271 Church St. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-church-st-image263242552.html
RMW87MFM–271 Church St.
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608085.html
RF2T49CC5–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
Communion in the Church of St. Médard, c. 1861, Alphonse Legros, French, 1837-1911, France, Etching and drypoint on ivory chine, 366 × 271 mm (plate), 409 × 312 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/communion-in-the-church-of-st-mdard-c-1861-alphonse-legros-french-1837-1911-france-etching-and-drypoint-on-ivory-chine-366-271-mm-plate-409-312-mm-sheet-image328652853.html
RM2A2KC1W–Communion in the Church of St. Médard, c. 1861, Alphonse Legros, French, 1837-1911, France, Etching and drypoint on ivory chine, 366 × 271 mm (plate), 409 × 312 mm (sheet
271 Church St. Exterior. Gottscho-Schleisner Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-church-st-exterior-gottscho-schleisner-collection-image610780942.html
RM2XDKD92–271 Church St. Exterior. Gottscho-Schleisner Collection
A new office tower at 271 Spring Street, Melbourne sits above the preserved historic Elms Hotel and Church of England Mission buildings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-new-office-tower-at-271-spring-street-melbourne-sits-above-the-preserved-historic-elms-hotel-and-church-of-england-mission-buildings-image342945400.html
RM2AWXEA0–A new office tower at 271 Spring Street, Melbourne sits above the preserved historic Elms Hotel and Church of England Mission buildings
271 SLNSW 479585 82 St Benedicts Church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479585-82-st-benedicts-church-image212484212.html
RMP9KDNT–271 SLNSW 479585 82 St Benedicts Church
Communion in the Church of St. Médard. Alphonse Legros; French, 1837-1911. Date: 1856-1866. Dimensions: 366 × 271 mm (plate); 409 × 312 mm (sheet). Etching and drypoint on ivory chine. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/communion-in-the-church-of-st-mdard-alphonse-legros-french-1837-1911-date-1856-1866-dimensions-366-271-mm-plate-409-312-mm-sheet-etching-and-drypoint-on-ivory-chine-origin-france-museum-the-chicago-art-institute-image239743224.html
RMRX16X0–Communion in the Church of St. Médard. Alphonse Legros; French, 1837-1911. Date: 1856-1866. Dimensions: 366 × 271 mm (plate); 409 × 312 mm (sheet). Etching and drypoint on ivory chine. Origin: France. Museum: The Chicago Art Institute.
ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) St Lawrence Receives the Treasures of the Church 1447-50 Fresco, 271 x 205 cm Cappella Niccolina, Palazzi Pontifici, Vatican In 1447, or perhaps earlier, Fra Angelico was in Rome, where he painted the private chapel of Pope Nicholas V with scenes from the lives of St Lawrence and St Stephen, frescoes which sum up the whole trend of his work. They possess a logical realism in their perspective settings, clarity of scale and narrative content, and restraint in their vigour. The colour is limpid, but with sufficient use of chiaros Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angelico-fra-b-ca-1400-vicchio-nell-mugello-d-1455-roma-st-lawrence-receives-the-treasures-of-the-church-1447-50-fresco-271-x-205-cm-cappella-niccolina-palazzi-pontifici-vatican-in-1447-or-perhaps-earlier-fra-angelico-was-in-rome-where-he-painted-the-private-chapel-of-pope-nicholas-v-with-scenes-from-the-lives-of-st-lawrence-and-st-stephen-frescoes-which-sum-up-the-whole-trend-of-his-work-they-possess-a-logical-realism-in-their-perspective-settings-clarity-of-scale-and-narrative-content-and-restraint-in-their-vigour-the-colour-is-limpid-but-with-sufficient-use-of-chiaros-image604918250.html
RF2X44BB6–ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) St Lawrence Receives the Treasures of the Church 1447-50 Fresco, 271 x 205 cm Cappella Niccolina, Palazzi Pontifici, Vatican In 1447, or perhaps earlier, Fra Angelico was in Rome, where he painted the private chapel of Pope Nicholas V with scenes from the lives of St Lawrence and St Stephen, frescoes which sum up the whole trend of his work. They possess a logical realism in their perspective settings, clarity of scale and narrative content, and restraint in their vigour. The colour is limpid, but with sufficient use of chiaros
Communion in the Church of St. Médard, c. 1861, Alphonse Legros, French, 1837-1911, France, Etching and drypoint on ivory chine, 366 × 271 mm (plate), 409 × 312 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/communion-in-the-church-of-st-mdard-c-1861-alphonse-legros-french-1837-1911-france-etching-and-drypoint-on-ivory-chine-366-271-mm-plate-409-312-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349734838.html
RF2B8YP9X–Communion in the Church of St. Médard, c. 1861, Alphonse Legros, French, 1837-1911, France, Etching and drypoint on ivory chine, 366 × 271 mm (plate), 409 × 312 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Street performer at St Stephan s Platz Vienna Austria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/street-performer-at-st-stephan-s-platz-vienna-austria-image5872196.html
RMA1JYG5–Street performer at St Stephan s Platz Vienna Austria
History of mediæval art . portance of which lies in the intricate and fanciful designrather than in the mediocre execution {Fig. 271). The same remarkapplies to the many figures of the most important sculptured portalof Southern Germany, that of the Church of St. James at Ratisbon,executed towards the close of the twelfth century. Among all the countries of Germany, the greatest importance isat this period to be assigned to Saxony, which compensated for itscomparative deficiency in architectural respects by the excellenceof its monumental sculpture. The Saxon artists in this branch had 444 SCU Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-medival-art-portance-of-which-lies-in-the-intricate-and-fanciful-designrather-than-in-the-mediocre-execution-fig-271-the-same-remarkapplies-to-the-many-figures-of-the-most-important-sculptured-portalof-southern-germany-that-of-the-church-of-st-james-at-ratisbonexecuted-towards-the-close-of-the-twelfth-century-among-all-the-countries-of-germany-the-greatest-importance-isat-this-period-to-be-assigned-to-saxony-which-compensated-for-itscomparative-deficiency-in-architectural-respects-by-the-excellenceof-its-monumental-sculpture-the-saxon-artists-in-this-branch-had-444-scu-image340227718.html
