23 2 x 44 cm hi-res stock photography and images

Misty Morning, Coast of Maine, Arthur Parton, American, 1842-1914, Oil on canvas, ca. late 1860s, 9 1/8 x 17 5/16 in., 23.2 x 44 cm, American artist, American oil, atmospheric, beach, cliffs, coast, coastline, landscape, late 19th century, Maine, mist, monochrome, oil on canvas, painting, shoreline, sky Stock Photo

RM2HB1H4A–Misty Morning, Coast of Maine, Arthur Parton, American, 1842-1914, Oil on canvas, ca. late 1860s, 9 1/8 x 17 5/16 in., 23.2 x 44 cm, American artist, American oil, atmospheric, beach, cliffs, coast, coastline, landscape, late 19th century, Maine, mist, monochrome, oil on canvas, painting, shoreline, sky

Inspired by Misty Morning, Coast of Maine, Arthur Parton, American, 1842-1914, Oil on canvas, ca. late 1860s, 9 1/8 x 17 5/16 in., 23.2 x 44 cm, American artist, American oil, atmospheric, beach, cliffs, coast, coastline, landscape, late 19th century, Maine, mist, monochrome, oil on canvas, painting, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK48PB–Inspired by Misty Morning, Coast of Maine, Arthur Parton, American, 1842-1914, Oil on canvas, ca. late 1860s, 9 1/8 x 17 5/16 in., 23.2 x 44 cm, American artist, American oil, atmospheric, beach, cliffs, coast, coastline, landscape, late 19th century, Maine, mist, monochrome, oil on canvas, painting, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Misty Morning, Coast of Maine Arthur Parton (American, 1842-1914). Misty Morning, Coast of Maine, ca. late 1860s. Oil on canvas, 9 1/8 x 17 5/16 in. (23.2 x 44 cm). The influence of William Trost Richards is evident in this work’s coastal subject matter, careful execution, and vaporous atmospheric effects. Parton studied with Richards in Philadelphia from 1859 to 1861 and remained close with the elder artist throughout his life, even going on a sketching expedition with him in the Adirondacks. American Art ca. late 1860s Stock Photo

RM2M929NG–Misty Morning, Coast of Maine Arthur Parton (American, 1842-1914). Misty Morning, Coast of Maine, ca. late 1860s. Oil on canvas, 9 1/8 x 17 5/16 in. (23.2 x 44 cm). The influence of William Trost Richards is evident in this work’s coastal subject matter, careful execution, and vaporous atmospheric effects. Parton studied with Richards in Philadelphia from 1859 to 1861 and remained close with the elder artist throughout his life, even going on a sketching expedition with him in the Adirondacks. American Art ca. late 1860s

View of the Bargello Courtyard in Florence. Artist: S. Cecchi (Italian, 19th century). Dimensions: 23-5/8 x 17-1/2 in. (60.0 x 44.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1P0A–View of the Bargello Courtyard in Florence. Artist: S. Cecchi (Italian, 19th century). Dimensions: 23-5/8 x 17-1/2 in. (60.0 x 44.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

RM2M929P1–Misty Morning, Coast of Maine Arthur Parton (American, 1842-1914). Misty Morning, Coast of Maine, ca. late 1860s. Oil on canvas, 9 1/8 x 17 5/16 in. (23.2 x 44 cm). The influence of William Trost Richards is evident in this work’s coastal subject matter, careful execution, and vaporous atmospheric effects. Parton studied with Richards in Philadelphia from 1859 to 1861 and remained close with the elder artist throughout his life, even going on a sketching expedition with him in the Adirondacks. American Art ca. late 1860s

. English: Display Artist: Artist Unknown Creation Date: ca. 1800 Display Dimensions: 2 5/32 in. x 1 23/32 in. (5.5 cm x 4.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.386 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 2 October 2001, 15:44:43. English: thesandiegomuseumofartcollection 1016 Portrait of a European Lady (6124537239) Stock Photo

RMMPA3J6–. English: Display Artist: Artist Unknown Creation Date: ca. 1800 Display Dimensions: 2 5/32 in. x 1 23/32 in. (5.5 cm x 4.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.386 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 2 October 2001, 15:44:43. English: thesandiegomuseumofartcollection 1016 Portrait of a European Lady (6124537239)

RM2M929PH–Misty Morning, Coast of Maine Arthur Parton (American, 1842-1914). Misty Morning, Coast of Maine, ca. late 1860s. Oil on canvas, 9 1/8 x 17 5/16 in. (23.2 x 44 cm). The influence of William Trost Richards is evident in this work’s coastal subject matter, careful execution, and vaporous atmospheric effects. Parton studied with Richards in Philadelphia from 1859 to 1861 and remained close with the elder artist throughout his life, even going on a sketching expedition with him in the Adirondacks. American Art ca. late 1860s

Painting; oil on canvas; overall: 91.7 x 59.7 cm (36 1/8 x 23 1/2 in.) framed: 112.7 x 81.3 cm (44 3/8 x 32 in.); 58 Amedeo Modigliani - Chaim Soutine (1917) Stock Photo

RMP7B0EX–Painting; oil on canvas; overall: 91.7 x 59.7 cm (36 1/8 x 23 1/2 in.) framed: 112.7 x 81.3 cm (44 3/8 x 32 in.); 58 Amedeo Modigliani - Chaim Soutine (1917)

Head of a Young Woman; Adélaïde Labille-Guiard, French, 1749 - 1803; 1779; Pastel on paper; Unframed: 54.6 x 44.5 cm (21 1/2 x 1 Stock Photo

RME74K5B–Head of a Young Woman; Adélaïde Labille-Guiard, French, 1749 - 1803; 1779; Pastel on paper; Unframed: 54.6 x 44.5 cm (21 1/2 x 1

Drawing, Design for a Bronze Mounted Vase; Designed by Emile Gallé (French, 1846–1904); France; graphite on wove paper; 60.3 x 44.8 x 2.5 cm (23 3/4 x 17 5/8 x 1 in.) Stock Photo

RM2PMBT79–Drawing, Design for a Bronze Mounted Vase; Designed by Emile Gallé (French, 1846–1904); France; graphite on wove paper; 60.3 x 44.8 x 2.5 cm (23 3/4 x 17 5/8 x 1 in.)

