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33 3 11 cm Stock Photos and Images
Art inspired by Rose, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 13 1/8 x 4 5/16 in. (33.3 x 11 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-rose-edo-period-16151868-japan-polychrome-woodblock-print-ink-and-color-on-paper-13-18-x-4-516-in-333-x-11-cm-prints-utagawa-hiroshige-japanese-tokyo-edo-17971858-tokyo-edo-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462770244.htmlRF2HTW04M–Art inspired by Rose, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 13 1/8 x 4 5/16 in. (33.3 x 11 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
William Plummer, English, free 1755; died 1791, Basket, 1776/77, Silver, 10 3/4 x 13 x 11 in. (27.3 x 33 x 27.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-plummer-english-free-1755-died-1791-basket-177677-silver-10-34-x-13-x-11-in-273-x-33-x-279-cm-image344581066.htmlRM2B0H0JJ–William Plummer, English, free 1755; died 1791, Basket, 1776/77, Silver, 10 3/4 x 13 x 11 in. (27.3 x 33 x 27.9 cm
Plate. Culture: British (American market). Dimensions: 13 x 11 1/8 in. (33 x 28.3 cm). Date: 1740-60. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-culture-british-american-market-dimensions-13-x-11-18-in-33-x-283-cm-date-1740-60-museum-metropolitan-museum-of-art-new-york-usa-image212936924.htmlRMPAC364–Plate. Culture: British (American market). Dimensions: 13 x 11 1/8 in. (33 x 28.3 cm). Date: 1740-60. Museum: Metropolitan Museum of Art, New York, USA.
. Portrait of a priest . Polski: Helmich van Tweenhuysen II Rok wykonania: ok. 1650 Technika wykonania: olej na płótnie Rozmiar: 78,3 × 64,7 cm Muzeum: Muzeum Narodowe we Wrocławiu . around 1650 ; 2016-11-20 12:58:33. Adamt 288 HVT portret2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-priest-polski-helmich-van-tweenhuysen-ii-rok-wykonania-ok-1650-technika-wykonania-olej-na-ptnie-rozmiar-783-647-cm-muzeum-muzeum-narodowe-we-wrocawiu-around-1650-2016-11-20-125833-adamt-288-hvt-portret2-image187593648.htmlRMMW5HH4–. Portrait of a priest . Polski: Helmich van Tweenhuysen II Rok wykonania: ok. 1650 Technika wykonania: olej na płótnie Rozmiar: 78,3 × 64,7 cm Muzeum: Muzeum Narodowe we Wrocławiu . around 1650 ; 2016-11-20 12:58:33. Adamt 288 HVT portret2
![View in Dove Dale Derbyshire. Author Bulman, J. 11.33.c. Date of publication: [about 1770-1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 33 x 50.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G17T/view-in-dove-dale-derbyshire-author-bulman-j-1133c-date-of-publication-about-1770-1790-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-33-x-503-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G17T.jpg "View in Dove Dale Derbyshire. Author Bulman, J. 11.33.c. Date of publication: [about 1770-1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 33 x 50.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
View in Dove Dale Derbyshire. Author Bulman, J. 11.33.c. Date of publication: [about 1770-1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 33 x 50.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-in-dove-dale-derbyshire-author-bulman-j-1133c-date-of-publication-about-1770-1790-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-dimensions-sheet-33-x-503-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401722604.htmlRM2E9G17T–View in Dove Dale Derbyshire. Author Bulman, J. 11.33.c. Date of publication: [about 1770-1790] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 33 x 50.3 cm Former owner: George III, King of Great Britain, 1738-1820
Vasily Kandinsky. (French, born Russia. 1866-1944). Small Worlds IV ( Kleine Welten IV) from the portfolio Small Worlds (Kleine Welten). (1922). Lithograph, composition (irreg.): 10 1/2 x 10 1/16' (26.6 x 25.6 cm); sheet: 13 1/4 x 11 3/8' (33.6 x 28.9 cm). Publisher: PropylŠen-Verlag, Berlin. Printer: Staatliches Bauhaus, Weimar. Edition: 230 published in 1922 (1-30 deluxe edition on Japan and 31-230 on BŸtten paper). Gift of Abby Aldrich Rockefeller. © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-vasily-kandinsky-french-born-russia-1866-1944-small-worlds-iv-kleine-169418899.htmlRMKRHKEY–Vasily Kandinsky. (French, born Russia. 1866-1944). Small Worlds IV ( Kleine Welten IV) from the portfolio Small Worlds (Kleine Welten). (1922). Lithograph, composition (irreg.): 10 1/2 x 10 1/16' (26.6 x 25.6 cm); sheet: 13 1/4 x 11 3/8' (33.6 x 28.9 cm). Publisher: PropylŠen-Verlag, Berlin. Printer: Staatliches Bauhaus, Weimar. Edition: 230 published in 1922 (1-30 deluxe edition on Japan and 31-230 on BŸtten paper). Gift of Abby Aldrich Rockefeller. © 2008 Artists Rights Society (ARS), New York / ADAGP, Paris
380673 Artist: Honor? Daumier, French, Marseilles 1808?1879 Valmondois, Advice to Subscribers, published in Le Charivari, April 1, 1840, April 1, 1840, Lithograph; first state of two (Delteil), Sheet: 13 1/8 ? 9 11/16 in. (33.3 ? 24.6 cm). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/380673-artist-honor-daumier-french-marseilles-18081879-valmondois-advice-to-subscribers-published-in-le-charivari-april-1-1840-april-1-1840-lithograph-first-state-of-two-delteil-sheet-13-18-9-1116-in-333-246-cm-image231096785.htmlRMRBYA8H–380673 Artist: Honor? Daumier, French, Marseilles 1808?1879 Valmondois, Advice to Subscribers, published in Le Charivari, April 1, 1840, April 1, 1840, Lithograph; first state of two (Delteil), Sheet: 13 1/8 ? 9 11/16 in. (33.3 ? 24.6 cm).
Print, Plate 11, from 'Suite de Douze Pêcheurs et Chasseurs'; Designed by Jean-Baptiste Pillement (French, 1728–1808); Print Maker: Jean-Jacques Avril the Elder (French, 1744 - 1831); France; etching on paper; Plate: 33.2 × 23.6 cm (13 1/16 × 9 5/16 in.) Paper: 44.1 × 29.1 cm (17 3/8 × 11 7/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-plate-11-from-suite-de-douze-pcheurs-et-chasseurs-designed-by-jean-baptiste-pillement-french-17281808-print-maker-jean-jacques-avril-the-elder-french-1744-1831-france-etching-on-paper-plate-332-236-cm-13-116-9-516-in-paper-441-291-cm-17-38-11-716-in-image546139366.htmlRM2PMEP9A–Print, Plate 11, from 'Suite de Douze Pêcheurs et Chasseurs'; Designed by Jean-Baptiste Pillement (French, 1728–1808); Print Maker: Jean-Jacques Avril the Elder (French, 1744 - 1831); France; etching on paper; Plate: 33.2 × 23.6 cm (13 1/16 × 9 5/16 in.) Paper: 44.1 × 29.1 cm (17 3/8 × 11 7/16 in.)
Servant with fly-whisk and flour Zijfiguur van een dienaar met een vliegenwaaier en een bloem in de handen. De figuur staat met een elegante knik in het lichaam terzijde van een verlorengegane hoofdgodheid. Op sokkel. Manufacturer : Plaats manufacture: Noord-India Dating: 900 - 1200 Material: zandsteen Dimensions: h 28 cm (excl. sokkel) × h 33 cm (incl. sokkel) × b 11,3 cm × d 10,2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/servant-with-fly-whisk-and-flour-zijfiguur-van-een-dienaar-met-een-vliegenwaaier-en-een-bloem-in-de-handen-de-figuur-staat-met-een-elegante-knik-in-het-lichaam-terzijde-van-een-verlorengegane-hoofdgodheid-op-sokkel-manufacturer-plaats-manufacture-noord-india-dating-900-1200-material-zandsteen-dimensions-h-28-cm-excl-sokkel-h-33-cm-incl-sokkel-b-113-cm-d-102-cm-image348308675.htmlRM2B6JR7F–Servant with fly-whisk and flour Zijfiguur van een dienaar met een vliegenwaaier en een bloem in de handen. De figuur staat met een elegante knik in het lichaam terzijde van een verlorengegane hoofdgodheid. Op sokkel. Manufacturer : Plaats manufacture: Noord-India Dating: 900 - 1200 Material: zandsteen Dimensions: h 28 cm (excl. sokkel) × h 33 cm (incl. sokkel) × b 11,3 cm × d 10,2 cm
'Walter Gramatté, Girl with Hand, 1923, etching on laid cream paper, plate: 30.7 × 20.8 cm (12 1/16 × 8 3/16 in.) sheet: 45 × 33.1 cm (17 11/16 × 13 1/16 in.), Gift of Ruth Cole Kainen, 2012.92.247' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/walter-gramatt-girl-with-hand-1923-etching-on-laid-cream-paper-plate-307-208-cm-12-116-8-316-in-sheet-45-331-cm-17-1116-13-116-in-gift-of-ruth-cole-kainen-201292247-image557466083.htmlRM2RAXNJY–'Walter Gramatté, Girl with Hand, 1923, etching on laid cream paper, plate: 30.7 × 20.8 cm (12 1/16 × 8 3/16 in.) sheet: 45 × 33.1 cm (17 11/16 × 13 1/16 in.), Gift of Ruth Cole Kainen, 2012.92.247'
Bronze oinochoe (jug) MET DP218576 254525 Greek, Bronze oinochoe (jug), mid-6th century B.C., Bronze, H. 13 1/8 in. (33.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1945 (45.11.3) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bronze-oinochoe-jug-met-dp218576-254525-greek-bronze-oinochoe-jug-168005264.htmlRMKN98C0–Bronze oinochoe (jug) MET DP218576 254525 Greek, Bronze oinochoe (jug), mid-6th century B.C., Bronze, H. 13 1/8 in. (33.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1945 (45.11.3)
Papaya leaf black background wallpaper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-papaya-leaf-black-background-wallpaper-109484290.htmlRFGA3C96–Papaya leaf black background wallpaper
. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT. 42 16.2N LONG. 70 16.6W DEPTH 7.6 METERS NUMBER OF OBSERVATIONS = 5S00 OBSERVATION PERIOD 24/VII/67 TO 28/VII/67 MEAN VARIANCE CM/SEC (CM/SEC)2 ST-DEV CM/SEC SKEW KURT MAX MIN CM/SEC CM/SEC S 42.59 132.74 11.52 -.214 2.96 73.56 7.72 U 12.65 1243.33 35.26 -.362 1.72 70.97 -65.21 V 15.69 297.61 17.25 -.815 3.86 53.84 -47.84 S - SPEED U = EAST-WEST COMPONENT OF VELOCITY, EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY, NORTH = POSITIVE V 390. 15 30 45 60 SPEED (C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/current-meter-observations-in-massachusetts-bay-oceanographic-buoys-oceanographic-instruments-statistics-of-currents-lflt-42-162n-long-70-166w-depth-76-meters-number-of-observations-=-5s00-observation-period-24vii67-to-28vii67-mean-variance-cmsec-cmsec2-st-dev-cmsec-skew-kurt-max-min-cmsec-cmsec-s-4259-13274-1152-214-296-7356-772-u-1265-124333-3526-362-172-7097-6521-v-1569-29761-1725-815-386-5384-4784-s-speed-u-=-east-west-component-of-velocity-east-=-positive-u-v-=-north-south-component-of-velocity-north-=-positive-v-390-15-30-45-60-speed-c-image216342138.htmlRMPFY6GX–. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT. 42 16.2N LONG. 70 16.6W DEPTH 7.6 METERS NUMBER OF OBSERVATIONS = 5S00 OBSERVATION PERIOD 24/VII/67 TO 28/VII/67 MEAN VARIANCE CM/SEC (CM/SEC)2 ST-DEV CM/SEC SKEW KURT MAX MIN CM/SEC CM/SEC S 42.59 132.74 11.52 -.214 2.96 73.56 7.72 U 12.65 1243.33 35.26 -.362 1.72 70.97 -65.21 V 15.69 297.61 17.25 -.815 3.86 53.84 -47.84 S - SPEED U = EAST-WEST COMPONENT OF VELOCITY, EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY, NORTH = POSITIVE V 390. 15 30 45 60 SPEED (C
Inspired by Portrait of Louis Bouche, George Wesley Bellows, American, 1882-1925, Lithograph on thin cream-colored wove paper, 1921, 13 1/16 x 11 9/16 in., 33.1 x 29.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-louis-bouche-george-wesley-bellows-american-1882-1925-lithograph-on-thin-cream-colored-wove-paper-1921-13-116-x-11-916-in-331-x-293-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459266224.htmlRF2HK5AN4–Inspired by Portrait of Louis Bouche, George Wesley Bellows, American, 1882-1925, Lithograph on thin cream-colored wove paper, 1921, 13 1/16 x 11 9/16 in., 33.1 x 29.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Unknown Artist, Cameo of a Husband and Wife, 0 - 100 CE, two-layered chalcedony, 1 11/16 in. x 1 5/16 in. (4.29 cm. x 3.33 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-cameo-of-a-husband-and-wife-0-100-ce-two-layered-chalcedony-1-1116-in-x-1-516-in-429-cm-x-333-cm-image344469632.htmlRM2B0BXET–Unknown Artist, Cameo of a Husband and Wife, 0 - 100 CE, two-layered chalcedony, 1 11/16 in. x 1 5/16 in. (4.29 cm. x 3.33 cm.)
