31 5 1740 hi-res stock photography and images

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, with Prince Henry at a parade in Berlin, copper engraving by Johann Michael Probst, 1758, Artist's Copyright has not to be cleared Stock Photo

RMCP1YCX–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, with Prince Henry at a parade in Berlin, copper engraving by Johann Michael Probst, 1758, Artist's Copyright has not to be cleared

Joseph Richardson Sr., American, 1711–1784, Saucepan, c. 1740, Silver, 5 1/8 x 1 7/8 x 12 1/4 in. (13 x 4.8 x 31.1 cm Stock Photo

RM2B0GXTH–Joseph Richardson Sr., American, 1711–1784, Saucepan, c. 1740, Silver, 5 1/8 x 1 7/8 x 12 1/4 in. (13 x 4.8 x 31.1 cm

Frederick William I, 15.8.1688 - 31.5.1740, King in Prussia 25.2.1713 - 31.5.1740, portrait, copper engraving by Johann Georg Me Stock Photo

RMBA1GTT–Frederick William I, 15.8.1688 - 31.5.1740, King in Prussia 25.2.1713 - 31.5.1740, portrait, copper engraving by Johann Georg Me

Art inspired by The Fire, ca. 1740, Etching and engraving, Sheet: 12 3/16 x 9 5/8 in. (31 x 24.4 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXPFC–Art inspired by The Fire, ca. 1740, Etching and engraving, Sheet: 12 3/16 x 9 5/8 in. (31 x 24.4 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Side table (one of a pair), British, ca. 1740, British, Mahogany, pine, verde antico marble, .2a: 31 × 56 × 30 in. (78.7 × 142.2 × 76.2 cm), Other (.2b): 29 3/8 × 53 3/4 in. (74.6 × 136.5 cm), Woodwork-Furniture Stock Photo

RM2B0KRHD–Side table (one of a pair), British, ca. 1740, British, Mahogany, pine, verde antico marble, .2a: 31 × 56 × 30 in. (78.7 × 142.2 × 76.2 cm), Other (.2b): 29 3/8 × 53 3/4 in. (74.6 × 136.5 cm), Woodwork-Furniture

Art inspired by Slab Table, 1740–60, Made in New York, United States, American, Mahogany, birch, maple, 29 3/4 x 60 5/8 x 31 1/8 in. (75.6 x 154 x 79.1 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2GKB–Art inspired by Slab Table, 1740–60, Made in New York, United States, American, Mahogany, birch, maple, 29 3/4 x 60 5/8 x 31 1/8 in. (75.6 x 154 x 79.1 cm), Furniture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Square Tea Table, 1740–60, Made in Newport, Rhode Island, United States, American, Mahogany, white pine, 25 1/4 x 31 5/8 x 20 Stock Photo

RMKC5WYG–Square Tea Table, 1740–60, Made in Newport, Rhode Island, United States, American, Mahogany, white pine, 25 1/4 x 31 5/8 x 20

Art inspired by Gods and Goddesses in a Landscape, 1740–1802, Etching, sheet: 8 11/16 x 12 3/8 in. (22 x 31.5 cm), Prints, Attributed to Giuseppe Canale (Italian, 1725–1802), After Carlo Maratti (Italian, Camerano 1625–1713 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7GT6–Art inspired by Gods and Goddesses in a Landscape, 1740–1802, Etching, sheet: 8 11/16 x 12 3/8 in. (22 x 31.5 cm), Prints, Attributed to Giuseppe Canale (Italian, 1725–1802), After Carlo Maratti (Italian, Camerano 1625–1713 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Slab Table, 1740–60, Made in New York, United States, American, Mahogany, birch, maple, 29 3/4 x 60 5/8 x 31 1/8 in. (75.6 x 154 Stock Photo

RMKC2TPM–Slab Table, 1740–60, Made in New York, United States, American, Mahogany, birch, maple, 29 3/4 x 60 5/8 x 31 1/8 in. (75.6 x 154

The Fire. Artist: After François Boucher (French, Paris 1703-1770 Paris); Pierre Alexandre Aveline (French, Paris 1702-1760 Paris). Dimensions: Sheet: 12 3/16 x 9 5/8 in. (31 x 24.4 cm). Publisher: Chez Huquier (French, 18th century). Series/Portfolio: Four Elements (Quatre Elements). Date: ca. 1740. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB3398–The Fire. Artist: After François Boucher (French, Paris 1703-1770 Paris); Pierre Alexandre Aveline (French, Paris 1702-1760 Paris). Dimensions: Sheet: 12 3/16 x 9 5/8 in. (31 x 24.4 cm). Publisher: Chez Huquier (French, 18th century). Series/Portfolio: Four Elements (Quatre Elements). Date: ca. 1740. Museum: Metropolitan Museum of Art, New York, USA.

Saint Michael, 1740–45, Italian, Naples, Silver, Overall: 12 1/4 x 5 1/2 x 5 1/2 in. (31.1 x 14 x 14 cm), Sculpture-Miniature Stock Photo

RMKC6BE3–Saint Michael, 1740–45, Italian, Naples, Silver, Overall: 12 1/4 x 5 1/2 x 5 1/2 in. (31.1 x 14 x 14 cm), Sculpture-Miniature

. English: 1746 drawing of Northern end of Gibraltar by -General William Skinner by an unknown artist . 31 January 2013, 21:54:35. William Skinner (Engineer) 5 1740 - Williams from Skinner - Rock (detail) Stock Photo

RMMY8DCA–. English: 1746 drawing of Northern end of Gibraltar by -General William Skinner by an unknown artist . 31 January 2013, 21:54:35. William Skinner (Engineer) 5 1740 - Williams from Skinner - Rock (detail)

Sèvres Manufactory, Oval platter, French, Sèvres, Sèvres Manufactory (French, 1740–present), 1771, French, Sèvres, Soft-paste porcelain, Overall: 2 × 12 1/4 × 9 1/8 in. (5.1 × 31.1 × 23.2 cm), Ceramics-Porcelain Stock Photo

RM2B0KPDF–Sèvres Manufactory, Oval platter, French, Sèvres, Sèvres Manufactory (French, 1740–present), 1771, French, Sèvres, Soft-paste porcelain, Overall: 2 × 12 1/4 × 9 1/8 in. (5.1 × 31.1 × 23.2 cm), Ceramics-Porcelain

The front of the Castle of Glammis To the South. Author Elphinstone, John 49.23.a.5. Date of publication: [between about 1740-1750] Item type: 1 drawing Medium: pen and black ink with monochrome wash Dimensions: sheet 21.6 x 31 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9F2CK–The front of the Castle of Glammis To the South. Author Elphinstone, John 49.23.a.5. Date of publication: [between about 1740-1750] Item type: 1 drawing Medium: pen and black ink with monochrome wash Dimensions: sheet 21.6 x 31 cm Former owner: George III, King of Great Britain, 1738-1820

Le port de Libourne au 18e siecle. Oeuvre de Pierre Fournier (1740-1793), huile sur papier maroufle sur carton, 1778, 31,5 x 39 cm. Musee des Beaux Arts de Libourne. Stock Photo

RM2RECXPB–Le port de Libourne au 18e siecle. Oeuvre de Pierre Fournier (1740-1793), huile sur papier maroufle sur carton, 1778, 31,5 x 39 cm. Musee des Beaux Arts de Libourne.