'Jacobus Houbraken after Sir Anthony van Dyck, Algernon Percy, Earl of Northumberland, 1738, engraving and etching on laid paper, plate: 37.5 x 23.6 cm (14 3/4 x 9 5/16 in.) sheet: 44.2 x 30.1 cm (17 3/8 x 11 7/8 in.), Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.203.5' Stock Photo

RM2RE902N–'Jacobus Houbraken after Sir Anthony van Dyck, Algernon Percy, Earl of Northumberland, 1738, engraving and etching on laid paper, plate: 37.5 x 23.6 cm (14 3/4 x 9 5/16 in.) sheet: 44.2 x 30.1 cm (17 3/8 x 11 7/8 in.), Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.203.5'

Banister-back armchair MET DT241037 147 American, Banister-back armchair, 1720?40, Hard maple, soft maple, ash, 44 1/2 x 23 x 22 1/2 in. (113 x 58.4 x 57.2 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.219) Stock Photo

RMKNDFD9–Banister-back armchair MET DT241037 147 American, Banister-back armchair, 1720?40, Hard maple, soft maple, ash, 44 1/2 x 23 x 22 1/2 in. (113 x 58.4 x 57.2 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.219)

Piece, Spanish, 17th century, Spanish, Silk, 17 1/2 x 23 inches (44.5 x 58.4 cm), Textiles-Woven Stock Photo

RM2B0KNYK–Piece, Spanish, 17th century, Spanish, Silk, 17 1/2 x 23 inches (44.5 x 58.4 cm), Textiles-Woven

Art inspired by Misty Morning, Coast of Maine, Arthur Parton, American, 1842-1914, Oil on canvas, ca. late 1860s, 9 1/8 x 17 5/16 in., 23.2 x 44 cm, American artist, American oil, atmospheric, beach, cliffs, coast, coastline, landscape, late 19th century, Maine, mist, monochrome, oil on, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKJPWE–Art inspired by Misty Morning, Coast of Maine, Arthur Parton, American, 1842-1914, Oil on canvas, ca. late 1860s, 9 1/8 x 17 5/16 in., 23.2 x 44 cm, American artist, American oil, atmospheric, beach, cliffs, coast, coastline, landscape, late 19th century, Maine, mist, monochrome, oil on, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by View of the Bargello Courtyard in Florence, 19th century, Watercolor, 23-5/8 x 17-1/2 in. (60.0 x 44.4 cm), Drawings, S. Cecchi (Italian, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW56X8–Art inspired by View of the Bargello Courtyard in Florence, 19th century, Watercolor, 23-5/8 x 17-1/2 in. (60.0 x 44.4 cm), Drawings, S. Cecchi (Italian, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Head of a Woman with a Veil. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 23 1/2 x 17 5/16 in. (59.7 x 44 cm). Date: 1782. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA9HB3–Head of a Woman with a Veil. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 23 1/2 x 17 5/16 in. (59.7 x 44 cm). Date: 1782. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Ovolo frame, 1660–80, French, Oak lower moldings; lime upper moldings., 44.5 x 37.5, 31 x 23.7, 34.2 x 26.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYFA6–Art inspired by Ovolo frame, 1660–80, French, Oak lower moldings; lime upper moldings., 44.5 x 37.5, 31 x 23.7, 34.2 x 26.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

St Mary Woolnoth . Author Hawksmoor, Nicholas 23.28.3.o Date of publication: [about 1716-1719] Item type: 1 drawing Medium: pen and black ink with monochrome wash Dimensions: sheet 70.2 x 44.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HFXD–St Mary Woolnoth . Author Hawksmoor, Nicholas 23.28.3.o Date of publication: [about 1716-1719] Item type: 1 drawing Medium: pen and black ink with monochrome wash Dimensions: sheet 70.2 x 44.2 cm Former owner: George III, King of Great Britain, 1738-1820

Art inspired by Head of a Woman with a Veil, 1782, Reddish-brown chalk, sheet: 23 1/2 x 17 5/16 in. (59.7 x 44 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW55B9–Art inspired by Head of a Woman with a Veil, 1782, Reddish-brown chalk, sheet: 23 1/2 x 17 5/16 in. (59.7 x 44 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on panel; overall: 59.7 x 44.1 cm (23 1/2 x 17 3/8 in.) framed: 84.4 x 71.1 cm (33 1/4 x 28 in.); Portrait of a Nobleman 1529. 1017 Portrait of a Nobleman A24636 Stock Photo

RMMNTG28–Painting; oil on panel; overall: 59.7 x 44.1 cm (23 1/2 x 17 3/8 in.) framed: 84.4 x 71.1 cm (33 1/4 x 28 in.); Portrait of a Nobleman 1529. 1017 Portrait of a Nobleman A24636

Art inspired by Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, sheet: 17 3/8 x 9 3/16 in. (44.2 x 23.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5M0F–Art inspired by Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, sheet: 17 3/8 x 9 3/16 in. (44.2 x 23.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Drawing, Design for a printed framing, pattern no. 4 of the Fabrique de St. Ruf; Manufactured by Fabrique de Saint Ruf; France; graphite, brush and gouache, black on paper; 23.8 x 44.2 cm (9 3/8 x 17 3/8 in.) Stock Photo

RM2PME4GC–Drawing, Design for a printed framing, pattern no. 4 of the Fabrique de St. Ruf; Manufactured by Fabrique de Saint Ruf; France; graphite, brush and gouache, black on paper; 23.8 x 44.2 cm (9 3/8 x 17 3/8 in.)

Art inspired by Ground Plan, ca. 1750, Pen and black ink, 23-7/8 x 17-1/2 in. (60.6 x 44.5 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5EWH–Art inspired by Ground Plan, ca. 1750, Pen and black ink, 23-7/8 x 17-1/2 in. (60.6 x 44.5 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Banister-back armchair MET 12033 147 American, Banister-back armchair, 1720?40, Hard maple, soft maple, ash, 44 1/2 x 23 x 22 1/2 in. (113 x 58.4 x 57.2 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.219) Stock Photo

RMKNDFD8–Banister-back armchair MET 12033 147 American, Banister-back armchair, 1720?40, Hard maple, soft maple, ash, 44 1/2 x 23 x 22 1/2 in. (113 x 58.4 x 57.2 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.219)

Art inspired by Double Capital, late 13th–early 14th century, Made in Pyrénées, France, French, White marble, Overall: 23 1/4 x 17 1/2 x 14 in. (59.1 x 44.5 x 35.6 cm), Sculpture-Architectural, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW03WE–Art inspired by Double Capital, late 13th–early 14th century, Made in Pyrénées, France, French, White marble, Overall: 23 1/4 x 17 1/2 x 14 in. (59.1 x 44.5 x 35.6 cm), Sculpture-Architectural, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Chinese Painter, William Conklin, American, Chinese Painter, ca. 1800, American, Oil on canvas, 23 x 17 1/2 in. (58.4 x 44.5 cm), Paintings Stock Photo

RM2B0J861–Chinese Painter, William Conklin, American, Chinese Painter, ca. 1800, American, Oil on canvas, 23 x 17 1/2 in. (58.4 x 44.5 cm), Paintings

Double Capital. Culture: French. Dimensions: Overall: 23 1/4 x 17 1/2 x 14 in. (59.1 x 44.5 x 35.6 cm). Date: late 13th-early 14th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAKX3F–Double Capital. Culture: French. Dimensions: Overall: 23 1/4 x 17 1/2 x 14 in. (59.1 x 44.5 x 35.6 cm). Date: late 13th-early 14th century. Museum: Metropolitan Museum of Art, New York, USA.

