742-workshop-attr-weaver-c-1700-1720-tapestry-dimensions-h-134-x-w-222-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-louisa-lady-ashburton-coll-england-sir-alfred-mond-coll-northampton-c1931-sold-91931-to-h-lareham-harding-french-co-purchased-from-arnold-seligmann-rey-co-inc-2281919-inscriptions-city-mark-on-lower-guard-left-not-visible-in-photograph-inscri-image599981626.htmlRM2WT3EK6–Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) [weaver] Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) [weaver] c. 1700-1720 Tapestry Dimensions: H 13'4' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left [not visible in photograph] Inscri
Portrait of Hebrew Giovanni Bernardo De Rossi, historical persons, Giovanni Bernardo de Rossi, Frisi (mentioned on object), 1700 - 1799, paper, etching, h 222 mm × w 155 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-hebrew-giovanni-bernardo-de-rossi-historical-persons-giovanni-bernardo-de-rossi-frisi-mentioned-on-object-1700-1799-paper-etching-h-222-mm-w-155-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350003908.htmlRF2B9C1FG–Portrait of Hebrew Giovanni Bernardo De Rossi, historical persons, Giovanni Bernardo de Rossi, Frisi (mentioned on object), 1700 - 1799, paper, etching, h 222 mm × w 155 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Tavern, 222 East Main Street, Abingdon, Virginia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-tavern-222-east-main-street-abingdon-virginia-73080064.htmlRME6W2A8–The Tavern, 222 East Main Street, Abingdon, Virginia
Archive image from page 222 of Description, vertus et usages de. Description, vertus et usages de sept cents dix-neuf plantes : tant étrangeres que de nos climats ; et de cent trente-quartre animaux, en sept cents trente planches, gravées en taille-douce, sur les desseins dʼaprès nature, de M. de Gersault, par MM. de Fehrt, Prevost, Duflos, Martinet, &c. et rangées suivant lʼordre du livre intitulé Matiere médicale de M. Geoffroy .. descriptionvertu01geof Year: 1767 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-222-of-description-vertus-et-usages-de-description-vertus-et-usages-de-sept-cents-dix-neuf-plantes-tant-etrangeres-que-de-nos-climats-et-de-cent-trente-quartre-animaux-en-sept-cents-trente-planches-gravees-en-taille-douce-sur-les-desseins-dapres-nature-de-m-de-gersault-par-mm-de-fehrt-prevost-duflos-martinet-c-et-rangees-suivant-lordre-du-livre-intitule-matiere-medicale-de-m-geoffroy-descriptionvertu01geof-year-1767-image258663124.htmlRMW0R3CM–Archive image from page 222 of Description, vertus et usages de. Description, vertus et usages de sept cents dix-neuf plantes : tant étrangeres que de nos climats ; et de cent trente-quartre animaux, en sept cents trente planches, gravées en taille-douce, sur les desseins dʼaprès nature, de M. de Gersault, par MM. de Fehrt, Prevost, Duflos, Martinet, &c. et rangées suivant lʼordre du livre intitulé Matiere médicale de M. Geoffroy .. descriptionvertu01geof Year: 1767
Giuseppe Maria Crespi, (artist), Bolognese, 1665 - 1747, Tarquin and Lucretia, c. 1695/1700, oil on canvas, overall: 195 x 171.5 cm (76 3/4 x 67 1/2 in.), framed: 222.9 x 201.9 x 14.3 cm (87 3/4 x 79 1/2 x 5 5/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giuseppe-maria-crespi-artist-bolognese-1665-1747-tarquin-and-lucretia-c-16951700-oil-on-canvas-overall-195-x-1715-cm-76-34-x-67-12-in-framed-2229-x-2019-x-143-cm-87-34-x-79-12-x-5-58-in-image386278832.htmlRM2DCCEGG–Giuseppe Maria Crespi, (artist), Bolognese, 1665 - 1747, Tarquin and Lucretia, c. 1695/1700, oil on canvas, overall: 195 x 171.5 cm (76 3/4 x 67 1/2 in.), framed: 222.9 x 201.9 x 14.3 cm (87 3/4 x 79 1/2 x 5 5/8 in
. Philydor erythrophthalmus . between 1700 and 1880 222 Philydor erythrophthalmus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19200191 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philydor-erythrophthalmus-between-1700-and-1880-222-philydor-erythrophthalmus-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz19200191-image207788034.htmlRMP21FN6–. Philydor erythrophthalmus . between 1700 and 1880 222 Philydor erythrophthalmus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19200191
Arnhem seen from across the water, print maker: anonymous, 1700 - 1750, paper, etching, height 165 mm × width 222 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arnhem-seen-from-across-the-water-print-maker-anonymous-1700-1750-paper-etching-height-165-mm-width-222-mm-print-image599480600.htmlRM2WR8KHC–Arnhem seen from across the water, print maker: anonymous, 1700 - 1750, paper, etching, height 165 mm × width 222 mm, print
Title Page Design for Agnes Block's Florilegia. Titelbladontwerp voor een verzamelalbum van Agnes Block. Draughtsman: Philip Tidemann. Dating: c. 1690 - c. 1700. Measurements: h 355 mm × w 222 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-page-design-for-agnes-blocks-florilegia-titelbladontwerp-voor-een-verzamelalbum-van-agnes-block-draughtsman-philip-tidemann-dating-c-1690-c-1700-measurements-h-355-mm-w-222-mm-museum-rijksmuseum-amsterdam-image232950494.htmlRMREYPME–Title Page Design for Agnes Block's Florilegia. Titelbladontwerp voor een verzamelalbum van Agnes Block. Draughtsman: Philip Tidemann. Dating: c. 1690 - c. 1700. Measurements: h 355 mm × w 222 mm. Museum: Rijksmuseum, Amsterdam.
Portrait of a painter at an easel, anonymous, 1700 - 1800, Portrait of a painter, seated at an easel, holding a palette., draughtsman: anonymous, 1700 - 1800, paper, h 222 mm × w 177 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-painter-at-an-easel-anonymous-1700-1800-portrait-of-a-painter-seated-at-an-easel-holding-a-palette-draughtsman-anonymous-1700-1800-paper-h-222-mm-w-177-mm-image472044076.htmlRM2JBYD10–Portrait of a painter at an easel, anonymous, 1700 - 1800, Portrait of a painter, seated at an easel, holding a palette., draughtsman: anonymous, 1700 - 1800, paper, h 222 mm × w 177 mm
Kaarten van de ingepolderde Purmer en Wormer De Purmer De Wormer (titel op object) Two cards reclamation of Purmer and Wormer. Part of an atlas of 223 maps of countries and cities and scenes of war in Europe in the period ca. 1690-1735. Manufacturer : printmaker: anonymous publisher: inherit J. Ratelband & CoPlaats manufacture: printmaker: Northern Netherlands Publisher: Amsterdam Date: 1700-1702 and / or 1735 Physical characteristics: engra, hand-colored and partly lacquered material: paper Technique: engra (printing process) / hand color / lacquer dimensions: plate edge: h 168 mm × W 222 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kaarten-van-de-ingepolderde-purmer-en-wormer-de-purmer-de-wormer-titel-op-object-two-cards-reclamation-of-purmer-and-wormer-part-of-an-atlas-of-223-maps-of-countries-and-cities-and-scenes-of-war-in-europe-in-the-period-ca-1690-1735-manufacturer-printmaker-anonymous-publisher-inherit-j-ratelband-coplaats-manufacture-printmaker-northern-netherlands-publisher-amsterdam-date-1700-1702-and-or-1735-physical-characteristics-engra-hand-colored-and-partly-lacquered-material-paper-technique-engra-printing-process-hand-color-lacquer-dimensions-plate-edge-h-168-mm-w-222-mm-image348487389.htmlRM2B6XY65–Kaarten van de ingepolderde Purmer en Wormer De Purmer De Wormer (titel op object) Two cards reclamation of Purmer and Wormer. Part of an atlas of 223 maps of countries and cities and scenes of war in Europe in the period ca. 1690-1735. Manufacturer : printmaker: anonymous publisher: inherit J. Ratelband & CoPlaats manufacture: printmaker: Northern Netherlands Publisher: Amsterdam Date: 1700-1702 and / or 1735 Physical characteristics: engra, hand-colored and partly lacquered material: paper Technique: engra (printing process) / hand color / lacquer dimensions: plate edge: h 168 mm × W 222 mm
SÉBASTIEN LECLERC, Requiem Mass in St. Gervais in Paris, ca. 1700, sheet, 222 x 176 mm, pen and brush in gray, some outline lines scratched, on paper, Requiem Mass in St. Gervais in Paris, SÉBASTIEN LECLERC, 17th CENTURY, French classicism, drawing, spring and brush in gray, some outline lines scratched through, on paper, ink?, Ink, paper, penal drawing, brush drawing, French, visual drawing, presentation for a print graphic, designation for a book illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sbastien-leclerc-requiem-mass-in-st-gervais-in-paris-ca-1700-sheet-222-x-176-mm-pen-and-brush-in-gray-some-outline-lines-scratched-on-paper-requiem-mass-in-st-gervais-in-paris-sbastien-leclerc-17th-century-french-classicism-drawing-spring-and-brush-in-gray-some-outline-lines-scratched-through-on-paper-ink-ink-paper-penal-drawing-brush-drawing-french-visual-drawing-presentation-for-a-print-graphic-designation-for-a-book-illustration-image573240894.htmlRM2T8HAH2–SÉBASTIEN LECLERC, Requiem Mass in St. Gervais in Paris, ca. 1700, sheet, 222 x 176 mm, pen and brush in gray, some outline lines scratched, on paper, Requiem Mass in St. Gervais in Paris, SÉBASTIEN LECLERC, 17th CENTURY, French classicism, drawing, spring and brush in gray, some outline lines scratched through, on paper, ink?, Ink, paper, penal drawing, brush drawing, French, visual drawing, presentation for a print graphic, designation for a book illustration
The Tyrrhenian sailors are turned into dolphins Matham, Jacob 1571 - 1631, Vinckboons, David 1576 - 1629 Copper engraving, Print The Illustrated Bartsch 4, Netherlandish artists, Matham, Saenredam, Muller, Walter L. Strauss, 222, C 36168, 1980. The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Jacob Matham, part I-III, Léna Widerkehr, 284 II, C 38244, 2007-2008 De tyrrhenske sømænd bliver forvandlet til delfiner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tyrrhenian-sailors-are-turned-into-dolphins-matham-jacob-1571-1631-vinckboons-david-1576-1629-copper-engraving-print-the-illustrated-bartsch-4-netherlandish-artists-matham-saenredam-muller-walter-l-strauss-222-c-36168-1980-the-new-hollstein-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-jacob-matham-part-i-iii-lna-widerkehr-284-ii-c-38244-2007-2008-de-tyrrhenske-smnd-bliver-forvandlet-til-delfiner-image613543660.htmlRM2XJ595G–The Tyrrhenian sailors are turned into dolphins Matham, Jacob 1571 - 1631, Vinckboons, David 1576 - 1629 Copper engraving, Print The Illustrated Bartsch 4, Netherlandish artists, Matham, Saenredam, Muller, Walter L. Strauss, 222, C 36168, 1980. The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Jacob Matham, part I-III, Léna Widerkehr, 284 II, C 38244, 2007-2008 De tyrrhenske sømænd bliver forvandlet til delfiner
![Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) [weaver] Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) [weaver] c. 1700-1720 Tapestry Dimensions: H 13'4' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left [not visible in photograph] Inscri Stock Photo](https://c8.alamy.com/comp/2WTDAAN/theater-scene-borcht-jacques-van-der-the-elder-flemish-act1676-1710-workshop-attr-weaver-borcht-gaspard-van-der-flemish-1700-d1742-workshop-attr-weaver-c-1700-1720-tapestry-dimensions-h-134-x-w-222-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-louisa-lady-ashburton-coll-england-sir-alfred-mond-coll-northampton-c1931-sold-91931-to-h-lareham-harding-french-co-purchased-from-arnold-seligmann-rey-co-inc-2281919-inscriptions-city-mark-on-lower-guard-left-not-visible-in-photograph-inscri-2WTDAAN.jpg "Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) [weaver] Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) [weaver] c. 1700-1720 Tapestry Dimensions: H 13'4' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left [not visible in photograph] Inscri Stock Photo")
Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) [weaver] Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) [weaver] c. 1700-1720 Tapestry Dimensions: H 13'4' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left [not visible in photograph] Inscri Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theater-scene-borcht-jacques-van-der-the-elder-flemish-act1676-1710-workshop-attr-weaver-borcht-gaspard-van-der-flemish-1700-d1742-workshop-attr-weaver-c-1700-1720-tapestry-dimensions-h-134-x-w-222-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-louisa-lady-ashburton-coll-england-sir-alfred-mond-coll-northampton-c1931-sold-91931-to-h-lareham-harding-french-co-purchased-from-arnold-seligmann-rey-co-inc-2281919-inscriptions-city-mark-on-lower-guard-left-not-visible-in-photograph-inscri-image600197773.htmlRM2WTDAAN–Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) [weaver] Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) [weaver] c. 1700-1720 Tapestry Dimensions: H 13'4' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left [not visible in photograph] Inscri
The pocket guide to the West Indies, British Guiana, British Honduras, the Bermudas, the Spanish Main, and the Panama canal . he Panama Canal 176 90128 158212246 296 353382410 428 To face page PLANS Bridgetown, BarbadosGeorgetown, British GuianaKingston, Jamaica A Plan of Port Royal before and after the Earth-quakes of 1692 and 1907Port of Spain, Trinidad To face page The Carenage, Grenada, in 1700 page Havana, Cuba To face page An old Plan of the Siege of Havana page 98136 168 181 222 253386388 TABLE Dollars and Sterling Table End of book vii This guide has been rewritten to a great extent, a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-pocket-guide-to-the-west-indies-british-guiana-british-honduras-the-bermudas-the-spanish-main-and-the-panama-canal-he-panama-canal-176-90128-158212246-296-353382410-428-to-face-page-plans-bridgetown-barbadosgeorgetown-british-guianakingston-jamaica-a-plan-of-port-royal-before-and-after-the-earth-quakes-of-1692-and-1907port-of-spain-trinidad-to-face-page-the-carenage-grenada-in-1700-page-havana-cuba-to-face-page-an-old-plan-of-the-siege-of-havana-page-98136-168-181-222-253386388-table-dollars-and-sterling-table-end-of-book-vii-this-guide-has-been-rewritten-to-a-great-extent-a-image339128187.htmlRM2AKMHCY–The pocket guide to the West Indies, British Guiana, British Honduras, the Bermudas, the Spanish Main, and the Panama canal . he Panama Canal 176 90128 158212246 296 353382410 428 To face page PLANS Bridgetown, BarbadosGeorgetown, British GuianaKingston, Jamaica A Plan of Port Royal before and after the Earth-quakes of 1692 and 1907Port of Spain, Trinidad To face page The Carenage, Grenada, in 1700 page Havana, Cuba To face page An old Plan of the Siege of Havana page 98136 168 181 222 253386388 TABLE Dollars and Sterling Table End of book vii This guide has been rewritten to a great extent, a
Archive image from page 222 of Description, vertus et usages de. Description, vertus et usages de sept cents dix-neuf plantes : tant étrangeres que de nos climats ; et de cent trente-quartre animaux, en sept cents trente planches, gravées en taille-douce, sur les desseins dʼaprès nature, de M. de Gersault, par MM. de Fehrt, Prevost, Duflos, Martinet, &c. et rangées suivant lʼordre du livre intitulé Matiere médicale de M. Geoffroy .. descriptionvertu03geof Year: 1767 -A . JLu/uJci dlUlma. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-222-of-description-vertus-et-usages-de-description-vertus-et-usages-de-sept-cents-dix-neuf-plantes-tant-etrangeres-que-de-nos-climats-et-de-cent-trente-quartre-animaux-en-sept-cents-trente-planches-gravees-en-taille-douce-sur-les-desseins-dapres-nature-de-m-de-gersault-par-mm-de-fehrt-prevost-duflos-martinet-c-et-rangees-suivant-lordre-du-livre-intitule-matiere-medicale-de-m-geoffroy-descriptionvertu03geof-year-1767-a-jluujci-dlulma-image258663151.htmlRMW0R3DK–Archive image from page 222 of Description, vertus et usages de. Description, vertus et usages de sept cents dix-neuf plantes : tant étrangeres que de nos climats ; et de cent trente-quartre animaux, en sept cents trente planches, gravées en taille-douce, sur les desseins dʼaprès nature, de M. de Gersault, par MM. de Fehrt, Prevost, Duflos, Martinet, &c. et rangées suivant lʼordre du livre intitulé Matiere médicale de M. Geoffroy .. descriptionvertu03geof Year: 1767 -A . JLu/uJci dlUlma.
. Philemon corniculatus . between 1700 and 1880 222 Philemon corniculatus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19200057 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philemon-corniculatus-between-1700-and-1880-222-philemon-corniculatus-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz19200057-image207787940.htmlRMP21FHT–. Philemon corniculatus . between 1700 and 1880 222 Philemon corniculatus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19200057
Two Young Women in Conversation. Guercino, school of; Italian, 1591-1666. Date: 1610-1700. Dimensions: 222 x 204 mm. Pen and iron gall ink on buff laid paper, laid down on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-young-women-in-conversation-guercino-school-of-italian-1591-1666-date-1610-1700-dimensions-222-x-204-mm-pen-and-iron-gall-ink-on-buff-laid-paper-laid-down-on-cream-laid-paper-origin-italy-museum-the-chicago-art-institute-image240067628.htmlRMRXG0KT–Two Young Women in Conversation. Guercino, school of; Italian, 1591-1666. Date: 1610-1700. Dimensions: 222 x 204 mm. Pen and iron gall ink on buff laid paper, laid down on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute.
Anatomical study of a human heart Anatomical study of a human heart object type: picture Item number: RP-P-1961-511 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Jan l'Admiral (attributed to) printmaker Jacob Christof Le Blon (rejected attribution) Date: 1700 - 1750 Physical characteristics: mezzotint and etching, printed of one plate (A) Material: paper Technology: mezzotint / etching dimensions: sheet: h 197 mm × W 222 mmToelichtingJan L'Admiral used for the group mezzotints with the subject 'Anatomical study of a human heart' five plates: a, B, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anatomical-study-of-a-human-heart-anatomical-study-of-a-human-heart-object-type-picture-item-number-rp-p-1961-511-inscriptions-brands-collectors-mark-verso-stamped-lugt-2228-manufacturer-printmaker-jan-ladmiral-attributed-to-printmaker-jacob-christof-le-blon-rejected-attribution-date-1700-1750-physical-characteristics-mezzotint-and-etching-printed-of-one-plate-a-material-paper-technology-mezzotint-etching-dimensions-sheet-h-197-mm-w-222-mmtoelichtingjan-ladmiral-used-for-the-group-mezzotints-with-the-subject-anatomical-study-of-a-human-heart-five-plates-a-b-image348135193.htmlRM2B6AWYN–Anatomical study of a human heart Anatomical study of a human heart object type: picture Item number: RP-P-1961-511 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Jan l'Admiral (attributed to) printmaker Jacob Christof Le Blon (rejected attribution) Date: 1700 - 1750 Physical characteristics: mezzotint and etching, printed of one plate (A) Material: paper Technology: mezzotint / etching dimensions: sheet: h 197 mm × W 222 mmToelichtingJan L'Admiral used for the group mezzotints with the subject 'Anatomical study of a human heart' five plates: a, B,
SÉBASTIEN LECLERC, Catafalque in the choir of the Parisian church of St. Gervais, ca. 1700, sheet, 222 x 176 mm, pen and brush in gray, some outline lines scratched through, on paper, Catafalque in the choir of the Parisian church of St. Gervais, SÉBASTIEN LECLERC, 17TH CENTURY, FRENCH CLASSICISM, DRAWING, pen and brush in gray, some outlines scratched, on paper, INK?, INK?, PAPER, PEN DRAWING, BRUSH DRAWING, FRENCH, PICTURE DRAWING, ARTWORK FOR A PRINT, ARTWORK FOR A BOOK ILLUSTRATION ATION Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sbastien-leclerc-catafalque-in-the-choir-of-the-parisian-church-of-st-gervais-ca-1700-sheet-222-x-176-mm-pen-and-brush-in-gray-some-outline-lines-scratched-through-on-paper-catafalque-in-the-choir-of-the-parisian-church-of-st-gervais-sbastien-leclerc-17th-century-french-classicism-drawing-pen-and-brush-in-gray-some-outlines-scratched-on-paper-ink-ink-paper-pen-drawing-brush-drawing-french-picture-drawing-artwork-for-a-print-artwork-for-a-book-illustration-ation-image573240907.htmlRM2T8HAHF–SÉBASTIEN LECLERC, Catafalque in the choir of the Parisian church of St. Gervais, ca. 1700, sheet, 222 x 176 mm, pen and brush in gray, some outline lines scratched through, on paper, Catafalque in the choir of the Parisian church of St. Gervais, SÉBASTIEN LECLERC, 17TH CENTURY, FRENCH CLASSICISM, DRAWING, pen and brush in gray, some outlines scratched, on paper, INK?, INK?, PAPER, PEN DRAWING, BRUSH DRAWING, FRENCH, PICTURE DRAWING, ARTWORK FOR A PRINT, ARTWORK FOR A BOOK ILLUSTRATION ATION