Fragment rode gebrocheerde zijde met een veelkleurig patroon met boeket en bloemslingers en zogenaamde kantrand Fragment van rode zijden grond met dito donkerder figuren, doorweven met veelkleurige boeketten en bloemslingers en zogenaamde kantrand. Manufacturer : anoniemPlaats manufacture: Nederland (mogelijk) Dating: ca. 1740 - ca. 1760 Material: zijde Techniek: gros-de-Tours / liseré / brocheren Dimensions: geheel: h 77,9 cm. × b 54,5 cm. (inclusief 2 zelfkanten)rapport: h 31,4 cm. zelfkant: b 0,5 cm. Stock Photo

RM2B6N772–Fragment rode gebrocheerde zijde met een veelkleurig patroon met boeket en bloemslingers en zogenaamde kantrand Fragment van rode zijden grond met dito donkerder figuren, doorweven met veelkleurige boeketten en bloemslingers en zogenaamde kantrand. Manufacturer : anoniemPlaats manufacture: Nederland (mogelijk) Dating: ca. 1740 - ca. 1760 Material: zijde Techniek: gros-de-Tours / liseré / brocheren Dimensions: geheel: h 77,9 cm. × b 54,5 cm. (inclusief 2 zelfkanten)rapport: h 31,4 cm. zelfkant: b 0,5 cm.

Ancient Middlesex with brief biographical sketches of the men who have served the country officially since its settlement . Born March 26, 1740. Son of Francis second. Graduatedfrom Harvard in 1758. Died in Cambridge, 1802, aged sixty-two years. Adjutant-General Ebene:er Bridge, of Chelmsford, April 23, 1776,to March J4, J7SI (5 years). See County Treasurers. Thaddcus Mason, of Charlestown, March 31, 1781, to December14, J 784 (3 years). See Clerks of Courts. Hon. William Winthrop, of Cambridge, December J5, 1784, toSeptember 27, 1794 (10 years).. 9^ Born April 19, 1753. Son of Professor John Stock Photo

RM2AWY9GX–Ancient Middlesex with brief biographical sketches of the men who have served the country officially since its settlement . Born March 26, 1740. Son of Francis second. Graduatedfrom Harvard in 1758. Died in Cambridge, 1802, aged sixty-two years. Adjutant-General Ebene:er Bridge, of Chelmsford, April 23, 1776,to March J4, J7SI (5 years). See County Treasurers. Thaddcus Mason, of Charlestown, March 31, 1781, to December14, J 784 (3 years). See Clerks of Courts. Hon. William Winthrop, of Cambridge, December J5, 1784, toSeptember 27, 1794 (10 years).. 9^ Born April 19, 1753. Son of Professor John

Frederick William I, 15.8.1688 - 31.5.1740, King in Prussia 25.2.1713 - 31.5.1740, portrait, print after miniature von Antoine P Stock Photo

RMBA1Y12–Frederick William I, 15.8.1688 - 31.5.1740, King in Prussia 25.2.1713 - 31.5.1740, portrait, print after miniature von Antoine P

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, speaking to his officers at Parchim, 5.12.1757, wood engraving, after drawing by Adolf von Menzel, Stock Photo

RMBHN8XM–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, speaking to his officers at Parchim, 5.12.1757, wood engraving, after drawing by Adolf von Menzel,

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, signature, Stock Photo

RMCR7K3N–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, signature,

Art inspired by Bacchus and Ariadne, ca. 1740, Pen and brown ink, brown wash, over black chalk., 12 5/16 x 9 9/16 in. (31.2 x 24.3 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid), Giambattista Tiepolo was arguably the greatest painter of eighteenth-century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8RGG–Art inspired by Bacchus and Ariadne, ca. 1740, Pen and brown ink, brown wash, over black chalk., 12 5/16 x 9 9/16 in. (31.2 x 24.3 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid), Giambattista Tiepolo was arguably the greatest painter of eighteenth-century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Frederick William I, 15.8.1688 - 31.5.1740, King in Prussia 25.2.1713 - 31.5.1740, full length, lithograph by , Stock Photo

RMBA7NCA–Frederick William I, 15.8.1688 - 31.5.1740, King in Prussia 25.2.1713 - 31.5.1740, full length, lithograph by ,

Art inspired by Saint Michael, 1740–45, Italian, Naples, Silver, Overall: 12 1/4 x 5 1/2 x 5 1/2 in. (31.1 x 14 x 14 cm), Sculpture-Miniature, Probably by Gaetano Fumo (active 1737–59), Fumo is said to have ceased working silver in 1745 in favor of employment as an engraver at, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW7B6–Art inspired by Saint Michael, 1740–45, Italian, Naples, Silver, Overall: 12 1/4 x 5 1/2 x 5 1/2 in. (31.1 x 14 x 14 cm), Sculpture-Miniature, Probably by Gaetano Fumo (active 1737–59), Fumo is said to have ceased working silver in 1745 in favor of employment as an engraver at, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, his study at Rheinsberg Castle, engraving, anonymous, Stock Photo

RMBA80F5–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, his study at Rheinsberg Castle, engraving, anonymous,

Art inspired by Square Tea Table, 1740–60, Made in Newport, Rhode Island, United States, American, Mahogany, white pine, 25 1/4 x 31 5/8 x 20 in. (64.1 x 80.3 x 50.8 cm), Furniture, This is a perfect example of what tea tables made in Newport between 1740 and 1760 looked like: a simple, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2H7N–Art inspired by Square Tea Table, 1740–60, Made in Newport, Rhode Island, United States, American, Mahogany, white pine, 25 1/4 x 31 5/8 x 20 in. (64.1 x 80.3 x 50.8 cm), Furniture, This is a perfect example of what tea tables made in Newport between 1740 and 1760 looked like: a simple, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, portrait, drawing by professor Halm, 1936, Stock Photo

RMCR7K03–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, portrait, drawing by professor Halm, 1936,

Art inspired by Eugène Joseph Stanislas Foullon d'Écotier (1753–1821), 1785, Oil on canvas, Oval, 31 5/8 x 25 1/8 in. (80.3 x 63.8 cm), Paintings, Antoine Vestier (French, Avallon 1740–1824 Paris), Eugène Foulon d'Écotier must have commissioned the portrait to commemorate his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8K19–Art inspired by Eugène Joseph Stanislas Foullon d'Écotier (1753–1821), 1785, Oil on canvas, Oval, 31 5/8 x 25 1/8 in. (80.3 x 63.8 cm), Paintings, Antoine Vestier (French, Avallon 1740–1824 Paris), Eugène Foulon d'Écotier must have commissioned the portrait to commemorate his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, portrait, wood engraving, 19th century, Stock Photo

RMCR7K07–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, portrait, wood engraving, 19th century,

Art inspired by Shylock (Twelve Characters from Shakespeare), March 15, 1776, Etching, sheet: 15 3/4 x 12 3/8 in. (40 x 31.5 cm), Prints, John Hamilton Mortimer (British, Eastbourne 1740–1779 London), Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and sought, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7G7Y–Art inspired by Shylock (Twelve Characters from Shakespeare), March 15, 1776, Etching, sheet: 15 3/4 x 12 3/8 in. (40 x 31.5 cm), Prints, John Hamilton Mortimer (British, Eastbourne 1740–1779 London), Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and sought, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Meissen Manufactory, Tureen with cover, German, Meissen, Meissen Manufactory (German, 1710–present), ca. 1740–45, German, Meissen, Hard-paste porcelain, Overall: 10 1/2 × 7 5/16 × 12 1/2 in. (26.7 × 18.6 × 31.8 cm), Ceramics-Porcelain Stock Photo

