28 9 x 48 3 cm hi-res stock photography and images

Henri de Toulouse-Lautrec, French, 1864–1901, L'Entraineur, 1899, Lithograph, Overall: 11 3/8 x 19 in. (28.9 x 48.3 cm Stock Photo

RM2B0GFTH–Henri de Toulouse-Lautrec, French, 1864–1901, L'Entraineur, 1899, Lithograph, Overall: 11 3/8 x 19 in. (28.9 x 48.3 cm

Art inspired by Collage of 48 Portraits, 1854–57, Albumen silver and salted paper prints, 28.4 x 23.3 cm (11 3/16 x 9 3/16 in. ), Photographs, Unknown (British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX0W7–Art inspired by Collage of 48 Portraits, 1854–57, Albumen silver and salted paper prints, 28.4 x 23.3 cm (11 3/16 x 9 3/16 in. ), Photographs, Unknown (British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Drop-leaf Dining Table. Culture: American. Dimensions: 28 x 15 7/8 x 48 in. (71.1 x 40.3 x 121.9 cm). Date: 1760-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAC09D–Drop-leaf Dining Table. Culture: American. Dimensions: 28 x 15 7/8 x 48 in. (71.1 x 40.3 x 121.9 cm). Date: 1760-90. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Design for a Stage Set at the Opéra, Paris, 19th century, Graphite, Irregular sheet: 11 3/8 x 19 3/16 in. (28.9 x 48.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5MF3–Art inspired by Design for a Stage Set at the Opéra, Paris, 19th century, Graphite, Irregular sheet: 11 3/8 x 19 3/16 in. (28.9 x 48.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. English: Creation Date: ca. 1840 Display Dimensions: 9 19/32 in. x 13 3/8 in. (24.4 cm x 34 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.837 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:28:48. English: thesandiegomuseumofartcollection 1274 Worship of Sri Nathji (6124567259) Stock Photo

RMMNYE0R–. English: Creation Date: ca. 1840 Display Dimensions: 9 19/32 in. x 13 3/8 in. (24.4 cm x 34 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.837 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:28:48. English: thesandiegomuseumofartcollection 1274 Worship of Sri Nathji (6124567259)

Art inspired by Drop-leaf Dining Table, 1760–90, Made in Massachusetts, United States, American, Mahogany, maple, white pine, 28 x 15 7/8 x 48 in. (71.1 x 40.3 x 121.9 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW23JR–Art inspired by Drop-leaf Dining Table, 1760–90, Made in Massachusetts, United States, American, Mahogany, maple, white pine, 28 x 15 7/8 x 48 in. (71.1 x 40.3 x 121.9 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. English: Accession Number: 1957.88 Display Artist: Isoda Koryusai Display Title: Young woman by Mount Fuji Creation Date: 1778-1780 Medium: Woodblock Height: 28 9/16 in. Width: 4 3/4 in. Display Dimensions: 28 9/16 in. x 4 3/4 in. (72.55 cm x 12.07 cm) Credit Line: Bequest of Mrs. Cora Timken Burnett Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 9 May 2007, 16:15:48. English: thesandiegomuseumofartcollection 1279 Young woman by Mount Fuji (5758874693) Stock Photo

RMMP8PXH–. English: Accession Number: 1957.88 Display Artist: Isoda Koryusai Display Title: Young woman by Mount Fuji Creation Date: 1778-1780 Medium: Woodblock Height: 28 9/16 in. Width: 4 3/4 in. Display Dimensions: 28 9/16 in. x 4 3/4 in. (72.55 cm x 12.07 cm) Credit Line: Bequest of Mrs. Cora Timken Burnett Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 9 May 2007, 16:15:48. English: thesandiegomuseumofartcollection 1279 Young woman by Mount Fuji (5758874693)

VUÃàE MERIDIONALE DE GIBRALTAR, DEPUIS LE DETROIT PROÃÇCHEÃÅ LA MONTAGNE DE SINGES EN BARBARIE. = The SOUTH VIEW of GIBRALTAR from the STREIGHTS near Apes Hill in Barbary Author Toms, W. H. 72.48.h. Place of publication: [London] Publisher: [publisher not identified] Date of publication: Publish'd according to Act of Parliament, January Item type: 1 print Medium: etching and engraving Dimensions: platemark 28.6 x 46.3 cm, on sheet 30.9 x 49.6 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FFK5–VUÃàE MERIDIONALE DE GIBRALTAR, DEPUIS LE DETROIT PROÃÇCHEÃÅ LA MONTAGNE DE SINGES EN BARBARIE. = The SOUTH VIEW of GIBRALTAR from the STREIGHTS near Apes Hill in Barbary Author Toms, W. H. 72.48.h. Place of publication: [London] Publisher: [publisher not identified] Date of publication: Publish'd according to Act of Parliament, January Item type: 1 print Medium: etching and engraving Dimensions: platemark 28.6 x 46.3 cm, on sheet 30.9 x 49.6 cm. Former owner: George III, King of Great Britain, 1738-1820

Painting; oil on canvas; overall: 99.6 x 73 cm (39 3/16 x 28 3/4 in.) framed: 121.9 x 95.2 cm (48 x 37 1/2 in.); 315 Jerusalem Artichoke Flowers E10330 Stock Photo

RMPC0MGY–Painting; oil on canvas; overall: 99.6 x 73 cm (39 3/16 x 28 3/4 in.) framed: 121.9 x 95.2 cm (48 x 37 1/2 in.); 315 Jerusalem Artichoke Flowers E10330

Art inspired by Drop-leaf Dining Table, 1750–90, Made in Philadelphia, Pennsylvania, United States, American, Walnut, white oak, yellow pine, maple, 28 x 53 1/4 x 48 3/8 in. (71.1 x 135.3 x 122.9 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW23J4–Art inspired by Drop-leaf Dining Table, 1750–90, Made in Philadelphia, Pennsylvania, United States, American, Walnut, white oak, yellow pine, maple, 28 x 53 1/4 x 48 3/8 in. (71.1 x 135.3 x 122.9 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Drawing, Studies of Squash or Pumpkin Blossoms; Sophia L. Crownfield (American, 1862–1929); USA; graphite, pen and ink on tracing paper laid down; 48.3 x 59.2 cm (19 x 23 5/16 in.) Mat: 55.9 × 71.1 cm (22 × 28 in.) Stock Photo

RM2PME34W–Drawing, Studies of Squash or Pumpkin Blossoms; Sophia L. Crownfield (American, 1862–1929); USA; graphite, pen and ink on tracing paper laid down; 48.3 x 59.2 cm (19 x 23 5/16 in.) Mat: 55.9 × 71.1 cm (22 × 28 in.)

Art inspired by George Washington, 1865, French, Jacquard woven (warp: silk dyed in beige and black, reeled, no twist/no ply, 102 per cm; weft: silk dyed in black and beige, reeled, no twist/no ply, 48 per cm), H. 11 3/8 x W. 8 1/2 inches (28.9 x 21.6 cm), Textiles-Woven, Silkworms, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWAPY–Art inspired by George Washington, 1865, French, Jacquard woven (warp: silk dyed in beige and black, reeled, no twist/no ply, 102 per cm; weft: silk dyed in black and beige, reeled, no twist/no ply, 48 per cm), H. 11 3/8 x W. 8 1/2 inches (28.9 x 21.6 cm), Textiles-Woven, Silkworms, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by 明郭詡稱書圖軸, Weighing Books, Ming dynasty (1368–1644), early 16th century, China, Hanging scroll; ink and color on silk, Image: 48 3/8 x 28 in. (122.9 x 71.1 cm), Paintings, Guo Xu (Chinese, 1456–1532), This disconcerting image of a gentleman selling his books by weight, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW385F–Art inspired by 明郭詡稱書圖軸, Weighing Books, Ming dynasty (1368–1644), early 16th century, China, Hanging scroll; ink and color on silk, Image: 48 3/8 x 28 in. (122.9 x 71.1 cm), Paintings, Guo Xu (Chinese, 1456–1532), This disconcerting image of a gentleman selling his books by weight, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Cityscape, India (Rajasthan), 18th–19th century, India (Rajasthan), Ink on paper, Image (sight): 19 1/4 x 20 3/4 in. (48.9 x 52.7 cm), Framed: 28 x 32 in. (71.1 x 81.3 cm), Paintings Stock Photo

RM2B0KNY5–Cityscape, India (Rajasthan), 18th–19th century, India (Rajasthan), Ink on paper, Image (sight): 19 1/4 x 20 3/4 in. (48.9 x 52.7 cm), Framed: 28 x 32 in. (71.1 x 81.3 cm), Paintings

Drop-leaf Dining Table. Culture: American. Dimensions: 28 x 53 1/4 x 48 3/8 in. (71.1 x 135.3 x 122.9 cm). Date: 1750-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA838K–Drop-leaf Dining Table. Culture: American. Dimensions: 28 x 53 1/4 x 48 3/8 in. (71.1 x 135.3 x 122.9 cm). Date: 1750-90. Museum: Metropolitan Museum of Art, New York, USA.