Teakettle. Dimensions: 11 13/16 x 13 3/16 x 8 in. (30 x 33.5 x 20.3 cm). Maker: J. Dunn. Date: 1800-1830. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/teakettle-dimensions-11-1316-x-13-316-x-8-in-30-x-335-x-203-cm-maker-j-dunn-date-1800-1830-museum-metropolitan-museum-of-art-new-york-usa-image212856971.htmlRMPA8D6K–Teakettle. Dimensions: 11 13/16 x 13 3/16 x 8 in. (30 x 33.5 x 20.3 cm). Maker: J. Dunn. Date: 1800-1830. Museum: Metropolitan Museum of Art, New York, USA.
. Portrait of a priest . Polski: Helmich van Tweenhuysen II Rok wykonania: ok. 1650 Technika wykonania: olej na płótnie Rozmiar: 78,3 × 64,7 cm Muzeum: Muzeum Narodowe we Wrocławiu . around 1650 ; 2016-11-20 12:58:33. Adamt 289 HVT portret2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-priest-polski-helmich-van-tweenhuysen-ii-rok-wykonania-ok-1650-technika-wykonania-olej-na-ptnie-rozmiar-783-647-cm-muzeum-muzeum-narodowe-we-wrocawiu-around-1650-2016-11-20-125833-adamt-289-hvt-portret2-image188106632.htmlRMMX0YX0–. Portrait of a priest . Polski: Helmich van Tweenhuysen II Rok wykonania: ok. 1650 Technika wykonania: olej na płótnie Rozmiar: 78,3 × 64,7 cm Muzeum: Muzeum Narodowe we Wrocławiu . around 1650 ; 2016-11-20 12:58:33. Adamt 289 HVT portret2
![View in North Wales. Author Rowlandson, Thomas 46.11. Place of publication: [London ?] Publisher: [T. Rowlandson ?]., Date of publication: [1799] Item type: 1 print Medium: etching Dimensions: platemark 23.3 x 33.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9EY5F/view-in-north-wales-author-rowlandson-thomas-4611-place-of-publication-london-publisher-t-rowlandson-date-of-publication-1799-item-type-1-print-medium-etching-dimensions-platemark-233-x-338-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9EY5F.jpg "View in North Wales. Author Rowlandson, Thomas 46.11. Place of publication: [London ?] Publisher: [T. Rowlandson ?]., Date of publication: [1799] Item type: 1 print Medium: etching Dimensions: platemark 23.3 x 33.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
View in North Wales. Author Rowlandson, Thomas 46.11. Place of publication: [London ?] Publisher: [T. Rowlandson ?]., Date of publication: [1799] Item type: 1 print Medium: etching Dimensions: platemark 23.3 x 33.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-in-north-wales-author-rowlandson-thomas-4611-place-of-publication-london-publisher-t-rowlandson-date-of-publication-1799-item-type-1-print-medium-etching-dimensions-platemark-233-x-338-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401699019.htmlRM2E9EY5F–View in North Wales. Author Rowlandson, Thomas 46.11. Place of publication: [London ?] Publisher: [T. Rowlandson ?]., Date of publication: [1799] Item type: 1 print Medium: etching Dimensions: platemark 23.3 x 33.8 cm Former owner: George III, King of Great Britain, 1738-1820
Archive image from page 347 of De flora van Nederland (1909-11). De flora van Nederland defloravannederl03heuk Year: 1909-11. 328 VALERIANACEAE. FAMILIE 107. en van achteren met een zwakke groef, aan weerszijden met 2 fijne ribben. Het vruchtbaar hokje is grooter dan de beide ledige samen, de wand is van achteren sponzig verdikt. 7-22 cM. 33 en 3- De tweejarige bloeien in April, Mei, de eenjarige in Juli, Augustus. De vorm y.. leiocarpa') Krok. heeft een kale of naar voren zeer fijn behaarde vrucht. Hiertoe behoort ook de gekweekte vorm oleracea -) Schl. De plant is hier grooter en kaler, de Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-347-of-de-flora-van-nederland-1909-11-de-flora-van-nederland-defloravannederl03heuk-year-1909-11-328-valerianaceae-familie-107-en-van-achteren-met-een-zwakke-groef-aan-weerszijden-met-2-fijne-ribben-het-vruchtbaar-hokje-is-grooter-dan-de-beide-ledige-samen-de-wand-is-van-achteren-sponzig-verdikt-7-22-cm-33-en-3-de-tweejarige-bloeien-in-april-mei-de-eenjarige-in-juli-augustus-de-vorm-y-leiocarpa-krok-heeft-een-kale-of-naar-voren-zeer-fijn-behaarde-vrucht-hiertoe-behoort-ook-de-gekweekte-vorm-oleracea-schl-de-plant-is-hier-grooter-en-kaler-de-image259562506.htmlRMW282HE–Archive image from page 347 of De flora van Nederland (1909-11). De flora van Nederland defloravannederl03heuk Year: 1909-11. 328 VALERIANACEAE. FAMILIE 107. en van achteren met een zwakke groef, aan weerszijden met 2 fijne ribben. Het vruchtbaar hokje is grooter dan de beide ledige samen, de wand is van achteren sponzig verdikt. 7-22 cM. 33 en 3- De tweejarige bloeien in April, Mei, de eenjarige in Juli, Augustus. De vorm y.. leiocarpa') Krok. heeft een kale of naar voren zeer fijn behaarde vrucht. Hiertoe behoort ook de gekweekte vorm oleracea -) Schl. De plant is hier grooter en kaler, de
Sidewall (USA); machine-printed; 45 x 33.5 cm (17 11/16 x 13 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-usa-machine-printed-45-x-335-cm-17-1116-x-13-316-in-image546146210.htmlRM2PMF31P–Sidewall (USA); machine-printed; 45 x 33.5 cm (17 11/16 x 13 3/16 in.)
Lampetkan met een Chinees op een troon met dienaar en soldaat Lampetkan van aardewerk met lila transferdecor en moffelkleuren, gehoogd met goud. Op de buik een Chinese gezaghebber op een troon , bijgestaan door een dienaar, en een soldaat. Het oor is bevestigd op de buik en eindigt aan de binnenzijde van de bovenrand in twee bladeren in reliëf. Manufacturer : Petrus RegoutPlaats manufacture: Maastricht Dating: ca. 1801 - ca. 1879 Material: aardewerk Techniek: transferdecor / moffelen Dimensions: h 33,3 cm. × b 19,7 cm. × d 16,6 cm. voetring: d 11,0 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lampetkan-met-een-chinees-op-een-troon-met-dienaar-en-soldaat-lampetkan-van-aardewerk-met-lila-transferdecor-en-moffelkleuren-gehoogd-met-goud-op-de-buik-een-chinese-gezaghebber-op-een-troon-bijgestaan-door-een-dienaar-en-een-soldaat-het-oor-is-bevestigd-op-de-buik-en-eindigt-aan-de-binnenzijde-van-de-bovenrand-in-twee-bladeren-in-relif-manufacturer-petrus-regoutplaats-manufacture-maastricht-dating-ca-1801-ca-1879-material-aardewerk-techniek-transferdecor-moffelen-dimensions-h-333-cm-b-197-cm-d-166-cm-voetring-d-110-cm-image348535914.htmlRM2B71536–Lampetkan met een Chinees op een troon met dienaar en soldaat Lampetkan van aardewerk met lila transferdecor en moffelkleuren, gehoogd met goud. Op de buik een Chinese gezaghebber op een troon , bijgestaan door een dienaar, en een soldaat. Het oor is bevestigd op de buik en eindigt aan de binnenzijde van de bovenrand in twee bladeren in reliëf. Manufacturer : Petrus RegoutPlaats manufacture: Maastricht Dating: ca. 1801 - ca. 1879 Material: aardewerk Techniek: transferdecor / moffelen Dimensions: h 33,3 cm. × b 19,7 cm. × d 16,6 cm. voetring: d 11,0 cm.