RM2B0H34B–Meissen Manufactory, Tureen with cover, German, Meissen, Meissen Manufactory (German, 1710–present), ca. 1740–45, German, Meissen, Hard-paste porcelain, Overall: 10 1/2 × 7 5/16 × 12 1/2 in. (26.7 × 18.6 × 31.8 cm), Ceramics-Porcelain

Bacchus and Ariadne. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 12 5/16 x 9 9/16 in. (31.2 x 24.3 cm). Date: ca. 1740. Giambattista Tiepolo was arguably the greatest painter of eighteenth-century Europe, celebrated for his grand decorative cycles in Venetian churches, and in the villas and palaces of Italy, Germany, and Spain. Tiepolo was equally prized as a draftsman, his powers of invention brilliant and prolific. 'Bacchus and Ariadne' is one of Giambattista's most famous pen and wash drawings. It represents Bacchus with Ariadne and two members of his Stock Photo

RMPAJ9KA–Bacchus and Ariadne. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 12 5/16 x 9 9/16 in. (31.2 x 24.3 cm). Date: ca. 1740. Giambattista Tiepolo was arguably the greatest painter of eighteenth-century Europe, celebrated for his grand decorative cycles in Venetian churches, and in the villas and palaces of Italy, Germany, and Spain. Tiepolo was equally prized as a draftsman, his powers of invention brilliant and prolific. 'Bacchus and Ariadne' is one of Giambattista's most famous pen and wash drawings. It represents Bacchus with Ariadne and two members of his

. English: Series Title: Rukminisvayamvara or Rukminimangala Suite Name: Rukminisvayamvara or Rukminimangala Creation Date: ca. 1740 Display Dimensions: 13 31/32 in. x 9 21/32 in. (35.5 cm x 24.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.718 Collection: The San Diego Museum of Art . 6 September 2011, 14:29:14. English: thesandiegomuseumofartcollection A Heroine waits for her Hero (6124560501) Stock Photo

RMMMY4EF–. English: Series Title: Rukminisvayamvara or Rukminimangala Suite Name: Rukminisvayamvara or Rukminimangala Creation Date: ca. 1740 Display Dimensions: 13 31/32 in. x 9 21/32 in. (35.5 cm x 24.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.718 Collection: The San Diego Museum of Art . 6 September 2011, 14:29:14. English: thesandiegomuseumofartcollection A Heroine waits for her Hero (6124560501)

Ichnographia Bibliothec√¶ Radcliffian√¶. No. III. Author Vertue, George 35.21.c. Place of publication: [Oxford] Publisher: [Radcliffe's Trustees] Date of publication: [1740] Item type: 1 print Medium: etching Dimensions: platemark 42.3 x 29.5 cm, on sheet 44.4 x 31.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HN4H–Ichnographia Bibliothec√¶ Radcliffian√¶. No. III. Author Vertue, George 35.21.c. Place of publication: [Oxford] Publisher: [Radcliffe's Trustees] Date of publication: [1740] Item type: 1 print Medium: etching Dimensions: platemark 42.3 x 29.5 cm, on sheet 44.4 x 31.9 cm Former owner: George III, King of Great Britain, 1738-1820

. English: Creation Date: ca. 1740 Display Dimensions: 12 9/16 in. x 8 15/32 in. (31.9 cm x 21.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1126 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:19. English: thesandiegomuseumofartcollection 1115 Shiva- Yogi and Mendicant (6124515937) Stock Photo

RMMP3J5Y–. English: Creation Date: ca. 1740 Display Dimensions: 12 9/16 in. x 8 15/32 in. (31.9 cm x 21.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1126 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:19. English: thesandiegomuseumofartcollection 1115 Shiva- Yogi and Mendicant (6124515937)

Climatological data, Arkansas . 762 .1061 .1427 .2097 .32145 .1736 .2296 .1068 .20100 .1740 .23 58 .2888 .2774 .1063 .31124 .1361 .2139 .39 ,135 .0386 5.43B2153 NARROWS DAM EVAPWIND .22 33 .2428 .1623 .0922 .2223 19 .038 .1433 .1532 .2440 .23 25 .0729 .0833 .1923 .3065 .2956 .2023 .2490 .1535 .1956 .2117 .22 31 .2652 49 .0320 .2848 .26 44 .2533 91 .0745 5.5781126 NIMROD DAM EVAPWIND .3399 .1528 .14 10 65 .188 .25 1 6 .1016 .2224 .2440 9 .3224 .0716 .1923 .2645 .3298 .23 48 .1752 .0821 .2786 .17 46 .24 17 .2235 .1551 .073 .04113 .0468 27 68 .0939 5.24B1127 RUSSELLVILLE EVAPWIND .2322 .1513 .062 Stock Photo

RM2AKMFXB–Climatological data, Arkansas . 762 .1061 .1427 .2097 .32145 .1736 .2296 .1068 .20100 .1740 .23 58 .2888 .2774 .1063 .31124 .1361 .2139 .39 ,135 .0386 5.43B2153 NARROWS DAM EVAPWIND .22 33 .2428 .1623 .0922 .2223 19 .038 .1433 .1532 .2440 .23 25 .0729 .0833 .1923 .3065 .2956 .2023 .2490 .1535 .1956 .2117 .22 31 .2652 49 .0320 .2848 .26 44 .2533 91 .0745 5.5781126 NIMROD DAM EVAPWIND .3399 .1528 .14 10 65 .188 .25 1 6 .1016 .2224 .2440 9 .3224 .0716 .1923 .2645 .3298 .23 48 .1752 .0821 .2786 .17 46 .24 17 .2235 .1551 .073 .04113 .0468 27 68 .0939 5.24B1127 RUSSELLVILLE EVAPWIND .2322 .1513 .062

RMCPTKCT–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, portrait, wood engraving, 19th century,

Art inspired by Duke of York (Twelve Characters from Shakespeare), March 15, 1776, Etching, sheet: 15 3/4 x 12 3/8 in. (40 x 31.5 cm), Prints, John Hamilton Mortimer (British, Eastbourne 1740–1779 London), Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7GBE–Art inspired by Duke of York (Twelve Characters from Shakespeare), March 15, 1776, Etching, sheet: 15 3/4 x 12 3/8 in. (40 x 31.5 cm), Prints, John Hamilton Mortimer (British, Eastbourne 1740–1779 London), Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Sèvres Manufactory, Potpourri vase (pot-pourri gondole), French, Sèvres, Sèvres Manufactory (French, 1740–present), 1757, French, Sèvres, Soft-paste porcelain, Overall, body with lid: 12 3/16 x 14 1/4 x 7 3/4 in. (31 x 36.2 x 19.7 cm); Overall, base: 2 5/16 x 9 x 5 1/4 in. (5.9 x 22.9 x 13.3 cm); Height assembled: 14 1/8 in. (35.9 cm), Ceramics-Porcelain Stock Photo

RM2B0KK4W–Sèvres Manufactory, Potpourri vase (pot-pourri gondole), French, Sèvres, Sèvres Manufactory (French, 1740–present), 1757, French, Sèvres, Soft-paste porcelain, Overall, body with lid: 12 3/16 x 14 1/4 x 7 3/4 in. (31 x 36.2 x 19.7 cm); Overall, base: 2 5/16 x 9 x 5 1/4 in. (5.9 x 22.9 x 13.3 cm); Height assembled: 14 1/8 in. (35.9 cm), Ceramics-Porcelain

