23 8 x 19 6 cm hi-res stock photography and images

Alphonse Leon Noël, French, 1807–1884, After Paul Gavarni, (French, 1804–1866), La Promenade, 1817–1884, Lithograph on paper, image: 9 3/8 x 7 11/16 in. (23.8 x 19.6 cm Stock Photo

RM2B0GHDM–Alphonse Leon Noël, French, 1807–1884, After Paul Gavarni, (French, 1804–1866), La Promenade, 1817–1884, Lithograph on paper, image: 9 3/8 x 7 11/16 in. (23.8 x 19.6 cm

Art inspired by Sampan, 1870s, Albumen silver print from glass negative, 23.6 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX20T–Art inspired by Sampan, 1870s, Albumen silver print from glass negative, 23.6 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Netherlands Middle Ages, jug, pottery, 23.6 x 19.8 cm, Location, The Netherlands, Friesland Stock Photo

RM2B0FPTN–The Netherlands Middle Ages, jug, pottery, 23.6 x 19.8 cm, Location, The Netherlands, Friesland

Art inspired by Retiring Wounded from Battle, July 19, 1779, Etching, Plate: 9 1/8 x 6 13/16 in. (23.2 x 17.3 cm), Prints, After John Hamilton Mortimer (British, Eastbourne 1740–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7R41–Art inspired by Retiring Wounded from Battle, July 19, 1779, Etching, Plate: 9 1/8 x 6 13/16 in. (23.2 x 17.3 cm), Prints, After John Hamilton Mortimer (British, Eastbourne 1740–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Wenceslaus Hollar, Prospect of the Lower Part of Tangier, 1673, etching on cream laid paper, 6 3/8 in. x 9 7/16 in. (16.19 cm x 23.97 cm Stock Photo

RM2B0C3P6–Wenceslaus Hollar, Prospect of the Lower Part of Tangier, 1673, etching on cream laid paper, 6 3/8 in. x 9 7/16 in. (16.19 cm x 23.97 cm

Art inspired by Sieve, 580–640, Made in Thebes, Byzantine Egypt, Coptic, Palm leaf and fiber, Overall: 7 11/16 x 9 1/8 x 2 5/16 in. (19.6 x 23.2 x 5.8 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0932–Art inspired by Sieve, 580–640, Made in Thebes, Byzantine Egypt, Coptic, Palm leaf and fiber, Overall: 7 11/16 x 9 1/8 x 2 5/16 in. (19.6 x 23.2 x 5.8 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Sampan. Artist: Unknown. Dimensions: 23.6 x 19.3 cm (9 5/16 x 7 5/8 in.). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPPP7B0–Sampan. Artist: Unknown. Dimensions: 23.6 x 19.3 cm (9 5/16 x 7 5/8 in.). Date: 1870s. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Two Chinese Men in Matching Traditional Dress, 1870s, Albumen silver print from glass negative, 23.6 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4P26–Art inspired by Two Chinese Men in Matching Traditional Dress, 1870s, Albumen silver print from glass negative, 23.6 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. English: Creation Date: ca. 1820-1840 Display Dimensions: 12 19/32 in. x 8 21/32 in. (32 cm x 22 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.829 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:07:23. English: thesandiegomuseumofartcollection 776 Krishna flutes beneath a tree (6124517151) Stock Photo

RMMP3J4J–. English: Creation Date: ca. 1820-1840 Display Dimensions: 12 19/32 in. x 8 21/32 in. (32 cm x 22 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.829 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:07:23. English: thesandiegomuseumofartcollection 776 Krishna flutes beneath a tree (6124517151)

Inspired by Garden Landscape, Ernest Lawson, American, 1873-1939, Oil on canvas, ca. 1915, 19 15/16 x 23 7/8 in., 50.6 x 60.6 cm, American, American artist, American Impressionism, Canvas, early 20th century art, Ernest, Ernest Lawson, floral, flowers, garden, Grass, greenery, Impressionism, in bloom, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK50F7–Inspired by Garden Landscape, Ernest Lawson, American, 1873-1939, Oil on canvas, ca. 1915, 19 15/16 x 23 7/8 in., 50.6 x 60.6 cm, American, American artist, American Impressionism, Canvas, early 20th century art, Ernest, Ernest Lawson, floral, flowers, garden, Grass, greenery, Impressionism, in bloom, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

. English: Creation Date: ca. 1790 Display Dimensions: 11 23/32 in. x 7 19/32 in. (29.8 cm x 19.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.692 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:23. English: thesandiegomuseumofartcollection 1044 Rawat Jaswant Singh attends the shrine of Sri Nathji (6125100530) Stock Photo

RMMNTP4N–. English: Creation Date: ca. 1790 Display Dimensions: 11 23/32 in. x 7 19/32 in. (29.8 cm x 19.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.692 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:23. English: thesandiegomuseumofartcollection 1044 Rawat Jaswant Singh attends the shrine of Sri Nathji (6125100530)

Art inspired by Bench, ca. 1865, Made in New York, New York, United States, American, Beech, 23 3/4 x 23 7/8 x 19 1/4 in. (60.3 x 60.6 x 48.9 cm), Furniture, Alexander Roux (1813–1886, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW26NT–Art inspired by Bench, ca. 1865, Made in New York, New York, United States, American, Beech, 23 3/4 x 23 7/8 x 19 1/4 in. (60.3 x 60.6 x 48.9 cm), Furniture, Alexander Roux (1813–1886, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Sigil. stapule. de. sancto. botulfo. Visual Material information: Title: Sigil. stapule. de. sancto. botulfo. ; 19.23.1.g. Place of publication: [London ?] Publisher: [J. Nichols ?]., Date of publication: [1804 ?] Item type: 1 print Medium: etching Dimensions: sheet 11.6 x 8.3 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HBJH–Sigil. stapule. de. sancto. botulfo. Visual Material information: Title: Sigil. stapule. de. sancto. botulfo. ; 19.23.1.g. Place of publication: [London ?] Publisher: [J. Nichols ?]., Date of publication: [1804 ?] Item type: 1 print Medium: etching Dimensions: sheet 11.6 x 8.3 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820

Art inspired by The Virgin of Guadalupe, ca. 1918–19, Oil and charcoal on paperboard, 31 7/8 x 23 7/8 in. (81 x 60.6 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine), Not long after his return to the United States from Germany, Hartley ventured to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9323–Art inspired by The Virgin of Guadalupe, ca. 1918–19, Oil and charcoal on paperboard, 31 7/8 x 23 7/8 in. (81 x 60.6 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine), Not long after his return to the United States from Germany, Hartley ventured to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Karnak from Egypt and Nubia, Volume II: Karnak, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.4 x 43.6 cm (23 3/4 x 17 3/16 in.); image: 48.8 x 32.7 cm (19 3/16 x 12 7/8 in.) Stock Photo

RM2B8KYY5–Karnak from Egypt and Nubia, Volume II: Karnak, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.4 x 43.6 cm (23 3/4 x 17 3/16 in.); image: 48.8 x 32.7 cm (19 3/16 x 12 7/8 in.)