Christian IV on horse Haelwegh, Albert 1598 - 1673, Mander III, Karel van 1607 - 1670 Copper engraving, Print Kobberstikkeren Albert Haelwegh, Jørgen Sthyr, 3, 14099, 1938. Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. VIII), Goltzius - Heemskerck, F.W.H. Hollstein, 26, C 38945, 1953. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, kat. 1695, 88-222, 1988 Christian IV til hest Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christian-iv-on-horse-haelwegh-albert-1598-1673-mander-iii-karel-van-1607-1670-copper-engraving-print-kobberstikkeren-albert-haelwegh-jrgen-sthyr-3-14099-1938-hollsteins-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-vol-viii-goltzius-heemskerck-fwh-hollstein-26-c-38945-1953-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-kat-1695-88-222-1988-christian-iv-til-hest-image613406543.htmlRM2XHY28F–Christian IV on horse Haelwegh, Albert 1598 - 1673, Mander III, Karel van 1607 - 1670 Copper engraving, Print Kobberstikkeren Albert Haelwegh, Jørgen Sthyr, 3, 14099, 1938. Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. VIII), Goltzius - Heemskerck, F.W.H. Hollstein, 26, C 38945, 1953. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, kat. 1695, 88-222, 1988 Christian IV til hest
Figure (recto and verso), from Premier livre de figures d’Academies gravées en Partie par les Professeurs de l’ Académie Royale, published 1737, Collin de Vermont (French, 1693-1761), Charles-Nicholas Cochin, the younger (French, 1715-1790), after Charles-Joseph Natoire (French, 1700-1777), printed by Gabriel Huquier (French, 1695-1772), published by Jombert Père (French, 18th century), France, Etching (recto and verso) on ivory laid paper, 276 × 183 mm (recto plate), 222 × 193 mm (verso plate), 307 × 233 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-recto-and-verso-from-premier-livre-de-figures-dacademies-graves-en-partie-par-les-professeurs-de-l-acadmie-royale-published-1737-collin-de-vermont-french-1693-1761-charles-nicholas-cochin-the-younger-french-1715-1790-after-charles-joseph-natoire-french-1700-1777-printed-by-gabriel-huquier-french-1695-1772-published-by-jombert-pre-french-18th-century-france-etching-recto-and-verso-on-ivory-laid-paper-276-183-mm-recto-plate-222-193-mm-verso-plate-307-233-mm-sheet-image328663444.htmlRM2A2KWG4–Figure (recto and verso), from Premier livre de figures d’Academies gravées en Partie par les Professeurs de l’ Académie Royale, published 1737, Collin de Vermont (French, 1693-1761), Charles-Nicholas Cochin, the younger (French, 1715-1790), after Charles-Joseph Natoire (French, 1700-1777), printed by Gabriel Huquier (French, 1695-1772), published by Jombert Père (French, 18th century), France, Etching (recto and verso) on ivory laid paper, 276 × 183 mm (recto plate), 222 × 193 mm (verso plate), 307 × 233 mm (sheet
![Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) [weaver] Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) [weaver] c. 1700-1720 Tapestry Dimensions: H 13'4' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left [not visible in photograph] Inscri Stock Photo](https://c8.alamy.com/comp/2WTG085/theater-scene-borcht-jacques-van-der-the-elder-flemish-act1676-1710-workshop-attr-weaver-borcht-gaspard-van-der-flemish-1700-d1742-workshop-attr-weaver-c-1700-1720-tapestry-dimensions-h-134-x-w-222-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-louisa-lady-ashburton-coll-england-sir-alfred-mond-coll-northampton-c1931-sold-91931-to-h-lareham-harding-french-co-purchased-from-arnold-seligmann-rey-co-inc-2281919-inscriptions-city-mark-on-lower-guard-left-not-visible-in-photograph-inscri-2WTG085.jpg "Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) [weaver] Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) [weaver] c. 1700-1720 Tapestry Dimensions: H 13'4' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left [not visible in photograph] Inscri Stock Photo")
Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) [weaver] Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) [weaver] c. 1700-1720 Tapestry Dimensions: H 13'4' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left [not visible in photograph] Inscri Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theater-scene-borcht-jacques-van-der-the-elder-flemish-act1676-1710-workshop-attr-weaver-borcht-gaspard-van-der-flemish-1700-d1742-workshop-attr-weaver-c-1700-1720-tapestry-dimensions-h-134-x-w-222-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-louisa-lady-ashburton-coll-england-sir-alfred-mond-coll-northampton-c1931-sold-91931-to-h-lareham-harding-french-co-purchased-from-arnold-seligmann-rey-co-inc-2281919-inscriptions-city-mark-on-lower-guard-left-not-visible-in-photograph-inscri-image600255717.htmlRM2WTG085–Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) [weaver] Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) [weaver] c. 1700-1720 Tapestry Dimensions: H 13'4' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left [not visible in photograph] Inscri
ÖstergötlandÀv Andreas Lindblom . tenmed initialer nämnda donatorerna voro kyrk-värdarna Johannes Jonsson1 och Jonas Anders-son. — 2. Av grön sammet med guldtrådsbrode-rier. Holk av mässing, svarvat, svartmålat trä-skaft. L 222, H 24. Inköpt från Libraria år1922. — 3. Håvpung av vitt siden med blom-broderier i guld, gult, brunt, rött och grått avsamma slag och säkert från samma, urspr. pro-fana broderi som den vita altardynan nr 1.Söndertogs vid en restaurering år 1925 av Li-braria och förvaras nu uppmonterad plan. H 22.Samma datering för broderierna som för altar-dynan nr 1, d.v.s. 1700-talet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stergtlandv-andreas-lindblom-tenmed-initialer-nmnda-donatorerna-voro-kyrk-vrdarna-johannes-jonsson1-och-jonas-anders-son-2-av-grn-sammet-med-guldtrdsbrode-rier-holk-av-mssing-svarvat-svartmlat-tr-skaft-l-222-h-24-inkpt-frn-libraria-r1922-3-hvpung-av-vitt-siden-med-blom-broderier-i-guld-gult-brunt-rtt-och-grtt-avsamma-slag-och-skert-frn-samma-urspr-pro-fana-broderi-som-den-vita-altardynan-nr-1sndertogs-vid-en-restaurering-r-1925-av-li-braria-och-frvaras-nu-uppmonterad-plan-h-22samma-datering-fr-broderierna-som-fr-altar-dynan-nr-1-dvs-1700-talet-image339998198.htmlRM2AN474P–ÖstergötlandÀv Andreas Lindblom . tenmed initialer nämnda donatorerna voro kyrk-värdarna Johannes Jonsson1 och Jonas Anders-son. — 2. Av grön sammet med guldtrådsbrode-rier. Holk av mässing, svarvat, svartmålat trä-skaft. L 222, H 24. Inköpt från Libraria år1922. — 3. Håvpung av vitt siden med blom-broderier i guld, gult, brunt, rött och grått avsamma slag och säkert från samma, urspr. pro-fana broderi som den vita altardynan nr 1.Söndertogs vid en restaurering år 1925 av Li-braria och förvaras nu uppmonterad plan. H 22.Samma datering för broderierna som för altar-dynan nr 1, d.v.s. 1700-talet
Archive image from page 222 of Description, vertus et usages de. Description, vertus et usages de sept cents dix-neuf plantes : tant étrangeres que de nos climats ; et de cent trente-quartre animaux, en sept cents trente planches, gravées en taille-douce, sur les desseins dʼaprès nature, de M. de Gersault, par MM. de Fehrt, Prevost, Duflos, Martinet, &c. et rangées suivant lʼordre du livre intitulé Matiere médicale de M. Geoffroy .. descriptionvertu04geof Year: 1767 n s a 6. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-222-of-description-vertus-et-usages-de-description-vertus-et-usages-de-sept-cents-dix-neuf-plantes-tant-etrangeres-que-de-nos-climats-et-de-cent-trente-quartre-animaux-en-sept-cents-trente-planches-gravees-en-taille-douce-sur-les-desseins-dapres-nature-de-m-de-gersault-par-mm-de-fehrt-prevost-duflos-martinet-c-et-rangees-suivant-lordre-du-livre-intitule-matiere-medicale-de-m-geoffroy-descriptionvertu04geof-year-1767-n-s-a-6-image258663167.htmlRMW0R3E7–Archive image from page 222 of Description, vertus et usages de. Description, vertus et usages de sept cents dix-neuf plantes : tant étrangeres que de nos climats ; et de cent trente-quartre animaux, en sept cents trente planches, gravées en taille-douce, sur les desseins dʼaprès nature, de M. de Gersault, par MM. de Fehrt, Prevost, Duflos, Martinet, &c. et rangées suivant lʼordre du livre intitulé Matiere médicale de M. Geoffroy .. descriptionvertu04geof Year: 1767 n s a 6.
. Philydor ferruginolentus . between 1700 and 1880 222 Philydor ferruginolentus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19200181 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philydor-ferruginolentus-between-1700-and-1880-222-philydor-ferruginolentus-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz19200181-image207788018.htmlRMP21FMJ–. Philydor ferruginolentus . between 1700 and 1880 222 Philydor ferruginolentus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19200181
. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400201 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philomachus-pugnax-between-1700-and-1880-222-philomachus-pugnax-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17400201-image207736489.htmlRMP1Y609–. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400201
Cover. Turkey. Date: 1601-1700. Dimensions: 222.2 x 134 cm (87 1/2 x 52 3/4 in.) Warp repeat: 49.5-51 cm (19 1/2-20 in.) Weft repeat: 29 cm (11 1/2 in.) Width is 3 panels pieced; panel width: 45 cm (17 5/8 in.). Linen, plain weave; embroidered with silk in running (twill darning) and stem stitches. Origin: Turkey. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cover-turkey-date-1601-1700-dimensions-2222-x-134-cm-87-12-x-52-34-in-warp-repeat-495-51-cm-19-12-20-in-weft-repeat-29-cm-11-12-in-width-is-3-panels-pieced-panel-width-45-cm-17-58-in-linen-plain-weave-embroidered-with-silk-in-running-twill-darning-and-stem-stitches-origin-turkey-museum-the-chicago-art-institute-image240029156.htmlRMRXE7HT–Cover. Turkey. Date: 1601-1700. Dimensions: 222.2 x 134 cm (87 1/2 x 52 3/4 in.) Warp repeat: 49.5-51 cm (19 1/2-20 in.) Weft repeat: 29 cm (11 1/2 in.) Width is 3 panels pieced; panel width: 45 cm (17 5/8 in.). Linen, plain weave; embroidered with silk in running (twill darning) and stem stitches. Origin: Turkey. Museum: The Chicago Art Institute.
