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32 3 31 7 cm Black & White Stock Photos
Hollow ripple frame. Culture: German, Bavaria. Dimensions: 57.7 x 63.3, 27.2 x 32.6, 31 x 36.6 cm.. Date: late 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hollow-ripple-frame-culture-german-bavaria-dimensions-577-x-633-272-x-326-31-x-366-cm-date-late-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213332229.htmlRMPB23C5–Hollow ripple frame. Culture: German, Bavaria. Dimensions: 57.7 x 63.3, 27.2 x 32.6, 31 x 36.6 cm.. Date: late 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Hollow ripple frame, late 17th century, German, Bavaria, Pine with applied ebonized pearwood veneer., 57.7 x 63.3, 27.2 x 32.6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-hollow-ripple-frame-late-17th-century-german-bavaria-pine-with-applied-162384797.htmlRMKC57D1–Hollow ripple frame, late 17th century, German, Bavaria, Pine with applied ebonized pearwood veneer., 57.7 x 63.3, 27.2 x 32.6
Sights and Knight Games So Bey ... Friedrich Wilhelms ... Boys Pettentzen Hertzog Christian Fürstl. Child's festival festivals have been kept ... Copyright: Olearius Adam. Release date: Page 37, copper engraving; 19.3 x 31.7 cm. Printed by Hans Holwein, June 1654. Saxon Land Library - State and University Library Dresden (SLUB) Hist.sx.b.32 (S.B.204) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sights-and-knight-games-so-bey-friedrich-wilhelms-boys-pettentzen-hertzog-christian-frstl-childs-festival-festivals-have-been-kept-copyright-olearius-adam-release-date-page-37-copper-engraving-193-x-317-cm-printed-by-hans-holwein-june-1654-saxon-land-library-state-and-university-library-dresden-slub-histsxb32-sb204-image416117235.htmlRM2F4YNNR–Sights and Knight Games So Bey ... Friedrich Wilhelms ... Boys Pettentzen Hertzog Christian Fürstl. Child's festival festivals have been kept ... Copyright: Olearius Adam. Release date: Page 37, copper engraving; 19.3 x 31.7 cm. Printed by Hans Holwein, June 1654. Saxon Land Library - State and University Library Dresden (SLUB) Hist.sx.b.32 (S.B.204)
Collar of Mail, 16th century, German, Steel, copper alloy (latten), iron, H. 25 7/8 in. (66.0 cm); H. folded 12 13/16 in. (31.0 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-collar-of-mail-16th-century-german-steel-copper-alloy-latten-iron-162581560.htmlRMKCE6C8–Collar of Mail, 16th century, German, Steel, copper alloy (latten), iron, H. 25 7/8 in. (66.0 cm); H. folded 12 13/16 in. (31.0
Armchair MET 86156 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-86156-233-artist-charles-honor-lannuier-france-17791819-167906293.htmlRMKN4P59–Armchair MET 86156 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2)
Biedermeier frame, 1830–40, German, Munich, Pine with satinwood cross-grain veneer on top and back edges., 35.1 x 23.7, 31 x 19 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-biedermeier-frame-183040-german-munich-pine-with-satinwood-cross-grain-162384811.htmlRMKC57DF–Biedermeier frame, 1830–40, German, Munich, Pine with satinwood cross-grain veneer on top and back edges., 35.1 x 23.7, 31 x 19
Armchair MET 265140 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-265140-233-artist-charles-honor-lannuier-france-17791819-168098702.htmlRMKNDFH2–Armchair MET 265140 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2)
Three-Quarter Armor, ca. 1525 and later, Augsburg, German, Augsburg, Steel, leather, Wt. 48 lb. 7 oz. (21.97 kg); helmet (a); H Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-three-quarter-armor-ca-1525-and-later-augsburg-german-augsburg-steel-162581575.htmlRMKCE6CR–Three-Quarter Armor, ca. 1525 and later, Augsburg, German, Augsburg, Steel, leather, Wt. 48 lb. 7 oz. (21.97 kg); helmet (a); H
The Descent from the Cross, Master of the Holy Blood Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-descent-from-the-cross-master-of-the-holy-blood-162537367.htmlRMKCC61Y–The Descent from the Cross, Master of the Holy Blood
Composed Armor, 15th century and later, Landshut, European, Italian and German, Steel, iron, copper alloy (latten), leather Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-composed-armor-15th-century-and-later-landshut-european-italian-and-162356737.htmlRMKC3YJW–Composed Armor, 15th century and later, Landshut, European, Italian and German, Steel, iron, copper alloy (latten), leather
