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23 3 8 x 18 7 16 Stock Photos and Images
Art inspired by Ruins in Carey Street, Richmond, 1865, Albumen silver print from glass negative, Image: 18.6 x 23.8 cm (7 5/16 x 9 3/8 in.), Photographs, Thomas C. Roche (American, 1826–1895), Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), Very little is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ruins-in-carey-street-richmond-1865-albumen-silver-print-from-glass-negative-image-186-x-238-cm-7-516-x-9-38-in-photographs-thomas-c-roche-american-18261895-alexander-gardner-american-glasgow-scotland-18211882-washington-dc-very-little-is-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462937176.htmlRF2HW4H2G–Art inspired by Ruins in Carey Street, Richmond, 1865, Albumen silver print from glass negative, Image: 18.6 x 23.8 cm (7 5/16 x 9 3/8 in.), Photographs, Thomas C. Roche (American, 1826–1895), Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), Very little is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lophophorus Impeyanus John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lophophorus-impeyanus-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727944.htmlRM2M949J0–Lophophorus Impeyanus John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Art inspired by Standing Male Figure, 1300–1470, Peru, Chimú, Wood, H. 28 5/16 x W. 9 3/8 x D. 7 1/4 in. (71.9 x 23.8 x 18.4 cm), Wood-Sculpture, Wood sculptures stood as sentries in entryways of the Chan Chan palaces, and they likely adorned other spaces in the compounds. This figure, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-standing-male-figure-13001470-peru-chim-wood-h-28-516-x-w-9-38-x-d-7-14-in-719-x-238-x-184-cm-wood-sculpture-wood-sculptures-stood-as-sentries-in-entryways-of-the-chan-chan-palaces-and-they-likely-adorned-other-spaces-in-the-compounds-this-figure-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462796242.htmlRF2HTX596–Art inspired by Standing Male Figure, 1300–1470, Peru, Chimú, Wood, H. 28 5/16 x W. 9 3/8 x D. 7 1/4 in. (71.9 x 23.8 x 18.4 cm), Wood-Sculpture, Wood sculptures stood as sentries in entryways of the Chan Chan palaces, and they likely adorned other spaces in the compounds. This figure, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lophophorus L'Huysii John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lophophorus-lhuysii-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727959.htmlRM2M949JF–Lophophorus L'Huysii John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Egypt, bowls, shards, earthenware, 1t, m 3, diam 13 xh 8.5 cm, 4 t, m 11, diam 23 xh 17 cm, 12 and 14, diam 15.5 xh 9 cm, 13, diam 13 xh 7 cm, 15, 7 x 9.5 cm, Ø = 22, 16, 10 x 9.5 cm, Ø = 16, 17, 6 x 11 cm, Ø = 18, 18, 10 x 13.5, cm, Ø = 16, 19, 6.5 x 6 cm, Ø = 12, 20, 4.5 x 2, cm, Ø = 12, 21, Meroitic Period, 2nd-4th century AD, Egypt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/egypt-bowls-shards-earthenware-1t-m-3-diam-13-xh-85-cm-4-t-m-11-diam-23-xh-17-cm-12-and-14-diam-155-xh-9-cm-13-diam-13-xh-7-cm-15-7-x-95-cm-=-22-16-10-x-95-cm-=-16-17-6-x-11-cm-=-18-18-10-x-135-cm-=-16-19-65-x-6-cm-=-12-20-45-x-2-cm-=-12-21-meroitic-period-2nd-4th-century-ad-egypt-image344513166.htmlRM2B0DX1J–Egypt, bowls, shards, earthenware, 1t, m 3, diam 13 xh 8.5 cm, 4 t, m 11, diam 23 xh 17 cm, 12 and 14, diam 15.5 xh 9 cm, 13, diam 13 xh 7 cm, 15, 7 x 9.5 cm, Ø = 22, 16, 10 x 9.5 cm, Ø = 16, 17, 6 x 11 cm, Ø = 18, 18, 10 x 13.5, cm, Ø = 16, 19, 6.5 x 6 cm, Ø = 12, 20, 4.5 x 2, cm, Ø = 12, 21, Meroitic Period, 2nd-4th century AD, Egypt
Art inspired by Monzon. Lucien, Henri, Baptiste. 18 ans, né à Paris XXe. Couvreur. Anarchiste. 23/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-monzon-lucien-henri-baptiste-18-ans-n-paris-xxe-couvreur-anarchiste-23394-1894-albumen-silver-print-from-glass-negative-105-x-7-x-05-cm-4-18-x-2-34-x-316-in-each-photographs-alphonse-bertillon-french-18531914-born-into-a-distinguished-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462943154.htmlRF2HW4TM2–Art inspired by Monzon. Lucien, Henri, Baptiste. 18 ans, né à Paris XXe. Couvreur. Anarchiste. 23/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
After Winslow Homer, American, 1836–1910, Station-House Lodgers, From Harper's Weekly, vol. 18, 7 Feb. 1874, Wood engraving on newsprint, Image: 9 1/16 x 13 3/8 in. (23 x 34 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-winslow-homer-american-18361910-station-house-lodgers-from-harpers-weekly-vol-18-7-feb-1874-wood-engraving-on-newsprint-image-9-116-x-13-38-in-23-x-34-cm-image344573893.htmlRM2B0GKED–After Winslow Homer, American, 1836–1910, Station-House Lodgers, From Harper's Weekly, vol. 18, 7 Feb. 1874, Wood engraving on newsprint, Image: 9 1/16 x 13 3/8 in. (23 x 34 cm
Art inspired by Plate 18 from the 'Disparates':Birds of a feather flock together, ca. 1816–23 (published 1864), Etching and burnished aquatint, sheet: 13 3/16 x 18 7/8 in. (33.5 x 48 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), From the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-plate-18-from-the-disparatesbirds-of-a-feather-flock-together-ca-181623-published-1864-etching-and-burnished-aquatint-sheet-13-316-x-18-78-in-335-x-48-cm-prints-goya-francisco-de-goya-y-lucientes-spanish-fuendetodos-17461828-bordeaux-from-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462998988.htmlRF2HW7BX4–Art inspired by Plate 18 from the 'Disparates':Birds of a feather flock together, ca. 1816–23 (published 1864), Etching and burnished aquatint, sheet: 13 3/16 x 18 7/8 in. (33.5 x 48 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), From the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Little Red Riding Hood Arrives at the Door of Her Grandmother's House. Albumen print, 9 3/16 x 7 3/8 in. (23.3 x 18.7 cm). 1858. Henry Peach Robinson (1830-1901) 274 Henry Peach Robinson - Little Red Riding Hood Arrives at the Door of Her Grandmother's House Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/little-red-riding-hood-arrives-at-the-door-of-her-grandmothers-house-albumen-print-9-316-x-7-38-in-233-x-187-cm-1858-henry-peach-robinson-1830-1901-274-henry-peach-robinson-little-red-riding-hood-arrives-at-the-door-of-her-grandmothers-house-image187512727.htmlRMMW1XB3–. Little Red Riding Hood Arrives at the Door of Her Grandmother's House. Albumen print, 9 3/16 x 7 3/8 in. (23.3 x 18.7 cm). 1858. Henry Peach Robinson (1830-1901) 274 Henry Peach Robinson - Little Red Riding Hood Arrives at the Door of Her Grandmother's House
Art inspired by Falcon statue serving as a sarcophagus for a sacred animal, Late Period–Ptolemaic Period, 664–30 B.C., From Egypt, Cupreous metal, animal remains, L. 23.2 cm (9 1/8 in.); W. 3.3 cm (1 5/16 in.); H. 18.1 cm (7 1/8 in.), This bronze falcon is hollow. X-rays have revealed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-falcon-statue-serving-as-a-sarcophagus-for-a-sacred-animal-late-periodptolemaic-period-66430-bc-from-egypt-cupreous-metal-animal-remains-l-232-cm-9-18-in-w-33-cm-1-516-in-h-181-cm-7-18-in-this-bronze-falcon-is-hollow-x-rays-have-revealed-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463037421.htmlRF2HW94XN–Art inspired by Falcon statue serving as a sarcophagus for a sacred animal, Late Period–Ptolemaic Period, 664–30 B.C., From Egypt, Cupreous metal, animal remains, L. 23.2 cm (9 1/8 in.); W. 3.3 cm (1 5/16 in.); H. 18.1 cm (7 1/8 in.), This bronze falcon is hollow. X-rays have revealed, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fragment of a Lacquer Tray, 9 AD. China, excavated at Lolang, Xin dynasty (9-23). Lacquer; overall: 3.6 x 18.1 cm (1 7/16 x 7 1/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-of-a-lacquer-tray-9-ad-china-excavated-at-lolang-xin-dynasty-9-23-lacquer-overall-36-x-181-cm-1-716-x-7-18-in-image240446493.htmlRMRY57XN–Fragment of a Lacquer Tray, 9 AD. China, excavated at Lolang, Xin dynasty (9-23). Lacquer; overall: 3.6 x 18.1 cm (1 7/16 x 7 1/8 in
Art inspired by View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center, arched entrance in the middleground, cyrus trees and other plants surrounding, 18th century, Etching, sheet: 7 3/16 x 9 3/8 in. (18.3 x 23.8 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-view-of-the-entrance-to-tivoli-and-the-walls-of-the-villa-deste-horsemen-approaching-the-entrance-at-bottom-center-arched-entrance-in-the-middleground-cyrus-trees-and-other-plants-surrounding-18th-century-etching-sheet-7-316-x-9-38-in-183-x-238-cm-prints-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463000634.htmlRF2HW7E0X–Art inspired by View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center, arched entrance in the middleground, cyrus trees and other plants surrounding, 18th century, Etching, sheet: 7 3/16 x 9 3/8 in. (18.3 x 23.8 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Published in le Charivari (18 May 1850): Actualities (No. 128): Mr. Dupin in his little shoes, 1850. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 31.7 x 23 cm (12 1/2 x 9 1/16 in.); image: 24.7 x 21.2 cm (9 3/4 x 8 3/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/published-in-le-charivari-18-may-1850-actualities-no-128-mr-dupin-in-his-little-shoes-1850-honor-daumier-french-1808-1879-lithograph-sheet-317-x-23-cm-12-12-x-9-116-in-image-247-x-212-cm-9-34-x-8-38-in-image240427906.htmlRMRY4C6X–Published in le Charivari (18 May 1850): Actualities (No. 128): Mr. Dupin in his little shoes, 1850. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 31.7 x 23 cm (12 1/2 x 9 1/16 in.); image: 24.7 x 21.2 cm (9 3/4 x 8 3/8 in
Great Hall at Karnac (Karnak), Egypt from Egypt and Nubia, Volume I: Thebes, Great Hall at Karnac, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.3 x 42.8 cm (23 3/4 x 16 7/8 in.); image: 48 x 32.7 cm (18 7/8 x 12 7/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/great-hall-at-karnac-karnak-egypt-from-egypt-and-nubia-volume-i-thebes-great-hall-at-karnac-1848-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-603-x-428-cm-23-34-x-16-78-in-image-48-x-327-cm-18-78-x-12-78-in-image352217807.htmlRM2BD0WBB–Great Hall at Karnac (Karnak), Egypt from Egypt and Nubia, Volume I: Thebes, Great Hall at Karnac, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.3 x 42.8 cm (23 3/4 x 16 7/8 in.); image: 48 x 32.7 cm (18 7/8 x 12 7/8 in.).