RM2ANEKWX–History of mediæval art . portance of which lies in the intricate and fanciful designrather than in the mediocre execution {Fig. 271). The same remarkapplies to the many figures of the most important sculptured portalof Southern Germany, that of the Church of St. James at Ratisbon,executed towards the close of the twelfth century. Among all the countries of Germany, the greatest importance isat this period to be assigned to Saxony, which compensated for itscomparative deficiency in architectural respects by the excellenceof its monumental sculpture. The Saxon artists in this branch had 444 SCU
Gezicht op St Paul's Cathedral, te Londen La Cathedrale de St Paul (titel op object) Top left labeled: Tome 1. Top right labeled: Page 114. Manufacturer : printmaker: anonymous date: 1710 - 1799 Material: paper Technique: etching / engra (printing process) Dimensions: sheet: h 271 mm (cut at inner plate edge) plate edge b 290 mm Subject: church (exterior) Where: Saint Paul's Cathedral Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gezicht-op-st-pauls-cathedral-te-londen-la-cathedrale-de-st-paul-titel-op-object-top-left-labeled-tome-1-top-right-labeled-page-114-manufacturer-printmaker-anonymous-date-1710-1799-material-paper-technique-etching-engra-printing-process-dimensions-sheet-h-271-mm-cut-at-inner-plate-edge-plate-edge-b-290-mm-subject-church-exterior-where-saint-pauls-cathedral-image348387626.html
RM2B6PBY6–Gezicht op St Paul's Cathedral, te Londen La Cathedrale de St Paul (titel op object) Top left labeled: Tome 1. Top right labeled: Page 114. Manufacturer : printmaker: anonymous date: 1710 - 1799 Material: paper Technique: etching / engra (printing process) Dimensions: sheet: h 271 mm (cut at inner plate edge) plate edge b 290 mm Subject: church (exterior) Where: Saint Paul's Cathedral
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608178.html
RF2T49CFE–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
Interior of the Saint Guillaume church in Strasbourg, St. Guillaume (title on object), print maker: Nicolas Marie Joseph Chapuy, print maker: Charles Achille d'Hardiviller, Paris, 1821 - 1835, paper, height 359 mm × width 271 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-the-saint-guillaume-church-in-strasbourg-st-guillaume-title-on-object-print-maker-nicolas-marie-joseph-chapuy-print-maker-charles-achille-dhardiviller-paris-1821-1835-paper-height-359-mm-width-271-mm-print-image599534259.html
RM2WRB41R–Interior of the Saint Guillaume church in Strasbourg, St. Guillaume (title on object), print maker: Nicolas Marie Joseph Chapuy, print maker: Charles Achille d'Hardiviller, Paris, 1821 - 1835, paper, height 359 mm × width 271 mm, print
A new office tower at 271 Spring Street, Melbourne sits above the preserved historic Elms Hotel and Church of England Mission buildings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-new-office-tower-at-271-spring-street-melbourne-sits-above-the-preserved-historic-elms-hotel-and-church-of-england-mission-buildings-image342946167.html
RM2AWXF9B–A new office tower at 271 Spring Street, Melbourne sits above the preserved historic Elms Hotel and Church of England Mission buildings
271 SLNSW 479599 96 St Andrews Church SH 720 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479599-96-st-andrews-church-sh-720-image212484241.html
RMP9KDPW–271 SLNSW 479599 96 St Andrews Church SH 720
The gate beautiful . ing at sunrise ahandful of dew fell from Mount Hermonupon the church of St. Mary, where at onceit was gathered by the Christian physicians [270] looking Onto t^e f ilijs and proved a sovereign remedy for all mannerof diseases. This dew from the sacred moun-tain represents the love of Christ which comesdown perpetually from heaven, which notonly nourishes the lives of men but also healsall diseases. [271] Bo ptimlt, But potter [273] 11 If we sit down at set of sunAnd count the things that we have done, And counting, findOne self-denying act, one wordThat eased the heart of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gate-beautiful-ing-at-sunrise-ahandful-of-dew-fell-from-mount-hermonupon-the-church-of-st-mary-where-at-onceit-was-gathered-by-the-christian-physicians-270-looking-onto-te-f-ilijs-and-proved-a-sovereign-remedy-for-all-mannerof-diseases-this-dew-from-the-sacred-moun-tain-represents-the-love-of-christ-which-comesdown-perpetually-from-heaven-which-notonly-nourishes-the-lives-of-men-but-also-healsall-diseases-271-bo-ptimlt-but-potter-273-11-if-we-sit-down-at-set-of-sunand-count-the-things-that-we-have-done-and-counting-findone-self-denying-act-one-wordthat-eased-the-heart-of-image343004007.html
RM2AX1533–The gate beautiful . ing at sunrise ahandful of dew fell from Mount Hermonupon the church of St. Mary, where at onceit was gathered by the Christian physicians [270] looking Onto t^e f ilijs and proved a sovereign remedy for all mannerof diseases. This dew from the sacred moun-tain represents the love of Christ which comesdown perpetually from heaven, which notonly nourishes the lives of men but also healsall diseases. [271] Bo ptimlt, But potter [273] 11 If we sit down at set of sunAnd count the things that we have done, And counting, findOne self-denying act, one wordThat eased the heart of
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608073.html
RF2T49CBN–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
Crypt in the St. Servatius Church in Quedlinburg, Quedlinburg, Krypta d. Schlosskirche (title on object), photomechanical print, anonymous, anonymous, publisher: Zedler und Vogel, (mentioned on object), Quedlinburg, publisher: Darmstadt, 1898, paper, collotype, height, 210 mm × width, 271 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crypt-in-the-st-servatius-church-in-quedlinburg-quedlinburg-krypta-d-schlosskirche-title-on-object-photomechanical-print-anonymous-anonymous-publisher-zedler-und-vogel-mentioned-on-object-quedlinburg-publisher-darmstadt-1898-paper-collotype-height-210-mm-width-271-mm-image606656990.html