A View of the Royal Palace of Windsor = VuÃàe du Palais Royal de Windsor aÃÅ vingt un Miles de Londres. Author Parr, Nathaniel 7.40.o. Place of publication: London. Printed for , Sold by Rob.t Sayer Map , Printseller at the Golden Buck opposite Fetter Lane Fleet Street. , Henry Overton without Newgate. (', Henry Overton without Newgate.' possibly added at a later date) Date of publication: 1751. Item type: 1 print Medium: etching and engraving Dimensions: platemark 26.2 x 40.3 cm, on sheet 28.9 x 48.9 cm Former owner: George III, King of Great Britain, 17 Stock Photo

RM2E9FEBG–A View of the Royal Palace of Windsor = VuÃàe du Palais Royal de Windsor aÃÅ vingt un Miles de Londres. Author Parr, Nathaniel 7.40.o. Place of publication: London. Printed for , Sold by Rob.t Sayer Map , Printseller at the Golden Buck opposite Fetter Lane Fleet Street. , Henry Overton without Newgate. (', Henry Overton without Newgate.' possibly added at a later date) Date of publication: 1751. Item type: 1 print Medium: etching and engraving Dimensions: platemark 26.2 x 40.3 cm, on sheet 28.9 x 48.9 cm Former owner: George III, King of Great Britain, 17

Painting; oil on canvas on wood; overall: 48.9 x 66 cm (19 1/4 x 26 in.) framed: 71.1 x 88.9 x 8.3 cm (28 x 35 x 3 1/4 in.); Bulb Fields Stock Photo

RMMMTN2J–Painting; oil on canvas on wood; overall: 48.9 x 66 cm (19 1/4 x 26 in.) framed: 71.1 x 88.9 x 8.3 cm (28 x 35 x 3 1/4 in.); Bulb Fields

Poelzig Hans (1869-1936), Haus des Rundfunk, Berlin (28.04.1930): Execution project, toilet-wiper door with skylight items 3, upright, floor plan, cut 1:10. Pencil on transparent, 48.1 x 45.9 cm (including scan edges) Stock Photo

RM2JMM3T8–Poelzig Hans (1869-1936), Haus des Rundfunk, Berlin (28.04.1930): Execution project, toilet-wiper door with skylight items 3, upright, floor plan, cut 1:10. Pencil on transparent, 48.1 x 45.9 cm (including scan edges)

Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. 72 silk; 28 metal, largest component (a): 22 x 19 in. (55.9 x 48.3 cm). 1948-1959 Stock Photo

RM2M94D9A–Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. 72 silk; 28 metal, largest component (a): 22 x 19 in. (55.9 x 48.3 cm). 1948-1959

Art inspired by Colt Model 1855 Pocket Percussion Revolver, Serial no. 4460, with Case and Accessories, 1855, Hartford, Connecticut, American, Hartford, Connecticut, Steel, wood (oak), L. 7 7/8 in. (19.99 cm); L. of barrel 3 1/2 in. (8.89 cm); Cal. .28 in. (7 mm); case 9 3/8 x 5 3/4 x, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9K7X–Art inspired by Colt Model 1855 Pocket Percussion Revolver, Serial no. 4460, with Case and Accessories, 1855, Hartford, Connecticut, American, Hartford, Connecticut, Steel, wood (oak), L. 7 7/8 in. (19.99 cm); L. of barrel 3 1/2 in. (8.89 cm); Cal. .28 in. (7 mm); case 9 3/8 x 5 3/4 x, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. 72 silk, 28 metal, a: 48 x 17 3/4 in. (121.9 x 45.1 cm). 1948-1959 Stock Photo

RM2M94DGY–Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. 72 silk, 28 metal, a: 48 x 17 3/4 in. (121.9 x 45.1 cm). 1948-1959

Block, Catalan, ca. 1130–40, Made in present-day France, Catalan, Marble, a) Overall: 19 3/4 x 10 3/4 x 9 3/4 in. (50.2 x 27.3 x 24.8 cm), b) Overall: 19 1/4 x 11 1/4 x 10 1/2 in. (48.9 x 28.6 x 26.7 cm), Sculpture-Architectural Stock Photo

RM2B0N20J–Block, Catalan, ca. 1130–40, Made in present-day France, Catalan, Marble, a) Overall: 19 3/4 x 10 3/4 x 9 3/4 in. (50.2 x 27.3 x 24.8 cm), b) Overall: 19 1/4 x 11 1/4 x 10 1/2 in. (48.9 x 28.6 x 26.7 cm), Sculpture-Architectural

Henri II, King of France, at the age of 28, 1547. Nicolo della Casa (French, active 1543–48). Engraving; sheet: 41.3 x 29.3 cm (16 1/4 x 11 9/16 in Stock Photo

RMRY4B8C–Henri II, King of France, at the age of 28, 1547. Nicolo della Casa (French, active 1543–48). Engraving; sheet: 41.3 x 29.3 cm (16 1/4 x 11 9/16 in

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 11 3/8 x 19 3/16 in. (28.9 x 48.7 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAN51–Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 11 3/8 x 19 3/16 in. (28.9 x 48.7 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Collage of 48 Portraits, 1854–57, Albumen silver and salted paper prints, 28.4 x 23.3 cm (11 3/16 x 9 3/16 in. ), Photographs Stock Photo

RMKC70CP–Collage of 48 Portraits, 1854–57, Albumen silver and salted paper prints, 28.4 x 23.3 cm (11 3/16 x 9 3/16 in. ), Photographs

Plaster cast of an incised hollow drawing. The object is broken in the middle and has some chips at the edges. 1 Angle is partly broken down and here are 3 separate fragments attached, casting, holentekening, gips, 28 x 48,9 x 2,2 cm (in complete condition), France, unknown, unknown, Combarelles Stock Photo

RM2B0F21R–Plaster cast of an incised hollow drawing. The object is broken in the middle and has some chips at the edges. 1 Angle is partly broken down and here are 3 separate fragments attached, casting, holentekening, gips, 28 x 48,9 x 2,2 cm (in complete condition), France, unknown, unknown, Combarelles

Designed by William Morris, Honeysuckle, British, design registered 1876, printed 1876–77, British, Linen, Overall ('a' confirmed): 67 x 70 in. (170.2 x 177.8 cm), Overall ('b' confirmed): 37 3/4 x 53 1/4 in. (95.9 x 135.3 cm), Overall ('c' confirmed): 60 1/4 x 28 in. (153 x 71.1 cm), Overall ('d' confirmed): 20 3/4 x 53 3/4 in. (52.7 x 136.5 cm), Overall ('e' confirmed): 19 x 49 1/2 in. (48.3 x 125.7 cm), Overall ('f' confirmed): 2 3/4 x 55 in. (7 x 139.7 cm), Overall (assembled): 67 x 60 in. (170.2 x 152.4 cm), Textiles-Printed Stock Photo

RM2B0KP0M–Designed by William Morris, Honeysuckle, British, design registered 1876, printed 1876–77, British, Linen, Overall ('a' confirmed): 67 x 70 in. (170.2 x 177.8 cm), Overall ('b' confirmed): 37 3/4 x 53 1/4 in. (95.9 x 135.3 cm), Overall ('c' confirmed): 60 1/4 x 28 in. (153 x 71.1 cm), Overall ('d' confirmed): 20 3/4 x 53 3/4 in. (52.7 x 136.5 cm), Overall ('e' confirmed): 19 x 49 1/2 in. (48.3 x 125.7 cm), Overall ('f' confirmed): 2 3/4 x 55 in. (7 x 139.7 cm), Overall (assembled): 67 x 60 in. (170.2 x 152.4 cm), Textiles-Printed