MonsalDale, Derbyshire. Author Cartwright, Thomas 11.44. Place of publication: [London] Publisher: Published 1807, by John Connop St. Ann's Lane London., Date of publication: [1807] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 17.2 x 23.0 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9G1CF–MonsalDale, Derbyshire. Author Cartwright, Thomas 11.44. Place of publication: [London] Publisher: Published 1807, by John Connop St. Ann's Lane London., Date of publication: [1807] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 17.2 x 23.0 cm. Former owner: George III, King of Great Britain, 1738-1820

Painting; oil on paper; overall: 29 x 44 cm (11 7/16 x 17 5/16 in.) framed: 42.2 x 59.4 x 5.4 cm (16 5/8 x 23 3/8 x 2 1/8 in.); 9 Forest Interior with a Painter, Civita Castellana C16164 Stock Photo

RMP01HYN–Painting; oil on paper; overall: 29 x 44 cm (11 7/16 x 17 5/16 in.) framed: 42.2 x 59.4 x 5.4 cm (16 5/8 x 23 3/8 x 2 1/8 in.); 9 Forest Interior with a Painter, Civita Castellana C16164

Samples (USA); Manufactured by Orinoka Mills (United States); Warp x Weft (a): 15 × 44 cm (5 7/8 × 17 5/16 in.) Warp x Weft (b): 14 × 23 cm (5 1/2 × 9 1/16 in.) Stock Photo

RM2PMCTFA–Samples (USA); Manufactured by Orinoka Mills (United States); Warp x Weft (a): 15 × 44 cm (5 7/8 × 17 5/16 in.) Warp x Weft (b): 14 × 23 cm (5 1/2 × 9 1/16 in.)

Banister-back armchair MET 85C ACF129R7 147 American, Banister-back armchair, 1720?40, Hard maple, soft maple, ash, 44 1/2 x 23 x 22 1/2 in. (113 x 58.4 x 57.2 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.219) Stock Photo

RMKNDFDD–Banister-back armchair MET 85C ACF129R7 147 American, Banister-back armchair, 1720?40, Hard maple, soft maple, ash, 44 1/2 x 23 x 22 1/2 in. (113 x 58.4 x 57.2 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.219)

Art inspired by Double Capital, late 13th–early 14th century, Made in Pyrénées, French, White marble, Overall: 23 1/4 x 17 1/2 x 13 3/4 in. (59.1 x 44.5 x 34.9 cm), Sculpture-Architectural, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW03WH–Art inspired by Double Capital, late 13th–early 14th century, Made in Pyrénées, French, White marble, Overall: 23 1/4 x 17 1/2 x 13 3/4 in. (59.1 x 44.5 x 34.9 cm), Sculpture-Architectural, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Benjamin Franklin MET DP-1078-003 17659 Artist: Henry Kirke Brown, American, Leyden, Massachusetts 1814?1886 Newburgh, New York, Benjamin Franklin, 1852, Bronze, 9 3/8 x 8 1/2 x 1 3/4 in. (23.8 x 21.6 x 4.4 cm). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 2004 (2004.44) Stock Photo

RMKND596–Benjamin Franklin MET DP-1078-003 17659 Artist: Henry Kirke Brown, American, Leyden, Massachusetts 1814?1886 Newburgh, New York, Benjamin Franklin, 1852, Bronze, 9 3/8 x 8 1/2 x 1 3/4 in. (23.8 x 21.6 x 4.4 cm). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 2004 (2004.44)

Christ Crucified Between the Two Thieves MET DP-1360-002 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol Stock Photo

RMKND5NX–Christ Crucified Between the Two Thieves MET DP-1360-002 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol

Christ Crucified Between the Two Thieves MET DP-1360-004 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol Stock Photo

RMKND5NW–Christ Crucified Between the Two Thieves MET DP-1360-004 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol

Rubbing of Guandi (War God) from a Ming dynasty stone carving, China, 20th century, China, Ink on paper, 44 x 23 1/2 in. (111.8 x 59.7 cm), Rubbing Stock Photo

RM2B0JAM1–Rubbing of Guandi (War God) from a Ming dynasty stone carving, China, 20th century, China, Ink on paper, 44 x 23 1/2 in. (111.8 x 59.7 cm), Rubbing

Hibiscus and Egret. Artist: Attributed to Jiang Tingxi (Chinese, 1669-1732). Calligrapher: Jiang Wuyang (Chinese). Culture: China. Dimensions: 44 1/2 x 23 3/4 in. (113 x 60.3 cm). Date: dated 1724. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAKTR0–Hibiscus and Egret. Artist: Attributed to Jiang Tingxi (Chinese, 1669-1732). Calligrapher: Jiang Wuyang (Chinese). Culture: China. Dimensions: 44 1/2 x 23 3/4 in. (113 x 60.3 cm). Date: dated 1724. Museum: Metropolitan Museum of Art, New York, USA.

The West Prospect of ye Church of Rippon. Author King, Daniel 44.46.c. Place of publication: [London] Publisher: [J. Overton] Date of publication: [1672 c.] Item type: 1 print Medium: etching Dimensions: sheet 23.9 x 17.2 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9EPMK–The West Prospect of ye Church of Rippon. Author King, Daniel 44.46.c. Place of publication: [London] Publisher: [J. Overton] Date of publication: [1672 c.] Item type: 1 print Medium: etching Dimensions: sheet 23.9 x 17.2 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820

Painting; tempera on panel; overall: 44.5 x 28.5 cm (17 1/2 x 11 1/4 in.) framed: 60.6 x 41.9 x 5.1 cm (23 7/8 x 16 1/2 x 2 in.); Saint Ursula with Two Angels and Donor circa 1455-1460. 1094 Sant'Orsola Stock Photo

RMMNX39K–Painting; tempera on panel; overall: 44.5 x 28.5 cm (17 1/2 x 11 1/4 in.) framed: 60.6 x 41.9 x 5.1 cm (23 7/8 x 16 1/2 x 2 in.); Saint Ursula with Two Angels and Donor circa 1455-1460. 1094 Sant'Orsola

Samples (USA); Manufactured by Orinoka Mills (United States); Warp x Weft (a): 15 × 44.5 cm (5 7/8 × 17 1/2 in.) Warp x Weft (b): 11.5 × 23.5 cm (4 1/2 × 9 1/4 in.) Stock Photo

RM2PMCCMP–Samples (USA); Manufactured by Orinoka Mills (United States); Warp x Weft (a): 15 × 44.5 cm (5 7/8 × 17 1/2 in.) Warp x Weft (b): 11.5 × 23.5 cm (4 1/2 × 9 1/4 in.)

Art inspired by Queen Charlotte, Oil on canvas, 23 3/4 x 17 1/2 in. (60.3 x 44.5 cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788 London), This is a replica by Gainsborough of a portrait of the queen (Royal Collection) which he painted at Windsor Castle in September 1782, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY1H7–Art inspired by Queen Charlotte, Oil on canvas, 23 3/4 x 17 1/2 in. (60.3 x 44.5 cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788 London), This is a replica by Gainsborough of a portrait of the queen (Royal Collection) which he painted at Windsor Castle in September 1782, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Shirt, 1450–1550, Peru, Chimú, Camelid fiber, cotton, H. 23 1/2 x . 44 1/2 in. (72.7 cm), Textiles-Woven, The production of cloth was highly developed in ancient Peru. Textile garments conveyed important social, political, and religious messages depending on the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX51F–Art inspired by Shirt, 1450–1550, Peru, Chimú, Camelid fiber, cotton, H. 23 1/2 x . 44 1/2 in. (72.7 cm), Textiles-Woven, The production of cloth was highly developed in ancient Peru. Textile garments conveyed important social, political, and religious messages depending on the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Spindle-back armchair, 1640–80, Possibly made in Boston, Massachusetts, United States; Possibly made in Charlestown, Massachusetts, United States, American, Ash, 44 3/4 x 23 1/2 x 15 3/4 in. (113.7 x 59.7 x 40 cm), Furniture, The rarest and grandest of the early turned, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2089–Art inspired by Spindle-back armchair, 1640–80, Possibly made in Boston, Massachusetts, United States; Possibly made in Charlestown, Massachusetts, United States, American, Ash, 44 3/4 x 23 1/2 x 15 3/4 in. (113.7 x 59.7 x 40 cm), Furniture, The rarest and grandest of the early turned, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Christ Crucified Between the Two Thieves MET DP-1360-003 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol Stock Photo