Fragments of a Lacquer Tray, 9 AD. China, excavated at Lolang, Xin dynasty (9-23). Lacquer; part 1: 3.6 x 18.1 cm (1 7/16 x 7 1/8 in.); part 2: 3.8 x 14.3 cm (1 1/2 x 5 5/8 in.); part 3: 5.5 x 10.7 cm (2 3/16 x 4 3/16 in.); part 4: 1.6 x 5.1 cm (5/8 x 2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragments-of-a-lacquer-tray-9-ad-china-excavated-at-lolang-xin-dynasty-9-23-lacquer-part-1-36-x-181-cm-1-716-x-7-18-in-part-2-38-x-143-cm-1-12-x-5-58-in-part-3-55-x-107-cm-2-316-x-4-316-in-part-4-16-x-51-cm-58-x-2-in-image240446502.htmlRMRY57Y2–Fragments of a Lacquer Tray, 9 AD. China, excavated at Lolang, Xin dynasty (9-23). Lacquer; part 1: 3.6 x 18.1 cm (1 7/16 x 7 1/8 in.); part 2: 3.8 x 14.3 cm (1 1/2 x 5 5/8 in.); part 3: 5.5 x 10.7 cm (2 3/16 x 4 3/16 in.); part 4: 1.6 x 5.1 cm (5/8 x 2 in
Great Hall at Karnac (Karnak), Egypt from Egypt and Nubia, Volume I: Thebes, Great Hall at Karnac, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.3 x 42.8 cm (23 3/4 x 16 7/8 in.); image: 48 x 32.7 cm (18 7/8 x 12 7/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/great-hall-at-karnac-karnak-egypt-from-egypt-and-nubia-volume-i-thebes-great-hall-at-karnac-1848-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-603-x-428-cm-23-34-x-16-78-in-image-48-x-327-cm-18-78-x-12-78-in-image349562633.htmlRM2B8KXKN–Great Hall at Karnac (Karnak), Egypt from Egypt and Nubia, Volume I: Thebes, Great Hall at Karnac, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.3 x 42.8 cm (23 3/4 x 16 7/8 in.); image: 48 x 32.7 cm (18 7/8 x 12 7/8 in.).
The Quakers' Meeting, Print made by Isaac Beckett, 1652/3–1719, British, after Egbert van Heemskerck the Elder, ca. 1634–1704, Dutch, between 1683 and 1688, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 9 3/4 × 7 1/16 inches (24.8 × 18 cm) and Image: 9 3/16 x 7 inches (23.4 x 17.8 cm), apron (main garment), arch, barrel, bench, bertha collars, gathering, genre subject, hats, interior, listening, meeting, men, Quakers, religious and mythological subject, talking, window, women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-quakers-meeting-print-made-by-isaac-beckett-165231719-british-after-egbert-van-heemskerck-the-elder-ca-16341704-dutch-between-1683-and-1688-mezzotint-on-medium-slightly-textured-cream-laid-paper-sheet-9-34-7-116-inches-248-18-cm-and-image-9-316-x-7-inches-234-x-178-cm-apron-main-garment-arch-barrel-bench-bertha-collars-gathering-genre-subject-hats-interior-listening-meeting-men-quakers-religious-and-mythological-subject-talking-window-women-image389647884.htmlRM2DHWYRT–The Quakers' Meeting, Print made by Isaac Beckett, 1652/3–1719, British, after Egbert van Heemskerck the Elder, ca. 1634–1704, Dutch, between 1683 and 1688, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 9 3/4 × 7 1/16 inches (24.8 × 18 cm) and Image: 9 3/16 x 7 inches (23.4 x 17.8 cm), apron (main garment), arch, barrel, bench, bertha collars, gathering, genre subject, hats, interior, listening, meeting, men, Quakers, religious and mythological subject, talking, window, women
Print, Jan Uytenbogaert (1557–1644), Preacher of the Remonstrants; Rembrandt Harmensz van Rijn (Dutch, 1606–1669); Netherlands; etching on laid paper; Sheet: 23.2 x 19 cm (9 1/8 x 7 1/2 in.) Platemark: 22.5 x 18.5 cm (8 7/8 x 7 5/16 in.); Bequest of George Campbell Cooper; 1896-3-176 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-jan-uytenbogaert-15571644-preacher-of-the-remonstrants-rembrandt-harmensz-van-rijn-dutch-16061669-netherlands-etching-on-laid-paper-sheet-232-x-19-cm-9-18-x-7-12-in-platemark-225-x-185-cm-8-78-x-7-516-in-bequest-of-george-campbell-cooper-1896-3-176-image546109909.htmlRM2PMDCN9–Print, Jan Uytenbogaert (1557–1644), Preacher of the Remonstrants; Rembrandt Harmensz van Rijn (Dutch, 1606–1669); Netherlands; etching on laid paper; Sheet: 23.2 x 19 cm (9 1/8 x 7 1/2 in.) Platemark: 22.5 x 18.5 cm (8 7/8 x 7 5/16 in.); Bequest of George Campbell Cooper; 1896-3-176
Double Column MET cdi16-32-9as2 463949 French, Double Column, 13th?14th century, Marble, Overall (a: Capital): 16 7/8 x 21 1/2 x 13 1/4 in. (42.9 x 54.6 x 33.7 cm) Overall (b: Base): 9 1/4 x 18 1/8 x 10 3/4 in. (23.5 x 46 x 27.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1916 (16.32.9a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-double-column-met-cdi16-32-9as2-463949-french-double-column-13th14th-168034566.htmlRMKNAHPE–Double Column MET cdi16-32-9as2 463949 French, Double Column, 13th?14th century, Marble, Overall (a: Capital): 16 7/8 x 21 1/2 x 13 1/4 in. (42.9 x 54.6 x 33.7 cm) Overall (b: Base): 9 1/4 x 18 1/8 x 10 3/4 in. (23.5 x 46 x 27.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1916 (16.32.9a, b)
Drawing, Royal Pavilion, Brighton, Design for Chimney wall with 3 gothic arches and Chinese lantern; Architect: Frederick Crace (English, 1779–1859); Client: George IV, King of England; England; brush and watercolor, gouache, pen and black ink, graphite on white wove paper; 23.8 x 38.9 cm (9 3/8 x 15 5/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-royal-pavilion-brighton-design-for-chimney-wall-with-3-gothic-arches-and-chinese-lantern-architect-frederick-crace-english-17791859-client-george-iv-king-of-england-england-brush-and-watercolor-gouache-pen-and-black-ink-graphite-on-white-wove-paper-238-x-389-cm-9-38-x-15-516-in-mat-356-x-457-cm-14-x-18-in-image546083849.htmlRM2PMC7EH–Drawing, Royal Pavilion, Brighton, Design for Chimney wall with 3 gothic arches and Chinese lantern; Architect: Frederick Crace (English, 1779–1859); Client: George IV, King of England; England; brush and watercolor, gouache, pen and black ink, graphite on white wove paper; 23.8 x 38.9 cm (9 3/8 x 15 5/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)
![[Ghulam Muhammad Mosque, Calcutta]. Artist: Captain R. B. Hill. Dimensions: Image: 18.6 x 23.3 cm (7 5/16 x 9 3/16 in.) Mount: 21 x 28.1 cm (8 1/4 x 11 1/16 in.). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PB0CGR/ghulam-muhammad-mosque-calcutta-artist-captain-r-b-hill-dimensions-image-186-x-233-cm-7-516-x-9-316-in-mount-21-x-281-cm-8-14-x-11-116-in-date-1850s-museum-metropolitan-museum-of-art-new-york-usa-PB0CGR.jpg "[Ghulam Muhammad Mosque, Calcutta]. Artist: Captain R. B. Hill. Dimensions: Image: 18.6 x 23.3 cm (7 5/16 x 9 3/16 in.) Mount: 21 x 28.1 cm (8 1/4 x 11 1/16 in.). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
[Ghulam Muhammad Mosque, Calcutta]. Artist: Captain R. B. Hill. Dimensions: Image: 18.6 x 23.3 cm (7 5/16 x 9 3/16 in.) Mount: 21 x 28.1 cm (8 1/4 x 11 1/16 in.). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghulam-muhammad-mosque-calcutta-artist-captain-r-b-hill-dimensions-image-186-x-233-cm-7-516-x-9-316-in-mount-21-x-281-cm-8-14-x-11-116-in-date-1850s-museum-metropolitan-museum-of-art-new-york-usa-image213295511.htmlRMPB0CGR–[Ghulam Muhammad Mosque, Calcutta]. Artist: Captain R. B. Hill. Dimensions: Image: 18.6 x 23.3 cm (7 5/16 x 9 3/16 in.) Mount: 21 x 28.1 cm (8 1/4 x 11 1/16 in.). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA.
Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/irish-members-in-their-seats-in-the-house-of-parliament-1886-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoher-image330688927.htmlRM2A6052R–Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher
Ceriornis Satyra John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceriornis-satyra-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727948.htmlRM2M949J4–Ceriornis Satyra John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Decoupage, Fisherwoman with a Catch; Netherlands; graphite, brush and watercolor on vellum with various fabrics; 23.7 x 18.7 cm (9 5/16 x 7 3/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/decoupage-fisherwoman-with-a-catch-netherlands-graphite-brush-and-watercolor-on-vellum-with-various-fabrics-237-x-187-cm-9-516-x-7-38-in-image546073567.htmlRM2PMBPBB–Decoupage, Fisherwoman with a Catch; Netherlands; graphite, brush and watercolor on vellum with various fabrics; 23.7 x 18.7 cm (9 5/16 x 7 3/8 in.)