Painting; oil on canvas; overall: 71.8 x 122.9 cm (28 1/4 x 48 3/8 in.) framed: 105.4 x 156.8 x 10.2 cm (41 1/2 x 61 3/4 x 4 in.); Winslow Homer - Right and Left Stock Photo

RMMN05B1–Painting; oil on canvas; overall: 71.8 x 122.9 cm (28 1/4 x 48 3/8 in.) framed: 105.4 x 156.8 x 10.2 cm (41 1/2 x 61 3/4 x 4 in.); Winslow Homer - Right and Left

Winslow Homer, American, 1836–1910, Fisher Girl with Net, 1882, Graphite, gouache, and gray wash on gray laid paper, 11 3/8 x 19 1/4 in. (28.9 x 48.9 cm Stock Photo

RM2B0GFXH–Winslow Homer, American, 1836–1910, Fisher Girl with Net, 1882, Graphite, gouache, and gray wash on gray laid paper, 11 3/8 x 19 1/4 in. (28.9 x 48.9 cm

Diagram for a Pichawai Depicting the Sharad Purnima (the Autumn Full Moon), India (Rajasthan, Nathadwara), mid-19th century, India (Rajasthan, Nathadwara), Ink, wash, and opaque watercolor on paper, Image (sight): 19 1/4 x 26 1/2 in. (48.9 x 67.3 cm), Framed: 28 x 36 in. (71.1 x 91.4 cm), Paintings Stock Photo

RM2B0KNY9–Diagram for a Pichawai Depicting the Sharad Purnima (the Autumn Full Moon), India (Rajasthan, Nathadwara), mid-19th century, India (Rajasthan, Nathadwara), Ink, wash, and opaque watercolor on paper, Image (sight): 19 1/4 x 26 1/2 in. (48.9 x 67.3 cm), Framed: 28 x 36 in. (71.1 x 91.4 cm), Paintings

Liber Studiorum; Frontispiece, View of a Garden House on the Banks of the River Yare, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.7 x 31.9 cm (19 9/16 x 12 9/16 in.); platemark: 30.4 x 21.5 cm (11 15/16 x 8 7/16 in.); to borderline: 28.9 x 20.5 cm (11 3/8 x 8 1/16 in Stock Photo

RMRY808C–Liber Studiorum; Frontispiece, View of a Garden House on the Banks of the River Yare, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.7 x 31.9 cm (19 9/16 x 12 9/16 in.); platemark: 30.4 x 21.5 cm (11 15/16 x 8 7/16 in.); to borderline: 28.9 x 20.5 cm (11 3/8 x 8 1/16 in

RM2H10H8H–Henri II, King of France, at the age of 28, 1547. Nicolo della Casa (French, active 1543–48). Engraving; sheet: 41.3 x 29.3 cm (16 1/4 x 11 9/16 in.).

Augustus Saint-Gaudens, (artist), American, born Ireland, 1848 - 1907, Diana of the Tower, model 1892/1893, cast 1899, bronze, overall: 96.6 x 48.5 x 28.9 cm (38 1/16 x 19 1/8 x 11 3/8 in Stock Photo

RM2DCFPRB–Augustus Saint-Gaudens, (artist), American, born Ireland, 1848 - 1907, Diana of the Tower, model 1892/1893, cast 1899, bronze, overall: 96.6 x 48.5 x 28.9 cm (38 1/16 x 19 1/8 x 11 3/8 in

Colt Model 1855 Pocket Percussion Revolver, Serial no. 4460, with Case and Accessories. Culture: American, Hartford, Connecticut. Dimensions: L. 7 7/8 in. (19.99 cm); L. of barrel 3 1/2 in. (8.89 cm); Cal. .28 in. (7 mm); case 9 3/8 x 5 3/4 x 1 7/8 in. (23.8 x 14.61 x 4.75 cm); L. of spanner-screwdriver 3 1/4 in. (8.26 cm); greatest W. of spanner-screwdriver 1 3/8 in. (3.48 cm); L. of primer 4 5/8 in. (11.73 cm); greatest W. of primer 2 in. (5.08 cm); L. of bullet mould 4 3/8 in. (11.1 cm). Manufacturer: Samuel Colt (American, Hartford, Connecticut 1814-1862). Date: 1855. This revolver was pr Stock Photo

RMPAP10J–Colt Model 1855 Pocket Percussion Revolver, Serial no. 4460, with Case and Accessories. Culture: American, Hartford, Connecticut. Dimensions: L. 7 7/8 in. (19.99 cm); L. of barrel 3 1/2 in. (8.89 cm); Cal. .28 in. (7 mm); case 9 3/8 x 5 3/4 x 1 7/8 in. (23.8 x 14.61 x 4.75 cm); L. of spanner-screwdriver 3 1/4 in. (8.26 cm); greatest W. of spanner-screwdriver 1 3/8 in. (3.48 cm); L. of primer 4 5/8 in. (11.73 cm); greatest W. of primer 2 in. (5.08 cm); L. of bullet mould 4 3/8 in. (11.1 cm). Manufacturer: Samuel Colt (American, Hartford, Connecticut 1814-1862). Date: 1855. This revolver was pr

Painting; tempera, oil, and gilding on panel; overall: 72.5 x 101.3 cm (28 9/16 x 39 7/8 in.) framed: 94.9 x 123.7 x 8.9 cm (37 3/8 x 48 11/16 x 3 1/2 in.); Crucifixion circa 1504-1505. 1120 Luca Signorelli - la Crocifissione (National Gallery of Art) Stock Photo

RMMNXA25–Painting; tempera, oil, and gilding on panel; overall: 72.5 x 101.3 cm (28 9/16 x 39 7/8 in.) framed: 94.9 x 123.7 x 8.9 cm (37 3/8 x 48 11/16 x 3 1/2 in.); Crucifixion circa 1504-1505. 1120 Luca Signorelli - la Crocifissione (National Gallery of Art)

May Belfort, 1895. Henri de Toulouse-Lautrec (French, 1864-1901). Oil; framed: 86 x 71.5 x 8.9 cm (33 7/8 x 28 1/8 x 3 1/2 in.); unframed: 63 x 48 cm (24 13/16 x 18 7/8 in.). Stock Photo

RM2H10DX0–May Belfort, 1895. Henri de Toulouse-Lautrec (French, 1864-1901). Oil; framed: 86 x 71.5 x 8.9 cm (33 7/8 x 28 1/8 x 3 1/2 in.); unframed: 63 x 48 cm (24 13/16 x 18 7/8 in.).

Claude Monet, (artist), French, 1840 - 1926, Jerusalem Artichoke Flowers, 1880, oil on canvas, overall: 99.6 x 73 cm (39 3/16 x 28 3/4 in.), framed: 121.9 x 95.2 cm (48 x 37 1/2 in Stock Photo

RM2DC9MTP–Claude Monet, (artist), French, 1840 - 1926, Jerusalem Artichoke Flowers, 1880, oil on canvas, overall: 99.6 x 73 cm (39 3/16 x 28 3/4 in.), framed: 121.9 x 95.2 cm (48 x 37 1/2 in

Revelation of St. John: St. Michael fighting the Dragon, 1511. Albrecht Dürer (German, 1471-1528). Woodcut; sheet: 39.2 x 28.2 cm (15 7/16 x 11 1/8 in.); mat size: 48.9 x 36.3 cm (19 1/4 x 14 5/16 in Stock Photo

RMRY1RB8–Revelation of St. John: St. Michael fighting the Dragon, 1511. Albrecht Dürer (German, 1471-1528). Woodcut; sheet: 39.2 x 28.2 cm (15 7/16 x 11 1/8 in.); mat size: 48.9 x 36.3 cm (19 1/4 x 14 5/16 in

International: October. Artist: Frederick Richardson (American, 1862-1937). Dimensions: Sheet: 19 x 11 1/8 in. (48.3 x 28.3 cm) Image: 17 5/16 × 9 5/16 in. (44 × 23.7 cm). Date: ca. 1896. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAXCCW–International: October. Artist: Frederick Richardson (American, 1862-1937). Dimensions: Sheet: 19 x 11 1/8 in. (48.3 x 28.3 cm) Image: 17 5/16 × 9 5/16 in. (44 × 23.7 cm). Date: ca. 1896. Museum: Metropolitan Museum of Art, New York, USA.