Art inspired by River and Rocks, 1873–77, Oil on canvas, 19 5/8 x 23 7/8 in. (49.8 x 60.6 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), This picture dates to the last years of Courbet’s life, from 1873 to 1877, which he spent as an expatriate in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY0WJ–Art inspired by River and Rocks, 1873–77, Oil on canvas, 19 5/8 x 23 7/8 in. (49.8 x 60.6 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), This picture dates to the last years of Courbet’s life, from 1873 to 1877, which he spent as an expatriate in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Drawing, Stage Design: Bedroom with alcove; Italy; pen and brown ink, brush and gray wash on white laid paper; 23.8 x 19.3 cm (9 3/8 x 7 5/8 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Stock Photo

RM2PMDKTT–Drawing, Stage Design: Bedroom with alcove; Italy; pen and brown ink, brush and gray wash on white laid paper; 23.8 x 19.3 cm (9 3/8 x 7 5/8 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Art inspired by Garden Landscape, Ernest Lawson, American, 1873-1939, Oil on canvas, ca. 1915, 19 15/16 x 23 7/8 in., 50.6 x 60.6 cm, American, American artist, American Impressionism, Canvas, early 20th century art, Ernest, Ernest Lawson, floral, flowers, garden, Grass, greenery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK6PE–Art inspired by Garden Landscape, Ernest Lawson, American, 1873-1939, Oil on canvas, ca. 1915, 19 15/16 x 23 7/8 in., 50.6 x 60.6 cm, American, American artist, American Impressionism, Canvas, early 20th century art, Ernest, Ernest Lawson, floral, flowers, garden, Grass, greenery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2RF34GH–'John Downman, Portrait of a Woman in Profile, 1791, black chalk and watercolor, image (oval): 23.3 x 19.8 cm (9 3/16 x 7 13/16 in.) sheet: 25.5 x 20.6 cm (10 1/16 x 8 1/8 in.), Ailsa Mellon Bruce Collection, 1970.17.147'

Art inspired by Tankard, 1700–1730, Made in New York, New York, United States, American, Silver, Overall: 6 1/2 x 7 5/8 in. (16.5 x 19.4 cm); 23 oz. 17 dwt. (742.2 g), Silver, Bartholomew Schaats (American, Schenectady, New York ca. 1683–1758 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2H2E–Art inspired by Tankard, 1700–1730, Made in New York, New York, United States, American, Silver, Overall: 6 1/2 x 7 5/8 in. (16.5 x 19.4 cm); 23 oz. 17 dwt. (742.2 g), Silver, Bartholomew Schaats (American, Schenectady, New York ca. 1683–1758 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Tynemouth, Northumberland. Sailing ships on the sea; a cliff face with ruins in the middle ground; small buildings to the right; a cloudy sky above. . Tynemouth, Northumberland. / Edward Dayes pinxt ; F.J. Sarjent Fecit. London : Publisher July 19 1810 by F.J. Sarjent 57 Upper John Street, Fitzroy Square. Successor to Mr F. Jukes. 1 print : aquatint and etching with hand-colouring ; plate 26.7 x 36 cm, on sheet 28.6 x 40.8 cm. Source: Maps K.Top.33.23.f. Author: DAYES, EDWARD. Sarjent, Francis James. Stock Photo

RMR52TJK–Tynemouth, Northumberland. Sailing ships on the sea; a cliff face with ruins in the middle ground; small buildings to the right; a cloudy sky above. . Tynemouth, Northumberland. / Edward Dayes pinxt ; F.J. Sarjent Fecit. London : Publisher July 19 1810 by F.J. Sarjent 57 Upper John Street, Fitzroy Square. Successor to Mr F. Jukes. 1 print : aquatint and etching with hand-colouring ; plate 26.7 x 36 cm, on sheet 28.6 x 40.8 cm. Source: Maps K.Top.33.23.f. Author: DAYES, EDWARD. Sarjent, Francis James.

Art inspired by Essempio di recammi, page 23 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW18JT–Art inspired by Essempio di recammi, page 23 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Bench MET 192557 461 Maker: Alexander Roux, 1813?1886, Bench, ca. 1865, Beech, 23 3/4 x 23 7/8 x 19 1/4 in. (60.3 x 60.6 x 48.9 cm). The Metropolitan Museum of Art, New York. Purchase, The Edgar J. Kaufmann Foundation Gift, 1969 (69.108) Stock Photo

RMKNJ0RE–Bench MET 192557 461 Maker: Alexander Roux, 1813?1886, Bench, ca. 1865, Beech, 23 3/4 x 23 7/8 x 19 1/4 in. (60.3 x 60.6 x 48.9 cm). The Metropolitan Museum of Art, New York. Purchase, The Edgar J. Kaufmann Foundation Gift, 1969 (69.108)

Ottoman, American, ca. 1840, American, Mahogany, 13 1/2 x 23 1/2 x 19 1/8 in. (34.3 x 59.7 x 48.6 cm), Furniture Stock Photo

RM2B0H3W4–Ottoman, American, ca. 1840, American, Mahogany, 13 1/2 x 23 1/2 x 19 1/8 in. (34.3 x 59.7 x 48.6 cm), Furniture

Bench MET 192556 461 Maker: Alexander Roux, 1813?1886, Bench, ca. 1865, Beech, 23 3/4 x 23 7/8 x 19 1/4 in. (60.3 x 60.6 x 48.9 cm). The Metropolitan Museum of Art, New York. Purchase, The Edgar J. Kaufmann Foundation Gift, 1969 (69.108) Stock Photo

RMKNJ0JG–Bench MET 192556 461 Maker: Alexander Roux, 1813?1886, Bench, ca. 1865, Beech, 23 3/4 x 23 7/8 x 19 1/4 in. (60.3 x 60.6 x 48.9 cm). The Metropolitan Museum of Art, New York. Purchase, The Edgar J. Kaufmann Foundation Gift, 1969 (69.108)

Design for window. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 23 x 19 1/8 in. (58.4 x 48.6 cm) Other (Design): 12 7/16 x 10 3/8 in. (31.6 x 26.3 cm). Maker: Tiffany Studios (1902-32). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAJM93–Design for window. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 23 x 19 1/8 in. (58.4 x 48.6 cm) Other (Design): 12 7/16 x 10 3/8 in. (31.6 x 26.3 cm). Maker: Tiffany Studios (1902-32). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Bench MET ADA3657 461 Maker: Alexander Roux, 1813?1886, Bench, ca. 1865, Beech, 23 3/4 x 23 7/8 x 19 1/4 in. (60.3 x 60.6 x 48.9 cm). The Metropolitan Museum of Art, New York. Purchase, The Edgar J. Kaufmann Foundation Gift, 1969 (69.108) Stock Photo

RMKNDFRN–Bench MET ADA3657 461 Maker: Alexander Roux, 1813?1886, Bench, ca. 1865, Beech, 23 3/4 x 23 7/8 x 19 1/4 in. (60.3 x 60.6 x 48.9 cm). The Metropolitan Museum of Art, New York. Purchase, The Edgar J. Kaufmann Foundation Gift, 1969 (69.108)

Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photo

RMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229

Q27950069 . Español: Anónimo (atrib. ant.: Díaz de la Peña), Bacanal. Siglo XIX. 19 x 23,5 cm, con marco: 33,5 x 39 x 4,5 x 8 cm, óleo sobre tabla. Inv. 2088. . 6 June 2015. Unknown 160 Bacanal Stock Photo

RMP5NE2B–Q27950069 . Español: Anónimo (atrib. ant.: Díaz de la Peña), Bacanal. Siglo XIX. 19 x 23,5 cm, con marco: 33,5 x 39 x 4,5 x 8 cm, óleo sobre tabla. Inv. 2088. . 6 June 2015. Unknown 160 Bacanal

TYNEMOUTH, NORTHUMBERLAND. Author Sarjent, Francis James 33.23.f. Place of publication: London Publisher: Publisher July 19 1810 by F.J. Sarjent 57 Upper John Street, Fitzroy Square. Successor to Mr F. Jukes., Date of publication: [July 19 1810] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: plate 26.7 x 36 cm, on sheet 28.6 x 40.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HMAR–TYNEMOUTH, NORTHUMBERLAND. Author Sarjent, Francis James 33.23.f. Place of publication: London Publisher: Publisher July 19 1810 by F.J. Sarjent 57 Upper John Street, Fitzroy Square. Successor to Mr F. Jukes., Date of publication: [July 19 1810] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: plate 26.7 x 36 cm, on sheet 28.6 x 40.8 cm Former owner: George III, King of Great Britain, 1738-1820

Karnak from Egypt and Nubia, Volume II: Karnak, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43.5 x 60.2 cm (17 1/8 x 23 11/16 in.); image: 32.6 x 48.9 cm (12 13/16 x 19 1/4 in.) Stock Photo

RM2B8M0MH–Karnak from Egypt and Nubia, Volume II: Karnak, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43.5 x 60.2 cm (17 1/8 x 23 11/16 in.); image: 32.6 x 48.9 cm (12 13/16 x 19 1/4 in.)