Collar of Mail. Culture: German. Dimensions: H. 25 7/8 in. (66.0 cm); H. folded 12 13/16 in. (31.0 cm); W. 20 in. (51.0 cm); W. folded 18 1/2 in. (47.0 cm); Diam. (outside) of collar links 13/32 in. (8.5 mm); Diam. (inside) of collar links 3/16 in. (4.6 mm); Diam. (outside) of shawl links 3/8 in. (8.3 mm); Diam. (inside) of links 9/32 in. (6.6 mm); Wt. 2 lbs. 9 oz. (1162.3 g).. Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/collar-of-mail-culture-german-dimensions-h-25-78-in-660-cm-h-folded-12-1316-in-310-cm-w-20-in-510-cm-w-folded-18-12-in-470-cm-diam-outside-of-collar-links-1332-in-85-mm-diam-inside-of-collar-links-316-in-46-mm-diam-outside-of-shawl-links-38-in-83-mm-diam-inside-of-links-932-in-66-mm-wt-2-lbs-9-oz-11623-g-date-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image213367870.htmlRMPB3MW2–Collar of Mail. Culture: German. Dimensions: H. 25 7/8 in. (66.0 cm); H. folded 12 13/16 in. (31.0 cm); W. 20 in. (51.0 cm); W. folded 18 1/2 in. (47.0 cm); Diam. (outside) of collar links 13/32 in. (8.5 mm); Diam. (inside) of collar links 3/16 in. (4.6 mm); Diam. (outside) of shawl links 3/8 in. (8.3 mm); Diam. (inside) of links 9/32 in. (6.6 mm); Wt. 2 lbs. 9 oz. (1162.3 g).. Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
Armchair MET 265142 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-265142-233-artist-charles-honor-lannuier-france-17791819-168098703.htmlRMKNDFH3–Armchair MET 265142 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2)
The Descent from the Cross. Artist: Master of the Holy Blood (Netherlandish, ca. 1520). Dimensions: Central panel, overall 36 x 28 1/2 in. (91.4 x 72.4 cm), painted surface 35 5/8 x 28 1/2 in. (90.5 x 72.4 cm); left panel, overall 36 x 12 3/8 in. (91.4 x 31.4 cm), painted surface 35 1/2 x 12 3/8 in.(90.2 x 31.4 cm); right panel, overall 35 7/8 x 12 5/8 in. (91.1 x 32.1 cm), painted surface 35 3/8 x 12 1/2 in. (89.9 x 31.8 cm). The Master of the Holy Blood, an uninventive and repetitive artist who appears to have been trained in Antwerp and to have settled in Bruges, takes his name from a Lame Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-descent-from-the-cross-artist-master-of-the-holy-blood-netherlandish-ca-1520-dimensions-central-panel-overall-36-x-28-12-in-914-x-724-cm-painted-surface-35-58-x-28-12-in-905-x-724-cm-left-panel-overall-36-x-12-38-in-914-x-314-cm-painted-surface-35-12-x-12-38-in902-x-314-cm-right-panel-overall-35-78-x-12-58-in-911-x-321-cm-painted-surface-35-38-x-12-12-in-899-x-318-cm-the-master-of-the-holy-blood-an-uninventive-and-repetitive-artist-who-appears-to-have-been-trained-in-antwerp-and-to-have-settled-in-bruges-takes-his-name-from-a-lame-image213194882.htmlRMPART6X–The Descent from the Cross. Artist: Master of the Holy Blood (Netherlandish, ca. 1520). Dimensions: Central panel, overall 36 x 28 1/2 in. (91.4 x 72.4 cm), painted surface 35 5/8 x 28 1/2 in. (90.5 x 72.4 cm); left panel, overall 36 x 12 3/8 in. (91.4 x 31.4 cm), painted surface 35 1/2 x 12 3/8 in.(90.2 x 31.4 cm); right panel, overall 35 7/8 x 12 5/8 in. (91.1 x 32.1 cm), painted surface 35 3/8 x 12 1/2 in. (89.9 x 31.8 cm). The Master of the Holy Blood, an uninventive and repetitive artist who appears to have been trained in Antwerp and to have settled in Bruges, takes his name from a Lame
Armchair MET 265143 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-armchair-met-265143-233-artist-charles-honor-lannuier-france-17791819-168098700.htmlRMKNDFH0–Armchair MET 265143 233 Artist: Charles-Honor? Lannuier, France 1779?1819 New York, Armchair, ca. 1810, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2)
Three Studies of Écorchés. Artist: Paulus Pontius (Flemish, Antwerp 1603-1658 Antwerp); After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: plate: 12 5/16 x 8 3/16 in. (31.3 x 20.8 cm) sheet: 12 5/8 x 8 7/16 in. (32 x 21.4 cm). Date: after 1640. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-studies-of-corchs-artist-paulus-pontius-flemish-antwerp-1603-1658-antwerp-after-peter-paul-rubens-flemish-siegen-1577-1640-antwerp-dimensions-plate-12-516-x-8-316-in-313-x-208-cm-sheet-12-58-x-8-716-in-32-x-214-cm-date-after-1640-museum-metropolitan-museum-of-art-new-york-usa-image213168169.htmlRMPAPJ4W–Three Studies of Écorchés. Artist: Paulus Pontius (Flemish, Antwerp 1603-1658 Antwerp); After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: plate: 12 5/16 x 8 3/16 in. (31.3 x 20.8 cm) sheet: 12 5/8 x 8 7/16 in. (32 x 21.4 cm). Date: after 1640. Museum: Metropolitan Museum of Art, New York, USA.