RM2X6YH52–Crypt in the St. Servatius Church in Quedlinburg, Quedlinburg, Krypta d. Schlosskirche (title on object), photomechanical print, anonymous, anonymous, publisher: Zedler und Vogel, (mentioned on object), Quedlinburg, publisher: Darmstadt, 1898, paper, collotype, height, 210 mm × width, 271 mm
A modern high tech electronic parking meter in Spring Street, Melbourne contrasts with the historic Elms Hotel and Mission buildings across the road Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-modern-high-tech-electronic-parking-meter-in-spring-street-melbourne-contrasts-with-the-historic-elms-hotel-and-mission-buildings-across-the-road-image342945803.html
RM2AWXETB–A modern high tech electronic parking meter in Spring Street, Melbourne contrasts with the historic Elms Hotel and Mission buildings across the road
271 SLNSW 479595 92 St Stephens Church SH 698 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479595-92-st-stephens-church-sh-698-image212484234.html
RMP9KDPJ–271 SLNSW 479595 92 St Stephens Church SH 698
. The gate beautiful. handful of dew fell from Mount Hermonupon the church of St. Mary, where at onceit was gathered by the Christian physicians[270] iLooSmg Onto t^e f (llsJ and proved a sovereign remedy for all mannerof diseases. This dew from the sacred moun-tain represents the love of Christ which comesdown perpetually from heaven, which notonly nourishes the lives of men but also healsall diseases. [271 ] 00 iEitaclc, I3ut po>a>tt 273 // we sit down at set of sunAnd count the things that we have done, And counting, findOne self-denying act, one wordThat eased the heart of him who he Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gate-beautiful-handful-of-dew-fell-from-mount-hermonupon-the-church-of-st-mary-where-at-onceit-was-gathered-by-the-christian-physicians-270-iloosmg-onto-te-f-llsj-and-proved-a-sovereign-remedy-for-all-mannerof-diseases-this-dew-from-the-sacred-moun-tain-represents-the-love-of-christ-which-comesdown-perpetually-from-heaven-which-notonly-nourishes-the-lives-of-men-but-also-healsall-diseases-271-00-ieitaclc-i3ut-pogtagttt-273-we-sit-down-at-set-of-sunand-count-the-things-that-we-have-done-and-counting-findone-self-denying-act-one-wordthat-eased-the-heart-of-him-who-he-image336924650.html
RM2AG46R6–. The gate beautiful. handful of dew fell from Mount Hermonupon the church of St. Mary, where at onceit was gathered by the Christian physicians[270] iLooSmg Onto t^e f (llsJ and proved a sovereign remedy for all mannerof diseases. This dew from the sacred moun-tain represents the love of Christ which comesdown perpetually from heaven, which notonly nourishes the lives of men but also healsall diseases. [271 ] 00 iEitaclc, I3ut po>a>tt 273 // we sit down at set of sunAnd count the things that we have done, And counting, findOne self-denying act, one wordThat eased the heart of him who he
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608334.html
RF2T49CN2–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
Interior of the Saint Guillaume church in Strasbourg, St. Guillaume (title on object), print, print maker: Nicolas Marie Joseph Chapuy, (mentioned on object), print maker: Charles Achille d'Hardiviller, (mentioned on object), Paris, 1821 - 1835, paper, height, 359 mm × width, 271 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-the-saint-guillaume-church-in-strasbourg-st-guillaume-title-on-object-print-print-maker-nicolas-marie-joseph-chapuy-mentioned-on-object-print-maker-charles-achille-dhardiviller-mentioned-on-object-paris-1821-1835-paper-height-359-mm-width-271-mm-image606668056.html
RM2X70388–Interior of the Saint Guillaume church in Strasbourg, St. Guillaume (title on object), print, print maker: Nicolas Marie Joseph Chapuy, (mentioned on object), print maker: Charles Achille d'Hardiviller, (mentioned on object), Paris, 1821 - 1835, paper, height, 359 mm × width, 271 mm
271 SLNSW 479587 84 St Franciss Church SH 725 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479587-84-st-franciss-church-sh-725-image212484215.html
RMP9KDNY–271 SLNSW 479587 84 St Franciss Church SH 725
Storied windows : a traveller's introduction to the study of old church glass, from the twelfth century to the Renaissance, especially in France . **« : -Bl!L»l-:**# SAINTE MADELEINE, TROYES.Life of St Loris. Renaissance. 1517.. SAIXTK MADKLKIXK, TKOVKS. Crkai ION Window. WIiii Ckntirv. TROYES: SAINTE MADELEINE 271 window is at the east end of the north aisle; it isa window of 1517, representing the history of StLouis. At the bottom are the donor and his wife,the coronation of St Louis, and the ending of theregency of his mother, Blanche of Castille. In thenext three pictures above are the sub Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/storied-windows-a-travellers-introduction-to-the-study-of-old-church-glass-from-the-twelfth-century-to-the-renaissance-especially-in-france-bl!ll-sainte-madeleine-troyeslife-of-st-loris-renaissance-1517-saixtk-madklkixk-tkovks-crkai-ion-window-wiiii-ckntirv-troyes-sainte-madeleine-271-window-is-at-the-east-end-of-the-north-aisle-it-isa-window-of-1517-representing-the-history-of-stlouis-at-the-bottom-are-the-donor-and-his-wifethe-coronation-of-st-louis-and-the-ending-of-theregency-of-his-mother-blanche-of-castille-in-thenext-three-pictures-above-are-the-sub-image339402294.html
RM2AM532E–Storied windows : a traveller's introduction to the study of old church glass, from the twelfth century to the Renaissance, especially in France . **« : -Bl!L»l-:**# SAINTE MADELEINE, TROYES.Life of St Loris. Renaissance. 1517.. SAIXTK MADKLKIXK, TKOVKS. Crkai ION Window. WIiii Ckntirv. TROYES: SAINTE MADELEINE 271 window is at the east end of the north aisle; it isa window of 1517, representing the history of StLouis. At the bottom are the donor and his wife,the coronation of St Louis, and the ending of theregency of his mother, Blanche of Castille. In thenext three pictures above are the sub
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608166.html
RF2T49CF2–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