Object ID #18541883; Italy; pen and black ink, gray wash, traces of graphite, ruled border in pen and brown support: white laid paper; 28.6 x 23.8 cm (11 1/4 x 9 3/8 in.) image: 24.4 x 19.5 Mat: 45.7 x 35.6 cm (18 x 14 in.) Stock Photo

RM2PMG47D–Object ID #18541883; Italy; pen and black ink, gray wash, traces of graphite, ruled border in pen and brown support: white laid paper; 28.6 x 23.8 cm (11 1/4 x 9 3/8 in.) image: 24.4 x 19.5 Mat: 45.7 x 35.6 cm (18 x 14 in.)

'John Downman, Portrait of a Woman with a Blue Sash, 1791, black chalk and watercolor, image (oval): 23.2 x 19.6 cm (9 1/8 x 7 11/16 in.) sheet: 25.6 x 20.6 cm (10 1/16 x 8 1/8 in.), Ailsa Mellon Bruce Collection, 1970.17.148' Stock Photo

RM2RF34GN–'John Downman, Portrait of a Woman with a Blue Sash, 1791, black chalk and watercolor, image (oval): 23.2 x 19.6 cm (9 1/8 x 7 11/16 in.) sheet: 25.6 x 20.6 cm (10 1/16 x 8 1/8 in.), Ailsa Mellon Bruce Collection, 1970.17.148'

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863–1961); USA; brush and gouache, watercolor on paper mounted on tan illustration board; Image: 28.7 x 15.6 cm (11 5/16 x 6 1/8 in.) Sheet (irregular): 23.2 x 19.8 cm (9 1/8 x 7 13/16 in.) Stock Photo

RM2PMDR3F–Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863–1961); USA; brush and gouache, watercolor on paper mounted on tan illustration board; Image: 28.7 x 15.6 cm (11 5/16 x 6 1/8 in.) Sheet (irregular): 23.2 x 19.8 cm (9 1/8 x 7 13/16 in.)

Art inspired by Essempio di recammi, page 23 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW18GM–Art inspired by Essempio di recammi, page 23 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Drawing, Design for Stained Glass Window: Skylight in Lodge Rooms; Designed by Alice Cordelia Morse (American, 1863–1961); USA; brush and wash, gouache, graphite on paper mounted on tan illustration board; Image: 19 x 13.3 cm (7 1/2 x 5 1/4 in.) Sheet: 23.4 x 15.6 cm (9 3/16 x 6 1/8 in.) Stock Photo

RM2PMG4BK–Drawing, Design for Stained Glass Window: Skylight in Lodge Rooms; Designed by Alice Cordelia Morse (American, 1863–1961); USA; brush and wash, gouache, graphite on paper mounted on tan illustration board; Image: 19 x 13.3 cm (7 1/2 x 5 1/4 in.) Sheet: 23.4 x 15.6 cm (9 3/16 x 6 1/8 in.)

Maker's mark RG, star above, probably Roger Grange, English, Two-Handled Cup and Cover, 1686/87, Silver, 7 13/16 x 9 3/8 x 6 in. (19.8 x 23.8 x 15.2 cm Stock Photo

RM2B0GJ6W–Maker's mark RG, star above, probably Roger Grange, English, Two-Handled Cup and Cover, 1686/87, Silver, 7 13/16 x 9 3/8 x 6 in. (19.8 x 23.8 x 15.2 cm

Art inspired by Reaching Waves, 1929, Oil and aluminum paint on canvas, 19 7/8 x 23 7/8 in. (50.5 x 60.6 cm), Paintings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), In early 1929, Dove and his partner, artist Helen Torr, lived in a waterside cottage, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0EFD–Art inspired by Reaching Waves, 1929, Oil and aluminum paint on canvas, 19 7/8 x 23 7/8 in. (50.5 x 60.6 cm), Paintings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), In early 1929, Dove and his partner, artist Helen Torr, lived in a waterside cottage, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Lamentation of Christ under the Cross (torn disc), Originally a woodcut for Ulrich Pinder, Speculum passionis, Nuremberg 1507, 1519 edition, Hans Schäufelin (Upper Rhine around 1482/83 - 1539/40 Nördlingen), 1507 (1519 edition), print, woodcut, Pen in brown, verso type print, sheet: 23.8 x 19.6 cm Stock Photo

RM2T8P59C–The Lamentation of Christ under the Cross (torn disc), Originally a woodcut for Ulrich Pinder, Speculum passionis, Nuremberg 1507, 1519 edition, Hans Schäufelin (Upper Rhine around 1482/83 - 1539/40 Nördlingen), 1507 (1519 edition), print, woodcut, Pen in brown, verso type print, sheet: 23.8 x 19.6 cm

Art inspired by Coffeepot, ca. 1830, Made in Philadelphia, Pennsylvania, United States, American, silver, 9 1/8 x 13 5/8 x 5 1/2 in. (23.2 x 34.6 x 14 cm) 37 oz. 19 dwt (1181 g), Silver, Robert and William Wilson (active ca. 1825–ca6, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2RY2–Art inspired by Coffeepot, ca. 1830, Made in Philadelphia, Pennsylvania, United States, American, silver, 9 1/8 x 13 5/8 x 5 1/2 in. (23.2 x 34.6 x 14 cm) 37 oz. 19 dwt (1181 g), Silver, Robert and William Wilson (active ca. 1825–ca6, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Medea Kills her Two Children. Artist: René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers); After Leonard Thiry (Netherlandish, active Fontainebleau ca. 1536-1550). Dimensions: sheet: 7 5/8 x 11 1/2 in. (19.3 x 29.2 cm) plate: 6 1/4 x 9 3/16 in. (15.8 x 23.4 cm). Series/Portfolio: Jason and the Golden Fleece. Date: 1563. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFCADR–Medea Kills her Two Children. Artist: René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers); After Leonard Thiry (Netherlandish, active Fontainebleau ca. 1536-1550). Dimensions: sheet: 7 5/8 x 11 1/2 in. (19.3 x 29.2 cm) plate: 6 1/4 x 9 3/16 in. (15.8 x 23.4 cm). Series/Portfolio: Jason and the Golden Fleece. Date: 1563. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Plate Ten from Nouveavx Desseins D’Arquebvseries, dated 1744, French, Engraving, sheet: 11 7/8 x 9 1/8 in. (30.16 x 23.17 cm); plate: 8 1/2 x 6 3/8 in. (21.59 x 16.19 cm), Works on Paper-Engravings, The pattern book to which this plate belongs was among the most, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9E5B–Art inspired by Plate Ten from Nouveavx Desseins D’Arquebvseries, dated 1744, French, Engraving, sheet: 11 7/8 x 9 1/8 in. (30.16 x 23.17 cm); plate: 8 1/2 x 6 3/8 in. (21.59 x 16.19 cm), Works on Paper-Engravings, The pattern book to which this plate belongs was among the most, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on wood; overall: 26.6 x 35.1 cm (10 1/2 x 13 13/16 in.) framed: 42.2 x 49.9 cm (16 5/8 x 19 5/8 in.); 23 The Races A21252 Stock Photo

RMP01MDX–Painting; oil on wood; overall: 26.6 x 35.1 cm (10 1/2 x 13 13/16 in.) framed: 42.2 x 49.9 cm (16 5/8 x 19 5/8 in.); 23 The Races A21252

Art inspired by Teapot, 1770–95, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 5 1/2 x 9 1/8 x 4 13/16 in. (14 x 23.2 x 12.2 cm); 19 oz. 6 dwt. (600 g), Silver, John Letelier Sr. (ca. 1740–1798, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2HMH–Art inspired by Teapot, 1770–95, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 5 1/2 x 9 1/8 x 4 13/16 in. (14 x 23.2 x 12.2 cm); 19 oz. 6 dwt. (600 g), Silver, John Letelier Sr. (ca. 1740–1798, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Deutsch: 'Friedrich Wilhelm IV. Koenig von Preussen.' Lithographie von C. Paalzow. Berlin, letztes Viertel des 19. Jahrhunderts. 33,6 x 23,8 cm (Bild). . last quarter of 19th century. designed and printed by C. Paalzow file: James Steakley Friedrich Wilhelm IV. (Paalzow) Stock Photo