Coffee Urn MET 242108 2126 Maker: Andrew Ellicott Warner, 1786?1870, Coffee Urn, 1845, Silver, Overall: 15 3/8 x 8 5/8 x 8 13/16 in. (39.1 x 21.9 x 22.4 cm); 91 oz. 7 dwt. (2841.9 g) Body: H. 12 5/8 in. (32.1 cm); 81 oz. 19 dwt. (2549.1 g) Cover: 9 oz. 8 dwt. ( 292.8 g). The Metropolitan Museum of Art, New York. Friends of the American Wing Fund, 1987 (1987.31.1) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-coffee-urn-met-242108-2126-maker-andrew-ellicott-warner-17861870-coffee-168109537.htmlRMKNE1C1–Coffee Urn MET 242108 2126 Maker: Andrew Ellicott Warner, 1786?1870, Coffee Urn, 1845, Silver, Overall: 15 3/8 x 8 5/8 x 8 13/16 in. (39.1 x 21.9 x 22.4 cm); 91 oz. 7 dwt. (2841.9 g) Body: H. 12 5/8 in. (32.1 cm); 81 oz. 19 dwt. (2549.1 g) Cover: 9 oz. 8 dwt. ( 292.8 g). The Metropolitan Museum of Art, New York. Friends of the American Wing Fund, 1987 (1987.31.1)
Piece. Culture: British. Dimensions: H. 31 x W. 32 inches (78.7 x 81.3 cm). Date: ca. 1770. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piece-culture-british-dimensions-h-31-x-w-32-inches-787-x-813-cm-date-ca-1770-museum-metropolitan-museum-of-art-new-york-usa-image212935766.htmlRMPAC1MP–Piece. Culture: British. Dimensions: H. 31 x W. 32 inches (78.7 x 81.3 cm). Date: ca. 1770. Museum: Metropolitan Museum of Art, New York, USA.
Insertion (For a Cover). Belgium, Possibly Flanders. Date: 1550-1600. Dimensions: a: 10.5 × 79.7 cm (4 1/8 × 31 3/8 in.) b: 10.3 × 78.8 cm (4 × 31 in.) Width repeat: 32.8-33 cm (12 7/8-13 in.). Linen, needle lace worked on plain weave; cut and drawn thread grid; embroidered in chained border, double hem, eyelet, and stem stitches. Origin: Flanders. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/insertion-for-a-cover-belgium-possibly-flanders-date-1550-1600-dimensions-a-105-797-cm-4-18-31-38-in-b-103-788-cm-4-31-in-width-repeat-328-33-cm-12-78-13-in-linen-needle-lace-worked-on-plain-weave-cut-and-drawn-thread-grid-embroidered-in-chained-border-double-hem-eyelet-and-stem-stitches-origin-flanders-museum-the-chicago-art-institute-image239840214.htmlRMRX5JHX–Insertion (For a Cover). Belgium, Possibly Flanders. Date: 1550-1600. Dimensions: a: 10.5 × 79.7 cm (4 1/8 × 31 3/8 in.) b: 10.3 × 78.8 cm (4 × 31 in.) Width repeat: 32.8-33 cm (12 7/8-13 in.). Linen, needle lace worked on plain weave; cut and drawn thread grid; embroidered in chained border, double hem, eyelet, and stem stitches. Origin: Flanders. Museum: The Chicago Art Institute.