Kaart van Drenthe Pais de Drente (titel op object) Map of Drenthe. Part of an atlas of 223 maps of countries and cities and scenes of war in Europe in the period ca. 1690-1735. Manufacturer : printmaker: anonymous publisher: J. inherit Ratelband & Couitgever Daniel the Lafeuille (listed property) Place manufacture: printmaker: Northern Netherlands Publisher: Amsterdam Publisher: Amsterdam Date: 1700 - 1702 and / or 1735 Physical features: engra, hand-colored and partly lacquered material: paper Technique: engra (printing process) / hand color / lacquer dimensions: plate edge: h 152 mm × W 222 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kaart-van-drenthe-pais-de-drente-titel-op-object-map-of-drenthe-part-of-an-atlas-of-223-maps-of-countries-and-cities-and-scenes-of-war-in-europe-in-the-period-ca-1690-1735-manufacturer-printmaker-anonymous-publisher-j-inherit-ratelband-couitgever-daniel-the-lafeuille-listed-property-place-manufacture-printmaker-northern-netherlands-publisher-amsterdam-publisher-amsterdam-date-1700-1702-and-or-1735-physical-features-engra-hand-colored-and-partly-lacquered-material-paper-technique-engra-printing-process-hand-color-lacquer-dimensions-plate-edge-h-152-mm-w-222-image348479444.htmlRM2B6XH2C–Kaart van Drenthe Pais de Drente (titel op object) Map of Drenthe. Part of an atlas of 223 maps of countries and cities and scenes of war in Europe in the period ca. 1690-1735. Manufacturer : printmaker: anonymous publisher: J. inherit Ratelband & Couitgever Daniel the Lafeuille (listed property) Place manufacture: printmaker: Northern Netherlands Publisher: Amsterdam Publisher: Amsterdam Date: 1700 - 1702 and / or 1735 Physical features: engra, hand-colored and partly lacquered material: paper Technique: engra (printing process) / hand color / lacquer dimensions: plate edge: h 152 mm × W 222
Johan Georg by Saxony Haelwegh, Albert 1598 - 1673 Copper engraving, Print Kobberstikkeren Albert Haelwegh, Jørgen Sthyr, nr. 222, 14099, 1938. Geschichte der königlichen Kupferstichsammlung zu Copenhagen: ein Beitrag zur Geschichte der Kunst und Ergänzung der Werke von Bartsch und Brulliot, Baron C.F. von Rumohr, nr. 97, 14269, 1835. Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. VIII), Goltzius - Heemskerck, F.W.H. Hollstein, nr. 97, C 38945, 1953 Johan Georg af Sachsen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johan-georg-by-saxony-haelwegh-albert-1598-1673-copper-engraving-print-kobberstikkeren-albert-haelwegh-jrgen-sthyr-nr-222-14099-1938-geschichte-der-kniglichen-kupferstichsammlung-zu-copenhagen-ein-beitrag-zur-geschichte-der-kunst-und-ergnzung-der-werke-von-bartsch-und-brulliot-baron-cf-von-rumohr-nr-97-14269-1835-hollsteins-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-vol-viii-goltzius-heemskerck-fwh-hollstein-nr-97-c-38945-1953-johan-georg-af-sachsen-image613443430.htmlRM2XJ0N9X–Johan Georg by Saxony Haelwegh, Albert 1598 - 1673 Copper engraving, Print Kobberstikkeren Albert Haelwegh, Jørgen Sthyr, nr. 222, 14099, 1938. Geschichte der königlichen Kupferstichsammlung zu Copenhagen: ein Beitrag zur Geschichte der Kunst und Ergänzung der Werke von Bartsch und Brulliot, Baron C.F. von Rumohr, nr. 97, 14269, 1835. Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. VIII), Goltzius - Heemskerck, F.W.H. Hollstein, nr. 97, C 38945, 1953 Johan Georg af Sachsen
Design for a title page with a park view, with inscription: Flowers and Kruyden cultivated by Tiedeman, Title Page Design for Agnes Block's Florilegia Title page design for a collector's album by Agnes Block., draughtsman: Philip Tidemann, c. 1690 - c. 1700, paper, brush, pen, h 355 mm × w 222 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-title-page-with-a-park-view-with-inscription-flowers-and-kruyden-cultivated-by-tiedeman-title-page-design-for-agnes-blocks-florilegia-title-page-design-for-a-collectors-album-by-agnes-block-draughtsman-philip-tidemann-c-1690-c-1700-paper-brush-pen-h-355-mm-w-222-mm-image472089207.htmlRM2JC1EGR–Design for a title page with a park view, with inscription: Flowers and Kruyden cultivated by Tiedeman, Title Page Design for Agnes Block's Florilegia Title page design for a collector's album by Agnes Block., draughtsman: Philip Tidemann, c. 1690 - c. 1700, paper, brush, pen, h 355 mm × w 222 mm
![Kissing contest. Orley, Jan van (Flemish, 1665-1735) (author of design) [draughtsman] c. 1700-1720 Tapestry Dimensions: H 10'10' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Mrs. P. A. Valentine 2/15/1917. In landscape, kissing couple seated before pyramid, surrounded by female figures; cupid hovers above (BRD) ferronerie interspersed with garlands of flowers; (L & R BRD) shells, torchiers No French & Co. stock sheet in archive, no stock number Related Works: Complete set in Vienna, Austrian State coll Stock Photo](https://c8.alamy.com/comp/2WTG419/kissing-contest-orley-jan-van-flemish-1665-1735-author-of-design-draughtsman-c-1700-1720-tapestry-dimensions-h-1010-x-w-222-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-french-co-purchased-from-mrs-p-a-valentine-2151917-in-landscape-kissing-couple-seated-before-pyramid-surrounded-by-female-figures-cupid-hovers-above-brd-ferronerie-interspersed-with-garlands-of-flowers-l-r-brd-shells-torchiers-no-french-co-stock-sheet-in-archive-no-stock-number-related-works-complete-set-in-vienna-austrian-state-coll-2WTG419.jpg "Kissing contest. Orley, Jan van (Flemish, 1665-1735) (author of design) [draughtsman] c. 1700-1720 Tapestry Dimensions: H 10'10' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Mrs. P. A. Valentine 2/15/1917. In landscape, kissing couple seated before pyramid, surrounded by female figures; cupid hovers above (BRD) ferronerie interspersed with garlands of flowers; (L & R BRD) shells, torchiers No French & Co. stock sheet in archive, no stock number Related Works: Complete set in Vienna, Austrian State coll Stock Photo")
Kissing contest. Orley, Jan van (Flemish, 1665-1735) (author of design) [draughtsman] c. 1700-1720 Tapestry Dimensions: H 10'10' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Mrs. P. A. Valentine 2/15/1917. In landscape, kissing couple seated before pyramid, surrounded by female figures; cupid hovers above (BRD) ferronerie interspersed with garlands of flowers; (L & R BRD) shells, torchiers No French & Co. stock sheet in archive, no stock number Related Works: Complete set in Vienna, Austrian State coll Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kissing-contest-orley-jan-van-flemish-1665-1735-author-of-design-draughtsman-c-1700-1720-tapestry-dimensions-h-1010-x-w-222-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-french-co-purchased-from-mrs-p-a-valentine-2151917-in-landscape-kissing-couple-seated-before-pyramid-surrounded-by-female-figures-cupid-hovers-above-brd-ferronerie-interspersed-with-garlands-of-flowers-l-r-brd-shells-torchiers-no-french-co-stock-sheet-in-archive-no-stock-number-related-works-complete-set-in-vienna-austrian-state-coll-image600258661.htmlRM2WTG419–Kissing contest. Orley, Jan van (Flemish, 1665-1735) (author of design) [draughtsman] c. 1700-1720 Tapestry Dimensions: H 10'10' x W 22'2' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Mrs. P. A. Valentine 2/15/1917. In landscape, kissing couple seated before pyramid, surrounded by female figures; cupid hovers above (BRD) ferronerie interspersed with garlands of flowers; (L & R BRD) shells, torchiers No French & Co. stock sheet in archive, no stock number Related Works: Complete set in Vienna, Austrian State coll
![. The water birds of North America [microform]. Birds; Water-birds; Oiseaux; Oiseaux aquatiques. 446 THE DIVING UIUDS — rVGOPODES. Urinator immer. THE OBEAT NOBTHEBN DIVEB. Cobjmbus imbrr,^ (irNN, Troiid. Srl-ik. Skr. I. ITtil, i. iii. Cihjmhun imiiur, Biii'-NN. Orii. IJor. 17tU, 34 (joiiii},'). — Linn. S. N. p(1. 12, I. 1700, 222. I.'rimitor immcr, SlIviN. I'r. V. S. Nat. Mils. Vol. 5, 1882, 43. t'ohimhuntKrqutilus, Hui'sN. Orii. lloi-. 17(i4, 41. — L.vwii. in Hiiird'.s B. N. Am. 1858, 888. — IUird, Cat. N. Am. IJ. ]85!t, uu. 0U8. — Cori;s, I'r. Ac. Nat. .S«i. I'liilatl. 18(J2, 227 ; Key, 1 Stock Photo](https://c8.alamy.com/comp/RJ6H4B/the-water-birds-of-north-america-microform-birds-water-birds-oiseaux-oiseaux-aquatiques-446-the-diving-uiuds-rvgopodes-urinator-immer-the-obeat-nobthebn-diveb-cobjmbus-imbrr-irnn-troiid-srl-ik-skr-i-ittil-i-iii-cihjmhun-imiiur-biii-nn-orii-ijor-17tu-34-joiiii-linn-s-n-p1-12-i-1700-222-irimitor-immcr-slivin-ir-v-s-nat-mils-vol-5-1882-43-tohimhuntkrqutilus-huisn-orii-lloi-17i4-41-lvwii-in-hiiirds-b-n-am-1858-888-iuird-cat-n-am-ij-85!t-uu-0u8-coris-ir-ac-nat-si-iliilatl-18j2-227-key-1-RJ6H4B.jpg ". The water birds of North America [microform]. Birds; Water-birds; Oiseaux; Oiseaux aquatiques. 446 THE DIVING UIUDS — rVGOPODES. Urinator immer. THE OBEAT NOBTHEBN DIVEB. Cobjmbus imbrr,^ (irNN, Troiid. Srl-ik. Skr. I. ITtil, i. iii. Cihjmhun imiiur, Biii'-NN. Orii. IJor. 17tU, 34 (joiiii},'). — Linn. S. N. p(1. 12, I. 1700, 222. I.'rimitor immcr, SlIviN. I'r. V. S. Nat. Mils. Vol. 5, 1882, 43. t'ohimhuntKrqutilus, Hui'sN. Orii. lloi-. 17(i4, 41. — L.vwii. in Hiiird'.s B. N. Am. 1858, 888. — IUird, Cat. N. Am. IJ. ]85!t, uu. 0U8. — Cori;s, I'r. Ac. Nat. .S«i. I'liilatl. 18(J2, 227 ; Key, 1 Stock Photo")
. The water birds of North America [microform]. Birds; Water-birds; Oiseaux; Oiseaux aquatiques. 446 THE DIVING UIUDS — rVGOPODES. Urinator immer. THE OBEAT NOBTHEBN DIVEB. Cobjmbus imbrr,^ (irNN, Troiid. Srl-ik. Skr. I. ITtil, i. iii. Cihjmhun imiiur, Biii'-NN. Orii. IJor. 17tU, 34 (joiiii},'). — Linn. S. N. p(1. 12, I. 1700, 222. I.'rimitor immcr, SlIviN. I'r. V. S. Nat. Mils. Vol. 5, 1882, 43. t'ohimhuntKrqutilus, Hui'sN. Orii. lloi-. 17(i4, 41. — L.vwii. in Hiiird'.s B. N. Am. 1858, 888. — IUird, Cat. N. Am. IJ. ]85!t, uu. 0U8. — Cori;s, I'r. Ac. Nat. .S«i. I'liilatl. 18(J2, 227 ; Key, 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-water-birds-of-north-america-microform-birds-water-birds-oiseaux-oiseaux-aquatiques-446-the-diving-uiuds-rvgopodes-urinator-immer-the-obeat-nobthebn-diveb-cobjmbus-imbrr-irnn-troiid-srl-ik-skr-i-ittil-i-iii-cihjmhun-imiiur-biii-nn-orii-ijor-17tu-34-joiiii-linn-s-n-p1-12-i-1700-222-irimitor-immcr-slivin-ir-v-s-nat-mils-vol-5-1882-43-tohimhuntkrqutilus-huisn-orii-lloi-17i4-41-lvwii-in-hiiirds-b-n-am-1858-888-iuird-cat-n-am-ij-85!t-uu-0u8-coris-ir-ac-nat-si-iliilatl-18j2-227-key-1-image234943755.htmlRMRJ6H4B–. The water birds of North America [microform]. Birds; Water-birds; Oiseaux; Oiseaux aquatiques. 446 THE DIVING UIUDS — rVGOPODES. Urinator immer. THE OBEAT NOBTHEBN DIVEB. Cobjmbus imbrr,^ (irNN, Troiid. Srl-ik. Skr. I. ITtil, i. iii. Cihjmhun imiiur, Biii'-NN. Orii. IJor. 17tU, 34 (joiiii},'). — Linn. S. N. p(1. 12, I. 1700, 222. I.'rimitor immcr, SlIviN. I'r. V. S. Nat. Mils. Vol. 5, 1882, 43. t'ohimhuntKrqutilus, Hui'sN. Orii. lloi-. 17(i4, 41. — L.vwii. in Hiiird'.s B. N. Am. 1858, 888. — IUird, Cat. N. Am. IJ. ]85!t, uu. 0U8. — Cori;s, I'r. Ac. Nat. .S«i. I'liilatl. 18(J2, 227 ; Key, 1
. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400217 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philomachus-pugnax-between-1700-and-1880-222-philomachus-pugnax-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17400217-image207736510.htmlRMP1Y612–. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400217
Art of Writing, from Encyclopédie. Benoît-Louis Prévost (French, c. 1735-1809); after Antoine-Gaspard Boucher d'Argis (French, 1708-1791); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 330 × 210 mm (image); 355 × 222 mm (plate); 400 × 260 mm (sheet). Engraving, with etching, on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-benot-louis-prvost-french-c-1735-1809-after-antoine-gaspard-boucher-dargis-french-1708-1791-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-330-210-mm-image-355-222-mm-plate-400-260-mm-sheet-engraving-with-etching-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240132378.htmlRMRXJY8A–Art of Writing, from Encyclopédie. Benoît-Louis Prévost (French, c. 1735-1809); after Antoine-Gaspard Boucher d'Argis (French, 1708-1791); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 330 × 210 mm (image); 355 × 222 mm (plate); 400 × 260 mm (sheet). Engraving, with etching, on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Six's Bridge Rembrandt van Rijn 1606 - 1669 Engraving, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Rembrandt (7 vols: text, plates, copies), Erik Hinterding, 222 IV, C 55013:1-7, 2013. The Illustrated Bartsch 50, Supplement, Rembrandt Harmensz. van Rijn, Stephanie S. Dickey, 208 III, C 36238, 1993. Rembrandt's etchings: an essay and a catalogue with some notes on the drawings, Arthur M. Hind, 209 III, 6545, 1912. L'oeuvre gravé de Rembrandt: avec un catalogue raisonné, Dmitri Rovinski, 208 III, 6728, 1890. Hollstein's Dutch and Flemish etchings, engra Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sixs-bridge-rembrandt-van-rijn-1606-1669-engraving-print-the-new-hollstein-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-rembrandt-7-vols-text-plates-copies-erik-hinterding-222-iv-c-550131-7-2013-the-illustrated-bartsch-50-supplement-rembrandt-harmensz-van-rijn-stephanie-s-dickey-208-iii-c-36238-1993-rembrandts-etchings-an-essay-and-a-catalogue-with-some-notes-on-the-drawings-arthur-m-hind-209-iii-6545-1912-loeuvre-grav-de-rembrandt-avec-un-catalogue-raisonn-dmitri-rovinski-208-iii-6728-1890-hollsteins-dutch-and-flemish-etchings-engra-image613430087.htmlRM2XJ049B–Six's Bridge Rembrandt van Rijn 1606 - 1669 Engraving, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Rembrandt (7 vols: text, plates, copies), Erik Hinterding, 222 IV, C 55013:1-7, 2013. The Illustrated Bartsch 50, Supplement, Rembrandt Harmensz. van Rijn, Stephanie S. Dickey, 208 III, C 36238, 1993. Rembrandt's etchings: an essay and a catalogue with some notes on the drawings, Arthur M. Hind, 209 III, 6545, 1912. L'oeuvre gravé de Rembrandt: avec un catalogue raisonné, Dmitri Rovinski, 208 III, 6728, 1890. Hollstein's Dutch and Flemish etchings, engra
Three pilasters with grotesques and various mythical figures and scenes, Grotesque with Diana and winged woman figure Neues Groteschgen-Werk (series title), print maker: Johann Adam Delsenbach, (mentioned on object), Paul Decker (I), publisher: Johann Christoph Weigel, Neurenberg, 1700 - 1725, paper, etching, h 222 mm × w 172 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-pilasters-with-grotesques-and-various-mythical-figures-and-scenes-grotesque-with-diana-and-winged-woman-figure-neues-groteschgen-werk-series-title-print-maker-johann-adam-delsenbach-mentioned-on-object-paul-decker-i-publisher-johann-christoph-weigel-neurenberg-1700-1725-paper-etching-h-222-mm-w-172-mm-image472132044.htmlRM2JC3D6M–Three pilasters with grotesques and various mythical figures and scenes, Grotesque with Diana and winged woman figure Neues Groteschgen-Werk (series title), print maker: Johann Adam Delsenbach, (mentioned on object), Paul Decker (I), publisher: Johann Christoph Weigel, Neurenberg, 1700 - 1725, paper, etching, h 222 mm × w 172 mm
![. The water birds of North America [microform]. Birds; Water-birds; Oiseaux; Oiseaux aquatiques. â i ; I 432 THE DIVING lilUDS â PVUOPODES. Dytes auritus. THE HORNED GBEBE. Ciih/mhiis aurititH, Linn. S. N. «i1. l(t, I. 1758, V^r,; cd. 12, I. 1700, 222. Jhjlis ititrilHK, liiiicw. Xoiii. N. Am. I!. 1^81, iio. 732. Cii/i/inhiis airiiiihin, (!Mi;r.. S. N. I. ii. 178S, .I'tl. I'oilia/M corn III i(.i, l.Aiii. In.l. Oni. II. 17!K1, 78:». â .Sw. & l!i, 42!t, j.l. 2.'.!»; Syiioii. 18:{it, It,",? ; H. Am. VII. 1844, aiO, 111. 481. â I.AWU. ill Ilaiiil's IJ. N. Am. 1858, 8!t5. â lUiuK, Cat. N Stock Photo](https://c8.alamy.com/comp/RJ6H65/the-water-birds-of-north-america-microform-birds-water-birds-oiseaux-oiseaux-aquatiques-i-i-432-the-diving-liluds-pvuopodes-dytes-auritus-the-horned-gbebe-ciihmhiis-auritith-linn-s-n-i1-lt-i-1758-vr-cd-12-i-1700-222-jhjlis-ititrilhk-liiiicw-xoiii-n-am-i!-181-iio-732-ciiiinhiis-airiiiihin-!mir-s-n-i-ii-178s-itl-ioiliam-corn-iii-ii-laiii-inl-oni-ii-17!k1-78-sw-amp-l!i-42!t-jl-2!-syiioii-18it-itquot-h-am-vii-1844-aio-111-481-iawu-ill-ilaiiils-ij-n-am-1858-8!t5-luiuk-cat-n-RJ6H65.jpg ". The water birds of North America [microform]. Birds; Water-birds; Oiseaux; Oiseaux aquatiques. â i ; I 432 THE DIVING lilUDS â PVUOPODES. Dytes auritus. THE HORNED GBEBE. Ciih/mhiis aurititH, Linn. S. N. «i1. l(t, I. 1758, V^r,; cd. 12, I. 1700, 222. Jhjlis ititrilHK, liiiicw. Xoiii. N. Am. I!. 1^81, iio. 732. Cii/i/inhiis airiiiihin, (!Mi;r.. S. N. I. ii. 178S, .I'tl. I'oilia/M corn III i(.i, l.Aiii. In.l. Oni. II. 17!K1, 78:». â .Sw. & l!i, 42!t, j.l. 2.'.!»; Syiioii. 18:{it, It,",? ; H. Am. VII. 1844, aiO, 111. 481. â I.AWU. ill Ilaiiil's IJ. N. Am. 1858, 8!t5. â lUiuK, Cat. N Stock Photo")
. The water birds of North America [microform]. Birds; Water-birds; Oiseaux; Oiseaux aquatiques. â i ; I 432 THE DIVING lilUDS â PVUOPODES. Dytes auritus. THE HORNED GBEBE. Ciih/mhiis aurititH, Linn. S. N. «i1. l(t, I. 1758, V^r,; cd. 12, I. 1700, 222. Jhjlis ititrilHK, liiiicw. Xoiii. N. Am. I!. 1^81, iio. 732. Cii/i/inhiis airiiiihin, (!Mi;r.. S. N. I. ii. 178S, .I'tl. I'oilia/M corn III i(.i, l.Aiii. In.l. Oni. II. 17!K1, 78:». â .Sw. & l!i, 42!t, j.l. 2.'.!»; Syiioii. 18:{it, It,",? ; H. Am. VII. 1844, aiO, 111. 481. â I.AWU. ill Ilaiiil's IJ. N. Am. 1858, 8!t5. â lUiuK, Cat. N Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-water-birds-of-north-america-microform-birds-water-birds-oiseaux-oiseaux-aquatiques-i-i-432-the-diving-liluds-pvuopodes-dytes-auritus-the-horned-gbebe-ciihmhiis-auritith-linn-s-n-i1-lt-i-1758-vr-cd-12-i-1700-222-jhjlis-ititrilhk-liiiicw-xoiii-n-am-i!-181-iio-732-ciiiinhiis-airiiiihin-!mir-s-n-i-ii-178s-itl-ioiliam-corn-iii-ii-laiii-inl-oni-ii-17!k1-78-sw-amp-l!i-42!t-jl-2!-syiioii-18it-itquot-h-am-vii-1844-aio-111-481-iawu-ill-ilaiiils-ij-n-am-1858-8!t5-luiuk-cat-n-image234943805.htmlRMRJ6H65–. The water birds of North America [microform]. Birds; Water-birds; Oiseaux; Oiseaux aquatiques. â i ; I 432 THE DIVING lilUDS â PVUOPODES. Dytes auritus. THE HORNED GBEBE. Ciih/mhiis aurititH, Linn. S. N. «i1. l(t, I. 1758, V^r,; cd. 12, I. 1700, 222. Jhjlis ititrilHK, liiiicw. Xoiii. N. Am. I!. 1^81, iio. 732. Cii/i/inhiis airiiiihin, (!Mi;r.. S. N. I. ii. 178S, .I'tl. I'oilia/M corn III i(.i, l.Aiii. In.l. Oni. II. 17!K1, 78:». â .Sw. & l!i, 42!t, j.l. 2.'.!»; Syiioii. 18:{it, It,",? ; H. Am. VII. 1844, aiO, 111. 481. â I.AWU. ill Ilaiiil's IJ. N. Am. 1858, 8!t5. â lUiuK, Cat. N
. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400203 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philomachus-pugnax-between-1700-and-1880-222-philomachus-pugnax-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17400203-image207736496.htmlRMP1Y60G–. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400203
Figure (recto and verso), from Premier livre de figures d'Academies gravées en Partie par les Professeurs de l' Académie Royale. Collin de Vermont (French, 1693-1761); Charles-Nicholas Cochin, the younger (French, 1715-1790); after Charles-Joseph Natoire (French, 1700-1777); printed by Gabriel Huquier (French, 1695-1772); published by Jombert Père (French, 18th century). Date: 1737. Dimensions: 276 × 183 mm (recto plate); 222 × 193 mm (verso plate); 307 × 233 mm (sheet). Etching (recto and verso) on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-recto-and-verso-from-premier-livre-de-figures-dacademies-graves-en-partie-par-les-professeurs-de-l-acadmie-royale-collin-de-vermont-french-1693-1761-charles-nicholas-cochin-the-younger-french-1715-1790-after-charles-joseph-natoire-french-1700-1777-printed-by-gabriel-huquier-french-1695-1772-published-by-jombert-pre-french-18th-century-date-1737-dimensions-276-183-mm-recto-plate-222-193-mm-verso-plate-307-233-mm-sheet-etching-recto-and-verso-on-ivory-laid-paper-origin-france-museum-the-chicago-art-institute-image240176519.htmlRMRXMYGR–Figure (recto and verso), from Premier livre de figures d'Academies gravées en Partie par les Professeurs de l' Académie Royale. Collin de Vermont (French, 1693-1761); Charles-Nicholas Cochin, the younger (French, 1715-1790); after Charles-Joseph Natoire (French, 1700-1777); printed by Gabriel Huquier (French, 1695-1772); published by Jombert Père (French, 18th century). Date: 1737. Dimensions: 276 × 183 mm (recto plate); 222 × 193 mm (verso plate); 307 × 233 mm (sheet). Etching (recto and verso) on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.