RMMMKNDX–. Deutsch: 'Friedrich Wilhelm IV. Koenig von Preussen.' Lithographie von C. Paalzow. Berlin, letztes Viertel des 19. Jahrhunderts. 33,6 x 23,8 cm (Bild). . last quarter of 19th century. designed and printed by C. Paalzow file: James Steakley Friedrich Wilhelm IV. (Paalzow)

Art inspired by Plate Six from Nouveavx Desseins D’Arquebvseries, dated 1749, French, Engraving, sheet: 11 7/8 x 9 in. (30.16 x 22.86 cm); plate: 9 1/8 x 6 3/8 in. (23.17 x 16.19 cm), Works on Paper-Engravings, The pattern book to which this plate belongs was among the most influential, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9E36–Art inspired by Plate Six from Nouveavx Desseins D’Arquebvseries, dated 1749, French, Engraving, sheet: 11 7/8 x 9 in. (30.16 x 22.86 cm); plate: 9 1/8 x 6 3/8 in. (23.17 x 16.19 cm), Works on Paper-Engravings, The pattern book to which this plate belongs was among the most influential, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on canvas; overall: 50.7 x 63 cm (19 15/16 x 24 13/16 in.) framed: 58.9 x 72.4 x 6 cm (23 3/16 x 28 1/2 x 2 3/8 in.); 502 Prize Bull E11433 Stock Photo

RMPC3BFG–Painting; oil on canvas; overall: 50.7 x 63 cm (19 15/16 x 24 13/16 in.) framed: 58.9 x 72.4 x 6 cm (23 3/16 x 28 1/2 x 2 3/8 in.); 502 Prize Bull E11433

Art inspired by Hudibras in Tribulation (Plate 6: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 5/8 x 9 5/16 in. (19.4 x 23.7 cm), Prints, After William Hogarth (British, London 1697–1764 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8440–Art inspired by Hudibras in Tribulation (Plate 6: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 5/8 x 9 5/16 in. (19.4 x 23.7 cm), Prints, After William Hogarth (British, London 1697–1764 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

LINCOLN'S INN FIELDS coming in from Gt Queen Street. Visual Material information: Title: LINCOLN'S INN FIELDS coming in from Gt Queen Street. 22.33. Place of publication: [London] Publisher: No 23 of ACKERMANN'S REPOSITORY of ARTS ,c, Pub Novr 1 1810 at 101 Strand London., Date of publication: [November 1 1810] Item type: 1 print Medium: etching and aquatint with hand-colouring Dimensions: sheet 13.6 x 19.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HFCB–LINCOLN'S INN FIELDS coming in from Gt Queen Street. Visual Material information: Title: LINCOLN'S INN FIELDS coming in from Gt Queen Street. 22.33. Place of publication: [London] Publisher: No 23 of ACKERMANN'S REPOSITORY of ARTS ,c, Pub Novr 1 1810 at 101 Strand London., Date of publication: [November 1 1810] Item type: 1 print Medium: etching and aquatint with hand-colouring Dimensions: sheet 13.6 x 19.8 cm Former owner: George III, King of Great Britain, 1738-1820

Art inspired by Nouveavx Desseins D'Arquebvseries, ca. 1705–49, Paris, French, Paris, Engravings, plate 1: sheet: 11 1/2 x 9 in. (29.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm); plate 2: sheet: 11 7/8 x 9 in. (30.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 (23.8 x 16.8 cm); plate 3, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW1KN2–Art inspired by Nouveavx Desseins D'Arquebvseries, ca. 1705–49, Paris, French, Paris, Engravings, plate 1: sheet: 11 1/2 x 9 in. (29.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm); plate 2: sheet: 11 7/8 x 9 in. (30.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 (23.8 x 16.8 cm); plate 3, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Karnac (Karnak) Egypt Egypt and Nubia, Volume II: Karnac, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.3 x 43.6 cm (23 3/4 x 17 3/16 in.); image: 48.7 x 32.7 cm (19 3/16 x 12 7/8 in.) Stock Photo

RM2B8KY26–Karnac (Karnak) Egypt Egypt and Nubia, Volume II: Karnac, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.3 x 43.6 cm (23 3/4 x 17 3/16 in.); image: 48.7 x 32.7 cm (19 3/16 x 12 7/8 in.)

Art inspired by The Feast of Herod, third quarter 17th century, British, Silk and metal thread on silk, H. 17 1/4 x W. 22 3/4 x D. 5/8 inches (43.8 x 57.8 x 1.6 cm); Framed: H. 19 x W. 23 1/2 x D. 1 1/4 (48.3 x 59.1 x 1.6 cm), Textiles-Embroidered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW9G3–Art inspired by The Feast of Herod, third quarter 17th century, British, Silk and metal thread on silk, H. 17 1/4 x W. 22 3/4 x D. 5/8 inches (43.8 x 57.8 x 1.6 cm); Framed: H. 19 x W. 23 1/2 x D. 1 1/4 (48.3 x 59.1 x 1.6 cm), Textiles-Embroidered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

'Albert Besnard, Madeleine Lemaire, 1900, etching and aquatint on laid paper, plate: 17.7 x 23.1 cm (6 15/16 x 9 1/8 in.) sheet: 34.4 x 50 cm (13 9/16 x 19 11/16 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.59.24' Stock Photo

RM2RAGHDC–'Albert Besnard, Madeleine Lemaire, 1900, etching and aquatint on laid paper, plate: 17.7 x 23.1 cm (6 15/16 x 9 1/8 in.) sheet: 34.4 x 50 cm (13 9/16 x 19 11/16 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.59.24'

Inspired by Pinning the Hat, Le Chapeau épinglé, Pierre-Auguste Renoir, French, 1841-1919, Color lithograph on MBM laid paper, France, 1898, Image: 23 7/8 x 19 in., 60.6 x 48.3 cm, 19th Century, fashion, French, girl, hat, Impressionism, lithograph, Renoir, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK50HX–Inspired by Pinning the Hat, Le Chapeau épinglé, Pierre-Auguste Renoir, French, 1841-1919, Color lithograph on MBM laid paper, France, 1898, Image: 23 7/8 x 19 in., 60.6 x 48.3 cm, 19th Century, fashion, French, girl, hat, Impressionism, lithograph, Renoir, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Print, Three Friezes and Ornamen; After M[ichel?] Pourchet (1805); Printed by Gottfried Engelmann (1788 – 1839); Published by Desflorennes; France; lithograph support: white wove paper; 36.4 x 26.9 cm (14 5/16 x 10 9/16 in.) Platemark/repeat: 23.8 x 19.8 cm (9 3/8 x 7 13/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Stock Photo

RM2PMFMBT–Print, Three Friezes and Ornamen; After M[ichel?] Pourchet (1805); Printed by Gottfried Engelmann (1788 – 1839); Published by Desflorennes; France; lithograph support: white wove paper; 36.4 x 26.9 cm (14 5/16 x 10 9/16 in.) Platemark/repeat: 23.8 x 19.8 cm (9 3/8 x 7 13/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Art inspired by Mr. T. P. Cooke as Newton Foster, 19th century, Watercolor, pen and black ink, over graphite, sheet: 9 5/16 x 7 5/8 in. (23.6 x 19.3 cm), Drawings, Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6N19–Art inspired by Mr. T. P. Cooke as Newton Foster, 19th century, Watercolor, pen and black ink, over graphite, sheet: 9 5/16 x 7 5/8 in. (23.6 x 19.3 cm), Drawings, Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Five O'Clock, The World's Fair IV MET DP165309 383691 Artist: F?lix Vallotton, Swiss, Lausanne 1865?1925 Paris, Five O'Clock, The World's Fair IV, 1901, Woodcut on tinted Japan paper, Sheet: 11 5/8 x 9 1/4 in. (29.5 x 23.5 cm) Image: 6 1/2 x 4 13/16 in. (16.5 x 12.3 cm) Plate: 7 7/16 x 5 3/8 in. (18.9 x 13.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1919 (19.63.2) Stock Photo