'Hubert von Herkomer, Study of an Arab Head, 1895, herkomertype on wove paper, plate: 23.1 x 18.2 cm (9 1/8 x 7 3/16 in.) sheet: 30.5 x 23.1 cm (12 x 9 1/8 in.), Gift of Jacob Kainen, 2002.98.129' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hubert-von-herkomer-study-of-an-arab-head-1895-herkomertype-on-wove-paper-plate-231-x-182-cm-9-18-x-7-316-in-sheet-305-x-231-cm-12-x-9-18-in-gift-of-jacob-kainen-200298129-image559658401.htmlRM2REEJ01–'Hubert von Herkomer, Study of an Arab Head, 1895, herkomertype on wove paper, plate: 23.1 x 18.2 cm (9 1/8 x 7 3/16 in.) sheet: 30.5 x 23.1 cm (12 x 9 1/8 in.), Gift of Jacob Kainen, 2002.98.129'
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496945.htmlRFT0W3PW–Illustration Xray Icon
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image235128797.htmlRMRJF151–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
. Little Red Riding Hood Arrives at the Door of Her Grandmother's House. Albumen print, 9 3/16 x 7 3/8 in. (23.3 x 18.7 cm). 1858. Henry Peach Robinson (1830-1901) 274 Henry Peach Robinson - Little Red Riding Hood Arrives at the Door of Her Grandmother's House Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/little-red-riding-hood-arrives-at-the-door-of-her-grandmothers-house-albumen-print-9-316-x-7-38-in-233-x-187-cm-1858-henry-peach-robinson-1830-1901-274-henry-peach-robinson-little-red-riding-hood-arrives-at-the-door-of-her-grandmothers-house-image187999011.htmlRMMWT2JB–. Little Red Riding Hood Arrives at the Door of Her Grandmother's House. Albumen print, 9 3/16 x 7 3/8 in. (23.3 x 18.7 cm). 1858. Henry Peach Robinson (1830-1901) 274 Henry Peach Robinson - Little Red Riding Hood Arrives at the Door of Her Grandmother's House
Archive image from page 178 of Die Corycaeinen Mit Berücksichtigung aller. Die Corycaeinen. Mit Berücksichtigung aller bekannten Arten diecorycaeinenmi00dahl Year: 1912 Plankton-Expedition G.f.l. Taf.x. 16.1 8. 23. 2.9.17.2.18. 70.3. 25. 19.11 A 5.12. 26. 20. 13.6.Z7. 21.1 f-. 28.7.15.22. Ilg.l-28Mddhlgez. Verlag von Lipswst Tisdia-j Kid iLäpzig. LWi.Ans!.v. E.A.FunktjLeipzig, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-178-of-die-corycaeinen-mit-bercksichtigung-aller-die-corycaeinen-mit-bercksichtigung-aller-bekannten-arten-diecorycaeinenmi00dahl-year-1912-plankton-expedition-gfl-tafx-161-8-23-2917218-703-25-1911-a-512-26-20-136z7-211-f-2871522-ilgl-28mddhlgez-verlag-von-lipswst-tisdia-j-kid-ilpzig-lwians!v-eafunktjleipzig-image258227454.htmlRMW037N2–Archive image from page 178 of Die Corycaeinen Mit Berücksichtigung aller. Die Corycaeinen. Mit Berücksichtigung aller bekannten Arten diecorycaeinenmi00dahl Year: 1912 Plankton-Expedition G.f.l. Taf.x. 16.1 8. 23. 2.9.17.2.18. 70.3. 25. 19.11 A 5.12. 26. 20. 13.6.Z7. 21.1 f-. 28.7.15.22. Ilg.l-28Mddhlgez. Verlag von Lipswst Tisdia-j Kid iLäpzig. LWi.Ans!.v. E.A.FunktjLeipzig,
. English: James Sharples, British, 1752–1811 Elias Boudinot IV Pastel on laid paper 23 x 18.7 cm (9 1/16 x 7 3/8 in.) Museum purchase, gift of Mrs. Landon K. Thorne and bequest of Emma L. Martin x1968-2 The information shown has not been approved by a curator. . before 1811 5 1811, Sharples, James, Elias Boudinot IV Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-james-sharples-british-17521811-elias-boudinot-iv-pastel-on-laid-paper-23-x-187-cm-9-116-x-7-38-in-museum-purchase-gift-of-mrs-landon-k-thorne-and-bequest-of-emma-l-martin-x1968-2-the-information-shown-has-not-been-approved-by-a-curator-before-1811-5-1811-sharples-james-elias-boudinot-iv-image188850507.htmlRMMY6TMY–. English: James Sharples, British, 1752–1811 Elias Boudinot IV Pastel on laid paper 23 x 18.7 cm (9 1/16 x 7 3/8 in.) Museum purchase, gift of Mrs. Landon K. Thorne and bequest of Emma L. Martin x1968-2 The information shown has not been approved by a curator. . before 1811 5 1811, Sharples, James, Elias Boudinot IV
Art inspired by Plaque with the Descent from the Cross, ca. 1320–40, Made in probably Paris, France, French, Ivory, whale bone, traces of paint and gilding, Overall: 9 1/8 x 7 3/16 x 13/16 in. (23.2 x 18.3 x 2.1 cm), Ivories, The ivory figures are mounted on a sheet of whalebone. This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-plaque-with-the-descent-from-the-cross-ca-132040-made-in-probably-paris-france-french-ivory-whale-bone-traces-of-paint-and-gilding-overall-9-18-x-7-316-x-1316-in-232-x-183-x-21-cm-ivories-the-ivory-figures-are-mounted-on-a-sheet-of-whalebone-this-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463033082.htmlRF2HW8YBP–Art inspired by Plaque with the Descent from the Cross, ca. 1320–40, Made in probably Paris, France, French, Ivory, whale bone, traces of paint and gilding, Overall: 9 1/8 x 7 3/16 x 13/16 in. (23.2 x 18.3 x 2.1 cm), Ivories, The ivory figures are mounted on a sheet of whalebone. This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo](https://c8.alamy.com/comp/PFYFDM/precious-stones-a-popular-account-of-their-characters-occurrence-and-applications-with-an-introduction-to-their-determination-for-mineralogists-lapidaries-jewellers-etc-with-an-appendix-on-pearls-and-coral-precious-stones-pearls-corals-actual-sizes-of-brilliants-diamonds-of-ia-to-100-carats-plate-ix-1-o-vtear-2-w9-12-3-03-34-kls-1-s-aia-ivi-6-utn-1quot-7-kljj-14quot-jfl-11-12-13-14-2-2i4-2v2-234quot-3-3-15-16-17-19-20-21-ivahar-5v2-quot-18-ltkx-6-quot-6v2quot-7-quot-8-quot-22-xxo-9-quot-23-y-xx-a-10-24-x-ir-x-11-25-a-xx-PFYFDM.jpg ". Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo")
. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/precious-stones-a-popular-account-of-their-characters-occurrence-and-applications-with-an-introduction-to-their-determination-for-mineralogists-lapidaries-jewellers-etc-with-an-appendix-on-pearls-and-coral-precious-stones-pearls-corals-actual-sizes-of-brilliants-diamonds-of-ia-to-100-carats-plate-ix-1-o-vtear-2-w9-12-3-03-34-kls-1-s-aia-ivi-6-utn-1quot-7-kljj-14quot-jfl-11-12-13-14-2-2i4-2v2-234quot-3-3-15-16-17-19-20-21-ivahar-5v2-quot-18-ltkx-6-quot-6v2quot-7-quot-8-quot-22-xxo-9-quot-23-y-xx-a-10-24-x-ir-x-11-25-a-xx-image216349104.htmlRMPFYFDM–. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx:
Inspired by Lophophorus Impeyanus, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-lophophorus-impeyanus-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257528.htmlRF2HK4YJG–Inspired by Lophophorus Impeyanus, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes., Bradshaw & Blacklock, active ca.1850, British, after 1850, Etching, aquatint and color woodcut on medium, smooth, cream wove paper, Sheet: 10 1/16 x 7 13/16 inches (25.6 x 19.8 cm), Image: 9 5/16 x 6 15/16 inches (23.6 x 17.6 cm), and Image: 3 1/16 x 1 1/8 inches (7.8 x 2.8 cm), aprons, autumn, axe, baskets, bodice, bonnets, boxes, braids, buildings, caps, children, costume, feathers, flowers (plants), fruit, genre subject, hairpins, harvest, labels, lutes, men, mirror, moon, morning, night, purse, resting, ribbons, snow, spring, stars Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-18-labels-from-twining-sons-hairpins-boxes-bradshaw-blacklock-active-ca1850-british-after-1850-etching-aquatint-and-color-woodcut-on-medium-smooth-cream-wove-paper-sheet-10-116-x-7-1316-inches-256-x-198-cm-image-9-516-x-6-1516-inches-236-x-176-cm-and-image-3-116-x-1-18-inches-78-x-28-cm-aprons-autumn-axe-baskets-bodice-bonnets-boxes-braids-buildings-caps-children-costume-feathers-flowers-plants-fruit-genre-subject-hairpins-harvest-labels-lutes-men-mirror-moon-morning-night-purse-resting-ribbons-snow-spring-stars-image389667191.htmlRM2DHXTDB–Set of 18 Labels from 'Twining & Sons' Hairpins Boxes., Bradshaw & Blacklock, active ca.1850, British, after 1850, Etching, aquatint and color woodcut on medium, smooth, cream wove paper, Sheet: 10 1/16 x 7 13/16 inches (25.6 x 19.8 cm), Image: 9 5/16 x 6 15/16 inches (23.6 x 17.6 cm), and Image: 3 1/16 x 1 1/8 inches (7.8 x 2.8 cm), aprons, autumn, axe, baskets, bodice, bonnets, boxes, braids, buildings, caps, children, costume, feathers, flowers (plants), fruit, genre subject, hairpins, harvest, labels, lutes, men, mirror, moon, morning, night, purse, resting, ribbons, snow, spring, stars
Old London: Lincoln's Inn, Gate House, 1876. Alfred H. Bool (British), album issued by The Society for Photographing the Relics of Old London, and John Bool (British). Carbon print; image: 23.3 x 18.4 cm (9 3/16 x 7 1/4 in.); matted: 50.8 x 40.6 cm (20 x 16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-london-lincolns-inn-gate-house-1876-alfred-h-bool-british-album-issued-by-the-society-for-photographing-the-relics-of-old-london-and-john-bool-british-carbon-print-image-233-x-184-cm-9-316-x-7-14-in-matted-508-x-406-cm-20-x-16-in-image240461427.htmlRMRY5Y03–Old London: Lincoln's Inn, Gate House, 1876. Alfred H. Bool (British), album issued by The Society for Photographing the Relics of Old London, and John Bool (British). Carbon print; image: 23.3 x 18.4 cm (9 3/16 x 7 1/4 in.); matted: 50.8 x 40.6 cm (20 x 16 in
Double Column MET cdi16-32-9as3 463949 French, Double Column, 13th?14th century, Marble, Overall (a: Capital): 16 7/8 x 21 1/2 x 13 1/4 in. (42.9 x 54.6 x 33.7 cm) Overall (b: Base): 9 1/4 x 18 1/8 x 10 3/4 in. (23.5 x 46 x 27.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1916 (16.32.9a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-double-column-met-cdi16-32-9as3-463949-french-double-column-13th14th-168034565.htmlRMKNAHPD–Double Column MET cdi16-32-9as3 463949 French, Double Column, 13th?14th century, Marble, Overall (a: Capital): 16 7/8 x 21 1/2 x 13 1/4 in. (42.9 x 54.6 x 33.7 cm) Overall (b: Base): 9 1/4 x 18 1/8 x 10 3/4 in. (23.5 x 46 x 27.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1916 (16.32.9a, b)
Orange, Arc Antique. Artist: Édouard Baldus (French, born Prussia, 1813-1889). Dimensions: Image: 21.7 x 28.3 cm (8 9/16 x 11 1/8 in.) Mount: 46 x 60.5 cm (18 1/8 x 23 13/16 in.). Date: ca. 1864. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/orange-arc-antique-artist-douard-baldus-french-born-prussia-1813-1889-dimensions-image-217-x-283-cm-8-916-x-11-18-in-mount-46-x-605-cm-18-18-x-23-1316-in-date-ca-1864-museum-metropolitan-museum-of-art-new-york-usa-image213108524.htmlRMPAKX2M–Orange, Arc Antique. Artist: Édouard Baldus (French, born Prussia, 1813-1889). Dimensions: Image: 21.7 x 28.3 cm (8 9/16 x 11 1/8 in.) Mount: 46 x 60.5 cm (18 1/8 x 23 13/16 in.). Date: ca. 1864. Museum: Metropolitan Museum of Art, New York, USA.