View of the main portal of the St. Michael's Church in Zwolle, Zwolle, Hauptportal der Michaëlus-Kirche (title on object), Architecture in the Netherlands (series title), Architectur der Niederlande (series title on object), Numbered top right: 7., photomechanical print, maker: anonymous, publisher: Baumgärtner's Buchhandlung, (mentioned on object), Leipzig, 1894, paper, collotype, height, 359 mm × width, 271 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-main-portal-of-the-st-michaels-church-in-zwolle-zwolle-hauptportal-der-michalus-kirche-title-on-object-architecture-in-the-netherlands-series-title-architectur-der-niederlande-series-title-on-object-numbered-top-right-7-photomechanical-print-maker-anonymous-publisher-baumgrtners-buchhandlung-mentioned-on-object-leipzig-1894-paper-collotype-height-359-mm-width-271-mm-image606665284.html
RM2X6YYN8–View of the main portal of the St. Michael's Church in Zwolle, Zwolle, Hauptportal der Michaëlus-Kirche (title on object), Architecture in the Netherlands (series title), Architectur der Niederlande (series title on object), Numbered top right: 7., photomechanical print, maker: anonymous, publisher: Baumgärtner's Buchhandlung, (mentioned on object), Leipzig, 1894, paper, collotype, height, 359 mm × width, 271 mm
Memorial for J.M. Kemper in the Pieterskerk in Leiden, Memorial to Jan Melchior Kemper in the choir of St. Pieters Church in Leyden (title on object), Memorial for the Leiden professor Jan Melchior Kemper (died July 20, 1824) erected in the Pieterskerk in Leiden on May 30, 1835. A man standing in front of the sober monument designed by D. Humbert de Superville., print maker: Leendert Springer (I), after sculpture by: David Pièrre Giottino Humbert de Superville, Leiden, 1835, paper, height 386 mm × width 271 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/memorial-for-jm-kemper-in-the-pieterskerk-in-leiden-memorial-to-jan-melchior-kemper-in-the-choir-of-st-pieters-church-in-leyden-title-on-object-memorial-for-the-leiden-professor-jan-melchior-kemper-died-july-20-1824-erected-in-the-pieterskerk-in-leiden-on-may-30-1835-a-man-standing-in-front-of-the-sober-monument-designed-by-d-humbert-de-superville-print-maker-leendert-springer-i-after-sculpture-by-david-pirre-giottino-humbert-de-superville-leiden-1835-paper-height-386-mm-width-271-mm-print-image599484633.html
RM2WR8TND–Memorial for J.M. Kemper in the Pieterskerk in Leiden, Memorial to Jan Melchior Kemper in the choir of St. Pieters Church in Leyden (title on object), Memorial for the Leiden professor Jan Melchior Kemper (died July 20, 1824) erected in the Pieterskerk in Leiden on May 30, 1835. A man standing in front of the sober monument designed by D. Humbert de Superville., print maker: Leendert Springer (I), after sculpture by: David Pièrre Giottino Humbert de Superville, Leiden, 1835, paper, height 386 mm × width 271 mm, print
271 SLNSW 479570 67 St Philips Church SH 706 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479570-67-st-philips-church-sh-706-image212484180.html
RMP9KDMM–271 SLNSW 479570 67 St Philips Church SH 706
The holy church teacher Hilarius of Poitiers, standing on a pedestal. On the obverse the scene in which he is sent into exile by Emperor Julian. Print marked top center: III. Part Pag: 293., St. Hilarius of Poitiers, church teacher Hilarius, Bishop of Poitiers, Word after Phrygien sent into exile , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 271 mm × w 169 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-holy-church-teacher-hilarius-of-poitiers-standing-on-a-pedestal-on-the-obverse-the-scene-in-which-he-is-sent-into-exile-by-emperor-julian-print-marked-top-center-iii-part-pag-293-st-hilarius-of-poitiers-church-teacher-hilarius-bishop-of-poitiers-word-after-phrygien-sent-into-exile-print-maker-jan-luyken-mentioned-on-object-print-maker-zacharias-chatelain-ii-mentioned-on-object-intermediary-draughtsman-jan-goeree-mentioned-on-object-amsterdam-1698-paper-etching-engraving-h-271-mm-w-169-mm-image472028463.html
RM2JBXN3B–The holy church teacher Hilarius of Poitiers, standing on a pedestal. On the obverse the scene in which he is sent into exile by Emperor Julian. Print marked top center: III. Part Pag: 293., St. Hilarius of Poitiers, church teacher Hilarius, Bishop of Poitiers, Word after Phrygien sent into exile , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 271 mm × w 169 mm
. Storied windows; a traveller's introduction to the study of old church glass, from the twelfth century to the renaissance, especially in France. SAIXTK .M.i>i:i.i;i.i:. tkonks. Lii-K (.?>!•? Sr I.oi IS. Rknaissam !•:. 1517.. SAIXTE MADELEIXK. TROVES.Ckkation Wimiow. XTth Centirv, TROYES: SAINTE MADELEINE 271 window is at the east end of the north aisle; it isa window of 1517, representing the history of StLouis. At^the bottom are the donor and his wife,the coronation of St Louis, and the ending of theregency of his mother, Blanche of Castille. In thenext three pictures above are the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/storied-windows-a-travellers-introduction-to-the-study-of-old-church-glass-from-the-twelfth-century-to-the-renaissance-especially-in-france-saixtk-migtiiiii-tkonks-lii-k-gt!-sr-ioi-is-rknaissam-!-1517-saixte-madeleixk-trovesckkation-wimiow-xtth-centirv-troyes-sainte-madeleine-271-window-is-at-the-east-end-of-the-north-aisle-it-isa-window-of-1517-representing-the-history-of-stlouis-atthe-bottom-are-the-donor-and-his-wifethe-coronation-of-st-louis-and-the-ending-of-theregency-of-his-mother-blanche-of-castille-in-thenext-three-pictures-above-are-the-image336975705.html
RM2AG6FXH–. Storied windows; a traveller's introduction to the study of old church glass, from the twelfth century to the renaissance, especially in France. SAIXTK .M.i>i:i.i;i.i:. tkonks. Lii-K (.?>!•? Sr I.oi IS. Rknaissam !•:. 1517.. SAIXTE MADELEIXK. TROVES.Ckkation Wimiow. XTth Centirv, TROYES: SAINTE MADELEINE 271 window is at the east end of the north aisle; it isa window of 1517, representing the history of StLouis. At^the bottom are the donor and his wife,the coronation of St Louis, and the ending of theregency of his mother, Blanche of Castille. In thenext three pictures above are the
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570607996.html