RMKNXB26–Five O'Clock, The World's Fair IV MET DP165309 383691 Artist: F?lix Vallotton, Swiss, Lausanne 1865?1925 Paris, Five O'Clock, The World's Fair IV, 1901, Woodcut on tinted Japan paper, Sheet: 11 5/8 x 9 1/4 in. (29.5 x 23.5 cm) Image: 6 1/2 x 4 13/16 in. (16.5 x 12.3 cm) Plate: 7 7/16 x 5 3/8 in. (18.9 x 13.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1919 (19.63.2)

Visitation of Mary, anonymous, after 1721, drawing, red chalk, stylized, 23.6 x 19.8 cm, below bottom: Albert von Sachsen-Teschen Stock Photo

RM2T8MGW7–Visitation of Mary, anonymous, after 1721, drawing, red chalk, stylized, 23.6 x 19.8 cm, below bottom: Albert von Sachsen-Teschen

Art inspired by Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, black ink, and graphite on paper mounted on board, Overall: 23 x 19 1/8 in. (58.4 x 48.6 cm), Drawings, Tiffany Studios (1902–32, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9JDD–Art inspired by Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, black ink, and graphite on paper mounted on board, Overall: 23 x 19 1/8 in. (58.4 x 48.6 cm), Drawings, Tiffany Studios (1902–32, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Garden Landscape, Ernest Lawson, American, 1873-1939, Oil on canvas, ca. 1915, 19 15/16 x 23 7/8 in., 50.6 x 60.6 cm, American, American artist, American Impressionism, Canvas, early 20th century art, Ernest, Ernest Lawson, floral, flowers, garden, Grass, greenery, Impressionism, in bloom, landscape, Lawson, Meadow, Nature, Oil, painterly, painting, plants, red, sky, Soil, spring, trees Stock Photo

RM2HB25MA–Garden Landscape, Ernest Lawson, American, 1873-1939, Oil on canvas, ca. 1915, 19 15/16 x 23 7/8 in., 50.6 x 60.6 cm, American, American artist, American Impressionism, Canvas, early 20th century art, Ernest, Ernest Lawson, floral, flowers, garden, Grass, greenery, Impressionism, in bloom, landscape, Lawson, Meadow, Nature, Oil, painterly, painting, plants, red, sky, Soil, spring, trees

Hudibras in Tribulation (Plate 6: Illustrations to Samuel Butler's Hudibras). Artist: After William Hogarth (British, London 1697-1764 London). Author: Illustrates Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Dimensions: Plate: 7 5/8 x 9 5/16 in. (19.4 x 23.7 cm) Sheet: 8 1/8 x 10 15/16 in. (20.7 x 27.8 cm). Publisher: Henry Overton and J. Hoole (London). Date: 1725-30 (?). Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1APP–Hudibras in Tribulation (Plate 6: Illustrations to Samuel Butler's Hudibras). Artist: After William Hogarth (British, London 1697-1764 London). Author: Illustrates Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Dimensions: Plate: 7 5/8 x 9 5/16 in. (19.4 x 23.7 cm) Sheet: 8 1/8 x 10 15/16 in. (20.7 x 27.8 cm). Publisher: Henry Overton and J. Hoole (London). Date: 1725-30 (?). Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Pinning the Hat, Le Chapeau épinglé, Pierre-Auguste Renoir, French, 1841-1919, Color lithograph on MBM laid paper, France, 1898, Image: 23 7/8 x 19 in., 60.6 x 48.3 cm, 19th Century, fashion, French, girl, hat, Impressionism, lithograph, Renoir, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK6PY–Art inspired by Pinning the Hat, Le Chapeau épinglé, Pierre-Auguste Renoir, French, 1841-1919, Color lithograph on MBM laid paper, France, 1898, Image: 23 7/8 x 19 in., 60.6 x 48.3 cm, 19th Century, fashion, French, girl, hat, Impressionism, lithograph, Renoir, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Portrait of John Hancock, engraved by Joseph Hiller. Material(s): paper, ink. Measurements: Sheet: 10.2362 x 7.7953 in.; 26 x 19.8 cm; Image: 9.0551 x 7.7953 in.; 23 x 19.8 cm. Date Made: circa 1775. 6 1770s JohnHancock byJosephHiller NMAH Stock Photo

RMMMNTF0–. Portrait of John Hancock, engraved by Joseph Hiller. Material(s): paper, ink. Measurements: Sheet: 10.2362 x 7.7953 in.; 26 x 19.8 cm; Image: 9.0551 x 7.7953 in.; 23 x 19.8 cm. Date Made: circa 1775. 6 1770s JohnHancock byJosephHiller NMAH

A Female figure adorn'd with the Wings of an Angel in her right hand is a spear in the left she holds a shield, treading the red dragon under her feet, taken from Ancient stain'd Glass in the North Window of Manton Author Fowler, William 19.48. Place of publication: [Winterton] Publisher: Pubd by Wm Fowler, Winterton, Date of publication: Octr 20th 1803. Item type: 1 print Medium: etching with hand-colouring Dimensions: platemark 17.3 x 13.6 cm, on sheet 23.8 x 16.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HCEA–A Female figure adorn'd with the Wings of an Angel in her right hand is a spear in the left she holds a shield, treading the red dragon under her feet, taken from Ancient stain'd Glass in the North Window of Manton Author Fowler, William 19.48. Place of publication: [Winterton] Publisher: Pubd by Wm Fowler, Winterton, Date of publication: Octr 20th 1803. Item type: 1 print Medium: etching with hand-colouring Dimensions: platemark 17.3 x 13.6 cm, on sheet 23.8 x 16.7 cm Former owner: George III, King of Great Britain, 1738-1820

Taut Bruno (1880-1938), Schillerpark settlement in Berlin-Wedding (1924-1924): Bristolstraße 19-23, Block 14: Grundriss eG 1:50. Pencil, colored pencil over a break on paper, 47.6 x 128.8 cm (including scan edges) Taut Bruno (1880-1938): Siedlung Schillerpark, Berlin-Wedding Stock Photo

RM2JMTAE4–Taut Bruno (1880-1938), Schillerpark settlement in Berlin-Wedding (1924-1924): Bristolstraße 19-23, Block 14: Grundriss eG 1:50. Pencil, colored pencil over a break on paper, 47.6 x 128.8 cm (including scan edges) Taut Bruno (1880-1938): Siedlung Schillerpark, Berlin-Wedding

General View of Karnak, Egypt from Egypt and Nubia, Volume II: Karnak, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.3 x 43.6 cm (23 3/4 x 17 3/16 in.); image: 48.8 x 32.7 cm (19 3/16 x 12 7/8 in.). Stock Photo

RM2B8KTY0–General View of Karnak, Egypt from Egypt and Nubia, Volume II: Karnak, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.3 x 43.6 cm (23 3/4 x 17 3/16 in.); image: 48.8 x 32.7 cm (19 3/16 x 12 7/8 in.).