RMKND5NT–Christ Crucified Between the Two Thieves MET DP-1360-003 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol

Fragment, Greek Islands, Cyclades, Naxos, 18th century, Greek Islands, Cyclades, Naxos, Silk on linen, L. 17 1/2 x W. 9 5/16 inches (44.5 x 23.7 cm), Textiles-Embroidered Stock Photo

RM2B0H3EF–Fragment, Greek Islands, Cyclades, Naxos, 18th century, Greek Islands, Cyclades, Naxos, Silk on linen, L. 17 1/2 x W. 9 5/16 inches (44.5 x 23.7 cm), Textiles-Embroidered

Art inspired by Kintaro with Carp, Edo period (1615–1868), 19th century, Japan, Hanging scroll; hand-colored woodblock print, Image: 23 3/4 x 17 1/2 in. (60.4 x 44.5 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTTPDX–Art inspired by Kintaro with Carp, Edo period (1615–1868), 19th century, Japan, Hanging scroll; hand-colored woodblock print, Image: 23 3/4 x 17 1/2 in. (60.4 x 44.5 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Christ Crucified Between the Two Thieves MET DP-1360-001 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol Stock Photo

RMKND5MB–Christ Crucified Between the Two Thieves MET DP-1360-001 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol

Art inspired by Limestone plinth with the feet of a statue of Zeus, Roman, 2nd or 3rd century A.D., Cypriot, Limestone, Other: 9 1/2 x 23 3/8 x 17 1/2 in. (24.1 x 59.4 x 44.5 cm), Cesnola Inscriptions, With two feet; dedication to Zeus Labranios, by Oliasos, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW42EB–Art inspired by Limestone plinth with the feet of a statue of Zeus, Roman, 2nd or 3rd century A.D., Cypriot, Limestone, Other: 9 1/2 x 23 3/8 x 17 1/2 in. (24.1 x 59.4 x 44.5 cm), Cesnola Inscriptions, With two feet; dedication to Zeus Labranios, by Oliasos, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Double Capital. Culture: French. Dimensions: Overall: 23 1/4 x 17 1/2 x 13 3/4 in. (59.1 x 44.5 x 34.9 cm). Date: late 13th-early 14th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA8MXC–Double Capital. Culture: French. Dimensions: Overall: 23 1/4 x 17 1/2 x 13 3/4 in. (59.1 x 44.5 x 34.9 cm). Date: late 13th-early 14th century. Museum: Metropolitan Museum of Art, New York, USA.

Inspired by The Life Line, Winslow Homer, American, 1836-1910, Etching in green ink with aquatint and drypoint on beige moderately thick moderately textured wove paper, 1884, Sheet: 17 1/2 x 23 in., 44.5 x 58.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4NP9–Inspired by The Life Line, Winslow Homer, American, 1836-1910, Etching in green ink with aquatint and drypoint on beige moderately thick moderately textured wove paper, 1884, Sheet: 17 1/2 x 23 in., 44.5 x 58.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

WEST VIEW OF RIPON MINSTER. Author Birnie, Frederick 44.46.e.2 Place of publication: Ripon Publisher: Published May 15th, by W. H. Wood., Date of publication: 1790. Item type: 1 print Medium: etching and aquatint Dimensions: platemark 33.5 x 23.2 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9EPN7–WEST VIEW OF RIPON MINSTER. Author Birnie, Frederick 44.46.e.2 Place of publication: Ripon Publisher: Published May 15th, by W. H. Wood., Date of publication: 1790. Item type: 1 print Medium: etching and aquatint Dimensions: platemark 33.5 x 23.2 cm. Former owner: George III, King of Great Britain, 1738-1820

. English: Jasper Francis Cropsey, American, 1823–1900 Evening, 1855 Oil on canvas 44 x 33 cm. (17 5/16 x 13 in.) frame: 59.5 × 47 × 7 cm (23 7/16 × 18 1/2 × 2 3/4 in.) Gift of Stuart P. Feld, Class of 1957, and Mrs. Feld y1984-32 . 1855 8 1855, Cropsey, Jasper Francis, Evening Stock Photo

RMMWYFJ3–. English: Jasper Francis Cropsey, American, 1823–1900 Evening, 1855 Oil on canvas 44 x 33 cm. (17 5/16 x 13 in.) frame: 59.5 × 47 × 7 cm (23 7/16 × 18 1/2 × 2 3/4 in.) Gift of Stuart P. Feld, Class of 1957, and Mrs. Feld y1984-32 . 1855 8 1855, Cropsey, Jasper Francis, Evening

Print, Fountain Design, from 'Livre nouveau de douze morceaux de fantaisie'; Designed by Jacques de Lajoüe (French, 1687–1761); Engraved by Claude Lucas (ca. 1710 – 1760); France; etching, engraving on white laid paper; Frame: 60.3 x 44.8 x 2.5 cm (23 3/4 x 17 5/8 x 1 in.) Stock Photo

RM2PMH85C–Print, Fountain Design, from 'Livre nouveau de douze morceaux de fantaisie'; Designed by Jacques de Lajoüe (French, 1687–1761); Engraved by Claude Lucas (ca. 1710 – 1760); France; etching, engraving on white laid paper; Frame: 60.3 x 44.8 x 2.5 cm (23 3/4 x 17 5/8 x 1 in.)

Unknown Artist, Armchair (Walker), ca. 1830, mahogany and modern leather upholstery, 34 1/2 in. x 23 3/4 in. x 17 3/8 in. (87.63 cm. x 60.33 cm. x 44.13 cm.) Stock Photo

RM2B0BX8W–Unknown Artist, Armchair (Walker), ca. 1830, mahogany and modern leather upholstery, 34 1/2 in. x 23 3/4 in. x 17 3/8 in. (87.63 cm. x 60.33 cm. x 44.13 cm.)