RF2T49C90–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
271 SLNSW 479582 79 St Pauls Church SH 705 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479582-79-st-pauls-church-sh-705-image212484203.html
RMP9KDNF–271 SLNSW 479582 79 St Pauls Church SH 705
The holy church father Ambrose of Milan, standing on a pedestal. On the obverse the scene in which an assassin's arm stiffens by a miracle at the moment he wants to kill Ambrose. III. Part Pag. 461., St. Ambrose of Milan, Church Father Ambrose, Bishop of Milan, Was delivered from death by a miraculous act , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 271 mm × w 167 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-holy-church-father-ambrose-of-milan-standing-on-a-pedestal-on-the-obverse-the-scene-in-which-an-assassins-arm-stiffens-by-a-miracle-at-the-moment-he-wants-to-kill-ambrose-iii-part-pag-461-st-ambrose-of-milan-church-father-ambrose-bishop-of-milan-was-delivered-from-death-by-a-miraculous-act-print-maker-jan-luyken-mentioned-on-object-print-maker-zacharias-chatelain-ii-mentioned-on-object-intermediary-draughtsman-jan-goeree-mentioned-on-object-amsterdam-1698-paper-etching-engraving-h-271-mm-w-167-mm-image472028523.html
RM2JBXN5F–The holy church father Ambrose of Milan, standing on a pedestal. On the obverse the scene in which an assassin's arm stiffens by a miracle at the moment he wants to kill Ambrose. III. Part Pag. 461., St. Ambrose of Milan, Church Father Ambrose, Bishop of Milan, Was delivered from death by a miraculous act , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 271 mm × w 167 mm
South Devon and south Cornwall, with a full description of Dartmoor and the Isles of Scilly . ound the Lizard Peninsula . .264 Helston, Gunwalloe, Poldhu, Mullion . . 264 Mullion to Lizard Town, by Kynance Cove . 265Lizard Town to Housel, Church Cove and Landewed- nack 268 Lizard Town to Cadgwith . . .269 Helston to Penzance (by coast) 271 Marazion . . . . . 272 St. Michaels Mount 273 Truro to Penzance by rail 275 Penzance 276 Excursions from Penzance : Gulval, Castle-an-Dinas, and Chysauster . .279 Madron, Lanyon Quoit, and the Nine Maidens . 280 St. Just (direct) 282 „ (by Sancreed) 282 „ to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/south-devon-and-south-cornwall-with-a-full-description-of-dartmoor-and-the-isles-of-scilly-ound-the-lizard-peninsula-264-helston-gunwalloe-poldhu-mullion-264-mullion-to-lizard-town-by-kynance-cove-265lizard-town-to-housel-church-cove-and-landewed-nack-268-lizard-town-to-cadgwith-269-helston-to-penzance-by-coast-271-marazion-272-st-michaels-mount-273-truro-to-penzance-by-rail-275-penzance-276-excursions-from-penzance-gulval-castle-an-dinas-and-chysauster-279-madron-lanyon-quoit-and-the-nine-maidens-280-st-just-direct-282-by-sancreed-282-to-image339111254.html
RM2AKKRT6–South Devon and south Cornwall, with a full description of Dartmoor and the Isles of Scilly . ound the Lizard Peninsula . .264 Helston, Gunwalloe, Poldhu, Mullion . . 264 Mullion to Lizard Town, by Kynance Cove . 265Lizard Town to Housel, Church Cove and Landewed- nack 268 Lizard Town to Cadgwith . . .269 Helston to Penzance (by coast) 271 Marazion . . . . . 272 St. Michaels Mount 273 Truro to Penzance by rail 275 Penzance 276 Excursions from Penzance : Gulval, Castle-an-Dinas, and Chysauster . .279 Madron, Lanyon Quoit, and the Nine Maidens . 280 St. Just (direct) 282 „ (by Sancreed) 282 „ to
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608332.html
RF2T49CN0–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
271 SLNSW 479588 85 St Patricks Church SH 733 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479588-85-st-patricks-church-sh-733-image212484222.html
RMP9KDP6–271 SLNSW 479588 85 St Patricks Church SH 733
The holy church father Epiphanius of Salamis, standing on a pedestal. On the obverse a scene in which the body of the deceased Epiphanius is returned to Constantinople. Print marked top center: III Part Pag: 531., St. Epiphanius of Salamis, Church Father Epiphanius, Bishop of Salamis, in Cypren, Was brought back there, from Constantinople dead , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 271 mm × w 166 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-holy-church-father-epiphanius-of-salamis-standing-on-a-pedestal-on-the-obverse-a-scene-in-which-the-body-of-the-deceased-epiphanius-is-returned-to-constantinople-print-marked-top-center-iii-part-pag-531-st-epiphanius-of-salamis-church-father-epiphanius-bishop-of-salamis-in-cypren-was-brought-back-there-from-constantinople-dead-print-maker-jan-luyken-mentioned-on-object-print-maker-zacharias-chatelain-ii-mentioned-on-object-intermediary-draughtsman-jan-goeree-mentioned-on-object-amsterdam-1698-paper-etching-engraving-h-271-mm-w-166-mm-image472028507.html
RM2JBXN4Y–The holy church father Epiphanius of Salamis, standing on a pedestal. On the obverse a scene in which the body of the deceased Epiphanius is returned to Constantinople. Print marked top center: III Part Pag: 531., St. Epiphanius of Salamis, Church Father Epiphanius, Bishop of Salamis, in Cypren, Was brought back there, from Constantinople dead , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 271 mm × w 166 mm
Church poetry : or, Christian thoughts in old and modern verse . e House of Holiness . 150 INDEX OF AUTHORS. Page Spenser. The only Source of good 154 The Seven Beadmen 280 Rev. R, C. Trench. Sonnet . 45 Sonnet . 62 Sonnet . 72 Rejoice evermore . 127 Some murmur . 205 The Day of Death . 264 Henry Vaughan, The Rainbow 1 (1651.) Early Rising and Prayer 57 The Retreat . 144 The Dawning . 247 Peace 271 Heaven in Prospect 275 An Epitaph upon the Lady Elizabeth . 306 Waller. (1663) The Seas are quiet . 263 George Withers. Fore-knowledge . 67 (1628) Books . 72 Private Judgment . 85 Hymn on St. John B Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/church-poetry-or-christian-thoughts-in-old-and-modern-verse-e-house-of-holiness-150-index-of-authors-page-spenser-the-only-source-of-good-154-the-seven-beadmen-280-rev-r-c-trench-sonnet-45-sonnet-62-sonnet-72-rejoice-evermore-127-some-murmur-205-the-day-of-death-264-henry-vaughan-the-rainbow-1-1651-early-rising-and-prayer-57-the-retreat-144-the-dawning-247-peace-271-heaven-in-prospect-275-an-epitaph-upon-the-lady-elizabeth-306-waller-1663-the-seas-are-quiet-263-george-withers-fore-knowledge-67-1628-books-72-private-judgment-85-hymn-on-st-john-b-image339272045.html