Unknown photographer, monopteros (without dat.): garden architecture. Photo on cardboard, 19.8 x 23.6 cm (including scan edges) N.N. : Monopteros Stock Photo

RM2JN0EDM–Unknown photographer, monopteros (without dat.): garden architecture. Photo on cardboard, 19.8 x 23.6 cm (including scan edges) N.N. : Monopteros

'John Skippe after Sir Peter Paul Rubens, A Group of Monks and a Woman, 1780s, chiaroscuro woodcut printed from 4 blocks in green, olive, gray-brown, and brown on laid paper; laid down on album page, sheet: 37.4 x 23.1 cm (14 3/4 x 9 1/8 in.) support: 48.6 x 34.5 cm (19 1/8 x 13 9/16 in.), Ailsa Mellon Bruce Fund, 1996.9.6' Stock Photo

RM2REK32B–'John Skippe after Sir Peter Paul Rubens, A Group of Monks and a Woman, 1780s, chiaroscuro woodcut printed from 4 blocks in green, olive, gray-brown, and brown on laid paper; laid down on album page, sheet: 37.4 x 23.1 cm (14 3/4 x 9 1/8 in.) support: 48.6 x 34.5 cm (19 1/8 x 13 9/16 in.), Ailsa Mellon Bruce Fund, 1996.9.6'

Vogel E., half -timbered house (after 1911): View. Pencil watercolor on the box, 23.6 x 19.8 cm (including scan edges) Vogel E. : Fachwerkhaus Stock Photo

RM2JMW48G–Vogel E., half -timbered house (after 1911): View. Pencil watercolor on the box, 23.6 x 19.8 cm (including scan edges) Vogel E. : Fachwerkhaus

Drawing, The Music Party; L. Rossi (active in Germany and France, ca. 1850); brush and watercolor, white gouache, graphite on white wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 x 15 5/8 x 1 in.) Sheet: 30.8 x 23.6 cm (12 1/8 x 9 5/16 in.); Thaw Collection; 2007-27-46 Stock Photo

RM2PMC4AA–Drawing, The Music Party; L. Rossi (active in Germany and France, ca. 1850); brush and watercolor, white gouache, graphite on white wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 x 15 5/8 x 1 in.) Sheet: 30.8 x 23.6 cm (12 1/8 x 9 5/16 in.); Thaw Collection; 2007-27-46

The Wood Chopper, 1849. George Inness (American, 1825-1894). Oil on canvas; unframed: 50.5 x 60.6 cm (19 7/8 x 23 7/8 in.). Stock Photo

RM2H11DFN–The Wood Chopper, 1849. George Inness (American, 1825-1894). Oil on canvas; unframed: 50.5 x 60.6 cm (19 7/8 x 23 7/8 in.).

Eucharistic Dove MET DT4851 464324 French, Eucharistic Dove, ca. 1215?35, Copper: formed, engraved, chiseled, scraped, stippled, and gilt; champlev? enamel: dark and medium blue, red, yellow, turquoise, medium green and white; blue-black glass inset eyes., Overall: 7 1/2 x 7 13/16 x 2 13/16 in. (19 x 19.8 x 7.2 cm) with modern mount: 7 9/16 x 9 3/8 x 6 15/16 in. (19.2 x 23.8 x 17.7 cm) diameter of enameled inner circular base: 3 3/8 in. (8.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.344) Stock Photo

RMKNY9RC–Eucharistic Dove MET DT4851 464324 French, Eucharistic Dove, ca. 1215?35, Copper: formed, engraved, chiseled, scraped, stippled, and gilt; champlev? enamel: dark and medium blue, red, yellow, turquoise, medium green and white; blue-black glass inset eyes., Overall: 7 1/2 x 7 13/16 x 2 13/16 in. (19 x 19.8 x 7.2 cm) with modern mount: 7 9/16 x 9 3/8 x 6 15/16 in. (19.2 x 23.8 x 17.7 cm) diameter of enameled inner circular base: 3 3/8 in. (8.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.344)

G. de Cari, French, active 1820, Muséee Grotesque No. 19: L'avantage du faux coupet, c. 1820?, Hand-colored etching on paper, Overall: 6 5/8 x 9 3/16 in. (16.9 x 23.4 cm Stock Photo

RM2B0GH69–G. de Cari, French, active 1820, Muséee Grotesque No. 19: L'avantage du faux coupet, c. 1820?, Hand-colored etching on paper, Overall: 6 5/8 x 9 3/16 in. (16.9 x 23.4 cm

River and Rocks. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 19 5/8 x 23 7/8 in. (49.8 x 60.6 cm). Date: 1873-77. This picture dates to the last years of Courbet's life, from 1873 to 1877, which he spent as an expatriate in Switzerland. Like many landscapes that he produced at this time, it is a variation on the artist's earlier depictions of the beloved terrain of his native France. In order to pay his debts and to meet the growing demand for his work, Courbet often turned to members of his studio for assistance with such canvases. The present painting ha Stock Photo

RMPAKNCT–River and Rocks. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 19 5/8 x 23 7/8 in. (49.8 x 60.6 cm). Date: 1873-77. This picture dates to the last years of Courbet's life, from 1873 to 1877, which he spent as an expatriate in Switzerland. Like many landscapes that he produced at this time, it is a variation on the artist's earlier depictions of the beloved terrain of his native France. In order to pay his debts and to meet the growing demand for his work, Courbet often turned to members of his studio for assistance with such canvases. The present painting ha

Inspired by The Foal of Bethpage, L'ânon de Bethphagé, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 6 5/8 x 9 3/16 in., 16.8 x 23.3 cm, animal, biblical, donkey, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK466N–Inspired by The Foal of Bethpage, L'ânon de Bethphagé, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 6 5/8 x 9 3/16 in., 16.8 x 23.3 cm, animal, biblical, donkey, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RMMW6TR5–. Portrait of John Hancock, engraved by Joseph Hiller. Material(s): paper, ink. Measurements: Sheet: 10.2362 x 7.7953 in.; 26 x 19.8 cm; Image: 9.0551 x 7.7953 in.; 23 x 19.8 cm. Date Made: circa 1775. circa 1775. Hiller 6 1770s JohnHancock byJosephHiller NMAH

Drawing, The Salon in the Montpensier Wing, Palais Royal; Jules Frédéric Bouchet (French, 1799 – 1860); brush and watercolor, white gouache, graphite on tan wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.) Sheet: 16.5 x 23 cm (6 1/2 x 9 1/16 in.) ; Thaw Collection; 2007-27-11 Stock Photo

RM2PMC8Y7–Drawing, The Salon in the Montpensier Wing, Palais Royal; Jules Frédéric Bouchet (French, 1799 – 1860); brush and watercolor, white gouache, graphite on tan wove paper; Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.) Sheet: 16.5 x 23 cm (6 1/2 x 9 1/16 in.) ; Thaw Collection; 2007-27-11

Portrait of a Woman, 1762-1770. Giovanni Domenico Tiepolo (Italian, 1727-1804). Oil on canvas; unframed: 60.4 x 48.6 cm (23 3/4 x 19 1/8 in.). Stock Photo

RM2H10KH2–Portrait of a Woman, 1762-1770. Giovanni Domenico Tiepolo (Italian, 1727-1804). Oil on canvas; unframed: 60.4 x 48.6 cm (23 3/4 x 19 1/8 in.).

Eucharistic Dove MET sf17-190-344s7 464324 French, Eucharistic Dove, ca. 1215?35, Copper: formed, engraved, chiseled, scraped, stippled, and gilt; champlev? enamel: dark and medium blue, red, yellow, turquoise, medium green and white; blue-black glass inset eyes., Overall: 7 1/2 x 7 13/16 x 2 13/16 in. (19 x 19.8 x 7.2 cm) with modern mount: 7 9/16 x 9 3/8 x 6 15/16 in. (19.2 x 23.8 x 17.7 cm) diameter of enameled inner circular base: 3 3/8 in. (8.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.344) Stock Photo

RMKNY9RW–Eucharistic Dove MET sf17-190-344s7 464324 French, Eucharistic Dove, ca. 1215?35, Copper: formed, engraved, chiseled, scraped, stippled, and gilt; champlev? enamel: dark and medium blue, red, yellow, turquoise, medium green and white; blue-black glass inset eyes., Overall: 7 1/2 x 7 13/16 x 2 13/16 in. (19 x 19.8 x 7.2 cm) with modern mount: 7 9/16 x 9 3/8 x 6 15/16 in. (19.2 x 23.8 x 17.7 cm) diameter of enameled inner circular base: 3 3/8 in. (8.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.344)

Garden Landscape Ernest Lawson (American, 1873-1939). Garden Landscape, ca. 1915. Oil on canvas, 19 15/16 x 23 7/8 in. (50.6 x 60.6 cm). American Art ca. 1915 Stock Photo

RM2M92DFX–Garden Landscape Ernest Lawson (American, 1873-1939). Garden Landscape, ca. 1915. Oil on canvas, 19 15/16 x 23 7/8 in. (50.6 x 60.6 cm). American Art ca. 1915