. Daniel Webster. about 1883. Josiah Johnson Hawes, American, 1808–1901. Image: 48.5 x 38.5 cm (19 1/8 x 15 3/16 in.). Mount: 71.1 x 55.9 cm (28 x 22 in.). Photograph, albumen print mounted on board. Museum of Fine Arts, Boston. circa 1883. J.J. Hawes 131 DanielWebster byJJHawes MFABoston Stock Photo

RMMYC46M–. Daniel Webster. about 1883. Josiah Johnson Hawes, American, 1808–1901. Image: 48.5 x 38.5 cm (19 1/8 x 15 3/16 in.). Mount: 71.1 x 55.9 cm (28 x 22 in.). Photograph, albumen print mounted on board. Museum of Fine Arts, Boston. circa 1883. J.J. Hawes 131 DanielWebster byJJHawes MFABoston

RM2H111NY–Revelation of St. John: St. Michael fighting the Dragon, 1511. Albrecht Dürer (German, 1471-1528). Woodcut; sheet: 39.2 x 28.2 cm (15 7/16 x 11 1/8 in.); mat size: 48.9 x 36.3 cm (19 1/4 x 14 5/16 in.).

RMRY4MBN–May Belfort, 1895. Henri de Toulouse-Lautrec (French, 1864-1901). Oil; framed: 86 x 71.5 x 8.9 cm (33 7/8 x 28 1/8 x 3 1/2 in.); unframed: 63 x 48 cm (24 13/16 x 18 7/8 in

Valerien Regnard, (artist), French, 17th century, Section of the Church of Saint John the Baptist, engraving on laid paper, plate: 28.1 x 32.9 cm (11 1/16 x 12 15/16 in.), sheet: 36.1 x 48.8 cm (14 3/16 x 19 3/16 in Stock Photo

RM2DCC158–Valerien Regnard, (artist), French, 17th century, Section of the Church of Saint John the Baptist, engraving on laid paper, plate: 28.1 x 32.9 cm (11 1/16 x 12 15/16 in.), sheet: 36.1 x 48.8 cm (14 3/16 x 19 3/16 in

Lioness (one of a pair). Culture: German, Meissen. Dimensions: Overall (confirmed): 19 x 29 7/8 x 13 in. (48.3 x 75.9 x 33 cm); Pedestal: 45 x 34 x 21 in. (114.3 x 86.4 x 53.3 cm). Factory: Meissen Manufactory (German, 1710-present). Modeler: Johann Gottlieb Kirchner (German, Merseburg 1706-after 1738 Berlin, active at Meissen 1727-28 and 1731-33). Date: ca. 1732. This lioness and its pair (1988.294.1) belong to one of the most ambitious ceramic commissions of all time. They were among the 150 mammals and 300 birds produced in the 1730s for one of the Dresden royal palaces known as the Japan Stock Photo

RMPAAB11–Lioness (one of a pair). Culture: German, Meissen. Dimensions: Overall (confirmed): 19 x 29 7/8 x 13 in. (48.3 x 75.9 x 33 cm); Pedestal: 45 x 34 x 21 in. (114.3 x 86.4 x 53.3 cm). Factory: Meissen Manufactory (German, 1710-present). Modeler: Johann Gottlieb Kirchner (German, Merseburg 1706-after 1738 Berlin, active at Meissen 1727-28 and 1731-33). Date: ca. 1732. This lioness and its pair (1988.294.1) belong to one of the most ambitious ceramic commissions of all time. They were among the 150 mammals and 300 birds produced in the 1730s for one of the Dresden royal palaces known as the Japan

RMMWC850–. Daniel Webster. about 1883. Josiah Johnson Hawes, American, 1808–1901. Image: 48.5 x 38.5 cm (19 1/8 x 15 3/16 in.). Mount: 71.1 x 55.9 cm (28 x 22 in.). Photograph, albumen print mounted on board. Museum of Fine Arts, Boston. circa 1883. J.J. Hawes 152 DanielWebster byJJHawes MFABoston

Leaf from a Lectionary with St. Luke, 1057-1063. Byzantium, Constantinople, 11th century. Ink, tempera and gold on vellum; sheet: 28.9 x 22.6 cm (11 3/8 x 8 7/8 in.); matted: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.). Stock Photo

RM2H10EN1–Leaf from a Lectionary with St. Luke, 1057-1063. Byzantium, Constantinople, 11th century. Ink, tempera and gold on vellum; sheet: 28.9 x 22.6 cm (11 3/8 x 8 7/8 in.); matted: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.).

Lucas Cranach the Elder, (artist), German, 1472 - 1553, The Nymph of the Spring, after 1537, oil on panel, overall: 48.4 x 72.8 cm (19 1/16 x 28 11/16 in.), framed: 62.9 x 87.6 cm (24 3/4 x 34 1/2 in Stock Photo

RM2DCF53R–Lucas Cranach the Elder, (artist), German, 1472 - 1553, The Nymph of the Spring, after 1537, oil on panel, overall: 48.4 x 72.8 cm (19 1/16 x 28 11/16 in.), framed: 62.9 x 87.6 cm (24 3/4 x 34 1/2 in

The Temple in Jerusalem, from the 'Postilla Litteralis (Literal Commentary)' of Nicholas of Lyra. Culture: Netherlandish. Dimensions: Overall: 11 5/16 x 9 1/16 in. (28.8 x 23 cm) 10 3/4 x 8 1/8 in. (27.3 x 20.6 cm) Mat size: 19 3/16 x 14 3/16 in. (48.7 x 36 cm). Date: 1450-75. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANRXC–The Temple in Jerusalem, from the 'Postilla Litteralis (Literal Commentary)' of Nicholas of Lyra. Culture: Netherlandish. Dimensions: Overall: 11 5/16 x 9 1/16 in. (28.8 x 23 cm) 10 3/4 x 8 1/8 in. (27.3 x 20.6 cm) Mat size: 19 3/16 x 14 3/16 in. (48.7 x 36 cm). Date: 1450-75. Museum: Metropolitan Museum of Art, New York, USA.

RMMX7C6E–. Daniel Webster. about 1883. Josiah Johnson Hawes, American, 1808–1901. Image: 48.5 x 38.5 cm (19 1/8 x 15 3/16 in.). Mount: 71.1 x 55.9 cm (28 x 22 in.). Photograph, albumen print mounted on board. Museum of Fine Arts, Boston. circa 1883. J.J. Hawes 153 DanielWebster byJJHawes MFABoston

A Musical Company, c. 1668. Jacob Ochtervelt (Dutch, 1634-1682). Oil on canvas; framed: 73 x 64.5 x 5.5 cm (28 3/4 x 25 3/8 x 2 3/16 in.); unframed: 58.5 x 48.9 cm (23 1/16 x 19 1/4 in.). Stock Photo

RM2H10JCY–A Musical Company, c. 1668. Jacob Ochtervelt (Dutch, 1634-1682). Oil on canvas; framed: 73 x 64.5 x 5.5 cm (28 3/4 x 25 3/8 x 2 3/16 in.); unframed: 58.5 x 48.9 cm (23 1/16 x 19 1/4 in.).

Das Avataras, Ten Incarnations of Vishnu (verso), c. 1890. Shri Gobinda Chandra Roy. Black ink and hand-colored with red, green and yellow on paper; secondary support: 29.9 x 48.5 cm (11 3/4 x 19 1/8 in.); painting only: 28.3 x 42.7 cm (11 1/8 x 16 13/16 in.). Stock Photo

RM2H0Y2P1–Das Avataras, Ten Incarnations of Vishnu (verso), c. 1890. Shri Gobinda Chandra Roy. Black ink and hand-colored with red, green and yellow on paper; secondary support: 29.9 x 48.5 cm (11 3/4 x 19 1/8 in.); painting only: 28.3 x 42.7 cm (11 1/8 x 16 13/16 in.).