The chief captain preventing the jews from killing Paul Galle, Philips 1537 - 1612, Straet, Jan van der 1523 - 1605, Galle, Philips 1537 - 1612 Copper engraving, Print Tegninger af Maerten van Heemskerck: illustreret katalog, Jan Garff, nr. 118-134, 42279, 1971. The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Johannes Stradanus, part I-III, Marjolein Leesberg, nr. 222 II, C 42224, 2008. The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Philips Galle, part I-IV, Manfred Sellink, 216 II, C 39355, 2001 The chief captain preventing th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-chief-captain-preventing-the-jews-from-killing-paul-galle-philips-1537-1612-straet-jan-van-der-1523-1605-galle-philips-1537-1612-copper-engraving-print-tegninger-af-maerten-van-heemskerck-illustreret-katalog-jan-garff-nr-118-134-42279-1971-the-new-hollstein-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-johannes-stradanus-part-i-iii-marjolein-leesberg-nr-222-ii-c-42224-2008-the-new-hollstein-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-philips-galle-part-i-iv-manfred-sellink-216-ii-c-39355-2001-the-chief-captain-preventing-th-image613572864.htmlRM2XJ6JCG–The chief captain preventing the jews from killing Paul Galle, Philips 1537 - 1612, Straet, Jan van der 1523 - 1605, Galle, Philips 1537 - 1612 Copper engraving, Print Tegninger af Maerten van Heemskerck: illustreret katalog, Jan Garff, nr. 118-134, 42279, 1971. The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Johannes Stradanus, part I-III, Marjolein Leesberg, nr. 222 II, C 42224, 2008. The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Philips Galle, part I-IV, Manfred Sellink, 216 II, C 39355, 2001 The chief captain preventing th
. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400197 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philomachus-pugnax-between-1700-and-1880-222-philomachus-pugnax-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17400197-image207736482.htmlRMP1Y602–. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400197
Landscape. Date/Period: Between 1849 and 1855. Painting. Oil on canvas. Height: 222 mm (8.74 in); Width: 343 mm (13.50 in). Author: Lionel Constable. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-dateperiod-between-1849-and-1855-painting-oil-on-canvas-height-222-mm-874-in-width-343-mm-1350-in-author-lionel-constable-image219728534.htmlRMPNDDYJ–Landscape. Date/Period: Between 1849 and 1855. Painting. Oil on canvas. Height: 222 mm (8.74 in); Width: 343 mm (13.50 in). Author: Lionel Constable.
The Parable of the Wise and the Foolish Virgins Francken II, Hieronymus 1578 - 1623, Francken II, Hieronymus 1578 - 1623, Ubekendt tysk slutningen af 1600-tallet eller begyndelsen af 1700-tallet Painting Flemish paintings: 1600 - 1800, Olaf Koester, p. 111-12, afb. p. 319 fig. 54 (s/h), 2000-589, 2000. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Olaf Koester, Christian IV og billedkunstens Europa, p. 318, kat nr. 1027, 88-222, 1988. Keyboard Instruments. Virginals, Harpsichords and Organs in Paintings of the 16th and 17th Centuries, Guy Shipton, Afb. p. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-of-the-wise-and-the-foolish-virgins-francken-ii-hieronymus-1578-1623-francken-ii-hieronymus-1578-1623-ubekendt-tysk-slutningen-af-1600-tallet-eller-begyndelsen-af-1700-tallet-painting-flemish-paintings-1600-1800-olaf-koester-p-111-12-afb-p-319-fig-54-sh-2000-589-2000-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-olaf-koester-christian-iv-og-billedkunstens-europa-p-318-kat-nr-1027-88-222-1988-keyboard-instruments-virginals-harpsichords-and-organs-in-paintings-of-the-16th-and-17th-centuries-guy-shipton-afb-p-image613579537.htmlRM2XJ6XXW–The Parable of the Wise and the Foolish Virgins Francken II, Hieronymus 1578 - 1623, Francken II, Hieronymus 1578 - 1623, Ubekendt tysk slutningen af 1600-tallet eller begyndelsen af 1700-tallet Painting Flemish paintings: 1600 - 1800, Olaf Koester, p. 111-12, afb. p. 319 fig. 54 (s/h), 2000-589, 2000. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Olaf Koester, Christian IV og billedkunstens Europa, p. 318, kat nr. 1027, 88-222, 1988. Keyboard Instruments. Virginals, Harpsichords and Organs in Paintings of the 16th and 17th Centuries, Guy Shipton, Afb. p.
. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400199 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philomachus-pugnax-between-1700-and-1880-222-philomachus-pugnax-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17400199-image207736484.htmlRMP1Y604–. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400199
Copenhagen siege Haelwegh, Albert 1598 - 1673 Engraving, Print Kobberstikkeren Albert Haelwegh, Jørgen Sthyr, nr. 201, 14099, 1938. Geschichte der königlichen Kupferstichsammlung zu Copenhagen: ein Beitrag zur Geschichte der Kunst und Ergänzung der Werke von Bartsch und Brulliot, Baron C.F. von Rumohr, nr. 7, 14269, 1835. Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. VIII), Goltzius - Heemskerck, F.W.H. Hollstein, nr. 7, C 38945, 1953. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, kat. nr. 1219, 88-222, 1988 Københavns be Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copenhagen-siege-haelwegh-albert-1598-1673-engraving-print-kobberstikkeren-albert-haelwegh-jrgen-sthyr-nr-201-14099-1938-geschichte-der-kniglichen-kupferstichsammlung-zu-copenhagen-ein-beitrag-zur-geschichte-der-kunst-und-ergnzung-der-werke-von-bartsch-und-brulliot-baron-cf-von-rumohr-nr-7-14269-1835-hollsteins-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-vol-viii-goltzius-heemskerck-fwh-hollstein-nr-7-c-38945-1953-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-kat-nr-1219-88-222-1988-kbenhavns-be-image613437434.htmlRM2XJ0DKP–Copenhagen siege Haelwegh, Albert 1598 - 1673 Engraving, Print Kobberstikkeren Albert Haelwegh, Jørgen Sthyr, nr. 201, 14099, 1938. Geschichte der königlichen Kupferstichsammlung zu Copenhagen: ein Beitrag zur Geschichte der Kunst und Ergänzung der Werke von Bartsch und Brulliot, Baron C.F. von Rumohr, nr. 7, 14269, 1835. Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. VIII), Goltzius - Heemskerck, F.W.H. Hollstein, nr. 7, C 38945, 1953. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, kat. nr. 1219, 88-222, 1988 Københavns be
. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400207 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philomachus-pugnax-between-1700-and-1880-222-philomachus-pugnax-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17400207-image207736500.htmlRMP1Y60M–. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400207
Copenhagen siege Haelwegh, Albert 1598 - 1673 Engraving, Print Kobberstikkeren Albert Haelwegh, Jørgen Sthyr, nr. 201, 14099, 1938. Geschichte der königlichen Kupferstichsammlung zu Copenhagen: ein Beitrag zur Geschichte der Kunst und Ergänzung der Werke von Bartsch und Brulliot, Baron C.F. von Rumohr, nr. 7, 14269, 1835. Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. VIII), Goltzius - Heemskerck, F.W.H. Hollstein, nr. 7, C 38945, 1953. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, kat. nr. 1219, 88-222, 1988 Københavns be Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copenhagen-siege-haelwegh-albert-1598-1673-engraving-print-kobberstikkeren-albert-haelwegh-jrgen-sthyr-nr-201-14099-1938-geschichte-der-kniglichen-kupferstichsammlung-zu-copenhagen-ein-beitrag-zur-geschichte-der-kunst-und-ergnzung-der-werke-von-bartsch-und-brulliot-baron-cf-von-rumohr-nr-7-14269-1835-hollsteins-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-vol-viii-goltzius-heemskerck-fwh-hollstein-nr-7-c-38945-1953-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-kat-nr-1219-88-222-1988-kbenhavns-be-image613437687.htmlRM2XJ0E0R–Copenhagen siege Haelwegh, Albert 1598 - 1673 Engraving, Print Kobberstikkeren Albert Haelwegh, Jørgen Sthyr, nr. 201, 14099, 1938. Geschichte der königlichen Kupferstichsammlung zu Copenhagen: ein Beitrag zur Geschichte der Kunst und Ergänzung der Werke von Bartsch und Brulliot, Baron C.F. von Rumohr, nr. 7, 14269, 1835. Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. VIII), Goltzius - Heemskerck, F.W.H. Hollstein, nr. 7, C 38945, 1953. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, kat. nr. 1219, 88-222, 1988 Københavns be
. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400211 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philomachus-pugnax-between-1700-and-1880-222-philomachus-pugnax-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17400211-image207736502.htmlRMP1Y60P–. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400211
Clump of trees with a vista Rembrandt van Rijn 1606 - 1669 Engraving, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Rembrandt (7 vols: text, plates, copies), Erik Hinterding, 272 II, C 55013:1-7, 2013. The Illustrated Bartsch 50, Supplement, Rembrandt Harmensz. van Rijn, Stephanie S. Dickey, 222 II, C 36238, 1993. Rembrandt's etchings: an essay and a catalogue with some notes on the drawings, Arthur M. Hind, 263 II, 6545, 1912. L'oeuvre gravé de Rembrandt: avec un catalogue raisonné, Dmitri Rovinski, 222 II, 6728, 1890. Hollstein's Dutch and Flemish etc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clump-of-trees-with-a-vista-rembrandt-van-rijn-1606-1669-engraving-print-the-new-hollstein-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-rembrandt-7-vols-text-plates-copies-erik-hinterding-272-ii-c-550131-7-2013-the-illustrated-bartsch-50-supplement-rembrandt-harmensz-van-rijn-stephanie-s-dickey-222-ii-c-36238-1993-rembrandts-etchings-an-essay-and-a-catalogue-with-some-notes-on-the-drawings-arthur-m-hind-263-ii-6545-1912-loeuvre-grav-de-rembrandt-avec-un-catalogue-raisonn-dmitri-rovinski-222-ii-6728-1890-hollsteins-dutch-and-flemish-etc-image613433062.htmlRM2XJ083J–Clump of trees with a vista Rembrandt van Rijn 1606 - 1669 Engraving, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Rembrandt (7 vols: text, plates, copies), Erik Hinterding, 272 II, C 55013:1-7, 2013. The Illustrated Bartsch 50, Supplement, Rembrandt Harmensz. van Rijn, Stephanie S. Dickey, 222 II, C 36238, 1993. Rembrandt's etchings: an essay and a catalogue with some notes on the drawings, Arthur M. Hind, 263 II, 6545, 1912. L'oeuvre gravé de Rembrandt: avec un catalogue raisonné, Dmitri Rovinski, 222 II, 6728, 1890. Hollstein's Dutch and Flemish etc
. Philepitta castanea . between 1700 and 1880 222 Philepitta castanea - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ16400293 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philepitta-castanea-between-1700-and-1880-222-philepitta-castanea-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz16400293-image207711290.htmlRMP1X1TA–. Philepitta castanea . between 1700 and 1880 222 Philepitta castanea - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ16400293