'Henri-Charles Guérard, Salomon and Cleopatra, c. 1890, mezzotint on wove paper, plate: 19.5 × 31.5 cm (7 11/16 × 12 3/8 in.) sheet: 24.2 × 33.5 cm (9 1/2 × 13 3/16 in.), Ailsa Mellon Bruce Fund, 2016.37.3' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henri-charles-gurard-salomon-and-cleopatra-c-1890-mezzotint-on-wove-paper-plate-195-315-cm-7-1116-12-38-in-sheet-242-335-cm-9-12-13-316-in-ailsa-mellon-bruce-fund-2016373-image559675498.htmlRM2REFBPJ–'Henri-Charles Guérard, Salomon and Cleopatra, c. 1890, mezzotint on wove paper, plate: 19.5 × 31.5 cm (7 11/16 × 12 3/8 in.) sheet: 24.2 × 33.5 cm (9 1/2 × 13 3/16 in.), Ailsa Mellon Bruce Fund, 2016.37.3'
Basin MET DP252574 346 Maker: Lyman, Fenton & Co., 1849?52, Basin, ca. 1849?58, Mottled brown earthenware, H. 4 3/8 in. (11.1 cm); Diam. 13 in. (33 cm). The Metropolitan Museum of Art, New York. Gift of Jerome Gratenstein, 1973 (1973.343.1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-basin-met-dp252574-346-maker-lyman-fenton-co-184952-basin-ca-184958-168032566.htmlRMKNAF72–Basin MET DP252574 346 Maker: Lyman, Fenton & Co., 1849?52, Basin, ca. 1849?58, Mottled brown earthenware, H. 4 3/8 in. (11.1 cm); Diam. 13 in. (33 cm). The Metropolitan Museum of Art, New York. Gift of Jerome Gratenstein, 1973 (1973.343.1)
![. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET).. Oceanography. 4 17 o 1 27 *' o IS 10 29 49 N 47 o 1] 54 33 32 44 / o 9 30 43 / 24 4S • o 1 29 IS 49 / / / / • © < • ** • 14 ( a "^ IS o ^3 3 O o o 0^^ o o 0 o o o *«*„ o • © o s 0 • *' O II •« It 12 12 IO JO 1 20 16 o t o s a o 4 *»I2 Figure 2. The accelerations (cm/sec) ahead of plankton nets. a. Linear accelerations ahead of a non-filtering cone 1 m in diameter without a bridle preceding the entrance. The tow speed is 11 cm/sec (44 m/min). b. Linear accelerations ahead of lead line. The tow Stock Photo](https://c8.alamy.com/comp/PFAJR2/design-and-wind-tunnel-testing-of-a-size-sampling-in-situ-net-system-ssisnet-oceanography-4-17-o-1-27-o-is-10-29-49-n-47-o-1-54-33-32-44-o-9-30-43-24-4s-o-1-29-is-49-lt-14-a-quot-is-o-3-3-o-o-o-0-o-o-0-o-o-o-o-o-s-0-o-ii-it-12-12-io-jo-1-20-16-o-t-o-s-a-o-4-i2-figure-2-the-accelerations-cmsec-ahead-of-plankton-nets-a-linear-accelerations-ahead-of-a-non-filtering-cone-1-m-in-diameter-without-a-bridle-preceding-the-entrance-the-tow-speed-is-11-cmsec-44-mmin-b-linear-accelerations-ahead-of-lead-line-the-tow-PFAJR2.jpg ". Design and wind tunnel testing of a size sampling in-situ net system (SSISNET).. Oceanography. 4 17 o 1 27 *' o IS 10 29 49 N 47 o 1] 54 33 32 44 / o 9 30 43 / 24 4S • o 1 29 IS 49 / / / / • © < • ** • 14 ( a "^ IS o ^3 3 O o o 0^^ o o 0 o o o *«*„ o • © o s 0 • *' O II •« It 12 12 IO JO 1 20 16 o t o s a o 4 *»I2 Figure 2. The accelerations (cm/sec) ahead of plankton nets. a. Linear accelerations ahead of a non-filtering cone 1 m in diameter without a bridle preceding the entrance. The tow speed is 11 cm/sec (44 m/min). b. Linear accelerations ahead of lead line. The tow Stock Photo")
. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET).. Oceanography. 4 17 o 1 27 *' o IS 10 29 49 N 47 o 1] 54 33 32 44 / o 9 30 43 / 24 4S • o 1 29 IS 49 / / / / • © < • ** • 14 ( a "^ IS o ^3 3 O o o 0^^ o o 0 o o o *«*„ o • © o s 0 • *' O II •« It 12 12 IO JO 1 20 16 o t o s a o 4 *»I2 Figure 2. The accelerations (cm/sec) ahead of plankton nets. a. Linear accelerations ahead of a non-filtering cone 1 m in diameter without a bridle preceding the entrance. The tow speed is 11 cm/sec (44 m/min). b. Linear accelerations ahead of lead line. The tow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-and-wind-tunnel-testing-of-a-size-sampling-in-situ-net-system-ssisnet-oceanography-4-17-o-1-27-o-is-10-29-49-n-47-o-1-54-33-32-44-o-9-30-43-24-4s-o-1-29-is-49-lt-14-a-quot-is-o-3-3-o-o-o-0-o-o-0-o-o-o-o-o-s-0-o-ii-it-12-12-io-jo-1-20-16-o-t-o-s-a-o-4-i2-figure-2-the-accelerations-cmsec-ahead-of-plankton-nets-a-linear-accelerations-ahead-of-a-non-filtering-cone-1-m-in-diameter-without-a-bridle-preceding-the-entrance-the-tow-speed-is-11-cmsec-44-mmin-b-linear-accelerations-ahead-of-lead-line-the-tow-image215978534.htmlRMPFAJR2–. Design and wind tunnel testing of a size sampling in-situ net system (SSISNET).. Oceanography. 4 17 o 1 27 *' o IS 10 29 49 N 47 o 1] 54 33 32 44 / o 9 30 43 / 24 4S • o 1 29 IS 49 / / / / • © < • ** • 14 ( a "^ IS o ^3 3 O o o 0^^ o o 0 o o o *«*„ o • © o s 0 • *' O II •« It 12 12 IO JO 1 20 16 o t o s a o 4 *»I2 Figure 2. The accelerations (cm/sec) ahead of plankton nets. a. Linear accelerations ahead of a non-filtering cone 1 m in diameter without a bridle preceding the entrance. The tow speed is 11 cm/sec (44 m/min). b. Linear accelerations ahead of lead line. The tow
Art inspired by Plate, 1740–60, Made in Staffordshire, England, British (American market), Stoneware, 13 x 11 1/8 in. (33 x 28.3 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-plate-174060-made-in-staffordshire-england-british-american-market-stoneware-13-x-11-18-in-33-x-283-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462888892.htmlRF2HW2BE4–Art inspired by Plate, 1740–60, Made in Staffordshire, England, British (American market), Stoneware, 13 x 11 1/8 in. (33 x 28.3 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Axe head, Akkadian, Akkadian, Date ca. 2350–2150 B.C., Iran or Mesopotamia, Akkadian, Copper alloy, 3.7 x 4.33 in. (9.4 x 11 cm), Metalwork-Implements-Inscribed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/axe-head-akkadian-akkadian-date-ca-23502150-bc-iran-or-mesopotamia-akkadian-copper-alloy-37-x-433-in-94-x-11-cm-metalwork-implements-inscribed-image344674657.htmlRM2B0N815–Axe head, Akkadian, Akkadian, Date ca. 2350–2150 B.C., Iran or Mesopotamia, Akkadian, Copper alloy, 3.7 x 4.33 in. (9.4 x 11 cm), Metalwork-Implements-Inscribed
Design with Flowers. Artist: Anonymous, French, 19th century. Dimensions: 13 3/16 x 18 11/16 in. (33.5 x 47.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-with-flowers-artist-anonymous-french-19th-century-dimensions-13-316-x-18-1116-in-335-x-475-cm-date-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213152459.htmlRMPANX3R–Design with Flowers. Artist: Anonymous, French, 19th century. Dimensions: 13 3/16 x 18 11/16 in. (33.5 x 47.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
. Portrait of a priest . Polski: Helmich van Tweenhuysen II Rok wykonania: ok. 1650 Technika wykonania: olej na płótnie Rozmiar: 78,3 × 64,7 cm Muzeum: Muzeum Narodowe we Wrocławiu . around 1650 ; 2016-11-20 12:58:33. Adamt 250 HVT portret2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-priest-polski-helmich-van-tweenhuysen-ii-rok-wykonania-ok-1650-technika-wykonania-olej-na-ptnie-rozmiar-783-647-cm-muzeum-muzeum-narodowe-we-wrocawiu-around-1650-2016-11-20-125833-adamt-250-hvt-portret2-image188892778.htmlRMMY8PJJ–. Portrait of a priest . Polski: Helmich van Tweenhuysen II Rok wykonania: ok. 1650 Technika wykonania: olej na płótnie Rozmiar: 78,3 × 64,7 cm Muzeum: Muzeum Narodowe we Wrocławiu . around 1650 ; 2016-11-20 12:58:33. Adamt 250 HVT portret2
![Outline ground plan of the foundation, or basement, of Christ Church Spitalfields . Author Hawksmoor, Nicholas 23.11.b. Date of publication: [between 1714-1720] Item type: 1 drawing Medium: pen and black ink Dimensions: sheet 22.3 x 33.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HFHK/outline-ground-plan-of-the-foundation-or-basement-of-christ-church-spitalfields-author-hawksmoor-nicholas-2311b-date-of-publication-between-1714-1720-item-type-1-drawing-medium-pen-and-black-ink-dimensions-sheet-223-x-331-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HFHK.jpg "Outline ground plan of the foundation, or basement, of Christ Church Spitalfields . Author Hawksmoor, Nicholas 23.11.b. Date of publication: [between 1714-1720] Item type: 1 drawing Medium: pen and black ink Dimensions: sheet 22.3 x 33.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Outline ground plan of the foundation, or basement, of Christ Church Spitalfields . Author Hawksmoor, Nicholas 23.11.b. Date of publication: [between 1714-1720] Item type: 1 drawing Medium: pen and black ink Dimensions: sheet 22.3 x 33.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/outline-ground-plan-of-the-foundation-or-basement-of-christ-church-spitalfields-author-hawksmoor-nicholas-2311b-date-of-publication-between-1714-1720-item-type-1-drawing-medium-pen-and-black-ink-dimensions-sheet-223-x-331-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401755807.htmlRM2E9HFHK–Outline ground plan of the foundation, or basement, of Christ Church Spitalfields . Author Hawksmoor, Nicholas 23.11.b. Date of publication: [between 1714-1720] Item type: 1 drawing Medium: pen and black ink Dimensions: sheet 22.3 x 33.1 cm Former owner: George III, King of Great Britain, 1738-1820
Textile (Egypt); linen; Warp x Weft: 13.2 x 33.8 cm (5 3/16 x 13 5/16 in.); 1939-11-14 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-egypt-linen-warp-x-weft-132-x-338-cm-5-316-x-13-516-in-1939-11-14-image546126581.htmlRM2PME60N–Textile (Egypt); linen; Warp x Weft: 13.2 x 33.8 cm (5 3/16 x 13 5/16 in.); 1939-11-14
'Thales Fielding after Comte de Forbin, Vue de Ruines, à Tindare, color aquatint on wove paper, plate: 21.2 x 29.5 cm (8 3/8 x 11 5/8 in.) sheet: 28.4 x 33.5 cm (11 3/16 x 13 3/16 in.), Gift of Frank Anderson Trapp, 2004.166.14' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thales-fielding-after-comte-de-forbin-vue-de-ruines-tindare-color-aquatint-on-wove-paper-plate-212-x-295-cm-8-38-x-11-58-in-sheet-284-x-335-cm-11-316-x-13-316-in-gift-of-frank-anderson-trapp-200416614-image559693304.htmlRM2REG6EG–'Thales Fielding after Comte de Forbin, Vue de Ruines, à Tindare, color aquatint on wove paper, plate: 21.2 x 29.5 cm (8 3/8 x 11 5/8 in.) sheet: 28.4 x 33.5 cm (11 3/16 x 13 3/16 in.), Gift of Frank Anderson Trapp, 2004.166.14'
Basin MET DP252573 346 Maker: Lyman, Fenton & Co., 1849?52, Basin, ca. 1849?58, Mottled brown earthenware, H. 4 3/8 in. (11.1 cm); Diam. 13 in. (33 cm). The Metropolitan Museum of Art, New York. Gift of Jerome Gratenstein, 1973 (1973.343.1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-basin-met-dp252573-346-maker-lyman-fenton-co-184952-basin-ca-184958-168098760.htmlRMKNDFK4–Basin MET DP252573 346 Maker: Lyman, Fenton & Co., 1849?52, Basin, ca. 1849?58, Mottled brown earthenware, H. 4 3/8 in. (11.1 cm); Diam. 13 in. (33 cm). The Metropolitan Museum of Art, New York. Gift of Jerome Gratenstein, 1973 (1973.343.1)
Art inspired by Teakettle, 1800–1830, Copper, 11 13/16 x 13 3/16 x 8 in. (30 x 33.5 x 20.3 cm), Metal, J. Dunn, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-teakettle-18001830-copper-11-1316-x-13-316-x-8-in-30-x-335-x-203-cm-metal-j-dunn-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462881468.htmlRF2HW2210–Art inspired by Teakettle, 1800–1830, Copper, 11 13/16 x 13 3/16 x 8 in. (30 x 33.5 x 20.3 cm), Metal, J. Dunn, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Capital, 5th–6th century, Made in Egypt, Limestone; carved, H. 20 11/16 in. (52.5 cm), W. 13 3/16 in. (33.5 cm), D. 11 in. (28 cm), Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capital-5th6th-century-made-in-egypt-limestone-carved-h-20-1116-in-525-cm-w-13-316-in-335-cm-d-11-in-28-cm-sculpture-image344675941.htmlRM2B0N9K1–Capital, 5th–6th century, Made in Egypt, Limestone; carved, H. 20 11/16 in. (52.5 cm), W. 13 3/16 in. (33.5 cm), D. 11 in. (28 cm), Sculpture
Poissonerie, Caen. Artist: Edmond Bacot (French, 1814-1875). Dimensions: 24.6 x 33.5 cm (9 11/16 x 13 3/16 in. ). Date: 1852-54. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/poissonerie-caen-artist-edmond-bacot-french-1814-1875-dimensions-246-x-335-cm-9-1116-x-13-316-in-date-1852-54-museum-metropolitan-museum-of-art-new-york-usa-image213248292.htmlRMPAX8AC–Poissonerie, Caen. Artist: Edmond Bacot (French, 1814-1875). Dimensions: 24.6 x 33.5 cm (9 11/16 x 13 3/16 in. ). Date: 1852-54. Museum: Metropolitan Museum of Art, New York, USA.