Putti with a basket of flowers 18th century French Painter French. Putti with a basket of flowers 189548 Artist: French Painter, Artist: Style of Fran?ois Boucher, French, Paris 1703?1770 Paris, Putti with a basket of flowers, 18th century, Oil on canvas, 19-1/4 x 28-3/8 in. (48.9 x 72.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.305) Stock Photo

RM2HH4TER–Putti with a basket of flowers 18th century French Painter French. Putti with a basket of flowers 189548 Artist: French Painter, Artist: Style of Fran?ois Boucher, French, Paris 1703?1770 Paris, Putti with a basket of flowers, 18th century, Oil on canvas, 19-1/4 x 28-3/8 in. (48.9 x 72.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.305)

Valerien Regnard, (artist), French, 17th century, Ground Plan of the Church of Saint John the Baptist, engraving on laid paper, plate: 32.9 x 28.3 cm (12 15/16 x 11 1/8 in.), sheet: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in Stock Photo

RM2DC90MY–Valerien Regnard, (artist), French, 17th century, Ground Plan of the Church of Saint John the Baptist, engraving on laid paper, plate: 32.9 x 28.3 cm (12 15/16 x 11 1/8 in.), sheet: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in

Leaf from a Lectionary with St. Matthew, 1057-1063. Byzantium, Constantinople, 11th century. Tempera and gold on vellum; sheet: 28.8 x 24.3 cm (11 5/16 x 9 9/16 in.); framed: 52.4 x 39.7 cm (20 5/8 x 15 5/8 in.); matted: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.). Stock Photo

RM2H10F7K–Leaf from a Lectionary with St. Matthew, 1057-1063. Byzantium, Constantinople, 11th century. Tempera and gold on vellum; sheet: 28.8 x 24.3 cm (11 5/16 x 9 9/16 in.); framed: 52.4 x 39.7 cm (20 5/8 x 15 5/8 in.); matted: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.).

Speculum Romanae Magnificentiae: Decorated Sarcohpagus with Arabesques. Artist: Anonymous. Dimensions: sheet: 13 3/8 x 19 1/8 in. (34 x 48.6 cm) plate: 11 1/4 x 16 9/16 in. (28.5 x 42 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome); Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1553. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Stock Photo

RMPANM33–Speculum Romanae Magnificentiae: Decorated Sarcohpagus with Arabesques. Artist: Anonymous. Dimensions: sheet: 13 3/8 x 19 1/8 in. (34 x 48.6 cm) plate: 11 1/4 x 16 9/16 in. (28.5 x 42 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome); Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1553. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and

RM2H0YHNA–Liber Studiorum; Frontispiece, View of a Garden House on the Banks of the River Yare, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.7 x 31.9 cm (19 9/16 x 12 9/16 in.); platemark: 30.4 x 21.5 cm (11 15/16 x 8 7/16 in.); to borderline: 28.9 x 20.5 cm (11 3/8 x 8 1/16 in.).

Switzerland. Grindelwald, Upper Glacier, Source of the Lutschine, 1875–77. Adolphe Braun (French, 1812-1877). Carbon print, toned, from wet collodion negative; image: 38.7 x 48.3 cm (15 1/4 x 19 in.); paper: 40 x 50.7 cm (15 3/4 x 19 15/16 in.); matted: 55.9 x 71.1 cm (22 x 28 in.); framed: 59.1 x 74.3 cm (23 1/4 x 29 1/4 in.). Stock Photo

RM2H10YKY–Switzerland. Grindelwald, Upper Glacier, Source of the Lutschine, 1875–77. Adolphe Braun (French, 1812-1877). Carbon print, toned, from wet collodion negative; image: 38.7 x 48.3 cm (15 1/4 x 19 in.); paper: 40 x 50.7 cm (15 3/4 x 19 15/16 in.); matted: 55.9 x 71.1 cm (22 x 28 in.); framed: 59.1 x 74.3 cm (23 1/4 x 29 1/4 in.).

Krishna Steals the Clothes of the Cowgirls (Gopis) (recto), c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Watercolor, graphite, ink, and tin on paper; secondary support: 48.5 x 29.9 cm (19 1/8 x 11 3/4 in.); painting only: 45.5 x 28 cm (17 15/16 x 11 in.). In this image taken from both popular accounts and the Bhagavata Purana, Krishna has stolen the clothes of cowgirls (gopis) who are bathing in the Yamuna River, a tributary of the Ganges River. He refuses to return their clothes, the purple saris seen hanging high in the tree, until they come out and bow to him with folded palms. Krish Stock Photo

RM2H0Y2PG–Krishna Steals the Clothes of the Cowgirls (Gopis) (recto), c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Watercolor, graphite, ink, and tin on paper; secondary support: 48.5 x 29.9 cm (19 1/8 x 11 3/4 in.); painting only: 45.5 x 28 cm (17 15/16 x 11 in.). In this image taken from both popular accounts and the Bhagavata Purana, Krishna has stolen the clothes of cowgirls (gopis) who are bathing in the Yamuna River, a tributary of the Ganges River. He refuses to return their clothes, the purple saris seen hanging high in the tree, until they come out and bow to him with folded palms. Krish

. Philip Lindsley (1786–1855), Class of 1804, A.M. 1807, Princeton University Acting President (1822–23) by George Dury after John C. Grimes (1799–1837), circa 1850. Oil on canvas, sight: 89.5 x 72.3 cm (35 1/4 x 28 7/16 in.) frame: 121.9 x 104.1 x 10.2 cm (48 x 41 x 4 in.), Princeton University Art Museum . 1850. George Dury (1817–1894) Alternative names Friedrich Julius George Dury; George W. Dury Description American painter Date of birth/death 15 May 1817 1894 Location of birth/death Würzburg Nashville Authority control : Q50112535 VIAF: 114144782949802632445 ULAN: 500029922 GN Stock Photo

RMMNT6DE–. Philip Lindsley (1786–1855), Class of 1804, A.M. 1807, Princeton University Acting President (1822–23) by George Dury after John C. Grimes (1799–1837), circa 1850. Oil on canvas, sight: 89.5 x 72.3 cm (35 1/4 x 28 7/16 in.) frame: 121.9 x 104.1 x 10.2 cm (48 x 41 x 4 in.), Princeton University Art Museum . 1850. George Dury (1817–1894) Alternative names Friedrich Julius George Dury; George W. Dury Description American painter Date of birth/death 15 May 1817 1894 Location of birth/death Würzburg Nashville Authority control : Q50112535 VIAF: 114144782949802632445 ULAN: 500029922 GN

James Bard, (artist), American, 1815 - 1897, Steamer 'St. Lawrence', 1850, oil on canvas, overall: 73.3 x 121.9 cm (28 7/8 x 48 in.), framed: 83.8 x 132.7 x 6.3 cm (33 x 52 1/4 x 2 1/2 in Stock Photo

RM2DCC8CD–James Bard, (artist), American, 1815 - 1897, Steamer 'St. Lawrence', 1850, oil on canvas, overall: 73.3 x 121.9 cm (28 7/8 x 48 in.), framed: 83.8 x 132.7 x 6.3 cm (33 x 52 1/4 x 2 1/2 in

George Washington. Culture: French. Designer: Designed by Jacques Allardet. Dimensions: H. 11 3/8 x W. 8 1/2 inches (28.9 x 21.6 cm). Maker: Woven by Michel-Marie Carquillat (French, 1803-1884). Date: 1865. Silkworms produce irregular and less smooth fibroins at the beginning and the end of fabricating their cocoons. Some weavers discard these silk fibers to control the overall yarn quality. As this textile's warps and wefts are not uniform, it is possible that part of the textile was woven using the irregular fibers. However, the final product does not reveal the silk yarn's imperfect qualit Stock Photo

RMR2K3WB–George Washington. Culture: French. Designer: Designed by Jacques Allardet. Dimensions: H. 11 3/8 x W. 8 1/2 inches (28.9 x 21.6 cm). Maker: Woven by Michel-Marie Carquillat (French, 1803-1884). Date: 1865. Silkworms produce irregular and less smooth fibroins at the beginning and the end of fabricating their cocoons. Some weavers discard these silk fibers to control the overall yarn quality. As this textile's warps and wefts are not uniform, it is possible that part of the textile was woven using the irregular fibers. However, the final product does not reveal the silk yarn's imperfect qualit

Winslow Homer, (artist), American, 1836 - 1910, Right and Left, 1909, oil on canvas, overall: 71.8 x 122.9 cm (28 1/4 x 48 3/8 in.), framed: 105.4 x 156.8 x 10.2 cm (41 1/2 x 61 3/4 x 4 in Stock Photo