Pucrasia Darwini John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pucrasia-darwini-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727940.htmlRM2M949HT–Pucrasia Darwini John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Drawing, Imaginary Classical Temple in the Mountains; Designed by Felice Giani (Italian, 1758–1823); Italy; black chalk on cream wove paper; 23.3 x 18.7 cm (9 3/16 x 7 3/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-imaginary-classical-temple-in-the-mountains-designed-by-felice-giani-italian-17581823-italy-black-chalk-on-cream-wove-paper-233-x-187-cm-9-316-x-7-38-in-image546233703.htmlRM2PMK2JF–Drawing, Imaginary Classical Temple in the Mountains; Designed by Felice Giani (Italian, 1758–1823); Italy; black chalk on cream wove paper; 23.3 x 18.7 cm (9 3/16 x 7 3/8 in.)
Euplocomus Swinhoei: Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/euplocomus-swinhoei-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727935.htmlRM2M949HK–Euplocomus Swinhoei: Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
'Romeyn de Hooghe, No Monarchy, No Popery, c. 1690, etching on laid paper, plate: 48 x 57.1 cm (18 7/8 x 22 1/2 in.) sheet: 49.5 x 59.9 cm (19 1/2 x 23 9/16 in.), Ailsa Mellon Bruce Fund, 2003.5.3' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/romeyn-de-hooghe-no-monarchy-no-popery-c-1690-etching-on-laid-paper-plate-48-x-571-cm-18-78-x-22-12-in-sheet-495-x-599-cm-19-12-x-23-916-in-ailsa-mellon-bruce-fund-200353-image559677700.htmlRM2REFEH8–'Romeyn de Hooghe, No Monarchy, No Popery, c. 1690, etching on laid paper, plate: 48 x 57.1 cm (18 7/8 x 22 1/2 in.) sheet: 49.5 x 59.9 cm (19 1/2 x 23 9/16 in.), Ailsa Mellon Bruce Fund, 2003.5.3'
Euplocomus Lineatus: Lineated Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/euplocomus-lineatus-lineated-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727978.htmlRM2M949K6–Euplocomus Lineatus: Lineated Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496848.htmlRFT0W3KC–Illustration Xray Icon
Phasianus Soemmerringii: Saumering's Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/phasianus-soemmerringii-saumerings-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727977.htmlRM2M949K5–Phasianus Soemmerringii: Saumering's Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
. English: James Sharples, British, 1752–1811 Elias Boudinot IV Pastel on laid paper 23 x 18.7 cm (9 1/16 x 7 3/8 in.) Museum purchase, gift of Mrs. Landon K. Thorne and bequest of Emma L. Martin x1968-2 The information shown has not been approved by a curator. . before 1811 6 1811, Sharples, James, Elias Boudinot IV Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-james-sharples-british-17521811-elias-boudinot-iv-pastel-on-laid-paper-23-x-187-cm-9-116-x-7-38-in-museum-purchase-gift-of-mrs-landon-k-thorne-and-bequest-of-emma-l-martin-x1968-2-the-information-shown-has-not-been-approved-by-a-curator-before-1811-6-1811-sharples-james-elias-boudinot-iv-image188141858.htmlRMMX2GT2–. English: James Sharples, British, 1752–1811 Elias Boudinot IV Pastel on laid paper 23 x 18.7 cm (9 1/16 x 7 3/8 in.) Museum purchase, gift of Mrs. Landon K. Thorne and bequest of Emma L. Martin x1968-2 The information shown has not been approved by a curator. . before 1811 6 1811, Sharples, James, Elias Boudinot IV
Ceriornis Melanocephala John Gould (British, 1804-1881). Ceriornis Melanocephala. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceriornis-melanocephala-john-gould-british-1804-1881-ceriornis-melanocephala-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504723449.htmlRM2M943WD–Ceriornis Melanocephala John Gould (British, 1804-1881). Ceriornis Melanocephala. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image387336939.htmlRM2DE4M63–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Inspired by Euplocomus Swinhoei: Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-euplocomus-swinhoei-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257430.htmlRF2HK4YF2–Inspired by Euplocomus Swinhoei: Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. The Danish Ingolf-Expedition. Scientific expeditions; Arctic Ocean. THE INGOLF-EXPEDITION 1895 —1896.. THE LOCALITIES, DEPTHS, AND BOTTOMTEMPERATURES OF THE STATIONS Station Nr. Lat. X. Long. W. Depth in Bottom- Danish fathoms temp. Station Xr. Lat. X. Long. W. Depth in Danish fathoms Bottom- temp. Station Xr. Lat. X. Long. W. Depth in Danish fathoms Bottom- temp. i 2 3 4 5 6 7 8 9 io II 12 13 14 15 16 17 18 19 20 21 22 23 62 ° 30' 63° 04' 63° 35' 64° 07' 64° 40' °3° 43' &3C 13' 630 56' 640 18' 64° 24' 64° 34' 64° 38' 64° 47' 64° 45' 66° 18' 65° 43' 62° 49' 61° 44' 6o° 29' 58° 20' 58° 01 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-danish-ingolf-expedition-scientific-expeditions-arctic-ocean-the-ingolf-expedition-1895-1896-the-localities-depths-and-bottomtemperatures-of-the-stations-station-nr-lat-x-long-w-depth-in-bottom-danish-fathoms-temp-station-xr-lat-x-long-w-depth-in-danish-fathoms-bottom-temp-station-xr-lat-x-long-w-depth-in-danish-fathoms-bottom-temp-i-2-3-4-5-6-7-8-9-io-ii-12-13-14-15-16-17-18-19-20-21-22-23-62-30-63-04-63-35-64-07-64-40-3-43-amp3c-13-630-56-640-18-64-24-64-34-64-38-64-47-64-45-66-18-65-43-62-49-61-44-6o-29-58-20-58-01-image216138008.htmlRMPFHX6G–. The Danish Ingolf-Expedition. Scientific expeditions; Arctic Ocean. THE INGOLF-EXPEDITION 1895 —1896.. THE LOCALITIES, DEPTHS, AND BOTTOMTEMPERATURES OF THE STATIONS Station Nr. Lat. X. Long. W. Depth in Bottom- Danish fathoms temp. Station Xr. Lat. X. Long. W. Depth in Danish fathoms Bottom- temp. Station Xr. Lat. X. Long. W. Depth in Danish fathoms Bottom- temp. i 2 3 4 5 6 7 8 9 io II 12 13 14 15 16 17 18 19 20 21 22 23 62 ° 30' 63° 04' 63° 35' 64° 07' 64° 40' °3° 43' &3C 13' 630 56' 640 18' 64° 24' 64° 34' 64° 38' 64° 47' 64° 45' 66° 18' 65° 43' 62° 49' 61° 44' 6o° 29' 58° 20' 58° 01
Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-240-of-the-directional-spectrum-of-a-the-directional-spectrum-of-a-wind-generated-sea-as-determined-from-data-obtained-by-the-stereo-wave-observation-project-directionalspect00chas-year-1957-cm-13-12-11-10-9-8-7-6-5-4-3-2-1-0-10-fl-cz-c3-x-c4-0-c5-rn-gtv-0-0-n-ce-0-x-0-0-i0-20-30-1-1-ii-ik-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-figure-1130-cp-and-yp-as-a-function-of-k-229-image242266434.htmlRMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
Egypt and Nubia, Volume I: Thebes, Great Hall at Karnac, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.3 x 42.8 cm (23 3/4 x 16 7/8 in.); image: 48 x 32.7 cm (18 7/8 x 12 7/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/egypt-and-nubia-volume-i-thebes-great-hall-at-karnac-1848-louis-haghe-british-1806-1885-fgmoon-20-threadneedle-street-london-after-david-roberts-british-1796-1864-color-lithograph-sheet-603-x-428-cm-23-34-x-16-78-in-image-48-x-327-cm-18-78-x-12-78-in-image240505220.htmlRMRY7XT4–Egypt and Nubia, Volume I: Thebes, Great Hall at Karnac, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.3 x 42.8 cm (23 3/4 x 16 7/8 in.); image: 48 x 32.7 cm (18 7/8 x 12 7/8 in
Double Column MET cdi16-32-9a 463949 French, Double Column, 13th?14th century, Marble, Overall (a: Capital): 16 7/8 x 21 1/2 x 13 1/4 in. (42.9 x 54.6 x 33.7 cm) Overall (b: Base): 9 1/4 x 18 1/8 x 10 3/4 in. (23.5 x 46 x 27.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1916 (16.32.9a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-double-column-met-cdi16-32-9a-463949-french-double-column-13th14th-168034564.htmlRMKNAHPC–Double Column MET cdi16-32-9a 463949 French, Double Column, 13th?14th century, Marble, Overall (a: Capital): 16 7/8 x 21 1/2 x 13 1/4 in. (42.9 x 54.6 x 33.7 cm) Overall (b: Base): 9 1/4 x 18 1/8 x 10 3/4 in. (23.5 x 46 x 27.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1916 (16.32.9a, b)
![[Spying in Glenfeshie]. Artist: Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801-1886 Scotland). Dimensions: 18.7 x 23.4 cm (7 3/8 x 9 3/16 in.). Date: ca. 1858. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PA83NW/spying-in-glenfeshie-artist-horatio-ross-british-rossie-castle-near-montrose-scotland-1801-1886-scotland-dimensions-187-x-234-cm-7-38-x-9-316-in-date-ca-1858-museum-metropolitan-museum-of-art-new-york-usa-PA83NW.jpg "[Spying in Glenfeshie]. Artist: Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801-1886 Scotland). Dimensions: 18.7 x 23.4 cm (7 3/8 x 9 3/16 in.). Date: ca. 1858. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
[Spying in Glenfeshie]. Artist: Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801-1886 Scotland). Dimensions: 18.7 x 23.4 cm (7 3/8 x 9 3/16 in.). Date: ca. 1858. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spying-in-glenfeshie-artist-horatio-ross-british-rossie-castle-near-montrose-scotland-1801-1886-scotland-dimensions-187-x-234-cm-7-38-x-9-316-in-date-ca-1858-museum-metropolitan-museum-of-art-new-york-usa-image212849557.htmlRMPA83NW–[Spying in Glenfeshie]. Artist: Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801-1886 Scotland). Dimensions: 18.7 x 23.4 cm (7 3/8 x 9 3/16 in.). Date: ca. 1858. Museum: Metropolitan Museum of Art, New York, USA.