Queen Charlotte, Oil on canvas, 23 3/4 x 17 1/2 in. (60.3 x 44.5 cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788 Stock Photo

RMKC6NCW–Queen Charlotte, Oil on canvas, 23 3/4 x 17 1/2 in. (60.3 x 44.5 cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788

Kintaro with Carp. Culture: Japan. Dimensions: Image: 23 3/4 x 17 1/2 in. (60.4 x 44.5 cm) Overall: 56 1/8 x 24 3/4in. (142.6 x 62.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB4G9J–Kintaro with Carp. Culture: Japan. Dimensions: Image: 23 3/4 x 17 1/2 in. (60.4 x 44.5 cm) Overall: 56 1/8 x 24 3/4in. (142.6 x 62.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Capital with Anointing of David, c. 1180, Italian, Lombardy or Tuscany?, Italian, Marble, 23.5 x 44.5 x 17.8 cm (9 1/4 x 17 1/2 x 7 in Stock Photo

RM2A2K136–Capital with Anointing of David, c. 1180, Italian, Lombardy or Tuscany?, Italian, Marble, 23.5 x 44.5 x 17.8 cm (9 1/4 x 17 1/2 x 7 in

SOUTH VIEW OF RIPON MINSTER. Author Birnie, Frederick 44.46.e.4 Place of publication: Ripon Publisher: Published May 15th 1790, by W. H. Wood., Date of publication: [1790.] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 23.2 x 34.0 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9EPMP–SOUTH VIEW OF RIPON MINSTER. Author Birnie, Frederick 44.46.e.4 Place of publication: Ripon Publisher: Published May 15th 1790, by W. H. Wood., Date of publication: [1790.] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 23.2 x 34.0 cm. Former owner: George III, King of Great Britain, 1738-1820

Shirt, 1450–1550, Peru, Chimú, Camelid fiber, cotton, H. 23 1/2 x . 44 1/2 in. (72.7 cm), Textiles-Woven, The production Stock Photo

RMKCD6W2–Shirt, 1450–1550, Peru, Chimú, Camelid fiber, cotton, H. 23 1/2 x . 44 1/2 in. (72.7 cm), Textiles-Woven, The production

RMMMH13F–. English: Jasper Francis Cropsey, American, 1823–1900 Evening, 1855 Oil on canvas 44 x 33 cm. (17 5/16 x 13 in.) frame: 59.5 × 47 × 7 cm (23 7/16 × 18 1/2 × 2 3/4 in.) Gift of Stuart P. Feld, Class of 1957, and Mrs. Feld y1984-32 . 1855. 8 1855, Cropsey, Jasper Francis, Evening

Ovolo frame, 1660–80, French, Oak lower moldings; lime upper moldings., 44.5 x 37.5, 31 x 23.7, 34.2 x 26.7 cm., Frames Stock Photo

RMKC5736–Ovolo frame, 1660–80, French, Oak lower moldings; lime upper moldings., 44.5 x 37.5, 31 x 23.7, 34.2 x 26.7 cm., Frames

Inspired by William Penn's Mansion, South Second Street, Philadelphia, 1864, John Mackie Falconer, American, 1820-1903, Watercolor with touches of opaque watercolor over graphite pencil on medium weight, slightly textured wove paper mounted to board, 1864, 17 1/2 x 23 1/2 in., 44.5 x 59.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4FKK–Inspired by William Penn's Mansion, South Second Street, Philadelphia, 1864, John Mackie Falconer, American, 1820-1903, Watercolor with touches of opaque watercolor over graphite pencil on medium weight, slightly textured wove paper mounted to board, 1864, 17 1/2 x 23 1/2 in., 44.5 x 59.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Albrecht Dürer, German, 1471–1528, The Triumphal Arch of Maximilian I: Detail 48, 1515–1517, Woodcut on paper, Border: 17 1/2 x 23 1/16 in. (44.5 x 58.6 cm Stock Photo

RM2B0GPXB–Albrecht Dürer, German, 1471–1528, The Triumphal Arch of Maximilian I: Detail 48, 1515–1517, Woodcut on paper, Border: 17 1/2 x 23 1/16 in. (44.5 x 58.6 cm

Art inspired by Desk and Bookcase, ca. 1760–90, Probably made in Newburyport, Massachusetts, United States, American, Cherry, white pine, 86 5/8 x 44 1/2 x 23 3/4 in. (220 x 113 x 60.3 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW23DE–Art inspired by Desk and Bookcase, ca. 1760–90, Probably made in Newburyport, Massachusetts, United States, American, Cherry, white pine, 86 5/8 x 44 1/2 x 23 3/4 in. (220 x 113 x 60.3 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Print, Cheminée en Attique…Différentes Façons; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Germany; etching and engraving on off-white laid paper; Platemark: 35.7 x 23.2 cm (14 1/16 x 9 1/8 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.) Stock Photo

RM2PMGJ6W–Print, Cheminée en Attique…Différentes Façons; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Germany; etching and engraving on off-white laid paper; Platemark: 35.7 x 23.2 cm (14 1/16 x 9 1/8 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Art inspired by Hibiscus and Egret, Qing dynasty (1644–1911), dated 1724, China, Hanging scroll; ink and color on silk, 44 1/2 x 23 3/4 in. (113 x 60.3 cm), Paintings, Attributed to Jiang Tingxi (Chinese, 1669–1732, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3224–Art inspired by Hibiscus and Egret, Qing dynasty (1644–1911), dated 1724, China, Hanging scroll; ink and color on silk, 44 1/2 x 23 3/4 in. (113 x 60.3 cm), Paintings, Attributed to Jiang Tingxi (Chinese, 1669–1732, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by The Life Line, Winslow Homer, American, 1836-1910, Etching in green ink with aquatint and drypoint on beige moderately thick moderately textured wove paper, 1884, Sheet: 17 1/2 x 23 in., 44.5 x 58.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK3JT–Art inspired by The Life Line, Winslow Homer, American, 1836-1910, Etching in green ink with aquatint and drypoint on beige moderately thick moderately textured wove paper, 1884, Sheet: 17 1/2 x 23 in., 44.5 x 58.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Elevation of a Catafalque: Obelisks at the Corners and One in Center, ca. 1720–40, Pen, brown ink and wash, 23-1/2 x 17-3/8 in. (59.7 x 44.1 cm), Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5ETM–Art inspired by Elevation of a Catafalque: Obelisks at the Corners and One in Center, ca. 1720–40, Pen, brown ink and wash, 23-1/2 x 17-3/8 in. (59.7 x 44.1 cm), Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Off, off, you lendings–Come unbutton here' (Shakespeare, King Lear, Act 3, Scene 4), 1793, Etching and engraving, image: 17 3/8 x 23 5/16 in. (44.2 x 59.2 cm), Prints, William Sharp (British, London 1749–1824 London), After Benjamin West (American, Swarthmore, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW58F6–Art inspired by Off, off, you lendings–Come unbutton here' (Shakespeare, King Lear, Act 3, Scene 4), 1793, Etching and engraving, image: 17 3/8 x 23 5/16 in. (44.2 x 59.2 cm), Prints, William Sharp (British, London 1749–1824 London), After Benjamin West (American, Swarthmore, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Angelo's House–Escalus, a Justice, Elbow, Froth, Clown, Officers, etc. (Shakespeare, Measure for Measure, Act 2, Scene 1), April 23, 1798, Stipple engraving, Image: 17 1/2 x 23 3/8 in. (44.5 x 59.4 cm), Prints, After Robert Smirke (British, Wigton, Cumberland 1752/53–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5YFN–Art inspired by Angelo's House–Escalus, a Justice, Elbow, Froth, Clown, Officers, etc. (Shakespeare, Measure for Measure, Act 2, Scene 1), April 23, 1798, Stipple engraving, Image: 17 1/2 x 23 3/8 in. (44.5 x 59.4 cm), Prints, After Robert Smirke (British, Wigton, Cumberland 1752/53–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Elevation of a Catafalque: Obelisks at the Corners and One in Center. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 23-1/2 x 17-3/8 in. (59.7 x 44.1 cm). Date: ca. 1720-40. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANGCG–Elevation of a Catafalque: Obelisks at the Corners and One in Center. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 23-1/2 x 17-3/8 in. (59.7 x 44.1 cm). Date: ca. 1720-40. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Banister-back armchair, 1720–40, Possibly made in Massachusetts, United States; Possibly made in Portsmouth, New Hampshire, United States, American, Hard maple, soft maple, ash, 44 1/2 x 23 x 22 1/2 in. (113 x 58.4 x 57.2 cm), Furniture, The carved crest rails on top of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW1XWP–Art inspired by Banister-back armchair, 1720–40, Possibly made in Massachusetts, United States; Possibly made in Portsmouth, New Hampshire, United States, American, Hard maple, soft maple, ash, 44 1/2 x 23 x 22 1/2 in. (113 x 58.4 x 57.2 cm), Furniture, The carved crest rails on top of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Richmundi√¶ prospectus ad primum ab oppido stadium in via publica qua Bedaliam ilur. Author Hulsberg, Henry 44.45.a. Place of publication: [London] Publisher: [W. Stukeley] Date of publication: [1724] Item type: 1 print Medium: etching Dimensions: platemark 23.2 x 38.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9EPKT–Richmundi√¶ prospectus ad primum ab oppido stadium in via publica qua Bedaliam ilur. Author Hulsberg, Henry 44.45.a. Place of publication: [London] Publisher: [W. Stukeley] Date of publication: [1724] Item type: 1 print Medium: etching Dimensions: platemark 23.2 x 38.6 cm Former owner: George III, King of Great Britain, 1738-1820