. English: Creation Date: ca. 1815 Display Dimensions: 11 3/16 in. x 8 15/32 in. (28.4 cm x 21.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1137 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 14 November 2005, 11:10:33. English: thesandiegomuseumofartcollection 1114 She who is of good fortune (6125127142) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1815-display-dimensions-11-316-in-x-8-1532-in-284-cm-x-215-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901137-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-14-november-2005-111033-english-thesandiegomuseumofartcollection-1114-she-who-is-of-good-fortune-6125127142-image185743702.htmlRMMP59YJ–. English: Creation Date: ca. 1815 Display Dimensions: 11 3/16 in. x 8 15/32 in. (28.4 cm x 21.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1137 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 14 November 2005, 11:10:33. English: thesandiegomuseumofartcollection 1114 She who is of good fortune (6125127142)
![A View of the Streights in Dove Dale, near Ashbourn in Derby Shire. Author Boydell, John 11.33.a. Place of publication: [London] Publisher: Publish'd according to Act of Parliament by J. Boydell Engraver, Date of publication: 1749. Item type: 1 print Medium: etching Dimensions: platemark 30.0 x 45.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G175/a-view-of-the-streights-in-dove-dale-near-ashbourn-in-derby-shire-author-boydell-john-1133a-place-of-publication-london-publisher-publishd-according-to-act-of-parliament-by-j-boydell-engraver-date-of-publication-1749-item-type-1-print-medium-etching-dimensions-platemark-300-x-453-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G175.jpg "A View of the Streights in Dove Dale, near Ashbourn in Derby Shire. Author Boydell, John 11.33.a. Place of publication: [London] Publisher: Publish'd according to Act of Parliament by J. Boydell Engraver, Date of publication: 1749. Item type: 1 print Medium: etching Dimensions: platemark 30.0 x 45.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A View of the Streights in Dove Dale, near Ashbourn in Derby Shire. Author Boydell, John 11.33.a. Place of publication: [London] Publisher: Publish'd according to Act of Parliament by J. Boydell Engraver, Date of publication: 1749. Item type: 1 print Medium: etching Dimensions: platemark 30.0 x 45.3 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-the-streights-in-dove-dale-near-ashbourn-in-derby-shire-author-boydell-john-1133a-place-of-publication-london-publisher-publishd-according-to-act-of-parliament-by-j-boydell-engraver-date-of-publication-1749-item-type-1-print-medium-etching-dimensions-platemark-300-x-453-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401722585.htmlRM2E9G175–A View of the Streights in Dove Dale, near Ashbourn in Derby Shire. Author Boydell, John 11.33.a. Place of publication: [London] Publisher: Publish'd according to Act of Parliament by J. Boydell Engraver, Date of publication: 1749. Item type: 1 print Medium: etching Dimensions: platemark 30.0 x 45.3 cm. Former owner: George III, King of Great Britain, 1738-1820
Fragment (France); Company: Oberkampf & Cie. (France); cotton; Warp x Weft: 11.5 x 33.5 cm (4 1/2 x 13 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-france-company-oberkampf-cie-france-cotton-warp-x-weft-115-x-335-cm-4-12-x-13-316-in-image546095699.htmlRM2PMCPHR–Fragment (France); Company: Oberkampf & Cie. (France); cotton; Warp x Weft: 11.5 x 33.5 cm (4 1/2 x 13 3/16 in.)
'Alexander Browne after Sir Peter Lely, The Right Honorable Lady Elizabeth Butler, Countess of Chesterfield, c. 1680, mezzotint on laid paper, plate: 33.9 x 24.6 cm (13 3/8 x 9 11/16 in.) sheet: 39.2 x 29.5 cm (15 7/16 x 11 5/8 in.), Paul Mellon Fund, 2001.118.6' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-browne-after-sir-peter-lely-the-right-honorable-lady-elizabeth-butler-countess-of-chesterfield-c-1680-mezzotint-on-laid-paper-plate-339-x-246-cm-13-38-x-9-1116-in-sheet-392-x-295-cm-15-716-x-11-58-in-paul-mellon-fund-20011186-image559670013.htmlRM2REF4PN–'Alexander Browne after Sir Peter Lely, The Right Honorable Lady Elizabeth Butler, Countess of Chesterfield, c. 1680, mezzotint on laid paper, plate: 33.9 x 24.6 cm (13 3/8 x 9 11/16 in.) sheet: 39.2 x 29.5 cm (15 7/16 x 11 5/8 in.), Paul Mellon Fund, 2001.118.6'
Basin MET 201884 346 Maker: Lyman, Fenton & Co., 1849?52, Basin, ca. 1849?58, Mottled brown earthenware, H. 4 3/8 in. (11.1 cm); Diam. 13 in. (33 cm). The Metropolitan Museum of Art, New York. Gift of Jerome Gratenstein, 1973 (1973.343.1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-basin-met-201884-346-maker-lyman-fenton-co-184952-basin-ca-184958-168098759.htmlRMKNDFK3–Basin MET 201884 346 Maker: Lyman, Fenton & Co., 1849?52, Basin, ca. 1849?58, Mottled brown earthenware, H. 4 3/8 in. (11.1 cm); Diam. 13 in. (33 cm). The Metropolitan Museum of Art, New York. Gift of Jerome Gratenstein, 1973 (1973.343.1)
Art inspired by Design with Flowers, 19th century, Watercolor over graphite, 13 3/16 x 18 11/16 in. (33.5 x 47.5 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-with-flowers-19th-century-watercolor-over-graphite-13-316-x-18-1116-in-335-x-475-cm-drawings-anonymous-french-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462960701.htmlRF2HW5K2N–Art inspired by Design with Flowers, 19th century, Watercolor over graphite, 13 3/16 x 18 11/16 in. (33.5 x 47.5 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Covered vase, China, early 18th century, China, Jade, H. 11 1/8 in. (28.3 cm); H. (with stand) 13 1/16 in. (33.2 cm); W 5 1/2 in. (14 cm), Jade Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covered-vase-china-early-18th-century-china-jade-h-11-18-in-283-cm-h-with-stand-13-116-in-332-cm-w-5-12-in-14-cm-jade-image344661256.htmlRM2B0MJXG–Covered vase, China, early 18th century, China, Jade, H. 11 1/8 in. (28.3 cm); H. (with stand) 13 1/16 in. (33.2 cm); W 5 1/2 in. (14 cm), Jade
Basin. Culture: American. Dimensions: H. 4 3/8 in. (11.1 cm); Diam. 13 in. (33 cm). Maker: Lyman, Fenton & Co. (1849-52). Date: ca. 1849-58. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/basin-culture-american-dimensions-h-4-38-in-111-cm-diam-13-in-33-cm-maker-lyman-fenton-co-1849-52-date-ca-1849-58-museum-metropolitan-museum-of-art-new-york-usa-image212848950.htmlRMPA8306–Basin. Culture: American. Dimensions: H. 4 3/8 in. (11.1 cm); Diam. 13 in. (33 cm). Maker: Lyman, Fenton & Co. (1849-52). Date: ca. 1849-58. Museum: Metropolitan Museum of Art, New York, USA.
. English: Display Artist: Jajnath Creation Date: 1749 Display Dimensions: 6 1/32 in. x 4 17/32 in. (15.3 cm x 11.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1094 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:05. English: thesandiegomuseumofartcollection 1041 Ramakala smokes her hookah (6124582223) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-display-artist-jajnath-creation-date-1749-display-dimensions-6-132-in-x-4-1732-in-153-cm-x-115-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901094-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143305-english-thesandiegomuseumofartcollection-1041-ramakala-smokes-her-hookah-6124582223-image185555255.htmlRMMNTNHB–. English: Display Artist: Jajnath Creation Date: 1749 Display Dimensions: 6 1/32 in. x 4 17/32 in. (15.3 cm x 11.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1094 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:05. English: thesandiegomuseumofartcollection 1041 Ramakala smokes her hookah (6124582223)
![The Fishing House on the Banks of the Dove, Derbyshire. Visual Material information: Title: The Fishing House on the Banks of the Dove, Derbyshire. 11.33.f. Place of publication: [London] Publisher: [W. Peacock]., Date of publication: [1815 c.] Item type: 1 print Medium: etching Dimensions: sheet 3.7 x 6.5 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G1BP/the-fishing-house-on-the-banks-of-the-dove-derbyshire-visual-material-information-title-the-fishing-house-on-the-banks-of-the-dove-derbyshire-1133f-place-of-publication-london-publisher-w-peacock-date-of-publication-1815-c-item-type-1-print-medium-etching-dimensions-sheet-37-x-65-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G1BP.jpg "The Fishing House on the Banks of the Dove, Derbyshire. Visual Material information: Title: The Fishing House on the Banks of the Dove, Derbyshire. 11.33.f. Place of publication: [London] Publisher: [W. Peacock]., Date of publication: [1815 c.] Item type: 1 print Medium: etching Dimensions: sheet 3.7 x 6.5 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
The Fishing House on the Banks of the Dove, Derbyshire. Visual Material information: Title: The Fishing House on the Banks of the Dove, Derbyshire. 11.33.f. Place of publication: [London] Publisher: [W. Peacock]., Date of publication: [1815 c.] Item type: 1 print Medium: etching Dimensions: sheet 3.7 x 6.5 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fishing-house-on-the-banks-of-the-dove-derbyshire-visual-material-information-title-the-fishing-house-on-the-banks-of-the-dove-derbyshire-1133f-place-of-publication-london-publisher-w-peacock-date-of-publication-1815-c-item-type-1-print-medium-etching-dimensions-sheet-37-x-65-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401722714.htmlRM2E9G1BP–The Fishing House on the Banks of the Dove, Derbyshire. Visual Material information: Title: The Fishing House on the Banks of the Dove, Derbyshire. 11.33.f. Place of publication: [London] Publisher: [W. Peacock]., Date of publication: [1815 c.] Item type: 1 print Medium: etching Dimensions: sheet 3.7 x 6.5 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820
Bandbox (USA); block-printed paper, pasteboard support; 43 x 33.5 x 29 cm (16 15/16 x 13 3/16 x 11 7/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bandbox-usa-block-printed-paper-pasteboard-support-43-x-335-x-29-cm-16-1516-x-13-316-x-11-716-in-image546147351.htmlRM2PMF4EF–Bandbox (USA); block-printed paper, pasteboard support; 43 x 33.5 x 29 cm (16 15/16 x 13 3/16 x 11 7/16 in.)