Eugène Joseph Stanislas Foullon d'Écotier (1753-1821). Artist: Antoine Vestier (French, Avallon 1740-1824 Paris). Dimensions: Oval, 31 5/8 x 25 1/8 in. (80.3 x 63.8 cm). Date: 1785. Eugène Foulon d'Écotier must have commissioned the portrait to commemorate his appointment in June 1785 as Intendant of Guadeloupe. It was painted in Vestier's typically minute style prior to the sitter's departure for the French colonial island that November. He holds a map of Guadeloupe, and behind him is a book entitled <i>Ordonnances de la Marine</i>, the regulations for administering French colonies. Museum: Stock Photo

RMPB0HY6–Eugène Joseph Stanislas Foullon d'Écotier (1753-1821). Artist: Antoine Vestier (French, Avallon 1740-1824 Paris). Dimensions: Oval, 31 5/8 x 25 1/8 in. (80.3 x 63.8 cm). Date: 1785. Eugène Foulon d'Écotier must have commissioned the portrait to commemorate his appointment in June 1785 as Intendant of Guadeloupe. It was painted in Vestier's typically minute style prior to the sitter's departure for the French colonial island that November. He holds a map of Guadeloupe, and behind him is a book entitled <i>Ordonnances de la Marine</i>, the regulations for administering French colonies. Museum:

A Perspective View of the Parliament House & Exchequer. Author Bell, Alexander 49.68.e.7. Place of publication: [Edinburgh] Publisher: T.PHINN ENGRAVER and Copper-plate-engraver., Date of publication: [about 1740] Item type: 1 print Medium: etching Dimensions: sheet 19.5 x 31.9 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9F3AK–A Perspective View of the Parliament House & Exchequer. Author Bell, Alexander 49.68.e.7. Place of publication: [Edinburgh] Publisher: T.PHINN ENGRAVER and Copper-plate-engraver., Date of publication: [about 1740] Item type: 1 print Medium: etching Dimensions: sheet 19.5 x 31.9 cm. Former owner: George III, King of Great Britain, 1738-1820

. History of the state of New York, political and governmental;. Pierre Van Cortlandt, Jr. Pierre Van Cortlandt, Jr.; born in Van Cortlandt Manor,Groton, N. Y., August 29, 1762; studied law in the office ofAlexander Hamilton; member of assembly, 1792, 179+ 5;member of congress, 1811-13; died in Peekskill, N. ., July 13, 1848. -. Marinus Willett Marinus Willett, soldier, born in Jamaica, L. I., July 31,1740; served in French and Indian wars and the revolutionarywar, in the latter commanding the forces in the MohawkValley; sheriff of N. Y. county, 1784; mayor of New York,1807; president of ele Stock Photo

RM2CEP4NP–. History of the state of New York, political and governmental;. Pierre Van Cortlandt, Jr. Pierre Van Cortlandt, Jr.; born in Van Cortlandt Manor,Groton, N. Y., August 29, 1762; studied law in the office ofAlexander Hamilton; member of assembly, 1792, 179+ 5;member of congress, 1811-13; died in Peekskill, N. ., July 13, 1848. -. Marinus Willett Marinus Willett, soldier, born in Jamaica, L. I., July 31,1740; served in French and Indian wars and the revolutionarywar, in the latter commanding the forces in the MohawkValley; sheriff of N. Y. county, 1784; mayor of New York,1807; president of ele

Elisabeth Christine, 8.11.1715 - 13.1.1797, Queen Consort of Prussia 31.5.1740 - 17.8.1786, portrait, wood engraving, 19th century, , Stock Photo

RMBK0J25–Elisabeth Christine, 8.11.1715 - 13.1.1797, Queen Consort of Prussia 31.5.1740 - 17.8.1786, portrait, wood engraving, 19th century, ,

Art inspired by Bardolph (Twelve Characters from Shakespeare), May 20, 1775, Etching, sheet: 15 3/4 x 12 3/8 in. (40 x 31.5 cm), Prints, John Hamilton Mortimer (British, Eastbourne 1740–1779 London), Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and sought, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7G82–Art inspired by Bardolph (Twelve Characters from Shakespeare), May 20, 1775, Etching, sheet: 15 3/4 x 12 3/8 in. (40 x 31.5 cm), Prints, John Hamilton Mortimer (British, Eastbourne 1740–1779 London), Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and sought, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, portrait, woodcut by Unger, 18th century, , Stock Photo

RMCR7K32–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, portrait, woodcut by Unger, 18th century, ,

Art inspired by Tankard, ca. 1740–1760, Made in New York, New York, United States, American, Silver, Overall: 6 7/8 x 8 7/16 in. (17.5 x 21.4 cm); 31 oz. 13 dwt. (984.5 g), Silver, George Fielding (active ca. 1731–65, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2GYC–Art inspired by Tankard, ca. 1740–1760, Made in New York, New York, United States, American, Silver, Overall: 6 7/8 x 8 7/16 in. (17.5 x 21.4 cm); 31 oz. 13 dwt. (984.5 g), Silver, George Fielding (active ca. 1731–65, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Frederick William I, 15.8.1688 - 31.5.1740, King in Prussia 25.2.1713 - 31.5.1740, portrait, wood engraving, 19th century, , Stock Photo

RMBA7WWJ–Frederick William I, 15.8.1688 - 31.5.1740, King in Prussia 25.2.1713 - 31.5.1740, portrait, wood engraving, 19th century, ,

Art inspired by Console table (one of a pair), ca. 1735–40, French, Carved and gilded oak, with top of rouge royal marble, 31 5/8 × 54 1/2 × 20 3/4 in. (80.3 × 138.4 × 52.7 cm), Woodwork-Furniture, Made by François Roumier, these two console tables can be dated to around 1740, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWBB7–Art inspired by Console table (one of a pair), ca. 1735–40, French, Carved and gilded oak, with top of rouge royal marble, 31 5/8 × 54 1/2 × 20 3/4 in. (80.3 × 138.4 × 52.7 cm), Woodwork-Furniture, Made by François Roumier, these two console tables can be dated to around 1740, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

watch, Willem Leopoldus, c. 1740, On the movement: Willem Leopoldus Leyden, glass, textile, silver, engraved, General: 5.6 x 3.1 x 2.9cm 56 x 31 x 29mm, flower, sun, lion, Watch with silver movement in a watch case which is lined on the inside with red textile. The timepiece, which is behind glass, is engraved in the middle with Wim Leopoldus Leyden and contains the hours in Roman numerals above which the minutes are indicated in numerals. The watch has a watch key with on one side the image of a lion and a sun and on the other side a flower, 1976 Stock Photo

RM2DCH8MY–watch, Willem Leopoldus, c. 1740, On the movement: Willem Leopoldus Leyden, glass, textile, silver, engraved, General: 5.6 x 3.1 x 2.9cm 56 x 31 x 29mm, flower, sun, lion, Watch with silver movement in a watch case which is lined on the inside with red textile. The timepiece, which is behind glass, is engraved in the middle with Wim Leopoldus Leyden and contains the hours in Roman numerals above which the minutes are indicated in numerals. The watch has a watch key with on one side the image of a lion and a sun and on the other side a flower, 1976

Bardolph (Twelve Characters from Shakespeare). Artist: John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Dimensions: sheet: 15 3/4 x 12 3/8 in. (40 x 31.5 cm). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: May 20, 1775. Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and sought British equivalents for his subjects. This etching comes from a series that Mortimer devoted to leading Shakespearean characters, based on drawings exhibited at the Society of Artists in 1775. Merging the seventeenth-century genres Stock Photo