RM2AKY4XN–Church poetry : or, Christian thoughts in old and modern verse . e House of Holiness . 150 INDEX OF AUTHORS. Page Spenser. The only Source of good 154 The Seven Beadmen 280 Rev. R, C. Trench. Sonnet . 45 Sonnet . 62 Sonnet . 72 Rejoice evermore . 127 Some murmur . 205 The Day of Death . 264 Henry Vaughan, The Rainbow 1 (1651.) Early Rising and Prayer 57 The Retreat . 144 The Dawning . 247 Peace 271 Heaven in Prospect 275 An Epitaph upon the Lady Elizabeth . 306 Waller. (1663) The Seas are quiet . 263 George Withers. Fore-knowledge . 67 (1628) Books . 72 Private Judgment . 85 Hymn on St. John B
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608003.html
RF2T49C97–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
271 SLNSW 479576 73 St Michaels Church SH 729 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479576-73-st-michaels-church-sh-729-image212484197.html
RMP9KDN9–271 SLNSW 479576 73 St Michaels Church SH 729
View from the St. Catherine Gate, at Frankfurt am Main, Prospectus extra Portam S. Catharinae Francofurti ad Moenum (...) / Prospect aüsser der St. Catharinen-Pfort dü Franckfürth am Maïn (...) (title on object), View from the St. Catherine Gate, at Frankfurt am Main. St. Catherine's Church can be seen on the right. Numbered in the upper right: 6., print maker: Georg Daniel Heumann, (possibly), after drawing by: Salomon Kleiner, (mentioned on object), publisher: Johann Andreas Pfeffel (der Ältere), Augsburg, 1738, paper, engraving, etching, height 271 mm × width 343 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-from-the-st-catherine-gate-at-frankfurt-am-main-prospectus-extra-portam-s-catharinae-francofurti-ad-moenum-prospect-asser-der-st-catharinen-pfort-d-franckfrth-am-man-title-on-object-view-from-the-st-catherine-gate-at-frankfurt-am-main-st-catherines-church-can-be-seen-on-the-right-numbered-in-the-upper-right-6-print-maker-georg-daniel-heumann-possibly-after-drawing-by-salomon-kleiner-mentioned-on-object-publisher-johann-andreas-pfeffel-der-ltere-augsburg-1738-paper-engraving-etching-height-271-mm-width-343-mm-image473368921.html
RM2JE3PTW–View from the St. Catherine Gate, at Frankfurt am Main, Prospectus extra Portam S. Catharinae Francofurti ad Moenum (...) / Prospect aüsser der St. Catharinen-Pfort dü Franckfürth am Maïn (...) (title on object), View from the St. Catherine Gate, at Frankfurt am Main. St. Catherine's Church can be seen on the right. Numbered in the upper right: 6., print maker: Georg Daniel Heumann, (possibly), after drawing by: Salomon Kleiner, (mentioned on object), publisher: Johann Andreas Pfeffel (der Ältere), Augsburg, 1738, paper, engraving, etching, height 271 mm × width 343 mm
Scottish divines 1505-1872 . GHTON, . .109 By the Very Rev. John Tulloch, D.D., LL.D.,Principal of St. Marys College, St. Andrews. V. EBENEZER ERSKINE, .... 149 By the Rev. James Miichell, D.D., Minister ofthe Parish of South Leith. Vr. PRINCIPAL ROBERTSON, . .189 By the Rev. 1-. I.. Robertson, D.D., Minister otSt. Andrews Parish, Glasgow. viii Contents. LECTURE IAOK VII. EDWARD IRVING 225 l>y the Rev. R. IIekuekt Story, D.D., Ministerof the Tarish of Rosnealh. VIII. THOMAS CHALMERS, 271 liy the Rev. Donald Macleod, D.D., .Minisiei ofthe Park Church, Glasgow. IX. JAMES ROBERTSON, -316 1)) t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scottish-divines-1505-1872-ghton-109-by-the-very-rev-john-tulloch-dd-lldprincipal-of-st-marys-college-st-andrews-v-ebenezer-erskine-149-by-the-rev-james-miichell-dd-minister-ofthe-parish-of-south-leith-vr-principal-robertson-189-by-the-rev-1-i-robertson-dd-minister-otst-andrews-parish-glasgow-viii-contents-lecture-iaok-vii-edward-irving-225-lgty-the-rev-r-iiekuekt-story-dd-ministerof-the-tarish-of-rosnealh-viii-thomas-chalmers-271-liy-the-rev-donald-macleod-dd-minisiei-ofthe-park-church-glasgow-ix-james-robertson-316-1-t-image339157647.html
RM2AKNY13–Scottish divines 1505-1872 . GHTON, . .109 By the Very Rev. John Tulloch, D.D., LL.D.,Principal of St. Marys College, St. Andrews. V. EBENEZER ERSKINE, .... 149 By the Rev. James Miichell, D.D., Minister ofthe Parish of South Leith. Vr. PRINCIPAL ROBERTSON, . .189 By the Rev. 1-. I.. Robertson, D.D., Minister otSt. Andrews Parish, Glasgow. viii Contents. LECTURE IAOK VII. EDWARD IRVING 225 l>y the Rev. R. IIekuekt Story, D.D., Ministerof the Tarish of Rosnealh. VIII. THOMAS CHALMERS, 271 liy the Rev. Donald Macleod, D.D., .Minisiei ofthe Park Church, Glasgow. IX. JAMES ROBERTSON, -316 1)) t
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608004.html
RF2T49C98–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
271 SLNSW 479569 66 St Jamess Church SH 694 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479569-66-st-jamess-church-sh-694-image212484179.html
RMP9KDMK–271 SLNSW 479569 66 St Jamess Church SH 694
. Men of Minnesota; a collection of the portraits of men prominent in business and professional life in Minnesota . REV. EDWARD C. MITCHELL, A. M. ST. PAUL. PASTOR NEW JERUSALEM (OR SWEDENBORGIAN) CHURCH. JOHN EDWARD KENNY PROP. LATIN AND SPANISH CENTRAL HIGH SCHOOL.j. MEN OF MINNESOTA. 271 T. REV. JAMES McGOLRiCK, D. D. DULUTH.ISHOP DIOCESE OF DULUTH (ROMAN CATHOLIC). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/men-of-minnesota-a-collection-of-the-portraits-of-men-prominent-in-business-and-professional-life-in-minnesota-rev-edward-c-mitchell-a-m-st-paul-pastor-new-jerusalem-or-swedenborgian-church-john-edward-kenny-prop-latin-and-spanish-central-high-schoolj-men-of-minnesota-271-t-rev-james-mcgolrick-d-d-duluthishop-diocese-of-duluth-roman-catholic-image369695282.html
RM2CDD22X–. Men of Minnesota; a collection of the portraits of men prominent in business and professional life in Minnesota . REV. EDWARD C. MITCHELL, A. M. ST. PAUL. PASTOR NEW JERUSALEM (OR SWEDENBORGIAN) CHURCH. JOHN EDWARD KENNY PROP. LATIN AND SPANISH CENTRAL HIGH SCHOOL.j. MEN OF MINNESOTA. 271 T. REV. JAMES McGOLRiCK, D. D. DULUTH.ISHOP DIOCESE OF DULUTH (ROMAN CATHOLIC).