Drawing, A Fortified Town Overlooking a Lake; Designed by Felice Giani (Italian, 1758–1823); Italy; black chalk on cream wove paper; 18.7 x 23.3 cm (7 3/8 x 9 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-a-fortified-town-overlooking-a-lake-designed-by-felice-giani-italian-17581823-italy-black-chalk-on-cream-wove-paper-187-x-233-cm-7-38-x-9-316-in-image546233470.htmlRM2PMK2A6–Drawing, A Fortified Town Overlooking a Lake; Designed by Felice Giani (Italian, 1758–1823); Italy; black chalk on cream wove paper; 18.7 x 23.3 cm (7 3/8 x 9 3/16 in.)
'Albert Besnard, Edmond Pigalle, 1908, etching in black on cream laid paper, plate: 19.9 x 14.7 cm (7 13/16 x 5 13/16 in.) sheet: 23.8 x 18.5 cm (9 3/8 x 7 5/16 in.), Gift of Mr. and Mrs. Daniel Bell, 1994.4.2' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-besnard-edmond-pigalle-1908-etching-in-black-on-cream-laid-paper-plate-199-x-147-cm-7-1316-x-5-1316-in-sheet-238-x-185-cm-9-38-x-7-516-in-gift-of-mr-and-mrs-daniel-bell-199442-image557243248.htmlRM2RAGHCG–'Albert Besnard, Edmond Pigalle, 1908, etching in black on cream laid paper, plate: 19.9 x 14.7 cm (7 13/16 x 5 13/16 in.) sheet: 23.8 x 18.5 cm (9 3/8 x 7 5/16 in.), Gift of Mr. and Mrs. Daniel Bell, 1994.4.2'
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496398.htmlRFT0W33A–Illustration Xray Icon
. English: James Sharples, British, 1752–1811 Elias Boudinot IV Pastel on laid paper 23 x 18.7 cm (9 1/16 x 7 3/8 in.) Museum purchase, gift of Mrs. Landon K. Thorne and bequest of Emma L. Martin x1968-2 The information shown has not been approved by a curator. . before 1811. 6 1811, Sharples, James, Elias Boudinot IV Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-james-sharples-british-17521811-elias-boudinot-iv-pastel-on-laid-paper-23-x-187-cm-9-116-x-7-38-in-museum-purchase-gift-of-mrs-landon-k-thorne-and-bequest-of-emma-l-martin-x1968-2-the-information-shown-has-not-been-approved-by-a-curator-before-1811-6-1811-sharples-james-elias-boudinot-iv-image184838711.htmlRMMMM3JF–. English: James Sharples, British, 1752–1811 Elias Boudinot IV Pastel on laid paper 23 x 18.7 cm (9 1/16 x 7 3/8 in.) Museum purchase, gift of Mrs. Landon K. Thorne and bequest of Emma L. Martin x1968-2 The information shown has not been approved by a curator. . before 1811. 6 1811, Sharples, James, Elias Boudinot IV
Ceriornis Blythii: Blyth's Trazapan John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceriornis-blythii-blyths-trazapan-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727955.htmlRM2M949JB–Ceriornis Blythii: Blyth's Trazapan John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image261850251.htmlRMW608JK–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Inspired by Phasianus Soemmerringii: Saumering's Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-phasianus-soemmerringii-saumerings-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257526.htmlRF2HK4YJE–Inspired by Phasianus Soemmerringii: Saumering's Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo](https://c8.alamy.com/comp/PFE8G1/denkschriften-sterreichische-akademie-der-wissenschaften-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-PFE8G1.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo")
. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/denkschriften-sterreichische-akademie-der-wissenschaften-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-image216058305.htmlRMPFE8G1–. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27
Effects of the rays of Effects of the rays of radium on plants . effectsofraysofr1908gage Year: 1908 EXPOSED WATER AND FRESHLY FALLEN RAIN 159 of the other two. On April 17 measurements of the heights of the seedHngs were recorded as follows : RaBr, RaBr, No. 1,500,000 X 10,000 X Control I 29.50 mm. 18.00 mm. 16.50 mm. 2 23.00 12.50 25.00 3 25.00 18.50 4-50 4 not up 23.00 15-50 5 25.00 not up 10.50 6 16.00 13.00 7-50 7 not up 13.00 5.00 8 12.00 20.00 118.00 mm. 15-50 130.50 mm. 100.00 mm. 21.75 ^'^^^' 16.86 mm.. 12.50 mm. The relative heights of the plants in the three cultures remained as ab Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/effects-of-the-rays-of-effects-of-the-rays-of-radium-on-plants-effectsofraysofr1908gage-year-1908-exposed-water-and-freshly-fallen-rain-159-of-the-other-two-on-april-17-measurements-of-the-heights-of-the-seedhngs-were-recorded-as-follows-rabr-rabr-no-1500000-x-10000-x-control-i-2950-mm-1800-mm-1650-mm-2-2300-1250-2500-3-2500-1850-4-50-4-not-up-2300-15-50-5-2500-not-up-1050-6-1600-1300-7-50-7-not-up-1300-500-8-1200-2000-11800-mm-15-50-13050-mm-10000-mm-2175-1686-mm-1250-mm-the-relative-heights-of-the-plants-in-the-three-cultures-remained-as-ab-image240840749.htmlRMRYR6R9–Effects of the rays of Effects of the rays of radium on plants . effectsofraysofr1908gage Year: 1908 EXPOSED WATER AND FRESHLY FALLEN RAIN 159 of the other two. On April 17 measurements of the heights of the seedHngs were recorded as follows : RaBr, RaBr, No. 1,500,000 X 10,000 X Control I 29.50 mm. 18.00 mm. 16.50 mm. 2 23.00 12.50 25.00 3 25.00 18.50 4-50 4 not up 23.00 15-50 5 25.00 not up 10.50 6 16.00 13.00 7-50 7 not up 13.00 5.00 8 12.00 20.00 118.00 mm. 15-50 130.50 mm. 100.00 mm. 21.75 ^'^^^' 16.86 mm.. 12.50 mm. The relative heights of the plants in the three cultures remained as ab
Yoga Narashimha, Vishnu in his Man-Lion Avatar, c. 1250. South India, late Chola Period (900-13th Century). Bronze; overall: 57 x 31 x 23 cm (22 7/16 x 12 3/16 x 9 1/16 in.); base: 18.8 x 32 x 22.5 cm (7 3/8 x 12 5/8 x 8 7/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yoga-narashimha-vishnu-in-his-man-lion-avatar-c-1250-south-india-late-chola-period-900-13th-century-bronze-overall-57-x-31-x-23-cm-22-716-x-12-316-x-9-116-in-base-188-x-32-x-225-cm-7-38-x-12-58-x-8-78-in-image240484824.htmlRMRY70RM–Yoga Narashimha, Vishnu in his Man-Lion Avatar, c. 1250. South India, late Chola Period (900-13th Century). Bronze; overall: 57 x 31 x 23 cm (22 7/16 x 12 3/16 x 9 1/16 in.); base: 18.8 x 32 x 22.5 cm (7 3/8 x 12 5/8 x 8 7/8 in
Double Column MET cdi16-32-9as4 463949 French, Double Column, 13th?14th century, Marble, Overall (a: Capital): 16 7/8 x 21 1/2 x 13 1/4 in. (42.9 x 54.6 x 33.7 cm) Overall (b: Base): 9 1/4 x 18 1/8 x 10 3/4 in. (23.5 x 46 x 27.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1916 (16.32.9a, b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-double-column-met-cdi16-32-9as4-463949-french-double-column-13th14th-168034568.htmlRMKNAHPG–Double Column MET cdi16-32-9as4 463949 French, Double Column, 13th?14th century, Marble, Overall (a: Capital): 16 7/8 x 21 1/2 x 13 1/4 in. (42.9 x 54.6 x 33.7 cm) Overall (b: Base): 9 1/4 x 18 1/8 x 10 3/4 in. (23.5 x 46 x 27.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1916 (16.32.9a, b)
Mr. and Mrs. Charles E. Tiffany in Louis C. Tiffany's Studio. Artist: George Collins Cox (American, 1851-1902). Dimensions: 18.8 x 23.6 cm (7 3/8 x 9 5/16 in. ). Date: ca. 1890. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mr-and-mrs-charles-e-tiffany-in-louis-c-tiffanys-studio-artist-george-collins-cox-american-1851-1902-dimensions-188-x-236-cm-7-38-x-9-516-in-date-ca-1890-museum-metropolitan-museum-of-art-new-york-usa-image213316554.htmlRMPB1BCA–Mr. and Mrs. Charles E. Tiffany in Louis C. Tiffany's Studio. Artist: George Collins Cox (American, 1851-1902). Dimensions: 18.8 x 23.6 cm (7 3/8 x 9 5/16 in. ). Date: ca. 1890. Museum: Metropolitan Museum of Art, New York, USA.