Pieces (4), Portuguese, 17th century, Portuguese, Silk, a) 37 x 22 inches (94.0 x 55.9 cm); b) 23 x 19 inches (58.4 x 48.3 cm); c) 13 x 7 inches (33.0 x 17.8 cm); d) 7 x 2 1/2 inches (17.8 x 6.4 cm), Textiles-Woven Stock Photo

RM2B0J0G8–Pieces (4), Portuguese, 17th century, Portuguese, Silk, a) 37 x 22 inches (94.0 x 55.9 cm); b) 23 x 19 inches (58.4 x 48.3 cm); c) 13 x 7 inches (33.0 x 17.8 cm); d) 7 x 2 1/2 inches (17.8 x 6.4 cm), Textiles-Woven

Plate Ten from Nouveavx Desseins D'Arquebvseries. Culture: French. Dimensions: sheet: 11 7/8 x 9 1/8 in. (30.16 x 23.17 cm); plate: 8 1/2 x 6 3/8 in. (21.59 x 16.19 cm). Engraver: Signed by Gilles Demarteau (French, Liège 1722-1776 Paris). Date: dated 1744. The pattern book to which this plate belongs was among the most influential means by which the French fashion of firearms ornament spread throughout Europe and remained the leading style throughout the eighteenth century. Intended to be made in chiseled steel, cast silver, and carved wood, these designs demonstrate the playful and inventiv Stock Photo

RMPB0FTE–Plate Ten from Nouveavx Desseins D'Arquebvseries. Culture: French. Dimensions: sheet: 11 7/8 x 9 1/8 in. (30.16 x 23.17 cm); plate: 8 1/2 x 6 3/8 in. (21.59 x 16.19 cm). Engraver: Signed by Gilles Demarteau (French, Liège 1722-1776 Paris). Date: dated 1744. The pattern book to which this plate belongs was among the most influential means by which the French fashion of firearms ornament spread throughout Europe and remained the leading style throughout the eighteenth century. Intended to be made in chiseled steel, cast silver, and carved wood, these designs demonstrate the playful and inventiv

Art inspired by The Foal of Bethpage, L'ânon de Bethphagé, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 6 5/8 x 9 3/16 in., 16.8 x 23.3 cm, animal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKJN6K–Art inspired by The Foal of Bethpage, L'ânon de Bethphagé, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 6 5/8 x 9 3/16 in., 16.8 x 23.3 cm, animal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2M92DG1–Garden Landscape Ernest Lawson (American, 1873-1939). Garden Landscape, ca. 1915. Oil on canvas, 19 15/16 x 23 7/8 in. (50.6 x 60.6 cm). American Art ca. 1915

RMMX31K2–. Portrait of John Hancock, engraved by Joseph Hiller. Material(s): paper, ink. Measurements: Sheet: 10.2362 x 7.7953 in.; 26 x 19.8 cm; Image: 9.0551 x 7.7953 in.; 23 x 19.8 cm. Date Made: circa 1775. circa 1775. Hiller 6 1770s JohnHancock byJosephHiller NMAH

Drawing, An Elizabethan Room at Lyme Hall, Cheshire, 1872; Joseph Nash The Elder (British, 1808 - 1878); United Kingdom; brush and watercolor, gouache, graphite on thick white wove paper; Frame H x W x D: 60 x 75.6 x 2.5 cm (23 5/8 x 29 3/4 x 1 in.) Sheet: 33.3 x 48.4 cm (13 1/8 x 19 1/16 in.); Thaw Collection; 2007-27-67 Stock Photo

RM2PMCFEK–Drawing, An Elizabethan Room at Lyme Hall, Cheshire, 1872; Joseph Nash The Elder (British, 1808 - 1878); United Kingdom; brush and watercolor, gouache, graphite on thick white wove paper; Frame H x W x D: 60 x 75.6 x 2.5 cm (23 5/8 x 29 3/4 x 1 in.) Sheet: 33.3 x 48.4 cm (13 1/8 x 19 1/16 in.); Thaw Collection; 2007-27-67

Print, Orangeriee placé en Allées d'Arbres (Orangerie in Tree Paths), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds); Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 28.6 x 19.4 cm (11 1/4 x 7 5/8 in.) Stock Photo

RM2PMMG25–Print, Orangeriee placé en Allées d'Arbres (Orangerie in Tree Paths), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds); Designed by Daniel Marot (French, active in the Netherlands and England, 1661–1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 28.6 x 19.4 cm (11 1/4 x 7 5/8 in.)

Eucharistic Dove MET sf17-190-344s2 464324 French, Eucharistic Dove, ca. 1215?35, Copper: formed, engraved, chiseled, scraped, stippled, and gilt; champlev? enamel: dark and medium blue, red, yellow, turquoise, medium green and white; blue-black glass inset eyes., Overall: 7 1/2 x 7 13/16 x 2 13/16 in. (19 x 19.8 x 7.2 cm) with modern mount: 7 9/16 x 9 3/8 x 6 15/16 in. (19.2 x 23.8 x 17.7 cm) diameter of enameled inner circular base: 3 3/8 in. (8.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.344) Stock Photo

RMKNY9RE–Eucharistic Dove MET sf17-190-344s2 464324 French, Eucharistic Dove, ca. 1215?35, Copper: formed, engraved, chiseled, scraped, stippled, and gilt; champlev? enamel: dark and medium blue, red, yellow, turquoise, medium green and white; blue-black glass inset eyes., Overall: 7 1/2 x 7 13/16 x 2 13/16 in. (19 x 19.8 x 7.2 cm) with modern mount: 7 9/16 x 9 3/8 x 6 15/16 in. (19.2 x 23.8 x 17.7 cm) diameter of enameled inner circular base: 3 3/8 in. (8.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.344)

Six engravings and one map, 18th century, Ink on paper, 1. Overall: 23 x 30 in. (58.4 x 76.2 cm), 2. Overall: 19 x 23 in. (48.3 x 58.4 cm), 3. Overall: 19 x 23 in. (48.3 x 58.4 cm), 4. Overall: 19 x 23 in. (48.3 x 58.4 cm), 5. Overall: 13 1/2 x 17 3/4 in. (34.3 x 45.1 cm), 6. Overall: 18 1/2 x 11 3/4 in. (47 x 29.8 cm), 7. Overall: 21 3/4 x 24 1/2 in. (55.2 x 62.2 cm), Miscellaneous-Paintings Stock Photo

RM2B0N6TA–Six engravings and one map, 18th century, Ink on paper, 1. Overall: 23 x 30 in. (58.4 x 76.2 cm), 2. Overall: 19 x 23 in. (48.3 x 58.4 cm), 3. Overall: 19 x 23 in. (48.3 x 58.4 cm), 4. Overall: 19 x 23 in. (48.3 x 58.4 cm), 5. Overall: 13 1/2 x 17 3/4 in. (34.3 x 45.1 cm), 6. Overall: 18 1/2 x 11 3/4 in. (47 x 29.8 cm), 7. Overall: 21 3/4 x 24 1/2 in. (55.2 x 62.2 cm), Miscellaneous-Paintings

Nouveavx Desseins D'Arquebvseries. Culture: French, Paris. Dimensions: plate 1 (2016.403.1): sheet: 11 1/2 x 9 in. (29.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm); plate 2 (2016.403.2): sheet: 11 7/8 x 9 in. (30.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 (23.8 x 16.8 cm); plate 3 (2013.906): 10 1/2 x 7 1/2 in. (26.7 x 19.1 cm); plate 4 (2016.403.3): sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm); plate: 9 1/4 x 6 5/8 in. (23.5 x 16.8 cm); plate 5 (2016.409): sheet: 11 1/2 x 9 in. (29.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm); plate 6 (2016.311): sheet: 11 7/8 x 9 in. (30.16 x 22. Stock Photo

RMPAM578–Nouveavx Desseins D'Arquebvseries. Culture: French, Paris. Dimensions: plate 1 (2016.403.1): sheet: 11 1/2 x 9 in. (29.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm); plate 2 (2016.403.2): sheet: 11 7/8 x 9 in. (30.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 (23.8 x 16.8 cm); plate 3 (2013.906): 10 1/2 x 7 1/2 in. (26.7 x 19.1 cm); plate 4 (2016.403.3): sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm); plate: 9 1/4 x 6 5/8 in. (23.5 x 16.8 cm); plate 5 (2016.409): sheet: 11 1/2 x 9 in. (29.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm); plate 6 (2016.311): sheet: 11 7/8 x 9 in. (30.16 x 22.