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608096.html
RF2T49CCG–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
271 SLNSW 479577 74 St Peters Church SH 730 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479577-74-st-peters-church-sh-730-image212484191.html
RMP9KDN3–271 SLNSW 479577 74 St Peters Church SH 730
. London . ings are defaced, andthe church is given over for worldly things. Come in. We entered by the north transept. There was much that astonished me in this walk throughLondon of the year 1603, but nothing so surprising andunexpected as St. Pauls Cathedral. I had pictured a churchnarrow, long, somewhat low and dark. I found, on the otherhand, that it was in every respect a most noble church,longer than any other cathedral I had ever seen, loftier also, TUDOR 271 and well lighted in every part, the style grand and simple.Consider, therefore, my astonishment at rinding the church•desecrated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-ings-are-defaced-andthe-church-is-given-over-for-worldly-things-come-in-we-entered-by-the-north-transept-there-was-much-that-astonished-me-in-this-walk-throughlondon-of-the-year-1603-but-nothing-so-surprising-andunexpected-as-st-pauls-cathedral-i-had-pictured-a-churchnarrow-long-somewhat-low-and-dark-i-found-on-the-otherhand-that-it-was-in-every-respect-a-most-noble-churchlonger-than-any-other-cathedral-i-had-ever-seen-loftier-also-tudor-271-and-well-lighted-in-every-part-the-style-grand-and-simpleconsider-therefore-my-astonishment-at-rinding-the-churchdesecrated-image370143745.html
RM2CE5E3D–. London . ings are defaced, andthe church is given over for worldly things. Come in. We entered by the north transept. There was much that astonished me in this walk throughLondon of the year 1603, but nothing so surprising andunexpected as St. Pauls Cathedral. I had pictured a churchnarrow, long, somewhat low and dark. I found, on the otherhand, that it was in every respect a most noble church,longer than any other cathedral I had ever seen, loftier also, TUDOR 271 and well lighted in every part, the style grand and simple.Consider, therefore, my astonishment at rinding the church•desecrated
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608336.html
RF2T49CN4–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
271 SLNSW 479578 75 St Lukes Church SH 699 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479578-75-st-lukes-church-sh-699-image212484198.html
RMP9KDNA–271 SLNSW 479578 75 St Lukes Church SH 699
. Official proceedings . 30 Church Street, McCormick Building, New York Chicago BiTfiirai THE RECOGNIZED SUNDARDrOR liOCOMOTIVE nREBOXES. PITTSBURGH, PA., U. S. A. iENL OFFICES, VANADIUM BUILDING B. E. D. STAFFORD, GEN L MANAGER J. ROGERS FLANNERY & COMPAN^t SELLING AGENTS ■ VANADIUM BUILDING, PITTSBURGH, PA. THE ASHTON VALVE CO. ... MAKERS OF THE ... Hicjtiest Grade Miilller andOpen Pop Salelu Valves, Locomotive Steam and AirPressure Gages. 271 FRANKLIN ST. BOSTON, MASS. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/official-proceedings-30-church-street-mccormick-building-new-york-chicago-bitfiirai-the-recognized-sundardror-liocomotive-nreboxes-pittsburgh-pa-u-s-a-ienl-offices-vanadium-building-b-e-d-stafford-gen-l-manager-j-rogers-flannery-compant-selling-agents-vanadium-building-pittsburgh-pa-the-ashton-valve-co-makers-of-the-hicjtiest-grade-miilller-andopen-pop-salelu-valves-locomotive-steam-and-airpressure-gages-271-franklin-st-boston-mass-image371936437.html
RM2CH34M5–. Official proceedings . 30 Church Street, McCormick Building, New York Chicago BiTfiirai THE RECOGNIZED SUNDARDrOR liOCOMOTIVE nREBOXES. PITTSBURGH, PA., U. S. A. iENL OFFICES, VANADIUM BUILDING B. E. D. STAFFORD, GEN L MANAGER J. ROGERS FLANNERY & COMPAN^t SELLING AGENTS ■ VANADIUM BUILDING, PITTSBURGH, PA. THE ASHTON VALVE CO. ... MAKERS OF THE ... Hicjtiest Grade Miilller andOpen Pop Salelu Valves, Locomotive Steam and AirPressure Gages. 271 FRANKLIN ST. BOSTON, MASS.
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608303.html
RF2T49CKY–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
271 SLNSW 479575 72 St Johns Church SH 722 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479575-72-st-johns-church-sh-722-image212484188.html
RMP9KDN0–271 SLNSW 479575 72 St Johns Church SH 722
. Year book of the North Indiana Annual Conference of the Methodist Episcopal Church . - is reported. 271. J. A. Beatty. 272 North Indiana Conference [1914 Mrs. C. Claude Travis, in the Wayne Street parsonage, and Mrs.F. H. Cremean, in the St. Paul parsonage, are both detained from thisConference because of serious illness. Changes.—The first change occurred at New Haven. Alda R.Gilliam, appointed to supply the charge, did so for two Sundays, buton account of overwork during the winter his health failed, and hewas obliged to give it up. A. G. Bryan, a local preacher of EastLiberty, Ohio, was s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/year-book-of-the-north-indiana-annual-conference-of-the-methodist-episcopal-church-is-reported-271-j-a-beatty-272-north-indiana-conference-1914-mrs-c-claude-travis-in-the-wayne-street-parsonage-and-mrsf-h-cremean-in-the-st-paul-parsonage-are-both-detained-from-thisconference-because-of-serious-illness-changesthe-first-change-occurred-at-new-haven-alda-rgilliam-appointed-to-supply-the-charge-did-so-for-two-sundays-buton-account-of-overwork-during-the-winter-his-health-failed-and-hewas-obliged-to-give-it-up-a-g-bryan-a-local-preacher-of-eastliberty-ohio-was-s-image369772261.html
RM2CDGG85–. Year book of the North Indiana Annual Conference of the Methodist Episcopal Church . - is reported. 271. J. A. Beatty. 272 North Indiana Conference [1914 Mrs. C. Claude Travis, in the Wayne Street parsonage, and Mrs.F. H. Cremean, in the St. Paul parsonage, are both detained from thisConference because of serious illness. Changes.—The first change occurred at New Haven. Alda R.Gilliam, appointed to supply the charge, did so for two Sundays, buton account of overwork during the winter his health failed, and hewas obliged to give it up. A. G. Bryan, a local preacher of EastLiberty, Ohio, was s