RM2DCCR9X–Winslow Homer, (artist), American, 1836 - 1910, Right and Left, 1909, oil on canvas, overall: 71.8 x 122.9 cm (28 1/4 x 48 3/8 in.), framed: 105.4 x 156.8 x 10.2 cm (41 1/2 x 61 3/4 x 4 in

The Three Trees. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: plate: 8 3/8 x 10 15/16 in. (21.3 x 27.8 cm) sheet: 8 3/8 x 11 1/8 in. (21.3 x 28.3 cm) mount: 14 1/4 x 19 1/4 in. (36.2 x 48.9 cm). Date: 1643. The Three Trees is Rembrandt's largest and most striking etched landscape. Here he masterfully combined techniques (drypoint, engraving, varied depths of etched lines, and a speckled tone) to create a sense of nature in flux. He animated the landscape with many details: an artist sketching on the hill at right, a fisher couple at lower left, and Stock Photo

RMR2K8GW–The Three Trees. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: plate: 8 3/8 x 10 15/16 in. (21.3 x 27.8 cm) sheet: 8 3/8 x 11 1/8 in. (21.3 x 28.3 cm) mount: 14 1/4 x 19 1/4 in. (36.2 x 48.9 cm). Date: 1643. The Three Trees is Rembrandt's largest and most striking etched landscape. Here he masterfully combined techniques (drypoint, engraving, varied depths of etched lines, and a speckled tone) to create a sense of nature in flux. He animated the landscape with many details: an artist sketching on the hill at right, a fisher couple at lower left, and

RMRY6HJ1–A Musical Company, c. 1668. Jacob Ochtervelt (Dutch, 1634-1682). Oil on canvas; framed: 73 x 64.5 x 5.5 cm (28 3/4 x 25 3/8 x 2 3/16 in.); unframed: 58.5 x 48.9 cm (23 1/16 x 19 1/4 in

Vincent van Gogh, (artist), Dutch, 1853 - 1890, Flower Beds in Holland, c. 1883, oil on canvas on wood, overall: 48.9 x 66 cm (19 1/4 x 26 in.), framed: 71.1 x 88.9 x 8.3 cm (28 x 35 x 3 1/4 in Stock Photo

RM2DC7NNW–Vincent van Gogh, (artist), Dutch, 1853 - 1890, Flower Beds in Holland, c. 1883, oil on canvas on wood, overall: 48.9 x 66 cm (19 1/4 x 26 in.), framed: 71.1 x 88.9 x 8.3 cm (28 x 35 x 3 1/4 in

Krishna Steals the Clothes of the Cowgirls (Gopis), 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 48.5 x 29.9 cm (19 1/8 x 11 3/4 in.); painting only: 45.5 x 28 cm (17 15/16 x 11 in Stock Photo

RMRY6KMA–Krishna Steals the Clothes of the Cowgirls (Gopis), 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 48.5 x 29.9 cm (19 1/8 x 11 3/4 in.); painting only: 45.5 x 28 cm (17 15/16 x 11 in

Eugénie, Impératrice des Français. Artist: Léon Alphonse Noël (French, 1807-1879); After Franz Xaver Winterhalter (German, Menzenschwand 1805-1873 Frankfurt). Dimensions: Chine: 28 1/4 × 19 1/4 in. (71.8 × 48.9 cm) Sheet: 31 3/4 × 21 3/8 in. (80.6 × 54.3 cm). Printer: Lemercier & Cie. (French, Paris). Publisher: Goupil & Co.. Sitter: Eugénie, Empress of the French (1826-1920). Date: 1854. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAB0F1–Eugénie, Impératrice des Français. Artist: Léon Alphonse Noël (French, 1807-1879); After Franz Xaver Winterhalter (German, Menzenschwand 1805-1873 Frankfurt). Dimensions: Chine: 28 1/4 × 19 1/4 in. (71.8 × 48.9 cm) Sheet: 31 3/4 × 21 3/8 in. (80.6 × 54.3 cm). Printer: Lemercier & Cie. (French, Paris). Publisher: Goupil & Co.. Sitter: Eugénie, Empress of the French (1826-1920). Date: 1854. Museum: Metropolitan Museum of Art, New York, USA.

Das Avataras, Ten Incarnations of Vishnu, 1800s. Shri Gobinda Chandra Roy. Black ink and hand-colored with red, green and yellow on paper; secondary support: 29.9 x 48.5 cm (11 3/4 x 19 1/8 in.); painting only: 28.3 x 42.7 cm (11 1/8 x 16 13/16 in Stock Photo

RMRY6KMB–Das Avataras, Ten Incarnations of Vishnu, 1800s. Shri Gobinda Chandra Roy. Black ink and hand-colored with red, green and yellow on paper; secondary support: 29.9 x 48.5 cm (11 3/4 x 19 1/8 in.); painting only: 28.3 x 42.7 cm (11 1/8 x 16 13/16 in

Paul Gauguin, (artist), French, 1848 - 1903, Landscape at Le Pouldu, 1890, oil on canvas, overall: 73.3 x 92.4 cm (28 7/8 x 36 3/8 in.), framed: 103.2 x 122.9 x 10.4 cm (40 5/8 x 48 3/8 x 4 1/8 in Stock Photo

RM2DC9RWA–Paul Gauguin, (artist), French, 1848 - 1903, Landscape at Le Pouldu, 1890, oil on canvas, overall: 73.3 x 92.4 cm (28 7/8 x 36 3/8 in.), framed: 103.2 x 122.9 x 10.4 cm (40 5/8 x 48 3/8 x 4 1/8 in

Piece. Culture: British, probably. Dimensions: 28 3/4 x 19 1/4 in. (73 x 48.9 cm). Date: ca. 1760. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAXCC7–Piece. Culture: British, probably. Dimensions: 28 3/4 x 19 1/4 in. (73 x 48.9 cm). Date: ca. 1760. Museum: Metropolitan Museum of Art, New York, USA.

Gilbert Stuart, (painter), American, 1755 - 1828, Catherine Yates Pollock (Mrs. George Pollock), 1793/1794, oil on canvas, overall: 91.6 x 71.8 cm (36 1/16 x 28 1/4 in.), framed: 122.6 x 105.4 x 8.9 cm (48 1/4 x 41 1/2 x 3 1/2 in Stock Photo

RM2DC9D2G–Gilbert Stuart, (painter), American, 1755 - 1828, Catherine Yates Pollock (Mrs. George Pollock), 1793/1794, oil on canvas, overall: 91.6 x 71.8 cm (36 1/16 x 28 1/4 in.), framed: 122.6 x 105.4 x 8.9 cm (48 1/4 x 41 1/2 x 3 1/2 in

The Avon Gorge, Looking toward Clifton, Francis Danby, 1793–1861, Irish, ca. 1820, Watercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper, Sheet: 19 1/4 x 28 3/4 inches (48.9 x 73 cm), birds, boats, canal, cliffs, costume, evolution, fossils, geology, gorge, landscape, limestone, pointing, river, science, umbrella, Avon, Clifton, England, Lancashire, United Kingdom Stock Photo

RM2DJ7TTA–The Avon Gorge, Looking toward Clifton, Francis Danby, 1793–1861, Irish, ca. 1820, Watercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper, Sheet: 19 1/4 x 28 3/4 inches (48.9 x 73 cm), birds, boats, canal, cliffs, costume, evolution, fossils, geology, gorge, landscape, limestone, pointing, river, science, umbrella, Avon, Clifton, England, Lancashire, United Kingdom

Vittore Carpaccio, (painter), Venetian, c. 1465 - 1525/1526, The Flight into Egypt, c. 1515, oil on panel, painted surface: 72 x 111 cm (28 3/8 x 43 11/16 in.), overall (including attached pieces): 74 x 113 cm (29 1/8 x 44 1/2 in.), framed: 122.9 x 160 cm (48 3/8 x 63 in Stock Photo

RM2DCD16F–Vittore Carpaccio, (painter), Venetian, c. 1465 - 1525/1526, The Flight into Egypt, c. 1515, oil on panel, painted surface: 72 x 111 cm (28 3/8 x 43 11/16 in.), overall (including attached pieces): 74 x 113 cm (29 1/8 x 44 1/2 in.), framed: 122.9 x 160 cm (48 3/8 x 63 in

Piece. Culture: Italian. Dimensions: Overall: 28 3/4 x 19 1/4 in. (73 x 48.9 cm). Date: ca. 1735. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB244Y–Piece. Culture: Italian. Dimensions: Overall: 28 3/4 x 19 1/4 in. (73 x 48.9 cm). Date: ca. 1735. Museum: Metropolitan Museum of Art, New York, USA.