!['Jacques Callot after Antonio Tempesta, Studies of Horses [verso], c. 1612, pen and brown ink on laid paper, sight size: 28.5 x 21.4 cm (11 1/4 x 8 7/16 in.) support: 26.7 x 33.9 cm (10 1/2 x 13 3/8 in.), Ailsa Mellon Bruce Fund, 1981.51.1.b' Stock Photo](https://c8.alamy.com/comp/2RFM268/jacques-callot-after-antonio-tempesta-studies-of-horses-verso-c-1612-pen-and-brown-ink-on-laid-paper-sight-size-285-x-214-cm-11-14-x-8-716-in-support-267-x-339-cm-10-12-x-13-38-in-ailsa-mellon-bruce-fund-1981511b-2RFM268.jpg "'Jacques Callot after Antonio Tempesta, Studies of Horses [verso], c. 1612, pen and brown ink on laid paper, sight size: 28.5 x 21.4 cm (11 1/4 x 8 7/16 in.) support: 26.7 x 33.9 cm (10 1/2 x 13 3/8 in.), Ailsa Mellon Bruce Fund, 1981.51.1.b' Stock Photo")
'Jacques Callot after Antonio Tempesta, Studies of Horses [verso], c. 1612, pen and brown ink on laid paper, sight size: 28.5 x 21.4 cm (11 1/4 x 8 7/16 in.) support: 26.7 x 33.9 cm (10 1/2 x 13 3/8 in.), Ailsa Mellon Bruce Fund, 1981.51.1.b' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-after-antonio-tempesta-studies-of-horses-verso-c-1612-pen-and-brown-ink-on-laid-paper-sight-size-285-x-214-cm-11-14-x-8-716-in-support-267-x-339-cm-10-12-x-13-38-in-ailsa-mellon-bruce-fund-1981511b-image560392400.htmlRM2RFM268–'Jacques Callot after Antonio Tempesta, Studies of Horses [verso], c. 1612, pen and brown ink on laid paper, sight size: 28.5 x 21.4 cm (11 1/4 x 8 7/16 in.) support: 26.7 x 33.9 cm (10 1/2 x 13 3/8 in.), Ailsa Mellon Bruce Fund, 1981.51.1.b'
Equivalent, Set C2 No. 4 MET DP223960 269438 Equivalent, Set C2 No. 4, 1929, Gelatin silver print, 11.8 x 9.4 cm. (4 5/8 x 3 11/16 in.). The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1949 (49.55.33) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-equivalent-set-c2-no-4-met-dp223960-269438-equivalent-set-c2-no-4-168470683.htmlRMKP2E23–Equivalent, Set C2 No. 4 MET DP223960 269438 Equivalent, Set C2 No. 4, 1929, Gelatin silver print, 11.8 x 9.4 cm. (4 5/8 x 3 11/16 in.). The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1949 (49.55.33)
Art inspired by Fragment with Relief Decoration, 12th–13th century, French, Stone, Overall: 13 x 40 3/4 x 4 1/2 in. (33 x 103.5 x 11.4 cm), Sculpture-Architectural, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fragment-with-relief-decoration-12th13th-century-french-stone-overall-13-x-40-34-x-4-12-in-33-x-1035-x-114-cm-sculpture-architectural-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462841034.htmlRF2HW06CX–Art inspired by Fragment with Relief Decoration, 12th–13th century, French, Stone, Overall: 13 x 40 3/4 x 4 1/2 in. (33 x 103.5 x 11.4 cm), Sculpture-Architectural, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
William Plummer, Cake basket, British, London, William Plummer (entered 1755), 1765–66, British, London, Silver, 9 3/4 x 13 x 11 in. (24.8 x 33.0 x 27.9 cm), Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-plummer-cake-basket-british-london-william-plummer-entered-1755-176566-british-london-silver-9-34-x-13-x-11-in-248-x-330-x-279-cm-metalwork-silver-image344671365.htmlRM2B0N3RH–William Plummer, Cake basket, British, London, William Plummer (entered 1755), 1765–66, British, London, Silver, 9 3/4 x 13 x 11 in. (24.8 x 33.0 x 27.9 cm), Metalwork-Silver
Fragment with Relief Decoration. Culture: French. Dimensions: Overall: 13 x 40 3/4 x 4 1/2 in. (33 x 103.5 x 11.4 cm). Date: 12th-13th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-with-relief-decoration-culture-french-dimensions-overall-13-x-40-34-x-4-12-in-33-x-1035-x-114-cm-date-12th-13th-century-museum-metropolitan-museum-of-art-new-york-usa-image212871802.htmlRMPA944A–Fragment with Relief Decoration. Culture: French. Dimensions: Overall: 13 x 40 3/4 x 4 1/2 in. (33 x 103.5 x 11.4 cm). Date: 12th-13th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: Creation Date: ca. 1880 Display Dimensions: 14 11/16 in. x 11 17/32 in. (37.3 cm x 29.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.652 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:33. English: thesandiegomuseumofartcollection 1193 Tiger hunt in the mountains (6124556819) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1880-display-dimensions-14-1116-in-x-11-1732-in-373-cm-x-293-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990652-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-142933-english-thesandiegomuseumofartcollection-1193-tiger-hunt-in-the-mountains-6124556819-image185602219.htmlRMMNXWEK–. English: Creation Date: ca. 1880 Display Dimensions: 14 11/16 in. x 11 17/32 in. (37.3 cm x 29.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.652 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:33. English: thesandiegomuseumofartcollection 1193 Tiger hunt in the mountains (6124556819)
![Swilly. Author Jukes, Francis 11.128. Place of publication: LONDON Publisher: Pubd March 31 1797 by F. Jukes Howland Street., Date of publication: [March 31 1797] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 21.3 x 26.1 cm, on sheet 26.2 x 33.7 cm sheet Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G150/swilly-author-jukes-francis-11128-place-of-publication-london-publisher-pubd-march-31-1797-by-f-jukes-howland-street-date-of-publication-march-31-1797-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-platemark-213-x-261-cm-on-sheet-262-x-337-cm-sheet-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G150.jpg "Swilly. Author Jukes, Francis 11.128. Place of publication: LONDON Publisher: Pubd March 31 1797 by F. Jukes Howland Street., Date of publication: [March 31 1797] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 21.3 x 26.1 cm, on sheet 26.2 x 33.7 cm sheet Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Swilly. Author Jukes, Francis 11.128. Place of publication: LONDON Publisher: Pubd March 31 1797 by F. Jukes Howland Street., Date of publication: [March 31 1797] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 21.3 x 26.1 cm, on sheet 26.2 x 33.7 cm sheet Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/swilly-author-jukes-francis-11128-place-of-publication-london-publisher-pubd-march-31-1797-by-f-jukes-howland-street-date-of-publication-march-31-1797-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-platemark-213-x-261-cm-on-sheet-262-x-337-cm-sheet-former-owner-george-iii-king-of-great-britain-1738-1820-image401722524.htmlRM2E9G150–Swilly. Author Jukes, Francis 11.128. Place of publication: LONDON Publisher: Pubd March 31 1797 by F. Jukes Howland Street., Date of publication: [March 31 1797] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 21.3 x 26.1 cm, on sheet 26.2 x 33.7 cm sheet Former owner: George III, King of Great Britain, 1738-1820
Firescreen, Christ and the Woman of Samaria; Manufactured by Joseph Dufour et Cie. (France); France; block-printed paper; 85.5 x 101 cm (33 11/16 x 39 3/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/firescreen-christ-and-the-woman-of-samaria-manufactured-by-joseph-dufour-et-cie-france-france-block-printed-paper-855-x-101-cm-33-1116-x-39-34-in-image546236084.htmlRM2PMK5KG–Firescreen, Christ and the Woman of Samaria; Manufactured by Joseph Dufour et Cie. (France); France; block-printed paper; 85.5 x 101 cm (33 11/16 x 39 3/4 in.)
'Elisha Kirkall after Willem van de Velde the Younger, Shipping Scene from the Collection of John Hadley, 1720s, mezzotint and etching printed in green and black on laid paper, plate: 33.5 x 40.2 cm (13 3/16 x 15 13/16 in.) sheet: 39.1 x 46.2 cm (15 3/8 x 18 3/16 in.), Paul Mellon Fund, 2001.118.17.11' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisha-kirkall-after-willem-van-de-velde-the-younger-shipping-scene-from-the-collection-of-john-hadley-1720s-mezzotint-and-etching-printed-in-green-and-black-on-laid-paper-plate-335-x-402-cm-13-316-x-15-1316-in-sheet-391-x-462-cm-15-38-x-18-316-in-paul-mellon-fund-20011181711-image559748291.htmlRM2REJMJB–'Elisha Kirkall after Willem van de Velde the Younger, Shipping Scene from the Collection of John Hadley, 1720s, mezzotint and etching printed in green and black on laid paper, plate: 33.5 x 40.2 cm (13 3/16 x 15 13/16 in.) sheet: 39.1 x 46.2 cm (15 3/8 x 18 3/16 in.), Paul Mellon Fund, 2001.118.17.11'
Equivalent, Set C2 No. 4 MET DP223960 269438 Equivalent, Set C2 No. 4, 1929, Gelatin silver print, 11.8 x 9.4 cm. (4 5/8 x 3 11/16 in.). The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1949 (49.55.33) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-equivalent-set-c2-no-4-met-dp223960-269438-equivalent-set-c2-no-4-168303474.htmlRMKNPTPA–Equivalent, Set C2 No. 4 MET DP223960 269438 Equivalent, Set C2 No. 4, 1929, Gelatin silver print, 11.8 x 9.4 cm. (4 5/8 x 3 11/16 in.). The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1949 (49.55.33)
Art inspired by The Cobbler, ca. 1632–33, Etching, Sheet: 11 7/16 × 14 11/16 in. (29 × 37.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-cobbler-ca-163233-etching-sheet-11-716-14-1116-in-29-373-cm-prints-abraham-bosse-french-tours-160216041676-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462807832.htmlRF2HTXM34–Art inspired by The Cobbler, ca. 1632–33, Etching, Sheet: 11 7/16 × 14 11/16 in. (29 × 37.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Charles Hatfield, British, active 1727–1800, Salver, 1732/33, Silver, 14 11/16 x 2 x 14 11/16 x 14 11/16 in. (37.3 x 5.1 x 37.3 x 37.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-hatfield-british-active-17271800-salver-173233-silver-14-1116-x-2-x-14-1116-x-14-1116-in-373-x-51-x-373-x-373-cm-image344580971.htmlRM2B0H0F7–Charles Hatfield, British, active 1727–1800, Salver, 1732/33, Silver, 14 11/16 x 2 x 14 11/16 x 14 11/16 in. (37.3 x 5.1 x 37.3 x 37.3 cm
View of the Rhine and Remagen from the North (?). Artist: Ernst Fries (German, Heidelberg 1801-1833 Karlsruhe). Dimensions: sheet: 11 1/4 x 14 11/16 in. (28.5 x 37.3 cm). Date: 1815-33. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-rhine-and-remagen-from-the-north-artist-ernst-fries-german-heidelberg-1801-1833-karlsruhe-dimensions-sheet-11-14-x-14-1116-in-285-x-373-cm-date-1815-33-museum-metropolitan-museum-of-art-new-york-usa-image212883626.htmlRMPA9K6J–View of the Rhine and Remagen from the North (?). Artist: Ernst Fries (German, Heidelberg 1801-1833 Karlsruhe). Dimensions: sheet: 11 1/4 x 14 11/16 in. (28.5 x 37.3 cm). Date: 1815-33. Museum: Metropolitan Museum of Art, New York, USA.