Art inspired by William Penn's Mansion, South Second Street, Philadelphia, 1864, John Mackie Falconer, American, 1820-1903, Watercolor with touches of opaque watercolor over graphite pencil on medium weight, slightly textured wove paper mounted to board, 1864, 17 1/2 x 23 1/2 in., 44.5, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK0MD–Art inspired by William Penn's Mansion, South Second Street, Philadelphia, 1864, John Mackie Falconer, American, 1820-1903, Watercolor with touches of opaque watercolor over graphite pencil on medium weight, slightly textured wove paper mounted to board, 1864, 17 1/2 x 23 1/2 in., 44.5, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on panel; overall: 59.5 x 44 cm (23 7/16 x 17 5/16 in.) framed: 86.2 x 71.4 x 8.3 cm (33 15/16 x 28 1/8 x 3 1/4 in.); Madonna and Child . English: The Small ‚Cowper‘ Madonna Italiano: La piccola Madonna ‚Cowper‘ . circa 1505. 1038 Raffaello Madonna Cowper Stock Photo

RMMNTMRA–Painting; oil on panel; overall: 59.5 x 44 cm (23 7/16 x 17 5/16 in.) framed: 86.2 x 71.4 x 8.3 cm (33 15/16 x 28 1/8 x 3 1/4 in.); Madonna and Child . English: The Small ‚Cowper‘ Madonna Italiano: La piccola Madonna ‚Cowper‘ . circa 1505. 1038 Raffaello Madonna Cowper

J. Bettannier, French, active 19th century, Claude Régnier, (French, active 1840–1866), Train de plaisir, 1840–1905, Chromolithograph on paper, image: 17 1/2 x 23 1/2 in. (44.5 x 59.7 cm Stock Photo

RM2B0GHPY–J. Bettannier, French, active 19th century, Claude Régnier, (French, active 1840–1866), Train de plaisir, 1840–1905, Chromolithograph on paper, image: 17 1/2 x 23 1/2 in. (44.5 x 59.7 cm

Print, Rail Road Suspension Bridge near Niagara Falls; Published by Nathaniel Currier (American, 1813–88), James Merritt Ives; After C. Parsons; USA; engraving on paper; Image: 26.2 x 39.3 cm (10 5/16 x 15 1/2 in.) Frame: 44.8 x 60.3 cm (17 5/8 x 23 3/4 in.) Stock Photo

RM2PMHB47–Print, Rail Road Suspension Bridge near Niagara Falls; Published by Nathaniel Currier (American, 1813–88), James Merritt Ives; After C. Parsons; USA; engraving on paper; Image: 26.2 x 39.3 cm (10 5/16 x 15 1/2 in.) Frame: 44.8 x 60.3 cm (17 5/8 x 23 3/4 in.)

Queen Charlotte. Artist: Thomas Gainsborough (British, Sudbury 1727-1788 London). Dimensions: 23 3/4 x 17 1/2 in. (60.3 x 44.5 cm). This is a replica by Gainsborough of a portrait of the queen (Royal Collection) which he painted at Windsor Castle in September 1782. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA9828–Queen Charlotte. Artist: Thomas Gainsborough (British, Sudbury 1727-1788 London). Dimensions: 23 3/4 x 17 1/2 in. (60.3 x 44.5 cm). This is a replica by Gainsborough of a portrait of the queen (Royal Collection) which he painted at Windsor Castle in September 1782. Museum: Metropolitan Museum of Art, New York, USA.

A View of the Tower, taken upon the Thames. Author Boydell, John 24.23.g. Place of publication: [London] Publisher: Publish'd according to Act of Parliament by J. Boydell Engraver, Date of publication: 1751. Item type: 1 print Medium: etching and engraving Dimensions: platemark 26.2 x 43.5 cm, on sheet 29.5 x 44.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HGJ8–A View of the Tower, taken upon the Thames. Author Boydell, John 24.23.g. Place of publication: [London] Publisher: Publish'd according to Act of Parliament by J. Boydell Engraver, Date of publication: 1751. Item type: 1 print Medium: etching and engraving Dimensions: platemark 26.2 x 43.5 cm, on sheet 29.5 x 44.3 cm Former owner: George III, King of Great Britain, 1738-1820

Capital with Anointing of David, c. 1180, Italian, Lombardy or Tuscany?, Italian, Marble, 23.5 x 44.5 x 17.8 cm (9 1/4 x 17 1/2 x 7 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9282E–Capital with Anointing of David, c. 1180, Italian, Lombardy or Tuscany?, Italian, Marble, 23.5 x 44.5 x 17.8 cm (9 1/4 x 17 1/2 x 7 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Marie-Joséphine-Angélique Mongez, French, 1775 - 1855; Theseus and Pirithoüs Clearing the Earth of Brigands, Deliver Two Women from the Hands of their Abductors; 1806; Black, white, blue, ochre chalks; 23 3/8 x 29 1/2 in. (59.44 x 74.93 cm) (sheet); Minneapolis Institute of Art; The Richard Lewis Hillstrom Fund 97.72 Mongez TheseusAndPirithous MIA 9772 900 Mongez TheseusAndPirithous MIA 9772 Stock Photo

RMMPAW7W–Marie-Joséphine-Angélique Mongez, French, 1775 - 1855; Theseus and Pirithoüs Clearing the Earth of Brigands, Deliver Two Women from the Hands of their Abductors; 1806; Black, white, blue, ochre chalks; 23 3/8 x 29 1/2 in. (59.44 x 74.93 cm) (sheet); Minneapolis Institute of Art; The Richard Lewis Hillstrom Fund 97.72 Mongez TheseusAndPirithous MIA 9772 900 Mongez TheseusAndPirithous MIA 9772