RMRFDA6A–Bardolph (Twelve Characters from Shakespeare). Artist: John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Dimensions: sheet: 15 3/4 x 12 3/8 in. (40 x 31.5 cm). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: May 20, 1775. Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and sought British equivalents for his subjects. This etching comes from a series that Mortimer devoted to leading Shakespearean characters, based on drawings exhibited at the Society of Artists in 1775. Merging the seventeenth-century genres

View of Carrickfergus. Visual Material information: Title: View of Carrickfergus. 51.48. Date of publication: [about 1740-1780] Item type: 1 drawing Medium: pen and black ink with watercolour over pencil Dimensions: four sheets joined 31 x 87.5 cm, on support sheet 50.1 x 95.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9F57H–View of Carrickfergus. Visual Material information: Title: View of Carrickfergus. 51.48. Date of publication: [about 1740-1780] Item type: 1 drawing Medium: pen and black ink with watercolour over pencil Dimensions: four sheets joined 31 x 87.5 cm, on support sheet 50.1 x 95.4 cm Former owner: George III, King of Great Britain, 1738-1820

. Climatological data, New England . B— r«t«r«Bc* not** folla«iB( StstloB ladaz.- 167 - EVAPORATION AND WIND NEM ENGLANDAUGUST 19S3 Day of month . Sbtion 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 i^^l ROCHESTER, MASS. EVAPWIND .2942 .2628 .0422 .192 .1769 .0927 .1812 .1627 .1525 .0611 .1138 .1316 .1918 .2137 43 .2530 .2722 .0223 .163 .1621 .1812 .149 .1710 .1620 .2036 .0715 .1118 .2117 .1715 .199 .2316 B5.08693 LAKEPORT 2, N. H. EVAPWIND .2580 .3550 .2450 .2035 S5 40 .2240 .1940 .1930 25 55 .1840 .2050 .1850 .1430 .1240 .3570 .1740 .1445 .2335 .0730 .1 Stock Photo

RM2CHN63T–. Climatological data, New England . B— r«t«r«Bc* not** folla«iB( StstloB ladaz.- 167 - EVAPORATION AND WIND NEM ENGLANDAUGUST 19S3 Day of month . Sbtion 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 i^^l ROCHESTER, MASS. EVAPWIND .2942 .2628 .0422 .192 .1769 .0927 .1812 .1627 .1525 .0611 .1138 .1316 .1918 .2137 43 .2530 .2722 .0223 .163 .1621 .1812 .149 .1710 .1620 .2036 .0715 .1118 .2117 .1715 .199 .2316 B5.08693 LAKEPORT 2, N. H. EVAPWIND .2580 .3550 .2450 .2035 S5 40 .2240 .1940 .1930 25 55 .1840 .2050 .1850 .1430 .1240 .3570 .1740 .1445 .2335 .0730 .1

Frederick William I, 15.8.1688 - 31.5.1740, King in Prussia 25.2.1713 - 31.5.1740, full length, mezzotint, circa 1733, , Stock Photo

RMBA7RTK–Frederick William I, 15.8.1688 - 31.5.1740, King in Prussia 25.2.1713 - 31.5.1740, full length, mezzotint, circa 1733, ,

Art inspired by Torah crown (keter), ca. 1740–50, Italian, Venice, Silver, parcel gilt, Overall (confirmed, irregular diameter): 10 13/16 × 12 3/8 × 12 3/8 in. (27.5 × 31.4 × 31.4 cm), Metalwork-Silver, Exceptional for its size and precious material, this Torah crown is a rare survival, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWCE5–Art inspired by Torah crown (keter), ca. 1740–50, Italian, Venice, Silver, parcel gilt, Overall (confirmed, irregular diameter): 10 13/16 × 12 3/8 × 12 3/8 in. (27.5 × 31.4 × 31.4 cm), Metalwork-Silver, Exceptional for its size and precious material, this Torah crown is a rare survival, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, portrait, monument in Stettin, by Gottfried Schadow, Stock Photo

RMBA7NFX–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, portrait, monument in Stettin, by Gottfried Schadow,

RM2DCH8MB–watch, Willem Leopoldus, c. 1740, On the movement: Willem Leopoldus Leyden, glass, textile, silver, engraved, General: 5.6 x 3.1 x 2.9cm 56 x 31 x 29mm, flower, sun, lion, Watch with silver movement in a watch case which is lined on the inside with red textile. The timepiece, which is behind glass, is engraved in the middle with Wim Leopoldus Leyden and contains the hours in Roman numerals above which the minutes are indicated in numerals. The watch has a watch key with on one side the image of a lion and a sun and on the other side a flower, 1976

Duke of York (Twelve Characters from Shakespeare). Artist: John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Dimensions: sheet: 15 3/4 x 12 3/8 in. (40 x 31.5 cm). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: March 15, 1776. Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and sought British equivalents for his subjects. This etching comes from a series that Mortimer devoted to leading Shakespearean characters, based on drawings exhibited at the Society of Artists in 1775. Merging the seventeenth-century g Stock Photo

RMRFDDXY–Duke of York (Twelve Characters from Shakespeare). Artist: John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Dimensions: sheet: 15 3/4 x 12 3/8 in. (40 x 31.5 cm). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: March 15, 1776. Mortimer admired Salvator Rosa, absorbed aspects of his dramatic style, and sought British equivalents for his subjects. This etching comes from a series that Mortimer devoted to leading Shakespearean characters, based on drawings exhibited at the Society of Artists in 1775. Merging the seventeenth-century g

Art inspired by Three-Quarters-Length Portrait Study of a Man Seated at a Desk with a Dog, ca. 1740–60, Black and white chalks, stumping, brown ink and graphite on blue laid paper, squared in graphite, sheet: 12 5/16 x 10 1/16 in. (31.2 x 25.6 cm), Drawings, Circle of Joseph van Aken (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW60BT–Art inspired by Three-Quarters-Length Portrait Study of a Man Seated at a Desk with a Dog, ca. 1740–60, Black and white chalks, stumping, brown ink and graphite on blue laid paper, squared in graphite, sheet: 12 5/16 x 10 1/16 in. (31.2 x 25.6 cm), Drawings, Circle of Joseph van Aken (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The North East side of ye Sign of ye White Hart at Schoale Inn in Norfolk Author Fessey, J 31.55.b. Place of publication: [London] Publisher: Publish'd according to Act of Parliament May the 1st., Date of publication: 1740. Item type: 1 print Medium: etching Dimensions: sheet 47.9 x 57.5 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HKY5–The North East side of ye Sign of ye White Hart at Schoale Inn in Norfolk Author Fessey, J 31.55.b. Place of publication: [London] Publisher: Publish'd according to Act of Parliament May the 1st., Date of publication: 1740. Item type: 1 print Medium: etching Dimensions: sheet 47.9 x 57.5 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820

Inspired by Portrait of Thakur Sangram Singh, Ustad Ahmad, son of Ahmad Ali, Opaque watercolor, gold, and silver on paper, Bikaner, Rajasthan, India, ca. 1740-1750, sheet: 12 1/4 x 8 5/16 in., 31.1 x 21.1 cm, 1700s, 18th century, Ahmad, Bikaner, equestrian, flat, gold, Guns, horse, indian, Opaque, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK56BT–Inspired by Portrait of Thakur Sangram Singh, Ustad Ahmad, son of Ahmad Ali, Opaque watercolor, gold, and silver on paper, Bikaner, Rajasthan, India, ca. 1740-1750, sheet: 12 1/4 x 8 5/16 in., 31.1 x 21.1 cm, 1700s, 18th century, Ahmad, Bikaner, equestrian, flat, gold, Guns, horse, indian, Opaque, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