. English: Creation Date: ca. 1760 Display Dimensions: 13 7/32 in. x 11 3/32 in. (33.6 cm x 28.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.428 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 27 July 2001, 11:27:20. English: thesandiegomuseumofartcollection 896 Mir Jaffar, Nawab of Murshidabad, with a courtier and attendants (6124504029) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1760-display-dimensions-13-732-in-x-11-332-in-336-cm-x-282-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990428-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-27-july-2001-112720-english-thesandiegomuseumofartcollection-896-mir-jaffar-nawab-of-murshidabad-with-a-courtier-and-attendants-6124504029-image185816518.htmlRMMP8JT6–. English: Creation Date: ca. 1760 Display Dimensions: 13 7/32 in. x 11 3/32 in. (33.6 cm x 28.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.428 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 27 July 2001, 11:27:20. English: thesandiegomuseumofartcollection 896 Mir Jaffar, Nawab of Murshidabad, with a courtier and attendants (6124504029)
![Inscription from a Roman lead ingot from Dacre, North Yorkshire Visual Material information: Title: [Inscription from a Roman lead ingot from Dacre, North Yorkshire] 45.11.b.2. Place of publication: [Yorkshire], Date of publication: [not before around 1731] Item type: 1 sheet Medium: pen, brush and black ink Dimensions: sheet 57.8 x 33.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9ET36/inscription-from-a-roman-lead-ingot-from-dacre-north-yorkshire-visual-material-information-title-inscription-from-a-roman-lead-ingot-from-dacre-north-yorkshire-4511b2-place-of-publication-yorkshire-date-of-publication-not-before-around-1731-item-type-1-sheet-medium-pen-brush-and-black-ink-dimensions-sheet-578-x-333-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9ET36.jpg "Inscription from a Roman lead ingot from Dacre, North Yorkshire Visual Material information: Title: [Inscription from a Roman lead ingot from Dacre, North Yorkshire] 45.11.b.2. Place of publication: [Yorkshire], Date of publication: [not before around 1731] Item type: 1 sheet Medium: pen, brush and black ink Dimensions: sheet 57.8 x 33.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Inscription from a Roman lead ingot from Dacre, North Yorkshire Visual Material information: Title: [Inscription from a Roman lead ingot from Dacre, North Yorkshire] 45.11.b.2. Place of publication: [Yorkshire], Date of publication: [not before around 1731] Item type: 1 sheet Medium: pen, brush and black ink Dimensions: sheet 57.8 x 33.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inscription-from-a-roman-lead-ingot-from-dacre-north-yorkshire-visual-material-information-title-inscription-from-a-roman-lead-ingot-from-dacre-north-yorkshire-4511b2-place-of-publication-yorkshire-date-of-publication-not-before-around-1731-item-type-1-sheet-medium-pen-brush-and-black-ink-dimensions-sheet-578-x-333-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401696602.htmlRM2E9ET36–Inscription from a Roman lead ingot from Dacre, North Yorkshire Visual Material information: Title: [Inscription from a Roman lead ingot from Dacre, North Yorkshire] 45.11.b.2. Place of publication: [Yorkshire], Date of publication: [not before around 1731] Item type: 1 sheet Medium: pen, brush and black ink Dimensions: sheet 57.8 x 33.3 cm Former owner: George III, King of Great Britain, 1738-1820
Sidewall (France); block-printed on handmade paper; a) Overall: 33.5 x 63 cm (13 3/16 x 24 13/16 in.) b) 9 x 11.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-france-block-printed-on-handmade-paper-a-overall-335-x-63-cm-13-316-x-24-1316-in-b-9-x-115-cm-image546049601.htmlRM2PMAKRD–Sidewall (France); block-printed on handmade paper; a) Overall: 33.5 x 63 cm (13 3/16 x 24 13/16 in.) b) 9 x 11.5 cm
'Louis-Marin Bonnet after François Boucher, Tête de Flore, 1769, crayon-manner engraving in blue, black, and red, sheet: 57 × 40.7 cm (22 7/16 × 16 in.) plate: 47.5 × 37.5 cm (18 11/16 × 14 3/4 in.) overall (second framing line): 41.7 × 33.5 cm (16 7/16 × 13 3/16 in.), Widener Collection, 1942.9.2145' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-marin-bonnet-after-franois-boucher-tte-de-flore-1769-crayon-manner-engraving-in-blue-black-and-red-sheet-57-407-cm-22-716-16-in-plate-475-375-cm-18-1116-14-34-in-overall-second-framing-line-417-335-cm-16-716-13-316-in-widener-collection-194292145-image559759915.htmlRM2REK7DF–'Louis-Marin Bonnet after François Boucher, Tête de Flore, 1769, crayon-manner engraving in blue, black, and red, sheet: 57 × 40.7 cm (22 7/16 × 16 in.) plate: 47.5 × 37.5 cm (18 11/16 × 14 3/4 in.) overall (second framing line): 41.7 × 33.5 cm (16 7/16 × 13 3/16 in.), Widener Collection, 1942.9.2145'
Box MET 134654 921 American, Box, 1770?1800, Pine, iron, 11 1/4 x 29 1/4 x 13 1/4 in. (28.6 x 74.3 x 33.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1945 (45.78.6) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-box-met-134654-921-american-box-17701800-pine-iron-11-14-x-29-14-x-167906586.htmlRMKN4PFP–Box MET 134654 921 American, Box, 1770?1800, Pine, iron, 11 1/4 x 29 1/4 x 13 1/4 in. (28.6 x 74.3 x 33.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1945 (45.78.6)
Art inspired by Poissonerie, Caen, 1852–54, Salted paper print from glass negative, 24.6 x 33.5 cm (9 11/16 x 13 3/16 in. ), Photographs, Edmond Bacot (French, 1814–1875, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-poissonerie-caen-185254-salted-paper-print-from-glass-negative-246-x-335-cm-9-1116-x-13-316-in-photographs-edmond-bacot-french-18141875-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462792782.htmlRF2HTX0WJ–Art inspired by Poissonerie, Caen, 1852–54, Salted paper print from glass negative, 24.6 x 33.5 cm (9 11/16 x 13 3/16 in. ), Photographs, Edmond Bacot (French, 1814–1875, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sutra cover, China, Ming dynasty (1368–1644), Date 16th century, China, Plain-weave silk with supplementary weft patterning, Overall: 13 1/8 x 4 11/16 x 1/4 in. (33.3 x 11.9 x 0.6 cm), Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sutra-cover-china-ming-dynasty-13681644-date-16th-century-china-plain-weave-silk-with-supplementary-weft-patterning-overall-13-18-x-4-1116-x-14-in-333-x-119-x-06-cm-textiles-woven-image344595282.htmlRM2B0HJPA–Sutra cover, China, Ming dynasty (1368–1644), Date 16th century, China, Plain-weave silk with supplementary weft patterning, Overall: 13 1/8 x 4 11/16 x 1/4 in. (33.3 x 11.9 x 0.6 cm), Textiles-Woven
Morning Glories. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 13 x 4 3/8 in. (33 x 11.1 cm). Date: ca. 1847. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/morning-glories-artist-utagawa-hiroshige-japanese-tokyo-edo-1797-1858-tokyo-edo-culture-japan-dimensions-13-x-4-38-in-33-x-111-cm-date-ca-1847-museum-metropolitan-museum-of-art-new-york-usa-image233238562.htmlRMRFCX4J–Morning Glories. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 13 x 4 3/8 in. (33 x 11.1 cm). Date: ca. 1847. Museum: Metropolitan Museum of Art, New York, USA.
. English: Creation Date: ca. 1750 Display Dimensions: 10 11/32 in. x 14 3/4 in. (26.3 cm x 37.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1005 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:27. English: thesandiegomuseumofartcollection 1040 Raja Indrijit Singh Deo with Radha, Krishna and musicians (6125119496) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1750-display-dimensions-10-1132-in-x-14-34-in-263-cm-x-375-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901005-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143327-english-thesandiegomuseumofartcollection-1040-raja-indrijit-singh-deo-with-radha-krishna-and-musicians-6125119496-image185555025.htmlRMMNTN95–. English: Creation Date: ca. 1750 Display Dimensions: 10 11/32 in. x 14 3/4 in. (26.3 cm x 37.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1005 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:33:27. English: thesandiegomuseumofartcollection 1040 Raja Indrijit Singh Deo with Radha, Krishna and musicians (6125119496)
A View of Newark Priory in the County of Surrey. Visual Material information: Title: A View of Newark Priory in the County of Surrey. 41.11.c. Date of publication: October 1766. Item type: 1 drawing Medium: pen and black ink with watercolour over pencil Dimensions: sheet 26.3 x 48.8 cm, on support sheet 33.8 x 55.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-newark-priory-in-the-county-of-surrey-visual-material-information-title-a-view-of-newark-priory-in-the-county-of-surrey-4111c-date-of-publication-october-1766-item-type-1-drawing-medium-pen-and-black-ink-with-watercolour-over-pencil-dimensions-sheet-263-x-488-cm-on-support-sheet-338-x-559-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401762091.htmlRM2E9HRJ3–A View of Newark Priory in the County of Surrey. Visual Material information: Title: A View of Newark Priory in the County of Surrey. 41.11.c. Date of publication: October 1766. Item type: 1 drawing Medium: pen and black ink with watercolour over pencil Dimensions: sheet 26.3 x 48.8 cm, on support sheet 33.8 x 55.9 cm Former owner: George III, King of Great Britain, 1738-1820
Bandbox (USA); Manufactured by Hannah Davis (1784 – 1863); block-printed paper, wood support; 45 x 35 x 33 cm (17 11/16 x 13 3/4 x 13 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bandbox-usa-manufactured-by-hannah-davis-1784-1863-block-printed-paper-wood-support-45-x-35-x-33-cm-17-1116-x-13-34-x-13-in-image546177163.htmlRM2PMGEF7–Bandbox (USA); Manufactured by Hannah Davis (1784 – 1863); block-printed paper, wood support; 45 x 35 x 33 cm (17 11/16 x 13 3/4 x 13 in.)
Box MET ADA167 921 American, Box, 1770?1800, Pine, iron, 11 1/4 x 29 1/4 x 13 1/4 in. (28.6 x 74.3 x 33.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1945 (45.78.6) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-box-met-ada167-921-american-box-17701800-pine-iron-11-14-x-29-14-x-168109043.htmlRMKNE0PB–Box MET ADA167 921 American, Box, 1770?1800, Pine, iron, 11 1/4 x 29 1/4 x 13 1/4 in. (28.6 x 74.3 x 33.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1945 (45.78.6)
Art inspired by Tailpiece, or The Bathos, March 3, 1764, Etching and engraving; only state, plate: 12 11/16 x 13 5/16 in. (32.2 x 33.8 cm), Prints, William Hogarth (British, London 1697–1764 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-tailpiece-or-the-bathos-march-3-1764-etching-and-engraving-only-state-plate-12-1116-x-13-516-in-322-x-338-cm-prints-william-hogarth-british-london-16971764-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463002242.htmlRF2HW7G2A–Art inspired by Tailpiece, or The Bathos, March 3, 1764, Etching and engraving; only state, plate: 12 11/16 x 13 5/16 in. (32.2 x 33.8 cm), Prints, William Hogarth (British, London 1697–1764 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
King with turban crown, Italian, second half 18th–mid-19th century, Italian, Mixed media, Overall (.12a figure): 13 × 4 1/2 × 3 1/4 in. (33 × 11.4 × 8.3 cm); Overall (.12b hat): 1 1/2 × 2 3/4 × 2 1/4 in. (3.8 × 7 × 5.7 cm); Overall (.12c PL foot fragment): 1 × 3/4 × 1 5/8 in. (2.5 × 1.9 × 4.1 cm), Crèche Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-with-turban-crown-italian-second-half-18thmid-19th-century-italian-mixed-media-overall-12a-figure-13-4-12-3-14-in-33-114-83-cm-overall-12b-hat-1-12-2-34-2-14-in-38-7-57-cm-overall-12c-pl-foot-fragment-1-34-1-58-in-25-19-41-cm-crche-image344665979.htmlRM2B0MTY7–King with turban crown, Italian, second half 18th–mid-19th century, Italian, Mixed media, Overall (.12a figure): 13 × 4 1/2 × 3 1/4 in. (33 × 11.4 × 8.3 cm); Overall (.12b hat): 1 1/2 × 2 3/4 × 2 1/4 in. (3.8 × 7 × 5.7 cm); Overall (.12c PL foot fragment): 1 × 3/4 × 1 5/8 in. (2.5 × 1.9 × 4.1 cm), Crèche
Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 10 11/16 x 13 3/8 in. (27.2 x 33.9 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-stage-set-at-the-opra-paris-artist-eugne-cicri-french-paris-1813-1890-fontainebleau-dimensions-irregular-sheet-10-1116-x-13-38-in-272-x-339-cm-date-1830-90-museum-metropolitan-museum-of-art-new-york-usa-image213311088.htmlRMPB14D4–Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 10 11/16 x 13 3/8 in. (27.2 x 33.9 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.