Christ Crucified Between the Two Thieves MET DP-1360-002 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-christ-crucified-between-the-two-thieves-met-dp-1360-002-197995-artist-168090998.htmlRMKND5NX–Christ Crucified Between the Two Thieves MET DP-1360-002 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol
Christ Crucified Between the Two Thieves MET DP-1360-004 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-christ-crucified-between-the-two-thieves-met-dp-1360-004-197995-artist-168090997.htmlRMKND5NW–Christ Crucified Between the Two Thieves MET DP-1360-004 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol
Drawing, Floral design for printed textiles; Designed by Louis-Albert DuBois (Swiss, 1752–1818); France; brush and gouache, graphite on pale green wove paper; 23.8 x 18.2 cm (9 3/8 x 7 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-floral-design-for-printed-textiles-designed-by-louis-albert-dubois-swiss-17521818-france-brush-and-gouache-graphite-on-pale-green-wove-paper-238-x-182-cm-9-38-x-7-316-in-image546175590.htmlRM2PMGCF2–Drawing, Floral design for printed textiles; Designed by Louis-Albert DuBois (Swiss, 1752–1818); France; brush and gouache, graphite on pale green wove paper; 23.8 x 18.2 cm (9 3/8 x 7 3/16 in.)
'Albert Besnard, Robert Besnard and His Donkey (Robert Besnard et son ane), 1888, etching, aquatint, and drypoint on wove paper, plate: 23.9 x 18.2 cm (9 7/16 x 7 3/16 in.) sheet: 32.2 x 24.8 cm (12 11/16 x 9 3/4 in.), Gift of Mr. and Mrs. Daniel Bell, 1996.136.7' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-besnard-robert-besnard-and-his-donkey-robert-besnard-et-son-ane-1888-etching-aquatint-and-drypoint-on-wove-paper-plate-239-x-182-cm-9-716-x-7-316-in-sheet-322-x-248-cm-12-1116-x-9-34-in-gift-of-mr-and-mrs-daniel-bell-19961367-image557243230.htmlRM2RAGHBX–'Albert Besnard, Robert Besnard and His Donkey (Robert Besnard et son ane), 1888, etching, aquatint, and drypoint on wove paper, plate: 23.9 x 18.2 cm (9 7/16 x 7 3/16 in.) sheet: 32.2 x 24.8 cm (12 11/16 x 9 3/4 in.), Gift of Mr. and Mrs. Daniel Bell, 1996.136.7'
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496626.htmlRFT0W3BE–Illustration Xray Icon
. English: James Sharples, British, 1752–1811 Elias Boudinot IV Pastel on laid paper 23 x 18.7 cm (9 1/16 x 7 3/8 in.) Museum purchase, gift of Mrs. Landon K. Thorne and bequest of Emma L. Martin x1968-2 The information shown has not been approved by a curator. . before 1811 6 1811, Sharples, James, Elias Boudinot IV Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-james-sharples-british-17521811-elias-boudinot-iv-pastel-on-laid-paper-23-x-187-cm-9-116-x-7-38-in-museum-purchase-gift-of-mrs-landon-k-thorne-and-bequest-of-emma-l-martin-x1968-2-the-information-shown-has-not-been-approved-by-a-curator-before-1811-6-1811-sharples-james-elias-boudinot-iv-image187572972.htmlRMMW4K6M–. English: James Sharples, British, 1752–1811 Elias Boudinot IV Pastel on laid paper 23 x 18.7 cm (9 1/16 x 7 3/8 in.) Museum purchase, gift of Mrs. Landon K. Thorne and bequest of Emma L. Martin x1968-2 The information shown has not been approved by a curator. . before 1811 6 1811, Sharples, James, Elias Boudinot IV
Thaumalea Amherstiae: Lady Amhert's Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thaumalea-amherstiae-lady-amherts-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727954.htmlRM2M949JA–Thaumalea Amherstiae: Lady Amhert's Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Painting; oil on canvas; overall: 26 x 34.7 cm (10 1/4 x 13 11/16 in.) framed: 46 x 54.6 x 7.9 cm (18 1/8 x 21 1/2 x 3 1/8 in.); 23 The Grand Canal A27813 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-26-x-347-cm-10-14-x-13-1116-in-framed-46-x-546-x-79-cm-18-18-x-21-12-x-3-18-in-23-the-grand-canal-a27813-image206562355.htmlRMP01MAY–Painting; oil on canvas; overall: 26 x 34.7 cm (10 1/4 x 13 11/16 in.) framed: 46 x 54.6 x 7.9 cm (18 1/8 x 21 1/2 x 3 1/8 in.); 23 The Grand Canal A27813
Inspired by Euplocomus Lineatus: Lineated Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-euplocomus-lineatus-lineated-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257428.htmlRF2HK4YF0–Inspired by Euplocomus Lineatus: Lineated Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Fragment of a Lacquer Tray, 9 AD. China, excavated at Lolang, Xin dynasty (9-23). Lacquer; overall: 3.6 x 18.1 cm (1 7/16 x 7 1/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-of-a-lacquer-tray-9-ad-china-excavated-at-lolang-xin-dynasty-9-23-lacquer-overall-36-x-181-cm-1-716-x-7-18-in-image448082253.htmlRM2H0YWDH–Fragment of a Lacquer Tray, 9 AD. China, excavated at Lolang, Xin dynasty (9-23). Lacquer; overall: 3.6 x 18.1 cm (1 7/16 x 7 1/8 in.).
![. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo](https://c8.alamy.com/comp/PFE8FW/denkschriften-sterreichische-akademie-der-wissenschaften-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-1-37-71-1-19-21-40-16-59-10-2-56-8-95-34-94-2-57-76-3-23-25-3-3-PFE8FW.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo")
. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/denkschriften-sterreichische-akademie-der-wissenschaften-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-1-37-71-1-19-21-40-16-59-10-2-56-8-95-34-94-2-57-76-3-23-25-3-3-image216058301.htmlRMPFE8FW–. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3
Scheherazade, 1901. George Auriol (French, 1863-1938). Color lithograph; sheet: 28.6 x 18.8 cm (11 1/4 x 7 3/8 in.); image: 23.7 x 15.2 cm (9 5/16 x 6 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scheherazade-1901-george-auriol-french-1863-1938-color-lithograph-sheet-286-x-188-cm-11-14-x-7-38-in-image-237-x-152-cm-9-516-x-6-in-image448075413.htmlRM2H0YGN9–Scheherazade, 1901. George Auriol (French, 1863-1938). Color lithograph; sheet: 28.6 x 18.8 cm (11 1/4 x 7 3/8 in.); image: 23.7 x 15.2 cm (9 5/16 x 6 in.).
Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 » Varón 2 25 » » 3 23 » » 4 10 » » 5 23 >â > » 6 32 » » 7 19 » >; 8 49 » » 9 17 » » 10 50 » Mujer 11 25 » Varón 12 2 i: » » 13 9 » » 14 10 » » 15 12 » » 16 ? » X- 17 27 » >â / 18 10 meses » 19 14 años Ã-- 20 10 ?â » 21 31 » Mujer 22 10 » » 23 12 » Varón 24 9 » >> 25 10 » » 1 y2 mes 2 meses 5 años 3 meses 2 » 2 » 2 » 2 4 4 2 4 4 4 4 » 2 meses 1 mes 1 » 2 meses 4 » 4 años 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-92-of-diptera-argentine-1900-diptera-argentine-dipteraargentine01shan-year-1900-r-c-shannon-y-e-del-ponte-721-el-dorado-1-44-varn-2-25-3-23-4-10-5-23-gt-gt-6-32-7-19-gt-8-49-9-17-10-50-mujer-11-25-varn-12-2-i-13-9-14-10-15-12-16-x-17-27-gt-18-10-meses-19-14-aos-20-10-21-31-mujer-22-10-23-12-varn-24-9-gtgt-25-10-1-y2-mes-2-meses-5-aos-3-meses-2-2-2-2-4-4-2-4-4-4-4-2-meses-1-mes-1-2-meses-4-4-aos-3-image242249898.htmlRMT23C62–Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 » Varón 2 25 » » 3 23 » » 4 10 » » 5 23 >â > » 6 32 » » 7 19 » >; 8 49 » » 9 17 » » 10 50 » Mujer 11 25 » Varón 12 2 i: » » 13 9 » » 14 10 » » 15 12 » » 16 ? » X- 17 27 » >â / 18 10 meses » 19 14 años Ã-- 20 10 ?â » 21 31 » Mujer 22 10 » » 23 12 » Varón 24 9 » >> 25 10 » » 1 y2 mes 2 meses 5 años 3 meses 2 » 2 » 2 » 2 4 4 2 4 4 4 4 » 2 meses 1 mes 1 » 2 meses 4 » 4 años 3
Picturesque and Romantic Travels in Old France, Picardie: The Belfry Tower of Amiens, Picardie (Voyages pittoresques et romantiques dans l'ancienne France, Picardie : La Tour du Beffroi d' Amiens, Picardie), after François Bonhommé (French, 1809-1881), 1835. Louis Haghe (British, 1806-1885), Thierry Brothers. Lithograph on chine colle; sheet: 36.1 x 26.6 cm (14 3/16 x 10 1/2 in.); image: 32.7 x 23.7 cm (12 7/8 x 9 5/16 in.); secondary support: 47.4 x 35.3 cm (18 11/16 x 13 7/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picturesque-and-romantic-travels-in-old-france-picardie-the-belfry-tower-of-amiens-picardie-voyages-pittoresques-et-romantiques-dans-lancienne-france-picardie-la-tour-du-beffroi-d-amiens-picardie-after-franois-bonhomm-french-1809-1881-1835-louis-haghe-british-1806-1885-thierry-brothers-lithograph-on-chine-colle-sheet-361-x-266-cm-14-316-x-10-12-in-image-327-x-237-cm-12-78-x-9-516-in-secondary-support-474-x-353-cm-18-1116-x-13-78-in-image240504772.htmlRMRY7X84–Picturesque and Romantic Travels in Old France, Picardie: The Belfry Tower of Amiens, Picardie (Voyages pittoresques et romantiques dans l'ancienne France, Picardie : La Tour du Beffroi d' Amiens, Picardie), after François Bonhommé (French, 1809-1881), 1835. Louis Haghe (British, 1806-1885), Thierry Brothers. Lithograph on chine colle; sheet: 36.1 x 26.6 cm (14 3/16 x 10 1/2 in.); image: 32.7 x 23.7 cm (12 7/8 x 9 5/16 in.); secondary support: 47.4 x 35.3 cm (18 11/16 x 13 7/8 in
Ebb Tide, Putney Bridge, 1885. Frank Short (British, 1857-1945). Mezzotint; sheet: 16.7 x 23.8 cm (6 9/16 x 9 3/8 in.); platemark: 13.4 x 18.9 cm (5 1/4 x 7 7/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ebb-tide-putney-bridge-1885-frank-short-british-1857-1945-mezzotint-sheet-167-x-238-cm-6-916-x-9-38-in-platemark-134-x-189-cm-5-14-x-7-716-in-image448075665.htmlRM2H0YH29–Ebb Tide, Putney Bridge, 1885. Frank Short (British, 1857-1945). Mezzotint; sheet: 16.7 x 23.8 cm (6 9/16 x 9 3/8 in.); platemark: 13.4 x 18.9 cm (5 1/4 x 7 7/16 in.).