. Some quantitative experiments in long-distance radiotelegraphy . NauticalMiles Ir Kd 10-6 amp. 10- > amp. Obs. Cal. 20 37 6220 5880 50 92.5 2486 2160 100 185 1243 941 200 370 622 325 357 300 555 414 165 179 400 740 311 95 102 500 925 249 65 62 600 1110 207 45 39.4 800 1480 155 19 17.1 1000 1850 124 1 10 1 7.5 dKm I, = 33 amp.A =1000 m.K= 185000 10-6 { imp. NauticalMiles I R K d 10-6 amp. 10-6. amp. Obs. Cal. 20 37 5000 4730 50 92.5 2000 1740 100 185 1000 757 200 370 500 260 287 300 555 ZZ3 130 144 400 740 250 75 82.4 500 925 200 50 49.9 600 1110 167 35 31.7 800 1480 125 16 13.8 1000 1850 Stock Photo

RM2CRRJ53–. Some quantitative experiments in long-distance radiotelegraphy . NauticalMiles Ir Kd 10-6 amp. 10- > amp. Obs. Cal. 20 37 6220 5880 50 92.5 2486 2160 100 185 1243 941 200 370 622 325 357 300 555 414 165 179 400 740 311 95 102 500 925 249 65 62 600 1110 207 45 39.4 800 1480 155 19 17.1 1000 1850 124 1 10 1 7.5 dKm I, = 33 amp.A =1000 m.K= 185000 10-6 { imp. NauticalMiles I R K d 10-6 amp. 10-6. amp. Obs. Cal. 20 37 5000 4730 50 92.5 2000 1740 100 185 1000 757 200 370 500 260 287 300 555 ZZ3 130 144 400 740 250 75 82.4 500 925 200 50 49.9 600 1110 167 35 31.7 800 1480 125 16 13.8 1000 1850

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, painting, circa 1750 - 1755, Stock Photo

RMCR5YTJ–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, painting, circa 1750 - 1755,

RM2DCH8KN–watch, Willem Leopoldus, c. 1740, On the movement: Willem Leopoldus Leyden, glass, textile, silver, engraved, General: 5.6 x 3.1 x 2.9cm 56 x 31 x 29mm, flower, sun, lion, Watch with silver movement in a watch case which is lined on the inside with red textile. The timepiece, which is behind glass, is engraved in the middle with Wim Leopoldus Leyden and contains the hours in Roman numerals above which the minutes are indicated in numerals. The watch has a watch key with on one side the image of a lion and a sun and on the other side a flower, 1976

Torah crown (keter). Culture: Italian, Venice. Dimensions: Overall (confirmed, irregular diameter): 10 13/16 × 12 3/8 × 12 3/8 in. (27.5 × 31.4 × 31.4 cm). Silversmith: Andrea Zambelli 'L'Honnesta' (Italian, active 1732-1772). Date: ca. 1740-50. Exceptional for its size and precious material, this Torah crown is a rare survival of 18th-century Italian silver and a testimony to the artistic virtuosity of goldsmithing in Venice. In synagogues the scroll of the Torah, the first five books of the Hebrew Bible, is often decorated with a set of vestments and silver ornaments including a crown or fi Stock Photo

RMPAR6XM–Torah crown (keter). Culture: Italian, Venice. Dimensions: Overall (confirmed, irregular diameter): 10 13/16 × 12 3/8 × 12 3/8 in. (27.5 × 31.4 × 31.4 cm). Silversmith: Andrea Zambelli 'L'Honnesta' (Italian, active 1732-1772). Date: ca. 1740-50. Exceptional for its size and precious material, this Torah crown is a rare survival of 18th-century Italian silver and a testimony to the artistic virtuosity of goldsmithing in Venice. In synagogues the scroll of the Torah, the first five books of the Hebrew Bible, is often decorated with a set of vestments and silver ornaments including a crown or fi

A Perspective View of the Front of the Maiden Hospital from the north. Author Parr 49.68.e.5. Place of publication: [Edinburgh] Publisher: [Pubd , Sold by Thos Phinn, Engraver , Copperplate Printer, E Wing of the New Exchange Edinr Who Sells Variety of Maps, Prints Copybooks Drawingbooks, Black lead , Hair pencils Water colours]., Date of publication: [about 1740] Item type: 1 print Medium: etching Dimensions: sheet 20.3 x 31.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9F3A2–A Perspective View of the Front of the Maiden Hospital from the north. Author Parr 49.68.e.5. Place of publication: [Edinburgh] Publisher: [Pubd , Sold by Thos Phinn, Engraver , Copperplate Printer, E Wing of the New Exchange Edinr Who Sells Variety of Maps, Prints Copybooks Drawingbooks, Black lead , Hair pencils Water colours]., Date of publication: [about 1740] Item type: 1 print Medium: etching Dimensions: sheet 20.3 x 31.3 cm. Former owner: George III, King of Great Britain, 1738-1820

Art inspired by Portrait of Thakur Sangram Singh, Ustad Ahmad, son of Ahmad Ali, Opaque watercolor, gold, and silver on paper, Bikaner, Rajasthan, India, ca. 1740-1750, sheet: 12 1/4 x 8 5/16 in., 31.1 x 21.1 cm, 1700s, 18th century, Ahmad, Bikaner, equestrian, flat, gold, Guns, horse, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK9NX–Art inspired by Portrait of Thakur Sangram Singh, Ustad Ahmad, son of Ahmad Ali, Opaque watercolor, gold, and silver on paper, Bikaner, Rajasthan, India, ca. 1740-1750, sheet: 12 1/4 x 8 5/16 in., 31.1 x 21.1 cm, 1700s, 18th century, Ahmad, Bikaner, equestrian, flat, gold, Guns, horse, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Acta Societatis Regiae Scientiarum Upsaliensis. Science. ^ Vomils Dsrrh. phyfKO-theol. 1, g. c, 6.;/. //. Vermis in ftercore vaccino. Frifch zerm c p. 21. t,7, J ' & • Oeftrum. Reaum. gall. t. 36. 37. 33. Habitat in Bobus. OESTKUS thorace flavo cing^ulo nigro, alis imma- culatis, pcdibus nigris. Mm. Svec.io^s Oeftrum rhangiferinum lapponicum* abdomine iulm FL lapp '^6o,,j, 517. Ad.Upfal.in-^e. p. 31. '^y Aa,Stockholm, 1730/jb 121 d^» 1740. /. 3. / 5. 6. '?'^ ^ Habitat in Rhangiferis.. Brevis. Please note that these images are extracted from scanned page images that may have been digitall Stock Photo

RMRR3TDD–. Acta Societatis Regiae Scientiarum Upsaliensis. Science. ^ Vomils Dsrrh. phyfKO-theol. 1, g. c, 6.;/. //. Vermis in ftercore vaccino. Frifch zerm c p. 21. t,7, J ' & • Oeftrum. Reaum. gall. t. 36. 37. 33. Habitat in Bobus. OESTKUS thorace flavo cing^ulo nigro, alis imma- culatis, pcdibus nigris. Mm. Svec.io^s Oeftrum rhangiferinum lapponicum* abdomine iulm FL lapp '^6o,,j, 517. Ad.Upfal.in-^e. p. 31. '^y Aa,Stockholm, 1730/jb 121 d^» 1740. /. 3. / 5. 6. '?'^ ^ Habitat in Rhangiferis.. Brevis. Please note that these images are extracted from scanned page images that may have been digitall

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, drawing by Adolf von Menzel (1815 - 1905), Stock Photo

RMBA7TPY–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, drawing by Adolf von Menzel (1815 - 1905),