. English: Accession Number: 1957.313 Display Artist: Utagawa Hiroshige Display Title: 'Tango Province, Ama no Hashidate' Translation(s): '(Tango, Ama no hashidate)' Series Title: Famous Views of the Sixty-odd Provinces Suite Name: Rokujuyoshu meisho zue Creation Date: 1853 Medium: Woodblock Height: 13 3/8 in. Width: 9 3/16 in. Display Dimensions: 13 3/8 in. x 9 3/16 in. (33.97 cm x 23.34 cm) Publisher: Koshimuraya Heisuke Credit Line: Bequest of Mrs. Cora Timken Burnett Collection: The San Diego Museum of Art . 13 May 2007, 11:11:36. English: thesandiegomuseumofartcollection 1159 Tango Provin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-accession-number-1957313-display-artist-utagawa-hiroshige-display-title-tango-province-ama-no-hashidate-translations-tango-ama-no-hashidate-series-title-famous-views-of-the-sixty-odd-provinces-suite-name-rokujuyoshu-meisho-zue-creation-date-1853-medium-woodblock-height-13-38-in-width-9-316-in-display-dimensions-13-38-in-x-9-316-in-3397-cm-x-2334-cm-publisher-koshimuraya-heisuke-credit-line-bequest-of-mrs-cora-timken-burnett-collection-the-san-diego-museum-of-art-13-may-2007-111136-english-thesandiegomuseumofartcollection-1159-tango-provin-image185820323.htmlRMMP8RM3–. English: Accession Number: 1957.313 Display Artist: Utagawa Hiroshige Display Title: 'Tango Province, Ama no Hashidate' Translation(s): '(Tango, Ama no hashidate)' Series Title: Famous Views of the Sixty-odd Provinces Suite Name: Rokujuyoshu meisho zue Creation Date: 1853 Medium: Woodblock Height: 13 3/8 in. Width: 9 3/16 in. Display Dimensions: 13 3/8 in. x 9 3/16 in. (33.97 cm x 23.34 cm) Publisher: Koshimuraya Heisuke Credit Line: Bequest of Mrs. Cora Timken Burnett Collection: The San Diego Museum of Art . 13 May 2007, 11:11:36. English: thesandiegomuseumofartcollection 1159 Tango Provin
![Impression of a Roman lead ingot from Dacre, North Yorkshire Visual Material information: Title: [Impression of a Roman lead ingot from Dacre, North Yorkshire] 45.11.b.1. Place of publication: [Yorkshire], Date of publication: [not before around 1731] Item type: 1 print Medium: black ink on impressed surface Dimensions: sheet 57.8 x 33.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9ET5A/impression-of-a-roman-lead-ingot-from-dacre-north-yorkshire-visual-material-information-title-impression-of-a-roman-lead-ingot-from-dacre-north-yorkshire-4511b1-place-of-publication-yorkshire-date-of-publication-not-before-around-1731-item-type-1-print-medium-black-ink-on-impressed-surface-dimensions-sheet-578-x-333-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9ET5A.jpg "Impression of a Roman lead ingot from Dacre, North Yorkshire Visual Material information: Title: [Impression of a Roman lead ingot from Dacre, North Yorkshire] 45.11.b.1. Place of publication: [Yorkshire], Date of publication: [not before around 1731] Item type: 1 print Medium: black ink on impressed surface Dimensions: sheet 57.8 x 33.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Impression of a Roman lead ingot from Dacre, North Yorkshire Visual Material information: Title: [Impression of a Roman lead ingot from Dacre, North Yorkshire] 45.11.b.1. Place of publication: [Yorkshire], Date of publication: [not before around 1731] Item type: 1 print Medium: black ink on impressed surface Dimensions: sheet 57.8 x 33.3 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/impression-of-a-roman-lead-ingot-from-dacre-north-yorkshire-visual-material-information-title-impression-of-a-roman-lead-ingot-from-dacre-north-yorkshire-4511b1-place-of-publication-yorkshire-date-of-publication-not-before-around-1731-item-type-1-print-medium-black-ink-on-impressed-surface-dimensions-sheet-578-x-333-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401696662.htmlRM2E9ET5A–Impression of a Roman lead ingot from Dacre, North Yorkshire Visual Material information: Title: [Impression of a Roman lead ingot from Dacre, North Yorkshire] 45.11.b.1. Place of publication: [Yorkshire], Date of publication: [not before around 1731] Item type: 1 print Medium: black ink on impressed surface Dimensions: sheet 57.8 x 33.3 cm Former owner: George III, King of Great Britain, 1738-1820
Sampler (Denmark); medium; silk embroidery, wool foundation; 29.5 x 33.5 cm (11 5/8 x 13 3/16 in.); Bequest of Mrs. Henry E. Coe; 1941-69-231 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sampler-denmark-medium-silk-embroidery-wool-foundation-295-x-335-cm-11-58-x-13-316-in-bequest-of-mrs-henry-e-coe-1941-69-231-image546248905.htmlRM2PMKP1D–Sampler (Denmark); medium; silk embroidery, wool foundation; 29.5 x 33.5 cm (11 5/8 x 13 3/16 in.); Bequest of Mrs. Henry E. Coe; 1941-69-231
Box MET ADA261 921 American, Box, 1770?1800, Pine, iron, 11 1/4 x 29 1/4 x 13 1/4 in. (28.6 x 74.3 x 33.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1945 (45.78.6) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-box-met-ada261-921-american-box-17701800-pine-iron-11-14-x-29-14-x-168109048.htmlRMKNE0PG–Box MET ADA261 921 American, Box, 1770?1800, Pine, iron, 11 1/4 x 29 1/4 x 13 1/4 in. (28.6 x 74.3 x 33.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1945 (45.78.6)
Art inspired by A Blood, December 1, 1790, Etching and aquatint, sheet: 13 3/16 x 8 11/16 in. (33.5 x 22.1 cm), Prints, George Moutard Woodward (British, ca. 1760–1809 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-blood-december-1-1790-etching-and-aquatint-sheet-13-316-x-8-1116-in-335-x-221-cm-prints-george-moutard-woodward-british-ca-17601809-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462810771.htmlRF2HTXRT3–Art inspired by A Blood, December 1, 1790, Etching and aquatint, sheet: 13 3/16 x 8 11/16 in. (33.5 x 22.1 cm), Prints, George Moutard Woodward (British, ca. 1760–1809 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sword, Indian, 19th century, Indian, Steel, iron, gold, H. 33 1/4 in. (84.5 cm); W. 4 1/2 in. (11.4 cm); Wt. 1 lb. 3.7 oz. (558.5 g), Swords Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sword-indian-19th-century-indian-steel-iron-gold-h-33-14-in-845-cm-w-4-12-in-114-cm-wt-1-lb-37-oz-5585-g-swords-image344662779.htmlRM2B0MMTY–Sword, Indian, 19th century, Indian, Steel, iron, gold, H. 33 1/4 in. (84.5 cm); W. 4 1/2 in. (11.4 cm); Wt. 1 lb. 3.7 oz. (558.5 g), Swords
Bowl Resting on Jaguar. Culture: Costa Rica. Dimensions: H. 13 1/16 x W. 11 1/4 x D. 14 9/16 in. (33.3 x 28.6 x 37 cm). Date: 5th-16th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bowl-resting-on-jaguar-culture-costa-rica-dimensions-h-13-116-x-w-11-14-x-d-14-916-in-333-x-286-x-37-cm-date-5th-16th-century-museum-metropolitan-museum-of-art-new-york-usa-image212898668.htmlRMPAAABT–Bowl Resting on Jaguar. Culture: Costa Rica. Dimensions: H. 13 1/16 x W. 11 1/4 x D. 14 9/16 in. (33.3 x 28.6 x 37 cm). Date: 5th-16th century. Museum: Metropolitan Museum of Art, New York, USA.
. 306 Gloeden, Wilhelm von (1856-1931) - n. 0015 - Auch ich in Arkadien, p. 33 cm 11,3 x 16,1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/306-gloeden-wilhelm-von-1856-1931-n-0015-auch-ich-in-arkadien-p-33-cm-113-x-161-image211966598.htmlRMP8RWFJ–. 306 Gloeden, Wilhelm von (1856-1931) - n. 0015 - Auch ich in Arkadien, p. 33 cm 11,3 x 16,1
![West View of CHELMSFORD CHURCH, that fell on the 17th. of Jan.y 1800. Author Pugin, Augustus 13.11.b. Place of publication: London Publisher: Publish'd 25 March 1800 by Mess.rs Colnaghi, Sala , Co. (late Torre) Cockspur Street Charing Cross., Date of publication: [1800] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 33.3 x 45.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9GW8N/west-view-of-chelmsford-church-that-fell-on-the-17th-of-jany-1800-author-pugin-augustus-1311b-place-of-publication-london-publisher-publishd-25-march-1800-by-messrs-colnaghi-sala-co-late-torre-cockspur-street-charing-cross-date-of-publication-1800-item-type-1-print-medium-etching-and-aquatint-dimensions-platemark-333-x-459-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9GW8N.jpg "West View of CHELMSFORD CHURCH, that fell on the 17th. of Jan.y 1800. Author Pugin, Augustus 13.11.b. Place of publication: London Publisher: Publish'd 25 March 1800 by Mess.rs Colnaghi, Sala , Co. (late Torre) Cockspur Street Charing Cross., Date of publication: [1800] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 33.3 x 45.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
West View of CHELMSFORD CHURCH, that fell on the 17th. of Jan.y 1800. Author Pugin, Augustus 13.11.b. Place of publication: London Publisher: Publish'd 25 March 1800 by Mess.rs Colnaghi, Sala , Co. (late Torre) Cockspur Street Charing Cross., Date of publication: [1800] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 33.3 x 45.9 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/west-view-of-chelmsford-church-that-fell-on-the-17th-of-jany-1800-author-pugin-augustus-1311b-place-of-publication-london-publisher-publishd-25-march-1800-by-messrs-colnaghi-sala-co-late-torre-cockspur-street-charing-cross-date-of-publication-1800-item-type-1-print-medium-etching-and-aquatint-dimensions-platemark-333-x-459-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401741445.htmlRM2E9GW8N–West View of CHELMSFORD CHURCH, that fell on the 17th. of Jan.y 1800. Author Pugin, Augustus 13.11.b. Place of publication: London Publisher: Publish'd 25 March 1800 by Mess.rs Colnaghi, Sala , Co. (late Torre) Cockspur Street Charing Cross., Date of publication: [1800] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 33.3 x 45.9 cm Former owner: George III, King of Great Britain, 1738-1820
Drawing, Garden Pavillion; Architect: Franz H. Heissinger; USA; brush and watercolor, graphite on wove paper, lined; 24.6 x 33.9 cm (9 11/16 x 13 3/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-garden-pavillion-architect-franz-h-heissinger-usa-brush-and-watercolor-graphite-on-wove-paper-lined-246-x-339-cm-9-1116-x-13-38-in-image546100736.htmlRM2PMD11M–Drawing, Garden Pavillion; Architect: Franz H. Heissinger; USA; brush and watercolor, graphite on wove paper, lined; 24.6 x 33.9 cm (9 11/16 x 13 3/8 in.)
Box MET ADA168 921 American, Box, 1770?1800, Pine, iron, 11 1/4 x 29 1/4 x 13 1/4 in. (28.6 x 74.3 x 33.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1945 (45.78.6) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-box-met-ada168-921-american-box-17701800-pine-iron-11-14-x-29-14-x-168109044.htmlRMKNE0PC–Box MET ADA168 921 American, Box, 1770?1800, Pine, iron, 11 1/4 x 29 1/4 x 13 1/4 in. (28.6 x 74.3 x 33.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1945 (45.78.6)
Art inspired by Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 10 11/16 x 13 3/8 in. (27.2 x 33.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-stage-set-at-the-opra-paris-183090-graphite-irregular-sheet-10-1116-x-13-38-in-272-x-339-cm-drawings-eugne-cicri-french-paris-18131890-fontainebleau-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462961759.htmlRF2HW5MCF–Art inspired by Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 10 11/16 x 13 3/8 in. (27.2 x 33.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Parents of a Jina, India (Gwalior, Jhansi), 10th–11th century, India (Gwalior, Jhansi), Reddish stone, H. 33 3/4 in. (85.7 cm); W. 25 3/4 in. (65.4 cm); D. 11 in. (27.9 cm), Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/parents-of-a-jina-india-gwalior-jhansi-10th11th-century-india-gwalior-jhansi-reddish-stone-h-33-34-in-857-cm-w-25-34-in-654-cm-d-11-in-279-cm-sculpture-image344604061.htmlRM2B0J1YW–Parents of a Jina, India (Gwalior, Jhansi), 10th–11th century, India (Gwalior, Jhansi), Reddish stone, H. 33 3/4 in. (85.7 cm); W. 25 3/4 in. (65.4 cm); D. 11 in. (27.9 cm), Sculpture
Plan, Section and Exterior Elevation of a Villa. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 17-11/16 x 13-3/16 in. (45 x 33.5 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plan-section-and-exterior-elevation-of-a-villa-artist-pietro-paolo-coccetti-cocchetti-italian-documented-rome-1710-1727-dimensions-17-1116-x-13-316-in-45-x-335-cm-date-1710-27-museum-metropolitan-museum-of-art-new-york-usa-image212848691.htmlRMPA82JY–Plan, Section and Exterior Elevation of a Villa. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 17-11/16 x 13-3/16 in. (45 x 33.5 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA.