Domenico Ghirlandaio, (artist), Florentine, 1449 - 1494, Madonna and Child, c. 1470/1475, tempera on panel transferred to hardboard, painted surface: 70.8 x 48.9 cm (27 7/8 x 19 1/4 in.), overall size: 73 x 50.2 cm (28 3/4 x 19 3/4 in.), framed: 115.6 x 89.2 x 7.6 cm (45 1/2 x 35 1/8 x 3 in Stock Photo

RM2DCA7FP–Domenico Ghirlandaio, (artist), Florentine, 1449 - 1494, Madonna and Child, c. 1470/1475, tempera on panel transferred to hardboard, painted surface: 70.8 x 48.9 cm (27 7/8 x 19 1/4 in.), overall size: 73 x 50.2 cm (28 3/4 x 19 3/4 in.), framed: 115.6 x 89.2 x 7.6 cm (45 1/2 x 35 1/8 x 3 in

Switzerland. Grindelwald, Upper Glacier, Source of the Lutschine, 1875-1877. Adolphe Braun (French, 1812-1877). Carbon print, toned, from wet collodion negative; image: 38.7 x 48.3 cm (15 1/4 x 19 in.); framed: 59.1 x 74.3 cm (23 1/4 x 29 1/4 in.); paper: 40 x 50.7 cm (15 3/4 x 19 15/16 in.); matted: 55.9 x 71.1 cm (22 x 28 in Stock Photo

RMRY5XYB–Switzerland. Grindelwald, Upper Glacier, Source of the Lutschine, 1875-1877. Adolphe Braun (French, 1812-1877). Carbon print, toned, from wet collodion negative; image: 38.7 x 48.3 cm (15 1/4 x 19 in.); framed: 59.1 x 74.3 cm (23 1/4 x 29 1/4 in.); paper: 40 x 50.7 cm (15 3/4 x 19 15/16 in.); matted: 55.9 x 71.1 cm (22 x 28 in

The Boscawen and Sheerness Privateers, Print made by John Boydell, 1720–1804, British, after Charles Brooking, 1723–1759, British, Published by John Boydell, 1720–1804, British, 1753, Etching and line engraving on moderately thick, slightly textured, cream laid paper, laid on mount, Sheet: 14 5/8 x 20 9/16 inches (37.1 x 52.3 cm), Plate: 13 1/4 x 19 inches (33.7 x 48.2 cm), and Image: 11 5/16 x 18 1/16 inches (28.8 x 45.9 cm), battle, cannons (artillery), clouds, damage, destruction, fire, flags, French, galleons, navies, Royal Navy, sails, sea, ships, shipwreck, smoke, war, yachts Stock Photo

RM2DHY0Y1–The Boscawen and Sheerness Privateers, Print made by John Boydell, 1720–1804, British, after Charles Brooking, 1723–1759, British, Published by John Boydell, 1720–1804, British, 1753, Etching and line engraving on moderately thick, slightly textured, cream laid paper, laid on mount, Sheet: 14 5/8 x 20 9/16 inches (37.1 x 52.3 cm), Plate: 13 1/4 x 19 inches (33.7 x 48.2 cm), and Image: 11 5/16 x 18 1/16 inches (28.8 x 45.9 cm), battle, cannons (artillery), clouds, damage, destruction, fire, flags, French, galleons, navies, Royal Navy, sails, sea, ships, shipwreck, smoke, war, yachts

Panels. Chancay; Peru, Central coast. Date: 1000-1476. Dimensions: 122.9 x 72.4 cm (48 3/8 x 28 1/2 in.). Cotton, plain weave; painted. Origin: Peru. Museum: The Chicago Art Institute. Stock Photo

RMRX6PBY–Panels. Chancay; Peru, Central coast. Date: 1000-1476. Dimensions: 122.9 x 72.4 cm (48 3/8 x 28 1/2 in.). Cotton, plain weave; painted. Origin: Peru. Museum: The Chicago Art Institute.

Englishman at Paris, 1767, Print made by James Bretherton, ca. 1730–1806, British, after Henry William Bunbury, 1750–1811, British, Published by John Harris, 1770–1834, British, 1799, Etching on moderately thick, moderately textured, blued white laid paper, Sheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm), Plate: 12 3/4 x 16 1/8 inches (32.4 x 40.9 cm), and Image: 11 1/4 x 15 3/8 inches (28.6 x 39 cm), bags (containers), buildings, canes, caricature, carriage, cart, city, coachmen, coats, costume, dogs (animals), drivers, dwarf, genre subject, Grand Tour, greyhound, hats, horse (animal), humor Stock Photo

RM2DHXRDE–Englishman at Paris, 1767, Print made by James Bretherton, ca. 1730–1806, British, after Henry William Bunbury, 1750–1811, British, Published by John Harris, 1770–1834, British, 1799, Etching on moderately thick, moderately textured, blued white laid paper, Sheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm), Plate: 12 3/4 x 16 1/8 inches (32.4 x 40.9 cm), and Image: 11 1/4 x 15 3/8 inches (28.6 x 39 cm), bags (containers), buildings, canes, caricature, carriage, cart, city, coachmen, coats, costume, dogs (animals), drivers, dwarf, genre subject, Grand Tour, greyhound, hats, horse (animal), humor

Rooster weathervane, c. 1870, 19 1/4 x 28 x 2 3/4 in. (48.9 x 71.12 x 6.99 cm), Copper, gilt, France, 19th century Stock Photo

RM2T91PPP–Rooster weathervane, c. 1870, 19 1/4 x 28 x 2 3/4 in. (48.9 x 71.12 x 6.99 cm), Copper, gilt, France, 19th century

Sternpiece: Eagle. Dated: 1935/1942. Dimensions: overall: 28.9 x 48.4 cm (11 3/8 x 19 1/16 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century. Stock Photo

RMPM971T–Sternpiece: Eagle. Dated: 1935/1942. Dimensions: overall: 28.9 x 48.4 cm (11 3/8 x 19 1/16 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Peasant Girl at the Spring, c. 1860-65, Jean-Baptiste-Camille Corot, French, 1796 - 1875, 29 1/2 x 19 1/4 in. (74.93 x 48.9 cm) (canvas)37 x 28 x 3 1/2 in. (93.98 x 71.12 x 8.89 cm) (outer frame), Oil on canvas, France, 19th century Stock Photo

RM2T90KPT–Peasant Girl at the Spring, c. 1860-65, Jean-Baptiste-Camille Corot, French, 1796 - 1875, 29 1/2 x 19 1/4 in. (74.93 x 48.9 cm) (canvas)37 x 28 x 3 1/2 in. (93.98 x 71.12 x 8.89 cm) (outer frame), Oil on canvas, France, 19th century

Colcha. Dated: 1935/1942. Dimensions: overall: 45.9 x 71.3 cm (18 1/16 x 28 1/16 in.) Original IAD Object: 48' long. Medium: gouache and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Majel G. Claflin. Stock Photo

RMR2P8ND–Colcha. Dated: 1935/1942. Dimensions: overall: 45.9 x 71.3 cm (18 1/16 x 28 1/16 in.) Original IAD Object: 48' long. Medium: gouache and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Majel G. Claflin.

Full-length Drapery Study, with Sketch of a Right Foot, c. 1580 - 1600, Circle of Federico Barocci; Artist: Unknown Italian, 16th century, Italian, (Urbino), c. 1535–1612, 15 15/16 x 9 1/4 in. (40.48 x 23.5 cm) (sheet)16 3/16 x 11 5/16 in. (41.12 x 28.73 cm) (mount), Black chalk with white heightening on tan paper, Italy, 16th century, This luminous drapery study appears to have been inspired by a figure the artist saw in a painting rather than by a live model. The garment resembles the habit of a Dominican friar (white tunic and scapular beneath a black cloak) Stock Photo

RM2T909TN–Full-length Drapery Study, with Sketch of a Right Foot, c. 1580 - 1600, Circle of Federico Barocci; Artist: Unknown Italian, 16th century, Italian, (Urbino), c. 1535–1612, 15 15/16 x 9 1/4 in. (40.48 x 23.5 cm) (sheet)16 3/16 x 11 5/16 in. (41.12 x 28.73 cm) (mount), Black chalk with white heightening on tan paper, Italy, 16th century, This luminous drapery study appears to have been inspired by a figure the artist saw in a painting rather than by a live model. The garment resembles the habit of a Dominican friar (white tunic and scapular beneath a black cloak)

Lano's Pop Out Marionette. Dated: c. 1937. Dimensions: overall: 68.9 x 48.3 cm (27 1/8 x 19 in.) Original IAD Object: 28' high. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frank Gray. Stock Photo

RMR3ARGF–Lano's Pop Out Marionette. Dated: c. 1937. Dimensions: overall: 68.9 x 48.3 cm (27 1/8 x 19 in.) Original IAD Object: 28' high. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frank Gray.