Dish, Dish of faience. Painted blue with a flower decoration., De Metaale Pot, Delft, 1720 - 1740, d 31 cm × h 4.5 cm Stock Photo

RMW56619–Dish, Dish of faience. Painted blue with a flower decoration., De Metaale Pot, Delft, 1720 - 1740, d 31 cm × h 4.5 cm

Frederic II 'The Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED Stock Photo

RM2G363G8–Frederic II 'The Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED

Three-Quarters-Length Portrait Study of a Man Seated at a Desk with a Dog. Artist: Circle of Joseph van Aken (Flemish, Antwerp (?) ca. 1699-1749 London (active Britain)). Dimensions: sheet: 12 5/16 x 10 1/16 in. (31.2 x 25.6 cm). Date: ca. 1740-60. After training in Antwerp, the young Van Aken went to London, where he specialized in painting draperies. The leading portraitists there, including Joseph Highmore, Thomas Hudson, and Allan Ramsay, often painted only a sitter's face, relying on Van Aken to finish the rest of the figure. His work became ubiquitous, to the point that the collector an Stock Photo

RMPA98DJ–Three-Quarters-Length Portrait Study of a Man Seated at a Desk with a Dog. Artist: Circle of Joseph van Aken (Flemish, Antwerp (?) ca. 1699-1749 London (active Britain)). Dimensions: sheet: 12 5/16 x 10 1/16 in. (31.2 x 25.6 cm). Date: ca. 1740-60. After training in Antwerp, the young Van Aken went to London, where he specialized in painting draperies. The leading portraitists there, including Joseph Highmore, Thomas Hudson, and Allan Ramsay, often painted only a sitter's face, relying on Van Aken to finish the rest of the figure. His work became ubiquitous, to the point that the collector an

Sophia Dorothea, 26.3.1687 - 28.6.1757, Queen Consort in Prussia 25.2.1713 - 31.5.1740, portrait, wood engraving, 19th century, , Stock Photo

RMBK0F9C–Sophia Dorothea, 26.3.1687 - 28.6.1757, Queen Consort in Prussia 25.2.1713 - 31.5.1740, portrait, wood engraving, 19th century, ,

Portrait of Thakur Sangram Singh Ustad Ahmad (son of Ahmad Ali). Portrait of Thakur Sangram Singh, ca. 1740-1750. Opaque watercolor, gold, and silver on paper, sheet: 12 1/4 x 8 5/16 in. (31.1 x 21.1 cm). Asian Art ca. 1740-1750 Stock Photo

RM2M930N3–Portrait of Thakur Sangram Singh Ustad Ahmad (son of Ahmad Ali). Portrait of Thakur Sangram Singh, ca. 1740-1750. Opaque watercolor, gold, and silver on paper, sheet: 12 1/4 x 8 5/16 in. (31.1 x 21.1 cm). Asian Art ca. 1740-1750

Dish, Dish of faience. Painted blue with a flower decoration., De Metaale Pot, Delft, 1720 - 1740, d 31 cm × h 4.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9AGBX–Dish, Dish of faience. Painted blue with a flower decoration., De Metaale Pot, Delft, 1720 - 1740, d 31 cm × h 4.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Olof Arenius, Johan Hård of Segerstad, 1684-1740, painting, 1729, Oil on canvas, Height, 80 cm (31.4 inches), Width, 65 cm (25.5 inches), Signed, Olof Arenius pinx Ao 1729 Stock Photo

RMW53FT7–Olof Arenius, Johan Hård of Segerstad, 1684-1740, painting, 1729, Oil on canvas, Height, 80 cm (31.4 inches), Width, 65 cm (25.5 inches), Signed, Olof Arenius pinx Ao 1729

Lacquer Pen Box. Artist: Muhammad Sadiq (active 1740-90s). Dimensions: H. 2 3/16 in. (5.5 cm) W. 12 3/16 in. (31 cm) D. 2 7/8 in. (7.2 cm). Date: probably 1793-94. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB0B9E–Lacquer Pen Box. Artist: Muhammad Sadiq (active 1740-90s). Dimensions: H. 2 3/16 in. (5.5 cm) W. 12 3/16 in. (31 cm) D. 2 7/8 in. (7.2 cm). Date: probably 1793-94. Museum: Metropolitan Museum of Art, New York, USA.

RMBA82C8–Frederick William I, 15.8.1688 - 31.5.1740, King in Prussia 25.2.1713 - 31.5.1740, portrait, wood engraving, 19th century, ,

A Sacrifice Interrupted, 1770s. John Hamilton Mortimer (British, 1740-1779). Pen and brown ink; sheet: 24.5 x 36 cm (9 5/8 x 14 3/16 in.); secondary support: 31.7 x 43.7 cm (12 1/2 x 17 3/16 in.). Stock Photo

RM2H10H3B–A Sacrifice Interrupted, 1770s. John Hamilton Mortimer (British, 1740-1779). Pen and brown ink; sheet: 24.5 x 36 cm (9 5/8 x 14 3/16 in.); secondary support: 31.7 x 43.7 cm (12 1/2 x 17 3/16 in.).

RF2B98M94–Olof Arenius, Johan Hård of Segerstad, 1684-1740, painting, 1729, Oil on canvas, Height, 80 cm (31.4 inches), Width, 65 cm (25.5 inches), Signed, Olof Arenius pinx Ao 1729, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Demolition of linen with Binchekant, the lace pattern shows a running edge with volutes, hanging tulips and standing composite flowers, Belgium, 1740 - 1760, linen (material), Binche lace, l 53 cm w 31 cm × w 6.5 cm Stock Photo

RMW551TE–Demolition of linen with Binchekant, the lace pattern shows a running edge with volutes, hanging tulips and standing composite flowers, Belgium, 1740 - 1760, linen (material), Binche lace, l 53 cm w 31 cm × w 6.5 cm

The Coast Near Naples, William Marlow, 1740–1813, British, undated, Watercolor over graphite on Slightly textured, medium, cream wove paper, Sheet: 21 5/8 × 31 1/2 inches (54.9 × 80 cm), landscape, Naples Stock Photo

RM2DHTC25–The Coast Near Naples, William Marlow, 1740–1813, British, undated, Watercolor over graphite on Slightly textured, medium, cream wove paper, Sheet: 21 5/8 × 31 1/2 inches (54.9 × 80 cm), landscape, Naples

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, wood engraving, 19th century, Stock Photo

RMCP1YCN–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, wood engraving, 19th century,

Artist: Pierpont Limner, British, active ca. 1710–16, Subject: Mary Hooker Pierpont, American, 1673–1740, Mrs. James Pierpont (Mary Hooker), Oil on canvas, 31 × 25 in. (78.7 × 63.5 cm), American, 18th century, Paintings Stock Photo

RM2DRA8AH–Artist: Pierpont Limner, British, active ca. 1710–16, Subject: Mary Hooker Pierpont, American, 1673–1740, Mrs. James Pierpont (Mary Hooker), Oil on canvas, 31 × 25 in. (78.7 × 63.5 cm), American, 18th century, Paintings

Boat in a Storm at Sea. Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Dimensions: Plate: 8 7/8 x 10 15/16 in. (22.5 x 27.8 cm) Sheet: 18 1/2 x 12 3/8 in. (47 x 31.5 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Published in: London. Series/Portfolio: Imitations of Modern Drawings. Date: 1784-88. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1B18–Boat in a Storm at Sea. Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Dimensions: Plate: 8 7/8 x 10 15/16 in. (22.5 x 27.8 cm) Sheet: 18 1/2 x 12 3/8 in. (47 x 31.5 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Published in: London. Series/Portfolio: Imitations of Modern Drawings. Date: 1784-88. Museum: Metropolitan Museum of Art, New York, USA.