Retable of Saints Athanasius, Blaise, and Agatha. Master of Riglos; Spanish (Aragon), active c. 1435-60. Date: 1400-1500. Dimensions: Christ on the Cross: 69.8 x 81.2 cm (27 1/2 x 32 in.) Painted surface: 61 x 73 cm (24 1/2 x 28 3/4 in.) Coronation of the Virgin: 87.4 x 80.3 cm (34 3/8 x 31 5/8 in.) Painted surface: 87.3 x 73 cm (34 x 28 3/4 in.) Scenes from the Life of Saint Blaise: 154.3 x 69.8 cm (60 3/4 x 27 1/2 in.) Painted surface: 125.7 x 66 cm (49 1/2 x 26 in.) Saint Athanasius: 128.6 x 82 cm (50 5/8 x 32 1/4 in.) Painted surface: 124.7 x 73.7 cm (49 1/8 x 29 in.) Scenes from t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/retable-of-saints-athanasius-blaise-and-agatha-master-of-riglos-spanish-aragon-active-c-1435-60-date-1400-1500-dimensions-christ-on-the-cross-698-x-812-cm-27-12-x-32-in-painted-surface-61-x-73-cm-24-12-x-28-34-in-coronation-of-the-virgin-874-x-803-cm-34-38-x-31-58-in-painted-surface-873-x-73-cm-34-x-28-34-in-scenes-from-the-life-of-saint-blaise-1543-x-698-cm-60-34-x-27-12-in-painted-surface-1257-x-66-cm-49-12-x-26-in-saint-athanasius-1286-x-82-cm-50-58-x-32-14-in-painted-surface-1247-x-737-cm-49-18-x-29-in-scenes-from-t-image239875767.htmlRMRX77YK–Retable of Saints Athanasius, Blaise, and Agatha. Master of Riglos; Spanish (Aragon), active c. 1435-60. Date: 1400-1500. Dimensions: Christ on the Cross: 69.8 x 81.2 cm (27 1/2 x 32 in.) Painted surface: 61 x 73 cm (24 1/2 x 28 3/4 in.) Coronation of the Virgin: 87.4 x 80.3 cm (34 3/8 x 31 5/8 in.) Painted surface: 87.3 x 73 cm (34 x 28 3/4 in.) Scenes from the Life of Saint Blaise: 154.3 x 69.8 cm (60 3/4 x 27 1/2 in.) Painted surface: 125.7 x 66 cm (49 1/2 x 26 in.) Saint Athanasius: 128.6 x 82 cm (50 5/8 x 32 1/4 in.) Painted surface: 124.7 x 73.7 cm (49 1/8 x 29 in.) Scenes from t
Album of Drawings. Artist: Filippo Juvarra (Italian, Messina 1678-1736 Madrid). Dimensions: Overall: 11 9/16 x 8 3/8 x 1 1/16 in. (29.4 x 21.2 x 2.7 cm). Date: 1678-1736. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-of-drawings-artist-filippo-juvarra-italian-messina-1678-1736-madrid-dimensions-overall-11-916-x-8-38-x-1-116-in-294-x-212-x-27-cm-date-1678-1736-museum-metropolitan-museum-of-art-new-york-usa-image212898261.htmlRMPAA9W9–Album of Drawings. Artist: Filippo Juvarra (Italian, Messina 1678-1736 Madrid). Dimensions: Overall: 11 9/16 x 8 3/8 x 1 1/16 in. (29.4 x 21.2 x 2.7 cm). Date: 1678-1736. Museum: Metropolitan Museum of Art, New York, USA.
Armor. Armorer: Helmet, pauldrons, and vambraces attributed to Kolman Helmschmid (German, Augsburg 1471-1532). Culture: German, Augsburg. Dimensions: Wt. approx. 48 lb. 7 oz. (21.97 kg). Date: ca. 1525 and later. The helmet, pauldrons (shoulder defenses), and vambraces (arm defenses) of this armor are attributed to Kolman Helmschmid based on comparison with his known works. The helmet's distinctive snub-nosed visor appears to be a form that he originated and used on three other helmets, all dating from the mid-1520s. The decoration of these elements is typical of the style of Daniel Hopfer of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/armor-armorer-helmet-pauldrons-and-vambraces-attributed-to-kolman-helmschmid-german-augsburg-1471-1532-culture-german-augsburg-dimensions-wt-approx-48-lb-7-oz-2197-kg-date-ca-1525-and-later-the-helmet-pauldrons-shoulder-defenses-and-vambraces-arm-defenses-of-this-armor-are-attributed-to-kolman-helmschmid-based-on-comparison-with-his-known-works-the-helmets-distinctive-snub-nosed-visor-appears-to-be-a-form-that-he-originated-and-used-on-three-other-helmets-all-dating-from-the-mid-1520s-the-decoration-of-these-elements-is-typical-of-the-style-of-daniel-hopfer-of-image213146963.htmlRMPANK3F–Armor. Armorer: Helmet, pauldrons, and vambraces attributed to Kolman Helmschmid (German, Augsburg 1471-1532). Culture: German, Augsburg. Dimensions: Wt. approx. 48 lb. 7 oz. (21.97 kg). Date: ca. 1525 and later. The helmet, pauldrons (shoulder defenses), and vambraces (arm defenses) of this armor are attributed to Kolman Helmschmid based on comparison with his known works. The helmet's distinctive snub-nosed visor appears to be a form that he originated and used on three other helmets, all dating from the mid-1520s. The decoration of these elements is typical of the style of Daniel Hopfer of
Search Results for 32 3 31 7 cm Black & White Stock Photos and Images (21)
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