Català: Ready (1912) Aiguafort i aiguatinta a color sobre paper 23,3 x 17,5 cm . 18 June 2009, 11:46:33 191 Ready 1903 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catal-ready-1912-aiguafort-i-aiguatinta-a-color-sobre-paper-233-x-175-cm-18-june-2009-114633-191-ready-1903-image210930340.htmlRMP74KPC–Català: Ready (1912) Aiguafort i aiguatinta a color sobre paper 23,3 x 17,5 cm . 18 June 2009, 11:46:33 191 Ready 1903
![Chatsworth House being ye Seat of his Grace W.m Duke and Earl of Derbyshire, Marquis of Hartington, Baron of Hardwick, L.d Steward of her Maj.ties household, Chief Iustice in Eyre of all her Maj.ties Forrests Chace Author Kip, Johannes 11.12.a. Place of publication: [London] Publisher: [D. Mortier] Date of publication: [1708] Item type: 1 print Medium: etching Dimensions: sheet 33.8 x 47.3 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G0RC/chatsworth-house-being-ye-seat-of-his-grace-wm-duke-and-earl-of-derbyshire-marquis-of-hartington-baron-of-hardwick-ld-steward-of-her-majties-household-chief-iustice-in-eyre-of-all-her-majties-forrests-chace-author-kip-johannes-1112a-place-of-publication-london-publisher-d-mortier-date-of-publication-1708-item-type-1-print-medium-etching-dimensions-sheet-338-x-473-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G0RC.jpg "Chatsworth House being ye Seat of his Grace W.m Duke and Earl of Derbyshire, Marquis of Hartington, Baron of Hardwick, L.d Steward of her Maj.ties household, Chief Iustice in Eyre of all her Maj.ties Forrests Chace Author Kip, Johannes 11.12.a. Place of publication: [London] Publisher: [D. Mortier] Date of publication: [1708] Item type: 1 print Medium: etching Dimensions: sheet 33.8 x 47.3 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Chatsworth House being ye Seat of his Grace W.m Duke and Earl of Derbyshire, Marquis of Hartington, Baron of Hardwick, L.d Steward of her Maj.ties household, Chief Iustice in Eyre of all her Maj.ties Forrests Chace Author Kip, Johannes 11.12.a. Place of publication: [London] Publisher: [D. Mortier] Date of publication: [1708] Item type: 1 print Medium: etching Dimensions: sheet 33.8 x 47.3 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chatsworth-house-being-ye-seat-of-his-grace-wm-duke-and-earl-of-derbyshire-marquis-of-hartington-baron-of-hardwick-ld-steward-of-her-majties-household-chief-iustice-in-eyre-of-all-her-majties-forrests-chace-author-kip-johannes-1112a-place-of-publication-london-publisher-d-mortier-date-of-publication-1708-item-type-1-print-medium-etching-dimensions-sheet-338-x-473-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401722256.htmlRM2E9G0RC–Chatsworth House being ye Seat of his Grace W.m Duke and Earl of Derbyshire, Marquis of Hartington, Baron of Hardwick, L.d Steward of her Maj.ties household, Chief Iustice in Eyre of all her Maj.ties Forrests Chace Author Kip, Johannes 11.12.a. Place of publication: [London] Publisher: [D. Mortier] Date of publication: [1708] Item type: 1 print Medium: etching Dimensions: sheet 33.8 x 47.3 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820
Print, Design for Tabernacle, from 'Tabernacles'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 33.9 × 22.1 cm (13 3/8 × 8 11/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-design-for-tabernacle-from-tabernacles-print-maker-jean-le-pautre-french-16181682-etching-on-paper-339-221-cm-13-38-8-1116-in-image546201871.htmlRM2PMHJ1K–Print, Design for Tabernacle, from 'Tabernacles'; Print Maker: Jean Le Pautre (French, 1618–1682); etching on paper; 33.9 × 22.1 cm (13 3/8 × 8 11/16 in.)
Creampot MET DP154626 2671 Maker: Joseph Edwards Jr., 1737?1783, Creampot, 1760?80, Silver, 3 11/16 x 4 3/16 in. (9.4 x 10.6 cm); 4 oz. 5 dwt. (131.8 g). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.300) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-creampot-met-dp154626-2671-maker-joseph-edwards-jr-17371783-creampot-168176841.htmlRMKNH37N–Creampot MET DP154626 2671 Maker: Joseph Edwards Jr., 1737?1783, Creampot, 1760?80, Silver, 3 11/16 x 4 3/16 in. (9.4 x 10.6 cm); 4 oz. 5 dwt. (131.8 g). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.300)
Art inspired by Military Festival at Boulogne with Napoleon Distributing Stars of the Legion of Honor, 19th century, Lithography, Sheet: 13 3/8 x 17 11/16 in. (33.9 x 44.9 cm), Prints, Victor Adam (French, 1801–1866, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-military-festival-at-boulogne-with-napoleon-distributing-stars-of-the-legion-of-honor-19th-century-lithography-sheet-13-38-x-17-1116-in-339-x-449-cm-prints-victor-adam-french-18011866-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463016451.htmlRF2HW865R–Art inspired by Military Festival at Boulogne with Napoleon Distributing Stars of the Legion of Honor, 19th century, Lithography, Sheet: 13 3/8 x 17 11/16 in. (33.9 x 44.9 cm), Prints, Victor Adam (French, 1801–1866, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Timbila, Chopi people, 19th century, Mozambique, Chopi people, Wood, leather skin, and twine, L: 84.3 cm (33-3/16 in.); W: 47.5 cm (18-11/16 in.); Depth: 11 cm (4-5/16 in.), Idiophone-Struck-bar-wood Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/timbila-chopi-people-19th-century-mozambique-chopi-people-wood-leather-skin-and-twine-l-843-cm-33-316-in-w-475-cm-18-1116-in-depth-11-cm-4-516-in-idiophone-struck-bar-wood-image344598237.htmlRM2B0HPFW–Timbila, Chopi people, 19th century, Mozambique, Chopi people, Wood, leather skin, and twine, L: 84.3 cm (33-3/16 in.); W: 47.5 cm (18-11/16 in.); Depth: 11 cm (4-5/16 in.), Idiophone-Struck-bar-wood
A Blood. Artist: George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: sheet: 13 3/16 x 8 11/16 in. (33.5 x 22.1 cm). Publisher: Published London by William Holland (British, 1757-1815). Date: December 1, 1790. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-blood-artist-george-moutard-woodward-british-ca-1760-1809-london-dimensions-sheet-13-316-x-8-1116-in-335-x-221-cm-publisher-published-london-by-william-holland-british-1757-1815-date-december-1-1790-museum-metropolitan-museum-of-art-new-york-usa-image213205836.htmlRMPATA64–A Blood. Artist: George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: sheet: 13 3/16 x 8 11/16 in. (33.5 x 22.1 cm). Publisher: Published London by William Holland (British, 1757-1815). Date: December 1, 1790. Museum: Metropolitan Museum of Art, New York, USA.
. Christ cleansing the Temple. inscribed 'IOAN·Z·' (centre left, on the pillar) oil on panel 11 5/8 x 13 3/8 in. (29.4 x 33.8 cm.) . 16th century. 989 Pieter Aertsen Christ cleansing the Temple Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-cleansing-the-temple-inscribed-ioanz-centre-left-on-the-pillar-oil-on-panel-11-58-x-13-38-in-294-x-338-cm-16th-century-989-pieter-aertsen-christ-cleansing-the-temple-image185544853.htmlRMMNT89W–. Christ cleansing the Temple. inscribed 'IOAN·Z·' (centre left, on the pillar) oil on panel 11 5/8 x 13 3/8 in. (29.4 x 33.8 cm.) . 16th century. 989 Pieter Aertsen Christ cleansing the Temple
![VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.c. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 23.5 x 30.1 cm, on sheet 27.3 x 33.9 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G1HT/view-in-chudleigh-devonshire-author-hollis-george-11662c-place-of-publication-london-publisher-published-by-colnaghi-co-cockspur-street-g-hollis-58-marchmont-streeet-brunswick-square-london-date-of-publication-decemr-31-1817-item-type-1-print-medium-etching-and-engraving-on-chine-colle-dimensions-platemark-235-x-301-cm-on-sheet-273-x-339-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G1HT.jpg "VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.c. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 23.5 x 30.1 cm, on sheet 27.3 x 33.9 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.c. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 23.5 x 30.1 cm, on sheet 27.3 x 33.9 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-in-chudleigh-devonshire-author-hollis-george-11662c-place-of-publication-london-publisher-published-by-colnaghi-co-cockspur-street-g-hollis-58-marchmont-streeet-brunswick-square-london-date-of-publication-decemr-31-1817-item-type-1-print-medium-etching-and-engraving-on-chine-colle-dimensions-platemark-235-x-301-cm-on-sheet-273-x-339-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401722884.htmlRM2E9G1HT–VIEW IN CHUDLEIGH DEVONSHIRE. Author Hollis, George 11.66.2.c. Place of publication: [London] Publisher: Published by Colnaghi , Co Cockspur Street , G. Hollis, 58 Marchmont Streeet, Brunswick Square, London, Date of publication: Decemr 31 1817. Item type: 1 print Medium: etching and engraving on chine colleÃÅ Dimensions: platemark 23.5 x 30.1 cm, on sheet 27.3 x 33.9 cm. Former owner: George III, King of Great Britain, 1738-1820
Drawing, Design for Clock; Manufactured by Lefebvre Manufactory, Tournai; Belgium; graphite, pen and black ink, brush and yellow, brown watercolor on white laid paper; 45 x 33.5 cm (17 11/16 x 13 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-clock-manufactured-by-lefebvre-manufactory-tournai-belgium-graphite-pen-and-black-ink-brush-and-yellow-brown-watercolor-on-white-laid-paper-45-x-335-cm-17-1116-x-13-316-in-image546163208.htmlRM2PMFTMT–Drawing, Design for Clock; Manufactured by Lefebvre Manufactory, Tournai; Belgium; graphite, pen and black ink, brush and yellow, brown watercolor on white laid paper; 45 x 33.5 cm (17 11/16 x 13 3/16 in.)
Creampot MET DP154639 2671 Maker: Joseph Edwards Jr., 1737?1783, Creampot, 1760?80, Silver, 3 11/16 x 4 3/16 in. (9.4 x 10.6 cm); 4 oz. 5 dwt. (131.8 g). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.300) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-creampot-met-dp154639-2671-maker-joseph-edwards-jr-17371783-creampot-168177006.htmlRMKNH3DJ–Creampot MET DP154639 2671 Maker: Joseph Edwards Jr., 1737?1783, Creampot, 1760?80, Silver, 3 11/16 x 4 3/16 in. (9.4 x 10.6 cm); 4 oz. 5 dwt. (131.8 g). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.300)
Art inspired by Portrait of Louis Bouche, George Wesley Bellows, American, 1882-1925, Lithograph on thin cream-colored wove paper, 1921, 13 1/16 x 11 9/16 in., 33.1 x 29.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-louis-bouche-george-wesley-bellows-american-1882-1925-lithograph-on-thin-cream-colored-wove-paper-1921-13-116-x-11-916-in-331-x-293-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459574903.htmlRF2HKKCDB–Art inspired by Portrait of Louis Bouche, George Wesley Bellows, American, 1882-1925, Lithograph on thin cream-colored wove paper, 1921, 13 1/16 x 11 9/16 in., 33.1 x 29.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