The End of the Ruin'd Bridge at Rouen, Samuel Davis, 1757–1819, British, 1778, Watercolor and pen and black ink and graphite on medium, slighltly textured, cream laid paper mounted to medium, slightly textured, cream laid paper, Sheet: 5 5/8 x 7 3/4in. (14.3 x 19.7cm), Image: 5 5/8 × 7 5/8 inches (14.3 × 19.4 cm), Sheet: 8 9/16 x 11 5/16in. (21.7 x 28.7cm), and Contemporary drawn border: 7 3/8 × 9 3/8 inches (18.7 × 23.8 cm), architectural subject, boat, bridge (built work), moat, ruin, Europe, France, Rouen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-end-of-the-ruind-bridge-at-rouen-samuel-davis-17571819-british-1778-watercolor-and-pen-and-black-ink-and-graphite-on-medium-slighltly-textured-cream-laid-paper-mounted-to-medium-slightly-textured-cream-laid-paper-sheet-5-58-x-7-34in-143-x-197cm-image-5-58-7-58-inches-143-194-cm-sheet-8-916-x-11-516in-217-x-287cm-and-contemporary-drawn-border-7-38-9-38-inches-187-238-cm-architectural-subject-boat-bridge-built-work-moat-ruin-europe-france-rouen-image389861400.htmlRM2DJ7M5C–The End of the Ruin'd Bridge at Rouen, Samuel Davis, 1757–1819, British, 1778, Watercolor and pen and black ink and graphite on medium, slighltly textured, cream laid paper mounted to medium, slightly textured, cream laid paper, Sheet: 5 5/8 x 7 3/4in. (14.3 x 19.7cm), Image: 5 5/8 × 7 5/8 inches (14.3 × 19.4 cm), Sheet: 8 9/16 x 11 5/16in. (21.7 x 28.7cm), and Contemporary drawn border: 7 3/8 × 9 3/8 inches (18.7 × 23.8 cm), architectural subject, boat, bridge (built work), moat, ruin, Europe, France, Rouen
Sellenger, 1917. Frederick Landseer Maur Griggs (British, 1876-1938). Etching; sheet: 18.7 x 23.4 cm (7 3/8 x 9 3/16 in.); platemark: 13.3 x 16.7 cm (5 1/4 x 6 9/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sellenger-1917-frederick-landseer-maur-griggs-british-1876-1938-etching-sheet-187-x-234-cm-7-38-x-9-316-in-platemark-133-x-167-cm-5-14-x-6-916-in-image448075652.htmlRM2H0YH1T–Sellenger, 1917. Frederick Landseer Maur Griggs (British, 1876-1938). Etching; sheet: 18.7 x 23.4 cm (7 3/8 x 9 3/16 in.); platemark: 13.3 x 16.7 cm (5 1/4 x 6 9/16 in.).
![[Part of the Exterior of the St. Paul's Cathedral, Calcutta]. Artist: Captain R. B. Hill. Dimensions: Image: 18.8 x 23.4 cm (7 3/8 x 9 3/16 in.) Mount: 21 x 27.7 cm (8 1/4 x 10 7/8 in.). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PAME3B/part-of-the-exterior-of-the-st-pauls-cathedral-calcutta-artist-captain-r-b-hill-dimensions-image-188-x-234-cm-7-38-x-9-316-in-mount-21-x-277-cm-8-14-x-10-78-in-date-1850s-museum-metropolitan-museum-of-art-new-york-usa-PAME3B.jpg "[Part of the Exterior of the St. Paul's Cathedral, Calcutta]. Artist: Captain R. B. Hill. Dimensions: Image: 18.8 x 23.4 cm (7 3/8 x 9 3/16 in.) Mount: 21 x 27.7 cm (8 1/4 x 10 7/8 in.). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
[Part of the Exterior of the St. Paul's Cathedral, Calcutta]. Artist: Captain R. B. Hill. Dimensions: Image: 18.8 x 23.4 cm (7 3/8 x 9 3/16 in.) Mount: 21 x 27.7 cm (8 1/4 x 10 7/8 in.). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-the-exterior-of-the-st-pauls-cathedral-calcutta-artist-captain-r-b-hill-dimensions-image-188-x-234-cm-7-38-x-9-316-in-mount-21-x-277-cm-8-14-x-10-78-in-date-1850s-museum-metropolitan-museum-of-art-new-york-usa-image213121087.htmlRMPAME3B–[Part of the Exterior of the St. Paul's Cathedral, Calcutta]. Artist: Captain R. B. Hill. Dimensions: Image: 18.8 x 23.4 cm (7 3/8 x 9 3/16 in.) Mount: 21 x 27.7 cm (8 1/4 x 10 7/8 in.). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA.
The Abduction of Proserpina by Pluto (2nd version), 1803. Friedrich Wilhelm Reuter (German, 1768-1834). Pen lithograph; image: 28.1 x 18.7 cm (11 1/16 x 7 3/8 in.); sheet: 29.2 x 23.9 cm (11 1/2 x 9 7/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-abduction-of-proserpina-by-pluto-2nd-version-1803-friedrich-wilhelm-reuter-german-1768-1834-pen-lithograph-image-281-x-187-cm-11-116-x-7-38-in-sheet-292-x-239-cm-11-12-x-9-716-in-image448088472.htmlRM2H105BM–The Abduction of Proserpina by Pluto (2nd version), 1803. Friedrich Wilhelm Reuter (German, 1768-1834). Pen lithograph; image: 28.1 x 18.7 cm (11 1/16 x 7 3/8 in.); sheet: 29.2 x 23.9 cm (11 1/2 x 9 7/16 in.).
Christ Crucified Between the Two Thieves MET DP-1360-003 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-christ-crucified-between-the-two-thieves-met-dp-1360-003-197995-artist-168090996.htmlRMKND5NT–Christ Crucified Between the Two Thieves MET DP-1360-003 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol
Vue de la Ville de Maaslins, 1862. Johan Barthold Jongkind (Dutch, 1819-1891). Etching; sheet: 35.8 x 47.3 cm (14 1/8 x 18 5/8 in.); platemark: 23.7 x 32.3 cm (9 5/16 x 12 11/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vue-de-la-ville-de-maaslins-1862-johan-barthold-jongkind-dutch-1819-1891-etching-sheet-358-x-473-cm-14-18-x-18-58-in-platemark-237-x-323-cm-9-516-x-12-1116-in-image448086545.htmlRM2H102XW–Vue de la Ville de Maaslins, 1862. Johan Barthold Jongkind (Dutch, 1819-1891). Etching; sheet: 35.8 x 47.3 cm (14 1/8 x 18 5/8 in.); platemark: 23.7 x 32.3 cm (9 5/16 x 12 11/16 in.).
Christ Crucified Between the Two Thieves MET DP-1360-001 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-christ-crucified-between-the-two-thieves-met-dp-1360-001-197995-artist-168090955.htmlRMKND5MB–Christ Crucified Between the Two Thieves MET DP-1360-001 197995 Artist: After a model by Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (Christ), Artist: Follower of Michelangelo Buonarroti, Italian, Caprese 1475?1564 Rome (thieves), Christ Crucified Between the Two Thieves, 16th?17th century, Bronze, (Christ .a, confirmed): 10 3/4 ? 8 ? 1 13/16 in. (27.3 ? 20.3 ? 4.6 cm); (Thief .b, confirmed): 9 3/8 ? 7 1/4 ? 2 3/8 in. (23.8 ? 18.4 ? 6 cm); (Thief .c, confirmed): 9 1/8 ? 8 3/4 ? 2 7/8 in. (23.2 ? 22.2 ? 7.3 cm); (Base and crosses): 31 3/8 x 17 1/2 in. (79.8 x 44.5 cm). The Metropol
Peacocks (upright), 1905. Edward Julius Detmold (British, 1883-1957), and Charles Maurice Detmold (British, 1883-1908). Etching; platemark: 18.4 x 11.4 cm (7 1/4 x 4 1/2 in.); sheet: 30.9 x 23.2 cm (12 3/16 x 9 1/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peacocks-upright-1905-edward-julius-detmold-british-1883-1957-and-charles-maurice-detmold-british-1883-1908-etching-platemark-184-x-114-cm-7-14-x-4-12-in-sheet-309-x-232-cm-12-316-x-9-18-in-image448075515.htmlRM2H0YGTY–Peacocks (upright), 1905. Edward Julius Detmold (British, 1883-1957), and Charles Maurice Detmold (British, 1883-1908). Etching; platemark: 18.4 x 11.4 cm (7 1/4 x 4 1/2 in.); sheet: 30.9 x 23.2 cm (12 3/16 x 9 1/8 in.).