Friedrich-Christian-Gottlieb Geyser, German, 1772–1846, After François Verdier, (French, 1651–1730), The Death of Socrates, after 1800, before 1806, Aquatint in sanguine on wove paper, image: 17 1/2 x 23 in. (44.5 x 58.4 cm Stock Photo

RM2B0GWGM–Friedrich-Christian-Gottlieb Geyser, German, 1772–1846, After François Verdier, (French, 1651–1730), The Death of Socrates, after 1800, before 1806, Aquatint in sanguine on wove paper, image: 17 1/2 x 23 in. (44.5 x 58.4 cm

Drawing, Rocky Seashore, Maine; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on cream-colored paperboard ; Sheet: 30.4 x 47.2 cm (11 15/16 x 18 9/16 in.) Frame H x W x D: 44.8 x 60.3 cm (17 5/8 x 23 3/4 in.) Stock Photo

RM2PMBT5R–Drawing, Rocky Seashore, Maine; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on cream-colored paperboard ; Sheet: 30.4 x 47.2 cm (11 15/16 x 18 9/16 in.) Frame H x W x D: 44.8 x 60.3 cm (17 5/8 x 23 3/4 in.)

Spindle-back armchair. Culture: American. Dimensions: 44 3/4 x 23 1/2 x 15 3/4 in. (113.7 x 59.7 x 40 cm). Date: 1640-80. The rarest and grandest of the early turned chairs are those with rows of spindles below the seat as well as above it. Although its boxlike form may look simple at first glance, this chair is a complex composition with subtle variations in the shaping of the rungs and in the spacing of its horizontal and vertical members. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAXRAR–Spindle-back armchair. Culture: American. Dimensions: 44 3/4 x 23 1/2 x 15 3/4 in. (113.7 x 59.7 x 40 cm). Date: 1640-80. The rarest and grandest of the early turned chairs are those with rows of spindles below the seat as well as above it. Although its boxlike form may look simple at first glance, this chair is a complex composition with subtle variations in the shaping of the rungs and in the spacing of its horizontal and vertical members. Museum: Metropolitan Museum of Art, New York, USA.

Part of a Roman Tessellated Pavement discovered at Aldborough in Yorksh Author Fowler, William 44.23. Place of publication: [WINTERTON] Publisher: Publish'd Jany 1st 1800 by Wm Fowler WINTERTON., Date of publication: [January 1 1800] Item type: 1 print Medium: etching with hand-colouring Dimensions: platemark 22.7 x 23.3 cm, on sheet 26.2 x 25 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9ENBE–Part of a Roman Tessellated Pavement discovered at Aldborough in Yorksh Author Fowler, William 44.23. Place of publication: [WINTERTON] Publisher: Publish'd Jany 1st 1800 by Wm Fowler WINTERTON., Date of publication: [January 1 1800] Item type: 1 print Medium: etching with hand-colouring Dimensions: platemark 22.7 x 23.3 cm, on sheet 26.2 x 25 cm. Former owner: George III, King of Great Britain, 1738-1820

Schlemihl in the loneliness of the room, 1915, colored woodcut on blotting paper, colored print of several sticks in black, brown, blue, red and yellow, condition pressure, c, ., 2, not numbered and limited, sheet: 44.3 x 39.3 cm |, Image: 33.3 x 23.8 cm, inscribed in pencil l.u .: Condition pressure, signed r.u .: E L Kirchner, Ernst Ludwig Kirchner, Aschaffenburg 1880–1938 Davos Frauenkirch, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of moder Stock Photo

RF2B92Y8D–Schlemihl in the loneliness of the room, 1915, colored woodcut on blotting paper, colored print of several sticks in black, brown, blue, red and yellow, condition pressure, c, ., 2, not numbered and limited, sheet: 44.3 x 39.3 cm |, Image: 33.3 x 23.8 cm, inscribed in pencil l.u .: Condition pressure, signed r.u .: E L Kirchner, Ernst Ludwig Kirchner, Aschaffenburg 1880–1938 Davos Frauenkirch, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of moder

RMMW3H07–. English: Jasper Francis Cropsey, American, 1823–1900 Evening, 1855 Oil on canvas 44 x 33 cm. (17 5/16 x 13 in.) frame: 59.5 × 47 × 7 cm (23 7/16 × 18 1/2 × 2 3/4 in.) Gift of Stuart P. Feld, Class of 1957, and Mrs. Feld y1984-32 . 1855 8 1855, Cropsey, Jasper Francis, Evening

J. Bettannier, French, active 19th century, Claude Régnier, (French, active 1840–1866), Un buffet de chemin de fer, 1840–1905, Chromolithograph on paper, image: 17 1/2 x 23 5/16 in. (44.5 x 59.2 cm Stock Photo

RM2B0GHPJ–J. Bettannier, French, active 19th century, Claude Régnier, (French, active 1840–1866), Un buffet de chemin de fer, 1840–1905, Chromolithograph on paper, image: 17 1/2 x 23 5/16 in. (44.5 x 59.2 cm

Watercolor, Artist's Studio in Berlin; Karl Wilhelm Streckfuss; brush and gouache on white paper; Frame H x W x D: 60.3 x 44.8 x 2.5 cm (23 3/4 x 17 5/8 x 1 in.) Sheet: 28.7 x 29.2 cm (11 5/16 x 11 1/2 in.); Thaw Collection; 2007-27-30 Stock Photo

RM2PMCCB2–Watercolor, Artist's Studio in Berlin; Karl Wilhelm Streckfuss; brush and gouache on white paper; Frame H x W x D: 60.3 x 44.8 x 2.5 cm (23 3/4 x 17 5/8 x 1 in.) Sheet: 28.7 x 29.2 cm (11 5/16 x 11 1/2 in.); Thaw Collection; 2007-27-30

Banister-back armchair. Culture: American. Dimensions: 44 1/2 x 23 x 22 1/2 in. (113 x 58.4 x 57.2 cm). Date: 1720-40. The carved crest rails on top of tall-back William and Mary-style chairs imparted an aura of importance to the sitter by providing a background of flourishes. The large scale and verve of the carving on this chair, with its stylized central leafage and play of repeating C-scrolls, are particularly effective. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPATFT9–Banister-back armchair. Culture: American. Dimensions: 44 1/2 x 23 x 22 1/2 in. (113 x 58.4 x 57.2 cm). Date: 1720-40. The carved crest rails on top of tall-back William and Mary-style chairs imparted an aura of importance to the sitter by providing a background of flourishes. The large scale and verve of the carving on this chair, with its stylized central leafage and play of repeating C-scrolls, are particularly effective. Museum: Metropolitan Museum of Art, New York, USA.