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608301.html
RF2T49CKW–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
271 SLNSW 479573 70 St Silass Church SH 709 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479573-70-st-silass-church-sh-709-image212484186.html
RMP9KDMX–271 SLNSW 479573 70 St Silass Church SH 709
. Official proceedings . 30 Church Street, McCormick Building, New York Chicago. THE BEST STAYBOLT FOR LOCOMOTIVE FIREBOXES Railroads Are Now Using THE TATE FLEXIBLE STAYBOLT At the Rate of1,250,000 A YEAR Our Services Are AlwaysAt Your Command FLANNERY BOLT CO. Vanadium Building PITTSBURGH. PENNA. B. E. D. Stafford, General Manager J. ROGERS FLANNERY & CO. SELLING AGENTS Vanadium Building PITTSBURGH, PENNA. THE ASHTON VALVE CO. ... MAKERS OF THE ... Higtiest Grade MuIIIer andOpen Pop Safety Valves, Locomotive 5team and Air(^:^^ Pressure Qages. 271 FRANKLIN ST. BOSTON, MAS5. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/official-proceedings-30-church-street-mccormick-building-new-york-chicago-the-best-staybolt-for-locomotive-fireboxes-railroads-are-now-using-the-tate-flexible-staybolt-at-the-rate-of1250000-a-year-our-services-are-alwaysat-your-command-flannery-bolt-co-vanadium-building-pittsburgh-penna-b-e-d-stafford-general-manager-j-rogers-flannery-co-selling-agents-vanadium-building-pittsburgh-penna-the-ashton-valve-co-makers-of-the-higtiest-grade-muiiier-andopen-pop-safety-valves-locomotive-5team-and-air-pressure-qages-271-franklin-st-boston-mas5-image371932072.html
RM2CH2Y48–. Official proceedings . 30 Church Street, McCormick Building, New York Chicago. THE BEST STAYBOLT FOR LOCOMOTIVE FIREBOXES Railroads Are Now Using THE TATE FLEXIBLE STAYBOLT At the Rate of1,250,000 A YEAR Our Services Are AlwaysAt Your Command FLANNERY BOLT CO. Vanadium Building PITTSBURGH. PENNA. B. E. D. Stafford, General Manager J. ROGERS FLANNERY & CO. SELLING AGENTS Vanadium Building PITTSBURGH, PENNA. THE ASHTON VALVE CO. ... MAKERS OF THE ... Higtiest Grade MuIIIer andOpen Pop Safety Valves, Locomotive 5team and Air(^:^^ Pressure Qages. 271 FRANKLIN ST. BOSTON, MAS5.
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608097.html
RF2T49CCH–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
271 SLNSW 479604 101 St Georges Church SH 696 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479604-101-st-georges-church-sh-696-image212484250.html
RMP9KDR6–271 SLNSW 479604 101 St Georges Church SH 696
. Official proceedings . y 30 Church Street, McCormick Building, New York Chicago. THE BEST STAYBOLT FOR LOCOMOTIVE FIREBOXES Railroads Are Now Using THE TATE FLEXIBLE STAYBOLT At the Rate of1,250,000 A YEAR Our Services Are AlwaysAt Your Command FLANNERY BOLT CO. Vanadium Building PITTSBURGH, PENNA. B. E. D. Stafford, General Manager J. ROGERS FLANNERY & CO. SELLING AGENTS Vanadium Building PITTSBURGH, PENNA. THE ASHTON VALVE CO. ... MAKERS OF THE ... fliQtiest Grade Multler andOpen Pop Safety Valves, Locomotive 5team and Air(i^5 Pressure Gages. 271 FRANKLIN ST. BOSTON, MASS. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/official-proceedings-y-30-church-street-mccormick-building-new-york-chicago-the-best-staybolt-for-locomotive-fireboxes-railroads-are-now-using-the-tate-flexible-staybolt-at-the-rate-of1250000-a-year-our-services-are-alwaysat-your-command-flannery-bolt-co-vanadium-building-pittsburgh-penna-b-e-d-stafford-general-manager-j-rogers-flannery-co-selling-agents-vanadium-building-pittsburgh-penna-the-ashton-valve-co-makers-of-the-fliqtiest-grade-multler-andopen-pop-safety-valves-locomotive-5team-and-airi5-pressure-gages-271-franklin-st-boston-mass-image375720008.html
RM2CR7EKM–. Official proceedings . y 30 Church Street, McCormick Building, New York Chicago. THE BEST STAYBOLT FOR LOCOMOTIVE FIREBOXES Railroads Are Now Using THE TATE FLEXIBLE STAYBOLT At the Rate of1,250,000 A YEAR Our Services Are AlwaysAt Your Command FLANNERY BOLT CO. Vanadium Building PITTSBURGH, PENNA. B. E. D. Stafford, General Manager J. ROGERS FLANNERY & CO. SELLING AGENTS Vanadium Building PITTSBURGH, PENNA. THE ASHTON VALVE CO. ... MAKERS OF THE ... fliQtiest Grade Multler andOpen Pop Safety Valves, Locomotive 5team and Air(i^5 Pressure Gages. 271 FRANKLIN ST. BOSTON, MASS.
Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-deco-landmark-271-church-street-was-reborn-as-residential-condo-90-franklin-street-franklin-tower-cross-cross-designed-the-1931-high-rise-image570608288.html
RF2T49CKC–Art Deco landmark 271 Church Street was reborn as residential condo 90 Franklin Street, Franklin Tower. Cross & Cross designed the 1931 high-rise.
271 SLNSW 479581 78 St Barnabas s Church SH 712 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479581-78-st-barnabas-s-church-sh-712-image212484202.html
RMP9KDNE–271 SLNSW 479581 78 St Barnabas s Church SH 712
271 SLNSW 479566 63 St Andrews Church of England School SH 558 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479566-63-st-andrews-church-of-england-school-sh-558-image212484174.html
RMP9KDME–271 SLNSW 479566 63 St Andrews Church of England School SH 558
271 SLNSW 479579 76 St Johns Church Rear View SH 703 721 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479579-76-st-johns-church-rear-view-sh-703-721-image212484199.html
RMP9KDNB–271 SLNSW 479579 76 St Johns Church Rear View SH 703 721
271 SLNSW 479580 77 St Johns Church Rear View SH 703 722 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/271-slnsw-479580-77-st-johns-church-rear-view-sh-703-722-image212484201.html
RMP9KDND–271 SLNSW 479580 77 St Johns Church Rear View SH 703 722
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