Drawing, Design for a watch chain and two bracelets; Attributed to Augusto Castellani (Roman, 1829 - 1914); Italy; graphite, brush and pale yellow wash on white wove paper; 23.8 x 18 cm (9 3/8 x 7 1/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-a-watch-chain-and-two-bracelets-attributed-to-augusto-castellani-roman-1829-1914-italy-graphite-brush-and-pale-yellow-wash-on-white-wove-paper-238-x-18-cm-9-38-x-7-116-in-image546087402.htmlRM2PMCC1E–Drawing, Design for a watch chain and two bracelets; Attributed to Augusto Castellani (Roman, 1829 - 1914); Italy; graphite, brush and pale yellow wash on white wove paper; 23.8 x 18 cm (9 3/8 x 7 1/16 in.)
published in Vanity Fair Oct. 5, 1872: Vanity Fair: Statesman, No. 126 'An Arbitrator', 1872. Anonymous, Vincent Brooks Day & Son. Color lithograph; sheet: 35.6 x 23.1 cm (14 x 9 1/8 in.); image: 31 x 18.4 cm (12 3/16 x 7 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/published-in-vanity-fair-oct-5-1872-vanity-fair-statesman-no-126-an-arbitrator-1872-anonymous-vincent-brooks-day-son-color-lithograph-sheet-356-x-231-cm-14-x-9-18-in-image-31-x-184-cm-12-316-x-7-14-in-image448075386.htmlRM2H0YGMA–published in Vanity Fair Oct. 5, 1872: Vanity Fair: Statesman, No. 126 'An Arbitrator', 1872. Anonymous, Vincent Brooks Day & Son. Color lithograph; sheet: 35.6 x 23.1 cm (14 x 9 1/8 in.); image: 31 x 18.4 cm (12 3/16 x 7 1/4 in.).
Georgia O'KeeffeE28094Torso MET DP232921 267462 Georgia O'Keeffe?Torso, 1918, Gelatin silver print, 23.6 x 18.8 cm (9 5/16 x 7 3/8 in.). The Metropolitan Museum of Art, New York. Gift of Mrs. Alma Wertheim, 1928 (28.130.2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-georgia-okeeffee28094torso-met-dp232921-267462-georgia-okeeffetorso-168300379.htmlRMKNPMRR–Georgia O'KeeffeE28094Torso MET DP232921 267462 Georgia O'Keeffe?Torso, 1918, Gelatin silver print, 23.6 x 18.8 cm (9 5/16 x 7 3/8 in.). The Metropolitan Museum of Art, New York. Gift of Mrs. Alma Wertheim, 1928 (28.130.2)
The Beautiful Countryside in Brittany: Street in Tréboul, 1898. Henri Rivière (French, 1864-1951), Printed by Eugene Verneau. Color lithograph; sheet: 47.1 x 60.6 cm (18 9/16 x 23 7/8 in.); image: 23.1 x 34.9 cm (9 1/8 x 13 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-beautiful-countryside-in-brittany-street-in-trboul-1898-henri-rivire-french-1864-1951-printed-by-eugene-verneau-color-lithograph-sheet-471-x-606-cm-18-916-x-23-78-in-image-231-x-349-cm-9-18-x-13-34-in-image448071139.htmlRM2H0YB8K–The Beautiful Countryside in Brittany: Street in Tréboul, 1898. Henri Rivière (French, 1864-1951), Printed by Eugene Verneau. Color lithograph; sheet: 47.1 x 60.6 cm (18 9/16 x 23 7/8 in.); image: 23.1 x 34.9 cm (9 1/8 x 13 3/4 in.).
Inspired by Ceriornis Melanocephala, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, branch, Ceriornis Melanocephala, colorful, Habitat, Nature, Ornithological, Ornithology, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-ceriornis-melanocephala-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-branch-ceriornis-melanocephala-colorful-habitat-nature-ornithological-ornithology-species-wildlife-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257531.htmlRF2HK4YJK–Inspired by Ceriornis Melanocephala, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, branch, Ceriornis Melanocephala, colorful, Habitat, Nature, Ornithological, Ornithology, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
published in Vanity Fair Sept 4, 1869: Vanity Fair: Sovereigns, No. 1 'Le regime parlementaire', 1869. James Tissot (French, 1836-1902). Color lithograph; sheet: 35.5 x 23.2 cm (14 x 9 1/8 in.); image: 30.3 x 18.9 cm (11 15/16 x 7 7/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/published-in-vanity-fair-sept-4-1869-vanity-fair-sovereigns-no-1-le-regime-parlementaire-1869-james-tissot-french-1836-1902-color-lithograph-sheet-355-x-232-cm-14-x-9-18-in-image-303-x-189-cm-11-1516-x-7-716-in-image448075408.htmlRM2H0YGN4–published in Vanity Fair Sept 4, 1869: Vanity Fair: Sovereigns, No. 1 'Le regime parlementaire', 1869. James Tissot (French, 1836-1902). Color lithograph; sheet: 35.5 x 23.2 cm (14 x 9 1/8 in.); image: 30.3 x 18.9 cm (11 15/16 x 7 7/16 in.).
Painting; oil on panel; overall: 58.8 x 47.8 cm (23 1/8 x 18 13/16 in.) framed: 75.4 x 65.3 x 7 cm (29 11/16 x 25 11/16 x 2 3/4 in.); Bernardino Luini - The Magdalen - WGA13766 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-panel-overall-588-x-478-cm-23-18-x-18-1316-in-framed-754-x-653-x-7-cm-29-1116-x-25-1116-x-2-34-in-bernardino-luini-the-magdalen-wga13766-image184914012.htmlRMMMRFKT–Painting; oil on panel; overall: 58.8 x 47.8 cm (23 1/8 x 18 13/16 in.) framed: 75.4 x 65.3 x 7 cm (29 11/16 x 25 11/16 x 2 3/4 in.); Bernardino Luini - The Magdalen - WGA13766
Illustration Xray Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-xray-icon-image241496505.htmlRFT0W375–Illustration Xray Icon
. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/decapoda-natantia-of-the-coasts-of-ireland-decapoda-crustacea-and-irish-decapoda-natantia-1-2-3-4-5-6-7-8-9-10-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-28-29-30-31-32-33-34-35-36-37-38-39-40-41-42-43-44-45-46-47-48-49-50-51-52-53-54-o-o-3-3-o-o-u-h-lt-lt-lt-j-gt-ce-d-u-1-cs-o-o-o-o-o-o-a-u-a-a-eg-pq-id-ed-s-eft-fcf-9i-a-c8-c-o-m-so-lt11-oi-a-a-09-in-a-et-cn-5-73-2-0-in-d-c3-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-image216094528.htmlRMPFFXNM–. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome, Print made by unknown artist, (de Bois), Published by John Bowles, 1701–1779, British, undated, Etching and line engraving on medium, slightly textured, cream laid paper, laid on contemporary mount made of moderately thick, moderately textured, blued white laid paper, Mount: 9 1/16 x 12 5/8 inches (23 x 32 cm), Sheet: 8 9/16 x 11 3/8 inches (21.7 x 28.9 cm), Plate: 7 13/16 x 9 7/8 inches (19.8 x 25.1 cm), and Image: 7 1/16 x 9 9/16 inches (18 x 24.3 cm), architectural subject Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-the-piazza-of-st-john-de-lateran-of-the-cardinals-college-and-of-the-holy-stairs-in-the-city-of-rome-print-made-by-unknown-artist-de-bois-published-by-john-bowles-17011779-british-undated-etching-and-line-engraving-on-medium-slightly-textured-cream-laid-paper-laid-on-contemporary-mount-made-of-moderately-thick-moderately-textured-blued-white-laid-paper-mount-9-116-x-12-58-inches-23-x-32-cm-sheet-8-916-x-11-38-inches-217-x-289-cm-plate-7-1316-x-9-78-inches-198-x-251-cm-and-image-7-116-x-9-916-inches-18-x-243-cm-architectural-subject-image389779860.htmlRM2DJ4058–A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome, Print made by unknown artist, (de Bois), Published by John Bowles, 1701–1779, British, undated, Etching and line engraving on medium, slightly textured, cream laid paper, laid on contemporary mount made of moderately thick, moderately textured, blued white laid paper, Mount: 9 1/16 x 12 5/8 inches (23 x 32 cm), Sheet: 8 9/16 x 11 3/8 inches (21.7 x 28.9 cm), Plate: 7 13/16 x 9 7/8 inches (19.8 x 25.1 cm), and Image: 7 1/16 x 9 9/16 inches (18 x 24.3 cm), architectural subject
Lophophorus Impeyanus, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lophophorus-impeyanus-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-image454278613.htmlRM2HB2505–Lophophorus Impeyanus, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm
Falcon statue serving as a sarcophagus for a sacred animal. Dimensions: L. 23.2 cm (9 1/8 in.); W. 3.3 cm (1 5/16 in.); H. 18.1 cm (7 1/8 in.). Date: 664-30 B.C.. This bronze falcon is hollow. X-rays have revealed animal bones on the interior, presumably those of a falcon, and an opening beneath the tail through which the animal body had been inserted. The opening is closed with a close-fitting bronze plate. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/falcon-statue-serving-as-a-sarcophagus-for-a-sacred-animal-dimensions-l-232-cm-9-18-in-w-33-cm-1-516-in-h-181-cm-7-18-in-date-664-30-bc-this-bronze-falcon-is-hollow-x-rays-have-revealed-animal-bones-on-the-interior-presumably-those-of-a-falcon-and-an-opening-beneath-the-tail-through-which-the-animal-body-had-been-inserted-the-opening-is-closed-with-a-close-fitting-bronze-plate-museum-metropolitan-museum-of-art-new-york-usa-image213260349.htmlRMPAXRN1–Falcon statue serving as a sarcophagus for a sacred animal. Dimensions: L. 23.2 cm (9 1/8 in.); W. 3.3 cm (1 5/16 in.); H. 18.1 cm (7 1/8 in.). Date: 664-30 B.C.. This bronze falcon is hollow. X-rays have revealed animal bones on the interior, presumably those of a falcon, and an opening beneath the tail through which the animal body had been inserted. The opening is closed with a close-fitting bronze plate. Museum: Metropolitan Museum of Art, New York, USA.