Mormons Visiting a Country Carpenter Dalsgaard, Christen 1824 - 1907 Painting Et brev fra Chr. Dalsgaard, Haarvard Rostrup, p. 145-47., 15720, 1942. The soul of the North: a social, architectural and cultural history of the Nordic countries, 1700-1940, Neil Kent, afb. p. 55 fig. 18 (s/h), omt. p. 54, 2001-028, 2001. Christen Dalsgaard som grundvigsk billedkunstner, Nina Hobolth, Vartovbogen 2001, omt p. 33, afb. p. 32 Samme artikel i Grudtvig-studier 2001, p. 76-93, 196-197, 2001-533. Gyldendals bog om Danmarks historie, Ole Feldbæk, omt. p. 222, afb. p. 222, 2004-392, 2004. Ny dansk Billedkun Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mormons-visiting-a-country-carpenter-dalsgaard-christen-1824-1907-painting-et-brev-fra-chr-dalsgaard-haarvard-rostrup-p-145-47-15720-1942-the-soul-of-the-north-a-social-architectural-and-cultural-history-of-the-nordic-countries-1700-1940-neil-kent-afb-p-55-fig-18-sh-omt-p-54-2001-028-2001-christen-dalsgaard-som-grundvigsk-billedkunstner-nina-hobolth-vartovbogen-2001-omt-p-33-afb-p-32-samme-artikel-i-grudtvig-studier-2001-p-76-93-196-197-2001-533-gyldendals-bog-om-danmarks-historie-ole-feldbk-omt-p-222-afb-p-222-2004-392-2004-ny-dansk-billedkun-image613482348.htmlRM2XJ2EYT–Mormons Visiting a Country Carpenter Dalsgaard, Christen 1824 - 1907 Painting Et brev fra Chr. Dalsgaard, Haarvard Rostrup, p. 145-47., 15720, 1942. The soul of the North: a social, architectural and cultural history of the Nordic countries, 1700-1940, Neil Kent, afb. p. 55 fig. 18 (s/h), omt. p. 54, 2001-028, 2001. Christen Dalsgaard som grundvigsk billedkunstner, Nina Hobolth, Vartovbogen 2001, omt p. 33, afb. p. 32 Samme artikel i Grudtvig-studier 2001, p. 76-93, 196-197, 2001-533. Gyldendals bog om Danmarks historie, Ole Feldbæk, omt. p. 222, afb. p. 222, 2004-392, 2004. Ny dansk Billedkun
. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400215 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philomachus-pugnax-between-1700-and-1880-222-philomachus-pugnax-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17400215-image207736505.htmlRMP1Y60W–. Philomachus pugnax . between 1700 and 1880 222 Philomachus pugnax - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17400215
. Phibalura flavirostris . between 1700 and 1880 222 Phibalura flavirostris - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ16600055 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phibalura-flavirostris-between-1700-and-1880-222-phibalura-flavirostris-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz16600055-image207703370.htmlRMP1WKNE–. Phibalura flavirostris . between 1700 and 1880 222 Phibalura flavirostris - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ16600055
. Phoca annellata . between 1700 and 1880 vergeten pl, 17-04-09, 14:59, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca annellata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100207 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phoca-annellata-between-1700-and-1880-vergeten-pl-17-04-09-1459-8c-7776x9263-840-100-tooncurve11030-160-s-r806-g546-b583-222-phoca-annellata-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz21100207-image207913279.htmlRMP277E7–. Phoca annellata . between 1700 and 1880 vergeten pl, 17-04-09, 14:59, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca annellata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100207
![Ild (Ignis) Goltzius, Hendrick 1558 - 1617, Goltzius, Conrad 1587 - 1598 Etching, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Hendrick Goltzius, part I-IV, Marjolein Leesberg, 656 (se p. 46, 'Copies a I'), C 48058, 2012. Le peintre graveur, Adam Bartsch, p. 101, 22-25, C 35512:1-21, 1803-1821. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, kat.nr. 1558, 88-222, 1988. The Illustrated Bartsch 3, Commentary, Netherlandish artists, Hendrik Goltzius, Walter L. Strauss, p. 352, .025 C1 [B. 25 (102)], C 36169, 1982 Ild ( Stock Photo](https://c8.alamy.com/comp/2XJ6571/ild-ignis-goltzius-hendrick-1558-1617-goltzius-conrad-1587-1598-etching-print-the-new-hollstein-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-hendrick-goltzius-part-i-iv-marjolein-leesberg-656-se-p-46-copies-a-i-c-48058-2012-le-peintre-graveur-adam-bartsch-p-101-22-25-c-355121-21-1803-1821-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-katnr-1558-88-222-1988-the-illustrated-bartsch-3-commentary-netherlandish-artists-hendrik-goltzius-walter-l-strauss-p-352-025-c1-b-25-102-c-36169-1982-ild-2XJ6571.jpg "Ild (Ignis) Goltzius, Hendrick 1558 - 1617, Goltzius, Conrad 1587 - 1598 Etching, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Hendrick Goltzius, part I-IV, Marjolein Leesberg, 656 (se p. 46, 'Copies a I'), C 48058, 2012. Le peintre graveur, Adam Bartsch, p. 101, 22-25, C 35512:1-21, 1803-1821. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, kat.nr. 1558, 88-222, 1988. The Illustrated Bartsch 3, Commentary, Netherlandish artists, Hendrik Goltzius, Walter L. Strauss, p. 352, .025 C1 [B. 25 (102)], C 36169, 1982 Ild ( Stock Photo")
Ild (Ignis) Goltzius, Hendrick 1558 - 1617, Goltzius, Conrad 1587 - 1598 Etching, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Hendrick Goltzius, part I-IV, Marjolein Leesberg, 656 (se p. 46, 'Copies a I'), C 48058, 2012. Le peintre graveur, Adam Bartsch, p. 101, 22-25, C 35512:1-21, 1803-1821. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, kat.nr. 1558, 88-222, 1988. The Illustrated Bartsch 3, Commentary, Netherlandish artists, Hendrik Goltzius, Walter L. Strauss, p. 352, .025 C1 [B. 25 (102)], C 36169, 1982 Ild ( Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ild-ignis-goltzius-hendrick-1558-1617-goltzius-conrad-1587-1598-etching-print-the-new-hollstein-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-hendrick-goltzius-part-i-iv-marjolein-leesberg-656-se-p-46-copies-a-i-c-48058-2012-le-peintre-graveur-adam-bartsch-p-101-22-25-c-355121-21-1803-1821-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-katnr-1558-88-222-1988-the-illustrated-bartsch-3-commentary-netherlandish-artists-hendrik-goltzius-walter-l-strauss-p-352-025-c1-b-25-102-c-36169-1982-ild-image613562517.htmlRM2XJ6571–Ild (Ignis) Goltzius, Hendrick 1558 - 1617, Goltzius, Conrad 1587 - 1598 Etching, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Hendrick Goltzius, part I-IV, Marjolein Leesberg, 656 (se p. 46, 'Copies a I'), C 48058, 2012. Le peintre graveur, Adam Bartsch, p. 101, 22-25, C 35512:1-21, 1803-1821. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, kat.nr. 1558, 88-222, 1988. The Illustrated Bartsch 3, Commentary, Netherlandish artists, Hendrik Goltzius, Walter L. Strauss, p. 352, .025 C1 [B. 25 (102)], C 36169, 1982 Ild (
. Phoca hispida . between 1700 and 1880 vergeten pl, 17-04-09, 14:59, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca hispida - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100209 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phoca-hispida-between-1700-and-1880-vergeten-pl-17-04-09-1459-8c-7776x9263-840-100-tooncurve11030-160-s-r806-g546-b583-222-phoca-hispida-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz21100209-image207913297.htmlRMP277EW–. Phoca hispida . between 1700 and 1880 vergeten pl, 17-04-09, 14:59, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca hispida - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100209
![The Warship Trekroner Campen, Jan Diricks van 1550 - 1622 Copper engraving, Print Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. IV), Brun - Coques, F.W.H. Hollstein, ikke omtalt, C 38945, 1951. Dansk grafik: [i 2 bd.], Jørgen Sthyr, Omt. p. 60, 16065, 1943-1949. Holland-Danmark: forbindelsen mellem de to lande gennem tiderne, Knud Fabricius, Afb. p. 327, som Christian IV's rejse til England 1606 ombord på 'Tre Kroner', 16511, 1945. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Kat. nr. 1204, 88-222, 1988. Danmark-Norge 13 Stock Photo](https://c8.alamy.com/comp/2XJ12EX/the-warship-trekroner-campen-jan-diricks-van-1550-1622-copper-engraving-print-hollsteins-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-vol-iv-brun-coques-fwh-hollstein-ikke-omtalt-c-38945-1951-dansk-grafik-i-2-bd-jrgen-sthyr-omt-p-60-16065-1943-1949-holland-danmark-forbindelsen-mellem-de-to-lande-gennem-tiderne-knud-fabricius-afb-p-327-som-christian-ivs-rejse-til-england-1606-ombord-p-tre-kroner-16511-1945-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-kat-nr-1204-88-222-1988-danmark-norge-13-2XJ12EX.jpg "The Warship Trekroner Campen, Jan Diricks van 1550 - 1622 Copper engraving, Print Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. IV), Brun - Coques, F.W.H. Hollstein, ikke omtalt, C 38945, 1951. Dansk grafik: [i 2 bd.], Jørgen Sthyr, Omt. p. 60, 16065, 1943-1949. Holland-Danmark: forbindelsen mellem de to lande gennem tiderne, Knud Fabricius, Afb. p. 327, som Christian IV's rejse til England 1606 ombord på 'Tre Kroner', 16511, 1945. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Kat. nr. 1204, 88-222, 1988. Danmark-Norge 13 Stock Photo")
The Warship Trekroner Campen, Jan Diricks van 1550 - 1622 Copper engraving, Print Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. IV), Brun - Coques, F.W.H. Hollstein, ikke omtalt, C 38945, 1951. Dansk grafik: [i 2 bd.], Jørgen Sthyr, Omt. p. 60, 16065, 1943-1949. Holland-Danmark: forbindelsen mellem de to lande gennem tiderne, Knud Fabricius, Afb. p. 327, som Christian IV's rejse til England 1606 ombord på 'Tre Kroner', 16511, 1945. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Kat. nr. 1204, 88-222, 1988. Danmark-Norge 13 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-warship-trekroner-campen-jan-diricks-van-1550-1622-copper-engraving-print-hollsteins-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-vol-iv-brun-coques-fwh-hollstein-ikke-omtalt-c-38945-1951-dansk-grafik-i-2-bd-jrgen-sthyr-omt-p-60-16065-1943-1949-holland-danmark-forbindelsen-mellem-de-to-lande-gennem-tiderne-knud-fabricius-afb-p-327-som-christian-ivs-rejse-til-england-1606-ombord-p-tre-kroner-16511-1945-christian-iv-og-europa-den-19-europardsudstilling-danmark-1988-steffen-heiberg-kat-nr-1204-88-222-1988-danmark-norge-13-image613450626.htmlRM2XJ12EX–The Warship Trekroner Campen, Jan Diricks van 1550 - 1622 Copper engraving, Print Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. IV), Brun - Coques, F.W.H. Hollstein, ikke omtalt, C 38945, 1951. Dansk grafik: [i 2 bd.], Jørgen Sthyr, Omt. p. 60, 16065, 1943-1949. Holland-Danmark: forbindelsen mellem de to lande gennem tiderne, Knud Fabricius, Afb. p. 327, som Christian IV's rejse til England 1606 ombord på 'Tre Kroner', 16511, 1945. Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Steffen Heiberg, Kat. nr. 1204, 88-222, 1988. Danmark-Norge 13