Study for the Assumption of the Virgin, 1758, Jean-Baptiste Deshays, French, 1703–1770, 19 1/4 x 11 3/8 in. (48.9 x 28.89 cm) (canvas)27 x 19 x 2 in. (68.58 x 48.26 x 5.08 cm) (outer frame), Oil on paper, France, 18th century, In this lively oil sketch, the Virgin Mary ascends into heaven from her tomb, carried by a swirl of angels. Jean-Baptiste Deshays made this work in preparation for a major altarpiece in 1758, on his return to Paris after a four-year stay in Rome. Deshays had recently married the eldest daughter of the important Parisian painter François Boucher (1703–70) Stock Photo

RM2T90KRN–Study for the Assumption of the Virgin, 1758, Jean-Baptiste Deshays, French, 1703–1770, 19 1/4 x 11 3/8 in. (48.9 x 28.89 cm) (canvas)27 x 19 x 2 in. (68.58 x 48.26 x 5.08 cm) (outer frame), Oil on paper, France, 18th century, In this lively oil sketch, the Virgin Mary ascends into heaven from her tomb, carried by a swirl of angels. Jean-Baptiste Deshays made this work in preparation for a major altarpiece in 1758, on his return to Paris after a four-year stay in Rome. Deshays had recently married the eldest daughter of the important Parisian painter François Boucher (1703–70)

Diana of the Tower. Dated: conceived 1892/1893, cast 1899. Dimensions: overall: 96.6 x 48.5 x 28.9 cm (38 1/16 x 19 1/8 x 11 3/8 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Augustus Saint-Gaudens. Stock Photo

RMR38F33–Diana of the Tower. Dated: conceived 1892/1893, cast 1899. Dimensions: overall: 96.6 x 48.5 x 28.9 cm (38 1/16 x 19 1/8 x 11 3/8 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Augustus Saint-Gaudens.

Drop-leaf Dining Table, 1760–90, Made in Massachusetts, United States, American, Mahogany, maple, white pine, 28 x 15 7/8 x 48 Stock Photo

RMKC2W72–Drop-leaf Dining Table, 1760–90, Made in Massachusetts, United States, American, Mahogany, maple, white pine, 28 x 15 7/8 x 48

George Washington, 1865, French, Jacquard woven (warp: silk dyed in beige and black, reeled, no twist/no ply, 102 per cm; weft Stock Photo

RMKC615F–George Washington, 1865, French, Jacquard woven (warp: silk dyed in beige and black, reeled, no twist/no ply, 102 per cm; weft

Design for a Stage Set at the Opéra, Paris, Eugène Cicéri, 19th century Stock Photo

RMKC9P2X–Design for a Stage Set at the Opéra, Paris, Eugène Cicéri, 19th century

Drop-leaf Dining Table, 1750–90, Made in Philadelphia, Pennsylvania, United States, American, Walnut, white oak, yellow pine Stock Photo

RMKC1N5D–Drop-leaf Dining Table, 1750–90, Made in Philadelphia, Pennsylvania, United States, American, Walnut, white oak, yellow pine

明郭詡稱書圖軸, Weighing Books, Guo Xu, early 16th century Stock Photo

RMKC6M46–明郭詡稱書圖軸, Weighing Books, Guo Xu, early 16th century

Domed Pavilion. Culture: India, Company School. Dimensions: Image (sight): 15 1/2 x 19 1/4 in. (39.4 x 48.9 cm) Framed: 28 x 32 in. (71.1 x 81.3 cm). Date: ca. 1830. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAME3R–Domed Pavilion. Culture: India, Company School. Dimensions: Image (sight): 15 1/2 x 19 1/4 in. (39.4 x 48.9 cm) Framed: 28 x 32 in. (71.1 x 81.3 cm). Date: ca. 1830. Museum: Metropolitan Museum of Art, New York, USA.

Colt Model 1855 Pocket Percussion Revolver, Serial no. 4460, with Case and Accessories, 1855 Stock Photo

RMKC417H–Colt Model 1855 Pocket Percussion Revolver, Serial no. 4460, with Case and Accessories, 1855

Angels in Glory. Dated: 1607. Dimensions: sheet: 41.9 x 48.8 cm (16 1/2 x 19 3/16 in.) plate: 40.5 x 47.2 cm (15 15/16 x 18 9/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Guido Reni, after Luca Cambiaso. Stock Photo

RMR32FX1–Angels in Glory. Dated: 1607. Dimensions: sheet: 41.9 x 48.8 cm (16 1/2 x 19 3/16 in.) plate: 40.5 x 47.2 cm (15 15/16 x 18 9/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Guido Reni, after Luca Cambiaso.

Jerusalem Artichoke Flowers. Dated: 1880. Dimensions: overall: 99.6 x 73 cm (39 3/16 x 28 3/4 in.) framed: 121.9 x 95.2 cm (48 x 37 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MONET. Stock Photo

RMPKX13P–Jerusalem Artichoke Flowers. Dated: 1880. Dimensions: overall: 99.6 x 73 cm (39 3/16 x 28 3/4 in.) framed: 121.9 x 95.2 cm (48 x 37 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MONET.

Chest. Dated: c. 1936. Dimensions: overall: 28.7 x 36.9 cm (11 5/16 x 14 1/2 in.) Original IAD Object: 48 1/2'long; 17 3/4'wide; 26 1/2'high. Medium: watercolor, colored pencil and some heightening onpaper. Museum: National Gallery of Art, Washington DC. Author: Martin Partyka. Stock Photo

RMR2Y4P2–Chest. Dated: c. 1936. Dimensions: overall: 28.7 x 36.9 cm (11 5/16 x 14 1/2 in.) Original IAD Object: 48 1/2'long; 17 3/4'wide; 26 1/2'high. Medium: watercolor, colored pencil and some heightening onpaper. Museum: National Gallery of Art, Washington DC. Author: Martin Partyka.

Le Matin (Morning). Dated: 1886. Dimensions: plate: 48.6 x 25.9 cm (19 1/8 x 10 3/16 in.) sheet: 72 x 54.7 cm (28 3/8 x 21 9/16 in.). Medium: mezzotint on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES JACQUES JOSEPH TISSOT. Stock Photo

RMPKY788–Le Matin (Morning). Dated: 1886. Dimensions: plate: 48.6 x 25.9 cm (19 1/8 x 10 3/16 in.) sheet: 72 x 54.7 cm (28 3/8 x 21 9/16 in.). Medium: mezzotint on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES JACQUES JOSEPH TISSOT.

Section of the Church of Saint John the Baptist. Dimensions: plate: 28.1 x 32.9 cm (11 1/16 x 12 15/16 in.) sheet: 36.1 x 48.8 cm (14 3/16 x 19 3/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Valerien Regnard. Stock Photo

RMR38M7P–Section of the Church of Saint John the Baptist. Dimensions: plate: 28.1 x 32.9 cm (11 1/16 x 12 15/16 in.) sheet: 36.1 x 48.8 cm (14 3/16 x 19 3/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Valerien Regnard.

Ground Plan of the Church of Saint John the Baptist. Dimensions: plate: 32.9 x 28.3 cm (12 15/16 x 11 1/8 in.) sheet: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Valerien Regnard. Stock Photo

RMR2PPP6–Ground Plan of the Church of Saint John the Baptist. Dimensions: plate: 32.9 x 28.3 cm (12 15/16 x 11 1/8 in.) sheet: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Valerien Regnard.

28 9 x 48 3 cm Stock Photos and Images

28 9 x 48 3 cm Stock Photos and Images

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