1: 19 annular to round beads of opaque yellow glass. H: 0.3-0.6 Br: 0.5-0.8, 2: 23 cubic and doubleconical amber beads H: 0.6-1.4 Br, 0.3-1.3, 3: 12 annular to cylindrical beads of opaque stone red glass. H H: 0,6 and 0,7 Br: 1,0 and 0,9 11: 4 fragments of elongated double-cone beads of blue glass decorated with a white and red band. H: 0.9-1.4 Br: 0.6-0.8 12: 1 round bead of opaque stone red glass with w H: 0.9 Br: 0.8 19: 1 ring shaped bead of opaque white glass with light blue wave lines. H: 0.6 Br: 0.9, beads (99x), necklace, glass, organic, amber, 1.4 x 1.3 cm, vmeb 525-600, Netherlands Stock Photo

RM2B0FNF2–1: 19 annular to round beads of opaque yellow glass. H: 0.3-0.6 Br: 0.5-0.8, 2: 23 cubic and doubleconical amber beads H: 0.6-1.4 Br, 0.3-1.3, 3: 12 annular to cylindrical beads of opaque stone red glass. H H: 0,6 and 0,7 Br: 1,0 and 0,9 11: 4 fragments of elongated double-cone beads of blue glass decorated with a white and red band. H: 0.9-1.4 Br: 0.6-0.8 12: 1 round bead of opaque stone red glass with w H: 0.9 Br: 0.8 19: 1 ring shaped bead of opaque white glass with light blue wave lines. H: 0.6 Br: 0.9, beads (99x), necklace, glass, organic, amber, 1.4 x 1.3 cm, vmeb 525-600, Netherlands

Seated Male Figure, c. 200. Mexico, Jalisco, Zacatecas Style. Earthenware with colored slips; overall: 40.6 x 23.1 x 19.5 cm (16 x 9 1/8 x 7 11/16 in.). Stock Photo

RM2H10ME7–Seated Male Figure, c. 200. Mexico, Jalisco, Zacatecas Style. Earthenware with colored slips; overall: 40.6 x 23.1 x 19.5 cm (16 x 9 1/8 x 7 11/16 in.).

Mystery of Isis at Nysa, op. 176, Carl Anton Reichel, Wels 1874 - 1944 Vienna, 1916, print, drypoint, plate: 23.8 x 19.6 cm, l.l. 'Mystery of Isis at Nysa.'; r.u. 'Op. 176.'; verso: M.u. 'RR 44, Austria Stock Photo

RM2T8KFY4–Mystery of Isis at Nysa, op. 176, Carl Anton Reichel, Wels 1874 - 1944 Vienna, 1916, print, drypoint, plate: 23.8 x 19.6 cm, l.l. 'Mystery of Isis at Nysa.'; r.u. 'Op. 176.'; verso: M.u. 'RR 44, Austria

Inspired by The Sick Awaiting the Passage of Jesus, Les malades attendant le passage de Jésus, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 6 3/8 x 9 5/16 in, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK45MA–Inspired by The Sick Awaiting the Passage of Jesus, Les malades attendant le passage de Jésus, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 6 3/8 x 9 5/16 in, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Egypt, bowls, shards, earthenware, 1t, m 3, diam 13 xh 8.5 cm, 4 t, m 11, diam 23 xh 17 cm, 12 and 14, diam 15.5 xh 9 cm, 13, diam 13 xh 7 cm, 15, 7 x 9.5 cm, Ø = 22, 16, 10 x 9.5 cm, Ø = 16, 17, 6 x 11 cm, Ø = 18, 18, 10 x 13.5, cm, Ø = 16, 19, 6.5 x 6 cm, Ø = 12, 20, 4.5 x 2, cm, Ø = 12, 21, Meroitic Period, 2nd-4th century AD, Egypt Stock Photo

RM2B0DX1J–Egypt, bowls, shards, earthenware, 1t, m 3, diam 13 xh 8.5 cm, 4 t, m 11, diam 23 xh 17 cm, 12 and 14, diam 15.5 xh 9 cm, 13, diam 13 xh 7 cm, 15, 7 x 9.5 cm, Ø = 22, 16, 10 x 9.5 cm, Ø = 16, 17, 6 x 11 cm, Ø = 18, 18, 10 x 13.5, cm, Ø = 16, 19, 6.5 x 6 cm, Ø = 12, 20, 4.5 x 2, cm, Ø = 12, 21, Meroitic Period, 2nd-4th century AD, Egypt

Painting; oil on paperboard on wood; overall: 32.5 x 41.3 cm (12 13/16 x 16 1/4 in.) framed: 50.5 x 59.1 x 6.4 cm (19 7/8 x 23 1/4 x 2 1/2 in.); Young Girl Reading by Jean-Baptiste-Camille Corot c1868 Stock Photo

RMMMWPEM–Painting; oil on paperboard on wood; overall: 32.5 x 41.3 cm (12 13/16 x 16 1/4 in.) framed: 50.5 x 59.1 x 6.4 cm (19 7/8 x 23 1/4 x 2 1/2 in.); Young Girl Reading by Jean-Baptiste-Camille Corot c1868

Edelweiß, Marie Lippert-Hoerner (Vienna 1860 - 1932 Vienna), 1887, drawing, preliminary pencil drawing, watercolour, 23.6 x 30.6 cm (9 5/16 x 12 1/16 in.), r.l. '8/19/87 Stock Photo

RM2T8M8A0–Edelweiß, Marie Lippert-Hoerner (Vienna 1860 - 1932 Vienna), 1887, drawing, preliminary pencil drawing, watercolour, 23.6 x 30.6 cm (9 5/16 x 12 1/16 in.), r.l. '8/19/87

. English: Display Artist: Bhawani Das Creation Date: ca. 1710 Display Dimensions: 11 7/8 in. x 7 23/32 in. (30.2 cm x 19.6 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.365 Collection: The San Diego Museum of Art . 15 October 2001, 13:12:39. English: thesandiegomuseumofartcollection A Gathering of Princes (6124536215) Stock Photo

RMMMH3T5–. English: Display Artist: Bhawani Das Creation Date: ca. 1710 Display Dimensions: 11 7/8 in. x 7 23/32 in. (30.2 cm x 19.6 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.365 Collection: The San Diego Museum of Art . 15 October 2001, 13:12:39. English: thesandiegomuseumofartcollection A Gathering of Princes (6124536215)

River and Rocks, 1873–77, Oil on canvas, 19 5/8 x 23 7/8 in. (49.8 x 60.6 cm), Paintings, Gustave Courbet (French, Ornans 1819 Stock Photo

RMKC7WT0–River and Rocks, 1873–77, Oil on canvas, 19 5/8 x 23 7/8 in. (49.8 x 60.6 cm), Paintings, Gustave Courbet (French, Ornans 1819

Painting; tempera on panel; painted surface: 48.3 × 22.5 cm (19 × 8 7/8 in.) overall: 49.8 x 24.2 cm (19 5/8 x 9 1/2 in.) framed: 58.4 x 32.7 x 6 cm (23 x 12 7/8 x 2 3/8 in.); 537 Saint John the Evangelist A16944 Stock Photo

RMPC3M0Y–Painting; tempera on panel; painted surface: 48.3 × 22.5 cm (19 × 8 7/8 in.) overall: 49.8 x 24.2 cm (19 5/8 x 9 1/2 in.) framed: 58.4 x 32.7 x 6 cm (23 x 12 7/8 x 2 3/8 in.); 537 Saint John the Evangelist A16944

23 8 x 19 6 cm Stock Photos and Images

23 8 x 19 6 cm Stock Photos and Images

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