. Phoca annellata . between 1700 and 1880 UBA01 IZ21100199, 17-04-09, 13:01, 8C, 7776x3980 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca annellata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100199 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phoca-annellata-between-1700-and-1880-uba01-iz21100199-17-04-09-1301-8c-7776x3980-840-100-tooncurve11030-160-s-r806-g546-b583-222-phoca-annellata-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz21100199-image207913201.htmlRMP277BD–. Phoca annellata . between 1700 and 1880 UBA01 IZ21100199, 17-04-09, 13:01, 8C, 7776x3980 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca annellata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100199
. Phoca groenlandica . between 1700 and 1880 vergeten pl, 17-04-09, 14:59, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca groenlandica - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100211 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phoca-groenlandica-between-1700-and-1880-vergeten-pl-17-04-09-1459-8c-7776x9263-840-100-tooncurve11030-160-s-r806-g546-b583-222-phoca-groenlandica-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz21100211-image207913313.htmlRMP277FD–. Phoca groenlandica . between 1700 and 1880 vergeten pl, 17-04-09, 14:59, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca groenlandica - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100211
. Phoca annellata . between 1700 and 1880 UBA01 IZ21100208-y, 17-04-09, 13:47, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca annellata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100205 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phoca-annellata-between-1700-and-1880-uba01-iz21100208-y-17-04-09-1347-8c-7776x9263-840-100-tooncurve11030-160-s-r806-g546-b583-222-phoca-annellata-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz21100205-image207913263.htmlRMP277DK–. Phoca annellata . between 1700 and 1880 UBA01 IZ21100208-y, 17-04-09, 13:47, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca annellata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100205
. Phoca barbata . between 1700 and 1880 UBA01 IZ21100228-y, 17-04-09, 14:51, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca barbata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100223 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phoca-barbata-between-1700-and-1880-uba01-iz21100228-y-17-04-09-1451-8c-7776x9263-840-100-tooncurve11030-160-s-r806-g546-b583-222-phoca-barbata-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz21100223-image207913407.htmlRMP277JR–. Phoca barbata . between 1700 and 1880 UBA01 IZ21100228-y, 17-04-09, 14:51, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca barbata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100223
. Phoca bicolor . between 1700 and 1880 UBA01 IZ21100218-y, 17-04-09, 14:24, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca bicolor - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100217 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phoca-bicolor-between-1700-and-1880-uba01-iz21100218-y-17-04-09-1424-8c-7776x9263-840-100-tooncurve11030-160-s-r806-g546-b583-222-phoca-bicolor-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz21100217-image207913363.htmlRMP277H7–. Phoca bicolor . between 1700 and 1880 UBA01 IZ21100218-y, 17-04-09, 14:24, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca bicolor - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100217
. Phoca annellata . between 1700 and 1880 UBA01 IZ21100208-y, 17-04-09, 13:47, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca annellata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100201 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phoca-annellata-between-1700-and-1880-uba01-iz21100208-y-17-04-09-1347-8c-7776x9263-840-100-tooncurve11030-160-s-r806-g546-b583-222-phoca-annellata-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz21100201-image207913220.htmlRMP277C4–. Phoca annellata . between 1700 and 1880 UBA01 IZ21100208-y, 17-04-09, 13:47, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca annellata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100201
. Phoca barbata . between 1700 and 1880 UBA01 IZ21100228-y, 17-04-09, 14:51, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca barbata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100225 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phoca-barbata-between-1700-and-1880-uba01-iz21100228-y-17-04-09-1451-8c-7776x9263-840-100-tooncurve11030-160-s-r806-g546-b583-222-phoca-barbata-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz21100225-image207913424.htmlRMP277KC–. Phoca barbata . between 1700 and 1880 UBA01 IZ21100228-y, 17-04-09, 14:51, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca barbata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100225
. Phoca groenlandica . between 1700 and 1880 UBA01 IZ21100218-x, 17-04-09, 14:17, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca groenlandica - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100215 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phoca-groenlandica-between-1700-and-1880-uba01-iz21100218-x-17-04-09-1417-8c-7776x9263-840-100-tooncurve11030-160-s-r806-g546-b583-222-phoca-groenlandica-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz21100215-image207913347.htmlRMP277GK–. Phoca groenlandica . between 1700 and 1880 UBA01 IZ21100218-x, 17-04-09, 14:17, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca groenlandica - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100215
. Phoca annellata . between 1700 and 1880 UBA01 IZ21100208-y, 17-04-09, 13:47, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca annellata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100203 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phoca-annellata-between-1700-and-1880-uba01-iz21100208-y-17-04-09-1347-8c-7776x9263-840-100-tooncurve11030-160-s-r806-g546-b583-222-phoca-annellata-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz21100203-image207913243.htmlRMP277CY–. Phoca annellata . between 1700 and 1880 UBA01 IZ21100208-y, 17-04-09, 13:47, 8C, 7776x9263 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca annellata - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100203
. Phoca proboscidea . between 1700 and 1880 UBA01 IZ21100106-y, 15-04-09, 10:39, 8C, 7776x9611 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca proboscidea - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100121 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phoca-proboscidea-between-1700-and-1880-uba01-iz21100106-y-15-04-09-1039-8c-7776x9611-840-100-tooncurve11030-160-s-r806-g546-b583-222-phoca-proboscidea-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz21100121-image207928709.htmlRMP27Y59–. Phoca proboscidea . between 1700 and 1880 UBA01 IZ21100106-y, 15-04-09, 10:39, 8C, 7776x9611 (84+0), 100%%%%, Tooncurve11030, 1/60 s, R80.6, G54.6, B58.3 222 Phoca proboscidea - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ21100121
222 Phodilus badius - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18400245 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/222-phodilus-badius-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18400245-image207785987.htmlRMP21D43–222 Phodilus badius - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18400245
222 Phaëton flavirostris - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18000011 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/222-phaton-flavirostris-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18000011-image207769025.htmlRMP20KE9–222 Phaëton flavirostris - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18000011
222 Phaëton rubricaudus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18000017 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/222-phaton-rubricaudus-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18000017-image207769028.htmlRMP20KEC–222 Phaëton rubricaudus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18000017
222 Phaëton flavirostris - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18000013 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/222-phaton-flavirostris-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18000013-image207769026.htmlRMP20KEA–222 Phaëton flavirostris - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18000013
222 Phoenicopterus antiquorum - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17600001 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/222-phoenicopterus-antiquorum-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17600001-image207753218.htmlRMP1YY9P–222 Phoenicopterus antiquorum - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17600001
222 Phoenicopterus antiquorum - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17600007 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/222-phoenicopterus-antiquorum-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17600007-image207753232.htmlRMP1YYA8–222 Phoenicopterus antiquorum - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17600007
222 Phoenicopterus antiquorum - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17600009 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/222-phoenicopterus-antiquorum-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17600009-image207753235.htmlRMP1YYAB–222 Phoenicopterus antiquorum - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17600009
222 Phaëton aethereus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18000007 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/222-phaton-aethereus-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18000007-image207769020.htmlRMP20KE4–222 Phaëton aethereus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18000007
222 Phoenicopterus ruber - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17600019 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/222-phoenicopterus-ruber-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17600019-image207753250.htmlRMP1YYAX–222 Phoenicopterus ruber - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17600019
222 Phoenicopterus ruber - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17600021 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/222-phoenicopterus-ruber-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz17600021-image207753253.htmlRMP1YYB1–222 Phoenicopterus ruber - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ17600021
222 Phaëton aethereus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18000001 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/222-phaton-aethereus-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18000001-image207769017.htmlRMP20KE1–222 Phaëton aethereus - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18000001
222 Phaëtornis eremita - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19100009 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/222-phatornis-eremita-1700-1880-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz19100009-image207737285.htmlRMP1Y70N–222 Phaëtornis eremita - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ19100009
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