Giovanni Battista Tiepolo, (artist), Venetian, 1696 - 1770, The Adoration of the Magi, c. 1740, etching, plate: 43.3 x 28.8 cm (17 1/16 x 11 5/16 in.), sheet: 46 x 31.9 cm (18 1/8 x 12 9/16 in Stock Photo

RM2DCCFY1–Giovanni Battista Tiepolo, (artist), Venetian, 1696 - 1770, The Adoration of the Magi, c. 1740, etching, plate: 43.3 x 28.8 cm (17 1/16 x 11 5/16 in.), sheet: 46 x 31.9 cm (18 1/8 x 12 9/16 in

RM2M930KJ–Portrait of Thakur Sangram Singh Ustad Ahmad (son of Ahmad Ali). Portrait of Thakur Sangram Singh, ca. 1740-1750. Opaque watercolor, gold, and silver on paper, sheet: 12 1/4 x 8 5/16 in. (31.1 x 21.1 cm). Asian Art ca. 1740-1750

Corps de Garde (Barbarians Defeated by a Book), Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), undated, Red chalk and graphite on medium, slightly textured, cream laid paper, Sheet: 12 3/16 × 8 7/8 inches (31 × 22.5 cm), men, reading Stock Photo

RM2DHTD1X–Corps de Garde (Barbarians Defeated by a Book), Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), undated, Red chalk and graphite on medium, slightly textured, cream laid paper, Sheet: 12 3/16 × 8 7/8 inches (31 × 22.5 cm), men, reading

RF2B99P29–Demolition of linen with Binchekant, the lace pattern shows a running edge with volutes, hanging tulips and standing composite flowers, Belgium, 1740 - 1760, linen (material), Binche lace, l 53 cm w 31 cm × w 6.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Lady Almiria Carpenter, James Watson, 1740–1790, British, after Sir Joshua Reynolds RA, 1723–1792, British, 1768, Mezzotint on medium, moderately textured, beige, laid paper, Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm) and Image: 13 5/8 × 11 inches (34.6 × 27.9 cm Stock Photo

RM2DHX9J4–Lady Almiria Carpenter, James Watson, 1740–1790, British, after Sir Joshua Reynolds RA, 1723–1792, British, 1768, Mezzotint on medium, moderately textured, beige, laid paper, Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm) and Image: 13 5/8 × 11 inches (34.6 × 27.9 cm

Houses by the Riverside, William Marlow, 1740–1813, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/16 x 12 3/8in. (20.5 x 31.4cm), Sheet: 8 × 12 3/8 inches (20.3 × 31.4 cm), and Mount: 10 × 14 3/4 inches (25.4 × 37.5 cm), cityscape, fence, houses, riverbank, rooftops Stock Photo

RM2DHTC1E–Houses by the Riverside, William Marlow, 1740–1813, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/16 x 12 3/8in. (20.5 x 31.4cm), Sheet: 8 × 12 3/8 inches (20.3 × 31.4 cm), and Mount: 10 × 14 3/4 inches (25.4 × 37.5 cm), cityscape, fence, houses, riverbank, rooftops

Shipping in an Estuary, Bernard Lens III, 1682–1740, British, undated, Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 8 7/16 x 12 1/4in. (21.4 x 31.1cm), Mount: 9 3/4 x 13 5/8in. (24.8 x 34.6cm), and Sheet: 9 3/4 × 13 5/8 inches (24.8 × 34.6 cm), estuary, landscape, marine art, shipping, ships Stock Photo

RM2DHWHR8–Shipping in an Estuary, Bernard Lens III, 1682–1740, British, undated, Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 8 7/16 x 12 1/4in. (21.4 x 31.1cm), Mount: 9 3/4 x 13 5/8in. (24.8 x 34.6cm), and Sheet: 9 3/4 × 13 5/8 inches (24.8 × 34.6 cm), estuary, landscape, marine art, shipping, ships

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, portrait, 1740, wood engraving, 19th century, Stock Photo

RMCR7K0Y–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, portrait, 1740, wood engraving, 19th century,

RM2R9Y0KT–Frederic II the Great, 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half-length, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED

The Philosopher (Bearded Old Man Copying Book). Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Dimensions: Plate: 6 1/8 x 7 9/16 in. (15.5 x 19.2 cm) Sheet: 18 1/2 x 12 3/8 in. (47 x 31.5 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Published in: London. Series/Portfolio: Imitations of Modern Drawings. Date: 1784-88. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB0G6K–The Philosopher (Bearded Old Man Copying Book). Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Dimensions: Plate: 6 1/8 x 7 9/16 in. (15.5 x 19.2 cm) Sheet: 18 1/2 x 12 3/8 in. (47 x 31.5 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Published in: London. Series/Portfolio: Imitations of Modern Drawings. Date: 1784-88. Museum: Metropolitan Museum of Art, New York, USA.

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, after miniature, 18th century, , Stock Photo

RMCPRYEG–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, after miniature, 18th century, ,

RM2M930MW–Portrait of Thakur Sangram Singh Ustad Ahmad (son of Ahmad Ali). Portrait of Thakur Sangram Singh, ca. 1740-1750. Opaque watercolor, gold, and silver on paper, sheet: 12 1/4 x 8 5/16 in. (31.1 x 21.1 cm). Asian Art ca. 1740-1750

Friedrich II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, after the Battle of Kolin 18.7.1757, painting by, Stock Photo

RMB45JM8–Friedrich II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, after the Battle of Kolin 18.7.1757, painting by,

Tray 1740–50 Meissen Manufactory German This tray and its pounce pot (02.5.30a, b), which would have held a fine sand used to dry ink, are decorated with the royal arms of France.. Tray 188546 Factory: Meissen Manufactory, German, 1710?present, Tray, 1740?50, Hard-paste porcelain, Diameter: 5 7/8 in. (14.9 cm). The Metropolitan Museum of Art, New York. Gift of W. B. Osgood Field, 1902 (02.5.31) Stock Photo

RM2HHTR7G–Tray 1740–50 Meissen Manufactory German This tray and its pounce pot (02.5.30a, b), which would have held a fine sand used to dry ink, are decorated with the royal arms of France.. Tray 188546 Factory: Meissen Manufactory, German, 1710?present, Tray, 1740?50, Hard-paste porcelain, Diameter: 5 7/8 in. (14.9 cm). The Metropolitan Museum of Art, New York. Gift of W. B. Osgood Field, 1902 (02.5.31)

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, equestrian image, etching by Daniel Chodowiecki (1726 - 1801), , Stock Photo

RMB48BMD–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, equestrian image, etching by Daniel Chodowiecki (1726 - 1801), ,

dish with lightning motif, dish, oval, of faience. Multicolored painted with flower decorations and so-called lightning motif. Edge fluted., De Paauw (mentioned on object), Delft, c. 1720 - c. 1740, h 31.5 cm × w 25.5 cm × d 5.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9A95C–dish with lightning motif, dish, oval, of faience. Multicolored painted with flower decorations and so-called lightning motif. Edge fluted., De Paauw (mentioned on object), Delft, c. 1720 - c. 1740, h 31.5 cm × w 25.5 cm × d 5.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, as freemason, Artist's Copyright has not to be cleared Stock Photo

RMBA7W0J–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, half length, as freemason, Artist's Copyright has not to be cleared

31 5 1740 Stock Photos and Images

31 5 1740 Stock Photos and Images

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