St. Clement Danes. Author Boydell, John 23.12.1.b. Place of publication: [London] Publisher: Publish'd according to Act of Parliament 1751 by Jon. Boydell Engraver at the Globe near Durham Yard in the Strand. Price 1s., Date of publication: [1751] Item type: 1 print Medium: etching and engraving Dimensions: platemark 30.2 x 43.2 cm, on sheet 33 x 44.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HFJ6–St. Clement Danes. Author Boydell, John 23.12.1.b. Place of publication: [London] Publisher: Publish'd according to Act of Parliament 1751 by Jon. Boydell Engraver at the Globe near Durham Yard in the Strand. Price 1s., Date of publication: [1751] Item type: 1 print Medium: etching and engraving Dimensions: platemark 30.2 x 43.2 cm, on sheet 33 x 44.5 cm Former owner: George III, King of Great Britain, 1738-1820

William James Glackens: Decoration, William James Glackens, c. 1914, Oil and tempera on canvas, Overall: 17 1/2 x 23 in. (44.5 x 58.4 cm) Stock Photo

RF2B9GTKE–William James Glackens: Decoration, William James Glackens, c. 1914, Oil and tempera on canvas, Overall: 17 1/2 x 23 in. (44.5 x 58.4 cm)

N/A. Polski: Albert, bp ryski, stwierdza, e Wiscevolodus, rex de Berzika, odda kocioowi Panny Marii w Rydze swoje dobra: miasto Berzika, Autinam, Zessowe, które po zoeniu przysigi otrzyma w lenno. Jzyk: ac. Opis zewntrzny: oryg., 1 k. pergaminowa, 44,1 x 23,5 cm; piecz na pasku . 1209. Albert, biskup ryski 67 AGAD Potwierdzenie darowizny Wiscevolodus, rex de Berzika 2 Stock Photo

RMP5KDFJ–N/A. Polski: Albert, bp ryski, stwierdza, e Wiscevolodus, rex de Berzika, odda kocioowi Panny Marii w Rydze swoje dobra: miasto Berzika, Autinam, Zessowe, które po zoeniu przysigi otrzyma w lenno. Jzyk: ac. Opis zewntrzny: oryg., 1 k. pergaminowa, 44,1 x 23,5 cm; piecz na pasku . 1209. Albert, biskup ryski 67 AGAD Potwierdzenie darowizny Wiscevolodus, rex de Berzika 2

François Verdier, French, 1651–1730, Christ in the Wilderness Served by Angels, c. 1700, Black chalk heightened with white with gray wash on prepared blue paper with seam in middle, Overall: 17 1/2 x 23 11/16 in. (44.5 x 60.1 cm Stock Photo

RM2B0GWED–François Verdier, French, 1651–1730, Christ in the Wilderness Served by Angels, c. 1700, Black chalk heightened with white with gray wash on prepared blue paper with seam in middle, Overall: 17 1/2 x 23 11/16 in. (44.5 x 60.1 cm

Drawing, Large Salon with Organ; Unknown (English); watercolor and gouache over graphite on white wove paper; Frame H x W x D: 44.8 x 60.3 x 2.5 cm (17 5/8 x 23 3/4 x 1 in.) Sheet: 29.1 x 43.1 cm (11 7/16 x 16 15/16 in.); Thaw Collection; 2007-27-12 Stock Photo

RM2PMC681–Drawing, Large Salon with Organ; Unknown (English); watercolor and gouache over graphite on white wove paper; Frame H x W x D: 44.8 x 60.3 x 2.5 cm (17 5/8 x 23 3/4 x 1 in.) Sheet: 29.1 x 43.1 cm (11 7/16 x 16 15/16 in.); Thaw Collection; 2007-27-12

Tarascon, Viaduc. Artist: Édouard Baldus (French, born Prussia, 1813-1889). Dimensions: Image: 27 x 44.2 cm (10 5/8 x 17 3/8 in.) Mount: 46 x 60.5 cm (18 1/8 x 23 13/16 in.). Date: ca. 1861. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAMY8–Tarascon, Viaduc. Artist: Édouard Baldus (French, born Prussia, 1813-1889). Dimensions: Image: 27 x 44.2 cm (10 5/8 x 17 3/8 in.) Mount: 46 x 60.5 cm (18 1/8 x 23 13/16 in.). Date: ca. 1861. Museum: Metropolitan Museum of Art, New York, USA.

Quem ergo ignorantes colitis, hunc ego vobis annuntio. Author Van der Gucht, Gerard 23.36.m.5. Place of publication: [London] Publisher: [publisher not identified] Date of publication: [between 1715 and 1730] Item type: 1 print Medium: etching and engraving printed in dark red ink Dimensions: platemark 44.2 x 27.7 cm, on sheet 45.2 x 29.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HG9J–Quem ergo ignorantes colitis, hunc ego vobis annuntio. Author Van der Gucht, Gerard 23.36.m.5. Place of publication: [London] Publisher: [publisher not identified] Date of publication: [between 1715 and 1730] Item type: 1 print Medium: etching and engraving printed in dark red ink Dimensions: platemark 44.2 x 27.7 cm, on sheet 45.2 x 29.2 cm Former owner: George III, King of Great Britain, 1738-1820

. English: Jasper Francis Cropsey, American, 1823–1900 Morning, 1854 Oil on canvas 44 x 32 cm. (17 5/16 x 12 5/8 in.) frame: 59.5 × 47 × 7 cm (23 7/16 × 18 1/2 × 2 3/4 in.) Gift of Stuart P. Feld, Class of 1957, and Mrs. Feld y1984-31 . 1854. 8 1854, Cropsey, Jasper Francis, Morning Stock Photo

RMMMH13E–. English: Jasper Francis Cropsey, American, 1823–1900 Morning, 1854 Oil on canvas 44 x 32 cm. (17 5/16 x 12 5/8 in.) frame: 59.5 × 47 × 7 cm (23 7/16 × 18 1/2 × 2 3/4 in.) Gift of Stuart P. Feld, Class of 1957, and Mrs. Feld y1984-31 . 1854. 8 1854, Cropsey, Jasper Francis, Morning

Charles Nègre, [The 15th of August. Imperial Asylum at Vincennes], Charles Nègre (French, 1820–1880), 1858, Albumen silver print from glass negative, Image: 32.3 x 44.2 cm (12 11/16 x 17 3/8 in.), oval, Mount: 47.5 x 60.5 cm (18 11/16 x 23 13/16 in.), Photographs Stock Photo

RM2B0KW92–Charles Nègre, [The 15th of August. Imperial Asylum at Vincennes], Charles Nègre (French, 1820–1880), 1858, Albumen silver print from glass negative, Image: 32.3 x 44.2 cm (12 11/16 x 17 3/8 in.), oval, Mount: 47.5 x 60.5 cm (18 11/16 x 23 13/16 in.), Photographs

Drawing, Niagara Falls from the Base of Prospect Point; Frederic Edwin Church (American, 1826–1900); USA; recto: graphite, brush and oxidized white gouache on blue-green wove paper. verso: graphite ; Sheet: 31.2 x 44.3 cm (12 5/16 x 17 7/16 in.) Frame H x W x D: 44.8 x 60.3 cm (17 5/8 x 23 3/4 in.) Stock Photo

RM2PMH640–Drawing, Niagara Falls from the Base of Prospect Point; Frederic Edwin Church (American, 1826–1900); USA; recto: graphite, brush and oxidized white gouache on blue-green wove paper. verso: graphite ; Sheet: 31.2 x 44.3 cm (12 5/16 x 17 7/16 in.) Frame H x W x D: 44.8 x 60.3 cm (17 5/8 x 23 3/4 in.)

23 2 x 44 cm Stock Photos and Images

23 2 x 44 cm Stock Photos and Images

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